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I'm happy to still be in the tournament and be out there playing, | :02:20. | :02:26. | |
whether it is good or bad. Every snooker player loves playing at the | :02:27. | :02:29. | |
Crucible so you have to embrace it all. Then Ronnie O'Sullivan gave an | :02:30. | :02:37. | |
astonishing interview to the press. I found Barry up four weeks ago and | :02:38. | :02:41. | |
said I'm done with you and the board of people and I have a good friend | :02:42. | :02:45. | |
who said, let my lawyers deal with it and I won't get involved because | :02:46. | :02:51. | |
I am not being bullied. I'm not having people do that to me ever | :02:52. | :02:56. | |
again. I'm fortunate I have a good friend who has good lawyers and | :02:57. | :03:02. | |
they've got my back. I just want to play, have fun. I like Barry but I'm | :03:03. | :03:10. | |
not being intimidated or bullied. I'm not prepared to put myself in a | :03:11. | :03:15. | |
position where I'm in breach of the game. If I say something bad about | :03:16. | :03:24. | |
the referees, the players, there are so many things, I'm tarnishing | :03:25. | :03:32. | |
sport, I'm doing this, please, just drop me out, I've done 25 years | :03:33. | :03:36. | |
service to this game, I think I've given enough to the game. I've | :03:37. | :03:41. | |
helped and done my bit and I don't need that. I don't need you, you | :03:42. | :03:46. | |
probably don't need me. I just want to enjoy my life and I'm not putting | :03:47. | :03:49. | |
up with someone thinking they can threaten and bully me, it isn't | :03:50. | :03:55. | |
happening. I have to just be sensible and maybe they can relax a | :03:56. | :03:58. | |
bit and chill out and stop being so precious about everything. I'm not | :03:59. | :04:05. | |
prepared to put myself in that situation any more. Extraordinary | :04:06. | :04:08. | |
stuff from Ronnie O'Sullivan and remember, this all goes back to | :04:09. | :04:11. | |
World Snooker bosses threatening to fine him if he said anything out of | :04:12. | :04:16. | |
context, anything not associated with snooker. You will know if you | :04:17. | :04:21. | |
have followed the tournament that in many interviews recently, he Hasan | :04:22. | :04:25. | |
and Oasis song and also pretended to a robot. Onto our next match, two | :04:26. | :04:32. | |
former champions going head-to-head the Crucible. Stuart Bingham taking | :04:33. | :04:39. | |
on Peter Ebdon. In the ninth frame ebbed and needed four snookers to | :04:40. | :04:43. | |
get back into the frame, he got three and this is what happened | :04:44. | :04:44. | |
next. He needed four snookers and he just | :04:45. | :04:53. | |
hammered a yellow. We can show you the yellow Stuart | :04:54. | :05:11. | |
was faced with. He hit it quite hard. | :05:12. | :05:16. | |
Look at this, he said the blue and the black were in good positions. | :05:17. | :05:20. | |
APPLAUSE The green, if it had pulled up | :05:21. | :05:36. | |
short, it would be very difficult to escape from. Just enough room to | :05:37. | :05:41. | |
slip around the back of the green. In the end, it will only be one | :05:42. | :05:43. | |
snooker. Slipped around the back of it? | :05:44. | :05:55. | |
APPLAUSE Obviously, the more balls on the | :05:56. | :06:21. | |
table, the more chance of snookers but he could pot the green and play | :06:22. | :06:26. | |
off the brown and behind them but he doesn't really want to move these | :06:27. | :06:27. | |
two. If he's looking at hitting that side | :06:28. | :06:55. | |
of it, he is thinking of potting the green. I think you might be better | :06:56. | :07:00. | |
going off the baulk cushion and making sure. | :07:01. | :07:10. | |
APPLAUSE He fouled. So the green comes back | :07:11. | :07:32. | |
up and there is a chance to get in behind the pink, sorry, the blue and | :07:33. | :07:36. | |
black, so all of a sudden, I'm not sure what he did. Let's have a look. | :07:37. | :07:42. | |
