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Hello and good morning and welcome to the Crucible theatre and the | :00:32. | :00:41. | |
World Snooker Championship. The second round is under way. Ricky | :00:42. | :00:48. | |
Walden and Barry Hawkins get their second round match under way. Our | :00:49. | :00:53. | |
live match this morning sees Mark Selby resume his cracking last 16 | :00:54. | :01:04. | |
match with Ali Carter. I was born in Coll cresser the in -- Colchester in | :01:05. | :01:13. | |
1979. My nick name is The Captain. I turned professional in 1996. I made | :01:14. | :01:21. | |
a 147 at the 2008 World Championship. In 2008 I also reached | :01:22. | :01:29. | |
the final of the World Championship. I won my first ranking title in | :01:30. | :01:38. | |
2009, which was the Welsh Open. In 2010 I won the Shanghai Masters. I | :01:39. | :01:43. | |
reached the final of the World Championship in 2012 for the second | :01:44. | :01:49. | |
time and played Ronny O'Sullivan. In 2013 I won the German Masters. | :01:50. | :02:07. | |
The crewsable crowd - Crucible crowd love a century. He takes the first | :02:08. | :02:25. | |
frame. That is outrageous. Outrageous. He now leads 2-1. | :02:26. | :02:39. | |
I don't know whether Jan's worked this out yet, but it is a re-spotted | :02:40. | :02:51. | |
black. Jan said seven and the frame! Ali would take that. | :02:52. | :03:02. | |
He just wobbled the black and he goes to the mid session interval | :03:03. | :03:12. | |
trailing Mark Selby by three frames to one. Terrific long pot. Now four | :03:13. | :03:23. | |
frames behind. Selby leads 5-1. Absolutely top drawer. That's what | :03:24. | :03:36. | |
you get at the Crucible. It is the World Championship and that was the | :03:37. | :03:44. | |
World Championship quality. Mark Selby wins the session 5-3. It was | :03:45. | :03:51. | |
an afternoon of excellent snooker. Ali Carter showing great character. | :03:52. | :03:55. | |
That is the match we are showing live this morning. Over on table 1 | :03:56. | :04:03. | |
it is Barry Hawkins taking on Ricky Walden. Ricky so disappointed to | :04:04. | :04:08. | |
have missed a place in the final last year, losing to Hawkins. | :04:09. | :04:12. | |
Revenge today possibly for Ricky Walden. The players are ready let's | :04:13. | :04:19. | |
join Rob Walker. Good morning. What an array of talent we have waiting. | :04:20. | :04:25. | |
All four players are ranking vent title holders. We have a rerun of | :04:26. | :04:31. | |
one of last year's semis and on the other the battle between two former | :04:32. | :04:36. | |
finalists. Day seven is about to start in style. | :04:37. | :04:54. | |
Please welcome first a double ranking vent winner with titles in | :04:55. | :05:01. | |
Shanghai and an amazing run to the semies here last year. He also made | :05:02. | :05:06. | |
the last four at the UK Championships in December. Here | :05:07. | :05:11. | |
comes the pride of Chester - here comes Ricky Walden. | :05:12. | :05:29. | |
And his opponent, a player who has discovered the best form of his | :05:30. | :05:36. | |
career since he turned 306789 he has come of age -- since he turned | :05:37. | :05:44. | |
306789 he has won -- turned 30: Here is the The Hawk, Barry Hawkins! | :05:45. | :06:05. | |
And here on table 2 please welcome a player who has no shortage of kurnl | :06:06. | :06:14. | |
on and - courage on and off the table. Winner of three ranking event | :06:15. | :06:19. | |
titles, the last two frames yesterday have kept him right in | :06:20. | :06:24. | |
touch. He is a double Crucible finalists. When he is flying high, | :06:25. | :06:32. | |
he is The Captain. So here comes Ali Carter! | :06:33. | :06:43. | |
And finally, a player who is always ice cool under pressure. Hi | :06:44. | :06:50. | |
displayed all that calmness in the first round, beating Michael White. | :06:51. | :06:55. | |
Three times a Masters champion, three times a ranking event winner. | :06:56. | :07:00. | |
Here comes the Jesser the from Leicester, here comes Mark Selby! -- | :07:01. | :07:09. | |
the jester from Leicester. COMMENTATOR: A wonderful atmosphere. | :07:10. | :07:39. | |
If you want to see Hawkins playing Walden, that is on the red button. | :07:40. | :07:50. | |
Here we go. Comment morning everybody. And everybody looking | :07:51. | :07:54. | |
forward to this second session, because the first session was | :07:55. | :07:59. | |
tremendous. Great match play. It had just about everything. Would | :08:00. | :08:15. | |
