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Hello. We have some tales to tell in this year's semifinals of the | :00:32. | :00:39. | |
Betfred World Championship. Certainly not what we were | :00:40. | :00:43. | |
expecting. We have two qualifiers in the mix including the oldest man in | :00:44. | :00:46. | |
the semis for 30 years. We have two Asian players were the first time in | :00:47. | :00:51. | |
history, and we have a world number one who needs to win the title again | :00:52. | :00:54. | |
to remain top of the aisle. We will show you how both matches began, | :00:55. | :01:00. | |
starting with snooker's top man, Mark Selby, taking on Hong Kong's | :01:01. | :01:05. | |
class act, Marco Fu, who was taken to the brink in his quarterfinal | :01:06. | :01:16. | |
last night. He hasn't got a weakness, I don't think. He is a | :01:17. | :01:21. | |
very good match player. He has been here for a long time. He is | :01:22. | :01:30. | |
comfortable playing at the Crucible. It is going to be a big challenge | :01:31. | :01:35. | |
for me. There are not going to be any favourites as such, and I will | :01:36. | :01:38. | |
not go out there believing I am one of the favourites, I would just play | :01:39. | :01:42. | |
one frame at a time and try and stay focused and see what happens. It is | :01:43. | :01:47. | |
going to be a tough game. I have still a long way to go. Just need to | :01:48. | :01:59. | |
take it one match at a time. I feel as though I have played all season | :02:00. | :02:03. | |
and not had a day off. That is what the tournament does to you, it is | :02:04. | :02:07. | |
mentally and physically draining. But it is the same for everyone else | :02:08. | :02:12. | |
and the last man standing is the stronger. You can't predict the | :02:13. | :02:16. | |
nerves you will feel when you go out there. Hopefully, I will just stay | :02:17. | :02:23. | |
calm and play good snooker. Well, we were watching the opening exchanges | :02:24. | :02:27. | |
of their first session on BBC Two earlier, Mark Selby on his way to a | :02:28. | :02:32. | |
sprightly 3-0 lead them in the space of 33 frames. Marco took the last | :02:33. | :02:37. | |
frame before the interval with his best contribution so far at 72. It | :02:38. | :02:44. | |
is frame five now, Marco up I21 points. Willie Thorne and John Virgo | :02:45. | :02:45. | |
were looking on. Yellow and green required, but the | :02:46. | :02:52. | |
green does not pass the black. Obviously an element of good fortune | :02:53. | :03:20. | |
in that because he played the pot on the yellow. If he had got the pot, | :03:21. | :03:24. | |
the cue ball would not have finished there. | :03:25. | :03:49. | |
What a hit! Yes! Arm believable -- unbelievable. Marco smiles, but he | :03:50. | :04:02. | |
will appreciate that escape from Mark Selby. Lucky to have the | :04:03. | :04:08. | |
snooker, but boy, after an escape like that, you deserve a bit of | :04:09. | :04:16. | |
luck. It has gone to and fro in this frame. John, looking at it, he can't | :04:17. | :04:28. | |
get to the top cushion to play. This is almost unhittable, this yellow. | :04:29. | :04:38. | |
He has to play twice across somehow. What a tremendous escape that was. | :04:39. | :04:56. | |
There will not be a lot of pace left on this cue ball. It was a great | :04:57. | :05:08. | |
effort. What a hit! The shot of the championship for both of them. But | :05:09. | :05:17. | |
he has left a chance now for Mark Selby. | :05:18. | :05:34. | |
Well, this would be a steal. He needs the five remaining colours. | :05:35. | :05:58. | |
Imperative in putting this brown that he leaves a nice angle on this | :05:59. | :06:03. | |
blue to drop on what you can only describe as an awkward pink. But it | :06:04. | :06:09. | |