Was it the black coming back, was it? | :07:43. | :07:48. | |
It didn't look as if he fouled the black. I know he was cueing very | :07:49. | :07:58. | |
close to it, but it didn't look like it. I would have another look at | :07:59. | :08:01. | |
that. Let's have another look at this. He | :08:02. | :08:17. | |
is very close to it. Does the black move? I didn't see it move. | :08:18. | :08:26. | |
Anyway, spoiled a chance, put the blue out of commission. | :08:27. | :08:37. | |
He can tie at the moment at 25, the difference, with 25 on the table. He | :08:38. | :08:55. | |
fouled the black so that was seven away. | :08:56. | :09:33. | |
What does he do the? If he plays it at pace, you are not guaranteed to | :09:34. | :09:55. | |
get the green safe. If you just land on it, you can still possibly leave | :09:56. | :09:59. | |
the pot across it to the left corner. | :10:00. | :10:12. | |
He needs the brown to come to his rescue here and I don't think it is, | :10:13. | :10:17. | |
is it? Maybe. He played a fantastic shot when the | :10:18. | :10:32. | |
foul was declared, when he touched the black, he came off the cushion | :10:33. | :10:35. | |
and potted the green from a similar position. Is he going to play a | :10:36. | :10:41. | |
similar shot? Can he flick the green in this time? | :10:42. | :11:12. | |
If the green was straight, he would take it on and hole for the brown | :11:13. | :11:20. | |
into the right pocket but it isn't straight so it will take some shot | :11:21. | :11:22. | |
to get on the brown nicely. He is taking it on. Brilliant. | :11:23. | :11:40. | |
Absolutely brilliant from Peter Ebdon. What a shot that was. And | :11:41. | :11:49. | |
after all that has gone on here, we could have a re-spotted black. Who | :11:50. | :11:53. | |
would have thought? Stuart Bingham can't believe what's | :11:54. | :12:12. | |
happening here but this was a fabulous shot from Peter Ebdon. He | :12:13. | :12:17. | |
needs the blue, pink and black for a re-spot. Four snookers, he needed | :12:18. | :12:27. | |
and one stage and Stuart can't believe it. | :12:28. | :12:41. | |
Oh, he's missed it... Have the mystic? APPLAUSE | :12:42. | :12:50. | |
I bet when the pink set off, he thought he had missed it. | :12:51. | :13:10. | |
Remarkable comeback from Peter Ebdon. He hasn't lost the final | :13:11. | :13:20. | |
frame of this session just yet. And all you want to do now is win the | :13:21. | :13:25. | |
toss and put your opponent in. Who is going to call? We talked earlier | :13:26. | :13:34. | |
about the fight of Peter Ebdon and absolutely tremendous, I've got to | :13:35. | :13:39. | |
say. The snookers he laid were really difficult ones. Looked a bit | :13:40. | :13:43. | |
unfortunate for Stuart when he fouled the black. But you've got to | :13:44. | :13:49. | |
give this man, Peter Ebdon, so much respect. | :13:50. | :13:58. | |
That's the shot the modern-day players play rather than up and down | :13:59. | :14:05. | |
the spots. That was the old shot. Oh, he's got a kick. He's had a | :14:06. | :14:23. | |
kick. And I think when he did get the heavy contact, he thought he had | :14:24. | :14:31. | |
to leave the black on. It's a thin snick. Peter is already looking at | :14:32. | :14:36. | |
the angle of cutting the black in. We've had everything in this final | :14:37. | :14:42. | |
session. The kick through it off at a different angle. He is still | :14:43. | :14:47. | |
looking at the cutting angle of this. If he takes it on, he's got to | :14:48. | :14:53. | |
be careful with the cue ball as well and keep it away from the corner | :14:54. | :14:58. | |
pocket. This is the third time he has looked at this angle. It is a | :14:59. | :15:03. | |
tough one. It is lower down than the black spot, very thin cut. He isn't | :15:04. | :15:10. | |
going to play it dead weight, surely. Got to put some pace into | :15:11. | :15:15. | |
it. Quite remarkable from Peter Ebdon. What a frame to steal from | :15:16. | :15:25. | |
