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Good afternoon. Welcome to Alexandra
Palace and the 2018 Masters. It is | 0:00:35 | 0:00:42 | |
the format, the final day of
first-round matches. We feature a | 0:00:42 | 0:00:46 | |
man who lifted the Masters three
years ago and has won the Triple | 0:00:46 | 0:00:49 | |
crown snooker. Joining that
exclusive club of world champions. | 0:00:49 | 0:00:57 | |
UK Champion 2008, it is Shaun
Murphy. | 0:01:10 | 0:01:15 | |
2015 Masters champion, Shaun Murphy. | 0:01:24 | 0:01:29 | |
And it is even a T-shirt on sale
here at the master celebrating the | 0:01:32 | 0:01:36 | |
fact of the Magician has won the
Triple crown. He doesn't have a good | 0:01:36 | 0:01:42 | |
record against Ali Carter. He leads
the head-to-head by nine victories. | 0:01:42 | 0:01:46 | |
Here are ten more fact she did not
know about the manner that is known | 0:01:46 | 0:01:50 | |
as The Captain. | 0:01:50 | 0:01:57 | |
Ali Carter was born in Colchester
England on the 25th of July. He | 0:01:58 | 0:02:05 | |
turned professional in 1996. He has
twice been the runner-up at the | 0:02:05 | 0:02:13 | |
World Championships. Both times
losing to Ronnie O'Sullivan. He made | 0:02:13 | 0:02:17 | |
his first maximum break at the
Crucible in 2008. His nickname, The | 0:02:17 | 0:02:24 | |
Captain, comes from his past time as
a pilot. His first ranking | 0:02:24 | 0:02:29 | |
tournament victory came in 2009 in
the Welsh Open. Ali has fought | 0:02:29 | 0:02:37 | |
against Crohn's disease, testicular
and lung cancer. He has earned over | 0:02:37 | 0:02:42 | |
two in career prize money. His
highest position in the world | 0:02:42 | 0:02:47 | |
rankings was number two Mike in
2010. He liked his practice facility | 0:02:47 | 0:02:52 | |
so much he bought the business. | 0:02:52 | 0:02:55 | |
Another attractive match. As for Ali
Carter, this game is difficult | 0:03:00 | 0:03:04 | |
enough to play without health
problems but he has done well to | 0:03:04 | 0:03:08 | |
hang around. Absolutely. He is one
of those players you like to watch | 0:03:08 | 0:03:12 | |
play because he is so good with his
cue, he hits the ball so nicely. His | 0:03:12 | 0:03:17 | |
problems are well documented but he
is a tournament winner and as a | 0:03:17 | 0:03:21 | |
force for anyone. You can turn over
anyone on Thursday. He was | 0:03:21 | 0:03:25 | |
particularly sick at the UK
Championships. He feels better so | 0:03:25 | 0:03:30 | |
that has to be a bonus. I think he
loves the big tournament, the bigger | 0:03:30 | 0:03:36 | |
stage, playing at the Ally Pally and
that the World Championships. He | 0:03:36 | 0:03:41 | |
lost a couple of finals. He is one
of the players that can rise to the | 0:03:41 | 0:03:45 | |
big stage. I am really looking
forward to see how he plays today. | 0:03:45 | 0:03:49 | |
He is big - five ahead of Shaun
Murphy. Shaun Murphy is a different | 0:03:49 | 0:03:54 | |
animal this year. He has the
confidence from the Champion of | 0:03:54 | 0:03:59 | |
Champions and in his fourth major
final this year. He is playing with | 0:03:59 | 0:04:03 | |
confidence. Apart from Ronnie
O'Sullivan, he is the danger man. | 0:04:03 | 0:04:09 | |
Danger is the word. When he is
stomping around the table he looks | 0:04:09 | 0:04:12 | |
like he'll eat every ball he is so
hard to stop. He has the philosophy | 0:04:12 | 0:04:16 | |
he will not go down with a safety
shot, he is going for everything. He | 0:04:16 | 0:04:21 | |
is one of the best long potters and
break-builders and the game. You can | 0:04:21 | 0:04:27 | |
believe his opponents. He | 0:04:27 | 0:04:37 | |
believe his opponents. He stomps
like it is his table. It is a great | 0:04:37 | 0:04:39 | |
attitude. It is very off-putting.
Thank you, Ken. This is the last day | 0:04:39 | 0:04:41 | |
in the first-round matches and | 0:04:41 | 0:04:47 | |
Ronnie O'Sullivan slip as Marco Fu
in scintillating style yesterday | 0:04:47 | 0:04:51 | |
setting up a clash with Mark Allen
who beat Luca Badoer cell. And all | 0:04:51 | 0:04:57 | |
Scotland tonight as John Higgins
faces Anthony McGill. | 0:04:57 | 0:05:04 | |
Judd Trump soph or the challenge of
Liang Wenbo. | 0:05:08 | 0:05:19 | |
Kyren Wilson beat Barry Hawkins.
Mark Selby was knocked out by Mark | 0:05:20 | 0:05:24 | |
Williams. We have seen some amazing
snooker. Seeing as you are fully up | 0:05:24 | 0:05:31 | |
to speed with the draw, let us
reflect on what we saw yesterday. | 0:05:31 | 0:05:37 | |
Steve Davis and John Virgo talking
is through this afternoon. What was | 0:05:37 | 0:05:40 | |
your reaction to Ronnie O'Sullivan?
Lots of the sports papers were | 0:05:40 | 0:05:43 | |
talking about his dizzy spell. As
people say, it is like a second home | 0:05:43 | 0:05:49 | |
here in anti-produces the goods
every time. I feel sorry for Marco | 0:05:49 | 0:05:53 | |
Fu but that is the nature of the
game. If somebody is putting the | 0:05:53 | 0:05:58 | |
ball is all you can do is watch.
There was nothing Marco Fu could do. | 0:05:58 | 0:06:02 | |
It is a terrible feeling to sit on a
chair as a snooker player and not be | 0:06:02 | 0:06:06 | |
effective. We all know how good
money is on his day. He cannot take | 0:06:06 | 0:06:10 | |
too many negatives from his own
performance and it | 0:06:10 | 0:06:20 | |
performance and it is a bad day at
the office. There was a great match | 0:06:20 | 0:06:23 | |
between Kyren Wilson and Barry
Hawkins, Kyren Wilson winning his | 0:06:23 | 0:06:25 | |
first match at the Masters. We will
see more of Khairuddin Kyren Wilson. | 0:06:25 | 0:06:30 | |
I have been told for the last couple
of seasons how good Kyren Wilson is | 0:06:34 | 0:06:38 | |
and he is one for the future. The
run of the ball helped at the end. | 0:06:38 | 0:06:43 | |
He ran out a worthy winner. It was
high scoring, are you expecting the | 0:06:43 | 0:06:49 | |
same this afternoon? The rest of the
tournament, we will break the | 0:06:49 | 0:06:53 | |
century 's record, especially if
Ronnie stays in good form. All of | 0:06:53 | 0:06:57 | |
the players good form, they have got
plenty of match practice as the | 0:06:57 | 0:07:01 | |
season unfolds and I expect a high
standard match today. When you're | 0:07:01 | 0:07:07 | |
expecting Ali Carter to give Shaun
Murphy a good win run for his money? | 0:07:07 | 0:07:10 | |
This is a nice matchup. Two
completely different characters. Ali | 0:07:10 | 0:07:17 | |
Carter is like a terrier. There is
no promotion from Shaun Murphy MP | 0:07:17 | 0:07:24 | |
misses. Sometimes he lets the game
get on top of them. If you can keep | 0:07:24 | 0:07:30 | |
his cool we are in for the great
match. We look forward to it. The | 0:07:30 | 0:07:33 | |
players | 0:07:33 | 0:07:37 | |
Good afternoon. We are used to good
snooker at the Masters but it has | 0:07:37 | 0:07:42 | |
been superb here. 17 centuries so
far. We turn our attention to a | 0:07:42 | 0:07:48 | |
match between two men who have won
11 ranking titles between them and a | 0:07:48 | 0:07:52 | |
rivalry that the back 18 years. It
is short time here at Ally Pally. | 0:07:52 | 0:07:56 | |
Please welcome a player making his
11th appearance at the Masters. | 0:08:14 | 0:08:19 | |
Winner of four ranking titles
including the World Open at the | 0:08:19 | 0:08:23 | |
start of last season. Semifinalist
in the China championship. He is | 0:08:23 | 0:08:27 | |
known as The Captain, Ali Carter. | 0:08:27 | 0:08:33 | |
And his opponent, a player making
his 14th Masters appearance, 17 | 0:08:57 | 0:09:02 | |
years after his debut. Twice a
finalist, champion in 2015 when he | 0:09:02 | 0:09:08 | |
completed the triple crown. Top form
this season, four finals, winner of | 0:09:08 | 0:09:13 | |
the Champion of Champions. Class
act, he is the Magician Shaun | 0:09:13 | 0:09:17 | |
Murphy. | 0:09:17 | 0:09:24 | |
JOHN VIRGO: Both players got a great
reception. Once again it is a packed | 0:09:50 | 0:09:57 | |
house here at the Ally Pally. | 0:09:57 | 0:10:03 | |
house here at the Ally Pally. Shaun
is one of the players who comes out | 0:10:03 | 0:10:05 | |
with his cue case. Is it necessary?
The extensions fits nicely in | 0:10:05 | 0:10:19 | |
The extensions fits nicely in there
Walking down the stairs, you have | 0:10:22 | 0:10:24 | |
the protection of your cue case is?. | 0:10:24 | 0:10:31 | |
That is the crystal trophy they are
pulling for this week. Ali Carter | 0:10:31 | 0:10:34 | |
gets the match underway. | 0:10:34 | 0:10:45 | |
You can see it here, the Paul Hunter
trophy. | 0:10:47 | 0:10:54 | |
trophy. The youngster who won this
on three Caucasians. Wonderful | 0:10:55 | 0:10:57 | |
player. -- locations. | 0:10:57 | 0:11:03 | |
He was quite a way away with that
shot. | 0:11:12 | 0:11:20 | |
Lucky to get away with that, I
think. It was a long-range two baulk | 0:11:23 | 0:11:28 | |
line into the corner pocket. | 0:11:28 | 0:11:31 | |
I think the yellow has came to his
rescue. There is a red into the | 0:11:40 | 0:11:48 | |
right middle. Can he screw back into
a safe area? | 0:11:48 | 0:11:58 | |
Yes. Terrific shot. Did not get his
bridge hand exactly where he wanted | 0:11:58 | 0:12:07 | |
to. He played it well and he was
perfect on the blue. | 0:12:07 | 0:12:17 | |
Very early chance in this match. We
saw Ronnie O'Sullivan get off to a | 0:12:19 | 0:12:25 | |
blistering start yesterday. Players
in form can do that and Shaun Murphy | 0:12:25 | 0:12:28 | |
is a player in form. | 0:12:28 | 0:12:30 | |
Matt Baird was always a big problem.
Has he got on the black? It is | 0:12:47 | 0:12:54 | |
tight. I don't think he has. He will
be disappointed. Just a safety shot | 0:12:54 | 0:13:04 | |
to play. | 0:13:04 | 0:13:09 | |
He was aware that it could not be a
problem. He could not overhead. | 0:13:25 | 0:13:36 | |
Couple shots Rahat thick. | 0:13:45 | 0:13:55 | |
Did not have the perfect angle on
the blue. Was confident enough, | 0:14:19 | 0:14:24 | |
tight on the cushion. Does not make
the sport only red any easier. Could | 0:14:24 | 0:14:31 | |
not have played it better. Good
shot. | 0:14:31 | 0:14:34 | |
Both players will have been on the
practice table in the build-up. | 0:14:56 | 0:15:02 | |
Trying to get the rhythm going
should they get an early chance. | 0:15:02 | 0:15:10 | |
Could have hoped for a better split
of the reds than that. | 0:15:11 | 0:15:19 | |
of the reds than that. I suppose he
has to clear. He did not have to | 0:15:20 | 0:15:24 | |
play the cannon but he felt he was
bound to be on one. | 0:15:24 | 0:15:32 | |
This is a keyless safety. Very
jealous. | 0:15:32 | 0:15:39 | |
jealous. -- careless. | 0:15:40 | 0:15:47 | |
You could see a couple of leads code
into the left corner. | 0:16:37 | 0:16:42 | |
He has an angle on the blue if he
wants to disturb the reds. That is | 0:16:45 | 0:16:49 | |
the right shot. | 0:16:49 | 0:16:55 | |
He would like to have that again, he
could have gone into the pink better | 0:17:03 | 0:17:08 | |
result. He could've been playing to
go into the pink and misjudged by a | 0:17:08 | 0:17:12 | |
fraction. | 0:17:12 | 0:17:15 | |
As Shaun Murphy beforehand, he did
not make the most of that | 0:17:30 | 0:17:33 | |
opportunity. | 0:17:33 | 0:17:38 | |
Ali Carter is ahead in head-to-head
meetings. It would be interesting to | 0:17:59 | 0:18:05 | |
see how this match unfolds in as
much as the record of Ali Carter in | 0:18:05 | 0:18:09 | |
the Masters for the player of his
ability is very poor. From his | 0:18:09 | 0:18:14 | |
perspective, he will be frustrated
over the years to not have put in a | 0:18:14 | 0:18:19 | |
great performance here. He is blame
somebody he has had to be better | 0:18:19 | 0:18:23 | |
off. How will that pattern out? | 0:18:23 | 0:18:30 | |
That was a better safety, the cut
battle in nicely. | 0:18:38 | 0:18:50 | |
He made be able to bend it slightly
to the left-hand side to play for | 0:18:52 | 0:18:55 | |
pot. And a cracking report it was. | 0:18:55 | 0:19:07 | |
That was ramrod straight cueing from
Shaun Murphy. If there was a player | 0:19:07 | 0:19:11 | |
in the game for the young player to
try to mimic with his cue action, | 0:19:11 | 0:19:15 | |
you could not go much wrong copying
this man. Only the pace kept that | 0:19:15 | 0:19:22 | |
one out. The hard that you had the
ball the more accurate it has to be. | 0:19:22 | 0:19:28 | |
Such is Shaun's confidence... He
just got back on the job. | 0:19:28 | 0:19:38 | |
You could question whether he should
have played the yellow. | 0:19:38 | 0:19:46 | |
That is the nature of the modern
game, you get one chance and you | 0:20:04 | 0:20:08 | |
have to think, can we win the frame
at this minute? | 0:20:08 | 0:20:17 | |
He has played in the cannon and this
time it worked out OK. | 0:20:20 | 0:20:25 | |
One red on the side cushion nearest
the blue pocket is the only problem | 0:20:55 | 0:21:00 | |
for Ali Carter. | 0:21:00 | 0:21:02 | |
Shaun will be hoping he does not get
that far. | 0:21:08 | 0:21:15 | |
Just three points behind now. | 0:21:15 | 0:21:22 | |
And to clinch the frame at this
visit he will need all the remaining | 0:21:27 | 0:21:30 | |
reds. | 0:21:30 | 0:21:38 | |
He could try to shift that are red
out using another red, earlier | 0:21:42 | 0:21:46 | |
rather than later. Rather than
leaving it to the last shot. | 0:21:46 | 0:21:57 | |
That is assuming he has done the
maths. | 0:22:11 | 0:22:18 | |
The dizzy latecomer arriving, that
is why Ali is back from the table. | 0:22:29 | 0:22:32 | |
-- there is a. He could've played
for the black in the same pocket as | 0:22:32 | 0:22:40 | |
the bed. He could've knocked it away
from the cushion. That is not an | 0:22:40 | 0:22:44 | |
option now. He has to make certain
he gets on the red closest to the | 0:22:44 | 0:22:48 | |
right corner. | 0:22:48 | 0:22:54 | |
This black and an awkward red
leaving Shaun Murphy to get a | 0:23:23 | 0:23:29 | |
snooker. | 0:23:29 | 0:23:36 | |
You always have to be careful with
the double. It is in. | 0:23:50 | 0:24:02 | |
the double. It is in. 29 points is
the leader with 27 remaining. | 0:24:04 | 0:24:08 | |
Still has to be careful. Only one
snooker needed. Davis Tull danger. | 0:24:19 | 0:24:31 | |
It might be worth putting a ball
safe instead of playing the roll-up | 0:24:31 | 0:24:36 | |
but the roll-up is desirable because
you could get a sticker on the | 0:24:36 | 0:24:39 | |
yellow. Can you play the pink to the
side cushion somehow? Or just put | 0:24:39 | 0:24:45 | |
the pink. I prefer rolling the ball
to the black. | 0:24:45 | 0:24:57 | |
All the balls are live and if Shaun
Murphy can get out of this sticker, | 0:25:07 | 0:25:13 | |
get lucky, he is still in with a
chance. Excellent shot. | 0:25:13 | 0:25:19 | |
He is not out of the frame just yet
is Shaun. | 0:25:23 | 0:25:32 | |
I did like putting a ball safe on
that shot. It would have been | 0:25:35 | 0:25:40 | |
insurance. Shaun wants to keep the
green and brown there. He can play a | 0:25:40 | 0:25:50 | |
snooker behind the black note, that
is in a nice place. | 0:25:50 | 0:25:54 | |
Good shot. The way that Ali is
shaking his head, it is not a | 0:26:06 | 0:26:19 | |
natural wonder cushion escape. If it
was he would not fancy a plate of | 0:26:19 | 0:26:23 | |
this ability to miss it but it is it
is not natural,... It is amazing the | 0:26:23 | 0:26:33 | |
scenarios that snooker froze up. You
have to get colour safe sometimes | 0:26:33 | 0:26:39 | |
and sacrifice getting a snooker can
sometimes work for you. It is no | 0:26:39 | 0:26:43 | |
right or wrong way. That looks like
it has missed. | 0:26:43 | 0:26:50 | |
UMPIRE: Miss. | 0:27:00 | 0:27:02 | |
Couldn't keep the yellow ball
totally safe and hoping for a good | 0:27:42 | 0:27:48 | |
cue ball. This is a chance for Shaun
Murphy. He can play the game into | 0:27:48 | 0:27:53 | |
the yellow pocket. He has got a good
control. He could possibly get off | 0:27:53 | 0:27:58 | |
two cushions. It could be too much
of an angle. | 0:27:58 | 0:28:08 | |
He will be sitting down and kicking
himself. That was a chance. | 0:28:18 | 0:28:26 | |
himself. That was a chance. You do
not win many frames when you need a | 0:28:26 | 0:28:29 | |
snooker and that could've been a
body blue for Ali Carter. | 0:28:29 | 0:28:33 | |
I am surprised he played that so
hard. He needed the DLO to run. It | 0:28:39 | 0:28:52 | |
was a terrible contact on the DLO
from the cue ball, took the backspin | 0:28:52 | 0:28:56 | |
out of the shot. | 0:28:56 | 0:29:03 | |
Another chance for Ali Carter or has
it gone behind? That blew in the | 0:29:10 | 0:29:17 | |
middle of the table seems to get
bigger and bigger. | 0:29:17 | 0:29:24 | |
bigger and bigger. Amazing the
amount of times that players get out | 0:29:25 | 0:29:27 | |
of snookers with a colour and they
return to a snooker. Can Ali Carter | 0:29:27 | 0:29:33 | |
get behind the black? Avoid the
double. | 0:29:33 | 0:29:39 | |
It was difficult with the cue ball.
