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Hello, it is a late night for us here in Sheffield but an important | :00:34. | :00:40. | |
one. We would know the identity of the first man through to the | :00:41. | :00:44. | |
quarterfinals of the sea's Dafabet World Championships. More on that | :00:45. | :00:49. | |
shortly, but first, Ronnie O'Sullivan, he has run into a very | :00:50. | :00:54. | |
game Joe Perry in his second round match. And the Cambridgeshire at | :00:55. | :01:01. | |
human was Alex -- in extremely assured form once again. | :01:02. | :01:17. | |
Ronnie knew he needed a good start, 5-3 down, he came out all guns | :01:18. | :01:26. | |
blazing. It was a century break for a few seconds until the white went | :01:27. | :01:30. | |
into the middle pocket. But he won the opening frame. It was Joe Perry | :01:31. | :01:39. | |
who came storming back to take the next two frames showing great | :01:40. | :01:42. | |
composure. Ronnie O'Sullivan missed some uncharacteristic shots. | :01:43. | :01:55. | |
Ronnie then went on to make a terrific clearance on the colours. | :01:56. | :02:02. | |
Potted a very important yellow and he missed the frame on the black. | :02:03. | :02:06. | |
That got him back to one frame behind. One of the great | :02:07. | :02:11. | |
characteristics Joe Perry has shown is that whenever he has been | :02:12. | :02:14. | |
pressurised, he has kicked on again, and he did, making 88 and 73. So | :02:15. | :02:24. | |
much happened in that last frame. Both players knew how important it | :02:25. | :02:32. | |
was. Joe Perry went 10-6 ahead. Ronnie, in the end, would have been | :02:33. | :02:37. | |
delighted to have closed the session out just two frames behind. It was | :02:38. | :02:40. | |
4-4. They return at 10am to finish that. | :02:41. | :02:51. | |
This evening, we were engrossed in this match between the world number | :02:52. | :02:56. | |
three, Mark Selby, and Ali Carter. Now, these two guys share very some | :02:57. | :03:01. | |
-- share something in common which is that they've both been a | :03:02. | :03:02. | |
runner-up at the Crucible. Mark Kloster John Higgins in 2007, | :03:03. | :03:13. | |
he made it into the quarterfinals through the last five years. As for | :03:14. | :03:18. | |
Ali Carter, he has had heartbreak not once, but twice because he got | :03:19. | :03:25. | |
to the final in 2008, when he lost to Ronnie O'Sullivan. And then again | :03:26. | :03:32. | |
in 2012. He has seen a lot of Ronnie over the last couple of years. It | :03:33. | :03:37. | |
was him that knocked him out last year. It is Ali Carter against Mark | :03:38. | :03:43. | |
Selby. It was Mark Selby who had a 5-3 advantage after the first | :03:44. | :03:47. | |
session. Now it is session number two. | :03:48. | :03:55. | |
Everybody is looking forward to this second session. | :03:56. | :04:05. | |
Played it beautifully. Mark Selby leads 5-3. | :04:06. | :04:18. | |
Excellent sportsmanship from Ali Carter. | :04:19. | :04:30. | |
Excellent. Fully committed. Could not have played it better. And a | :04:31. | :05:02. | |
little punch of the table shows his delight. | :05:03. | :05:10. | |
That is incredible. That is such a careless and add shot. -- add shot. | :05:11. | :05:24. | |
It is 9-5. Tremendous pot. | :05:25. | :05:31. | |
He has to catch this wafer thin. He has played it perfectly. Indigo | :05:32. | :06:00. | |
is the black. It will be 9-7 going into the evening session. | :06:01. | :06:08. | |
13 is the magic number, chasing to book a place in the quarterfinals. | :06:09. | :06:14. | |
Selby is a bit of bother, 42 points behind as pick it up with John | :06:15. | :06:22. | |
Virgo. It is not the most straightforward | :06:23. | :06:33. | |
of tables, so to speak, the way the reds are. Just looking at the | :06:34. | :06:43. | |
possibility of the plant just above the black because if you straight on | :06:44. | :06:47. | |
this pink, he can remove the cue ball too much. | :06:48. | :06:59. | |
He just notched that red, has he knocked it safe? I have a feeling he | :07:00. | :07:11. | |
has. That red closest to the cushion just went past those two reds, but | :07:12. | :07:19. | |
he just nudged it. He has an alternative to the far right corner. | :07:20. | :07:21. | |
But this is a lot more difficult. Excellent pot, very good indeed. | :07:22. | :07:48. | |
Perfect angle to come down for the loose red next to the black as well. | :07:49. | :07:54. | |
