Browse content similar to First Round: Ronnie O'Sullivan v Marco Fu. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Hello and good afternoon, welcome
back to Alexandra Palace. It is day | 0:00:36 | 0:00:40 | |
three of the 2018 Dafabet Masters,
the Davies fans have been waiting | 0:00:40 | 0:00:46 | |
for. Taking to the stage this
afternoon is one of Britain's | 0:00:46 | 0:00:51 | |
biggest sporting stars... Ronnie
O'Sullivan! | 0:00:51 | 0:00:52 | |
CHEERING
FUNKY MUSIC | 0:00:52 | 0:01:03 | |
# Going to push it hard
# Climb up harder | 0:01:10 | 0:01:16 | |
# I was made for this
# I was made for this... | 0:01:16 | 0:01:20 | |
# I am stronger
# Cannot help but win | 0:01:20 | 0:01:27 | |
# I was made for this
# I was made for this | 0:01:27 | 0:01:36 | |
# I was made for this
# A packed Alexandra Palace today, | 0:01:36 | 0:01:44 | |
it's the Ronnie O'Sullivan Show, why
is he so popular? | 0:01:44 | 0:01:49 | |
What has he got that we haven't got?
I think he's created an image over | 0:01:49 | 0:01:52 | |
the years, like Jimmy White, Alex
Higgins, we've never been | 0:01:52 | 0:01:57 | |
characters. We are too boring! He
used to win, never called anyone a | 0:01:57 | 0:02:04 | |
numpty! In different words he did! I
think the open -- the word "Numpty!" | 0:02:04 | 0:02:17 | |
Used to fall asleep when I played!
You don't know what he's going to | 0:02:17 | 0:02:22 | |
do, he is more predictable these
days. He wants to win snooker | 0:02:22 | 0:02:27 | |
tournaments but being serious about
it, people know that he is a better | 0:02:27 | 0:02:30 | |
player when he plays at his best. He
plays the game in the correct way | 0:02:30 | 0:02:34 | |
and differently to everyone else.
That's what people appreciate. The | 0:02:34 | 0:02:39 | |
top 16, back in the day, they've all
got great talent but there is | 0:02:39 | 0:02:43 | |
something special about how he
plays. There is a panache around the | 0:02:43 | 0:02:46 | |
table, it's like he sees the game
different to other players? He sees | 0:02:46 | 0:02:51 | |
it very quickly, going to the table.
I enjoy watching him play with a | 0:02:51 | 0:02:55 | |
difficult break. You can see it in
his mind, working out what to do. | 0:02:55 | 0:03:00 | |
His cue ball controllers in a
different class and that is art. | 0:03:00 | 0:03:06 | |
He's up against Marco Fu, no
guarantees today because marker is a | 0:03:06 | 0:03:10 | |
great player. It is day three here
at the Masters, let's see how the | 0:03:10 | 0:03:13 | |
draw is panning out... This
afternoon we are all looking forward | 0:03:13 | 0:03:22 | |
to this, reigning champion Ronnie
O'Sullivan taking on Marco Fu... | 0:03:22 | 0:03:26 | |
Northern Ireland's Mark Allen
through to the quarterfinals beating | 0:03:26 | 0:03:30 | |
Luca Brecel.
John Higgins opens up against | 0:03:30 | 0:03:33 | |
Anthony McGill tomorrow evening.
Ding Junhui out, losing to Ryan Day | 0:03:33 | 0:03:38 | |
in a cracker yesterday. Judd Trump
is through after beating Liang Wenbo | 0:03:38 | 0:03:41 | |
last night.
The 2015 champion Shaun Murphy takes | 0:03:41 | 0:03:48 | |
on Ali Carter tomorrow afternoon.
Barry Hawkins plays Kyren Wilson | 0:03:48 | 0:03:51 | |
tonight at seven o'clock. The world
number one Mark Selby, dumped out by | 0:03:51 | 0:03:57 | |
Mark Williams in the opening match
on Sunday... | 0:03:57 | 0:04:01 | |
Make no mistake, this is a very
tough match for Marco Fu, he played | 0:04:01 | 0:04:05 | |
Ronnie O'Sullivan twice here at the
Masters, losing both matches | 0:04:05 | 0:04:09 | |
including a semifinal last year... | 0:04:09 | 0:04:12 | |
Marco Fu, doesn't have any feathers
before he plays a shot and he moves | 0:04:17 | 0:04:20 | |
his head upon power shots and is too
nice to be involved in a game where | 0:04:20 | 0:04:24 | |
it is kill or be killed, discuss!
That has done it, hasn't it? What is | 0:04:24 | 0:04:29 | |
going on? With all of these things
that are wrong, surely he is too | 0:04:29 | 0:04:35 | |
nice! You two, nasty pieces of work!
Me, definitely! You know... I think | 0:04:35 | 0:04:43 | |
he is technically very sound. He
might not fair that the cue in a | 0:04:43 | 0:04:51 | |
difficult way, but so what? It
works. When the power shot goes up, | 0:04:51 | 0:04:55 | |
he moves his head... But they go in,
at pace. So what is going on? I | 0:04:55 | 0:05:00 | |
played him in the first round of the
World Championship a couple of years | 0:05:00 | 0:05:05 | |
ago and after 12 frames he had a 98%
spot success rate. Never missed one | 0:05:05 | 0:05:11 | |
long ball in the whole match. The
table played lovely. He was | 0:05:11 | 0:05:17 | |
incredible. Marco is clever, when he
is on top form he can batter people. | 0:05:17 | 0:05:24 | |
He can have three, four, five, six
centuries and there are no problems. | 0:05:24 | 0:05:29 | |
I'm surprised that for how good he
is he doesn't win more tournaments. | 0:05:29 | 0:05:34 | |
A great match temperament... You
know, he doesn't seem to change. | 0:05:34 | 0:05:37 | |
Regardless of winning or losing. You
wouldn't know his match situation. | 0:05:37 | 0:05:41 | |
It is a massive attribute. A massive
positive in his game is that you | 0:05:41 | 0:05:48 | |
never know if he is winning or
losing. You don't know if he has | 0:05:48 | 0:05:52 | |
missed the easiest ball in the world
made an error. He is the most | 0:05:52 | 0:05:58 | |
controlled player I've ever seen.
Not the greatest power player? No, | 0:05:58 | 0:06:03 | |
in different areas of high humidity,
that affects how the ball moves | 0:06:03 | 0:06:07 | |
around the table and you had to pump
them in a bit more play with more | 0:06:07 | 0:06:11 | |
side spin to get the same results. I
think sometimes he gets found out in | 0:06:11 | 0:06:17 | |
those areas. You don't have the mass
power game that other players would | 0:06:17 | 0:06:20 | |
have. Over a certain amount of years
he didn't seem to be going anywhere | 0:06:20 | 0:06:25 | |
but put so much hard. It's a
testament to the grafting on the | 0:06:25 | 0:06:30 | |
table. He would be great in your
corner as a mental, I am sure. One | 0:06:30 | 0:06:34 | |
of the hardest workers I have seen.
-- as a mentor. Practices his | 0:06:34 | 0:06:42 | |
technique and knows the game at
large as well as anyone. For me, he | 0:06:42 | 0:06:47 | |
deserves all he gets. A lovely guy
and a top player. | 0:06:47 | 0:06:55 | |
But | 0:06:55 | 0:06:56 | |
But it is Ronnie O'Sullivan leading
the head-to-head clashes, winning 15 | 0:06:56 | 0:07:00 | |
matches. You have to go all the way
back to 2009 and the Welsh Open for | 0:07:00 | 0:07:05 | |
Marco Fu's | 0:07:05 | 0:07:06 | |
back to 2009 and the Welsh Open for
Marco Fu's last win over The Rocket. | 0:07:06 | 0:07:09 | |
Good afternoon to Dennis Taylor and
John Parrott, they will be talking | 0:07:09 | 0:07:11 | |
us through this today. There is a
real buzz whenever Ronnie O'Sullivan | 0:07:11 | 0:07:15 | |
walks into a snooker arena, wherever
it will be, but especially here at | 0:07:15 | 0:07:20 | |
Ally Pally. The first couple of days
we had packed houses but today will | 0:07:20 | 0:07:24 | |
be very special. | 0:07:24 | 0:07:33 | |
be very special. If it is anything
like last year, that semifinal, the | 0:07:33 | 0:07:35 | |
two players playing was one of the
best matches I had ever seen. Marco | 0:07:35 | 0:07:38 | |
Fu made 140 plus, he lost 6-4 after
leading 4-3. If it's anything like | 0:07:38 | 0:07:40 | |
that we are in for a cracking match
this afternoon. And being with the | 0:07:40 | 0:07:46 | |
fans today, a sense of expectation
this afternoon, not just for a | 0:07:46 | 0:07:49 | |
Ronnie O'Sullivan win but cracking
snooker? That's what we have seen | 0:07:49 | 0:07:53 | |
from the first ball. Brilliant
snooker and every match has been top | 0:07:53 | 0:07:58 | |
quality. That's what you get with
the top 16 players. Ronnie will be | 0:07:58 | 0:08:04 | |
nervous today, he's done really well
here, at his home crowd. You have to | 0:08:04 | 0:08:08 | |
go back to 2015 was the last time he
lost a match. He will be nervous to | 0:08:08 | 0:08:12 | |
begin with. And Marco Fu will be
nervous, walking into this venue as | 0:08:12 | 0:08:17 | |
well. This season has not made the
latter stages of many big | 0:08:17 | 0:08:21 | |
tournaments. But he enjoys this kind
of atmosphere. This is what Marco | 0:08:21 | 0:08:25 | |
enjoys with his snooker playing in
front of a crowd like this and | 0:08:25 | 0:08:29 | |
that's when he produces his best
sometimes. It's time to kick start | 0:08:29 | 0:08:33 | |
the season. He is such a cool
customer. A great temperament. He's | 0:08:33 | 0:08:39 | |
a class act. He is a cherry picker.
He likes to take the reds off | 0:08:39 | 0:08:43 | |
loosely. He is artistic. Webb and a
very poignant day here at Alexandra | 0:08:43 | 0:08:50 | |
Palace because here in snooker, it
is fair to say we are one big | 0:08:50 | 0:08:54 | |
family. But the broadcasting or
players or pundits but over the last | 0:08:54 | 0:08:58 | |
couple of days we've lost one of our
table fitters, 25-year-old Jethro | 0:08:58 | 0:09:04 | |
Salmon, there was a minute of
silence which was impeccably | 0:09:04 | 0:09:07 | |
reserved. We are a close-knit
family, you bump into the table | 0:09:07 | 0:09:13 | |
fitters every day and I could not
believe it when I heard the news. My | 0:09:13 | 0:09:16 | |
thoughts go out to his family. It is
very sad. It is no age at all. Great | 0:09:16 | 0:09:28 | |
sympathy for his friends and family.
Let's go over to our MC Rob Walker. | 0:09:28 | 0:09:36 | |
Thank you ladies and gentlemen, a
sombre start to our coverage this | 0:09:36 | 0:09:40 | |
afternoon as snooker mourns the loss
of one of its own but one of the | 0:09:40 | 0:09:43 | |
best tributes we camp eight to
25-year-old Jethro and his family, | 0:09:43 | 0:09:47 | |
watching live at home this
afternoon, is to carry on with the | 0:09:47 | 0:09:51 | |
sport he served so well and
diligently for six years. | 0:09:51 | 0:09:54 | |
It is day three of the Dafabet
Masters. Please welcome first of | 0:09:54 | 0:10:03 | |
all, one of the most important
global ambassadors for the sport, | 0:10:03 | 0:10:07 | |
making his 12th appearance here at
the Masters, runner-up in 2011, one | 0:10:07 | 0:10:12 | |
of three ranking titles including
last season's Scottish open in fine | 0:10:12 | 0:10:16 | |
style, the pride of Hong Kong, here
comes Marco Fu! APPLAUSE | 0:10:16 | 0:10:30 | |
MUSIC: "Superhuman" - The Script | 0:10:31 | 0:10:37 | |
and his opponent, a player who has
made the event his own after almost | 0:10:49 | 0:10:53 | |
a quarter of a century of
appearances. He has been in 12 | 0:10:53 | 0:10:57 | |
finals and last year made it a
magnificent seven... Nobody in | 0:10:57 | 0:11:01 | |
history has a better record in the
Masters than the defending champion, | 0:11:01 | 0:11:05 | |
The Rocket, Ronnie O'Sullivan!