Perhaps hoping to get the table. | 0:29:44 | 0:29:49 | |
He needs good, smooth cueing to
avoid the kiss on the pink. | 0:29:55 | 0:29:59 | |
He needs good, smooth cueing to
avoid the kiss on the pink. Doesn't | 0:29:59 | 0:30:01 | |
have to play the pot of course, but
it's normally the way he plays the | 0:30:01 | 0:30:05 | |
game. Likes to go for his shots. And
he went for it. We have a new | 0:30:05 | 0:30:18 | |
favourite for the frame now.
Wonderful pot. Kept everything as | 0:30:18 | 0:30:26 | |
still as a rock. Head stayed down
all the time. And once again... | 0:30:26 | 0:30:33 | |
APPLAUSE
... Beautifully struck. | 0:30:33 | 0:30:41 | |
... Beautifully struck. This is one
that slipped away from Ali Carter | 0:30:41 | 0:30:44 | |
here. | 0:30:44 | 0:30:48 | |
Yes, it looks a formality. He must
have a slight angle. Once that cue | 0:30:57 | 0:31:05 | |
ball is as close to the black as he
can get it... Ali Carter, when he | 0:31:05 | 0:31:11 | |
doubled the last red, it looked like
it was his frame. A terrific pot on | 0:31:11 | 0:31:17 | |
the yellow. APPLAUSE
How will Ali respond to that? Shaun | 0:31:17 | 0:31:25 | |
Murphy leads 1-0. STUDIO: Brilliant
stuff from Shaun Murphy. Ali Carter | 0:31:25 | 0:31:34 | |
doesn't have a great record here at
the Masters and that will do little | 0:31:34 | 0:31:37 | |
to settle his nerves. It was a funny
opening frame. The trademark couple | 0:31:37 | 0:31:43 | |
of long reds that he always does the
Shaun. He gave Ali a chance. | 0:31:43 | 0:31:49 | |
Ultimately the way the frame panned
out it looked like Carter was always | 0:31:49 | 0:31:54 | |
in control of it. | 0:31:54 | 0:32:00 | |
in control of it. He didn't really
do a wrong shot but what he does | 0:32:00 | 0:32:03 | |
here, he plays a good snooker, just
doesn't get tight enough to the | 0:32:03 | 0:32:07 | |
pink. What red what he might have
been better off doing, watch where | 0:32:07 | 0:32:12 | |
the cue ball finishes. He doesn't
get tight enough to the pink which | 0:32:12 | 0:32:15 | |
means it's quite easy fit Shaun
Murphy to hit the yellow. What Steve | 0:32:15 | 0:32:18 | |
was saying in commentary and what an
alternative shot could have been, | 0:32:18 | 0:32:22 | |
putting the black or the pink safe.
He's 28 ahead, he's got more | 0:32:22 | 0:32:27 | |
insurance of the pink or black is
safe and less ball for Shaun to | 0:32:27 | 0:32:34 | |
snooker behind. It's just an
alternative. What would you have | 0:32:34 | 0:32:38 | |
done? Would you have rolled up
behind the black? I could see his | 0:32:38 | 0:32:44 | |
cogs working there, Ali. He was
thinking, I can guarantee a snooker | 0:32:44 | 0:32:49 | |
here which is probably the easiest
shot of the two. It was probably one | 0:32:49 | 0:32:53 | |
way you would put the pink safe...
Two we talked about Shaun Murphy and | 0:32:53 | 0:32:57 | |
his potting. He potted a very good
green to get on the brown. That's a | 0:32:57 | 0:33:09 | |
big blow for Ali Carter. I think Ali
Carter coming into this much needed | 0:33:09 | 0:33:14 | |
a better shot than Shaun, because
he's lacking a bit of confidence. | 0:33:14 | 0:33:18 | |
Back to John and Steve. | 0:33:18 | 0:33:22 | |
COMMENTATOR: Yes, Ali Carter hasn't
had the best of seasons so far, | 0:33:25 | 0:33:30 | |
although he did get some success in
the Champions League recently | 0:33:30 | 0:33:37 | |
beating Shaun Murphy 3-1 in a minor
final to go through to the final | 0:33:37 | 0:33:42 | |
stages of that league. But this is a
big occasion. -- bigger occasion. A | 0:33:42 | 0:33:58 | |
lot of flies this week. Or is it the
same one?! APPLAUSE | 0:33:58 | 0:34:04 | |
If it was, it went be back! -- it
will not be back. APPLAUSE | 0:34:04 | 0:34:18 | |
A bit unlucky, tried to screw across
the face of it. If he had done, he | 0:34:18 | 0:34:23 | |
had have been on the black nicely.
No value in playing the black, | 0:34:23 | 0:34:28 | |
because when the black is
re-spotted, that red just above the | 0:34:28 | 0:34:31 | |
black wouldn't be available. Ali
Carter one. | 0:34:31 | 0:34:41 | |
This time, thick from Shaun Murphy.
But... Black goes safe, a little bit | 0:34:51 | 0:34:58 | |
safer. Ali Carter is left with
awkward cueing as well to make this | 0:34:58 | 0:35:10 | |
pot, to make it even more difficult.
And actually it's turned out to be a | 0:35:10 | 0:35:16 | |
problematic shot. | 0:35:16 | 0:35:22 | |
problematic shot. Very close to the
brown... Well struck. | 0:35:22 | 0:35:30 | |
brown... Well struck. He did avoid
the pack, which was a bonus. | 0:35:30 | 0:35:42 | |
the pack, which was a bonus. Wow.
Lovely shot. It was going to be | 0:35:42 | 0:35:48 | |
tough, John, to actually get enough
power into that cue ball to really | 0:35:48 | 0:35:52 | |
disturb the reds. He did as well as
he could have done. A bit unlucky. | 0:35:52 | 0:35:58 | |
Yes. I was just wondering, there
were a couple of loose reds... Was | 0:35:58 | 0:36:04 | |
it the right shot? And maybe get the
black on its spot. Maybe he was | 0:36:04 | 0:36:10 | |
thinking of bringing the pink into
play. You always trust a little bit | 0:36:10 | 0:36:13 | |
to luck and the fact is he's done
nothing. I must admit, in some | 0:36:13 | 0:36:23 | |
situations these days, not that
Ronnie O'Sullivan needs bigging up, | 0:36:23 | 0:36:29 | |
but I always wonder what would
Ronnie have done there. Perhaps | 0:36:29 | 0:36:32 | |
sometimes he doesn't risk the chance
that bad luck can happen like this. | 0:36:32 | 0:36:45 | |
If you can avoid it, try to not rely
on a bit of luck. APPLAUSE | 0:36:45 | 0:36:56 | |
Ali in effect has opened these reds,
but now they are at the mercy of | 0:36:56 | 0:37:00 | |
Shaun. | 0:37:00 | 0:37:05 | |
Shaun. Once again a choice from Ali
Carter, you couldn't exactly | 0:37:05 | 0:37:12 | |
criticise only the nth degree at
top-class level. Very cruel to start | 0:37:12 | 0:37:19 | |
ripping a player to pieces for
playing the aggressive shot. | 0:37:19 | 0:37:29 | |
playing the aggressive shot. Of
course as people always say, we are | 0:37:29 | 0:37:32 | |
all wise after the event. I don't
think Ronnie would have gone into | 0:37:32 | 0:37:37 | |
them there. I think he got the black
back on its own spot and then would | 0:37:37 | 0:37:42 | |
have been thinking about bringing
the other reds into play. | 0:37:42 | 0:37:54 | |
the other reds into play. Lovely
shot with the reds. An excellent | 0:37:54 | 0:38:02 | |
rest player, Shaun Murphy. | 0:38:02 | 0:38:12 | |
Just concerned that the pink goes to
the left corner. When be too | 0:38:15 | 0:38:19 | |
interested in the black at the
moment because there is a red | 0:38:19 | 0:38:22 | |
occupying the black spot. Even if he
did pop the black... He's got the | 0:38:22 | 0:38:30 | |
pink available, got the blue on its
spot. It is a decent chance. | 0:38:30 | 0:38:39 | |
Another 47 points from this position
needed to get to snooker is | 0:39:04 | 0:39:08 | |
required. | 0:39:08 | 0:39:13 | |
Still not a clear-cut chance, albeit
a good one. | 0:39:30 | 0:39:37 | |
a good one. Out of position a bit
here. This is a bit more of a cut | 0:39:37 | 0:39:44 | |
than it looks on our TV screens.
Played it very well. APPLAUSE | 0:39:44 | 0:39:58 | |
Good judge of pace. It looked for a
moment has though it wasn't going to | 0:39:58 | 0:40:05 | |
drop. He's played that nicely. That
really has opened it up. He's now | 0:40:05 | 0:40:17 | |
got a 27 point lead. | 0:40:17 | 0:40:23 | |
Still going to need one of the
awkward reds but there is one just | 0:40:29 | 0:40:33 | |
off the cushion that's available.
Won't need the red to the right of | 0:40:33 | 0:40:40 | |
the black order to reds together. | 0:40:40 | 0:40:46 | |
the black order to reds together. --
or the two reds together. | 0:40:46 | 0:40:53 | |
47. Not perfect on this pink. Just
trying to pinch a bit. How costly | 0:41:18 | 0:41:33 | |
could that be? Didn't expect him to
break down so easily. A couple of | 0:41:33 | 0:41:40 | |
balls before that hadn't gone in the
middle of the pocket. He looked to | 0:41:40 | 0:41:45 | |
be getting into a rhythm. | 0:41:45 | 0:41:53 | |
It was funny, it was just a natural
instinct. He got down so quickly as | 0:41:57 | 0:42:03 | |
though he was. It turned out that he
should have given it a bit more due | 0:42:03 | 0:42:10 | |
care and attention. The problem Ali
has got is he could have just rolled | 0:42:10 | 0:42:18 | |
it in and played for the red in the
opposite corner. The problem now is | 0:42:18 | 0:42:24 | |
those to reds either side of the
black. He needs those common he's | 0:42:24 | 0:42:26 | |
got to get them into play, sooner
rather than later. -- he needs | 0:42:26 | 0:42:34 | |
those, he's got to get them into
play. He's played the more | 0:42:34 | 0:42:41 | |
aggressive shot here. He's going to
try and shift the reds perhaps with | 0:42:41 | 0:42:45 | |
back spin, try and make something
happen. Could play with top as well. | 0:42:45 | 0:42:50 | |
Needs a bit of luck with the
position. | 0:42:50 | 0:43:00 | |
position. If he hadn't of played it
that way he would have had a | 0:43:00 | 0:43:04 | |
difficult position shot of the last
pink, so not a clear-cut chance | 0:43:04 | 0:43:09 | |
there. | 0:43:09 | 0:43:14 | |
there. That's amazing the way the
cue ball has finished there. Top | 0:43:14 | 0:43:18 | |
spin. That's what forced it forward.
APPLAUSE | 0:43:18 | 0:43:24 | |
It must have had a bit of sign...
Look at the way it's come across and | 0:43:24 | 0:43:30 | |
impacted the top cushion. Ali Carter
was hoping to have collided with two | 0:43:30 | 0:43:35 | |
of those balls on the top rail. The
power he put into the shot make the | 0:43:35 | 0:43:39 | |
cue ball go a bit wide. | 0:43:39 | 0:43:45 | |
cue ball go a bit wide. 27 points
the difference, still 43 remaining. | 0:43:45 | 0:43:49 | |
That was an excellent safety shot.
It wasn't great for Ali Carter there | 0:43:49 | 0:43:58 | |
to end up with the yellow on the
side cushion. He's the one playing | 0:43:58 | 0:44:06 | |
catch up. Didn't really want to put
the ball safe, it's more insurance | 0:44:06 | 0:44:11 | |
the Shaun Murphy. | 0:44:11 | 0:44:18 | |
the Shaun Murphy. He'll settle for
that. I say settle, just bounced a | 0:44:18 | 0:44:24 | |
fraction. It's a mighty fine shot.
Shaun is having a look at the | 0:44:24 | 0:44:30 | |
potting angle. 27 points the lead.
You'll still need the two reds to | 0:44:30 | 0:44:34 | |
win the frame. This is a tough
pot... But a good one. You'll still | 0:44:34 | 0:44:42 | |
need the last red. I think a little
trickle up behind the yellow here | 0:44:42 | 0:44:49 | |
would be the order of the day. Or
get a bigger colour safe. | 0:44:49 | 0:45:01 | |
Yes. A bit of insurance, but he's
made this nuke it easier to hit. -- | 0:45:06 | 0:45:15 | |
made the snooker easier to hit. He
could have just dropped on it, | 0:45:15 | 0:45:20 | |
contained the situation. Decided to
play it with pace but its cost him | 0:45:20 | 0:45:28 | |
the frame now. This thread is
pottable. I think the story of the | 0:45:28 | 0:45:41 | |
matches what would have happened if
Ali Carter have made different | 0:45:41 | 0:45:45 | |
decisions. I'm not saying they are
all wrong, it's just the anomalies | 0:45:45 | 0:45:51 | |
of the game of snooker, sometimes...
APPLAUSE | 0:45:51 | 0:45:57 | |
It's 2-0 to Shaun Murphy and Ali may
be thinking... APPLAUSE | 0:46:10 | 0:46:22 | |
Shaun Murphy now leads 2-0. | 0:46:22 | 0:46:30 | |
MUSIC | 0:46:31 | 0:46:41 | |
Yes, a potted history there of
Shaun. Certainly in the century | 0:47:26 | 0:47:35 | |
break Department over the last few
seasons he's been rattling them in. | 0:47:35 | 0:47:39 | |
No sign of one yet, not had a 50
Break, which is amazing, the type of | 0:47:39 | 0:47:44 | |
quality we've seen so far. I think
it was just one of those matches | 0:47:44 | 0:47:50 | |
that both players are wary of one
another, but expecting to win, so | 0:47:50 | 0:47:56 | |
that can always make it a bit edgy.
Ali Carter will be disappointed to | 0:47:56 | 0:48:00 | |
be two behind. The chances he's had.
Third frame, Ali Carter to break. | 0:48:00 | 0:48:11 | |
Ali Carter breaks in frame three.
He's had some table time. He had | 0:48:11 | 0:48:19 | |
ideally like to get a frame on the
board. -- he would ideally like. | 0:48:19 | 0:48:28 | |
Excellent safety there from Shaun
Murphy. Asking a question now of Ali | 0:48:38 | 0:48:44 | |
to get this safe. He needs to miss
the yellow. He didn't. He may not | 0:48:44 | 0:48:55 | |
have left a pot that will tempt
Shaun, it's easier when you can get | 0:48:55 | 0:49:03 | |
your hand on the table to play a
better safety than that. It would be | 0:49:03 | 0:49:07 | |
great to get behind that yellow. Not
easy, but it would pay dividends. | 0:49:07 | 0:49:14 | |
Not the best of safety shots from
Shaun Murphy there. Tempt the Ali | 0:49:14 | 0:49:23 | |
Carter. He's got great cue power.
Screw back down the table. Good | 0:49:23 | 0:49:28 | |
safety options here. That yellow is
very inviting. | 0:49:28 | 0:49:40 | |
He's cut off paths back down the
table from the left-hand side as we | 0:49:46 | 0:49:50 | |
look from our TV screens. What can
Shaun work out? This could go wrong. | 0:49:50 | 0:49:56 | |
You've got to be accurate here. Very
well. | 0:49:56 | 0:50:05 | |
well. He made it look a lot easier
than it actually was. Played it | 0:50:06 | 0:50:10 | |
confidently. | 0:50:10 | 0:50:17 | |
Got to be careful of balls going to
the right corner. | 0:50:17 | 0:50:29 | |
This looks like a good line. Just a
little bit overhit, only a fraction. | 0:50:30 | 0:50:38 | |
That wry smile, he knows he's left a
pot on here. | 0:50:38 | 0:50:50 | |
What a great pot. Great shot to
avoid collision with any of the reds | 0:50:55 | 0:51:01 | |
as well from the length of the
table, being able to stun round the | 0:51:01 | 0:51:05 | |
back of them. Now the yellow will be
giving Ali Carter problems. Poor | 0:51:05 | 0:51:10 | |
shot, very poor. What was that? Too
casual. Unless it rolled off... You | 0:51:10 | 0:51:20 | |
never know. | 0:51:20 | 0:51:28 | |
He looked to hit it too hard. | 0:51:29 | 0:51:35 | |
That's not a good shot, particularly
someone of Shaun's potting and cue | 0:51:44 | 0:51:52 | |
power. I'd be tempted to play this
read on to the right corner. It was | 0:51:52 | 0:51:57 | |
the third safety shot down that side
of the table that tempt -- that Ali | 0:51:57 | 0:52:08 | |
has hit a bit thick. He could play a
long deep screw back here, should | 0:52:08 | 0:52:12 | |
you so wish. APPLAUSE | 0:52:12 | 0:52:23 | |
What a strike. He hits those so
well. His head stayed absolutely | 0:52:23 | 0:52:29 | |
still, his body stayed still, he ran
to the Q3. What Kieran Power. -- he | 0:52:29 | 0:52:41 | |
ran the cue through, what cue power.
Ali Carter nearly got the snooker | 0:52:41 | 0:52:49 | |
behind the yellow. Didn't manage to
do it. And then that slightly thick | 0:52:49 | 0:52:59 | |
safety left half a chance the Shaun.
