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Good evening, welcome back to
Alexander Palace. The quarterfinals | 0:00:35 | 0:00:39 | |
of the 2018 masters are well under
way and to night we shall see one of | 0:00:39 | 0:00:45 | |
Snicko's brightest young talents,
Kyren Wilson, line up against | 0:00:45 | 0:00:50 | |
Williams the Welsh wonder. | 0:00:50 | 0:00:55 | |
Williams the Welsh wonder. His nerve
is going to hold in the final | 0:00:56 | 0:00:58 | |
session. | 0:00:58 | 0:01:06 | |
It will be this time I am sure. A
tremendous cheer, really deserved | 0:01:06 | 0:01:14 | |
for this young man. | 0:01:14 | 0:01:20 | |
How did that go in? Of all the
players this week he has played | 0:01:32 | 0:01:39 | |
consistently the best. Mark Williams
looks as though he is going to have | 0:01:39 | 0:01:47 | |
that trophy. That is for the
championship. | 0:01:47 | 0:01:58 | |
championship. Wonderful memories and
Mark Williams' family is in the | 0:01:58 | 0:02:04 | |
crowd here tonight and they might
not realise that when it comes to | 0:02:04 | 0:02:08 | |
the head to heads, Kyren Wilson
leads Mark Williams, leading by 2-0. | 0:02:08 | 0:02:17 | |
And when Mark Williams won his first
Masters title Kyren Wilson was still | 0:02:17 | 0:02:21 | |
in school. That is the difference in
age between these two. Good evening, | 0:02:21 | 0:02:27 | |
Steve Davis. We have to say the way
Mark Williams is playing there is no | 0:02:27 | 0:02:31 | |
reason why come Sunday he is not
lifting this trophy. He looked | 0:02:31 | 0:02:36 | |
magnificent in the first round,
everybody was impressed. At the age | 0:02:36 | 0:02:40 | |
of 32 he is putting in great
performances. | 0:02:40 | 0:02:47 | |
performances. He is dangerous. What
about Kyren Wilson and you see the | 0:02:47 | 0:02:51 | |
way he has matured as a fine snooker
player? Do you see him as somebody | 0:02:51 | 0:02:56 | |
who could one day lift this title?
We all see the potential, he has got | 0:02:56 | 0:03:02 | |
a great all-round game, a good head
on his shoulders, and he is | 0:03:02 | 0:03:07 | |
competitive as well. If he keeps on
improving, he will lift trophies. Do | 0:03:07 | 0:03:13 | |
you think this one will go all the
way? The start is important, but it | 0:03:13 | 0:03:18 | |
is not the most important. How you
finish is best. But both these | 0:03:18 | 0:03:23 | |
players are great match players in
their own different ways and it will | 0:03:23 | 0:03:26 | |
be fascinating. We will talk to you
about Ronnie O'Sullivan in a moment. | 0:03:26 | 0:03:31 | |
The big story so far is running
O'Sullivan was dumped out this | 0:03:31 | 0:03:36 | |
afternoon by Northern Ireland's Mark
Allen. It was all very | 0:03:36 | 0:03:41 | |
straightforward for Mark Allen and
his record in major championships | 0:03:41 | 0:03:44 | |
against Roddy continues. His second
Masters win over Ronnie O'Sullivan, | 0:03:44 | 0:03:50 | |
the defending champion. The
favourite is out and he spoke to BBC | 0:03:50 | 0:03:55 | |
Radio five live after the match. If
I was a football player, I would | 0:03:55 | 0:04:01 | |
have missed this game, but it is an
individual sport so you have to get | 0:04:01 | 0:04:06 | |
out there and do it. | 0:04:06 | 0:04:12 | |
out there and do it. I thought just
turn up and give it a go, but I was | 0:04:12 | 0:04:15 | |
struggling. It was a virus or
something. I have had it before and | 0:04:15 | 0:04:19 | |
it is very difficult when you get
dizzy spells. Give it ago and it was | 0:04:19 | 0:04:24 | |
good enough. If I was playing
someone who could not put a ball I | 0:04:24 | 0:04:30 | |
might have been all right, but he is
too good a player. I know people do | 0:04:30 | 0:04:34 | |
not take me seriously, but I come
back to snooker for different | 0:04:34 | 0:04:38 | |
reasons. It is a bit of a time
passer for me. I don't enjoy... I | 0:04:38 | 0:04:48 | |
have explained before I want to get
out of snooker as quickly as I can. | 0:04:48 | 0:04:52 | |
I still play because I have got some
snooker fans. I still play a few | 0:04:52 | 0:04:56 | |
tournaments. It is better that I do
a month in Australia while at the | 0:04:56 | 0:05:02 | |
World Championships are wrong
because I would find it difficult | 0:05:02 | 0:05:04 | |
not being part of it. You are saying
you will not play at the World | 0:05:04 | 0:05:09 | |
Championships? Things can change,
but it has been on my mind for a | 0:05:09 | 0:05:14 | |
while and the best place for me to
be is away, because it would be | 0:05:14 | 0:05:19 | |
difficult. It is a great tournament,
but I am not going there and doing | 0:05:19 | 0:05:24 | |
the press and the media and the day
before and the big microscope on | 0:05:24 | 0:05:27 | |
you. I would rather play in these
little events under the radar, have | 0:05:27 | 0:05:33 | |
some fun and pot a few balls. I get
my fix that way. I am not desperate | 0:05:33 | 0:05:38 | |
to win another world title. Unless
the terms and conditions are | 0:05:38 | 0:05:42 | |
different, I would rather do
something else. I am not one of | 0:05:42 | 0:05:50 | |
these who is just going to drop. I
am not going to put thousands of | 0:05:50 | 0:05:56 | |
miles on my clock. I do not do
pressure and stress too well. There | 0:05:56 | 0:06:00 | |
are other opportunities out there
and I enjoy it and it is good fun | 0:06:00 | 0:06:04 | |
and my life is better because of it
and that is the way it is. If they | 0:06:04 | 0:06:08 | |
want me to play, they have to come
knock on my door. If they don't want | 0:06:08 | 0:06:13 | |
me, there are other people who will
do stuff with me as well. Ronnie | 0:06:13 | 0:06:17 | |
O'Sullivan speaking this afternoon.
