Day 16, Part 4 Snooker: World Championship


Day 16, Part 4

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Selby won't mind. His has his first frame on the board this evening but

:00:00.:00:00.

still, Ronnie O'Sullivan leads by four frames now, -4.

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? STUDIO: He has his first frame on

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the board and top break of 55. Those four frames have taken nearly two

:00:10.:00:15.

hours to complete. Not often you say that in a match involving Ronnie owe

:00:16.:00:21.

you will have van. He has been showing concentration and respect

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for Mark Selby in the way he has gone about his business tonight. .

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He is not disrespectful in his shot selection. You have to admire his

:00:34.:00:38.

patience. But for Mark Selby, the scoring. Well done him. We can all

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play when it is easy. Everyone can play when the sun is out. It is when

:00:43.:00:45.

there is a include over your head. He has dug 55 from nothing. He

:00:46.:00:52.

hasn't been scoring great all day. And still having a joke in the

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crowd. He turned around and said - I will be all right with this one. So,

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he has a sevens humour. He did really well. Observations from Steve

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Davis in the practice room. General objections and since the

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advancements in camera technology, we have discovered that snooker

:01:10.:01:13.

isn't the two dimensional game we once thought it was. The balls are

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bouncing when you hit the cue ball it is bouncing, when it hits the

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object ball it is bouncing and afterwards, the balls are bouncing.

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The players can use this to their advantage. See this shot from Ronnie

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O'Sullivan. He deliberate deliberately bounces the cue ball to

:01:46.:01:49.

widen the angle. The while ball bounces in the air. Once it stops

:01:50.:01:53.

bouncing, it will spin forwards, speed up. It hits the cushion and

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then he goes into the reds. Let's watch that shot. He bounces it.

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Speeds up and breaks the reds open. You can use that to your advantage.

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The other one is when you are trying to split open a pack of reds using

:02:12.:02:17.

topspin. You jump the ball in the air t starts to go into the reds. It

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still has the topspin but you land on reds and pushing the reds out of

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the way. When it is in the air the cue ball cannot have any influence

:02:28.:02:31.

on the cloth but once it finds the cloth, it starts to grip on the

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cloth and it uses the spin you put on, as well as the bouncing to drive

:02:36.:02:39.

through the ball and now you see, it is gripping on the cloth. It is

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starting pushing with lots of topspin. It is pushing its way

:02:44.:02:46.

through the reds. You can open the pack of reds that way using a lot of

:02:47.:02:50.

topspin. Let's stop the action there. Going back to Ronnie

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O'Sullivan's shot, another angle. Remember he is bouncing the cue ball

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and widens the angle. When the ball stops bouncing, then it spins

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forward. Here we go: As it grips, it is fast and goes through the ball.

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We will see Ronnie O'Sullivan's shot. He plays this, bouncing the

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ball. Opening the reds up. Be aware, the balls are bouncing, you have

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spins on them and hopefully you can control the balls by using different

:03:27.:03:30.

amounts of raising but a fraction you up in the air, bouncing the

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balls when you need to. Is he pushing for a PhD? Ronnie

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O'Sullivan has been pushed at the Crucible this year, particularly by

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Joe Perry in the second round but in the quarter-final and semifinal he

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came through with the minimum of fuss and real pin ash. So much so,

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he cleared both matches with a session to spare, earning a day off

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yesterday, some of which he spent with Steve.

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Another final. Does it feel any different to previous years? Yes, I

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think this one has been much more relaxed. I've felt for the fist time

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when I went to the two table to the one table, I felt much more at home,

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much more quickly. Normally it takes one-and-a-half sessions to get used

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to the space but this time I felt OK from the off, really. How do you

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judge your own game, compared it five years ago? I'm much more

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consistent now. I'm much more able to put away any thoughts of - you

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know, during the match when I'm sort of maybe things aren't going my way

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and I'm not getting the fluency and potting and accuracy that we all

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strive for. Whereas before, if I wasn't playing well going into a

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tournament I would think - it is not going to be my tournament. Now I

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cannot worry so much if I'm in the playing so well, so when I get to

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the tournament I'm not panicking so much. Steve Peters instrumental in

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helping you. Absolutely. When you are playing well you don't panic but

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when you are not playing well, you know the panic sets in. Steve has

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helped me kind of try and get in that frame of mind - as if you are

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playing well, although you are not and to enjoy the process a lot more.

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Accepting that if I want to be successful and want to win titles,

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part of the package is you can't play well every day. I thought I

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could. You have Mark Selby in the final. He's caused you problems

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before. Tell me about him. Yes, I mean, I think he has caused

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everybody problems. He is that type of guy that never gives in. He has a

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great tactical game. He can contain you. You can be waiting a long time

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before you get an opportunity. If you don't score from that

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opportunity, you can wait another long time before you get another

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opportunity. I think that, you know, since working with Steve and that, I

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have kind of learned to admire Mark more now. I know it is not easy when

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the balls ain't flowing in well and you are not scoring as well and you

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are kind of having to graft matches out and Mark does a lot of that. To

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hold it will together, like he does, it shows what a great player,

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champion and competitor he S and his desire to want to win -- he is. And

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his desire to want to win makes him a formidable opponent. Tell me about

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something I'm very interested in - not because I'm worried about my

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record, I have no record, Stephen Hendry has the record. But are you

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relishing the challenge of the chance of being in the record books?

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Wouldn't it be nice to be eight times World Champion? I would be

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lying to say I haven't thought about it, but every time I think about it,

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I just think - you know, that's too far to look ahead. So, for me, it is

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just kind of, just to having got four was great, five is fantastic.

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And to be in another final with a chance to equal yourself and Ray

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Reardon, I would have to pinch myself, really. I'm content with

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fie. Don't get me wrong, I want more -- I'm content with five. Don't get

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me wrong, I will not be stopping. The only time I will stop is when I

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feel I don't want to do it. If the record comes, it is great. I have

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had great success here, and, you know, who wouldn't want to be a

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world record holder of eight world titles? Another record that not

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exactly the same type but longevity within the game. You are coming up

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to, at some stage, to 40 years old. People, in the past, have seemed to

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have hit a brick wall at 40. Is it in your mind to push the barriers

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back, to be the oldest champion? The person that actually forces the

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expectations of people as to what they can achieve older in theirs

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lives? Yeah, when I was first working with Steve Peters we kind of

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tried to set myself like long-term goals, if you like or a dream goal,

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if you like. One of mine was to say - well, rather than try to win World

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Champions in the here and now, saying maybe a much more healthier

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ambition would be to say I want to win woorld champion in my 40s. If --

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World Champion. So if I wasn't winning them now, the main targeted

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was to win one in my 40s. I'm 38, 39 this year. Everyone else doing well

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are like 30, and 301, like Neil and Mark Selby and then you have the

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younger ones like ding and Trumpy and I kind of feel blessed to be

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able to be mixing it with this era of snooker players. I don't know

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what it is down to. I think a lot of it is that I'm enjoying playing. If

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you are enjoying playing, it helps, it makes you feel young. Do you

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think this will mean more to you than some other World Championship

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victories if you were to win it? No, my biggest one was 2012, without a

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doubt. I didn't intend to come back to playing. It was only that I found

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a new love for the game and just to have my boy there with me. I never

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thought that was going top ha. I really didn't. -- to happen. I

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really didn't but when I was clearing up against Ally Carter I

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was having to hold it back. It was such a special emotion. It felt like

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me and little Ronnie, after everything I have gone through,

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separating - I don't want to go into it, it was emotionally charged and I

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was like, you know what, money can't buy this feeling. For me that was

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it, the icing on the cake. R I'm enjoying it for a change. -- I'm

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enjoying it for a chavenlingt I have had so many times when I had to

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battle around it. Now if I'm not happy I have to deal with it and

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accept it is part and parcel of the game and not beat myself up. It was

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hard. I was hard on myself for a long time. This is me going to work,

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doing what I do and basically feeling like I'm living the dream.

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It is truly remarkable. It was only three years ago that he started to

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work with Dr Steve Peters. He got to the quarter-finals. He had only been

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working with him for about a month before that and suddenly on the cows

:10:36.:10:43.

of of three in a row -- on the cusp. It has been written that it is an

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alliance of imperfection. An ability to accept you are not be perfect all

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the time. Is that the key It is the key. We are all perfectionist. He

:10:54.:10:57.

has been a massive influence on him. His attitude has changed completely.

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I think we are seeing more than signs of it in the final. I think he

:11:02.:11:05.

is applying himself here better than he has ever done and because of

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that, he is probably going to win again. Do you recognise that need to

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be perfect and how debilitating it was in perhaps your later years in

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the sport? Absolutely. I remember in my last World Championship making a

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maximum against Bingham and going to Chris Hendry working with him, and

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he was saying - the maximum is unbelieval and I just wanted to talk

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about how I butchered other shots. I can remember the balls that I missed

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that cost me tournaments. I cannot remember half the ones, I won. I

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haven't got a clue. You always remember the ones you made the

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mistakes on. Ronnie's friend, Damien Hirst, the artist, who is with him

:11:48.:11:51.

in his corner, says he feels this campaign is crucial if he is to

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catch your seven world titles do you agree? I said that to a couple of

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people. I said - if he doesn't win it this year - and obviously I'm

:12:00.:12:04.

protecting my record, but I said if he doesn't win this, I think he will

:12:05.:12:09.

find it tough but if he does, he will probably go on to win it. Do

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you think that could incentivise him? He does. And he is better

:12:14.:12:20.

equipped. He is incredibly fit. We know how much he runs. He has

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bundles of talent He is only playing when he wants to. Nobody is forcing

:12:26.:12:28.

him to. You are going to be playing when you want to now. In the last

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week or so, there was an announcement here that made Stephen

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Hendry and Steve Davis, an invitation it play on the tour next

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year. How much or how little they do is up to them. But there was another

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part to the announcement which said all previous Kings of the Crucible,

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all the previous World Champions will be able to get into the

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qualifying round to get into this great event. So who will play and

:12:54.:13:00.

who will stay away? We do accept that the World Championships is a

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very special event. Our blue riband event. We have decided to increase

:13:06.:13:09.

the number of players in the world snooker Championships from 128 to

:13:10.:13:16.