Now it could be a frame-winner. | 0:52:59 | 0:53:11 | |
Now it could be a frame-winner. What
a difference competitive confidence | 0:53:11 | 0:53:14 | |
makes. These two great players have
played at the very highest level, | 0:53:14 | 0:53:18 | |
but one of them's in good form and
the other is struggling for four | 0:53:18 | 0:53:23 | |
minutes showing. -- for form, and
it's showing. Yes... I see what you | 0:53:23 | 0:53:34 | |
mean. There's a confidence about
Shaun when he's walking around the | 0:53:34 | 0:53:37 | |
table. OK, he's not played perfect
snooker in these first frames but he | 0:53:37 | 0:53:42 | |
looks confident, the way he's
walking around and knocking the ball | 0:53:42 | 0:53:47 | |
is in. You just feel that he could
get stronger now, particularly if he | 0:53:47 | 0:53:54 | |
was to take this frame at this
visit. | 0:53:54 | 0:54:05 | |
I'd say it's the difference between
looking to win a match and hoping to | 0:54:20 | 0:54:23 | |
win a match. | 0:54:23 | 0:54:29 | |
win a match. Especially on the big
stage. | 0:54:30 | 0:54:36 | |
Not wasting any time around the
table but still walking at a good | 0:55:08 | 0:55:12 | |
pace. | 0:55:12 | 0:55:17 | |
pace. And even though Shaun Murphy
is playing fast snooker, you'll | 0:55:17 | 0:55:21 | |
notice before every shot he just
stands behind and sets himself in | 0:55:21 | 0:55:25 | |
position before he gets down. So
he's not running around the table in | 0:55:25 | 0:55:29 | |
that respect. Walk round the table
nice and speedily, get behind the | 0:55:29 | 0:55:36 | |
shot, and then make your approach. | 0:55:36 | 0:55:44 | |
There's black, putting him 71 points
in front, just 67 remaining. | 0:56:00 | 0:56:04 | |
APPLAUSE
To be honest, the rest has licked a | 0:56:04 | 0:56:13 | |
formality. -- looked a formality. | 0:56:13 | 0:56:22 | |
Record for the Masters. 31 centuries
during the tournament. We've already | 0:56:33 | 0:56:41 | |
had 17. | 0:56:41 | 0:56:47 | |
had 17. We may be struggling to see
number 18 because this cue ball | 0:56:47 | 0:56:51 | |
hasn't finished good. What a shots.
Unlucky! Unlucky. | 0:56:51 | 0:57:01 | |
Not have an lucky as I thought. I
thought he had gone tight to that | 0:57:07 | 0:57:11 | |
red. -- not as an an | 0:57:11 | 0:57:25 | |
red. -- not as an an -- unlucky as I
thought.. I think at the century | 0:57:25 | 0:57:27 | |
break is he's going to get
slaughtered. I said I thought we | 0:57:27 | 0:57:34 | |
might be getting up to 40 which
would be remarkable. APPLAUSE | 0:57:34 | 0:57:46 | |
30 centuries is an average of two
per match. | 0:57:57 | 0:58:07 | |
per match. APPLAUSE | 0:58:07 | 0:58:10 | |
You'd expect 11 centuries but you
can't guarantee them. | 0:58:16 | 0:58:29 | |
Highest break of the tournament so
far is 139 from Liang Wenbo. That | 0:58:35 | 0:58:44 | |
won't be beaten here. He's snooker
to himself. He hit that so well, | 0:58:44 | 0:58:49 | |
striking the ball so well. APPLAUSE
A marvellous break of 119 from Shaun | 0:58:49 | 0:59:02 | |
Murphy. Now 3-0 in front, one more
to play before the mid-session | 0:59:02 | 0:59:06 | |
interval. STUDIO: Brilliant stuff
from Shaun Murphy. John talked about | 0:59:06 | 0:59:12 | |
and stomping around the table, he's
certainly doing that. All the | 0:59:12 | 0:59:16 | |
players are providing us with such
wonderful entertainment this year. | 0:59:16 | 0:59:20 | |
18 tournament centuries already and
31 the record in 2009. Brilliant | 0:59:20 | 0:59:25 | |
stuff from all the players but
especially today from Murphy. Yes, | 0:59:25 | 0:59:29 | |
and the opening read in that is an
absolute caucus. It's fantastic. | 0:59:29 | 0:59:33 | |
This is what he's so good at. Body
and head so still. It's hard to hide | 0:59:33 | 0:59:42 | |
the white against someone who can
pot balls like that. It shows you | 0:59:42 | 0:59:45 | |
the level we are playing at, Ali
Carter hasn't done a massive amount | 0:59:45 | 0:59:51 | |
wrong but he's 3-0 behind all of a
sudden. Those opening frames when he | 0:59:51 | 0:59:55 | |
had a chance to wrap a frame up have
gone the wrong way and now he's 3-0 | 0:59:55 | 0:59:59 | |
behind in no time. Do we agree with
Steven Davis's assessment on | 0:59:59 | 1:00:07 | |
decision making, it's Ali Carter's
decision-making that is letting him | 1:00:07 | 1:00:12 | |
down out there? He's also not
capitalised on a future answer is | 1:00:12 | 1:00:15 | |
that he's had. He's been out of this
for a while. He's not been | 1:00:15 | 1:00:19 | |
particularly well and this
tournament you've got to be at it | 1:00:19 | 1:00:24 | |
from ball one. The standard is so
high and he slightly off his game at | 1:00:24 | 1:00:27 | |
the moment. | 1:00:27 | 1:00:32 | |
If he got off to a good start, there
is a different complexion on the | 1:00:35 | 1:00:41 | |
match. When you lose a frame from
that position, does that play on | 1:00:41 | 1:00:44 | |
your mind if you're not playing as
well as you can? Particularly when | 1:00:44 | 1:00:49 | |
your confidence is low. Shaun Murphy
is more consistent, different and | 1:00:49 | 1:00:54 | |
all the season compared to Ali
Carter. Little things like that make | 1:00:54 | 1:00:59 | |
a big difference when your
confidence is low. Can Ali Carter | 1:00:59 | 1:01:03 | |
get off the mark? | 1:01:03 | 1:01:08 | |
JOHN PARROTT: Big frame for Ali
Carter now, you feel. | 1:01:08 | 1:01:19 | |
To go out of the arena to the mid
session interval with nothing to | 1:01:19 | 1:01:23 | |
show for it. He dropped his chalk.
With nothing to show for it. It will | 1:01:23 | 1:01:30 | |
not make you feel very good at all. | 1:01:30 | 1:01:39 | |
We saw that with Brian Vera in this
match. Warning after going 2-0 | 1:01:45 | 1:01:50 | |
behind. That was a good shot. Ryan
Day lost his first three frames. | 1:01:50 | 1:01:58 | |
Seem to be struggling. But then he
was able to win the frame before the | 1:01:58 | 1:02:04 | |
interval and went on to win. | 1:02:04 | 1:02:11 | |
Ali Carter was very close to putting
Shaun Murphy in trouble. He just | 1:02:19 | 1:02:24 | |
gave Shaun enough of a shot. | 1:02:24 | 1:02:31 | |
gave Shaun enough of a shot. Ali
Carter might be forced to play a | 1:02:31 | 1:02:35 | |
containing sticker but he looks to
be playing an aggressive shot behind | 1:02:35 | 1:02:38 | |
the black. | 1:02:38 | 1:02:43 | |
Good effort but not good enough.
Weird is that thread going? | 1:02:43 | 1:02:47 | |
You could see he is fortunate. He
needs some luck. | 1:02:52 | 1:03:01 | |
Decent enough. It was hard to get a
good length of cue ball because he | 1:03:28 | 1:03:37 | |
caught the bed quite thin. | 1:03:37 | 1:03:39 | |
Shaun had a brief look at the red on
the left medal but I don't think it | 1:03:47 | 1:03:52 | |
cuts. There are a couple of flies
and moving around in the room. | 1:03:52 | 1:04:01 | |
and moving around in the room. I
think it is a wasp. | 1:04:01 | 1:04:06 | |
He has not be red into the corner
and it could be dangerous. It is now | 1:04:27 | 1:04:31 | |
because he has went into the brown.
I do not think the black is | 1:04:31 | 1:04:37 | |
available to the opposite corner. | 1:04:37 | 1:04:42 | |
If he has an angle he can go back up
for the blue. | 1:04:42 | 1:04:54 | |
He played at are really well. The
key to that shot is striking the cue | 1:05:01 | 1:05:07 | |
ball just below centre. | 1:05:07 | 1:05:14 | |
ball just below centre. That
traverses and to top spin after that | 1:05:14 | 1:05:17 | |
comes off the cushion. If you play
Ed Wood topspin you get to the | 1:05:17 | 1:05:20 | |
checking effect. | 1:05:20 | 1:05:28 | |
He will be thankful he has that red
over the middle pocket at the | 1:05:42 | 1:05:47 | |
moment. It a get out of three jail
card. | 1:05:47 | 1:05:56 | |
That a red near the left medal, that
is the one you want to leave because | 1:06:09 | 1:06:13 | |
of an emergency. | 1:06:13 | 1:06:20 | |
It is going to be tricky. It is not
as easy to go into the pack and get | 1:06:38 | 1:06:46 | |
a guaranteed split with the pink
separated from the reds Bollywood. I | 1:06:46 | 1:06:50 | |
am not saying that is the right shot
here. Passion below it. | 1:06:50 | 1:07:00 | |
Having played for it, he will be
disappointed. He has been left with | 1:07:00 | 1:07:06 | |
more angled and required on this
blue. This could go wrong. He has to | 1:07:06 | 1:07:11 | |
be careful. He doesn't even like the
blue. | 1:07:11 | 1:07:22 | |
He had to sacrifice a bit of
distance between the white and the | 1:07:33 | 1:07:37 | |
next thread here. This is a missable
pot from Ali Carter, especially at | 1:07:37 | 1:07:43 | |
3-0 down and not firing on all
cylinders yet. You would expect him | 1:07:43 | 1:07:47 | |
to get it. It depends on how much
tension is in his arm. | 1:07:47 | 1:07:57 | |
You need to be closer to the object
ball, it makes the pot so much | 1:08:05 | 1:08:10 | |
easier. | 1:08:10 | 1:08:12 | |
Getting back to what you were seeing
in the last frame, he came to the | 1:08:19 | 1:08:23 | |
table and was not really positive.
It was a very edgy way of playing. | 1:08:23 | 1:08:29 | |
Particularly taking that led to the
left middle early. He probably | 1:08:29 | 1:08:33 | |
should have left that for a while.
It is easy for us. We are not free- | 1:08:33 | 1:08:43 | |
zero behind and desperately needing
this frame. | 1:08:43 | 1:08:52 | |
Look at the pot success, he has a
better pot success than Shaun | 1:08:54 | 1:08:58 | |
Murphy. Madness. | 1:08:58 | 1:09:05 | |
Just watching Shaun when he bent
back to his seat, he seemed to shake | 1:09:19 | 1:09:22 | |
his head. He is looking at the plant
in the league left corner, is he? It | 1:09:22 | 1:09:31 | |
needs to go in. It has gone on. | 1:09:31 | 1:09:37 | |
Apart from the kiss on the red, it
looked to be perfect on the pink. Or | 1:09:43 | 1:09:47 | |
on the blue. You would expect him to
get the yellow with the rest. It is | 1:09:47 | 1:09:56 | |
permissible. Other shots would not
have been. Look where the red came | 1:09:56 | 1:10:01 | |
from. The blue goes as well,
obviously. Judgement shot here. | 1:10:01 | 1:10:15 | |
He misjudged it. Sometimes it is
difficult when the balls are close | 1:10:20 | 1:10:23 | |
together. | 1:10:23 | 1:10:26 | |
Even then, the yellow was arguably
the right ball instead of the blue. | 1:10:33 | 1:10:38 | |
Small decisions. 50-50s. | 1:10:38 | 1:10:48 | |
Small decisions. 50-50s. It is down
to Shaun to mop up the tears. Masses | 1:10:48 | 1:10:53 | |
difference between 3-1 and 4-0.
Shaun Murphy will know that the | 1:10:53 | 1:10:58 | |
difference between that scoreline
when you get to your opponent in a | 1:10:58 | 1:11:08 | |
hole, you want to keep him in it. | 1:11:08 | 1:11:15 | |
There is a voice of experience for
you, folks. | 1:11:18 | 1:11:23 | |
Shaun Murphy knows the importance of
this visit. | 1:11:31 | 1:11:42 | |
Isn't this just the nature of the
game. A little run on the ball. It | 1:11:42 | 1:11:47 | |
could've been a squabbling. | 1:11:47 | 1:11:53 | |
could've been a squabbling. --
different scored line. When you're | 1:11:53 | 1:11:55 | |
searching for form, it can be very
elusive. The harder you try, the | 1:11:55 | 1:12:02 | |
harder it gets. | 1:12:02 | 1:12:08 | |
That was a disposition to leave it
dead straight but he has recovered | 1:12:08 | 1:12:10 | |
very well. | 1:12:10 | 1:12:12 | |
It could be a bonus. | 1:12:21 | 1:12:29 | |
He has not played that well. This is
tricky. | 1:12:37 | 1:12:49 | |
tricky. For the second I thought he
had judge did very well but in the | 1:12:49 | 1:12:53 | |
cue ball just rolled onto another
ball. | 1:12:53 | 1:13:01 | |
Wonderful shot. | 1:13:01 | 1:13:10 | |
It is not a straightforward run to
the line. He will leave four reds. | 1:13:36 | 1:13:48 | |
He can play the cannon on the pink
from the black. | 1:14:04 | 1:14:12 | |
He could end up in a trap here if he
is not careful. | 1:14:15 | 1:14:24 | |
is not careful. You can see anything
wrong with trying to play the cannon | 1:14:24 | 1:14:26 | |
on the pink. | 1:14:26 | 1:14:32 | |
That is lovely. He has held that
well. He can have a soft stunning. | 1:14:32 | 1:14:42 | |
Floated past the pink spot. Once
parts of the right-hand red, the | 1:14:42 | 1:14:51 | |
left one becomes available. This is
looking like 4-0. | 1:14:51 | 1:15:01 | |
No heroics with the black. It is 4-0
now. 44 ahead with 35 remaining. FP | 1:15:31 | 1:15:42 | |
pots this red then Ali will not
bother coming back to this table. | 1:15:42 | 1:15:53 | |
It is the first to 6, remember.
Latest elbow room for Ali. He has to | 1:16:01 | 1:16:08 | |
regroup at the interval. Sometimes
Ali can be hypercritical of himself. | 1:16:08 | 1:16:21 | |
When you consider his pot success,
Ali Carter, 92%. He has only missed | 1:16:21 | 1:16:27 | |
three balls. It is a tough school. | 1:16:27 | 1:16:40 | |
Shaun felt he got a bounce off the
baulk cushion. He is disappointed he | 1:16:41 | 1:16:49 | |
has not made the century. | 1:16:49 | 1:16:55 | |
has not made the century. They go to
the mid-session interval. Shaun | 1:16:56 | 1:16:58 | |
Murphy | 1:16:58 | 1:17:03 | |
Murphy leads 4-0.
GABBY: 61 minutes is the match time. | 1:17:03 | 1:17:08 | |
We had a drubbing yesterday for
Marco Fu and looks like another one | 1:17:08 | 1:17:11 | |
for Ali Carter. You have to take
your hat off, wonderful break from | 1:17:11 | 1:17:16 | |
Shaun. He has been given the
opportunity. The balls were awkward | 1:17:16 | 1:17:20 | |
and it was a clever break the way he
went about it. Lost position a | 1:17:20 | 1:17:24 | |
couple of times but kept it going.
It was a very good break. He is | 1:17:24 | 1:17:30 | |
plotting so well. Played very
nicely, full of confidence. You can | 1:17:30 | 1:17:35 | |
tell by the body language of the
two. Big difference between the two. | 1:17:35 | 1:17:40 | |
He is playing at the top of his
game. Ali Carter has it all to do. | 1:17:40 | 1:17:45 | |
That first frame was crucial in this
match. Is that knocked the stuffing | 1:17:45 | 1:17:50 | |
out of him? It doesn't help. It also
doesn't help when Shaun Murphy is | 1:17:50 | 1:17:55 | |
hitting it as well see is. His long
game is great. It is not what you | 1:17:55 | 1:18:01 | |
can do about that. | 1:18:01 | 1:18:06 | |
He is slightly off his game at the
moment and Shaun books that keeps | 1:18:18 | 1:18:20 | |
coming to the boil. When Shaun
Murphy, he had the television on | 1:18:20 | 1:18:22 | |
this morning, playing the interview
of Ronnie O'Sullivan, looking very | 1:18:22 | 1:18:24 | |
relaxed and everyone says Ronnie
O'Sullivan is the man to beat. Does | 1:18:24 | 1:18:27 | |
that anger the players, you have not
seen me yet? Ronnie has set the | 1:18:27 | 1:18:30 | |
barometer and is up to the guys to
derive inspiration from it. Get | 1:18:30 | 1:18:33 | |
themselves going. And see, I can
play well, I have beaten body in the | 1:18:33 | 1:18:37 | |
past and can do it again. Ronnie has
set such a high standard, it is up | 1:18:37 | 1:18:42 | |
to these guys to continue that
standard and reach the hates of | 1:18:42 | 1:18:48 | |
Ronnie O'Sullivan. It is laying down
the gauntlet. You have to blank it. | 1:18:48 | 1:18:52 | |
We have got matches to win,
different opponents to play. Every | 1:18:52 | 1:18:56 | |
player that you play is a different
form of examination you are going to | 1:18:56 | 1:19:00 | |
get because they all play different
styles. If you're going to beat | 1:19:00 | 1:19:05 | |
Ronnie in the tournament, you have
to do your job. Ronnie O'Sullivan | 1:19:05 | 1:19:09 | |
will not play as well as he did
against Marco Fu, he will not play | 1:19:09 | 1:19:13 | |
like that every time and will have
an off day as well. He will drop in | 1:19:13 | 1:19:17 | |
standards and then raises standards.
You cannot think of Ronnie | 1:19:17 | 1:19:21 | |
O'Sullivan will play like that all
the time. Anybody can be beaten on | 1:19:21 | 1:19:25 | |
the day. You have to give Shaun
Murphy credit, it is different | 1:19:25 | 1:19:31 | |
viewing this afternoon. Yesterday,
it was Ronnie O'Sullivan finishing | 1:19:31 | 1:19:34 | |
frames in 13 minutes, this is a
different type of match. He can only | 1:19:34 | 1:19:40 | |
major in business. He is playing Ali
Carter who is slightly off his game. | 1:19:40 | 1:19:45 | |
Your concern is just to get from
start to finish, she cans, you're | 1:19:45 | 1:19:50 | |
into the next round. Wait for the
next match to come up. -- shake | 1:19:50 | 1:19:53 | |
hands. You have to do your job for
the day and get the job done. Just | 1:19:53 | 1:20:00 | |
looking at Ali Carter's Masters
record, you have to go back to the | 1:20:00 | 1:20:06 | |
last time that Ali Carter had a
whitewash, who beaten? You can tell | 1:20:06 | 1:20:12 | |
me it is? I am telling you, he is
lucky to get nil. | 1:20:12 | 1:20:21 | |
lucky to get nil. Mr modesty from
Dublin. | 1:20:21 | 1:20:29 | |
Dublin. It was in black-and-white.
Nobody has Betamax any more. One of | 1:20:29 | 1:20:34 | |
the things about Shaun Murphy, he is
impressive on the table and also | 1:20:34 | 1:20:38 | |
offered. He has been talking to Rob
Walker. Shaun Murphy is back in | 1:20:38 | 1:20:44 | |
town, what a season, four big finals
and winning the Champion of | 1:20:44 | 1:20:49 | |
Champions, what has clicked over the
last few months? I had a really good | 1:20:49 | 1:20:53 | |
season in a few years ago when I won
this tournament and then lost in the | 1:20:53 | 1:20:57 | |
final of the World Championships. I
will not say I took my foot off the | 1:20:57 | 1:21:02 | |
gas but like all sports people, I
went off in search of the next | 1:21:02 | 1:21:05 | |
improvement, how could I get better?
