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Hello. A very warm afternoon to you.
Welcome back to Alexandra Palace. It | 0:00:34 | 0:00:39 | |
is the quarter final day of the 2018
Defabet Masters and after a dramatic | 0:00:39 | 0:00:45 | |
day yesterday, it's very much a case
of two down and two to go. | 0:00:45 | 0:00:56 | |
DRAMATIC MUSIC | 0:01:05 | 0:01:15 | |
so, two former winners in Ronnie
O'Sullivan and Mark Williams crash | 0:01:42 | 0:01:45 | |
out. This afternoon our live match
these Shaun Murphy, one of only ten | 0:01:45 | 0:01:50 | |
players to complete snooker's treble
cramp, taking on Judd Trump, who for | 0:01:50 | 0:01:56 | |
many people is a good bet to add the
roll of honour. | 0:01:56 | 0:02:05 | |
The 2015 Masters winner Shaun Murphy
knocked out at least Carter in fine | 0:02:05 | 0:02:10 | |
style to make the quarterfinals. --
knocked out Ali Carter. But Judd | 0:02:10 | 0:02:13 | |
Trump has never gone beyond the
semifinals here. Could this be his | 0:02:13 | 0:02:16 | |
year? | 0:02:16 | 0:02:21 | |
year? And Mark Allan, yesterday's
hero of Alexandra Palace, will be | 0:02:22 | 0:02:26 | |
here to answer your questions in the
interval of today's quarterfinal. | 0:02:26 | 0:02:36 | |
Their man from Northern Ireland
destroyed the defending champion | 0:02:36 | 0:02:39 | |
Ronnie O'Sullivan to book his third
Masters semifinal. He will play | 0:02:39 | 0:02:43 | |
either John Higgins or Ryan Day,
that is our live match tonight. We | 0:02:43 | 0:02:47 | |
are very excited about Judd Trump
and Shaun Murphy this afternoon. The | 0:02:47 | 0:02:51 | |
winner will play Kyle Wilson, who
knocked out Mark Williams 6-1 last | 0:02:51 | 0:02:55 | |
night. It really has been a
brilliant Masters so far. Ken | 0:02:55 | 0:03:00 | |
Doherty and Steve Davis with me here
on BBC Two. Let's get some reaction | 0:03:00 | 0:03:05 | |
from you, as predicted last night
Ronnie O'Sullivan making all the | 0:03:05 | 0:03:08 | |
back pages today. Yes, disappointing
really, never really showed up | 0:03:08 | 0:03:13 | |
yesterday. It's strange. Every day
in sport, one day to the next, it's | 0:03:13 | 0:03:19 | |
never always the same. He played so
well against Marco Fu. Fair play to | 0:03:19 | 0:03:23 | |
Mark Allen, he played really well.
Any chance he got, one visit and | 0:03:23 | 0:03:28 | |
winning the frames, fantastic
performance. Mark Allen will join | 0:03:28 | 0:03:31 | |
this during the interval so if you
have any questions for Mark get in | 0:03:31 | 0:03:36 | |
touch and use the hashtag on social
media. You will be speaking to Mark | 0:03:36 | 0:03:41 | |
Allen. A great display yesterday. He
knew he had Ronnie on the ropes and | 0:03:41 | 0:03:46 | |
he did the job on him. It would be
easy to fall at the finish line that | 0:03:46 | 0:03:50 | |
he didn't. He's as well-placed to
win a major as he's ever been. | 0:03:50 | 0:03:53 | |
Fairplay to Ken Doherty, you called
it yesterday. This time you stay you | 0:03:53 | 0:03:58 | |
said Mark might have too much
Bahrami. Not just that. Mark Allen | 0:03:58 | 0:04:02 | |
is one of those players, he's not
afraid of the big stage. He likes | 0:04:02 | 0:04:06 | |
the big stage, the big crowd than
the big events. He's not someone who | 0:04:06 | 0:04:10 | |
would be like a rabbit in the
headlights against Ronnie | 0:04:10 | 0:04:13 | |
O'Sullivan. All the talk was about
Ronnie O'Sullivan and how well he | 0:04:13 | 0:04:16 | |
played against Marco Fu but Mark
Allen loves that atmosphere, loves | 0:04:16 | 0:04:22 | |
the crowd being against him and he
played fantastic snooker yesterday. | 0:04:22 | 0:04:25 | |
One of the big things we spotted
yesterday was Mark Williams came out | 0:04:25 | 0:04:29 | |
to rapturous applause, Ronnie
O'Sullivan, home turf, rapturous | 0:04:29 | 0:04:33 | |
applause. What does that say about
the state of snooker when two of the | 0:04:33 | 0:04:37 | |
old-timers, if they don't mind me
using that phrase, get a massive | 0:04:37 | 0:04:41 | |
round of applause, big cheers and
yet the young guys don't get that? | 0:04:41 | 0:04:44 | |
Is it a bit of the changing of the
old guard? I think the snooker fans | 0:04:44 | 0:04:49 | |
who come and flock to see the
Masters, and a full house here, only | 0:04:49 | 0:04:55 | |
a four day week in the London area
at the moment! LAUGHTER | 0:04:55 | 0:05:00 | |
I think they appreciate what those
players have given to the game. The | 0:05:00 | 0:05:03 | |
older players, John Higgins, Ronnie
O'Sullivan and Mark Williams. The | 0:05:03 | 0:05:10 | |
fact Kyle Wilson beat Mark Williams
and Mark Allen be Ronnie O'Sullivan, | 0:05:10 | 0:05:18 | |
do you get the feeling things will
change? There's a new guard, new | 0:05:18 | 0:05:22 | |
blood coming through all the time.
Kyren Wilson is one of those new | 0:05:22 | 0:05:25 | |
kids on the block, ready to topple
the big names and win majors like | 0:05:25 | 0:05:29 | |
this beautiful trophy. There are
still a lot of great players left in | 0:05:29 | 0:05:33 | |
this tournament and still the old
guard are taking it to topple the | 0:05:33 | 0:05:36 | |
big names and win majors like this
beautiful trophy. There are still a | 0:05:36 | 0:05:38 | |
lot of great players left in this
tournament and still the old guard | 0:05:38 | 0:05:41 | |
are taking it the young ones.
Looking forward to this, how do you | 0:05:41 | 0:05:43 | |
see it going this wrap I'm not
necessarily sure it's guaranteed to | 0:05:43 | 0:05:46 | |
be long potting all over the place
because you can't ever guaranteed | 0:05:46 | 0:05:48 | |
those balls going. But such is the
standard of these two players, I | 0:05:48 | 0:05:51 | |
think any chance they get they will
be going for it. A big day for Judd | 0:05:51 | 0:05:54 | |
Trump? Yes, Murphy on current form
is favourite but Judd Trump is such | 0:05:54 | 0:05:59 | |
an explosive player, great
entertainer and it's going to be a | 0:05:59 | 0:06:01 | |
great match, really looking forward
to it. They played each other an | 0:06:01 | 0:06:05 | |
awful lot. Back in your day | 0:06:05 | 0:06:06 | |
to it. They played each other an
awful lot. Back in your day did you | 0:06:06 | 0:06:07 | |
want to place the money was
familiar? I think both these players | 0:06:07 | 0:06:10 | |
know each other well enough. I think
the dark horses Kyle Wilson. Maybe | 0:06:10 | 0:06:14 | |
wants to play a player coming up and
very enthusiastic and perhaps that | 0:06:14 | 0:06:18 | |
was a problem for Mark Williams
yesterday. After a great win, then | 0:06:18 | 0:06:21 | |
all of a sudden he is | 0:06:21 | 0:06:23 | |
yesterday. After a great win, then
all of a sudden he is opposed to | 0:06:23 | 0:06:24 | |
beat Kyle Wilson. These two players,
they know each other's games and | 0:06:24 | 0:06:28 | |
styles, in some respects they are
pretty similar. Ken, you called it | 0:06:28 | 0:06:32 | |
yesterday? I think it'll be close,
6-4, Murphy. There we go. He's on a | 0:06:32 | 0:06:40 | |
roll! LAUGHTER
Can he get two out of two? More from | 0:06:40 | 0:06:44 | |
Steve and Ken later. The players are
standing by. This is going to be a | 0:06:44 | 0:06:48 | |
cracker, let's join Rob Walker.
Good afternoon ladies and gentlemen. | 0:06:48 | 0:06:53 | |
The great thing the Defabet Masters
is every match is good enough to be | 0:06:53 | 0:06:57 | |
a major spinal and that is exactly
the case this afternoon. This is a | 0:06:57 | 0:07:00 | |
rivalry that dates back 11 years. 15
ranking titles between them, | 0:07:00 | 0:07:05 | |
impossible to pick a winner and a
huge sense of anticipation from a | 0:07:05 | 0:07:10 | |
packed house here at Ally Pally!
CHEERING AND APPLAUSE | 0:07:10 | 0:07:24 | |
Please welcome first of all a class
act on and off the baize, winner of | 0:07:24 | 0:07:32 | |
the Masters in 2015, one of his
finest moments in the sport so far. | 0:07:32 | 0:07:37 | |
He is here bidding for a fifth
Masters semifinal, looking to | 0:07:37 | 0:07:41 | |
continue his best season so far.
Four big finals and the reigning | 0:07:41 | 0:07:47 | |
Champion of Champions, Shaun The
Magician Murphy! | 0:07:47 | 0:07:56 | |
APPLAUSE | 0:07:56 | 0:08:01 | |
And here's opponent, arguably the
most exciting player of his | 0:08:19 | 0:08:22 | |
generation, Winnie of eight ranking
titles in and successfully defended | 0:08:22 | 0:08:30 | |
his European Masters crown earlier
this season. Bidding for a hat-trick | 0:08:30 | 0:08:33 | |
of titles at Ally Pally, and with
his own brand of naughty snooker, | 0:08:33 | 0:08:38 | |
the ace of the pack, Judd Trump! | 0:08:38 | 0:08:45 | |
APPLAUSE | 0:08:46 | 0:08:50 | |
welcome to what will be a fantastic
game of snooker live on BBC Two. A | 0:09:08 | 0:09:13 | |
very good afternoon to Stephen
Hendry and John Virgo. COMMENTATOR: | 0:09:13 | 0:09:19 | |
Good afternoon everybody. What a
great match we have in store here. | 0:09:19 | 0:09:27 | |
Both tremendous players. We could be
in for a classic. Shaun Murphy to | 0:09:27 | 0:09:31 | |
break. | 0:09:31 | 0:09:38 | |
Yes, John, this could be, it could
almost be like watching an | 0:09:39 | 0:09:42 | |
exhibition match, this today. I just
can't see any frames lasting longer | 0:09:42 | 0:09:48 | |
than 20 minutes. I can't see many
safety shots being played. This | 0:09:48 | 0:09:52 | |
could be the match of the
tournament, this one, if both | 0:09:52 | 0:09:56 | |
players play to their ability. | 0:09:56 | 0:10:02 | |
Judd decided to turn that long pot
down, the main reason being he | 0:10:02 | 0:10:09 | |
thought it was a risky pot and
wasn't guaranteed position on the | 0:10:09 | 0:10:13 | |
colour. | 0:10:13 | 0:10:20 | |
Yeah, I mean I think it will be a
terrific encounter if both players | 0:10:21 | 0:10:27 | |
play well. If I could give an edge
in one department, and this might | 0:10:27 | 0:10:32 | |
seem a strange thing to say, Judd's
safety play has improved over the | 0:10:32 | 0:10:37 | |
last couple of seasons and Shaun to
me always struggles a bit on the | 0:10:37 | 0:10:43 | |
safety side. But it will be all
about when you get your chances, | 0:10:43 | 0:10:49 | |
taking them. Yes, and I think when
you watch Shaun Murphy, no matter | 0:10:49 | 0:10:56 | |
how well he plays, you always sense
he's going to give you chances, | 0:10:56 | 0:11:02 | |
there will always be a careless shot
in there somewhere where you | 0:11:02 | 0:11:04 | |
think... | 0:11:04 | 0:11:12 | |
He's very good at that safety shot,
Judd Trump, using three or four | 0:11:49 | 0:11:55 | |
sides and cushions. OK, a little bit
short in breaching the baulk | 0:11:55 | 0:12:01 | |
cushion, but negotiated the path of
the cue ball very well. Oh... John, | 0:12:01 | 0:12:09 | |
there is an example. Sometimes Shaun
Murphy's careless safety play. Miss | 0:12:09 | 0:12:13 | |
hit back by a long way. Kissed the
black. Unbelievable. | 0:12:13 | 0:12:25 | |
Not the best shot from Judd, wrong
side of the blue. Ferries on loose | 0:12:30 | 0:12:33 | |
red. Don't know if he feels he has
enough angle to force this cue ball | 0:12:33 | 0:12:41 | |
in between green go to the cluster.
No, playing for the on loose red. | 0:12:41 | 0:12:50 | |
Needed to have a little more pace on
it. But there's always bound to be a | 0:12:50 | 0:12:56 | |
little bit of tension in the arm
first frame. | 0:12:56 | 0:13:00 | |
Scurrying off the bunch here,
hopefully land on black, may be up | 0:13:04 | 0:13:08 | |
for blue. Beautiful. | 0:13:08 | 0:13:15 | |
Just a very aggressive shot. You
have to have such confidence in your | 0:13:15 | 0:13:22 | |
ability to play those. | 0:13:22 | 0:13:24 | |
And obviously, with Ronnie
O'Sullivan losing yesterday, he is | 0:13:31 | 0:13:37 | |
virtually owned this tournament in
the last few years, all these top | 0:13:37 | 0:13:40 | |
players will be sensing an
opportunity. | 0:13:40 | 0:13:48 | |
Nice touch. Yes, played that really
well. These two players still left | 0:13:51 | 0:14:02 | |
in it who have won this Masters
title, Shaun Murphy being one of | 0:14:02 | 0:14:06 | |
them, of course, and John Higgins.
But Kyle Wilson, Mark Allen, Judd | 0:14:06 | 0:14:14 | |
Trump, still to add to this great
title to their CV. Yes, and all very | 0:14:14 | 0:14:20 | |
aggressive players left in the
tournament. Play the game the right | 0:14:20 | 0:14:26 | |
way. | 0:14:26 | 0:14:33 | |
Pretty impressive in his match, Judd
Trump. Without being at his absolute | 0:14:36 | 0:14:41 | |
best. The key to winning these big
events is get better as the | 0:14:41 | 0:14:48 | |
tournament goes on. | 0:14:48 | 0:14:55 | |
This is a shot, such confidence. The
first frame, as you said John, you | 0:15:35 | 0:15:40 | |
might be a bit edgy in the first
frame, but look at that. Incredible | 0:15:40 | 0:15:45 | |
talent, Judd Trump. | 0:15:45 | 0:15:50 | |
talent, Judd Trump. Now it's very
important he gets a good angle on | 0:15:51 | 0:15:53 | |
the blue here. That was the last of
the loose reds. Maybe a little too | 0:15:53 | 0:16:00 | |
much angle. Now normally we'd say
run into the pink, he wants to avoid | 0:16:00 | 0:16:05 | |
the pink here, just run past the
right-hand side of the pink as we | 0:16:05 | 0:16:08 | |
look. But even then, it's gone
wrong. | 0:16:08 | 0:16:18 | |
May be with slightly less pace...
But that's only being wise after the | 0:16:25 | 0:16:29 | |
event. | 0:16:29 | 0:16:35 | |
The easiest safety shot is off the
red on the right-hand cushion but no | 0:16:47 | 0:16:55 | |
way he's going to play that. | 0:16:55 | 0:17:04 | |
Take the cue ball somewhere behind
the green on the baulk cushion. | 0:17:06 | 0:17:15 | |
Of course, Trump got 49 and opened
the reds, but now if Shaun Murphy | 0:17:26 | 0:17:38 | |
was to get the next chance then he
wouldn't have a lot to do. | 0:17:38 | 0:17:49 | |
wouldn't have a lot to do. Yes, I
think the first shot Judd Trump | 0:17:49 | 0:17:52 | |
played, perhaps a little weary of
Shaun Murphy's long game. Decided to | 0:17:52 | 0:17:57 | |
play a bit more of a containing
safety today. | 0:17:57 | 0:18:04 | |
safety today. Definitely in the top
two or three in the world, Shaun | 0:18:04 | 0:18:09 | |
Murphy, consistently getting long
pot. Everyone on their day can be | 0:18:09 | 0:18:12 | |
brilliant, that day in and day out,
so strong in that department. | 0:18:12 | 0:18:23 | |
Well, that's worked out OK for Judd.
Possibly a red that will pot, the | 0:18:59 | 0:19:08 | |
one immediately between the black
and pink, a thin cut. He's caught | 0:19:08 | 0:19:15 | |
that much to send, not settled yet,
Shaun. -- he caught that much to | 0:19:15 | 0:19:25 | |
thin. | 0:19:25 | 0:19:26 | |
Played that with a lot of left-hand
side, just to check the cue ball up | 0:19:39 | 0:19:45 | |
and couldn't have played it any
better. This red will cut back into | 0:19:45 | 0:19:50 | |
the left corner. | 0:19:50 | 0:19:54 | |
Well, he caught it much too thick
and this is a chance for Judd. If he | 0:19:54 | 0:20:04 | |
knocks in this long red, you would
think it would be a frame clincher. | 0:20:04 | 0:20:16 | |
Judd Trump is never as comfortable
when he's rolling balls in. Always | 0:20:20 | 0:20:25 | |
prefers to be screwing the cue ball
up, punching the cue ball. Yes, he | 0:20:25 | 0:20:34 | |
missed that by a long way and he is
fortunate to have left the cue ball | 0:20:34 | 0:20:39 | |
near the side cushion. You can see
the way the reds are now, if Shaun | 0:20:39 | 0:20:43 | |
was to get the next opportunity, we
could well have a new favourite for | 0:20:43 | 0:20:48 | |
this frame. That 49 points will
count for nothing. Cushion first | 0:20:48 | 0:20:52 | |
probably here. Kicking the red up
the table. He's got a good cue ball. | 0:20:52 | 0:21:04 | |
Wasn't guaranteed to have a good cue
ball, mind, but close to the cushion | 0:21:04 | 0:21:14 | |
so nothing easy for Judd to go out.
He can pot this red to the corner... | 0:21:14 | 0:21:20 | |
Now, which is the more risky, the
pot or the safety? Taking the pot | 0:21:20 | 0:21:28 | |
on. Don't blame him. | 0:21:28 | 0:21:33 | |
But once again, a long way away. And
now Shaun Murphy gets his | 0:21:36 | 0:21:41 | |
opportunity. Come on, Shaun! Won't
be playing the one to the left | 0:21:41 | 0:21:49 | |
corner, he's hampered, but he's got
on to the right middle and on to the | 0:21:49 | 0:21:53 | |
right corner. | 0:21:53 | 0:22:00 | |
It's amazing, this game, isn't it?
It's amazing. He's just not settled. | 0:22:10 | 0:22:16 | |
He's just not settled yet. He played
it at that pace because he didn't | 0:22:16 | 0:22:21 | |
expect to it the red in the
right-hand pocket. | 0:22:21 | 0:22:33 | |
Amazed at this, Stephen Yes, this is
a very defensive shot. The shot | 0:22:33 | 0:22:41 | |
Shaun Murphy played, if it straight,
surely you play the one above the | 0:22:41 | 0:22:44 | |
black instead. Maybe the two long
balls that Judd missed by a long way | 0:22:44 | 0:22:53 | |
has put him of taking on another
one. Fair comment, that can only be | 0:22:53 | 0:22:59 | |
the reason is because with the cue
ball-in-hand he could have elected | 0:22:59 | 0:23:06 | |
to go for the red, which you feel if
Judd pots the next red, he will win | 0:23:06 | 0:23:11 | |
the frame. He's already had one
scare. I'm certain he went back to | 0:23:11 | 0:23:19 | |
his | 0:23:19 | 0:23:26 | |
his seat feeling that when he left
Shaun the chance. | 0:23:26 | 0:23:35 | |
I don't think he was too bothered
about getting the cue ball back to | 0:23:38 | 0:23:42 | |
baulk. The important thing was just
not getting the double-kiss on | 0:23:42 | 0:23:45 | |
leaving a red on. | 0:23:45 | 0:23:52 | |
leaving a red on. 53 point lead,
Judd Trump, but plenty of reds | 0:23:52 | 0:23:56 | |
available. A long way to go to the
winning post. | 0:23:56 | 0:24:03 | |
A bit disappointed with that one.
Now, Shaun's had a couple of goes, | 0:24:07 | 0:24:14 | |
one with a safety and one with a cut
and has cut them too thin. If he | 0:24:14 | 0:24:22 | |
catches this just right... A chance
now to get right back in the frame. | 0:24:22 | 0:24:26 | |
APPLAUSE
Black looks to be the ball to play | 0:24:26 | 0:24:32 | |
and if you are going to play the
black, you might as well play the | 0:24:32 | 0:24:35 | |
cannon and try to bring these four
reds into play. | 0:24:35 | 0:24:41 | |
It was a big shot. It was the right
shot. He knew if he missed it it was | 0:24:44 | 0:24:55 | |
probably going to cost him the
frame. Sometimes they're the risks | 0:24:55 | 0:25:00 | |
you have to take at this level. | 0:25:00 | 0:25:09 | |
you have to take at this level. He's
had two half chances, Shaun, to get | 0:25:09 | 0:25:11 | |
back into this frame, but he will be
lucky to get another one. | 0:25:11 | 0:25:19 | |
lucky to get another one. 59 points
the lead, so just looking for this | 0:25:19 | 0:25:21 | |
red. This red will put him 60 ahead
with 59 remaining. -- 67 ahead with | 0:25:21 | 0:25:33 | |
59 remaining. | 0:25:33 | 0:25:36 | |
He cute but nicely -- he cued that
nicely. A little bit of an | 0:26:44 | 0:26:58 | |
exhibition shot here, pot the black
and come off the cushion. Well, he | 0:26:58 | 0:27:05 | |
didn't play to cannon the yellow. | 0:27:05 | 0:27:13 | |
APPLAUSE | 0:27:14 | 0:27:20 | |
He's on the green, nicely for a
left-hander. | 0:27:20 | 0:27:26 | |
So you would say that Judd Trump has
certainly settled the better of the | 0:27:32 | 0:27:36 | |
two players, judging on this opening
frame. The only thing that will | 0:27:36 | 0:27:41 | |
concern Judd slightly if he had a
couple of long pots and missed them | 0:27:41 | 0:27:48 | |
by quite a distance. As I say, just
a few exhibition shots, which is | 0:27:48 | 0:27:56 | |
what you want... APPLAUSE
A little smile from both players, | 0:27:56 | 0:28:02 | |
nice to see. Shaun Murphy couldn't
settle at all in that first frame. | 0:28:02 | 0:28:12 | |
Judd Trump, in the end, got the job
done. He leads 1-0. We've | 0:28:12 | 0:28:17 | |
there before, that ping could have
ended up anywhere. Either way, if | 0:28:18 | 0:28:21 | |
you want to get in touch with us
this afternoon on social media, do | 0:28:21 | 0:28:26 | |
get in touch. A very special guest
at the interval, Mark Allen, will | 0:28:26 | 0:28:30 | |
come to talk to Steve. If you have
any questions or comments to Ken or | 0:28:30 | 0:28:35 | |
Steve, we'd love to hear from you.
