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Hello, good evening. The quarter finals of the world sugar shall be | :00:32. | :00:40. | |
into -- World Snooker Championship are underway and resume is evening. | :00:41. | :00:45. | |
It sees Mark Selby taking on Alan McManus. The last time but malice -- | :00:46. | :00:53. | |
McManus reached the finals was 1993. He is using his experience to test | :00:54. | :01:04. | |
Mark Selby. The quarterfinal started this morning between Mark Selby and | :01:05. | :01:11. | |
Alan McManus. Mark Selby got off to a perfect start, winning the first | :01:12. | :01:23. | |
two frames. Excellent shot. Mark Selby takes it. He goes into a 2-0 | :01:24. | :01:29. | |
lead. And frame three, was at a misplaced | :01:30. | :01:34. | |
safety shot or a cue ball that we're off-line and presented a -- that | :01:35. | :01:41. | |
weird off-line and presented an opportunity for McManus? | :01:42. | :01:50. | |
That has drifted a little bit. And that is the first frame for McManus. | :01:51. | :01:56. | |
Selby went 3-2 behind but got his act together in frame six with a | :01:57. | :02:01. | |
magnificent 110 break, his highest of the championship so far, to level | :02:02. | :02:11. | |
once again at three frames apiece. After some long belts of safety play | :02:12. | :02:17. | |
in frame seven and with time running out to finish the session in time, | :02:18. | :02:20. | |
Selby triumphed in the end and now leads, 4-3. | :02:21. | :02:27. | |
Here is the state of play after the first sessions. | :02:28. | :02:47. | |
Yet again we have been treated to fabulous snooker here at the | :02:48. | :02:53. | |
Crucible. Let's reflect on some of the matches. I am wondering why Neil | :02:54. | :03:01. | |
Robertson performed so badly. Was it because this century of centuries | :03:02. | :03:06. | |
was on his mind? It might have been about how he played against Mark | :03:07. | :03:09. | |
Kalin. There has been a big turnaround in his form and due to | :03:10. | :03:13. | |
Judd Trump. Judd Trump said he expected Neil Robertson to slow | :03:14. | :03:16. | |
things down and was prepared for that but it was not as fast as the | :03:17. | :03:20. | |
Ronnie O'Sullivan and Shaun Murphy match, so perhaps Judd Trump has got | :03:21. | :03:25. | |
the measure of him. Ronnie is in a good position. Stephen Hendry said | :03:26. | :03:32. | |
it is as good as over. You have to say that Shaun Murphy missed the | :03:33. | :03:35. | |
boat because he was staring it in the face but for a great snooker | :03:36. | :03:40. | |
from Ronnie O'Sullivan. It could have been a great story. Ronnie | :03:41. | :03:48. | |
showed his experience and much pay -- matchplay and it will be a big | :03:49. | :03:52. | |
ask for Shaun Murphy to get back in. And what a great start for Barry | :03:53. | :03:56. | |
Hawkins, quietly going about his business. Under his radar. Other | :03:57. | :04:01. | |
names have been bandied around as the big fancy for this event. This | :04:02. | :04:07. | |
is going nicely for Barry Hawkins. If he mined his work he will be in | :04:08. | :04:11. | |
the semifinals without very much problem. -- minds his work. Howdy | :04:12. | :04:19. | |
think Alan McManus is? From his perspective, it is great to see him | :04:20. | :04:23. | |
in the quarterfinals. He has got nothing to lose. He has to do well, | :04:24. | :04:27. | |
obviously, but he can just go out there and enjoy his normal game. | :04:28. | :04:32. | |
From Mark Selby's perspective, he has only got to mind his work as | :04:33. | :04:37. | |
well. He probably feels as if he has got the tactical awareness and | :04:38. | :04:40. | |
knowledge and he will not be outplayed by McManus and as long as | :04:41. | :04:43. | |
he keeps his nose in front he might get over the line by doing that. He | :04:44. | :04:50. | |
might like to pull up some trees along the way and make his case for | :04:51. | :04:52. | |
the event. Thank you. Good evening. Tonight, two players | :04:53. | :05:07. | |
on get a step closer to the single table setup. This is the second act | :05:08. | :05:15. | |
of drama in these two brilliantly poised encounters. Sit back, relax, | :05:16. | :05:22. | |
and enjoy. Please welcome first of all, a player turning back the clock | :05:23. | :05:30. | |
14 years to grace the last eight here on the big stage. The winner of | :05:31. | :05:34. | |