Somebody in the audience does not | 0:06:17 | 0:06:22 | |
like the sound of that. Many
watching at home will have very | 0:06:22 | 0:06:26 | |
strong views and some of you say
that that was predictable from | 0:06:26 | 0:06:30 | |
Ronnie. The cynic in me would say we
have heard it all before and that | 0:06:30 | 0:06:36 | |
was off the back of getting a
drubbing from Mark Allen and perhaps | 0:06:36 | 0:06:40 | |
he was a bit disappointed in the
interview. The more empathetic side | 0:06:40 | 0:06:44 | |
of me will say that as the years go
on, and Stephen Hendry has the | 0:06:44 | 0:06:49 | |
experience, as you get older you do
not relish the competitive side of | 0:06:49 | 0:06:53 | |
it as much as you did when you were
younger. Perhaps this is the sign | 0:06:53 | 0:06:56 | |
that whilst he loves playing the
game he does not enjoy the | 0:06:56 | 0:07:09 | |
fight as much as he used to.
Therefore looking to bailout is one | 0:07:13 | 0:07:16 | |
of the ways you will do that.
Stephen Hendry retired in the top | 0:07:16 | 0:07:18 | |
16. I did not enjoy the latter part
of my career playing against more | 0:07:18 | 0:07:22 | |
aggressive, younger players. Perhaps
this is Ronnie trying to work out | 0:07:22 | 0:07:23 | |
how he gets out of the game in some
way. But let's see how the draw | 0:07:23 | 0:07:27 | |
comes through. Clearly he enjoys
other aspects of his life. He has | 0:07:27 | 0:07:30 | |
got the creative side, he is doing
literature and television. Can you | 0:07:30 | 0:07:35 | |
understand why he would want to go
and do that as opposed to the sport | 0:07:35 | 0:07:38 | |
in which he has created his name?
Yes, if he stopped enjoying | 0:07:38 | 0:07:45 | |
competitive play. If he enjoyed it,
he would be driven to the match | 0:07:45 | 0:07:49 | |
table and the World Championships
would be the holy Grail every year. | 0:07:49 | 0:07:53 | |
If you are starting to not like
competitive play, and he has said he | 0:07:53 | 0:07:58 | |
does not care one way or the other,
if you do not like competitive play | 0:07:58 | 0:08:03 | |
as much as you used to, you will
look for different ways to get out | 0:08:03 | 0:08:07 | |
of it. But it may be the case he is
coming to the press conference after | 0:08:07 | 0:08:12 | |
losing and he is sulking a bit. We
also should say it was a fantastic | 0:08:12 | 0:08:17 | |
display from Mark Allen. People will
say we are all talking about Ronnie, | 0:08:17 | 0:08:21 | |
but Mark Allen came out and did a
job on him. He is competitive and | 0:08:21 | 0:08:26 | |
hungry and he wants to win a major,
so you have got a different state of | 0:08:26 | 0:08:31 | |
mind. Ronnie has done it all before
and Mark Allen is still hungry for | 0:08:31 | 0:08:36 | |
tournament wins. Perhaps that is the
answer. Let's bring you up-to-date | 0:08:36 | 0:08:41 | |
with the quarterfinals. So, the
seven times Masters winner Ronnie | 0:08:41 | 0:08:49 | |
O'Sullivan was dumped out this
afternoon by Mark Allen. John | 0:08:49 | 0:08:53 | |
Higgins has got two Masters titles
to his name. John Trump plays the | 0:08:53 | 0:08:59 | |
2015 Masters winner Shaun Murphy.
Kyren Wilson is up against the 1998 | 0:08:59 | 0:09:06 | |
and 2003 Masters winner Mark
Williams. So, we are really looking | 0:09:06 | 0:09:12 | |
forward to this one tonight. It is
Williams against Wilson. Good | 0:09:12 | 0:09:14 | |
evening, Rob Walker.
Good evening, what a remarkable day | 0:09:14 | 0:09:27 | |
it has been, Ronnie O'Sullivan
knocked out by a sublime Mike Allen. | 0:09:27 | 0:09:30 | |
We have got two of the best in the
world waiting to go toe to toe | 0:09:30 | 0:09:35 | |
tonight. It is showtime once again
here in north London. | 0:09:35 | 0:09:47 | |
Please welcome a player who secured
his first Masters win on Tuesday | 0:09:53 | 0:09:58 | |
night beating the classy Barry
Hawkins 6-4. Winner of the 2015 | 0:09:58 | 0:10:03 | |
Shanghai Masters, he has made two
filed this season already. He is | 0:10:03 | 0:10:09 | |
without doubt one of the sport's
elite and he will be fired up | 0:10:09 | 0:10:14 | |
tonight. That is why we call him The
Warrior, Kyren Wilson. | 0:10:14 | 0:10:25 | |
# See you later alligator, | 0:10:25 | 0:10:31 | |
and his opponent, a man who spent
much of the last two years telling | 0:10:43 | 0:10:47 | |
us he is a has-been.