Still plenty of work to be done here. Those three reds, left do not | :07:55. | :07:59. | |
look like they are pottable. If he had a nice angle on the pink, | :08:00. | :08:14. | |
he could play a run through to play those reds interplay. But he is | :08:15. | :08:19. | |
strikingly low. He played it nicely. He can stun this over to the other | :08:20. | :08:30. | |
side. He gave that a hard look. It is too | :08:31. | :08:58. | |
straight, he will have to play for the red along the cushion. He didn't | :08:59. | :09:05. | |
want to play for it. But we cannot see an alternative red to play for. | :09:06. | :09:13. | |
This is asking a lot, unless the top of those three goes to the right | :09:14. | :09:20. | |
corner, maybe that is what he is thinking. | :09:21. | :09:27. | |
But he needed to be straight on at even think about playing it. That is | :09:28. | :09:32. | |
end of break. Sending the red up to the baulk end, | :09:33. | :10:16. | |
we could have a few minutes of TP Tapie. | :10:17. | :10:38. | |
There will be no chance of a re-rack, believe me! | :10:39. | :10:58. | |
Well, he has given him a shot of that at the baulk end. Ali is just | :10:59. | :11:08. | |
checking these two reds are not a plant. | :11:09. | :11:26. | |
Quite a clever shot, that is, to put another red over there. The only | :11:27. | :11:36. | |
thing is, has he left Mark Selby a chance opposite the green pocket? | :11:37. | :11:45. | |
It is there! What a shot! That was a terrific pot. Drop your guard for a | :11:46. | :12:01. | |
second, Ali Carter was more concerned about getting the red safe | :12:02. | :12:03. | |
rather than thinking strategically. Looking ahead, that red and brown | :12:04. | :12:22. | |
are not safe because where these are, if Mark gets on the blue or | :12:23. | :12:26. | |
pink, that red on the left-hand side will leave a natural angle on the | :12:27. | :12:35. | |
black, and that red and brown could come into play. There you go. He is | :12:36. | :12:44. | |
on the blue. Well, Ali Carter will hope his shot is no good. | :12:45. | :13:02. | |
The key to the frame could be the next couple of shots. | :13:03. | :13:24. | |
Not quite there, but he is back in the frame. In fact, he has just | :13:25. | :13:34. | |
struck the front. Despite Ali Carter having a 42 point lead, Mark Selby | :13:35. | :13:39. | |
has clawed his way back. And he wants the frame. | :13:40. | :13:46. | |
Mark will be disappointed with that. He overhead that. Did he get a | :13:47. | :13:54. | |
bounce? I don't know. He was trying to get that cue ball to the top | :13:55. | :13:56. | |
cushion behind the black. Mark is having a look at the cross | :13:57. | :14:30. | |
double. There is a chance that you can get the red to get into the | :14:31. | :14:36. | |
right corner. You can bet your bottom dollar he will be looking at | :14:37. | :14:41. | |
a good white as well. The two in one shot. There it is. It is in. | :14:42. | :14:57. | |
What a chance he has given himself now. A little bit straighter on the | :14:58. | :15:03. | |
yellow, but you see the cross double. It got right in the heart of | :15:04. | :15:09. | |
the pocket. He wanted this cue ball to bounce a little bit more. After | :15:10. | :15:13. | |
potting the yellow, the yellow is going to be re-spotted. | :15:14. | :15:21. | |
He's just looking to see if he can do an up and down table. He has got | :15:22. | :15:31. | |
to miss the black. The pink is the danger ball now. | :15:32. | :15:49. | |
Well, he has played it beautifully. And, without to do a lot it, we've | :15:50. | :15:57. | |
got a new favourite for the frame. This would be a real blow for Ali | :15:58. | :15:59. | |
Carter. He made a good job of it but he | :16:00. | :16:46. | |
still needs the brown and blue. Glancing at the scoreboard. | :16:47. | :17:00. | |
Just making certain of the brown. He wouldn't leave the easiest of blues | :17:01. | :17:07. | |
for the frame. This has been a master in how to play snooker. | :17:08. | :17:20. | |
Well, he felt the tension. That wasn't even close. Well, only the | :17:21. | :17:28. | |
Crucible Theatre and the World Championship can bring that on. And | :17:29. | :17:37. | |
he is lucky not to leave it. That was a long way out. | :17:38. | :17:55. | |
That was something that he could have done. You're right. The second | :17:56. | :18:02. | |
bite of the cherry for Mark Selby. In it goes, lucky, you could say to | :18:03. | :18:20. | |
get another chance. But that is sometimes the way the balls run. | :18:21. | :18:29. | |