is made easier by the fact that the black is adjacent to that far right | :06:10. | :06:10. | |
corner. The next two shot Saki. Brown to | :06:11. | :06:34. | |
blue, blue to pink -- the next two shot Saki. | :06:35. | :06:47. | |
Didn't hit that well. Has he got any kind of angle on the blue? He will | :06:48. | :07:06. | |
have to make it. Jumped out of the pocket. The only reason that can | :07:07. | :07:13. | |
happen, and you see the puzzled look on Marco's phrase, is that striking | :07:14. | :07:17. | |
down, the cue ball was bouncing and when it hit the blue, it caused the | :07:18. | :07:21. | |
blue to bounce and not hit the back of the pocket properly. What an | :07:22. | :07:30. | |
amazing slow-mo that was. Unbelievable. This frame has had | :07:31. | :07:47. | |
more twists than a good novel. That was not one of Marco's best. Marco | :07:48. | :07:55. | |
Fu is just looking for the blue, Mark Selby, the three remaining | :07:56. | :08:09. | |
colours. He has had his chance. He is looking at the double. I suppose | :08:10. | :08:12. | |
it is worth risking. I was thinking that if it got close | :08:13. | :08:37. | |
to the double and rattled the jaws, it would go safe, and it has gone | :08:38. | :08:38. | |
very safe. It is not straightforward. The blue | :08:39. | :09:06. | |
is pottable, but can he go for the pink? He has to really cue this | :09:07. | :09:13. | |
well. I don't think he will play the delicate Bagshot. -- drag shot. | :09:14. | :09:25. | |
That was poor from Marco. He has left marked a chance here. This | :09:26. | :10:02. | |
time, if he puts the blue in that triangle, he will be on the pink. | :10:03. | :10:12. | |
Oh! So close. On the pink, but the blue didn't go in. And this time, | :10:13. | :10:33. | |
hardly any chance of getting on the pink for Marco. He would have to | :10:34. | :10:41. | |
play up and down. But he only needs the blue. | :10:42. | :10:52. | |
Ooh! He just looked up at the scoreboard, calm, cool and | :10:53. | :11:06. | |
collected. I bet he wasn't that a few seconds ago when that cue ball | :11:07. | :11:07. | |
was heading for the pocket. What a remarkable frame that was. It | :11:08. | :11:24. | |
got to its 38th minute. There was intrigued, good luck, bad luck, but | :11:25. | :11:28. | |
in the end Marco Fu won it and now closes to just one frame. | :11:29. | :11:33. | |
Some fantastic escapes and skill from Marco Fu. Into the next frame, | :11:34. | :11:41. | |
and the man from Hong Kong is trailing by seven. | :11:42. | :11:47. | |
I don't think anything is easy at the minute, John. | :11:48. | :12:03. | |
Well, if there was any chance of taking the prize money, I would take | :12:04. | :12:07. | |
it. Yes, take a bow! It's nice to see a | :12:08. | :12:50. | |
little bit of interaction with the audience. As I say, that is the | :12:51. | :12:56. | |
wonderful thing about the Crucible Theatre. Everybody is so close. | :12:57. | :13:02. | |
Sometimes, you are just frightened to breathe in case you put someone | :13:03. | :13:13. | |
off. Look at that for an arena. Is there a finer sight in snooker? | :13:14. | :13:22. | |
He obviously considers that one of these reds will pot to the right | :13:23. | :13:25. | |
corner. Played it nicely. It was a delicate | :13:26. | :13:50. | |
little shot. Could not have played it any better than that. | :13:51. | :14:32. | |
So, 31 points in front. Two more loose reds. | :14:33. | :14:48. | |
He will probably play for the pink office next read. -- offer this next | :14:49. | :14:55. | |
read. That is not his best positional | :14:56. | :15:38. | |
shot. I can't believe he played for this. Now he is studying the | :15:39. | :15:39. | |
scoreboard. Thought it was too risky to play for | :15:40. | :15:59. | |