Good start from Judd Trump? Yes, | 0:28:35 | 0:28:39 | |
moved a couple of long balls which
will unnerve him a bit but he had | 0:28:39 | 0:28:43 | |
the tenacity to play, when he had
the ball-in-hand, to play good | 0:28:43 | 0:28:46 | |
telling safety shot. He settled of
the two. I don't think we will have | 0:28:46 | 0:28:51 | |
too many safety shots today. I think
there will be some fantastic | 0:28:51 | 0:28:54 | |
potting. Important to get a good
start question that it is. Perhaps | 0:28:54 | 0:29:00 | |
that's why Judd Trump turned down
the red the lads were talking about. | 0:29:00 | 0:29:03 | |
He could have Mr and Patsy was
trying to make Shaun Murphy make the | 0:29:03 | 0:29:06 | |
mistake from safety. As it turned
out, it was a mistake from the | 0:29:06 | 0:29:10 | |
black. This shot here from Judd
Trump, he could have played the long | 0:29:10 | 0:29:14 | |
red | 0:29:14 | 0:29:14 | |
Trump, he could have played the long
red and you would expect in tips, | 0:29:14 | 0:29:15 | |
but trying to keep the heat on Shaun
Murphy in the first frame with a | 0:29:15 | 0:29:19 | |
decent lead. Nothing wrong with that
at all. We talk of his experience | 0:29:19 | 0:29:24 | |
now. A couple of years ago he would
have taken it on in the blink of an | 0:29:24 | 0:29:27 | |
eye. Absolutely. | 0:29:27 | 0:29:29 | |
have taken it on in the blink of an
eye. Absolutely. He is learning all | 0:29:29 | 0:29:31 | |
the time, and that's what he has to
bring into his game. Sometimes he | 0:29:31 | 0:29:34 | |
goes for that one too many and it
has cost him a lot of frames, a lot | 0:29:34 | 0:29:38 | |
of matches over the years. That's
the fascinating thing about snooker | 0:29:38 | 0:29:43 | |
opposed to some of the other games
out there like 9-ball or to demand. | 0:29:43 | 0:29:52 | |
Depending upon the scoreline in
snooker, there are different shots | 0:29:52 | 0:29:55 | |
to be played. Judd Trump has a 1-0
lead. Back to Stephen Hendry and | 0:29:55 | 0:30:02 | |
John Virgo. | 0:30:02 | 0:30:09 | |
Decent break-off shot from Judd. Any
break-off shot nowadays where you | 0:30:09 | 0:30:15 | |
don't leave a pot on, you'd be happy
with. | 0:30:15 | 0:30:20 | |
Another example of that safety shot
that Judd likes to play around the | 0:30:43 | 0:30:48 | |
angles of the table.
I agree with you, he does like to | 0:30:48 | 0:30:55 | |
play it. But you play it with side.
If the cue ball is tight to the | 0:30:55 | 0:31:00 | |
cushion, it's not a shot you can
play. | 0:31:00 | 0:31:02 | |
That is why Shaun needs to get a
good length with the safety whenever | 0:31:02 | 0:31:07 | |
possible. | 0:31:07 | 0:31:17 | |
This is a careless one. OK. Shaun is
hampered by the yellow. That might | 0:31:21 | 0:31:28 | |
be a reason for not taking a red
tonne the right corner. | 0:31:28 | 0:31:36 | |
tonne the right corner. He wouldn't
blink an eye on taking this on | 0:31:37 | 0:31:40 | |
normally. But he is still looking at
it, so he must have a free enough | 0:31:40 | 0:31:51 | |
cue action. Beautiful. Beautiful
cue. | 0:31:51 | 0:31:54 | |
And fully committed.
He didn't hit it too hard. Knew he | 0:31:54 | 0:32:00 | |
didn't have to do too much with the
cue ball to get a position on the | 0:32:00 | 0:32:04 | |
colour. So the careless safety from
Judd could cost him. It could cost | 0:32:04 | 0:32:10 | |
him the frame. | 0:32:10 | 0:32:16 | |
Just a case now of which he fancies. | 0:32:43 | 0:32:55 | |
It's risking for the black or coming
back for the pink or the blue. | 0:32:55 | 0:33:04 | |
I know he's only played one match
before this but he's yet to miss a | 0:33:06 | 0:33:13 | |
shot at 9 tournament with the rest.
-- shot at the tournament with the | 0:33:13 | 0:33:25 | |
rest. | 0:33:25 | 0:33:32 | |
He will really want to punish Judd
Trump for that poor safety shot. He | 0:33:42 | 0:33:48 | |
can win this frame if one visit.
Trying to... It's just so careless | 0:33:48 | 0:34:00 | |
to hit the yellow. | 0:34:00 | 0:34:06 | |
Still not in a position to play for
the black. It is the red to the | 0:34:11 | 0:34:16 | |
right of the black that's putting
him off. | 0:34:16 | 0:34:25 | |
He could not have put that better
with his hand. Inch-perfect. | 0:34:25 | 0:34:31 | |
It look as lovely angle to stun
across. He may not need to, he could | 0:34:31 | 0:34:39 | |
canon the red to the black. But low
into the black going into the bunch. | 0:34:39 | 0:34:45 | |
Not too much pace, he wantsdz to
leave the red to the right corner. | 0:34:45 | 0:34:49 | |
It's a small canon. But look at the
target now to hit if you get the | 0:34:49 | 0:34:55 | |
right angle on the black.
Possibly a couple of reds available | 0:34:55 | 0:35:01 | |
but it's a big target.
Two reds available to the right | 0:35:01 | 0:35:08 | |
corner. That's what he'll play for
this time. | 0:35:08 | 0:35:12 | |
There maybe one on the right-hand
edge of the cluster that goes to the | 0:35:12 | 0:35:17 | |
left corner.
It could be better and it certainly | 0:35:17 | 0:35:21 | |
looks as though he's settled in now.
He looked edgy in the first frame | 0:35:21 | 0:35:28 | |
but making this contribution now
with no problems whatsoever. | 0:35:28 | 0:35:32 | |
That was a lovely little shot on the
black there. It looked simple but | 0:35:32 | 0:35:38 | |
just a dab on the right-hand side to
put herself perfectly on the red. | 0:35:38 | 0:35:42 | |
He plays at a great pace, Shaun
Murphy. Although is that the end of | 0:35:42 | 0:35:47 | |
break? A thin cut.
. A little bit unlucky, you would | 0:35:47 | 0:35:54 | |
have to say. But when he's on the
ball he plays at great pace. | 0:35:54 | 0:36:08 | |
Great recovery. Probably not leaving
anything but he still needed potting | 0:36:09 | 0:36:21 | |
and he finished nicely on the black.
Nicely on the black! He misses it! | 0:36:21 | 0:36:28 | |
Well. Almost a mirror image of the
last frame. Judd Trump going first, | 0:36:28 | 0:36:36 | |
made a break of 49. And Shaun had
chances to pinch that frame. The | 0:36:36 | 0:36:43 | |
same applies here. Although that is
a bad decision, for me. | 0:36:43 | 0:36:48 | |
That's a shocker, it really is.
He shouldn't have left himself | 0:36:48 | 0:36:53 | |
hampered there.
I don't understand why he is | 0:36:53 | 0:36:57 | |
bringing the cue ball back the way.
A very strange shot. OK there is | 0:36:57 | 0:37:04 | |
every chance he can still pot this
black. But look where the cue ball | 0:37:04 | 0:37:09 | |
is now. | 0:37:09 | 0:37:16 | |
is now. He will be fuming inside,
Judd Trump. | 0:37:16 | 0:37:19 | |
He can pot the red but can he avoid
the kiss on the brown? He couldn't | 0:37:19 | 0:37:26 | |
avoid the kiss on the brown and he
couldn't pot the red, so. Boy, he | 0:37:26 | 0:37:31 | |
let a good chance there to pinch
frame, go. A shake of the head shows | 0:37:31 | 0:37:40 | |
you he's annoyed. | 0:37:40 | 0:37:49 | |
That | 0:38:38 | 0:38:38 | |
his intended there. Judd having a
look to the red immediately below | 0:38:40 | 0:38:46 | |
the pink.
This one does cut. It's a thin one. | 0:38:46 | 0:38:57 | |
He concentrated on getting a good
cue ball, which he's done. | 0:38:57 | 0:39:11 | |
This | 0:39:26 | 0:39:27 | |
good shot. | 0:39:27 | 0:39:37 | |
He needs to avoid the kiss on the
second red. That's probably why he | 0:39:41 | 0:39:46 | |
overcut it. | 0:39:46 | 0:39:57 | |
Using the cue power there. He was
hoping that the red would go in. But | 0:40:43 | 0:40:49 | |
the intention was to screw back to
the cushion. He made a good job of | 0:40:49 | 0:40:53 | |
that. But this red does pot. | 0:40:53 | 0:41:05 | |
This red goes on. Possibly finishing
on the pink. A little unlucky. He | 0:41:20 | 0:41:27 | |
didn't want the red in the middle of
the pocket, which is maybe why he's | 0:41:27 | 0:41:33 | |
not finished on the pink. Can he go
thin off the pink? Behind the brown? | 0:41:33 | 0:41:40 | |
That's the shot he'll play if he
can. Wafer thin on the pink... | 0:41:40 | 0:41:55 | |
It gives him the advantage in the
frame. OK he may be 43 points behind | 0:41:56 | 0:42:03 | |
but Shaun will do well here not to
leave a chance. | 0:42:03 | 0:42:14 | |
leave a chance. I'm thinking he can
come past the middle pocket and | 0:42:14 | 0:42:18 | |
nestle on the red to the corn
pocket. | 0:42:18 | 0:42:25 | |
Maybe the red is in the way.
Nice hit. | 0:42:25 | 0:42:33 | |
Nice hit but I think he may have
left something here. | 0:42:33 | 0:42:47 | |
Well if he did it didn't matter.
Yes, slowly but surely he is moving | 0:42:58 | 0:43:07 | |
the reds into open play. If he gets
an opportunity it will be a good | 0:43:07 | 0:43:10 | |
one. | 0:43:10 | 0:43:15 | |
It's a similar type of shot that he
played before. He flicked the red | 0:43:25 | 0:43:28 | |
thin, I thought he could have left
the red near the black specialty | 0:43:28 | 0:43:32 | |
he's playing it again but he needs
to nestle on this... He is playing | 0:43:32 | 0:43:37 | |
it with pace, trying to get back up
the table. | 0:43:37 | 0:43:44 | |
I don't know about that as a shot.
No. It was asking a lot. Well, if | 0:43:44 | 0:43:50 | |
Judd can pot the red and guide the
cue ball back to the middle of the | 0:43:50 | 0:43:55 | |
table, then I suggest he plays it
but if he can't, then he will have | 0:43:55 | 0:44:03 | |
it replaced. He thinks he can get on
the pink. | 0:44:03 | 0:44:11 | |
Well he found a path. It's not ideal
by any means. A tough yellow. It | 0:44:11 | 0:44:18 | |
looks to be the ball we are getting
back to this end of the table. Yeah | 0:44:18 | 0:44:25 | |
it looked like he was making sure of
the pot, almost. Concentrating on | 0:44:25 | 0:44:30 | |
that, he didn't really think about
the cue ball. Surely he would have | 0:44:30 | 0:44:35 | |
played a lot harder to ensure he was
on the brown at least. But that's a | 0:44:35 | 0:44:40 | |
pretty good shot on the yellow. And
this is a nice red. The cue ball | 0:44:40 | 0:44:47 | |
just travelled an extra couple of
inches. I thought it would be on the | 0:44:47 | 0:44:53 | |
red to the left corner but a great
pot on the yellow from underneath | 0:44:53 | 0:44:57 | |
the cushion.
Second chance to pinch this frame. | 0:44:57 | 0:45:07 | |
Yes and this would hurt Shaun
Murphy. Whenever digging down you | 0:45:07 | 0:45:11 | |
really have to find the middle of
the cue ball. He did that there. Of | 0:45:11 | 0:45:16 | |
course this red closest to the left
corner is the one he wants to get | 0:45:16 | 0:45:21 | |
rid of, it makes the black
available. | 0:45:21 | 0:45:28 | |
available. . It is frames like this
that can really turn matches. Yeah, | 0:45:31 | 0:45:39 | |
absolutely. When you have two top
players. It's hard to pick a winner. | 0:45:39 | 0:45:45 | |
It is the frames you win that you
shouldn't have that sometimes decide | 0:45:45 | 0:45:51 | |
the outcome of the match. | 0:45:51 | 0:45:57 | |
the outcome of the match. So much
action on the cue ball there and so | 0:45:57 | 0:46:01 | |
little effort. | 0:46:01 | 0:46:11 | |
Possibly watching the two players
that get more cue power on the ball | 0:46:12 | 0:46:18 | |
than anyone else. And possibly
Ronnie O'Sullivan. It is effortless | 0:46:18 | 0:46:22 | |
as well.
A nice hang on the red. Just a stun | 0:46:22 | 0:46:33 | |
to the top cushion. | 0:46:33 | 0:46:38 | |
A good shot that. He can bring the
cue ball out from the red. | 0:46:50 | 0:46:56 | |
A nice angle on the red. If he pots
it, it will be nicely on the black. | 0:46:56 | 0:47:04 | |
And now the frame is at his mercy.
You feel that a left-handed player, | 0:47:04 | 0:47:09 | |
and it's not easy to get on the
yellow. A lot more margin for error | 0:47:09 | 0:47:14 | |
for a left-hander. | 0:47:14 | 0:47:22 | |
Nearly finished up with the perfect
angle on the blue and now Shaun is | 0:48:04 | 0:48:10 | |
having to sit and suffer this one
out. And in goes the pink. | 0:48:10 | 0:48:16 | |
A break of 52.
Judd Trump got his chance and took | 0:48:16 | 0:48:24 | |
it. He now leads 2-0. | 0:48:24 | 0:48:27 | |
Judd Trump got his chance and took
it. He now leads 2-0. | 0:48:27 | 0:48:29 | |
A tremendous start by Judd Trump.
Thank you very much for the tweets | 0:48:29 | 0:48:32 | |
coming in. | 0:48:32 | 0:48:38 | |
coming in. Use the hashtag to tweet
to us. | 0:48:38 | 0:48:40 | |
If you want to shout out on
television, we don't want to get too | 0:48:40 | 0:48:44 | |
busy with them but we are going to
say hello to Nick Allett. He is in | 0:48:44 | 0:48:50 | |
hospital with his partner, she has
cystic fibrosis, and is in for ten | 0:48:50 | 0:48:58 | |
day, would you say hello to her,
Hannah, it would make her day. Hello | 0:48:58 | 0:49:02 | |
Hannah.
And the balls, we have seen | 0:49:02 | 0:49:07 | |
fantastic breaks in the tournament.
In that frame, though, the balls are | 0:49:07 | 0:49:15 | |
moving in mysterious ways? They are.
You get action on the ball, | 0:49:15 | 0:49:20 | |
especially Judd Trump, he is such a
prolific talent. Great action on the | 0:49:20 | 0:49:25 | |
play. And Shaun Murphy as well. He
hits it softly but gets so much. A | 0:49:25 | 0:49:31 | |
massive frame that. Shaun Murphy
looking like he was in full flow. A | 0:49:31 | 0:49:36 | |
great recovery red after being
unlucky with the split of the balls. | 0:49:36 | 0:49:39 | |
A great red. And this cue ball, he
would have loved to have seen it | 0:49:39 | 0:49:45 | |
come off the cushion another two or
three inches more and then the | 0:49:45 | 0:49:48 | |
plaque is unmissable. But playing
the black off the side cushion, the | 0:49:48 | 0:49:53 | |
cue ball is close enough it makes
the black not certain. A decent | 0:49:53 | 0:49:57 | |
effort but he wobbled it and then of
course Judd got back into the game. | 0:49:57 | 0:50:01 | |
It could easily have been 11-1.
And we -- 1-16789 | 0:50:01 | 0:50:11 | |
And we have seen a few of them? Yes.
Sometimes, you just have to be able | 0:50:11 | 0:50:17 | |
to pot them off the cushions. Shaun
a usually good at that but that was | 0:50:17 | 0:50:22 | |
a tricky one for him.
Here we go. You get the feeling that | 0:50:22 | 0:50:26 | |
Shaun Murphy needs to get this
frame. This is a crucial frame. | 0:50:26 | 0:50:30 | |
Shaun Murphy needs to get this
frame. This is a crucial frame. | 0:50:30 | 0:50:36 | |
I think the next two are crucial to
Shaun. You don't want to let someone | 0:50:36 | 0:50:41 | |
like Judd Trump get too far in
front. Then he will relax and could | 0:50:41 | 0:50:47 | |
really turn on turbo.
Very close. Now has he left it? | 0:50:47 | 0:51:08 | |
Very close. Now has he left it? I
think he can see enough of this to | 0:51:08 | 0:51:11 | |
cut it to the right middle. | 0:51:11 | 0:51:22 | |
If he could see the pot, I
understand why he played the cue | 0:51:23 | 0:51:30 | |
ball in and out of the bulk.
Again, interest's the example. He's | 0:51:30 | 0:51:36 | |
not played it well this time. But...
What a bones! | 0:51:36 | 0:51:49 | |
What a bones! -- bonus! Yes, a hand
up to apologise, look looking at it | 0:51:49 | 0:52:04 | |
again but when you get a run of
ball, you have to take advantage of | 0:52:04 | 0:52:09 | |
it. It can soon change as we have
seen in many matches. | 0:52:09 | 0:52:21 | |
Very well played. It's a bounce yet
he's on it. | 0:52:21 | 0:52:33 | |
He can't play for the black now. Of
course the blue is blocking the | 0:52:33 | 0:52:37 | |
pocket for the green. Oh, well, and
he was thinking about everything but | 0:52:37 | 0:52:42 | |
the pot. Schoolboy error. | 0:52:42 | 0:52:54 | |
It's a similar type of shot that
Shaun had in the last frame. No that | 0:53:00 | 0:53:05 | |
close to the cushion but just enough
you don't get your hand on the | 0:53:05 | 0:53:08 | |
table. It just make it is a little
bit trickier but he should have | 0:53:08 | 0:53:12 | |
potted that.
Oh, that's great from Shaun. | 0:53:12 | 0:53:19 | |
But while it maybe a red, just
sticking out on the red of the | 0:53:19 | 0:53:23 | |
cluster that will go to the left
corner, he... There it is, he just | 0:53:23 | 0:53:29 | |
has to adjust the pace right. He's
got a good line. He's OK. He's on | 0:53:29 | 0:53:34 | |
the one below the black spot. He'll
settle for that. | 0:53:34 | 0:53:40 | |
Can he drop it in and hope for the
black? | 0:53:40 | 0:53:53 | |
I am like you, I thought he could
have played that dead weight for the | 0:53:56 | 0:54:01 | |
black. Maybe a touch of drag on the
cue ball. | 0:54:01 | 0:54:08 | |
It was almost slow motion, that,
wasn't?! I remember the first few | 0:54:39 | 0:54:44 | |
days when they had the flies on the
table they were gently trying to | 0:54:44 | 0:54:49 | |
pick them up by the wing. Not
anymore - it's the thump behind the | 0:54:49 | 0:54:54 | |
neck! | 0:54:54 | 0:55:04 | |
neck! Judd was fortunate no to leave
anything easy here. You can see he | 0:55:04 | 0:55:10 | |
has the red to the corner but where
the position on the colour comes | 0:55:10 | 0:55:14 | |
from, you wouldn't know. And after
such a poor safety, he could have | 0:55:14 | 0:55:19 | |
left something a lot easier than
this. | 0:55:19 | 0:55:26 | |
Can he get to this red in the left
middle? If he's going to go for it, | 0:56:11 | 0:56:19 | |
make sure you get the pot and play
the next shot. | 0:56:19 | 0:56:31 | |
He trusted to luck and he got none.
A good pot. But this game of snooker | 0:56:42 | 0:56:50 | |
has never been anything different.
Sometimes it like the balls never | 0:56:50 | 0:56:54 | |
forgive you. I think he can hit the
black but if he can't get back to | 0:56:54 | 0:56:59 | |
the ball, then where is the value in
it? | 0:56:59 | 0:57:08 | |
it? I suppose if he can get to the
edge of it and dropped cue ball near | 0:57:08 | 0:57:15 | |
the top cushion.
If he can put the cue ball somewhere | 0:57:15 | 0:57:22 | |
near that circle. If he nominates
another colour, he will have to be | 0:57:22 | 0:57:28 | |
playing it. It will be... I think he
can get through to the black. | 0:57:28 | 0:57:45 | |
It looks like he could hit an edge
of it. You never know. Anyway, he's | 0:57:47 | 0:57:53 | |
nominated brown. He might need
another go. | 0:57:53 | 0:57:59 | |
That's a long way away.
You wouldn't think it possible for | 0:57:59 | 0:58:05 | |
him not to be able to hit the black.
So a very delicate replacing of the | 0:58:05 | 0:58:17 | |
cue ball is required. Of course we
will check whether he had a path to | 0:58:17 | 0:58:22 | |
the black. If he can hit the edge of
the black I don't see why he can't | 0:58:22 | 0:58:30 | |
get this cue ball back to the top
cushion. | 0:58:30 | 0:58:39 | |
cushion. He has said he doesn't
think he can hit the black | 0:58:39 | 0:58:44 | |
fourball... Well, he's decided that
the line he took for the brown, hit | 0:58:44 | 0:58:50 | |
the yellow, can he play the same
shot again? No. | 0:58:50 | 0:58:58 | |
shot again? No. It's putting the cue
ball somewhere near the right | 0:59:00 | 0:59:04 | |
pocket, is that safe? It seems he
can do it. He said he couldn't hit | 0:59:04 | 0:59:09 | |
the black full ball. But if he can't
hit it full ball, he must be able to | 0:59:09 | 0:59:15 | |
hit half of it, surely? Then play
the cue ball back to the cushion. It | 0:59:15 | 0:59:22 | |
would be reasonably safe, you would
have thought? Well, he's had a go at | 0:59:22 | 0:59:27 | |
the brown and hit the yellow. Then
thought, the line he is going, he | 0:59:27 | 0:59:32 | |
will hit the yellow but nominated it
and then nearly hit the brown. It's | 0:59:32 | 0:59:37 | |
decision time. We're going back to
brown! Good line. A better line. | 0:59:37 | 0:59:43 | |
But not quite there.