Do not believe it for one single | 0:10:47 | 0:10:51 | |
second. There is still more than a
touch or two of magic than in that | 0:10:51 | 0:10:58 | |
ageing Welsh cue. In November he
produced an emotional 19th ranking | 0:10:58 | 0:11:04 | |
night total in Northern Ireland. On
Sunday he knocked out the world | 0:11:04 | 0:11:08 | |
number one Mark Selby. He has still
got it, he is the pride of Wales, he | 0:11:08 | 0:11:13 | |
is Mark Williams. | 0:11:13 | 0:11:20 | |
MUSIC: Delilah by Tom Jones. | 0:11:26 | 0:11:34 | |
How lovely to hear the crowd giving
Mark Williams a wonderful raw here | 0:11:44 | 0:11:48 | |
inside Alexander Palace. You wonder,
John Parrott and John Virgo, now | 0:11:48 | 0:11:53 | |
that Ronnie O'Sullivan is out
whether Mark Williams is the crowd | 0:11:53 | 0:11:57 | |
favourite. Good evening, I think
Ronnie losing this afternoon has | 0:11:57 | 0:12:02 | |
opened up the tournament for
everybody. Everybody left in it will | 0:12:02 | 0:12:07 | |
fancy their chances. But he is
definitely going to be a major | 0:12:07 | 0:12:10 | |
contender because of his experience.
That is playing on these one-table | 0:12:10 | 0:12:18 | |
situations at this level. I agree
with you. It will be an interesting | 0:12:18 | 0:12:24 | |
match. They have played a couple of
times and Kyren has won both of | 0:12:24 | 0:12:31 | |
them. But there is a different
magnitude to this one. | 0:12:31 | 0:12:39 | |
One of snooker's class of 92. Beat
John Higgins and Ronnie O'Sullivan. | 0:12:49 | 0:13:00 | |
To think he is still there competing
at the highest level. His comeback | 0:13:00 | 0:13:05 | |
ability has been amazing. He dropped
out of the top 32 at one stage. But | 0:13:05 | 0:13:15 | |
this young man, Kyren Wilson, is the
future if you like. He was a bit | 0:13:15 | 0:13:22 | |
fortunate there. He did not hit that
safety shot well. Flicking the green | 0:13:22 | 0:13:29 | |
has helped him. This is an
interesting matchup. | 0:13:29 | 0:13:39 | |
Decided to play dead weight roll
into the pack. | 0:13:52 | 0:13:59 | |
into the pack. He will be taking a
miss. He is having the cue ball | 0:13:59 | 0:14:03 | |
clean. That was a mistake from Mark
Williams. | 0:14:03 | 0:14:14 | |
Always the way with this game, he
played a poor safety shot and he got | 0:14:28 | 0:14:32 | |
away with it. A couple of shots
later there he is on the balls with | 0:14:32 | 0:14:37 | |
a great chance. | 0:14:37 | 0:14:45 | |
a great chance. It is a wonderful
arena, packed to the rafters again. | 0:14:45 | 0:14:49 | |
This has turned out to be a
brilliant venue, John. To be honest, | 0:14:49 | 0:14:55 | |
I did not think anything could
replace the Wembley conference | 0:14:55 | 0:14:58 | |
Centre but this has. | 0:14:58 | 0:15:03 | |
Centre but this has. Only his second
appearance in the Masters, Kyren. | 0:15:05 | 0:15:10 | |
First time in the quarterfinals. So
there will be a lot of nerves there. | 0:15:10 | 0:15:17 | |
We'll be giving every shot the
utmost respect. Winning the first | 0:15:17 | 0:15:23 | |
frame, nothing would settle you
better, particularly if you could do | 0:15:23 | 0:15:29 | |
it in one visit. But he has a bit to
do yet. He has got to bring the reds | 0:15:29 | 0:15:35 | |
into play. | 0:15:35 | 0:15:42 | |
I thought that cue ball was going to
stop short, but it has just about | 0:15:43 | 0:15:49 | |
got an angle on the blue. I presume
it is the new cloth. I would have | 0:15:49 | 0:15:57 | |
thought so. Shaun Murphy thought it
was on its way out yesterday. You | 0:15:57 | 0:16:02 | |
would think they would put a new
course on for the next round. You | 0:16:02 | 0:16:08 | |
will expect it to be a bit lively
and a little easier on the jaws as | 0:16:08 | 0:16:12 | |
well. Balls sometimes tend to slide
in a little easier. | 0:16:12 | 0:16:24 | |
That time short of the blue. That is
probably a bit of tension in his | 0:16:24 | 0:16:29 | |
arm. | 0:16:29 | 0:16:36 | |
There is one red sticking out on the
edge which could go. | 0:16:37 | 0:16:44 | |
edge which could go. But he will
have to play it with some pace to | 0:16:47 | 0:16:50 | |
bring any ball into play. | 0:16:50 | 0:16:56 | |