the black, so this pink, and one more red needed. | :16:00. | :16:14. | |
No heroics here, just drop it in dead weight. | :16:15. | :16:44. | |
That may keep Marco Fu sitting in his chair. | :16:45. | :17:22. | |
HAZEL IRVINE: Selby was clearly enjoying himself out there and | :17:23. | :17:35. | |
trying to make good on the promise that he would stay relaxed this | :17:36. | :17:38. | |
evening in this opening session. He knows the ropes, this is his fourth | :17:39. | :17:43. | |
Crucible semifinal of his career. Into the penultimate frame of this | :17:44. | :17:47. | |
opening session, and it is Fu 22 points behind. | :17:48. | :17:53. | |
Played in nicely, and we know the pink will pot. | :17:54. | :18:23. | |
Obviously, the pink goes back on its own spot now, and that was why he | :18:24. | :18:35. | |
dropped it in dead weight. The red will clear the path for the black in | :18:36. | :18:37. | |
a few shots' time. So if he can get a good positional | :18:38. | :18:51. | |
shot off the blue here, this is a great chance to win the frame in | :18:52. | :18:53. | |
this visit. That is just about perfect. And in | :18:54. | :19:22. | |
the next couple of reds, he would like to get the brown out of the | :19:23. | :19:23. | |
way. Took the pace out of the cue ball. | :19:24. | :19:49. | |
The only good thing is that the red went in. From being a | :19:50. | :19:57. | |
straightforward shot, it is slightly awkward. | :19:58. | :20:07. | |
It is OK. Just managed to creep past the red. | :20:08. | :20:52. | |
Finding a path between the red and the black should not be a problem. | :20:53. | :21:26. | |
Now things start to look a bit easier. | :21:27. | :21:47. | |
That black, now, if you looks at the scoreboard, he needs two reds, two | :21:48. | :22:46. | |
blacks, and that would put him 35 points in front with 35 remaining. , | :22:47. | :22:52. | |
so he needs the three remaining reds. The last one, no colour | :22:53. | :23:04. | |
required. Just looking at the scoreboard, | :23:05. | :23:22. | |
because of the angle, he will neither red. -- you will need that | :23:23. | :23:32. | |
red. I don't know about you, but it | :23:33. | :23:49. | |
appears to me it is just hanging on their session. -- hanging on this | :23:50. | :23:59. | |
session. Absolutely. This red to go 35 points in front. He missed a few | :24:00. | :24:06. | |
shots you wouldn't expect him to miss but I think Mark Selby in his | :24:07. | :24:09. | |
own way has been a bit frustrated with one or two poor positional | :24:10. | :24:16. | |
shots and perhaps taken on a short you would not normally take on so it | :24:17. | :24:20. | |
has been one of those sessions. -- shot you would not normally. Typical | :24:21. | :24:29. | |
tens opening session of the Betfred World Championship semifinal. -- | :24:30. | :24:36. | |
tense opening session. Nice playing from Marco Fu. You | :24:37. | :25:31. | |
could see a bit lucky to not be hampered on the pink, waiting for a | :25:32. | :25:36. | |
risky blue, and Marco Fu took the opportunity. Now one frame behind | :25:37. | :25:44. | |
again. One more to play this session, 4-3. | :25:45. | :25:48. | |
HAZEL IRVINE: Best effort of the semifinals so far. It is played over | :25:49. | :25:52. | |
four sessions, of course, and this is the first of those which is due | :25:53. | :25:56. | |
to conclude this match on Saturday evening. The last frame of this | :25:57. | :26:00. | |
opening session, then, and Marco has just given away for my points. Back | :26:01. | :26:08. | |
to your commentators. Very surprised he has taken this one, to be honest. | :26:09. | :26:14. | |
Will he get a good kiss this time? The answer is no. The worst possible | :26:15. | :26:26. | |