I perhaps took by focus of working | 1:21:05 | 1:21:10 | |
on what I had been working on for
that period of time. The last year | 1:21:10 | 1:21:15 | |
or so, it is like when you are
stealing a big ship, you can point | 1:21:15 | 1:21:19 | |
it over there but it takes it a
while to turn. I have been trying to | 1:21:19 | 1:21:23 | |
turn the game around. Something has
happened this season. I have started | 1:21:23 | 1:21:30 | |
working with the new method of
cycling. There is no doubt | 1:21:30 | 1:21:34 | |
whatsoever in my mind that has had a
revolution the effect on my game. -- | 1:21:34 | 1:21:38 | |
gaming. | 1:21:38 | 1:21:42 | |
It is so excited to see the results
of my hard work and that method. | 1:21:42 | 1:21:48 | |
Everytime I go out now I am looking
forward to play. From a technical | 1:21:48 | 1:21:52 | |
point of view, if there are any club
player is watching, will fit getting | 1:21:52 | 1:21:56 | |
into too much detail, what are you
able to do differently now that you | 1:21:56 | 1:22:00 | |
are adopting with this new
technique? It is very tailored to | 1:22:00 | 1:22:06 | |
the individual, it is about your
personal centre line and vision. | 1:22:06 | 1:22:11 | |
Steve Cook textbooks going back
50-60 years tell you to stand | 1:22:11 | 1:22:15 | |
adjacent to the line. And then look
over it. Walking across the line if | 1:22:15 | 1:22:21 | |
I can use that term. This method I
am using it gets my centre line of | 1:22:21 | 1:22:26 | |
vision, whatever that is, between my
two eyes, I have had tests showing | 1:22:26 | 1:22:33 | |
where that is. I get that line onto
my aim immediately. I have changed | 1:22:33 | 1:22:40 | |
where I stand at the point of
aiming. That is it. When I am making | 1:22:40 | 1:22:46 | |
my decisions, hitting the object
ball to make the pocket, I am | 1:22:46 | 1:22:53 | |
standing differently now, tailored
to my own requirements. That must be | 1:22:53 | 1:23:01 | |
difficult getting used to, it is
like changing the way you brush your | 1:23:01 | 1:23:04 | |
teeth, it must be instinctive. I did
taught how to block into the ball | 1:23:04 | 1:23:13 | |
when I was eight years old. It is
difficult. I had it explained to me | 1:23:13 | 1:23:24 | |
very well, I understood it very
quickly. When I saw the results, | 1:23:24 | 1:23:28 | |
that encouraged me to persist. It
was a typical change that was | 1:23:28 | 1:23:32 | |
required. I missed some shots by a
mile. When I started consistency | 1:23:32 | 1:23:42 | |
comeback and when I thought the ball
was going to go on go on and did, | 1:23:42 | 1:23:45 | |
that spurred me on. How big is your
all-time list of achievements, and | 1:23:45 | 1:23:51 | |
there have been some very big ones,
how big was winning the Champion of | 1:23:51 | 1:23:55 | |
Champions, bearing in mind it was
against Ronnie over the longer | 1:23:55 | 1:24:00 | |
format in an event he has dominated
over the few years it has been in | 1:24:00 | 1:24:06 | |
existence. To win a tournament where
only winners are done it, that is a | 1:24:06 | 1:24:09 | |
real privilege. It is well known I
had played in the previous years and | 1:24:09 | 1:24:15 | |
I had never won a match. I had lost
some stinkers. To go back and win | 1:24:15 | 1:24:21 | |
this year, it was significant, to
beat Ronnie over the distance, I had | 1:24:21 | 1:24:25 | |
never done that before. I got up to
seven against them in the Premier | 1:24:25 | 1:24:30 | |
league final and I have beaten him
in matches here or there, but at a | 1:24:30 | 1:24:34 | |
distance over the double session
match, I had never done that before. | 1:24:34 | 1:24:38 | |
It was big. It | 1:24:38 | 1:24:46 | |
It was big. It gave -- he gave me
some readings over the past three | 1:24:46 | 1:24:48 | |
years and I have learned so much
about the game by watching him at | 1:24:48 | 1:24:52 | |
close quarters. When we revel about
Ronnie O'Sullivan, people forget | 1:24:52 | 1:24:57 | |
that players are snooker fans as
well. Whilst I am always trying to | 1:24:57 | 1:25:01 | |
win and beat him at the Crucible,
when he is in play, I have the best | 1:25:01 | 1:25:06 | |
seat in the house to watch are the
best player does it. You go away | 1:25:06 | 1:25:09 | |
from these matches and the dust
settles and you think, how can I | 1:25:09 | 1:25:15 | |
improve and get better from that
match? It was painful. I would | 1:25:15 | 1:25:19 | |
rather still be in the championship.
They go away and think about things. | 1:25:19 | 1:25:24 | |
Whatever it was I picked up its dude
be in good stead at the Champion of | 1:25:24 | 1:25:29 | |
Champions. Looking back to other
career highlights, you're one of the | 1:25:29 | 1:25:35 | |
very illustrious list to have the
triple crown, I can remember from | 1:25:35 | 1:25:38 | |
the sidelines seeing how much
emotion there was in your face when | 1:25:38 | 1:25:43 | |
you completed the crown heard in
2015. That was masse for you, wasn't | 1:25:43 | 1:25:48 | |
it? It was a piece of history and in
order to do so, you had to reverse | 1:25:48 | 1:25:54 | |
the defeated meal that was in 2012.
Perhaps going into that final you | 1:25:54 | 1:25:58 | |
felt this could be your last chance
to complete the crown. From an | 1:25:58 | 1:26:02 | |
outsider 's point of view, it looked
like that meant the world to you. It | 1:26:02 | 1:26:08 | |
did. There is no hiding it getting
away from it. I stood on the | 1:26:08 | 1:26:13 | |
precipice 120 12. | 1:26:13 | 1:26:19 | |
As much as you try to get out of it,
not answer questions and put the | 1:26:19 | 1:26:23 | |
press to one side, there was a bit
of a monkey on my back. There was a | 1:26:23 | 1:26:27 | |
little devil sat on my shoulder
saying, you might never won this, it | 1:26:27 | 1:26:32 | |
makes never happen. After winning
the World Championships in 2005 and | 1:26:32 | 1:26:35 | |
being tipped for big things, you
forget about the UK victory. It | 1:26:35 | 1:26:40 | |
happened and you moved on to
achieving the Triple crown. You | 1:26:40 | 1:26:44 | |
stand on the edge of that for a long
time. It took me nearly seven years | 1:26:44 | 1:26:49 | |
to complete that set. It is a long
time to wait. It is a long time to | 1:26:49 | 1:26:53 | |
come here, keyed up, this is the
one. As much as you try the sports | 1:26:53 | 1:26:59 | |
psychology route, don't think about
it and just play the match. Don't | 1:26:59 | 1:27:02 | |
get involved. Prepare. We all try to
do that but we are all human, being | 1:27:02 | 1:27:09 | |
in our hotel rooms and watching the
snooker on television. We cannot | 1:27:09 | 1:27:12 | |
help it. When I played in the final
against meal, I got sucked into is | 1:27:12 | 1:27:21 | |
the one, this is it. It was all too
important. I learned from that. I | 1:27:21 | 1:27:25 | |
managed to put it to bed. Very Best
of luck on your wiki and keep up the | 1:27:25 | 1:27:30 | |
good work, it is a joy to see you
when you are in the floor. I am | 1:27:30 | 1:27:36 | |
really enjoying showing you these
interviews during the interval. | 1:27:36 | 1:27:40 | |
Shaun Murphy is a very good talker
and a very good snooker player. It | 1:27:40 | 1:27:44 | |
is easy to forget how impressive he
was playing the Masters. He defeated | 1:27:44 | 1:27:49 | |
Neil Robertson jile. Neil Robertson
was flat and that final, Shaun will | 1:27:49 | 1:27:57 | |
be the first to admit that. He
played great. He did his part of it | 1:27:57 | 1:28:03 | |
and was the winner 10-2. When you
can cue like he can you can have a | 1:28:03 | 1:28:10 | |
chance in every event. It is a
fresher to hear him speak so openly | 1:28:10 | 1:28:14 | |
about her style and what he has done
to improve his game. He's a great | 1:28:14 | 1:28:19 | |
ambassador, a great talker, very
philosophical. He is quite open, | 1:28:19 | 1:28:23 | |
about his emotions and his thoughts.
What he wants to achieve in the | 1:28:23 | 1:28:27 | |
game. When he completed that Triple
crown he became part of history. Not | 1:28:27 | 1:28:32 | |
many people have that honour and he
is one of them so he be proud. What | 1:28:32 | 1:28:36 | |
you make about what he was saying
about his vision and the change in | 1:28:36 | 1:28:40 | |
style. Do you detect any difference?
You can see it here on the still. | 1:28:40 | 1:28:46 | |
One on the left beforehand. His
header slightly straighter on the | 1:28:46 | 1:28:50 | |
right-hand side. It looked straight
on on the right-hand side. We talk | 1:28:50 | 1:28:54 | |
about how he lines up. Steve Davis
talked about how still he is on the | 1:28:54 | 1:29:00 | |
right-hand side. Compare to back in
2005. He is off his cue more. That | 1:29:00 | 1:29:07 | |
helps. I think is lining up the
shot. Mark Williams talked about it | 1:29:07 | 1:29:11 | |
in the studio. How much that has
helped him. He is having lots of | 1:29:11 | 1:29:17 | |
success. Can you red too much into
the sport psychology? Is it | 1:29:17 | 1:29:24 | |
something just about getting out and
doing it? We are back to | 1:29:24 | 1:29:29 | |
individuals. Some people it could
help and other people would not find | 1:29:29 | 1:29:32 | |
it useful. It is back to the
individuals. Sports psychology can | 1:29:32 | 1:29:37 | |
help lots of people. Every little
edge that you can get from it, it is | 1:29:37 | 1:29:42 | |
definitely worth exploring. Shaun
Murphy leads 4-0 against Ali Carter. | 1:29:42 | 1:29:46 | |
Back to the live action later. Good
match later on. John Higgins taking | 1:29:46 | 1:29:53 | |
on Anthony McGill making his Masters
debut. | 1:29:53 | 1:30:00 | |
If your child had had a smell, what
would it be? What hobby would you | 1:30:03 | 1:30:09 | |
get into if time and money went an
issue? I think it would be fantastic | 1:30:09 | 1:30:17 | |
to build a snooker Academy. Get a
lot of juniors involved. I think | 1:30:17 | 1:30:33 | |
something like that would be a
passion. What fad or trend do you | 1:30:33 | 1:30:40 | |
hope comes back? Flares. I don't
have the bravery to wear them myself | 1:30:40 | 1:30:50 | |
but I think they are pretty cool.
What would be your spirit animal? A | 1:30:50 | 1:30:55 | |
dog. I love dogs. They're just cool,
aren't they? Is the only human left | 1:30:55 | 1:31:03 | |
on Earth, what would you do? I would
walk around naked. | 1:31:03 | 1:31:14 | |
walk around naked. We saw Anthony
McGill last night looking very | 1:31:14 | 1:31:17 | |
relaxed in the players lounge. John
Higgins against Santi McGill is live | 1:31:17 | 1:31:21 | |
on your red button at 7pm. Every
night we round up all the day's | 1:31:21 | 1:31:25 | |
highlights. If you missed anything
this is what you have missed, as we | 1:31:25 | 1:31:33 | |
look forward to frame five. Shaun
Murphy was absolutely brilliant in | 1:31:33 | 1:31:40 | |
the first frame, taking full
advantage of a few mistakes by Ali | 1:31:40 | 1:31:43 | |
Carter. | 1:31:43 | 1:31:48 | |
Carter. It's his decision making
which is having a big effect on this | 1:31:53 | 1:31:57 | |
match today, superb break of 119.
Potting beautifully. Ali Carter's | 1:31:57 | 1:32:06 | |
heaviest defeat at the Masters 6-0
and Murphy with another break of 87 | 1:32:06 | 1:32:13 | |
to make it 4-0 at the interval. It's
not going very well for Ali Carter. | 1:32:13 | 1:32:19 | |
In fact that's the any time he
smiled because Shaun Murphy has been | 1:32:19 | 1:32:22 | |
absolutely brilliant in this opening
session. I'm trying to get over the | 1:32:22 | 1:32:28 | |
fact Anthony McGill will rock --
walk around naked all the time! Here | 1:32:28 | 1:32:39 | |
we go, frame five as we go back to
Steve Davis. | 1:32:39 | 1:32:47 | |
Thank you, frame five. Ali Carter to
break. COMMENTATOR: Ali Carter | 1:32:53 | 1:33:01 | |
breaking off in frame five, hoping
the interval will change things for | 1:33:01 | 1:33:05 | |
him. | 1:33:05 | 1:33:14 | |
Could play a four condition quite
aggressive safety shot but looks | 1:33:23 | 1:33:27 | |
like Shaun Murphy spotted a gap to
get through for a pot. Turns it down | 1:33:27 | 1:33:33 | |
for the more containing safety.
Thought he was getting down to try | 1:33:33 | 1:33:36 | |
and pot that. | 1:33:36 | 1:33:45 | |
APPLAUSE | 1:33:53 | 1:34:03 | |
Hasn't really done too much damage
to Shaun Murphy with that safety. | 1:34:04 | 1:34:08 | |
It's going to be always difficult to
put his opponent under pressure. The | 1:34:08 | 1:34:17 | |
risk in playing this thick and
playing the four condition safety, | 1:34:17 | 1:34:20 | |
you don't know where the reds are
going to go. -- four-cushion safety. | 1:34:20 | 1:34:30 | |
You can get rewarded sometimes. Much
like Shaun Murphy's last safety | 1:34:30 | 1:34:37 | |
shot, didn't get the cue ball close
enough to the cushion. | 1:34:37 | 1:34:47 | |
enough to the cushion. This is
better. | 1:34:47 | 1:34:52 | |
On a fast cloth, the thinner the
safety, the less you're likely to | 1:35:16 | 1:35:21 | |
push the ball to the opposite corner
pocket. It does tend to be the way | 1:35:21 | 1:35:28 | |
that a lot of safety shots are
played these days, not to do any | 1:35:28 | 1:35:33 | |
damage with the object balls. | 1:35:33 | 1:35:43 | |
damage with the object balls. He's
let that one go. He's got to hope | 1:35:43 | 1:35:45 | |
the blue comes to his rescue here. I
don't think it has. | 1:35:45 | 1:35:55 | |
Quite low on the safety success from
Ali Carter. | 1:36:14 | 1:36:24 | |
Ali Carter. It wasn't much of a
risk. An opportunity now in potting | 1:36:24 | 1:36:29 | |
the black just go into the cluster. | 1:36:29 | 1:36:38 | |
If Shaun Murphy can get back into
his stride after the interval and | 1:36:43 | 1:36:48 | |
win this frame, he's turning Ali
Carter's campaign at the Masters | 1:36:48 | 1:36:55 | |
into another disappointing one. | 1:36:55 | 1:37:05 | |
He's got to develop a few roads
soon, though. -- a few reds soon. | 1:37:10 | 1:37:20 | |
Three reds, three blacks. | 1:37:20 | 1:37:31 | |
I thought he could have rolled it in
and played to the black at the | 1:37:43 | 1:37:48 | |
opposite corner. A let off the Ali.
-- a let off for Ali. It didn't feel | 1:37:48 | 1:38:03 | |
as though he was in a position to
risk it. He's at the position now | 1:38:03 | 1:38:10 | |
where he's got to somehow get a
foothold in the match. He probably | 1:38:10 | 1:38:15 | |
won't get that by taking too many
risks. | 1:38:15 | 1:38:26 | |
A tent of her Ali Carter into the
middle pocket. -- tempter for Ali | 1:38:34 | 1:38:42 | |
Carter. The trouble is when you miss
these you don't know where they are | 1:38:42 | 1:38:47 | |
going to go. APPLAUSE | 1:38:47 | 1:39:00 | |
Played it positively, there was no
point really in playing that to get | 1:39:00 | 1:39:04 | |
the cue ball on the bottom rail. | 1:39:04 | 1:39:11 | |
the cue ball on the bottom rail. A
nice start of her Ali Carter. He's | 1:39:11 | 1:39:14 | |
got to get going here -- a nice
start for Ali Carter. He's got to | 1:39:14 | 1:39:21 | |
flow a bit, it's not been easy.
That's not wonderful. He's got a red | 1:39:21 | 1:39:31 | |
but he's got to trust a little bit
to luck, getting this cue ball out | 1:39:31 | 1:39:37 | |
into open play. Screw back, try and
get on the blue. Unlucky the way | 1:39:37 | 1:39:41 | |
that's come out. That's just
unfortunate really. You can't | 1:39:41 | 1:39:47 | |
guarantee you're not going to
collide with the pink and then he | 1:39:47 | 1:39:50 | |
would have been on the blue. Should
have collided with the pink, really. | 1:39:50 | 1:39:53 | |
He played it with so much pace...
And then a bad kiss on the yellow. | 1:39:53 | 1:40:02 | |
Tough yellows. It's tempting him to
go for but Steve said, this is | 1:40:02 | 1:40:07 | |
tough. He played it nicely.
Sometimes you don't get what you | 1:40:07 | 1:40:19 | |
deserve but the red he's closest to
he can pop to the left middle. It's | 1:40:19 | 1:40:23 | |
not all bad. | 1:40:23 | 1:40:30 | |
not all bad. -- pot to the left
middle. He should be able to play | 1:40:30 | 1:40:36 | |
quite a deft Ston shot across the
face of the blue for the blue in the | 1:40:36 | 1:40:40 | |
same pocket. Awkward cueing, though. | 1:40:40 | 1:40:50 | |
So, a clear-cut chance now for Ali
Carter to get his first frame on the | 1:40:54 | 1:40:57 | |
board. | 1:40:57 | 1:41:06 | |
Not right in the heart of the
pocket, this red. | 1:41:21 | 1:41:32 | |
Now, he's nudged that read. If he
can get through to the red just | 1:41:43 | 1:41:48 | |
above the black it's fine. He's
going to have to play this red. Can | 1:41:48 | 1:41:53 | |
he hole for the pink? It like to.
Could do comfortably. | 1:41:53 | 1:42:02 | |
Could do comfortably. Just got to be
a bit careful with a few positional | 1:42:02 | 1:42:06 | |
shots here, and it will open up
quite nicely. | 1:42:06 | 1:42:17 | |
quite nicely. A few of those reds
blocking paths, especially the | 1:42:17 | 1:42:21 | |
corners. | 1:42:21 | 1:42:27 | |
corners. Getting low on this black
would have been a nice option, but | 1:42:27 | 1:42:32 | |
he's got loads of choices here. | 1:42:32 | 1:42:38 | |
You always feel in these situations,
you've just got to focus on one shot | 1:42:44 | 1:42:48 | |
at a time, forget the scoreline.