144. The extra 16 players will be drawn by inviting any player who has

:13:17.:13:21.

won the World Snooker Championship in the past and it will include play

:13:22.:13:34.

players from virgin countries. I'm a bit upset you have not seeded me

:13:35.:13:38.

through to the final seeing as I am your mate but I suppose the last one

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to eight is OK. I think it is great idea. I think it is something they

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do in other sports. Obviously golf, past champions. I don't think the

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young gun also feel threatened by us, but it gives us a chance to

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relive old glories, I suppose. I think I might just maybe even get

:13:58.:14:01.

myself a new cue, start putting practice in and I'll give it a go

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next year. And very little chance of getting back to the Crucible

:14:07.:14:10.

Theatre. But who knows, it might just happen. . I'm seriously

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thinking about doing it. I'm a lot older nowadays. I'm practice. If my

:14:23.:14:26.

practice game is good, I may enter. I think for some of the players who

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are ex-champions it is a good idea. Obviously they have to go through

:14:32.:14:33.

the qualifying which is the correct thing and if they come through and

:14:34.:14:37.

qualify that way, brilliant. A great buzz for the tournament and well

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done. Unfortunately, I will not be one of them. ! For me, personally,

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well hopefully I won't have to use it for a few years yet but if I do,

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I would obviously like to play in the world champion at some stage. If

:14:53.:14:56.

I believe I'm able it compete for me I still get angry when I play baddie

:14:57.:15:03.

in exhibitions. I would have to feel I was going to do myself justice. .

:15:04.:15:10.

I think it is great fun idea and it will be very interesting to see how

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many players take up the option. It sure will. It will be a bit like the

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Masters at Augusta, about how many of the former champions will make

:15:19.:15:22.

the cut. You will have to win three best of 19 frames to make it here.

:15:23.:15:26.

People think it is an invitation straight to the Crucible but there

:15:27.:15:30.

is hard work to do to get through the mine field of the qualifiers.

:15:31.:15:35.

What appeals to you? This. This atmosphere is special. This is the

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only place to play snooker and to get the chance to possibly play here

:15:40.:15:43.

again would be fantastic but as I said, I wouldn't just do it for the

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occasion, I want to play well. Are you happy to sit where you are?

:15:49.:15:52.

While there is golf courses in the world I will not be getting the cue

:15:53.:15:59.

out. I packed in five years ago I had my fill. For all the boy who is

:16:00.:16:03.

want to come through, fantastic but I'm getting my clubs out. We have

:16:04.:16:08.

heard from Ronnie O'Sullivan but what about Mark Selby. He has made

:16:09.:16:14.

for the practice room. That's his friend Bobby who has come across

:16:15.:16:18.

from Hong Kong to help him. Mark paid for his ticket for him to be

:16:19.:16:22.

here, to support him. A great gesture from a great guy. The Jester

:16:23.:16:28.

from Leicester, great fun. A lot of nick names, stickability Selby and

:16:29.:16:34.

sat-nav Selby and the one that Ronny wrote about, the Torturer because at

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the table this man is hard as nails. We spoke to him after his victory.

:16:40.:16:46.

My biggest one was 200012. I didn't intend coming back. I can't believe

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it. Obviously such a tough game. Neil is one of the best players in

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the world. I knew it was going to be a tough match. I was never going to

:16:55.:16:58.

win easy either way. I was never going to give in even if I did get

:16:59.:17:03.

beat but I managed to get over the line. Seven years since he reach

:17:04.:17:11.

your last final. What is the difference in your game now I have

:17:12.:17:15.

more belief. When I was going through, I had no expectations. Now

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I have won tournaments I have the belief coming into the big

:17:19.:17:20.

tournaments like the World Championships. So probably just

:17:21.:17:24.

confidence, really. Why do you think it has taken you so long to get to

:17:25.:17:27.

another final. It looked like that was the springboard for you to

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continually be in the final. The standard is so tough. It is such a

:17:34.:17:38.

hard tournament to win. You know you are going to have bad sessions here

:17:39.:17:41.

and there, it is a matter of how bad they are. Thankfully for this week,

:17:42.:17:45.

when I have had a bad session, it has only been 5-3 or 3-4. Much has

:17:46.:17:51.

been said of the fact that Ronnie has won with a session to spare. #

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It is obviously the way Ronnie has played. He has played two matches

:17:59.:18:02.

with sessions to spare. At the speed he plays, obviously, it still seems

:18:03.:18:06.

to not take much out of him. You have had epic battles with him over

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the years but you seem better prepared than most to cope with

:18:11.:18:14.

that. Why? I play the table and believe in my own ability. If it

:18:15.:18:18.

goes scrappy I'm tolling stay out there as long possible. -- I'm

:18:19.:18:22.

willing to. If it is open I'm willing to stay.

:18:23.:18:26.

What is your approach to the final? It is much documented you had

:18:27.:18:29.

confidence issues. It is not like that now, is it? Not at all. Even

:18:30.:18:35.

before coming to the World Championships about a

:18:36.:18:37.

week-and-a-half before, something clicked on the practice table. Even

:18:38.:18:41.

though I have got to four finals, I have not felt I played fantastic to

:18:42.:18:46.

get there. I have dug in and obviously play my B game but coming

:18:47.:18:52.

to the World I was confident T clicked in practice. Ronnie has

:18:53.:18:58.

mentioned he has learned respect for your mental toughness. Do you think

:18:59.:19:03.

that is one of your assets I think it is one of them. Like I say, my B

:19:04.:19:09.

game if I'm in the playing at my best, I win on it. -- I can win on

:19:10.:19:14.

it. You have won the Masters and the UK. What would the World

:19:15.:19:18.

Championship mean it Mark Selby? Everything. That's my childhood

:19:19.:19:22.

dream. That's what you play snooker for, to be a World Champion and lift

:19:23.:19:29.

that trophy end of it. He talked about his levels of belief having

:19:30.:19:35.

risen considerably since he appeared here against John Higgins. This is a

:19:36.:19:39.

real test of his self-belief against this man who has played brilliant

:19:40.:19:45.

snrooker. He has played -- snooker. He's played calm stuff here. We have

:19:46.:19:50.

five more frames this evening and we'll share them now in the company

:19:51.:19:55.

of Denis Taylor and John Virgo. There they are.

:19:56.:20:01.

JOHN VIRGO: Good evening. I thought before the mid-session interval that

:20:02.:20:05.

Mark Selby seemed to be in the mood to be a little bit more aggressive,

:20:06.:20:09.

Denis and take a few more pots on, maybe things happen. DENIS TAYLOR:

:20:10.:20:19.

Ye, I'm with you on that one, John. He did quicken up, quite a bit. It

:20:20.:20:28.

was such an important frame to win. Straight away he may have an early

:20:29.:20:32.

chance if that green doesn't come to Ronnie's rescue. Well it has, it

:20:33.:20:36.

wasn't the best break-off shot but the green, that little smile from

:20:37.:20:40.

Mark, is telling you there what he thinks of not being able to pot the

:20:41.:20:42.

red. Oh, that's the pink. Ref rf foul and

:20:43.:21:06.

miss. Ron -- REFEREE: Foul and mi,s Ronny O'Sullivan four.

:21:07.:21:12.

Ronnie is a bit reluctant to put it back but he has no shots sow might

:21:13.:21:16.

as well. I think Mark was coming into the table and thinking - I have

:21:17.:21:22.

to have a red in the middle pocket. This game never changes. When you

:21:23.:21:26.

are lined and need a it about of luck, it never seems to go your way.

:21:27.:21:34.

-- need a bit of luck. Ronnie just making certain that the cue ball is

:21:35.:21:38.

back where it was. I don't think he could get through to any part of

:21:39.:21:39.

this red. This is where it was. It is only the

:21:40.:21:50.

cue ball that needs doing. It doesn't look too bad now.

:21:51.:21:58.

Same shot but just a touch more left-handside, and pace.

:21:59.:22:16.

Touching ball, declares the referee so an easy path back to the baulk

:22:17.:22:22.

for Ronnie. He is going the other side of the

:22:23.:23:03.

table now, into the reds. It should be OK.

:23:04.:23:18.

I don't know if he can see enough of that red. Obviously not. But he has

:23:19.:23:26.

purposely left Mark a shot at that red. Or did he purposely leave him a

:23:27.:23:31.

shot at the red? Because Mark can have a go at this. OK, he may have a

:23:32.:23:38.

little bit of an awkward bridge to make.