bring any ball into play. REFEREE:
Make sure that your flashlights are | 0:16:56 | 0:16:59 | |
switched off, please. | 0:16:59 | 0:17:07 | |
I am surprised he played that in
that way. | 0:17:10 | 0:17:16 | |
But at least he didn't miss. | 0:17:22 | 0:17:30 | |
Lovely shot. That is the problem
with a player like Mark Williams, | 0:17:46 | 0:17:58 | |
his tactical noose. He finds himself
in big trouble. That was a lovely | 0:17:58 | 0:18:09 | |
touch. | 0:18:09 | 0:18:14 | |
touch. Not absolutely
straightforward for getting out of | 0:18:17 | 0:18:18 | |
this. | 0:18:18 | 0:18:19 | |
REFEREE: Foul and a miss. Mark
Williams, four. | 0:18:29 | 0:18:34 | |
That was the line he was looking
for. | 0:18:41 | 0:18:49 | |
for. Mark will not have this
replace. He will fancy taking it on | 0:18:49 | 0:18:52 | |
to the far right corner. | 0:18:52 | 0:18:58 | |
A nice confident stroke. He decided
that was the right shot to play. | 0:19:04 | 0:19:19 | |
Kyren was in with a chance first and
this is Mark Williams' first chance | 0:19:21 | 0:19:25 | |
of the evening. | 0:19:25 | 0:19:27 | |
I don't think the pink is available. | 0:19:33 | 0:19:36 | |
He has played for the black. He will
do well here to get on another read. | 0:19:42 | 0:19:52 | |
I am surprised. He chose the wrong
red. Those two reds on the left, if | 0:20:01 | 0:20:10 | |
he had taken the right-hand side .0,
he would be on the bottom of the | 0:20:10 | 0:20:15 | |
pack. It looks like end of break
unless he can find something. | 0:20:15 | 0:20:26 | |
You mentioned that class of 92,
John. What three players they were | 0:20:41 | 0:20:46 | |
to come through at the | 0:20:46 | 0:20:53 | |
to come through at the same time,
Higgins and Williams. All multiple | 0:20:53 | 0:20:57 | |
world champions. It must have been a
tough year playing as a junior if | 0:20:57 | 0:21:03 | |
you got one of them. Yes, I remember
seeing some of the qualifiers in | 0:21:03 | 0:21:10 | |
Blackpool and Ronnie played 76
qualifiers and 174. Do not ask me | 0:21:10 | 0:21:19 | |
who were the two who beat him! | 0:21:19 | 0:21:28 | |
He did not have a look at the plant
so I assume he noticed it was there. | 0:21:30 | 0:21:34 | |
Now he has got an angle on the
green. He knocked it in | 0:21:34 | 0:21:40 | |
nonchalantly. He did not appear to
apologise to Kyren. He would like | 0:21:40 | 0:21:48 | |
that cue ball to be a lot closer
than this. | 0:21:48 | 0:21:57 | |
That was about as good as he could
do from there. | 0:21:58 | 0:22:07 | |
This red will cut. | 0:22:12 | 0:22:22 | |
It needs to stop short of the baulk
line. Not quite. | 0:22:23 | 0:22:35 | |
Surely he is not looking at the pot.
This is extremely acute this angle. | 0:22:53 | 0:23:07 | |
He was and he took the chance. But
that was extremely thin. Now he has | 0:23:08 | 0:23:13 | |
missed it and it gives his opponent
a chance. It was a tough shot, John. | 0:23:13 | 0:23:19 | |
It was. But he felt it was a natural
cannon into the cluster. If it had | 0:23:19 | 0:23:27 | |
gone in, it could have won him the
frame. It did not, it could cost | 0:23:27 | 0:23:32 | |
him. | 0:23:32 | 0:23:38 | |
He would have liked to have been on
the blue, but he will settle for the | 0:23:51 | 0:23:57 | |
brown. As soon as the back spin
touches the cushion, it turns into | 0:23:57 | 0:24:08 | |
top spin. He should be hitting that
just below centre. He could have | 0:24:08 | 0:24:14 | |
played better than that. | 0:24:14 | 0:24:21 | |
He would have liked to have been
closer to the red. I think he has | 0:24:24 | 0:24:29 | |
found a planned. I think that is why
he was not bothered with the cue | 0:24:29 | 0:24:32 | |
ball. | 0:24:32 | 0:24:33 | |
He had to catch the first one just
right and he caught it a bit full. | 0:24:46 | 0:24:52 | |
I think that red going in was an
example of what we were talking | 0:25:07 | 0:25:11 | |
about with that new cloth being on
the table. It's | 0:25:11 | 0:25:20 | |
the table. It's sliding off the jaw. | 0:25:21 | 0:25:23 | |
Mark Williams' decision to take that
very tricky brown might be his | 0:25:35 | 0:25:39 | |
undoing in the opening frame.