this season's Snooker Shoot-Out, he is one of the sport's was lovable | :05:35. | :05:39. | |
characters but he is fired up for tonight. Here he is, ready to walk | :05:40. | :05:43. | |
the walk once again in the same issues, -- my same issues, The | :05:44. | :05:51. | |
Spaceman, Dominic Dale. And his opponent, a player who has | :05:52. | :06:15. | |
found the best results of his career in the last two seasons. 2012 of the | :06:16. | :06:21. | |
start of a great journey. Until last year he had not been past the second | :06:22. | :06:25. | |
round and then came the fantastic run to the final. Winner of last | :06:26. | :06:34. | |
month's championship in Preston, here comes The Hawk, Barry Hawkins. | :06:35. | :06:41. | |
And on table two, here comes the player who first appeared at this | :06:42. | :06:57. | |
famous venue in 1991, 23 years on he is still going strong. Making his | :06:58. | :07:01. | |
first Crucible quarterfinal since 2005, he knocked out John Higgins | :07:02. | :07:09. | |
and Ken Doherty so far. Here he comes striding out for Scotland, | :07:10. | :07:14. | |
Alan McManus. And finally, his opponent - a player | :07:15. | :07:36. | |
who is very hard to rattle on any stage in any match. He has lifted | :07:37. | :07:41. | |
six major trophies since he made the final in 2007, including three | :07:42. | :07:47. | |
Masters' crowns and the UK Championship. He produced the | :07:48. | :07:50. | |
incredible 147 in York and is an ambassador for the game who plays | :07:51. | :07:52. | |
incredible 147 in York and is an with a smile, that is why we | :07:53. | :07:56. | |
incredible 147 in York and is an him The Jester From Leicester, Mark | :07:57. | :07:57. | |
Selby. him The Jester From Leicester, Mark | :07:58. | :08:04. | |
APPLAUSE. Scottish support here in the | :08:05. | :08:23. | |
Crucible this evening for Alan McManus. Are much this evening, Mark | :08:24. | :08:30. | |
Selby versus Alan McManus. On the red button, Barry Hawkins against | :08:31. | :08:34. | |
Dominic Dale. Here we go, the quarterfinals resume. | :08:35. | :08:44. | |
Very good evening to you, Jason. We are in for a very interesting | :08:45. | :08:48. | |
session this evening between these two fine exponent of the game. | :08:49. | :08:58. | |
A possible nine frames to be played this evening, Ken? I know they could | :08:59. | :09:11. | |
only manage seven this morning, so they will play nine this evening and | :09:12. | :09:13. | |
finish off tomorrow. We had three very long frames, two | :09:14. | :09:31. | |
of them just over 43 minutes. McManus on my clothes. The last | :09:32. | :09:35. | |
frame, almost 40 minutes, and Mark Selby managed to win that. | :09:36. | :11:09. | |
Straightaway, this could develop into an awkward frame because of the | :11:10. | :11:14. | |
safety area behind a black on the cushion. That red is blocking the | :11:15. | :11:20. | |
path of the red into the green pocket. | :11:21. | :11:44. | |
McManus can gain the advantage of this red on the left side of the | :11:45. | :11:51. | |
table. Those two are not a plant into the corner but he can get back. | :11:52. | :11:57. | |
He can get behind the black and tighten the commission if possible. | :11:58. | :12:00. | |
He has hit it a bit hard, though. There might be a plant into the left | :12:01. | :12:23. | |
middle pocket, also. There are two red Square -- there are two reds | :12:24. | :12:34. | |
there. He can get through to the one on the right of the green here and | :12:35. | :12:38. | |
might even come back towards the black. | :12:39. | :13:07. | |
Has this red covered the path? He missed the pink and wanted to hate | :13:08. | :13:24. | |
it full ball. -- wanted to hit. He is going to play this plant. I feel | :13:25. | :13:32. | |
is quite a lot of distance between the balls. He might be able to cut | :13:33. | :13:41. | |
the red into the middle. Awkward striking. He is back looking at the | :13:42. | :13:43. | |
plant. I thought that was in when he first | :13:44. | :14:00. | |
The headlines... It. -- when he first hit it. | :14:01. | :14:34. | |
The fact that it was not in a direct line with the red he was trained to | :14:35. | :14:41. | |
plant on made it a bit more difficult. An excellent opportunity | :14:42. | :14:43. | |
for McManus. He was playing into an area and he | :14:44. | :15:06. | |