These points are adding up. | 0:59:43 | 1:00:02 | |
What's going to be time, yellow?
Hang on... And the other thing to | 1:00:21 | 1:00:31 | |
remember here, and he can hit the
black, but I think the point Shaun | 1:00:31 | 1:00:36 | |
was making, because he can't hit the
black fourball, if you could do | 1:00:36 | 1:00:43 | |
that, eventually he would have to
play the black, wouldn't he? | 1:00:43 | 1:00:53 | |
And again, just needs a little more
right-hand side. | 1:00:53 | 1:01:00 | |
right-hand side. No. Foul and a
miss. A bit of a groan from the | 1:01:01 | 1:01:13 | |
audience, but that's not going to
affect the referee's decision, | 1:01:13 | 1:01:15 | |
folks. | 1:01:15 | 1:01:20 | |
And nestles town to a little
indentation, where he is striking | 1:01:39 | 1:01:43 | |
down, hitting the cue ball. | 1:01:43 | 1:01:48 | |
down, hitting the cue ball. It looks
definitely from that angle he can | 1:01:50 | 1:01:54 | |
hit it half ball. It's all happening
now! | 1:01:54 | 1:02:02 | |
A delicate job. | 1:02:02 | 1:02:07 | |
LAUGHTER
You've got to be having a laugh. | 1:02:10 | 1:02:22 | |
You've got to be having a laugh. It
is important for sure because he's | 1:02:22 | 1:02:25 | |
having to readjust slightly. At the
moment he's trying to play it with a | 1:02:25 | 1:02:28 | |
trace of right-hand side. | 1:02:28 | 1:02:31 | |
I just can't get it touching.
Obviously it was touching the red... | 1:02:54 | 1:03:01 | |
Because Shaun has been striking
down, there would be a little | 1:03:01 | 1:03:05 | |
indentation in the cloth, which the
cue ball keeps rocking back to. Of | 1:03:05 | 1:03:18 | |
course, if he's not touching, you'll
be able to see the black quite | 1:03:18 | 1:03:20 | |
comfortably. Yes, you good? CHUCKLES
APPLAUSE | 1:03:20 | 1:03:33 | |
One person who will be hoping Shaun
gets it this time is the referee! | 1:03:33 | 1:03:44 | |
Yellow ball. Good choice. Good
choice! APPLAUSE | 1:03:56 | 1:04:06 | |
The referee will be over the moon,
and Shaun's not too disappointed, | 1:04:06 | 1:04:13 | |
either! | 1:04:13 | 1:04:20 | |
It could be another Judd Trump
special here. LAUGHTER | 1:04:28 | 1:04:41 | |
Don't normally do that with flies! I
know you don't like them, Steven | 1:04:43 | 1:04:49 | |
Hendrick, that there was a wasp in
the arena the other day. That is the | 1:04:49 | 1:04:52 | |
same one! | 1:04:52 | 1:05:00 | |
It's on the floor. It's gone now!
APPLAUSE | 1:05:03 | 1:05:11 | |
Probably his brother! A little bit
off-putting for Judd fair, in all | 1:05:11 | 1:05:18 | |
honesty. Maybe Judd should have just
taken a step back. Yeah, there's | 1:05:18 | 1:05:23 | |
another one. It's not that one any
more, I guarantee you that. LAUGHTER | 1:05:23 | 1:05:39 | |
Yeah, it was a wasp. | 1:05:40 | 1:05:48 | |
Anyway, it's not the easiest of
chance, but... Using the rest. You | 1:05:52 | 1:05:59 | |
have do fancy him to pot it, he does
not miss many with the rest. Well... | 1:05:59 | 1:06:06 | |
Commentator's curse! Yes, getting
out the snooker and then trying to | 1:06:06 | 1:06:14 | |
kill that wasp, I think the
concentration has gone. | 1:06:14 | 1:06:18 | |
He didn't intend for the red to run
into the blue and his left date pot | 1:06:39 | 1:06:46 | |
on this red. Tight onto the cushion,
hard to see where the colour comes | 1:06:46 | 1:06:50 | |
from. | 1:06:50 | 1:06:58 | |
What a wonderful shot! | 1:06:58 | 1:07:07 | |
Just got into it a bit too much. Is
there a gap between the red and the | 1:07:35 | 1:07:41 | |
black? Not quite. I can't see
anything else he can pot. | 1:07:41 | 1:07:52 | |
He's having a look. | 1:07:53 | 1:07:58 | |
No, can't see anything. Unless
there's a gap between and blue, | 1:07:58 | 1:08:07 | |
which gives him an edge of a red.
Doesn't look like it from here. | 1:08:07 | 1:08:11 | |
Well, there was the edge, but not
enough to pot it. | 1:08:11 | 1:08:22 | |
APPLAUSE | 1:08:35 | 1:08:39 | |
Knocked the red to the corner, needs
the cover, needs a cover. Got one. A | 1:09:18 | 1:09:24 | |
little bit fortunate. You could not
risk knocking for red towards the | 1:09:24 | 1:09:31 | |
corner pocket. As it happens, the
brown has come to his rescue. | 1:09:31 | 1:09:42 | |
And the green has come to Shaun's.
But this one is probably more | 1:09:52 | 1:10:01 | |
telling, this safety shot.
Particularly if he can't get past | 1:10:01 | 1:10:05 | |
the blue. | 1:10:05 | 1:10:11 | |
the blue. Well, he can, but can he
cover the path to the red near the | 1:10:11 | 1:10:16 | |
right corner? Cue ball needs to
travel. | 1:10:16 | 1:10:25 | |
Another trademark Judd Trump safety
round the angles. It's left this | 1:10:27 | 1:10:34 | |
red. A good chance the Rhodes are
pretty much out in the open now. | 1:10:34 | 1:10:42 | |
APPLAUSE
-- the reds are pretty much out in | 1:10:42 | 1:10:48 | |
the open now. | 1:10:48 | 1:10:54 | |
It's not been the type of frame I
expected in this match from these | 1:10:54 | 1:10:59 | |
two, but they all count. An
important one for Shaun Murphy to | 1:10:59 | 1:11:08 | |
get back into this match. | 1:11:08 | 1:11:16 | |
This red will make the points all
square. | 1:11:16 | 1:11:22 | |
square. No real tricky balls to stop
him. This is a great chance now. And | 1:11:22 | 1:11:31 | |
the way the first two friends, and
particularly the last one, you feel | 1:11:31 | 1:11:36 | |
he desperately needs this one. --
the first two frames. | 1:11:36 | 1:11:46 | |
Have to play for the pink to the
left middle now. When you play these | 1:12:07 | 1:12:13 | |
type of shots, you don't want to
leave yourself too straight. Decides | 1:12:13 | 1:12:16 | |
to play the run-through. With the
red being in the baulk end, he felt | 1:12:16 | 1:12:22 | |
he had a bit more margin of error on
the blue. | 1:12:22 | 1:12:31 | |
And now leaving himself on this red,
he can get the black back on its | 1:12:31 | 1:12:37 | |
spot. | 1:12:37 | 1:12:41 | |
Decided he'd played back for the
pink. I thought he'd played for the | 1:13:15 | 1:13:22 | |
black because the red that's just
left of the Blackwood, available. | 1:13:22 | 1:13:29 | |
The black would only have been
available to one corner, but that | 1:13:29 | 1:13:31 | |
shouldn't have been a problem.
Anyway, it's as he sees it. | 1:13:31 | 1:13:42 | |
He's got that cue ball running loose
at the moment, but it's OK, pot the | 1:13:59 | 1:14:05 | |
blue, as long as he avoids the kiss
on the yellow it should be OK. | 1:14:05 | 1:14:15 | |
32 points the lead. Still looking
for three more reds. | 1:14:18 | 1:14:23 | |
So not an absolute formality. | 1:14:26 | 1:14:34 | |
He played that quite nicely but he
can miss this red... | 1:14:57 | 1:15:06 | |
The cue ball just bounced off...
Just an inch too far to make that a | 1:15:06 | 1:15:14 | |
comfortable red. And I will go back,
I know people have their choices to | 1:15:14 | 1:15:18 | |
make, but I don't understand why he
didn't play for the black earlier on | 1:15:18 | 1:15:23 | |
in fact break. Just get the black
back on its spot. It gives the frame | 1:15:23 | 1:15:28 | |
a bit more normality. Yes, and when
he played the blue for the red I | 1:15:28 | 1:15:34 | |
thought he could have played pink
for the red he just missed. He had a | 1:15:34 | 1:15:39 | |
lovely angle for the pink to drop on
it. So, sometimes a sign of maybe | 1:15:39 | 1:15:46 | |
not completely relaxed or
concentrating properly when you play | 1:15:46 | 1:15:49 | |
the wrong shots. You don't see the
right shots. Sometimes you try and | 1:15:49 | 1:15:56 | |
take the easy way out. Yeah, and it
caught up with him in the end. I | 1:15:56 | 1:16:04 | |
think you're absolutely right,
Stephen. But this is tricky, though. | 1:16:04 | 1:16:11 | |
APPLAUSE | 1:16:11 | 1:16:18 | |
Didn't pot the blue cleanly, that's
why the cue ball has come up about a | 1:16:32 | 1:16:36 | |
foot short. Just going off the left
jaw there. Again, makes this red | 1:16:36 | 1:16:48 | |
missable. I don't expect him to...
Looks to have a nice angle to play | 1:16:48 | 1:16:54 | |
for the red into the same pocket,
off the black. | 1:16:54 | 1:17:00 | |
Just doesn't want to be straight.
Doesn't want to be straight. Might | 1:17:01 | 1:17:08 | |
just have an angle but this has to
be played at pace now to come off | 1:17:08 | 1:17:11 | |
three cushions. Doesn't have to risk
it, could just roll it in and played | 1:17:11 | 1:17:17 | |
the snooker. | 1:17:17 | 1:17:24 | |
He's right back in the frame. | 1:17:24 | 1:17:26 | |
Good shot. Paddon angle to drop some
are close to the yellow. Great pot | 1:17:34 | 1:17:46 | |
on the black, screw the cue ball in
behind the brown here. | 1:17:46 | 1:17:53 | |
The yellow made contact with the
blue. Now, obviously, the snooker 's | 1:18:00 | 1:18:05 | |
may harbour because in the middle of
the table, so much more difficult to | 1:18:05 | 1:18:11 | |
get safe. -- the snookers may get
harder. Just nine ahead now, Shaun. | 1:18:11 | 1:18:23 | |
When you think back to the points he
gave away early in this frame, they | 1:18:23 | 1:18:31 | |
all count up at the end. He missed
it. It was the pace that did it. | 1:18:31 | 1:18:39 | |
There's no way that Judd is not
going to have this replaced. Yes? I | 1:18:39 | 1:18:49 | |
think it's OK, he's laughing, but I
think the pink was on the spot. I | 1:18:49 | 1:18:53 | |
think the black was on its spot and
those are the only two balls that | 1:18:53 | 1:18:58 | |
moved. So quite an easy replacement
job for the referee. Now, let's have | 1:18:58 | 1:19:05 | |
a look where it was, that's where it
was, and that's where it is now. | 1:19:05 | 1:19:10 | |
That looks absolutely perfect. | 1:19:10 | 1:19:14 | |
Looks good to me. OK? | 1:19:16 | 1:19:25 | |
There's a look at where was and
where is now. That absolutely | 1:19:25 | 1:19:28 | |
perfect. So, he's hitting and hoping
for the best that he can get it | 1:19:28 | 1:19:36 | |
safe. | 1:19:36 | 1:19:38 | |
Hoping for the best... Where's the
cue ball? The black got in the way. | 1:19:42 | 1:19:47 | |
That cue ball is going towards the
corner pocket but Shaun has got it | 1:19:47 | 1:19:52 | |
safe and that was the main thing as
far as he was concerned. Look at the | 1:19:52 | 1:19:57 | |
cue ball here. It was heading
straight for that corner pocket. But | 1:19:57 | 1:20:01 | |
the black intervened. | 1:20:01 | 1:20:08 | |
Poor safety from Judd, poor safety,
and that's probably going to cost | 1:20:09 | 1:20:14 | |
him the frame. So, Shaun Murphy gets
a chance to put his first frame on | 1:20:14 | 1:20:22 | |
the scoreboard. | 1:20:22 | 1:20:31 | |
LAUGHTER
Yes, three people decided to leave | 1:20:35 | 1:20:41 | |
the arena just as he gets on this
very important chance. APPLAUSE | 1:20:41 | 1:20:55 | |
Eight points, the lead. Just brown
and blue needed. | 1:20:59 | 1:21:07 | |
All three of these frames could have
gone either way, really. Not what I | 1:21:21 | 1:21:26 | |
expected from these two. Yet to
catch fire, if you like. It's been | 1:21:26 | 1:21:33 | |
pretty nervy. | 1:21:33 | 1:21:40 | |
He will want to make certain of
this. Just one snooker needed at the | 1:21:43 | 1:21:47 | |
moment. He will be mightily
relieved, Shaun Murphy. It could | 1:21:47 | 1:21:58 | |
have been 3-0 but Shaun will be
delighted, he has a frame on the | 1:21:58 | 1:22:02 | |
scoreboard. Judd Trump leads to-
one. -- 2-1. | 1:22:02 | 1:22:09 | |
That was very much a vital frame for
Shaun Murphy as we said. We've had | 1:23:03 | 1:23:07 | |
the fly and Shaun just looked up to
our studio and are said to me, it's | 1:23:07 | 1:23:10 | |
a wasp that is flying around as
well. Obviously he will be buzzing | 1:23:10 | 1:23:14 | |
after winning that. He certainly
will be. That's terrible, isn't it?! | 1:23:14 | 1:23:20 | |
He needed to get a frame on the
board and settle down. He hasn't | 1:23:20 | 1:23:25 | |
looked himself, not playing as well
as he did in his first match. A | 1:23:25 | 1:23:28 | |
chance to Judd to go 3-0 up but much
better from Shaun Murphy. Yes, Judd | 1:23:28 | 1:23:35 | |
looked like he was clawing his way
back in. But | 1:23:35 | 1:23:37 | |
looked like he was clawing his way
back in. But for that clip on the | 1:23:37 | 1:23:38 | |
brown he would have been on the
yellow and in the end it was this | 1:23:38 | 1:23:41 | |
clip on the brown, again this time
the yellow that destroyed the safety | 1:23:41 | 1:23:46 | |
shot. He really shouldn't be hitting
the brown of that one vision but I | 1:23:46 | 1:23:51 | |
think it probably | 1:23:51 | 1:23:51 | |
the brown of that one vision but I
think it probably was hoping it | 1:23:51 | 1:23:52 | |
would go round the back of the
brown. At the various championships | 1:23:52 | 1:23:57 | |
we've been out we say sometimes the
decision-making from Judd, a | 1:23:57 | 1:24:02 | |
especially at moments like that, can
be a bit rash. He can count himself | 1:24:02 | 1:24:06 | |
a bit unlucky. He had Shaun Murphy
in trouble when he had an snookered | 1:24:06 | 1:24:10 | |
behind the brown, Shaun got out of
it, got safe and eventually led to | 1:24:10 | 1:24:13 | |
him making a mistake. He has shown a
lot more desire, Judd. He's | 1:24:13 | 1:24:19 | |
tightened up his safety a little bit
and can count himself a little | 1:24:19 | 1:24:22 | |
unlucky, because he made some
wonderful pots in that frame. Just | 1:24:22 | 1:24:27 | |
before we hand back, don't want to
give them too much air time, but | 1:24:27 | 1:24:31 | |
three people deciding to leave the
arena at that crucial moment. You | 1:24:31 | 1:24:35 | |
can only assume that they | 1:24:35 | 1:24:36 | |
arena at that crucial moment. You
can only assume that they thought | 1:24:36 | 1:24:37 | |
that frame is over because Shaun was
looking like he was going to pot the | 1:24:37 | 1:24:41 | |
balls. But it's hardly what you
want. Bad etiquette, in some | 1:24:41 | 1:24:45 | |
respects. I don't suppose three of
them at the same time needed to go | 1:24:45 | 1:24:49 | |
to the toilet. Shaun was not happy.
Never mind, Shaun won that frame. | 1:24:49 | 1:24:54 | |
Judd Trump leads to- one. | 1:24:54 | 1:25:01 | |
COMMENTATOR: Decent break off, from
Judd. Trying to come off two | 1:25:03 | 1:25:08 | |
cushions here. To nestle into.
Played it nicely. Could be a | 1:25:08 | 1:25:18 | |
touching ball, though. Touching
ball. Which makes it a nice easy | 1:25:18 | 1:25:24 | |
path back to the baulk end for Judd. | 1:25:24 | 1:25:32 | |
And he's made a good job of it. | 1:25:32 | 1:25:36 | |
Not an option to come off the right
side and nestling because there is | 1:25:46 | 1:25:52 | |
one sticking out. May have to play a
similar shot to the one before, side | 1:25:52 | 1:25:57 | |
cushion, top cushion and nestle it
into the back of the cluster. | 1:25:57 | 1:26:08 | |
Once again judged it well and once
again looks like touching ball. | 1:26:14 | 1:26:17 | |
Touching ball. | 1:26:17 | 1:26:20 | |
Needs to miss the brown. A bit
loose. | 1:26:31 | 1:26:41 | |
Decent, just a bit short of pace. It
shows you the | 1:26:58 | 1:27:07 | |
shows you the difference, how much
better the safety can be. Judd can | 1:27:07 | 1:27:13 | |
possibly get round the brown to this
red. I think he could but... Foul | 1:27:13 | 1:27:19 | |
and a miss. He missed it. Shaun
Murphy, four. This red on the | 1:27:19 | 1:27:27 | |
right-hand side of the table could
tempt Shaun. No, not doing. You | 1:27:27 | 1:27:34 | |
wouldn't expect Judd to miss it this
time round. | 1:27:34 | 1:27:45 | |
Can you bring it up, please? | 1:27:48 | 1:27:57 | |
The line is good? | 1:27:57 | 1:28:06 | |
Marcel is doing the guiding. As I
say, you wouldn't expect Judd to | 1:28:22 | 1:28:28 | |
miss it again. | 1:28:28 | 1:28:33 | |
APPLAUSE
Played it well. | 1:28:33 | 1:28:44 | |
Quite a decent target, that yellow
and brown, to getting behind. He | 1:29:35 | 1:29:38 | |
could play off four cushions or just
the two cushions. | 1:29:38 | 1:29:48 | |
That's pretty good. | 1:29:51 | 1:29:58 | |
The main thing was to cover this
right-hand side off the table, as we | 1:30:01 | 1:30:06 | |
look down. | 1:30:06 | 1:30:14 | |
P Well you think if he can just
nestle on the red. He doesn't want | 1:30:27 | 1:30:32 | |
to run across the face of it.
The only problem is, if he's left a | 1:30:32 | 1:30:40 | |
slight angle, he could be tempted to
roll this in and putically finish on | 1:30:40 | 1:30:45 | |
the black. | 1:30:45 | 1:30:50 | |
Keeping an eye out for the wwasp.
What happened to the old DDT, that | 1:31:12 | 1:31:22 | |
they used to have? The old spray
can? They didn't have that anymore. | 1:31:22 | 1:31:30 | |
I would be out of there, John.
I know you have a fear of wasps. | 1:31:30 | 1:31:43 | |
Mind you don't hit the table with
your cue, Shaun. Break the cue in | 1:31:43 | 1:31:48 | |
half.
I'm going to get it! Go on, Shaun! | 1:31:48 | 1:31:58 | |
For those of you who have just
joined us, this isn't a baseball | 1:31:58 | 1:32:03 | |
match. | 1:32:03 | 1:32:08 | |
Someone had come out of the
audience, and thought he could do | 1:32:26 | 1:32:30 | |
the trick. But obviously not a wasp
expert! | 1:32:30 | 1:32:47 | |
On a more serious note, if the wasp
was to sting you... I think we're | 1:32:49 | 1:32:56 | |
safe for the time being.
Are we? I don't know. | 1:32:56 | 1:33:03 | |
He's back! Welcome to life at The
Masters. | 1:33:03 | 1:33:19 | |
Well I suggest he gets this red
along the top cushion. Shaun's had a | 1:33:37 | 1:33:43 | |
look at it. He doesn't think it is
too risky. | 1:33:43 | 1:33:50 | |
There's the cue ball going. Mighty
close to the corner. | 1:33:50 | 1:34:02 | |
Not putting any real pressure on
Judd Trump here to play a better | 1:34:02 | 1:34:07 | |
safety. | 1:34:07 | 1:34:17 | |
Not the best effort from Judd.
I think both players at the moment, | 1:34:19 | 1:34:25 | |
with all that's happening are losing
their focus, slightly. | 1:34:25 | 1:34:37 | |
Foul. Miss. | 1:35:04 | 1:35:10 | |
This looks a better safety.
APPLAUSE | 1:35:33 | 1:35:37 | |
And it certainly is. An easy escape
route off the left-hand side | 1:35:37 | 1:35:42 | |
cushion. Nestled on the red near the
top cushion. But we saw before when | 1:35:42 | 1:35:49 | |
Judd played a similar shot he left
half a chance for Shaun but he | 1:35:49 | 1:35:54 | |
refused. So you have to make this
red right otherwise you could leave | 1:35:54 | 1:35:59 | |
a possible pot-on. But just right. | 1:35:59 | 1:36:11 | |
I think the concentration level now
has really dropped. | 1:36:39 | 1:36:43 | |
I'm not quite certain was Judd was
traying there. This red possibly | 1:36:43 | 1:36:48 | |
past the blue into the far corner?
