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Selby won't mind. His has his first frame on the board this evening but | :00:00. | :00:00. | |
still, Ronnie O'Sullivan leads by four frames now, -4. | :00:00. | :00:00. | |
? STUDIO: He has his first frame on | :00:00. | :00:09. | |
the board and top break of 55. Those four frames have taken nearly two | :00:10. | :00:15. | |
hours to complete. Not often you say that in a match involving Ronnie owe | :00:16. | :00:21. | |
you will have van. He has been showing concentration and respect | :00:22. | :00:24. | |
for Mark Selby in the way he has gone about his business tonight. . | :00:25. | :00:33. | |
He is not disrespectful in his shot selection. You have to admire his | :00:34. | :00:38. | |
patience. But for Mark Selby, the scoring. Well done him. We can all | :00:39. | :00:42. | |
play when it is easy. Everyone can play when the sun is out. It is when | :00:43. | :00:45. | |
there is a include over your head. He has dug 55 from nothing. He | :00:46. | :00:52. | |
hasn't been scoring great all day. And still having a joke in the | :00:53. | :00:56. | |
crowd. He turned around and said - I will be all right with this one. So, | :00:57. | :01:02. | |
he has a sevens humour. He did really well. Observations from Steve | :01:03. | :01:06. | |
Davis in the practice room. General objections and since the | :01:07. | :01:09. | |
advancements in camera technology, we have discovered that snooker | :01:10. | :01:13. | |
isn't the two dimensional game we once thought it was. The balls are | :01:14. | :01:17. | |
bouncing when you hit the cue ball it is bouncing, when it hits the | :01:18. | :01:21. | |
object ball it is bouncing and afterwards, the balls are bouncing. | :01:22. | :01:24. | |
The players can use this to their advantage. See this shot from Ronnie | :01:25. | :01:45. | |
O'Sullivan. He deliberate deliberately bounces the cue ball to | :01:46. | :01:49. | |
widen the angle. The while ball bounces in the air. Once it stops | :01:50. | :01:53. | |
bouncing, it will spin forwards, speed up. It hits the cushion and | :01:54. | :01:57. | |
then he goes into the reds. Let's watch that shot. He bounces it. | :01:58. | :02:05. | |
Speeds up and breaks the reds open. You can use that to your advantage. | :02:06. | :02:11. | |
The other one is when you are trying to split open a pack of reds using | :02:12. | :02:17. | |
topspin. You jump the ball in the air t starts to go into the reds. It | :02:18. | :02:22. | |
still has the topspin but you land on reds and pushing the reds out of | :02:23. | :02:27. | |
the way. When it is in the air the cue ball cannot have any influence | :02:28. | :02:31. | |
on the cloth but once it finds the cloth, it starts to grip on the | :02:32. | :02:35. | |
cloth and it uses the spin you put on, as well as the bouncing to drive | :02:36. | :02:39. | |
through the ball and now you see, it is gripping on the cloth. It is | :02:40. | :02:43. | |
starting pushing with lots of topspin. It is pushing its way | :02:44. | :02:46. | |
through the reds. You can open the pack of reds that way using a lot of | :02:47. | :02:50. | |
topspin. Let's stop the action there. Going back to Ronnie | :02:51. | :02:55. | |
O'Sullivan's shot, another angle. Remember he is bouncing the cue ball | :02:56. | :03:00. | |
and widens the angle. When the ball stops bouncing, then it spins | :03:01. | :03:10. | |
forward. Here we go: As it grips, it is fast and goes through the ball. | :03:11. | :03:14. | |
We will see Ronnie O'Sullivan's shot. He plays this, bouncing the | :03:15. | :03:22. | |
ball. Opening the reds up. Be aware, the balls are bouncing, you have | :03:23. | :03:26. | |
spins on them and hopefully you can control the balls by using different | :03:27. | :03:30. | |
amounts of raising but a fraction you up in the air, bouncing the | :03:31. | :03:34. | |
balls when you need to. Is he pushing for a PhD? Ronnie | :03:35. | :03:40. | |
O'Sullivan has been pushed at the Crucible this year, particularly by | :03:41. | :03:44. | |
Joe Perry in the second round but in the quarter-final and semifinal he | :03:45. | :03:47. | |
came through with the minimum of fuss and real pin ash. So much so, | :03:48. | :03:53. | |
he cleared both matches with a session to spare, earning a day off | :03:54. | :03:57. | |
yesterday, some of which he spent with Steve. | :03:58. | :04:04. | |
Another final. Does it feel any different to previous years? Yes, I | :04:05. | :04:10. | |
think this one has been much more relaxed. I've felt for the fist time | :04:11. | :04:14. | |
when I went to the two table to the one table, I felt much more at home, | :04:15. | :04:21. | |
much more quickly. Normally it takes one-and-a-half sessions to get used | :04:22. | :04:26. | |
to the space but this time I felt OK from the off, really. How do you | :04:27. | :04:30. | |
judge your own game, compared it five years ago? I'm much more | :04:31. | :04:35. | |
consistent now. I'm much more able to put away any thoughts of - you | :04:36. | :04:40. | |
know, during the match when I'm sort of maybe things aren't going my way | :04:41. | :04:46. | |
and I'm not getting the fluency and potting and accuracy that we all | :04:47. | :04:51. | |
strive for. Whereas before, if I wasn't playing well going into a | :04:52. | :04:54. | |
tournament I would think - it is not going to be my tournament. Now I | :04:55. | :05:00. | |
cannot worry so much if I'm in the playing so well, so when I get to | :05:01. | :05:06. | |
the tournament I'm not panicking so much. Steve Peters instrumental in | :05:07. | :05:11. | |
helping you. Absolutely. When you are playing well you don't panic but | :05:12. | :05:15. | |
when you are not playing well, you know the panic sets in. Steve has | :05:16. | :05:19. | |
helped me kind of try and get in that frame of mind - as if you are | :05:20. | :05:23. | |
playing well, although you are not and to enjoy the process a lot more. | :05:24. | :05:27. | |
Accepting that if I want to be successful and want to win titles, | :05:28. | :05:31. | |
part of the package is you can't play well every day. I thought I | :05:32. | :05:35. | |
could. You have Mark Selby in the final. He's caused you problems | :05:36. | :05:40. | |
before. Tell me about him. Yes, I mean, I think he has caused | :05:41. | :05:44. | |
everybody problems. He is that type of guy that never gives in. He has a | :05:45. | :05:50. | |
great tactical game. He can contain you. You can be waiting a long time | :05:51. | :05:54. | |
before you get an opportunity. If you don't score from that | :05:55. | :05:56. | |
opportunity, you can wait another long time before you get another | :05:57. | :06:01. | |
opportunity. I think that, you know, since working with Steve and that, I | :06:02. | :06:04. | |
have kind of learned to admire Mark more now. I know it is not easy when | :06:05. | :06:10. | |
the balls ain't flowing in well and you are not scoring as well and you | :06:11. | :06:13. | |
are kind of having to graft matches out and Mark does a lot of that. To | :06:14. | :06:18. | |
hold it will together, like he does, it shows what a great player, | :06:19. | :06:23. | |
champion and competitor he S and his desire to want to win -- he is. And | :06:24. | :06:29. | |
his desire to want to win makes him a formidable opponent. Tell me about | :06:30. | :06:33. | |
something I'm very interested in - not because I'm worried about my | :06:34. | :06:37. | |
record, I have no record, Stephen Hendry has the record. But are you | :06:38. | :06:41. | |
relishing the challenge of the chance of being in the record books? | :06:42. | :06:45. | |
Wouldn't it be nice to be eight times World Champion? I would be | :06:46. | :06:48. | |
lying to say I haven't thought about it, but every time I think about it, | :06:49. | :06:53. | |
I just think - you know, that's too far to look ahead. So, for me, it is | :06:54. | :06:58. | |
just kind of, just to having got four was great, five is fantastic. | :06:59. | :07:03. | |
And to be in another final with a chance to equal yourself and Ray | :07:04. | :07:08. | |
Reardon, I would have to pinch myself, really. I'm content with | :07:09. | :07:14. | |
fie. Don't get me wrong, I want more -- I'm content with five. Don't get | :07:15. | :07:18. | |
me wrong, I will not be stopping. The only time I will stop is when I | :07:19. | :07:22. | |
feel I don't want to do it. If the record comes, it is great. I have | :07:23. | :07:26. | |
had great success here, and, you know, who wouldn't want to be a | :07:27. | :07:30. | |
world record holder of eight world titles? Another record that not | :07:31. | :07:36. | |
exactly the same type but longevity within the game. You are coming up | :07:37. | :07:41. | |
to, at some stage, to 40 years old. People, in the past, have seemed to | :07:42. | :07:46. | |
have hit a brick wall at 40. Is it in your mind to push the barriers | :07:47. | :07:51. | |
back, to be the oldest champion? The person that actually forces the | :07:52. | :07:54. | |
expectations of people as to what they can achieve older in theirs | :07:55. | :07:59. | |
lives? Yeah, when I was first working with Steve Peters we kind of | :08:00. | :08:04. | |
tried to set myself like long-term goals, if you like or a dream goal, | :08:05. | :08:08. | |
if you like. One of mine was to say - well, rather than try to win World | :08:09. | :08:14. | |
Champions in the here and now, saying maybe a much more healthier | :08:15. | :08:20. | |
ambition would be to say I want to win woorld champion in my 40s. If -- | :08:21. | :08:26. | |
World Champion. So if I wasn't winning them now, the main targeted | :08:27. | :08:31. | |
was to win one in my 40s. I'm 38, 39 this year. Everyone else doing well | :08:32. | :08:38. | |
are like 30, and 301, like Neil and Mark Selby and then you have the | :08:39. | :08:43. | |
younger ones like ding and Trumpy and I kind of feel blessed to be | :08:44. | :08:49. | |
able to be mixing it with this era of snooker players. I don't know | :08:50. | :08:54. | |
what it is down to. I think a lot of it is that I'm enjoying playing. If | :08:55. | :08:58. | |
you are enjoying playing, it helps, it makes you feel young. Do you | :08:59. | :09:02. | |
think this will mean more to you than some other World Championship | :09:03. | :09:08. | |
victories if you were to win it? No, my biggest one was 2012, without a | :09:09. | :09:12. | |
doubt. I didn't intend to come back to playing. It was only that I found | :09:13. | :09:17. | |
a new love for the game and just to have my boy there with me. I never | :09:18. | :09:20. | |
thought that was going top ha. I really didn't. -- to happen. I | :09:21. | :09:26. | |