has gone a little bit too far. He had a red to the left middle and one | :15:07. | :15:12. | |
to the right corner. It is OK to change your mind and just head back | :15:13. | :15:15. | |
towards the blue. He has got a kick. He has got a | :15:16. | :15:21. | |
terrible contact. This was the red he was originally | :15:22. | :16:11. | |
playing on. That was a good recovery shot. He | :16:12. | :16:41. | |
can drop this red in and he has got pink or black. It is natural to go | :16:42. | :16:48. | |
around the back of the black with a touch of left-hand side. | :16:49. | :17:03. | |
You would like to leave the red closest to the corner pocket. | :17:04. | :17:19. | |
But what do I know? I thought he might have left that. It was always | :17:20. | :17:31. | |
going to be over the pocket. You have got to keep one foot on the | :17:32. | :17:56. | |
floor when you are stretching like that. | :17:57. | :18:09. | |
I remember when I started playing, some of the shots you used to climb | :18:10. | :18:21. | |
on the table! If you had one foot in the date was OK! -- in the D. | :18:22. | :18:36. | |
He is back in prime position now. He has a good chance to take this | :18:37. | :18:44. | |
opening frame. He hasn't left the best angle on the | :18:45. | :19:04. | |
black. He wanted to be a bit higher so he could try to get the red | :19:05. | :19:08. | |
directly above the black. He may have to take the red on the top | :19:09. | :19:14. | |
cushion. He has judged the side beautifully and that was an | :19:15. | :19:16. | |
excellent positional shot. You do not mind losing a frame if | :19:17. | :19:49. | |
you have played a bad shot but Alan McManus got a bad contact and this | :19:50. | :19:50. | |
is the result of it. Just red and Black will be | :19:51. | :20:19. | |
sufficient to leave McManus in snookers. | :20:20. | :20:49. | |
Very unfortunate to get the bad contact, as I mentioned. | :20:50. | :20:58. | |
It is not going to be easy to make a century break from where they are | :20:59. | :21:14. | |
sitting. To make the century he would have to come back to the red | :21:15. | :21:19. | |
to the right of the pink. The one to the left is not all that good | :21:20. | :21:26. | |
either. Knowing Mark, he will do his utmost to try and clear the lot. He | :21:27. | :21:32. | |
has made 45 centuries this season. I think he has only had one in the | :21:33. | :21:34. | |
World Championship. That was this afternoon, 110. He has | :21:35. | :21:51. | |
not had his scoring boots on in this championship just yet. | :21:52. | :22:24. | |
Exhibition shot, now. That was about the best he could achieve. | :22:25. | :22:49. | |
Too hard for the pocket to accept that but the best possible start for | :22:50. | :22:55. | |
Mark Selby with a fabulous break of 86 and he opens up a two frame | :22:56. | :22:59. | |
advantage leading 5-3. We are just a stone's threw away | :23:00. | :23:08. | |
from the Crucible that here in Sheffield. Very much the perfect | :23:09. | :23:17. | |
start for Mr Selby? Yes, but it was helped by a kick. It doesn't matter | :23:18. | :23:21. | |
how skilled you are, there is no way of knowing when they are going to | :23:22. | :23:25. | |
happen. It is an occupational hazard and you have to deal with it. You | :23:26. | :23:28. | |
don't want them when you are trying to get back to level terms at the | :23:29. | :23:34. | |
Crucible. Only one century break for Mark Selby so far, 110 in frame six. | :23:35. | :23:41. | |
Are you surprised? No, any session can go scrap Belleek. It depends on | :23:42. | :23:46. | |
your upon it. McManus is one of the greatest players at containing any | :23:47. | :23:55. | |
situation. It does not matter how Mark Selby gets through, even if it | :23:56. | :23:59. | |
is ugly. Just get in the semifinals and let his game breeze. Have you | :24:00. | :24:04. | |
seen enough from Mark Selby this season to suggest he could lift the | :24:05. | :24:09. | |
title? He has been the bridesmaid more than the bride but even so, I | :24:10. | :24:15. | |
think he has shown some character in his first-round match, played | :24:16. | :24:18. | |
excellently in the second. I think he is bubbling away. | :24:19. | :24:22. | |
You don't know until the semifinal who will come to the fore. They are | :24:23. | :24:28. | |
playing nine frames this evening. They only managed seven this | :24:29. | :24:32. | |