Whatever, he's missed it by a long | 1:36:48 | 1:36:53 | |
way. | 1:36:53 | 1:37:03 | |
Obviously this is not a chance to
score a lot of points. Possibly of | 1:37:13 | 1:37:19 | |
pots are available. Possibly to the
left corner. | 1:37:19 | 1:37:32 | |
It's sometimes hard to keep your
focus when you come to the table | 1:37:43 | 1:37:48 | |
with a chance like this. You know
there is no real future in the | 1:37:48 | 1:37:52 | |
break. | 1:37:52 | 1:38:02 | |
A little bit of luck there to be
fair. The blue is available to the | 1:38:04 | 1:38:12 | |
left corner. | 1:38:12 | 1:38:19 | |
Good shot. | 1:38:21 | 1:38:26 | |
You have to dig down on this cue
ball. It makes this red missable. | 1:38:53 | 1:39:07 | |
He could choose to take the cue ball
over the pink spot into the reds | 1:39:10 | 1:39:15 | |
here. Possibly a little too much
angle on the blue. But it's on. | 1:39:15 | 1:39:30 | |
Good shot. Now he's slowly creating
chances. He's doing ever so well | 1:39:33 | 1:39:38 | |
here.
That was a bonus. I thought in the | 1:39:38 | 1:39:45 | |
red in the middle of the table was
stopping him getting close to the | 1:39:45 | 1:39:47 | |
pink. But he got past it and is near
to the pink. | 1:39:47 | 1:39:54 | |
I, like you, thought he would do
well to get 20 here, now, all of a | 1:39:54 | 1:40:00 | |
sudden, I'm not saying he can win
the frame at this visit but he's a | 1:40:00 | 1:40:03 | |
chance! | 1:40:03 | 1:40:13 | |
Well maybe give him the benefit of
the doubt and say that was possibly | 1:40:15 | 1:40:19 | |
a heavy contact. If not it's a poor
shot. | 1:40:19 | 1:40:23 | |
Let's see in the pink leaves the
table. It definitely does. | 1:40:23 | 1:40:33 | |
He is obviously still on the red. He
is coming around to look at the | 1:40:33 | 1:40:38 | |
potting angle.
Again, the three reds to the | 1:40:38 | 1:40:54 | |
Again, the three reds to the left of
the pink, that looks like a natural | 1:40:54 | 1:40:57 | |
anning toll go into those. | 1:40:57 | 1:41:04 | |
anning toll go into those. Those --
natural angle to go into those. | 1:41:04 | 1:41:07 | |
It's not a guaranteed position.
That's why he's not entirely happy | 1:41:07 | 1:41:11 | |
doing it. | 1:41:11 | 1:41:21 | |
I think he was hoping that something
went right there. | 1:41:36 | 1:41:44 | |
This red, obviously, cuts down the
left-hand side cushion. | 1:41:44 | 1:41:51 | |
And he just about held that for the
black. | 1:41:58 | 1:42:02 | |
Now is there value coming off the
top cushion? Will it release the | 1:42:02 | 1:42:08 | |
black spot? And will he still be on
the red? Decision time. | 1:42:08 | 1:42:16 | |
the red? Decision time. No, he's
overcut the black. Like you, John, I | 1:42:19 | 1:42:24 | |
think he should have played a
positive shot and played at more | 1:42:24 | 1:42:29 | |
pace. Take the reds completeliway
from the black spot. | 1:42:29 | 1:42:39 | |
Amazingly, it's been 21 minutes
since Judd Trump has potted a ball. | 1:42:39 | 1:42:53 | |
It's there. | 1:43:00 | 1:43:06 | |
Now deciding if he prefers the
black. I'm not certain exactly where | 1:43:19 | 1:43:24 | |
the pink spot is.
He's played this well. | 1:43:24 | 1:43:39 | |
He's played this well. I'm surprised
he didn't play for the pink and then | 1:43:39 | 1:43:42 | |
this red. But obviously you see it a
lot better when you're down at the | 1:43:42 | 1:43:49 | |
floor. At the table. Newel of these
reds, once again, seem to be | 1:43:49 | 1:43:56 | |
covering one another. Unless the
right-hand one of the three goes. He | 1:43:56 | 1:44:00 | |
decided to play the canon. Perfect.
It worked out perfect. | 1:44:00 | 1:44:07 | |
Yet, Shaun Murphy had the
opportunity to play this shot and | 1:44:07 | 1:44:09 | |
refused it. | 1:44:09 | 1:44:14 | |
A choice of reds. I think he'd like
to play the one on the left corner | 1:44:24 | 1:44:31 | |
to release the pink.
But he thinks this is easier to get | 1:44:31 | 1:44:35 | |
into position.
Surely he played for the blue? | 1:44:35 | 1:44:48 | |
If he's dead straight on the black,
he'll play it off the cue ball. | 1:44:53 | 1:44:59 | |
To the left-hand corner. It wasn't
straight. But it's still OK. | 1:44:59 | 1:45:07 | |
He didn't get the best contact and
again potted the black in the | 1:45:07 | 1:45:12 | |
left-hand side of the pocket.
Again... They're not going in | 1:45:12 | 1:45:19 | |
cleanly but they're in.
I think this has been, or summed up | 1:45:19 | 1:45:23 | |
the match so far for me, both
players look a little bit edgy. | 1:45:23 | 1:45:33 | |
No fireworks by any stretch. It's
been disappointing, really, you | 1:45:33 | 1:45:37 | |
would have to say. With the two
players we've not here today, | 1:45:37 | 1:45:42 | |
disappointing.
Maybe there is that little thought | 1:45:42 | 1:45:47 | |
as we were talking earlier, Ronnie
going out... The expectation, yes. | 1:45:47 | 1:46:02 | |
Yes, possibly both players thinking
if they can just win this match it | 1:46:02 | 1:46:05 | |
could be an opportunity.
You can't afford to think ahead, | 1:46:05 | 1:46:09 | |
though.
No. You have to stay in the moment. | 1:46:09 | 1:46:18 | |
But this is a golden opportunity for
Judd. Sieve points in front. These | 1:46:18 | 1:46:25 | |
reds with high-value colours, he
wouldn't need the awkward yellow. | 1:46:25 | 1:46:38 | |
I don't know why he played for the
pink on the last red before. He | 1:47:19 | 1:47:24 | |
looked as if he could a played for
the black. But he's playing that | 1:47:24 | 1:47:29 | |
nicely.
Perfectly, in fact. So this black | 1:47:29 | 1:47:36 | |
and the red to get to what He
requires. | 1:47:36 | 1:47:48 | |
It he is coming straight on it. A
bit careless. He should have had an | 1:47:49 | 1:47:55 | |
angle so he could have played on the
black. | 1:47:55 | 1:48:07 | |
APPLAUSE
He doesn't need to overthink this. | 1:48:21 | 1:48:23 | |
Just drop the black tonne the side
cushion. | 1:48:23 | 1:48:36 | |
This frame is not over yet. | 1:48:49 | 1:49:01 | |
He needs to cover. The only thing
about this, he is hampered by the | 1:49:13 | 1:49:19 | |
pink. It makes the pot on the yellow
more difficult. He could cue past | 1:49:19 | 1:49:24 | |
the pink. | 1:49:24 | 1:49:34 | |
It could have been a lot more
difficult. | 1:49:35 | 1:49:46 | |
Well, it's certainly not been
vintage. | 1:49:46 | 1:49:49 | |
But that was! That was! Look at the
cue ball coming back down for the | 1:49:49 | 1:49:55 | |
blue. Wonderful cueing.
I was going to say, it's not been | 1:49:55 | 1:50:01 | |
vintage but 3-1 in.front, the
mid-session interval, Judd Trump | 1:50:01 | 1:50:05 | |
will be happy.
Yeah, wasp-gate and everything. | 1:50:05 | 1:50:15 | |
Yes, and a 3-1 advantage is a good
one to take to the interval. A | 1:50:15 | 1:50:21 | |
little bit of naughty snooker here.
Oh! Very naughty! Where's the cue | 1:50:21 | 1:50:32 | |
ball gone? ! Judd Trump, he won't
mind that. He leads Shaun Murphy at | 1:50:32 | 1:50:40 | |
the mid-session interval by 3-1. | 1:50:40 | 1:50:42 | |
mind that. He leads Shaun Murphy at
the mid-session interval by 3-1. | 1:50:42 | 1:50:44 | |
As they head off to the interval,
the last two times they met it was | 1:50:44 | 1:50:51 | |
3-1, especially in the Hong Kong
Masters. | 1:50:51 | 1:50:53 | |
He went on to win that, Judd, 5-3.
What you have seen, is Judd the | 1:50:53 | 1:50:58 | |
favourite? I would not say that. The
sweetest thing for him, he has not | 1:50:58 | 1:51:03 | |
played well and he is leading still.
Shaun Murphy, is a different player | 1:51:03 | 1:51:08 | |
than he was yesterday. He has not
got going. I know that the | 1:51:08 | 1:51:13 | |
concentration with the fly but his
concentration is not there today. | 1:51:13 | 1:51:17 | |
Weapon Ken is right. There is
something up with Shaun. It is all | 1:51:17 | 1:51:20 | |
very well to talk about the wasp but
he has not been himself, has he? It | 1:51:20 | 1:51:25 | |
is how you get off to the start of
the match. Sometimes you settle down | 1:51:25 | 1:51:30 | |
quicker than others. That is why the
interval is the respite you need. | 1:51:30 | 1:51:36 | |
But we have different opinions, I
think that Judd is playing quite | 1:51:36 | 1:51:40 | |
sharp. But for one of the frames
where he nearly cleared up, then | 1:51:40 | 1:51:46 | |
with the yellow in the bottom
cushion, I thought he could have | 1:51:46 | 1:51:51 | |
nicked the last three flame frames,
he has nicked two of them. I know it | 1:51:51 | 1:51:57 | |
has not been hundred, hundred,
hundred but importantly, when you | 1:51:57 | 1:52:01 | |
get a chance to clear up, you do. He
has been effective. But we are | 1:52:01 | 1:52:07 | |
judging by high margins.
You are right. We have been treated | 1:52:07 | 1:52:12 | |
to a lot of fantastic
break-building. Maybe we have to | 1:52:12 | 1:52:15 | |
value what is at steak here. Do you
go along with Steven's assessment? I | 1:52:15 | 1:52:23 | |
think he is right. It is more
match-play snooker than what you | 1:52:23 | 1:52:28 | |
expect from the two players. They
are such great builders and long put | 1:52:28 | 1:52:33 | |
success. It just hasn't, it is not
the fluid game we are used to seeing | 1:52:33 | 1:52:38 | |
with these two. But you must be able
to play both games. It doesn't help | 1:52:38 | 1:52:43 | |
if there a things flying around. It
is off-putting. Bad enough people | 1:52:43 | 1:52:49 | |
walking about, opening packets of
crisps. But flies, it is unnerving. | 1:52:49 | 1:52:56 | |
If it is a wasp and you don't like
them, that is worse. | 1:52:56 | 1:53:00 | |
I was trying to match my brains with
an event where a fly or a wasp | 1:53:00 | 1:53:08 | |
invade the arena. Have you ever had
one of those stories? Going back in | 1:53:08 | 1:53:15 | |
history, Dough Mountjoy, the old
player playing in the amateur Welsh | 1:53:15 | 1:53:21 | |
championships, I think it was Dough
Mountjoy's Fly. It put his opponent | 1:53:21 | 1:53:29 | |
off and he went on to win the Welsh
Professional. | 1:53:29 | 1:53:33 | |
If you know, get in touch. There
will be someone who knows about that | 1:53:33 | 1:53:37 | |
story.
I remember once, there was a leak in | 1:53:37 | 1:53:40 | |
the roof. The rain was dripping on
to the table. It stopped the play. | 1:53:40 | 1:53:52 | |
The wasp is thinking "what am I
doing in The Masters?" Right, you | 1:53:53 | 1:54:00 | |
are talking to Mark Allen shortly.
If you want questions to Mark Allen, | 1:54:00 | 1:54:05 | |
put it in the queue and get in touch
with the hashtag BBC snooker. We are | 1:54:05 | 1:54:13 | |
looking forward to tonight's match.
Live at 7.00pm on BBC Two. It is | 1:54:13 | 1:54:18 | |
Ryan Day taking on John Higgins.
Four times world champion, four | 1:54:18 | 1:54:25 | |
times number one ranked player in
the world. | 1:54:25 | 1:54:35 | |
the world. Now into his 40s but
still winning snooker events. What a | 1:54:35 | 1:54:39 | |
legend.
That is what it is. He has given me | 1:54:39 | 1:54:44 | |
some serious beatings down the line.
He was always my nemesis when I was | 1:54:44 | 1:54:50 | |
creeping through the game. Every
time I got to a personal best, I | 1:54:50 | 1:54:55 | |
would run into John.
He is one of the greatest match | 1:54:55 | 1:55:00 | |
players of all time. Technically he
is brilliant. Perhaps one of the | 1:55:00 | 1:55:04 | |
best for all time for clearing up
under pressure when he needs to. If | 1:55:04 | 1:55:07 | |
you think of one player clearing up
under pressure, you automatically | 1:55:07 | 1:55:12 | |
think of John Higgins. He has done
it time and time again. | 1:55:12 | 1:55:16 | |
I'm still waiting for him to play
the wrong shot?! Are you? Before he | 1:55:16 | 1:55:23 | |
retires I hope he chucks one in. I
am still waiting. | 1:55:23 | 1:55:28 | |
He has a smooth cue action.
Sometimes he felt it long, so he | 1:55:28 | 1:55:33 | |
shortened things up a bit, a
slightly shorter cue and bridge but | 1:55:33 | 1:55:39 | |
I noticed he never messed with the
pace around the table. It is the | 1:55:39 | 1:55:42 | |
same. Not fast, not slow but looking
at the shot clocks, he is getting on | 1:55:42 | 1:55:47 | |
with it all the time.
I think he has a very finally tuned | 1:55:47 | 1:55:52 | |
snooker brain. He knows what to do
instinctively. He plays the right | 1:55:52 | 1:55:57 | |
shot all the time. He is never far
away from what he intended to play. | 1:55:57 | 1:56:03 | |
He makes the game look ridiculousy
straightforward and he can tie-up in | 1:56:03 | 1:56:09 | |
knots.
The incredible thing about John, he | 1:56:09 | 1:56:14 | |
has destroyed every other top player
in the game. Annihilated them. You | 1:56:14 | 1:56:19 | |
must be a special talent to do that
against one of the best in the | 1:56:19 | 1:56:23 | |
world. He has done it throughout his
career. | 1:56:23 | 1:56:25 | |
If you are critical, sometimes he
takes his finger off the pulse, not | 1:56:25 | 1:56:31 | |
practiced as hard but he is always
getting back on the treadmill. He | 1:56:31 | 1:56:36 | |
has time to spend time with the
family. To enjoy his life as a | 1:56:36 | 1:56:41 | |
legendary sports person.
If you said can he win another World | 1:56:41 | 1:56:45 | |
Championship? I think he is capable
into his 40s. | 1:56:45 | 1:56:49 | |
Without question. Without a doubt.
Yeah, incredibly, 12 years ago when | 1:56:49 | 1:56:57 | |
John Higgins last won the Masters?
Yes, against some Ronnie O'Sullivan. | 1:56:57 | 1:57:06 | |
I think that the guys are right. He
is a type of player, if the balls | 1:57:06 | 1:57:10 | |
are there for a pressure clearance,
you uncount on John to make it most | 1:57:10 | 1:57:14 | |
of the time. A fantastic player over
the years. Still going strong. One | 1:57:14 | 1:57:21 | |
of the hardest match players I've
played in the game and possibly one | 1:57:21 | 1:57:25 | |
of the best match players in the
game. | 1:57:25 | 1:57:28 | |
Given Ronnie's comments about the
three people he believe can close | 1:57:28 | 1:57:37 | |
the major tournaments, himself,
naturally, and Mark Selby and John | 1:57:37 | 1:57:41 | |
Higgins. Selby is out. Does that
make John the most feared player out | 1:57:41 | 1:57:46 | |
there? I think he is the most
respected of them all. The amount of | 1:57:46 | 1:57:51 | |
tournaments he has won and he is
such a tough match player. He is one | 1:57:51 | 1:57:56 | |
of the favourites. But there are a
lot of players left in it. But he is | 1:57:56 | 1:58:01 | |
one of the hardest men to play. He
plays all the right shots. He plays | 1:58:01 | 1:58:07 | |
tactically and technically, and when
you are playing that type of an | 1:58:07 | 1:58:11 | |
animal, it is hard to break down.
Well, he is playing Ryan rareness | 1:58:11 | 1:58:16 | |
but tonight, will the Welsh dragon
roar? | 1:58:16 | 1:58:23 | |
roar? Ryan Day was porn on the 23rd
of March, Bridgend. His nickname is | 1:58:24 | 1:58:35 | |
Dynamite Day. His younger brother
has played for the Welsh team. | 1:58:35 | 1:58:46 | |
He made the first 147 of his career
in the 2014 Open. Ryan is married to | 1:58:46 | 1:58:55 | |
Lindsey, they have two durings.
His first appearance in a ranking | 1:58:55 | 1:59:01 | |
final was at the 2007 Malta Cup. The
first ranking this year came at the | 1:59:01 | 1:59:10 | |
Riga Masters, beating Steven McGuire
in the final. | 1:59:10 | 1:59:13 | |
It was his first win in five final
appearances. Ryan has made over 300 | 1:59:13 | 1:59:18 | |
cent rebreaks as a professional in
his career. | 1:59:18 | 1:59:23 | |
Well, it certainly would be a
beautiful day for Wales and for Ryan | 1:59:23 | 1:59:27 | |
if he can make it through.
Yeah, it will be a tough match for | 1:59:27 | 1:59:30 | |
him. But I think that Ryan Day, this
year, he has been a different | 1:59:30 | 1:59:34 | |
player. Since winning the first
ranking tournament in Riga at the | 1:59:34 | 1:59:39 | |
beginning of the season, it has
given him an extra air of confidence | 1:59:39 | 1:59:44 | |
it is important for playing here,
especially against someone like John | 1:59:44 | 1:59:49 | |
Higgins.
Join us here. We are live for an | 1:59:49 | 1:59:52 | |
hour at 7.00pm. Then on to the Red
Button and then catch up with the | 1:59:52 | 1:59:58 | |
day's play with the quarterfinal
highlights at 11.05pm. A big thank | 1:59:58 | 2:00:04 | |
you for getting in touch today. Lots
of questions for Mark Allen. He is | 2:00:04 | 2:00:08 | |
with us now, I'm delighted to say.
He is with Steve. | 2:00:08 | 2:00:12 | |
Down in the Cue Zone. This area is
fantastic for the snooker fans. It | 2:00:12 | 2:00:17 | |
is great to have Mark Allen here.
Congratulations on your third | 2:00:17 | 2:00:21 | |
semifinal. Looking forward to going
one or two further? Yes, looking | 2:00:21 | 2:00:26 | |
forward to it on the back of two
wins. But not getting carried away, | 2:00:26 | 2:00:34 | |
there are still tough opponents
there for more. | 2:00:34 | 2:00:38 | |
And a question here. Was the TV
major better, or did a game top | 2:00:38 | 2:00:47 | |
that? I would not say it was my
best. I played Steven Lee and played | 2:00:47 | 2:00:53 | |
as well as I could and beat him
10-1. That is what I will remember. | 2:00:53 | 2:00:59 | |
A question if David Purnell: If you
can play a frame of snooker with a | 2:00:59 | 2:01:06 | |
player, past or present, I presume
past, who would it be and why? Are | 2:01:06 | 2:01:12 | |
being from Northern Ireland I would
say Higgins. He was a hero growing | 2:01:12 | 2:01:16 | |
up. He did wonneders for the
Northern Ireland snooker. I never | 2:01:16 | 2:01:19 | |
got to play him. That is something
that I will look back and regret. | 2:01:19 | 2:01:23 | |
I loved playing him. He was
fantastic. The crowd was great as | 2:01:23 | 2:01:27 | |
well.
He brought a different crowd with | 2:01:27 | 2:01:30 | |
him. He did wonders for the game. | 2:01:30 | 2:01:37 | |
Is there a shortage of snooker | 2:01:37 | 2:01:39 | |
Is there a shortage of snooker clubs
in Northern Ireland? Not many | 2:01:39 | 2:01:41 | |
players coming through from Northern
Ireland at the moment? I completely | 2:01:41 | 2:01:45 | |
agree, just with the recession
really, clubs of close down over the | 2:01:45 | 2:01:49 | |
years, and getting slightly less
popular. But still a good foundation | 2:01:49 | 2:01:52 | |
for it. It's sort of skipped a
generation, there's too many | 2:01:52 | 2:01:57 | |
computer games and stuff for me now.
Kids don't have the same attention | 2:01:57 | 2:02:01 | |
span. There are some coming through,
but hopefully with myself and a few | 2:02:01 | 2:02:07 | |
others doing all right, more will be
interested in the next two years. In | 2:02:07 | 2:02:11 | |
terms of potential, do you think you
have under or over achieved up until | 2:02:11 | 2:02:15 | |
now at this point in your career? I
don't want to sound arrogant but I | 2:02:15 | 2:02:19 | |
think I've underachieved. There were
definitely a few years where I | 2:02:19 | 2:02:24 | |
didn't work hard enough on the table
and I think I got what I deserved. | 2:02:24 | 2:02:28 | |
You know yourself, you need to
dedicate yourself and I didn't for a | 2:02:28 | 2:02:31 | |
while. I feel I've still got plenty
more tournaments in me and if I | 2:02:31 | 2:02:35 | |
don't win more between now and the
end my career... At tough one. And | 2:02:35 | 2:02:39 | |
who is your favourite player play
against? Anyone that plays bad! I | 2:02:39 | 2:02:45 | |
know! A couple of players on tour, I
don't want to name them, but I've | 2:02:45 | 2:02:51 | |
never lost it. You know yourself,
the standard is so good, it's all on | 2:02:51 | 2:02:55 | |
the day. When you're friendly with
players on tour, do you find that | 2:02:55 | 2:03:01 | |
tougher to play against them
question that year, it's not ideal. | 2:03:01 | 2:03:04 | |
I played Joe Swail a few times on
tour never really enjoyed that at | 2:03:04 | 2:03:08 | |
all. I didn't feel the way I wanted
to win the way I normally do. What | 2:03:08 | 2:03:16 | |
do you think the latest possible age
to get into snooker is, to make it | 2:03:16 | 2:03:20 | |
professionally? Through Junior would
it be something like 15 or do you | 2:03:20 | 2:03:25 | |
have to be very young these days? It
seems to be the way, doesn't it? I | 2:03:25 | 2:03:30 | |
think the younger you can start, the
better. Years of experience under | 2:03:30 | 2:03:33 | |
your belt. As you have seen, there's
a lot of longevity in this game | 2:03:33 | 2:03:37 | |
right now, like they're never used
to be. Players in their 40s. But you | 2:03:37 | 2:03:41 | |
need to start as young as possible.