CHEERING | 0:11:05 | 0:11:11 | |
APPLAUSE | 0:11:11 | 0:11:16 | |
MUSIC: "Drops of Jupiter" - Train | 0:11:33 | 0:11:42 | |
COMMENTATOR: What a reception for
both players... And as I mentioned, | 0:11:43 | 0:11:48 | |
to Jason, just previously, if we
have a match like we had in the | 0:11:48 | 0:11:54 | |
semifinal last year it would be very
special. Thank you, ladies and | 0:11:54 | 0:12:01 | |
gentlemen. The first frame to Ronnie
O'Sullivan. Applause double-checking | 0:12:01 | 0:12:06 | |
that he won the toss, saying it is
my turn to break, isn't it? | 0:12:06 | 0:12:14 | |
It is some record, winning seven
Masters titles, isn't it? Yes, on | 0:12:20 | 0:12:23 | |
the end of a defeat to Ronnie in
1995, that was his first year that | 0:12:23 | 0:12:29 | |
he managed to win. He got the table
that he won it on in 1995, I had in | 0:12:29 | 0:12:37 | |
the first round and let it go. He
went on to win the tournament and | 0:12:37 | 0:12:41 | |
since then his record has been
phenomenal. A good event for him. He | 0:12:41 | 0:12:51 | |
doesn't live far away. Play the
match, go home and sleep in your | 0:12:51 | 0:12:54 | |
bed. Not a great start from Marco,
far too thick on the safety. You | 0:12:54 | 0:13:04 | |
cannot leave the cue ball in that
position, it needs to be near the | 0:13:04 | 0:13:11 | |
baulk cushion. Far too thick. Can he
get off to a good start, Ronnie | 0:13:11 | 0:13:16 | |
O'Sullivan? | 0:13:16 | 0:13:22 | |
A bit of a distraction there for
him... The brown. | 0:13:23 | 0:13:33 | |
him... The brown. The umpire keeping
a close eye on it... A much better | 0:13:33 | 0:13:39 | |
piece of cueing than it looked. It
was virtually straight. Managing to | 0:13:39 | 0:13:46 | |
get a bit of excess top spin there,
bending the angle. | 0:13:46 | 0:13:59 | |
bending the angle. It is Ronnie's
first frame on the table. This table | 0:13:59 | 0:14:02 | |
is playing beautifully. Very quick,
that is how the players like it. | 0:14:02 | 0:14:10 | |
That's why we've had something like
ten centuries, I think. In the first | 0:14:10 | 0:14:14 | |
two days. | 0:14:14 | 0:14:20 | |
two days. Seven. It is very
intimidating to play against. It | 0:14:20 | 0:14:28 | |
really is. Playing him in his own
backyard, playing as well as he | 0:14:28 | 0:14:35 | |
does. He starts like a rocket.
Played a poor shot there, Marco. | 0:14:35 | 0:14:41 | |
Already looking like a great
opportunity. | 0:14:41 | 0:14:48 | |
No respite when you play him. Not a
good chance yet. There are a couple | 0:14:48 | 0:15:00 | |
of reds available to Ronnie. | 0:15:00 | 0:15:11 | |
Straightaway, he has left himself an
angle on this red. To be able to | 0:15:13 | 0:15:17 | |
develop a funeral. -- develop a a
few more. That was all it took, | 0:15:17 | 0:15:27 | |
developing those two reds, there are
three or four more available to him. | 0:15:27 | 0:15:40 | |
69 points would get him over the
winning line of the opening frame. | 0:15:41 | 0:15:46 | |
29. All the players will be a little
nervous, keyed up before the matches | 0:15:46 | 0:15:53 | |
but nothing settles you better than
hitting the ball like this in the | 0:15:53 | 0:15:58 | |
first frame. | 0:15:58 | 0:16:04 | |
One second please, Ronnie. The
umpire saying, give me a second, | 0:16:40 | 0:16:45 | |
Ronnie. Spotting the pink, has to go
as close to the reds there without | 0:16:45 | 0:16:52 | |
being in the direct line of the pink
spot, the black spot... 43. It's | 0:16:52 | 0:17:00 | |
amazing, 25 years he has been a
referee. | 0:17:00 | 0:17:11 | |
And he is still here because he is
very good. An excellent referee. | 0:17:12 | 0:17:22 | |
Going for the blue here... It is
nice. Not totally ideal, the two | 0:17:22 | 0:17:30 | |
reds at the top of the pack are a
little tricky. | 0:17:30 | 0:17:42 | |
He has to be careful there is not a
plant on when he cannons into the | 0:17:43 | 0:17:47 | |
reds. I do not think there is, he
should be OK so that he can hit it | 0:17:47 | 0:17:52 | |
with a bit of pace. APPLAUSE
He has one red, but he was a bit | 0:17:52 | 0:18:04 | |
unlucky there. He had to play at
that pace because the two reds were | 0:18:04 | 0:18:10 | |
at an angle, what they call a flat
pack. He's got one in the middle but | 0:18:10 | 0:18:22 | |
good cueing... Perfect! | 0:18:22 | 0:18:27 | |
good cueing... Perfect! When he
wants that type of shot, the cue is | 0:18:29 | 0:18:31 | |
so close to the red. Look at that,
not catching one of the reds. | 0:18:31 | 0:18:43 | |
not catching one of the reds. What a
start this is! The two greats at the | 0:18:43 | 0:18:51 | |
start of the show, Stephen Hendry
and Steve Davies, they knew how to | 0:18:51 | 0:18:54 | |
start matches. This fellow is not
bad. First visit to the table... | 0:18:54 | 0:19:02 | |
This could be a | 0:19:02 | 0:19:08 | |
This could be a century... Frame
safe, just concentrating now on | 0:19:08 | 0:19:14 | |
clearing the remaining balls. 139 is
the highest break so far this year. | 0:19:14 | 0:19:25 | |
Liang Wenbo, made that against Judd
Trump. | 0:19:25 | 0:19:34 | |
Trump. 76. | 0:19:34 | 0:19:41 | |
Been going eight minutes, always
completed. | 0:20:00 | 0:20:11 | |
He has made 920 centuries in his
career. 99. APPLAUSE | 0:20:23 | 0:20:34 | |
You cannot start a much better than
this. An inevitability about this... | 0:20:34 | 0:20:41 | |
There is the century. 106. I hope
you enjoyed your one shot on this | 0:20:41 | 0:20:51 | |
frame... Cannot do anything about
this. | 0:20:51 | 0:21:01 | |
this. His 47th century this season.
He made 50 last year. | 0:21:01 | 0:21:10 | |
He made 50 last year. All last
season, I should say. -- or last | 0:21:10 | 0:21:16 | |
season, I should say. £10,000 for
the highest break in this year's | 0:21:16 | 0:21:23 | |
Dafabet Masters. Nothing for a
maximum break, funnily enough. | 0:21:23 | 0:21:30 | |
Ronnie O'Sullivan, 120. | 0:21:30 | 0:21:36 | |
Ronnie O'Sullivan, 120. A pure
safety shot for Marco Fu. | 0:21:36 | 0:21:41 | |
Ronnie O'Sullivan, 1-0. | 0:21:41 | 0:21:47 | |
Nine minutes and 15 seconds. It
could be an early afternoon for us! | 0:21:47 | 0:21:53 | |
Marco Fu can take something positive
from that, that is what he expects | 0:21:53 | 0:21:57 | |
to happen. He isn't surprised by
Ronnie clearing the table. He knew | 0:21:57 | 0:22:01 | |
that it would happen today. It is
all about him concentrating on his | 0:22:01 | 0:22:06 | |
own game, and focusing on what he
has to do. But that start is | 0:22:06 | 0:22:12 | |
ominous. What Ronnie did to Dave
Harold 's, sorry, not him... Ricky | 0:22:12 | 0:22:17 | |
Walden, I don't know why Dave Harold
came from! Winning 6-0 within an | 0:22:17 | 0:22:23 | |
hour... You should see what he did
to Dave Harold! I think it was less | 0:22:23 | 0:22:27 | |
than that. We were here when Ricky
Walden was destroyed 6-0. | 0:22:27 | 0:22:36 | |
Walden was destroyed 6-0. You are
entitled to get used to the table | 0:22:36 | 0:22:38 | |
and be a bit nervous as well. It was
a dodgy shot that Marco played. But | 0:22:38 | 0:22:45 | |
he could have got away on another
day when Ronnie would not have | 0:22:45 | 0:22:49 | |
cleared the ball but when Ronnie
walked around the table, he had a | 0:22:49 | 0:22:52 | |
bit of a tramp on. He was moving a
bit faster than he normally plays. I | 0:22:52 | 0:22:57 | |
thought, the average shot time in
the break was 13 seconds a shot. I | 0:22:57 | 0:23:02 | |
wonder if it is on his mind. Not to
go down by Marco, Marco isn't a | 0:23:02 | 0:23:07 | |
massively slow play about getting
into Marco's rhythm. Perhaps he will | 0:23:07 | 0:23:12 | |
hustle him a bit. Back we go to John
and Dennis... | 0:23:12 | 0:23:15 | |
COMMENTATOR: That is where he has to
keep the cue ball, as close to the | 0:23:26 | 0:23:29 | |
cushion as possible. A few late
arriving. Catching Ronnie's I line. | 0:23:29 | 0:23:39 | |
-- eye-line. It may be a slightly
different second frame, the black | 0:23:45 | 0:23:51 | |
has gone close to the cushion which
Marco will not mind, really. Giving | 0:23:51 | 0:23:55 | |
him the chance to settle down... | 0:23:55 | 0:24:02 | |
him the chance to settle down... He
will come up short again with the | 0:24:02 | 0:24:04 | |
safety. | 0:24:04 | 0:24:11 | |
safety. Not a great deal of value in
the one to the right corner. It | 0:24:11 | 0:24:15 | |
would come back into another red. | 0:24:15 | 0:24:22 | |
This is the first possible chance
for Marco Fu, the pink is awkward. | 0:24:28 | 0:24:34 | |
The black isn't too well-placed. | 0:24:34 | 0:24:43 | |
The black isn't too well-placed. You
have two screw this back. He is | 0:24:43 | 0:24:48 | |
terrific with the cue but sometimes
he likes that cue power. You have to | 0:24:48 | 0:24:55 | |
force it. | 0:24:55 | 0:25:05 | |
Playing a little more forcefully.
Playing a little more screw back on | 0:25:13 | 0:25:16 | |
that one. With the baulk colour. He
is under the cosh at the minute. | 0:25:16 | 0:25:26 | |
Hmm, the black pots. It's ominous... | 0:25:28 | 0:25:32 | |
That is a big bonus, the black being
available to the left corner. Now | 0:25:48 | 0:25:52 | |
both corners... All of a sudden, he
is right back in amongst them. | 0:25:52 | 0:26:07 | |
Just looking to see if the pink is
available. I think it is. | 0:27:18 | 0:27:29 | |
Now, it doesn't spot, it goes to
the, that will be handy. | 0:27:30 | 0:27:38 | |
-- it goes to the blue. | 0:27:41 | 0:27:45 | |
When he first came to the table, and
Marco had left them, I thought, that | 0:27:53 | 0:27:57 | |
isn't too bad but the fact that the
black was potted in, a couple of | 0:27:57 | 0:28:03 | |
shots later... He has manoeuvred
them. The cue ball control is just | 0:28:03 | 0:28:10 | |
exemplary. | 0:28:10 | 0:28:15 | |
exemplary. He is absolutely on fire
at the minute. | 0:28:15 | 0:28:27 | |
Letting that one slip away... The
first mistake from Ronnie. Only a | 0:28:49 | 0:28:54 | |
couple of pots away from securing a
second frame. He overhit that one, | 0:28:54 | 0:28:57 | |
slightly. Planning to drop it in,
dead weight. Leave one from the | 0:28:57 | 0:29:05 | |
right-hand corner. Now it is
slightly more difficult, hampered a | 0:29:05 | 0:29:09 | |
little bit as well. It is safely
in... APPLAUSE | 0:29:09 | 0:29:16 | |
64. Some awkward cueing there. It
thought about it! | 0:29:16 | 0:29:29 | |
If that bounces... He is on the red
that he played for previously. | 0:29:39 | 0:29:53 | |
Two mistakes from Marco Fu. 2-0 to
Ronnie O'Sullivan. In no time at | 0:30:01 | 0:30:08 | |
all. | 0:30:08 | 0:30:10 | |
This used to be a tough game, John,
didn't it. | 0:30:29 | 0:30:34 | |
He's just the best player at the
peak of his powers at the minute. | 0:30:37 | 0:30:43 | |
Everything's just so easy. OK, he
lost position slightly when he had | 0:30:43 | 0:30:49 | |
to take the red in the middle
pocket, but there was an | 0:30:49 | 0:30:54 | |
inevitability of it that he was
going to get back to the top of the | 0:30:54 | 0:30:57 | |
table once he potted the yellow. He
can't hit it any better than this. | 0:30:57 | 0:31:07 | |
We shall all buy ourselves a cue and
have a go, see how hard it is. When | 0:31:08 | 0:31:14 | |
he came to the table, you couldn't
see any more than maybe 30 or 40 of | 0:31:14 | 0:31:19 | |
a break. This is some effort. | 0:31:19 | 0:31:23 | |
APPLAUSE. | 0:31:23 | 0:31:30 | |
APPLAUSE.
106. | 0:31:39 | 0:31:46 | |
Well, he needs to miss the brown.
Oh, what a shot! | 0:31:51 | 0:32:02 | |
114. | 0:32:04 | 0:32:11 | |
If he does clear up, he's going to
equal we think bow's high break, 139 | 0:32:13 | 0:32:22 | |
-- Wenbo's break. I think it will go
into the 140s here, the way the play | 0:32:22 | 0:32:29 | |
is going. | 0:32:29 | 0:32:30 | |
So, 121. Watch ago genius at work.
2-1 to the rocket. | 0:32:37 | 0:32:46 | |
So, 121. Watch ago genius at work.