morning. Back to our commentary team. | :24:33. | :24:53. | |
He would like to flick it. He has fluked it! That was a good job he | :24:54. | :25:06. | |
did that. Bad luck in the previous frame but | :25:07. | :25:36. | |
good fortune in this frame. Can he capitalise on it? | :25:37. | :26:02. | |
Very well cute. -- cued. That is characteristic of Alan McManus's | :26:03. | :26:13. | |
technique. He is trying to play a delicate | :26:14. | :26:35. | |
cannon on the red. He really wants a full ball cannon. | :26:36. | :26:44. | |
He is struggling at the moment and sometimes when you don't play the | :26:45. | :26:57. | |
positive shots it leaves a funny angle on the blue and you have got | :26:58. | :27:01. | |
to split the reds further. Pretty good safety shot. I think | :27:02. | :28:38. | |
when he was at the table the last time, he just didn't judge the | :28:39. | :28:48. | |
cannon correctly. He was trying to cannon the other one. He should have | :28:49. | :28:55. | |
That certainly helped the situation, there we | :28:56. | :29:48. | |
That certainly helped the situation, flicking the black, because the reds | :29:49. | :30:02. | |
are getting a bit awkward. Does not always go like this, sometimes there | :30:03. | :30:08. | |
is a bit of a stalemate. That is a pretty good shot there. | :30:09. | :30:19. | |
Yes, a pretty good shot, but he could just roll this red onto the | :30:20. | :30:31. | |
top cushion. Nothing will pot into the left-hand corner pocket, a | :30:32. | :30:33. | |
containing safety shot here. He brought up a red, he will not be | :30:34. | :31:02. | |
happy with that because he may have given Alan the chance of a pot. He | :31:03. | :31:09. | |
has been short of pace. If he can knock this in, Ken, and get himself | :31:10. | :31:13. | |
on the black and part the black and sort those reds out. | :31:14. | :31:35. | |
Every chance now of opening up the frame, use that long pot again. He | :31:36. | :31:44. | |
is looking at the pink, but I would be tempted by their black and cannon | :31:45. | :31:52. | |
into the reds. If he had an angle on the pink to get on that red, he | :31:53. | :31:57. | |
would have taken the pink, but it is not easy to do that. He is coming | :31:58. | :32:04. | |
around again to weigh up the situation. Back to the pink. The | :32:05. | :32:09. | |
only reason he didn't take the black and open things up... | :32:10. | :32:30. | |
The way he is rubbing the cloth shows he didn't get into that to | :32:31. | :32:36. | |
screw it back. He might have made a mess of the situation. A heavy | :32:37. | :32:42. | |
contact, did not get into the cue ball. He under scrutiny by at least | :32:43. | :32:51. | |
two and a half feet. -- he underscrewed that it. Left to chance | :32:52. | :32:56. | |
now from Mark Selby. He has this red just to the right of | :32:57. | :33:40. | |
the black spot. Doesn't need to worry about position. | :33:41. | :33:49. | |
He looked a bit shaky in the last couple of shots because he did not | :33:50. | :33:53. | |
get near that pot. Let's have a look at the pink to see | :33:54. | :34:11. | |
did he get a heavy contact. He might have decelerated a little bit, quit | :34:12. | :34:17. | |
a little bit, did not get the right reaction from the cue ball. | :34:18. | :34:35. | |
Let's look at this pink again from a different angle. Does it jump? It | :34:36. | :34:45. | |
does leave the bed of the table. Strange. | :34:46. | :35:12. | |
It really is an awkward table the way the reds are situated. Alan | :35:13. | :35:21. | |
McManus will do whatever it takes you to try to get back to one frame | :35:22. | :35:23. | |
behind. If he played off the red that is | :35:24. | :35:48. | |
closest to the right corner pocket with lots of side, he would cannon | :35:49. | :35:53. | |
the red to the right of the pink, so he needs to be careful here around | :35:54. | :36:03. | |
the angles. Playdate plain ball, he knew that red was on the way if he | :36:04. | :36:11. | |
played with a lot of side. -- played that plain ball. | :36:12. | :36:59. | |
That blackout been writer with a pocket, we really would have had a | :37:00. | :37:05. | |
stalemate. -- if that blackout been right over the pocket. | :37:06. | :37:19. | |
There is room for that red pass the black, but it is too risky. He needs | :37:20. | :37:23. | |
to be careful. A big target, as you said, up beyond | :37:24. | :37:51. | |