You need to want to play, a parent | 2:03:41 | 2:03:45 | |
pushing your kid is wrong as well.
You need to enjoy your practice. If | 2:03:45 | 2:03:49 | |
you do enjoy it, there's no point.
Great question here from Jamie. Just | 2:03:49 | 2:03:54 | |
want to ask Mark, I love this, if he
could play against one of the | 2:03:54 | 2:04:00 | |
commentary team, who would he want
to play against? Put them in their | 2:04:00 | 2:04:08 | |
place... One that's criticised
today? One that thinks he knows more | 2:04:08 | 2:04:11 | |
than he does, who could it be? I
think Stephen sometimes a bit | 2:04:11 | 2:04:15 | |
critical. Stephen Hendry! I suppose
he can be, but I never got to play | 2:04:15 | 2:04:21 | |
him at his peak and it's something I
regret. To put him in his place now | 2:04:21 | 2:04:25 | |
would be nice! The last question,
how long did it take you to get used | 2:04:25 | 2:04:30 | |
to your new cue? Always a tough
thing, isn't it? There's getting | 2:04:30 | 2:04:36 | |
used to it and being able to play
with it, I think that two different | 2:04:36 | 2:04:39 | |
things. I was produced it pretty
quick but in pressure situations, | 2:04:39 | 2:04:46 | |
that's completely different. You
have to trust the cue. Six months | 2:04:46 | 2:04:51 | |
and with a new cue, I think I'm
pretty close to being good with it | 2:04:51 | 2:04:55 | |
now. Looked pretty good the other
day! You have the rest of the day | 2:04:55 | 2:04:59 | |
off. Good luck tomorrow, I hope you
enjoy the day and thanks very much | 2:04:59 | 2:05:02 | |
indeed. STUDIO: Thank you very much
indeed and thanks to Mark Allen. | 2:05:02 | 2:05:10 | |
Judd Trump leads Shaun Murphy three
have won at the interval, this is | 2:05:10 | 2:05:13 | |
the story of the match | 2:05:13 | 2:05:14 | |
have won at the interval, this is
the story of the match so far. | 2:05:14 | 2:05:15 | |
Breaks of 49 and 57 giving Judd an
early lead. He settled in very, very | 2:05:15 | 2:05:22 | |
nicely. Shaun, not so. | 2:05:22 | 2:05:26 | |
In frame two, this perfectly shows
what's going on out there with Shaun | 2:05:31 | 2:05:34 | |
Murphy, missing that black and then
Judd Trump capitalising with a break | 2:05:34 | 2:05:39 | |
of 60 to make it 2-0.
Frame three and we said it was a | 2:05:39 | 2:05:46 | |
crucial one for Shaun Murphy. A bit
rash from Judd Trump, Shaun | 2:05:46 | 2:05:50 | |
capitalising on the mistake to make
it 2-1. | 2:05:50 | 2:06:00 | |
And in frame four, Judd went 23
minutes without putting a ball. Got | 2:06:01 | 2:06:09 | |
a chance and Stephen Hendry
describing the catch as | 2:06:09 | 2:06:14 | |
disappointing. What has been quite
entertaining is the wasp that | 2:06:14 | 2:06:18 | |
appears to be in the arena today
giving Shaun in particular a bit | 2:06:18 | 2:06:23 | |
array headache. Channelling his in a
Luke Skywalker there! We had a nice | 2:06:23 | 2:06:31 | |
text from someone who remembers a
wasp or something happening at the | 2:06:31 | 2:06:37 | |
British Open in Derby's assembly
rooms. Thank you for getting in | 2:06:37 | 2:06:41 | |
touch with those snooker memories.
Here we go, let's get underway. | 2:06:41 | 2:06:45 | |
Shaun just looking to make sure the
wasp is not around or maybe just | 2:06:45 | 2:06:49 | |
waiting for a few of the fans to sit
down. Let's rejoin Stephen and John. | 2:06:49 | 2:06:56 | |
Frame number five, Shaun Murphy to
break. This match now will be played | 2:06:56 | 2:07:04 | |
to the finish, no more intervals.
Shaun Murphy up against it slightly. | 2:07:04 | 2:07:13 | |
These snooker, it has to be said,
hasn't been the quality we expected. | 2:07:13 | 2:07:21 | |
But then, there's been a few things
happening on and around the table | 2:07:21 | 2:07:25 | |
that are unusual. Yes, I saw Shaun
at the interval and he said he's | 2:07:25 | 2:07:34 | |
absolutely terrified of wasps, as I
am. It's not ideal, you're out there | 2:07:34 | 2:07:39 | |
concentrating on a massive match and
that's happening. | 2:07:39 | 2:07:47 | |
He's got to try and get those things
out of his mind, get back into this | 2:07:47 | 2:07:52 | |
match. As you say, John, hasn't
lived up to expectations so far. | 2:07:52 | 2:08:03 | |
Going to get the rattle of the
jewels of the pocket. -- the jaws of | 2:08:07 | 2:08:15 | |
the pocket. | 2:08:15 | 2:08:17 | |
Not the best safety shot from Judd.
At this level, you can't afford to | 2:08:28 | 2:08:35 | |
be leaving reds towards the pocket
and not giving a good cue ball. | 2:08:35 | 2:08:47 | |
Much too much. Only the black to go
for, and it would be risky to go to | 2:08:47 | 2:08:55 | |
the baulk end so I don't see how he
can play eight telling safety here. | 2:08:55 | 2:09:02 | |
-- are telling safety here. | 2:09:02 | 2:09:04 | |
Easy enough to play safe off the red
that's near the red corner. | 2:09:24 | 2:09:36 | |
Just contemplating the double on
this red to the corner pocket? He | 2:09:39 | 2:09:45 | |
has. | 2:09:45 | 2:09:47 | |
Thought that if it went in that he'd
be nicely on the yellow, which he | 2:09:52 | 2:09:57 | |
would have been. When you play at
that pace, not a chance of leaving | 2:09:57 | 2:10:00 | |
it. Shaun and can be aggressive here
with the safety shot if he chooses. | 2:10:00 | 2:10:07 | |
Thicker contact, take the cue ball
off three cushions, possibly four, | 2:10:07 | 2:10:13 | |
in behind the yellow. He's chosen to
play the more orthodox way and he's | 2:10:13 | 2:10:19 | |
not played it well. | 2:10:19 | 2:10:27 | |
How thick did he hit that question
that if he's not let anything, he's | 2:10:38 | 2:10:42 | |
been very lucky. At first glance,
he's not left a lot. | 2:10:42 | 2:10:53 | |
The fact Shaun's getting beat rest
out, Judd very fortunate there. -- | 2:10:53 | 2:11:04 | |
the rest out. | 2:11:04 | 2:11:06 | |
Not so bad shot but his target was
in behind the yellow. | 2:11:09 | 2:11:21 | |
This is tough cueing, the yellow
next to his hand, to skew this cue | 2:11:29 | 2:11:34 | |
ball back. He's got the desired
action on the cue ball. -- to screw | 2:11:34 | 2:11:44 | |
this cue ball back. | 2:11:44 | 2:11:51 | |
Well, that was adventurous, to say
the least. A bit of frustration. | 2:12:18 | 2:12:31 | |
Controlled that nicely. The sooner
he can get the black back on it on | 2:12:36 | 2:12:43 | |
the spot the better, as far as Judd
is concerned. | 2:12:43 | 2:12:49 | |
Yes, if you're in Judd's shoes, you
should be sensing the frustration | 2:12:58 | 2:13:02 | |
from your opponent. It's time to put
the hammer down in this match. | 2:13:02 | 2:13:16 | |
OK on the black, just play a cannon
into deep pink, hold the cue ball in | 2:13:23 | 2:13:29 | |
the middle of the table. | 2:13:29 | 2:13:35 | |
the middle of the table. Under
normal circumstances, you'd think | 2:13:35 | 2:13:37 | |
there's a pretty good chance... I
know there's a few reds he's got to | 2:13:37 | 2:13:41 | |
try and bring out but there may be
on red that's potable at some time, | 2:13:41 | 2:13:48 | |
he can pot it and bring other reds
into place. This is a good | 2:13:48 | 2:13:51 | |
opportunity, this. | 2:13:51 | 2:13:59 | |
Could have followed through for a
red to the middle... It would have | 2:14:25 | 2:14:29 | |
been a more comfortable positional
shot. Now again he's out of position | 2:14:29 | 2:14:33 | |
slightly and he has missed the red.
Judd Trump, 22. He will be it was a | 2:14:33 | 2:14:39 | |
good chance for Judd Trump to really
put the pressure on Shaun Murphy. | 2:14:39 | 2:14:47 | |
Just, he always wants to place an
shots -- played Stan shots. Yeah, | 2:14:47 | 2:14:57 | |
and the fact he left himself, you
could say to straight on the black. | 2:14:57 | 2:15:03 | |
The one to the middle would have
been a better choice, but you can | 2:15:03 | 2:15:06 | |
say that about both players when
they've been in amongst the balls | 2:15:06 | 2:15:10 | |
today. The shot selection's not been
a one, which is unusual for these | 2:15:10 | 2:15:16 | |
two players, because they are
usually very proficient when they | 2:15:16 | 2:15:20 | |
get opportunities. | 2:15:20 | 2:15:29 | |
Thinks he can cover the red near the
corner with the blue and pink. There | 2:15:36 | 2:15:44 | |
is nearly a gap. | 2:15:44 | 2:15:51 | |
So, Judd faced with the problem that
Shaun managed to solve. Got to cover | 2:15:57 | 2:16:03 | |
the path to that red near the right
corner. | 2:16:03 | 2:16:10 | |
Court that a little too thick. He's
left something here. Should have | 2:16:10 | 2:16:16 | |
found the ball question was only
just found the balkline. Usually so | 2:16:16 | 2:16:25 | |
strong that this type of shot,
Shaun. APPLAUSE | 2:16:25 | 2:16:32 | |
Can't afford to be leaving him
those. What will Shaun Murphy make | 2:16:32 | 2:16:36 | |
of this chance quest might just get
the feeling if either player kicks | 2:16:36 | 2:16:39 | |
into that top gear, it could win
them this match. Played the cannon. | 2:16:39 | 2:16:50 | |
Felt certain it couldn't go wrong
and it hasn't. In an ideal world, I | 2:16:50 | 2:16:56 | |
think you'd rather play the red near
the right corner, that will make the | 2:16:56 | 2:17:01 | |
black available to both corner
pocket. Had to play that with a lot | 2:17:01 | 2:17:04 | |
of pace -- didn't have to play that
with a lot of pace because the reds | 2:17:04 | 2:17:09 | |
were loose anyway. | 2:17:09 | 2:17:16 | |
were loose anyway. Shaun Murphy's
pot success at the moment 86%. That | 2:17:16 | 2:17:19 | |
is very low for him. Winning these
type matches, you have to be 90% or | 2:17:19 | 2:17:27 | |
above. Judd Trump fitting that
criteria at the moment, but not | 2:17:27 | 2:17:31 | |
Shaun. | 2:17:31 | 2:17:38 | |
A couple of incidents short with the
cue ball to make... -- a couple of | 2:17:44 | 2:17:52 | |
inches short. Just a little bit
awkward, because he has left the cue | 2:17:52 | 2:18:00 | |
ball short he's going to have to
play some sort of cannon, you would | 2:18:00 | 2:18:03 | |
feel. So very important not to take
your eye off the pot. | 2:18:03 | 2:18:08 | |
It's OK. It nearly went wrong. | 2:18:19 | 2:18:24 | |
We'll play for a choice of reds to
be right corner. A couple to the | 2:18:45 | 2:18:53 | |
left corner. Starting with one that
to the right corner. Just I believe | 2:18:53 | 2:18:57 | |
yourself straight on one of these
shots, leave yourself a nice angle | 2:18:57 | 2:19:01 | |
and all you have to do is pot the
ball and the cue ball will do the | 2:19:01 | 2:19:06 | |
rest. Perfect on the black, as you
can see. | 2:19:06 | 2:19:15 | |
This is exactly what he would have
been hoping for in the interval. | 2:19:29 | 2:19:33 | |
This frame, a nice easy chance to
score some points, get back into the | 2:19:33 | 2:19:41 | |
match. Just a quick glance at the
school -- scoreboard as he was | 2:19:41 | 2:19:52 | |
walking round. Still needs these
reds. | 2:19:52 | 2:20:02 | |
reds. 21 points, the lead. | 2:20:02 | 2:20:07 | |
Just changed my calculations there.
These reds with lacks and it would | 2:20:10 | 2:20:17 | |
get into the snookers required
stage. Just a quick check again, 29 | 2:20:17 | 2:20:24 | |
points in front, 16 points would put
him 45 points in front, with 43 | 2:20:24 | 2:20:28 | |
remaining. Oooh! DME, thinking so
much about the scoreboard and what | 2:20:28 | 2:20:37 | |
he had and not to do, don't miss the
red! -- dear me. | 2:20:37 | 2:20:46 | |
Judd had a good chance at the start
of this frame and had a chance to | 2:21:07 | 2:21:14 | |
get back in it there. | 2:21:14 | 2:21:23 | |
Played that in such a way, he's
trying to force Shaun to bring the | 2:22:06 | 2:22:11 | |
red away from the right-hand side
cushion. Shaun doesn't really want | 2:22:11 | 2:22:15 | |
to, having 829 point. But it looks
the easier safety shot to play. -- | 2:22:15 | 2:22:22 | |
having a 29 point lead. And still
the one on the left-hand side the | 2:22:22 | 2:22:28 | |
brown, in a safe position. | 2:22:28 | 2:22:32 | |
Not certain about playing one of
these reds, not certain this is the | 2:22:37 | 2:22:42 | |
right shot. | 2:22:42 | 2:22:43 | |
Now a chance for Judd to play a more
telling safety shot found that. I | 2:22:55 | 2:23:05 | |
wonder if he will play this at pace
and may disturb those two reds, the | 2:23:05 | 2:23:11 | |
one next to the brown. He has
flicked one away. | 2:23:11 | 2:23:23 | |
Can Shaun get through to it customer
if he can, it's a bit from Judd. And | 2:23:23 | 2:23:30 | |
he can get through to the potting
angle. | 2:23:30 | 2:23:33 | |
Much too thin. | 2:23:39 | 2:23:50 | |
But neither player consistently
potting balls at the moment. | 2:24:04 | 2:24:12 | |
The way the balls are, Shaun Murphy
favourite for the frame. The way | 2:24:16 | 2:24:27 | |
things stand. | 2:24:27 | 2:24:34 | |
But knocking the red towards the
corner was always a dangerous thing, | 2:24:37 | 2:24:41 | |
but looks like he's got the cover
with the pink. And he has. | 2:24:41 | 2:24:52 | |
Taking this on. Boy, this is a big
shot. And, to be honest with you, it | 2:25:16 | 2:25:23 | |
was only deep bass that kept it out
-- pace that kept out. He thought | 2:25:23 | 2:25:29 | |
hitting it at that | 2:25:29 | 2:25:34 | |
hitting it at that pace... It's
turned out to be a good shot now. | 2:25:36 | 2:25:40 | |
It might look like on the screen
that that red that's virtually | 2:26:04 | 2:26:09 | |
hanging over the left middle pocket
but it's not. | 2:26:09 | 2:26:20 | |
Not much Judd can do here but roll
into this red. | 2:26:29 | 2:26:34 | |
Yes, this is not the kind of snooker
I was expecting in this match today! | 2:26:40 | 2:26:46 | |
Me neither. And not the type of
frames that will suit either player. | 2:26:46 | 2:26:52 | |
They like, that the type of players
that like to get a rhythm going. | 2:26:55 | 2:27:03 | |
That is careless from Judd, if he's
left a pot with this red... Very, | 2:27:03 | 2:27:09 | |
very careless. | 2:27:09 | 2:27:16 | |
Yes, he's left the pot on. | 2:27:16 | 2:27:21 | |
Well, could have done without the
kiss on the blue but now Judd has to | 2:27:36 | 2:27:40 | |
sit there and suffer. | 2:27:40 | 2:27:46 | |
sit there and suffer. The
availability of the right-hand... On | 2:27:46 | 2:27:48 | |
playing this blue he could cannon
into those two reds here. At the | 2:27:48 | 2:27:57 | |
moment he still needs two more of
the reds to clinch the frame that | 2:27:57 | 2:28:00 | |
this visit. -- at this visit. He's
got to play the blue, I think. As | 2:28:00 | 2:28:09 | |
you say, John, can and those two
reds. He doesn't want to, and I | 2:28:09 | 2:28:15 | |
suppose that's the nature of the way
his game has been. He's not playing | 2:28:15 | 2:28:19 | |
with the great fluency and
confidence you'd usually expect from | 2:28:19 | 2:28:21 | |
Shaun. I don't know whether it's
because he's hampered by the brown | 2:28:21 | 2:28:26 | |
and he can't get down to the shot as
he would normally like to. He knows | 2:28:26 | 2:28:30 | |
this is the shot to play. | 2:28:30 | 2:28:37 | |
And the fact he has the brown as an
insurance should it not go right... | 2:28:37 | 2:28:43 | |
I know he's very good with the rest
but the blue cannoning the two reds | 2:28:43 | 2:28:48 | |
on the side cushion has got to be
the right shot. For me, I don't care | 2:28:48 | 2:28:52 | |
how this works out, this is the
wrong shot. Surely he's not looking | 2:28:52 | 2:28:59 | |
at playing the safety... Wow. | 2:28:59 | 2:29:03 | |
Well, turning down the frame-winning
opportunity, very unlike Shaun | 2:29:12 | 2:29:16 | |
Murphy. | 2:29:16 | 2:29:24 | |
Well, he's been offered another
opportunity now. As I say, still | 2:29:42 | 2:29:45 | |
needs the two reds. | 2:29:45 | 2:29:55 | |
needs the two reds. That is a bad
kiss on the yellow, he's not on a | 2:29:55 | 2:29:58 | |
colour. 31 points the lead, still 43
remaining. | 2:29:58 | 2:30:11 | |
Blue ball. | 2:30:22 | 2:30:29 | |
Shaun Murphy, one. | 2:30:29 | 2:30:31 | |
He brought a different crowd with
him. He did wonders for the game. | 2:31:08 | 2:31:10 | |
Poor safety there from Judd. When
you consider that Shaun just needs | 2:31:10 | 2:31:17 | |
red and a... Well, he needs brown
and above, so it's not a formality. | 2:31:17 | 2:31:28 | |
He's on the pink. And the pink will
put him 38 points in front with 35 | 2:31:28 | 2:31:34 | |
remaining.
Snooker required. | 2:31:34 | 2:31:46 | |
It's a good target. The problem is
trying to get to that area. He will | 2:32:18 | 2:32:23 | |
have to avoid the kiss on the pink.
Probably decided, probably quite | 2:32:23 | 2:32:32 | |
rightly, to make the red safe.
Realistically, if Shaun looks at the | 2:32:32 | 2:32:42 | |
scoreboard, if Judd was to pop the
red it is highly unlikely he would | 2:32:42 | 2:32:46 | |
be able to pot the black. So if he
potted the pink. He would have a | 2:32:46 | 2:32:53 | |
chance of a tie. He will have a
chance with that red here. | 2:32:53 | 2:33:01 | |
Why didn't he pot the red, pot the
pink and then play the snooker on | 2:33:13 | 2:33:18 | |
the yellow? | 2:33:18 | 2:33:23 | |
the yellow? I think ball play is
bemusing themselves at the moment. | 2:33:24 | 2:33:37 | |
This red is close. But not there. | 2:33:43 | 2:33:49 | |
He may be able to play the red up
and down the table and come across | 2:33:51 | 2:33:57 | |
but he has to avoid the double kiss
if he attempts that. | 2:33:57 | 2:34:04 | |
And he did do. | 2:34:04 | 2:34:09 | |
Now a chance.
You could not wish for an easier | 2:34:33 | 2:34:39 | |
opportunity than this. Oh! Hest hit
it so bad he got the double kiss. | 2:34:39 | 2:34:46 | |
I just get the feeling that both
players are just out of that I | 2:34:46 | 2:34:52 | |
comfort zone here.
Yep, you do get these days, when, | 2:34:52 | 2:35:02 | |
you know, one player starts playing
bad and it tags the other player | 2:35:02 | 2:35:06 | |
down. At the #340e789, both players
are finding it hard to play the | 2:35:06 | 2:35:11 | |
right shot and when they do, to pick
a shot and play it well. | 2:35:11 | 2:35:20 | |
-- At the moment both players are
finding it hard to play the right | 2:35:20 | 2:35:25 | |
shot and when they do, to pick a
shot and play it well. | 2:35:25 | 2:35:29 | |
A shake of the head.
The bump of the middle pocket can | 2:35:29 | 2:35:35 | |
always come into play here.
Yeah, off the top cushion. | 2:35:35 | 2:35:40 | |
Just to the left of the pocket. It
should hit the cushion before the | 2:35:40 | 2:35:44 | |
middle pocket and hit the red. The
danger is if you hit the side of the | 2:35:44 | 2:35:55 | |
cue ball.
No problem. One back here. Lovely. | 2:35:55 | 2:36:03 | |
Well, not quite.
If he watts red and a pink it will | 2:36:03 | 2:36:12 | |
be one snooker to tie. | 2:36:12 | 2:36:23 | |
Is there a gap? Don't think so. | 2:36:41 | 2:36:52 | |
Shaun up could had be in trouble
again here. | 2:37:01 | 2:37:08 | |
He didn't want the blue in! | 2:37:12 | 2:37:24 | |
That's the line he'll be looking at.
The reason, it takes the chance of | 2:37:40 | 2:37:45 | |
hitting the pink. If he comes off
two cushions, there is a chance he | 2:37:45 | 2:37:50 | |
could hit the pink.
The line is the way surely to go? He | 2:37:50 | 2:38:00 | |
thinks not. Got to avoid the middle
pocket this way as well. And you | 2:38:00 | 2:38:06 | |
have to avoid the pink. Nowhere
near... I say nowhere near! But that | 2:38:06 | 2:38:12 | |
wasn't the way to go.
He was nearly lucky. He missed the | 2:38:12 | 2:38:22 | |
red by a foot at first, then rattled
the jaws. Of course no miss could be | 2:38:22 | 2:38:29 | |
called.
