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Hello, good afternoon. Welcome back
to Alexandra Palace. The 2018 | 0:00:35 | 0:00:39 | |
Masters has certainly lived up to
its name and reputation. The top 16 | 0:00:39 | 0:00:46 | |
snooker players in the world have
really entertained us, and now we | 0:00:46 | 0:00:50 | |
are left with four men looking to
land snooker's biggest title. | 0:00:50 | 0:00:59 | |
So, down to the nitty-gritty, the
semifinal stages. Probably not the | 0:01:20 | 0:01:25 | |
line-up you would have expected?
Everybody expected Mark Selby or | 0:01:25 | 0:01:28 | |
Ronnie O'Sullivan to be in the
semifinals. The player that are | 0:01:28 | 0:01:31 | |
still in it are top players, but it
is hard to pick a winner. Tonight it | 0:01:31 | 0:01:35 | |
is Mark Allen and John Higgins, they
usually have cracking matches | 0:01:35 | 0:01:39 | |
question mark Mark Allen very
impressive, beating O'Sullivan. John | 0:01:39 | 0:01:43 | |
Higgins hasn't won this event for 12
years and might think it is his | 0:01:43 | 0:01:46 | |
time. What do you think of other
semifinal between Trump and Wilson? | 0:01:46 | 0:01:53 | |
I think it will be very aggressive,
not much safety. They like to pot | 0:01:53 | 0:01:55 | |
long balls. Has to start winning is?
Without a doubt, the talent he has, | 0:01:55 | 0:02:01 | |
he should be winning these majors.
Perhaps this is his time. He was | 0:02:01 | 0:02:05 | |
very strong in coming through. We
will see this afternoon. This is a | 0:02:05 | 0:02:12 | |
tough game. When you get the weekend
here, it becomes a bit of a mad | 0:02:12 | 0:02:18 | |
show, really. Something you want to
be involved with. The atmosphere is | 0:02:18 | 0:02:22 | |
like no other. I think to be part of
that is what every player strives | 0:02:22 | 0:02:25 | |
for. You want to be getting to the
later stages of the Masters, the UK, | 0:02:25 | 0:02:34 | |
the worlds, this is snooker's Triple
Crown, the big event that everybody | 0:02:34 | 0:02:37 | |
tunes into. To do it in my second
appearance at the Masters, it is a | 0:02:37 | 0:02:41 | |
dream come true. I don't want it to
end there, I will try my hardest to | 0:02:41 | 0:02:45 | |
make sure it doesn't. When I was
younger, I won the UK and got to the | 0:02:45 | 0:02:51 | |
final of the worlds, I thought it
would be easy, just keep doing that | 0:02:51 | 0:02:55 | |
every tournament. Now I've got to
28, you cherish every semifinal, | 0:02:55 | 0:02:59 | |
final that you get in. I'm still
only 26. A baby in the snooker world | 0:02:59 | 0:03:07 | |
these days. I'm just trying to knock
the old guard off their pedestal. | 0:03:07 | 0:03:12 | |
I'm gathering experience and
momentum in these big events and I | 0:03:12 | 0:03:14 | |
don't want it to stop there. Here's
a couple of years younger than me. | 0:03:14 | 0:03:20 | |
It is always tough when you play
somebody younger. The shot selection | 0:03:20 | 0:03:25 | |
is a little bit different. When he
goes for his shots and they go in, | 0:03:25 | 0:03:29 | |
it can scare opponents. I know what
he is capable of. I am able to score | 0:03:29 | 0:03:34 | |
when I need to and scrap it out when
I need to. I do know I need to play | 0:03:34 | 0:03:38 | |
a little bit better in the next
round to get through. Undoubtedly | 0:03:38 | 0:03:44 | |
the biggest meeting between Judd and
Kyren was the Shanghai Masters in | 0:03:44 | 0:03:51 | |
2015, which Kyren won. Remember how
well he is doing at the Masters, | 0:03:51 | 0:03:56 | |
just his second appearance. Trump
won the most recent meeting in the | 0:03:56 | 0:04:00 | |
fourth round of the Scottish open in
2016. It's going to be a cracking | 0:04:00 | 0:04:04 | |
game today. Good afternoon to the,
the team, Dennis Taylor and Steve | 0:04:04 | 0:04:08 | |
Davis. Dennis, let me start with
you. Kyren Wilson has been giving | 0:04:08 | 0:04:12 | |
that interview not just to the
broadcasters but also the | 0:04:12 | 0:04:16 | |
newspapers, saying the same thing.
Do you think he has enough variation | 0:04:16 | 0:04:19 | |
in his game to win? I have been a
great fan ever since he turned | 0:04:19 | 0:04:24 | |
professional and I like his
attitude. Very, very positive. He is | 0:04:24 | 0:04:28 | |
very confident and nice with it. But
I love his game, terrific cue | 0:04:28 | 0:04:32 | |
action. I think he has served his
apprenticeship. He has won one | 0:04:32 | 0:04:35 | |
ranking title and could go all the
way. But he's up against Judd Trump, | 0:04:35 | 0:04:40 | |
so it is going to be a very
aggressive and attacking semifinal. | 0:04:40 | 0:04:44 | |
Steve, you have been singing Kyren's
praises all week? You don't know | 0:04:44 | 0:04:49 | |
until you win one of the big majors
if you have got it. It looks like he | 0:04:49 | 0:04:53 | |
has all parts of the jigsaw puzzle
in place. Great temperament and | 0:04:53 | 0:04:57 | |
great matchplay. There are players
with different kinds of abilities, | 0:04:57 | 0:05:00 | |
but being able to play great
matchplay, I think, is the biggest | 0:05:00 | 0:05:04 | |
commodity. Sometimes it is the
elusive commodity. Dennis, in terms | 0:05:04 | 0:05:08 | |
of Judd Trump, if he picks up where
he left off against Sean yesterday, | 0:05:08 | 0:05:13 | |
it could be a tough afternoon? He
has the UK title, he wants another | 0:05:13 | 0:05:19 | |
one. He has a great chance. He still
has to do it on the table. Nobody | 0:05:19 | 0:05:23 | |
will make it easy for you. Given
that Ronnie is not here, many fans | 0:05:23 | 0:05:29 | |
were so looking forward to seeing
Ronnie O'Sullivan this began. But he | 0:05:29 | 0:05:32 | |
is out. The very fact that Judd is
an entertainer and plays his brand | 0:05:32 | 0:05:38 | |
of snooker, he is going to get a
rapturous applause? A very popular | 0:05:38 | 0:05:43 | |
player, and he plays in such an
attractive way. It is tough for Judd | 0:05:43 | 0:05:47 | |
Trump. His best seasons in the
majors, 2011-12, it looked like he | 0:05:47 | 0:05:51 | |
would use that as a springboard to
more success at the top of the tree. | 0:05:51 | 0:05:55 | |
I think perhaps the days of the
players winning the World | 0:05:55 | 0:05:58 | |
Championship and the big events at
the age of 21, 22, they are perhaps | 0:05:58 | 0:06:02 | |
going to go now because there are so
much strength in depth and good | 0:06:02 | 0:06:06 | |
players. It is not absolutely
imperative that Judd Trump is | 0:06:06 | 0:06:09 | |
winning, because he has plenty of
years left in the tank. He would | 0:06:09 | 0:06:12 | |
still like to. It has been a few
years since he won a big one. Good | 0:06:12 | 0:06:17 | |
stuff. I look forward to your
commentary. The players are ready. | 0:06:17 | 0:06:20 | |
Let's join Rob Walker. | 0:06:20 | 0:06:26 | |
Good afternoon and welcome to
semifinal Saturday at the Dafabet | 0:06:26 | 0:06:29 | |
Masters. One of the two meant at the
top of the stairs will return | 0:06:29 | 0:06:34 | |
tomorrow for a maiden Masters final.
Huge for both players. Too close to | 0:06:34 | 0:06:39 | |
call. Ally Pally is rocking in
anticipation of this massive sash | 0:06:39 | 0:06:44 | |
and of snooker! Here we go! --
massive session of snooker. | 0:06:44 | 0:06:49 | |
Please welcome a player emerging
from what is, without doubt, one of | 0:06:55 | 0:07:04 | |
the biggest matches of his career so
far. His first appearance in a | 0:07:04 | 0:07:07 | |
Triple Crown semifinal. Winner of
the 2015 Shanghai Masters, he has | 0:07:07 | 0:07:12 | |
already been in two major finals
this season and he will be seriously | 0:07:12 | 0:07:15 | |
fired up for this this afternoon.
PAs The Warrior, Kyren Wilson! | 0:07:15 | 0:07:20 | |
And his opponent, arguably the most
exciting player of his generation, | 0:07:50 | 0:07:54 | |
winner of eight ranking titles in
all and, here, bidding for his first | 0:07:54 | 0:07:59 | |
Triple Crown final since 2014. The
reigning European Masters champion, | 0:07:59 | 0:08:04 | |
in cracking form after that
brilliant quarterfinal victory over | 0:08:04 | 0:08:07 | |
Sean Murphy. Can he bring his own
brand of naughty snooker? He is The | 0:08:07 | 0:08:13 | |
Ace In The Pack, Judd Trump! | 0:08:13 | 0:08:26 | |
What a fantastic reception for both
players. A very good afternoon to | 0:08:45 | 0:08:50 | |
everyone. | 0:08:50 | 0:08:52 | |
Thank you very much, first frame.
Judd Trump to break. Judd Trump won | 0:08:56 | 0:09:06 | |
the toss and will get the semifinal
and under way. A pretty good length | 0:09:06 | 0:09:12 | |
with the break of | 0:09:12 | 0:09:19 | |
he has left one to the corner, and
if he can get around the back of the | 0:09:19 | 0:09:24 | |
black, Kyren might have a go at it.
A very attacking player. | 0:09:24 | 0:09:33 | |
APPLAUSE | 0:09:34 | 0:09:37 | |
Could do with a kiss. Didn't get it.
Certainly a terrific opening pot. | 0:09:38 | 0:09:47 | |
And early confidence booster. | 0:09:49 | 0:09:56 | |
I know that Judd has tremendous
support, but Kyren Wilson got a | 0:10:19 | 0:10:27 | |
tremendous reception from this
crowd. It has been packed all week. | 0:10:27 | 0:10:31 | |
In fact I have just spotted Judd's
mum and dad, there. | 0:10:31 | 0:10:42 | |
APPLAUSE | 0:10:52 | 0:10:59 | |
REFEREE: It is touching ball. | 0:11:04 | 0:11:12 | |
Steve and Georgina, Judd's parents.
Very proud of their son. They are at | 0:11:12 | 0:11:17 | |
most venues. Foul, declared it
straightaway on himself. He must | 0:11:17 | 0:11:26 | |
have touched it. I didn't see
anything from that shot. Obviously | 0:11:26 | 0:11:34 | |
he touched something, because he
declared that straightaway. | 0:11:34 | 0:11:37 | |
To something that a player feels. | 0:11:44 | 0:11:51 | |
Could have touched it. Sometimes
even with the sound of the hit, you | 0:11:51 | 0:11:58 | |
can sense that you have brushed the
ball. | 0:11:58 | 0:12:01 | |
Tempting red into the middle pocket. | 0:12:15 | 0:12:24 | |
APPLAUSE | 0:12:29 | 0:12:35 | |
Yes, very good pot from that
position, with the white tucked up | 0:12:36 | 0:12:41 | |
on the cushion. If he can pot the
green, there are a couple of reds | 0:12:41 | 0:12:46 | |
on. Decided to keep it tight and
roll behind it. | 0:12:46 | 0:12:52 | |
The Judd Trump of a number of years
back may have been tempted by the | 0:12:52 | 0:12:55 | |
green. I think he now has a
different balance to his game. | 0:12:55 | 0:13:04 | |
The trouble from Judd Trump's
perspective is that he got a lot of | 0:13:08 | 0:13:12 | |
success playing very, very attacking
snooker. As the years have gone on, | 0:13:12 | 0:13:17 | |
his game will change, balance wise.
But it would be nice to get some | 0:13:17 | 0:13:21 | |
success with it. | 0:13:21 | 0:13:22 | |
Just going back to that, in 2011,
when Judd lost in the final of the | 0:13:33 | 0:13:39 | |
World Championship to John Higgins,
I had never seen potting like it. | 0:13:39 | 0:13:45 | |
Unbelievable display. It looked like
he was going to win the world title | 0:13:45 | 0:13:48 | |
back then. | 0:13:48 | 0:13:55 | |
Surprised he didn't have a look at
that. | 0:14:00 | 0:14:03 | |
Really no damage done at all. Unless
you fast forward to the end of the | 0:14:08 | 0:14:15 | |
frame, when seven points become
important. | 0:14:15 | 0:14:17 | |
Somehow, a red has managed to poke
its nose over the right corner. It | 0:14:24 | 0:14:29 | |
will be tough for Kyren Wilson to
guarantee any kind of position from | 0:14:29 | 0:14:32 | |
this shot. He is going to be
careering into the pack after | 0:14:32 | 0:14:35 | |
potting this. If he did get the
right split of reds, the cue could | 0:14:35 | 0:14:41 | |
come to the left and be on the
black. | 0:14:41 | 0:14:48 | |
APPLAUSE | 0:14:52 | 0:14:55 | |
As you said, Steve, there was no
guarantee. Look where he has | 0:14:56 | 0:15:03 | |
finished. Unbelievable. I don't
think he thought he would be going | 0:15:03 | 0:15:09 | |
into the black. | 0:15:09 | 0:15:14 | |
Perhaps he was thinking of going
into reds? | 0:15:14 | 0:15:22 | |
Wasn't really bothered about the
black going in. Initially it was | 0:15:37 | 0:15:42 | |
about getting the cue ball safe. | 0:15:42 | 0:15:49 | |
It is tough for Judd. He comes onto
the scene, scaring every player to | 0:15:52 | 0:15:57 | |
bits with such aggressive snooker.
The next phase of the game and we | 0:15:57 | 0:16:04 | |
are starting to criticise because he
is... | 0:16:04 | 0:16:10 | |
Because he is to open. Perhaps
everybody talking in his ear saying | 0:16:10 | 0:16:16 | |
he has to tighten up his game. Then
you don't get as much success as | 0:16:16 | 0:16:19 | |
when you were knocking them in off
the lampshades. | 0:16:19 | 0:16:27 | |
He gets very low, down on the table.
He gets his cue as parallel as | 0:16:34 | 0:16:40 | |
possible. A lot more players these
days are higher up at the back. | 0:16:40 | 0:16:47 | |
Tries to keep his head as solid as
possible on the shot. | 0:16:47 | 0:16:52 | |
What does he do this time? He
refused the green previously. He is | 0:17:15 | 0:17:19 | |
rolling up to it again. | 0:17:19 | 0:17:25 | |
We said this was going to be
aggressive and very attacking | 0:17:26 | 0:17:30 | |
snooker, and here we are watching
them play some terrific safety play! | 0:17:30 | 0:17:35 | |
I think both of these players
understand the game well enough to | 0:17:35 | 0:17:38 | |
know that a good start is important.
Perhaps a little bit more of a | 0:17:38 | 0:17:44 | |
careful approach to start with. | 0:17:44 | 0:17:49 | |
Open up a little bit in the match
later. | 0:17:50 | 0:17:58 | |
Not too much value in potting this
unless he feels he can get the cue | 0:17:59 | 0:18:03 | |
ball out into open play. There is a
gap for the pink into the middle | 0:18:03 | 0:18:09 | |
pocket. He might play for that. It
is tough to get on the blue. | 0:18:09 | 0:18:17 | |
Is it brand-new cloth? I think it
is. It makes a massive difference to | 0:18:28 | 0:18:35 | |
those pockets accepting the ball.