Another 24 points needed at this | 0:25:39 | 0:25:48 | |
visit. | 0:25:48 | 0:25:50 | |
He played that nicely. | 0:25:58 | 0:26:09 | |
The wrong side of the blue. A bit
more to do than he should have had. | 0:26:23 | 0:26:37 | |
Still looking for a red, a colour,
red. | 0:26:38 | 0:26:47 | |
Never really had the cue ball in
this break. He is 40 points ahead | 0:27:17 | 0:27:25 | |
with 43 on the table. This red
should be enough for the first | 0:27:25 | 0:27:31 | |
frame, but this has been hard work
this break. Even with the | 0:27:31 | 0:27:37 | |
Even with the plant. | 0:27:45 | 0:27:54 | |
But for a couple of snooker 's Kyren
Wilson will have the first frame in | 0:28:03 | 0:28:07 | |
the bag. | 0:28:07 | 0:28:10 | |
It is not etiquette, you do not
concede when your opponent is coming | 0:28:17 | 0:28:21 | |
to the table. | 0:28:21 | 0:28:24 | |
That is definitely the end of that
frame. It has been a little scrappy | 0:28:37 | 0:28:42 | |
for sure. Both players had chances. | 0:28:42 | 0:28:48 | |
Kyren Wilson will take the opening
frame and you always settle down in | 0:28:54 | 0:29:00 | |
a match if you take the opening
frame. | 0:29:00 | 0:29:10 | |
Oh, hello! Save them for when you
need them, son. | 0:29:21 | 0:29:34 | |
need them, son. Yes, he wanted the
frame to end there. That was very | 0:29:34 | 0:29:39 | |
risky, but he is a percentage
player. | 0:29:39 | 0:29:46 | |
player. The percentage went against
him and Kyren Wilson took it. That | 0:29:46 | 0:29:49 | |
is the one thing we have spotted
from the Masters, it is important to | 0:29:49 | 0:29:53 | |
get a good start in a match. Very
confident from Kyren Wilson. He was | 0:29:53 | 0:30:00 | |
presented with a final opportunity
by Mark Williams with a risky brown. | 0:30:00 | 0:30:03 | |
In hindsight he should not have gone
for it, but if he had potted it, he | 0:30:03 | 0:30:09 | |
would have had the frame. It was a
tough cut back. You could argue in | 0:30:09 | 0:30:14 | |
the first frame you could keep it a
bit tighter. But the end result is | 0:30:14 | 0:30:21 | |
that Kyren Wilson has got off to a
good start. We will see how much | 0:30:21 | 0:30:24 | |
that influences the match. | 0:30:24 | 0:30:30 | |
In the opening frame, there were a
couple of great pots, to relieve the | 0:30:31 | 0:30:36 | |
tension? It's a sign of a player who
isn't overawed by the occasion and | 0:30:36 | 0:30:40 | |
will probably go forward in his
career that he can get off to a good | 0:30:40 | 0:30:45 | |
start. He will have some nerves,
positive nerves, as opposed to being | 0:30:45 | 0:30:48 | |
frightened. He's got a lovely way
about him, hasn't he? Yeah, | 0:30:48 | 0:30:52 | |
everybody who has seen him play, he
impressed at the World Championship | 0:30:52 | 0:30:58 | |
and we all went, well, he's a player
can you know, and you can spot them. | 0:30:58 | 0:31:04 | |
It's no surprise he's in the top 16
already this year. This is only his | 0:31:04 | 0:31:09 | |
second appearance. That win over
Barry Hawkins was his first win at | 0:31:09 | 0:31:13 | |
the Masters. Yeah, whether or not
that gives him a confidence I don't | 0:31:13 | 0:31:16 | |
know, but he's on the way up. He's
up against someone who is very | 0:31:16 | 0:31:22 | |
experienced, in Mark Williams. Let's
gone back to John Virgo and John | 0:31:22 | 0:31:25 | |
Parrott. | 0:31:25 | 0:31:26 | |
Is Kyren Wilson to break off
WinFrame two. Whilst that wasn't | 0:31:32 | 0:31:37 | |
riveting opening frame, he won't be
too bothered about it. It's got a | 0:31:37 | 0:31:43 | |
number one next to his name, he's
taken the opener, which is a good | 0:31:43 | 0:31:47 | |
start to any match. He's a very
competent matchplay is Kyren. | 0:31:47 | 0:31:53 | |
Doesn't seem to get flustered by too
much. He's definitely on the | 0:31:53 | 0:31:58 | |
upgrade. | 0:31:58 | 0:32:05 | |
Can he pot this red? More interested
in getting the cue ball back to the | 0:32:15 | 0:32:23 | |
end of the table. Made a pretty good
job of it. OK, not close to the | 0:32:23 | 0:32:28 | |
baulk question, but he was the sport
of there. -- baulk Russian. | 0:32:28 | 0:32:35 | |
A bit thick with that one. But in
the end it's turned out OK. | 0:32:45 | 0:32:58 | |
I think this is going to be a proper
match don't you? It's going to be | 0:32:58 | 0:33:03 | |
competitive for every shot, every
chance, you will have to recount. | 0:33:03 | 0:33:08 | |
You are going to have to earn your
corn, aren't you? Players are low is | 0:33:08 | 0:33:13 | |
to hit the sides of the pack here
because reds open up so easily. | 0:33:13 | 0:33:17 | |
That's why Mark Williams is shaking
his head, he doesn't really want to | 0:33:17 | 0:33:22 | |
play off the side of the pack. He
can't guarantee where the reds are | 0:33:22 | 0:33:26 | |