We're at the snooker's required | 2:38:29 | 2:38:36 | |
stage. 35 points behind and 35
remaining. | 2:38:36 | 2:38:49 | |
You just have to drop the red in,
drop the pink in the middle. He is | 2:38:49 | 2:38:56 | |
looking at that safety again. Well
he ended up stunning, as I said | 2:38:56 | 2:39:03 | |
before, he doesn't like rolling
balls in, so he chose to stun it. | 2:39:03 | 2:39:06 | |
But he needs this pink to stay in
the frame. | 2:39:06 | 2:39:19 | |
He's playing the blue.
Where is the cue ball going? Close | 2:39:19 | 2:39:26 | |
to the middle but not there. I
suppose that the reason he played | 2:39:26 | 2:39:30 | |
it, was he thought it could be a
guaranteed snooker. But doesn't mean | 2:39:30 | 2:39:35 | |
to say because he gets a guaranteed
snooker that his opponent enwon't | 2:39:35 | 2:39:39 | |
hit it. It's 28 points of difference
now. That was a good snooker. | 2:39:39 | 2:39:46 | |
Yeah, a great shot.
Not only to get the snooker but to | 2:39:46 | 2:39:51 | |
get that cue ball so close to the
green. | 2:39:51 | 2:40:03 | |
There is a little bit of room at the
back of the yellow. | 2:40:03 | 2:40:16 | |
He played it well. | 2:40:18 | 2:40:26 | |
This would be a body blow for Shaun
Murphy if he was to loose that | 2:40:26 | 2:40:33 | |
frame.
The way that the green and brown | 2:40:33 | 2:40:39 | |
are, the snookers are comfortable to
get. | 2:40:39 | 2:40:41 | |
But now he is trying to get in
behind the green and the brown. But | 2:40:41 | 2:40:46 | |
don't leave the pot on. Well, that's
just poor. Sorry, you cannot leave | 2:40:46 | 2:40:55 | |
the possibility of just... And
that's all that Shaun needs. | 2:40:55 | 2:41:03 | |
And now two snookers are required.
So careless. | 2:41:03 | 2:41:07 | |
Before that, I was thinking he would
keep the yellow safe. Even if he had | 2:41:07 | 2:41:12 | |
a chance to pot the yellow and get
back. You could snooker behind the | 2:41:12 | 2:41:17 | |
brown and the black.
But that is rule one, isn't it. When | 2:41:17 | 2:41:25 | |
your opponent needs snookers, leave
the object ball on. | 2:41:25 | 2:41:31 | |
Now he's lost interest in this frame
now. | 2:41:31 | 2:41:41 | |
A strange match. And this has been
the strangest frame of the lot. | 2:41:41 | 2:41:50 | |
the strangest frame of the lot. No
frames over 20 minutes. And this is | 2:41:53 | 2:41:56 | |
the longest frame of the match so
far. Just coming up to 35 minutes. | 2:41:56 | 2:42:10 | |
In goes the pink.
Well, that was the longest frame of | 2:42:20 | 2:42:25 | |
the match and a strange one.
Both players getting chances. Shaun | 2:42:25 | 2:42:30 | |
Murphy will not mind. He's reduced
his arrears to what? He is 3-2 | 2:42:30 | 2:42:36 | |
behind. | 2:42:36 | 2:42:36 | |
his arrears to what? He is 3-2
behind. | 2:42:36 | 2:42:38 | |
Let's talk about Shaun Murphy then
Judd Trump. Fair play to Shaun | 2:42:38 | 2:42:44 | |
Murphy, he held his nerve there? He
will be delighted to have won a | 2:42:44 | 2:42:49 | |
frame but not so pleased in the way
he has won it. But at this stage, | 2:42:49 | 2:42:53 | |
the way that the game has panned
out, he will be pleased to be in the | 2:42:53 | 2:42:58 | |
game.
It is nice to win the scrappy frames | 2:42:58 | 2:43:01 | |
without excerpting so much pressure
on yourself. But both players, it | 2:43:01 | 2:43:05 | |
has not got going at all. I don't
know if it is concentration or what | 2:43:05 | 2:43:09 | |
has happened but they are not on for
it at all. | 2:43:09 | 2:43:13 | |
The bigger talking point of the
match so far, a few of the words we | 2:43:13 | 2:43:18 | |
used to describe Judd Trump, and not
just us, rash, careless and Stephen | 2:43:18 | 2:43:24 | |
says he seems to have lost interest,
especially in that frame? Yeah, | 2:43:24 | 2:43:29 | |
well, sometimes we analyse how the
players are playing, it's a tough | 2:43:29 | 2:43:33 | |
game, snooker. You don't always make
the right decisions, you can't | 2:43:33 | 2:43:37 | |
always play brilliantly. I would say
about this match, that this shot | 2:43:37 | 2:43:41 | |
here, he played it, he overhit the
red carelessly from his perspective | 2:43:41 | 2:43:46 | |
but I would say that this match is
boiling down to who focuses at the | 2:43:46 | 2:43:50 | |
end of it. It will be a scramble to
that position. | 2:43:50 | 2:43:54 | |
Are we too hash on Judd? No. At this
level we are here to criticise them. | 2:43:54 | 2:44:04 | |
There are so many small things but
they can cost you between winning | 2:44:04 | 2:44:08 | |
and losing a match.
And when you are 3-1 down, if you | 2:44:08 | 2:44:14 | |
are Shaun Murphy, how are you
feeling? The way that a snooker | 2:44:14 | 2:44:18 | |
player should be thinking out there,
even if the game has been flat and | 2:44:18 | 2:44:23 | |
you have not played as well as you
would have liked to have done, be | 2:44:23 | 2:44:27 | |
optimistic. It is point lethes
worrying about how the match has | 2:44:27 | 2:44:31 | |
gone. The next frame could be the
start of something good. It could | 2:44:31 | 2:44:34 | |
spark. It is something you're aware
of by watching snooker and you know | 2:44:34 | 2:44:39 | |
how often it happens in a match. So
why not be optimistic? You have | 2:44:39 | 2:44:44 | |
practiced for the tournament. You
are probably in good form but as the | 2:44:44 | 2:44:48 | |
start has not gone well, it doesn't
mean it can't change. | 2:44:48 | 2:44:52 | |
And there is a lot of activity in
the crowd. | 2:44:52 | 2:44:56 | |
In that frame, and down to the fact
it was 35 minutes long. But | 2:44:56 | 2:45:01 | |
obviously the fans cannot come back
in during a frame. There were a lot | 2:45:01 | 2:45:05 | |
of empty seats now, now the fans are
coming back in. What does it do to | 2:45:05 | 2:45:10 | |
the mindset, Ken? They just want to
get on with it. | 2:45:10 | 2:45:15 | |
As Steve says, every frame can be
different. They are looking for that | 2:45:15 | 2:45:19 | |
inspiration. It could happen in this
frame. | 2:45:19 | 2:45:23 | |
It's the first time we have seen
this? It is a big crowd here. It is | 2:45:23 | 2:45:28 | |
tough to get them in and out in the
space of 15 minutes. If you are a | 2:45:28 | 2:45:33 | |
straggler, you are not allowed in
during a frame so have to wait | 2:45:33 | 2:45:38 | |
outside, it seems that a lot of
people could not get back in time. | 2:45:38 | 2:45:44 | |
It happened on Sunday in the Mark
Williams match but it seals to be | 2:45:44 | 2:45:50 | |
sorted and the officials are
superefficient and they have done | 2:45:50 | 2:45:53 | |
their job. | 2:45:53 | 2:45:53 | |
superefficient and they have done
their job. | 2:45:53 | 2:45:55 | |
It is important, in these types of
matches, when you think of six, the | 2:45:55 | 2:45:59 | |
number of frames to win the match.
Just keep thinking of that. | 2:45:59 | 2:46:05 | |
An excellent pot from Shaun Murphy. | 2:46:05 | 2:46:16 | |
Is Shaun Murphy going to be the
first of the two players to break | 2:46:25 | 2:46:33 | |
free from the standard of snooker we
have seen so far. | 2:46:33 | 2:46:37 | |
Could he win a frame in one visit?
The talent that we have on show | 2:46:37 | 2:46:46 | |
today, and there hasn't been one
yet. | 2:46:46 | 2:46:58 | |
Sometimes, John, in a match like
this, if one player starts playing | 2:47:05 | 2:47:09 | |
well it can spark the other player
into playing well. | 2:47:09 | 2:47:13 | |
As we have alluded to a few times,
that maybe the match has become too | 2:47:13 | 2:47:19 | |
important for both players with
Ronnie going out yesterday. | 2:47:19 | 2:47:21 | |
I think there is a lot of talk
around the Alexandra Palace that the | 2:47:21 | 2:47:27 | |
winner of this match would be the
favourite to win the tournament. | 2:47:27 | 2:47:31 | |
Maybe it is adding a little more
pressure to the match. | 2:47:31 | 2:47:41 | |
That's unusual for Shaun to miss a
blue like that. So, just when you | 2:47:41 | 2:47:46 | |
think that after a good long pot in
amongst the balls, a good chance to | 2:47:46 | 2:47:51 | |
score heavily and it comes to an
abrupt end. | 2:47:51 | 2:48:04 | |
When I said that Trump had lost
interest, all I meant was in that | 2:48:07 | 2:48:12 | |
frame. I think he is very much
interested in the match and going on | 2:48:12 | 2:48:15 | |
to win the Masters. It is just one
of those days. Both players are | 2:48:15 | 2:48:21 | |
struggling.
Trump, unbelievably so. To make a | 2:48:21 | 2:48:31 | |
century in this tournament, the
highest braining, 85. | 2:48:31 | 2:48:38 | |
Not the right angle on this pink. | 2:48:44 | 2:48:55 | |
He's not played for a specific red,
more with a bit of hit and hope. And | 2:49:11 | 2:49:16 | |
he's pretty happy with that result.
Well he has this red to the corner | 2:49:16 | 2:49:20 | |
that he feels he can pot and hold
for the pink. He could do | 2:49:20 | 2:49:25 | |
comfortably.
A bit of a problem with the cue at | 2:49:25 | 2:49:29 | |
the moment.
A little sticky. | 2:49:29 | 2:49:34 | |
The damp cloth usually does the
trick. | 2:49:34 | 2:49:45 | |
You can't do that with a maple cue,
you have to dry it after the damp | 2:50:00 | 2:50:07 | |
cloth.
I use an ash cue, so, you learn | 2:50:07 | 2:50:13 | |
something every day! | 2:50:13 | 2:50:20 | |
something every day! For anyone that
doesn't know the difference between | 2:50:20 | 2:50:22 | |
the ash cue and the maple cue, the
ash cue has a grain running down the | 2:50:22 | 2:50:29 | |
wood as you can see there, the maple
cue has nothing. | 2:50:29 | 2:50:39 | |
The majority of the top players uses
the ash. I think it is a stronger | 2:50:52 | 2:50:57 | |
bit of wood.
Yes. The first two I had was a maple | 2:50:57 | 2:51:03 | |
but then I was given an ash cue and
used it all of my career. That was | 2:51:03 | 2:51:11 | |
the thing in those days you used the
same cue all of your career. But now | 2:51:11 | 2:51:17 | |
with the technology, you can get,
well, Ronnie O'Sullivan gets new | 2:51:17 | 2:51:23 | |
cues made it seems nearly every
season. | 2:51:23 | 2:51:31 | |
He goes to John Paris as a lot of
the top players do. He makes an | 2:51:31 | 2:51:36 | |
exact replica.
Although they always feel with the | 2:51:36 | 2:51:42 | |
ash because of the grain it
sometimes looks different when you | 2:51:42 | 2:51:45 | |
look down the cue. | 2:51:45 | 2:51:56 | |
Meanwhile, Judd Trump is taking
these well. The pink's out of | 2:51:56 | 2:52:00 | |
commission now. But he still has a
nice angle on either red to play | 2:52:00 | 2:52:06 | |
nicely on the black.
And this black will put him 40 | 2:52:06 | 2:52:11 | |
points in front. 59 remaining.
So a couple of reds away from | 2:52:11 | 2:52:19 | |
extending his lead to two frames
once again. | 2:52:19 | 2:52:30 | |
I think he played left to right of
the pink. But he is on the one to | 2:52:31 | 2:52:37 | |
the left of the pink, to the
left/middle. Played it nicely. | 2:52:37 | 2:52:46 | |
Surely, and just the black and one
more red required. | 2:52:46 | 2:52:58 | |
That's his highest break.
The highest break of this match so | 2:52:58 | 2:53:03 | |
far. His previous was 61.
Just what he needed, Judd Trump, to | 2:53:03 | 2:53:14 | |
win a frame in one visit with one
scoring break. | 2:53:14 | 2:53:22 | |
He looked to be struggling with his
patience a bit in the last frame. | 2:53:22 | 2:53:28 | |
And it has to be said, of course,
that this opportunity came all | 2:53:28 | 2:53:34 | |
about, Shaun missing the blue to the
far corner pocket. He started off | 2:53:34 | 2:53:39 | |
with a good long opening red and
looked to have had a good chance but | 2:53:39 | 2:53:42 | |
this is what we expect. You make a
mistake when you're in and your | 2:53:42 | 2:53:48 | |
opponent takes full advantage.
It's not happened as much today. But | 2:53:48 | 2:53:54 | |
this could be a good sign for the
Judd Trump camp. | 2:53:54 | 2:54:03 | |
He looks to have played this nicely.
He needs to miss the yellow, creep | 2:54:04 | 2:54:08 | |
by it! Well, it didn't, so it is on
to the middle. We could have our | 2:54:08 | 2:54:15 | |
first century and Judd ates first of
the tournament. | 2:54:15 | 2:54:21 | |
-- jud's first of the tournament. We
have already had 21 centuries. | 2:54:21 | 2:54:36 | |
What a pity. | 2:54:50 | 2:54:55 | |
APPLAUSE
Shaun Murphy had a good chance. A | 2:54:57 | 2:55:01 | |
good long red.
But a nice break of 91 from Judd | 2:55:01 | 2:55:12 | |
Trump takes him in front again. | 2:55:12 | 2:55:13 | |
But a nice break of 91 from Judd
Trump takes him in front again. | 2:55:13 | 2:55:15 | |
We could have had a first century
for Judd Trump. So, from careless, | 2:55:15 | 2:55:22 | |
to utterly brilliant! Well, he got a
chance, he made full use of it. | 2:55:22 | 2:55:27 | |
Including the start.
Yeah, this is a really good shot. It | 2:55:27 | 2:55:31 | |
looks straightforward. But he has to
make a contact on the two reds in | 2:55:31 | 2:55:35 | |
that picture there now. To hold for
the reds into the right-hand side | 2:55:35 | 2:55:40 | |
pocket. He played it perfect. That
sort of set him along the way. As we | 2:55:40 | 2:55:44 | |
said before that frame, you are just
looking for a little bit of | 2:55:44 | 2:55:48 | |
inspiration. Not every frame is the
same. Thankfully, he made a nice | 2:55:48 | 2:55:53 | |
break there and got himself going.
It is interesting, isn't it, we have | 2:55:53 | 2:55:58 | |
seen good performances in round one
for the players to get through. Then | 2:55:58 | 2:56:02 | |
Ronnie O'Sullivan flat, it didn't
happen on the day. Mark William, he | 2:56:02 | 2:56:06 | |
didn't turn last night and it looks
as if the same thing is happening to | 2:56:06 | 2:56:11 | |
Shaun Murphy? What's the reason?
Every day on the snooker table is | 2:56:11 | 2:56:16 | |
different.
And Ronnie O'Sullivan aside, he won | 2:56:16 | 2:56:20 | |
6-0 against Marco Fu. Then the hall
back by Ali Carter and Mark Selby | 2:56:20 | 2:56:27 | |
against Mark Williams, a fantastic
match. We are not talking about | 2:56:27 | 2:56:31 | |
energy-sapping, is it something
different? No. Perhaps it is the | 2:56:31 | 2:56:34 | |
case that there is a lot of Kudos at
stake. Sometimes you try too hard. | 2:56:34 | 2:56:47 | |
Obviously, the opponents are tough.
And I think that break could have | 2:56:47 | 2:56:52 | |
sparked the match into life. It
could have given Shaun a G-up. When | 2:56:52 | 2:56:58 | |
one player starts playing badly it
becomes contagious. But if a player | 2:56:58 | 2:57:02 | |
starts to play well, it may inspire
the other. It is stupid to say that | 2:57:02 | 2:57:07 | |
Shaun Murphy is a confidence player,
in a way all players are. They can | 2:57:07 | 2:57:12 | |
use confidence as a springboard. But
he does look flat. He is not | 2:57:12 | 2:57:17 | |
inspired by his own play. When Shaun
Murphy is missing mid-range balls it | 2:57:17 | 2:57:23 | |
is difficult to look confident
sitting in your chair with you are | 2:57:23 | 2:57:26 | |
not getting a flow on.
And remember, Judd Trump has beaten | 2:57:26 | 2:57:32 | |
Shaun Murphy already this season in
the Hong Kong quarterfinals, does it | 2:57:32 | 2:57:37 | |
make a difference? No, this is about
can Shaun Murphy dig himself out of | 2:57:37 | 2:57:42 | |
a hole and get his action going and
get the points on the board and a | 2:57:42 | 2:57:47 | |
few frames on the board or it could
be that Judd Trump is the inevitable | 2:57:47 | 2:57:53 | |
winner. | 2:57:53 | 2:57:55 | |
be that Judd Trump is the inevitable
winner. | 2:57:55 | 2:57:57 | |
A decent break-off. | 2:57:57 | 2:58:07 | |
Unfortunate, or unwanted, I should
say, a flick on the green to leave | 2:58:19 | 2:58:23 | |
this red for Shaun Murphy. A big
frame for Shaun Murphy. He is 5-2 | 2:58:23 | 2:58:29 | |
down.
APPLAUSE | 2:58:29 | 2:58:34 | |
He let the cue go there.
That made the pot easier. He could | 2:58:34 | 2:58:43 | |
play it was a much pace as he
wanted. Any bounce off the cushion, | 2:58:43 | 2:58:49 | |
he was bound to be nicely on the
green, which he is. | 2:58:49 | 2:58:55 | |
But he's got to make the most of
these opportunities. If you don't it | 2:58:55 | 2:59:01 | |
saps your confidence. He had a first
chance in the last frame. He didn't | 2:59:01 | 2:59:10 | |
make the best of it. I'll be amazed
if he didn't play for the blue | 2:59:10 | 2:59:15 | |
there. So he's overrun that. | 2:59:15 | 2:59:22 | |
Usually very good with the rest. | 2:59:44 | 2:59:51 | |
Around the back of the black. He
couldn't have played it better. | 2:59:59 | 3:00:12 | |
The thing is about this sort of
situation, especially because Shaun | 3:00:14 | 3:00:19 | |
is struggling somewhat, you don't
want to get ahead of yourself now. | 3:00:19 | 3:00:22 | |
Just try and get a nice rhythm
going. Don't go too quick, and on | 3:00:22 | 3:00:30 | |
the other hand, don't start looking
for problems that are not there. | 3:00:30 | 3:00:35 | |
This is a good chance, just
recognise it for being fat. | 3:00:35 | 3:00:42 | |
-- for being fat. He's played that
nicely, brought reds in two play. A | 3:00:42 | 3:00:49 | |
big moment in the match now for me,
for Shaun. We know what he's capable | 3:00:49 | 3:00:59 | |
of and so does he. And the fact he's
not produced is just adding that | 3:00:59 | 3:01:04 | |
pressure. | 3:01:04 | 3:01:13 | |
The reasons that was a struggle, but
this -- he put a trace of right-hand | 3:02:09 | 3:02:18 | |
side and the cue ball into the red.
Lucky to see it drop. That will | 3:02:18 | 3:02:25 | |
heighten his senses and make him
take nothing for granted. He nearly | 3:02:25 | 3:02:32 | |
broke down, there. | 3:02:32 | 3:02:40 | |
Took the easy way of getting
position, knew he would be | 3:02:57 | 3:03:00 | |
guaranteed to get on this red. Two
reds and two colours, that's what's | 3:03:00 | 3:03:06 | |
required. | 3:03:06 | 3:03:14 | |
Not played the best shot there, to
make it automatic to get on this | 3:03:14 | 3:03:18 | |
last open red. | 3:03:18 | 3:03:21 | |
But he played that well. Normally
you'd be pretty sure of this red | 3:03:24 | 3:03:34 | |
with the rest but frame ball, 4-2
down. A bit of pressure on it. And a | 3:03:34 | 3:03:42 | |
little bit of work to do with the
cue ball. Still needs a colour after | 3:03:42 | 3:03:46 | |
the red. | 3:03:46 | 3:03:49 | |
Right in the heart of the pocket. | 3:03:54 | 3:04:05 | |
Better, better from Shaun Murphy,
apart from that on the red that he | 3:04:10 | 3:04:16 | |
wobbled in the left corner. He's
taken these very well. | 3:04:16 | 3:04:23 | |
APPLAUSE | 3:04:23 | 3:04:26 | |
Judd Trump winds of framing one
visit, Shaun Murphy follows him in | 3:04:32 | 3:04:36 | |
the next frame. -- wins a frame.
Judd didn't manage the century. A | 3:04:36 | 3:04:45 | |
chance to Shaun to get on here. | 3:04:45 | 3:04:53 | |
Would like to finish a little low on
this red so possibly could bring in | 3:04:59 | 3:05:06 | |
other red into play and roll onto
the pink. But he can't do it this | 3:05:06 | 3:05:09 | |
time. | 3:05:09 | 3:05:12 | |
But that time, absolutely perfect!
Certain century now, surely. | 3:05:18 | 3:05:24 | |
The blue for the data. Pink for the
22nd century of the tournament. Oh, | 3:05:32 | 3:05:41 | |
would you believe it?! Well, neither
do I! So, anyway... We won't get a | 3:05:41 | 3:05:51 | |
century but a marvellous brogue of
95 from Shaun Murphy. -- a | 3:05:51 | 3:05:56 | |
marvellous break of 95 from Shaun
Murphy. | 3:05:56 | 3:05:59 | |
marvellous break of 95 from Shaun
Murphy. We can't believe it either. | 3:05:59 | 3:06:03 | |
We had a 91 and 95. It looked
odds-on for another two centuries. | 3:06:03 | 3:06:09 | |
Yes, and these days the players
always tend to try and make them. | 3:06:09 | 3:06:12 | |
There was a time when people were
just happy to win the frame but | 3:06:12 | 3:06:16 | |
nowadays players are quite aware of
the starts in the game and their own | 3:06:16 | 3:06:20 | |
break-building stats so they like to
lock in a century. A smile but he | 3:06:20 | 3:06:25 | |
would still have liked to have done
it. Amazing how the game has | 3:06:25 | 3:06:29 | |
changed. Like I said, one player
could inspire another and that's | 3:06:29 | 3:06:31 | |
what happened to Shaun. Judd Trump
won in one visit and so did Shaun | 3:06:31 | 3:06:36 | |
and it's kicked into life. More like
the match we were expecting. We just | 3:06:36 | 3:06:41 | |
need the wasps back now to ruin a!