Ali Carter needed this frame more than Mark. In goes the pink. And a | :18:30. | :18:36. | |
frame that Mark Selby never looked like winning. A shake of the head | :18:37. | :18:44. | |
from Ali Carter. That is a blow to his hopes. Mark Selby goes three | :18:45. | :18:49. | |
frames in front. This time, it is 10-7. | :18:50. | :18:53. | |
He went on to win the next as well, so two frames away from victory as | :18:54. | :18:55. | |
we pick them up in the 19th. Look at that cue ball. Tight on the | :18:56. | :19:08. | |
rail. It is just relentless, it is tough | :19:09. | :19:23. | |
to play against. Of course, it forces errors, and that is a mistake | :19:24. | :19:28. | |
from Ali Carter, all due to the fact that he was tight on the cushion, as | :19:29. | :19:30. | |
John said. But he will be disappointed, will | :19:31. | :19:47. | |
mark, he didn't make the most of it. This is a chance to prove to | :19:48. | :19:51. | |
yourself, Ali Carter, that you have still got it in you to get right | :19:52. | :19:57. | |
back in this match. It golden opportunity for a sizeable | :19:58. | :19:57. | |
contribution. It's not easy, the circumstances, | :19:58. | :20:12. | |
the scoreboard, just concentrate on one shot at a time. | :20:13. | :20:19. | |
Yes, well, we looked at him thinking, he wants to get in amongst | :20:20. | :20:27. | |
the balls and score heavy, this is the chance he has been waiting for. | :20:28. | :20:33. | |
And I feel, John, if he is going to stay in this match, he has got to do | :20:34. | :20:35. | |
it here. Every one of those reds is lined up | :20:36. | :20:45. | |
like soldiers. Three reds, three black, had a | :20:46. | :21:30. | |
maximum break in 2008. I commentated on it. It was on this table. | :21:31. | :21:46. | |
Just a fraction wide, you could hear a sharp intake of breath from this | :21:47. | :21:50. | |
crowd. He has to be a little bit careful | :21:51. | :22:26. | |
with this one. He would have liked to leave himself | :22:27. | :22:42. | |
low on that, ideally, a cannon on the red closest to the cue ball, but | :22:43. | :22:48. | |
it should be all right. The problem is he has knocked the reds towards | :22:49. | :22:53. | |
the corner, the side cushion. Which tells me, John, that the 147 is the | :22:54. | :22:59. | |
last thing on his mind. He needs this frame, he knows it. | :23:00. | :23:06. | |
He needs to win the frame. And he won't be playing for the black | :23:07. | :23:21. | |
office red. -- off this red. It is an important visit, this. He has to | :23:22. | :23:28. | |
prove to himself, and show Mark Selby, that there is plenty left in | :23:29. | :23:34. | |
the locker. In fairness, he has done it twice in this match already. The | :23:35. | :23:39. | |
last two frames of the second session and the opening session, and | :23:40. | :23:43. | |
he has kept fighting and coming back. He has lost the cue ball | :23:44. | :23:50. | |
there, John. Slightly. He has done that a few times. A little bit of | :23:51. | :23:57. | |
tension on the arm. This will put him 70 points in front, 75 | :23:58. | :23:58. | |
remaining. Oh, he has missed the black! He | :23:59. | :24:17. | |
bangs his cue on the table, frustration, annoyance. He knew that | :24:18. | :24:25. | |
was a golden opportunity. So, Mark Selby comes to the table, 63 points | :24:26. | :24:29. | |
behind, 75 left. Only one awkward red on the side | :24:30. | :24:35. | |
cushion. This is a chance. Well, at first, I didn't think it | :24:36. | :25:03. | |
was going in, but there is not much nap on these clots. It seemed to | :25:04. | :25:10. | |
drift down, didn't it? It could have run over a finger mark or anything, | :25:11. | :25:13. | |
but, initially, I didn't think it was in. | :25:14. | :25:22. | |
Match time, seven hours. And it has been enthralling and engrossing. | :25:23. | :25:42. | |
Good position or shot required here. A couple of reds on the | :25:43. | :25:47. | |
right-hand side of the pink will pop. -- pot. I don't know which one | :25:48. | :25:57. | |
he played for there, but he will be happy because the one in the middle | :25:58. | :26:01. | |
pocket looks pretty straight. Not sure he played on that one. | :26:02. | :26:07. | |
He will take it. And Ali Carter is going to sit in his chair and have | :26:08. | :26:17. | |
to squirm for the next five minutes or so while this break is going on | :26:18. | :26:21. | |
because he knows he should have won this frame. | :26:22. | :26:27. | |
It was the poor positional shot getting on the black that caused his | :26:28. | :26:38. | |
