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Crucible Theatre for the final session of the second semi-final. We | 0:00:27 | 0:00:34 | |
already have one finalist. Have a guess? Yes, he is back, the | 0:00:34 | 0:00:40 | |
defending champion Ronnie O'Sullivan meets the winner of this match | 0:00:40 | 0:00:50 | |
0:00:50 | 0:00:55 | ||
between Ricky Walden and Barry Hawkins. I would suggest that is the | 0:00:55 | 0:01:05 | |
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Apology for the loss of subtitles for 47 seconds | 0:01:05 | 0:01:53 | |
this match. 12 all, all to play for! For Ricky Walden, this is | 0:01:53 | 0:01:57 | |
another game, something he has done a thousand times before. They | 0:01:57 | 0:02:04 | |
distort the -- not just another game, is it? It is unchartered | 0:02:04 | 0:02:09 | |
territory. If you can forget the scoreboard, trust your technique. A | 0:02:09 | 0:02:19 | |
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will wipe the floor with you. Once he gets going, he is unstoppable. If | 0:02:32 | 0:02:42 | |
0:02:42 | 0:02:47 | ||
he gets agitated, then he could lose to anybody. Very unusual cue action. | 0:02:47 | 0:02:57 | |
0:02:57 | 0:02:57 | ||
He has a similar flow to Ronnie, but he has an up and down motion. A | 0:02:57 | 0:03:06 | |
great potter who scores very fast and very heavily. He is a player | 0:03:06 | 0:03:16 | |
0:03:16 | 0:03:21 | ||
that has maybe not fulfilled his loves running, good player. | 0:03:22 | 0:03:28 | |
thought he would have probably done better when he won in China, but he | 0:03:28 | 0:03:38 | |
0:03:38 | 0:03:39 | ||
has not done well for the talent he has got. He gets on with it. He is a | 0:03:39 | 0:03:49 | |
0:03:49 | 0:03:50 | ||
very fluent player. When he gets on a roll he can roll over you. | 0:03:50 | 0:03:54 | |
Barry Hawkins, this is the most important session of his career in | 0:03:54 | 0:03:58 | |
the most important venue snooker has ever had. It is one frame at a time, | 0:03:58 | 0:04:08 | |
0:04:08 | 0:04:16 | ||
one ball at a time and most and some friends used to go to the | 0:04:16 | 0:04:23 | |
snooker club. I went with them and fell in love. At least I was not | 0:04:23 | 0:04:31 | |
hanging around the streets. I think my mum and dad preferred that. I | 0:04:31 | 0:04:35 | |
just was down there all the time. I just wanted to get better and better | 0:04:35 | 0:04:40 | |
and win matches and stuff like that. That was part of the reason why I | 0:04:40 | 0:04:47 | |
loved it. I suppose it was the challenge I was looking for. I can | 0:04:47 | 0:04:50 | |
remember making my first century and missing my first century as well, | 0:04:51 | 0:04:57 | |
missing a black off the spot. I was trying to keep screw in for the | 0:04:57 | 0:05:03 | |
yellow and make a total clearance but I miscued. I think the second | 0:05:03 | 0:05:07 | |
time I rolled the ball in for the century. I definitely remember that. | 0:05:07 | 0:05:13 | |
There has been so many memories over the years. Once you get to a certain | 0:05:13 | 0:05:16 | |
level you have got to keep getting wetter and better, especially at the | 0:05:16 | 0:05:26 | |
0:05:26 | 0:05:29 | ||
top end of the game. -- better and better. It does not get any easier, | 0:05:29 | 0:05:35 | |
that is for sure. When you win big matches, the Bulls kicks in. Playing | 0:05:35 | 0:05:41 | |
in front of packed houses and stuff like that, that is a great buzz. You | 0:05:41 | 0:05:50 | |
do not get the same feeling playing your usual, you just play it because | 0:05:50 | 0:06:00 | |
0:06:00 | 0:06:07 | ||
Terrific atmosphere here in the Crucible. Last year, Ricky Walden | 0:06:07 | 0:06:11 | |
did not make it out of the qualifiers. Now he has the chance of | 0:06:11 | 0:06:14 | |
making it up a World Championship final. The players have made their | 0:06:14 | 0:06:21 | |
last-minute preparations. Let's join our MC. Good evening, ladies and | 0:06:21 | 0:06:27 | |
gentlemen. This is the best of nine to join Ronnie O'Sullivan into | 0:06:27 | 0:06:32 | |
moral's Betfair World Snooker Championship world final. For the | 0:06:32 | 0:06:36 | |
men backstage, this is the biggest moment of their lives so far. The | 0:06:36 | 0:06:39 | |
crowd are ready to give them a hero's welcome as we prepare once | 0:06:39 | 0:06:49 | |
0:06:49 | 0:07:17 | ||
again to get the boys on the bays. in the first two sessions but came | 0:07:17 | 0:07:24 | |
alive this morning, two centuries helping him to draw level. He has | 0:07:24 | 0:07:28 | |
already knocked out Mark Selby and Ding Junhui. Can he find one more | 0:07:28 | 0:07:33 | |
top-quality session of snooker and make it through to the final? His | 0:07:33 | 0:07:41 | |
17th year career could climax this weekend. Please welcome Barry | 0:07:41 | 0:07:51 | |
0:07:51 | 0:08:06 | ||
Hawkins! And his opponent, what a season it | 0:08:06 | 0:08:10 | |
has been for a player and now guaranteed a place in the world's | 0:08:10 | 0:08:14 | |
top eight for the first time. hadn't won a match at the Crucible | 0:08:14 | 0:08:20 | |
until this year and even though he has been brought back, this is still | 0:08:20 | 0:08:30 | |
a huge opportunity. He has been at his best for the last two weeks. The | 0:08:30 | 0:08:40 | |
0:08:40 | 0:08:55 | ||
We are all set. What a recovery Barry Hawkins has made in this | 0:08:55 | 0:08:59 | |
semi-final. He has beaten Mark Selby, he has beaten Ding Junhui, | 0:08:59 | 0:09:03 | |
has he got another big performance in him tonight? Good evening to the | 0:09:03 | 0:09:09 | |
commentary team, Stephen Hendry and John Virgo. Good evening everybody. | 0:09:09 | 0:09:19 | |
0:09:19 | 0:09:33 | ||
And, yes, a big night for these two Maybe they will relax because the | 0:09:33 | 0:09:43 | |
end is in sight. Just nine frames this evening. They started | 0:09:43 | 0:09:53 | |
0:09:53 | 0:10:04 | ||
practically three days ago. You feel out to a reception like that any | 0:10:04 | 0:10:14 | |
0:10:14 | 0:10:45 | ||
time in their career. It will get Ricky Walden plays. He was clearly | 0:10:45 | 0:10:49 | |
suffering at the end of the session. Clearly, the end came at a good time | 0:10:49 | 0:10:54 | |
for him. You can put yourself under pressure. He knows in the first two | 0:10:54 | 0:10:57 | |
sessions, Barry Hawkins never produced anything like his top | 0:10:57 | 0:11:03 | |
game. He was thinking, why is it still so close? He had its | 0:11:03 | 0:11:11 | |
opportunities and he has not taken them. You would think, of the two, | 0:11:11 | 0:11:21 | |
0:11:21 | 0:11:23 | ||
Barry Hawkins would be the more pleased, to be 12-12 and still not | 0:11:23 | 0:11:33 | |
0:11:33 | 0:11:52 | ||
producing the form he did against are spread. He has to be careful, | 0:11:52 | 0:12:02 | |
0:12:02 | 0:12:23 | ||
particularly with the black corner. There is a medium-range | 0:12:23 | 0:12:29 | |
red. First chance of the night to Ricky Walden. To date nicely. -- | 0:12:29 | 0:12:39 | |
0:12:39 | 0:12:58 | ||
getting his cue action going through smooth. He would like to remove the | 0:12:58 | 0:13:02 | |
red near the left corner to play the black for both corner pockets sooner | 0:13:02 | 0:13:12 | |
0:13:12 | 0:13:33 | ||
foreign off to leave him on the black. -- has gone through far | 0:13:33 | 0:13:43 | |
0:13:43 | 0:13:43 | ||
Apology for the loss of subtitles for 47 seconds | 0:13:43 | 0:15:32 | |
the business end but using the rest nice angle to cannon into the three | 0:15:32 | 0:15:41 | |
reds above the black, because it is just a bit congested in that area. | 0:15:41 | 0:15:46 | |
He will have to select the one on the right hand side that is sticking | 0:15:46 | 0:15:56 | |
0:15:56 | 0:16:01 | ||
out, he will have to flick that one. He plated with a bit more pace than | 0:16:01 | 0:16:08 | |
you would have thought. -- he played it with. Surely one of these two | 0:16:08 | 0:16:18 | |
0:16:18 | 0:16:18 | ||
Apology for the loss of subtitles for 47 seconds | 0:16:18 | 0:17:04 | |
down on his cue ball to get position he been straight on the red he could | 0:17:04 | 0:17:09 | |
have constantly played for the pink. He will have to go for a blue or of | 0:17:09 | 0:17:19 | |
0:17:19 | 0:17:19 | ||
Apology for the loss of subtitles for 47 seconds | 0:17:19 | 0:19:36 | |
but there is a bit of work to do a position where he can get through | 0:19:36 | 0:19:39 | |
to the black doorstop if the pink went to the right middle there would | 0:19:39 | 0:19:49 | |
0:19:49 | 0:20:21 | ||
be problem, just stun the red in. the left corner if he plays to this | 0:20:21 | 0:20:31 | |
0:20:31 | 0:20:35 | ||
to the left of the black, so a little screw as we, in over the | 0:20:35 | 0:20:45 | |
0:20:45 | 0:20:45 | ||
Apology for the loss of subtitles for 47 seconds | 0:20:45 | 0:22:49 | |
into the lead for the first time in do we see that! It is not a bad | 0:22:49 | 0:22:57 | |
lead, though, 50 points with 51 remaining. I would suggest, as we | 0:22:57 | 0:23:04 | |
watch this missed red, so close. Ricky Walden will have to play safe. | 0:23:04 | 0:23:11 | |
With each red hit parts he has got to pop the black to be able to win | 0:23:11 | 0:23:21 | |
0:23:21 | 0:23:50 | ||
on this red? Perfect to get on the black. What a frame this would be to | 0:23:50 | 0:24:00 | |
0:24:00 | 0:24:09 | ||
steal for Ricky Walden. He has got a psychological blow in this session. | 0:24:09 | 0:24:12 | |
He looked like he was cruising for the first frame. That is a careless | 0:24:12 | 0:24:22 | |
0:24:22 | 0:24:22 | ||
Apology for the loss of subtitles for 47 seconds | 0:24:22 | 0:25:02 | |
bottom red to develop it. Just playing the top red off the | 0:25:02 | 0:25:12 | |
0:25:12 | 0:25:49 | ||
worst. He will screw this and play topspin of two cushions. -- off two | 0:25:49 | 0:25:59 | |
0:25:59 | 0:26:23 | ||
He needs the black to win the frame at this visit. Now, the pink and the | 0:26:23 | 0:26:33 | |
0:26:33 | 0:26:33 | ||
Apology for the loss of subtitles for 47 seconds | 0:26:33 | 0:27:17 | |
six remaining colours to take us to remaining colours he will get | 0:27:17 | 0:27:27 | |
0:27:27 | 0:27:42 | ||
another chance, because there will this is the most important one, | 0:27:42 | 0:27:48 | |