Perhaps yesterday that shot was a | 0:18:35 | 0:18:39 | |
lot harder, today The Pocket is just
sucking that red in. | 0:18:39 | 0:18:49 | |
They change the cloth after the
quarterfinal. The cushion was | 0:18:49 | 0:18:55 | |
starting to bounce. | 0:18:55 | 0:18:57 | |
It is amazing the difference
brand-new cloth, even from cloth | 0:19:03 | 0:19:07 | |
that is four or five days old. It
can make such a difference to the | 0:19:07 | 0:19:10 | |
effective size of the pockets. | 0:19:10 | 0:19:18 | |
Fractionally overscrewed that. Not
that it will cause a problem. As | 0:19:25 | 0:19:30 | |
long as he can reach. He could go
into the reds understood. -- and | 0:19:30 | 0:19:37 | |
disturbed them. | 0:19:37 | 0:19:44 | |
Not great. With that title shot, I
am surprised Judd doesn't change | 0:19:44 | 0:19:48 | |
hands. He is so good playing with
his opposite hand. He really was | 0:19:48 | 0:19:54 | |
stretched, and it has caused him to
not get the cannon on the red as he | 0:19:54 | 0:19:59 | |
intended. | 0:19:59 | 0:20:04 | |
intended. Pin good pot. | 0:20:07 | 0:20:14 | |
Worth another look at that one. Very
difficult to score here. I don't | 0:20:18 | 0:20:23 | |
know if he can avoid the black and
get into the reds. He could do. | 0:20:23 | 0:20:28 | |
Well, he was on a red. But he's
still got to get up at least for the | 0:20:32 | 0:20:36 | |
blue. It is still not
straightforward. It would be nice to | 0:20:36 | 0:20:40 | |
get the black on the spot. | 0:20:40 | 0:20:51 | |
Pin He played that with his opposite
hand? He does look good playing | 0:20:52 | 0:20:56 | |
right-handed. | 0:20:56 | 0:21:00 | |
Not ideally on the black. Blue is an
option. | 0:21:00 | 0:21:08 | |
The black, in itself, is not a hard
pot. | 0:21:08 | 0:21:11 | |
I'm not too sure which reds go from
this position. Surely he is not in | 0:21:17 | 0:21:21 | |
anything there? | 0:21:21 | 0:21:23 | |
The bottom red was the one he was
going for. Just a bit and -- under | 0:21:29 | 0:21:42 | |
paced. What has he spotted? Long
range. Does he get past that red? | 0:21:42 | 0:21:49 | |
That is tight. I don't think
anything goes there. You don't want | 0:21:49 | 0:21:54 | |
to talk yourself into this if it
doesn't go, that is for certain. | 0:21:54 | 0:21:57 | |
There is a third of a pocket left
for that red. | 0:22:01 | 0:22:07 | |
It looks like end of break, here. | 0:22:07 | 0:22:09 | |
He tried the long-range plant, that
is a risk that perhaps he didn't | 0:22:15 | 0:22:23 | |
need to take. Has he got away with
it? Yes! | 0:22:23 | 0:22:27 | |
Wow, he was fortunate there. He took
that risky plant on. We will show | 0:22:32 | 0:22:38 | |
you that again. That was very low
percentage chance, but look at this | 0:22:38 | 0:22:43 | |
white. It just kept on rolling and
rolling, and covers the red. The | 0:22:43 | 0:22:48 | |
thing about the shot that Judd
played, fair enough, play the | 0:22:48 | 0:22:52 | |
long-range plant. But he must have
known that the red was going to | 0:22:52 | 0:22:56 | |
escape to the bottom half of the
table. Very risky. | 0:22:56 | 0:23:01 | |
Not easy to hide the cue ball here.
But he knows full well if he gets | 0:23:12 | 0:23:16 | |
into this corner it is going to be
safe. | 0:23:16 | 0:23:21 | |
Excellent judgment from Kyren
Wilson. Wouldn't have wanted to have | 0:23:25 | 0:23:29 | |
collided with the yellow. Had to be
sure of the path. | 0:23:29 | 0:23:36 | |
Judd has a problem. Ideally, he
would like to shift this red away | 0:23:40 | 0:23:43 | |
from the middle pocket. Play a long,
screw back pot. But he would not | 0:23:43 | 0:23:53 | |
know where the red is going. He has
spotted a cut into the same pocket. | 0:23:53 | 0:24:04 | |
Trying to get it down into the same
place. No collision with the | 0:24:09 | 0:24:12 | |
yellow... Now the red is on. | 0:24:12 | 0:24:15 | |
Could develop into a very good
opportunity here for Kyren. 36 | 0:24:52 | 0:24:57 | |
behind. | 0:24:57 | 0:25:03 | |
That will do nicely. He's got a
terrific cue action. Generates so | 0:25:09 | 0:25:16 | |
much back spin. Lots of power. | 0:25:16 | 0:25:18 | |
Every time I see Kyren play, for
some reason he reminds me of a ten | 0:25:30 | 0:25:36 | |
time world champion, John Pullman,
who worked for the BBC for years. A | 0:25:36 | 0:25:40 | |
great commentator. Same size as
Kyren. Similar sort of style, a lot | 0:25:40 | 0:25:46 | |
of the older viewers will remember
John Pullman. | 0:25:46 | 0:25:55 | |
I must admit, when we have seen
Kyren Wilson on the big stage, in | 0:26:05 | 0:26:09 | |
the World Championship and this
event, that... | 0:26:09 | 0:26:13 | |
He doesn't look like he is overawed
by the big occasion. That is a big | 0:26:17 | 0:26:21 | |
plus point. | 0:26:21 | 0:26:23 | |
This would send a big message out,
if he were to clear up here. | 0:26:35 | 0:26:43 | |
He has come quite a way short. This
is a thin snick required. He was | 0:26:49 | 0:26:55 | |
probably thinking about the red next
to the pink, the only one that is | 0:26:55 | 0:26:59 | |
awkward at the moment. He has other
problems now. | 0:26:59 | 0:27:07 | |
Good recovery. | 0:27:08 | 0:27:11 | |
APPLAUSE | 0:27:11 | 0:27:18 | |
That red that is two from the pink.
Yes, the cushions with new cloth on, | 0:27:21 | 0:27:28 | |
playing noticeably slower. Players
are having to adapt to that. I don't | 0:27:28 | 0:27:32 | |
think the practice table cloth and
questions have -- cushions have been | 0:27:32 | 0:27:39 | |
changed. So the cushions are playing
faster. | 0:27:39 | 0:27:47 | |
He was very close to the middle
pocket. As we show you this screw | 0:27:51 | 0:27:57 | |
back, he almost went in the middle
pocket. He can just see enough of | 0:27:57 | 0:28:02 | |
this red to take the pot on. Shot to
nothing. If he was to slot this red | 0:28:02 | 0:28:10 | |
in and not finish on a colour, and
pot Judd in a snooker, it would be a | 0:28:10 | 0:28:15 | |
very difficult one. He shot. -- key
shot. | 0:28:15 | 0:28:24 | |
It has jawed and unsafe. So, we are
going to have a close finish. Tried | 0:28:34 | 0:28:38 | |
to control that shot, playing the
red and white slowly. I think I | 0:28:38 | 0:28:45 | |
would have preferred to have hit it
with a bit more pace, coming in and | 0:28:45 | 0:28:48 | |
out of baulk. | 0:28:48 | 0:28:55 | |
This looks very good. | 0:29:06 | 0:29:09 | |
Excellent. It looks like it might
have to be a two cushion escape to | 0:29:20 | 0:29:25 | |
get back up the table. Doesn't want
to hit the red full ball. | 0:29:25 | 0:29:30 | |
If he comes off | 0:29:45 | 0:29:46 | |
If he comes off the two cushions He
could hit that or play the one next | 0:29:46 | 0:29:50 | |
to the pink but look how close he'll
have to get to the blue. This is not | 0:29:50 | 0:29:55 | |
nice. He may have to try and play
the two cushion snick off the red to | 0:29:55 | 0:30:03 | |
the pink and commit. Anything else
is a lot more dangerous. He might | 0:30:03 | 0:30:07 | |
give a few points away in trying to
do it though. Doesn't want to leave | 0:30:07 | 0:30:13 | |
a free ball, obviously. | 0:30:13 | 0:30:17 | |
He's having a think about that. | 0:30:31 | 0:30:37 | |
That would be a foul shot if you
roll in tight behind the colour and | 0:31:03 | 0:31:07 | |
snooker the people behind that so it
is the blue. | 0:31:07 | 0:31:15 | |
Great shot. He didn't want to play
that cue ball too far across the | 0:31:17 | 0:31:27 | |
table. He would have left a pot on
had he missed. But he also wanted to | 0:31:27 | 0:31:33 | |
be on a colour. It was pretty
critical where he put the cue ball | 0:31:33 | 0:31:37 | |
there. He's on this blue. Not
ideally. | 0:31:37 | 0:31:49 | |
This is a terrific shot he's played
here. | 0:31:57 | 0:32:04 | |
He's got an angle in this to get on
the blue in such a way that he could | 0:32:04 | 0:32:07 | |
then cannon the pink and red. I
don't think he can hold for the | 0:32:07 | 0:32:10 | |
black. Playing it right-handed
again. | 0:32:10 | 0:32:16 | |
again. Down for the blue. He has a
chance to move that difficult red. | 0:32:21 | 0:32:25 | |
Judged the pace well off the top
cushion for that one. The cushion is | 0:32:25 | 0:32:29 | |
playing a little slower. A little
bit more of an angle Denis and he | 0:32:29 | 0:32:35 | |
might be going into the pink. He's
got to bang this in if he's going to | 0:32:35 | 0:32:40 | |
go straight in. | 0:32:40 | 0:32:46 | |
Two cushions is risky if he misses
cannoning it into the red and pink. | 0:32:47 | 0:32:56 | |
What is he looking at now? What he's
thinking about there is if he pots | 0:32:56 | 0:33:00 | |
the blue and leaves himself in such
a way he could send the red around | 0:33:00 | 0:33:04 | |
the table and finish tight end
around the pink. That was the | 0:33:04 | 0:33:09 | |
alternate thing he was thinking
about. | 0:33:09 | 0:33:11 | |
Why did he not try and play the
cannon there? Does this go from this | 0:33:17 | 0:33:22 | |
position, the red? I wouldn't have
thought so? No, I think it would hit | 0:33:22 | 0:33:26 | |
the red and pink at the same time. | 0:33:26 | 0:33:35 | |
There was a chance to shift the red
away from the pink. No guarantees of | 0:33:43 | 0:33:46 | |
course that he'd then leave it on.
So he's tried to be a lot more | 0:33:46 | 0:33:54 | |
precise by putting his opponent back
in trouble. But of course, every | 0:33:54 | 0:33:57 | |
time you leave your opponent back at
the table, escaping from a snooker, | 0:33:57 | 0:34:02 | |
you can always get away with it. | 0:34:02 | 0:34:05 | |
I think I preferred across the table
here. | 0:34:07 | 0:34:12 | |
APPLAUSE. | 0:34:12 | 0:34:18 | |
I think I preferred across the
table. | 0:34:18 | 0:34:25 | |
That was tight. | 0:34:31 | 0:34:37 | |
You've got to be able to hit both
sides. I'm with you, bridge over, | 0:34:47 | 0:34:52 | |
then try to flick the red half ball.
I suppose there is a risk you would | 0:34:52 | 0:35:02 | |
leave it over the corner. | 0:35:02 | 0:35:09 | |
Just trying to get past the middle
pocket I think. | 0:35:10 | 0:35:14 | |
Three cushions. Oh, dear. | 0:35:15 | 0:35:19 | |
Green goes safe. Well, he only needs
the red so he'll take this on. Makes | 0:35:23 | 0:35:31 | |
things even better with the green
safe, it's a bit more of an | 0:35:31 | 0:35:35 | |
insurance policy. But this red is
obviously an easy shot really. | 0:35:35 | 0:35:40 | |
APPLAUSE. | 0:35:40 | 0:35:45 | |
That misjudgment off the top cushion
from Kyren Wilson, three reds out, | 0:35:49 | 0:35:57 | |
was his undoing. | 0:35:57 | 0:36:02 | |
But they both look in fine form
regardless. | 0:36:02 | 0:36:10 | |
This might turn out to be the
longest frame of the match. We are | 0:36:14 | 0:36:19 | |
not far off 28 minutes. Certainly is
at the moment. | 0:36:19 | 0:36:26 | |
APPLAUSE.
Kyren stays in his seat. | 0:36:26 | 0:36:31 | |
Judd Trump in the end tames the
frame and leads Kyren Wilson 1-0. | 0:36:34 | 0:36:40 | |
Judd Trump in the end tames the
frame and leads Kyren Wilson 1-0. | 0:36:40 | 0:36:42 | |
Good start then for Judd Trump.
During the interval we'll head down | 0:36:42 | 0:36:46 | |
to the Cue Zone. If you have any
questions for our commentateths, get | 0:36:46 | 0:36:51 | |
in touch. Be nice! Intriguing
opening frame? Yes, not like what | 0:36:51 | 0:36:57 | |
you probably expect. Interesting few
shots in there. Judd playing, | 0:36:57 | 0:37:03 | |
refusing to play the cannon.
Ultimately it rewarded him because | 0:37:03 | 0:37:07 | |
he played down and played the
snooker and then Kyren bizarrely | 0:37:07 | 0:37:11 | |
played out of the snooker, I don't
know quite why he wanted to make | 0:37:11 | 0:37:14 | |
that more difficult for himself
because ultimately he lost the frame | 0:37:14 | 0:37:17 | |
off it. Interesting that he refused
to play the shot, ended up winning | 0:37:17 | 0:37:23 | |
the frame. I noticed against Murphy
Judd was playing some strange shot | 0:37:23 | 0:37:28 | |
choices, we are used to him being
very aggressive and going for the | 0:37:28 | 0:37:32 | |
shots. I agree with John, I can't
believe he didn't play the cannon. | 0:37:32 | 0:37:37 | |
The balls are at his mercy, at this
level you have to be taking the | 0:37:37 | 0:37:43 | |
chances. Sorry if Mark is watching
but he was so bad the other night in | 0:37:43 | 0:37:48 | |
his match, he wasn't forced to
score. In fairness he admitted that | 0:37:48 | 0:37:56 | |
in the press conference. But Kyren
didn't really score in that. He | 0:37:56 | 0:38:02 | |
didn't have to score but he's got to
score heavier off the chances. These | 0:38:02 | 0:38:06 | |
events, if you want to win them
against the big players, you have to | 0:38:06 | 0:38:10 | |
be taking the chances and really put
the pressure on. A fine start for | 0:38:10 | 0:38:14 | |
Judd Trump. He leads 1-0. Back to
it. | 0:38:14 | 0:38:22 | |
The second frame, Kyren Wilson to
break. | 0:38:22 | 0:38:31 | |
This time the breakoff shot's put a
red next to the black and put it out | 0:38:42 | 0:38:47 | |
of commission. | 0:38:47 | 0:38:48 | |
Picking up on John and Stephen's
analysis of Judd Trump's tactical | 0:38:55 | 0:39:03 | |
nous in that frame, perhaps that's
the new Judd Trump, not getting as | 0:39:03 | 0:39:09 | |
much success as he wants by playing
the overly aggressive game. I | 0:39:09 | 0:39:13 | |
suppose it's a natural instinct to
try and look at what has been going | 0:39:13 | 0:39:18 | |
wrong, try to rectify it, so perhaps
that's on his mind to play a hard | 0:39:18 | 0:39:24 | |
type of snooker. Got to get the
balance right. | 0:39:24 | 0:39:35 | |
balance right. Didn't want to
collide with the yellow. He'll be | 0:39:35 | 0:39:39 | |
hoping that doesn't cost him. | 0:39:39 | 0:39:44 | |
That's not to say that Judd is not
going to take on the long ball. | 0:39:44 | 0:39:49 | |
Especially with his cue power. He
can always screw back to baulk or | 0:39:49 | 0:39:53 | |
toward the blue line and get out of
trouble. | 0:39:53 | 0:40:00 | |
Just is playing the percentages. | 0:40:05 | 0:40:16 | |
Police Authority plawz Excellent
put. Great safety shot as well. | 0:40:17 | 0:40:31 | |
He's not on a colour, so... | 0:40:31 | 0:40:39 | |
This is more like hard match play
from Judd Trump. Perhaps in his day | 0:40:40 | 0:40:45 | |
he would have gone for one of those
long reds and careered it in, but | 0:40:45 | 0:40:51 | |
it's great to watch how a player
develops as they stay in the game. | 0:40:51 | 0:40:55 | |
And if he gets success with it, as
he's quite rightly doing at the | 0:40:55 | 0:40:59 | |
moment; why not. | 0:40:59 | 0:41:03 | |
I'll tell you what, he's put Kyren
in all sorts of trouble. He can't | 0:41:03 | 0:41:14 | |
get to a red. He'd like to land on
the left one but how does he get | 0:41:14 | 0:41:19 | |
round? Just watch this shot, how
many cushions he's got to hit to get | 0:41:19 | 0:41:22 | |
there. One, two, three cushions.
Four cushions. And not quite hard | 0:41:22 | 0:41:30 | |
enough. This is tough. The cushion
is playing slower and also with new | 0:41:30 | 0:41:37 | |
cloth. They also slide a bit more as
they come off the cushion with the | 0:41:37 | 0:41:41 | |
new cloth. It's debatable whether
the angles are on. They may have | 0:41:41 | 0:41:46 | |
been yesterday. I know it sounds
amazing to think that, but now with | 0:41:46 | 0:41:50 | |
the slide off the third cushion that
he's inevitably going to get, the | 0:41:50 | 0:41:56 | |
line might not be there. That's the
line he's looking for. | 0:41:56 | 0:42:02 | |
Sliding off that third cushion. That
shot's not on I don't think. Hitting | 0:42:04 | 0:42:11 | |
it harder is not going to make too
much difference I don't think. | 0:42:11 | 0:42:16 | |
Inevitably going down that line, he
might be leaving Judd that red into | 0:42:16 | 0:42:20 | |
the left middle. He may be able to
get past, he's got to get close to | 0:42:20 | 0:42:25 | |
the red on the side cushion. Just
got to get past it by a fraction. | 0:42:25 | 0:42:30 | |
That's better, about the best he
could have possibly done but he | 0:42:30 | 0:42:33 | |
doesn't have the pace. Wow. He'll do
well to find that same line again | 0:42:33 | 0:42:40 | |
because he was so close to the green
and he almost caught the red, the | 0:42:40 | 0:42:43 | |
left side of the table. Strangely,
getting as close as possible to that | 0:42:43 | 0:42:47 | |
red on the left hand side cushion,
if he were to flick it, he may get | 0:42:47 | 0:42:52 | |
away with it. | 0:42:52 | 0:42:58 | |
This time he does clip that red.