this be classed, Steven, like a golf tournament a moving day? I think | :08:16. | :08:18. | |
your right. The second session is the important | :08:19. | :08:31. | |
one. You would definitely want to have a lead going into the final | :08:32. | :08:34. | |
session. Where is that cue ball going? Very | :08:35. | :09:14. | |
close. But Mark Selby was just, sometimes you could say a little bit | :09:15. | :09:20. | |
clever in certain situations, where he uses all his ring craft so to | :09:21. | :09:27. | |
speak. A very tough competitor to play. | :09:28. | :09:35. | |
He can be attacking and then he can go into a shell and just make | :09:36. | :09:46. | |
chances few and far between. So an interesting match up. | :09:47. | :10:51. | |
You generally take those pots on, thinking the only bridge you could | :10:52. | :10:57. | |
leave is the one you're playing. They're risky, but he has got away | :10:58. | :11:00. | |
with it. There was half a chance of that red, | :11:01. | :11:25. | |
but caught it much too thick. No harm done. | :11:26. | :11:43. | |
Just caught the green. And that just slowed the cue ball down enough. But | :11:44. | :11:55. | |
the only red that is potable is the one closest to the right corner. | :11:56. | :12:06. | |
He could leave a red to the left corner. The brown's blocking the | :12:07. | :12:52. | |
line to the red that is nearest to the black cushion. So a spot of | :12:53. | :12:56. | |
bother here. You're always wary of the blue in | :12:57. | :13:20. | |
the middle of the table. So you play a bit lower. But he doesn't like it. | :13:21. | :13:44. | |
Misjudged it. If he hits the red. Oh, well! I don't know whether there | :13:45. | :13:54. | |
is a red available into this corner pocket. It will be a plant, John. | :13:55. | :14:01. | |
There is a bit of a gap between the two balls. | :14:02. | :14:27. | |
The first opportunity in this important first frame of the session | :14:28. | :14:34. | |
goes to Mark Selby and it is not a bad chance. | :14:35. | :14:55. | |
He'd love to get on that red below the black. | :14:56. | :15:10. | |
I think John, Mark Selby, he is one of the best players in the world at | :15:11. | :15:18. | |
screwing a cue ball. He just hits it so well that shot. | :15:19. | :15:27. | |
We always talk about the movement of the head, but he delivers the cue. | :15:28. | :15:42. | |
He would have loved to have an angle on the blue and come down for that | :15:43. | :15:49. | |
red that Stephen was mentioning. To get the black into play. He had a | :15:50. | :15:56. | |
nice angle on the brown. First thing in the morning you tend to play the | :15:57. | :16:01. | |
easier shot to get your cue arm going. | :16:02. | :16:16. | |
Played beautifully. He played that so well. Look at how much room he | :16:17. | :16:25. | |
has got to get around the back there. Excellent positional shot. | :16:26. | :16:36. | |
This time he will be trying to land straight on the black. | :16:37. | :16:57. | |
The red definitely goes into the same pocket as the black. | :16:58. | :17:08. | |
The black will be available into both corner pockets. A good chance. | :17:09. | :17:24. | |
That was another shot that was played well. It looked easy, but he | :17:25. | :17:31. | |
had to avoid the red that was nearest the black cushion. | :17:32. | :17:45. | |
Both players would have been on the the practice table for a good hour | :17:46. | :17:49. | |
or 45 minutes this morning. If you look again that red did not | :17:50. | :18:09. | |
go in the middle of the pocket. If it had he would have had another cub | :18:10. | :18:17. | |
of -- cub of inches of -- couple of inches of pace on the cue ball. If | :18:18. | :18:25. | |
the red goes in the middle he would have got a couple inches more pace | :18:26. | :18:28. | |
on the cue ball. He is faced with a tricky red now. | :18:29. | :18:48. | |
From being in perfect position and looking as though he had a | :18:49. | :18:52. | |
frame-winning opportunity. He needs a good recovery here. | :18:53. | :19:11. | |
Not ideal. When you lose position in a break it often takes you three or | :19:12. | :19:28. | |
four shots to get back into perfect position. | :19:29. | :20:02. | |
Well so far this morning this is very impressive stuff, it really is. | :20:03. | :20:15. | |
Cued that lovely. Look at the red right in the heart of the pocket. He | :20:16. | :20:20. | |
may have to play for the red along the top cushion here. | :20:21. | :20:30. | |
Doesn't want to be straight. He needs a slight angle. Looking at his | :20:31. | :20:38. | |