going to go. also, when you are
playing someone like Kyren, who is | 0:33:26 | 0:33:30 | |
probably his biggest friend, is his
long potting, which it is when you | 0:33:30 | 0:33:37 | |
are young and your eyesight is
better, so just to prove John | 0:33:37 | 0:33:40 | |
Wright, just played the negative
safety. | 0:33:40 | 0:33:46 | |
Whether that will work in the long
run or not is another matter. | 0:33:46 | 0:33:56 | |
APPLAUSE | 0:34:06 | 0:34:14 | |
He played one in the last frame that
was way short. So is that. | 0:34:20 | 0:34:27 | |
I tell you one thing I notice about
Kyren Wilson, I did his last match | 0:34:31 | 0:34:36 | |
against Barry Hawkins, he does love
a double. He loves a double. | 0:34:36 | 0:34:46 | |
Interesting, putting them back in to
bat, there is no great advantage, he | 0:34:48 | 0:34:54 | |
could easily have played off the
loose red himself, Haran, and played | 0:34:54 | 0:34:59 | |
a safety shot. I think he was eyeing
up the double but didn't feel he | 0:34:59 | 0:35:04 | |
could get petition on the colour. As
you say, a straightforward escape. | 0:35:04 | 0:35:09 | |
Just needs more pace. | 0:35:09 | 0:35:11 | |
So is Mark Williams going to keep
the frames tight and the reds off | 0:35:22 | 0:35:28 | |
his safety, do you think Kyren
should maybe play a bit more | 0:35:28 | 0:35:32 | |
aggressive safety? I don't think
that will be happening, he will play | 0:35:32 | 0:35:35 | |
it as it is that at some point it
will open up, surely. It was a very | 0:35:35 | 0:35:41 | |
strange shot that Mark Williams
played, when he pushed the reds to | 0:35:41 | 0:35:44 | |
the top cushion. That was as
negative as you are likely to see. | 0:35:44 | 0:35:54 | |
Yet he lost the first frame by
playing the most aggressive shot | 0:35:54 | 0:36:00 | |
you're likely to see. Good safety
there. | 0:36:00 | 0:36:01 | |
APPLAUSE | 0:36:01 | 0:36:03 | |
If he misses the brown, it would be
a good safety. He didn't. But the | 0:36:22 | 0:36:28 | |
red closest to the corner is covered
by another red. | 0:36:28 | 0:36:38 | |
Now, can he pot this and stun across
the side of the pack? Like that. He | 0:36:45 | 0:36:51 | |
did, but he didn't have the control
on the cue ball, didn't get into it | 0:36:51 | 0:36:55 | |
enough. That was a natural angle for
that, it was a great pot, just | 0:36:55 | 0:37:01 | |
didn't get hold of the cue ball. | 0:37:01 | 0:37:09 | |
Did he hit the black? He's missed it
and the cue ball, he's lucky the cue | 0:37:09 | 0:37:18 | |
ball didn't go in. Miss has been
called but I think maybe Kyren can | 0:37:18 | 0:37:23 | |
get through to this red, through the
blue. No point in having it put | 0:37:23 | 0:37:28 | |
back. He's not going to Mr black
second time. It's one of those | 0:37:28 | 0:37:33 | |
situations, do you want to take this
on yourself? Here we C Mark Williams | 0:37:33 | 0:37:38 | |
attempting to get the thin clip off
the black, which he misses, so he's | 0:37:38 | 0:37:43 | |
going to try to take it on, Kyren.
He prefers to play at himself. | 0:37:43 | 0:37:55 | |
He prefers to play at himself. -- it
himself. He probably felt the only | 0:37:55 | 0:37:57 | |
red he could leave was the one he
was playing and that's run safe, so | 0:37:57 | 0:38:01 | |
no harm done, but there is a target
behind the brown marker we are | 0:38:01 | 0:38:05 | |
looking for here. | 0:38:05 | 0:38:11 | |
He'll be disappointed with that
effort. | 0:38:11 | 0:38:18 | |
effort. Yeah, and, well, you
mentioned earlier that Kyren's long | 0:38:18 | 0:38:20 | |
game is very good stuff it's the
first test of it, this evening. | 0:38:20 | 0:38:31 | |
APPLAUSE
Yeah, that's pretty good. Beautiful, | 0:38:37 | 0:38:44 | |
straight through the ball, perfectly
on the black, and excellent shot. | 0:38:44 | 0:38:48 | |
It's not worked out too bad. He's
got the red to the right corner. | 0:39:12 | 0:39:21 | |
It's a full enough contact, potting
contact, that he can hold for the | 0:39:21 | 0:39:26 | |
black, into the same pocket. A
decent chance, this. | 0:39:26 | 0:39:30 | |
One of those little shots that you
like to play with the dab aside on | 0:39:56 | 0:40:02 | |
it to help the pot and unfortunately
when you do that and it hits the | 0:40:02 | 0:40:06 | |
cushion, it takes the cue ball
closer to the left-hand side | 0:40:06 | 0:40:10 | |
cushion. It just looks like it's
slightly off straight, which isn't | 0:40:10 | 0:40:14 | |
great. | 0:40:14 | 0:40:15 | |
He'll settle for that. Trusting a
little bit to look. He's pinched a | 0:40:28 | 0:40:36 | |
little bit of Lee Angol. He's got a
red to the left middle. He's got one | 0:40:36 | 0:40:41 | |
to the right corner. His choice. | 0:40:41 | 0:40:44 | |
Obviously the pink is available.