kiss. If it caught the yellow little forward the brown would have been | :26:27. | :26:30. | |
possible. He is eyeing up the blue but there is pressure on these. I | :26:31. | :26:38. | |
know he has potted some terrific balls this evening. I do not blame | :26:39. | :26:45. | |
him for taking it on. He will be a bit frustrated with the white finish | :26:46. | :26:48. | |
there. Getting close to the last blue. A super shot. Very good. | :26:49. | :27:01. | |
APPLAUSE Not guaranteed to get nicely on the | :27:02. | :27:05. | |
black. There is not a lot of room. Obviously, the blue going again. You | :27:06. | :27:12. | |
need that to roll through about six inches. So much so, he didn't even | :27:13. | :27:19. | |
play for at! In trouble I can. -- for it. Running out of it here. -- | :27:20. | :27:29. | |
in trouble again. He has to be careful. He has to avoid the brown | :27:30. | :27:37. | |
at all costs here. A little bit too much side on it. But he is on the | :27:38. | :27:40. | |
red. APPLAUSE | :27:41. | :27:47. | |
And he will be screwing back here, perhaps open a few reds, perhaps in | :27:48. | :27:54. | |
the pink into play. He needs a full ball kiss on the green. He has got | :27:55. | :27:59. | |
it, so that leaves him a shot on the brown. It could have been worse. | :28:00. | :28:08. | |
This brown is no certainty. Mark knows if the brown goes in, the | :28:09. | :28:24. | |
reds are in perfect position to make a sizeable break. If not, if | :28:25. | :28:35. | |
frame-winning break. -- frame-winning. That is very good. | :28:36. | :28:42. | |
APPLAUSE Yes, that was an excellent | :28:43. | :28:50. | |
positional shot. OK, he cannot pot this red and stay on the black, but | :28:51. | :28:56. | |
a good shot to be on it. He will need to be right side of the blue | :28:57. | :28:59. | |
and this has been his weakness all night but he has judged it well | :29:00. | :29:04. | |
there. Just come down the left-hand side of the table, there you go. | :29:05. | :29:11. | |
Always stay on the right side of the blue line. You will not get in | :29:12. | :29:20. | |
trouble. Somewhere in that circle will do nicely. It is able is I! -- | :29:21. | :29:41. | |
it is a bull's eye. I think I am reflecting on what we have seen so | :29:42. | :29:45. | |
far this evening. Seeing that he probably deserves to win the season, | :29:46. | :29:53. | |
but Marco Fu has been hanging onto his coat-tails. -- saying that. So | :29:54. | :30:07. | |
far, the highest break for Selby 63 on the highest for Fu is 89. I think | :30:08. | :30:14. | |
he will possibly make a century. If he does not get a kick. Can you | :30:15. | :30:18. | |
believe that? That is the most unbelievable tech. -- kick. The only | :30:19. | :30:28. | |
good thing is the White did travel a little further through. If it | :30:29. | :30:30. | |
stopped in front of the red, he wouldn't have been able to attempt | :30:31. | :30:37. | |
it. Amazing, getting the balls perfect when that happens. The | :30:38. | :30:41. | |
blight of every snooker player's life, isn't it? The dreaded heavy | :30:42. | :30:43. | |
contact. APPLAUSE | :30:44. | :30:51. | |
But it didn't really affect the next shot, and that is what you have to | :30:52. | :30:54. | |
do, you just have to accept these things are going to happen. | :30:55. | :31:07. | |
He played that nicely. If he gets the 68 point, required. He played | :31:08. | :31:22. | |
that a bit strangely. Has he lost the black mac -- black? He has | :31:23. | :31:29. | |
covered the black spot. He does not want it on the pink spot. That is | :31:30. | :31:34. | |
pink and black tied up. Perhaps not the pink, maybe not the pink, but | :31:35. | :31:38. | |
obviously he did not want the black to go on the pink spot. The pink in | :31:39. | :31:46. | |