position from brown to blow. If he gets perfect on the blue it is a | 0:27:48 | 0:27:56 | |
formality, if not, he will have to come off the top cushion. Still a | 0:27:56 | 0:28:06 | |
0:28:06 | 0:28:18 | ||
with a lot of right-hand side to follow through off two cushions for | 0:28:18 | 0:28:27 | |
the black to the right corner. He can just drop the pink in and leave | 0:28:27 | 0:28:32 | |
a tougher black to the left corner, but we will see how he feels. He has | 0:28:32 | 0:28:42 | |
0:28:42 | 0:29:14 | ||
Ricky Walden. Barry Hawkins had a chance, just wanted one more red, he | 0:29:14 | 0:29:17 | |
missed it in the middle. Unfortunately, Ricky could not get | 0:29:17 | 0:29:27 | |
0:29:27 | 0:29:34 | ||
Ricky Walden won the toss. A frame that he should have had one by now, | 0:29:34 | 0:29:44 | |
0:29:44 | 0:29:57 | ||
but it is the one that most players play these days. The black tight on | 0:29:57 | 0:30:07 | |
0:30:07 | 0:30:18 | ||
the cushion means he cannot have a go at the double either. It is not | 0:30:18 | 0:30:28 | |
0:30:28 | 0:30:37 | ||
occasions, you do not want to leave your opponent a pot on, but try to | 0:30:37 | 0:30:41 | |
get as much distance as you can between cue ball and object ball. If | 0:30:41 | 0:30:51 | |
0:30:51 | 0:31:03 | ||
you don't, you leave your opponent there. If that black runs of the | 0:31:03 | 0:31:08 | |
cushion he may have got away with it, but I don't think he has. Not | 0:31:08 | 0:31:14 | |
sure what he had in mind there. He has left a good chance on for Barry | 0:31:14 | 0:31:24 | |
0:31:24 | 0:31:30 | ||
Hawkins to put that to the back of front for the first time in the | 0:31:30 | 0:31:36 | |
match. Ricky Walden had a chance, but couldn't take it. Barry Hawkins | 0:31:36 | 0:31:46 | |
0:31:46 | 0:31:50 | ||
That is a frame he should have had wrapped up. He should have, but it | 0:31:50 | 0:31:55 | |
was a great clear from Ricky. it came down to the final black, | 0:31:55 | 0:32:00 | |
Barry Hawkins could not play this any better. When you play this | 0:32:00 | 0:32:05 | |
shot, if you get the cue ball higher than the black, you have put him in | 0:32:05 | 0:32:11 | |
all sorts of trouble. There's not much can do. Ricky decided to try | 0:32:11 | 0:32:15 | |
and play that shot, but was struggling to keep the white ball in | 0:32:15 | 0:32:19 | |
the bottom half of the table. There was a possibility he could have | 0:32:19 | 0:32:23 | |
played at containing double kiss, but apart from that, he was in | 0:32:23 | 0:32:29 | |
trouble. He decided to play an aggressive attempt in the end, but | 0:32:29 | 0:32:34 | |
it went wrong because the white ball whipped up the table. Which begs the | 0:32:34 | 0:32:39 | |
question, what was he playing at? would have chipped the black on the | 0:32:39 | 0:32:48 | |
top rail. Psychologically, where is Ricky | 0:32:48 | 0:32:55 | |
Walden's head right now? He has to keep going. He knows tonight is the | 0:32:55 | 0:32:59 | |
best of nine. It has gone wrong with there, but he has to keep going. He | 0:32:59 | 0:33:09 | |
0:33:09 | 0:33:10 | ||
took the clearance well at BM. memorably said, don't panic. He | 0:33:10 | 0:33:18 | |
might well have done. I was talking about Barry! No, I think there will | 0:33:18 | 0:33:22 | |
be panic before the night is over. The closer we get to the finish | 0:33:22 | 0:33:32 | |
0:33:32 | 0:33:49 | ||
line, the more interesting frames we I think anything that doesn't leave | 0:33:49 | 0:33:59 | |
0:33:59 | 0:34:14 | ||
the pots are now, we have to give red to the far left corner. | 0:34:14 | 0:34:19 | |
Interesting to see what choice of shot Barry Hawkins plays. He has not | 0:34:19 | 0:34:29 | |
0:34:29 | 0:34:34 | ||
looked at the red to the far left he has Ricky Walden, not where he | 0:34:34 | 0:34:38 | |
wants him, but under pressure. He's a good match player, Barry. He will | 0:34:38 | 0:34:44 | |
try to him there. There is no doubt that Barry looks | 0:34:44 | 0:34:54 | |
0:34:54 | 0:34:58 | ||
the more comfortable and composed of with being behind for the first time | 0:34:58 | 0:35:08 | |
0:35:08 | 0:35:36 | ||
from Barry. Opening up the reds. It is not a bad idea to open up the | 0:35:36 | 0:35:46 | |
0:35:46 | 0:35:53 | ||
reds, but you need a better length He has not got away with it. Much | 0:35:53 | 0:36:03 | |
0:36:03 | 0:36:37 | ||
here. Keep the pressure on. At the moment, Ricky looks like the | 0:36:37 | 0:36:40 | |
occasion is getting the better of him. He does not look comfortable at | 0:36:40 | 0:36:50 | |
0:36:50 | 0:36:54 | ||
like this. Concentrate on your own game, but keep a note on your | 0:36:54 | 0:36:58 | |
opponent and how he is feeling. If he is under pressure, that gives you | 0:36:58 | 0:37:08 | |
0:37:08 | 0:37:15 | ||
an important red to get rid of, it cleared the black spot, but Ricky | 0:37:15 | 0:37:25 | |
0:37:25 | 0:37:31 | ||
would make him think, Barry Hawkins, why didn't that red them in | 0:37:31 | 0:37:41 | |
0:37:41 | 0:37:58 | ||
are quite tricky. Have to give it a positive cue action, but at the same | 0:37:58 | 0:38:06 | |
time not hit it too hard. Going back for the blue this time. He did not | 0:38:06 | 0:38:16 | |
0:38:16 | 0:38:26 | ||
of the pocket. Sometimes, if you are going to be the wrong side, with the | 0:38:26 | 0:38:29 | |
brown not on the spot, you think there would be a good chance of | 0:38:29 | 0:38:34 | |
coming in on the baulk. Probably too straight to force that. He will do | 0:38:34 | 0:38:44 | |
0:38:44 | 0:38:54 | ||
Maybe the red to the white -- right of the black will work, but he won't | 0:38:54 | 0:39:01 | |
play that. He will try to find the baulk cushion. Whatever you do, | 0:39:01 | 0:39:11 | |
0:39:11 | 0:39:11 | ||
Apology for the loss of subtitles for 47 seconds | 0:39:11 | 0:39:54 | |
don't hit the blue. So, he didn't throughout the match so far, Ricky | 0:39:54 | 0:39:58 | |
Walden has looked the better. As he proved in the last frame when he | 0:39:59 | 0:40:08 | |
0:40:09 | 0:40:09 | ||
Apology for the loss of subtitles for 47 seconds | 0:40:09 | 0:40:53 | |
corner, but so close to the cushion. deadweight. I suppose the only good | 0:40:53 | 0:40:57 | |
thing about having such a fine cut on the black, he will play at such a | 0:40:57 | 0:41:01 | |
pace, if he misses it is a good chance the black will cover the | 0:41:01 | 0:41:11 | |
0:41:11 | 0:41:11 | ||
Apology for the loss of subtitles for 47 seconds | 0:41:11 | 0:42:29 | |
is available. This time he has a the reds. He may have to play the | 0:42:29 | 0:42:37 | |
man now. Can't see a red that is available. He has a nice angle to | 0:42:37 | 0:42:47 | |
0:42:47 | 0:43:22 | ||
come on and off the top cushion. a O'Sullivan, the way he brings the | 0:43:22 | 0:43:29 | |
cue right back to his hand and follows through smoothly. Excellent | 0:43:29 | 0:43:39 | |
0:43:39 | 0:44:05 | ||
ball these days, they get the cue ball claimed. Can they detect a | 0:44:05 | 0:44:13 | |
cake? I did not really detect one. Almost looked to be hitting the red | 0:44:13 | 0:44:23 | |
0:44:23 | 0:44:31 | ||
to fall to me. He just came slightly Hawkins comes to the table 36 points | 0:44:31 | 0:44:41 | |
0:44:41 | 0:44:49 | ||
behind. He will do well to win the the reds are not great. There is | 0:44:49 | 0:44:59 | |
0:44:59 | 0:45:27 | ||
only really the green and black at take advantage of, playing at this | 0:45:27 | 0:45:37 | |
0:45:37 | 0:45:49 | ||
importance of trying to make this clearance. Really punish Ricky for | 0:45:49 | 0:45:59 | |
0:45:59 | 0:46:07 | ||
than went on. Thought it was going to be perfect on the black. That is | 0:46:07 | 0:46:10 | |
what I thought and then he seemed to come off the cushion and quicker | 0:46:10 | 0:46:20 | |
0:46:20 | 0:46:20 | ||
than he went on. He is not perfect on this blackmail. -- black now. Had | 0:46:20 | 0:46:25 | |
to try and make the come on, but needed to catch the red first. As it | 0:46:25 | 0:46:35 | |
0:46:35 | 0:46:56 | ||
turned out, he got in behind the premature end. He did get a quick | 0:46:56 | 0:47:06 | |
0:47:06 | 0:47:17 | ||
behind the yellow, brown and blue. Just not enough pace. Just landing | 0:47:17 | 0:47:27 | |
0:47:27 | 0:47:39 | ||
on the baulk line leaves a chance hit the ball a bit better, he | 0:47:39 | 0:47:49 | |
0:47:49 | 0:48:15 | ||
accelerated there and that is why he to pot the red. A touch of | 0:48:15 | 0:48:17 | |
right-hand side and it will go towards the other red and maybe take | 0:48:17 | 0:48:27 | |
0:48:27 | 0:48:42 | ||
potted that red, he was looking at the possibilities of where to leave | 0:48:42 | 0:48:52 | |
0:48:52 | 0:48:57 | ||
the cue ball to play a double on probably screwed back a little bit | 0:48:57 | 0:49:07 | |
0:49:07 | 0:49:21 | ||
further than he would have liked. pocket. If he has an angle on the | 0:49:21 | 0:49:31 | |
0:49:31 | 0:49:40 | ||
behind. He is looking at the scoreboard. He needs up to and | 0:49:40 | 0:49:50 | |
0:49:50 | 0:49:55 | ||
left-handed. The pink is on the correct side of the table for him to | 0:49:55 | 0:50:05 | |
0:50:05 | 0:50:18 | ||
play that. But it will not be given this frame. Yeah, the pink is good | 0:50:18 | 0:50:28 | |
0:50:28 | 0:50:31 | ||
for a left-hander, but not the run to the side cushion is the way. | 0:50:31 | 0:50:37 | |
Ricky has nothing to do there, he has had his chance. Will he get | 0:50:37 | 0:50:47 | |
0:50:47 | 0:51:09 | ||
another in this frame? He will have get back to the table. It is an easy | 0:51:09 | 0:51:19 | |
0:51:19 | 0:51:30 | ||
safety. It is a difficult pot. potting angle, but I think you are | 0:51:30 | 0:51:40 | |
0:51:40 | 0:51:59 | ||
safety. If he had got in the jaws, the pink would have stayed at this | 0:52:00 | 0:52:09 | |
0:52:10 | 0:52:40 | ||
smile. He thought if he missed it he may run safe, but once the pink kiss | 0:52:40 | 0:52:49 | |
the black. And in it goes so Barry Hawkins now really putting Ricky | 0:52:49 | 0:52:59 | |
0:52:59 | 0:53:06 | ||
Walden under pressure. He has now always looked the most comfortable | 0:53:06 | 0:53:10 | |
in the balls, but he got in the balls and was looking good and then | 0:53:10 | 0:53:17 | |