really didn't but when I was clearing up against Ally Carter I | :09:27. | :09:32. | |
was having to hold it back. It was such a special emotion. It felt like | :09:33. | :09:38. | |
me and little Ronnie, after everything I have gone through, | :09:39. | :09:43. | |
separating - I don't want to go into it, it was emotionally charged and I | :09:44. | :09:47. | |
was like, you know what, money can't buy this feeling. For me that was | :09:48. | :09:58. | |
it, the icing on the cake. R I'm enjoying it for a change. -- I'm | :09:59. | :10:03. | |
enjoying it for a chavenlingt I have had so many times when I had to | :10:04. | :10:07. | |
battle around it. Now if I'm not happy I have to deal with it and | :10:08. | :10:11. | |
accept it is part and parcel of the game and not beat myself up. It was | :10:12. | :10:15. | |
hard. I was hard on myself for a long time. This is me going to work, | :10:16. | :10:20. | |
doing what I do and basically feeling like I'm living the dream. | :10:21. | :10:26. | |
It is truly remarkable. It was only three years ago that he started to | :10:27. | :10:31. | |
work with Dr Steve Peters. He got to the quarter-finals. He had only been | :10:32. | :10:35. | |
working with him for about a month before that and suddenly on the cows | :10:36. | :10:43. | |
of of three in a row -- on the cusp. It has been written that it is an | :10:44. | :10:49. | |
alliance of imperfection. An ability to accept you are not be perfect all | :10:50. | :10:53. | |
the time. Is that the key It is the key. We are all perfectionist. He | :10:54. | :10:57. | |
has been a massive influence on him. His attitude has changed completely. | :10:58. | :11:01. | |
I think we are seeing more than signs of it in the final. I think he | :11:02. | :11:05. | |
is applying himself here better than he has ever done and because of | :11:06. | :11:08. | |
that, he is probably going to win again. Do you recognise that need to | :11:09. | :11:12. | |
be perfect and how debilitating it was in perhaps your later years in | :11:13. | :11:18. | |
the sport? Absolutely. I remember in my last World Championship making a | :11:19. | :11:23. | |
maximum against Bingham and going to Chris Hendry working with him, and | :11:24. | :11:28. | |
he was saying - the maximum is unbelieval and I just wanted to talk | :11:29. | :11:34. | |
about how I butchered other shots. I can remember the balls that I missed | :11:35. | :11:39. | |
that cost me tournaments. I cannot remember half the ones, I won. I | :11:40. | :11:43. | |
haven't got a clue. You always remember the ones you made the | :11:44. | :11:47. | |
mistakes on. Ronnie's friend, Damien Hirst, the artist, who is with him | :11:48. | :11:51. | |
in his corner, says he feels this campaign is crucial if he is to | :11:52. | :11:55. | |
catch your seven world titles do you agree? I said that to a couple of | :11:56. | :11:59. | |
people. I said - if he doesn't win it this year - and obviously I'm | :12:00. | :12:04. | |
protecting my record, but I said if he doesn't win this, I think he will | :12:05. | :12:09. | |
find it tough but if he does, he will probably go on to win it. Do | :12:10. | :12:13. | |
you think that could incentivise him? He does. And he is better | :12:14. | :12:20. | |
equipped. He is incredibly fit. We know how much he runs. He has | :12:21. | :12:25. | |
bundles of talent He is only playing when he wants to. Nobody is forcing | :12:26. | :12:28. | |
him to. You are going to be playing when you want to now. In the last | :12:29. | :12:33. | |
week or so, there was an announcement here that made Stephen | :12:34. | :12:37. | |
Hendry and Steve Davis, an invitation it play on the tour next | :12:38. | :12:41. | |
year. How much or how little they do is up to them. But there was another | :12:42. | :12:45. | |
part to the announcement which said all previous Kings of the Crucible, | :12:46. | :12:49. | |
all the previous World Champions will be able to get into the | :12:50. | :12:53. | |
qualifying round to get into this great event. So who will play and | :12:54. | :13:00. | |
who will stay away? We do accept that the World Championships is a | :13:01. | :13:05. | |
very special event. Our blue riband event. We have decided to increase | :13:06. | :13:09. | |
the number of players in the world snooker Championships from 128 to | :13:10. | :13:16. | |
144. The extra 16 players will be drawn by inviting any player who has | :13:17. | :13:21. | |
won the World Snooker Championship in the past and it will include play | :13:22. | :13:34. | |
players from virgin countries. I'm a bit upset you have not seeded me | :13:35. | :13:38. | |
through to the final seeing as I am your mate but I suppose the last one | :13:39. | :13:42. | |
to eight is OK. I think it is great idea. I think it is something they | :13:43. | :13:46. | |
do in other sports. Obviously golf, past champions. I don't think the | :13:47. | :13:50. | |
young gun also feel threatened by us, but it gives us a chance to | :13:51. | :13:57. | |
relive old glories, I suppose. I think I might just maybe even get | :13:58. | :14:01. | |
myself a new cue, start putting practice in and I'll give it a go | :14:02. | :14:06. | |
next year. And very little chance of getting back to the Crucible | :14:07. | :14:10. | |
Theatre. But who knows, it might just happen. . I'm seriously | :14:11. | :14:22. | |
thinking about doing it. I'm a lot older nowadays. I'm practice. If my | :14:23. | :14:26. | |
practice game is good, I may enter. I think for some of the players who | :14:27. | :14:31. | |
are ex-champions it is a good idea. Obviously they have to go through | :14:32. | :14:33. | |
the qualifying which is the correct thing and if they come through and | :14:34. | :14:37. | |
qualify that way, brilliant. A great buzz for the tournament and well | :14:38. | :14:41. | |
done. Unfortunately, I will not be one of them. ! For me, personally, | :14:42. | :14:46. | |
well hopefully I won't have to use it for a few years yet but if I do, | :14:47. | :14:52. | |
I would obviously like to play in the world champion at some stage. If | :14:53. | :14:56. | |
I believe I'm able it compete for me I still get angry when I play baddie | :14:57. | :15:03. | |
in exhibitions. I would have to feel I was going to do myself justice. . | :15:04. | :15:10. | |
I think it is great fun idea and it will be very interesting to see how | :15:11. | :15:13. | |
many players take up the option. It sure will. It will be a bit like the | :15:14. | :15:18. | |
Masters at Augusta, about how many of the former champions will make | :15:19. | :15:22. | |
the cut. You will have to win three best of 19 frames to make it here. | :15:23. | :15:26. | |
People think it is an invitation straight to the Crucible but there | :15:27. | :15:30. | |
is hard work to do to get through the mine field of the qualifiers. | :15:31. | :15:35. | |
What appeals to you? This. This atmosphere is special. This is the | :15:36. | :15:39. | |
only place to play snooker and to get the chance to possibly play here | :15:40. | :15:43. | |
again would be fantastic but as I said, I wouldn't just do it for the | :15:44. | :15:48. | |
occasion, I want to play well. Are you happy to sit where you are? | :15:49. | :15:52. | |
While there is golf courses in the world I will not be getting the cue | :15:53. | :15:59. | |
out. I packed in five years ago I had my fill. For all the boy who is | :16:00. | :16:03. | |
want to come through, fantastic but I'm getting my clubs out. We have | :16:04. | :16:08. | |
heard from Ronnie O'Sullivan but what about Mark Selby. He has made | :16:09. | :16:14. | |
for the practice room. That's his friend Bobby who has come across | :16:15. | :16:18. | |
from Hong Kong to help him. Mark paid for his ticket for him to be | :16:19. | :16:22. | |
here, to support him. A great gesture from a great guy. The Jester | :16:23. | :16:28. | |
from Leicester, great fun. A lot of nick names, stickability Selby and | :16:29. | :16:34. | |
sat-nav Selby and the one that Ronny wrote about, the Torturer because at | :16:35. | :16:39. | |
the table this man is hard as nails. We spoke to him after his victory. | :16:40. | :16:46. | |
My biggest one was 200012. I didn't intend coming back. I can't believe | :16:47. | :16:50. | |
it. Obviously such a tough game. Neil is one of the best players in | :16:51. | :16:54. | |
the world. I knew it was going to be a tough match. I was never going to | :16:55. | :16:58. | |
win easy either way. I was never going to give in even if I did get | :16:59. | :17:03. | |
beat but I managed to get over the line. Seven years since he reach | :17:04. | :17:11. | |
your last final. What is the difference in your game now I have | :17:12. | :17:15. | |
more belief. When I was going through, I had no expectations. Now | :17:16. | :17:18. | |
I have won tournaments I have the belief coming into the big | :17:19. | :17:20. | |
tournaments like the World Championships. So probably just | :17:21. | :17:24. | |
confidence, really. Why do you think it has taken you so long to get to | :17:25. | :17:27. | |
another final. It looked like that was the springboard for you to | :17:28. | :17:33. | |
continually be in the final. The standard is so tough. It is such a | :17:34. | :17:38. | |
hard tournament to win. You know you are going to have bad sessions here | :17:39. | :17:41. | |
and there, it is a matter of how bad they are. Thankfully for this week, | :17:42. | :17:45. | |
when I have had a bad session, it has only been 5-3 or 3-4. Much has | :17:46. | :17:51. | |
been said of the fact that Ronnie has won with a session to spare. # | :17:52. | :17:58. | |
It is obviously the way Ronnie has played. He has played two matches | :17:59. | :18:02. | |
with sessions to spare. At the speed he plays, obviously, it still seems | :18:03. | :18:06. | |
to not take much out of him. You have had epic battles with him over | :18:07. | :18:10. | |
the years but you seem better prepared than most to cope with | :18:11. | :18:14. | |
that. Why? I play the table and believe in my own ability. If it | :18:15. | :18:18. | |
goes scrappy I'm tolling stay out there as long possible. -- I'm | :18:19. | :18:22. | |
willing to. If it is open I'm willing to stay. | :18:23. | :18:26. | |
What is your approach to the final? It is much documented you had | :18:27. | :18:29. | |
confidence issues. It is not like that now, is it? Not at all. Even | :18:30. | :18:35. | |
before coming to the World Championships about a | :18:36. | :18:37. | |
week-and-a-half before, something clicked on the practice table. Even | :18:38. | :18:41. | |
though I have got to four finals, I have not felt I played fantastic to | :18:42. | :18:46. | |