2-1 to the rocket. He's a joy to | 0:32:46 | 0:32:49 | |
watch. This is how it's looking
already. 12 tournament centuries | 0:32:49 | 0:32:54 | |
this year already. The record 2009,
31 and Steve, you were in the studio | 0:32:54 | 0:32:59 | |
yesterday when we were talking about
whether we were going to break that. | 0:32:59 | 0:33:02 | |
The way they are going at the
moment, we are looking to break | 0:33:02 | 0:33:05 | |
that, aren't we? Well, it's
inevitable with Ronnie. He's | 0:33:05 | 0:33:12 | |
unnatural in what he does on the
snooker table. We play the game, we | 0:33:12 | 0:33:16 | |
know when we are playing well how
sometimes you are at one with the | 0:33:16 | 0:33:19 | |
table. But Ronnie O'Sullivan's so
special. I mean, he just sees | 0:33:19 | 0:33:25 | |
everything. It's upsetting really
isn't it? I said before the match | 0:33:25 | 0:33:34 | |
started that I enjoy watching him
when it's a difficult break. He came | 0:33:34 | 0:33:38 | |
to the table, he manoeuvres the
balls into position. He thinks so | 0:33:38 | 0:33:42 | |
quickly, he's unbelievable and has
an unbelievable snooker brain. At | 0:33:42 | 0:33:46 | |
least the last two or three years
he's looked vulnerable in the first | 0:33:46 | 0:33:51 | |
round, he's had a couple of 6-5s.
He's anything but vulnerable today. | 0:33:51 | 0:34:00 | |
I think, what is going through his
head and what is he seeing through | 0:34:00 | 0:34:04 | |
his eyes because we know what we see
when he comes to the table. I think | 0:34:04 | 0:34:08 | |
he sees different pictures to us. I
think you are right. Stop me if you | 0:34:08 | 0:34:12 | |
have heard this before but in our
jobs we are lucky to see many sports | 0:34:12 | 0:34:16 | |
stars but there is nothing better
than when you see this man in full | 0:34:16 | 0:34:20 | |
flow? I couldn't agree more, Jason. | 0:34:20 | 0:34:24 | |
than when you see this man in full
flow? I couldn't agree more, Jason. | 0:34:24 | 0:34:26 | |
We have watched Ronnie from when he
turned professional at 17 and Ronnie | 0:34:26 | 0:34:31 | |
reckons he was playing better when
he was 17 but how can you play | 0:34:31 | 0:34:34 | |
better than what he's doing at the
moment? ! | 0:34:34 | 0:34:38 | |
Peter Ebden said to me after a few
years Ronnie had been around, he was | 0:34:42 | 0:34:47 | |
playing brilliant, he said you
haven't seen the real Ronnie | 0:34:47 | 0:34:50 | |
O'Sullivan, he can play better than
that. He's been proven right. | 0:34:50 | 0:34:59 | |
What is so impressive is his
longevity in the game. People going | 0:34:59 | 0:35:05 | |
into their 40s and stuff reckon they
can't win tournaments any more. | 0:35:05 | 0:35:10 | |
Ronnie's blown that out of the water
and seems to be playing as good as | 0:35:10 | 0:35:14 | |
ever. | 0:35:14 | 0:35:17 | |
Obviously he has great enthusiasm
for the sport. He practises hard. He | 0:35:17 | 0:35:21 | |
loves it. It wasn't that many years
ago people were saying it's a young | 0:35:21 | 0:35:28 | |
man's game, they were winning in
their early 20s and a few players | 0:35:28 | 0:35:32 | |
have proven that theory wrong.
Stuart Bingham, world title at 39, | 0:35:32 | 0:35:37 | |
John Higgins winning in his 40s.
APPLAUSE. | 0:35:37 | 0:35:43 | |
No real attempt at the pot there, he
was trying to get the cue ball back | 0:35:59 | 0:36:06 | |
in the balk area. | 0:36:06 | 0:36:10 | |
He had one red in the last frame
which he overhit slightly. | 0:36:12 | 0:36:23 | |
which he overhit slightly. He's
trying to get a foothold if | 0:36:23 | 0:36:25 | |
possible. | 0:36:25 | 0:36:28 | |
The semi-final last year was one of
the best games I've ever seen. Marco | 0:36:28 | 0:36:34 | |
played brilliantly. Ronnie changed
his tip, if you remember, and still | 0:36:34 | 0:36:38 | |
managed to win which was scary. One
heck of a match last year. | 0:36:38 | 0:36:48 | |
Very difficult to find the gap back
down the table there. The black was | 0:37:02 | 0:37:10 | |
always in an awkward spot. | 0:37:10 | 0:37:18 | |
If he finishes nicely on the blue,
he'll probably go for the red that's | 0:37:25 | 0:37:30 | |
near the black spot. | 0:37:30 | 0:37:34 | |
If he can get that red away from the
black spot area, it will help. | 0:37:34 | 0:37:45 | |
That's the one he's played for. If
he goes back up the table and gets | 0:37:51 | 0:37:55 | |
on the black, it will be in the
clear when it's respoted. He's | 0:37:55 | 0:38:01 | |
removing this red here. | 0:38:01 | 0:38:03 | |
Ted. | 0:38:12 | 0:38:12 | |
Slight change of plan there. | 0:38:14 | 0:38:17 | |
He's got a bit of an angle. Still
needs a good shot to get on to blue | 0:38:26 | 0:38:31 | |
or black here. | 0:38:31 | 0:38:40 | |
The pink is awkward to pot the
black, to split into the pink and | 0:39:11 | 0:39:15 | |
reds because it's away from the
bunch. | 0:39:15 | 0:39:21 | |
That's why he's played up for this
one along the cushion. | 0:39:21 | 0:39:29 | |
Very tricky. | 0:39:31 | 0:39:37 | |
APPLAUSE. | 0:39:37 | 0:39:41 | |
This is not a good pack to go into
but he plays it so well, this type | 0:39:41 | 0:39:46 | |
of shot. | 0:39:46 | 0:39:49 | |
APPLAUSE.
We may as well wrap up and go home | 0:39:49 | 0:39:56 | |
now because this is just crazy. That
is just such a shot. | 0:39:56 | 0:40:00 | |
Already it's looking like it could
be frame three gone. He really is | 0:40:15 | 0:40:19 | |
playing some phenomenal stuff. | 0:40:19 | 0:40:29 | |
98% pot success. He beat Rickie
Walden 6-0. Rickie had a 97% pot | 0:40:30 | 0:40:40 | |
success rate but only potted three
balls! | 0:40:40 | 0:40:44 | |
Now, what goes in this corner? Looks
pretty tight. There's a gap there. | 0:40:47 | 0:40:53 | |
When you are playing really well,
that is the sort of thing that | 0:40:53 | 0:40:57 | |
presents itself to you. | 0:40:57 | 0:41:01 | |
APPLAUSE. | 0:41:01 | 0:41:07 | |
Wonderful touch. Power that in. | 0:41:19 | 0:41:28 | |
Left himself two reds there. | 0:41:28 | 0:41:31 | |
He obviously thinks he can pot this
and flick another red out, is it? | 0:41:35 | 0:41:40 | |
Oh, he went through the gap. | 0:41:40 | 0:41:49 | |
Just a little flick on the pink
which he probably could have done | 0:41:49 | 0:41:53 | |
without. | 0:41:53 | 0:41:58 | |
Still wouldn't expect him to miss
this pink the way he's been playing. | 0:42:00 | 0:42:05 | |
It's just the positional side of it.
Quite difficult. | 0:42:05 | 0:42:15 | |
Has it gone far enough, or is the
pink going to block his path? Comes | 0:42:22 | 0:42:29 | |
up a little bit short. | 0:42:29 | 0:42:32 | |
He's not going to win this third
frame with one visit. Have you got | 0:42:34 | 0:42:39 | |
your record book with you, John, to
see if anybody ever started the | 0:42:39 | 0:42:46 | |
Masters with three century breaks?
APPLAUSE. | 0:42:46 | 0:42:55 | |
He didn't win the frame in that
visit which is a surprise by the way | 0:43:00 | 0:43:05 | |
he's been playing today. But there
you go, Marco, you are 50 behind, | 0:43:05 | 0:43:11 | |
stuck in the jaws. So much pressure
on him. | 0:43:11 | 0:43:21 | |
Good reply, that, excellent.
APPLAUSE. | 0:43:21 | 0:43:25 | |
And Ronnie also tapped the table
there in acknowledgement, as well as | 0:43:25 | 0:43:29 | |
a terrific round of applause from
the Ali pale crowd from for that | 0:43:29 | 0:43:36 | |
good safety shot -- Ally Pally.
He'll probably knock this one in. | 0:43:36 | 0:43:49 | |
The cueing is just wonderful. And
the pace it was played at, to come | 0:43:50 | 0:43:55 | |
off the two angles back out at the
black. He's just in the grieve. He | 0:43:55 | 0:44:00 | |
really is. Look at that. Superb. | 0:44:00 | 0:44:08 | |
APPLAUSE. | 0:44:32 | 0:44:35 | |
Four frames to be played before the
mid session interval. | 0:44:37 | 0:44:44 | |
Marco hasn't had much of a chance.
He can't say his last shot was a | 0:44:44 | 0:44:52 | |
poor shot, it was an excellent
safety shot. | 0:44:52 | 0:45:04 | |
Just over half an hour and it's 3-0. | 0:45:06 | 0:45:15 | |
Hasn't potted the ball yet. That was
five penalty points he's had there. | 0:45:27 | 0:45:33 | |
A bit like the old snooker joke. How
are you playing and he says "I don't | 0:45:33 | 0:45:41 | |
know, I haven't had a shot yet. " | 0:45:41 | 0:45:55 | |
Sub | 0:46:15 | 0:46:22 | |
This brown will make it 100 balls
potted. | 0:46:40 | 0:46:46 | |
Even that stun run through there
looked easy. That is such a tough | 0:46:55 | 0:46:59 | |
shot to play. | 0:46:59 | 0:47:06 | |
APPLAUSE. | 0:47:12 | 0:47:18 | |
He started the third frame at 50 and
finished it with a break of 74. 3-0 | 0:47:18 | 0:47:23 | |
to Ronnie O'Sullivan. This is just
magic from O'Sullivan. I was looking | 0:47:23 | 0:47:31 | |
at a couple of fans | 0:47:31 | 0:47:32 | |
magic from O'Sullivan. I was looking
at a couple of fans in the arena | 0:47:32 | 0:47:33 | |
there And there's one gentleman who
smiled all the way through and he's | 0:47:33 | 0:47:38 | |
honestly not stopped smiling
watching this. Yes, as I said again, | 0:47:38 | 0:47:42 | |
talking about this, it's an art the
way he plays, the cue ball control | 0:47:42 | 0:47:47 | |
is just incredible. He's just in
such a good zone. It's almost as if, | 0:47:47 | 0:47:53 | |
whoever else is there, it doesn't
matter because it's just Ronnie and | 0:47:53 | 0:47:57 | |
the table. There was a time before
Christmas, he started to look a bit | 0:47:57 | 0:48:01 | |
jaded, played so many tournaments in
a row. He's refreshed and had a few | 0:48:01 | 0:48:05 | |
weeks off over Christmas, he looks
fresh as a daisy. This makes a | 0:48:05 | 0:48:09 | |
difference coming out to this crowd
as well doesn't it, Steve? Yes, this | 0:48:09 | 0:48:16 | |
is one event where you come out to a
packed arena and it's a one-table | 0:48:16 | 0:48:19 | |
set-up. This is a type of Ronnie
O'Sullivan in his office that we | 0:48:19 | 0:48:22 | |
don't see at the world or UK
Championship because in the World | 0:48:22 | 0:48:27 | |
Championship, another table, it's a
different feeling. You have got a | 0:48:27 | 0:48:30 | |
job to do when you go there, but
this is centre stage stuff and he's | 0:48:30 | 0:48:34 | |
so good in this arena. I don't think
he suffers from pressure like other | 0:48:34 | 0:48:38 | |
players either, he's a phenomenon in
that respect. People get nervous but | 0:48:38 | 0:48:42 | |
he has such ability, those nerves
are just blown away. A measure of | 0:48:42 | 0:48:47 | |
how surprised you are by Marco Fu
having five points, that's all he's | 0:48:47 | 0:48:50 | |
got to his name at the moment, you
forgot how he scored those? He | 0:48:50 | 0:48:56 | |
didn't score them, Ronnie gave them
to him. | 0:48:56 | 0:49:03 | |
to him. So good he's scoring Marco
Fu's points. With darts and golf, | 0:49:03 | 0:49:07 | |
you get a throw, a hit. This game,
he's sitting there stewing in his | 0:49:07 | 0:49:11 | |
chair, nothing he can do, he's
practised for this event, got | 0:49:11 | 0:49:15 | |
himself ready, he's been putting
hard graft in over Christmas and New | 0:49:15 | 0:49:18 | |
Year and he's sitting there, he
hasn't potted the ball. Also Marco's | 0:49:18 | 0:49:22 | |
not had a great season either. This
is completely and utterly not what | 0:49:22 | 0:49:26 | |
he needs at all. Absolutely. He's
not come out with a great record but | 0:49:26 | 0:49:30 | |
this is a knew yike occasion, you
would think he can possibly get | 0:49:30 | 0:49:34 | |
inspired but how can you when you
are not playing any shots. | 0:49:34 | 0:49:38 | |
inspired but how can you when you
are not playing any shots. As Ronnie | 0:49:38 | 0:49:41 | |
came out, there was a glance to us
in the studio and I'm thinking, he's | 0:49:41 | 0:49:45 | |
probably saying, get that chair
ready, I'll be there in a few | 0:49:45 | 0:49:49 | |
minutes. | 0:49:49 | 0:49:56 | |
Might be a long way to go before
he's sitting in that chair in front | 0:49:57 | 0:50:02 | |
of Jason and the boys. Marco Fu has
a great temperament but is he going | 0:50:02 | 0:50:11 | |
to get any chances? He needs this
frame before the mid session | 0:50:11 | 0:50:15 | |
interval. | 0:50:15 | 0:50:24 | |
Pretty good cue ball tapped on the
table again but he tapped the table | 0:50:24 | 0:50:27 | |
in the previous frame and then
cleared up, did Ronnie. | 0:50:27 | 0:50:37 | |
He's one of the best tactical
players in the game as well. Not | 0:50:43 | 0:50:48 | |
only does he clear the table with
one visit when needed, he's as good | 0:50:48 | 0:50:54 | |
a safety player there's ever been. | 0:50:54 | 0:51:00 | |
Not oftenen you see 98%, especially
after three frames played. | 0:51:07 | 0:51:15 | |
He hasn't missed a long pot. | 0:51:15 | 0:51:23 | |
Not that there's been much safety
play. But 89% is not too shabby | 0:51:26 | 0:51:32 | |
either. | 0:51:32 | 0:51:33 | |
Goes without saying, this is a
massive frame for Marco. If he can | 0:51:48 | 0:51:54 | |
just scramble a frame. If he can
just be 3-1 down at the interval, | 0:51:54 | 0:52:02 | |
he'd consider that a right result
the way the match has gone. It's | 0:52:02 | 0:52:05 | |
asking a lot, I know. He's got to
try and find it from somewhere. Good | 0:52:05 | 0:52:11 | |
shot. | 0:52:11 | 0:52:13 | |
APPLAUSE. | 0:52:14 | 0:52:20 | |
The last time Ronnie lost a match in
this venue at 2015, can you remember | 0:53:46 | 0:53:50 | |
who he lost to? I'll give you a
clue, it was a Saturday afternoon. | 0:53:50 | 0:53:55 | |
Putting me on the spot there.