right middle. Is it worth taking the risk and playing the red to get onto | :31:47. | :31:51. | |
the pink? He is just having a look now. I think it is a bit tight, | :31:52. | :31:56. | |
John. If you finish a little high, you have no shot. The only thing | :31:57. | :32:01. | |
that would encourage me to try to play for the pink is it would be | :32:02. | :32:08. | |
nice to have the pink on the black spot. Playing this red, surely he is | :32:09. | :32:17. | |
going up for the blue. He has not been very good, it has to be said, | :32:18. | :32:20. | |
this season, getting nice angles on the blue. One look back at the | :32:21. | :32:35. | |
frame-winning opportunity. Hard work. That is the pink pot in the | :32:36. | :32:44. | |
left-hand middle. Can he get onto the pink in the pocket? | :32:45. | :32:52. | |
Can he get onto the pink in that pocket? | :32:53. | :32:56. | |
He will have to work hard for these. Once again, wrong side of the blue. | :32:57. | :33:06. | |
There is the blue line. You want to be on the other side of it. He has a | :33:07. | :33:12. | |
wry smile, walking round the table then, John. A little frustrated with | :33:13. | :33:21. | |
it. What's the blue, goes 61 points in front but still 75 remaining -- | :33:22. | :33:29. | |
pots the blue. With the pink, and black, perhaps he will be out of | :33:30. | :33:39. | |
commission. He will need to pack more of these remaining reds, to | :33:40. | :33:44. | |
clinch the frame at this visit -- two more of these remaining reds. He | :33:45. | :33:56. | |
has potted some good ball tonight, i will say that about him. his | :33:57. | :34:03. | |
control. average, but he has potted some good balls, but he will need | :34:04. | :34:06. | |
another one here, tight under the cushion. i think the red just below | :34:07. | :34:11. | |
the black will go to the right corner, so it could be a natural | :34:12. | :34:14. | |
angle. he needs this blue and one more red, for a two frame advantage. | :34:15. | :34:21. | |
good shot. and judged it to perfection. Little glance at the | :34:22. | :34:33. | |
scoreboard. No heroics with his positional shot. | :34:34. | :34:37. | |
APPLAUSE Come back tomorrow afternoon | :34:38. | :34:47. | |
for the second of four sessions. This does not look any good. Marco | :34:48. | :35:08. | |
Fu is drinking his glass of water. I think he has seen enough of this | :35:09. | :35:11. | |
frame. APPLAUSE | :35:12. | :35:23. | |
Marco Fu, onto his coat-tails and Mark Selby has deserved the two | :35:24. | :35:35. | |
frame lead overnight. Her HAZEL IRVINE: They will be back for one | :35:36. | :35:38. | |
friend tomorrow. You appreciate the tape of | :35:39. | :35:40. | |
championship that has been when we know there is a 300-1 shot | :35:41. | :35:44. | |
45-year-old player in the semifinal who has not been there for 23 years. | :35:45. | :35:50. | |
We are talking about Scotland's rather I been Alan McManus who has | :35:51. | :35:53. | |
had to win six matches to get here so far as I qualified -- rather | :35:54. | :36:04. | |
urbane. But so, too, has his opponent, Ding Junhui, who has had | :36:05. | :36:10. | |
to win as a qualifier. I will go out and try my best to enjoy it, play | :36:11. | :36:18. | |
hard, and if I play well I will give Ding plenty of problems I hope and | :36:19. | :36:23. | |
if I were making it will be happy. The last time he played great. But I | :36:24. | :36:31. | |
still handled the match and this time it is another chance to go. I | :36:32. | :36:38. | |
hope I do every thing well. He is just an awesome player. When he is | :36:39. | :36:43. | |
on song, he is probably -- probably has the best cue ball control. He is | :36:44. | :36:47. | |
coming into form again and probably like myself peeking through pretty | :36:48. | :36:51. | |