:23:39.:23:43.

Well there is certainly a gap for the cue but is he touching the pink?

:23:44.:23:50.

The referee wouldn't declare this touching the pink.

:23:51.:23:56.

Just not but can he get it? No, just couldn't get to the potting angle,

:23:57.:24:03.

so just a containing safety but if he has not covered that red for the

:24:04.:24:08.

yellow, a good chance for Ronnie to play a lot better safety than that.

:24:09.:24:12.

I wonder if he will send it into the reds. He has.

:24:13.:24:22.

The danger with that is you never know where they are going to go. He

:24:23.:24:29.

has a good cue ball. He hasn't covered the one to the right. You

:24:30.:24:32.

are never sure where they are going, but it was a good attacking shot.

:24:33.:24:38.

One good pot and he might miss the cannon into the reds. He could give

:24:39.:24:39.

himself a chance here. He needed a good kiss on the brown.

:24:40.:24:59.

He didn't get it, so up to the yellow. He think he has just hit

:25:00.:25:05.

that yellow a little bit too hard. He is walking back to his seat. You

:25:06.:25:07.

saw that disappointment on his face. Is Good hit from Ronnie. What has

:25:08.:25:30.

been impressive for me is we go on about which Ronnie has turned up. We

:25:31.:25:38.

have put that behind us. Even the frames this evening which have been

:25:39.:25:42.

slow, Ronnie has not lost his focus, has he?

:25:43.:25:47.

Well, while we are talking they are having a re-rack. Listen, Listen JV,

:25:48.:25:57.

nothing wrong with a re-rack every now and again, does you the world of

:25:58.:26:10.

good. Brendan Moore who are refereeing his first-ever World

:26:11.:26:15.

Championship final is enjoying every minute of this. It is great to see

:26:16.:26:22.

him there. That's what they are playing for, that magnificent World

:26:23.:26:27.

Championship trophy. And a lovely little lady on the top there.

:26:28.:26:58.

So, Ronnie gets this frame started again. Not the best break-off shot.

:26:59.:27:05.

The cue ball off the baulk line and there is a chance for red for Mark.

:27:06.:27:10.

These are the types of reds you feel he has to start knocking in. Good

:27:11.:27:19.

pot. And controlled it nicely to be on a baulk colour.

:27:20.:27:32.

He nicely found the gap there and controlled the cue ball well.

:27:33.:27:40.

You had the perfect picture there of where he was hitting that cue ball

:27:41.:27:48.

to screw back right down in the bottom. Look at, that right down at

:27:49.:27:51.

the bottom of the white. So, as Hazel mentioned, there are

:27:52.:28:05.

five frames to be played to finish this session of.

:28:06.:28:21.

He is hitting the white right down at 6.00 if you imagine the ball

:28:22.:28:34.

being a clock face. It stops and then keeps on spinning.

:28:35.:29:03.

The last of the easy reds. He will have to go into this cluster off the

:29:04.:29:10.

black. It is the type of cluster you would like to go into off the blue

:29:11.:29:15.

but that's not an option here. Just about got the angle. I was wondering

:29:16.:29:21.

if he stunned it rather than screwed it, he play this is shot so well. It

:29:22.:29:25.

looks like he is going to screw it but he does play it so well. Now,

:29:26.:29:31.

you see, the red is in as well. REFEREE: Foul. He normally stun that

:29:32.:29:36.

is type of shot from that angle and could have stunned it past the

:29:37.:29:40.

middle of the back. You see the two reds, well if he had played that

:29:41.:29:45.

with a stun he would have pushed them open better. Unlucky to knock

:29:46.:29:46.

that red in. As you say, there is five more

:29:47.:30:16.

frames. Four after this one and very big frames these are for Mark Selby.

:30:17.:30:27.

You think if he wants to win at least three of the five. Yes, that

:30:28.:30:37.

would be Mark's target. But you have got to play them frame at a time.

:30:38.:31:05.

If he plays down this red the left side, he can send it over to the

:31:06.:31:14.

other red. So he has changed his mind.

:31:15.:31:21.

This is a much better choice, this one. Nicely played. He has improved

:31:22.:31:38.

his safety play. He needed to. In the first session today, his safety

:31:39.:31:43.

play, I don't think this safety success is a fair reflection of some

:31:44.:31:48.

of the safety shots. He was catching a lot too thick.

:31:49.:32:32.

That's opened a few more reds up. The next shot might even o' open a

:32:33.:32:42.

few more That's turned out OK in the end, but

:32:43.:33:05.

boy he just went past that red on the left-hand side of the table. If

:33:06.:33:08.

he had caught it thicker, the cue ball wouldn't have finished there.

:33:09.:33:15.

Look at that - just feathered that red and that helped it find the gap

:33:16.:33:21.

between yellow and brown. Well, not the best safety. I don't

:33:22.:33:43.

know if it goes to to far right corner past the pink. That is the

:33:44.:33:48.

one you would want to play if you had the choice. It must be very

:33:49.:33:49.

close to being pottable. He is keeping the discipline. I

:33:50.:34:19.

think Ronnie a couple of seasons a go would maybe have had a go at

:34:20.:34:24.

that. But he is playing all the correct shots.

:34:25.:34:32.

I can't think of too many times that Ronnie has pushed the boat out as we

:34:33.:34:40.

say. Well, that has opened them up. If he drops in behind the green, it

:34:41.:34:45.

is a bonus. Not quite. He can get through to this red. If he missed

:34:46.:34:49.

the green he would have had him snookered on all the reds. Just keep

:34:50.:34:58.

an eye on the you ball here. There is a bit of a gap.

:34:59.:35:04.

He could catch the red that is near the cushion. We had so much side on

:35:05.:35:13.

that. He played that with so much right-hand side to avoid cannoning

:35:14.:35:18.

into that red. That makes the pot so much more difficult.

:35:19.:35:33.

As Dennis said, just to check it to miss that red. But he has not played

:35:34.:35:39.

the best positional shot there. He has got to avoid the kiss on the

:35:40.:35:59.

second red. And where is the cue ball? Where is the cue ball going?

:36:00.:36:06.

It is OK. Well, he will be so disa appointed with his shot when he

:36:07.:36:10.

cannoned the blue, because he had a great chance. This was the screw

:36:11.:36:18.

back. He didn't want to be anywhere near the blue. And once he hit it

:36:19.:36:24.

half ball, it is amazing how one little cannon can put you right out

:36:25.:36:26.

of position. Thin on that. That is why the cue

:36:27.:36:46.

ball's coming in and out of baulk. Well, there is a few reds he could

:36:47.:36:50.

have a go at. Not guaranteed position on the colour.

:36:51.:37:01.

Well, he wasn't expecting a cannon there, he thought he could take a

:37:02.:37:28.

pot on and miss that cannon. When you have got a four-frame advantage,

:37:29.:37:32.

as we show you this attempt at the cut, maybe if he had potted that, he

:37:33.:37:36.

wouldn't have cannoned the red. If you have a four-frame advantage, you

:37:37.:37:41.

just want to share the little mini-sessions.

:37:42.:37:49.

He has left himself a very tricky pot here. This needs good cueing.

:37:50.:38:08.

Tough with your hand on the cushion there. Oh, he has played it nicely.

:38:09.:38:20.

The problem was it was going away from the reds. But as you say, a

:38:21.:38:23.

good pot. He needs another one now. He will put everything into this

:38:24.:38:41.

chance here. He didn't get that well, he just

:38:42.:39:39.

stunned it a bit too. Should have been straight on this pink. This

:39:40.:39:47.

pink will put him 40 points in front with 67 remaining.

:39:48.:39:57.

Just able to use that red to hold the cue ball.

:39:58.:40:06.

He will need the little extension there. Slightly out of position

:40:07.:40:14.

there previously. 46 ahead, 59 remaining. He is

:40:15.:40:54.

looking at the score board. Red, blue, red, pink, red, blashg would

:40:55.:41:00.

put him in the snookers required stage.

:41:01.:41:04.

Anything less and he will need another red. He is nicely on blue or

:41:05.:41:15.

pink. The blue is unmissable, so it will probably be the blue.

:41:16.:41:25.

The blue will put him 52 points ahead with 51 remaining.

:41:26.:41:45.

It's not there. So one snooker required for Ronnie as he comes to

:41:46.:41:55.

the table, 52 points behind, 51 remaining.

:41:56.:42:05.

He will play for the red the right side of the table.

:42:06.:42:12.

Because the one at the back is in an ideal place to get a snooker. Mark

:42:13.:42:20.

knows he could be snookered behind the black.

:42:21.:42:28.

Yeah, that's pretty good. Ronnie just coming around to see where he

:42:29.:42:33.

would like to leave the cue ball. If he sends the red up near one of

:42:34.:42:47.

the baulk colours and gets it close to it and gets behind the black. He

:42:48.:42:50.

is right back in this frame. He would like to be tight up behind

:42:51.:42:57.

the black. I think he has got the snooker and

:42:58.:43:18.

cut out the one cushion escape. So this frame could be back on. There

:43:19.:43:27.

is a possible one-cushion escape. But that's difficult. I don't think

:43:28.:43:34.

he can swerve around the black, he is too close to that. This way, he

:43:35.:43:39.

is going to have to be very precise. Nonchts, help has -- no, he has

:43:40.:44:09.

missed it. REFEREE: Foul. Frame on again. So now 32 behind, 35

:44:10.:44:19.

remaining. He knew when he missed that red that would have kept Ronnie

:44:20.:44:23.

in his seat that he was asking for trouble, because he left the red on

:44:24.:44:27.

and Ronnie could get the blacks he needed and play the snooker.