body language, he seems happy enough. | :20:39. | :20:47. | |
I don't know if any red pots. If it doesn't, it will be a cannon into | :20:48. | :20:53. | |
that gap and it would be perfect. He didn't get the gap. He may still | :20:54. | :21:11. | |
have a red to the centre. 59 ahead. 75 remaining. | :21:12. | :21:57. | |
He will play a thin cut to the left centre. | :21:58. | :22:11. | |
Over a minute thinking time. He is one of those type of players. He can | :22:12. | :22:20. | |
can play a quick game. If a shot needs a bit of thought. He doesn't | :22:21. | :22:32. | |
mind taking his time. I think he is deciding on the safety. | :22:33. | :22:40. | |
In the end he decided to play that. Not with any great conviction and he | :22:41. | :22:50. | |
will be disappointed. That was a frame-winning opportunity. Yes the | :22:51. | :22:57. | |
careless shot was not leaving himself a nice angle on the black to | :22:58. | :23:00. | |
go into the bunch. You think one opportunity could | :23:01. | :23:19. | |
still cost him. If that cue ball had finished tight on the top cushion, | :23:20. | :23:22. | |
he would have a problem here. Because he can strike down on the | :23:23. | :23:26. | |
cue ball, there is a chance to get in it back to the cushion. Although | :23:27. | :23:32. | |
having said that, that red that is, well almost tight to the left hand | :23:33. | :23:36. | |
side cushion, that being there he won't want to move that red. That is | :23:37. | :23:42. | |
a bit of an insurance policy. It was never guaranteed to be a good | :23:43. | :24:07. | |
safety. Not left anything easy. But possibly a tempter for Ali, because | :24:08. | :24:12. | |
I don't see a good safety. If there is no good safety, you might as well | :24:13. | :24:14. | |
go out having a go at a pot. Watch where the red goes. No. He | :24:15. | :24:45. | |
needed the top cushion behind the black. That is no good. He has left | :24:46. | :24:48. | |
the red to the left middle. That is the first frame over. Ali | :24:49. | :25:37. | |
hasn't got anything really to That is the first frame over. Ali | :25:38. | :25:53. | |
Reproach himselves for. He has never really had a chance. Mark Selby lost | :25:54. | :26:02. | |
the first frame in the match. He then went on to win the last | :26:03. | :26:15. | |
five. It was only Ali winning the last two that gave Ali some | :26:16. | :26:17. | |
respectability. So far this morning, he looks to be | :26:18. | :26:57. | |
cueing really well. He is getting tremendous action on | :26:58. | :27:08. | |
the cue ball. Well close. The frame well and truly | :27:09. | :27:34. | |
over before that, Ali Carter concedes and Mark Selby leads by | :27:35. | :27:42. | |
three again. A great start from Selby. Timing the ball very well. We | :27:43. | :27:47. | |
have some examples of how well he is timing it. Here is the first one. He | :27:48. | :27:53. | |
under screwed this, but you can see the action. Takes the tip right back | :27:54. | :28:01. | |
to his hand. The next shot is not a deep screw shot, but you have to | :28:02. | :28:09. | |
time it so well. You see the action of the cue ball, just missing that | :28:10. | :28:15. | |
red on the black cushion. Great examples of the technique of Mark | :28:16. | :28:17. | |
Selby. Carter gets frame 10 under way. | :28:18. | :28:45. | |
Eight frames to be played in this session and this match will finish | :28:46. | :28:52. | |
this evening. So it is a long day. They have got the afternoon to | :28:53. | :28:57. | |
regroup. But you want to be within touching distance. | :28:58. | :29:05. | |
It is Ali who needs to up his game and not give his opponent too much | :29:06. | :29:12. | |
of an advantage going into that final session tonight. I think with | :29:13. | :29:16. | |
the first frame, the reason it was important for Ali to win was hi | :29:17. | :29:21. | |
doesn't want to be playing catch up this whole match. Specially with | :29:22. | :29:27. | |
somebody like Mark Selby that will not make many mistakes with many | :29:28. | :29:30. | |
unforced errors. He would love to win this session | :29:31. | :29:48. | |
and get back on level terms. They are both having a good close look | :29:49. | :29:52. | |
and now Mark is having a good close look. It must be tight. | :29:53. | :30:00. | |
I don't think he can get to the potting angle from there but because | :30:01. | :30:07. | |
he is not tight on the baulk cushion, that is an option. Play to | :30:08. | :30:12. | |
the right-hand side but where the cue ball finishes up, I'm not | :30:13. | :30:19. | |