Stuart Bingham. And there is the old Peter Ebdon, come on, come on! We | :15:26. | :15:30. | |
haven't seen that for a while. Four snookers he needed and he got them | :15:31. | :15:35. | |
and now only one frame behind. It is 5-4. That's what it means to Peter | :15:36. | :15:38. | |
Ebdon but he is still one behind. Great scenes inside the Crucible for | :15:39. | :15:50. | |
Peter Ebdon and his fans. Let's look at that crucial moment. This is | :15:51. | :15:54. | |
Stuart Bingham when he called the foul, doesn't even touch the black | :15:55. | :15:57. | |
ball. After the match, Stuart went all dell boy on us. | :15:58. | :16:10. | |
That match is still wide open. Our next high for you tonight sees the | :16:11. | :16:18. | |
Belgian qualifier Lucas Brecel Kate Jenner Marco Fu who will won the | :16:19. | :16:29. | |
Scottish open. Not many players in the game has made four centuries but | :16:30. | :16:34. | |
Marco Fu has a tremendous achievement. I remember when he | :16:35. | :16:41. | |
first came on the tour. His break-building was what made him | :16:42. | :16:44. | |
stand out from everyone else. We would watch him, he and his father | :16:45. | :16:48. | |
would set up the balls for a game and he would break the red and get | :16:49. | :16:52. | |
through the table. In practice, he wouldn't miss. He would come in for | :16:53. | :16:57. | |
another session later and he wouldn't miss then either. He would | :16:58. | :17:02. | |
go into his match and would miss them either. And we would think none | :17:03. | :17:08. | |
of us can win because he is so good. Technique is slightly different. | :17:09. | :17:12. | |
It's another story but it is pretty sound, aside from, for me, a couple | :17:13. | :17:18. | |
of things. He gets down and oddly, points the cue at the cue ball and | :17:19. | :17:23. | |
doesn't really move. He doesn't feather or waggle that most of us | :17:24. | :17:29. | |
do. He has an extremely long backswing and as he comes through | :17:30. | :17:34. | |
the ball, his whole body lifts up and usually, as he strikes the cue | :17:35. | :17:42. | |
ball, his head is off the cue. A little like Alan McManus. A little | :17:43. | :17:46. | |
bit that more pronounced. Such a long backswing and wait at the back | :17:47. | :17:50. | |
and then he moves forward and he decelerates into quite a lot of | :17:51. | :17:55. | |
shots. He won't quite get the reaction of the cue ball sometimes | :17:56. | :17:59. | |
that he has expected and I think that's because he is decelerating. | :18:00. | :18:03. | |
We mention that sometimes when he is sitting in the chair, you think you | :18:04. | :18:08. | |
might have missed one. As a player, when you are sat down, you are | :18:09. | :18:12. | |
monitoring your opponent, trying to see if they have played a good shot. | :18:13. | :18:16. | |
The textbook thing is to stay down until the ball goes in the pocket or | :18:17. | :18:21. | |
is very close. Marco Botti and will play a shot where he will roll the | :18:22. | :18:26. | |
ball to the pocket and then he's up off the shot and you think he's | :18:27. | :18:31. | |
missed it. But then he is perfect. It happens all the time. He is so | :18:32. | :18:38. | |
hard to read. That innocence is his strong suit, his break-building. | :18:39. | :18:43. | |
Economy of effort with the cue ball. When he is on his A-game, his cue | :18:44. | :18:51. | |
ball control is first class. His shot selection is always correct. | :18:52. | :18:56. | |
And they sound defensive game. When he adapts to the conditions on the | :18:57. | :19:00. | |
table, when he gets that cue ball under control, he is very difficult | :19:01. | :19:09. | |
to beat. Some very kind words from John and Sean. This will be a tough | :19:10. | :19:13. | |
match against the Belgian qualifier. Turned professional in 2011, | :19:14. | :19:21. | |
runner-up in the German Masters 2000... He took the first frame, | :19:22. | :19:25. | |