:44:28.:44:37.

If this runs past the black, we could have a new favourite for the

:44:38.:44:54.

frame. Well, it has. Ronnie anxiously looking the other side of

:44:55.:45:00.

the table. Because he is so close to the cushion, to get the bit of side

:45:01.:45:04.

that is needed to come off the cushion, miss the plaque and hit the

:45:05.:45:11.

red -- black and hit the red, he might have to swerve this and hope

:45:12.:45:24.

for the best. He is looking at off the side cushion.

:45:25.:45:29.

This will have to be absolutely spot on. REFEREE: Foul and a miss. It was

:45:30.:45:37.

always there. That is why I thought he might just swerve around it.

:45:38.:45:43.

Ronnie's, it's a free ball as well. So that will give him a free shot,

:45:44.:45:47.

if he wants. But Ronnie having a look at the score board, the thing

:45:48.:45:52.

is he will need the black and the black is now safe. That is why he

:45:53.:45:58.

has had it put back. If he didn't need the black, I'm certain he would

:45:59.:46:02.

have played the green as the free ball. Yes, the shot he is

:46:03.:46:12.

attempting, he has to be so precise to miss the black and just flick the

:46:13.:46:15.

red. REFEREE: Foul and a miss. He's done

:46:16.:46:49.

it again. Ronnie having a think, because he won't need the black. 18

:46:50.:46:56.

points the difference. If he was to get off this last red, blue or pink.

:46:57.:47:05.

But he thinks well, this is a difficult snooker to hit. I'm

:47:06.:47:13.

surprised he hit the black so thick second time. Especially someone like

:47:14.:47:18.

Mark who is so good at getting out of snookers. He is hoping to knock

:47:19.:47:29.

the red on to the side cushion. But he is hitting the black almost

:47:30.:47:33.

quarter ball. I think it is just a plain ball shot. Well there is less

:47:34.:47:38.

than half ball of the red sticking out.

:47:39.:47:48.

I tell you what, he has done well here. Yes, no luck there. He knew if

:47:49.:48:01.

he caught that red he would send it over on to the side cushion.

:48:02.:48:11.

Well, there is a gap here. It is a tough pot though from where the cue

:48:12.:48:28.

ball is sitting. I think you look at this type of shot, is it easier to

:48:29.:48:36.

play the safety? If he played half ball on the right-hand side on the

:48:37.:48:41.

red as he looking and bring the cue ball behind the black.

:48:42.:48:57.

He played it the other way. Well, I think he has left this red. I think

:48:58.:49:06.

you're way was the best way, John. Sending the red back up and trying

:49:07.:49:11.

to get over behind the black. So one good pot here and one decent cannon

:49:12.:49:14.

on the green. Well is the green going? Where is

:49:15.:49:20.

that green? REFEREE: Foul. Would you Well is the green going? Where is

:49:21.:49:37.

it's a free ball. Well the cannon was always on, Ronnie never dreamt

:49:38.:49:41.

he could cannon the green into the pocket.

:49:42.:49:48.

I think he was hoping he could push the green towards the pocket and

:49:49.:49:55.

have it there. He never envisaged putting it in. The green never

:49:56.:50:00.

touched the side and I think Ronnie knew as soon as he saw the green

:50:01.:50:02.

over the pocket. In it goes. And Mark nicely on the

:50:03.:50:08.

green. And boy, will he be relieved. We do

:50:09.:50:28.

have different turning points in a long match. That is going to be one.

:50:29.:50:34.

Because he would have opened up a five-frame advantage.

:50:35.:51:00.

So a frame that could have gone either way. Mark Selby now relieved

:51:01.:51:13.

to be only three behind at 8-5. STUDIO: Two in a row and John is in

:51:14.:51:21.

our exhibition area and in has come Steve Davis. What do you think of

:51:22.:51:25.

that frame. Mark Selby seems to be very struggling to get over the line

:51:26.:51:30.

in these frames. Yes and Ronnie O'Sullivan potted an excellent red

:51:31.:51:34.

and knocked the green in. Things happen like that in snooker. He

:51:35.:51:37.

didn't expect the green to get to the pocket. But what happens I think

:51:38.:51:43.

in long session matches, multisession matches that doesn't

:51:44.:51:46.

happen in the short sessions, if a player who has the advantage,

:51:47.:51:49.

doesn't keep on pushing the advantage and the o'er player hangs

:51:50.:51:56.

on in there, at some stage the player behind may get some

:51:57.:52:00.

enthusiasm and stage a come back. So you have to keep on pushing if

:52:01.:52:05.

you're in front. It is not as easy from in front. So there a danger

:52:06.:52:10.

would you say of frustration creeping into Ronnie O'Sullivan's

:52:11.:52:17.

game? We talk about how good his patience is. But at some stage

:52:18.:52:21.

Ronnie will become frustrated and his rhythm is not great. He got in

:52:22.:52:26.

earlier in the frame and put a bad shot off the green. He is looking a

:52:27.:52:32.

bit ragged Ronnie in terms of his positional play. It is a long match.

:52:33.:52:36.

We are well over four and a half hours. Yes and there have been

:52:37.:52:42.

bhachs - matches where people have had big leads and been hauled back.

:52:43.:52:49.

A person. Don't need to, it has happened. The situation you find

:52:50.:52:53.

yourself in front, I can say from experience you still have to keep

:52:54.:52:58.

on. You have to keep that guy under it and all the time under it. When

:52:59.:53:05.

you're in the first day of a two-day final, how important is it to have a

:53:06.:53:10.

big lead and have a breathing space? It is important the first frame the

:53:11.:53:14.

other guy is under pressure to win. He is chasing. I think Ronnie needs

:53:15.:53:20.

to just play his natural game. In some ways Ronnie likes to out play

:53:21.:53:28.

his opponent on his game. When Mark Selby was last in the final he was

:53:29.:53:41.

four frames behind against John Higgins. So he is well capable.

:53:42.:53:52.

DENNIS TAYLOR: What a good start, cue ball tight on the cushion.

:53:53.:53:58.

Ronnie is playing at Mark's pace. I have seen him down to 15 in this

:53:59.:54:30.

year's Championship, but not when the balls are like this and you have

:54:31.:54:38.

got tactical play. Ronnie's as good a tactical player as anybody in the

:54:39.:54:43.

game. But he is up against one of best in Mark Selby.

:54:44.:54:56.

A great pot it was. What is the kiss like on the blue? Not bad. It was

:54:57.:55:12.

brilliant cueing this. Tight on the cushion and to knock that in. I

:55:13.:55:17.

think Ronnie left the auditorium and went back just to settle himself

:55:18.:55:21.

down. What a way to start. That was a bit

:55:22.:55:30.

tricky. Played with the left hand. Now he needs to pull another good

:55:31.:55:35.

pot out. He could play to get on the the black here.

:55:36.:55:45.

Yeah, great shot. One good pot on the black and he has given himself a

:55:46.:56:14.

terrific chance. Yes, it was interested what Steve and Stephen

:56:15.:56:19.

were saying, he should play his own game and that was a positive shot.

:56:20.:56:37.

He has got the red that is closest to the black, but I think there is

:56:38.:56:43.

one at the back that is also available.

:56:44.:56:48.

It will be available into the right corner. That is what he is looking

:56:49.:56:52.

at now. That is the one he has played for.

:56:53.:57:12.

But they're not a good bunch to go into.

:57:13.:57:25.

That's why he played for the pink. A better pack to go into from that. If

:57:26.:57:33.

he has the correct angle he can play this with a lot of top spin. All

:57:34.:57:36.

depends on the angle. He doesn't want it to go between that gap.

:57:37.:57:44.

He has gone through that gap. I'm surprised he never looked at that.

:57:45.:58:05.

Well, what a recovery pot that is. And he is on the yellow. And he can

:58:06.:58:16.

get back to the reds. This was just a fabulous pot.

:58:17.:58:26.

Yes, for one of the few times this evening he has decided to make

:58:27.:58:35.

things happen. I think after the first session he could see Mark

:58:36.:58:38.

hadn't settled. He was content to be patient and pabg up the -- pick up

:58:39.:58:41.

the pieces. Nicely on it. I think there is a red

:58:42.:59:16.

available to the left corner. He's picked these off very nicely

:59:17.:59:55.

indeed. He hasn't taken any risks with cannoning into them at the

:59:56.:00:01.

wrong time. Even there, he didn't bother cannoning into the reds and

:00:02.:00:03.

risking it. # This red and the black will put him

:00:04.:00:19.

68 in front with just 67 remaining. Ye, all done in a matter of, well,

:00:20.:00:26.

under seven minutes this frame has been going.

:00:27.:00:38.

68. Now a chance to go on and make a century break here.

:00:39.:01:00.

The record in a World Championship is by the man in the studio, I think

:01:01.:01:08.