Saturday afternoon would have been | 0:53:55 | 0:53:57 | |
the semi-final. Correct. | 0:53:57 | 0:54:03 | |
the semi-final. Correct. Probably
commentated on the match. I think it | 0:54:04 | 0:54:10 | |
was the Australian, Neil Robertson.
Correct. You have to go back to 2015 | 0:54:10 | 0:54:15 | |
semi-final, 6-1 to Neil Robertson
and since then, every match he's | 0:54:15 | 0:54:21 | |
played in this wonderful venue, he's
defeated everyone he's looked at. | 0:54:21 | 0:54:26 | |
That's some record. | 0:54:26 | 0:54:32 | |
Brilliant auditorium. Absolutely
packed to the rafters on a Tuesday | 0:54:34 | 0:54:38 | |
afternoon. Full! Wonderful. | 0:54:38 | 0:54:48 | |
Look at the way the balls are
scattered all over the table now. | 0:54:49 | 0:54:57 | |
And Marco Fu yet to pot a ball. If
he gets a chance, there'll be a few | 0:54:57 | 0:55:03 | |
available. But will he get a chance? | 0:55:03 | 0:55:11 | |
Tight on the cushion. Going to make
it awkward for Marco. And it is. | 0:55:13 | 0:55:19 | |
Can't get any back spin to get back
behind the black from that angle. | 0:55:19 | 0:55:27 | |
Such a good shot. Top cushion that
cue ball. No intention of the pot, | 0:55:27 | 0:55:37 | |
just to get the cue ball right
there. Can't get in and get your cue | 0:55:37 | 0:55:41 | |
digging down on that cue ball. The
only | 0:55:41 | 0:55:51 | |
only shot I can see is the cushion,
on to the two cushions and then he | 0:55:51 | 0:55:56 | |
could be safe. Could he play off
this red? A similar spot. | 0:55:56 | 0:56:06 | |
That's pretty good. Well played.
APPLAUSE. | 0:56:06 | 0:56:12 | |
He's in the driving seat in this
exchange, Ronnie. Again, Marco with | 0:56:52 | 0:56:56 | |
play off the red on the right hand
side but once he plays that one, | 0:56:56 | 0:56:59 | |
he's leaving the one that's near the
yellow as an easy safety shot. So | 0:56:59 | 0:57:06 | |
Ronnie's not got his man here, but
he's certainly in the driving seat | 0:57:06 | 0:57:10 | |
in this exchange. | 0:57:10 | 0:57:11 | |
Marco looking at that red now on the
right hand side. That's the one he | 0:57:13 | 0:57:16 | |
wants to play off. | 0:57:16 | 0:57:24 | |
He's thinking of playing the red in
the middle, the thin cut. Yes, he is | 0:57:33 | 0:57:39 | |
thinking about that. Wow, 3-0 down,
some pressure on this one. | 0:57:39 | 0:57:47 | |
Overcut it. | 0:57:47 | 0:57:49 | |
It's so difficult. | 0:57:55 | 0:57:59 | |
A tough afternoon for Marco so far. | 0:58:11 | 0:58:23 | |
A little awkward this chance. The
red close toast the cue ball. You | 0:58:33 | 0:58:36 | |
have to be careful he doesn't get an
undue cannon. He's going back to it | 0:58:36 | 0:58:41 | |
now so he's got to be careful with
this one. | 0:58:41 | 0:58:44 | |
He's not entirely happy with this
shot. | 0:58:47 | 0:58:57 | |
If he can, he can avoid the cannon
and he could run out of position. | 0:58:57 | 0:59:04 | |
In the end, he found the gap there.
APPLAUSE. | 0:59:06 | 0:59:10 | |
The blue may go up into the corner.
That would be a bonus. But maybe it | 0:59:59 | 1:00:03 | |
doesn't. Least awkward on the brown,
having to bridge over the red. The | 1:00:03 | 1:00:09 | |
blue obviously doesn't pot. A little
bit awkward, this. | 1:00:09 | 1:00:22 | |
He hasn't really had the cue ball
that any part of this break, yet. | 1:00:29 | 1:00:34 | |
Just been slightly off... | 1:00:34 | 1:00:40 | |
Just been slightly off... Can use
the rest. It wasn't in the plan, | 1:00:42 | 1:00:44 | |
this red. | 1:00:44 | 1:00:46 | |
Excellent. | 1:00:54 | 1:00:59 | |
Still 16 sessions on his average
shot time, with the balls all over | 1:01:16 | 1:01:19 | |
the table you would think that he
would play a lot quicker but you | 1:01:19 | 1:01:26 | |
have to play around the black spot
area. Yes, you are so used to the | 1:01:26 | 1:01:34 | |
natural positions, after all of the
hours that you play, you know what | 1:01:34 | 1:01:37 | |
is happening at the top end of the
table. The pink and black, when | 1:01:37 | 1:01:42 | |
spread around like this, you more
concentration. -- you need more | 1:01:42 | 1:01:48 | |
concentration. I'm talking about
records, John. I can't remember a | 1:01:48 | 1:01:59 | |
player playing four frames and
potting a ball in the Masters final. | 1:01:59 | 1:02:04 | |
It's a possibility, at the moment. | 1:02:04 | 1:02:14 | |
May have landed on the other red. He
came on this one so well, he decided | 1:02:18 | 1:02:24 | |
to take it. | 1:02:24 | 1:02:34 | |
403 points so far. | 1:02:37 | 1:02:42 | |
Tough school, to say the least. If
there were any consolation for Marco | 1:02:49 | 1:02:56 | |
Fu, it would be that he's going to
the mid-session interval with the | 1:02:56 | 1:03:00 | |
best of 11. He will have a chat with
his coach, over from Hong Kong with | 1:03:00 | 1:03:08 | |
Marco. He would probably head to the
practice table. He hasn't had any | 1:03:08 | 1:03:17 | |
chance whatsoever. | 1:03:17 | 1:03:21 | |
He is in the zone. Totally focused. | 1:03:59 | 1:04:05 | |
2000 people in the auditorium and
it's as if they are not here. Just | 1:04:07 | 1:04:10 | |
him and the snooker table. | 1:04:10 | 1:04:16 | |
If big red for Marco to take on in
the middle pocket. He knew that it | 1:04:17 | 1:04:23 | |
was fraught with danger. This is a
massive shot to take on. He has | 1:04:23 | 1:04:29 | |
missed it, he just has too sit and
watch this. | 1:04:29 | 1:04:40 | |
Just the tricky red on the left-hand
side of the table. That may prevent | 1:04:53 | 1:04:56 | |
him from making his third century in
four frames. He can bring it into | 1:04:56 | 1:05:02 | |
play here, looking at the angle on
the pink he can develop the red. | 1:05:02 | 1:05:14 | |
He is absolutely in the zone,
completely. | 1:05:19 | 1:05:30 | |
It isn't possible, it really isn't.
Another century. | 1:05:35 | 1:05:48 | |
Up to 99% pot success rate, it's
incredible. | 1:05:49 | 1:05:56 | |
incredible. That may be a record to
make three centuries and four frames | 1:05:56 | 1:06:00 | |
in your opening match of The
Masters. Tried to use the jaw of the | 1:06:00 | 1:06:08 | |
pocket to get up onto the pink. It
doesn't really matter if he doesn't | 1:06:08 | 1:06:13 | |
get this in. But the mood that he is
in... | 1:06:13 | 1:06:21 | |
CHEERING
Ronnie O'Sullivan has made three | 1:06:21 | 1:06:25 | |
centuries. 50-74, 4-0 to The Rocket.
STUDIO: You are watching a genius at | 1:06:25 | 1:06:35 | |
work. Looking at some of your | 1:06:35 | 1:06:37 | |
STUDIO: You are watching a genius at
work. Looking at some of your | 1:06:37 | 1:06:38 | |
comments on social media, many
people are saying that many of you | 1:06:38 | 1:06:41 | |
are sat at home today trying to do
some work, there are many people | 1:06:41 | 1:06:45 | |
trying to do work with their
televisions on and they cannot | 1:06:45 | 1:06:47 | |
concentrate on what they are doing
because they cannot stop watching | 1:06:47 | 1:06:51 | |
Ronnie O'Sullivan. And Marco Fu! It
is amazing. The frames are getting | 1:06:51 | 1:06:59 | |
finished so quickly. But Marco Fu is
a brilliant snooker player and he | 1:06:59 | 1:07:03 | |
has been made to look like a total
amateur. The half chance, the red in | 1:07:03 | 1:07:10 | |
the middle, he has been put under a
barrage of snooker. Under so much | 1:07:10 | 1:07:14 | |
pressure. It's the best player in
the world playing at his best. | 1:07:14 | 1:07:21 | |
Fantastic. I know that it is a
relevant to some degree, there are | 1:07:21 | 1:07:26 | |
geniuses in every sport. But we are
blessed with one of the greatest | 1:07:26 | 1:07:30 | |
geniuses the game has ever seen. We
know that. I put forward the | 1:07:30 | 1:07:34 | |
argument that if you took the likes
of Tiger Woods or Roger Federer, | 1:07:34 | 1:07:39 | |
they are all fantastic but I reckon
that Ronnie O'Sullivan, in his own | 1:07:39 | 1:07:43 | |
sport, is more of a genius than even
those great. I would probably be | 1:07:43 | 1:07:47 | |
shot down in flames by fans of those
sports, I know that I am biased. I | 1:07:47 | 1:07:52 | |
do not know enough about other
sports to know. You would have to | 1:07:52 | 1:07:56 | |
listen to people from other sports
to talk about that but as a player, | 1:07:56 | 1:08:00 | |
we know how difficult the game is.
But what is happening, he is a | 1:08:00 | 1:08:05 | |
exceptional person. Not many people
would shoot you down in flames. | 1:08:05 | 1:08:08 | |
People respect you for what you have
done in the game and you know how | 1:08:08 | 1:08:12 | |
tough it is out there. You cannot
compare it to team sports either. | 1:08:12 | 1:08:16 | |
You are in awe of what he does. It
is shocking, how he controls the | 1:08:16 | 1:08:20 | |
ball. It is something else going on
as well. He referred to the match in | 1:08:20 | 1:08:27 | |
2014 when we were sitting in the
studio, when Ronnie O'Sullivan beat | 1:08:27 | 1:08:32 | |
Ricky Walden. 58 minutes, after the
match, in his interview, Ricky | 1:08:32 | 1:08:38 | |
Walden said that Ronnie were simply
unplayable and that was the first | 1:08:38 | 1:08:42 | |
time he ever felt absolutely
helpless at the snooker table. That | 1:08:42 | 1:08:46 | |
is the brutality of snooker, when
someone is doing that you sit in | 1:08:46 | 1:08:49 | |
your chair and you watch. It's a
brutal sport but I agree with Steve. | 1:08:49 | 1:08:56 | |
It is a scandal that Ronnie is on
top there. Other sports have | 1:08:56 | 1:09:01 | |
geniuses but nobody can say that
these people are more talented at | 1:09:01 | 1:09:04 | |
their sport than Ronnie is at
sneaker... But if he goes on to win | 1:09:04 | 1:09:08 | |
the Masters and do well in the World
Championship, undoubtably, there's a | 1:09:08 | 1:09:13 | |
big decision. You were involved
before Christmas on social media, | 1:09:13 | 1:09:17 | |
there would be a big campaign to
ensure that he is on the list? | 1:09:17 | 1:09:20 | |
Possibly and goes to show how good
Mark Selby is to be in a position | 1:09:20 | 1:09:26 | |
where he can dominate Ronnie
O'Sullivan. But also in an accurate | 1:09:26 | 1:09:30 | |
way, we have great players in the
game but when he is on form he is a | 1:09:30 | 1:09:35 | |
beauty at the table. He is at one
with the table. Like Tommy the | 1:09:35 | 1:09:39 | |
pinball Wizard! Speaking of other
sports, I have to say this, you say | 1:09:39 | 1:09:47 | |
you may get shot down in flames but
I may do too. Listening to Dennis | 1:09:47 | 1:09:52 | |
and John talking about Marco having
a chat with Terry Griffiths and what | 1:09:52 | 1:09:56 | |
can he say? It reminds me of the
World Cup in 2014 and Brazil, | 1:09:56 | 1:10:01 | |
remember when they were 5-0 down
against Germany? My producers said | 1:10:01 | 1:10:07 | |
that we still need something from
Germania, I had to ask him where he | 1:10:07 | 1:10:16 | |
was going on his holidays because he
was destroyed! I think that Marco, | 1:10:16 | 1:10:20 | |
in a way, he would be embarrassed by
his performance because he's had | 1:10:20 | 1:10:27 | |
nothing. What can he do? He knows
how good Ronnie O'Sullivan is. That | 1:10:27 | 1:10:33 | |
was exceptional but he knows that
Ronnie O'Sullivan can do that. What | 1:10:33 | 1:10:37 | |
could he have done? As we have often
seen, it can make a difference, the | 1:10:37 | 1:10:42 | |
interval. Marco comes out, he's got
nothing to lose. He may knock in | 1:10:42 | 1:10:46 | |
some balls and then things change...