he missed the red. He was slightly hampered by the red closes to his | 0:53:17 | 0:53:24 | |
hand, but he was on a roll. Obviously did not give it enough | 0:53:24 | 0:53:28 | |
care and attention and reacted like it was a kick, but it didn't look | 0:53:28 | 0:53:33 | |
like the red left the table. I would like to give him the benefit of the | 0:53:33 | 0:53:39 | |
doubt, but it looked like he missed it to me. You wonder now what is | 0:53:39 | 0:53:42 | |
going through Ricky 's head because he led all the way through this | 0:53:42 | 0:53:46 | |
match. Now we are in this vital final session and he lost the first | 0:53:47 | 0:53:56 | |
two frames. That is six in a row he has lost since the last session. | 0:53:56 | 0:54:00 | |
That is a lot for a player of the nature of Ricky who is fluent and | 0:54:00 | 0:54:06 | |
break the building. It is not as though he has not had chances. It | 0:54:06 | 0:54:16 | |
0:54:16 | 0:54:42 | ||
will be gnawing away at his have been looking for a big lead | 0:54:42 | 0:54:49 | |
coming into tonight's fresh -- session. To now be behind, that can | 0:54:49 | 0:54:59 | |
0:54:59 | 0:55:02 | ||
view, he can get to the red on the right-hand side of the table, but if | 0:55:02 | 0:55:12 | |
0:55:12 | 0:55:37 | ||
he can get past the yellow, he can only just about reached the baulk | 0:55:37 | 0:55:42 | |
line rather than the baulk cushion. He is not hitting the ball at the | 0:55:42 | 0:55:52 | |
0:55:52 | 0:56:32 | ||
corner. As far as he is concerned, he has a good cue ball. This red is | 0:56:32 | 0:56:35 | |
dead straight so you could take it on and potted, but you would only | 0:56:35 | 0:56:40 | |
get one point. I suppose it is worth while playing that, because you | 0:56:40 | 0:56:45 | |
would not want to play safety and leave that one for your opponent. | 0:56:45 | 0:56:55 | |
0:56:55 | 0:57:19 | ||
tried to roll the red in. He was lucky not to have (here. He was up | 0:57:19 | 0:57:29 | |
0:57:29 | 0:58:07 | ||
off the cushion, you have to be so accurate with these. Very tough | 0:58:07 | 0:58:17 | |
0:58:17 | 0:58:18 | ||
and you wonder how it went in, but as soon as it hits the top cushion, | 0:58:18 | 0:58:28 | |
0:58:28 | 0:58:36 | ||
you know it is not going to go in to me, under the pressure. The likes | 0:58:36 | 0:58:45 | |
of this Crucible arena. There no better place to play snooker, but no | 0:58:45 | 0:58:55 | |
0:58:55 | 0:59:22 | ||
worse to -- no worse place to be if REFEREE: Foul. That is a bit | 0:59:22 | 0:59:32 | |
0:59:32 | 0:59:32 | ||
Apology for the loss of subtitles for 47 seconds | 0:59:32 | 1:00:12 | |
better option? I think so. He has the perfect angle on it. He chose | 1:00:12 | 1:00:18 | |
not to go into the paint. If he was going to play the cannon he may as | 1:00:18 | 1:00:28 | |
1:00:28 | 1:00:51 | ||
well have gone full-blooded, into this thread. -- to this red. He | 1:00:51 | 1:01:01 | |
1:01:01 | 1:01:08 | ||
would have got the pink into play, possibly the black, get those pinks | 1:01:08 | 1:01:18 | |
1:01:18 | 1:01:36 | ||
enough of the pink to pot it or whether he is looking down at the | 1:01:36 | 1:01:46 | |
1:01:46 | 1:01:48 | ||
baulk end. He cannot see enough of the pink. He has got to cover the | 1:01:48 | 1:01:58 | |
1:01:58 | 1:01:58 | ||
Apology for the loss of subtitles for 47 seconds | 1:01:58 | 1:02:59 | |
path to this red, adjacent to the might be in trouble next time. If he | 1:02:59 | 1:03:04 | |
can get that cue ball somewhere where his cue is pointing out, he | 1:03:04 | 1:03:14 | |
1:03:14 | 1:03:14 | ||
Apology for the loss of subtitles for 47 seconds | 1:03:14 | 1:04:04 | |
run past the brown he would be in all sorts of trouble. Just one good | 1:04:04 | 1:04:13 | |
safety shot could force your opponent into making a mistake. At | 1:04:13 | 1:04:23 | |
1:04:23 | 1:04:39 | ||
the moment, the safety is very have got to be looking at 90% and | 1:04:39 | 1:04:49 | |
1:04:49 | 1:04:49 | ||
Apology for the loss of subtitles for 47 seconds | 1:04:49 | 1:06:07 | |
pottable, both into the right-hand He is looking at alternatives. Can | 1:06:07 | 1:06:16 | |
he get back to baulk? He is coming off a side cushion, just resting on | 1:06:16 | 1:06:26 | |
1:06:26 | 1:06:28 | ||
the red to the left of the yellow. Just a containing safety, and not a | 1:06:28 | 1:06:38 | |
1:06:38 | 1:07:17 | ||
have said that safety was one of Barry's strongest assets. It hasn't | 1:07:17 | 1:07:24 | |
been good so far. That is rich coming from me, but he has not got | 1:07:24 | 1:07:28 | |
that cue ball back to the bulk cushion anywhere near enough. -- the | 1:07:28 | 1:07:38 | |
1:07:38 | 1:07:47 | ||
baulk cushion. You get no points for a safety shot! And that has cost | 1:07:47 | 1:07:57 | |
1:07:57 | 1:07:57 | ||
Apology for the loss of subtitles for 47 seconds | 1:07:57 | 1:08:37 | |
him. What sort of angle has got on that is that he has put the pink | 1:08:37 | 1:08:46 | |
safe again. He can play a cannon into the two reds and the pink if he | 1:08:46 | 1:08:56 | |
1:08:56 | 1:09:05 | ||
chooses. It is worth the risk. has decided to play on the red above | 1:09:05 | 1:09:10 | |
and to the right of the black, so he will have to go for a good angle on | 1:09:10 | 1:09:20 | |
1:09:20 | 1:09:20 | ||
Apology for the loss of subtitles for 47 seconds | 1:09:20 | 1:10:11 | |
saying to himself after that shot. It will not be very complimentary! | 1:10:11 | 1:10:21 | |
1:10:21 | 1:10:25 | ||
think he is hoping to bring it down the table for the red just to the | 1:10:25 | 1:10:35 | |
1:10:35 | 1:10:35 | ||
Apology for the loss of subtitles for 47 seconds | 1:10:35 | 1:12:05 | |
Possible pot for Barry. He is looking for a cup to bring him into | 1:12:05 | 1:12:15 | |
1:12:15 | 1:12:48 | ||
patient this choice of colour would not be a problem, but this pot is | 1:12:48 | 1:12:58 | |
1:12:58 | 1:13:00 | ||
just a little bit more difficult. Played it well. He might be able to | 1:13:00 | 1:13:10 | |
1:13:10 | 1:13:12 | ||
pop this red. -- pot this red. It would be a tall order to win the | 1:13:12 | 1:13:22 | |
1:13:22 | 1:13:22 | ||
Apology for the loss of subtitles for 47 seconds | 1:13:22 | 1:14:08 | |
frame at this busy but he can get the right corner. He wants to pot | 1:14:08 | 1:14:13 | |
the black to the right corner and disturb the four rates at the | 1:14:13 | 1:14:23 | |
1:14:23 | 1:14:44 | ||
worse. I do not even think he is on the black. I do not know why he | 1:14:44 | 1:14:51 | |
didn't try and stun round of two cushions. -- off two cushions. The | 1:14:51 | 1:15:01 | |
1:15:01 | 1:15:13 | ||
pink is a lot more difficult than problem. If he plays on this red he | 1:15:13 | 1:15:23 | |
1:15:23 | 1:15:25 | ||
will run into other reds, so he is thinking he might -- so Walden is | 1:15:25 | 1:15:35 | |
1:15:35 | 1:15:48 | ||
thinking he might get to the table result of all cannons. And it does | 1:15:48 | 1:15:58 | |
1:15:58 | 1:16:11 | ||
go. The double-kiss, and look at the back to the table may have just | 1:16:11 | 1:16:21 | |
1:16:21 | 1:16:21 | ||
Apology for the loss of subtitles for 47 seconds | 1:16:21 | 1:18:30 | |
angle to stand out for the reds on it for granted. Ricky Walden is | 1:18:30 | 1:18:40 | |
1:18:40 | 1:18:40 | ||
Apology for the loss of subtitles for 47 seconds | 1:18:40 | 1:19:26 | |
looking at another frame slipping when he made his first break over | 1:19:26 | 1:19:33 | |
50, he is just staying in by hanging tough. He is getting his rewards. It | 1:19:33 | 1:19:43 | |
1:19:43 | 1:19:43 | ||
Apology for the loss of subtitles for 47 seconds | 1:19:43 | 1:21:30 | |
is odds-on to have a three frame seven frames in a row and now, Harry | 1:21:30 | 1:21:38 | |
Hawkins becomes the hot favourite for a place in the final. - Barry | 1:21:38 | 1:21:48 | |
1:21:48 | 1:21:50 | ||
Amazing stuff, considering frame 19 Barry Hawkins made his first century | 1:21:50 | 1:21:54 | |
break. He has played so well. Walden has come out tonight | 1:21:54 | 1:22:01 | |
optimistic, because you would expect that. He has made some wrong | 1:22:01 | 1:22:10 | |
decisions, especially in the first frame. In the second frame, pink and | 1:22:10 | 1:22:16 | |
black left on the table. He made 50-50 decisions and sometimes when | 1:22:16 | 1:22:23 | |
they go wrong, you get punished for them. You get the feeling the | 1:22:23 | 1:22:30 | |
confidence is seeping through Arie Hawkins pot play tonight. -- Barry | 1:22:30 | 1:22:40 | |
1:22:40 | 1:22:42 | ||
Hawkins' play tonight. Walden can't seem to win a frame. Earlier, | 1:22:42 | 1:22:48 | |
Hawkins' highest rate was 36. Obviously tonight he has come out | 1:22:48 | 1:22:56 | |
all square. You made a point in the second frame, you told Ricky to slow | 1:22:56 | 1:23:05 | |
down. Perhaps you need a fraction of time to steady yourself. Ricky | 1:23:05 | 1:23:15 | |
1:23:15 | 1:23:16 | ||
Walden isn't the sort of person plays snooker slowly. I might have | 1:23:16 | 1:23:26 | |
1:23:26 | 1:23:28 | ||
gone out to the toilet at the end of with Terry Griffiths. Is that what | 1:23:28 | 1:23:34 | |
he brings to a player, this concentration? It is easy to listen | 1:23:34 | 1:23:43 | |
to someone who has been there and done it. He was a world champion. | 1:23:43 | 1:23:47 | |
Barry Hawkins moving ever closer to the final. Still plenty of time to | 1:23:47 | 1:23:57 | |
1:23:57 | 1:24:05 | ||
Ronnie in the final! Something I have felt throughout this much, for | 1:24:05 | 1:24:08 | |
both players this is the biggest match of their careers, a place in | 1:24:08 | 1:24:17 | |
the final. I think they have had the feeling, if they have just not made | 1:24:17 | 1:24:22 | |
any silly mistakes, they could win. Whoever gets into the final | 1:24:22 | 1:24:27 | |
well-known that they can only bring their a game if they get the chance. | 1:24:27 | 1:24:31 | |
In a way that takes a bit of pressure off. These two players were | 1:24:31 | 1:24:36 | |
very nervy in the first two sessions and I agree with what John Parrott | 1:24:36 | 1:24:42 | |
said, Walden should have gone on from there. He had his old Paul and | 1:24:42 | 1:24:48 | |
not playing well, highest break 36. It was frame 18 before Hawkins made | 1:24:48 | 1:24:54 | |