15 centuries. He holds a lot of records does Stephen Hendry. Ronnie

:01:09.:01:19.

has made 746 centuries. He is closing in on Stephen Hendry's

:01:20.:01:21.

record. I think it is 775. The people come to see Ronnie play

:01:22.:01:51.

like this and he has turned it on in this frame And this, if he gets a

:01:52.:01:56.

century is going to be this last year, 55 centuries. And a few people

:01:57.:02:02.

would have had a bet on that. And they'll be getting paid out.

:02:03.:02:07.

They certainly will. A magnificent century break from Ronnie

:02:08.:02:16.

O'Sullivan. APPLAUSE.

:02:17.:02:19.

He has done exactly what Stephen Hendry suggested. Get out there and

:02:20.:02:23.

play your own game and this is Ronnie's game.

:02:24.:02:46.

APPLAUSE Well, he enjoyed every moment of

:02:47.:03:10.

that, did Ronnie O'Sullivan and so did the Crucible crowd. What a

:03:11.:03:15.

spectacular break. He is back to four frames in front. It is now 9-5.

:03:16.:03:24.

Well, as you said JV, that's what the crowd came to see and that was a

:03:25.:03:29.

superbreak. The graphic - there are the centuries, the Crucible,

:03:30.:03:34.

Sheffield. 20005. 63. The record wool was in 2009 - 83 centuries but

:03:35.:03:40.

as I say, John, a few people will have had a bet on the 55 centuries

:03:41.:03:46.

being beaten and they will be picking up their winnings, I would

:03:47.:03:50.

say. That's a bit more like it. It has created a buzz in the Crucible

:03:51.:03:55.

Theatre. It's been a bit pedestrian this evening but Ronnie came out and

:03:56.:04:00.

we can look at a few of these shots. There was no holding back. This was

:04:01.:04:06.

cracking. That was the best shot of it. But look at this where he

:04:07.:04:11.

decided to get the black back on the spot. I thought that was the key in

:04:12.:04:16.

the frame. That one to get himself out of trouble. Well, that was the

:04:17.:04:20.

type he had been playing safe earlier on in the evening but he has

:04:21.:04:22.

decided to change his approach. So, Ron yi breaks off, and still

:04:23.:04:38.

four more frames to play this evening. -- Ronnie breaks off. It

:04:39.:04:46.

has certainly warmed up the audience that last frame. Sorry, there is

:04:47.:04:54.

only three more to play. I'm getting ahead of myself but he has stepped

:04:55.:04:59.

up. Now Mark Selby has to do the same.

:05:00.:05:58.

! Well, Mark Selby would love to get both these remaining two frames.

:05:59.:06:06.

There's three frames to be played. If he could get two of the three, he

:06:07.:06:08.

would be more than Well, I thought it had stopped once

:06:09.:06:18.

and it just kept rolling. It looked certain to stop short of

:06:19.:06:39.

the baulk line and it just went on and on and you know, after the last

:06:40.:06:44.

frame, that Ronnie wants to start making things happen but if he takes

:06:45.:06:45.

the blue on, it's going to be risky. Is it looked like it was certain to

:06:46.:07:02.

stop at the baulk line but kept rolling. A great pot.

:07:03.:07:07.

Isn't it great, Denis, to have that ability, and just change the flow of

:07:08.:07:13.

a match? Yes, he has just moved up a couple

:07:14.:07:23.

of gears, hasn't he? Quite a thin cut this and he is

:07:24.:07:54.

heading up towards the baulk colours.

:07:55.:08:07.

A nice angle on the green should he so wish to come off the side cushion

:08:08.:08:14.

and into that cluster. The pink is probably only available into one

:08:15.:08:21.

pocket. The black tied up. It may be worth the risk. No, decided to play

:08:22.:08:26.

for the loose reds. The cue ball needs to slow up a touch. He has

:08:27.:08:29.

overrun it a fraction. He can't cannon into the bunch of

:08:30.:08:57.

reds because of the red above the pink spot.

:08:58.:09:04.

Well, he tried to get on that red, I mentioned. He knew he would always

:09:05.:09:12.

have the other one here into the left corner T ran on a fraction more

:09:13.:09:14.

than he intended there. That's a bonus, if the black will

:09:15.:09:25.

go. It doesn't look like it would pot from this angle.

:09:26.:09:38.

The red at the top of the cluster will go past the pink into the right

:09:39.:09:49.

corner. Now he has got the red away and the

:09:50.:10:16.

angle on the blue. He still has one more red he can play for.

:10:17.:10:25.

He will play for it this time. Can he get back on to the blue? That's

:10:26.:10:35.

the question, though? That's going to be difficult from there. If he

:10:36.:10:40.

screws back, he is back into the middle pocket. He is back looking at

:10:41.:10:44.

that black. It must be very, very tight. Looking at his facial

:10:45.:10:49.

expressions, a little bit annoyed with himself. I like you, thought

:10:50.:10:53.

after the last blue, he would go into the reds. You leave it until

:10:54.:10:57.

the last minute and you get the wrong angle. Watch the middle

:10:58.:11:02.

pocket. Just managed to avoid it and he has landed nicely on the blue to

:11:03.:11:07.

play that cannon. I don't see any plants if he goes into these reds.

:11:08.:11:13.

There might be one if he cannons the left of the reds. He is going to

:11:14.:11:17.

make a little plant. Certainly one red will head over towards the left,

:11:18.:11:23.

corner pocket, depending on the pace.

:11:24.:11:34.

Well, he has them all open now. Well, Mark, you cannot do anything

:11:35.:11:50.

about this. I mean, he wouldn't have played that

:11:51.:12:05.

any better. Well, he was at full stretch there,

:12:06.:12:34.

although it was inch perfect. Although a shake of the head so

:12:35.:12:38.

maybe not the angle he wanted. You wouldn't have thought it would cause

:12:39.:12:42.

a problem. He has the angle to stun down.

:12:43.:12:48.

55 ahead, 75 remaining. Two reds, two colours and that will be the

:12:49.:12:53.

frame safe. Well, he really is turning it on

:12:54.:13:26.

now, is, Ronnie O'Sullivan, it has to be said.

:13:27.:13:32.

It wouldn't matter who he is playing. Up to 1,000 points in the

:13:33.:13:39.

final. Now a possible chance to make

:13:40.:14:00.

back-to-back centuries. Still trying to convince himself he can pot that

:14:01.:14:02.

black. Well the referee dashing round to

:14:03.:14:18.

make certain he hits the black first. Can he bend it round? He

:14:19.:14:24.

could, you know! APPLAUSE

:14:25.:14:32.

We had a couple of frames that lasted just over 24 minutes but the

:14:33.:14:38.

last two frames have just been awesome.

:14:39.:14:41.

He just overstuned that. He will be annoyed with himself. The way he is

:14:42.:14:48.

playing at the moment, though, you fancy him knocking anything in.

:14:49.:14:54.

Well, maybe not in that case. It wasn't 100 but it kept Mark Selby in

:14:55.:15:05.

his seat and Ronnie is going out of the arena but boy he will be feeling

:15:06.:15:11.

good because he leads now by 10-5. ?

:15:12.:15:14.

STUDIO: We wonder if he has a hotline to Stephen Hendry. And

:15:15.:15:19.

listening to his commends. What you said, take things into his

:15:20.:15:25.

own hands and play his own ga. He was getting into a game he wasn't

:15:26.:15:31.

enjoying, you could tell. Not that frame but the red o to come up for

:15:32.:15:36.

the black for the blue, the red in the middle where he was playing

:15:37.:15:39.

safe, in that frame he landed a touch on the build up and took the

:15:40.:15:43.

long green but he wants to attack now. He has picked up the pace. Yes,

:15:44.:15:50.

like letting a Doberman off the leash. He is beating him 2 frames to

:15:51.:15:56.

1 and I don't see Mark Selby turning that around and therefore, not that

:15:57.:16:00.

he can coast in, it is getting to the stage, you know, the next couple

:16:01.:16:04.

of frames, it is getting to the stage where it is... Too big a gap,

:16:05.:16:09.

perhaps. But there are still frames to go. From Mark Selby's point of

:16:10.:16:14.

view now, what is critical over the next couple of friends frames? We

:16:15.:16:17.

have been talking the whole match, he has not scored. The frames he has

:16:18.:16:22.

won, he has scrapped out. He has won frame ball and not won it properly

:16:23.:16:25.

and Ronnie has come back it the table. Needs to win frames in one

:16:26.:16:29.

visit for his own confidence and self-belief. Tomorrow, after he has

:16:30.:16:33.

had the proverbial good sleep and rest, can you sense he might be able

:16:34.:16:38.

to pick up the pace himself more tomorrow I think he could. You can

:16:39.:16:42.

always regroup. But you would like to think it was 10-7 if that was

:16:43.:16:48.

going to happen. 11-6 is still tough. It is going to be and the

:16:49.:16:52.

next couple of frames, as Steve Davis says, could be pivotal in the

:16:53.:16:55.

outcome and the destiny of this Championship.

:16:56.:17:10.

DENIS TAYLOR: Yes, Mark could definitely do with the two remaining

:17:11.:17:18.

frames but will he get the chance? The way Ronnie has played in the

:17:19.:17:22.

last couple of frames, he knows if he makes one mistake he will be

:17:23.:17:27.

sitting down and watching Ronnie carry on.

:17:28.:17:32.

We will see how he plays this safety shot. He has a chance to open the

:17:33.:17:48.

reds, get back down the table. Or he can play the one next to the black.

:17:49.:17:54.