strongly, through the qualifying, and it gave him a good foundation to | :36:52. | :36:57. | |
come in here and he is obviously playing amazingly but I am so | :36:58. | :37:03. | |
looking forward to playing him. He is a very tough player to play. I | :37:04. | :37:08. | |
have played a few times. I think we played a few times there and once at | :37:09. | :37:16. | |
the Crucible, so the key has very good safety. -- he has very good | :37:17. | :37:23. | |
safety. Typically under a lot of pressure. | :37:24. | :37:25. | |
HAZEL IRVINE: Speaking about pressure, it was Ding Junhui who | :37:26. | :37:28. | |
applied that, slipping in front moment into the match, screeching | :37:29. | :37:33. | |
away from the Scot with three centuries and breaks of 84 and 62 to | :37:34. | :37:37. | |
lead 5-0. The experienced McManus did not panic and took the next two | :37:38. | :37:44. | |
frames, no doubt to his great relief. Very important eighth and | :37:45. | :37:49. | |
last frame of the session coming up. Commentary from Dennis Taylor and | :37:50. | :37:59. | |
Stephen Hendry. Ding very rarely has that problem because he has a much | :38:00. | :38:07. | |
shorter compact cue action. This is not what Alan wanted to see in this | :38:08. | :38:12. | |
last frame, the chance of getting 5-3, and Ding Junhui back in amongst | :38:13. | :38:18. | |
the balls. Just a little careless positional shot there. Two or three | :38:19. | :38:25. | |
inches too far with the cue ball, just wanting to roll through for the | :38:26. | :38:26. | |
black. Yes, the difference in the cue | :38:27. | :39:43. | |
action, as Stephen was saying, Ding Junhui does not bring it back from | :39:44. | :39:46. | |
very far at all before delivering it. Alan has that deliver it long | :39:47. | :39:55. | |
pause, quite the way back before he delivers the cue. Ding is much more | :39:56. | :40:09. | |
compact. -- deliver -- deliberate long pause. No two cue actions by | :40:10. | :40:16. | |
the same in the game but a disordered knocking the balls into | :40:17. | :40:21. | |
the pockets. As John Virgo used to say many years ago, pot as many | :40:22. | :40:26. | |
balls as you can! Big break. He used to love that shot. | :40:27. | :41:02. | |
It is incredible how close Ding's tip gets to the cue ball, when he is | :41:03. | :41:14. | |
addressing it. You almost even see a shadow on the cue ball, when his tip | :41:15. | :41:26. | |
approaches it. Look at this. Look at that. What do you see? Oh! I suppose | :41:27. | :41:36. | |
if you thought about it you would not be able to do that. It is just | :41:37. | :41:39. | |
automatic, isn't it? All the years of practice. Jimmy White, another | :41:40. | :41:51. | |
player, a left-hander, who addresses. Sometimes you will see | :41:52. | :41:54. | |
him just feather the white and play a final shot, but he is like that. | :41:55. | :42:01. | |
He has the tip of the cue right on the cue ball. -- a foul shot. He | :42:02. | :42:17. | |
could have worked that a lot better. Yes, these are never guaranteed. | :42:18. | :42:22. | |
Because it is so close to the black ball. Possibly did not -- needed to | :42:23. | :42:26. | |
put up with a lot more pace and top spin to carry that through the reds. | :42:27. | :42:31. | |
He still has the red to his right middle. Screwing the cue ball with | :42:32. | :42:40. | |
the cushion and on the black. Good shot. | :42:41. | :42:44. | |
APPLAUSE LAUGHTER | :42:45. | :42:50. | |
I don't know whether Alan is seeing good shot or what. | :42:51. | :42:58. | |
He does talk away to himself! -- saying good shot. I think perhaps he | :42:59. | :43:02. | |
thought Ding had lost position and he was going to come back to the | :43:03. | :43:06. | |