LAUGHTER | 3:06:41 | 3:06:43 | |
It's gone. Patter went out at the
interval was allowed back in. It | 3:06:43 | 3:06:50 | |
reminds me of that moment in a
football match when all of a sudden | 3:06:50 | 3:06:53 | |
the other player puts in a bit of a
tackle and then the other player | 3:06:53 | 3:06:56 | |
responds | 3:06:56 | 3:06:56 | |
tackle and then the other player
responds and suddenly you have a | 3:06:56 | 3:06:58 | |
match on your hands. Exactly like
that and hopefully there is more to | 3:06:58 | 3:07:01 | |
come. | 3:07:01 | 3:07:04 | |
COMMENTATOR: Decent break-off shot
from Judd. That will get the crowd | 3:07:11 | 3:07:17 | |
involved again. Long drawn-out
frames, people do sort of, not only | 3:07:17 | 3:07:23 | |
players lose a bit of concentration,
so do the audience. But the last two | 3:07:23 | 3:07:30 | |
frames have sparked everybody into
life. First to 6, remember, for a | 3:07:30 | 3:07:36 | |
place in the semifinal. Could be
touching ball. Well, no. If it | 3:07:36 | 3:07:45 | |
was... Jan Verhaas would have
declared it. It looks very close, | 3:07:45 | 3:07:53 | |
but as I say, no path back to baulk
for Judd. Just playing to this top | 3:07:53 | 3:08:05 | |
cushion. Gives short and easy shot
back to the baulk end. | 3:08:05 | 3:08:13 | |
Just a little bit short of pace.
Shaun having a look at the | 3:08:37 | 3:08:42 | |
possibility of a plant but he can't
get to it, it's covered by the | 3:08:42 | 3:08:46 | |
brown. These are the two reds he was
looking at. Could possibly be made | 3:08:46 | 3:08:54 | |
into a plant but looking at them
like he's done, he's given the game | 3:08:54 | 3:09:00 | |
away for his opponent! He won't want
to be leaving Judd a chance at that | 3:09:00 | 3:09:04 | |
plant. | 3:09:04 | 3:09:10 | |
That's not good from Shaun, underhit
that badly. This red is on to the | 3:09:10 | 3:09:19 | |
left corner. Disappointing. | 3:09:19 | 3:09:26 | |
Judd has had a look at the plant.
But there should be well within his | 3:09:28 | 3:09:35 | |
range. | 3:09:35 | 3:09:39 | |
Yes, nicely in. Bound to on green or
yellow, and he is and can play for | 3:09:39 | 3:09:51 | |
that plant now, if he fancies it.
Yeah, a choice of playing for the | 3:09:51 | 3:09:58 | |
plant or the red above the black
into the right corner, off one | 3:09:58 | 3:10:02 | |
cushion. Yellow or green will work. | 3:10:02 | 3:10:12 | |
Got very close to that middle pocket
there. His heart would have been in | 3:10:15 | 3:10:20 | |
his mouth. Anyway, it's OK now. | 3:10:20 | 3:10:29 | |
We'll have to go up for the blue. As
I say, that plant, it's not an | 3:10:43 | 3:10:49 | |
absolute dead set plant but because
they are close together it can be | 3:10:49 | 3:10:53 | |
reversed. It depends how he finishes
on the colours whether he plays it | 3:10:53 | 3:10:57 | |
or not. A bit thin on the blue to
play for it. Could he risk Canning | 3:10:57 | 3:11:02 | |
into the pink? | 3:11:02 | 3:11:08 | |
Into the pinky went... That knocked
in the plant, have a look again. | 3:11:08 | 3:11:16 | |
This had to be on, surely... He hits
the pink, the pink hits the red to | 3:11:16 | 3:11:23 | |
the right of it which has gone on to
those two reds. That was careless. | 3:11:23 | 3:11:28 | |
That was not unlucky. | 3:11:28 | 3:11:36 | |
Yes... That just reversed it and
down it went. Could have played for | 3:11:49 | 3:11:57 | |
the plant and probably would have
done if he had finished straight up | 3:11:57 | 3:12:00 | |
on the blue. Maybe a bit less pace
in the breaking of the reds. Anyway, | 3:12:00 | 3:12:08 | |
whatever, Shaun Murphy, after
playing a very poor safety, didn't | 3:12:08 | 3:12:16 | |
cost him a locked and he's got a
chance to level the match at this | 3:12:16 | 3:12:19 | |
visit. -- didn't cost him a lot. | 3:12:19 | 3:12:29 | |
Just OK. | 3:13:50 | 3:13:59 | |
He won't be happy with that one.
That's a mistake. | 3:14:24 | 3:14:32 | |
Played a stun but more of a screw on
it. | 3:14:41 | 3:14:50 | |
He's not out of the woods yet. He's
not out of the woods yet. Got a | 3:14:50 | 3:15:01 | |
feeling that pot was born out of
frustration. Blue ball. There is | 3:15:01 | 3:15:08 | |
pressure on this blue, but right in
the heart of the pocket. So, just | 3:15:08 | 3:15:17 | |
beginning to find his game. Still
looking for red, colour, red. | 3:15:17 | 3:15:28 | |
So, this red now will put him 47
points in front with just 43 | 3:15:55 | 3:16:02 | |
remaining. Just checking Peace Corps
and making certain. I don't blame | 3:16:02 | 3:16:07 | |
him for that. This red, to level the
match. | 3:16:07 | 3:16:14 | |
Well, I wouldn't think or overthink
this. Just roll the blue in. 52 | 3:16:36 | 3:16:44 | |
points in front, 43 remaining. | 3:16:44 | 3:16:54 | |
Now you see it. Three snookers
needed. Three four point snookers. | 3:16:56 | 3:17:07 | |
Judd may not even carry on. Yeah, I
mean, I don't know. Sometimes you | 3:17:07 | 3:17:14 | |
find yourself over thinking these
shots, trying to be too clever. | 3:17:14 | 3:17:23 | |
shots, trying to be too clever. 59
and the frame, Shaun Murphy. | 3:17:23 | 3:17:24 | |
APPLAUSE
Shaun Murphy went 4-2 behind but is | 3:17:24 | 3:17:31 | |
now all square. We've got everything
to play for. Four apiece. Judd Trump | 3:17:31 | 3:17:40 | |
will be kicking himself. From 2-0 up
to 4-4. It | 3:17:40 | 3:17:46 | |
will be kicking himself. From 2-0 up
to 4-4. It all came from the plant, | 3:17:46 | 3:17:47 | |
when Steven said in the commentary,
the plant was obviously on. It's a | 3:17:47 | 3:17:51 | |
difficult one. He should have
really... It was a bit careless. | 3:17:51 | 3:17:56 | |
There's always the possibility of a
red | 3:17:56 | 3:17:57 | |
There's always the possibility of a
red is going to go over to that | 3:17:57 | 3:17:59 | |
side. Once it makes any sort of
connection with the other two reds | 3:17:59 | 3:18:04 | |
that were in the plant. What were
the options? He could have perhaps | 3:18:04 | 3:18:10 | |
played the shot softer but you don't
spread the ball is on risk sticking | 3:18:10 | 3:18:12 | |
played the shot softer but you don't
spread the ball is on risk sticking | 3:18:12 | 3:18:13 | |
on the pack. | 3:18:13 | 3:18:23 | |
It looked like he was out of
position and he decided to take the | 3:18:47 | 3:18:49 | |
bull by the horns. He played a very
aggressive red, from the side | 3:18:49 | 3:18:52 | |
cushion, to ram into the side pocket
was a brave and fantastic on those | 3:18:52 | 3:18:57 | |
shots. That his philosophy. When he
gets the chance, will take them on. | 3:18:57 | 3:19:01 | |
It is a great philosophy to have. He
also has such great confidence in | 3:19:01 | 3:19:05 | |
his cue action, which is probably
one of the sweetest we have on the | 3:19:05 | 3:19:10 | |
tour. Those long balls are just part
of his game. He is very prolific | 3:19:10 | 3:19:14 | |
with them your strengths. Shaun is
not the and the confidence he got | 3:19:14 | 3:19:23 | |
from that, just slotted the blue in
an won frame. This week we have seen | 3:19:23 | 3:19:26 | |
Shaun take on those shots. That his
philosophy. When he gets the chance, | 3:19:26 | 3:19:28 | |
will take them on. It is a great
philosophy to have. He also has such | 3:19:28 | 3:19:31 | |
great confidence in his cue action,
which is probably one of the | 3:19:31 | 3:19:34 | |
sweetest we have on the tour. Those
long balls are just part of his | 3:19:34 | 3:19:36 | |
game. He is very prolific with them
stop your play to your strengths. | 3:19:36 | 3:19:39 | |
Shaun is not the best player when it
gets scrappy. That's not his game. | 3:19:39 | 3:19:42 | |
As we had other players don't mind
it and it doesn't affect them but | 3:19:42 | 3:19:45 | |
Shaun doesn't like it, likes to be
flying around the table. In that | 3:19:45 | 3:19:47 | |
way, he is a confidence player. When
he's given a 50-50 ball and fancies | 3:19:47 | 3:19:50 | |
putting it, he will go for it. His
long potting is looking so good. | 3:19:50 | 3:19:53 | |
Looking at the stats, Shaun's is 82%
at the moment. Roumat very and when | 3:19:53 | 3:19:56 | |
he gets in and easy, makes the game
are very to Judd Trump now. A | 3:19:56 | 3:19:59 | |
massive frame for both players, he's
put it back up to Judd Trump now. A | 3:19:59 | 3:20:02 | |
massive frame for both players,
frame. I think that's why Shaun went | 3:20:02 | 3:20:04 | |
for we also said,breather. We also
said, sometimes you look at Shaun | 3:20:04 | 3:20:07 | |
and sometimes his facial expressions
and how he is doesn't give much away | 3:20:07 | 3:20:10 | |
about how he's feeling. You could
see there was a bit of swagger in | 3:20:10 | 3:20:13 | |
that frame. Phil Mackie has his
confidence back. It is good snooker | 3:20:13 | 3:20:17 | |
now. Back to John and Stephen. | 3:20:17 | 3:20:27 | |
Best of three now, to get to the
semifinal. The standard has gone up | 3:20:28 | 3:20:34 | |
in the last two or three frames,
back to the snooker we expected from | 3:20:34 | 3:20:37 | |
these two. | 3:20:37 | 3:20:46 | |
Pressure, it will just keep ramping
up from now on in this match. | 3:20:55 | 3:21:01 | |
Sending the red towards the corner.
And, well, if Judd can avoid a kiss | 3:22:07 | 3:22:16 | |
on the second red, he'll be tempted
by this red into the right corner. | 3:22:16 | 3:22:21 | |
Although, he is looking at the
possibility of a plant. I think | 3:22:21 | 3:22:27 | |
that's more a case of trying not to
knock the red over the pocket. He | 3:22:27 | 3:22:36 | |
has hit this badly. He has hit this
badly. He will be lucky not to leave | 3:22:36 | 3:22:39 | |
this red. He's not left it. But it
looks a big pocket. If that Kubot | 3:22:39 | 3:22:50 | |
wasn't as close to the baulk
cushion, Shaun would take this on. | 3:22:50 | 3:22:54 | |
He might still take it on. | 3:22:54 | 3:23:01 | |
He might still take it on. And did.
Beautiful shot. Deserves to be on | 3:23:01 | 3:23:03 | |
the black. Shot of the match there.
Any pot on the black is probably | 3:23:03 | 3:23:15 | |
acceptable. Look at this, he almost
never needed the red. Superb hit. | 3:23:15 | 3:23:23 | |
It's going to need another one here,
if he goes for this red. For | 3:23:23 | 3:23:30 | |
position on the black... Looks very
straight and the more pace you put | 3:23:30 | 3:23:38 | |
into this type of shot, the more
difficult it is. You don't want to | 3:23:38 | 3:23:42 | |
try and pinch anything. Played it
beautifully. | 3:23:42 | 3:23:50 | |
This shot and the long red, I love
when Shaun gets down and plays a | 3:23:50 | 3:23:58 | |
shot. There's no doubt in his mind
once he's decided to play the shot. | 3:23:58 | 3:24:05 | |
It's when he gets up from the shot
sometimes, | 3:24:05 | 3:24:12 | |
sometimes, that's when he is least
likely to pot it. But that long red, | 3:24:12 | 3:24:16 | |
as soon as he saw it, just got down
and played it. | 3:24:16 | 3:24:20 | |
Shaun Murphy, 16.
APPLAUSE | 3:24:31 | 3:24:39 | |
Left a chance of a pot here for
Judd. | 3:24:39 | 3:24:43 | |
Judd has to start knocking in these
long ones as well, now. Well, | 3:24:43 | 3:24:49 | |
forgive him for that, you always
error on the side of hitting it too | 3:24:49 | 3:24:55 | |
thin. He probably thought if he hit
it thick he could run into the black | 3:24:55 | 3:24:59 | |
and it would have been a dangerous
shot. So maybe didn't even play the | 3:24:59 | 3:25:03 | |
pot there. | 3:25:03 | 3:25:09 | |
But as Ken said in the studio, this
is a big, big frame. Because whoever | 3:25:09 | 3:25:17 | |
wins it, | 3:25:17 | 3:25:22 | |
wins it, only two more chances to
win the match. Oooh, the | 3:25:22 | 3:25:25 | |
double-kiss! But it has run safe. | 3:25:25 | 3:25:30 | |
APPLAUSE | 3:26:01 | 3:26:08 | |
Another double-kiss. | 3:26:27 | 3:26:36 | |
Well, a tough red here. I think it
just passes the yellow. Can't afford | 3:26:37 | 3:26:45 | |
to miss it. Great shot. Got a good
kiss on the green, may even be able | 3:26:45 | 3:26:57 | |
to get through for the yellow, which
would be a bonus. | 3:26:57 | 3:27:07 | |
He needs to get through the gap of
the two reds closest to the black | 3:27:27 | 3:27:32 | |
into the main bunch. And he did do,
good shot. | 3:27:32 | 3:27:41 | |
The wrong side of the blue but that
red over the right corner is | 3:27:53 | 3:28:00 | |
available, so can drop the blue in,
unless he's got an angle to go round | 3:28:00 | 3:28:03 | |
the table, but I think just drop it
in. Particularly with the yellow not | 3:28:03 | 3:28:10 | |
being on its spot, could run into
the yellow and ruin his position. I | 3:28:10 | 3:28:14 | |
don't know why, as you say, doesn't
run it in adjacent to the right | 3:28:14 | 3:28:19 | |
corner. | 3:28:19 | 3:28:24 | |
That was the wise choice. Yet, at
this stage in the match, you don't | 3:28:25 | 3:28:33 | |
take risks unnecessarily. | 3:28:33 | 3:28:39 | |
A great view of the way Judd Trump
lines up. Looks like he's not aiming | 3:28:39 | 3:28:46 | |
to pot the ball but when he delivers
the cue, he brings the cube back on | 3:28:46 | 3:28:50 | |
line. -- cube back online. I think
sometimes that is when it can go | 3:28:50 | 3:28:57 | |
wrong, when he starts hitting the
ball a bit too hard. Doesn't give a | 3:28:57 | 3:29:01 | |
chance for the cue to come back
online. He's in good shape now. | 3:29:01 | 3:29:09 | |
I think the end red of that little
cluster just the right of the pink, | 3:29:13 | 3:29:20 | |
I think it goes in the same pocket
as the black but maybe not often | 3:29:20 | 3:29:25 | |
this shot. Two straight on the black
but played that nicely for the red | 3:29:25 | 3:29:29 | |
to the right middle. Does that read
go? -- red go? It would be handy if | 3:29:29 | 3:29:42 | |
it did, but it looks tight. | 3:29:42 | 3:29:48 | |
it did, but it looks tight. Decision
time for Judd. Screw back off the | 3:29:48 | 3:29:51 | |
side cushion for the black will run
through and get a nice angle on the | 3:29:51 | 3:29:54 | |
blue? | 3:29:54 | 3:29:59 | |
blue? Nice angle on the blue. There
is a red just out of that little | 3:29:59 | 3:30:04 | |
cluster of five, sticking out. If
you play the cannon into the pink, | 3:30:04 | 3:30:10 | |
it could go wrong. Obviously this
red we were talking about a few | 3:30:10 | 3:30:17 | |
moments code does go, so that made
the choice an easy one. | 3:30:17 | 3:30:29 | |
It's an awkward red, he's thinking,
can he get rid of it now but that | 3:30:33 | 3:30:38 | |
was no problem playing that one.
He may have to play a canon this | 3:30:38 | 3:30:44 | |
time, though.
He's not straight on the black as he | 3:30:44 | 3:30:49 | |
would like. He doesn't have to play
it with a lot of pace. Always knew | 3:30:49 | 3:30:54 | |
he would be on the one to the
right/middle. He couldn't have | 3:30:54 | 3:30:59 | |
played it better. A lovely
controlled, positional shot there. | 3:30:59 | 3:31:10 | |
The fact he's given this a bit of
thought tells me he is straight on | 3:31:10 | 3:31:15 | |
the red to the right/middle. It's a
bit unfortunate, now you see it. It | 3:31:15 | 3:31:19 | |
couldn't be straighter.
Any sort of angle, he would be | 3:31:19 | 3:31:24 | |
nicely on the blue.
He's just had to bite the bullet. So | 3:31:24 | 3:31:32 | |
the next shot, pot the blue and get
a good line and length for one of | 3:31:32 | 3:31:36 | |
these reds to the right corner. He
was unlucky there. | 3:31:36 | 3:31:50 | |
This cue ball needs to slow up. Does
this red go into the right middle? | 3:31:52 | 3:31:58 | |
Not as played.
Not as played but, it's all about | 3:31:58 | 3:32:03 | |
the roll of the ball here and there.
And that roll of the ball favoured | 3:32:03 | 3:32:10 | |
him then.
APPLAUSE | 3:32:10 | 3:32:19 | |
But the thing you could say about
that shot, Steven, is that the line | 3:32:19 | 3:32:24 | |
he picked, gave him a chance of
being on all four reds in the middle | 3:32:24 | 3:32:29 | |
of the table, so, it was well
played. | 3:32:29 | 3:32:32 | |
He knows the importance of this
visit now. | 3:32:32 | 3:32:41 | |
visit now. Just the pink needed to
go 53 points in front with 51 | 3:32:41 | 3:32:47 | |
remaining.
He's back in the lead! | 3:32:47 | 3:32:52 | |
APPLAUSE
It is Shaun Murphy who is playing | 3:32:52 | 3:32:56 | |
catch-up, it appear, once again.
Still not seen a century but the | 3:32:56 | 3:33:07 | |
last three frames, well, they've
really picked up. | 3:33:07 | 3:33:14 | |
It's great quality now. | 3:33:14 | 3:33:20 | |
It's great quality now. This time it
was a good double kiss. | 3:33:24 | 3:33:37 | |
APPLAUSE
Just a bit too straight on the blue. | 3:33:53 | 3:33:56 | |
He can't get close to the yellow.
But being left-handed, it makes this | 3:33:56 | 3:34:01 | |
yellow a little easier. Surely he
will see the century break through | 3:34:01 | 3:34:08 | |
the masses this time? He needs to
slow up this cue ball, though. | 3:34:08 | 3:34:20 | |
Green and brown for the time.
Surely, this time, first century of | 3:34:20 | 3:34:32 | |
the tournament for Judd. Yes! | 3:34:32 | 3:34:41 | |
the tournament for Judd. Yes! This
is quality now. | 3:34:41 | 3:34:44 | |
And at the business end, Judd Trump
produces his best break of the match | 3:34:44 | 3:34:50 | |
of the tournament. | 3:34:50 | 3:34:58 | |
of the tournament. Pick your pocket.
Pick your pocket. | 3:34:58 | 3:35:03 | |
Oh, we'll go for the easy one. Does
it drop? Does it drop?! Not quite | 3:35:03 | 3:35:10 | |
but it doesn't matter! 111. So,
Shaun Murphy, he has played catch-up | 3:35:10 | 3:35:17 | |
for most of the match, and he's
playing it again. But this time, | 3:35:17 | 3:35:23 | |
Judd Trump is one frame away for a
place in the semifinal. Leading | 3:35:23 | 3:35:28 | |
Judd Trump is one frame away for a
place in the semifinal. Leading | 3:35:28 | 3:35:29 | |
5-46789
And that's where we are. 22 | 3:35:29 | 3:35:34 | |
centuries so far in the Defabet
Masters, the first in the tournament | 3:35:34 | 3:35:37 | |
for Judd Trump. That is his 44th
century this season. He is off the | 3:35:37 | 3:35:44 | |
mark and heading into the
semi-finals, would you say, Ken? | 3:35:44 | 3:35:48 | |
Yeah but there could be still a bit
of life left in the match. But a | 3:35:48 | 3:35:53 | |
great response from Judd Trump.
Shaun Murphy coming back, after | 3:35:53 | 3:35:57 | |
winning the two frames, he held his
bottle well there. It is what he | 3:35:57 | 3:36:01 | |
needed.
The adrenaline levels have kicked in | 3:36:01 | 3:36:04 | |
for the players. All of a sudden
they have focussed in and forgotten | 3:36:04 | 3:36:09 | |
the early part of the match. It will
be a fight. Expect a decent standard | 3:36:09 | 3:36:14 | |
from now on. You won't see anyone's
head dropping now, it is too | 3:36:14 | 3:36:17 | |
important.