Just make | 1:42:48 | 1:42:54 | |
Just make | 1:42:54 | 1:42:55 | |
the most of every opportunity you
get. He's got a slight angle on the | 1:42:55 | 1:43:00 | |
black. You'd have preferred a bit
more angle. But he shouldn't have a | 1:43:00 | 1:43:06 | |
problem. | 1:43:06 | 1:43:12 | |
problem. It's OK if he can't run
through for the black, he can always | 1:43:12 | 1:43:19 | |
done it for the pink into the
opposite corner. -- stun it. He goes | 1:43:19 | 1:43:28 | |
through for the black. Nice angle on
it this time to come on and off the | 1:43:28 | 1:43:33 | |
top cushion. | 1:43:33 | 1:43:39 | |
top cushion. 27 points the lead now.
Three of these remaining reds and | 1:43:40 | 1:43:45 | |
the frame will be in the bag. I know
we always say that you never settle | 1:43:45 | 1:43:53 | |
until you get your first frame on
the scoreboard. It's always the | 1:43:53 | 1:43:57 | |
case. It will make you feel a lot
better if you can do it in one | 1:43:57 | 1:44:03 | |
visit. On this entry, it would be
the icing on the cake. 35 ahead. Red | 1:44:03 | 1:44:13 | |
cover rent required. | 1:44:13 | 1:44:18 | |
Just about got the right angle on
the blue. | 1:44:23 | 1:44:32 | |
I can only assume he put a bit of
sign on the cue ball there and | 1:44:36 | 1:44:42 | |
didn't get any. It seemed like it
overhit it, he knew he had | 1:44:42 | 1:44:51 | |
overheated immediately. He should
get this, obviously. APPLAUSE | 1:44:51 | 1:45:01 | |
Job done by Ali Carter here. You'll
be relieved but he's also pleased | 1:45:08 | 1:45:13 | |
he's converted the chance. | 1:45:13 | 1:45:23 | |
Perfect on the blue. Could be
another century to add to the list | 1:45:24 | 1:45:29 | |
at this year 's Masters. 18 so far. | 1:45:29 | 1:45:38 | |
Obviously it was going to go to 4-1
hour but amazingly enough he's still | 1:45:56 | 1:46:01 | |
ahead in the pot success, 95% pot
success rate. | 1:46:01 | 1:46:11 | |
. ... What a pity! What a pity.
APPLAUSE | 1:46:41 | 1:46:48 | |
Johne Murphy had first chance. He
needs a few mistakes from Shaun but | 1:46:48 | 1:46:57 | |
he's at least got a frame on the
board now, something to build on. | 1:46:57 | 1:47:01 | |
STUDIO: Out and 99. Long road back.
It is bottle great journeys start | 1:47:01 | 1:47:08 | |
with small steps. I agree with what
the commentator said, you've got to | 1:47:08 | 1:47:13 | |
forget the scoreline, play every
frame like it's the last frame in | 1:47:13 | 1:47:16 | |
the match and see where it leads
you. He's scored in one visit. | 1:47:16 | 1:47:20 | |
You're not going to win at this
level by fiddling around. If you can | 1:47:20 | 1:47:25 | |
win in one visit and show your
opponent I'm still scoring, you've | 1:47:25 | 1:47:29 | |
got a chance. Good response. It's
amazing when you go to an interval, | 1:47:29 | 1:47:35 | |
you come out and sometimes you clear
your head. When you're sitting in | 1:47:35 | 1:47:39 | |
the chair and getting barrage to buy
breaks every time, you need a bit of | 1:47:39 | 1:47:42 | |
time just to gather your thoughts.
He's got one chance, potted a few | 1:47:42 | 1:47:48 | |
good balls at the beginning of that
frame. He kept it going and it's | 1:47:48 | 1:47:53 | |
just what he needed to settle him
down, give him a bit of confidence. | 1:47:53 | 1:47:58 | |
To win it in one visit was a great
boost. No one wants to lose 6-0 but | 1:47:58 | 1:48:02 | |
when you get that frame on the board
does it relieved that bit of | 1:48:02 | 1:48:07 | |
tension? That's the first part, the
first rung of the ladder you are | 1:48:07 | 1:48:12 | |
trying to climb today. He'll be
doubly concentrating. The one thing | 1:48:12 | 1:48:16 | |
you don't want to do is win a frame
like that and then be a bit lax in | 1:48:16 | 1:48:21 | |
the next one. You've got to be right
on it in this frame as well. And | 1:48:21 | 1:48:29 | |
Murphy? When you get a chance you
want to try and keep your opponent | 1:48:29 | 1:48:33 | |
down. You don't want to give them an
easy chance now. Back we go with | 1:48:33 | 1:48:38 | |
Steve and John. | 1:48:38 | 1:48:43 | |
COMMENTATOR: You see the thumbs up,
I think that was an ironic thing, | 1:48:45 | 1:48:55 | |
mainly to himself. How did he not
make the century, he'll be thinking. | 1:48:55 | 1:49:00 | |
Centuries only win one frame and 99
isn't far off. This looks like a | 1:49:00 | 1:49:06 | |
good cue balls. Just seemed to check
a little bit. Left to pot on. | 1:49:06 | 1:49:17 | |
This time Shaun's long potting lets
him down. I suppose from a point of | 1:49:22 | 1:49:31 | |
view of safety, neither player has
been really finding that cushion | 1:49:31 | 1:49:36 | |
with regularity. No. | 1:49:36 | 1:49:45 | |
with regularity. No. When you're
playing a shot to nothing, in one | 1:49:45 | 1:49:51 | |
respect, if you do actually pot the
ball you like to be on a colour. On | 1:49:51 | 1:49:57 | |
that particular type of shot you
don't want to play for the baulk | 1:49:57 | 1:50:00 | |
cushion. Perhaps play for a baulk,
into the pockets is the correct way | 1:50:00 | 1:50:09 | |
to play those | 1:50:09 | 1:50:20 | |
-- baulk colour. | 1:50:20 | 1:50:30 | |
Once again as we've seen so many
times during this match, and it does | 1:50:39 | 1:50:43 | |
seem down the left-hand side of the
table as we look, Ali keeps catching | 1:50:43 | 1:50:48 | |
them a bit thick. | 1:50:48 | 1:50:58 | |
APPLAUSE | 1:51:02 | 1:51:07 | |
A monster. Not just potting it but
retaining perfect control with the | 1:51:09 | 1:51:16 | |
cue ball. | 1:51:16 | 1:51:25 | |
cue ball. That's where finding the
bottom cushion, as Ali Carter failed | 1:51:25 | 1:51:30 | |
to do, can be so important against
the top player and Potter like Shaun | 1:51:30 | 1:51:34 | |
Murphy. | 1:51:34 | 1:51:39 | |
Murphy. When you get that cue ball
tight against the cushion, you can | 1:51:40 | 1:51:44 | |
only hit the top part of it far
harder shot. | 1:51:44 | 1:51:56 | |
harder shot. And if you are catching
the ball thick or thin, length of | 1:51:56 | 1:51:59 | |
the table in your safety shots, it
doesn't help your confidence because | 1:51:59 | 1:52:03 | |
it's obviously, unless the table is
rolling off over distance, it's | 1:52:03 | 1:52:09 | |
usually the case that you have a
cueing deficiency. You're not | 1:52:09 | 1:52:14 | |
striking the middle of the cue ball
and delivery. Shaun Murphy and the | 1:52:14 | 1:52:18 | |
hit that shot, I don't think he got
a bad contact but certainly no back | 1:52:18 | 1:52:23 | |
spin on that one. He may have got a
bad contact. There was certainly a | 1:52:23 | 1:52:32 | |
bounce when the cue ball met object
ball. Took all the spin of the cue | 1:52:32 | 1:52:39 | |
ball. The thing is about this blue,
if he had the right angle on the | 1:52:39 | 1:52:46 | |
blue he wouldn't have any hesitation
in playing it. He doesn't have the | 1:52:46 | 1:52:49 | |
right angle, this thread, the ones
close to the cue ball at the moment. | 1:52:49 | 1:52:56 | |
He's really only available to the
left corner which is why he's | 1:52:56 | 1:53:00 | |
turning the blue down and playing
safe. APPLAUSE | 1:53:00 | 1:53:09 | |
So as in the last frame, Sean --
Shaun didn't make the most of the | 1:53:09 | 1:53:18 | |
opportunity. He got a kick, it
wasn't a massive one but sometimes a | 1:53:18 | 1:53:26 | |
kick can destroy the path of the
object ball. Other times the cue | 1:53:26 | 1:53:29 | |
ball. | 1:53:29 | 1:53:35 | |
Not too sure what Shaun's looking at
here. | 1:54:08 | 1:54:18 | |
here. That looks on. He's not even
playing it. Maybe he can't get to | 1:54:18 | 1:54:26 | |
the first red... But yes, from
behind it looked a certainty. It | 1:54:26 | 1:54:35 | |
looks like a three-ball plant into
the middle. He didn't give it much | 1:54:35 | 1:54:42 | |
of a look. Perhaps it's lined up a
bit to the near jaw. Ali Carter is | 1:54:42 | 1:54:48 | |
looking to see if it's a three-ball
plant the other way. Into both | 1:54:48 | 1:54:54 | |
middle pockets, middle and corner. I
wonder why Shaun didn't give that | 1:54:54 | 1:55:01 | |
more attention? He's out there at
the table... You can see better when | 1:55:01 | 1:55:06 | |
you're right behind the shot. I
don't think Ali will be turning this | 1:55:06 | 1:55:10 | |
down to be honest. It's poor from
Shaun Murphy not to have spotted it | 1:55:10 | 1:55:15 | |
is a three-ball plant the other way.
He's definitely going for it so he | 1:55:15 | 1:55:19 | |
must think it's more or less
certain. He needs to get it, though. | 1:55:19 | 1:55:24 | |
And got it. Cue ball got close to
the corner... He's on the blue. | 1:55:24 | 1:55:32 | |
APPLAUSE | 1:55:32 | 1:55:34 | |
He got the cue ball out into open
play as well. Unforgivable from | 1:55:40 | 1:55:43 | |
Shaun Murphy there. | 1:55:43 | 1:55:51 | |
Giving it the steely eye, sat in his
chair. Ali has to avoid the kiss on | 1:55:58 | 1:56:07 | |
the second red here and he should be
perfect on the back or pink. Judged | 1:56:07 | 1:56:12 | |
it well. | 1:56:12 | 1:56:17 | |
Great chance, this. | 1:56:22 | 1:56:32 | |
If he had been a bit straighter on
the black he probably felt he could | 1:56:36 | 1:56:40 | |
have controlled the cue ball better. | 1:56:40 | 1:56:51 | |
Played that nicely. | 1:57:13 | 1:57:19 | |
Another 46 points required from this
position. To get to | 1:57:41 | 1:57:50 | |
position. To get to snookers
required. The fact he's hesitating | 1:57:50 | 1:57:54 | |
means it's become a bit awkward. You
can see, very straight. Would it be | 1:57:54 | 1:58:00 | |
worth the risk to screw back and can
in the red that is closest to the | 1:58:00 | 1:58:03 | |
cue ball now? That could go wrong I
suppose -- cannon the red. He made a | 1:58:03 | 1:58:11 | |
mistake with the red, he lost the
cue ball a bit. As you say, worth | 1:58:11 | 1:58:19 | |
the risk their committed to that
nicely back in prime position. | 1:58:19 | 1:58:36 | |
Will be using the extension and his
cue but you can get past the red | 1:58:57 | 1:59:01 | |
closest to the cue ball. It's not
too awkward cueing. | 1:59:01 | 1:59:13 | |
Ali Carter is starting to look like
a different player. He has got a | 2:00:00 | 2:00:04 | |
spring in his step. Bit more of the
eye of the Tiger. | 2:00:04 | 2:00:17 | |
He has this red bubble deep into the
right corner. | 2:00:46 | 2:00:55 | |
Because it did not go into the
middle of the pocket that is why he | 2:01:06 | 2:01:11 | |
is thinner on the blue than he would
like but have no problem, able to | 2:01:11 | 2:01:14 | |
drop it in and play for the reds in
the left middle. That is all he | 2:01:14 | 2:01:20 | |
needs to go 52 points ahead with
just 43 remaining. | 2:01:20 | 2:01:24 | |
This is a very good response from
Ali. It could be said that Shaun | 2:01:37 | 2:01:43 | |
Murphy in the last two Freemans has
got in first. On this particular | 2:01:43 | 2:01:48 | |
occasion he was unlucky with heavy
contact. | 2:01:48 | 2:01:54 | |
contact. What Ali had to do when
presented with these opportunities | 2:01:55 | 2:01:58 | |
was to take them. | 2:01:58 | 2:02:04 | |
was to take them. And he did in the
last frame and he has done so in | 2:02:04 | 2:02:07 | |
this. In the last thing he did not
make the century, he made 99. He | 2:02:07 | 2:02:14 | |
could hit the time that this time
around. -- the tan. | 2:02:14 | 2:02:24 | |
He does not want to miss anything. | 2:02:31 | 2:02:38 | |
It is the blue for 100. Well done. | 2:03:27 | 2:03:36 | |
Sometimes Ali Carter's temperament
can be questioned, it can be | 2:03:36 | 2:03:41 | |
belittled. I like the way he has
came out in the second half. He has | 2:03:41 | 2:03:46 | |
grabbed it with both hands. He is
now putting some pressure on Shaun | 2:03:46 | 2:03:53 | |
Murphy. He led 4-0 and it is now
4-2. | 2:03:53 | 2:03:58 | |
GABBY: Shaun Murphy not smiling any
longer. | 2:03:58 | 2:04:03 | |
We said to take everything as he
could, see what you can do. He made | 2:04:07 | 2:04:14 | |
99 and then a century. All credit to
him. He has kept Shaun Murphy away | 2:04:14 | 2:04:19 | |
from the table. He is looking more
confident, moving around a table, he | 2:04:19 | 2:04:27 | |
has a spring in his step. You can
feel the crowd urging him. They want | 2:04:27 | 2:04:33 | |
to see him win the frame. And make
this match as close as possible. | 2:04:33 | 2:04:37 | |
That can give you a nice boost as
well. You can feed off of that. He | 2:04:37 | 2:04:43 | |
looks to be a completely different
player from the first four. Shaun | 2:04:43 | 2:04:47 | |
Murphy, as you said that the start
of the programme today, stomping | 2:04:47 | 2:04:52 | |
around the table, you sometimes get
that glint in his eye when he loves | 2:04:52 | 2:04:58 | |
potting balls to the camera. But
that is slightly different. It is | 2:04:58 | 2:05:03 | |
not panic stations yet. If it gets
to 4-3, he will be looking in the | 2:05:03 | 2:05:08 | |
rear-view mirror. Winters 4-2 and
you have got a cushion, you will | 2:05:08 | 2:05:12 | |
still think you are all right. The
next frame will be very good. | 2:05:12 | 2:05:21 | |
next frame will be very good. I
quickly the idea of Ali potting out | 2:05:21 | 2:05:25 | |
to calm himself down. He has to be
careful not to present any | 2:05:25 | 2:05:30 | |
opportunities back to Shaun when he
is on a run. We're not suggesting | 2:05:30 | 2:05:35 | |
that the crowd are fully behind Ali
Carter but they appreciate he was | 2:05:35 | 2:05:39 | |
4-0 down the interval. | 2:05:39 | 2:05:46 | |
JOHN VIRGO: He will be pleased the
way the last two points are gone but | 2:05:46 | 2:05:53 | |
there is no margin for error for
Ali. When your opponent needs two | 2:05:53 | 2:06:00 | |
frames, you have more wiggle room,
so to speak. | 2:06:00 | 2:06:03 | |
Even in the best of 11, there are
some breathing space. | 2:06:09 | 2:06:18 | |
The UK Championship in the best of
11 and the early stages, dropped | 2:06:19 | 2:06:25 | |
from best of 17. It is a shorter and
sharper event. The Masters has | 2:06:25 | 2:06:32 | |
always been, this is called me
thinking, going back in history, it | 2:06:32 | 2:06:37 | |
has been a true test. The true test
is that you will not get an easy | 2:06:37 | 2:06:44 | |
match. | 2:06:44 | 2:06:49 | |
That was thinner than he wanted on
that side of the table. | 2:07:01 | 2:07:09 | |
He has been catching the safety
shots, Ali Carter. Thick down the | 2:07:16 | 2:07:21 | |
left-hand side as we look and found
down the right-hand side by a | 2:07:21 | 2:07:24 | |
fraction, that is. | 2:07:24 | 2:07:30 | |
As you see, it is usually a sign
that you are not finding the centre | 2:07:30 | 2:07:34 | |
of the cue ball. | 2:07:34 | 2:07:37 | |
Once again he was a fraction too
thick. | 2:07:45 | 2:07:49 | |
That is about average for Shaun
Murphy, 67%. That is quite high for | 2:07:56 | 2:08:01 | |
Ali. | 2:08:01 | 2:08:08 | |
Great long pot. Did not screw it
back as well as a might have done on | 2:08:16 | 2:08:22 | |
some occasions. Perhaps not a great
contact either. He rammed the red | 2:08:22 | 2:08:26 | |
in. | 2:08:26 | 2:08:33 | |
The choice is the blue into the
middle of the corner. That is a more | 2:08:39 | 2:08:43 | |
positive shot with guaranteed
position. | 2:08:43 | 2:08:49 | |
He has not made the most of the last
two frames and desperate to make | 2:09:01 | 2:09:05 | |
this one count. | 2:09:05 | 2:09:11 | |
I would say that Shaun Murphy's
recent good form in major finals | 2:09:11 | 2:09:16 | |
could be holding him in good stead.