certain. Just didn't get enough side on it to get the potting angle. But | :30:20. | :30:31. | |
it is safe enough. As I say, I think you wanted to bend the cue ball | :30:32. | :30:36. | |
over. But he may have run into the main bunch and been on nothing. | :30:37. | :30:55. | |
A little bit disappointed. Just overran that, Ali. When you leave | :30:56. | :31:02. | |
your opponent on the baulk line, you can expect to be in a little of | :31:03. | :31:06. | |
trouble the next time he comes to the table. | :31:07. | :31:15. | |
Well, it didn't look as though he was going to be in trouble when he | :31:16. | :31:23. | |
made contact with the yellow, but just a hardball contact, left the | :31:24. | :31:27. | |
cue ball" on. The cue ball". A bit fortunate there. | :31:28. | :31:40. | |
Good shot. At this level, when you play safe, you have got to miss the | :31:41. | :31:53. | |
baulk colour. And Ali did that and played it well. | :31:54. | :32:14. | |
I think one of the other problems, as well, when we have had the safety | :32:15. | :32:21. | |
exchanges, and it's always nice to get in first, even if you are going | :32:22. | :32:25. | |
to win the frame, you could build up a 40 point lead and it seems as if | :32:26. | :32:29. | |
Ali can never seem to be able to get the first chance. He always seems to | :32:30. | :32:36. | |
lose out on this tactical exchange. He has played another excellent | :32:37. | :32:39. | |
safety shop there, though. Beautiful lengths. | :32:40. | :33:01. | |
There is Hawk-eye's view, and if that is the correct angle, you made | :33:02. | :33:11. | |
decide to take that read on. On the baulk end. -- red. Well, too risky. | :33:12. | :33:23. | |
Coming off the side cushion, nestling into the red just below the | :33:24. | :33:29. | |
pink. Perfect. APPLAUSE | :33:30. | :33:36. | |
As I said, he was just trying to trap Mark Selby into making a | :33:37. | :33:39. | |
mistake. Early on in the frame. It just seems | :33:40. | :33:47. | |
that Ali, not enough times, has ruined that first opportunity. | :33:48. | :33:55. | |
Catching ball was declared, was it? That just made it that bit easier. | :33:56. | :34:00. | |
He will be disappointed he didn't get in behind the yellow there. | :34:01. | :34:21. | |
It's a long day. You start at ten o'clock in the morning, the second | :34:22. | :34:41. | |
session this evening is at 7pm. It could finish at 10:30 at night. When | :34:42. | :34:46. | |
you played at 10am, what time did you get up? I used to arrive at the | :34:47. | :34:51. | |
venue around about 9am. I used to get up around, not especially early. | :34:52. | :34:54. | |
Eight o'clock maybe. I was never able to eat breakfast | :34:55. | :35:05. | |
before a match. I just didn't have any appetite but get down here about | :35:06. | :35:09. | |
nine o'clock, half an hour on a table, great. And then, in the | :35:10. | :35:17. | |
afternoon, when you're whiling away the afternoon? I sleep? Yes, go back | :35:18. | :35:24. | |
to the hotel, relax, watch TV. You possibly end up having a power nap. | :35:25. | :35:37. | |
A power nap! Yeah, normally it's only the final when you play two | :35:38. | :35:41. | |
sessions on Monday. A final ranking event, so it's a real test here at | :35:42. | :35:43. | |
the Crucible. Your analogy early on, moving day, I | :35:44. | :36:06. | |
thought that was perfect to describe a second session. Ali Carter could | :36:07. | :36:09. | |
be out of this match this morning if he does not stay with Mark Selby. | :36:10. | :36:14. | |
These are very important frames and this tussle still goes on. Who can | :36:15. | :36:21. | |
get the first chance? There has been some excellent safety play. | :36:22. | :36:35. | |
Just a little flick on the green stop it being extra good. You can | :36:36. | :36:42. | |
always tell when it's good. They have caught the yellow and green, | :36:43. | :36:46. | |
but the blue is on the spot, the black is available. Nothing negative | :36:47. | :36:51. | |
about the safety. It's just a case of trying to keep your opponent Bay. | :36:52. | :36:57. | |
Bash at bay. A mistake. He called the blue. A bit fortunate but the | :36:58. | :37:02. | |
cue ball was going to the side cushion. This does not make the pot | :37:03. | :37:08. | |
on the red any easier. But it's the first mistake. | :37:09. | :37:25. | |
But not cost him anything. As I say, without cue ball being on the | :37:26. | :37:33. | |
side cushion, it just made that pot a little bit more awkward. | :37:34. | :37:41. | |