into the next, Fu to play. He thought the only one I can leave | :19:26. | :19:46. | |
is the one I'm playing and that's exactly what he's done. | :19:47. | :20:04. | |
Excellent positional shot and what a lovely angle he has two split the | :20:05. | :20:13. | |
reds. This could go anywhere. GROANS FROM CROWD | :20:14. | :20:24. | |
No! Oh, yes, in the end. Well... As you say, it could have gone | :20:25. | :20:31. | |
anywhere. The one to the corner, same pocket as the Blackwood have | :20:32. | :20:35. | |
been lucky, look at the one in the middle. When you are having a bad | :20:36. | :20:41. | |
day, both of them would have gone in. | :20:42. | :20:48. | |
This is over the pocket but it is not straightforward. Not as easy as | :20:49. | :20:56. | |
it looked. Left with the black into the corner | :20:57. | :21:05. | |
but there is pressure on this matter. If he misses it, he will let | :21:06. | :21:16. | |
his opponent straight in. Adds a little bit of pressure to this | :21:17. | :21:22. | |
particular pot. I think he walked round there just to build himself up | :21:23. | :21:23. | |
to this. When you give it every chance to | :21:24. | :21:35. | |
drop by playing at that pace but could have done with hitting it a | :21:36. | :21:36. | |
little harder. Could not have played it better, | :21:37. | :21:55. | |
just the kiss off the second red, perfect width. First impressions, | :21:56. | :22:04. | |
John, Lucas Brecel is putting some really difficult balls and killing | :22:05. | :22:05. | |
really well at the moment. And also, he has got a measured look | :22:06. | :22:23. | |
about him at the table and sometimes he was accused, like a lot of young | :22:24. | :22:27. | |
players, just rushing the shots. No sign of that. This is a decent | :22:28. | :22:29. | |
chance. I'm not quite sure what he has | :22:30. | :22:46. | |
played for there. Nothing, looking from behind the | :22:47. | :23:06. | |
pocket. Strange shot. Yes, surprised why he left that side, all he had to | :23:07. | :23:10. | |
do was put the cue ball anywhere up the middle of the table. There were | :23:11. | :23:19. | |
three or four roads he could have potted anywhere around the pink. He | :23:20. | :23:22. | |
could have found a gap anywhere around the pink with the cue ball. | :23:23. | :23:30. | |
He played a cannon on one of those on the right-hand side, those two | :23:31. | :23:34. | |
red but there was no need to do that, as you say, just get the cue | :23:35. | :23:38. | |
ball in the middle of the table and have your choice of the reds. That | :23:39. | :23:40. | |
careless. That was brilliant. That was | :23:41. | :23:45. | |
brilliant. What a shot. That was fantastic and a good | :23:46. | :24:05. | |
follow-up with the black as well. Have a look at this read. -- red. | :24:06. | :24:40. | |
Add a little chat with him after he qualified and he said he was really | :24:41. | :24:48. | |
nervous in his first couple of qualifying matches, particularly | :24:49. | :24:51. | |
against Joe swale and the second match he got through ten friends to | :24:52. | :24:54. | |
aid but he felt much better after that and couldn't wait to get out | :24:55. | :25:00. | |
and play in the Crucible, he was very excited. | :25:01. | :25:09. | |
Certainly not showing any nerves at the moment. He is looking very | :25:10. | :25:17. | |
relaxed and enjoying the experience which is what you've got to try to | :25:18. | :25:20. | |
do. Easier said than done, of course. | :25:21. | :25:29. | |
Could have done with getting into that a bit more. He could play this | :25:30. | :25:40. | |
into the far left corner. Solid, right in the centre of the pocket. | :25:41. | :25:46. | |
APPLAUSE He will be disappointed if he | :25:47. | :25:48. | |
doesn't win the frame now. Just coming over three minutes for | :25:49. | :26:40. | |
this break and it's been fantastic. Some great pots, positional play, | :26:41. | :26:41. | |