get there. I have dug in and obviously play my B game but coming | :18:47. | :18:52. | |
to the World I was confident T clicked in practice. Ronnie has | :18:53. | :18:58. | |
mentioned he has learned respect for your mental toughness. Do you think | :18:59. | :19:03. | |
that is one of your assets I think it is one of them. Like I say, my B | :19:04. | :19:09. | |
game if I'm in the playing at my best, I win on it. -- I can win on | :19:10. | :19:14. | |
it. You have won the Masters and the UK. What would the World | :19:15. | :19:18. | |
Championship mean it Mark Selby? Everything. That's my childhood | :19:19. | :19:22. | |
dream. That's what you play snooker for, to be a World Champion and lift | :19:23. | :19:29. | |
that trophy end of it. He talked about his levels of belief having | :19:30. | :19:35. | |
risen considerably since he appeared here against John Higgins. This is a | :19:36. | :19:39. | |
real test of his self-belief against this man who has played brilliant | :19:40. | :19:45. | |
snrooker. He has played -- snooker. He's played calm stuff here. We have | :19:46. | :19:50. | |
five more frames this evening and we'll share them now in the company | :19:51. | :19:55. | |
of Denis Taylor and John Virgo. There they are. | :19:56. | :20:01. | |
JOHN VIRGO: Good evening. I thought before the mid-session interval that | :20:02. | :20:05. | |
Mark Selby seemed to be in the mood to be a little bit more aggressive, | :20:06. | :20:09. | |
Denis and take a few more pots on, maybe things happen. DENIS TAYLOR: | :20:10. | :20:19. | |
Ye, I'm with you on that one, John. He did quicken up, quite a bit. It | :20:20. | :20:28. | |
was such an important frame to win. Straight away he may have an early | :20:29. | :20:32. | |
chance if that green doesn't come to Ronnie's rescue. Well it has, it | :20:33. | :20:36. | |
wasn't the best break-off shot but the green, that little smile from | :20:37. | :20:40. | |
Mark, is telling you there what he thinks of not being able to pot the | :20:41. | :20:42. | |
red. Oh, that's the pink. Ref rf foul and | :20:43. | :21:06. | |
miss. Ron -- REFEREE: Foul and mi,s Ronny O'Sullivan four. | :21:07. | :21:12. | |
Ronnie is a bit reluctant to put it back but he has no shots sow might | :21:13. | :21:16. | |
as well. I think Mark was coming into the table and thinking - I have | :21:17. | :21:22. | |
to have a red in the middle pocket. This game never changes. When you | :21:23. | :21:26. | |
are lined and need a it about of luck, it never seems to go your way. | :21:27. | :21:34. | |
-- need a bit of luck. Ronnie just making certain that the cue ball is | :21:35. | :21:38. | |
back where it was. I don't think he could get through to any part of | :21:39. | :21:39. | |
this red. This is where it was. It is only the | :21:40. | :21:50. | |
cue ball that needs doing. It doesn't look too bad now. | :21:51. | :21:58. | |
Same shot but just a touch more left-handside, and pace. | :21:59. | :22:16. | |
Touching ball, declares the referee so an easy path back to the baulk | :22:17. | :22:22. | |
for Ronnie. He is going the other side of the | :22:23. | :23:03. | |
table now, into the reds. It should be OK. | :23:04. | :23:18. | |
I don't know if he can see enough of that red. Obviously not. But he has | :23:19. | :23:26. | |
purposely left Mark a shot at that red. Or did he purposely leave him a | :23:27. | :23:31. | |
shot at the red? Because Mark can have a go at this. OK, he may have a | :23:32. | :23:38. | |
little bit of an awkward bridge to make. | :23:39. | :23:43. | |
Well there is certainly a gap for the cue but is he touching the pink? | :23:44. | :23:50. | |
The referee wouldn't declare this touching the pink. | :23:51. | :23:56. | |
Just not but can he get it? No, just couldn't get to the potting angle, | :23:57. | :24:03. | |
so just a containing safety but if he has not covered that red for the | :24:04. | :24:08. | |
yellow, a good chance for Ronnie to play a lot better safety than that. | :24:09. | :24:12. | |
I wonder if he will send it into the reds. He has. | :24:13. | :24:22. | |
The danger with that is you never know where they are going to go. He | :24:23. | :24:29. | |
has a good cue ball. He hasn't covered the one to the right. You | :24:30. | :24:32. | |
are never sure where they are going, but it was a good attacking shot. | :24:33. | :24:38. | |
One good pot and he might miss the cannon into the reds. He could give | :24:39. | :24:39. | |
himself a chance here. He needed a good kiss on the brown. | :24:40. | :24:59. | |
He didn't get it, so up to the yellow. He think he has just hit | :25:00. | :25:05. | |
that yellow a little bit too hard. He is walking back to his seat. You | :25:06. | :25:07. | |
saw that disappointment on his face. Is Good hit from Ronnie. What has | :25:08. | :25:30. | |
been impressive for me is we go on about which Ronnie has turned up. We | :25:31. | :25:38. | |
have put that behind us. Even the frames this evening which have been | :25:39. | :25:42. | |
slow, Ronnie has not lost his focus, has he? | :25:43. | :25:47. | |
Well, while we are talking they are having a re-rack. Listen, Listen JV, | :25:48. | :25:57. | |
nothing wrong with a re-rack every now and again, does you the world of | :25:58. | :26:10. | |
good. Brendan Moore who are refereeing his first-ever World | :26:11. | :26:15. | |
Championship final is enjoying every minute of this. It is great to see | :26:16. | :26:22. | |
him there. That's what they are playing for, that magnificent World | :26:23. | :26:27. | |
Championship trophy. And a lovely little lady on the top there. | :26:28. | :26:58. | |
So, Ronnie gets this frame started again. Not the best break-off shot. | :26:59. | :27:05. | |
The cue ball off the baulk line and there is a chance for red for Mark. | :27:06. | :27:10. | |
These are the types of reds you feel he has to start knocking in. Good | :27:11. | :27:19. | |
pot. And controlled it nicely to be on a baulk colour. | :27:20. | :27:32. | |
He nicely found the gap there and controlled the cue ball well. | :27:33. | :27:40. | |
You had the perfect picture there of where he was hitting that cue ball | :27:41. | :27:48. | |
to screw back right down in the bottom. Look at, that right down at | :27:49. | :27:51. | |
the bottom of the white. So, as Hazel mentioned, there are | :27:52. | :28:05. | |
five frames to be played to finish this session of. | :28:06. | :28:21. | |
He is hitting the white right down at 6.00 if you imagine the ball | :28:22. | :28:34. | |
being a clock face. It stops and then keeps on spinning. | :28:35. | :29:03. | |
The last of the easy reds. He will have to go into this cluster off the | :29:04. | :29:10. | |
black. It is the type of cluster you would like to go into off the blue | :29:11. | :29:15. | |
but that's not an option here. Just about got the angle. I was wondering | :29:16. | :29:21. | |
if he stunned it rather than screwed it, he play this is shot so well. It | :29:22. | :29:25. | |
looks like he is going to screw it but he does play it so well. Now, | :29:26. | :29:31. | |
you see, the red is in as well. REFEREE: Foul. He normally stun that | :29:32. | :29:36. | |
is type of shot from that angle and could have stunned it past the | :29:37. | :29:40. | |
middle of the back. You see the two reds, well if he had played that | :29:41. | :29:45. | |
with a stun he would have pushed them open better. Unlucky to knock | :29:46. | :29:46. | |
that red in. As you say, there is five more | :29:47. | :30:16. | |
frames. Four after this one and very big frames these are for Mark Selby. | :30:17. | :30:27. | |
You think if he wants to win at least three of the five. Yes, that | :30:28. | :30:37. | |
would be Mark's target. But you have got to play them frame at a time. | :30:38. | :31:05. | |
If he plays down this red the left side, he can send it over to the | :31:06. | :31:14. | |
other red. So he has changed his mind. | :31:15. | :31:21. | |
This is a much better choice, this one. Nicely played. He has improved | :31:22. | :31:38. | |
his safety play. He needed to. In the first session today, his safety | :31:39. | :31:43. | |
play, I don't think this safety success is a fair reflection of some | :31:44. | :31:48. | |
of the safety shots. He was catching a lot too thick. | :31:49. | :32:32. | |
That's opened a few more reds up. The next shot might even o' open a | :32:33. | :32:42. | |
few more That's turned out OK in the end, but | :32:43. | :33:05. | |
boy he just went past that red on the left-hand side of the table. If | :33:06. | :33:08. | |
he had caught it thicker, the cue ball wouldn't have finished there. | :33:09. | :33:15. | |
Look at that - just feathered that red and that helped it find the gap | :33:16. | :33:21. | |
between yellow and brown. Well, not the best safety. I don't | :33:22. | :33:43. | |
know if it goes to to far right corner past the pink. That is the | :33:44. | :33:48. | |
one you would want to play if you had the choice. It must be very | :33:49. | :33:49. | |
close to being pottable. He is keeping the discipline. I | :33:50. | :34:19. | |
think Ronnie a couple of seasons a go would maybe have had a go at | :34:20. | :34:24. | |
that. But he is playing all the correct shots. | :34:25. | :34:32. | |
I can't think of too many times that Ronnie has pushed the boat out as we | :34:33. | :34:40. | |
say. Well, that has opened them up. If he drops in behind the green, it | :34:41. | :34:45. | |
is a bonus. Not quite. He can get through to this red. If he missed | :34:46. | :34:49. | |
the green he would have had him snookered on all the reds. Just keep | :34:50. | :34:58. | |
an eye on the you ball here. There is a bit of a gap. | :34:59. | :35:04. | |
He could catch the red that is near the cushion. We had so much side on | :35:05. | :35:13. | |
that. He played that with so much right-hand side to avoid cannoning | :35:14. | :35:18. | |
into that red. That makes the pot so much more difficult. | :35:19. | :35:33. | |
As Dennis said, just to check it to miss that red. But he has not played | :35:34. | :35:39. | |
the best positional shot there. He has got to avoid the kiss on the | :35:40. | :35:59. | |
second red. And where is the cue ball? Where is the cue ball going? | :36:00. | :36:06. | |
It is OK. Well, he will be so disa appointed with his shot when he | :36:07. | :36:10. | |
cannoned the blue, because he had a great chance. This was the screw | :36:11. | :36:18. | |
back. He didn't want to be anywhere near the blue. And once he hit it | :36:19. | :36:24. | |
half ball, it is amazing how one little cannon can put you right out | :36:25. | :36:26. | |
of position. Thin on that. That is why the cue | :36:27. | :36:46. | |
ball's coming in and out of baulk. Well, there is a few reds he could | :36:47. | :36:50. | |