A tough read. It's pretty close to the corner pocket. Virtually | :37:42. | :37:47. | |
straight. -- red. This needs good cueing. | :37:48. | :37:55. | |
And that is excellent. Excellent technique. | :37:56. | :38:05. | |
He has got an option on the brown but he could drop to the red in the | :38:06. | :38:23. | |
left corner. It's a smelly one. That's why he is refusing it. A | :38:24. | :38:28. | |
little bit of a surprise he is refusing it but it's important for | :38:29. | :38:31. | |
him to get a frame on the board. Yeah, if he was going to refuse it, | :38:32. | :38:36. | |
surely he would have liked to have gone in behind the blue? But what an | :38:37. | :38:41. | |
excellent opening red and that was from Ali, and that will give him | :38:42. | :38:45. | |
good vibes for the rest of the session, because he couldn't a | :38:46. | :38:53. | |
queued much better than that. That he couldn't have queued it much | :38:54. | :38:57. | |
better than that. That is a loose one. From Mark. | :38:58. | :39:12. | |
I'm surprised how he has not tried to pot this red and get the black. | :39:13. | :39:27. | |
When you miss, you are always looking to see what you are going to | :39:28. | :39:33. | |
leave. He will be quite pleased with that outcome. | :39:34. | :40:11. | |
Is there a red which goes to the right corner? | :40:12. | :40:22. | |
Well, there was. That was a little bit of a killer shot from Mark Selby | :40:23. | :40:31. | |
to leave that red honour. Yes, I'm surprised Ali missed it by so far. | :40:32. | :40:39. | |
That has messed it up a little bit. The black and they red tied up. | :40:40. | :40:58. | |
A massive bounce off the baulk cushion though. That's why Mark | :40:59. | :41:04. | |
Selby was pulling a face. It's been happening a lot this week. | :41:05. | :41:24. | |
The players are not happy with the tables and the bouncers are quite | :41:25. | :41:29. | |
inconsistent, big bouncers and the cue ball comes percussion almost | :41:30. | :41:34. | |
twice as fast as it goes on. -- comes off percussion. He is just | :41:35. | :41:40. | |
playing a normal shot -- comes off the caption -- cushion. . What a | :41:41. | :41:46. | |
difference it can make. Some of the time if there is chalk | :41:47. | :42:05. | |
left on the cushion, and then another shot, the cue ball hates | :42:06. | :42:12. | |
that chalk and accelerates. Bash heads that chalk. It's incredible | :42:13. | :42:15. | |
how fast it can go and rebound off percussion. -- that cushion. I did | :42:16. | :42:22. | |
not know that. Well, he could just get through. | :42:23. | :42:38. | |
Funnily enough, didn't seem to me as if Mark Selby was firing far away | :42:39. | :42:48. | |
from the same position as Ali there. Possibly he could swerve it but I | :42:49. | :42:51. | |
think he has got the pink to the right middle. He could then do that. | :42:52. | :42:57. | |
I think he could be able to get to the pink. Yeah, in practice, it's | :42:58. | :43:00. | |
not a difficult shot. He knows the importance and doesn't | :43:01. | :43:12. | |
want to take any risks. The fact that the black is practically over | :43:13. | :43:17. | |
the pocket, you automatically going to be on a red because it is the | :43:18. | :43:20. | |
side of the cue ball. Oh, he has missed it! And he knows | :43:21. | :43:35. | |
with the chance of coming few and far between, he can't afford to miss | :43:36. | :43:42. | |
chances like that. I'm surprised he did not play the black. It wasn't a | :43:43. | :43:49. | |
tough shot really. I think if he was 6-3 ahead, instead of 6-3 behind, he | :43:50. | :43:53. | |
would have no hesitation in playing that black. | :43:54. | :44:49. | |
This is when, as a top player, you sense your opponent is weakening. | :44:50. | :45:00. | |
You sense he is under pressure. It's about stamping on him, basically. | :45:01. | :45:07. | |
Mark Selby will know he can win this match in this session. Maybe not by | :45:08. | :45:13. | |
getting to 13, although that's possible. Just by getting enough of | :45:14. | :45:15. | |
a lead going into tonight session. I don't know if he was expecting a | :45:16. | :45:41. | |
little flick on the two reds but he will be annoyed at that. | :45:42. | :45:52. | |
Sometimes you could knock a few onto the cushion so everything is still | :45:53. | :46:04. | |
in the open. Yes, I suppose, in a way, the black | :46:05. | :46:17. | |
was made easier, the perfect angle, to kiss the second red macro-sunday | :46:18. | :46:25. | |
in the face, hold the cue ball. He has got quite a bit of work to do to | :46:26. | :46:27. | |