a break over 50. Funnily enough, he lost that frame. If he loses this | 1:24:54 | 1:25:01 | |
much he has only himself to blame. He should have been clear after | 1:25:01 | 1:25:11 | |
1:25:11 | 1:25:11 | ||
Apology for the loss of subtitles for 47 seconds | 1:25:11 | 1:27:35 | |
have this replaced. There you see it, the gap. It is a thin one but it | 1:27:35 | 1:27:45 | |
1:27:45 | 1:28:01 | ||
without much pace. You should take every half chance that comes along | 1:28:01 | 1:28:11 | |
1:28:11 | 1:28:38 | ||
now. He played that as if it was a get this red away from the black | 1:28:38 | 1:28:48 | |
1:28:48 | 1:28:48 | ||
Apology for the loss of subtitles for 47 seconds | 1:28:48 | 1:29:36 | |
spot. He could not have hit that on the yellow. He struck it really | 1:29:36 | 1:29:43 | |
well. This is the screw shot. It brings back with all of that | 1:29:43 | 1:29:53 | |
1:29:53 | 1:29:57 | ||
on that shot and will be disappointed. He should have had a | 1:29:57 | 1:30:03 | |
better angle on the blue than this. That is what caused the miss. In a | 1:30:03 | 1:30:09 | |
way, he is very lucky. If the blue had not come across and knocked the | 1:30:09 | 1:30:15 | |
Whiting, he would have left a nice easy starter for his opponent. I | 1:30:15 | 1:30:23 | |
think the blue may have gone in the pocket. I was watching Ricky Walden | 1:30:23 | 1:30:27 | |
talking away to himself. He thinks the world is against him at the | 1:30:27 | 1:30:37 | |
1:30:37 | 1:30:50 | ||
this frame. I think it goes without saying, that Ricky has got to win | 1:30:50 | 1:30:58 | |
it. If Barry Hawkins wins it, he will be one frame away from a place | 1:30:58 | 1:31:02 | |
in the final. The way this evening session has panned out, I think it | 1:31:02 | 1:31:08 | |
would be too much for Mickey while -- Ricky Walden to claw back. He has | 1:31:08 | 1:31:18 | |
1:31:18 | 1:31:18 | ||
Apology for the loss of subtitles for 47 seconds | 1:31:18 | 1:32:00 | |
he would have left a sitter on for Barry. The whites just managed to | 1:32:00 | 1:32:10 | |
1:32:10 | 1:32:10 | ||
Apology for the loss of subtitles for 47 seconds | 1:32:10 | 1:33:20 | |
baulk cushion here. Played it well. side of the path to cover the baulk | 1:33:20 | 1:33:30 | |
1:33:30 | 1:33:55 | ||
long as this in their careers. He doesn't fancy this line. He will try | 1:33:55 | 1:34:05 | |
1:34:05 | 1:34:16 | ||
think Ricky Walden is thinking the world is against him here. Barry has | 1:34:16 | 1:34:25 | |
not left a pot on the. Hit it much too hard. Nearly touching, but not | 1:34:25 | 1:34:35 | |
1:34:35 | 1:34:41 | ||
play another good safety. Hope that the next time your opponent makes a | 1:34:41 | 1:34:51 | |
1:34:51 | 1:35:04 | ||
for Ricky Walden to win, that swimming lane will be so tough to | 1:35:04 | 1:35:09 | |
get over for Barry Hawkins. And for Ricky if he gets that far. To get to | 1:35:09 | 1:35:13 | |
the final of the world championship, huge pressure to get over the | 1:35:13 | 1:35:23 | |
1:35:23 | 1:35:38 | ||
not bad. I think he has an angle to come down for the red. It was a good | 1:35:38 | 1:35:42 | |
part and he found a good line. I think he thought he may be running | 1:35:42 | 1:35:52 | |
1:35:52 | 1:36:03 | ||
into another red. As you say, he has its spots, but it is too risky. | 1:36:03 | 1:36:13 | |
1:36:13 | 1:36:21 | ||
Having said that, can he get a good the pink. Just another couple of | 1:36:21 | 1:36:31 | |
1:36:31 | 1:36:38 | ||
rolls needed. Can he hold for the pack. That would be a positive shot. | 1:36:38 | 1:36:48 | |
1:36:48 | 1:37:00 | ||
sometimes. It will be more frustrating now that the pink is on | 1:37:00 | 1:37:07 | |
the blackspot. The red he is closest to is pottable. It is. But the red | 1:37:07 | 1:37:14 | |
he wanted to be on, I think he has just run a little bit too far. I | 1:37:14 | 1:37:19 | |
know he is close to it. When you are close, sometimes it is difficult to | 1:37:19 | 1:37:23 | |
judge the potting angle. He is playing the one along the cushion, I | 1:37:23 | 1:37:33 | |
1:37:33 | 1:37:37 | ||
would rather the one he is closing rather than shots for something. I | 1:37:37 | 1:37:42 | |
think he has chose that thinking, if I missed it I won't leave anything. | 1:37:42 | 1:37:48 | |
He needs to think more positive. don't see any point in taking the | 1:37:48 | 1:37:52 | |
part on if that is where you would leave the cue ball. I would rather | 1:37:52 | 1:38:02 | |
1:38:02 | 1:38:34 | ||
is what happens when you are just not finding the middle of the cue | 1:38:34 | 1:38:38 | |
ball with the tip of your cue. Report and into -- and intentional | 1:38:38 | 1:38:48 | |
1:38:48 | 1:38:48 | ||
Apology for the loss of subtitles for 47 seconds | 1:38:48 | 1:39:59 | |
taken. There is a chance here for might know what he is saying. Barry | 1:39:59 | 1:40:07 | |
staring down at the floor. It was a poor pink he played there. Once it | 1:40:07 | 1:40:13 | |
was careering towards the red, he was lucky he did not split them all | 1:40:13 | 1:40:23 | |
1:40:23 | 1:40:23 | ||
Apology for the loss of subtitles for 47 seconds | 1:40:23 | 1:41:10 | |
ball he played has careered into the reds. But once again, not left | 1:41:10 | 1:41:20 | |
1:41:20 | 1:41:28 | ||
anything easy. Apart from the easy like to leave the cue ball. A lot of | 1:41:28 | 1:41:31 | |
people walk up to the baulk end and see where they would not like to | 1:41:31 | 1:41:37 | |
play the next shot from. As far as I am concerned, with any of these | 1:41:37 | 1:41:40 | |
shots, find the baulk cushion and the Titanic. Then nothing will be | 1:41:40 | 1:41:50 | |
1:41:50 | 1:41:56 | ||
difference. When that cue ball is tight against the cushion, you can't | 1:41:56 | 1:42:02 | |
put any side on it or widen the angle. He can put side on this if he | 1:42:02 | 1:42:12 | |
1:42:12 | 1:42:28 | ||
time this evening, Barry, he is well short of his intended target, which | 1:42:28 | 1:42:38 | |
1:42:38 | 1:43:09 | ||
if he plays the runthrough? He can only red he could leave was the one | 1:43:09 | 1:43:13 | |
he was playing. As I say, he was just frightened that if he hit it | 1:43:13 | 1:43:19 | |
too thin on the right-hand side, he could have run into the cluster. I | 1:43:19 | 1:43:29 | |
1:43:29 | 1:43:30 | ||
Apology for the loss of subtitles for 47 seconds | 1:43:30 | 1:44:26 | |
don't think this reds just above the negative shots to play. I agree. | 1:44:26 | 1:44:30 | |
Particularly as he could have screwed the cue ball back to the top | 1:44:30 | 1:44:34 | |
cushion. Whoever gets the cue ball tight to the top cushion here is in | 1:44:34 | 1:44:41 | |
control of this. Having said that, as it happens, it has not turned out | 1:44:41 | 1:44:51 | |
1:44:51 | 1:45:17 | ||
to bad because he has hampered him the corner pocket is a good place. | 1:45:17 | 1:45:27 | |
1:45:27 | 1:45:32 | ||
Again, try to get tight on the couple of attempts to bring the | 1:45:32 | 1:45:38 | |
black into play. Ricky can get to the bottom of this cue ball, so he | 1:45:38 | 1:45:48 | |
1:45:48 | 1:45:51 | ||
to the left corner pocket, it stops Ricky playing the shot. There are | 1:45:51 | 1:45:54 | |
enough he will have the red behind the brown to play for, but that is a | 1:45:54 | 1:46:04 | |
1:46:04 | 1:46:11 | ||
over the left corner pocket. Obviously could not get to that | 1:46:11 | 1:46:17 | |
position where he was, but he has given Ricky chance. If he could get | 1:46:17 | 1:46:23 | |
this cue ball behind the black, he would have the initiative in this | 1:46:23 | 1:46:33 | |
1:46:33 | 1:46:33 | ||
Apology for the loss of subtitles for 47 seconds | 1:46:33 | 1:47:52 | |
into the yellow. Misjudged it. I am sure he has left a pot on here. | 1:47:52 | 1:48:02 | |
1:48:02 | 1:48:04 | ||
Barry Hawkins ten points behind. A chance to the far left corner. | 1:48:04 | 1:48:08 | |
be interesting to see how positive he plays this. For a colour or does | 1:48:08 | 1:48:18 | |
1:48:18 | 1:48:54 | ||
that pace and be that accurate, was session and he would be one frame | 1:48:54 | 1:49:04 | |
1:49:04 | 1:49:18 | ||
this pink. A little shake of the head there, so that tells me he is | 1:49:18 | 1:49:28 | |
1:49:28 | 1:49:45 | ||
reds to the right of the pink would have been available easily if he had | 1:49:45 | 1:49:55 | |
1:49:55 | 1:49:56 | ||
had a better angle. He managed to play a stand. He has played it very | 1:49:56 | 1:50:06 | |
1:50:06 | 1:50:10 | ||
careful. These two reds, when he pots the left-hand one, he does not | 1:50:10 | 1:50:16 | |
want to knock the other one safe against the cushion. That is why he | 1:50:16 | 1:50:22 | |
played it firmer to bring the reds on and off the cushion. Of course, | 1:50:22 | 1:50:26 | |
what happens? He is hampered for the pink, but he always knew he would | 1:50:26 | 1:50:31 | |
have the blue as a reserve. Had to play at farm, did not want the red | 1:50:31 | 1:50:41 | |
1:50:41 | 1:50:58 | ||
honesty. The blow with a thin cut. Once you pottable saying it is | 1:50:58 | 1:51:08 | |
1:51:08 | 1:51:32 | ||
having a little laugh to himself. He is an angry man in that chair at the | 1:51:32 | 1:51:42 | |
1:51:42 | 1:51:53 | ||
minute. You can't play your best scoreboard. He still means three of | 1:51:53 | 1:52:01 | |
these reds. As long as you are with high valued colours, a but he is not | 1:52:01 | 1:52:11 | |
1:52:11 | 1:52:36 | ||
certain to get high valued, -- semi-final. Jacqueline Zaleski is | 1:52:36 | 1:52:46 | |
1:52:46 | 1:52:56 | ||
one of the up and coming players, one in the world. And then Ding | 1:52:56 | 1:53:00 | |
Junhui, seventh ranked player in the world. He has had a tough time of | 1:53:00 | 1:53:06 | |
it. When this match first started, you thought maybe it has taken a bit | 1:53:06 | 1:53:14 | |
out of him is he really struggled. But he has hung on in there and now | 1:53:14 | 1:53:20 | |
looks certain to go within one frame of a place of the final comes the | 1:53:20 | 1:53:30 | |
1:53:30 | 1:53:53 | ||
midsession in -- midsession the midsession interval in a place | 1:53:53 | 1:54:03 | |
that no player likes to be. He led 12-8. Halfway through this vital | 1:54:03 | 1:54:13 | |
1:54:13 | 1:54:39 | ||
eight frames in a row. Is there can take Barry's eyes off the prize, | 1:54:39 | 1:54:49 | |