You can take a view on the chin if | 2:09:16 | 2:09:23 | |
you are confident enough to strike
back. | 2:09:23 | 2:09:31 | |
He had a couple of good finals with
Ronnie O'Sullivan. Defeated Ronnie | 2:09:45 | 2:09:51 | |
and the Champion of Champions but
lost in the UK final. There is one | 2:09:51 | 2:09:59 | |
red on the open. He has the angle on
the black to go into the cluster. It | 2:09:59 | 2:10:07 | |
has came out OK. It is not
absolutely inch perfect. He has had | 2:10:07 | 2:10:13 | |
that so well. He did not put too
much backspin on it. The cue ball | 2:10:13 | 2:10:17 | |
did not stick in the pack. Just
enough backspin to grip the cue ball | 2:10:17 | 2:10:23 | |
and keep it in the middle of the
table. Could not have had it any | 2:10:23 | 2:10:26 | |
better. | 2:10:26 | 2:10:32 | |
This is always risky because you are
going closer to the black. This time | 2:10:39 | 2:10:44 | |
he has judged it perfectly. That is
a tough shot to get right on these | 2:10:44 | 2:10:49 | |
tables. Flying off the cushion. | 2:10:49 | 2:10:51 | |
There is a pack of Freds that has to
be opened at some stage. | 2:11:13 | 2:11:19 | |
He will not be pleased with that. He
let the cue ball goal but he has got | 2:11:22 | 2:11:26 | |
away with it. | 2:11:26 | 2:11:34 | |
away with it. We just missed Ali
looking away and puffing out his | 2:11:34 | 2:11:36 | |
cheeks. | 2:11:36 | 2:11:38 | |
Sensibly not trying to get on the
blue perfectly with that shot. | 2:11:52 | 2:11:57 | |
He could've that better. | 2:12:27 | 2:12:35 | |
He did not have the right angle on
the green. | 2:12:47 | 2:12:55 | |
He good amongst the balls, though. | 2:12:55 | 2:12:58 | |
You would not put it past him to
knock in another century. | 2:13:05 | 2:13:15 | |
Just the black is needed now to go
70 points in front with just 67 | 2:13:20 | 2:13:24 | |
remaining. | 2:13:24 | 2:13:31 | |
He did take advantage of getting him
first which he did not do in the | 2:13:48 | 2:13:51 | |
last two frames. | 2:13:51 | 2:13:52 | |
Ali Carter failed on 99. Potentially
could have been four. | 2:14:57 | 2:15:11 | |
Shaun Murphy is now 5-2 in front.
It'll be tough for Ali Carter to get | 2:15:20 | 2:15:25 | |
back in this match. I know what
you're thinking watching at home, | 2:15:25 | 2:15:29 | |
you would not wonder this Masters
championship to end. The afternoon | 2:15:29 | 2:15:37 | |
matches are excellent. This is a
hard game. They are playing out of | 2:15:37 | 2:15:43 | |
their brains. That was an
interesting shot in that break. | 2:15:43 | 2:15:46 | |
Shaun Murphy is on the green. Look
at the way of the position of the | 2:15:46 | 2:15:52 | |
balls. Most players would try to
force an angle to come down as close | 2:15:52 | 2:15:57 | |
to the reds as possible. He is so
confident of his cue action. He pots | 2:15:57 | 2:16:02 | |
this and screws back to leave the
mid-range red. Lots of players would | 2:16:02 | 2:16:08 | |
try to get the cue ball as close to
our bed as possible. What you are | 2:16:08 | 2:16:18 | |
saying, to be clear, because he is
so good at the mid-range and | 2:16:18 | 2:16:24 | |
long-range potting, and he is
playing so well, he was happy with | 2:16:24 | 2:16:27 | |
that position of the cue ball. He
was confident enough to leave that | 2:16:27 | 2:16:31 | |
shot. As John said, if you're not
feeling too good, not too confident, | 2:16:31 | 2:16:37 | |
you may try to get closer and
sacrifice your position. He was | 2:16:37 | 2:16:42 | |
totally in control and totally
confident. It is like bread and | 2:16:42 | 2:16:46 | |
butter for him. That is what you get
if you have got a good cue action. | 2:16:46 | 2:16:52 | |
Good response in all fairness.
Psychologically, he has held himself | 2:16:52 | 2:16:58 | |
together. Ali has put it up to him
but he has as well. That is a good | 2:16:58 | 2:17:06 | |
fight back by somebody like Shaun
Murphy who is sitting thinking, I | 2:17:06 | 2:17:09 | |
have to get back to the table and to
pot a ball. It was not quite panic | 2:17:09 | 2:17:14 | |
stations but if it went to 4-3 it
would have been. It was an important | 2:17:14 | 2:17:19 | |
juncture in the match. When you look
at the breaks we have had today, we | 2:17:19 | 2:17:24 | |
have had a and a 93, 90 nine. We
could've had another century added | 2:17:24 | 2:17:32 | |
to the growing century rate. | 2:17:32 | 2:17:38 | |
It has been a bombardment of breaks
this week. There is a premium on | 2:17:38 | 2:17:43 | |
good safety play and also getting in
amongst the balls first during a | 2:17:43 | 2:17:48 | |
these days. | 2:17:48 | 2:17:49 | |
Good effort, no damage done. | 2:18:10 | 2:18:18 | |
With the standard is as high as
this, the line between success and | 2:18:33 | 2:18:36 | |
failure is so marginal. | 2:18:36 | 2:18:43 | |
failure is so marginal. Ali played
that with a good effort and it was | 2:18:43 | 2:18:46 | |
just a fraction out. If it had gone
and he could have won the frame. | 2:18:46 | 2:18:52 | |
I think you are punished more now
from drumsticks. -- for your | 2:19:10 | 2:19:16 | |
mistakes. | 2:19:16 | 2:19:22 | |
Excellent safety shots from Shaun
Murphy. | 2:19:25 | 2:19:33 | |
Murphy. Ali Carter has to be careful
he does not push the ball towards | 2:19:33 | 2:19:37 | |
the left corner. He looks like
playing that outside red. It is a | 2:19:37 | 2:19:43 | |
three ball plant that could send the
red towards the corner. Fortunately | 2:19:43 | 2:19:46 | |
for him he could get towards the one
by the blue. It is not putting too | 2:19:46 | 2:19:54 | |
much pressure on his opponent but
there is no risk. That was a good | 2:19:54 | 2:19:58 | |
shot. I think he was happy. You can
see the red in the middle of the | 2:19:58 | 2:20:07 | |
table. | 2:20:07 | 2:20:14 | |
Unless he decides to play to the top
cushion, he might be forced to... | 2:20:40 | 2:20:46 | |
This is risky but excellent. | 2:20:46 | 2:20:55 | |
This puts pressure on Ali. From this
side of the table, he is catching | 2:21:23 | 2:21:29 | |
all his safety shots too thickly. | 2:21:29 | 2:21:32 | |
It was slowed down by the fact that
the cue ball can't react. | 2:22:07 | 2:22:11 | |
That was an excellent shot. | 2:22:21 | 2:22:26 | |
He has played that well. | 2:22:32 | 2:22:43 | |
On one said he is hitting it too
thinly and on the other side he is | 2:23:20 | 2:23:24 | |
hitting it too thickly. | 2:23:24 | 2:23:31 | |
hitting it too thickly. As we have
seen that is dangerous against | 2:23:31 | 2:23:34 | |
somebody with the potting progress
of Shaun Murphy. It is not good for | 2:23:34 | 2:23:40 | |
his confidence when that happens. | 2:23:40 | 2:23:47 | |
Shaun Murphy on that occasion did
not punish Ali Carter. Ali Carter | 2:24:04 | 2:24:09 | |
Clinton had this softly and still
screw the ball because he has got | 2:24:09 | 2:24:12 | |
good power. | 2:24:12 | 2:24:22 | |
good power. That was a decent
safety. Shaun can catch the | 2:24:22 | 2:24:24 | |
right-hand side of the pack as we
look if he decides to. Busy path | 2:24:24 | 2:24:28 | |
back down the table. | 2:24:28 | 2:24:29 | |
He can choose between the beds. One
to the left and the other to the | 2:24:56 | 2:25:01 | |
right. There is a gate. He has to
find it to get the cue ball back to | 2:25:01 | 2:25:06 | |
the middle of the table. | 2:25:06 | 2:25:08 | |
Can you get through to the black? | 2:25:24 | 2:25:32 | |
I think you can just see enough of
the black. | 2:25:32 | 2:25:39 | |
He is hanging in. | 2:25:54 | 2:26:02 | |
He would have settled for a fight
three and then hope that Shaun | 2:26:23 | 2:26:28 | |
struggles at the finish line. | 2:26:28 | 2:26:36 | |
struggles at the finish line. This
is the first chance that Ali has got | 2:26:36 | 2:26:38 | |
first in, so to speak. | 2:26:38 | 2:26:45 | |
The problem is that now the black is
only available into the right corner | 2:27:13 | 2:27:17 | |
and the pink is out of commission.
He will have to screw back for the | 2:27:17 | 2:27:22 | |
blue or another, here. | 2:27:22 | 2:27:25 | |
He has overhead but the pink must've
gone to the left corner. You can see | 2:27:33 | 2:27:38 | |
that it died. He has got himself
into a miss in this break. | 2:27:38 | 2:27:51 | |
There are a in is that he has stayed
to negotiate. | 2:27:53 | 2:28:02 | |
That is quite a tough gap to play a
position on from about nine feet | 2:28:24 | 2:28:30 | |
that the cue ball has to travel. | 2:28:30 | 2:28:33 | |
He is attacking but that was a long
way out. I do not think that was the | 2:28:38 | 2:28:43 | |
right shot. He is trying to force
it, tried to keep the break going, | 2:28:43 | 2:28:47 | |
he did not have to. Why?
Desperation. Sometimes you have to | 2:28:47 | 2:28:53 | |
cut your losses. It is not great,
you are embarrassed you have messed | 2:28:53 | 2:28:58 | |
up your position. | 2:28:58 | 2:29:06 | |
You cannot gift opportunities at
this level and that is what Ali has | 2:29:07 | 2:29:10 | |
done here. | 2:29:10 | 2:29:17 | |
He has missed it!. Now the question
is, what has he left? At first | 2:29:24 | 2:29:37 | |
glance, not a lot. Ali Carter might
be tempted by the brown by the | 2:29:37 | 2:29:46 | |
corner pocket if you cannot plot
anything up the top. The something | 2:29:46 | 2:29:49 | |
go there? Two ball plant. That is
nasty. I prefer your choice of shot, | 2:29:49 | 2:30:00 | |
the red near the middle. He must
fancy this planet but he must make | 2:30:00 | 2:30:06 | |
it. He did not overcome it enough.
Both players getting away with it at | 2:30:06 | 2:30:14 | |
the moment. We've is this red going?
He has left it. The only thing that | 2:30:14 | 2:30:25 | |
is saving Ali Carter here is where
Shaun Murphy can put the cue ball. | 2:30:25 | 2:30:32 | |
To keep good position. That brown
does cut in. | 2:30:32 | 2:30:40 | |
He's missed the pot. If it hit it
firmer, he'd probably have potted it | 2:30:42 | 2:30:50 | |
but the cue ball would have been on
the black condition. All sorts of | 2:30:50 | 2:30:53 | |
things happening here. Never take
anything for granted at this game. | 2:30:53 | 2:31:00 | |
Now a chance to get on the black. In
potting the black, remove the red to | 2:31:00 | 2:31:09 | |
the left of the black. That will
make the black available into both | 2:31:09 | 2:31:13 | |
corners. He's still got the one over
the far corner pocket. | 2:31:13 | 2:31:24 | |
the far corner pocket. That's not
great. He's still got that read over | 2:31:24 | 2:31:29 | |
the far corner. Who'd like to have
been on this red better than that. I | 2:31:29 | 2:31:34 | |
couldn't agree more. He can play one
red or to the other, as a last | 2:31:34 | 2:31:38 | |
resort. But really he should have
perhaps hit the black a bit harder | 2:31:38 | 2:31:43 | |
and got a bit more distance between
the red and the cue ball. He's got | 2:31:43 | 2:31:48 | |
it in. APPLAUSE
Normal service has been resumed. | 2:31:48 | 2:32:01 | |
Overrun this a fraction as well.
Only a bit but enough to make that | 2:32:09 | 2:32:16 | |
pot missable. Not the ideal read to
be playing. He wants to keep that | 2:32:16 | 2:32:21 | |
over the pocket for a while but no
choice. Oh no, don't tell me. The | 2:32:21 | 2:32:31 | |
brown so close to the | 2:32:31 | 2:32:36 | |
brown so close to the pocket, he
couldn't control the cue ball going | 2:32:39 | 2:32:41 | |
that way. Needs to stop. | 2:32:41 | 2:32:47 | |
that way. Needs to stop. A 40 point
lead. | 2:32:48 | 2:32:58 | |
He should be set up. | 2:33:01 | 2:33:12 | |
Anywhere in the circle will do or
anywhere towards the circle. He had | 2:33:14 | 2:33:21 | |
the line but not quite the length. | 2:33:21 | 2:33:32 | |
That effort and a half short in pace
made all the difference. | 2:33:39 | 2:33:48 | |
made all the difference. -- foot and
a half short in pace made all the | 2:33:48 | 2:33:51 | |
difference from being missable to
being unmissable. | 2:33:51 | 2:33:57 | |
That was another poor shot from
Shaun. He's missed a couple of easy | 2:34:18 | 2:34:24 | |
pots and now that poor safety.
Sometimes that can give you hope. | 2:34:24 | 2:34:33 | |
Seeing a slight weakness in your
opponent. It won't last forever, but | 2:34:33 | 2:34:39 | |
it will make Ali think that Shaun's
not invincible by any means. It was | 2:34:39 | 2:34:45 | |
a definite frame when fish Shaun
Murphy when he missed the brown. | 2:34:45 | 2:34:51 | |
They were at his mercy, really. Now
he's going to have to work a lot | 2:34:51 | 2:34:56 | |
harder. How hard can Ali Carter make
him work? That helps. APPLAUSE | 2:34:56 | 2:35:05 | |
That helps a lot, if you're going to
work one of those in. | 2:35:05 | 2:35:15 | |
All of the poor safety shots and Mr
brown are suddenly forgotten. -- | 2:35:17 | 2:35:24 | |
missed brown. | 2:35:24 | 2:35:31 | |
missed brown. Still, not clear-cut.
Two balls and side cushions, or | 2:35:31 | 2:35:33 | |
cushions. | 2:35:33 | 2:35:39 | |
The two reds that are close to the
pink, they are not a formality to | 2:35:49 | 2:35:56 | |
get on. Particularly if none of them
goes to the middle. | 2:35:56 | 2:36:06 | |
goes to the middle. Shaun just had a
look where he had like to be. He may | 2:36:07 | 2:36:11 | |
have to play for the red along the
top attrition which wouldn't be his | 2:36:11 | 2:36:16 | |
priority, unless he plays the pink
and just dislodges these reds. | 2:36:16 | 2:36:19 | |
That's the choice. | 2:36:19 | 2:36:27 | |
Certainly getting himself back in
this frame, but it's going to be a | 2:36:37 | 2:36:43 | |
tough clearance that's the certain.
It doesn't look like he's nicely | 2:36:43 | 2:36:50 | |
placed on the pink... | 2:36:50 | 2:36:57 | |
placed on the pink... Choosing the
red along the top cushion. That's | 2:36:57 | 2:36:59 | |
not great either. If you're going to
play for this read you need a good | 2:36:59 | 2:37:05 | |
angle and I think the facial
expression says it all. That's no | 2:37:05 | 2:37:09 | |
good to anybody. Two straight, tough
pot, can't get good position. No | 2:37:09 | 2:37:16 | |
value. | 2:37:16 | 2:37:22 | |
value. Might as well play a safety
shot. | 2:37:22 | 2:37:31 | |
AUDIENCE GASPS. That's the type of
shot where sometimes you're asking | 2:37:34 | 2:37:39 | |
for trouble. When you miss it, you
can do damage. I suppose he could | 2:37:39 | 2:37:47 | |
have missed it and the red escape
from the pocket... Why not just play | 2:37:47 | 2:37:53 | |
the safety shot of the red? | 2:37:53 | 2:38:00 | |
I'm a little bit surprised when Ali
potted that read that he didn't try | 2:38:10 | 2:38:14 | |
to dislodge the red on the left-hand
side. To clinch the frame at this | 2:38:14 | 2:38:19 | |
visit, he is going to need that red.
Maybe he thinks leaving it there, I | 2:38:19 | 2:38:24 | |
can just roll it down the cushion.
He may have chosen that if the blue | 2:38:24 | 2:38:31 | |
had been on the spot, perhaps, I
don't know. That could have been the | 2:38:31 | 2:38:37 | |
thing that put him off that choice.
I don't think he can cannon it out, | 2:38:37 | 2:38:45 | |
just roll behind it. That cue ball
needs to travel, the straighter the | 2:38:45 | 2:38:50 | |
better and this read. The red is all
that's needed to go 34 points in | 2:38:50 | 2:38:55 | |
front with 27 remaining. APPLAUSE | 2:38:55 | 2:39:04 | |
There will be no way back to the
table now from Shaun Murphy. Ali | 2:39:13 | 2:39:19 | |
Carter hanging on in there. | 2:39:19 | 2:39:27 | |
Shouldn't matter about the yellow
although it looks like it could go | 2:39:31 | 2:39:34 | |
in anyway! APPLAUSE | 2:39:34 | 2:39:40 | |
APPLAUSE | 2:40:09 | 2:40:14 | |
In the end Ali Carter took full
advantage. He still two behind but | 2:40:15 | 2:40:21 | |
he's still in a match. It's 5-3,
Shaun Murphy. STUDIO: At one stage | 2:40:21 | 2:40:27 | |
we honestly thought it might have
even been a whitewash, it might have | 2:40:27 | 2:40:31 | |
been another early finish. Fair play
to Ali Carter. We've had everything | 2:40:31 | 2:40:35 | |
in that frame. He's hanging in there
but he's getting a bit of help. | 2:40:35 | 2:40:39 | |
Shaun, two or three shots, the brown
he's missed. He's potted an | 2:40:39 | 2:40:47 | |
unbelievable long red and Mr brown.
Later on, the situation with the | 2:40:47 | 2:40:52 | |
red, he's gone to straight on the
red. If you're just going to drop | 2:40:52 | 2:40:57 | |
this red in, he's tried to stun it
in. You aren't giving the red the | 2:40:57 | 2:41:06 | |
chance to get into the pocket.
There's no of potting that. He | 2:41:06 | 2:41:14 | |
doesn't have to put himself under
pressure to knock the red in. | 2:41:14 | 2:41:20 | |
Instead of gifting him an
opportunity. If he keeps giving | 2:41:20 | 2:41:22 | |
opportunities like that he's going
to lose frames. Is just a lack of | 2:41:22 | 2:41:27 | |
bad choice of shot. Can you get
there as well, when you see the | 2:41:27 | 2:41:34 | |
finish line, it's so close. In
practice, he knocks that in. It is | 2:41:34 | 2:41:42 | |
tough out there. We know that. We
are being paid to sit here and | 2:41:42 | 2:41:47 | |
dissect it. When you're out there
it's different. Murphy does have a | 2:41:47 | 2:41:52 | |
tendency sometimes when he can't
work out which way to do it, he ends | 2:41:52 | 2:41:55 | |
up playing a shop where you think,
why have you played that when it was | 2:41:55 | 2:41:58 | |
a simple one to play, nice little
safety shot. Unfortunately he didn't | 2:41:58 | 2:42:04 | |
do that. Back we go. | 2:42:04 | 2:42:10 | |
do that. Back we go. COMMENTATOR:
Every frame is now taking on a lot | 2:42:10 | 2:42:14 | |
more significance. You get the
feeling, as we got over the two hour | 2:42:14 | 2:42:23 | |
mark for this match, very
entertaining. A few surprising | 2:42:23 | 2:42:27 | |
misses, it all adds to the
excitement. | 2:42:27 | 2:42:33 | |
excitement. Average frame time just
over 15 and a half minutes, that's | 2:42:33 | 2:42:36 | |
pretty good. | 2:42:36 | 2:42:44 | |
pretty good. Average shot time, that
is about normal for the two players. | 2:42:44 | 2:42:48 | |
Ali Carter with the first, a chance
of a long red, one to the left | 2:42:48 | 2:42:56 | |
corner, one to the right corner.