APPLAUSE. | 0:42:59 | 0:43:08 | |
It's not bad at all. There's one
possible put to the right middle | 0:43:08 | 0:43:12 | |
pocket but very difficult. He did
well to get out of that situation. | 0:43:12 | 0:43:19 | |
It was his fourth attempt. | 0:43:19 | 0:43:22 | |
It's amazing how all of a sudden,
from being in all sorts of trouble, | 0:43:24 | 0:43:29 | |
he's at the table with a chance.
Yes. He left Judd a missable pot. | 0:43:29 | 0:43:38 | |
Judd felt he had to go for that. | 0:43:38 | 0:43:46 | |
Tough to get that cue ball out into
open play. Get through that lot... A | 0:43:49 | 0:43:56 | |
load of goalkeepers there! | 0:43:56 | 0:44:06 | |
Got the black out. What a show that
is. Didn't think that was possible | 0:44:10 | 0:44:14 | |
to get enough back spin on that.
What a bonus. | 0:44:14 | 0:44:26 | |
Red by the black spot would be nice
to clear. Actually, perhaps it would | 0:44:37 | 0:44:44 | |
have been - it's hard to know
exactly how the black goes on the | 0:44:44 | 0:44:47 | |
spot - it would have been nice to go
on that straightaway. | 0:44:47 | 0:44:55 | |
on that straightaway. The red is
certainly going to interfere with | 0:44:56 | 0:44:58 | |
the black. And it may even go on its
spot. | 0:44:58 | 0:45:09 | |
Actually, could have tried to get on
the red straightaway. | 0:45:10 | 0:45:13 | |
Can't be touching the red if it's
respotted. Don't tell me it goes on | 0:45:33 | 0:45:39 | |
the pink... Certainly doesn't go on
the pink. OK so it's not the end of | 0:45:39 | 0:45:46 | |
the world. He'd like that red off
the black spot and the black back on | 0:45:46 | 0:45:51 | |
its spot. That's the plan. | 0:45:51 | 0:45:53 | |
He hasn't got used to the speed of
the cushions yet. | 0:46:46 | 0:46:56 | |
APPLAUSE. | 0:47:08 | 0:47:12 | |
He's having to work hard for these.
Hasn't got himself into the correct | 0:47:16 | 0:47:23 | |
position just yet. Can he manage it
this time? | 0:47:23 | 0:47:27 | |
Just overscrewed that one as well.
Fascinating from the commentary box | 0:47:40 | 0:47:43 | |
how you see the game positionally.
If he'd tried to get on the red that | 0:47:43 | 0:47:48 | |
was by the black spot on the opening
blue, none of these problems he's | 0:47:48 | 0:47:52 | |
now got would possibly have
materialised. But he's still | 0:47:52 | 0:47:57 | |
fighting to keep position. | 0:47:57 | 0:48:04 | |
On that red this time but not
ideally. | 0:48:11 | 0:48:19 | |
Oh, a good shot.
APPLAUSE. | 0:48:27 | 0:48:34 | |
Just another six inches or so and
he'd have been perfect on the black | 0:48:34 | 0:48:37 | |
to get up to the reds. Might still
be able to do it, he's got, as we | 0:48:37 | 0:48:42 | |
keep saying, terrific cue power.
He'll get that short extension there | 0:48:42 | 0:48:47 | |
just so that he can reach this. But
there are two reds available if he's | 0:48:47 | 0:48:51 | |
got the right ang toll screw back
off this black but there is an awful | 0:48:51 | 0:48:55 | |
lot of cue between the bridge hand
and the object ball. Look where he | 0:48:55 | 0:49:01 | |
is striking it. You could see the
white stop and then spin back. In | 0:49:01 | 0:49:05 | |
fact, he's hit it too well. But it
was difficult to judge it with that | 0:49:05 | 0:49:12 | |
extension. He hardly hit this but
the action he got on it... Yes, | 0:49:12 | 0:49:17 | |
putting that extra bit on the cue
effectively making it heavier. Get a | 0:49:17 | 0:49:23 | |
bit more spin on the ball if you are
not careful. So end of break and a | 0:49:23 | 0:49:31 | |
frustrating break from Kyren
Wilson's perspective. | 0:49:31 | 0:49:33 | |
APPLAUSE. | 0:49:51 | 0:49:53 | |
Poor safety. | 0:50:01 | 0:50:03 | |
He'd love to knock this one in Judd
and punish him. | 0:50:04 | 0:50:17 | |
Brought the red up this time. Needs
the brown to help him out and I | 0:50:53 | 0:50:57 | |
don't think it has. | 0:50:57 | 0:51:00 | |
Just had to hit that much thicker
than he intended. This is a huge day | 0:51:03 | 0:51:12 | |
for Kyren Wilson, semi-final, OK
he's won on ranking events a couple | 0:51:12 | 0:51:16 | |
of seasons ago and the Shanghai
Masters but this is probably one of | 0:51:16 | 0:51:20 | |
the biggest matches of his career
and you can expect a little bit of | 0:51:20 | 0:51:26 | |
tension creeping in. | 0:51:26 | 0:51:33 | |
Judd was clinical in his last match.
In mopping up from a variety of | 0:51:35 | 0:51:42 | |
situations. Still some work to do
here. | 0:51:42 | 0:51:50 | |
here. Getting correctly on the blue
would be nice. Once again, underhit. | 0:51:50 | 0:51:58 | |
Just the ride side of the blue and
an excellent shot there. It really | 0:52:09 | 0:52:13 | |
was good. | 0:52:13 | 0:52:15 | |
Got the cue ball away from the
cushion. He's in good nick, Judd | 0:52:17 | 0:52:22 | |
Trump. He looks very clinical in
these positions at the moment to me. | 0:52:22 | 0:52:39 | |
That had to be controlled well. It's
run a little bit too far. | 0:53:16 | 0:53:27 | |
APPLAUSE. | 0:53:27 | 0:53:29 | |
A confident strike but he didn't get
enough screw back on that shoot. -- | 0:53:34 | 0:53:40 | |
shot. Dived off the cushion. Tough
pot now. | 0:53:40 | 0:53:47 | |
Oh, well done.
APPLAUSE. | 0:53:47 | 0:53:57 | |
Nice little flick to boot. | 0:53:57 | 0:54:05 | |
Early days, but could this be the
new Judd Trump, the more considered | 0:54:21 | 0:54:26 | |
player? Still lethal amongst the
balls at the end of a frame. Oh, | 0:54:26 | 0:54:30 | |
kick! Awful. Awful. | 0:54:30 | 0:54:37 | |
Wow, that is amazing. | 0:54:37 | 0:54:40 | |
Outrageous. | 0:54:40 | 0:54:46 | |
How crucial was that going to be.
The yellow is awkward. | 0:54:46 | 0:54:56 | |
The yellow is awkward. And the red
not a given to start things off. | 0:54:56 | 0:55:01 | |
Kyren misses a bonus in being at the
table. | 0:55:01 | 0:55:06 | |
APPLAUSE. | 0:55:06 | 0:55:14 | |
Very, very good. This is key that he
gets on the yellow in such a way | 0:55:14 | 0:55:18 | |
that he can get on to the green. But
wherever he finishes, he's going to | 0:55:18 | 0:55:22 | |
have a difficult yellow. He's
guaranteed to be on the yellow. It's | 0:55:22 | 0:55:28 | |
just how. Two cushions nailed on.
Wants to gets a close as possible | 0:55:28 | 0:55:37 | |
really with an angle. | 0:55:37 | 0:55:42 | |
APPLAUSE.
Doesn't want to be straight. | 0:55:42 | 0:55:54 | |
APPLAUSE. | 0:56:07 | 0:56:12 | |
Every chance now of pinching this
second frame. | 0:56:13 | 0:56:26 | |
Kyren gets that horrendous kick on
the pink. Then this. | 0:56:30 | 0:56:38 | |
Blue and pink needed and that's
absolutely perfect. | 0:56:38 | 0:56:47 | |
We always say you never settle down
until you get your first frame on | 0:56:50 | 0:56:54 | |
the board. Judd was very, very
unfortunate there. | 0:56:54 | 0:57:03 | |
APPLAUSE.
Very unlucky to get the kick on the | 0:57:03 | 0:57:11 | |
pink, but he's got his first frame
on the board now and they're all | 0:57:11 | 0:57:15 | |
pink, but he's got his first frame
on the board now and they're all | 0:57:15 | 0:57:15 | |
square at 1-1. That was a little
tense. That is why the players are | 0:57:15 | 0:57:19 | |
leaving the arena, it gives you time
to get in touch with us. Any | 0:57:19 | 0:57:23 | |
questions and we are heading to the
Cue Zone at the interval. Any | 0:57:23 | 0:57:28 | |
comments and questions, we'd love to
hear from you. A bit tense out | 0:57:28 | 0:57:32 | |
there, John? You've got to feel for
Judd there, that was an absolute | 0:57:32 | 0:57:36 | |
monster kick, he looked like he'd
win the frame so he'll be really | 0:57:36 | 0:57:40 | |
annoyed. Haven't seen too many, that
was a monster. Shouldn't really take | 0:57:40 | 0:57:51 | |
players of this standard doing that.
Kyren Wilson got in with a good | 0:57:51 | 0:58:00 | |
chance. He's a little nervous,
played a couple of shots that were | 0:58:00 | 0:58:06 | |
safe. As Steve said, he should have
played for the red immediately, it | 0:58:06 | 0:58:09 | |
was on the black spot, played for
the black, where the black was | 0:58:09 | 0:58:13 | |
getting moved the other end of the
table which was wrong, but sometimes | 0:58:13 | 0:58:15 | |
when you want to get a frame, you
play the safe positional shot, | 0:58:15 | 0:58:19 | |
rather than the right one. You have
been in this position many times, | 0:58:19 | 0:58:23 | |
both players have been talking about
how to handle the nerves because | 0:58:23 | 0:58:26 | |
it's very different. They've had the
first run, the quarter-finals, this | 0:58:26 | 0:58:29 | |
is a different stage now isn't it, a
semi-final, John, because you are so | 0:58:29 | 0:58:32 | |
close? Yes, it's like they always
say about the FA Cup, get to the | 0:58:32 | 0:58:36 | |
semi-final, the worst place to lose,
but you can't think like that, you | 0:58:36 | 0:58:39 | |
have to keep playing the game the
way it is. I think Judd Trump is | 0:58:39 | 0:58:44 | |
best when he's being aggressive, a
far better player. We don't need him | 0:58:44 | 0:58:50 | |
to turn into cliff Thorburn but when
he's at his best is opening up the | 0:58:50 | 0:58:57 | |
balls, scoring heavily. He frightens
opponents by going that way. Nothing | 0:58:57 | 0:59:02 | |
more puts your opponents on the back
foot. If he thinks if I don't get | 0:59:02 | 0:59:07 | |
that cue ball, he's going to go for
something. That puts your opponent | 0:59:07 | 0:59:13 | |
in a position where they feel wary.
It's a different match and a | 0:59:13 | 0:59:20 | |
semi-final and you are not playing
your natural game, would you say to | 0:59:20 | 0:59:24 | |
yourself I should play the brand of
snooker that I always play? He has | 0:59:24 | 0:59:28 | |
to believe he's a better player and
play to his strengths. If he's think | 0:59:28 | 0:59:32 | |
Iing about, I would better play
tight because I'm worried, that is | 0:59:32 | 0:59:36 | |
the wrong attitude for me.
Absolutely. He has to go with what | 0:59:36 | 0:59:41 | |
he's good at. As for Kai reason, he
was really struggling on that break. | 0:59:41 | 0:59:44 | |
He's made a couple of breaks, 32 and
38 but the 38 was all over the | 0:59:44 | 0:59:50 | |
place, he didn't have the cue ball
at all -- Kyren. Scoring-wise, he | 0:59:50 | 0:59:56 | |
needs the cue ball tighter. I
suppose pre-match Kyren is probably | 0:59:56 | 1:00:01 | |
thinking, let us see if I can slow
Judd Trump down. He should be | 1:00:01 | 1:00:05 | |
thinking about what he is good at.
His cue ball control isn't there and | 1:00:05 | 1:00:08 | |
when he's getting a break, it's
looking more like when Judd is in | 1:00:08 | 1:00:12 | |
he's going to score and going to be
more fluent and Kyren is struggling. | 1:00:12 | 1:00:21 | |
At this stage of an event like this,
Judd Trump is more in the comfort | 1:00:21 | 1:00:25 | |
zone than Kyren Wilson. The boys are
back. Back to Steve and Dennis. | 1:00:25 | 1:00:34 | |
Better learned this time with the
break-off shot. Still left that red | 1:00:44 | 1:00:47 | |
that he did. -- better length. Kyren
knocked that in. I wonder if he can | 1:00:47 | 1:00:56 | |
get around the back of the black and
red this time? | 1:00:56 | 1:01:04 | |
Terrific cueing. It really is. I
think winning that second frame, | 1:01:07 | 1:01:15 | |
pinching that second frame, as given
Kyren a little bit of a boost. | 1:01:15 | 1:01:23 | |
Cruel game, could have been 2- 02
Judd Trump. | 1:01:23 | 1:01:35 | |
I think Judd will be advised to work
out a better break off than that on | 1:01:38 | 1:01:44 | |
this table today. He doesn't want to
believing that one on, all of the | 1:01:44 | 1:01:47 | |
time. -- be leaving. Once again,
cannot hit the ball hard enough at | 1:01:47 | 1:01:55 | |
the moment to get the right side. | 1:01:55 | 1:02:03 | |
Had to leave a medium-range red. I
think he has got enough angle to get | 1:02:10 | 1:02:16 | |
position, but it is a bit awkward. | 1:02:16 | 1:02:23 | |
He has had to use the other red. | 1:02:24 | 1:02:29 | |
Well, he has a chance and he can can
know is two reds and would be | 1:02:30 | 1:02:34 | |
guaranteed to be on the one to the
right of the black. | 1:02:34 | 1:02:41 | |
Let the white take care of itself. | 1:02:41 | 1:02:48 | |
Would have liked that cue ball to
come back another ball. | 1:02:55 | 1:03:00 | |
Just checking to see if they red
goes into the right middle. If it | 1:03:04 | 1:03:11 | |
does, what could he do with the cue
ball? | 1:03:11 | 1:03:16 | |
He will be tempted by this red in
the middle. He will not be ideally | 1:03:16 | 1:03:20 | |
placed on the pink. It is better
than getting the spider out for the | 1:03:20 | 1:03:25 | |
other red. | 1:03:25 | 1:03:31 | |
A nasty cut into the middle pocket.
It is more or less guaranteed where | 1:03:42 | 1:03:49 | |
he is going to be playing it.
Playing the pink into the middle | 1:03:49 | 1:03:55 | |
pocket. Too much of a cut, as you
can see. | 1:03:55 | 1:04:05 | |
He did well, look at the pink. It
jumps right of the bed of the table. | 1:04:39 | 1:04:47 | |
Messed up the position part a bit. | 1:04:47 | 1:04:55 | |
Not the red into the green pocket? A
massive kick. I don't know which | 1:05:02 | 1:05:14 | |
chalk these lads are using, they
talk about new chalk and less kick. | 1:05:14 | 1:05:23 | |
Didn't seem to line that one up. The
red has poked its | 1:05:38 | 1:05:47 | |
red has poked its nose out. Never on
line for that one. | 1:05:49 | 1:05:57 | |
Now, can Judd Trump get back in the
zone after that unfortunate episode | 1:05:58 | 1:06:04 | |
in the last frame? It is nice to
clear your mind of that. You don't | 1:06:04 | 1:06:10 | |
want to be thinking that you are on
an unlucky day. | 1:06:10 | 1:06:19 | |
I don't want to keep going on about
it, it would be a commentator's | 1:06:37 | 1:06:41 | |
blog, I think he is playing great at
the moment. The way I judge him at | 1:06:41 | 1:06:44 | |
the moment is a potential winner of
this event. I know it is early days. | 1:06:44 | 1:06:55 | |
Strong. | 1:06:55 | 1:06:56 | |
There must be one of their next to
the pink that pots. | 1:07:09 | 1:07:16 | |
It finished a little awkward now,
because if he drops the blue in, I | 1:07:23 | 1:07:26 | |
don't think he can get that red in
the left middle. He has to play with | 1:07:26 | 1:07:34 | |
more pace. Which he has done, played
it beautifully. | 1:07:34 | 1:07:42 | |
it beautifully. If he can knock in a
sizeable contribution here, he will | 1:07:42 | 1:07:45 | |
quickly forget about that bad
contact of the pig that cost him the | 1:07:45 | 1:07:50 | |
second frame. -- pink. | 1:07:50 | 1:07:53 | |
This is very nasty. He has to make
sure he's comfortable before he | 1:08:05 | 1:08:08 | |
plays this. | 1:08:08 | 1:08:10 | |
He would be forgiven for not playing
this, just because of the | 1:08:12 | 1:08:17 | |
awkwardness of the blue in the way. | 1:08:17 | 1:08:20 | |
Doing some stretching. He is quite a
fit young man. This game makes your | 1:08:26 | 1:08:31 | |
eyes water at times. He doesn't want
to mess around with this too much. | 1:08:31 | 1:08:35 | |
It puts the pressure onto pot it in
the end. Perhaps working something | 1:08:35 | 1:08:39 | |
else out on the red over the middle
pocket, in this instance, is not a | 1:08:39 | 1:08:44 | |
idea. | 1:08:44 | 1:08:50 | |
He is a delight to watch brick
building. He really is. | 1:09:15 | 1:09:24 | |
Sluggish, that top cushion coming
off very slow. | 1:10:03 | 1:10:11 | |
Not sure if John Higgins or Mark
Allen will be watching this match | 1:10:16 | 1:10:25 | |
unfold. They have more important
things in one respect to think | 1:10:25 | 1:10:31 | |
about. But it is important to know
the surface he will be playing on. | 1:10:31 | 1:10:40 | |
That red might be next to the pink,
but even if it is not, he could | 1:11:02 | 1:11:07 | |
leave Kyren at the snookers required
stage. | 1:11:07 | 1:11:11 | |
So, the pink or black to leave Kyren
needing a snooker. | 1:11:29 | 1:11:37 | |
If the pink pots. | 1:11:37 | 1:11:41 | |
The pink would put him 36 in front,
with just 35 remaining. | 1:11:46 | 1:11:59 | |
This red to make absolutely certain
they can play it in such a way and | 1:12:05 | 1:12:08 | |
screw in behind the pink. He can get
the snooker or run it in as normal. | 1:12:08 | 1:12:16 | |
Even if the red didn't go in, he
would have the snooker. | 1:12:16 | 1:12:24 | |
That looks good as well. | 1:12:24 | 1:12:26 | |
It went absolutely true, that pink.