1:54:49 | 1:55:02 | ||
Selby and Ding Junhui, he was the underdog. Perhaps it was not under | 1:55:02 | 1:55:08 | |
too much pressure. I thought in the semi-final maybe there was a lot of | 1:55:08 | 1:55:18 | |
1:55:18 | 1:55:42 | ||
sessions, but he is coming through the right time. Ricky Walden only is | 1:55:42 | 1:55:47 | |
the arena. Where is his next frame going to come from? Barry Hawkins is | 1:55:47 | 1:55:57 | |
1:55:57 | 1:55:59 | ||
now one frame away from a place in Hawkins so far. When he won the | 1:55:59 | 1:56:02 | |
Australian open, he said that hopefully that when was going to | 1:56:02 | 1:56:08 | |
inspire him. This fella, he can't miss and yet he was so scrappy when | 1:56:08 | 1:56:14 | |
he started. They always say you have some session at the Crucible where | 1:56:14 | 1:56:18 | |
things do not go right. He had two of them at the start, but he climbed | 1:56:18 | 1:56:27 | |
in. 9-7 behind, he must have thought he can't play any worse than that. | 1:56:27 | 1:56:31 | |
don't think I have ever seen a semi-final match turnaround as much. | 1:56:31 | 1:56:36 | |
Not in my memory. Where one guy looked like the winner at the start | 1:56:36 | 1:56:40 | |
and the other guy looked totally out of the water and all of a sudden it | 1:56:40 | 1:56:47 | |
turnaround. It just shows you what can happen. We go back to the break | 1:56:47 | 1:56:54 | |
of 140 is this morning. It seemed to settle him down. Yes. A high break | 1:56:54 | 1:57:00 | |
of 36 at 8-6 down? That is not Barry Hawkins. He was obviously | 1:57:00 | 1:57:06 | |
struggling. Tonight he started to hit the ball better. Looking at | 1:57:06 | 1:57:10 | |
Ricky's body language. We got a shot of his hand over his face, what | 1:57:10 | 1:57:16 | |
happens now? Will he have somebody to inspire him? Yes, he will have, | 1:57:16 | 1:57:21 | |
but the trouble is, they will be distraught as well. The atmosphere | 1:57:21 | 1:57:24 | |
in the room will be pretty depressing. A feeling as if you have | 1:57:24 | 1:57:29 | |
just blown a chance. All of a sudden thinking back to how many frames you | 1:57:29 | 1:57:34 | |
were in front and next minute it has turned around. It is tough to get a | 1:57:34 | 1:57:43 | |
player back up and firing on all cylinders. Ricky Walden has it all | 1:57:43 | 1:57:47 | |
to do. Let's bring you up-to-date with this remarkable story of Ronnie | 1:57:48 | 1:57:51 | |
O'Sullivan. He had a year out as the gale and is bidding to become the | 1:57:51 | 1:57:59 | |
first man since leaving Hendry to successfully defend his world title. | 1:57:59 | 1:58:02 | |
They ended the session yesterday with Ronnie O'Sullivan leading by | 1:58:02 | 1:58:12 | |
1:58:12 | 1:58:20 | ||
14-10. We will pick it up with Judge the only red he could lead was the | 1:58:20 | 1:58:30 | |
1:58:30 | 1:58:30 | ||
Apology for the loss of subtitles for 47 seconds | 1:58:30 | 1:59:32 | |
would have liked to have been closer black pass the blue? Just about. Or | 1:59:32 | 1:59:41 | |
he can get on the blue. It would be nice to get the blue out of the way, | 1:59:41 | 1:59:50 | |
get it back on its own spot. I think it is so important for Judd Trump to | 1:59:50 | 2:00:00 | |
2:00:00 | 2:00:00 | ||
Apology for the loss of subtitles for 47 seconds | 2:00:00 | 2:00:48 | |
stuns and screws, quite comfortable at the moment. The ball does not | 2:00:48 | 2:00:55 | |
have to travel great distances, which makes the next shot easier. | 2:00:55 | 2:00:59 | |
The problems will come when he starts playing for those three roads | 2:01:00 | 2:01:07 | |
near the top cushion. -- those three reds. Do you play the cannon or for | 2:01:07 | 2:01:12 | |
the loose red? He has the perfect angle to play the cannon if he | 2:01:12 | 2:01:22 | |
wishes. Will he risk it? That was the shot he could have played. | 2:01:22 | 2:01:28 | |
You'll have to get himself back into that position to be able to do that. | 2:01:28 | 2:01:38 | |
2:01:38 | 2:01:59 | ||
cannon he could have played a couple of shots ago. He needed to head that | 2:01:59 | 2:02:09 | |
2:02:09 | 2:02:23 | ||
on the other side. He may still have shots along the cushion are | 2:02:24 | 2:02:33 | |
2:02:34 | 2:02:51 | ||
somewhere in between the two reds. You might not be able to get too | 2:02:51 | 2:03:01 | |
2:03:01 | 2:03:02 | ||
close to it. Brian is the better ball for position. Three cushions, | 2:03:02 | 2:03:12 | |
2:03:12 | 2:03:14 | ||
and right in between the reds. What about this for a positional shot? | 2:03:14 | 2:03:18 | |
That has been one of his great strengths. His positional play has | 2:03:18 | 2:03:28 | |
2:03:28 | 2:03:49 | ||
positional shot. Onto the yellow, and he could take this opening | 2:03:49 | 2:03:59 | |
2:03:59 | 2:04:03 | ||
frame. Has Judd Trump missed his chance in the spring? -- in this | 2:04:03 | 2:04:13 | |
2:04:13 | 2:04:33 | ||
frame? You cannot see Ronnie Messing has played in the World Championship | 2:04:33 | 2:04:43 | |
2:04:43 | 2:04:58 | ||
this year, he won the opening frame. cannot afford to miss a chance | 2:04:58 | 2:05:08 | |
2:05:08 | 2:05:31 | ||
against Ronnie O'Sullivan in the it. I am not sure if this red cuts. | 2:05:31 | 2:05:38 | |
It is a thin one. It is the easier option. If he can cut the red in the | 2:05:38 | 2:05:43 | |
middle he would prefer to play that. He will have to trust a little bit | 2:05:43 | 2:05:51 | |
to look for the positional colour. You cannot be sure of the path of | 2:05:51 | 2:06:01 | |
2:06:01 | 2:06:01 | ||
Apology for the loss of subtitles for 47 seconds | 2:06:01 | 2:06:58 | |
three raids in possible positions. -- 31 point + and three reds in | 2:06:58 | 2:07:08 | |
2:07:08 | 2:07:36 | ||
back to the World Championship and get to the finals since the Darling | 2:07:36 | 2:07:46 | |
2:07:46 | 2:07:49 | ||
in Dublin did it in 1997. It is going to happen. Judd Trump, every | 2:07:49 | 2:07:56 | |
credit to the young man, he has battled away. Ronnie O'Sullivan has | 2:07:56 | 2:08:02 | |
raised his game. OK, no big 100s, but boy, has he been an tar stick. | 2:08:02 | 2:08:08 | |
This has been one of the best matches ever. The only thing that | 2:08:08 | 2:08:18 | |
2:08:18 | 2:08:18 | ||
has spoiled it has it not being closer. That is enough. Every credit | 2:08:18 | 2:08:25 | |
to Judd Trump, but Ronnie O Sullivan, absolutely superb. He is | 2:08:25 | 2:08:35 | |
2:08:35 | 2:08:45 | ||
in the final to defend his title. He achievements in your career? If you | 2:08:45 | 2:08:49 | |
had asked me that at the start of the tournament I would have said it | 2:08:49 | 2:08:53 | |
would be amazing. Once you get involved and you get Mrs under your | 2:08:53 | 2:08:59 | |
belt, you get confidence and belief and you start to realise it is just | 2:08:59 | 2:09:09 | |
a game it is just the same for everybody and what has gone before | 2:09:09 | 2:09:14 | |
does not matter that much. What would it mean to become the first | 2:09:14 | 2:09:18 | |
player since 1996 to successfully defend the crime? It would be great. | 2:09:18 | 2:09:25 | |
But like any tournament, I enjoy playing, I enjoyed the competition. | 2:09:26 | 2:09:31 | |
Obviously, the pressure is more intense. In some ways, this is more | 2:09:31 | 2:09:35 | |
difficult to enjoy but it is one of those to have on your CV so five is | 2:09:35 | 2:09:42 | |
better than four. The other day you said this would perhaps be the last | 2:09:42 | 2:09:47 | |
time you were at the Crucible. Any second thoughts on that? No, not | 2:09:47 | 2:09:54 | |
really. It was the throw of the dice with me. It has been a good | 2:09:54 | 2:10:04 | |
2:10:04 | 2:10:05 | ||
experience. I will still play smaller events. If it suits me to | 2:10:05 | 2:10:10 | |
play then I will play. You can never say never. Things always change. | 2:10:10 | 2:10:17 | |
This result doesn't change what I said before. We will see. It is just | 2:10:17 | 2:10:27 | |
2:10:27 | 2:10:36 | ||
watch. You could have sold tickets times over to see that. Ronnie | 2:10:36 | 2:10:42 | |
O'Sullivan has been better than Judd Trump in every department. His | 2:10:42 | 2:10:46 | |
safety play was immaculate. He did not make a century but made | 2:10:46 | 2:10:53 | |
top-class safety shots. You spoke to him, how is he? I did an interview | 2:10:53 | 2:10:57 | |
with him. He was pretty candid. It is good to get an insight into how | 2:10:57 | 2:11:04 | |
he fears about the tournament. It puts every player through a lot. It | 2:11:04 | 2:11:10 | |
gives us inside about how he feels about his own standard. I tell you | 2:11:10 | 2:11:14 | |
what has been revealing, the way he is around the arena. He is in their | 2:11:14 | 2:11:20 | |
punching the air. He enjoys the location but not the pressure with | 2:11:20 | 2:11:26 | |
the Crucible. He has come back to the hardest tournament to make a | 2:11:26 | 2:11:36 | |
2:11:36 | 2:11:37 | ||
comeback in. He has, into the first one. -- into the worst one. It is | 2:11:37 | 2:11:43 | |
the most difficult one to win. have also been talking about | 2:11:43 | 2:11:48 | |
pressure this evening. Terry Griffiths, the 1979 world champion, | 2:11:48 | 2:11:54 | |
and his roll in Barry Hawkins' recovery tonight. He will talk us | 2:11:54 | 2:12:01 | |
through pressure. People often ask me what it is like being a | 2:12:01 | 2:12:04 | |
professional player and how I handled the pressure. I have tried | 2:12:04 | 2:12:10 | |
to describe my anguish, but the words fall short. I turned | 2:12:10 | 2:12:15 | |
professional in 1978. I wanted to find out if I could compete against | 2:12:16 | 2:12:19 | |
the best players in the world. I set myself a target of three years and | 2:12:20 | 2:12:24 | |
if I failed, I would go back to work. Little did I know at the time | 2:12:24 | 2:12:34 | |
2:12:34 | 2:12:38 | ||
that I was going to experience, in my first season, a trip to the Guild | 2:12:38 | 2:12:48 | |
2:12:48 | 2:12:49 | ||
Hall in Preston. I somehow managed to lose 9-8. I did not feel | 2:12:50 | 2:12:54 | |
anything. I wanted to say, well done, but nothing came out. There | 2:12:55 | 2:12:58 | |
was an emptiness inside me that had didn't my mind. It was a horrible | 2:12:58 | 2:13:04 | |