very quick stuff. Luca Brecel. His shot time coming down rapidly | :26:42. | :26:56. | |
noted just 18 seconds. He may move the red off the side | :26:57. | :27:12. | |
cushion to continue the break. Yes. Contemplating about making a | :27:13. | :27:13. | |
century. Not that I think it will last for | :27:14. | :27:30. | |
one minute but the highest break at the moment is held by Ronnie | :27:31. | :27:36. | |
O'Sullivan. Lovely positional shot from Luca. A possible 138 on here. | :27:37. | :27:43. | |
That could take some beating. APPLAUSE | :27:44. | :27:51. | |
Absolutely brilliant. This has been top-quality. He is | :27:52. | :28:11. | |
taking the blue so a possible 136 now. Just needs to bounce a bit, | :28:12. | :28:15. | |
needs to bounce a bit. That was careless. | :28:16. | :28:22. | |
But a marvellous break. A gift to see. Marco Fu, it's all been looked | :28:23. | :28:34. | |
at Brecel. Two frames, 2-0. JASON MOHAMMAD: He took the next two to | :28:35. | :28:43. | |
lead. Let's join the action in frame number five. Marco Fu leading by | :28:44. | :28:44. | |
eight. If you were in Marco Fu's corner, | :28:45. | :29:06. | |
what would you be saying to him in the interval? That's what Wayne | :29:07. | :29:08. | |
Griffiths had to do in the practice room with him, what you think would | :29:09. | :29:13. | |
have been said? I think as we were saying, the season he has had on the | :29:14. | :29:17. | |
way he has been playing, just keep those positive thoughts in your | :29:18. | :29:20. | |
mind. Surely you are going to get chances. I think now, it's a damage | :29:21. | :29:29. | |
limitation. If he can get out of this 6-3, I think he would be | :29:30. | :29:30. | |
pleased. As I say, these matches, as we look | :29:31. | :29:44. | |
at Marco's view, this is a good shot. He could knock a read towards | :29:45. | :29:55. | |
the right corner, and he has done. -- red. He has got a decent white | :29:56. | :30:00. | |
and that will make the sport more difficult. You also have to tell | :30:01. | :30:08. | |
yourself that it is the best of 19 -- pot. Oh dear, it never rains but | :30:09. | :30:14. | |
it pours. This is sometimes what happens. | :30:15. | :30:34. | |
Everything seems to be going the way of Brecel at the moment and that is | :30:35. | :30:37. | |
because he is playing very very well. It is not just the fluke, it | :30:38. | :30:47. | |
is what you make of it. The pink obviously pots into the | :30:48. | :31:05. | |
bottom pocket and I think the red will go into the other pocket. If | :31:06. | :31:08. | |
things were really working out well, the pink will not be available and | :31:09. | :31:14. | |
that will suit Luca down to the ground. Does it go on its own spot? | :31:15. | :31:20. | |
Paul Collier is checking. It doesn't. It goes on the black spot. | :31:21. | :31:28. | |
That makes things a lot easier. Particularly if the pink goes to the | :31:29. | :31:33. | |
opposite corner as this red. It obviously does. Purposely finishing | :31:34. | :31:48. | |
low on the pink. To pot the pink, amongst the reds, that is the one he | :31:49. | :31:55. | |
is on. That brings a couple more reds into play. | :31:56. | :32:13. | |
Nicely on the blue, hopefully the blue top one past it and go into the | :32:14. | :32:27. | |
pack of reds. It was a bit more measured. He didn't have to split it | :32:28. | :32:36. | |
with too much pace. Absolutely perfect. | :32:37. | :32:48. | |
The pink spot is now available. Needs to play a good position, a | :32:49. | :32:56. | |
little screw but do not hit this too hard, a chance with the back spin to | :32:57. | :33:03. | |
take effect. That's OK. The pink spot is now available, but he has | :33:04. | :33:07. | |
got one in the middle and if the pink goes to the left corner, the | :33:08. | :33:08. | |
balls could not be better placed. My shot mostly on this red into the | :33:09. | :33:49. | |
bottom right-hand corner. -- night shot. The pink into the same pocket. | :33:50. | :33:55. | |