It didn't deviate. | 1:12:35 | 1:12:41 | |
A little bit of Judd Trump naughty
snooker to finish off with. | 1:12:51 | 1:12:59 | |
That is one way of getting on the
pink. | 1:13:18 | 1:13:23 | |
We nearly messed that. A terrific
break from Judd Trump. That 83 has | 1:13:23 | 1:13:34 | |
given him the lead. | 1:13:34 | 1:13:45 | |
Two Some very interesting stats. | 1:14:38 | 1:14:44 | |
It is such a big crowd, and it is
taking a while to get them back into | 1:14:44 | 1:14:48 | |
their seats after a frame,
manoeuvring them around. Most of the | 1:14:48 | 1:14:52 | |
week, sometimes the players have
just got to wait a little bit longer | 1:14:52 | 1:14:55 | |
for the start of the frame. But all
week, the crowds have been | 1:14:55 | 1:15:00 | |
fantastic. They really have. From
day one. They really love their | 1:15:00 | 1:15:08 | |
snooker and they are also very fair
to all of the players. They have | 1:15:08 | 1:15:13 | |
their favourites, but if you do it
on the table, you get the respect | 1:15:13 | 1:15:16 | |
from this Ally Pally crowd. There is
the trophy. | 1:15:16 | 1:15:23 | |
The interval is coming up after this
frame. He would like it. But 3-1, | 1:15:38 | 1:15:46 | |
best of 11, isn't that bad. But he
doesn't want to let Judd get up a | 1:15:46 | 1:15:51 | |
Head Of Steam. | 1:15:51 | 1:15:52 | |
No damage done. At least I don't
think so. Is there a gap? I don't | 1:16:07 | 1:16:17 | |
know if there is. | 1:16:17 | 1:16:20 | |
Kyren can play this in such a way to
not leave a red on, which makes it | 1:16:27 | 1:16:32 | |
easier. | 1:16:32 | 1:16:38 | |
So, a little bit of pressure on
Kyren to convert a decent chance. He | 1:16:44 | 1:16:47 | |
hasn't done that yet. | 1:16:47 | 1:16:50 | |
It's not all out in the open, but
they are quite nicely situated. That | 1:17:04 | 1:17:09 | |
red at the bottom of the pack could
come in useful. | 1:17:09 | 1:17:19 | |
Would like to be able to get on that
red at the bottom of the pack to | 1:17:40 | 1:17:44 | |
open up more red and get an angle on
the black. | 1:17:44 | 1:17:56 | |
Could go into the left-hand side of
the pack for that red. Could use the | 1:17:57 | 1:18:05 | |
red to break open even more red. | 1:18:05 | 1:18:11 | |
That is the screw buckshot, pot the
red, back across the face of the | 1:18:18 | 1:18:27 | |
pack. | 1:18:27 | 1:18:29 | |
Chose to come off the cushion Rather
than playing it short. | 1:18:41 | 1:18:48 | |
Very well executed there. Did well,
not fully with the pot but with the | 1:19:12 | 1:19:23 | |
cue ball. | 1:19:23 | 1:19:27 | |
That was careless. | 1:19:32 | 1:19:36 | |
Just watch this. Just didn't push
the cue through on a straight line. | 1:19:36 | 1:19:45 | |
I wonder if the red down in the
bowled area was affecting his | 1:19:45 | 1:19:50 | |
follow-through. He sort of curtailed
it a bit. -- baulk area. | 1:19:50 | 1:19:56 | |
Always aware of a ball in your
follow-through area for the rest. | 1:20:06 | 1:20:13 | |
Judd has the ideal angle to go into
the reds. You would expect them to | 1:20:13 | 1:20:20 | |
shift it. Just needs to get on one.
It wasn't guaranteed. It wasn't a | 1:20:20 | 1:20:25 | |
nice pack to go into. | 1:20:25 | 1:20:33 | |
Could not have hit it better. Could
have hit it harder, but I think he | 1:20:42 | 1:20:47 | |
thought it was hard enough. In
hindsight, he would have liked to | 1:20:47 | 1:20:54 | |
have hit it harder. | 1:20:54 | 1:20:59 | |
Doesn't hit that very hard. That was
all he had available. Finished very | 1:20:59 | 1:21:03 | |
awkward. | 1:21:03 | 1:21:12 | |
He's not going for the pot, is he?
He certainly is. Judgment shot, just | 1:21:27 | 1:21:35 | |
has to get the judgment right. I
don't think that Judd was expecting | 1:21:35 | 1:21:39 | |
this. | 1:21:39 | 1:21:45 | |
Well, was that the right shot to
play? | 1:21:46 | 1:21:56 | |
Normally brilliant with the rest,
but he has missed two now. | 1:21:58 | 1:22:07 | |
Second bite of the cherry for Judd
Trump. How many can he score this | 1:22:15 | 1:22:19 | |
time? | 1:22:19 | 1:22:20 | |
Bonus if he is on this red. | 1:22:29 | 1:22:32 | |
Thought he was going to be on the
red over the corner. Has that gone | 1:22:36 | 1:22:41 | |
wrong? Just about on the pink. Very
much in the driving seat. If he can | 1:22:41 | 1:22:51 | |
get this frame on the ball, Judd
Trump. | 1:22:51 | 1:22:58 | |
Wouldn't need the red on the baulk
cushion, but he needs the ones that | 1:23:04 | 1:23:09 | |
are together on the side cushion, as
you can see. They do go into the | 1:23:09 | 1:23:13 | |
left corner. One of them probably
goes into the left middle. Both of | 1:23:13 | 1:23:20 | |
them go into the left middle. | 1:23:20 | 1:23:29 | |
At some stage in this break, you
would expect Judd Trump to drop in | 1:23:31 | 1:23:36 | |
behind the two reds. He won't want
to drop in behind them. | 1:23:36 | 1:23:44 | |
Another kick, destroyed the back
spin. | 1:24:04 | 1:24:07 | |
I think that pink has gone in an
awkward position. Steve mentioned | 1:24:37 | 1:24:40 | |
the two reds would go in the middle
pocket, the pink is blocking that, | 1:24:40 | 1:24:44 | |
as you can see. That is a few shots
ahead. But Judd will be well aware | 1:24:44 | 1:24:50 | |
of that now. | 1:24:50 | 1:24:56 | |
It is just that the order of taking
the balls has become more critical. | 1:25:08 | 1:25:13 | |
Red, can he stay on the blue? It
would be nice if he could. | 1:25:13 | 1:25:23 | |
I'm not sure if they are available
past the black into the left corner. | 1:25:33 | 1:25:36 | |
He has other options here. | 1:25:36 | 1:25:42 | |
That is all right. | 1:25:42 | 1:25:51 | |
That was a big risk, playing it like
that. Could easily have gone wrong. | 1:25:54 | 1:26:03 | |
That wasn't good, totally misjudged
that one. | 1:26:03 | 1:26:09 | |
Now he is between. When you have
that amount of cue power, it is | 1:26:18 | 1:26:32 | |
coming round the table. | 1:26:32 | 1:26:36 | |
It is the power that Judd Trump can
inject into that keyboard that gives | 1:26:47 | 1:26:51 | |
him more options all the time. | 1:26:51 | 1:27:02 | |
him more options all the time. He
has this strange idiosyncrasy. | 1:27:02 | 1:27:10 | |
has this strange idiosyncrasy. When
he is hitting it firmly, he seems to | 1:27:12 | 1:27:14 | |
be able to judge it very well. | 1:27:14 | 1:27:24 | |
What have you done there, Judd? | 1:27:26 | 1:27:28 | |
He could have got over it and still
been OK. If he takes the long pink, | 1:27:36 | 1:27:40 | |
that would put him in front with 35
on the table. As long as he doesn't | 1:27:40 | 1:27:43 | |
snooker himself on the red. You
would think up to the corner would | 1:27:43 | 1:27:49 | |
be the safer option. He only needs
that, that is what he is looking at. | 1:27:49 | 1:27:55 | |
With having a think about this. | 1:27:55 | 1:28:01 | |
Putting the black safe and having a
good snooker. | 1:28:01 | 1:28:12 | |
If Kyren gets out of this and leaves
it safe, you would be saying, well, | 1:28:12 | 1:28:22 | |
potting that pink might have been
the shot. But it is a difficult one. | 1:28:22 | 1:28:30 | |
Still playing the percentages. | 1:28:30 | 1:28:37 | |
The shot not to leave himself on the
black was pretty poor. Can he hit | 1:28:37 | 1:28:42 | |
this and get it safe? That is the
big question. Can just get past the | 1:28:42 | 1:28:48 | |
brown of the left-hand side cushion.
Just. | 1:28:48 | 1:28:56 | |
Foul and a miss. He got the black
and the snooker. Free ball, is it? | 1:28:59 | 1:29:13 | |
Perhaps it is not. Would have been
nicer if it was a free ball. Kyren | 1:29:13 | 1:29:19 | |
has one more chance to get out of
jail here. | 1:29:19 | 1:29:22 | |
Just enough, half a ball of this red
off the side cushion. | 1:29:34 | 1:29:44 | |
He's got a full house. He's 38 in
front, Kyren now needs a snooker, | 1:29:49 | 1:29:54 | |
he's got a free ball so his choice,
just play the snooker and play the | 1:29:54 | 1:30:01 | |
black safe. I wonder if the Judd
Trump of old would have tried to pot | 1:30:01 | 1:30:10 | |
the pink into the green pocket.
Perhaps not, but... | 1:30:10 | 1:30:24 | |
Perhaps not, but... Thinking
carefully because there are still | 1:30:24 | 1:30:25 | |
problems. You've got to play the
pink to the middle pocket, you have | 1:30:25 | 1:30:30 | |
to think to pot it, but is he
working out something else? Trying | 1:30:30 | 1:30:35 | |
to keep the lid on this frame. He
may be overthinking it a little bit. | 1:30:35 | 1:30:44 | |
Yes. It's worthwhile making your
mind up first. Nothing worse than | 1:30:44 | 1:30:51 | |
double thinking. | 1:30:51 | 1:30:56 | |
Played the snooker at the same time.
Clever shot. I think he played it. | 1:31:00 | 1:31:05 | |
He played it like that. Trying to
pot the pink but he knew full well | 1:31:05 | 1:31:11 | |
putting the cue ball there was also
a snooker. | 1:31:11 | 1:31:19 | |
He's definitely going to be 3-1
behind now. As I say, with it being | 1:31:26 | 1:31:32 | |
first to six, 3-1 behind is not
ideal but it's not all that bad. | 1:31:32 | 1:31:43 | |
I think the more worrying thing from
Kyren Wilson's perspective is, he's | 1:31:56 | 1:32:01 | |
been amongst the balls a few times
and hasn't really made anything | 1:32:01 | 1:32:07 | |
telling. | 1:32:07 | 1:32:12 | |
These days, you are just not going
to win matches without winning a | 1:32:12 | 1:32:19 | |
huge amount of frames in one visit. | 1:32:19 | 1:32:26 | |
He's a bit reluctant to pot the red
here, but it makes it much more | 1:32:40 | 1:32:45 | |
difficult, you don't get the free
ball possibility. | 1:32:45 | 1:32:48 | |
Couldn't do much else there. The
blue and the pink are in ideal | 1:32:50 | 1:32:59 | |
positions for snookers. | 1:32:59 | 1:33:02 | |
I never like taking the red off the
table when there's more than one | 1:33:02 | 1:33:06 | |
snooker required. | 1:33:06 | 1:33:14 | |
Perhaps he felt he didn't have a
good safety shot on. | 1:33:17 | 1:33:27 | |
Kyren Wilson. Eight. | 1:33:45 | 1:33:53 | |
At the moment he needs two 4-point
snookers to tie. They are nicely | 1:34:04 | 1:34:11 | |
situated now. The pink trying to get
in behind them. | 1:34:11 | 1:34:24 | |
A pretty good effort.
APPLAUSE. | 1:34:26 | 1:34:31 | |
Terrific, terrific shot. | 1:34:31 | 1:34:41 | |
I don't know the stats on it, but
you don't win many frames from | 1:35:25 | 1:35:32 | |
requiring two snookers. Far better
usually to leave the red on the | 1:35:32 | 1:35:36 | |
table, always options of free balls
then. | 1:35:36 | 1:35:43 | |
A decent effort. Could it get behind
the pink? | 1:35:57 | 1:36:03 | |
Tough to get behind that. | 1:36:03 | 1:36:10 | |
A bit of a bonus, gets the snooker
back. This might be the end of this | 1:37:04 | 1:37:09 | |
frame, depending on what happens
here. Where's the yellow going to | 1:37:09 | 1:37:12 | |
finish? That's it. And Kyren looks
over to Judd. He says, that's | 1:37:12 | 1:37:21 | |
enough. Judd Trump very measured,
Judd Trump, as we go to the mid | 1:37:21 | 1:37:29 | |
session interval, we'll be very
pleased, leading Kyren Wilson | 1:37:29 | 1:37:34 | |
session interval, we'll be very
pleased, leading Kyren Wilson 3-1. | 1:37:34 | 1:37:34 | |
We have made a trip from the
comfortable studio to a very cold | 1:37:34 | 1:37:39 | |
Cue Zone, I have to say, a bit
chilly here. We'll be back there | 1:37:39 | 1:37:42 | |
shortly. Some of your questions
coming in as well. Thank you very | 1:37:42 | 1:37:45 | |
much for getting in touch on social
media. We have to remember that Judd | 1:37:45 | 1:37:49 | |
Trump was in front yesterday against
Sean Murphy. Yes. Sliectly different | 1:37:49 | 1:37:53 | |
match today. I think he's better
with the cue ball at the minute. | 1:37:53 | 1:37:56 | |
When he's in amongst the balls he
looks like he's going to score the | 1:37:56 | 1:38:01 | |
points. Kyren Wilson hasn't got the
cue ball for whatever reason. Hasn't | 1:38:01 | 1:38:05 | |
settled? Judd Trump just looks the
more established and comfortable | 1:38:05 | 1:38:11 | |
player, he looks the higher ranking
player in every department. That | 1:38:11 | 1:38:14 | |
counts for so much, that, the
experience of being in a semi-final | 1:38:14 | 1:38:17 | |
and being in these big events.
Kyren's been around enough, he has | 1:38:17 | 1:38:22 | |
won a ranking event. I know this is
the Masters, but you would think | 1:38:22 | 1:38:26 | |
he'd have enough experience, at the
moment he's just not at it and when | 1:38:26 | 1:38:30 | |
he's in amongst the balls, two or
three shots and he's lost the cue | 1:38:30 | 1:38:35 | |
ball, he's not tight in around the
pink and black all the time which | 1:38:35 | 1:38:38 | |
Judd looks better with. What can
Kyren's camp do? I don't know | 1:38:38 | 1:38:44 | |
whether he's practising at intervals
or going and sitting in a quiet | 1:38:44 | 1:38:48 | |
place but I think just get some reds
around about the pink and black and | 1:38:48 | 1:38:53 | |
some rhythm and control of the cue
ball. And for you? Just the same. | 1:38:53 | 1:38:59 | |
Don't change your game, don't get
negative, keep doing what you are | 1:38:59 | 1:39:02 | |
good at which is being open and
attacking. Good yeses from the | 1:39:02 | 1:39:06 | |
viewers, we look forward to those.