have a go at. Not guaranteed position on the colour. | :36:51. | :37:01. | |
Well, he wasn't expecting a cannon there, he thought he could take a | :37:02. | :37:28. | |
pot on and miss that cannon. When you have got a four-frame advantage, | :37:29. | :37:32. | |
as we show you this attempt at the cut, maybe if he had potted that, he | :37:33. | :37:36. | |
wouldn't have cannoned the red. If you have a four-frame advantage, you | :37:37. | :37:41. | |
just want to share the little mini-sessions. | :37:42. | :37:49. | |
He has left himself a very tricky pot here. This needs good cueing. | :37:50. | :38:08. | |
Tough with your hand on the cushion there. Oh, he has played it nicely. | :38:09. | :38:20. | |
The problem was it was going away from the reds. But as you say, a | :38:21. | :38:23. | |
good pot. He needs another one now. He will put everything into this | :38:24. | :38:41. | |
chance here. He didn't get that well, he just | :38:42. | :39:39. | |
stunned it a bit too. Should have been straight on this pink. This | :39:40. | :39:47. | |
pink will put him 40 points in front with 67 remaining. | :39:48. | :39:57. | |
Just able to use that red to hold the cue ball. | :39:58. | :40:06. | |
He will need the little extension there. Slightly out of position | :40:07. | :40:14. | |
there previously. 46 ahead, 59 remaining. He is | :40:15. | :40:54. | |
looking at the score board. Red, blue, red, pink, red, blashg would | :40:55. | :41:00. | |
put him in the snookers required stage. | :41:01. | :41:04. | |
Anything less and he will need another red. He is nicely on blue or | :41:05. | :41:15. | |
pink. The blue is unmissable, so it will probably be the blue. | :41:16. | :41:25. | |
The blue will put him 52 points ahead with 51 remaining. | :41:26. | :41:45. | |
It's not there. So one snooker required for Ronnie as he comes to | :41:46. | :41:55. | |
the table, 52 points behind, 51 remaining. | :41:56. | :42:05. | |
He will play for the red the right side of the table. | :42:06. | :42:12. | |
Because the one at the back is in an ideal place to get a snooker. Mark | :42:13. | :42:20. | |
knows he could be snookered behind the black. | :42:21. | :42:28. | |
Yeah, that's pretty good. Ronnie just coming around to see where he | :42:29. | :42:33. | |
would like to leave the cue ball. If he sends the red up near one of | :42:34. | :42:47. | |
the baulk colours and gets it close to it and gets behind the black. He | :42:48. | :42:50. | |
is right back in this frame. He would like to be tight up behind | :42:51. | :42:57. | |
the black. I think he has got the snooker and | :42:58. | :43:18. | |
cut out the one cushion escape. So this frame could be back on. There | :43:19. | :43:27. | |
is a possible one-cushion escape. But that's difficult. I don't think | :43:28. | :43:34. | |
he can swerve around the black, he is too close to that. This way, he | :43:35. | :43:39. | |
is going to have to be very precise. Nonchts, help has -- no, he has | :43:40. | :44:09. | |
missed it. REFEREE: Foul. Frame on again. So now 32 behind, 35 | :44:10. | :44:19. | |
remaining. He knew when he missed that red that would have kept Ronnie | :44:20. | :44:23. | |
in his seat that he was asking for trouble, because he left the red on | :44:24. | :44:27. | |
and Ronnie could get the blacks he needed and play the snooker. | :44:28. | :44:37. | |
If this runs past the black, we could have a new favourite for the | :44:38. | :44:54. | |
frame. Well, it has. Ronnie anxiously looking the other side of | :44:55. | :45:00. | |
the table. Because he is so close to the cushion, to get the bit of side | :45:01. | :45:04. | |
that is needed to come off the cushion, miss the plaque and hit the | :45:05. | :45:11. | |
red -- black and hit the red, he might have to swerve this and hope | :45:12. | :45:24. | |
for the best. He is looking at off the side cushion. | :45:25. | :45:29. | |
This will have to be absolutely spot on. REFEREE: Foul and a miss. It was | :45:30. | :45:37. | |
always there. That is why I thought he might just swerve around it. | :45:38. | :45:43. | |
Ronnie's, it's a free ball as well. So that will give him a free shot, | :45:44. | :45:47. | |
if he wants. But Ronnie having a look at the score board, the thing | :45:48. | :45:52. | |
is he will need the black and the black is now safe. That is why he | :45:53. | :45:58. | |
has had it put back. If he didn't need the black, I'm certain he would | :45:59. | :46:02. | |
have played the green as the free ball. Yes, the shot he is | :46:03. | :46:12. | |
attempting, he has to be so precise to miss the black and just flick the | :46:13. | :46:15. | |
red. REFEREE: Foul and a miss. He's done | :46:16. | :46:49. | |
it again. Ronnie having a think, because he won't need the black. 18 | :46:50. | :46:56. | |
points the difference. If he was to get off this last red, blue or pink. | :46:57. | :47:05. | |
But he thinks well, this is a difficult snooker to hit. I'm | :47:06. | :47:13. | |
surprised he hit the black so thick second time. Especially someone like | :47:14. | :47:18. | |
Mark who is so good at getting out of snookers. He is hoping to knock | :47:19. | :47:29. | |
the red on to the side cushion. But he is hitting the black almost | :47:30. | :47:33. | |
quarter ball. I think it is just a plain ball shot. Well there is less | :47:34. | :47:38. | |
than half ball of the red sticking out. | :47:39. | :47:48. | |
I tell you what, he has done well here. Yes, no luck there. He knew if | :47:49. | :48:01. | |
he caught that red he would send it over on to the side cushion. | :48:02. | :48:11. | |
Well, there is a gap here. It is a tough pot though from where the cue | :48:12. | :48:28. | |
ball is sitting. I think you look at this type of shot, is it easier to | :48:29. | :48:36. | |
play the safety? If he played half ball on the right-hand side on the | :48:37. | :48:41. | |
red as he looking and bring the cue ball behind the black. | :48:42. | :48:57. | |
He played it the other way. Well, I think he has left this red. I think | :48:58. | :49:06. | |
you're way was the best way, John. Sending the red back up and trying | :49:07. | :49:11. | |
to get over behind the black. So one good pot here and one decent cannon | :49:12. | :49:14. | |
on the green. Well is the green going? Where is | :49:15. | :49:20. | |
that green? REFEREE: Foul. Would you Well is the green going? Where is | :49:21. | :49:37. | |
it's a free ball. Well the cannon was always on, Ronnie never dreamt | :49:38. | :49:41. | |
he could cannon the green into the pocket. | :49:42. | :49:48. | |
I think he was hoping he could push the green towards the pocket and | :49:49. | :49:55. | |
have it there. He never envisaged putting it in. The green never | :49:56. | :50:00. | |
touched the side and I think Ronnie knew as soon as he saw the green | :50:01. | :50:02. | |
over the pocket. In it goes. And Mark nicely on the | :50:03. | :50:08. | |
green. And boy, will he be relieved. We do | :50:09. | :50:28. | |
have different turning points in a long match. That is going to be one. | :50:29. | :50:34. | |
Because he would have opened up a five-frame advantage. | :50:35. | :51:00. | |
So a frame that could have gone either way. Mark Selby now relieved | :51:01. | :51:13. | |
to be only three behind at 8-5. STUDIO: Two in a row and John is in | :51:14. | :51:21. | |
our exhibition area and in has come Steve Davis. What do you think of | :51:22. | :51:25. | |
that frame. Mark Selby seems to be very struggling to get over the line | :51:26. | :51:30. | |
in these frames. Yes and Ronnie O'Sullivan potted an excellent red | :51:31. | :51:34. | |
and knocked the green in. Things happen like that in snooker. He | :51:35. | :51:37. | |
didn't expect the green to get to the pocket. But what happens I think | :51:38. | :51:43. | |
in long session matches, multisession matches that doesn't | :51:44. | :51:46. | |
happen in the short sessions, if a player who has the advantage, | :51:47. | :51:49. | |
doesn't keep on pushing the advantage and the o'er player hangs | :51:50. | :51:56. | |
on in there, at some stage the player behind may get some | :51:57. | :52:00. | |
enthusiasm and stage a come back. So you have to keep on pushing if | :52:01. | :52:05. | |
you're in front. It is not as easy from in front. So there a danger | :52:06. | :52:10. | |
would you say of frustration creeping into Ronnie O'Sullivan's | :52:11. | :52:17. | |
game? We talk about how good his patience is. But at some stage | :52:18. | :52:21. | |
Ronnie will become frustrated and his rhythm is not great. He got in | :52:22. | :52:26. | |
earlier in the frame and put a bad shot off the green. He is looking a | :52:27. | :52:32. | |
bit ragged Ronnie in terms of his positional play. It is a long match. | :52:33. | :52:36. | |
We are well over four and a half hours. Yes and there have been | :52:37. | :52:42. | |
bhachs - matches where people have had big leads and been hauled back. | :52:43. | :52:49. | |
A person. Don't need to, it has happened. The situation you find | :52:50. | :52:53. | |
yourself in front, I can say from experience you still have to keep | :52:54. | :52:58. | |
on. You have to keep that guy under it and all the time under it. When | :52:59. | :53:05. | |
you're in the first day of a two-day final, how important is it to have a | :53:06. | :53:10. | |
big lead and have a breathing space? It is important the first frame the | :53:11. | :53:14. | |
other guy is under pressure to win. He is chasing. I think Ronnie needs | :53:15. | :53:20. | |
to just play his natural game. In some ways Ronnie likes to out play | :53:21. | :53:28. | |
his opponent on his game. When Mark Selby was last in the final he was | :53:29. | :53:41. | |
four frames behind against John Higgins. So he is well capable. | :53:42. | :53:52. | |
DENNIS TAYLOR: What a good start, cue ball tight on the cushion. | :53:53. | :53:58. | |
Ronnie is playing at Mark's pace. I have seen him down to 15 in this | :53:59. | :54:30. | |
year's Championship, but not when the balls are like this and you have | :54:31. | :54:38. | |
got tactical play. Ronnie's as good a tactical player as anybody in the | :54:39. | :54:43. | |
game. But he is up against one of best in Mark Selby. | :54:44. | :54:56. | |
A great pot it was. What is the kiss like on the blue? Not bad. It was | :54:57. | :55:12. | |
brilliant cueing this. Tight on the cushion and to knock that in. I | :55:13. | :55:17. | |
think Ronnie left the auditorium and went back just to settle himself | :55:18. | :55:21. | |
down. What a way to start. That was a bit | :55:22. | :55:30. | |
tricky. Played with the left hand. Now he needs to pull another good | :55:31. | :55:35. | |