downfall in the end. He was pinning his hopes on that red on the | :26:39. | :26:47. | |
left-hand cushion. But Mark Selby, great matchplay, he knows this is an | :26:48. | :26:54. | |
opportunity he's going to grasp with both hands. And get within one frame | :26:55. | :26:58. | |
of the quarterfinal. He's already thinking of ways he can | :26:59. | :27:17. | |
bring that red near the left-hand cushion into play. | :27:18. | :27:31. | |
I do know whether I'd risk trying to bring it into play of the black. | :27:32. | :27:38. | |
With that red being adjacent to the pink, he could get a nice angle on | :27:39. | :27:43. | |
the pink, and it depends how he sees it. | :27:44. | :28:04. | |
He has played for the cannon. And he is absolutely perfect. What a good | :28:05. | :28:13. | |
shot he has played. Yes, it looked a little bit risky to me, but that was | :28:14. | :28:19. | |
his decision. And it could not have worked out any better. | :28:20. | :28:29. | |
A clear run to the winning line now in this frame. | :28:30. | :28:49. | |
Well, they may look simple, and I'm pretty sure in the club he wouldn't | :28:50. | :28:57. | |
miss, but he is at the Crucible, and he knows this would be a hammer blow | :28:58. | :28:59. | |
to Ali Carter. There has been a certain | :29:00. | :29:10. | |
inevitability about this break so far. | :29:11. | :29:18. | |
Just a few more shots, and it will be a 12-7 lead. He is some | :29:19. | :29:27. | |
matchplay, this boy. It is short of pace. | :29:28. | :29:38. | |
The only problem I ever see is that position from brown to blue. An | :29:39. | :29:49. | |
obstacle that has come earlier than I suspected. | :29:50. | :29:58. | |
It is in the heart of the pocket. Swinging around the two cushions. He | :29:59. | :30:08. | |
has recovered this situation. Nothing Ali Carter can do now. He | :30:09. | :30:12. | |
had his chance, a poor positional shot post him to miss the black. | :30:13. | :30:18. | |
This, to me, is the key to any clearance. | :30:19. | :30:38. | |
Probably a little bit straighter than he would have liked. | :30:39. | :30:48. | |
This has been quite brilliant so far. Pink and black to steal the | :30:49. | :30:55. | |
frame he did not look like winning. And it goes and that was a big frame | :30:56. | :31:21. | |
for Mark Selby and a real hammer blow for Ali Carter. Mark Selby is | :31:22. | :31:26. | |
now just one frame away from place in the quarter final. Five clear. | :31:27. | :31:35. | |
Ali Carter made him wait by winning the next two. That he has much to be | :31:36. | :31:45. | |
pleased with. He is through to his sixth quarter final and the first | :31:46. | :31:50. | |
man through this year. His ambition to win a career triple Crown is | :31:51. | :32:00. | |
nearly upon him. Very impressive. Happy to get through. Only from the | :32:01. | :32:03. | |
start it would be tough against Ali Carter. I had a good start to the | :32:04. | :32:10. | |
match. I played a good first session and I managed to maintain made after | :32:11. | :32:17. | |
that. Every time I came to the table I was buying and it with safety. | :32:18. | :32:21. | |
Mark tended to freeze me out for long periods. I never played the | :32:22. | :32:28. | |
ball for 40 odd minutes at times. It makes it all the more difficult. It | :32:29. | :32:34. | |
was a tough match. I fought to the death but it did not go my way. I | :32:35. | :32:45. | |
know I had my chances. I did not want to make too many mistakes. | :32:46. | :32:48. | |
Fortunately, I managed to follow the line. Mark Selby now plays the | :32:49. | :32:55. | |
winner of this between the oldest men in the door. Alan McManus versus | :32:56. | :33:04. | |
Ken Doherty, the former champion. This is pretty much all school | :33:05. | :33:11. | |
staff. There was something better significant for Alan McManus. It is | :33:12. | :33:15. | |
his first Crucible century since 2005. It was a rate of 107. It is | :33:16. | :33:33. | |
all getting reminiscent of a previous match between them. Alan | :33:34. | :33:43. | |
McManus took the lead in the session. The second session starts | :33:44. | :33:47. | |
tomorrow morning. We also had a sense of deja vu between Barry | :33:48. | :33:56. | |
Hawkins and Ricky Walden. It is a titanic semifinal. | :33:57. | :34:08. | |
They'd assume their second session this evening all square. Terry | :34:09. | :34:21. | |
Griffiths and Willie Thorne are commentating this time. | :34:22. | :34:32. | |