We'll do some of those in a moment. | 1:39:06 | 1:39:10 | |
Let's hear from Judd who has been
talking to rod Walker. Back at the | 1:39:10 | 1:39:14 | |
business end of a Triple Crown event
and I get the feeling you are a man | 1:39:14 | 1:39:20 | |
who thrives on these big pressure
big stage occasions? Yes. I think | 1:39:20 | 1:39:28 | |
I've always thrived on the
atmosphere, playing in the big BBC | 1:39:28 | 1:39:32 | |
events. I think over the past couple
of seasons I've really struggled, | 1:39:32 | 1:39:35 | |
maybe putting too much pressure on
myself, and especially last season, | 1:39:35 | 1:39:39 | |
I went out early in every single
event so it wasn't nice watching it | 1:39:39 | 1:39:43 | |
on TV. I think this season,
especially in this tournament, I've | 1:39:43 | 1:39:47 | |
kind of just tried to treat it like
another tournament, rather than | 1:39:47 | 1:39:51 | |
build it up to a massive event.
That's when it goes wrong for me | 1:39:51 | 1:39:55 | |
because I want to win it so bad, I
put too much pressure on myself. | 1:39:55 | 1:40:00 | |
When the games get tight, sometimes
I think I put a lot of pressure on | 1:40:00 | 1:40:03 | |
myself to make sure I win and get
through and I kind of, not twitch | 1:40:03 | 1:40:07 | |
up, but just want it too bad and
miss something simple or run out of | 1:40:07 | 1:40:12 | |
position whereas my two game s so
far here have been very good when | 1:40:12 | 1:40:16 | |
the pressure's come on, that's when
I've hit my best. One thing I like | 1:40:16 | 1:40:21 | |
about watching you is, of course you
want to win the matches but there's | 1:40:21 | 1:40:24 | |
a little bit of you that definitely
cares about the style and the manner | 1:40:24 | 1:40:29 | |
of the win. You like to entertain
the public don't you? That is | 1:40:29 | 1:40:32 | |
something that motivates you? Yes. I
don't really take much enjoyment out | 1:40:32 | 1:40:37 | |
of a bad win. I think when I take
the shots on, especially at the | 1:40:37 | 1:40:43 | |
Masters, I think they Prince of
Wally appreciate it. When you hear a | 1:40:43 | 1:40:51 | |
roar | 1:40:51 | 1:40:56 | |
roar -- I think the public really
appreciate it. Do you improvise when | 1:40:56 | 1:41:03 | |
you are on the table and feel good
and when you can sense that | 1:41:03 | 1:41:08 | |
atmosphere from the crowd? It kind
of just flows for me. In practise | 1:41:08 | 1:41:13 | |
when no-one is looking, I play the
same shots, so I think there are | 1:41:13 | 1:41:17 | |
some points in games when I kind of
get on a roll and it comes | 1:41:17 | 1:41:22 | |
naturally. Some other players like
to pot every single ball and make | 1:41:22 | 1:41:26 | |
sure they don't miss, but I think I
just like getting everyone on the | 1:41:26 | 1:41:29 | |
edge of their seat at the end of the
frame. It's always come naturally to | 1:41:29 | 1:41:34 | |
me and it's probable something I'll
always do. One thing that has been | 1:41:34 | 1:41:38 | |
really nice this week is to see
players getting further in the | 1:41:38 | 1:41:42 | |
Masters than ever before. You have
been in the semis before but it's a | 1:41:42 | 1:41:46 | |
massive opportunity for you and
Kyren to make a maiden Masters | 1:41:46 | 1:41:49 | |
final. Although we cherish and
respect the class of 92, it's great | 1:41:49 | 1:41:55 | |
to see the younger players like you
coming through and starting to | 1:41:55 | 1:41:58 | |
dominate some of the Triple Crown
events? Yes. It's always nice to see | 1:41:58 | 1:42:04 | |
some of the younger players coming
through and helping me out. Over the | 1:42:04 | 1:42:08 | |
past six or seven seasons it was
kind of just me and I think over the | 1:42:08 | 1:42:12 | |
last two or three seasons now you
have seen a lot of younger players | 1:42:12 | 1:42:16 | |
coming out of their shell. There's
not the same kind of pressure as | 1:42:16 | 1:42:21 | |
when you do play the top players, so
I think certainly over I would say | 1:42:21 | 1:42:25 | |
the next two or three years, you
will probably see the big change. I | 1:42:25 | 1:42:31 | |
think the class of 92 are just on
the edge now I think, just having | 1:42:31 | 1:42:35 | |
one last burst cleaning up as much
as they can. I think maybe in two or | 1:42:35 | 1:42:40 | |
three seasons, I think you will see
them probably fade away. | 1:42:40 | 1:42:44 | |
We know from your accent that you
are a proud Bristolian but this is | 1:42:44 | 1:42:53 | |
down the road from your place in
Essex now, does Essex now feel like | 1:42:53 | 1:42:57 | |
your home and do you miss anything
about Bristol? I've lived here for | 1:42:57 | 1:43:02 | |
about eight years now in chilling
well, Essex. I still probably get | 1:43:02 | 1:43:05 | |
the feeling of home when I drive
into Bristol, when I drive through | 1:43:05 | 1:43:09 | |
the town centre. I think that will
always be home for me but it would | 1:43:09 | 1:43:13 | |
be nice to get home at some point in
two or three years and move back to | 1:43:13 | 1:43:18 | |
Bristol and spend time with my
family and friends when I feel like | 1:43:18 | 1:43:22 | |
I've fully established myself and
done what I wanted to. So I think | 1:43:22 | 1:43:27 | |
it's tough missing your family and
friends but I feel like I've given | 1:43:27 | 1:43:31 | |
snooker my very best shot, I've
really dedicated myself over my | 1:43:31 | 1:43:37 | |
prime 20-30, 35 and really given it
my all. One area of your approach to | 1:43:37 | 1:43:42 | |
snooker that's definitely improved
over the years, and you say this | 1:43:42 | 1:43:46 | |
yourself, is you're gaining a mental
strength. The best example that I | 1:43:46 | 1:43:49 | |
can remember of that is when you won
the world Grand Prix a few years | 1:43:49 | 1:43:53 | |
ago. I've always been quite good
from behind I think. I've always had | 1:43:53 | 1:43:59 | |
that belief in myself to come back
against anyone, even when you're 5-1 | 1:43:59 | 1:44:05 | |
down, like 7-4 down against Ronnie,
I've always felt if I get on a roll | 1:44:05 | 1:44:10 | |
I can rattle off five or six frames
easily. I feel like, especially in | 1:44:10 | 1:44:16 | |
this tournament so far, I've just
got the belief that when it gets | 1:44:16 | 1:44:19 | |
close, I can step up the gear and
get over the line. So I think I | 1:44:19 | 1:44:24 | |
probably didn't have that at the
start of my career, I just went into | 1:44:24 | 1:44:28 | |
my shell when things got tough but
now I think I have the grit and | 1:44:28 | 1:44:31 | |
determination to get out there and
succeed. | 1:44:31 | 1:44:34 | |
Finally, now you are one of the very
best in the world and fully | 1:44:34 | 1:44:39 | |
established, do you still enjoy it?
After all the travel, the pressure | 1:44:39 | 1:44:44 | |
and interviews, is it still the
sport that you took up when you | 1:44:44 | 1:44:48 | |
first picked up a cue when you were
a kid? I think at times it is. I | 1:44:48 | 1:44:55 | |
think sometimes when you are playing
in the small auditoriums in the | 1:44:55 | 1:45:00 | |
qualifying, it can be very tough
after you play in a massive event in | 1:45:00 | 1:45:06 | |
front of 1,000 or 2,000 people, you
go back and play in front of like | 1:45:06 | 1:45:09 | |
ten people and there are eight other
tables going on around you. But | 1:45:09 | 1:45:12 | |
you've got to manage it. It's the
same for everyone and I think, as | 1:45:12 | 1:45:19 | |
you get older, you just kind of
appreciate your success a lot more. | 1:45:19 | 1:45:23 | |
I think when you get to the
semi-final or a final of a | 1:45:23 | 1:45:29 | |
tournament, for me, it's been
quite... Over the past couple of | 1:45:29 | 1:45:34 | |
seasons I've reached a lot of semis
and finals, so to reach the | 1:45:34 | 1:45:40 | |
semi-final of this event, the
Masters or the Royal Championship, | 1:45:40 | 1:45:43 | |
you have got to take it in and enjoy
the moment because there is a lot of | 1:45:43 | 1:45:48 | |
top players around and it doesn't
happen all the time any more. Well, | 1:45:48 | 1:45:51 | |
we are delighted that you have been
banging 'em in this week. Long may | 1:45:51 | 1:45:56 | |
it continue. Thank you very much. A
very good interview from Rob Walker. | 1:45:56 | 1:46:03 | |
Some questions to Stephen from Chris
Sinclair who says what would a | 1:46:03 | 1:46:06 | |
normal day's practise consist of
back in the day? For me I used to | 1:46:06 | 1:46:10 | |
get back in the snooker hall early,
I had to brush and iron six tables, | 1:46:10 | 1:46:17 | |
18 in there, three days they got
cleaned, six tables, brushed and | 1:46:17 | 1:46:21 | |
ironed, free light and I would be in
there from about 11 o'clock playing, | 1:46:21 | 1:46:25 | |
have lunch, a couple of hours off,
then four or five hours after that. | 1:46:25 | 1:46:30 | |
Two hours for lunch? No, an hour off
for lunch then three or four more | 1:46:30 | 1:46:35 | |
hour, home about six o'clock and the
club around the corner I would | 1:46:35 | 1:46:40 | |
probably play some more. Did you
reach a point where you knew it was | 1:46:40 | 1:46:43 | |
time to pack up the cue and go? When
you were playing really good, the | 1:46:43 | 1:46:46 | |
only thing you were going to to was
miss, that was the time to say, I'll | 1:46:46 | 1:46:50 | |
ease back. For any budding snooker
players out there, what is your | 1:46:50 | 1:46:55 | |
advice on practise? You have got to
play as long as you are enjoying it. | 1:46:55 | 1:47:01 | |
People start now at eight or nine
years old. You have to enjoy the | 1:47:01 | 1:47:04 | |
game. When you get to professional,
you have to enjoy it. You have to | 1:47:04 | 1:47:11 | |
treat it as a job almost when you
are putting in so many hours. What | 1:47:11 | 1:47:17 | |
he was your day like? Two or three
hours, lunch, watched Neighbours, I | 1:47:17 | 1:47:25 | |
always used to watch Nay four burrs,
when it finished, I was back to the | 1:47:25 | 1:47:31 | |
table -- Neighbours. Your favourite
character? That was back in Scott | 1:47:31 | 1:47:36 | |
and Charlene days, a long time ago.
I once had lunch with Harold bishop. | 1:47:36 | 1:47:40 | |
Claim to fame! And now look at me,
standing next to you two! Mike | 1:47:40 | 1:47:46 | |
Martin says, there are many left
handed players that use the rest | 1:47:46 | 1:47:51 | |
right-handed, Trump, and Hawkins,
any players that do it the opposite | 1:47:51 | 1:47:54 | |
way around. I can't think of one
player. He's quite right. Quite a | 1:47:54 | 1:47:59 | |
lot of left handers but then not the
other way. Kai says, hello, I've had | 1:47:59 | 1:48:05 | |
success with both but should I play
with my natural cue action or to a | 1:48:05 | 1:48:10 | |
routine? I'm stuck between the two
at the moment. Obviously if you are | 1:48:10 | 1:48:20 | |
not striking it properly putting
aside the cue ball, perhaps you | 1:48:20 | 1:48:24 | |
could go to a more manufacturered
technique. You should be playing | 1:48:24 | 1:48:30 | |
like you want to play, it's
difficult to try to play like | 1:48:30 | 1:48:33 | |
somebody else. As long as you are in
a straight line at impact, that's | 1:48:33 | 1:48:38 | |
all that matters. JP, in the studio
we were talking during one of the | 1:48:38 | 1:48:43 | |
frames about Kyren's stance, you
spotted it and Duncan did as well | 1:48:43 | 1:48:47 | |
and Duncan says, could the pundits
discuss his stance because it | 1:48:47 | 1:48:52 | |
appears to be toes in, a bit like
skiing? He seems to have both knees | 1:48:52 | 1:48:57 | |
bent as well. Mark King is like that
as well. Generally most players will | 1:48:57 | 1:49:02 | |
walk in with the right leg on the
shot if they are right handed, put | 1:49:02 | 1:49:06 | |
the other one naturally to the other
side. It's slightly different what | 1:49:06 | 1:49:10 | |
he's got but it doesn't stop him
potting. What advice would you give | 1:49:10 | 1:49:15 | |
the youngsters watching at home? I
mean, you get the camera views to | 1:49:15 | 1:49:23 | |
watch them this week, you can do
worse than follow what the play, are | 1:49:23 | 1:49:27 | |
doing this year. To both of you from
Rory Forest asking this on live | 1:49:27 | 1:49:33 | |
television, which one miss in your
whole career most upset you still to | 1:49:33 | 1:49:37 | |
this day? Is there one miss? I think
mine has been well documented. We | 1:49:37 | 1:49:42 | |
have spent a lot of time showing
yours. I am pretty sure there will | 1:49:42 | 1:49:48 | |
be. Did you miss? I've Blanked them.
Nick says, good afternoon, any tips | 1:49:48 | 1:49:55 | |
on how to keep your cue in good
condition, I've been using bee wax | 1:49:55 | 1:49:59 | |
over the past year and seems to be
doing a good job? A damp cloth and a | 1:49:59 | 1:50:05 | |
dry cloth is all I used. That's all
you need. Sticky and dirty, just use | 1:50:05 | 1:50:10 | |
that. No bee wax? | 1:50:10 | 1:50:17 | |
that. No bee wax? Keeping your cue
nice and clean, Lynn seed to feed | 1:50:17 | 1:50:20 | |
the wood. But you don't have to go
over the top. The final question | 1:50:20 | 1:50:25 | |
from Dara who says, any suggestion
on what tip shape to use for a | 1:50:25 | 1:50:29 | |
beginner? Specifically for a
beginner, any more forgiving than | 1:50:29 | 1:50:36 | |
the others, mushroom tip, comb tip,
how does it affect the relevant | 1:50:36 | 1:50:40 | |
shots? When you get to a point where
you are doing all the shots like | 1:50:40 | 1:50:46 | |
screw shots, you are going to miss
cue so it needs to be a bit round. | 1:50:46 | 1:50:50 | |
Any tips on tips? That is it. Have a
bit of domage going on and it will | 1:50:50 | 1:50:55 | |
grab to the cue ball better. Make
sure obviously, occasionally break | 1:50:55 | 1:51:00 | |
up the leather on the top so it
takes the chalk properly and away | 1:51:00 | 1:51:03 | |
you go. Aren't we delighted some of
my friends didn't call me when I had | 1:51:03 | 1:51:08 | |
my phone out answering questions
there! John Higgins against Mark | 1:51:08 | 1:51:12 | |
Allen, this has the makings of being
a real cracker tonight on BBC Two. | 1:51:12 | 1:51:16 | |
Should be. They have really good
matches. I've been privileged enough | 1:51:16 | 1:51:20 | |
to commentate when these two have
played a few times and generally | 1:51:20 | 1:51:25 | |
it's been one little mistake. A
couple of seasons ago there was a | 1:51:25 | 1:51:30 | |
fantastic match, John Higgins just
sneaked it. But Mark Allen is not | 1:51:30 | 1:51:33 | |
afraid to play.
In the head-to-head, Allen leads | 1:51:33 | 1:51:38 | |
3-0? Yes. Carry on from his match
against O'Sullivan, you know, if he | 1:51:38 | 1:51:44 | |
can keep winning frames in one
visit, it will put John under a lot | 1:51:44 | 1:51:47 | |
of pressure. John is a seasoned
campaigner but he's not won this for | 1:51:47 | 1:51:51 | |
12 years, so he might be desperate
to win this week. When you look at | 1:51:51 | 1:51:56 | |
Mark Allen and the way he's come
through this, he threatens, that's | 1:51:56 | 1:52:00 | |
the best way politely to describe it
isn't it, he threatens damage in the | 1:52:00 | 1:52:04 | |
latter stages of a tournament and
never really sees it through. Have | 1:52:04 | 1:52:09 | |
you seen a different Mark? He could
do, he's playing well enough. The | 1:52:09 | 1:52:12 | |
one thing you have to do is score.