defeat, overwhelming, because of its potential impact. The career I had | 2:13:04 | 2:13:08 | |
looked forward to was in jeopardy but also because of self-inflicted, | 2:13:08 | 2:13:18 | |
2:13:18 | 2:13:20 | ||
almost suicidal, the way I lost. This is the moral equivalent of war, | 2:13:20 | 2:13:24 | |
the stress, wear and tear, and assault on a person's spirit and | 2:13:24 | 2:13:31 | |
self-esteem are incredible. It takes and a bit -- individual to the outer | 2:13:31 | 2:13:34 | |
limits of their capabilities and may provide one of the ultimate studies | 2:13:34 | 2:13:37 | |
in people because it is such a volatile and emotionally draining | 2:13:37 | 2:13:44 | |
experience. Unless you have experienced this type of emotional | 2:13:44 | 2:13:49 | |
shock and the bleak interior landscape it creates it is hard to | 2:13:49 | 2:13:54 | |
comprehend the impact. The memory never leaves you and act as a | 2:13:54 | 2:13:59 | |
positive and negative force, sparing you to work harder, while also | 2:13:59 | 2:14:09 | |
2:14:09 | 2:14:13 | ||
creating a fear inside that it might happen again. On 27th of April 1979, | 2:14:13 | 2:14:18 | |
I beat Dennis Taylor 24-16 at the Crucible Theatre in Sheffield and | 2:14:18 | 2:14:23 | |
was crowned the champion of the world. It happened only because at | 2:14:23 | 2:14:28 | |
the moment of deepest despair, I had the strength to stand and confront | 2:14:28 | 2:14:34 | |
the future instead of wallowing in the past. Many cannot summon the | 2:14:34 | 2:14:39 | |
strength, they cannot get up, their fight is over. Victory goes to | 2:14:39 | 2:14:46 | |
another, a stronger competitor. Ambitions can be gruelling and | 2:14:46 | 2:14:51 | |
hazardous and produce agonising failure along the way. Achieving | 2:14:51 | 2:15:00 | |
those goals is among one of life's most gratifying experiences. The | 2:15:00 | 2:15:03 | |
ability to overcome the former to obtain the latter is a fundamental | 2:15:04 | 2:15:13 | |
2:15:14 | 2:15:17 | ||
difference between winners and he is looking for is one good chance | 2:15:17 | 2:15:23 | |
to get over the line. -- all he is looking for. Whenever the winning | 2:15:23 | 2:15:31 | |
post is looming large, can he get over it? We feel for Ricky Walden, | 2:15:31 | 2:15:41 | |
2:15:41 | 2:15:47 | ||
because he has got to try and drag of all his fans. He is facing defeat | 2:15:47 | 2:15:57 | |
2:15:57 | 2:16:16 | ||
in the biggest match of his life. mood. They have been battling it out | 2:16:16 | 2:16:26 | |
2:16:26 | 2:16:32 | ||
just short of ten and a half are as -- ten and a half hours. You never | 2:16:32 | 2:16:42 | |
2:16:42 | 2:16:57 | ||
know what will happen in sport. frame for victory and you feel if | 2:16:57 | 2:17:02 | |
you do not win the match in the first frame, you get edgy. He will | 2:17:02 | 2:17:12 | |
2:17:12 | 2:17:41 | ||
be looking to finish as quickly as can be hard to affect the run of the | 2:17:41 | 2:17:51 | |
2:17:51 | 2:17:51 | ||
Apology for the loss of subtitles for 47 seconds | 2:17:51 | 2:18:59 | |
cue ball. The case put him out of play this red to the right corner | 2:18:59 | 2:19:09 | |
2:19:09 | 2:19:21 | ||
and hold for the pink. If he can, he should take it on. Can he get | 2:19:21 | 2:19:29 | |
through to play the green? He tried to hold it. Maybe if it had just | 2:19:29 | 2:19:38 | |
kissed the red that had run by, he might have been forward on the pink. | 2:19:38 | 2:19:48 | |
2:19:48 | 2:19:48 | ||
I think he must be snookered on the path to the green. I don't know... | 2:19:48 | 2:19:51 | |
Poking at that, it looks as though he can get to the side cushion but | 2:19:51 | 2:20:01 | |
2:20:01 | 2:20:01 | ||
Apology for the loss of subtitles for 47 seconds | 2:20:01 | 2:21:45 | |
the black as a stopper for the red. has done that a few times tonight, | 2:21:45 | 2:21:55 | |
2:21:55 | 2:21:55 | ||
Apology for the loss of subtitles for 47 seconds | 2:21:55 | 2:23:47 | |
hit the safety toothache. -- to Ricky Walden. You just cannot hit a | 2:23:47 | 2:23:57 | |
2:23:57 | 2:24:29 | ||
safety shot correctly. -- he just the pink is possible. He obviously | 2:24:29 | 2:24:39 | |
2:24:39 | 2:24:40 | ||
does not want to take this risk on in such an important frame. In a way | 2:24:40 | 2:24:44 | |
he is in a constable position. You never thought that, when he was 12-8 | 2:24:44 | 2:24:54 | |
2:24:54 | 2:24:54 | ||
Apology for the loss of subtitles for 47 seconds | 2:24:54 | 2:25:58 | |
behind. Now he just has to be moment, he just seems to be jabbing | 2:25:58 | 2:26:04 | |
at the ball a little bit. When you play with a trace of side, that is | 2:26:04 | 2:26:09 | |
just going to push into the object ball. He is not heading its move at | 2:26:09 | 2:26:19 | |
2:26:19 | 2:26:21 | ||
the moment. - not hitting it smooth. The chance of a medium-range long | 2:26:21 | 2:26:31 | |
2:26:31 | 2:26:45 | ||
pot for Barry Hawkins but looks like become too cautious or it can affect | 2:26:45 | 2:26:55 | |
2:26:55 | 2:27:27 | ||
such a lovely cueist and makes the game look easy, but he is not | 2:27:27 | 2:27:37 | |
playing well at the moment. Well, he has got people on his side, willing | 2:27:37 | 2:27:47 | |
2:27:47 | 2:28:15 | ||
on its own spot after this? It is going to have to go into the black | 2:28:15 | 2:28:25 | |
2:28:25 | 2:28:25 | ||
Apology for the loss of subtitles for 47 seconds | 2:28:25 | 2:30:45 | |
red he is going to have to go up to That could not have worked out | 2:30:45 | 2:30:55 | |
2:30:55 | 2:30:55 | ||
better. He has got the pink to work on. He is just happy to get his hand | 2:30:55 | 2:31:05 | |
2:31:05 | 2:31:36 | ||
pink to pot it. Maybe disturbs a cluster of four. It is never easy to | 2:31:36 | 2:31:44 | |
do it off the pink. You have to find the absolute perfect angle. He has | 2:31:44 | 2:31:54 | |
2:31:54 | 2:31:55 | ||
Apology for the loss of subtitles for 47 seconds | 2:31:55 | 2:32:53 | |
cleaned, but he seemed to be up very terrific effort. Just needed to stay | 2:32:53 | 2:33:03 | |
2:33:03 | 2:33:03 | ||
Apology for the loss of subtitles for 47 seconds | 2:33:03 | 2:33:53 | |
red on the left-hand side of the table. Playing on the left-hand side | 2:33:53 | 2:34:03 | |
2:34:03 | 2:34:30 | ||
more go. If he does not get it this occasion, but he has left a red on. | 2:34:31 | 2:34:35 | |
Just put that little bit of extra pace into the cue ball and it sprang | 2:34:35 | 2:34:41 | |
a red into a pottable position. Flicked off that one and then | 2:34:41 | 2:34:51 | |
2:34:51 | 2:35:01 | ||
knocked that one away from the could have got a heavy contact. | 2:35:01 | 2:35:11 | |
2:35:11 | 2:35:31 | ||
He is going to complain -- play an shot not to get in the cue ball too | 2:35:31 | 2:35:38 | |
much. He is trying to go all the way round as he did before. He has got | 2:35:39 | 2:35:48 | |
2:35:49 | 2:36:07 | ||
the good line again, an excellent definitely be made. It looks like he | 2:36:07 | 2:36:17 | |
2:36:17 | 2:36:17 | ||
is playing the red that is pottable. A good part and he has a decent | 2:36:17 | 2:36:27 | |
2:36:27 | 2:36:27 | ||
Apology for the loss of subtitles for 47 seconds | 2:36:27 | 2:37:09 | |
developed the red, he get position He has a chance at the pink. Right | 2:37:09 | 2:37:16 | |
middle, far right corner. The pink will put him 63 points in front with | 2:37:17 | 2:37:26 | |
2:37:27 | 2:38:03 | ||
long time. He lost eight frames in a come back to the table. Ricky would | 2:38:03 | 2:38:13 | |
2:38:13 | 2:38:29 | ||
have liked to have potted that got he does really, doesn't he? That | 2:38:29 | 2:38:39 | |
2:38:39 | 2:38:49 | ||
just confirms, I don't think Barry Hawkins will bother coming back to | 2:38:49 | 2:38:59 | |
2:38:59 | 2:39:16 | ||
matter, the frame is over. You get to a point in the match where you | 2:39:16 | 2:39:23 | |
think, well, I have lost so it can relax you. He played a few poor | 2:39:23 | 2:39:31 | |
safety shots earlier on, did Ricky. Barry refused a few long pots. When | 2:39:31 | 2:39:38 | |
he did go for one, he missed it. It has been Ricky who has dictated the | 2:39:38 | 2:39:48 | |
2:39:48 | 2:40:12 | ||
have the balls on and you want to pot them, but you are thinking about | 2:40:12 | 2:40:20 | |
the next frame. Well, there you go. It has taken a long time. He was | 2:40:20 | 2:40:26 | |
12-8 in front. Eight frames in a row he stopped the rot at least and | 2:40:26 | 2:40:32 | |
winds that frame. He is back within three, but Barry Hawkins still only | 2:40:32 | 2:40:42 | |
2:40:42 | 2:40:51 | ||
needs one frame for a place in the in at the minute, but if he can keep | 2:40:51 | 2:40:58 | |
putting pressure on Barry, the longer it goes on before a chance | 2:40:58 | 2:41:06 | |
comes the more pressure. He has a lot of support tonight. Yes, and | 2:41:06 | 2:41:11 | |
that would have inspired them. If he can make Barry Hawkins squirm he | 2:41:11 | 2:41:15 | |
does not necessarily have to go out attacking. He can perhaps make it | 2:41:16 | 2:41:21 | |
hard for Barry Hawkins without having to go for every 50-50 shot. | 2:41:21 | 2:41:28 | |
He is a long way back, but he has a chance. We discussed that Barry | 2:41:28 | 2:41:34 | |
Hawkins has begin tense matches. Is that the reason why he has hauled | 2:41:34 | 2:41:42 | |
himself back into this match? found some form, simple as that. | 2:41:42 | 2:41:52 | |
2:41:52 | 2:41:57 | ||
Walden was helping the referee set the balls up as though he really | 2:41:57 | 2:42:07 | |
2:42:07 | 2:42:31 | ||
all out attack. He played the right intimidate Barry a little bit, but | 2:42:31 | 2:42:41 | |
2:42:41 | 2:43:07 | ||
the black into the open. He has no time to think about playing culture | 2:43:07 | 2:43:12 | |
safe and trying to scramble over the line. Get the coloured balls in play | 2:43:12 | 2:43:22 | |
2:43:22 | 2:43:39 | ||
and then, if you get a chance, it has really played it to the pack and | 2:43:39 | 2:43:48 | |
screwed back. This one opens the reds out. Not quite got the cue ball | 2:43:48 | 2:43:58 | |
2:43:58 | 2:44:11 | ||
then this second red of the plant has a long way to travel to the far | 2:44:11 | 2:44:21 | |
2:44:21 | 2:44:51 | ||