We had that frame that was 35 | 3:36:17 | 3:36:21 | |
minutes long, when Shaun Murphy got
the 54. Since then, look at the | 3:36:21 | 3:36:27 | |
breaks, 91, 95, and 111. Suddenly we
have the quality match we thought we | 3:36:27 | 3:36:32 | |
would have at the beginning? The 91
kicked the match into life. Shaun | 3:36:32 | 3:36:37 | |
got inspiration from it. A great
break there from Trump, just what he | 3:36:37 | 3:36:42 | |
needed. If you went back to the
Masters in the '80s and saw the | 3:36:42 | 3:36:47 | |
breaks throughout the whole match,
you would think that is a decent | 3:36:47 | 3:36:49 | |
match. Now we are saying it's not
been greatest of matches. We expect | 3:36:49 | 3:36:55 | |
lots of breaks now in top-class
snooker. | 3:36:55 | 3:36:57 | |
Absolutely. The last time Judd Trump
made the semi-finals, he lost to | 3:36:57 | 3:37:04 | |
Barry Hawkins in 2016. He is one
frame away for a place in the last | 3:37:04 | 3:37:08 | |
four. | 3:37:08 | 3:37:10 | |
frame away for a place in the last
four. | 3:37:10 | 3:37:15 | |
Well, probably not the best
break-off. That red was coming up | 3:37:15 | 3:37:18 | |
the table. But Shaun is taking this
on. He wants to avoid the double | 3:37:18 | 3:37:23 | |
kiss. But he got the double kiss but
no harm done. | 3:37:23 | 3:37:36 | |
Yes, it certainly appears that the
shackles have been shaken off. | 3:37:40 | 3:37:52 | |
shackles have been shaken off. That
was an aggressive safety there from | 3:37:52 | 3:37:55 | |
Judd. It's always a dangerous thing
to do against the long potter of | 3:37:55 | 3:38:00 | |
Shaun Murphy's class.
It was a pretty good one. Oh, that's | 3:38:00 | 3:38:06 | |
a poor one from Shaun.
So, it's Judd, he gets the chance. | 3:38:06 | 3:38:11 | |
He caught that much too then.
Could that be Shaun Murphy's last | 3:38:11 | 3:38:22 | |
match in this championship? | 3:38:22 | 3:38:30 | |
match in this championship? It was
well-played. He wanted to be low on | 3:38:30 | 3:38:35 | |
the black so he just nudged the red
away. You just have to be delicate | 3:38:35 | 3:38:40 | |
with this shot. Be careful not to
snooker yourself with one red in | 3:38:40 | 3:38:44 | |
front of the other. Oh, steady. He
decided to take that out of the | 3:38:44 | 3:38:49 | |
equation and there is lots of top
spin powering through. | 3:38:49 | 3:38:58 | |
The top spin takes effect... Now
this is exactly the kind of | 3:38:58 | 3:39:03 | |
opportunity that you want to win the
match. Going by how Judd Trump has | 3:39:03 | 3:39:09 | |
started to score, you have to fancy
him. | 3:39:09 | 3:39:21 | |
There's nothing Shaun can do now.
He's got to sit there now and wonder | 3:39:24 | 3:39:29 | |
if he will get another visit to the
table. This was it. Much too thin. | 3:39:29 | 3:39:39 | |
Catching the other red. Held the cue
ball at this half of the table. | 3:39:39 | 3:39:49 | |
Normally pretty reliable, Judd
Trump, when he gets the chance in | 3:39:51 | 3:39:55 | |
closing out a match. | 3:39:55 | 3:40:01 | |
closing out a match. Three reds,
three blacks. | 3:40:05 | 3:40:15 | |
I mean the maximum will be the last
thing on his mind but it keeps you | 3:40:15 | 3:40:20 | |
focussed. | 3:40:20 | 3:40:30 | |
Surprised if had plays for the black
off this red now. It's a lot easier | 3:40:38 | 3:40:42 | |
to play for the pink, you would have
thought but no, he's coming down for | 3:40:42 | 3:40:46 | |
the black. Yeah, he doesn't want to
play the pink, when the pink goes | 3:40:46 | 3:40:56 | |
back in its spot it blocks up
another red. So he's staying on the | 3:40:56 | 3:40:59 | |
black. He needs the cue ball to stop
and quickly. He's going to play the | 3:40:59 | 3:41:04 | |
red next to the green spot now.
A little bit of adrenaline in that | 3:41:04 | 3:41:08 | |
shot.
He's lucky to have the alternative | 3:41:08 | 3:41:13 | |
red to go at. There was no bounce
off the cushion, just adrenaline, | 3:41:13 | 3:41:18 | |
really.
APPLAUSE | 3:41:18 | 3:41:28 | |
A good solid pot and nicely on the
brown. | 3:41:28 | 3:41:40 | |
A little grimace. Straighter on the
red. Looking for another 25 points | 3:41:47 | 3:41:52 | |
to get to the snooker required stage
on this visit from this position. | 3:41:52 | 3:41:58 | |
Opening them up.
He's OK. | 3:41:58 | 3:42:05 | |
APPLAUSE
This has worked out absolutely | 3:42:05 | 3:42:08 | |
beautifully. Stretching slightly,
being left-handed. He can play | 3:42:08 | 3:42:13 | |
right-handed. Obviously he doesn't
fancy using the rest. Is he prepared | 3:42:13 | 3:42:19 | |
to play it right-handed? It's the
most important moment of the match. | 3:42:19 | 3:42:30 | |
Yeah, right in the heart of the
pocket! The frame and match now at | 3:42:30 | 3:42:36 | |
his mercy. | 3:42:36 | 3:42:46 | |
Two red, two plaques and one more
red. That's all that's required. | 3:42:49 | 3:43:03 | |
The first half of the match was
scrappy. Judd Trump found the form. | 3:43:13 | 3:43:29 | |
His race may well have been won but
not quite yet. Just the long angle | 3:43:29 | 3:43:35 | |
on the pink.
Oh, but he played that well! Played | 3:43:35 | 3:43:42 | |
that absolutely inch-perfect.
It puts him 68 points in front with | 3:43:42 | 3:43:48 | |
67 remaining.
APPLAUSE | 3:43:48 | 3:43:57 | |
You could see there, Judd Trump with
a slight intake of breath. He knew | 3:43:57 | 3:44:00 | |
what that meant. That pink was a
fantastic shot. | 3:44:00 | 3:44:05 | |
He had to hit it absolutely in the
centre of the pocket, otherwise he | 3:44:05 | 3:44:09 | |
would have got a canon, he may have
run the cue ball off. The judgment | 3:44:09 | 3:44:14 | |
after two cushions to finish on the
red, well, it was just absolutely | 3:44:14 | 3:44:19 | |
inch-perfect.
He made 111 in the last frame, | 3:44:19 | 3:44:24 | |
here's the pink. No margin for error
and the judgment of pace, brilliant. | 3:44:24 | 3:44:35 | |
I agree with you. Overall looking at
the match, even when both players | 3:44:35 | 3:44:40 | |
were beginning to struggle, you
always felt that Judd may have that | 3:44:40 | 3:44:44 | |
extra bit of edge.
It was his poor safety shot from | 3:44:44 | 3:44:50 | |
Shaun that caught him out. He has
sat down ever since. He won't be | 3:44:50 | 3:44:54 | |
getting up again until he has come
to shake Judd's hand. | 3:44:54 | 3:45:07 | |
Yeah, 139 is the highest break.
And it was made against, funnily | 3:45:07 | 3:45:19 | |
enough.
APPLAUSE | 3:45:19 | 3:45:24 | |
Back to back 20s.
He's got a possible 140 on. It would | 3:45:24 | 3:45:37 | |
give him £10,000 in the high break
for the Defabet Masters. | 3:45:37 | 3:45:45 | |
Miss the blue! Oh, can he get past
the blue? | 3:45:45 | 3:45:55 | |
What a match it turned out to be.
A fantastic opportunity. What a | 3:46:03 | 3:46:11 | |
match by Judd Trump, breaks of 111
and 113 to win the match. | 3:46:11 | 3:46:18 | |
He plays Kyle Wilson on Saturday. A
match to look forward to but Judd | 3:46:18 | 3:46:24 | |
Trump, a class above Shaun Murphy at
the end. He runs out a winner by | 3:46:24 | 3:46:28 | |
6-4. | 3:46:28 | 3:46:28 | |
the end. He runs out a winner by
6-4. | 3:46:28 | 3:46:30 | |
Real disappointment from Shaun
Murphy. But well done Judd Trump, | 3:46:30 | 3:46:34 | |
what a way to finish off.
It is always nice to promise in a | 3:46:34 | 3:46:40 | |
match to be playing well, and then
it can go wrong and then you get it | 3:46:40 | 3:46:45 | |
back together again. So I think even
though he may not be over the moon | 3:46:45 | 3:46:50 | |
at the standard, he will be secretly
pleased that he got his mind right. | 3:46:50 | 3:46:54 | |
That is probably the most important
thing. Sometimes Judd doesn't have | 3:46:54 | 3:46:58 | |
that. So he will be pleased about
that. | 3:46:58 | 3:47:01 | |
He got better as the match went on?
He responded well. Like in his first | 3:47:01 | 3:47:08 | |
match against Bo. Even though the
start of the match was not so good, | 3:47:08 | 3:47:12 | |
the back end of the match was top
quality. | 3:47:12 | 3:47:15 | |
We will concentrate on Judd in a
moment. He is on his way to our | 3:47:15 | 3:47:21 | |
studio but a disappointing
performance from Shaun? I think he | 3:47:21 | 3:47:25 | |
will be disappointed. He has put in
good performances. But the best of | 3:47:25 | 3:47:30 | |
11 matches against a great player.
Sometimes it is not your day. But I | 3:47:30 | 3:47:34 | |
think he will be disappointed with
his overall standard. | 3:47:34 | 3:47:38 | |
He did not look the same sort of
player we saw earlier in the | 3:47:38 | 3:47:42 | |
weekend? No, he didn't get going.
The back end of the match he started | 3:47:42 | 3:47:47 | |
to play better. The safety shots
cost him. But when the opponent is | 3:47:47 | 3:47:52 | |
winning the frames in a visit. And
here he comes, Judd Trump, great | 3:47:52 | 3:47:57 | |
stuff. Fantastic a brilliant end to
that match? It got going at 3-2. | 3:47:57 | 3:48:04 | |
We started to pot a few. The first
five frames, we were a bit bogged | 3:48:04 | 3:48:10 | |
down. A couple of things going on in
the auditorium. It was slow for us, | 3:48:10 | 3:48:16 | |
we both don't play like that. As
soon as one of us had a break, that | 3:48:16 | 3:48:19 | |
was it. Shaun was going for the
balls, I knew that I had to sort of | 3:48:19 | 3:48:24 | |
one-visit in the last two frames.
The boys were saying it got scrappy. | 3:48:24 | 3:48:29 | |
Was it down to what was going on
there, there were a few things what | 3:48:29 | 3:48:33 | |
the fans? Taking a while to settle
and the wasp that was buzzing, | 3:48:33 | 3:48:40 | |
causing all sorts of chaos.
I got to have a good start. I wanted | 3:48:40 | 3:48:44 | |
to get in front at the interval. But
things went slow. We both probably | 3:48:44 | 3:48:49 | |
didn't play our natural game at the
start. No-one wanted to give each | 3:48:49 | 3:48:53 | |
other a shot. In the end it got a
built careless from both of us. Then | 3:48:53 | 3:48:59 | |
towards the end you saw the real
Shaun Murphy and the real Judd | 3:48:59 | 3:49:03 | |
Trump.
I know it is one match at a time but | 3:49:03 | 3:49:07 | |
with a few big name going out it
races the stakes. We saw -- raises | 3:49:07 | 3:49:13 | |
the stakes. We saw Mark Williams, on
Twitter with a smiley face, you do | 3:49:13 | 3:49:17 | |
think you have a chance here? Not
really! Whenever the draw goes up, I | 3:49:17 | 3:49:24 | |
go out. I would rather play the top
players. This is just the tournament | 3:49:24 | 3:49:29 | |
you want to be involved. You don't
want to go out. The crowd here, they | 3:49:29 | 3:49:34 | |
are always that extra bit special,
you want to be involved in the | 3:49:34 | 3:49:38 | |
tournament.
How is the table playing? At the | 3:49:38 | 3:49:43 | |
beginning of the week so many
centuries were going in. Is it good? | 3:49:43 | 3:49:48 | |
I don't think it is great. A couple
of the safety shots, the sides are | 3:49:48 | 3:49:53 | |
reacting. The cushions have no
bounces. I think that the cloth is | 3:49:53 | 3:49:59 | |
old.
It will be changed for the | 3:49:59 | 3:50:01 | |
semifinal.
Looking at the Masters record, I | 3:50:01 | 3:50:05 | |
know you were disappointed to go out
to Marco Fu last year. | 3:50:05 | 3:50:09 | |
Do you feel differently coming into
the Masters this year? Do you feel | 3:50:09 | 3:50:13 | |
full of confidence? Not really, no.
The results this season have been | 3:50:13 | 3:50:21 | |
pretty good but I haven't played a
great standard. My B game is a | 3:50:21 | 3:50:25 | |
little better. I'm a little more
patient. When I do miss balls I try | 3:50:25 | 3:50:30 | |
not to get so down about it. There
was a spell in the middle of the | 3:50:30 | 3:50:34 | |
season where we were travelling
around it all got on top of me. I | 3:50:34 | 3:50:38 | |
tried to ease on the practice a
little before this. Normally, this | 3:50:38 | 3:50:42 | |
one and the World's, I give it the
extra 10% but I haven't. I thought | 3:50:42 | 3:50:48 | |
just go in relaxed and play it like
it's another tournament. So far it | 3:50:48 | 3:50:53 | |
has paid off.
So feeling more relaxed. Have you | 3:50:53 | 3:50:58 | |
practiced as hard? I have practiced
hard. Obviously you don't know how | 3:50:58 | 3:51:04 | |
others are practicing. I could be
practicing more than anyone else. | 3:51:04 | 3:51:09 | |
But I have had good practice. I have
been at the club. Ronnie has been in | 3:51:09 | 3:51:16 | |
practicing every day. I know what it
is about. | 3:51:16 | 3:51:20 | |
The boys were saying at the start
that perhaps the difference is that | 3:51:20 | 3:51:24 | |
your tactical game has come on,
whereas Shaun is not known for the | 3:51:24 | 3:51:28 | |
tactics. But it something that you
have to get the balance right, don't | 3:51:28 | 3:51:33 | |
you? I think in the end my safety
was terrible. Shaun's was not that | 3:51:33 | 3:51:38 | |
much better.
Generally I have tried to improve. I | 3:51:38 | 3:51:44 | |
think Shaun went through a spell
concentrating too much on the safety | 3:51:44 | 3:51:47 | |
and he is back out of that now to
play the attacking game. I think at | 3:51:47 | 3:51:53 | |
4-4, I'm proud of the bottle that I
sthoed come up. | 3:51:53 | 3:51:58 | |
That's what you said. You said fair
play. | 3:51:58 | 3:52:01 | |
It was brought up, against the match
with Bo, you held it together and | 3:52:01 | 3:52:08 | |
then against that match with Shaun
and the balance sheet was there and | 3:52:08 | 3:52:12 | |
you came back fighting.
When it is 4-5, 5-4, you know you | 3:52:12 | 3:52:19 | |
have to go out there and take it by
the scruff of the neck. To make a | 3:52:19 | 3:52:25 | |
century in the quarterfinals, it is
always good. | 3:52:25 | 3:52:30 | |
And next? Obviously the younger
players are probably... I would | 3:52:30 | 3:52:37 | |
prefer to play the older players.
There is more safety. Younger | 3:52:37 | 3:52:41 | |
players seem to go all out
attacking. | 3:52:41 | 3:52:44 | |
Well, that is the theme in our
opening chat, Steve. You said the | 3:52:44 | 3:52:48 | |
same thing? To some degree. When you
are young and playing the older | 3:52:48 | 3:52:53 | |
players, you think they are
established, you will have a go. But | 3:52:53 | 3:52:57 | |
then you are now one of the more
established players in the game and | 3:52:57 | 3:53:01 | |
you will get younger players to play
against, some of the Chinese | 3:53:01 | 3:53:05 | |
players? Yes. Kai goes for his
shots. Probably why he goes missing | 3:53:05 | 3:53:12 | |
during the season. He sticks to the
same game plan. The same with Shaun. | 3:53:12 | 3:53:17 | |
But on a hot spot, they will a get
to a final over and over again. | 3:53:17 | 3:53:24 | |
But that was you five, seven years
ago? Yes, the same with me. Everyone | 3:53:24 | 3:53:30 | |
goes through the spell where you
have to transition. I have gone | 3:53:30 | 3:53:34 | |
through it and hopefully, there will
be a bad game tomorrow! What | 3:53:34 | 3:53:39 | |
happened to the stripy shirt? That
got going on Twitter the other | 3:53:39 | 3:53:45 | |
night! I can't wear it every day!
Good stuff. Top man, Judd. Thank you | 3:53:45 | 3:53:52 | |
very much for coming in. A brilliant
performance today. Thank you very | 3:53:52 | 3:53:54 | |
much.
Now to the match tonight it is live | 3:53:54 | 3:53:59 | |
at 7.00pm on BBC Two, John Higgins
takes on Wales' Ryan Day. | 3:53:59 | 3:54:08 | |
There you are, snooker's nearly man.
Bashing your head against a brick | 3:54:08 | 3:54:12 | |
wall to win an event. Finally win an
event, then all of a sudden, the | 3:54:12 | 3:54:19 | |
favourite cue breaks, that is where
he's up to. It is upsetting? Yeah, | 3:54:19 | 3:54:24 | |
and we have had problems with cues
travelling around the world for | 3:54:24 | 3:54:27 | |
years. In the flight cases they go
missing. They get broke. This was at | 3:54:27 | 3:54:33 | |
a cue maker's. I'm not sure of the
exact circumstances. But if you give | 3:54:33 | 3:54:38 | |
your cue to someone in the trade and
it is broken halfway through, I | 3:54:38 | 3:54:43 | |
wouldn't be very happy. It is
testament to his skill he's managed | 3:54:43 | 3:54:47 | |
to find a replacement and push on. A
great player and definitely more in | 3:54:47 | 3:54:52 | |
the tank.
It can take a long time when | 3:54:52 | 3:54:56 | |
something like that happens to get
used to a new cue. Especially under | 3:54:56 | 3:55:00 | |
pressure. You can feel OK in
practice. | 3:55:00 | 3:55:07 | |
You resort to your old habits Yes,
come under pressure, put on the | 3:55:07 | 3:55:13 | |
side, the cue is throwing
differently. You are going to miss, | 3:55:13 | 3:55:15 | |
it is as simple as that. It is
timing over distance if you are | 3:55:15 | 3:55:20 | |
using side. It will be tough for him
but not impossible. And he is | 3:55:20 | 3:55:26 | |
supremely talented. He really,
really is a very, very gifted | 3:55:26 | 3:55:30 | |
player. He times the ball so well.
He gets so much spin. You feel he | 3:55:30 | 3:55:35 | |
needs to go up in tip size almost as
he gets so much spin. He is | 3:55:35 | 3:55:40 | |
overscrewing everything all the
time. That is how well he times a | 3:55:40 | 3:55:44 | |
ball, even when he doesn't mean to.
The other area where there is a | 3:55:44 | 3:55:48 | |
problem is not knowing where there
is danger in a frame, and not | 3:55:48 | 3:55:53 | |
playing the right shot. I think he
has come to terms with that? I'm not | 3:55:53 | 3:56:00 | |
sure, I bit like myself, that
criticism is levelled, you can't | 3:56:00 | 3:56:03 | |
play safe. I'm not sure that is
true, I don't think you achieve what | 3:56:03 | 3:56:09 | |
he has, and other players, without
having that string to your bow. But | 3:56:09 | 3:56:12 | |
I think he may just get them wrong.
You know, everyone has strengths and | 3:56:12 | 3:56:18 | |
weaknesses. He would not be strong
in that area of the game as he is in | 3:56:18 | 3:56:24 | |
scoring, potting and break-building,
nor as strong as other players in | 3:56:24 | 3:56:26 | |
other areas. But other players don't
have the ability he has. It is a | 3:56:26 | 3:56:30 | |
matter, it is not if for me but when
will he win again? I think he is an | 3:56:30 | 3:56:38 | |
exceptional dangerous player on his
day. The question is, when it's not | 3:56:38 | 3:56:41 | |
your day, you still have to find a
way to win, maybe that is where he | 3:56:41 | 3:56:45 | |
needs to look a little more.
Yep. | 3:56:45 | 3:56:51 | |
You can watch this live with us
tonight at.pm. We are on for an | 3:56:51 | 3:56:56 | |
hour. Then switching to the Red
Button. | 3:56:56 | 3:57:00 | |
John Higgins v Ryan Day.
Highlights tonight, 11.05pm. BBC | 3:57:00 | 3:57:06 | |
Two. Then the semi-finals are under
way. Judd Trump against Kyren | 3:57:06 | 3:57:14 | |
Wilson.
So, John Higgins is the most | 3:57:14 | 3:57:18 | |
experienced. But Ryan Day could beat
Higgins? He could, without a doubt. | 3:57:18 | 3:57:27 | |
Winning the tournament in Riga has
given Ryan that confidence. With a | 3:57:27 | 3:57:30 | |
setting like this, a packed house,
one of the majors of the season. | 3:57:30 | 3:57:35 | |
Those memories come back to you.
They help in matches like this. He | 3:57:35 | 3:57:39 | |
could turn them over but he will
have to play at the top of his game. | 3:57:39 | 3:57:44 | |
John has beaten Ryan in some of the
biggest championships? This is a big | 3:57:44 | 3:57:48 | |
test for Ryan. I don't think tactics
is his biggest, this will be a test. | 3:57:48 | 3:57:59 | |
Sometimes he wins tournaments John
Higgins by playing good tactics but | 3:57:59 | 3:58:03 | |
I haven't got a clue with this one
tonight. We could be seeing an | 3:58:03 | 3:58:07 | |
upset. You never know.
And on Shaun Murphy, Steve, he came | 3:58:07 | 3:58:14 | |
into the studio, positive he could
win the championship this year? I | 3:58:14 | 3:58:18 | |
think a lot of people, after Ronnie
O'Sullivan and Mark Selby went out, | 3:58:18 | 3:58:24 | |
they fancied him. Now he is out. It
is tough at the top. | 3:58:24 | 3:58:27 | |
He was the form player. But every
day in sport is completely | 3:58:27 | 3:58:30 | |
different.
Wonderful stuff. Thank you very much | 3:58:30 | 3:58:34 | |
to Steve and Ken. I'm joined by John
Parrot this evening at 7.00pm. Thank | 3:58:34 | 3:58:41 | |
you very much for watching. Goodbye
for now. | 3:58:41 | 3:58:53 |