You are playing the best in the | 1:52:12 | 1:52:15 | |
world and he's doing that. He's
touching the pink and black spot. | 1:52:15 | 1:52:21 | |
Talking about Kyren struggling. When
you can score like he can, he's a | 1:52:21 | 1:52:26 | |
match for anybody. Steve, one final
question on John Higgins, you know | 1:52:26 | 1:52:31 | |
him so well. We were talking about
other sports, around your 30s, 35s, | 1:52:31 | 1:52:36 | |
#40s, you start thinkingening OK
maybe I need to hang up my cue, | 1:52:36 | 1:52:41 | |
boots, whatever it is I do. How is
it John Higgins continues to look | 1:52:41 | 1:52:47 | |
like a top, top player? He's stepped
back from the practise because there | 1:52:47 | 1:52:51 | |
are so many tournaments. He's still
better than most players around, | 1:52:51 | 1:52:54 | |
simple as that though. The other
thing is, if you play the right shot | 1:52:54 | 1:52:58 | |
to a high standard all the time,
that's going to mean you are going | 1:52:58 | 1:53:01 | |
to be around a long time. It's about
decision-making in practise? He's | 1:53:01 | 1:53:05 | |
one of the best match players, if
you keep playing the right shot to a | 1:53:05 | 1:53:09 | |
high standard, you will still win
tournaments. Thank you very much | 1:53:09 | 1:53:12 | |
indeed Steve and John and thank you
for answering the viewers' questions | 1:53:12 | 1:53:17 | |
as well, brilliant, thank you very
much. Keep them coming. A semi-final | 1:53:17 | 1:53:20 | |
on our hands now, back to the very
warm and comfortable television | 1:53:20 | 1:53:25 | |
studio, let's hand you back to Denis
and Steve. | 1:53:25 | 1:53:28 | |
studio, let's hand you back to Denis
and Steve. | 1:53:28 | 1:53:35 | |
and Steve. Thank you, Jason. Judd
gets this first frame after the mid | 1:53:35 | 1:53:40 | |
session interval under way and he's
still left that red for the left | 1:53:40 | 1:53:43 | |
corner. | 1:53:43 | 1:53:45 | |
Maybe he can get his confidence up
straightaway after the interval. | 1:54:00 | 1:54:07 | |
APPLAUSE. | 1:54:08 | 1:54:10 | |
Big bounce. | 1:54:13 | 1:54:14 | |
Might be able to take the yellow and
it looks as if there are two reds | 1:54:15 | 1:54:20 | |
between the black and the little
bunch of reds. If he could get on | 1:54:20 | 1:54:25 | |
one of those, he could really give
himself a chance. You can see what | 1:54:25 | 1:54:29 | |
he's faced with, but can he get the
white into the correct place. He's | 1:54:29 | 1:54:32 | |
got the one to the right of the pink
and reds. | 1:54:32 | 1:54:36 | |
The loose one he's played for this
time. | 1:54:44 | 1:54:46 | |
No. It's not quite happening for
Kyren at the moment. | 1:55:07 | 1:55:17 | |
Just the yellow, the way he played
it, he could have left himself a | 1:55:17 | 1:55:22 | |
little better on a rod. Judd when he
plays with the rest changes hands. | 1:55:22 | 1:55:27 | |
Plays right handed with the rest. | 1:55:27 | 1:55:34 | |
I know it's the best of 11 but Kyren
has a tall order here. | 1:55:43 | 1:56:00 | |
A wee bit unlucky to flick the black
and finish tight at the baulk | 1:57:07 | 1:57:10 | |
cushion. He's potted some terrific
long pots into both corner pockets. | 1:57:10 | 1:57:16 | |
His position's let him down a little
bit this afternoon. | 1:57:16 | 1:57:24 | |
Kyren has his wife Sophie with him
here. Just had a brief chat with | 1:57:31 | 1:57:35 | |
her. He's got a three-year-old son
now. That's Sophie there. | 1:57:35 | 1:57:44 | |
now. That's Sophie there. They have
a 16-week O-levelled baby too. He's | 1:57:44 | 1:57:48 | |
called Bailey. -- 16-week old. | 1:57:48 | 1:57:54 | |
APPLAUSE. | 1:57:54 | 1:58:02 | |
That is a bit of a nightmare. | 1:58:07 | 1:58:11 | |
Beautiful shot. It looks so simple
but that takes some play. It's a | 1:58:29 | 1:58:39 | |
deliberate Miskiw... Have a look at
this, you don't see it very often. | 1:58:39 | 1:58:44 | |
Ian McCullough from Preston used to
do that. You've got to hit the ball | 1:58:44 | 1:58:50 | |
with the tip of the cue. | 1:58:50 | 1:58:52 | |
Actually, I think you've got to hit
the ball with the tip. I'll have to | 1:58:56 | 1:59:02 | |
think about that. I'll leave that
one with you. Yeah, thanks! Yes, he | 1:59:02 | 1:59:11 | |
decided to start again. It was a bit
of a stalemate so a good decision. | 1:59:11 | 1:59:16 | |
It wasn't going anywhere, that. | 1:59:16 | 1:59:22 | |
Still thinking about that? No, no.
You have to hit it with the tip, I | 1:59:23 | 1:59:30 | |
think. | 1:59:30 | 1:59:37 | |
Judd's got his family here, his dad
Steve and Georgina and his | 1:59:38 | 1:59:42 | |
girlfriend here as well. It's nice
when you have the support with you. | 1:59:42 | 1:59:54 | |
That's Judd's parents and girlfriend
there. It's gone very quiet in the | 1:59:54 | 2:00:01 | |
Ally Pally at the moment. | 2:00:01 | 2:00:09 | |
Can he get a better break-off shot
this time? | 2:00:27 | 2:00:35 | |
It's certainly opened the reds up,
that is Fisher. | 2:00:35 | 2:00:44 | |
-- that is for sure. | 2:00:46 | 2:00:54 | |
A nice safety shot from Judd Trump. | 2:01:24 | 2:01:25 | |
Cuff off the right-hand side of the
table and left Kyren with a tricky | 2:01:32 | 2:01:37 | |
safety shot back. He has got to
catch this outside red pretty thin | 2:01:37 | 2:01:41 | |
to avoid wobbling in the jaws of the
top left corner pocket. | 2:01:41 | 2:01:52 | |
It looks like that is probably the
right shot, the containing safety. | 2:01:55 | 2:02:04 | |
Has he left a tempter into the right
middle, with an element of safety | 2:02:27 | 2:02:34 | |
involved for Judd Trump? What a
great shot this is. | 2:02:34 | 2:02:43 | |
I think Kyren played the safety
shot. He could have played across | 2:02:44 | 2:02:50 | |
the face of the red and he would not
have left this red on. I don't think | 2:02:50 | 2:02:54 | |
he even thought about the middle
pocket. | 2:02:54 | 2:03:04 | |
Playing match snooker at the moment,
Judd. Don't want to go on about it, | 2:03:04 | 2:03:11 | |
but very impressed. | 2:03:11 | 2:03:18 | |
That is a shocker from Judd. Cued
across that one. He will go back to | 2:03:25 | 2:03:33 | |
his seat and he will not be very
pleased as we show you this shot | 2:03:33 | 2:03:36 | |
again. Something Stephen Hendrie
picked up on, Judd prefers to stun | 2:03:36 | 2:03:46 | |
the ball, rather than roll them.
Because of that idiosyncratic action | 2:03:46 | 2:03:51 | |
of going across the ball, perhaps
that cue, when he hits the ball | 2:03:51 | 2:03:55 | |
slower, he does not get as well
online as when he is punching them. | 2:03:55 | 2:04:01 | |
This is tough. Bridging over that
red is making the shot a lot harder. | 2:04:01 | 2:04:06 | |
Terrific cueing from that awkward
position. That positional shot, | 2:04:19 | 2:04:25 | |
there is a red, a couple of reds,
but the right-hand one is available | 2:04:25 | 2:04:28 | |
for the right corner. | 2:04:28 | 2:04:35 | |
Lots of side to swing the white up
towards the red, and he has played | 2:04:36 | 2:04:40 | |
pretty well. | 2:04:40 | 2:04:41 | |
He wanted a slightly more angled one
on the black and he could have | 2:04:58 | 2:05:02 | |
cannoned into the red and been
guaranteed to be on the one next to | 2:05:02 | 2:05:10 | |
the white. | 2:05:10 | 2:05:13 | |
That developed definitely one more
red. This would be nice for Wilson | 2:05:13 | 2:05:23 | |
to make a telling break, punishing
Judd for the mistake, make a | 2:05:23 | 2:05:29 | |
statement. | 2:05:29 | 2:05:36 | |
Just couldn't open those reds up as
nicely from that straight on | 2:05:37 | 2:05:40 | |
position. Got a bit more movement of
the pack. Still some work to do in | 2:05:40 | 2:05:45 | |
that department. | 2:05:45 | 2:05:54 | |
If he got the correct angle, the
blue would not be a bad ball to go | 2:05:57 | 2:06:00 | |
into the pack from. But I don't
think he has got it here. | 2:06:00 | 2:06:04 | |
Time for Kyren to go to work. His
highest break so far has only been | 2:06:18 | 2:06:22 | |
38. | 2:06:22 | 2:06:29 | |
He hit that harder than he wanted.
He should have been better for this | 2:06:32 | 2:06:36 | |
red on the right middle pocket. He
could have played for the red on the | 2:06:36 | 2:06:41 | |
left-hand side cushion first. But he
chose this shot well out of | 2:06:41 | 2:06:44 | |
position. | 2:06:44 | 2:06:46 | |
That is a great recovery. One good
shot, as we show you this terrific | 2:06:49 | 2:06:59 | |
pot from that angle. One good cannon
and he can really open the game. | 2:06:59 | 2:07:12 | |
Heat played that almost perfectly,
other than overheating at a | 2:07:19 | 2:07:23 | |
fraction. That was understandable. | 2:07:23 | 2:07:29 | |
Just cleared the cue ball from the
reds. Nicely played. Could have | 2:07:32 | 2:07:37 | |
stuck in those reds. Greater chance
now. You get the feeling that he | 2:07:37 | 2:07:45 | |
must convert. He's got to start
stamping his authority on this | 2:07:45 | 2:07:48 | |
match. | 2:07:48 | 2:07:55 | |
Judd will have something to think
about after missing that sitter of a | 2:08:26 | 2:08:30 | |
red into the left corner. This was
the one. | 2:08:30 | 2:08:40 | |
Screwed that back a little bit
further than he intended. | 2:08:50 | 2:08:59 | |
He played that well. Tantalisingly
close to the finish line. A couple | 2:09:10 | 2:09:25 | |
of reds and he is over the line. | 2:09:25 | 2:09:33 | |
Just hoping for a good split here. | 2:09:41 | 2:09:43 | |
Lost the cue ball. | 2:09:53 | 2:10:00 | |
This is a key pot coming up. It is a
very difficult one. Just needs the | 2:10:06 | 2:10:15 | |
red to leave Judd leaving a snooker. | 2:10:15 | 2:10:28 | |
Terrific. You can't hit the ball any
better than that from that close to | 2:10:32 | 2:10:42 | |
the cushion. | 2:10:42 | 2:10:48 | |
the cushion. We would call that a
John Parrott special. One of the | 2:10:48 | 2:10:51 | |
best in the business. | 2:10:51 | 2:10:55 | |
He will be feeling much better now,
Kyren, this is more like it. Winning | 2:11:05 | 2:11:11 | |
the frame with one visit. | 2:11:11 | 2:11:22 | |
A bit unlucky. Will be very
difficult to make the century unless | 2:11:24 | 2:11:30 | |
he can cut this to the right corner. | 2:11:30 | 2:11:33 | |
Just overcut that. But he will not
be too concerned. Careless mistake, | 2:11:37 | 2:11:46 | |
and Kyren Wilson did what he had to
do and won the frame with one visit, | 2:11:46 | 2:11:49 | |
with a break of 81. He is now just
one behind. | 2:11:49 | 2:11:55 | |
A whole new reflection on the game.
Perfect response? Now we are | 2:11:55 | 2:12:04 | |
talking. In one visit, OK, the cue
ball was not brilliant. There was | 2:12:04 | 2:12:08 | |
one shot where he lost it and potted
a screaming red in the middle | 2:12:08 | 2:12:12 | |
pocket, another good one off the
side cushion. To win in one visit, | 2:12:12 | 2:12:16 | |
that is what he had to do. He has
been talking about not just mixing | 2:12:16 | 2:12:20 | |
up his game in terms of safety, when
he gets in, taking opportunities? | 2:12:20 | 2:12:24 | |
That is what you have to do at this
level. You can win frames in two | 2:12:24 | 2:12:30 | |
three visits. OK, you are winning
the frames. Nothing but your | 2:12:30 | 2:12:32 | |
opponent under pressure like winning
it in one visit. Judd will be | 2:12:32 | 2:12:37 | |
disgusted with that red he missed.
You are in a position where it is | 2:12:37 | 2:12:42 | |
time to put your authority on to the
match, put the hammer down. To miss | 2:12:42 | 2:12:45 | |
that is unforgivable. | 2:12:45 | 2:12:46 | |
Yesterday, let's not forget that
Judd Trump was in front? If he had | 2:12:50 | 2:12:55 | |
been playing Stephen EU Steve Davis,
they would not be missing up a 3-1, | 2:12:55 | 2:13:00 | |
I can guarantee. The art of being a
front runner is keeping your | 2:13:00 | 2:13:06 | |
concentration and the job in hand is
just to keep your opponent down, | 2:13:06 | 2:13:09 | |
keep punishing them. He has given
Kyren Wilson a lifeline. Fair play, | 2:13:09 | 2:13:16 | |
he has taken it and will be feeling
great. | 2:13:16 | 2:13:21 | |
That is the keyword, concentration.
Does that travel Judd, he sees 3-1 | 2:13:21 | 2:13:28 | |
and he relaxes too much? The fact
that he has not won when he should | 2:13:28 | 2:13:32 | |
have done, it means there are
serious problems with concentration | 2:13:32 | 2:13:35 | |
and focus. He is a massive
underachiever when you look at the | 2:13:35 | 2:13:38 | |
talent he has got. Missing balls
like that when you are 3-1 up, if he | 2:13:38 | 2:13:42 | |
goes on to lose this match, I know
it is one shot, but you look at it | 2:13:42 | 2:13:46 | |
as the start of the downfall. That
is what you're talking about? He has | 2:13:46 | 2:13:50 | |
an idiosyncratic | 2:13:50 | 2:13:55 | |
an idiosyncratic flaw, when he plays
the slow roles, his cue action gets | 2:13:57 | 2:14:00 | |
affected. That is why he prefers to
punch it. Sometimes he can cue right | 2:14:00 | 2:14:06 | |
across, and that was an example.
What noticeably that has achieved so | 2:14:06 | 2:14:13 | |
much, like you, we're talking about
somebody that obviously has genuine | 2:14:13 | 2:14:17 | |
natural talent, but he that
psychological edge? Yes, it is | 2:14:17 | 2:14:21 | |
something that you cannot just...
You can't really teach that. If you | 2:14:21 | 2:14:27 | |
haven't got that killer instinct to
pound your opponents, time after | 2:14:27 | 2:14:31 | |
time, sometimes he does he doesn't
do it consistently enough. I am the | 2:14:31 | 2:14:38 | |
unluckiest man in the world, I got
the two of them, one after the | 2:14:38 | 2:14:42 | |
other, I got Steve Davis and hem.
They would not give you the steam. | 2:14:42 | 2:14:46 | |
That marks out the best sportsmen
and women in the industry. You | 2:14:46 | 2:14:53 | |
lovely fellows now, you have no idea
what it was like to play them. I am | 2:14:53 | 2:14:57 | |
glad I met them at this stage of my
life. | 2:14:57 | 2:15:03 | |
The steam? | 2:15:03 | 2:15:09 | |
Not a great break-off shot. | 2:15:12 | 2:15:22 | |
It's an amazing game, isn't it?
Missed a sitter in the previous | 2:15:25 | 2:15:29 | |
frame and then just gets down and
knocks it in as if it was over the | 2:15:29 | 2:15:32 | |
pocket. | 2:15:32 | 2:15:38 | |
Floated that one in and then nothing
wrong with judging the cue action on | 2:15:38 | 2:15:42 | |
that shot. | 2:15:42 | 2:15:50 | |
A nice way to get the confidence up
again after missing a | 2:16:12 | 2:16:18 | |
straightforward shot would be to get
in a big break here. | 2:16:18 | 2:16:30 | |
It is one of the great attributes
the top players have. | 2:16:30 | 2:16:41 | |
A little bit short of pace for ideal
position on the blue to go into the | 2:17:02 | 2:17:06 | |
pack at speed. He would have to
really annihilate this to get... | 2:17:06 | 2:17:12 | |
Which he can do. It was harder to
get an ideal contact on that apex | 2:17:12 | 2:17:17 | |
red. | 2:17:17 | 2:17:19 | |
There is a red that goes. Never say
that when Judd Trump is at the | 2:17:32 | 2:17:38 | |
table! | 2:17:38 | 2:17:44 | |
Good safety needed here. | 2:18:06 | 2:18:17 | |
Judd may be playing the right shot,
but the red is going to go to the | 2:18:25 | 2:18:29 | |
right corner area. | 2:18:29 | 2:18:34 | |
right corner area. Played a
different shot. A bit unlucky to get | 2:18:36 | 2:18:38 | |
that read coming over there. -- that
red. It wasn't really anything he | 2:18:38 | 2:18:42 | |
could have foreseen. | 2:18:42 | 2:18:48 | |
It is all about the cue ball. He is
pretty good at this kind of pot. The | 2:18:48 | 2:18:52 | |
white is going to go towards the
pink and red. You would think you | 2:18:52 | 2:18:57 | |
would be guaranteed to be on a
colour. | 2:18:57 | 2:19:05 | |
He is on a colour and knocked the
red over the pocket. | 2:19:11 | 2:19:23 | |
The black might go past the red. | 2:19:27 | 2:19:29 | |
Could get the black on the spot
again. He has refused to play red | 2:19:42 | 2:19:46 | |
and blue here. | 2:19:46 | 2:19:53 | |
Would like to have been a bit closer
to the black. This isn't 100% | 2:20:00 | 2:20:07 | |
certain. | 2:20:07 | 2:20:08 | |
I think it is three he has messed
with the rest. As I say, he is one | 2:20:22 | 2:20:26 | |
of the best in the business with it.