pot out. He could play to get on the the black here. | :55:36. | :55:45. | |
Yeah, great shot. One good pot on the black and he has given himself a | :55:46. | :56:14. | |
terrific chance. Yes, it was interested what Steve and Stephen | :56:15. | :56:19. | |
were saying, he should play his own game and that was a positive shot. | :56:20. | :56:37. | |
He has got the red that is closest to the black, but I think there is | :56:38. | :56:43. | |
one at the back that is also available. | :56:44. | :56:48. | |
It will be available into the right corner. That is what he is looking | :56:49. | :56:52. | |
at now. That is the one he has played for. | :56:53. | :57:12. | |
But they're not a good bunch to go into. | :57:13. | :57:25. | |
That's why he played for the pink. A better pack to go into from that. If | :57:26. | :57:33. | |
he has the correct angle he can play this with a lot of top spin. All | :57:34. | :57:36. | |
depends on the angle. He doesn't want it to go between that gap. | :57:37. | :57:44. | |
He has gone through that gap. I'm surprised he never looked at that. | :57:45. | :58:05. | |
Well, what a recovery pot that is. And he is on the yellow. And he can | :58:06. | :58:16. | |
get back to the reds. This was just a fabulous pot. | :58:17. | :58:26. | |
Yes, for one of the few times this evening he has decided to make | :58:27. | :58:35. | |
things happen. I think after the first session he could see Mark | :58:36. | :58:38. | |
hadn't settled. He was content to be patient and pabg up the -- pick up | :58:39. | :58:41. | |
the pieces. Nicely on it. I think there is a red | :58:42. | :59:16. | |
available to the left corner. He's picked these off very nicely | :59:17. | :59:55. | |
indeed. He hasn't taken any risks with cannoning into them at the | :59:56. | :00:01. | |
wrong time. Even there, he didn't bother cannoning into the reds and | :00:02. | :00:03. | |
risking it. # This red and the black will put him | :00:04. | :00:19. | |
68 in front with just 67 remaining. Ye, all done in a matter of, well, | :00:20. | :00:26. | |
under seven minutes this frame has been going. | :00:27. | :00:38. | |
68. Now a chance to go on and make a century break here. | :00:39. | :01:00. | |
The record in a World Championship is by the man in the studio, I think | :01:01. | :01:08. | |
15 centuries. He holds a lot of records does Stephen Hendry. Ronnie | :01:09. | :01:19. | |
has made 746 centuries. He is closing in on Stephen Hendry's | :01:20. | :01:21. | |
record. I think it is 775. The people come to see Ronnie play | :01:22. | :01:51. | |
like this and he has turned it on in this frame And this, if he gets a | :01:52. | :01:56. | |
century is going to be this last year, 55 centuries. And a few people | :01:57. | :02:02. | |
would have had a bet on that. And they'll be getting paid out. | :02:03. | :02:07. | |
They certainly will. A magnificent century break from Ronnie | :02:08. | :02:16. | |
O'Sullivan. APPLAUSE. | :02:17. | :02:19. | |
He has done exactly what Stephen Hendry suggested. Get out there and | :02:20. | :02:23. | |
play your own game and this is Ronnie's game. | :02:24. | :02:46. | |
APPLAUSE Well, he enjoyed every moment of | :02:47. | :03:10. | |
that, did Ronnie O'Sullivan and so did the Crucible crowd. What a | :03:11. | :03:15. | |
spectacular break. He is back to four frames in front. It is now 9-5. | :03:16. | :03:24. | |
Well, as you said JV, that's what the crowd came to see and that was a | :03:25. | :03:29. | |
superbreak. The graphic - there are the centuries, the Crucible, | :03:30. | :03:34. | |
Sheffield. 20005. 63. The record wool was in 2009 - 83 centuries but | :03:35. | :03:40. | |
as I say, John, a few people will have had a bet on the 55 centuries | :03:41. | :03:46. | |
being beaten and they will be picking up their winnings, I would | :03:47. | :03:50. | |
say. That's a bit more like it. It has created a buzz in the Crucible | :03:51. | :03:55. | |
Theatre. It's been a bit pedestrian this evening but Ronnie came out and | :03:56. | :04:00. | |
we can look at a few of these shots. There was no holding back. This was | :04:01. | :04:06. | |
cracking. That was the best shot of it. But look at this where he | :04:07. | :04:11. | |
decided to get the black back on the spot. I thought that was the key in | :04:12. | :04:16. | |
the frame. That one to get himself out of trouble. Well, that was the | :04:17. | :04:20. | |
type he had been playing safe earlier on in the evening but he has | :04:21. | :04:22. | |
decided to change his approach. So, Ron yi breaks off, and still | :04:23. | :04:38. | |
four more frames to play this evening. -- Ronnie breaks off. It | :04:39. | :04:46. | |
has certainly warmed up the audience that last frame. Sorry, there is | :04:47. | :04:54. | |
only three more to play. I'm getting ahead of myself but he has stepped | :04:55. | :04:59. | |
up. Now Mark Selby has to do the same. | :05:00. | :05:58. | |
! Well, Mark Selby would love to get both these remaining two frames. | :05:59. | :06:06. | |
There's three frames to be played. If he could get two of the three, he | :06:07. | :06:08. | |
would be more than Well, I thought it had stopped once | :06:09. | :06:18. | |
and it just kept rolling. It looked certain to stop short of | :06:19. | :06:39. | |
the baulk line and it just went on and on and you know, after the last | :06:40. | :06:44. | |
frame, that Ronnie wants to start making things happen but if he takes | :06:45. | :06:45. | |
the blue on, it's going to be risky. Is it looked like it was certain to | :06:46. | :07:02. | |
stop at the baulk line but kept rolling. A great pot. | :07:03. | :07:07. | |
Isn't it great, Denis, to have that ability, and just change the flow of | :07:08. | :07:13. | |
a match? Yes, he has just moved up a couple | :07:14. | :07:23. | |
of gears, hasn't he? Quite a thin cut this and he is | :07:24. | :07:54. | |
heading up towards the baulk colours. | :07:55. | :08:07. | |
A nice angle on the green should he so wish to come off the side cushion | :08:08. | :08:14. | |
and into that cluster. The pink is probably only available into one | :08:15. | :08:21. | |
pocket. The black tied up. It may be worth the risk. No, decided to play | :08:22. | :08:26. | |
for the loose reds. The cue ball needs to slow up a touch. He has | :08:27. | :08:29. | |
overrun it a fraction. He can't cannon into the bunch of | :08:30. | :08:57. | |
reds because of the red above the pink spot. | :08:58. | :09:04. | |
Well, he tried to get on that red, I mentioned. He knew he would always | :09:05. | :09:12. | |
have the other one here into the left corner T ran on a fraction more | :09:13. | :09:14. | |
than he intended there. That's a bonus, if the black will | :09:15. | :09:25. | |
go. It doesn't look like it would pot from this angle. | :09:26. | :09:38. | |
The red at the top of the cluster will go past the pink into the right | :09:39. | :09:49. | |
corner. Now he has got the red away and the | :09:50. | :10:16. | |
angle on the blue. He still has one more red he can play for. | :10:17. | :10:25. | |
He will play for it this time. Can he get back on to the blue? That's | :10:26. | :10:35. | |
the question, though? That's going to be difficult from there. If he | :10:36. | :10:40. | |
screws back, he is back into the middle pocket. He is back looking at | :10:41. | :10:44. | |
that black. It must be very, very tight. Looking at his facial | :10:45. | :10:49. | |
expressions, a little bit annoyed with himself. I like you, thought | :10:50. | :10:53. | |
after the last blue, he would go into the reds. You leave it until | :10:54. | :10:57. | |
the last minute and you get the wrong angle. Watch the middle | :10:58. | :11:02. | |
pocket. Just managed to avoid it and he has landed nicely on the blue to | :11:03. | :11:07. | |
play that cannon. I don't see any plants if he goes into these reds. | :11:08. | :11:13. | |
There might be one if he cannons the left of the reds. He is going to | :11:14. | :11:17. | |
make a little plant. Certainly one red will head over towards the left, | :11:18. | :11:23. | |
corner pocket, depending on the pace. | :11:24. | :11:34. | |
Well, he has them all open now. Well, Mark, you cannot do anything | :11:35. | :11:50. | |
about this. I mean, he wouldn't have played that | :11:51. | :12:05. | |
any better. Well, he was at full stretch there, | :12:06. | :12:34. | |
although it was inch perfect. Although a shake of the head so | :12:35. | :12:38. | |
maybe not the angle he wanted. You wouldn't have thought it would cause | :12:39. | :12:42. | |
a problem. He has the angle to stun down. | :12:43. | :12:48. | |
55 ahead, 75 remaining. Two reds, two colours and that will be the | :12:49. | :12:53. | |
frame safe. Well, he really is turning it on | :12:54. | :13:26. | |
now, is, Ronnie O'Sullivan, it has to be said. | :13:27. | :13:32. | |
It wouldn't matter who he is playing. Up to 1,000 points in the | :13:33. | :13:39. | |
final. Now a possible chance to make | :13:40. | :14:00. | |
back-to-back centuries. Still trying to convince himself he can pot that | :14:01. | :14:02. | |
black. Well the referee dashing round to | :14:03. | :14:18. | |
make certain he hits the black first. Can he bend it round? He | :14:19. | :14:24. | |
could, you know! APPLAUSE | :14:25. | :14:32. | |
We had a couple of frames that lasted just over 24 minutes but the | :14:33. | :14:38. | |
last two frames have just been awesome. | :14:39. | :14:41. | |
He just overstuned that. He will be annoyed with himself. The way he is | :14:42. | :14:48. | |
playing at the moment, though, you fancy him knocking anything in. | :14:49. | :14:54. | |
Well, maybe not in that case. It wasn't 100 but it kept Mark Selby in | :14:55. | :15:05. | |
his seat and Ronnie is going out of the arena but boy he will be feeling | :15:06. | :15:11. | |
good because he leads now by 10-5. ? | :15:12. | :15:14. | |
STUDIO: We wonder if he has a hotline to Stephen Hendry. And | :15:15. | :15:19. | |
listening to his commends. What you said, take things into his | :15:20. | :15:25. | |
own hands and play his own ga. He was getting into a game he wasn't | :15:26. | :15:31. | |
enjoying, you could tell. Not that frame but the red o to come up for | :15:32. | :15:36. | |
the black for the blue, the red in the middle where he was playing | :15:37. | :15:39. | |
safe, in that frame he landed a touch on the build up and took the | :15:40. | :15:43. | |
long green but he wants to attack now. He has picked up the pace. Yes, | :15:44. | :15:50. | |
like letting a Doberman off the leash. He is beating him 2 frames to | :15:51. | :15:56. | |
1 and I don't see Mark Selby turning that around and therefore, not that | :15:57. | :16:00. | |