Trying so hard and trying to be so careful not to hit that thin. , | :34:33. | :34:42. | |
sorry I should have said six. -- sick. | :34:43. | :35:29. | |
He has the break started. He is off to go. Does he go when he gets the | :35:30. | :35:40. | |
ball! He is very fast. Once he has made his mind up and | :35:41. | :35:56. | |
decided watch will play, he is off to go. Here we go. That took about | :35:57. | :36:00. | |
three seconds. I do enjoy watching him play around | :36:01. | :36:15. | |
the black spot area. He does break the build very well. | :36:16. | :36:23. | |
It is interesting to see. He got to the semifinal last year. He led by | :36:24. | :36:31. | |
quite a nice margin and then collapsed. He will have to keep that | :36:32. | :36:40. | |
in mind if he gets a bit behind. It is never over until it is over. He | :36:41. | :36:54. | |
was five behind in the Masters this year but he came back. | :36:55. | :38:01. | |
Ricky Walden his slightly unorthodox but not too bad. He presses down | :38:02. | :38:11. | |
with the tips of his fingers into the glass. Matthew Stevens tracks | :38:12. | :38:21. | |
his fingers along the class a little bit. | :38:22. | :38:36. | |
That would give him a great deal of confidence to the Barry Hawkins mess | :38:37. | :38:49. | |
a shot before the interval. There is every chance of winning the frame at | :38:50. | :38:56. | |
this visit. When you consider he was three behind in the match, it is a | :38:57. | :38:59. | |
very good performance. When both are playing like these two | :39:00. | :39:31. | |
are, a kick could make a difference. It probably has another difficult | :39:32. | :39:52. | |
shot to play. He has already had century breaks | :39:53. | :40:10. | |
this evening. It is likely that we will see the | :40:11. | :41:17. | |
second century break in this evening 's play. | :41:18. | :41:59. | |
So just the brown for his 167th century of the season. Very well | :42:00. | :42:17. | |
played. The 167th century of his career, not the season, of course. | :42:18. | :42:24. | |
This is his third century of the tournament as well. This is a | :42:25. | :42:26. | |
beautiful shot as well. No complete clearance but a fabulous | :42:27. | :42:37. | |
break. He can be fairly fluent. The second | :42:38. | :42:53. | |
century of the championship for him there. He takes in the frame | :42:54. | :42:59. | |
advantage. After being three frames down, it is a complete turnaround. | :43:00. | :43:10. | |
Trying to play a dead weight. Quite a wild shot there. About three | :43:11. | :43:18. | |
inches short. The first thing that goes out his | :43:19. | :43:32. | |
yacht touch when you are struggling outfit. -- is your touch. I think he | :43:33. | :43:49. | |
played the right shot. It could make a little bit of a difference. | :43:50. | :43:58. | |
The problem with this as he could find himself snookered again. | :43:59. | :44:09. | |
He has given Ricky Walden a chance. If it was at this and of the table, | :44:10. | :44:26. | |
I would fancy him knocking the yellow M. I think you will go for | :44:27. | :44:27. | |
the smoker. -- the smoker. A little bit more work to do now. | :44:28. | :45:21. | |
Just checking with the ball was. That is where it was. That is an | :45:22. | :45:31. | |
eighth spot. -- an the spot. He had to play that with maximum | :45:32. | :46:46. | |
backspin to hold the cue ball and with dead weight. It just went into | :46:47. | :46:49. | |
the pocket on the thick side. He did remarkably well there. That | :46:50. | :47:05. | |
could have won him the frame. He is one in front at the moment. He will | :47:06. | :47:10. | |
need the pink. The pink is a big target because it | :47:11. | :47:22. | |
is just off the cushion. I am not sure if you can get enough | :47:23. | :47:45. | |
spin our first to screw into the pink. | :47:46. | :47:50. | |
He played just to get on it, safe in the knowledge he only has to play | :47:51. | :48:00. | |
for it and that he does not have to go for the black. It is a big shock. | :48:01. | :48:14. | |
-- It is a big shot. Ricky Walden wins that frame. He now leads. Barry | :48:15. | :48:36. | |
Hawkins won the last two games of that session. It does give you an | :48:37. | :48:40. | |
overview. That is how it stands. We are back | :48:41. | :49:24. | |
on the air at 10am in the morning. That is a long way to go. If this | :49:25. | :49:30. | |
was the London Marathon, we would not even be at Tower Bridge yet. | :49:31. | :49:32. | |
Goodbye for now. | :49:33. | :49:34. |