tricky blackmail. Talk about it. You would think, for Ronnie you | 2:44:51 | 2:45:01 | |
2:45:01 | 2:45:01 | ||
Apology for the loss of subtitles for 47 seconds | 2:45:01 | 2:45:50 | |
of tempters to each centre pocket. A were to knock some of them in, it | 2:45:50 | 2:46:00 | |
2:46:00 | 2:46:03 | ||
three frames. When it gets to a cushion of only two, perhaps you can | 2:46:03 | 2:46:13 | |
2:46:13 | 2:46:13 | ||
reverse. He is not playing the safety. It looks like he has made a | 2:46:13 | 2:46:23 | |
good job of it. He left a red near the far right corner. There is a Reg | 2:46:23 | 2:46:33 | |
2:46:33 | 2:46:40 | ||
to the left middle. Also not type of situation tried to pot his | 2:46:40 | 2:46:50 | |
2:46:50 | 2:47:27 | ||
it was, but he has under heated slightly. He has left pots on, but | 2:47:27 | 2:47:34 | |
made it difficult leaving the cue ball near the cushion. Whoever got | 2:47:34 | 2:47:44 | |
2:47:44 | 2:47:56 | ||
in here, you would expect at least if you don't win the match in the | 2:47:56 | 2:48:02 | |
first frame you start to get a bit twitchy. | 2:48:02 | 2:48:07 | |
We have shown the statistics, he had not potted a ball for 29 minutes. It | 2:48:07 | 2:48:17 | |
2:48:17 | 2:48:50 | ||
of the table, in the baulk and, just concentrate on the baulk colours and | 2:48:51 | 2:48:55 | |
the belief of the time being. I don't see any value in coming down | 2:48:55 | 2:49:05 | |
2:49:05 | 2:49:05 | ||
Apology for the loss of subtitles for 47 seconds | 2:49:05 | 2:49:53 | |
can make. Barry Hawkins was probably in his dressing room trying his | 2:49:53 | 2:49:59 | |
hardest not to think ahead that he has won the match. It has given | 2:49:59 | 2:50:05 | |
Ricky Walden the chance to clear his mind. A complete reversal to what | 2:50:05 | 2:50:10 | |
was happening before the interval. It looks like Barry that is a little | 2:50:10 | 2:50:20 | |
2:50:20 | 2:50:41 | ||
nicely there though. That is all you want to do in the situations, think | 2:50:41 | 2:50:51 | |
2:50:51 | 2:50:51 | ||
Apology for the loss of subtitles for 47 seconds | 2:50:51 | 2:52:00 | |
down for the black. He cleared most think about getting a nice angle on | 2:52:00 | 2:52:05 | |
the back to play a cannon into the red and pink. Bring the red and pink | 2:52:05 | 2:52:09 | |
interplay and then he would not need the two awkward reds on the | 2:52:09 | 2:52:19 | |
2:52:19 | 2:52:35 | ||
It is OK, just screw off the side cushion for the red in the middle. | 2:52:35 | 2:52:45 | |
2:52:45 | 2:52:55 | ||
He would've just liked angle to the black and finishing dead | 2:52:55 | 2:53:05 | |
2:53:05 | 2:53:20 | ||
reds, two colours. This red is easy enough. He looks to have an angle | 2:53:20 | 2:53:30 | |
2:53:30 | 2:53:50 | ||
where he can play for the black. Now is miserable. -- anything is | 2:53:51 | 2:53:56 | |
unmissable at this stage of the match. The red next to the pink may | 2:53:56 | 2:54:06 | |
2:54:06 | 2:54:16 | ||
part into the green pocket. He has approach. He has bought one of those | 2:54:16 | 2:54:26 | |
2:54:26 | 2:55:05 | ||
play a red safety shots off the side here is over think this situation. | 2:55:05 | 2:55:15 | |
2:55:15 | 2:55:41 | ||
He has three awkward reds, a 53 nudging the black towards the top | 2:55:42 | 2:55:47 | |
cushion. Makes things even more awkward, should Barry get an | 2:55:47 | 2:55:57 | |
2:55:57 | 2:56:31 | ||
then. It looked as though he was going to get a double kiss. | 2:56:31 | 2:56:41 | |
2:56:41 | 2:56:54 | ||
I wonder if there is any value thinking. At the moment, Barry has a | 2:56:54 | 2:57:04 | |
2:57:04 | 2:57:23 | ||
what stopped the cue ball running through as he would have liked. He | 2:57:23 | 2:57:27 | |
just get the feeling at the moment that Barry is not going to be | 2:57:27 | 2:57:34 | |
tempted by anything too difficult. You can't see him taking on the red | 2:57:34 | 2:57:44 | |
2:57:44 | 2:57:44 | ||
Apology for the loss of subtitles for 47 seconds | 2:57:44 | 2:58:31 | |
horrible safety shot, so I can't see him taking this on. Can he trickle | 2:58:31 | 2:58:37 | |
in behind and play the snooker? No, he could not get in behind so he | 2:58:37 | 2:58:47 | |
2:58:47 | 2:59:25 | ||
into playing a safety. The red that is near the right middle pocket, if | 2:59:25 | 2:59:34 | |
that is not possible, he needs to be careful it does not run into the | 2:59:34 | 2:59:43 | |
green. Once again, he has just avoided a double kiss. There is a | 2:59:43 | 2:59:53 | |
2:59:53 | 2:59:54 | ||
gap between green and blue and there is a pot. If he knocks this in he | 2:59:54 | 3:00:04 | |
3:00:04 | 3:00:04 | ||
Apology for the loss of subtitles for 47 seconds | 3:00:04 | 3:01:00 | |
be a free and if he knocks it in. -- a free when. Good pot, right in the | 3:01:00 | 3:01:10 | |
3:01:10 | 3:01:16 | ||
remaining. If he parts the black he will go 60 points in front. Snooker | 3:01:16 | 3:01:26 | |
3:01:26 | 3:01:26 | ||
Apology for the loss of subtitles for 47 seconds | 3:01:26 | 3:02:38 | |
will be needed. If he plays the pink four blacks, he can tie. That is a | 3:02:38 | 3:02:48 | |
3:02:48 | 3:02:49 | ||
tall order. I could not refuse the cut on the black. The black to leave | 3:02:49 | 3:02:59 | |
3:02:59 | 3:02:59 | ||
Apology for the loss of subtitles for 47 seconds | 3:02:59 | 3:03:58 | |
your opponent needing eight snooker, adjacent to the black spot area. As | 3:03:58 | 3:04:06 | |
long as he covered the yellow it was going to be a decent shot. The red | 3:04:06 | 3:04:16 | |
3:04:16 | 3:04:16 | ||
Apology for the loss of subtitles for 47 seconds | 3:04:16 | 3:05:15 | |
behind the black is the only one important that he covers the one on | 3:05:15 | 3:05:20 | |
the right-hand side of the table near the baulk, otherwise he will | 3:05:20 | 3:05:26 | |
leave an easy shot for his opponent. It is made more difficult by the | 3:05:26 | 3:05:36 | |
3:05:36 | 3:05:39 | ||
fact that he has come so close to red? No, he hasn't. I think this is | 3:05:39 | 3:05:49 | |
3:05:49 | 3:05:54 | ||
worth taking on. It is straight. He only needs the red, pots the red, he | 3:05:54 | 3:06:04 | |
3:06:04 | 3:06:04 | ||
Apology for the loss of subtitles for 47 seconds | 3:06:04 | 3:07:06 | |
only needs to snooker is required. normal safety shot would be of the | 3:07:06 | 3:07:14 | |
-- off the red near the baulk line. He is thinking, he does not want to | 3:07:14 | 3:07:24 | |
3:07:24 | 3:07:43 | ||
that and get position on the black. That is probably the best result he | 3:07:44 | 3:07:53 | |
3:07:54 | 3:07:54 | ||
Apology for the loss of subtitles for 47 seconds | 3:07:54 | 3:10:31 | |
won't bother coming back to the nowhere, is flying his way back in | 3:10:31 | 3:10:40 | |
this match. -- is clawing his way back in. He is back to within two | 3:10:40 | 3:10:50 | |
3:10:50 | 3:10:57 | ||
three frames. It is funny how it reverts and the psychology changes. | 3:10:57 | 3:11:01 | |
One minute you cannot when, all of a sudden, he is planning a bag. The | 3:11:01 | 3:11:04 | |
winning line is still there for Barry Hawkins and he still can't get | 3:11:04 | 3:11:09 | |
over it. How tough is that? You know you are one frame away from a World | 3:11:09 | 3:11:15 | |
Championship final. It is not the worst feeling as a snooker player. | 3:11:15 | 3:11:18 | |
The worst is having a bad session and not thinking you have done | 3:11:18 | 3:11:25 | |
justice to yourself. The feeling out there, when you feel as if you have | 3:11:25 | 3:11:29 | |
stalled and the other guy comes back, you feel like all eyes are on | 3:11:29 | 3:11:36 | |
every shot you play. You feel like you have got to fight, and the fact | 3:11:36 | 3:11:39 | |
that people are waiting for another mistake and you are thinking, if I | 3:11:39 | 3:11:46 | |
missed this, the crowd will react, and it is hard to get those things | 3:11:46 | 3:11:52 | |
out of your mind and play competitively. You start to | 3:11:52 | 3:11:56 | |
anticipate your own misses if you are not careful. Strength of | 3:11:56 | 3:12:04 | |
character comes into the equation, doesn't it? Massively so. 16-14 is | 3:12:04 | 3:12:14 | |
3:12:14 | 3:12:29 | ||
never quite as bad. 16-15 is the last time he breaks off this | 3:12:29 | 3:12:39 | |
3:12:39 | 3:12:42 | ||
evening. If he breaks off again, it will be a decider. When we went to | 3:12:42 | 3:12:52 | |
3:12:52 | 3:12:56 | ||
the mid-session interval, it looked like the end of the race. Whoever he | 3:12:57 | 3:13:03 | |
spoke to at the interval or met up with has done a good job. They have | 3:13:03 | 3:13:12 | |
got his mind back on track. He seems to have got his focus back on what | 3:13:12 | 3:13:22 | |
3:13:22 | 3:13:22 | ||
Apology for the loss of subtitles for 47 seconds | 3:13:22 | 3:14:09 | |
perfect angle on the yellow. It is down the right-hand side of the | 3:14:09 | 3:14:19 | |
3:14:19 | 3:14:56 | ||
to 16 frames that he has got there first. He has an angle to disturb | 3:14:56 | 3:15:06 | |
3:15:06 | 3:15:28 | ||
He was frightened, maybe, of screwing too far back and finishing | 3:15:28 | 3:15:35 | |
your location. That is why I would favour following the cue ball | 3:15:35 | 3:15:45 | |
3:15:45 | 3:15:45 | ||
Apology for the loss of subtitles for 47 seconds | 3:15:45 | 3:17:55 | |
through. There is so much more problem, a big target on one | 3:17:55 | 3:18:05 | |
3:18:05 | 3:18:41 | ||
condition. He just has to be careful right-hand side but it is fraught | 3:18:41 | 3:18:49 | |
with danger. He can get through to the reds, just on the left-hand side | 3:18:49 | 3:18:57 | |
of the paper. It is one of those, you have got to catch it very thin. | 3:18:57 | 3:19:03 | |
As I say, going down the other side of the table, back to baulk, is | 3:19:04 | 3:19:13 | |
3:19:14 | 3:19:51 | ||
pink there was an age, but that is too had a shot. He has to be careful | 3:19:51 | 3:19:59 | |
not to run into the black. In an effort to avoid the Blackie said a | 3:19:59 | 3:20:09 | |
3:20:09 | 3:20:09 | ||
Apology for the loss of subtitles for 47 seconds | 3:20:09 | 3:21:26 | |
pink and black are out of angle on the blue. After the next | 3:21:26 | 3:21:36 | |
3:21:36 | 3:21:38 | ||
red he has to get an angle on the blue to go into the pink. There are | 3:21:38 | 3:21:48 | |