he can coast in, it is getting to the stage, you know, the next couple | :16:01. | :16:04. | |
of frames, it is getting to the stage where it is... Too big a gap, | :16:05. | :16:09. | |
perhaps. But there are still frames to go. From Mark Selby's point of | :16:10. | :16:14. | |
view now, what is critical over the next couple of friends frames? We | :16:15. | :16:17. | |
have been talking the whole match, he has not scored. The frames he has | :16:18. | :16:22. | |
won, he has scrapped out. He has won frame ball and not won it properly | :16:23. | :16:25. | |
and Ronnie has come back it the table. Needs to win frames in one | :16:26. | :16:29. | |
visit for his own confidence and self-belief. Tomorrow, after he has | :16:30. | :16:33. | |
had the proverbial good sleep and rest, can you sense he might be able | :16:34. | :16:38. | |
to pick up the pace himself more tomorrow I think he could. You can | :16:39. | :16:42. | |
always regroup. But you would like to think it was 10-7 if that was | :16:43. | :16:48. | |
going to happen. 11-6 is still tough. It is going to be and the | :16:49. | :16:52. | |
next couple of frames, as Steve Davis says, could be pivotal in the | :16:53. | :16:55. | |
outcome and the destiny of this Championship. | :16:56. | :17:10. | |
DENIS TAYLOR: Yes, Mark could definitely do with the two remaining | :17:11. | :17:18. | |
frames but will he get the chance? The way Ronnie has played in the | :17:19. | :17:22. | |
last couple of frames, he knows if he makes one mistake he will be | :17:23. | :17:27. | |
sitting down and watching Ronnie carry on. | :17:28. | :17:32. | |
We will see how he plays this safety shot. He has a chance to open the | :17:33. | :17:48. | |
reds, get back down the table. Or he can play the one next to the black. | :17:49. | :17:54. | |
Let's see if he is going to open them up somewhat here. | :17:55. | :18:12. | |
Catching the green. I don't think the black or Olympic will go and | :18:13. | :18:19. | |
this red looks a bit straight to me. If he has a slight angle he can try | :18:20. | :18:23. | |
to get up for the blue but there is only just a slight angle. When he is | :18:24. | :18:30. | |
cueing well, well, there you see, not even considering that one. | :18:31. | :18:48. | |
Well, like Mark before him, catching a baulk colour. A dangerous thing to | :18:49. | :18:56. | |
do at this level. Well, look at the angle he has on this. It is not a | :18:57. | :19:00. | |
natural to roll this in and finish on the black and play it as a sort | :19:01. | :19:02. | |
of shot to nothing. Look, coming up to 22 minutes and 30 | :19:03. | :19:17. | |
seconds since his last pot. He could do with getting in behind the yellow | :19:18. | :19:21. | |
and brown here. If he misses the green he might get there. | :19:22. | :19:35. | |
He has missed his chance and Ronnie looking at the be possibility of a | :19:36. | :19:42. | |
three ball plant here. I tell you what, it is knotted far away and it | :19:43. | :19:44. | |
is the path back to baulk. -- it is not far away. In the end he | :19:45. | :19:56. | |
didn't see it as a good path balk to baulk in a risky plant and he has | :19:57. | :20:02. | |
found that area behind yellow and brown, as played. | :20:03. | :20:09. | |
So, it has been a tough couple of days for Mark Selby. That | :20:10. | :20:31. | |
fascinating semi-ifiable against the world number one, Neil Robertson, | :20:32. | :20:38. | |
with just over 12 hours. -- fascinating semifinal. It does take | :20:39. | :20:44. | |
it out of you meantly. He has to hang in to see what he can get out | :20:45. | :20:46. | |
of the last two frames. Believe it or not he has been | :20:47. | :21:11. | |
playing 13 hours longer than Ronnie O'Sullivan, belief it or in the | :21:12. | :21:14. | |
because of the way the matches have gone. That does take tout of you. -- | :21:15. | :21:19. | |
believe it or not. -- that does take it out of you. | :21:20. | :21:29. | |
Ronnie looking for the path to get in behind the yellow and brown but | :21:30. | :21:33. | |
the red slightly in the way. He is debating whether to miss that | :21:34. | :21:53. | |
red and take it up towards the green. I think it is worth the thin | :21:54. | :21:55. | |
one. He can miss that red. That could have been in the pocket. | :21:56. | :22:12. | |
He's OK. Well, not exactly as planned. This red that is cuttable | :22:13. | :22:17. | |
to the right, middle, the one on the other half of the table, it is not a | :22:18. | :22:21. | |
red you would want it take on, really a tough pot. You are not | :22:22. | :22:25. | |
certain to get it safe. He played that very well. There is a | :22:26. | :22:45. | |
danger if you catch it wrong a red could come up to the baulk end. Good | :22:46. | :22:50. | |
think, well-played, in a spot of bother but he has reversed the roles | :22:51. | :22:55. | |
and Ronnie now has something to think of. | :22:56. | :23:26. | |
Well, that was a brave shot he cook on. He nearly took it off -- that | :23:27. | :23:36. | |
was a brave shot he took on there. He nearly finished it off. He wasn't | :23:37. | :23:41. | |
far away but once it came across there, he got a decent little kiss | :23:42. | :23:44. | |
to leave it safe. The red wobbled and came across. He | :23:45. | :24:17. | |
could quite easily have pushed one on there. | :24:18. | :24:39. | |
Just a bit pacy and hand on the table. But there is definitely an | :24:40. | :24:47. | |
opportunity here for Mark, feck pot the red, come around off two | :24:48. | :24:50. | |
cushions and he would be on the black to the opposite corner. OK, if | :24:51. | :24:57. | |
he missed it he may leave -- Mark if he can pot a red, come around off | :24:58. | :25:03. | |
two cushions and he would be on the black to the opposite corner. | :25:04. | :25:07. | |
Ronnie did it, you feel he has to do it. He edged his bets. A great pot. | :25:08. | :25:14. | |
But is he on a colour? Well, unless he has a good angle on | :25:15. | :25:23. | |
the brown, it is only a snooker to play. | :25:24. | :25:32. | |
He could come off the baulk cushion and snooker behind the green. The | :25:33. | :25:38. | |
one thing he wants to do is cut out the simple one-cushion escape. | :25:39. | :25:50. | |
There is a way, he has to hit, let's see, one, two, three cushions to | :25:51. | :25:58. | |
land on the red to the left of the two on the cushion. Keep your eye on | :25:59. | :26:02. | |
this cue ball this. Will be some escape. | :26:03. | :26:25. | |
Well, esmiles. Can he remember the line, that's the thing? Can he | :26:26. | :26:31. | |
remember where he hit, because he had it absolutely spot-on. Yes, he | :26:32. | :26:38. | |
played it absolutely perfectly at the line and what was t a millimetre | :26:39. | :26:40. | |
short of pace. -- what was it? I don't know if I | :26:41. | :26:52. | |
can get as good a line as Ronnie but somewhere near there, I think. | :26:53. | :27:05. | |
Er He is coming up short again. He might have left this one on. And | :27:06. | :27:13. | |
Mark, well, as Stephen Hendry was saying and as you said, John, he has | :27:14. | :27:17. | |
to make something happen. This might just be the chance. | :27:18. | :28:10. | |
All the reds are nicely spread now. It is just a case of producing your | :28:11. | :28:21. | |
best snooker. This is an opportunity. You just feel he can | :28:22. | :28:23. | |
not turn down. And it has gone wrong almost | :28:24. | :28:33. | |
immediately. He got a kiss on the second red he wasn't expecting and | :28:34. | :28:38. | |
that has been his problem, Denis, throughout this match. It was the | :28:39. | :28:41. | |
shot when he screwed into the bunch to leave the white there. He was a | :28:42. | :28:45. | |
bit unlucky to leave it at that angle. Normally he would have | :28:46. | :28:48. | |
finished straight to be able to stay on the black. He thought there was a | :28:49. | :28:53. | |
way past there and he just misjudged that and he is totally out of | :28:54. | :28:54. | |
position now. Just watch the split when he potted | :28:55. | :29:21. | |
the black. It came back two or three inches further than he intended and | :29:22. | :29:26. | |
he just cannoned into the red. He will know he should have known he | :29:27. | :29:32. | |
was going to kiss the second red. But he is not scoring and he is not | :29:33. | :29:34. | |
winning frames in one visit. Well he has got it. Just have a look | :29:35. | :30:22. | |
where the cue ball's finished. If that red doesn't go in and that red | :30:23. | :30:27. | |
he played went safe, he wouldn't have left anything. For me, that was | :30:28. | :30:33. | |
the shot of the final so far. It really was to roll it in like that | :30:34. | :30:36. | |
and get around the back of the black. | :30:37. | :30:40. | |
He saw all the options and he thought the best way to go for this | :30:41. | :31:10. | |
is to go for it full-blooded. Even that was well judged, because | :31:11. | :31:34. | |
he wasn't straight on that. One of the fibres from the tip in | :31:35. | :31:50. | |
his eye line when he goes down to strike. | :31:51. | :31:56. | |
Well, it just put him off enough to lose his concentration. Didn't | :31:57. | :32:05. | |
expect that. Well, what a gift this is. But he | :32:06. | :32:23. | |
did seem to lose a little focus when he was messing around with the tip. | :32:24. | :32:31. | |
Mark Selby, you've got to take full advantage as Ronnie still looks at | :32:32. | :32:37. | |
the tip there. He has had a couple of tips on this year. It is most | :32:38. | :32:46. | |
unusual. There is very few players would change their tip during a | :32:47. | :32:49. | |
World Championship, unless it was damaged. | :32:50. | :33:08. | |
What a lifeline he has been handed here and he has got to take it. | :33:09. | :33:45. | |
Brendan Moore checking to see if the blue will spot. It won't. So there | :33:46. | :33:58. | |
is three easy reds available. I'm not sure about the two to the right | :33:59. | :34:01. | |
of pink and blue. Two reds, two colours would be more | :34:02. | :34:39. | |
than enough. It has bounced nicely enough. He may have to play a little | :34:40. | :34:42. | |
cannon here. He is looking at the other red into | :34:43. | :35:06. | |
the middle pocket now. Because this one looks a bit tight and he is | :35:07. | :35:10. | |
going to have to bridge slightly over the blue. That is if the other | :35:11. | :35:14. | |
one doesn't go, the one to the right as he is looking at it. That would | :35:15. | :35:18. | |
have been very tight. The cannon on the blue didn't quite | :35:19. | :35:34. | |
work out. He is back looking to the one to the middle pocket. This is | :35:35. | :35:36. | |
missable. It is there. Only the red needed. | :35:37. | :35:51. | |