Well, I thought it must be, the way | 0:40:55 | 0:41:01 | |
he's playing it. Well, it doesn't
go, so why didn't he play the red to | 0:41:01 | 0:41:07 | |
the right corner? | 0:41:07 | 0:41:09 | |
It needs to run a bit, this. Just
about got there, I think. | 0:41:19 | 0:41:30 | |
His position isn't as he'd like it
at the moment. It's one good shot | 0:41:30 | 0:41:34 | |
just to get right back into correct
position. | 0:41:34 | 0:41:42 | |
It's been a struggle, this break, it
really has. The red he dropped in | 0:41:42 | 0:41:49 | |
the middle to play for the blue, he
could have just dropped it and left | 0:41:49 | 0:41:52 | |
more often angle, if he wanted to go
up and down the table, but he didn't | 0:41:52 | 0:41:57 | |
do that. So it will be the safety
now. Of course break building is all | 0:41:57 | 0:42:04 | |
about shot selection. | 0:42:04 | 0:42:09 | |
So didn't make the most of that
opportunity. OK, he's finished with | 0:42:09 | 0:42:14 | |
a decent safety, but I frame-winning
opportunity gone. | 0:42:14 | 0:42:27 | |
The Chancellor long pot here. --
chance of a long pot here. Not close | 0:42:51 | 0:42:59 | |
this time. But not a bad nudge off
the brown. | 0:42:59 | 0:43:08 | |
Definitely in the ascendancy at the
moment. Mark Williams just can't | 0:43:14 | 0:43:18 | |
quite get a foothold in this frame. | 0:43:18 | 0:43:26 | |
Trying to sneak that cue ball in
behind the yellow, but it was an | 0:43:54 | 0:43:58 | |
almost impossible task. When there's
only two balls in the baulk and it's | 0:43:58 | 0:44:05 | |
hard to play a good safety. The only
good safety you can get it if you | 0:44:05 | 0:44:10 | |
get the cue ball tight to the baulk
cushion, and that's not the best | 0:44:10 | 0:44:16 | |
shot from him. | 0:44:16 | 0:44:23 | |
It may not be a pot that Kyren
fancies, but the cue ball being so | 0:44:28 | 0:44:33 | |
far away from the cushion, you
expect them to play better safety | 0:44:33 | 0:44:37 | |
shot than Mark's. | 0:44:37 | 0:44:46 | |
Trying to push a red down here, but
the cue ball behind the blue. Played | 0:44:58 | 0:45:03 | |
it beautifully. | 0:45:03 | 0:45:05 | |
Now, unless there's a long cushion
escape here, he's got a bit of a | 0:45:10 | 0:45:17 | |
problem. It depends how close the
cue ball is to the blue. If he's | 0:45:17 | 0:45:21 | |
tied to the loo, well, he is,
couldn't be much tighter. -- if he | 0:45:21 | 0:45:29 | |
is tight on the blue. | 0:45:29 | 0:45:38 | |
He's basically looking for a red he
can play for, but he's going to have | 0:45:56 | 0:46:01 | |
to go for at least two War
three-cushions, you'd have thought. | 0:46:01 | 0:46:08 | |
He's going to use the spider. | 0:46:08 | 0:46:15 | |
He's going to use the spider. I
didn't realise it was going to be | 0:46:15 | 0:46:17 | |
this difficult. | 0:46:17 | 0:46:19 | |
I mean, the cueing itself is
extremely difficult. He's going to | 0:46:24 | 0:46:29 | |
play sides cushion, top cushion, try
to hit the loose one, by the green. | 0:46:29 | 0:46:36 | |
Round the back, is he? Yeah. | 0:46:36 | 0:46:45 | |
Mark will have a quick look but I
think you'll have it replaced. I | 0:46:46 | 0:46:51 | |
don't see any value in not having it
replaced. This is a very difficult | 0:46:51 | 0:46:57 | |
way to escape from this snooker. The
funny thing is, I think the middle | 0:46:57 | 0:47:01 | |
pocket might be in the way as well,
the way he's trying to play off side | 0:47:01 | 0:47:06 | |
cushion, I think the bump in the
middle might be close. Yeah, at | 0:47:06 | 0:47:09 | |
first I thought he was mainly going
to play at off one cushion and try | 0:47:09 | 0:47:14 | |
to hit the red on the right-hand
side and not the one to the top | 0:47:14 | 0:47:18 | |
cushion but the place -- the pace he
played it, he's trying to come off | 0:47:18 | 0:47:24 | |
two cushions. He's checking again,
but it is tougher playing it this | 0:47:24 | 0:47:35 | |
way. Maybe thinks he can do it. | 0:47:35 | 0:47:43 | |
And there, as you said, the middle
pocket in the way. Free ball but no | 0:47:48 | 0:47:56 | |
value the free ball. -- no value in
a free ball. I'd be surprised if he | 0:47:56 | 0:48:07 | |
doesn't have it put back, because if
he doesn't hit the middle pocket and | 0:48:07 | 0:48:12 | |
he runs down the top cushion, there
are a couple of reds that will go | 0:48:12 | 0:48:18 | |
but he's decided to take the blue on
but it's tricky. It counts as red, | 0:48:18 | 0:48:22 | |
should it go in.
APPLAUSE | 0:48:22 | 0:48:27 | |
He's got it, dropped it in. And can
just about hold for the blue. He's | 0:48:27 | 0:48:35 | |
got a slight angle on it. | 0:48:35 | 0:48:43 | |
Yeah, so what looked like a little
baby snooker, could be one of the | 0:48:45 | 0:48:49 | |
best shots he's going to play,
because it's forced this | 0:48:49 | 0:48:52 | |
opportunity, it's pottable,
certainly this one is. As we always | 0:48:52 | 0:49:00 | |
say, it's not getting out of the
snooker is, it's what you leave. | 0:49:00 | 0:49:09 | |
Book fair play to Mark, it must be
sorely tempting to have it replaced, | 0:49:09 | 0:49:14 | |
but you play the tricky blue and
it's given him this chance. He'll | 0:49:14 | 0:49:18 | |
try to hold the pink spot here. | 0:49:18 | 0:49:25 | |
Has he holed-macro the pink spot?
Certainly has. It's underneath the | 0:49:27 | 0:49:31 | |
white. | 0:49:31 | 0:49:38 | |
This is an excellent opportunity.