I won't say what Ken said the other | 1:10:46 | 1:10:53 | |
day that it will go 6-5, but you
would expect Marco to show format | 1:10:53 | 1:10:57 | |
some stage. Banks let's go | 1:10:57 | 1:11:00 | |
would expect Marco to show format
some stage. Banks let's go to this | 1:11:00 | 1:11:01 | |
evening's match, Barry Hawkins, the
semifinalist at the Masters last | 1:11:01 | 1:11:07 | |
year, up against world number 14
Kyren Wilson, making his second | 1:11:07 | 1:11:10 | |
appearance at The Masters and he has
been talking to our MC Rob Walker. | 1:11:10 | 1:11:18 | |
It is your second Masters. It must
be nice to be in this elite bracket | 1:11:18 | 1:11:22 | |
where only the best of the best are
invited? It seems to be getting | 1:11:22 | 1:11:26 | |
harder and harder! There are so many
seeding cut-offs. There is no | 1:11:26 | 1:11:33 | |
resting on a good win, back a couple
of months ago, you would have to | 1:11:33 | 1:11:37 | |
keep producing and I am very pleased
to be in the 16 once again for the | 1:11:37 | 1:11:43 | |
second time. I know that you did not
win your first match last year but | 1:11:43 | 1:11:46 | |
what was it like stood at the top of
the stairs? It is a great arena, how | 1:11:46 | 1:11:52 | |
you can see everyone around you. It
is laid out brilliantly. It is hard, | 1:11:52 | 1:11:58 | |
you are finding your balance and
staying focused, staying in the | 1:11:58 | 1:12:01 | |
moment but you want to interact with
the crowd and have fun. I am a | 1:12:01 | 1:12:05 | |
laid-back person. I like to banter
with the crowd sometimes but there | 1:12:05 | 1:12:09 | |
is a time and a place. It was
unique. Something I hadn't | 1:12:09 | 1:12:14 | |
experienced before but something
that would hopefully put me in good | 1:12:14 | 1:12:17 | |
stead for this year. Your year, up
to qualifying for the Masters, was | 1:12:17 | 1:12:24 | |
massive. He went from outside of the
top 50 to being number 16. You | 1:12:24 | 1:12:29 | |
seemed to click in so many ways? I
have to put a lot of back down to my | 1:12:29 | 1:12:35 | |
coach, Barry. We've worked hard
technically. To be honest, it set me | 1:12:35 | 1:12:39 | |
back for a good two years but
inevitably, it's put me to steps | 1:12:39 | 1:12:46 | |
forwards -- two steps forward. We've
not looked back. We managed to win | 1:12:46 | 1:12:53 | |
Shanghai, it was important to be
consistent. You don't want to be a | 1:12:53 | 1:12:56 | |
one-hit wonder. I'm chasing the
title but I am getting closer and | 1:12:56 | 1:12:59 | |
closer. That's what you've got to
do. These days it is so tough, you | 1:12:59 | 1:13:04 | |
cannot be too hard on yourself. You
need to set realistic goals. It | 1:13:04 | 1:13:10 | |
sounds as though Barry almost
deconstructed your game and put it | 1:13:10 | 1:13:13 | |
back together again? Yes, it has
been really difficult. We both like | 1:13:13 | 1:13:18 | |
to maybe modify a fume or things but
want something has worked, and of | 1:13:18 | 1:13:23 | |
the most extreme pressure, why
change a winning formula? We've | 1:13:23 | 1:13:28 | |
stuck to what we are doing and I am
reaping the rewards. How do you | 1:13:28 | 1:13:34 | |
balance being a young father? You
have Finlay and Bailey, Bailey is | 1:13:34 | 1:13:41 | |
only four months old. There are
great opportunities but they come at | 1:13:41 | 1:13:44 | |
a price, in that you spend months
and months every year away from home | 1:13:44 | 1:13:49 | |
and come in many cases, out the
country in a different time zone? It | 1:13:49 | 1:13:55 | |
is tough, this year, especially,
I've gone out the door. My little | 1:13:55 | 1:14:00 | |
boy has chased me down the stairs
and said, dad, don't go! He is three | 1:14:00 | 1:14:06 | |
years old, he wants me around him
the whole time but in a few more | 1:14:06 | 1:14:09 | |
times he will -- a few years' time,
he will appreciate the life I have | 1:14:09 | 1:14:14 | |
given him. I would love for him to
travel with me and see parts of the | 1:14:14 | 1:14:17 | |
world. My wife, Sophie, she'd never
really been abroad before we got | 1:14:17 | 1:14:22 | |
together. My career has broadened
her mind, seen the countries that | 1:14:22 | 1:14:25 | |
she has seen. You have to take the
rough with the smooth. It isn't easy | 1:14:25 | 1:14:31 | |
but I am enjoying what I am doing. I
am hungry. I have to be a bit | 1:14:31 | 1:14:36 | |
selfish and put my snooker first. In
that sense, I will always give my | 1:14:36 | 1:14:41 | |
family a better life for that
reason. It isn't easy but I am | 1:14:41 | 1:14:45 | |
coping quite well. And it sounds as
though you have a gratitude to the | 1:14:45 | 1:14:51 | |
sport, great skill and you have
deserved every penny that you have | 1:14:51 | 1:14:54 | |
earned in the last couple of years
and the money that you haven't has | 1:14:54 | 1:14:58 | |
created a better future for your
wife and children. That must be | 1:14:58 | 1:15:01 | |
something that you are proud of?
Ferry, my wife can bring up our | 1:15:01 | 1:15:10 | |
sons, she is doing an amazing job,
she's allowed me to go and do my job | 1:15:10 | 1:15:15 | |
snooker is healthy. We are going to
China for £150,000 as the first | 1:15:15 | 1:15:22 | |
prize. That was unheard-of but if
there is a lot of travelling, if you | 1:15:22 | 1:15:27 | |
can make it count and reap the
rewards, you can have a nice life | 1:15:27 | 1:15:31 | |
back home. Will be boys have a
different childhood to that you | 1:15:31 | 1:15:38 | |
experienced? I am trying really hard
to not make that happen. I want my | 1:15:38 | 1:15:42 | |
little boys to work for it, like I
have had two and my mum and dad were | 1:15:42 | 1:15:47 | |
very modest, they worked very hard
and gave literally everything they | 1:15:47 | 1:15:49 | |
had to get me where I am today. I
appreciate that. I want my boys to | 1:15:49 | 1:15:57 | |
experience something like that and
work for it, not having it gifted to | 1:15:57 | 1:16:00 | |
them on a plate. It sets them in
good stead for the rest of their | 1:16:00 | 1:16:05 | |
lives, hopefully. Do you ever
wonder, if you had not been good | 1:16:05 | 1:16:08 | |
enough to make a living lot of
snooker, what direction woodlice | 1:16:08 | 1:16:13 | |
have taken you in? Sometimes it
scares me, I think, what if I didn't | 1:16:13 | 1:16:19 | |
do this or that? You cannot really
think like that. You've got to look | 1:16:19 | 1:16:23 | |
forward. I'm not really about the
money, trying to chase the trophies. | 1:16:23 | 1:16:31 | |
It's a bonus. I life has completely
changed in the last few years | 1:16:31 | 1:16:36 | |
because of that win in Shanghai. And
I followed it up. Two years on tour, | 1:16:36 | 1:16:42 | |
I was a bomb in for a year and when
I turned pro again, I thought, that | 1:16:42 | 1:16:46 | |
is it. My last chance. If I do not
make it now that's the end. Luckily | 1:16:46 | 1:16:52 | |
I am sitting here and being quite
successful. Finley is about to turn | 1:16:52 | 1:16:57 | |
three years old, can he focus on the
snooker on the TV or would he look | 1:16:57 | 1:17:01 | |
at you for five seconds, then get
bored and go back to his toys? He | 1:17:01 | 1:17:07 | |
has a little fire engine that I am
trying to keep him off, he is a | 1:17:07 | 1:17:12 | |
nightmare! He loves it. Whenever I'm
on, whether it is a streaming side, | 1:17:12 | 1:17:18 | |
he is sat with my wife, trying to
watch. Whenever I pot the ball, he | 1:17:18 | 1:17:24 | |
says, yes, get in! He doesn't
understand where the white goes, but | 1:17:24 | 1:17:29 | |
he enjoys it. I'm trying to get him
to more events. I took him to the | 1:17:29 | 1:17:34 | |
arena in Scotland, it was a
challenge keeping him quiet but | 1:17:34 | 1:17:38 | |
hopefully we will see him in the
venues soon. It sounds like your | 1:17:38 | 1:17:43 | |
wife, children and parents are
really proud of you. Congratulations | 1:17:43 | 1:17:46 | |
on your success so far. May that
second title be coming sooner rather | 1:17:46 | 1:17:51 | |
than later! A lovely interview.
Barry Hawkins and Kyren Wilson | 1:17:51 | 1:18:02 | |
coming up later this evening.
It's a very difficult industry with | 1:18:02 | 1:18:05 | |
all of the travelling. It's great to
hear them talking about family life. | 1:18:05 | 1:18:10 | |
Yes, he said about sacrificing, if
you want to get to the top or you | 1:18:10 | 1:18:15 | |
have ambitions of being the best in
the world, you need to make | 1:18:15 | 1:18:18 | |
sacrifices. It is hard but his
snooker, his career, has to come | 1:18:18 | 1:18:23 | |
first. You have always said that.
Unlike other players who do not | 1:18:23 | 1:18:30 | |
dedicate as much time as they could?
Not everybody can do it. That's why | 1:18:30 | 1:18:34 | |
the best are separated from the
almost- there. You have to be | 1:18:34 | 1:18:39 | |
single-minded to get to the top. He
won the Shanghai Masters in 2015. | 1:18:39 | 1:18:44 | |
When you see him play and who he is
nurturing into, can you see him | 1:18:44 | 1:18:48 | |
racking up or titles? He is very
talented, it's good to see him play | 1:18:48 | 1:18:56 | |
impeccable snooker. He has some way
to go before he wins tournaments | 1:18:56 | 1:19:00 | |
regularly but he is talented. And
he's a good chap. Good luck to Kyren | 1:19:00 | 1:19:05 | |
Wilson and Barry Hawkins.
Steve Davis has gone out to the Cue | 1:19:05 | 1:19:11 | |
Zone.
Out here, on a daily basis, snooker | 1:19:11 | 1:19:15 | |
coaches are here for the fans to ask
questions. One of the biggest | 1:19:15 | 1:19:20 | |
questions people ask about this game
is there are two balls, where should | 1:19:20 | 1:19:24 | |
your eyes be at any one time during
the shot that you play? Which ball | 1:19:24 | 1:19:29 | |
should you be looking at when you
try and hit the white ball? We | 1:19:29 | 1:19:33 | |
identified Ronnie O'Sullivan in | 1:19:33 | 1:19:37 | |
try and hit the white ball? We
identified Ronnie O'Sullivan in | 1:19:37 | 1:19:37 | |
those frames... His eyes are looking
at the ball, it's dark in the | 1:19:37 | 1:19:45 | |
auditorium. Flicking back and
forwards, his eyes go to the object | 1:19:45 | 1:19:49 | |
ball, a flick to the white ball as
he hits that back on the object | 1:19:49 | 1:19:53 | |
ball. Every player does it
differently. Not every player looks | 1:19:53 | 1:19:56 | |
at the object ball when they play
the shot but here is one way | 1:19:56 | 1:20:01 | |
considered to be not the tried and
tested way but one that is | 1:20:01 | 1:20:04 | |
theoretically possible. You asked it
with the blue over the pocket and | 1:20:04 | 1:20:09 | |
the cue ball, where should you be
looking? The blue, judging the line | 1:20:09 | 1:20:13 | |
of the shot. You get down, you've
got to make sure that you are | 1:20:13 | 1:20:17 | |
looking at the white ball. You get
down, looking at the blue, in | 1:20:17 | 1:20:21 | |
position... Look at the centre of
the white. Going backwards and | 1:20:21 | 1:20:27 | |
forwards, you look at the blue, then
the white, then the blue, and as you | 1:20:27 | 1:20:32 | |
pull the cue back for the last shot,
at the pause at the back that a lot | 1:20:32 | 1:20:42 | |
of players have, that is when you
can possibly transfer your eyes to | 1:20:42 | 1:20:46 | |
the blue and then... You can strike!