Make difficult because he's near the | 2:42:56 | 2:43:00 | |
baulk cushion. Big shot. | 2:43:00 | 2:43:10 | |
Big shot... He needs a bit of luck.
I think he's had it. I think he may | 2:43:13 | 2:43:18 | |
have had it. Or has he? He may be
able to get through... | 2:43:18 | 2:43:36 | |
It's a fascinating game, isn't it?
Let's extrapolate, let's say that | 2:43:46 | 2:43:52 | |
somehow Ali Carter manages to
salvage this match. That could be | 2:43:52 | 2:43:58 | |
the thing that kick-start his
season. It's down to perhaps the one | 2:43:58 | 2:44:03 | |
shot that Shaun decides to play that
he doesn't need to play. You give | 2:44:03 | 2:44:06 | |
your opponent a helping hand. When
someone is looking for a bit of | 2:44:06 | 2:44:11 | |
form, it helps sometimes to get a
match that you turn around. Yes, we | 2:44:11 | 2:44:15 | |
all know when you're in the position
that Ali was, you can't really win a | 2:44:15 | 2:44:20 | |
match without a bit of help from the
opponent. It's fair to say at the | 2:44:20 | 2:44:24 | |
moment he is getting a bit of help
from Shaun. But then Ali could turn | 2:44:24 | 2:44:31 | |
around and say first frame you
needed a snooker. | 2:44:31 | 2:44:39 | |
needed a snooker. It's all ifs, buts
and maybes. Another big pot from | 2:44:39 | 2:44:43 | |
Shaun Murphy coming up. APPLAUSE
He'll be on green or brown. Well, | 2:44:43 | 2:44:55 | |
Shaun Murphy, regardless of choices
of shot, is always going to be tough | 2:44:55 | 2:44:58 | |
to beat when he's knocking those in.
He gives himself a chance to win | 2:44:58 | 2:45:02 | |
frames in one visit. | 2:45:02 | 2:45:08 | |
Believe me, when you're playing
someone like Shaun Murphy you don't | 2:45:14 | 2:45:16 | |
expect him to miss any long pot. It
certainly puts pressure on the | 2:45:16 | 2:45:21 | |
safety. But, he's been in first a
few times in the last few frames and | 2:45:21 | 2:45:29 | |
not make the most of it. This is for
the match, this opportunity. | 2:45:29 | 2:45:37 | |
Couldn't help but not that read back
into the pack. -- that red. If he | 2:45:37 | 2:45:46 | |
could get nicely on the blue, it's a
chance to open the reds that way. He | 2:45:46 | 2:45:54 | |
has checked of the pink goes to the
right corner. Once again not a | 2:45:54 | 2:45:59 | |
clear-cut opportunity here. He could
go down for the green although | 2:45:59 | 2:46:04 | |
perhaps he can't get past the red.
Perhaps use the green to smash into | 2:46:04 | 2:46:10 | |
the pack. That would be a nice ball.
Perhaps he can't get there. In a | 2:46:10 | 2:46:17 | |
funny way that is the red he's
concerned about, that's the one that | 2:46:17 | 2:46:20 | |
Steve is referring to. I think he
can probably play across the face of | 2:46:20 | 2:46:27 | |
the blue, for the blue in the left
middle. That looks like a natural | 2:46:27 | 2:46:31 | |
angle. | 2:46:31 | 2:46:36 | |
angle. Kept on the black. Wasn't a
problem. The problem could be the | 2:46:38 | 2:46:45 | |
next red. I think he can play to
this left-hand side cushion, then | 2:46:45 | 2:46:49 | |
he's got the red down the rail. It
took a bit of time to work that one | 2:46:49 | 2:46:54 | |
out. Obviously straighter on the red
than it looked from our commentary | 2:46:54 | 2:47:00 | |
box. | 2:47:00 | 2:47:09 | |
box. No clues here as to what he's
going to be doing. He's going to try | 2:47:09 | 2:47:13 | |
and open the reds, keep the cue ball
under control those. Couldn't have | 2:47:13 | 2:47:20 | |
played it any better. That has
worked out absolutely perfect. The | 2:47:20 | 2:47:29 | |
chances there, can he take it? | 2:47:29 | 2:47:35 | |
I think both reds go into the right
middle. He didn't really want to be | 2:47:49 | 2:47:57 | |
straight on this black. He's given
himself a small problem perhaps. | 2:47:57 | 2:48:06 | |
He's made it a lot more difficult
now he's straight on the black. The | 2:48:06 | 2:48:10 | |
longer he thinks over this, the
worse the position is. | 2:48:10 | 2:48:20 | |
Well... He's got the red to the left
middle or far left corner but he was | 2:48:28 | 2:48:37 | |
looking for something easier than
this. | 2:48:37 | 2:48:43 | |
this. Where is the cue ball gone?!
He's looking brittle, it has to be | 2:48:45 | 2:48:54 | |
said. It was looking like a
clear-cut opportunity until he just | 2:48:54 | 2:48:59 | |
played that red and left himself
straight on the black. Then the | 2:48:59 | 2:49:03 | |
problem obviously magnified the next
positional shot. Ali Carter's tale | 2:49:03 | 2:49:11 | |
will certainly be up. Can he get
this important red in? This is an | 2:49:11 | 2:49:16 | |
important shot for Ali Carter. Yes.
Tremendous shot. The pressure was | 2:49:16 | 2:49:26 | |
there, if I miss it it could be my
last shot in the tournament. Well | 2:49:26 | 2:49:31 | |
played. It's always nice to see the
underdog in a match, the person who | 2:49:31 | 2:49:39 | |
is behind responding. It makes for a
great match. Yesterday afternoon we | 2:49:39 | 2:49:47 | |
saw a pretty one-sided event going
on. Going to hope for a better split | 2:49:47 | 2:49:54 | |
than that, though. I think if he had
his time over here... Hit have | 2:49:54 | 2:50:00 | |
played the same shot but maybe with
not as much pace. You can still cut | 2:50:00 | 2:50:05 | |
this thread to the left middle but
he is hampered by about three reds | 2:50:05 | 2:50:12 | |
here. Also I'm not sure he can
escape from the jaws of the yellow | 2:50:12 | 2:50:16 | |
pocket. A bit unfortunate there, I
think. He's got a thin red cut into | 2:50:16 | 2:50:23 | |
the middle. Is it one of those you
overcut? This is horrible. Is he | 2:50:23 | 2:50:30 | |
going to try and hit it a bit
thinner than he needs to? Keep your | 2:50:30 | 2:50:34 | |
eye on the cue ball... APPLAUSE
If he could have got his hand on the | 2:50:34 | 2:50:45 | |
table I think he would have played a
Shaun overcut it slightly there. | 2:50:45 | 2:50:53 | |
Even though it hit the jaws, he
could escape from the jaws. | 2:50:53 | 2:51:01 | |
You've got to be careful with this
one. | 2:51:05 | 2:51:13 | |
one. It's not an easy positional
shot to get right. He's played it | 2:51:13 | 2:51:16 | |
very well. OK, maybe hampered a bit
by the blue. | 2:51:16 | 2:51:30 | |
by the blue. Yes, it's a big thing
this. If he can cue past the blue... | 2:51:30 | 2:51:36 | |
He's hampered slightly. This makes
this pot more difficult. Well | 2:51:36 | 2:51:43 | |
played. | 2:51:43 | 2:51:48 | |
played. A little shake off the head,
he feels as though, and he knew | 2:51:49 | 2:51:53 | |
immediately that he's come to
straight on this black. The pot was | 2:51:53 | 2:52:01 | |
difficult enough. | 2:52:01 | 2:52:06 | |
difficult enough. Was that a nice
nudge? Obviously not. He's got a | 2:52:10 | 2:52:16 | |
shot. He was hoping for something
better. Once again, the problems of | 2:52:16 | 2:52:25 | |
getting straight on the black, it
limits the types of positional shots | 2:52:25 | 2:52:31 | |
you can play severely. You can't run
through. You can only screw back. | 2:52:31 | 2:52:39 | |
This is tough. It's a must get red.
It's their... Good shot. Not much | 2:52:39 | 2:52:53 | |
luck with that kiss on the red but
he had to put all his attention to | 2:52:53 | 2:52:58 | |
the pot. That's when positional play
can go wrong. Ten points behind now. | 2:52:58 | 2:53:05 | |
Fighting to stay in this match. I do
believe, if he can win this frame, I | 2:53:05 | 2:53:13 | |
wouldn't like to name the winner. | 2:53:13 | 2:53:22 | |
Another terrific play from Ali
Carter. Showing all his battling | 2:53:23 | 2:53:30 | |
qualities here. Wonderful shot. | 2:53:30 | 2:53:39 | |
Well judged as well. That had to be
confidently played to know full well | 2:53:45 | 2:53:53 | |
how the cue ball was going to
collide with that red to keep on the | 2:53:53 | 2:53:56 | |
pink. | 2:53:56 | 2:54:01 | |
pink. The pink will put in front.
Which equates to the fact that he'll | 2:54:03 | 2:54:10 | |
need these five remaining reds. | 2:54:10 | 2:54:15 | |
need these five remaining reds. Even
though it looks relatively easy into | 2:54:18 | 2:54:20 | |
the middle pocket for that red on
the side cushion, it's probably a | 2:54:20 | 2:54:23 | |
bit more difficult than it looks on
our screens. If he got in nicely | 2:54:23 | 2:54:31 | |
behind it, he could just drop it
into the middle pocket. It makes a | 2:54:31 | 2:54:38 | |
big difference is that red does go
into the middle easy. | 2:54:38 | 2:54:47 | |
I think he'll elect to play a cannon
on the pink here. It will open it up | 2:55:05 | 2:55:10 | |
a bit more. Makes it available now
to a couple more pockets. But as | 2:55:10 | 2:55:21 | |
Steve said, that will be the key
one. The one near the right centre. | 2:55:21 | 2:55:32 | |
As you can see from that side and
shot on the floor from our | 2:55:33 | 2:55:37 | |
cameraman, that red isn't as easy as
it looks from the overhead shot. | 2:55:37 | 2:55:50 | |
Ali must think when this pink is
re-spotted that the red is still | 2:56:00 | 2:56:04 | |
available. And he's right. Perfectly
on the red, just a stun for the pink | 2:56:04 | 2:56:14 | |
in the opposite corner. He hasn't
had a look at the red yet. Perhaps | 2:56:14 | 2:56:21 | |
this is the first little look he's
had. I think he fancies it goes in | 2:56:21 | 2:56:26 | |
the middle quite nicely. At least I
think so! Once again from this | 2:56:26 | 2:56:33 | |
angle, it looks pretty achieved. I'm
just looking... Can he nudge it out? | 2:56:33 | 2:56:41 | |
May be thinking that. He's
guaranteed to be an pink or blue is | 2:56:41 | 2:56:45 | |
he nudges it out of it. It's got to
be the right shot, the way he's | 2:56:45 | 2:56:50 | |
played it now. He couldn't wish for
a better potting angle than this | 2:56:50 | 2:56:53 | |
one. Oh no! | 2:56:53 | 2:57:03 | |
one. Oh no! He's landed on the
green. He shouldn't have missed that | 2:57:03 | 2:57:08 | |
cannon. He's not had a look at the
red to see if it's... Perhaps it is | 2:57:08 | 2:57:14 | |
a more difficult shot into the
middle pocket from there than I'm | 2:57:14 | 2:57:18 | |
thinking. We'll soon find out. He's
lucky to be on the green. The green | 2:57:18 | 2:57:26 | |
will put him 28 points in front but
he's still 35 remaining. The green | 2:57:26 | 2:57:30 | |
and this red... If he had picked
that up with his hand he could not | 2:57:30 | 2:57:36 | |
have placed it better than that!
What a judge of pace that was. This | 2:57:36 | 2:57:43 | |
red to go 29 points in front. With
just 27 remaining. | 2:57:43 | 2:57:53 | |
Well played. APPLAUSE | 2:57:54 | 2:58:02 | |
Both these players are fantastic
adverts of the game of snooker. They | 2:58:18 | 2:58:22 | |
play so marvellously. It's nice to
see a great close match. APPLAUSE | 2:58:22 | 2:58:36 | |
Shaun has obviously had the best of
the chances but as yet he hasn't | 2:58:37 | 2:58:41 | |
killed off Ali Carter. What's in
store for us to the rest of this | 2:58:41 | 2:58:46 | |
match? As you say, John, no
predictions now, anything can | 2:58:46 | 2:58:51 | |
happen. | 2:58:51 | 2:58:56 | |
Shaun once again is in with a good
chance. He's had ample | 2:59:01 | 2:59:09 | |
opportunities. He'll have finished
his press conference by now. He's | 2:59:09 | 2:59:17 | |
not, he's still in the arena and Ali
Carter is picking up the pieces. | 2:59:17 | 2:59:22 | |
Shaun Murphy is vulnerable. | 2:59:22 | 2:59:29 | |
Shaun Murphy is vulnerable. STUDIO:
I think John Parrott said Shaun | 2:59:29 | 2:59:33 | |
Murphy was looking brittle in that
frame. But what a display from Ali | 2:59:33 | 2:59:37 | |
Carter. That's the best break of the
week for me. Under the | 2:59:37 | 2:59:44 | |
circumstances, 5-3 down, right under
the cosh, looking like going out of | 2:59:44 | 2:59:48 | |
a tournament, you can't make a
better break than that under the | 2:59:48 | 2:59:52 | |
circumstances. He had to battle with
it. The cue ball was lost a couple | 2:59:52 | 2:59:55 | |
of times. He pulled up great shots
to do it. Grit and determination in | 2:59:55 | 2:59:59 | |
that break was fantastic. | 2:59:59 | 3:00:05 | |
Lots of bottled. Great opening red.
Knocked out a blueprint he ran out | 3:00:09 | 3:00:12 | |
of position. | 3:00:12 | 3:00:13 | |
He showed lots of bottled, grit and
determination. When you're 5-4, one | 3:00:17 | 3:00:24 | |
down, two to play, you are in range.
That is so much more pressure now | 3:00:24 | 3:00:29 | |
that reverts onto Shaun Murphy. He
will have to pool out the stops. | 3:00:29 | 3:00:35 | |
When you're 4-0 down, you could see
the body language of Ali, taking a | 3:00:35 | 3:00:40 | |
deep breath. Suddenly you look at
the scoreboard and it is 5-4. UR in | 3:00:40 | 3:00:48 | |
a position where you have to reel
yourself then because you can become | 3:00:48 | 3:00:53 | |
semi-excited because you have a
chance and the match when you felt | 3:00:53 | 3:00:56 | |
you did not have one. You have be
careful. | 3:00:56 | 3:01:03 | |
careful. From Shaun's point of view,
he is having chances and is missing, | 3:01:04 | 3:01:09 | |
which makes them more energy. He is
still knocking in some great long | 3:01:09 | 3:01:13 | |
balls. Every now and again he frozen
an easy miss. Or a silly safety shot | 3:01:13 | 3:01:20 | |
and is giving chances to Ali Carter.
He has to be sharp in the stream. | 3:01:20 | 3:01:26 | |
The other thing going through his
mind is that Ali Carter has the | 3:01:26 | 3:01:29 | |
upper hand, he has beaten him nine
times. This would be a remarkable | 3:01:29 | 3:01:33 | |
comeback. | 3:01:33 | 3:01:35 | |
JOHN VIRGO: That is a fair point
Jason. That will not be remiss in | 3:01:37 | 3:01:46 | |
Shaun Murphy's mind. | 3:01:46 | 3:01:51 | |
Shaun Murphy's mind. What a start.
That is what we see this game is all | 3:01:51 | 3:01:59 | |
about, fractions. If he just misses
the black he would have been on it | 3:01:59 | 3:02:03 | |
perfectly. Let us take a look at
this. | 3:02:03 | 3:02:10 | |
He was just a fraction out. The
extending spider, we do not see this | 3:02:10 | 3:02:20 | |
used very often. He has got lots to
bridge over. He'll be trying to get | 3:02:20 | 3:02:27 | |
the cue ball back to the end. | 3:02:27 | 3:02:29 | |
You can forgive him for hitting the
blue but it is safe enough. The | 3:02:43 | 3:02:48 | |
spider looks massive. It is very
high. | 3:02:48 | 3:02:56 | |
It does. I felt the extended long
ways, not hate. It must be a new | 3:02:58 | 3:03:05 | |
design. I was talking to Paul
Collier about the rest hence kabaddi | 3:03:05 | 3:03:12 | |
habits change the -- they haven't
changed the design of that. It used | 3:03:12 | 3:03:23 | |
to be evil ex Andy Hurry | 3:03:23 | 3:03:29 | |
The players were not consulted about
it. The referees were upset as well. | 3:03:30 | 3:03:35 | |
They have taken the plastic ends. It
is nice to have | 3:03:35 | 3:03:44 | |
is nice to have a low X and a high X
when you're choosing to play low or | 3:03:44 | 3:03:47 | |
high on the ball. | 3:03:47 | 3:03:50 | |
He played that positively to keep on
the black. | 3:03:54 | 3:04:02 | |
We'll Shaun be tempted into the
green pocket with the red? The glue | 3:04:03 | 3:04:07 | |
is begging to be potted. He would
only leave the red on if he missed | 3:04:07 | 3:04:12 | |
it. | 3:04:12 | 3:04:18 | |
UMPIRE: Double. | 3:04:25 | 3:04:32 | |
Every shot now has a consequence. | 3:04:36 | 3:04:41 | |
Ali has the option to ask Shaun to
play again. Shaun can put the cue | 3:04:51 | 3:04:57 | |
ball anywhere in the D. | 3:04:57 | 3:05:07 | |
Would you have asked your opponent
to play the shot? I am not certain | 3:05:10 | 3:05:17 | |
myself. It might end up with no
value either way. It Shaun was to | 3:05:17 | 3:05:26 | |
play a poor safety, Ali would get
first option. He nearly did play a | 3:05:26 | 3:05:30 | |
poor safety but the black is came to
his rescue. | 3:05:30 | 3:05:38 | |
Is there a gap for the red into the
left corner? Perhaps not. If there | 3:06:03 | 3:06:11 | |
is it is effectively a shot to
nothing. I don't think there is. | 3:06:11 | 3:06:19 | |
You can see a difference in the body
language no one Shaun. He started to | 3:06:33 | 3:06:37 | |
think more and more about every
shot. | 3:06:37 | 3:06:46 | |
You can see problems with the latest
sometimes when you do that. The code | 3:06:49 | 3:06:53 | |
are understandably jeering the early
underdog in this match. | 3:06:53 | 3:07:03 | |
It is nice to see a comeback. I
think the audience at appreciative | 3:07:03 | 3:07:10 | |
of both players in this match. | 3:07:10 | 3:07:19 | |
of both players in this match. It is
a bonus situation whoever gets into | 3:07:21 | 3:07:24 | |
the next round for snooker. | 3:07:24 | 3:07:31 | |
Pretty good. There is an escape
route down | 3:07:42 | 3:07:55 | |
route down the right-hand side of
the table as we look. He could rule | 3:08:13 | 3:08:14 | |
the pink and catch it thinly. If you
catch it to thicken you could rattle | 3:08:14 | 3:08:16 | |
that in the jaws. Rattling it in the
jaws would be the worst scenario. | 3:08:16 | 3:08:18 | |
You have to catch this just right.