table, then Ding produces that excellent red to his right middle. | :43:07. | :43:10. | |
Perhaps telling himself stories in the chair, Dennis. Possibly not for | :43:11. | :43:18. | |
repeating during the day! But, Stephen, what is it about the Asian | :43:19. | :43:22. | |
players? It is amazing. The middle pocket, they are so good. Some | :43:23. | :43:32. | |
fantastic ball is potted into the middle | :43:33. | :43:44. | |
pockets by James Wattana. And he never seems to miss in those middle | :43:45. | :43:52. | |
pockets. As we see this shot again, excellent cue ball control. | :43:53. | :44:03. | |
As has been the pattern in this match, whenever Ding gets in, it is | :44:04. | :44:13. | |
frame over. And in the two frames he has not come lost. Yes, he has made | :44:14. | :44:19. | |
three century breaks, and 84 and 62, has Ding. I suppose when you think | :44:20. | :44:28. | |
about it, 5-0 behind, Alan McManus, he would have loved to have got out | :44:29. | :44:35. | |
of it 5-3, but that 6-2 he would probably take that when he was 5-0 | :44:36. | :44:43. | |
behind. 96%. I mean, that is terrific. And that big high break of | :44:44. | :44:46. | |
131. APPLAUSE | :44:47. | :45:01. | |
Wouldn't that be something, if he made four centuries in his first | :45:02. | :45:06. | |
session? It will be difficult but it is a possibility. | :45:07. | :45:25. | |
He has already made it back centuries and we have had 68 in this | :45:26. | :45:34. | |
year's Betfred World Championship. 86 is the record number of centuries | :45:35. | :45:45. | |
made at the Crucible. And the highest number of centuries ever | :45:46. | :45:49. | |
made at the Crucible in the World Championship, Stephen was just as | :45:50. | :45:57. | |
guinea... -- just asking me. It was 16. And John Higgins has had 14. | :45:58. | :46:10. | |
Surprised you did not know that one! -- Stephen's 16. | :46:11. | :46:18. | |
Yes, you would have to think, with that record, if Ding was to make the | :46:19. | :46:30. | |
final, -- that that record will be in jeopardy. Plenty of turn ups | :46:31. | :46:36. | |
there, and what a session. Oh, or it -- set-mac, I did not know | :46:37. | :47:05. | |
Kevin was in. What a player and what a | :47:06. | :47:16. | |
pundit. Has just been a machine today when he has got in amongst the | :47:17. | :47:20. | |
balls. He has had a 132, his highest so far | :47:21. | :47:40. | |
this year. He can have the evening off and they will be back first | :47:41. | :47:46. | |
thing in the morning -- at Kenny M4 the morning session, but this has | :47:47. | :47:57. | |
been a delight to watch -- at 10am for the morning session. It doesn't | :47:58. | :48:01. | |
matter about the black. It has been the Ding Junhui show this afternoon. | :48:02. | :48:06. | |
Alan McManus will not be too disappointed. He got two frames out | :48:07. | :48:09. | |
of it but in the end, with that magnificent display, Ding Junhui | :48:10. | :48:17. | |
picks the session 6-2. HAZEL IRVINE: Four centuries already | :48:18. | :48:20. | |
in eight frames from Ding Junhui. The record in a semifinal, by the | :48:21. | :48:25. | |
way, is five. That record looks a little shaky right now, doesn't it? | :48:26. | :48:28. | |
They will return for two more sessions tomorrow. In the meantime, | :48:29. | :48:33. | |
if you want more snooker, 25 minutes' time, Crucible Classics | :48:34. | :48:41. | |
over on BBC One. Ding Junhui and Alan McManus will resume tomorrow | :48:42. | :48:48. | |
morning at 10am. We can hardly wait for everything that is to come in | :48:49. | :48:51. | |
this World Championship. I've been following | :48:52. | :49:11. | |
the inspirational stories Along with hundreds of | :49:12. | :49:13. | |
other wounded, injured | :49:14. | :49:19. |