win the frame -- macro-sunday. -- cannoned the right-hand side and | :46:28. | :46:43. | |
bring them both into play. Played nicely. But precise positional play | :46:44. | :46:53. | |
now is key. If he's going to build up a frame-winning lead here. The | :46:54. | :46:59. | |
red is not ideally situation the particularly those four between the | :47:00. | :47:00. | |
black and the top cushion. The first one that I can remember | :47:01. | :47:29. | |
that he has missed that you did not expect. I mean, that was simple. | :47:30. | :47:38. | |
Just put a trace of side on it, obviously, unwanted right-hand side, | :47:39. | :47:44. | |
but ball into the pink. He will be kicking in self. What a chance. He | :47:45. | :47:49. | |
had a great opportunity to put Ali Carter under pressure. Now, Ali, can | :47:50. | :47:55. | |
you take this opportunity? He will still have the problem is that Mark | :47:56. | :47:58. | |
Selby was going to have. He will just be glad to be back at the | :47:59. | :48:00. | |
table. If he finishes a little bit more | :48:01. | :48:48. | |
higher on the black, he could roll onto the two reds and leave a red on | :48:49. | :48:54. | |
the red corner. He's going at a great pace at the moment. Well, that | :48:55. | :49:05. | |
red only just went in but he has run it absolutely perfect on the black. | :49:06. | :49:51. | |
Excellent sportsmanship there. I don't think the referee saw it. No, | :49:52. | :50:00. | |
he was concentrating to get close. Let's have a look. Yes, there you | :50:01. | :50:07. | |
see it. A double hit on the cue ball. You don't see that very often. | :50:08. | :50:17. | |
But, fair play to Ali, he would feel the second hit. | :50:18. | :50:25. | |
But that was a good chance to get right back in it. Stopped it in its | :50:26. | :50:31. | |
tracks, fortunately not leaving a pot on. | :50:32. | :50:55. | |
This is not a nice situation. One question dead weight to the back of | :50:56. | :51:10. | |
these three reds. Oh, a little bit pacey, was it? It was OK. It's OK as | :51:11. | :51:17. | |
long as his red doesn't go to the right middle. But it may well do. No | :51:18. | :51:27. | |
value in taking it on if he can't get position on a colour. | :51:28. | :51:43. | |
That's a bit careless from Mark. You can see his frustration when he | :51:44. | :51:54. | |
slapped the table there. So close to the reds. He should never have | :51:55. | :51:55. | |
kissed the yellow. Where is this cue ball going? He | :51:56. | :52:10. | |
didn't want that. He may just have left a chance now of a pot. | :52:11. | :52:33. | |
Playing the cue ball in behind the yellow there. This is an opportunity | :52:34. | :53:21. | |
to part of this thread. -- to pot this red. | :53:22. | :53:35. | |
Good pot, good kiss on the second red, and on the pink. A | :53:36. | :53:49. | |
frame-winning chance. We mentioned earlier how Mark Selby will not make | :53:50. | :53:53. | |
many unforced errors. He did make one in this frame, missing that easy | :53:54. | :53:57. | |
pink. But he has not been punished for it so far anyway. Now the chance | :53:58. | :53:59. | |
to open up a four frame gap. That is almost identical. OK, at the | :54:00. | :54:20. | |
other end of the table, but the pink he hit two full and he was trying to | :54:21. | :54:27. | |
overcompensate. The last one he missed a little bit, he'd seem to | :54:28. | :54:31. | |
plague little bit quicker than at his normal pace. That he seemed to | :54:32. | :54:36. | |
play it a little bit quicker than at his normal pace. This was his chance | :54:37. | :54:44. | |
to capitalise. What you should do is just focus and concentrate on the | :54:45. | :54:49. | |
shot in front of you. What a let off that was for Ali Carter. Ali will | :54:50. | :54:54. | |
have been sat in his seat thinking, that's the second frame are gone | :54:55. | :54:58. | |
this morning, but he has been handed a lifeline. Can he take it? A big | :54:59. | :55:01. | |
shot, this pink. Excellent. Excellent shot. He queued | :55:02. | :55:09. | |
that beautifully. Yes, could not have hit it better. | :55:10. | :55:23. | |
Just got the perfect angle for the black. He took quite a few obstacles | :55:24. | :55:31. | |
which have come his way. The green, the blue was not in a good position. | :55:32. | :55:37. | |
At the moment, just concentrating on reducing his arrears. | :55:38. | :55:47. | |
To me, though, this is the magic of the World Championship, these long | :55:48. | :55:51. | |