I am surprised he has missed that | 2:20:26 | 2:20:30 | |
many. A shake of the head, telling
you what he thinks of it. The | 2:20:30 | 2:20:38 | |
initial green wasn't very good.
Excellent shot from Judd Trump. | 2:20:38 | 2:20:48 | |
The mind games start. Can Judd
punish Kyren for a mistake, | 2:20:49 | 2:20:56 | |
relatively simple at this level. | 2:20:56 | 2:21:03 | |
Never in doubt, even though there
were | 2:21:23 | 2:21:31 | |
were a few oohs and aahs in the
crowd. | 2:21:31 | 2:21:34 | |
Could risk going into the pack,
players would not like to do that | 2:21:37 | 2:21:45 | |
gambling on the outcome. Can get
past the pink, but that is OK. | 2:21:45 | 2:21:54 | |
Very nicely played. | 2:22:09 | 2:22:15 | |
This is Judd's eighth appearance at
the Masters. He has had two | 2:22:37 | 2:22:41 | |
semifinals, and he's looking to get
into his first-ever Masters final. | 2:22:41 | 2:22:50 | |
Will have to do something very
careless not to clinch this frame | 2:22:59 | 2:23:02 | |
here. But we saw what happened in
the previous frame. | 2:23:02 | 2:23:07 | |
You can see the cue goes across it a
little bit, but that is the way he | 2:23:24 | 2:23:27 | |
has always played. | 2:23:27 | 2:23:34 | |
It would be nigh on impossible for
Judd Trump to go back to basics and | 2:23:41 | 2:23:45 | |
rectify that, if he considered it a
problem. | 2:23:45 | 2:23:52 | |
problem. Makes a mockery of the
technique book, really, doesn't it, | 2:23:52 | 2:23:55 | |
when you see a player going across
the face of the ball. Bit out of | 2:23:55 | 2:24:00 | |
position on this one. Good response
from Judd Trump. | 2:24:00 | 2:24:11 | |
Effortlessly, really. Perhaps this
frame to bed. | 2:24:13 | 2:24:16 | |
Must admit, I get the feeling that
every player probably comes here | 2:24:26 | 2:24:31 | |
hoping to win the event. Judd Trump
has come here looking to win this | 2:24:31 | 2:24:36 | |
Masters, not hoping. | 2:24:36 | 2:24:43 | |
He had his chance there. | 2:24:54 | 2:24:57 | |
We have had 24 centuries in this
year's Dafabet Masters. | 2:25:14 | 2:25:23 | |
year's Dafabet Masters. Judd has had
two already, this will be his third. | 2:25:24 | 2:25:32 | |
He has made 504 in his career. What
about this for a figure? He made 70 | 2:25:32 | 2:25:39 | |
last season, already on 45 this
season. One of the game's greatest | 2:25:39 | 2:25:45 | |
break-builders. | 2:25:45 | 2:25:46 | |
A bit short on the pink. Is he going
to play some naughty snooker to get | 2:26:00 | 2:26:06 | |
on the black? Of course he is. All
of the way round. He needs to hit | 2:26:06 | 2:26:10 | |
that hard. He will need to float the
black. Double? | 2:26:10 | 2:26:22 | |
Up and down the table, no century
break. | 2:26:25 | 2:26:33 | |
break. Kyren made one mistake, and
Judd made that break of 96. He now | 2:26:33 | 2:26:37 | |
leads by two frames. 4-2. | 2:26:37 | 2:26:40 | |
Kyren had a great chance. He was in
the balls. As I say, very unusual | 2:26:44 | 2:26:48 | |
for him to have missed three shots
with a rest. There was enough room | 2:26:48 | 2:26:52 | |
for the black to go. He just hit it
a little bit harder than he probably | 2:26:52 | 2:26:55 | |
needed to. I tell you what, he had a
terrific chance to level up at 3-3. | 2:26:55 | 2:27:04 | |
Yes, basically halted his progress
back into the match. Sometimes it is | 2:27:04 | 2:27:10 | |
all about momentum. Back to square
one. Two frames behind. | 2:27:10 | 2:27:22 | |
one. Two frames behind. Lots of
pressure on both players. Judd | 2:27:23 | 2:27:30 | |
looking to get into the final, he
has had two semifinals and this is | 2:27:30 | 2:27:38 | |
the one he wants to get under his
belt. He has the UK title, the two | 2:27:38 | 2:27:41 | |
he would love to get this one and
the World Championship, the three | 2:27:41 | 2:27:46 | |
big ones, as we say. He is playing
solid enough. Just the odd mistake. | 2:27:46 | 2:27:54 | |
He has a two frame advantage. He has
Kyren Wilson right under pressure | 2:27:54 | 2:27:57 | |
here. | 2:27:57 | 2:28:04 | |
Frame seven. | 2:28:10 | 2:28:17 | |
This time he has made a good break
of shot. He hasn't left the one for | 2:28:27 | 2:28:31 | |
the left corner. | 2:28:31 | 2:28:36 | |
Putting a bit more pace into that
break of. | 2:28:41 | 2:28:47 | |
Tough one for Kyren. Looks like he
has the path through the gap. Got to | 2:28:56 | 2:29:03 | |
be pleased with that. | 2:29:03 | 2:29:05 | |
Judd tapping the table, because
Kyren had to play that with a little | 2:29:12 | 2:29:16 | |
bit of side, to swerve that. Judd
has the same type of shot if he | 2:29:16 | 2:29:21 | |
should wish. Not a nice pot to have.
The same path for the cue ball. He | 2:29:21 | 2:29:27 | |
caught that a bit thicker. In that
case, it is going to be better | 2:29:27 | 2:29:30 | |
placed behind the yellow, the brown. | 2:29:30 | 2:29:40 | |
On first glance, maybe an even
bigger problem for Kyren from this | 2:29:41 | 2:29:44 | |
shot. How on earth can he get back
down the table? I can't see a path. | 2:29:44 | 2:29:55 | |
He will think about it and he might
have to come off a couple of | 2:29:55 | 2:30:00 | |
cushions, to get to the black spot.
He could just nestle into the side | 2:30:00 | 2:30:07 | |
of the reds. He is giving that quite
a bit of thought. What has he | 2:30:07 | 2:30:11 | |
spotted here? Not much to look at. I
think two cushions, as you say, do | 2:30:11 | 2:30:16 | |
hit the red by the black spot, that
is probably going to be OK. | 2:30:16 | 2:30:26 | |
Let us see what he has spotted here.
What has he spotted? He can drop on | 2:30:28 | 2:30:34 | |
it dead weight. He's got to make
sure it doesn't roll off. It's | 2:30:34 | 2:30:42 | |
rolled off a fraction and he's left
a red. No, he hasn't. Thought for a | 2:30:42 | 2:30:48 | |
minute he had... Underhit it enough
that he left a red on. | 2:30:48 | 2:30:55 | |
The ball might have rolled off a
fraction but then could be on a | 2:31:08 | 2:31:13 | |
finger mark. Got to be absolutely
spot on with it though. He was more | 2:31:13 | 2:31:22 | |
or less playing full ball on to the
red, to the left of the pink, so not | 2:31:22 | 2:31:28 | |
too sure that white is in exactly
the same position. Perhaps it is | 2:31:28 | 2:31:31 | |
now. | 2:31:31 | 2:31:36 | |
We have got a top referee there. | 2:31:36 | 2:31:43 | |
He will play the same shot again. He
will hit it that bit harder and it | 2:31:45 | 2:31:50 | |
would still be OK. | 2:31:50 | 2:32:00 | |
would still be OK. Let us see if
Kyren can play the roll up again | 2:32:01 | 2:32:09 | |
successfully. | 2:32:09 | 2:32:11 | |
What is he looking at here? Not a
three-ball plant, that's madness | 2:32:13 | 2:32:18 | |
isn't it, surely, or a route to
madness. | 2:32:18 | 2:32:21 | |
Play the same shot, you get another
go at it, then you have to do | 2:32:29 | 2:32:33 | |
something different because it's a
shot and a miss, something awarding. | 2:32:33 | 2:32:43 | |
We weren't making funny jokes, but
never mind. | 2:32:52 | 2:33:01 | |
Well, I'm sure he should have
definitely played the same shot | 2:33:20 | 2:33:24 | |
again. Why take that on? ! | 2:33:24 | 2:33:31 | |
Even though there was a disturbance
to Kyren's concentration, it was | 2:33:38 | 2:33:44 | |
more the decision to take the plant
on which was questionable. Just | 2:33:44 | 2:33:47 | |
didn't think it was the right shot. | 2:33:47 | 2:33:56 | |
The plant is either guaranteed to be
on or not. | 2:33:58 | 2:34:06 | |
on or not. Great chance for Judd
Trump to really put the boot in. | 2:34:07 | 2:34:11 | |
OK, the black spot's tied up a bit. | 2:34:14 | 2:34:16 | |
Judd Trump clinically going about
his work here so far. | 2:35:17 | 2:35:25 | |
He's got a few problems to solve
later on. | 2:35:27 | 2:35:33 | |
Bounce off the cushion there but
still OK. Had every chance to go | 2:35:43 | 2:35:48 | |
into a 5-2 lead and, well, Kyren
Wilson would have to have all | 2:35:48 | 2:35:55 | |
remaining frames then. He's just let
the white slip a little further away | 2:35:55 | 2:35:58 | |
there. | 2:35:58 | 2:36:04 | |
there. No problem with the pot, just
means it's a little more difficult | 2:36:04 | 2:36:07 | |
with the cue ball. | 2:36:07 | 2:36:18 | |
Well, out of position and not as
easy as it looks on the TV screen. | 2:36:42 | 2:36:54 | |
APPLAUSE.
Made to look a lot easier than it | 2:36:54 | 2:37:02 | |
was across the table. | 2:37:02 | 2:37:08 | |
All a bit congested there around the
black, he picked a nice one out and | 2:37:31 | 2:37:37 | |
he has choices here, he can bring
that black into play. He can play it | 2:37:37 | 2:37:41 | |
forward for the pink. He had options
there. And with a 52-point | 2:37:41 | 2:37:46 | |
advantage, didn't want to be risking
that little cannon there. | 2:37:46 | 2:37:52 | |
He did that with Sean Murphy and he
finished that match in fine style. I | 2:38:10 | 2:38:17 | |
really do think Kyren should have
had another go at rolling up to the | 2:38:17 | 2:38:20 | |
red before he played that plant, if
that was the only thing he could | 2:38:20 | 2:38:23 | |
see. | 2:38:23 | 2:38:28 | |
see. He wasn't guaranteed to have
won the frame, but it now looks very | 2:38:31 | 2:38:36 | |
likely. Just a quick glance at the
score board, one more red and colour | 2:38:36 | 2:38:43 | |
would be enough. | 2:38:43 | 2:38:49 | |
She was himself a little tricky
there with the pink. | 2:38:56 | 2:39:02 | |
Still a possible 67 on the table. | 2:39:04 | 2:39:06 | |
And that is the frame safe you would
have to say. | 2:39:19 | 2:39:32 | |
Doesn't really matter at this stage
that he's run out of position. Balls | 2:39:49 | 2:39:56 | |
all over the table, but that doesn't
matter. | 2:39:56 | 2:40:00 | |
An unexpected chance. If Kyren
played that amazing plant, it might | 2:40:03 | 2:40:10 | |
have been different. He only needs
one more to get into the final, Judd | 2:40:10 | 2:40:13 | |
Trump. Yes, he is closing in on his
first Masters final appearance. But | 2:40:13 | 2:40:19 | |
the big talking point has to be, on
on earth was Kyren Wilson doing? I | 2:40:19 | 2:40:25 | |
have absolutely no idea. As a
percentage shot, less than 10%, he's | 2:40:25 | 2:40:29 | |
trying to hit this 100mph, get a
plant on to the red that goes into | 2:40:29 | 2:40:33 | |
the corner. There's just absolutely
no value in that whatsoever. He | 2:40:33 | 2:40:37 | |
could stay there a month and he
wouldn't get that. I suppose it's | 2:40:37 | 2:40:41 | |
what we | 2:40:41 | 2:40:42 | |
wouldn't get that. I suppose it's
what we have talked about Why would | 2:40:42 | 2:40:44 | |
you play a shot like that when you
are playing against Judd Trump whose | 2:40:44 | 2:40:48 | |
strength is very much walking up to
a table and thinking, well, this is | 2:40:48 | 2:40:51 | |
just food and drink to me. It's rich
coming from me going for a crazy | 2:40:51 | 2:40:56 | |
shot but I fail to see the reason of
that at all. It doesn't matter who | 2:40:56 | 2:41:01 | |
you are playing at all, it just
seemed to be a shot of desperation. | 2:41:01 | 2:41:15 | |
At 4-2 up, a fraction, you can say,
but even then... I can't even see | 2:41:15 | 2:41:22 | |
4-2 up. There's no value in it. Also
Johns specially given what is at | 2:41:22 | 2:41:31 | |
stake? He's obviously talked himself
into it but he should have tried to | 2:41:31 | 2:41:39 | |
play the roll up again. Whichever
way it was, I mean look at this, | 2:41:39 | 2:41:43 | |
there is two foot between the plant
he's playing on to the other one. | 2:41:43 | 2:41:48 | |
Honestly, it's... You see the look
on his face, it's almost like a | 2:41:48 | 2:41:54 | |
resignation of, not the match, but
it's like a shot of, you know, | 2:41:54 | 2:41:58 | |
basically I just can't think of
anything else so I'm just going to | 2:41:58 | 2:42:01 | |
do this and see what happens. The
boys in commentary were saying there | 2:42:01 | 2:42:05 | |
may have been a distraction, but
certainly at this level... With a | 2:42:05 | 2:42:11 | |
bit of luck it might have distracted
him from playing the shot but he | 2:42:11 | 2:42:17 | |
didn't. It's lovely when you have
been presented with a chance like | 2:42:17 | 2:42:20 | |
that, there's no effort in that
frame for Judd, everything was put | 2:42:20 | 2:42:23 | |
in front of him. Judd's just walked
back in, a glance at the score board | 2:42:23 | 2:42:27 | |
as well. He knows what is at stake,
one frame away from a place in the | 2:42:27 | 2:42:31 | |
final. | 2:42:31 | 2:42:33 | |
one frame away from a place in the
final. | 2:42:33 | 2:42:41 | |
Kyren gets this eighth frame under
way. | 2:42:43 | 2:42:49 | |
He's got to win four in a row. Very
tall order. | 2:42:49 | 2:43:07 | |
Cutting off both escape lines. | 2:43:35 | 2:43:42 | |
As a left hander, he can take this
in and go for the black. I think | 2:44:03 | 2:44:08 | |
that is what he will attempt. | 2:44:08 | 2:44:19 | |
Good chance to pot this and get on a
baulk colour. | 2:44:47 | 2:44:54 | |
Same for this shot. No guarantees
though that Judd will play the pot. | 2:45:07 | 2:45:16 | |
Kyren had another look at the plant
earlier from the side cushion and he | 2:45:30 | 2:45:39 | |
spotted three-ball or four-ball
plants. I don't think... There's a | 2:45:39 | 2:45:46 | |
four-ball line-up that's never going
to go in. Perhaps he's checking from | 2:45:46 | 2:45:50 | |
a safety perspective. | 2:45:50 | 2:45:57 | |
The black is in an awkward spot to
come down the table. | 2:46:02 | 2:46:09 | |
That is why he's gone down the other
side but hit it far too thick. | 2:46:16 | 2:46:26 | |
Dropped his head as he played the
shot. | 2:46:28 | 2:46:36 | |
shot. Judd looks like he can play a
stun to the same position. | 2:46:36 | 2:46:44 | |
Cut off the escape route. The black
in the way at the other side so he's | 2:47:07 | 2:47:13 | |
got to be careful not to catch the
black. | 2:47:13 | 2:47:23 | |
Might send one over the right corner
pocket. A couple of problems here. | 2:47:32 | 2:47:46 | |
APPLAUSE. | 2:47:47 | 2:47:50 | |
Looked at that a few times. In the
end, you don't see it very often but | 2:47:50 | 2:47:55 | |
that was a four-ball plat that you
just witnessed. | 2:47:55 | 2:48:04 | |
just witnessed. Could have played
that at an earlier stage, I suppose. | 2:48:05 | 2:48:10 | |
It's far from straightforward here. | 2:48:39 | 2:48:45 | |
A wee bit unlucky. He's got the
yellow as an alternate. One ball | 2:48:59 | 2:49:06 | |
less travelling and he could have
potted the blue and tried to develop | 2:49:06 | 2:49:09 | |
the pink. | 2:49:09 | 2:49:19 | |
By no means guaranteed the right way
to go about things but... Can keep | 2:49:43 | 2:49:52 | |
on playing in the blue. That blacks
nicer, it's on the spot. | 2:49:52 | 2:50:02 | |
Looks as if he's finished straight
on the blue. Can leave that red to | 2:50:28 | 2:50:35 | |
the left corner, but just means he's
got a bit more work to do with the | 2:50:35 | 2:50:39 | |
positional side of things here. It's
all about keeping it as simple as | 2:50:39 | 2:50:44 | |
possible for yourself. | 2:50:44 | 2:50:45 | |
Running slightly out of position.