All he has to do is mind his walk here and then he will put another | :33:56. | :34:06. | |
frame on the board. Costly fluke, it really was. | :34:07. | :34:07. | |
APPLAUSE. That always used to annoy you | :34:08. | :34:32. | |
sometimes. What a fluke that was. You say he got the fluke, but after | :34:33. | :34:36. | |
that he played the ball as well. If it had not been for the fluke, he | :34:37. | :34:41. | |
would not have been at the table. Sometimes you get a fluke and it | :34:42. | :34:44. | |
gets you out of trouble but you do not win the frame from it, but in | :34:45. | :34:54. | |
this case, Marco Fu... He paid the ultimate price. Yeah, he must be | :34:55. | :35:03. | |
suffering, Marco, this season he has had. It must be a real shock to his | :35:04. | :35:13. | |
system. And this pink, and one more red and he will drop five behind, | :35:14. | :35:24. | |
5-0! Did not see this coming. All he needs is a red and A collar. This | :35:25. | :35:32. | |
red would put him 58 ahead with 59 remaining -- and a colour. Perfectly | :35:33. | :35:41. | |
played, no problem. APPLAUSE. And look at those points | :35:42. | :36:00. | |
scored, 400. Against 44. 406 now. Gone again. It lasted about six | :36:01. | :36:02. | |
minutes, just over. I tell you what, the referee is | :36:03. | :36:17. | |
going to need a pair of trainers following Luca Brecel around. He is | :36:18. | :36:20. | |
playing so quick at the moment, Luca Brecel. | :36:21. | :36:29. | |
I was just thinking in the fourth round, the one before the | :36:30. | :36:35. | |
mid-session, it was a little bit edgy as though the lead was getting | :36:36. | :36:38. | |
to him and he was starting to look over his shoulder. OK, it started | :36:39. | :36:44. | |
with a fluke, but he has not been looking over his shoulder sense, he | :36:45. | :36:47. | |
has been playing really well. Lucky to have the chance. -- looking over | :36:48. | :36:51. | |
his shoulder sense. He just gets on with it. Goes for | :36:52. | :37:10. | |
shots. Hits the ball very cleanly. Now the pink, for his second century | :37:11. | :37:18. | |
of the match. He made 109 in frame two and he needs the pink. This is | :37:19. | :37:21. | |
for the hundred. Let's hope he doesn't need a new | :37:22. | :37:34. | |
tip! That was enough. It started with a fluke, but he will not mind | :37:35. | :37:43. | |
that. Marco Fu now trails by five frames to zero. Amazing stuff, Marco | :37:44. | :37:47. | |
Fu finally got a frame on the board. Nobody could believe just how badly | :37:48. | :37:51. | |
he was playing and we are talking about one of the most consistent | :37:52. | :37:53. | |
players on the tour. Final frame of this session, Luca | :37:54. | :38:59. | |
Brecel to break. He could use the red just above | :39:00. | :40:11. | |
that. Just pushing the pace. Slow the cue ball down and he has done | :40:12. | :40:12. | |
that nicely. He has had a look at the pink spot. | :40:13. | :40:31. | |
If it is available after he pots the pink. I don't think it will affect | :40:32. | :40:36. | |
things too much, it may spot or it may not, but if it doesn't, it goes | :40:37. | :40:42. | |
to highest available and there is nothing available, and it goes | :40:43. | :40:45. | |
directly in line with the black in the top cushion here, behind its own | :40:46. | :40:47. | |
spot. But if it goes at the back of the | :40:48. | :40:58. | |
pack, I still think this red is going to be on, the one that is | :40:59. | :41:05. | |
pottable into this bottom corner pocket. It may just squeeze onto its | :41:06. | :41:08. | |
own spot. Decided to play on the loose red and | :41:09. | :41:37. | |
possibly go forward the blue here. Maybe a ball colour. | :41:38. | :41:44. | |
Nice angle on the blue now, straight into the pink with a lot of pace | :41:45. | :41:55. | |
here. It is a good split. APPLAUSE. | :41:56. | :42:10. | |
John, you might know more than me over the history of 40 years here at | :42:11. | :42:17. | |