Let's see if he is going to open them up somewhat here.

:17:55.:18:12.

Catching the green. I don't think the black or Olympic will go and

:18:13.:18:19.

this red looks a bit straight to me. If he has a slight angle he can try

:18:20.:18:23.

to get up for the blue but there is only just a slight angle. When he is

:18:24.:18:30.

cueing well, well, there you see, not even considering that one.

:18:31.:18:48.

Well, like Mark before him, catching a baulk colour. A dangerous thing to

:18:49.:18:56.

do at this level. Well, look at the angle he has on this. It is not a

:18:57.:19:00.

natural to roll this in and finish on the black and play it as a sort

:19:01.:19:02.

of shot to nothing. Look, coming up to 22 minutes and 30

:19:03.:19:17.

seconds since his last pot. He could do with getting in behind the yellow

:19:18.:19:21.

and brown here. If he misses the green he might get there.

:19:22.:19:35.

He has missed his chance and Ronnie looking at the be possibility of a

:19:36.:19:42.

three ball plant here. I tell you what, it is knotted far away and it

:19:43.:19:44.

is the path back to baulk. -- it is not far away. In the end he

:19:45.:19:56.

didn't see it as a good path balk to baulk in a risky plant and he has

:19:57.:20:02.

found that area behind yellow and brown, as played.

:20:03.:20:09.

So, it has been a tough couple of days for Mark Selby. That

:20:10.:20:31.

fascinating semi-ifiable against the world number one, Neil Robertson,

:20:32.:20:38.

with just over 12 hours. -- fascinating semifinal. It does take

:20:39.:20:44.

it out of you meantly. He has to hang in to see what he can get out

:20:45.:20:46.

of the last two frames. Believe it or not he has been

:20:47.:21:11.

playing 13 hours longer than Ronnie O'Sullivan, belief it or in the

:21:12.:21:14.

because of the way the matches have gone. That does take tout of you. --

:21:15.:21:19.

believe it or not. -- that does take it out of you.

:21:20.:21:29.

Ronnie looking for the path to get in behind the yellow and brown but

:21:30.:21:33.

the red slightly in the way. He is debating whether to miss that

:21:34.:21:53.

red and take it up towards the green. I think it is worth the thin

:21:54.:21:55.

one. He can miss that red. That could have been in the pocket.

:21:56.:22:12.

He's OK. Well, not exactly as planned. This red that is cuttable

:22:13.:22:17.

to the right, middle, the one on the other half of the table, it is not a

:22:18.:22:21.

red you would want it take on, really a tough pot. You are not

:22:22.:22:25.

certain to get it safe. He played that very well. There is a

:22:26.:22:45.

danger if you catch it wrong a red could come up to the baulk end. Good

:22:46.:22:50.

think, well-played, in a spot of bother but he has reversed the roles

:22:51.:22:55.

and Ronnie now has something to think of.

:22:56.:23:26.

Well, that was a brave shot he cook on. He nearly took it off -- that

:23:27.:23:36.

was a brave shot he took on there. He nearly finished it off. He wasn't

:23:37.:23:41.

far away but once it came across there, he got a decent little kiss

:23:42.:23:44.

to leave it safe. The red wobbled and came across. He

:23:45.:24:17.

could quite easily have pushed one on there.

:24:18.:24:39.

Just a bit pacy and hand on the table. But there is definitely an

:24:40.:24:47.

opportunity here for Mark, feck pot the red, come around off two

:24:48.:24:50.

cushions and he would be on the black to the opposite corner. OK, if

:24:51.:24:57.

he missed it he may leave -- Mark if he can pot a red, come around off

:24:58.:25:03.

two cushions and he would be on the black to the opposite corner.

:25:04.:25:07.

Ronnie did it, you feel he has to do it. He edged his bets. A great pot.

:25:08.:25:14.

But is he on a colour? Well, unless he has a good angle on

:25:15.:25:23.

the brown, it is only a snooker to play.

:25:24.:25:32.

He could come off the baulk cushion and snooker behind the green. The

:25:33.:25:38.

one thing he wants to do is cut out the simple one-cushion escape.

:25:39.:25:50.

There is a way, he has to hit, let's see, one, two, three cushions to

:25:51.:25:58.

land on the red to the left of the two on the cushion. Keep your eye on

:25:59.:26:02.

this cue ball this. Will be some escape.

:26:03.:26:25.

Well, esmiles. Can he remember the line, that's the thing? Can he

:26:26.:26:31.

remember where he hit, because he had it absolutely spot-on. Yes, he

:26:32.:26:38.

played it absolutely perfectly at the line and what was t a millimetre

:26:39.:26:40.

short of pace. -- what was it? I don't know if I

:26:41.:26:52.

can get as good a line as Ronnie but somewhere near there, I think.

:26:53.:27:05.

Er He is coming up short again. He might have left this one on. And

:27:06.:27:13.

Mark, well, as Stephen Hendry was saying and as you said, John, he has

:27:14.:27:17.

to make something happen. This might just be the chance.

:27:18.:28:10.

All the reds are nicely spread now. It is just a case of producing your

:28:11.:28:21.

best snooker. This is an opportunity. You just feel he can

:28:22.:28:23.

not turn down. And it has gone wrong almost

:28:24.:28:33.

immediately. He got a kiss on the second red he wasn't expecting and

:28:34.:28:38.

that has been his problem, Denis, throughout this match. It was the

:28:39.:28:41.

shot when he screwed into the bunch to leave the white there. He was a

:28:42.:28:45.

bit unlucky to leave it at that angle. Normally he would have

:28:46.:28:48.

finished straight to be able to stay on the black. He thought there was a

:28:49.:28:53.

way past there and he just misjudged that and he is totally out of

:28:54.:28:54.

position now. Just watch the split when he potted

:28:55.:29:21.

the black. It came back two or three inches further than he intended and

:29:22.:29:26.

he just cannoned into the red. He will know he should have known he

:29:27.:29:32.

was going to kiss the second red. But he is not scoring and he is not

:29:33.:29:34.

winning frames in one visit. Well he has got it. Just have a look

:29:35.:30:22.

where the cue ball's finished. If that red doesn't go in and that red

:30:23.:30:27.

he played went safe, he wouldn't have left anything. For me, that was

:30:28.:30:33.

the shot of the final so far. It really was to roll it in like that

:30:34.:30:36.

and get around the back of the black.

:30:37.:30:40.

He saw all the options and he thought the best way to go for this

:30:41.:31:10.

is to go for it full-blooded. Even that was well judged, because

:31:11.:31:34.

he wasn't straight on that. One of the fibres from the tip in

:31:35.:31:50.

his eye line when he goes down to strike.

:31:51.:31:56.

Well, it just put him off enough to lose his concentration. Didn't

:31:57.:32:05.

expect that. Well, what a gift this is. But he

:32:06.:32:23.

did seem to lose a little focus when he was messing around with the tip.

:32:24.:32:31.

Mark Selby, you've got to take full advantage as Ronnie still looks at

:32:32.:32:37.

the tip there. He has had a couple of tips on this year. It is most

:32:38.:32:46.

unusual. There is very few players would change their tip during a

:32:47.:32:49.

World Championship, unless it was damaged.

:32:50.:33:08.

What a lifeline he has been handed here and he has got to take it.

:33:09.:33:45.

Brendan Moore checking to see if the blue will spot. It won't. So there

:33:46.:33:58.

is three easy reds available. I'm not sure about the two to the right

:33:59.:34:01.

of pink and blue. Two reds, two colours would be more

:34:02.:34:39.

than enough. It has bounced nicely enough. He may have to play a little

:34:40.:34:42.

cannon here. He is looking at the other red into

:34:43.:35:06.

the middle pocket now. Because this one looks a bit tight and he is

:35:07.:35:10.

going to have to bridge slightly over the blue. That is if the other

:35:11.:35:14.

one doesn't go, the one to the right as he is looking at it. That would

:35:15.:35:18.

have been very tight. The cannon on the blue didn't quite

:35:19.:35:34.

work out. He is back looking to the one to the middle pocket. This is

:35:35.:35:36.

missable. It is there. Only the red needed.

:35:37.:35:51.

The unexpected missed black from Ronnie O'Sullivan gave Mark a

:35:52.:35:53.

lifeline and he has taken it. He can dig deep this young man and

:35:54.:36:06.

he is having to dig deep, because he has not been at his best.

:36:07.:36:15.

That will mean Ronnie will not be getting back to the table. If he

:36:16.:36:25.

could win this last frame and come out of this 10-7 with a highest

:36:26.:36:31.

break of 55, he is in with a great shout tomorrow.

:36:32.:36:36.

Yes, I think Ronnie switched off a bit.

:36:37.:36:46.

He wasn't having to do a lot to win frames. Doesn't matter about this

:36:47.:36:58.

red. He is handed a lifeline, Ronnie missed the black and Mark Selby took

:36:59.:37:03.

it. He reduces the arrears to four and with one big frame coming up.

:37:04.:37:08.

Ronnie O'Sullivan leads 10-6. STUDIO: We have seen his highest

:37:09.:38:18.

break of the match. He has proven his defensive powers. Yes, I suppose

:38:19.:38:23.

if he wins the last he will consider it not a bad recovery. He was 4-3

:38:24.:38:30.

behind at the end of the last session, the morning session. He

:38:31.:38:35.

failed to clinch that. So this is another big ending for this session

:38:36.:38:39.

for him. How do you read his position now and what do you make of

:38:40.:38:43.

the way he has been able to respond to two beautiful frames from Ronnie

:38:44.:38:47.