Other players look at the white ball | 1:20:46 | 1:20:50 | |
when they play the shot. Some
players look at the object ball when | 1:20:50 | 1:20:55 | |
they play their shot. There does not
seem to be a definitive answer but | 1:20:55 | 1:21:00 | |
the question and theory of the game
says to look at the object ball. | 1:21:00 | 1:21:03 | |
Back to you in the studio! Thank
you. If you are turning on the | 1:21:03 | 1:21:09 | |
television, you have missed a
masterclass from Mr Ronnie | 1:21:09 | 1:21:11 | |
O'Sullivan... | 1:21:11 | 1:21:13 | |
Leading 4-0, let's show you the best
of the action from the first four | 1:21:18 | 1:21:22 | |
frames.
A poor opening shot from Marco Fu. | 1:21:22 | 1:21:25 | |
The boys in the studio agreed with
that. A blistering start from Ronnie | 1:21:25 | 1:21:30 | |
O'Sullivan. This is what the fans
paid their money to see. | 1:21:30 | 1:21:36 | |
Unbelievable from O'Sullivan.
Breaking 120 from one. And in frame | 1:21:36 | 1:21:43 | |
two, another century from Ronnie
O'Sullivan. A break of 121. Ten | 1:21:43 | 1:21:48 | |
minutes and five seconds. Nothing
that Marco Fu could do. What a shot! | 1:21:48 | 1:21:54 | |
This is wonderful stuff from Ronnie
O'Sullivan this afternoon. | 1:21:54 | 1:22:00 | |
O'Sullivan this afternoon. Another
century from Ronnie O'Sullivan. A | 1:22:01 | 1:22:05 | |
glance to us up here in the
studio...! We are very much enjoying | 1:22:05 | 1:22:10 | |
it here, Ronnie. Elaine Prichard,
good afternoon. She has tweeted us. | 1:22:10 | 1:22:18 | |
"Wow, Ronnie O'Sullivan
unbelievable! A joy to watch even | 1:22:18 | 1:22:21 | |
though he proves to be a distraction
from a case study I am meant to be | 1:22:21 | 1:22:25 | |
writing!"
This is from Angela, she says good | 1:22:25 | 1:22:34 | |
afternoon to all at BBC Snooker.
Poetry in motion, a joy to watch. I | 1:22:34 | 1:22:39 | |
am so glad I am not at work today!
Keep those coming, using the hashtag | 1:22:39 | 1:22:46 | |
"BBC snooker". Let's go back to
Dennis and John. COMMENTATOR: Thank | 1:22:46 | 1:22:53 | |
you, Jason. | 1:22:53 | 1:22:59 | |
you, Jason. Will the mid-session
interval change things? | 1:22:59 | 1:23:02 | |
Hitting the White harder than
intended, he is trying to get the | 1:23:10 | 1:23:13 | |
White tide on the cushion. | 1:23:13 | 1:23:24 | |
-- tight on the cushion. A touching
ball to help the situation, it's | 1:23:26 | 1:23:34 | |
good to come off a couple of
cushions. | 1:23:34 | 1:23:37 | |
Seeing Ronnie backstage with his
friends. Unbelievable. A new tip was | 1:23:41 | 1:23:49 | |
put on, the first time he used it
was on the practice table today. | 1:23:49 | 1:23:53 | |
That was quite amazing. With how he
has played. Not taking that one off | 1:23:53 | 1:24:02 | |
in a hurry. | 1:24:02 | 1:24:08 | |
This time, that is not touching. Not
a lot that Marco Fu can do here. | 1:24:30 | 1:24:40 | |
Just a little bit of a stalemate at
present... | 1:24:48 | 1:24:55 | |
Thin off the reds, tight on the
cushion. The yellow ball is the | 1:25:01 | 1:25:05 | |
covering ball, if he can judge it.
You have the perfect picture to | 1:25:05 | 1:25:10 | |
watch the angle of this. There is
the yellow. A white coming down | 1:25:10 | 1:25:15 | |
towards it. Almost! | 1:25:15 | 1:25:28 | |
Those two reds at the back were
close to the corner. Not quite... | 1:25:33 | 1:25:49 | |
APPLAUSE
An excellent shot. Well played, | 1:26:18 | 1:26:23 | |
Marco. Very good. | 1:26:23 | 1:26:33 | |
Going to hit these good and thin. It
was a little too thin. | 1:26:33 | 1:26:47 | |
was a little too thin. Marco coming
to the table. I think he put it | 1:26:47 | 1:26:48 | |
back. | 1:26:48 | 1:26:55 | |
back. Much better to miss the red
altogether on the first attempt. You | 1:26:56 | 1:27:00 | |
can see other reds. If you were to
play the same shot again and missed | 1:27:00 | 1:27:05 | |
it, you would get a warning. Just
checking whether, on the monitor | 1:27:05 | 1:27:15 | |
there, at the top, the referee in
the game there. Marcel Eckhardt from | 1:27:15 | 1:27:20 | |
Germany. | 1:27:20 | 1:27:26 | |
Germany. That is about spot-on.
Anything thin is good. | 1:27:26 | 1:27:42 | |
Anything thin is good. Would lead
Marco in for his first pot. | 1:27:43 | 1:27:54 | |
All of the makings of being the
longest frame in the match so far, | 1:28:07 | 1:28:10 | |
with the black tied up. The scoring
is a little awkward on this frame... | 1:28:10 | 1:28:24 | |
15 seconds is his average shot time. | 1:28:24 | 1:28:38 | |
Finding it difficult to think of a
path back to the baulk area there, | 1:28:41 | 1:28:46 | |
Marco. It does look a little
awkward. Play off the cluster, there | 1:28:46 | 1:28:55 | |
is a cluster of five in the
play-off. They come around the | 1:28:55 | 1:29:02 | |
angles. | 1:29:02 | 1:29:07 | |
Now, then... You can get a terrific
round of applause if he knocks in a | 1:29:43 | 1:29:48 | |
red here. It would be his first
point that he has scored in this | 1:29:48 | 1:29:54 | |
match, believe it or not. How is he
going to get on the colour? APPLAUSE | 1:29:54 | 1:30:11 | |
He knew that he was going to get his
first pot but he couldn't get any on | 1:30:13 | 1:30:20 | |
the colour. That noise happens on
the end of a barrage of someone | 1:30:20 | 1:30:23 | |
playing well, the first opportunity
you get and you cannot get onto a | 1:30:23 | 1:30:27 | |
colour, not from that position. A
very good safety shot. | 1:30:27 | 1:30:37 | |
That is OK. He'll be pleased it went
into the pocket. Had a wobble to the | 1:31:01 | 1:31:06 | |
jaws, could have left Marco in with
a decent chance. | 1:31:06 | 1:31:14 | |
Got to be careful with the cue ball. | 1:31:23 | 1:31:32 | |
Tough green. You don't want to be
forcing this type of shot in to try | 1:31:33 | 1:31:37 | |
to get up to the reds. Maybe he has
to try and make something happen. If | 1:31:37 | 1:31:42 | |
you are rolling in this, it would be
OK. | 1:31:42 | 1:31:47 | |
Very well played. | 1:31:50 | 1:31:52 | |
APPLAUSE. | 1:31:52 | 1:31:56 | |
Still very, very awkward. Black tied
up, pink awkward. | 1:31:57 | 1:32:05 | |
Sizeable contribution - the yellow
and brown is a decent target to try | 1:32:14 | 1:32:18 | |
to get in behind. | 1:32:18 | 1:32:23 | |
That is as good as he could have
done with the weight of the cue | 1:32:34 | 1:32:37 | |
ball. | 1:32:37 | 1:32:40 | |
The way he's played that, couldn't
have been much better. | 1:32:42 | 1:32:54 | |
Look at this. Fully concentrating.
Fly landed on his head, he got down | 1:33:04 | 1:33:10 | |
and played the shot as if it wasn't
there. Do you think he's trying | 1:33:10 | 1:33:14 | |
hard? ! | 1:33:14 | 1:33:22 | |
He's gotten away with that. Played
that in such a way that he was | 1:33:59 | 1:34:03 | |
hoping to get the white back down
the table. Left very awkward for | 1:34:03 | 1:34:09 | |
Marco here. When you are on your own
and things go your way, there are | 1:34:09 | 1:34:18 | |
balls all over the place in, and
Ronnie knows himself that he's had a | 1:34:18 | 1:34:22 | |
right result. | 1:34:22 | 1:34:29 | |
Good shot. | 1:34:35 | 1:34:37 | |
Right, Marco, this is the chance you
have been waiting for. | 1:34:39 | 1:34:46 | |
have been waiting for. Got to score
now, my man. | 1:34:46 | 1:34:52 | |
Not the best. He's made it awkward
for himself already. | 1:35:01 | 1:35:06 | |
Just trying to build up a bit of
rhythm. | 1:35:06 | 1:35:15 | |
That white cannoning into the blue
will spoil things. | 1:35:15 | 1:35:28 | |
will spoil things. Such a thin shot
he took on there. | 1:35:28 | 1:35:32 | |
He'd love to get the black back on
the spot. It was one of those poor | 1:35:32 | 1:35:38 | |
positional shots the one before that
actually forced him into a shot that | 1:35:38 | 1:35:43 | |
might just get him on the black and
that's what's happened. Maybe it's a | 1:35:43 | 1:35:49 | |
bit too acute. | 1:35:49 | 1:35:57 | |
Just lift a little bit on the shot.
I didn't see him missing that | 1:36:01 | 1:36:06 | |
though. | 1:36:06 | 1:36:11 | |
You can see him lifting up. It's a
little trait he's always had in his | 1:36:11 | 1:36:15 | |
game. It's never really stopped him
that much. Disappointing miss. | 1:36:15 | 1:36:25 | |
Not an easy chance this. Black
obviously up by the yellow. It's | 1:36:52 | 1:36:58 | |
just the first sort of positional
shot from blue here, for it to land | 1:36:58 | 1:37:03 | |
on the red, it's not
straightforward. | 1:37:03 | 1:37:11 | |
That's worked out lovely. | 1:37:23 | 1:37:30 | |
The for mall service has resumed --
if normal service has resumed, you | 1:37:38 | 1:37:43 | |
will be feeling a little for Marco
Fu again. | 1:37:43 | 1:37:54 | |
We mentioned, one of the Masters
best games was when these two played | 1:38:31 | 1:38:40 | |
each other. The only other time they
played in the Masters was the | 1:38:40 | 1:38:44 | |
quarter-final in 2015 and Ronnie won
that 6-1. | 1:38:44 | 1:38:54 | |
Quite a few flies around in the last
couple of days. At one stage we had | 1:39:53 | 1:39:58 | |
a little ant on the cue ball. | 1:39:58 | 1:40:04 | |
Not straightforward here to clinch
the frame. 30 in front. | 1:40:30 | 1:40:43 | |
Glancing at the score board there.
He needs pinpoint accuracy if he's | 1:41:09 | 1:41:15 | |
going to get red at the winning post
here in this frame. That's pinpoint | 1:41:15 | 1:41:20 | |
accuracy, you would have to say.
APPLAUSE. | 1:41:20 | 1:41:24 | |
Getting the fell repertoire of the
geniuses at work. He's just been - | 1:41:41 | 1:41:48 | |
any type of break and they've been
up and around the black spot. He's | 1:41:48 | 1:41:52 | |
been knocking those in. | 1:41:52 | 1:41:59 | |
Once again, this wasn't totally
straightforward. It's all coming to | 1:41:59 | 1:42:04 | |
him. | 1:42:04 | 1:42:06 | |
For Marco Fu, it's just one of those
days where you have to just sit and | 1:42:19 | 1:42:22 | |
watch. All one-way traffic. Ronnie
O'Sullivan is just on fire at the | 1:42:22 | 1:42:27 | |
moment and leads 5-0. | 1:42:27 | 1:42:34 | |
He's knocked them in from all sorts
of positions and there are some gems | 1:42:40 | 1:42:45 | |
amongst them, John? He's been
fabulous all day. | 1:42:45 | 1:42:55 | |
fabulous all day. Bounced off the
cushion perfectly, that one. The | 1:42:56 | 1:43:02 | |
frame was over but still this was
one of the best positional shots | 1:43:02 | 1:43:06 | |
I've seen. To come off so many
cushions and get on the yellow was | 1:43:06 | 1:43:12 | |
quite incredible. This was wonderful
cueing straight through the ball off | 1:43:12 | 1:43:17 | |
the two cushions for the black.