the Crucible but if he does win this brain 7-2, can you remember many | :42:18. | :42:25. | |
people coming back from that deficit? I remember Nigel Bond | :42:26. | :42:29. | |
coming back against Cliff Thorburn, 8-1 down. Yeah. He finished up | :42:30. | :42:34. | |
winning 10-9. I mean it's not beyond the realms of | :42:35. | :42:48. | |
possibility. You know as a snooker player, you should look at it, if he | :42:49. | :42:56. | |
can win five on the trot, so can I! This match will be played to a | :42:57. | :43:03. | |
finish tomorrow evening. So, a good night's sleep, a day on the practice | :43:04. | :43:11. | |
table and Marco will be coming out with a five frame deficit the which | :43:12. | :43:15. | |
way it goes. It looks as though this frame is in the bag now and he has | :43:16. | :43:23. | |
picked up his pace. Important couple of frames. The opening couple of | :43:24. | :43:32. | |
frames for Marco Fu and the next session of course, if he can get, if | :43:33. | :43:37. | |
he can win the first couple, it will put a little bit of pressure on his | :43:38. | :43:43. | |
opponent. But he must get off to a good start after securing this round | :43:44. | :43:49. | |
of course, in the next session. And that should do it, 70 points, nicely | :43:50. | :43:56. | |
on the blue and he is only 67 remaining. | :43:57. | :44:13. | |
I was thinking as well, you get funny atmospheres but tonight it | :44:14. | :44:22. | |
seems everyone is a bit stunned by what they have seen, a lot of people | :44:23. | :44:27. | |
fancied Marco Fu for the Championship before the start. It is | :44:28. | :44:33. | |
like Luca Brecel has stunned everyone, including Marco. | :44:34. | :44:42. | |
Absolutely. He would have been sort of an outside bet outside of the top | :44:43. | :44:47. | |
six players, Marco Fu. Particularly the way he has played this season. | :44:48. | :44:54. | |
It has been a different story tonight. Marco Fu. But he has given | :44:55. | :45:07. | |
himself a small chance tomorrow. All things considered, well played, | :45:08. | :45:14. | |
Marco, to stay focused like this and make the tonne, it is a credit to | :45:15. | :45:25. | |
him. He will not believe that. -- he will not believe it is over. | :45:26. | :45:31. | |
Marco, congratulates Luke Gunn. A great performance. He is in trouble | :45:32. | :45:41. | |
still, the Belgian bullet Luca Brecel leads Marco Fu overnight 7-2. | :45:42. | :45:49. | |
Tough evening for Marco Fu, elsewhere Mark Allen leads Jimmy | :45:50. | :45:55. | |
Robertson, the English qualifier who has never won here by 5-4 and | :45:56. | :46:00. | |
congratulations to Kyren Wilson who reached the quarterfinals last year, | :46:01. | :46:05. | |
he saw off but challenged by fellow Englishman David Grace earlier in | :46:06. | :46:11. | |
the day. Always nice, especially in your first-round match, you feel | :46:12. | :46:13. | |
like you're part of the tournament now. It was a little bit of a | :46:14. | :46:18. | |
scrappy match, there were ups and downs, David is a Crucible | :46:19. | :46:23. | |
debutante, so he did very well on his debut and I managed to sort of | :46:24. | :46:28. | |
maybe take advantage of a few first-time nerves. | :46:29. | :46:37. | |
If he has got the snooker behind the blue, that is a stunner, what a | :46:38. | :46:45. | |
shock that is, absolutely fabulous. That was absolutely sensational. The | :46:46. | :46:54. | |
double-kiss on the yellow, William. -- brilliant. Great shot from the | :46:55. | :47:01. | |
man making all the headlines. That is just about it from us but snooker | :47:02. | :47:06. | |
extra is up next with extended highlights of Sean Murphy and we | :47:07. | :47:10. | |
will be back at ten o'clock with more live coverage from the Crucible | :47:11. | :47:15. | |
early in the morning and then back at one o'clock. Plenty more to come | :47:16. | :47:17. | |
from the Crucible, bye for now. | :47:18. | :47:19. |