O'Sullivan? Yes, it was a great performance. Although he didn't win

:38:48.:38:51.

it in the visit we thought he might. He still took two chances. Ronnie

:38:52.:38:55.

missed a black when he was in. He was looking at his tip, but it was

:38:56.:39:01.

an awkward shot. It is sort of a half-shot. They are missable. We

:39:02.:39:09.

didn't expect him to miss it. But 10-7 would be an incredible result

:39:10.:39:16.

for Selby. He did look at the tip of his cue and he has changed I once. I

:39:17.:39:20.

think he has had three tips on. Well that, we were thinking back to the

:39:21.:39:25.

time he played Graeme Dott and changed his tip six or seven times.

:39:26.:39:34.

It doesn't appear to faze him problems like that? No, he seems to

:39:35.:39:39.

be able to play with whatever is on the end of his cue. He uses a tip

:39:40.:39:44.

that is a cheap tip in the whole range of tips. You can go through a

:39:45.:39:49.

whole box and not find many good ones. You buy boxes of 50, you don't

:39:50.:39:55.

get many of them and there are the better ones out there. How much is a

:39:56.:40:02.

box of 50? I don't know, I never pay for them. You don't pay for themmer

:40:03.:40:08.

thchlt what am -- you don't pay for them either. The ones can be ?10 a

:40:09.:40:19.

tip, but the ones Ronnie uses is 50p. Very big final frame of the

:40:20.:40:26.

second session? Yes, I think the the way Ronnie played he would be

:40:27.:40:32.

disappointed. Back we go. What will it be? Rrn going for the distance or

:40:33.:40:40.

-- Ronnie O'Sullivan going for the distance or Mark Selby? or Mark

:40:41.:40:42.

distance or MarkSelby? or Mark Selby? ?

:40:43.:40:46.

Both players were out of the arena to compose themselves.

:40:47.:40:54.

Ronnie O'Sullivan breaks off with that 50 pence tip on the cue that

:40:55.:41:05.

Steve Davis said and it is a pretty good break-off. This is the shot

:41:06.:41:10.

they were talking about. He seen a little fieber in his eye line and

:41:11.:41:12.

just took his concentration away. Superbly played. What a terrific

:41:13.:41:37.

shot that was. And a little tap on the table from Ronnie in

:41:38.:41:40.

appreciation. It is a big frame and that was, he was in a spot of bother

:41:41.:41:43.

there. He has hit that so thick, but I

:41:44.:41:58.

think he is OK. That is what he thinks of that shot!

:41:59.:42:08.

For a moment I thought he had cleared the black, because the black

:42:09.:42:14.

was tied up and the two reds have gone either side of it. So it is a

:42:15.:42:16.

bit awkward again. This is the shot, watch it clears

:42:17.:42:31.

the black and knocks the red away but then a series of little kisses

:42:32.:42:33.

left it awkward again. He will be disappointed with that.

:42:34.:43:02.

You can see the look on his face. When you're that close to the reds

:43:03.:43:06.

at this level and you don't find the baulk cushion, you make it that

:43:07.:43:13.

much... REFEREE: Can you ask him to leave please. Totally unnecessary.

:43:14.:43:18.

For your opponent to play a better safety.

:43:19.:43:29.

The crowd here, they are fantastic. But occasionally you get one person

:43:30.:43:39.

shouting ow. Probably they have never been to the Crucible before.

:43:40.:43:45.

You want the enthusiasm. But it is about timing. It is such an intimate

:43:46.:43:54.

theatre here. It is a bit special. We met a few people at lunch and tea

:43:55.:44:03.

tooichl time that were here for the first time and I bet they're

:44:04.:44:04.

enjoying every minute of this. Just rolling into them. He had a

:44:05.:44:30.

good look at everything. So I assume he has left nothing. We need a

:44:31.:44:39.

touching ball here now to resolve this. They both looked at one

:44:40.:44:47.

another. I think this will be a re-rack. Both players agree. No

:44:48.:45:00.

reason why not. There is the crowd again. And this is the second

:45:01.:45:04.

re-rack we have had this evening. But I bet they're enjoying every

:45:05.:45:10.

single minute of this. Not that easy to get tickets to come to the

:45:11.:45:15.

Crucible theatre. It is nice to get a wave from them all. That is for

:45:16.:45:19.

the winner, that beautiful trophy there. REFEREE: Ronnie O'Sullivan to

:45:20.:45:31.

break. Ronnie gets ready to break off in this final frame.

:45:32.:45:39.

For the second time. I have noticed every time, or most of the time

:45:40.:45:46.

Ronnie breaks off, that red seems to come right next to the black and

:45:47.:45:53.

puts it out of commission. He is not intending to do that. But it is

:45:54.:46:00.

amazing the number of time ps it happens. He is hitting the end red

:46:01.:46:04.

with lots of side. A decent length with the cue ball.

:46:05.:46:27.

The black now has gone up the side cushion.

:46:28.:46:39.

That is going to make the frame turn a little bit awkward.

:46:40.:46:50.

This one a risky red. I'm looking at whether he can get around the back

:46:51.:47:01.

of the two reds near the black spot. He is having to punch this in.

:47:02.:47:09.

Brilliant! Absolutely brilliant! Well he has got a prolonged round of

:47:10.:47:23.

applause for that superb opening pot. Spl

:47:24.:47:28.

He had the butt of the cue raised and he had to punch it in. I tell

:47:29.:47:34.

you what, that was so accurate. John mentioned that black being out

:47:35.:48:22.

of the game and Mark having to work hard for these points here.

:48:23.:48:33.

Just look at this. - watch the white leave the bed. It is just bouncing

:48:34.:48:41.

all the way down. And he has caught it absolutely spot on.

:48:42.:48:49.

Not sure if the pink is available into the left corner. In a couple of

:48:50.:48:55.

shots time. I tell you what, it is available

:48:56.:49:06.

now. But he is not on a red. That was a bit unlucky. He played that

:49:07.:49:14.

with so much top spin. It was unfortunate to stick in there. That

:49:15.:49:18.

is the problem when you come off a cushion like that. Particularly as

:49:19.:49:22.

he was having to stun it. There wasn't a lot of pace left in the cue

:49:23.:49:24.

ball. I am sure Mark Selby, no matter what

:49:25.:49:41.

he has gone through today, realises the importance of this frame. This

:49:42.:49:42.

is massive in his cause. ? He has picked it out nicely. I'm

:49:43.:50:25.

just wondering if he can take a pot on to the right corer. There might

:50:26.:50:32.

be a gap between the reds. That is what he is looking at now.

:50:33.:50:47.

That is very risky. He will be aware he may kiss the red on the left-hand

:50:48.:50:53.

side of the table. A bit pacy again. Will he drop in

:50:54.:51:34.

tight behind the green? That is a bit of a result for Ronnie there.

:51:35.:51:38.

You're playing to get the white tight on the baulk cushion. If you

:51:39.:51:42.

happen to come up behind the colour, that is a bonus.

:51:43.:51:56.

He will have to try and get to the two that is near the black spot to

:51:57.:52:00.

come in bemind those. He is going for the old two-cushion

:52:01.:52:18.

escape and back down the table. Brilliant. That is such a difficult

:52:19.:52:22.

shot. Is Is there a gap to take the pot

:52:23.:52:47.

on? There is always a gap, as JB says. The amount of right-hand side

:52:48.:52:51.

he put on that, that was a sensational pot. Just watch the side

:52:52.:52:56.

when it comes off the top cushion. There was so much right-hand side.

:52:57.:53:19.

He is not certain to get this safe. There is no two-cushion escape with

:53:20.:53:26.

pace on here. Have a look at this line. Is he is

:53:27.:53:47.

going to reach? REFEREE: Foul and a miss. The same shot. A bit more

:53:48.:53:52.

pace. But he has got to get the same line.

:53:53.:54:20.

Hasn't got the line on this. Is there a red to the right middle

:54:21.:54:31.

pocket? There is, that is the one he is looking at. Is it too risk y? If

:54:32.:54:43.

it is not simple, he would have it put back.

:54:44.:54:52.

He wants to get in and get his hand on the table.

:54:53.:55:17.

Third time lucky, he has more pace on it this time. This looks

:55:18.:55:26.

brilliant. But will he push that red on? Not quite. Excellent escape.

:55:27.:55:43.

That is all he can hope for, get out of the snooker and leave it safe.

:55:44.:55:53.

Ronnie keeping the heat on and if Mark can't get past this pink, to

:55:54.:55:57.

play safe down the left-hand side of the table, which is danger Reus any

:55:58.:56:02.

way -- dangerous any way, he has a problem here.

:56:03.:56:08.

He is having a long, hard look at it. There is very little of that red

:56:09.:56:14.

sticking out. He is coming around to look from the other side.

:56:15.:56:30.

I don't think he can see that red. There is a very slight bit sticking

:56:31.:56:45.

out there. With being tight on the cushion, you wouldn't fancy it. On

:56:46.:56:51.

the face of it, it is such a fine edge of the red, if you come off the

:56:52.:56:55.

top cushion and nestle into the reds. That looks easy enough. But if

:56:56.:57:00.

you just don't judge the pace right, you hit it too hard. You can leave a

:57:01.:57:10.

red on. You need a steely nerve to play this.