blue and yellow off the top cushion, side cushion. Here we go. There is | :37:52. | :37:57. | |
the pace, looking pretty good. He has happened to swerve this and | :37:58. | :38:20. | |
again, you have got to be careful, does not want to knock a red over | :38:21. | :38:26. | |
this left-hand corner pocket. The Black has gone closer to the pocket | :38:27. | :38:31. | |
and we're getting closer to a stalemate. I cannot see how we can | :38:32. | :38:36. | |
resolve this at the moment. There is no way that they can knock the black | :38:37. | :38:42. | |
in at present, so gradually, all of the reds will finish over near that | :38:43. | :38:43. | |
black, by the looks of things. I think half the crowd wanted that | :38:44. | :39:07. | |
red to be on into the corner pocket. Allen didn't wanted to be on! That | :39:08. | :39:14. | |
is for sure! This is a tough situation for the referee, because | :39:15. | :39:17. | |
there will be quite a lot of shots here, Alan is already 20 in front, | :39:18. | :39:22. | |
McCain will be thinking, how long will this go on for? -- Michaela | :39:23. | :39:40. | |
Tabb are -- will be thinking. It is almost like a trick shot, it may | :39:41. | :39:49. | |
just career of the two reds and going. Yes, it was on. | :39:50. | :40:01. | |
It was like a trick shot. He is pretty good at that type of thing. | :40:02. | :40:14. | |
Look at where the cue ball is going to be here! Twice across the table, | :40:15. | :40:28. | |
the angles will be pretty good at getting out of this if he passes the | :40:29. | :40:40. | |
Does this red pass the black? The one that is closest to it? If it | :40:41. | :41:08. | |
does, it will be a bonus. That is a bit tight. It will | :41:09. | :41:30. | |
definitely go in half the black if he hits the cushion first. | :41:31. | :41:38. | |
Just managed to avoid that red on the way back. | :41:39. | :42:11. | |
He needs to move that red at the left of the black spot area. | :42:12. | :43:06. | |
He can screw right in behind that red. All of a sudden, if he gets | :43:07. | :43:13. | |
good position here, he has got a clear path to cannon into these | :43:14. | :43:16. | |
reds. Has he hit it hard enough? I think | :43:17. | :43:33. | |
he has come up short. That could be the end of break if he is dead | :43:34. | :43:36. | |
straight. He will not be rolling this. This will go at some pace. | :43:37. | :43:46. | |
Was never going to be easy because of the angle left on the black. Left | :43:47. | :43:54. | |
it too straight, try to use all of his cue power there, but the angle | :43:55. | :43:56. | |
was a little bit too straight. Four. Just playing for the ball cushion, | :43:57. | :44:41. | |
Green was preventing from getting ever there. A pretty good shot. | :44:42. | :45:17. | |
That is OK. Just cost him four points, it has not left anything on. | :45:18. | :45:30. | |
But he can still get down behind that blew. That would be his target. | :45:31. | :45:32. | |
Track this cue ball. His GPS seems to be working OK this | :45:33. | :46:04. | |
evening! It might be OK. He will have it put | :46:05. | :46:37. | |
back. He wants to hit the red sin rather than thick, so better to miss | :46:38. | :46:50. | |
it at the first attempt. -- hit the red seven. | :46:51. | :47:02. | |
He played the identical shot. REFEREE: Foul and a miss. Finished | :47:03. | :47:17. | |
up in more or less the same spot. Unbelievable. It is like watching | :47:18. | :47:20. | |
the first attempt, that. Amazing. That was worth giving away eight | :47:21. | :47:41. | |
points, he played that extremely well. You need to be carefully, if | :47:42. | :47:46. | |
marketplace safe across the red to the black, he will cannon into the | :47:47. | :47:50. | |
other reds. That is what he is looking to see what happens. If you | :47:51. | :47:54. | |
try to get back down the table. He might not want to risk the safety | :47:55. | :48:09. | |
shot. They change of plan. It has gone slightly wrong. Does he | :48:10. | :48:37. | |
have a pot into this bottom right-hand corner. | :48:38. | :49:02. | |
Yes, he didn't fancy the safety shot Etihad first of all. Mark thought, I | :49:03. | :49:58. | |
will play a containing safety shot. It didn't work out for him. | :49:59. | :50:26. | |
That is about the best he can do to get on the pink. The black will not | :50:27. | :50:30. | |