And the dead. This is as good a | 3:08:18 | 3:08:20 | |
safety shot as he has played in the
last few frames. You could see Ali | 3:08:20 | 3:08:22 | |
Carter appreciated it with a few
taps on the table. | 3:08:22 | 3:08:23 | |
He has to put left-hand side is.
Trying to play safe down the | 3:08:41 | 3:08:45 | |
left-hand side. It is very risky. It
is a tough safety shot. He might | 3:08:45 | 3:08:52 | |
have to fractionally swerve past the
yellow to get the correct angle on | 3:08:52 | 3:08:55 | |
the red to get down to the baulk. | 3:08:55 | 3:09:02 | |
This is a big shot to take on. | 3:09:02 | 3:09:05 | |
You could risk swerving fractionally
to catch the safety shot right. As | 3:09:24 | 3:09:30 | |
he spotted a containing shot? | 3:09:30 | 3:09:37 | |
He will settle for that. Shaun has
got a chance of a red. It is the | 3:09:37 | 3:09:47 | |
best that Ali Carter can hope
four-point Putting it on the side | 3:09:47 | 3:09:52 | |
cushion, it is permissible. | 3:09:52 | 3:09:54 | |
He hits the ball well off the
cushion, Shaun Murphy. He meant that | 3:10:02 | 3:10:07 | |
looked easier than it was. Excellent
pot. The chance created from an | 3:10:07 | 3:10:12 | |
excellent safety. He is getting his
chance but he has had if few before | 3:10:12 | 3:10:19 | |
now. And not made the most of them. | 3:10:19 | 3:10:27 | |
It would be nice to get the black
back on the spot here. | 3:10:49 | 3:10:57 | |
back on the spot here. I think he
did perhaps play to get on the black | 3:10:59 | 3:11:02 | |
and he has overhit it. He certainly
did not play to be on the wrong side | 3:11:02 | 3:11:08 | |
of the blue. It is a position
mistake. | 3:11:08 | 3:11:14 | |
mistake. And one that could end up
in a trap. Can he get back on the | 3:11:15 | 3:11:20 | |
red? Can he guarantee a red? He has
got lots of mileage to do with the | 3:11:20 | 3:11:27 | |
cue ball. | 3:11:27 | 3:11:32 | |
In the end he decided to trust his
luck. There was an air of | 3:11:38 | 3:11:43 | |
desperation about that. There were
stopping controlled about that shot. | 3:11:43 | 3:11:52 | |
-- there was nothing controlled.
Some people red him as the best best | 3:11:52 | 3:11:59 | |
player in the game. | 3:11:59 | 3:12:08 | |
He hit that so well. Should he wish
to, he could play a very aggressive | 3:12:17 | 3:12:21 | |
shot here, going to the bank. --
pink. He doesn't have to, he has got | 3:12:21 | 3:12:33 | |
loose reds. He is tempted to go into
the pink and spread the reds far and | 3:12:33 | 3:12:39 | |
wide. It is impossible frame-winner.
It is not necessarily the right | 3:12:39 | 3:12:43 | |
thing to do. There are other
options. It is tempting. I think he | 3:12:43 | 3:12:51 | |
would get a good split as well.
Powered at into the pink with | 3:12:51 | 3:12:55 | |
backspin. | 3:12:55 | 3:13:01 | |
Everybody is having a laugh as back
to decide what to play. Ali Carter | 3:13:07 | 3:13:13 | |
was hoping that he can get back to
the table. He is trying to play more | 3:13:13 | 3:13:19 | |
accurate positional player than
trusting luck. | 3:13:19 | 3:13:25 | |
An excellent shot. He did open the
pack up. He will be happy with that. | 3:13:33 | 3:13:43 | |
He is a dangerous manner using the
rest. He is 100% with that in this | 3:13:44 | 3:13:48 | |
match. Nine out of nine. Eight out
of eight. This is a fantastic chance | 3:13:48 | 3:13:54 | |
again for Shaun Murphy. He had an
issue with the positional play but | 3:13:54 | 3:13:58 | |
he is now back on track. This is a
superb chance to wrap up the match. | 3:13:58 | 3:14:06 | |
Looking at the position of the table
and the black available to both, | 3:14:06 | 3:14:09 | |
pockets. He needs another 41 points
from this position and it is hard to | 3:14:09 | 3:14:18 | |
see where he will go wrong. | 3:14:18 | 3:14:24 | |
During these moments of matches,
things are not as black and white as | 3:14:24 | 3:14:27 | |
they look. | 3:14:27 | 3:14:33 | |
He came off that cushion a fraction
harder than he wanted. He can just | 3:15:05 | 3:15:09 | |
about Holder for the red. | 3:15:09 | 3:15:11 | |
UMPIRE: Please give me a moment,
Shaun. | 3:15:20 | 3:15:28 | |
Very close to getting over the line,
Shaun Murphy. | 3:15:35 | 3:15:45 | |
Shaun Murphy. A couple of good
positional shots away from doing it. | 3:15:45 | 3:15:50 | |
A nice angle on the blue would be
helpful here. | 3:15:50 | 3:15:58 | |
Pool the cue ball back for a choice
of beds or trundle through for the | 3:16:09 | 3:16:13 | |
red into the opposite corner. | 3:16:13 | 3:16:19 | |
red into the opposite corner. I am
pretty sure the red goes into the | 3:16:19 | 3:16:21 | |
right corner. It looks to be so.
There are no great difficulties. 44 | 3:16:21 | 3:16:28 | |
points is the deed. -- is the lead.
That is not good. I think he can | 3:16:28 | 3:16:38 | |
just about forced the angle of this
blue. He is straighter than he did | 3:16:38 | 3:16:42 | |
be. | 3:16:42 | 3:16:47 | |
be. He just got there. | 3:16:47 | 3:16:55 | |
It'll be nice if you does not have
to shift reds here. | 3:17:02 | 3:17:08 | |
It looks like Shaun Murphy, after
having a couple of bites at the | 3:17:17 | 3:17:21 | |
cherry, is over the line here. Just
one colour needed and Ali Carter's | 3:17:21 | 3:17:28 | |
comeback looks to be normal. Great
fighting effort. | 3:17:28 | 3:17:35 | |
APPLAUSE
He has came out second best in this | 3:17:35 | 3:17:43 | |
match but he should take a lot out
of it. 4-0 down and battled away. | 3:17:43 | 3:17:49 | |
Produce some tremendous breaks at
vital times. As far as Shaun Murphy | 3:17:49 | 3:17:58 | |
is concerned, when he went into that
early session 4-0 in front, it was a | 3:17:58 | 3:18:06 | |
tough work-out than he expected.
That is not the best positional | 3:18:06 | 3:18:10 | |
shot, it should not matter. I don't
think Ali Carter will carry on and | 3:18:10 | 3:18:17 | |
he is not. | 3:18:17 | 3:18:26 | |
he is not. Ali Carter battled back
hard. Shaun Murphy made a few | 3:18:27 | 3:18:30 | |
mistakes. The tough work-out night
stand and instead for the rest of | 3:18:30 | 3:18:37 | |
the tournament. He win 6-4 and he is
through to the quarterfinal. | 3:18:37 | 3:18:45 | |
He is cool enough to pose for some
photographs. He has shipped up a | 3:18:45 | 3:18:49 | |
clash with Judd Trump. That is live
on BBC Two Friday. We eulogised | 3:18:49 | 3:19:03 | |
about Ali Carter and has the back.
JOHN PARROTT: That was a superb | 3:19:03 | 3:19:11 | |
break. He plays shots that other
people do not play. He played a shot | 3:19:11 | 3:19:15 | |
with the rest of the black bonnet.
It was absolutely fantastic. He | 3:19:15 | 3:19:21 | |
plays at this so positively. He
smacks of them, splits up the pack. | 3:19:21 | 3:19:26 | |
That set up the frame. It was a
safety shot that he had, he had him | 3:19:33 | 3:19:39 | |
in a trap and it was really
difficult to get out of. Shaun | 3:19:39 | 3:19:43 | |
Murphy played a great safety shot
and Ali had no way out. He tried to | 3:19:43 | 3:19:50 | |
play a containing safety shot and
potted a lovely red. That set up the | 3:19:50 | 3:19:53 | |
frame. Here he is, he is coming into
the studio. | 3:19:53 | 3:20:03 | |
the studio. We have achieved very
few about one hour ago. I saw. That | 3:20:03 | 3:20:09 | |
is the trouble, you can see. | 3:20:09 | 3:20:15 | |
is the trouble, you can see. For the
viewers and the crowd, another | 3:20:15 | 3:20:18 | |
fantastic afternoon of snooker. We
honestly thought he would get that | 3:20:18 | 3:20:22 | |
over and done with very early on
today. I think we have run out of | 3:20:22 | 3:20:28 | |
superlatives for Ronnie but it is
what sets him apart at the moment, | 3:20:28 | 3:20:31 | |
he gets to the lane and runs over
it. Everyone else struggles with | 3:20:31 | 3:20:37 | |
that to a certain degree. I did not
feel like I was bottling it but I | 3:20:37 | 3:20:41 | |
had my chances to win at 5-2 and 5-3
and did not take them. He is | 3:20:41 | 3:20:50 | |
suddenly in range from 4-0 up to
5-4. It is the worst feeling that | 3:20:50 | 3:20:56 | |
any sportsman can feel. Worst still
let you know you have made mistakes. | 3:20:56 | 3:21:02 | |
Let us go through the match a bit by
bit if we can. Frame two, on the | 3:21:02 | 3:21:08 | |
break of 47, they were very
disappointed with that miss. I don't | 3:21:08 | 3:21:13 | |
want to go on about it. I did not
adapt to the playing conditions at | 3:21:13 | 3:21:20 | |
all in the match. I missed every
single ball that was thin. I did not | 3:21:20 | 3:21:24 | |
get enough of it. I play every
single-shot with running inside. I | 3:21:24 | 3:21:31 | |
did not adapt to the table. That is
why I missed the shots that I did. I | 3:21:31 | 3:21:37 | |
missed one ball thick that I
overestimated the amount of cue ball | 3:21:37 | 3:21:41 | |
deflection. That is another thing
that Ronnie does better than | 3:21:41 | 3:21:46 | |
everyone, he adapts there and then.
The boys appear were praising that | 3:21:46 | 3:21:49 | |
break of 119. If you could make it
like a Dott to Dott puzzle when you | 3:21:49 | 3:21:57 | |
go from one shot to one shot. The
rest of the frames, you lose a cue | 3:21:57 | 3:22:03 | |
ball and becomes like a big garden
maze, you can not get out and find | 3:22:03 | 3:22:07 | |
the next shot. Virtually you run out
and miss. What is in your head, are | 3:22:07 | 3:22:14 | |
you thinking you want to get it over
and done with digicam that Ali | 3:22:14 | 3:22:17 | |
Carter would fight back? I am old
enough and experienced up that I can | 3:22:17 | 3:22:22 | |
win four on the bounce then he can.
It should not have been 4-0 at the | 3:22:22 | 3:22:28 | |
interval. He should've won one free
Middle East. 4-0 was flattering. In | 3:22:28 | 3:22:37 | |
a funny sense, I felt he played
better than me today. Although I | 3:22:37 | 3:22:41 | |
have came at the winner. Overall?
That is how it felt. He should've | 3:22:41 | 3:22:46 | |
been closer after the first session.
He has won the second session. At | 3:22:46 | 3:22:52 | |
the same time, you through but you
do not consider you have played as | 3:22:52 | 3:22:54 | |
good as you can play. That is a
result, isn't it? I had a good break | 3:22:54 | 3:23:00 | |
when things were going well in the
last frame. If I could play every | 3:23:00 | 3:23:03 | |
shot with the rest I would be right.
It just that the reds perfectly. | 3:23:03 | 3:23:16 | |
It just that the reds perfectly. The
code were laughing at me because the | 3:23:16 | 3:23:19 | |
referee took the rest away and then
I needed it. I did not want to miss. | 3:23:19 | 3:23:27 | |
When Ali wins those two claims after
the interval and it is for - two, we | 3:23:27 | 3:23:31 | |
were talking about the audience,
they were at shouting for him. When | 3:23:31 | 3:23:35 | |
you are aware of that? The fans were
cheering on Ali. I was a weird of | 3:23:35 | 3:23:41 | |
that. I get good support as well.
There was lots of people shouting | 3:23:41 | 3:23:47 | |
for me. The code in London are
always more boisterous than anywhere | 3:23:47 | 3:23:51 | |
else that we play, they are very
respectful. I love all that. The | 3:23:51 | 3:24:00 | |
shouting between frames. When we
play our shots, they are very | 3:24:00 | 3:24:04 | |
respectful. Great crowd. The
quarterfinal between you and Judd | 3:24:04 | 3:24:10 | |
Trump, what do you think? That has
got potting balls and smashing in | 3:24:10 | 3:24:16 | |
balls from everywhere written over
it. I would for a ticket for that | 3:24:16 | 3:24:19 | |
match. I know someone who has a few
tickets. What is the difference, how | 3:24:19 | 3:24:28 | |
are the tables playing? The table
has been there for five days and the | 3:24:28 | 3:24:31 | |
cloth is gone. It needs new cloth.
That is what I am seeing about | 3:24:31 | 3:24:37 | |
Ronnie, he adapts quickly, he
assesses how the table is playing | 3:24:37 | 3:24:40 | |
and he changes the way he plays the
ball. When the cloth is lead again, | 3:24:40 | 3:24:45 | |
whether that is what a night of the
semifinals, you will see the breaks | 3:24:45 | 3:24:49 | |
go through the roof. | 3:24:49 | 3:24:55 | |
go through the roof. He yet more
inspiration that Ronnie has set the | 3:24:55 | 3:24:59 | |
barometer, you think you can play
like that. In the last few months he | 3:24:59 | 3:25:05 | |
has started to play like if you make
a mistake then I will cleared up. | 3:25:05 | 3:25:09 | |
And when I play safe, you're on the
cushion. We are trying to get near | 3:25:09 | 3:25:13 | |
the baulk but he is on the cushion.
You're in trouble. I was in the UK | 3:25:13 | 3:25:18 | |
final and I had it all day. When he
gets in the pots all the balls. If | 3:25:18 | 3:25:22 | |
you design a snooker player then you
designer Ronnie. He was mesmerising | 3:25:22 | 3:25:27 | |
yesterday. Phenomenal. We're not
going to give up, the rest of us. We | 3:25:27 | 3:25:36 | |
will not go home and say he is far
too good. We have to try to keep up. | 3:25:36 | 3:25:41 | |
The rest of us are good as well.
Well done, Shaun. Thank you for | 3:25:41 | 3:25:47 | |
potting in for the chat. It us turn
our attention to this evening. John | 3:25:47 | 3:25:51 | |
Higgins digging on Anthony McGill.
He is making his debut at the | 3:25:51 | 3:25:54 | |
Masters. | 3:25:54 | 3:25:55 | |
Anthony McGill was born in Glasgow
on the 5th of February. He has been | 3:26:01 | 3:26:07 | |
a Scottish national champion at
under 14, 16, 19 and under 21 | 3:26:07 | 3:26:12 | |
levels. In 2006 he was runner-up to
Stuart Bannigan. Anthony is a Celtic | 3:26:12 | 3:26:23 | |
fan and an avid music lover. He
turned professional in 2000 ten. He | 3:26:23 | 3:26:29 | |
won his first ranking tournament at
the Indian open in 2016. I should | 3:26:29 | 3:26:35 | |
know because it was against me. He
has never been beyond the | 3:26:35 | 3:26:42 | |
quarterfinal of any ranking
tournament before India. | 3:26:42 | 3:26:52 | |
tournament before India. In the
first half of the season he has been | 3:26:52 | 3:26:55 | |
to the Mac quarterfinals and one
semifinal. | 3:26:55 | 3:27:04 | |
They are completely up to speed.
That is at 7pm tonight on the red | 3:27:08 | 3:27:16 | |
button. We have got the highlights
from the four at quarter past | 3:27:16 | 3:27:20 | |
midnight. Hope you can stay up for
that. Looking forward to that match | 3:27:20 | 3:27:26 | |
the night, John? It should be
difficult. One of the finest match | 3:27:26 | 3:27:32 | |
players in John Higgins. And Anthony
McGill is young and up-and-coming. | 3:27:32 | 3:27:36 | |
He is playing again some day he
would have practised against. | 3:27:36 | 3:27:40 | |
Somebody who would've helped with
his game. I would expect John | 3:27:40 | 3:27:43 | |
Higgins to be the favourite. I would
have to bet on him if you give me a | 3:27:43 | 3:27:47 | |
free £10 bet. John will have more
experience. There was a nice line in | 3:27:47 | 3:27:55 | |
the papers, they know each other
well, at some nonsense going on | 3:27:55 | 3:27:59 | |
between them in terms of what the
interviews are saying. Adam McGill | 3:27:59 | 3:28:03 | |
said he looks up to John Higgins.
Once taken out. He is a good player, | 3:28:03 | 3:28:08 | |
Anthony McGill. John Higgins has
bags of experience. Shaun Murphy | 3:28:08 | 3:28:13 | |
when he comes in here and talks
about his victory, he talks about | 3:28:13 | 3:28:18 | |
Ronnie O'Sullivan. Incredible. You
cannot get away from them, | 3:28:18 | 3:28:22 | |
especially after that performance
yesterday. I hope Marco Fu has had a | 3:28:22 | 3:28:25 | |
nice day. You can only play the ball
is in front of you, forget who you | 3:28:25 | 3:28:33 | |
are playing. Lead the way that the
balls present themselves. Thank you | 3:28:33 | 3:28:37 | |
very much for your company today. We
are back at 1pm with live coverage | 3:28:37 | 3:28:42 | |
tomorrow as the quarterfinals get
underway. Ronnie O'Sullivan taking | 3:28:42 | 3:28:45 | |
on Mark Allen. | 3:28:45 | 3:28:49 |