:57:11.:57:17.

That is what he is thinking of coming off the top cushion and

:57:18.:57:22.

nestling into the reds. A difficult way to go this for me.

:57:23.:57:42.

This is a terrific shot. An absolute beauty!

:57:43.:57:55.

Not as much pace as he wanted there. It's still OK. He had a few very

:57:56.:58:53.

quick frames. This one has been going now for, be coming to just

:58:54.:58:56.

under 14 minutes. Oh, I tell you what, Ronnie miss hit

:58:57.:59:11.

that altogether and he got through a gap there that, when he hit it too

:59:12.:59:16.

thin, he thought he was going to career into the reds. Just have a

:59:17.:59:26.

look at this. Mark Selby, that is what he knew he had miss hit that,

:59:27.:59:28.

but this is a key shot coming up. You can expect this. In this last

:59:29.:59:49.

frame. Because it is so important. Certainly from Mark's point of view.

:59:50.:00:15.

The second red went to the left-hand side. So he caught the fist red

:00:16.:00:25.

fuller than he intended. The yellow has stopped the easy return back to

:00:26.:00:29.

baulk. That would have been the red on the left hand side of the table.

:00:30.:00:41.

The red went towards the right corner. But it has gone to the

:00:42.:00:47.

cushion. That won't tempt Ronnie. The only thing with this red to the

:00:48.:00:50.

right of the black, which looks the obvious red to play safe off, there

:00:51.:00:54.

is a chance, you have to be careful that the red, if it hits the cushion

:00:55.:01:00.

might bring the black in, back into the middle of table and you could

:01:01.:01:01.

get the double-kiss. He managed to avoid the black. But

:01:02.:01:22.

he has not got a very good pace with the cue ball. Is he going to run

:01:23.:01:29.

that cue ball? It has. I had a quick glance to Mark before he got out of

:01:30.:01:37.

his seat. And he just sort of had the feeling that cue ball was going

:01:38.:01:41.

to run on and he wasn't going to be able to get to this red over the

:01:42.:01:45.

corner. Such a frustrating game sometimes.

:01:46.:01:54.

He might have to give this a bit of thought. He was looking away, he

:01:55.:02:03.

said it may have covered I. -- it. He can get past the pink to get back

:02:04.:02:22.

down the table. But how does he hide, if he hides the cue ball where

:02:23.:02:28.

the tip of the cue is he would to have been more or less tight on the

:02:29.:02:31.

cushion and near the pocket. Has he got the white where he

:02:32.:02:47.

wanted? It is a pretty good effort. He still can pot this, Ronnie. To be

:02:48.:02:54.

fair to Mark, he has left it as difficult as he could. This is no

:02:55.:03:04.

gimme. Watch the cue ball it will head towards the red to the right of

:03:05.:03:05.

the black. Now the chance is there. That wasn't

:03:06.:03:18.

an easy pot, but what a shot Mark Selby played to get that white in

:03:19.:03:22.

that position. It really was special.

:03:23.:03:29.

He took the risk. And it worked. Ronnie missed that difficult cut.

:03:30.:03:39.

This was the shot where he tried to get the white down in that corner.

:03:40.:03:48.

If he does get out of this, just three behind at 10-7, it will make

:03:49.:03:55.

it very interesting tomorrow. He still has got definitely pink and

:03:56.:04:28.

blue to play on. He would like it to go on to the brown spot. Then it

:04:29.:04:30.

doesn't tie up the reds. Mark made four century breaks in his

:04:31.:05:27.

semi final with Neil Robertson. His highest break is still 58. If he

:05:28.:05:35.

gets out of it 10-7 he would be more than pleased. He could come out

:05:36.:05:39.

fresh tomorrow. And it would be final on. He was 84% earlier. He is

:05:40.:05:52.

now up to 88% with his pot success rate.

:05:53.:06:09.

This one clears the path for the other. A bit too pacy. He would

:06:10.:06:24.

rather have been straighter on the blue. You would think he would play

:06:25.:06:35.

the blue. If he played the black he would cannon into the yellow. The

:06:36.:06:40.

green's too straight. He will have to judge this nicely. No straight

:06:41.:06:44.

forward cannon into the red. All depends on what sort of red he

:06:45.:06:56.

has got. Either red to All depends on what sort of red he

:06:57.:07:06.

pocket. He can play for the pink in the middle. He doesn't have to play

:07:07.:07:09.

pocket. He can play for the pink in the pot with too much pace.

:07:10.:07:28.

Look where he is hitting the cue ball. Has he got enough? A little

:07:29.:07:42.

flick would help here. And I think he got the flick. I think he is on

:07:43.:07:51.

the red. Ronnie, well, as Mark looks on, it must be very tight. Yes,

:07:52.:07:59.

48-point lead and he can just get through to this red.

:08:00.:08:08.

One more red. It will have to be the pink.

:08:09.:08:26.

Well as John said, just the one more red needed.

:08:27.:08:47.

I think he will sleep comfortably tonight, Mark Selby.

:08:48.:09:12.

His breaks are getting higher. This is now his highest break of the

:09:13.:09:17.

match. So signs that he is finding a bit

:09:18.:09:26.

better form. Doesn't matter about that. Ronnie comes forward to shake

:09:27.:09:31.

his hand. Mark Selby will be delighted. It looked a if Ronnie was

:09:32.:09:36.

going to walk away with the match. But Mark Selby is right back in. He

:09:37.:09:43.

trials by three frames. It is 10-7 to Ronnie.

:09:44.:09:47.

STUDIO: Mark Selby survived a turn around from his semi final. A top

:09:48.:09:54.

break of 62. And he is only three frames behind. Ronnie has made two

:09:55.:09:58.

centuries and five other 50 breaks and there is not a much daylight as

:09:59.:10:04.

I'm sure he would have liked at this stage. Steve and Stephen are

:10:05.:10:09.

watching. How dangerous could Mark Selby be for the Rocket? What a

:10:10.:10:16.

trier. You have got to stick in there times. -- sometimes. You could

:10:17.:10:20.

see he was proud of himself. And quite rightly so. Every day, every

:10:21.:10:27.

session is a different day. Come out refreshed. Not that I think he was

:10:28.:10:32.

tired throughout the last part of that. But just see what p has. What

:10:33.:10:36.

do you sense about what happened with Ronnie tonight? I think he will

:10:37.:10:42.

be a bit disappointed the first four frames he let himself get drawn into

:10:43.:10:46.

that type of snooker. We have seen him play two frames very quickly. I

:10:47.:10:52.

can't wait to see how Mark Selby comes out tomorrow. It is game on?

:10:53.:10:57.

Yes, the first frame, of the morning, of the afternoon session,

:10:58.:11:06.

it is big. But they all are. It is just fascinate fog watch. Mark

:11:07.:11:11.

Selby's highest break sois low. What happens if he starts to hit form.

:11:12.:11:17.

And we have seen him do it. He has got back to 10-7, he is still

:11:18.:11:23.

chasing. The first frame is also important for the chasing manage v

:11:24.:11:30.

-- manage. What do you think of it so far? John has been monitoring

:11:31.:11:34.

your reaction on social media. There would be a link between Parrot and

:11:35.:11:39.

tweets, but I'm not going to go for that. Thank you. Bob says. Every now

:11:40.:11:44.

and then in sport somebody comes along who is too good for everyone

:11:45.:11:49.

else. That is Ronnie O'Sullivan in snooker.

:11:50.:12:02.

That is interesting at work, that is what he will need to be tomorrow. It

:12:03.:12:07.

is a long way from over this match. We have another eight frames

:12:08.:12:11.

tomorrow afternoon and then down to the wire. But will it go down to the

:12:12.:12:16.

wire? Can you imagine the match getting very close? I couldn't at

:12:17.:12:22.

10-5. I am not absolutely sure that he can turn it around. But who

:12:23.:12:29.

knows? It is impossible to say. So many times we have been sitting here

:12:30.:12:34.

trying to analyse what is going on. A flick of a ball can change things.

:12:35.:12:39.

Usually Ronnie has a session where he blows his opponent away and he

:12:40.:12:46.

hasn't so far. What changes between day one and two? Well you have a

:12:47.:12:52.

night sleep, if you don't get a good night's sleep, because you're

:12:53.:12:55.

thinking about things and you're worrying, looking over your

:12:56.:12:58.

shoulder, that is not good. I don't think that is happening with Ronnie

:12:59.:13:02.

O'Sullivan. Mark Selby, well, I think he will be inspired for his

:13:03.:13:05.

afternoon session and come out and give it a good go. Steve? Yeah, I am

:13:06.:13:16.

waiting for Ronnie, he has been good, but I'm waiting for him to

:13:17.:13:21.

catch fire. It has been a very long day. And it has been a long 16 Tace

:13:22.:13:27.

here -- - days in Sheffield. One more to go. I hope you will be able

:13:28.:13:34.

to put off the things you can do on bank holiday Monday, because this

:13:35.:13:39.

holiday is made for the World Championship final here at the

:13:40.:13:42.

Crucible. So clear the decks, join us tomorrow at 2 o'clock. Session

:13:43.:13:48.

three, be there. See you soon.

:13:49.:13:51.

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