Just lost a bit of confidence at the | 2:51:03 | 2:51:09 | |
moment, has Kyren. He's had a tough
day today. He hasn't controlled the | 2:51:09 | 2:51:16 | |
cue ball well enough and maybe his
thinking process hasn't been as | 2:51:16 | 2:51:20 | |
clear as it would have needed to be
in such an important semi-final. | 2:51:20 | 2:51:28 | |
Head scrambled a little bit. He
needs to clear his head. What is he | 2:51:39 | 2:51:44 | |
playing here, deep, long screw back. | 2:51:44 | 2:51:51 | |
Played in such a way that he hoped
the only ball he could leave was | 2:51:51 | 2:51:57 | |
that red. Made a good fist of it
but... | 2:51:57 | 2:52:07 | |
Luckily he's finished. Snookered
himself... Got to be careful with | 2:52:17 | 2:52:22 | |
that red up the other end of the
table. He was just a fraction away, | 2:52:22 | 2:52:25 | |
as we show you it again. As he finds
the gap there, he would have been | 2:52:25 | 2:52:29 | |
perfect on the blue. | 2:52:29 | 2:52:34 | |
It would be a hard pot for Kyren
into the pocket. | 2:52:42 | 2:52:51 | |
He could travel on a bit further and
get the snooker behind pink and | 2:52:52 | 2:52:57 | |
brown. | 2:52:57 | 2:53:02 | |
I'm sure he can get just past the
middle pocket and hit the yellow. He | 2:53:04 | 2:53:10 | |
could play the swerve but... No real
need I don't think. | 2:53:10 | 2:53:20 | |
Good shot. | 2:53:28 | 2:53:31 | |
That is a difficult pot. | 2:53:48 | 2:53:56 | |
It's not often you see the reds all
up this end of the table and the | 2:54:04 | 2:54:08 | |
colours all up the other end of the
table. | 2:54:08 | 2:54:18 | |
Wow. Well, we'll never know how that
would have panned out had he hit it | 2:54:44 | 2:54:54 | |
properly but he was a mile out. If
he'd have caught more of the red | 2:54:54 | 2:55:00 | |
he'd have screwed the cue ball back
into baulk. | 2:55:00 | 2:55:05 | |
That looked on the face of it to be
crazy as the shot Kyren played | 2:55:23 | 2:55:30 | |
earlier. Again, it was a long way
out of the pot. | 2:55:30 | 2:55:39 | |
You would think Kyren's got to take
this frame now but the scruff of the | 2:55:39 | 2:55:44 | |
neck. Try and salvage something from
the match, use it as a spring board. | 2:55:44 | 2:55:51 | |
But it's not the best chance in the
world. | 2:55:51 | 2:55:54 | |
Should be able to get enough points
though. | 2:56:00 | 2:56:05 | |
Keep taking blues. | 2:56:21 | 2:56:26 | |
Quite a way... Going to have to take
the yellow now. | 2:56:37 | 2:56:51 | |
the yellow now. Positionally, Kyren
has been pretty weak today. | 2:56:51 | 2:57:02 | |
He's normally excellent with that. | 2:57:17 | 2:57:22 | |
That's more like it. | 2:57:35 | 2:57:45 | |
He was handed a golden opportunity.
Difficult really to take on and he | 2:57:48 | 2:57:55 | |
scattered them all over the table. | 2:57:55 | 2:58:01 | |
Reverse side on that. Didn't he play
that well. Such a difficult shot to | 2:58:01 | 2:58:05 | |
execute. | 2:58:05 | 2:58:09 | |
Right hand side. Hits the cushion
and it spins towards the blue. | 2:58:20 | 2:58:31 | |
He's taken these well. | 2:58:40 | 2:58:47 | |
That means that Judd is at the
snookers required stage. This to | 2:58:47 | 2:58:53 | |
make absolutely certain and keep
Judd in his seat. | 2:58:53 | 2:58:59 | |
He's not out of this match yet. | 2:59:11 | 2:59:19 | |
Judd has played the percentages all
the way through this match so far. | 2:59:20 | 2:59:24 | |
That was the first rash one he took
on and he's paid the price. | 2:59:24 | 2:59:34 | |
Some naughty snooker from Kyren.
There we go! A bit more of the | 2:59:56 | 3:00:04 | |
white. Very close. | 3:00:04 | 3:00:11 | |
That was a brilliant double. Doesn't
matter about that, you'll be more | 3:00:11 | 3:00:20 | |
than delighted. Judd with a chance
and he took it. He keeps himself in | 3:00:20 | 3:00:29 | |
this semifinal but still trails by
five frames to three. STUDIO: Comedy | 3:00:29 | 3:00:35 | |
map showing character but this time
it is Judd Trump's turn to go a | 3:00:35 | 3:00:40 | |
little bit crazy. Honestly, what a
shot he's taken on. He's absolutely | 3:00:40 | 3:00:45 | |
splattered them everywhere. He has
simple shots to play if he wants | 3:00:45 | 3:00:49 | |
them but he's decided to go for it,
looks like someone who has just seen | 3:00:49 | 3:00:52 | |
the winning post for the first time
thinking if I can knock this one a | 3:00:52 | 3:00:55 | |
night got a great chance. Of course
he misses it, so he has to face the | 3:00:55 | 3:00:59 | |
consequences. We pre-empted the next
contribution from you in terms of | 3:00:59 | 3:01:03 | |
concentration. Yet again. As John
said, but of desperation, seeing the | 3:01:03 | 3:01:08 | |
winning line he has been very
patient all day. His game plan went | 3:01:08 | 3:01:11 | |
out of the window. I see this shot,
I see a way of winning the match. | 3:01:11 | 3:01:17 | |
But when you are 5-2 ahead, you make
your opponent to take the risk. You | 3:01:17 | 3:01:22 | |
don't need to take risks any more,
he's the one under pressure who | 3:01:22 | 3:01:25 | |
can't afford any mistakes. This rush
of blood, or whatever, if it goes | 3:01:25 | 3:01:33 | |
in, we will say, what a shot to win
the match. But it was the wrong | 3:01:33 | 3:01:37 | |
shot. I said to you, does Judd take
this on. In his position what would | 3:01:37 | 3:01:43 | |
you have played? I wouldn't have
played it but I don't have his cue | 3:01:43 | 3:01:46 | |
power. There was nothing measured
about it. Some very aggressive pot | 3:01:46 | 3:01:57 | |
you go reason behind it. That one
just looked like, I don't want to | 3:01:57 | 3:02:01 | |
think of anything else, I want to
get the match over as quickly as | 3:02:01 | 3:02:04 | |
possible and that is the way of
doing it. Every ball on the table | 3:02:04 | 3:02:09 | |
moved. What would you have done,
John? Slightly dangerous, still only | 3:02:09 | 3:02:15 | |
5-3 committees not completely out of
this. You've still got to give | 3:02:15 | 3:02:19 | |
respect of the balls and to the
table that you have done. It's got | 3:02:19 | 3:02:23 | |
him 5-2 in front, to be honest.
You've got to be mindful of who you | 3:02:23 | 3:02:28 | |
play against. These players can win
two or three frames in quick | 3:02:28 | 3:02:30 | |
fashion. Especially when they relax.
At the point of no return, they | 3:02:30 | 3:02:35 | |
haven't perhaps got the belief they
are going to win the match any more | 3:02:35 | 3:02:38 | |
so they... Everything relaxes, you
start putting balls and see what | 3:02:38 | 3:02:43 | |
happens. He's a very dangerous
opponent, Kyren Wilson, he can knock | 3:02:43 | 3:02:49 | |
up friends quickly. Judd has to get
back to his game plan, forcing | 3:02:49 | 3:02:54 | |
mistakes out of his opponent. Dennis
said in commentary about Kyren | 3:02:54 | 3:03:01 | |
lacking confidence this afternoon.
If you've got your opponents on the | 3:03:01 | 3:03:04 | |
rope why do something like that?
Only he can answer. It looked to me | 3:03:04 | 3:03:09 | |
like he'd seen the winning post so
he thought, if I knock this one in, | 3:03:09 | 3:03:12 | |
there is a great chance for me. Once
again, go back to what is the right | 3:03:12 | 3:03:19 | |
shot? You have to say a little bit
of spring in Kyren Wilson's step | 3:03:19 | 3:03:23 | |
once again. COMMENTATOR: Absolutely,
and why not? Made a break of 57, | 3:03:23 | 3:03:33 | |
which has restored the confidence. I
mean, Davies a chance to get through | 3:03:33 | 3:03:42 | |
to the final at the Masters. This
will tell us something, this shot | 3:03:42 | 3:03:46 | |
here. | 3:03:46 | 3:03:51 | |
Brilliant, absolutely brilliant. | 3:03:58 | 3:04:03 | |
As Judd looks on, Kyren is faced
with a brown that is not the right | 3:04:11 | 3:04:15 | |
angle. To pot and get up the table.
Now looking at the yellow and all of | 3:04:15 | 3:04:22 | |
a sudden he must be feeling very
confident if he's going to take this | 3:04:22 | 3:04:28 | |
on. What a shot this is. Easy
roll-up, but he will feel is not | 3:04:28 | 3:04:36 | |
going to get any advantage. He's
going for the jugular here. Great | 3:04:36 | 3:04:39 | |
shot. | 3:04:39 | 3:04:48 | |
shot. Absolutely full marks for
trying to make something happen | 3:04:48 | 3:04:52 | |
here. Trying to get Judd Trump
off-balance. | 3:04:52 | 3:05:00 | |
off-balance. Look at the chance he's
created for himself here. Worth | 3:05:00 | 3:05:04 | |
another look at this. Played it with
a touch of sides to make sure he got | 3:05:04 | 3:05:08 | |
on the red. | 3:05:08 | 3:05:13 | |
on the red. 5-4, then there is
pressure on Judd. | 3:05:13 | 3:05:26 | |
pressure on Judd. It's become a
fascinating moment in this match | 3:05:26 | 3:05:29 | |
now. | 3:05:29 | 3:05:34 | |
now. Kyren sensing there was a
little bit of momentum swinging his | 3:05:34 | 3:05:37 | |
way. | 3:05:37 | 3:05:42 | |
Though Judd leads the head-to-head
4-2, when Kyren won his first | 3:06:02 | 3:06:09 | |
ranking title in 2015 at the
Shanghai Masters, he beat Judd Trump | 3:06:09 | 3:06:13 | |
10-9 in the final. Maybe he's got
that on his mind to help him along. | 3:06:13 | 3:06:25 | |
Couldn't really play that shot in
any way to put the red and open up | 3:06:46 | 3:06:50 | |
more of it. Not an easy pack to
disturb. Needs an angle, low on it. | 3:06:50 | 3:06:58 | |
He's done that right. Stunning into
the right-hand side as we look, not | 3:06:58 | 3:07:04 | |
a screw back, more of a stunner
shocked. Keep the cue in open play. | 3:07:04 | 3:07:10 | |
Not too low on the white ball. | 3:07:10 | 3:07:21 | |
It is a harder shot, stunning in,
than screwing in, for some reason. | 3:07:21 | 3:07:27 | |
He took his eye of the pot. But
listen, as he bowed his head, as he | 3:07:27 | 3:07:35 | |
looks back at the table, he hasn't
left anything for Judd. He's got | 3:07:35 | 3:07:40 | |
away with it, he's had a result
there. What a result he's had. | 3:07:40 | 3:07:54 | |
Perhaps would like to get the cue
ball down into this corner. Hide | 3:08:01 | 3:08:10 | |
that red with the blue. Can't get to
that road. That is why everything | 3:08:10 | 3:08:17 | |
was safe. A bit short of pace. Has
he got away with that? | 3:08:17 | 3:08:26 | |
he got away with that? He's left a
gap, can you believe it? All of a | 3:08:26 | 3:08:28 | |
sudden. The wheel has gone a bit
wobbly on Judd Trump's cart. Not | 3:08:28 | 3:08:42 | |
saying that this is a certainty, but
I think you'd expect, the way Kyren | 3:08:42 | 3:08:48 | |
Wilson is approaching the game, he's
going to knock this in. He's got | 3:08:48 | 3:08:55 | |
nothing to lose. I can't believe it,
they're coming down the steps. Bad | 3:08:55 | 3:09:06 | |
timing. Right in the line of sight
as well. | 3:09:06 | 3:09:13 | |
Once safely in, but more
importantly, perfect on the blue. | 3:09:31 | 3:09:41 | |
Well, every chance now. Judd is
going to have to sit there and | 3:09:41 | 3:09:45 | |
ponder. | 3:09:45 | 3:09:50 | |
What a match to turn around this
would be for Kyren Wilson. | 3:10:02 | 3:10:15 | |
One frame at a time of course,
but... Is looking a lot happier and | 3:10:15 | 3:10:21 | |
more comfortable amongst the balls
than he was earlier. I mentioned | 3:10:21 | 3:10:30 | |
before the match started how
mentally strong Kyren Wilson is, and | 3:10:30 | 3:10:36 | |
feels he can beat anyone in the
game. He's got a great attitude. | 3:10:36 | 3:10:41 | |
Very modest fellow but with regards
to snooker... He feels he can beat | 3:10:41 | 3:10:46 | |
anyone in the game. And he's just
let that slip away. Just a fraction | 3:10:46 | 3:10:51 | |
too far. That's what he thinks of
it. Only a couple of pot away from | 3:10:51 | 3:10:57 | |
clinching this frame. This is a
tricky little one. He's quite close | 3:10:57 | 3:11:00 | |
to it. Delicate little shocked. | 3:11:00 | 3:11:11 | |
to it. Delicate little shocked. Well
played, though. He's going to need | 3:11:11 | 3:11:18 | |
another red after the pink. | 3:11:18 | 3:11:28 | |
Amazing game, snooker, it wasn't
that long ago it looked like Kyren | 3:11:37 | 3:11:41 | |
Wilson had lost the plot a bit
today. All of a sudden with a little | 3:11:41 | 3:11:45 | |
bit of help from Judd Trump he's
focused again. | 3:11:45 | 3:12:02 | |
APPLAUSE
He's using the rest. | 3:12:08 | 3:12:17 | |
He's using the rest. 59 whites on
the table. And he's got a 66 point | 3:12:17 | 3:12:22 | |
advantage. And Judd stays in his
seat. Kyren Wilson is on his way | 3:12:22 | 3:12:34 | |
back again. Another frame he takes.
He is only one behind now. 5-4, game | 3:12:34 | 3:12:40 | |
one. STUDIO: Dennis is right, Game
one, looks like Judd Trump strolling | 3:12:40 | 3:12:45 | |
into the final. You should never
take liberties with this game, that | 3:12:45 | 3:12:49 | |
shot Judd Trump took before, when he
saw the winning line, has turned | 3:12:49 | 3:12:52 | |
this on his head. He had this match
done and dusted 5-2, looking like | 3:12:52 | 3:12:58 | |
you would get over, he took that one
shot... It's done his own confidence | 3:12:58 | 3:13:03 | |
in and given him a filler and he's
had a pick-up. From 5-2 it is 5-4. I | 3:13:03 | 3:13:11 | |
said to Dennis, you could see in his
body language that Kyren knows he's | 3:13:11 | 3:13:15 | |
been given a lifeline. When he
played the crazy shot there was | 3:13:15 | 3:13:20 | |
resignation in his body language can
he looked almost beaten. All of a | 3:13:20 | 3:13:23 | |
sudden he's won the frame through
Judd's rash shot and has come up | 3:13:23 | 3:13:28 | |
with a yellow he potted
straightaway. To follow through | 3:13:28 | 3:13:33 | |
committees leaving everything on. A
fantastic shot. Judd has never been | 3:13:33 | 3:13:38 | |
to the tournament final either. For
all he has done. He will be | 3:13:38 | 3:13:43 | |
twitching. Honestly you cannot take
a liberty with this game it as if | 3:13:43 | 3:13:50 | |
the balls have a memory and don't
forget. You want to play that job, | 3:13:50 | 3:13:53 | |
did you? Sit in your chair for a
couple of frames. Judd Trump has | 3:13:53 | 3:14:00 | |
somehow got to try and get that shot
out of his mind. It's probably still | 3:14:00 | 3:14:04 | |
playing on his mind. He's got to get
positive thoughts back in. He has | 3:14:04 | 3:14:11 | |
two chances to win the match. He'll
go back to his game plan, he has to | 3:14:11 | 3:14:16 | |
concentrate and focus to get into
this match because his opponent has | 3:14:16 | 3:14:20 | |
a head of steam up. Lots of cries of
come on Kyren. | 3:14:20 | 3:14:28 | |
A very warm welcome to viewers on
BBC Two, you're watching live | 3:15:10 | 3:15:14 | |
pictures of the 2018 Dafabet
masters. Judd Trump leading Kyren | 3:15:14 | 3:15:19 | |
Wilson five frames to four. | 3:15:19 | 3:15:29 | |
And this is where we leave you on
BBC One. | 3:15:30 | 3:15:33 |