frame matches. We are so there's so much pressure in this | :55:52. | :55:59. | |
clearance. A little straight on the black. He | :56:00. | :56:15. | |
is best with great cue power. The only thing you have got to be | :56:16. | :56:17. | |
careful of here, you don't overdo it. Because, if you overdid it, with | :56:18. | :56:23. | |
the yellow not being on its part, you could be with the brown. He has | :56:24. | :56:30. | |
got to hit this well. Doesn't want to go too far, that brown will come | :56:31. | :56:40. | |
into play if he does. Well, again, blaming a big bounce off the | :56:41. | :56:43. | |
cushion. He did not seem to hit that very hard, that black. Let's see how | :56:44. | :56:50. | |
fast the cue ball comes off the Krishna. Yeah, that seemed to | :56:51. | :56:54. | |
spring. Off the cushion. Well, it's not difficult to hit. Can | :56:55. | :57:11. | |
he get the yellow safe? He did as well as he could there. He did as | :57:12. | :57:18. | |
well as he could. But the frame still in the balance, just five | :57:19. | :57:19. | |
points behind now. Well, that's a great shot. The same | :57:20. | :57:56. | |
problem. It's so much more to forgot to give the object ball safe when it | :57:57. | :58:01. | |
is in the middle of the table. -- so much more difficult. Mark Selby has | :58:02. | :58:11. | |
got up and sat back down, so we know what his intention is. I wouldn't | :58:12. | :58:18. | |
expect Ali to miss the yellow on this site. The age-old problem. Can | :58:19. | :58:24. | |
he hit it? Get it safe? Well, that is a surprise. I told you | :58:25. | :58:36. | |
you could not miss it second time around. Here's a professional, for | :58:37. | :58:39. | |
goodness sake not only has he left the pot on the | :58:40. | :58:50. | |
yellow, he has left it a cross-border green. -- cross for the | :58:51. | :58:57. | |
green. Just didn't get far left over for | :58:58. | :59:09. | |
this green, and this is a tough shot. 11 points, the lead. Green, | :59:10. | :59:14. | |
brown and blue. Good shot. Just wanted to drift past | :59:15. | :59:34. | |
the brown. Now he has kissed it. He won't be winning the frame at this | :59:35. | :59:36. | |
visit. Now this cue ball, where is it | :59:37. | :00:44. | |
going? Is there a gap? Look at Ali Carter's body language, I think Mark | :00:45. | :00:51. | |
Selby can get through to this brown. And maybe he can cut it in. He is | :00:52. | :00:58. | |
going to have a look at the potting angle. Well, you see, you can | :00:59. | :01:03. | |
clearly get through to it. It is a thin one. | :01:04. | :01:29. | |
A strange situation that pot when Mark Selby went for it. You hope to | :01:30. | :01:37. | |
miss it by a long way to make it safe. | :01:38. | :01:55. | |
That is OK. A pretty good shot. Quite an interesting frame this. It | :01:56. | :02:07. | |
has been going on now. We are in our 34th minute. But it has been | :02:08. | :02:12. | |
quality. And mistakes add to the excitement. | :02:13. | :03:12. | |
Well, it is not bad. He was trying to get it in behind the black and | :03:13. | :03:20. | |
run the brown into the blue to keep the brown that end of the table. But | :03:21. | :03:22. | |
it is safe enough. Just having a look here, Ali, if he | :03:23. | :03:59. | |
clips the brown thin, clip it on to the black. | :04:00. | :04:14. | |
Not bad. When you finish up in these situations, just the four colours | :04:15. | :04:24. | |
left. Just to not leave your opponent the pot on is a bonus. | :04:25. | :04:39. | |
Coming around quickly to see if he got the snooker behind the pink. But | :04:40. | :04:48. | |
that is not the case. Can he go twice across and get the cue ball | :04:49. | :04:51. | |
behind the blue? He didn't want to hit it that hard. | :04:52. | :05:07. | |
Just an edge of this brown sticking out. | :05:08. | :05:40. | |
Got a bit thicker than I thought he could. But that is OK. He was mainly | :05:41. | :05:50. | |
concerned with getting the cue ball back to the baulk end. | :05:51. | :06:13. | |
Oh, the double-kiss! Now needs a bit of luck. Looks like he's had it. | :06:14. | :06:25. | |
Once he was getting the double-kiss, the brown could have gone anywhere. | :06:26. | :07:16. | |
He needs that brown to run. May just have run far enough. | :07:17. | :07:37. | |
He didn't get the snooker behind the blue and he has not played it well | :07:38. | :07:46. | |
at all. He has given Ali Carter half a chance. The longest frame in the | :07:47. | :07:52. | |
match, but what an important one for Ali. | :07:53. | :08:08. | |
Much more important for Ali than Mark this frame. | :08:09. | :08:25. | |