The unexpected missed black from Ronnie O'Sullivan gave Mark a | :35:52. | :35:53. | |
lifeline and he has taken it. He can dig deep this young man and | :35:54. | :36:06. | |
he is having to dig deep, because he has not been at his best. | :36:07. | :36:15. | |
That will mean Ronnie will not be getting back to the table. If he | :36:16. | :36:25. | |
could win this last frame and come out of this 10-7 with a highest | :36:26. | :36:31. | |
break of 55, he is in with a great shout tomorrow. | :36:32. | :36:36. | |
Yes, I think Ronnie switched off a bit. | :36:37. | :36:46. | |
He wasn't having to do a lot to win frames. Doesn't matter about this | :36:47. | :36:58. | |
red. He is handed a lifeline, Ronnie missed the black and Mark Selby took | :36:59. | :37:03. | |
it. He reduces the arrears to four and with one big frame coming up. | :37:04. | :37:08. | |
Ronnie O'Sullivan leads 10-6. STUDIO: We have seen his highest | :37:09. | :38:18. | |
break of the match. He has proven his defensive powers. Yes, I suppose | :38:19. | :38:23. | |
if he wins the last he will consider it not a bad recovery. He was 4-3 | :38:24. | :38:30. | |
behind at the end of the last session, the morning session. He | :38:31. | :38:35. | |
failed to clinch that. So this is another big ending for this session | :38:36. | :38:39. | |
for him. How do you read his position now and what do you make of | :38:40. | :38:43. | |
the way he has been able to respond to two beautiful frames from Ronnie | :38:44. | :38:47. | |
O'Sullivan? Yes, it was a great performance. Although he didn't win | :38:48. | :38:51. | |
it in the visit we thought he might. He still took two chances. Ronnie | :38:52. | :38:55. | |
missed a black when he was in. He was looking at his tip, but it was | :38:56. | :39:01. | |
an awkward shot. It is sort of a half-shot. They are missable. We | :39:02. | :39:09. | |
didn't expect him to miss it. But 10-7 would be an incredible result | :39:10. | :39:16. | |
for Selby. He did look at the tip of his cue and he has changed I once. I | :39:17. | :39:20. | |
think he has had three tips on. Well that, we were thinking back to the | :39:21. | :39:25. | |
time he played Graeme Dott and changed his tip six or seven times. | :39:26. | :39:34. | |
It doesn't appear to faze him problems like that? No, he seems to | :39:35. | :39:39. | |
be able to play with whatever is on the end of his cue. He uses a tip | :39:40. | :39:44. | |
that is a cheap tip in the whole range of tips. You can go through a | :39:45. | :39:49. | |
whole box and not find many good ones. You buy boxes of 50, you don't | :39:50. | :39:55. | |
get many of them and there are the better ones out there. How much is a | :39:56. | :40:02. | |
box of 50? I don't know, I never pay for them. You don't pay for themmer | :40:03. | :40:08. | |
thchlt what am -- you don't pay for them either. The ones can be ?10 a | :40:09. | :40:19. | |
tip, but the ones Ronnie uses is 50p. Very big final frame of the | :40:20. | :40:26. | |
second session? Yes, I think the the way Ronnie played he would be | :40:27. | :40:32. | |
disappointed. Back we go. What will it be? Rrn going for the distance or | :40:33. | :40:40. | |
-- Ronnie O'Sullivan going for the distance or Mark Selby? or Mark | :40:41. | :40:42. | |
distance or MarkSelby? or Mark Selby? ? | :40:43. | :40:46. | |
Both players were out of the arena to compose themselves. | :40:47. | :40:54. | |
Ronnie O'Sullivan breaks off with that 50 pence tip on the cue that | :40:55. | :41:05. | |
Steve Davis said and it is a pretty good break-off. This is the shot | :41:06. | :41:10. | |
they were talking about. He seen a little fieber in his eye line and | :41:11. | :41:12. | |
just took his concentration away. Superbly played. What a terrific | :41:13. | :41:37. | |
shot that was. And a little tap on the table from Ronnie in | :41:38. | :41:40. | |
appreciation. It is a big frame and that was, he was in a spot of bother | :41:41. | :41:43. | |
there. He has hit that so thick, but I | :41:44. | :41:58. | |
think he is OK. That is what he thinks of that shot! | :41:59. | :42:08. | |
For a moment I thought he had cleared the black, because the black | :42:09. | :42:14. | |
was tied up and the two reds have gone either side of it. So it is a | :42:15. | :42:16. | |
bit awkward again. This is the shot, watch it clears | :42:17. | :42:31. | |
the black and knocks the red away but then a series of little kisses | :42:32. | :42:33. | |
left it awkward again. He will be disappointed with that. | :42:34. | :43:02. | |
You can see the look on his face. When you're that close to the reds | :43:03. | :43:06. | |
at this level and you don't find the baulk cushion, you make it that | :43:07. | :43:13. | |
much... REFEREE: Can you ask him to leave please. Totally unnecessary. | :43:14. | :43:18. | |
For your opponent to play a better safety. | :43:19. | :43:29. | |
The crowd here, they are fantastic. But occasionally you get one person | :43:30. | :43:39. | |
shouting ow. Probably they have never been to the Crucible before. | :43:40. | :43:45. | |
You want the enthusiasm. But it is about timing. It is such an intimate | :43:46. | :43:54. | |
theatre here. It is a bit special. We met a few people at lunch and tea | :43:55. | :44:03. | |
tooichl time that were here for the first time and I bet they're | :44:04. | :44:04. | |
enjoying every minute of this. Just rolling into them. He had a | :44:05. | :44:30. | |
good look at everything. So I assume he has left nothing. We need a | :44:31. | :44:39. | |
touching ball here now to resolve this. They both looked at one | :44:40. | :44:47. | |
another. I think this will be a re-rack. Both players agree. No | :44:48. | :45:00. | |
reason why not. There is the crowd again. And this is the second | :45:01. | :45:04. | |
re-rack we have had this evening. But I bet they're enjoying every | :45:05. | :45:10. | |
single minute of this. Not that easy to get tickets to come to the | :45:11. | :45:15. | |
Crucible theatre. It is nice to get a wave from them all. That is for | :45:16. | :45:19. | |
the winner, that beautiful trophy there. REFEREE: Ronnie O'Sullivan to | :45:20. | :45:31. | |
break. Ronnie gets ready to break off in this final frame. | :45:32. | :45:39. | |
For the second time. I have noticed every time, or most of the time | :45:40. | :45:46. | |
Ronnie breaks off, that red seems to come right next to the black and | :45:47. | :45:53. | |
puts it out of commission. He is not intending to do that. But it is | :45:54. | :46:00. | |
amazing the number of time ps it happens. He is hitting the end red | :46:01. | :46:04. | |
with lots of side. A decent length with the cue ball. | :46:05. | :46:27. | |
The black now has gone up the side cushion. | :46:28. | :46:39. | |
That is going to make the frame turn a little bit awkward. | :46:40. | :46:50. | |
This one a risky red. I'm looking at whether he can get around the back | :46:51. | :47:01. | |
of the two reds near the black spot. He is having to punch this in. | :47:02. | :47:09. | |
Brilliant! Absolutely brilliant! Well he has got a prolonged round of | :47:10. | :47:23. | |
applause for that superb opening pot. Spl | :47:24. | :47:28. | |
He had the butt of the cue raised and he had to punch it in. I tell | :47:29. | :47:34. | |
you what, that was so accurate. John mentioned that black being out | :47:35. | :48:22. | |
of the game and Mark having to work hard for these points here. | :48:23. | :48:33. | |
Just look at this. - watch the white leave the bed. It is just bouncing | :48:34. | :48:41. | |
all the way down. And he has caught it absolutely spot on. | :48:42. | :48:49. | |
Not sure if the pink is available into the left corner. In a couple of | :48:50. | :48:55. | |
shots time. I tell you what, it is available | :48:56. | :49:06. | |
now. But he is not on a red. That was a bit unlucky. He played that | :49:07. | :49:14. | |
with so much top spin. It was unfortunate to stick in there. That | :49:15. | :49:18. | |
is the problem when you come off a cushion like that. Particularly as | :49:19. | :49:22. | |
he was having to stun it. There wasn't a lot of pace left in the cue | :49:23. | :49:24. | |
ball. I am sure Mark Selby, no matter what | :49:25. | :49:41. | |
he has gone through today, realises the importance of this frame. This | :49:42. | :49:42. | |
is massive in his cause. ? He has picked it out nicely. I'm | :49:43. | :50:25. | |
just wondering if he can take a pot on to the right corer. There might | :50:26. | :50:32. | |
be a gap between the reds. That is what he is looking at now. | :50:33. | :50:47. | |
That is very risky. He will be aware he may kiss the red on the left-hand | :50:48. | :50:53. | |
side of the table. A bit pacy again. Will he drop in | :50:54. | :51:34. | |
tight behind the green? That is a bit of a result for Ronnie there. | :51:35. | :51:38. | |
You're playing to get the white tight on the baulk cushion. If you | :51:39. | :51:42. | |
happen to come up behind the colour, that is a bonus. | :51:43. | :51:56. | |
He will have to try and get to the two that is near the black spot to | :51:57. | :52:00. | |
come in bemind those. He is going for the old two-cushion | :52:01. | :52:18. | |
escape and back down the table. Brilliant. That is such a difficult | :52:19. | :52:22. | |
shot. Is Is there a gap to take the pot | :52:23. | :52:47. | |
on? There is always a gap, as JB says. The amount of right-hand side | :52:48. | :52:51. | |
he put on that, that was a sensational pot. Just watch the side | :52:52. | :52:56. | |
when it comes off the top cushion. There was so much right-hand side. | :52:57. | :53:19. | |
He is not certain to get this safe. There is no two-cushion escape with | :53:20. | :53:26. | |
pace on here. Have a look at this line. Is he is | :53:27. | :53:47. | |
going to reach? REFEREE: Foul and a miss. The same shot. A bit more | :53:48. | :53:52. | |
pace. But he has got to get the same line. | :53:53. | :54:20. | |
Hasn't got the line on this. Is there a red to the right middle | :54:21. | :54:31. | |
pocket? There is, that is the one he is looking at. Is it too risk y? If | :54:32. | :54:43. | |
it is not simple, he would have it put back. | :54:44. | :54:52. | |
He wants to get in and get his hand on the table. | :54:53. | :55:17. | |
Third time lucky, he has more pace on it this time. This looks | :55:18. | :55:26. | |
brilliant. But will he push that red on? Not quite. Excellent escape. | :55:27. | :55:43. | |
That is all he can hope for, get out of the snooker and leave it safe. | :55:44. | :55:53. | |
Ronnie keeping the heat on and if Mark can't get past this pink, to | :55:54. | :55:57. | |
play safe down the left-hand side of the table, which is danger Reus any | :55:58. | :56:02. | |