3:21:48 | 3:21:54 | ||
two open reds, but they could be could bring the pink into play. Does | 3:21:54 | 3:22:04 | |
3:22:04 | 3:22:04 | ||
Apology for the loss of subtitles for 47 seconds | 3:22:04 | 3:23:09 | |
he feel he has a good enough angle pink one at the moment. It blocks up | 3:23:09 | 3:23:19 | |
3:23:19 | 3:23:39 | ||
to reds and will not halt its self like this in his career. What an | 3:23:39 | 3:23:49 | |
3:23:49 | 3:23:49 | ||
Apology for the loss of subtitles for 47 seconds | 3:23:49 | 3:25:00 | |
knew it would kiss the other red and give him control of the cue ball. He | 3:25:00 | 3:25:05 | |
needs to run past the blue, and he has done it and it seems perfect. | 3:25:05 | 3:25:15 | |
3:25:15 | 3:25:15 | ||
Apology for the loss of subtitles for 47 seconds | 3:25:15 | 3:26:46 | |
The chance is there for frame and ball? Another red, another blue. He | 3:26:46 | 3:26:52 | |
has played at inch perfect. It looks as though Barry Hawkins is booking | 3:26:52 | 3:27:02 | |
3:27:02 | 3:27:16 | ||
sessions, he didn't play anything like you can play but he stuck at | 3:27:16 | 3:27:26 | |
3:27:26 | 3:27:26 | ||
Apology for the loss of subtitles for 47 seconds | 3:27:26 | 3:28:06 | |
it. This morning he was by far the nicely on the pink. Ricky Walden | 3:28:06 | 3:28:11 | |
will be very, very disappointed. He led throughout the match. There were | 3:28:11 | 3:28:21 | |
3:28:21 | 3:28:33 | ||
difference, 35 remaining. He will have to suffer a bit longer. To | 3:28:33 | 3:28:43 | |
3:28:43 | 3:29:00 | ||
snooker is needed. -- two snookers needed. It will be very difficult | 3:29:00 | 3:29:07 | |
for Ricky Walden to win it, but if he were to get snooker and out of | 3:29:07 | 3:29:11 | |
that snooker got the bonus of a free ball, one snooker would be | 3:29:11 | 3:29:21 | |
3:29:21 | 3:29:30 | ||
Walden to get over losing this match. | 3:29:30 | 3:29:34 | |
This is the biggest tournament in the game by a long way. What a | 3:29:34 | 3:29:44 | |
3:29:44 | 3:29:50 | ||
chance he has had to go all of the evening, it is a daunting prospect | 3:29:50 | 3:29:55 | |
to play Ronnie O'Sullivan in the final, but what an occasion. | 3:29:55 | 3:29:58 | |
He has beaten Ding Junhui, got to the final and will have nothing to | 3:29:58 | 3:30:08 | |
lose. He could just go out, easier said than done, to enjoy it. What an | 3:30:08 | 3:30:12 | |
occasion to play the best player of the world over two days at the | 3:30:12 | 3:30:19 | |
Crucible. Yes, it would be a dream come true. If he knocks this red, it | 3:30:19 | 3:30:29 | |
3:30:29 | 3:30:30 | ||
will be a reality. In its goes! What a big sigh of relief because there | 3:30:30 | 3:30:35 | |
must have been times during this match that Barry Hawkins thought he | 3:30:36 | 3:30:40 | |
had blown it completely. He stuck in their, he hung on when a lot of | 3:30:40 | 3:30:50 | |
3:30:50 | 3:30:57 | ||
people would have let their heads Ricky Walden wants to shake his hand | 3:30:57 | 3:31:03 | |
and he says that is enough. Great sportsmanship. Ricky Walden will be | 3:31:03 | 3:31:08 | |
upset that it did not take advantage. Look at the delight on | 3:31:08 | 3:31:18 | |
Barry Hawkins. Great competitor. Now he is in the final at the Betfair | 3:31:18 | 3:31:20 | |
World Snooker Championship. Ricky Walden will go away disappointed and | 3:31:20 | 3:31:25 | |
it will take him awhile to get over it, he has two days to look forward | 3:31:25 | 3:31:32 | |
to Barry Hawkins. He is in the final! He beat Ricky Walden by | 3:31:33 | 3:31:42 | |
3:31:43 | 3:31:45 | ||
Hawkins. And in brace from Terry Griffiths. Terry said to me earlier, | 3:31:45 | 3:31:50 | |
the most important frame is the next frame. You get the feeling that | 3:31:50 | 3:31:55 | |
mentality is what Barry Hawkins took into the Crucible this evening. | 3:31:55 | 3:31:58 | |
had persistence all the way through that. He has ended up being the | 3:31:58 | 3:32:05 | |
winner. 6-2 he was down after the first session, but somehow he has | 3:32:05 | 3:32:12 | |
fought his way back. At one stage, he did not look like the same player | 3:32:12 | 3:32:17 | |
from previous rounds. Ricky Walden got off to an incredibly great art. | 3:32:17 | 3:32:21 | |
There were couple of frames that got scrappy. Perhaps that helped to some | 3:32:21 | 3:32:29 | |
degree. It really looked like Barry Hawkins would be down and out. To | 3:32:29 | 3:32:34 | |
turn it around, what a fantastic performance. Spare a thought for | 3:32:34 | 3:32:40 | |
Ricky Walden. He walked off quietly. | 3:32:40 | 3:32:45 | |
Burial Hawkins is waiting to talk to Bob Walker. | 3:32:45 | 3:32:51 | |
You almost look shellshocked. can't believe it, I really can't. I | 3:32:51 | 3:32:58 | |
feel like I am in a dream. I am so over the moon, it is unbelievable. | 3:32:58 | 3:33:08 | |
3:33:08 | 3:33:08 | ||
Things like this don't happen to me, to be honest. Well, they do now. | 3:33:08 | 3:33:12 | |
think everyone appreciates what an emotional moment this is. You have | 3:33:12 | 3:33:17 | |
been a pro for 17 years and it took you five years to win your first | 3:33:17 | 3:33:21 | |
match of the Crucible. You knocked out Mark Selby, took apart Ding | 3:33:21 | 3:33:27 | |
Junhui, how did you get back into this match? To be honest, I don't | 3:33:27 | 3:33:31 | |
know. The way I started off, I lost my game completely. I didn't settle | 3:33:31 | 3:33:39 | |
at all. I kept digging deep and so many things, setbacks, you know. I | 3:33:39 | 3:33:44 | |
just sort don't give up and I kept fighting. All of a sudden, things | 3:33:44 | 3:33:48 | |
started turning round and I found my game again. I started playing | 3:33:48 | 3:33:58 | |
better. I will need to play even better, but I just can't believe it. | 3:33:58 | 3:34:03 | |
I don't know how much more I can take. You have to come back out and | 3:34:03 | 3:34:08 | |
do it all tomorrow. You had a massive reception. I think people | 3:34:08 | 3:34:12 | |
appreciated how you dug deep, but there must be so many emotions in | 3:34:12 | 3:34:15 | |
your mind and so many people who have helped cheer on this unexpected | 3:34:15 | 3:34:23 | |
journey. I can't thank everyone enough, to be honest. My manager, | 3:34:23 | 3:34:28 | |
everyone. My coach Terry has been unbelievable. Everyone back at | 3:34:28 | 3:34:34 | |
home, I know they are supporting me. My family, everybody. It has been a | 3:34:34 | 3:34:41 | |
long, hard road. Now everybody has been rewarded. Everyone will be | 3:34:41 | 3:34:46 | |
buzzing. I have nothing to lose tomorrow now. I will go out there | 3:34:46 | 3:34:52 | |
and enjoy it. You never know, see what happens. It is important to | 3:34:52 | 3:34:57 | |
remember, tomorrow is about you as well as Ronnie O'Sullivan. We will | 3:34:57 | 3:35:02 | |
see you in the final tomorrow see you in the final tomorrow | 3:35:02 | 3:35:12 | |
3:35:12 | 3:35:12 | ||
What a lovely interview. We have had some wonderful iconic images at the | 3:35:12 | 3:35:17 | |
snooker championship this year. That has to be one of them. Let's look at | 3:35:17 | 3:35:27 | |
3:35:27 | 3:35:31 | ||
the head-to-head between our meetings. His last win was in 2008. | 3:35:31 | 3:35:38 | |
The Rocket 's biggest win and 9-1 victory. They have never met here at | 3:35:38 | 3:35:43 | |
the championship. Terrific stuff. These are live shots of Barry in the | 3:35:43 | 3:35:47 | |
dressing room. He is absolutely over the moon. Going back to iconic | 3:35:47 | 3:35:51 | |
images, I think about when he punched the air when he realised he | 3:35:51 | 3:35:58 | |
had beaten Selby. These are lovely pictures. What a feeling he has got | 3:35:58 | 3:36:02 | |
there. He said in the interview he had no game for the first two | 3:36:02 | 3:36:09 | |
sessions and he has come back and got rewards for sticking in there. | 3:36:09 | 3:36:15 | |
He won his first ranking open in July 2012. What a season. That is | 3:36:15 | 3:36:21 | |
right, he has come of age. He has always been a hard worker. He has | 3:36:21 | 3:36:27 | |
one small problem ahead, he has to get to sleep tonight. Honestly, he | 3:36:27 | 3:36:31 | |
needs to find something to do for a few hours because his brain will be | 3:36:31 | 3:36:40 | |
buzzing away. Do a crossword, listen to music, something. | 3:36:40 | 3:36:48 | |
He just said, he is buzzing. From his perspective, he deserves | 3:36:48 | 3:36:53 | |
everything he has got. How you get up for the final, you have to try | 3:36:53 | 3:37:01 | |
and enjoy it. When it starts again, you have another mountain to climb. | 3:37:01 | 3:37:05 | |
What is incredible, you have Ricky Walden who had the fantastic start | 3:37:05 | 3:37:08 | |
and we questioned whether Barry had run out of puff because he had big | 3:37:08 | 3:37:18 | |
3:37:18 | 3:37:21 | ||
games. We thought he would run out of energy. He probably had for a | 3:37:21 | 3:37:24 | |
couple of sessions. He did not settle into the venue well and then | 3:37:24 | 3:37:30 | |
got to grips in the third frame. All of a sudden he started making a | 3:37:30 | 3:37:33 | |
couple of centuries. You could see that Ricky was finding it difficult | 3:37:33 | 3:37:38 | |
and then he went on that run. It was a fantastic performance. A study in | 3:37:38 | 3:37:43 | |
persistence. Any young players who think you can't come back from being | 3:37:43 | 3:37:49 | |
behind, there is an example. Do you think the break of 140 was | 3:37:49 | 3:37:55 | |
the turning point? It may have been, but it may have been that Ricky | 3:37:55 | 3:38:00 | |
could not extend his lead. What mattered the most, Barry found an | 3:38:00 | 3:38:03 | |
extra gear and Ricky didn't. It doesn't matter how you start the | 3:38:03 | 3:38:10 | |
match, it is how you finish. We all know how tough the game is. Ricky | 3:38:10 | 3:38:18 | |
Walden will know the same way. Ricky Walden, we have to speak about | 3:38:18 | 3:38:23 | |
him. Lovely pictures of him in Barry's dressing room. Two proper | 3:38:23 | 3:38:30 | |
lads and to proper professionals. will take some effort to beat | 3:38:30 | 3:38:40 | |
3:38:40 | 3:38:41 | ||
O'Sullivan. I agree. We have our finalists. One the O'Sullivan taking | 3:38:41 | 3:38:46 |