Ended up clearing up and winning the | 1:43:17 | 1:43:22 | |
frame so he's been at his very best
today. His focus has been superb and | 1:43:22 | 1:43:27 | |
every time he's get a chance,
there's an inevitability about it | 1:43:27 | 1:43:33 | |
for Marco Fu, I'm afraid. You have
to hold your hand up and say, you | 1:43:33 | 1:43:37 | |
know, well played, not much you can
do. He's had a chance in the last | 1:43:37 | 1:43:41 | |
one, missing the brown when he had
to put a bit of power in. But other | 1:43:41 | 1:43:45 | |
than that, the rest of the match,
he's been comprehensively outplayed. | 1:43:45 | 1:43:48 | |
We are going to show you the brown
he missed but prior to that, he had | 1:43:48 | 1:43:53 | |
to power this and sometimes it's not
a strong part, the screw shots. He | 1:43:53 | 1:44:00 | |
potted the green before and cannoned
the blue. That is what spoiled it | 1:44:00 | 1:44:04 | |
slightly for him. The thing with
that shots is, I think he should | 1:44:04 | 1:44:08 | |
have taken the black there. He's
trying to power the brown which | 1:44:08 | 1:44:12 | |
isn't great. He's 4-0 behind, if he
pots the black instead, he's got a | 1:44:12 | 1:44:15 | |
chance to win the frame there,
taking that black. He's ended up | 1:44:15 | 1:44:21 | |
overpowering it. If he knocks the
black in, all those reds down the | 1:44:21 | 1:44:25 | |
table are there for him with a great
chance. He just overhit the brown. | 1:44:25 | 1:44:31 | |
Once again too hard, missed it and
he's had to sit and watch. The | 1:44:31 | 1:44:37 | |
players are having to sit and watch
the people come back into the arena. | 1:44:37 | 1:44:42 | |
And some weren't back in time. | 1:44:42 | 1:44:48 | |
Quiet, ladies and gentlemen, please.
Marco Fu to break. | 1:44:48 | 1:44:56 | |
Marco breaks off in frame six and
not the best break off he's ever | 1:44:57 | 1:45:01 | |
played. He'll be hoping it's not his
last breakoff in this year's | 1:45:01 | 1:45:06 | |
Masters. | 1:45:06 | 1:45:12 | |
Masters. Odds are this could be a
whitewash, it has to be said. Hit it | 1:45:12 | 1:45:17 | |
a bit thick. That is why the red
come back up as well. | 1:45:17 | 1:45:27 | |
When you are playing well, that's
the sort of flick you get there, | 1:45:46 | 1:45:49 | |
play to avoid the reds. Caught them
but still got nicely on the colour. | 1:45:49 | 1:45:58 | |
Nudged out accidentally, it has to
be said. | 1:46:22 | 1:46:32 | |
Both of them go. One either side
available. Probably play this and | 1:46:40 | 1:46:46 | |
leave the cue ball a little bit low
so he can play a cannon. A bit low | 1:46:46 | 1:46:51 | |
now, should be able to pot this and
force a couple of reds into play. | 1:46:51 | 1:47:01 | |
He can play into the top of that
pack. A loose one at the back but | 1:47:32 | 1:47:38 | |
alternatives there. On the right he
could go and play into it. | 1:47:38 | 1:47:48 | |
All about the split now. | 1:48:01 | 1:48:09 | |
APPLAUSE. | 1:48:25 | 1:48:32 | |
Ronnie was getting down to see if he
could pop along the pink and leave | 1:48:32 | 1:48:35 | |
the one at the back of the bun of of
reds there. | 1:48:35 | 1:48:40 | |
- bunch of reds there. | 1:48:40 | 1:48:47 | |
APPLAUSE.
That could be the end of break, | 1:48:47 | 1:48:50 | |
unless he takes a double on. | 1:48:50 | 1:49:00 | |
Fouled it. He did.
APPLAUSE. | 1:49:03 | 1:49:10 | |
Immediately walked away from the
table and declared a foul on | 1:49:16 | 1:49:19 | |
himself. | 1:49:19 | 1:49:29 | |
Must have just touched it. Couldn't
really say. You touch it with your | 1:49:35 | 1:49:40 | |
hand. Sometimes straightaway you
foul the ball and no-one sees it. So | 1:49:40 | 1:49:45 | |
proud of our sport that the players
still do that, declare the fouls | 1:49:45 | 1:49:49 | |
themselves. | 1:49:49 | 1:49:54 | |
Bit of a chance for Marco. | 1:50:13 | 1:50:20 | |
No touch whatsoever. He's been kept
off the table. | 1:50:27 | 1:50:31 | |
Probably a bit embarrassing for
Marco. He just can't get any rhythm | 1:50:35 | 1:50:41 | |
going. | 1:50:41 | 1:50:50 | |
Stop him coming back up to the
red... | 1:50:54 | 1:50:59 | |
I think that shot tells you a lot. I
think Marco was ready to leave the | 1:51:14 | 1:51:19 | |
arena. | 1:51:19 | 1:51:21 | |
One of those days where he probably
never got a chance. So 5-0. | 1:51:31 | 1:51:42 | |
May send the red back up the table
here, as long as it doesn't hit the | 1:52:21 | 1:52:25 | |
green. Played that well. | 1:52:25 | 1:52:36 | |
Will Marco see enough of this red to
possibly get behind the pink. Very | 1:52:37 | 1:52:41 | |
thin. | 1:52:41 | 1:52:47 | |
Ronnie O'Sullivan's had breaks of
120, 121, 50, 74, 112, 75. I mean, | 1:53:31 | 1:53:39 | |
that's phenomenal. | 1:53:39 | 1:53:47 | |
APPLAUSE. | 1:53:59 | 1:54:09 | |
I thought there was a possibility.
He played it in such a way. | 1:54:11 | 1:54:23 | |
He played it in such a way. Least
looking at the red, the cluster of | 1:54:23 | 1:54:25 | |
four on the left hand side is
available if he just lands on that | 1:54:25 | 1:54:28 | |
one. | 1:54:28 | 1:54:33 | |
The reds look safe but they are all
going to clear each other as he pots | 1:54:53 | 1:54:56 | |
one, it will make another available.
So this is looking like the end of | 1:54:56 | 1:55:03 | |
the match. Look at the time. It's
coming up to an hour and 20 minutes. | 1:55:03 | 1:55:14 | |
97% pot success rate. | 1:55:15 | 1:55:16 | |
The personal spot will be available
in a couple of shots' time. | 1:55:28 | 1:55:37 | |
Pots that and it will clear the
other two. You would have to say | 1:55:40 | 1:55:44 | |
it's all over here. 46 the
difference. Feels as if it's a bit | 1:55:44 | 1:55:51 | |
tight, that red. So if he feels
that, he can always play the cannon. | 1:55:51 | 1:55:59 | |
Which is what he's done. | 1:55:59 | 1:56:10 | |
Tough afternoon far Marco, but you
are still a top class player, mar | 1:56:17 | 1:56:20 | |
koerks just one of those days where
you run into something that is very | 1:56:20 | 1:56:25 | |
special indeed. | 1:56:25 | 1:56:25 | |
Starts his defence of the title in
this way, he's been in great shape, | 1:56:40 | 1:56:49 | |
superb, every aspect. He was already
favourite for this Championship this | 1:56:49 | 1:56:55 | |
year. After this performance, he's
going to be shorter in the betting, | 1:56:55 | 1:57:00 | |
that's for certain. | 1:57:00 | 1:57:06 | |
He's got the angle to do that. | 1:57:17 | 1:57:23 | |
That's even cleverer. Still left the
chance of this difficult red. No, | 1:57:23 | 1:57:33 | |
no. The defending champion. You have
got to feel sorry for Marco Fu. The | 1:57:33 | 1:57:42 | |
whole of the Ally Pally is standing
up in recognition of that | 1:57:42 | 1:57:46 | |
performance from Ronnie O'Sullivan.
Absolutely amazing. He takes the | 1:57:46 | 1:57:51 | |
match. 6-0.
Amazing. All week | 1:57:51 | 1:57:57 | |
match. 6-0.
Amazing. All week I've been saying | 1:57:57 | 1:57:57 | |
Have you listened to the crowd, I
don't know how the noise is coming | 1:57:57 | 1:58:02 | |
through on your television screens
but the noise is cranking up as each | 1:58:02 | 1:58:05 | |
match goes by. A standing ovation
from the crowd today. Just | 1:58:05 | 1:58:09 | |
absolutely brilliant. Yes. People
ask pretournament who do you think | 1:58:09 | 1:58:14 | |
is going to win and I said it's hard
to make a case for Ronnie not making | 1:58:14 | 1:58:18 | |
the tournament. After that, it's
even harder. Not much left to say? | 1:58:18 | 1:58:23 | |
No. It's tough to keep repeating
that standard. Ronnie could do it, | 1:58:23 | 1:58:28 | |
but yes, somewhere down the line in
a long tournament, you do get a dip | 1:58:28 | 1:58:33 | |
in form or a session that's not as
good and the balls don't go right. | 1:58:33 | 1:58:37 | |
It's not just the potting and the
execution of break-building, there's | 1:58:37 | 1:58:41 | |
safety. The safety is killing as
well so it's all departments of the | 1:58:41 | 1:58:45 | |
game. Very strong, very strong.
Here he comes, Ronnie is coming in | 1:58:45 | 1:58:49 | |
to join us now. Good afternoon,
Ronnie. Good to see you, well done, | 1:58:49 | 1:58:53 | |
congratulations. Just an hour and 22
minutes and 59 seconds' work. Yep, | 1:58:53 | 1:58:57 | |
yep.
Even by your standards, you must | 1:58:57 | 1:59:02 | |
have enjoyed that. To be honest with
you, I was really struggling because | 1:59:02 | 1:59:08 | |
I've got a virus or something and I
feel very dizzy and feel like I'm | 1:59:08 | 1:59:12 | |
really sort of... Really? ! Yes. I
was playing off instinct, I was | 1:59:12 | 1:59:18 | |
thinking, don't think, just pot
balls. But I was really struggling, | 1:59:18 | 1:59:21 | |
the past five or six days. You have
been struggling with illness? I feel | 1:59:21 | 1:59:25 | |
dizzy. Give it to me for a few days!
Maybe I've overdone the exercise, | 1:59:25 | 1:59:37 | |
I'm lacking magnesium maybe. Made
myself a bit ill. It seemed like you | 1:59:37 | 1:59:42 | |
were playing quickly in the first
frame to get things going? I felt | 1:59:42 | 1:59:46 | |
all right the first couple. Then it
hit me and I thought, come on, the | 1:59:46 | 1:59:49 | |
last few days in practise I thought
I could get through it but you still | 1:59:49 | 1:59:54 | |
don't feel good physically. Everyone
talks here about the reception you | 1:59:54 | 1:59:58 | |
get here, but let's hear it from
yourself. What is it like? Is there | 1:59:58 | 2:00:02 | |
a big difference? Is this the venue
you love playing in, everyone | 2:00:02 | 2:00:07 | |
speculates it's Ronnie's home crowd,
many newspapers say it and we say it | 2:00:07 | 2:00:11 | |
but do you feel different? I get
this everywhere I go, even in China, | 2:00:11 | 2:00:15 | |
Europe, so I get very good support.
They are a little bit more vocal | 2:00:15 | 2:00:20 | |
here maybe but I'm used to having
the crowd on my side, you know, | 2:00:20 | 2:00:24 | |
sometimes it can be difficult
because you have to try and perform. | 2:00:24 | 2:00:31 | |
Not many one-table set-ups with 2000
people! | 2:00:31 | 2:00:34 | |
Not many one-table set-ups with 2000
people! But it is a bus going out on | 2:00:34 | 2:00:40 | |
that one-table set-up. You've just
got to go and do your job. Ignore | 2:00:40 | 2:00:45 | |
whatever is happening around you, it
one table with 2000 people but you | 2:00:45 | 2:00:49 | |
had to stay in your world and be
inspired from it, I suppose. The | 2:00:49 | 2:00:55 | |
last couple of years, you've been
beaten? The last two years I've been | 2:00:55 | 2:01:02 | |
messing around, I've done a lot of
exhibitions, at 60-70%, I was | 2:01:02 | 2:01:08 | |
winging it. I have hanged in there.
But since I started practising more. | 2:01:08 | 2:01:13 | |
You were dead on your feet in
December. You say that you are ill | 2:01:13 | 2:01:19 | |
but you are feeling fresher? I was
gone. At the start of December, the | 2:01:19 | 2:01:23 | |
last few weeks I really struggled.
You've got to keep your head down, | 2:01:23 | 2:01:26 | |
two weeks off. It was nice to have
the break but I'm feeling dazed and | 2:01:26 | 2:01:31 | |
confused at the moment! And you been
doing a lot of running again, your | 2:01:31 | 2:01:36 | |
fitness is going well? I always do
that. It is something I am | 2:01:36 | 2:01:40 | |
passionate about. It is good to
share with other people. You've been | 2:01:40 | 2:01:44 | |
giving people running tips online?