way -- dangerous any way, he has a problem here. | :56:03. | :56:08. | |
He is having a long, hard look at it. There is very little of that red | :56:09. | :56:14. | |
sticking out. He is coming around to look from the other side. | :56:15. | :56:30. | |
I don't think he can see that red. There is a very slight bit sticking | :56:31. | :56:45. | |
out there. With being tight on the cushion, you wouldn't fancy it. On | :56:46. | :56:51. | |
the face of it, it is such a fine edge of the red, if you come off the | :56:52. | :56:55. | |
top cushion and nestle into the reds. That looks easy enough. But if | :56:56. | :57:00. | |
you just don't judge the pace right, you hit it too hard. You can leave a | :57:01. | :57:10. | |
red on. You need a steely nerve to play this. | :57:11. | :57:17. | |
That is what he is thinking of coming off the top cushion and | :57:18. | :57:22. | |
nestling into the reds. A difficult way to go this for me. | :57:23. | :57:42. | |
This is a terrific shot. An absolute beauty! | :57:43. | :57:55. | |
Not as much pace as he wanted there. It's still OK. He had a few very | :57:56. | :58:53. | |
quick frames. This one has been going now for, be coming to just | :58:54. | :58:56. | |
under 14 minutes. Oh, I tell you what, Ronnie miss hit | :58:57. | :59:11. | |
that altogether and he got through a gap there that, when he hit it too | :59:12. | :59:16. | |
thin, he thought he was going to career into the reds. Just have a | :59:17. | :59:26. | |
look at this. Mark Selby, that is what he knew he had miss hit that, | :59:27. | :59:28. | |
but this is a key shot coming up. You can expect this. In this last | :59:29. | :59:49. | |
frame. Because it is so important. Certainly from Mark's point of view. | :59:50. | :00:15. | |
The second red went to the left-hand side. So he caught the fist red | :00:16. | :00:25. | |
fuller than he intended. The yellow has stopped the easy return back to | :00:26. | :00:29. | |
baulk. That would have been the red on the left hand side of the table. | :00:30. | :00:41. | |
The red went towards the right corner. But it has gone to the | :00:42. | :00:47. | |
cushion. That won't tempt Ronnie. The only thing with this red to the | :00:48. | :00:50. | |
right of the black, which looks the obvious red to play safe off, there | :00:51. | :00:54. | |
is a chance, you have to be careful that the red, if it hits the cushion | :00:55. | :01:00. | |
might bring the black in, back into the middle of table and you could | :01:01. | :01:01. | |
get the double-kiss. He managed to avoid the black. But | :01:02. | :01:22. | |
he has not got a very good pace with the cue ball. Is he going to run | :01:23. | :01:29. | |
that cue ball? It has. I had a quick glance to Mark before he got out of | :01:30. | :01:37. | |
his seat. And he just sort of had the feeling that cue ball was going | :01:38. | :01:41. | |
to run on and he wasn't going to be able to get to this red over the | :01:42. | :01:45. | |
corner. Such a frustrating game sometimes. | :01:46. | :01:54. | |
He might have to give this a bit of thought. He was looking away, he | :01:55. | :02:03. | |
said it may have covered I. -- it. He can get past the pink to get back | :02:04. | :02:22. | |
down the table. But how does he hide, if he hides the cue ball where | :02:23. | :02:28. | |
the tip of the cue is he would to have been more or less tight on the | :02:29. | :02:31. | |
cushion and near the pocket. Has he got the white where he | :02:32. | :02:47. | |
wanted? It is a pretty good effort. He still can pot this, Ronnie. To be | :02:48. | :02:54. | |
fair to Mark, he has left it as difficult as he could. This is no | :02:55. | :03:04. | |
gimme. Watch the cue ball it will head towards the red to the right of | :03:05. | :03:05. | |
the black. Now the chance is there. That wasn't | :03:06. | :03:18. | |
an easy pot, but what a shot Mark Selby played to get that white in | :03:19. | :03:22. | |
that position. It really was special. | :03:23. | :03:29. | |
He took the risk. And it worked. Ronnie missed that difficult cut. | :03:30. | :03:39. | |
This was the shot where he tried to get the white down in that corner. | :03:40. | :03:48. | |
If he does get out of this, just three behind at 10-7, it will make | :03:49. | :03:55. | |
it very interesting tomorrow. He still has got definitely pink and | :03:56. | :04:28. | |
blue to play on. He would like it to go on to the brown spot. Then it | :04:29. | :04:30. | |
doesn't tie up the reds. Mark made four century breaks in his | :04:31. | :05:27. | |
semi final with Neil Robertson. His highest break is still 58. If he | :05:28. | :05:35. | |
gets out of it 10-7 he would be more than pleased. He could come out | :05:36. | :05:39. | |
fresh tomorrow. And it would be final on. He was 84% earlier. He is | :05:40. | :05:52. | |
now up to 88% with his pot success rate. | :05:53. | :06:09. | |
This one clears the path for the other. A bit too pacy. He would | :06:10. | :06:24. | |
rather have been straighter on the blue. You would think he would play | :06:25. | :06:35. | |
the blue. If he played the black he would cannon into the yellow. The | :06:36. | :06:40. | |
green's too straight. He will have to judge this nicely. No straight | :06:41. | :06:44. | |
forward cannon into the red. All depends on what sort of red he | :06:45. | :06:56. | |
has got. Either red to All depends on what sort of red he | :06:57. | :07:06. | |
pocket. He can play for the pink in the middle. He doesn't have to play | :07:07. | :07:09. | |
pocket. He can play for the pink in the pot with too much pace. | :07:10. | :07:28. | |
Look where he is hitting the cue ball. Has he got enough? A little | :07:29. | :07:42. | |
flick would help here. And I think he got the flick. I think he is on | :07:43. | :07:51. | |
the red. Ronnie, well, as Mark looks on, it must be very tight. Yes, | :07:52. | :07:59. | |
48-point lead and he can just get through to this red. | :08:00. | :08:08. | |
One more red. It will have to be the pink. | :08:09. | :08:26. | |
Well as John said, just the one more red needed. | :08:27. | :08:47. | |
I think he will sleep comfortably tonight, Mark Selby. | :08:48. | :09:12. | |
His breaks are getting higher. This is now his highest break of the | :09:13. | :09:17. | |
match. So signs that he is finding a bit | :09:18. | :09:26. | |
better form. Doesn't matter about that. Ronnie comes forward to shake | :09:27. | :09:31. | |
his hand. Mark Selby will be delighted. It looked a if Ronnie was | :09:32. | :09:36. | |
going to walk away with the match. But Mark Selby is right back in. He | :09:37. | :09:43. | |
trials by three frames. It is 10-7 to Ronnie. | :09:44. | :09:47. | |
STUDIO: Mark Selby survived a turn around from his semi final. A top | :09:48. | :09:54. | |
break of 62. And he is only three frames behind. Ronnie has made two | :09:55. | :09:58. | |
centuries and five other 50 breaks and there is not a much daylight as | :09:59. | :10:04. | |
I'm sure he would have liked at this stage. Steve and Stephen are | :10:05. | :10:09. | |
watching. How dangerous could Mark Selby be for the Rocket? What a | :10:10. | :10:16. | |
trier. You have got to stick in there times. -- sometimes. You could | :10:17. | :10:20. | |
see he was proud of himself. And quite rightly so. Every day, every | :10:21. | :10:27. | |
session is a different day. Come out refreshed. Not that I think he was | :10:28. | :10:32. | |
tired throughout the last part of that. But just see what p has. What | :10:33. | :10:36. | |
do you sense about what happened with Ronnie tonight? I think he will | :10:37. | :10:42. | |
be a bit disappointed the first four frames he let himself get drawn into | :10:43. | :10:46. | |
that type of snooker. We have seen him play two frames very quickly. I | :10:47. | :10:52. | |
can't wait to see how Mark Selby comes out tomorrow. It is game on? | :10:53. | :10:57. | |
Yes, the first frame, of the morning, of the afternoon session, | :10:58. | :11:06. | |
it is big. But they all are. It is just fascinate fog watch. Mark | :11:07. | :11:11. | |
Selby's highest break sois low. What happens if he starts to hit form. | :11:12. | :11:17. | |
And we have seen him do it. He has got back to 10-7, he is still | :11:18. | :11:23. | |
chasing. The first frame is also important for the chasing manage v | :11:24. | :11:30. | |
-- manage. What do you think of it so far? John has been monitoring | :11:31. | :11:34. | |
your reaction on social media. There would be a link between Parrot and | :11:35. | :11:39. | |
tweets, but I'm not going to go for that. Thank you. Bob says. Every now | :11:40. | :11:44. | |
and then in sport somebody comes along who is too good for everyone | :11:45. | :11:49. | |
else. That is Ronnie O'Sullivan in snooker. | :11:50. | :12:02. | |
That is interesting at work, that is what he will need to be tomorrow. It | :12:03. | :12:07. | |
is a long way from over this match. We have another eight frames | :12:08. | :12:11. | |
tomorrow afternoon and then down to the wire. But will it go down to the | :12:12. | :12:16. | |
wire? Can you imagine the match getting very close? I couldn't at | :12:17. | :12:22. | |
10-5. I am not absolutely sure that he can turn it around. But who | :12:23. | :12:29. | |
knows? It is impossible to say. So many times we have been sitting here | :12:30. | :12:34. | |
trying to analyse what is going on. A flick of a ball can change things. | :12:35. | :12:39. | |
Usually Ronnie has a session where he blows his opponent away and he | :12:40. | :12:46. | |
hasn't so far. What changes between day one and two? Well you have a | :12:47. | :12:52. | |
night sleep, if you don't get a good night's sleep, because you're | :12:53. | :12:55. | |
thinking about things and you're worrying, looking over your | :12:56. | :12:58. | |
shoulder, that is not good. I don't think that is happening with Ronnie | :12:59. | :13:02. | |
O'Sullivan. Mark Selby, well, I think he will be inspired for his | :13:03. | :13:05. | |
afternoon session and come out and give it a good go. Steve? Yeah, I am | :13:06. | :13:16. | |
waiting for Ronnie, he has been good, but I'm waiting for him to | :13:17. | :13:21. | |
catch fire. It has been a very long day. And it has been a long 16 Tace | :13:22. | :13:27. | |
here -- - days in Sheffield. One more to go. I hope you will be able | :13:28. | :13:34. | |
to put off the things you can do on bank holiday Monday, because this | :13:35. | :13:39. | |
holiday is made for the World Championship final here at the | :13:40. | :13:42. | |
Crucible. So clear the decks, join us tomorrow at 2 o'clock. Session | :13:43. | :13:48. | |
three, be there. See you soon. | :13:49. | :13:51. |