The pink spot is now available, but | 0:49:40 | 0:49:45 | |
that red to the right of the pink
spot will also be available, so it's | 0:49:45 | 0:49:51 | |
a choice. You can either play the
black or the pink. | 0:49:51 | 0:49:59 | |
This is excellent match play from
Mark Williams at the minute. Hasn't | 0:50:12 | 0:50:16 | |
really been involved so far this
evening. He had that chance on the | 0:50:16 | 0:50:19 | |
brown, didn't quite live it soon
enough on the first and it wasn't | 0:50:19 | 0:50:23 | |
subtle -- it wasn't looking so good
in the second frame but that roll-up | 0:50:23 | 0:50:27 | |
behind the blue, the snooker and his
positional play has got him right | 0:50:27 | 0:50:33 | |
back on this particular frame will | 0:50:33 | 0:50:37 | |
positional play has got him right
back on this particular frame will. | 0:50:37 | 0:50:37 | |
He's one of those players I
absolutely love to watch. He's very | 0:50:37 | 0:50:41 | |
clever. He plays shots other players
don't play. He placed shots of the | 0:50:41 | 0:50:47 | |
players don't even think of. -- he
plays shots other players don't even | 0:50:47 | 0:50:54 | |
think of. He just got into that
little bit too much, wanted a better | 0:50:54 | 0:51:00 | |
angle on the black than this. | 0:51:00 | 0:51:09 | |
There must be a red available to the
middle. The fact he was straight on | 0:51:09 | 0:51:16 | |
the black, well, it's not perfect,
but he didn't have to do much with | 0:51:16 | 0:51:20 | |
the cue ball. This is a tricky red. | 0:51:20 | 0:51:28 | |
APPLAUSE | 0:51:34 | 0:51:42 | |
He doesn't show much emotion, Mark,
but I see him in his seat there and | 0:51:56 | 0:52:02 | |
he looks a little bit annoyed with
himself. An opportunity missed will | 0:52:02 | 0:52:06 | |
he looks a little bit annoyed with
himself. An opportunity missed will. | 0:52:06 | 0:52:13 | |
Good pot, very close to the middle
pocket. But he's OK, so good shot. | 0:52:29 | 0:52:35 | |
Did to Mr Green. -- did well to miss
the green. | 0:52:35 | 0:52:48 | |
So the opening red was excellent.
This red coming up is very important | 0:52:57 | 0:53:02 | |
in this frame. A good pot, position
on the pink and the red at the top | 0:53:02 | 0:53:12 | |
of the cluster of four definitely
pots. | 0:53:12 | 0:53:20 | |
Now, has he got a decent angle to
get back over for that? Because it | 0:53:22 | 0:53:27 | |
only pots, you can see at their
available, only pots in the same | 0:53:27 | 0:53:32 | |
pocket as the pink, or the middle,
if he chooses to go that way. I | 0:53:32 | 0:53:37 | |
think he'll have to play for it in
the middle. He's decided to run | 0:53:37 | 0:53:42 | |
round, look at the way he's played
this. Absolutely beautifully played | 0:53:42 | 0:53:45 | |
for stop
APPLAUSE | 0:53:45 | 0:53:50 | |
What a great positional shot this
is. Shot of the match so far for me. | 0:53:50 | 0:53:56 | |
Absolutely wonderful and it is on an
angle where he can run through and | 0:53:56 | 0:54:00 | |
manoeuvre a couple of reds into
position. Which is what he's tried | 0:54:00 | 0:54:06 | |
to do. A force. Will | 0:54:06 | 0:54:12 | |
to do. A force. Will -- a forceful
stun. That was a brilliant shot. | 0:54:13 | 0:54:25 | |
Ten points, the lead now, so these
three reds. They will see him past | 0:54:32 | 0:54:42 | |
the winning line in this frame. | 0:54:42 | 0:54:44 | |
So Mark Williams was quite right to
have a little grimace to himself in | 0:55:07 | 0:55:11 | |
the chair, when he missed that red
in the middle pocket. | 0:55:11 | 0:55:19 | |
It's been an excellent response from
Kyren. The opening red was very good | 0:55:19 | 0:55:26 | |
and the positional shot round the
angles off the pink, that was the | 0:55:26 | 0:55:30 | |
shot of the match so far. | 0:55:30 | 0:55:37 | |
Yeah, the one thing he had to do,
cue its move so it avoided the kiss | 0:55:43 | 0:55:49 | |
on the green. Got through it so
well. That will give him lots of | 0:55:49 | 0:55:55 | |
confidence when you hit a ball as
sweet as that. Applause, as the blue | 0:55:55 | 0:55:59 | |
is in, now 31 points the lead, just
27 remaining. I don't think any | 0:55:59 | 0:56:04 | |
heroics with this yellow. At the
warmer -- at the moment, two | 0:56:04 | 0:56:09 | |
snookers will be required. That's
the way to do it, just make certain. | 0:56:09 | 0:56:17 | |
Because Mark Williams is one of
these players that will carry on, if | 0:56:17 | 0:56:21 | |
he needs one, two snookers, so take
nothing for granted. | 0:56:21 | 0:56:32 | |
But it looks as though Kyren has
done enough the front. -- to be in | 0:56:33 | 0:56:42 | |
front. | 0:56:42 | 0:56:48 | |
Once again, those situations where
I'm sure Mark Williams was nodding | 0:56:56 | 0:56:58 | |
and saying, you've got the frame,
the pink has made it awkward cueing, | 0:56:58 | 0:57:05 | |
so this isn't an easy pot. | 0:57:05 | 0:57:08 | |
Two four point snookers needed to
tie. | 0:57:18 | 0:57:21 | |
STUDIO:
Well, it looks as if Kyren Wilson | 0:58:33 | 0:58:36 | |
has done enough to win the second
frame of this quarterfinal contest. | 0:58:36 | 0:58:40 | |
He leads 1-0. Coverage continues on
the BBC Sport website, we are out of | 0:58:40 | 0:58:47 | |
time on BBC Two. My thanks to Steve
Davis. I hope you can join us for | 0:58:47 | 0:58:51 | |
quarterfinal highlights tonight.
Goodbye for now. | 0:58:51 | 0:58:58 |