go. He has got options here, he has got | :50:31. | :50:52. | |
a good cannon, he double-kissed it. I thought the cannon would push it | :50:53. | :50:55. | |
safe, then the double-kiss left it absolutely perfect. Look at this, | :50:56. | :51:02. | |
the cannon on the red ad, but the double-kiss, that is a beauty. -- | :51:03. | :51:07. | |
the red out. He decided on a containing safety | :51:08. | :51:24. | |
rather than opening up the reds and the dreaded double-kiss causing the | :51:25. | :51:25. | |
problem. Who is contemplating if he will play | :51:26. | :51:50. | |
the cannon on the red. A bit surprised he did not play that | :51:51. | :51:56. | |
because this red is available, but not straightforward, because he will | :51:57. | :52:00. | |
be running into the other red, he needs to hit this with a little bit | :52:01. | :52:04. | |
of pace and possibly hope for a double-kiss, maybe. He has judged it | :52:05. | :52:11. | |
well and the red over the middle as an extra bonus. Does not have to do | :52:12. | :52:18. | |
anything with the black, just concentrate on the pot, that red | :52:19. | :52:20. | |
could have gone safe. Just flicked a little bit of side on | :52:21. | :52:50. | |
it. It could have dropped it in. Just digging down. Flicked an extra | :52:51. | :53:01. | |
bit of side. Could have played it more firm. Quite the margin for | :53:02. | :53:09. | |
error. When you have that touch of side it puts it off-line. This could | :53:10. | :53:18. | |
be a big turning point in the match. He had every chance of | :53:19. | :53:26. | |
getting back to just one behind. The green is the problem ball for Mark | :53:27. | :53:28. | |
Selby. Look at this shot here. Lots of | :53:29. | :53:42. | |
reverse side. Awkward on the yellow. A position on | :53:43. | :53:51. | |
the black that caused the problem. If the cue ball had slowed up and be | :53:52. | :54:06. | |
near the middle of the table near the green, he could have played a | :54:07. | :54:08. | |
straightforward snooker. He didn't go for it. I wonder if | :54:09. | :54:50. | |
Alan will risk this and try to get the mind the green and push the | :54:51. | :54:55. | |
yellow down towards the corner pocket? He needs to get it straight | :54:56. | :54:58. | |
on. It will be a risky one. He tried it. It was thinking, I will | :54:59. | :55:21. | |
snooker him, I know he can get out of the snooker, but he might push | :55:22. | :55:26. | |
the yellow on. He is looking at the possibility of hitting it so he can | :55:27. | :55:29. | |
pot the yellow, so the green is not on, so even if he does, even not get | :55:30. | :55:32. | |
on the green. He cannot get near the green from | :55:33. | :56:03. | |
this position. He has, he has played to leave the double on the green. | :56:04. | :56:16. | |
What a clearance this would be if he could double the green. Trouble the | :56:17. | :56:30. | |
green will do! We have got the travel, but not ideally on the | :56:31. | :56:32. | |
brown. This is not easy into a blind | :56:33. | :56:49. | |
pocket. As to play with pace. -- has to play. | :56:50. | :57:07. | |
This could be end of frame, it was the way he finished, he travelled | :57:08. | :57:13. | |
the green and did not get on the brown. That was the way it went. | :57:14. | :57:16. | |
Talking away to himself. That will definitely be three frames | :57:17. | :57:45. | |
the difference. Worrying times for Alan McManus. | :57:46. | :58:14. | |
A hugely significant shake of the head from Alan McManus, he knows he | :58:15. | :58:21. | |
has gifted Mark Selby another frame. To continue watching this match, it | :58:22. | :58:25. | |
is available online on the BBC's website, and it is currently or York | :58:26. | :58:30. | |
and is leading by 7-3 against Dominic Dale on the red button. We | :58:31. | :58:43. | |
are back tonight at 11:25pm. -- and it is currently Barry Hawkins | :58:44. | :58:45. | |
leading by 7-3 against Dominic Dale. It's shocking it'd happen | :58:46. | :59:09. | |
in a public place. I don't find it funny, | :59:10. | :59:14. | |
but I don't find it offensive. It really is vile. | :59:15. | :59:16. | |
Shock value sells. Men are even less tolerant of women | :59:17. | :59:18. | |
than they were before. The hatred of women. | :59:19. | :59:22. | |
Some people are offended. Others think women | :59:23. | :59:24. | |
should just man up. | :59:25. | :59:27. |