If they want help and support, why | 2:01:44 | 2:01:49 | |
not? It helps me too. And the year
that you have had committed you have | 2:01:49 | 2:01:53 | |
had success but you been writing
books as well. Has that really | 2:01:53 | 2:01:57 | |
helped you to focus on the big
tournaments coming, you've got all | 2:01:57 | 2:02:00 | |
of that other | 2:02:00 | 2:02:09 | |
of that other stuff out of your
system. Does it help when you get to | 2:02:09 | 2:02:12 | |
a tournament like this? I feel like
a part-time player. I'm like a | 2:02:12 | 2:02:14 | |
hybrid. I have two careers, one is
playing snooker. I devote as much | 2:02:14 | 2:02:17 | |
time as I can, I have two practice
at tournaments to keep the | 2:02:17 | 2:02:20 | |
foundation and I'm doing a lot of
other stuff I enjoyed. It is a | 2:02:20 | 2:02:22 | |
transition period. I don't want to
do what some other guys have done, | 2:02:22 | 2:02:25 | |
retire and have nothing. I'm trying
to build a second career so I have | 2:02:25 | 2:02:28 | |
something to look forward to Wendy
snooker is over. The balance, the | 2:02:28 | 2:02:33 | |
books and the literature and the TV
pundit work as well, suddenly you | 2:02:33 | 2:02:37 | |
happy happy balance where you are
enjoying the | 2:02:37 | 2:02:48 | |
enjoying the sport that you are so
good at. I will not do anything | 2:02:48 | 2:02:50 | |
unless it is on my terms, snooker or
other stuff. I have a set of terms I | 2:02:50 | 2:02:54 | |
am happy with and if people agree, I
am happy. It is my time, whether | 2:02:54 | 2:02:57 | |
snooker or anything else, it is
important to me. It is nice to have | 2:02:57 | 2:03:00 | |
hobbies that do not compete with
snooker, so different styles of | 2:03:00 | 2:03:02 | |
hobbies. If you take golf and you
got involved with that... I wouldn't | 2:03:02 | 2:03:06 | |
do that, no! CHUCKLES
That is pathetic. No, I am meeting | 2:03:06 | 2:03:14 | |
interesting people. I wouldn't play
golf because it is the same as this. | 2:03:14 | 2:03:17 | |
I am meeting creating and
interesting people. This kind of | 2:03:17 | 2:03:23 | |
world... It has taken pressure off
me. I don't feel pressure when I | 2:03:23 | 2:03:27 | |
play. I go out because I want to
entertained and I have pride in my | 2:03:27 | 2:03:31 | |
performance. I'm a natural
competitor. I do not need to find | 2:03:31 | 2:03:34 | |
motivation to play and to win. It is
there naturally. But I do not feel | 2:03:34 | 2:03:39 | |
the pressure any more. I have other
things... Going on in your life? It | 2:03:39 | 2:03:44 | |
makes things quite interesting. You
say you do not care if you win or | 2:03:44 | 2:03:48 | |
lose... I used to... You have to
train yourself. You can train | 2:03:48 | 2:03:54 | |
yourself to do anything. You have to
detach from it. Although I like to | 2:03:54 | 2:03:59 | |
do well and perform, I think Steven
and Steve were more like animals to | 2:03:59 | 2:04:02 | |
win whereas I like performance. I'm
not so disappointed if I lose as | 2:04:02 | 2:04:07 | |
long as the performance is good.
It's probably the wrong way to think | 2:04:07 | 2:04:10 | |
that it is how I am. Part of playing
snooker is dominating the table. In | 2:04:10 | 2:04:16 | |
losing, you will be out and being
beaten by somebody, you are not | 2:04:16 | 2:04:21 | |
dominating the table... I do not
take it personally, if I cannot | 2:04:21 | 2:04:27 | |
dominate the table I do not deserve
to win. That is the challenge and | 2:04:27 | 2:04:31 | |
always has been. Whether you win or
lose, for me it is being competitive | 2:04:31 | 2:04:35 | |
and enjoying the match, winning or
losing. It is trying to get that. | 2:04:35 | 2:04:40 | |
You have to train yourself at some
point in your career. Perhaps when | 2:04:40 | 2:04:43 | |
you are younger it is OK to have
that drive but at 42, there's more | 2:04:43 | 2:04:47 | |
in life than winning tournaments.
You have to get some perspective, I | 2:04:47 | 2:04:54 | |
think. To continue that longevity.
And finally, on the entertainment | 2:04:54 | 2:04:56 | |
value, Respect are a lot of fans in
the arena before coming out today. | 2:04:56 | 2:05:00 | |
They said that they'd been looking
forward to this for weeks. Ie At a | 2:05:00 | 2:05:04 | |
stage in your career where it is
about entertaining people who pay | 2:05:04 | 2:05:08 | |
their money to watch. Winning
tournaments, is it the entertainment | 2:05:08 | 2:05:12 | |
that is at the top of the list for
you? On my tombstone, whether it | 2:05:12 | 2:05:21 | |
says six, seven or eight worlds,
it's not important. While you are | 2:05:21 | 2:05:26 | |
here, when you are long gone and
dead, people put on you Tube and | 2:05:26 | 2:05:30 | |
hopefully they will see some
performances they thought were good. | 2:05:30 | 2:05:34 | |
It keeps me motivated to have style.
A lot of people will play and park | 2:05:34 | 2:05:39 | |
the bus while I would like to attack
the game... Not to the point where | 2:05:39 | 2:05:45 | |
sometimes it can get scary but it is
a bit. You do not want to let | 2:05:45 | 2:05:49 | |
yourself down but equally, if I lost
today I would have had a great time | 2:05:49 | 2:05:55 | |
today. Everything I do has to be win
- win. I have another match here if | 2:05:55 | 2:06:01 | |
I lost, if I win I got another. For
me I need to get like that. I do not | 2:06:01 | 2:06:06 | |
want anything... You know, where I
feel like it is a chore. And when | 2:06:06 | 2:06:10 | |
you came in when you beat Ricky
Walden in one hour, 22 minutes and | 2:06:10 | 2:06:17 | |
62 seconds, you are slacking! I
know, I need to work on my sprint | 2:06:17 | 2:06:21 | |
work! We will see you on Monday,
Ronnie. You play Mark Allen at one | 2:06:21 | 2:06:28 | |
o'clock then.
Thank you very much indeed. | 2:06:28 | 2:06:31 | |
Let's | 2:06:31 | 2:06:31 | |
Thank you very much indeed.
Let's turn our attention to | 2:06:31 | 2:06:34 | |
tonight's match... Barry Hawkins
plays Kyren Wilson. That is left on | 2:06:34 | 2:06:36 | |
the red button and on the BBC Sport
website and app... | 2:06:36 | 2:06:45 | |
It would be fair to say that Barry
Hawkins, for many years, he looks | 2:06:45 | 2:06:50 | |
like a journey man player. Suddenly
he has upped his stock and in the | 2:06:50 | 2:06:57 | |
game he is feared by many players. A
top-class match player. A very good | 2:06:57 | 2:07:02 | |
safety game. But I love how he times
that bull. He is one of the few | 2:07:02 | 2:07:07 | |
players who can time that ball with
so little effort that the object | 2:07:07 | 2:07:13 | |
ball arrives at the pockets with
practically no pace at all. You make | 2:07:13 | 2:07:17 | |
the pockets bigger and if you can do
that, one of the reasons why he can | 2:07:17 | 2:07:20 | |
do that is because his positional
play is so good. He is very good in | 2:07:20 | 2:07:25 | |
all aspects of his game. He is very
strong. Collecting the old football | 2:07:25 | 2:07:31 | |
stickers of players, top Trumps, he
scores highly in every area. He is | 2:07:31 | 2:07:41 | |
strong, in defence and attack. Long
potting, safety play. Knowing when | 2:07:41 | 2:07:45 | |
to put a colour | 2:07:45 | 2:07:50 | |
to put a colour safe, he is very,
very strong and I do not think it | 2:07:50 | 2:07:53 | |
would be long before he wins again.
Is he enough of a shotmaker to test | 2:07:53 | 2:07:58 | |
the top players? I think he has the
game, obviously, to beat all of the | 2:07:58 | 2:08:03 | |
top players. If there is one
department you could be slightly | 2:08:03 | 2:08:06 | |
critical of, it would be his mental
strength. I think that is something | 2:08:06 | 2:08:10 | |
that he has worked on. Not the flag?
No, I do not think so. For whatever | 2:08:10 | 2:08:16 | |
reason he loses the plot and you can
see sometimes he will play a shot | 2:08:16 | 2:08:20 | |
and look up to someone in the crowd
and go like this, as if you just | 2:08:20 | 2:08:25 | |
lost the plot for a second. As we
know, at the top level, all it takes | 2:08:25 | 2:08:29 | |
is one shot. And where is his next
win coming from? I know that he is a | 2:08:29 | 2:08:34 | |
great player. How does he get into
the winner 's enclosure? Other than | 2:08:34 | 2:08:41 | |
waiting for his chance? How does he
force his way in? He has the game to | 2:08:41 | 2:08:45 | |
be world champion. No two ways about
that. He is good enough to be world | 2:08:45 | 2:08:50 | |
champion. If you were being
ultra-critical, I don't want to be | 2:08:50 | 2:08:54 | |
on a fellow player but when he has
won in the past, it is part of what | 2:08:54 | 2:08:59 | |
he has done that week. Scoring
better than everyone else. Not | 2:08:59 | 2:09:04 | |
necessarily all the time being a
massive and consistent scorer. You | 2:09:04 | 2:09:09 | |
know, century after century. He can
do it, as everyone can, but to win | 2:09:09 | 2:09:14 | |
tournaments regularly you've got to
be outscoring everybody. | 2:09:14 | 2:09:22 | |
Barry Hawkins and Kyren Wilson is
live on the red button this evening. | 2:09:22 | 2:09:25 | |
This is how they are lining up in
the career head-to-heads. Kyren | 2:09:25 | 2:09:32 | |
Wilson's second appearance at the
Monsters, making his debut last year | 2:09:32 | 2:09:36 | |
and losing to Ding Junhui. | 2:09:36 | 2:09:41 | |
How do you see this one going
tonight? It is difficult to judge | 2:09:44 | 2:09:48 | |
these matches, even if you think
there is a favourite, it doesn't | 2:09:48 | 2:09:51 | |
mean they will always be performing.
There is always a pressure on the | 2:09:51 | 2:09:55 | |
favourite. The underdog always has
half a chance because of that. And | 2:09:55 | 2:09:59 | |
Hawkins, given that he did so well
here last year? He has a good record | 2:09:59 | 2:10:03 | |
in big events, he likes a big
occasion. He is the higher ranked | 2:10:03 | 2:10:11 | |
player, it creates some expectation.
I cannot pick a winner, I do not | 2:10:11 | 2:10:15 | |
think either of them have been
pulling up trees recently. Certainly | 2:10:15 | 2:10:20 | |
in terms of winning. It is tricky to
pick a winner. Do you like what you | 2:10:20 | 2:10:24 | |
see with Kyren Wilson? Yeah, I think
he is a player who has his head | 2:10:24 | 2:10:29 | |
screwed on, correctly. He is in a
privileged position, he has a jump | 2:10:29 | 2:10:35 | |
on a lot of the players of his
error. It's a good all-round game. | 2:10:35 | 2:10:41 | |
He is a think about the game. If you
look at longevity within snooker, | 2:10:41 | 2:10:46 | |
you've got to be professional enough
to improve all the time. He's doing | 2:10:46 | 2:10:49 | |
a very good job so far. Both players
on their day are heavy scorers. It | 2:10:49 | 2:10:55 | |
could be a high-scoring match, three
or four centuries. And I said to | 2:10:55 | 2:11:00 | |
Steven Indie Cue Zone in the
interval, Kyren Wilson won the | 2:11:00 | 2:11:04 | |
Shanghai Masters in 2015, when you
look at him mentally, could he go on | 2:11:04 | 2:11:10 | |
one day and when a big ranking
title? In a player's career, on the | 2:11:10 | 2:11:18 | |
way up, you get some players going
up and the hit a barrier and they | 2:11:18 | 2:11:21 | |
never get over it, they never get
over the hurdle and somewhere down | 2:11:21 | 2:11:25 | |
the line, a player like Kyren Wilson
can go and jump up another level and | 2:11:25 | 2:11:29 | |
then another and before too long,
you say that he is dominating. Then | 2:11:29 | 2:11:33 | |
you've got a player who is one of
the greats. He isn't anywhere near | 2:11:33 | 2:11:37 | |
that stage yet but he could be one
of the greats with his strong cue | 2:11:37 | 2:11:41 | |
action and a good all-round game.
With his attack and a bit of | 2:11:41 | 2:11:45 | |
something about him with Steven. We
look forward to that, live on the | 2:11:45 | 2:11:49 | |
red button tonight at 7pm. If you
are just tuning in, welcome. Ronnie | 2:11:49 | 2:11:54 | |
O'Sullivan beat Marco Fu 6-0, a
whitewash. Here is how the first | 2:11:54 | 2:12:00 | |
draw is looking... | 2:12:00 | 2:12:05 | |
So it is building up quite nicely,
isn't it? Yes, it's a fantastic | 2:12:45 | 2:12:51 | |
event. The best players in the
world, possibly minus Neil | 2:12:51 | 2:12:54 | |
Robertson. But yes, it looks like it
will be an interesting week. And do | 2:12:54 | 2:12:58 | |
we think that people like Mark
Williams and Ryan Day can cause a | 2:12:58 | 2:13:01 | |
further upset in the quarterfinals
and possibly make the semifinals? | 2:13:01 | 2:13:05 | |
Certainly, and while there are a
couple of shocks in this event | 2:13:05 | 2:13:09 | |
already at this level, such is the
standard of players, you could argue | 2:13:09 | 2:13:13 | |
there are no shocks all surprises,
when the player is bundled out by | 2:13:13 | 2:13:17 | |
another great player but there are
cracking matches that will be coming | 2:13:17 | 2:13:20 | |
up for the rest of the week. The
likes of Mark Williams coming back | 2:13:20 | 2:13:24 | |
into form, it's always marvellous.
Thank you very much indeed. A quick | 2:13:24 | 2:13:29 | |
reminder we are back later this
evening. At 7pm, live on the red | 2:13:29 | 2:13:34 | |
button and the website and the app.
We will round up all of today's play | 2:13:34 | 2:13:39 | |
in the highlights tonight. We are
back with more live coverage on BBC | 2:13:39 | 2:13:43 | |
Two tomorrow. Thank you to Steven
and Steve, a slightly earlier finish | 2:13:43 | 2:13:49 | |
because of The Rocket. It is left
off. Goodbye for now... -- it is | 2:13:49 | 2:14:03 |