If Ali loses it he falls four frames behind. | :08:26. | :09:04. | |
Well, that was a strange type of shot. He obviously didn't feel as | :09:05. | :09:10. | |
though he could get a telling safety and just made certain he didn't | :09:11. | :09:11. | |
leave the pot on the brown. Just bounced off the cushion a | :09:12. | :09:30. | |
fraction. They have been tight on the baulk cushion. He may have been | :09:31. | :09:40. | |
a bit more difficult. Still got to hit this safety shot right. | :09:41. | :10:02. | |
Another one hit badly and he has not got away with this one. Well, this | :10:03. | :10:09. | |
is your chance and that was a poor safety from Mark. The last two of | :10:10. | :10:16. | |
three safeties he has played, he seems to have been playing to just | :10:17. | :10:18. | |
get the brown safe. He got another big bounce there as | :10:19. | :10:36. | |
well. But it is not a bad angle on the blue. He needs blue, pink and | :10:37. | :10:41. | |
black. The good thing about the angle on | :10:42. | :11:00. | |
the blue, you're always going to have an automatic angle on the pink | :11:01. | :11:03. | |
to get on to the black. This is a good shot required from | :11:04. | :11:17. | |
pink to get to that left hand side cushion. Got to be positive with the | :11:18. | :11:24. | |
cue action here. Played it well. Would have liked to | :11:25. | :11:36. | |
be closer to the black. It is missable. | :11:37. | :11:45. | |
A big frame! Big, big frame for Ali Carter. What an excel leapt frame it | :11:46. | :11:57. | |
was -- excellent frame it was. Didn't look like winning that for | :11:58. | :12:03. | |
the most part of it. But he has done and reduces arrears to two. | :12:04. | :13:05. | |
Well that was a nice bit of music. It had Steven and I doing a bit of a | :13:06. | :13:14. | |
jig in the commentary box. Meanwhile Mark Selby reflects on the mistakes | :13:15. | :13:19. | |
he made in that last frame. Surprising, Steven? Very much so. | :13:20. | :13:22. | |
When you have got your opponent down, you want to keep him down. You | :13:23. | :13:27. | |
think if he had, his concentration would be intensifying and making | :13:28. | :13:32. | |
sure he punishes Ali and keeps him in his chair. Really strange lapses | :13:33. | :13:40. | |
of concentration. Or perhaps a wee bit of tension. So we are back to | :13:41. | :13:51. | |
where we started. A two-frame deficit. | :13:52. | :13:57. | |
Let's see what sort of boost Carter has got from that last frame. He | :13:58. | :14:04. | |
should feel a lot better now. It will be interesting to see how | :14:05. | :14:55. | |
Ali reacts and how Mark Selby reacts. Because hi has been look | :14:56. | :15:02. | |
soing solid. -- because he has been looking so solid. The two missed | :15:03. | :15:07. | |
pots and the bad safety shots at the end. | :15:08. | :15:15. | |
Of course you go through so many emotions in these longer matches and | :15:16. | :15:27. | |
you mentioned one point, oh that is a nice shot. Maybe Mark did sense it | :15:28. | :15:32. | |
was a chance to press on and you just lose that bit of focus. He | :15:33. | :15:38. | |
thought I have got a chance to stretch to four frames and if I win | :15:39. | :15:43. | |
the next couple I can be looking to have a nice big lead going into | :15:44. | :15:47. | |
tonight. Don't look ahead. Exactly. That is | :15:48. | :16:03. | |
an excellent shot on to the baulk cushion. He is on the brown, but the | :16:04. | :16:11. | |
cue ball will cannon into the green. So not easy for position. I don't | :16:12. | :16:13. | |
think he can avoid the green. He play this red in he wants to | :16:14. | :16:36. | |
dislodge the black from the side cushion. If he misses the cannon he | :16:37. | :16:41. | |
will still be on the blue or baulk colour. It is almost a natural angle | :16:42. | :16:43. | |
to get into the black. Not quite certain if he did have the | :16:44. | :17:03. | |
cannon in mind. If he was going to play the cannon he would have played | :17:04. | :17:07. | |
it with more depth. The natural angle just wasn't there. | :17:08. | :17:16. | |
That was a tremendous opening red. I was asking, or posing the question | :17:17. | :17:23. | |
how was he going to react to losing the last frame. Well so far very | :17:24. | :17:26. | |
good. I think that is one of Mark Selby's | :17:27. | :17:38. | |
strengths he can forget bad shots quickly. That is one reason he has | :17:39. | :17:43. | |
become so difficult to beat. He can grind out matches while not at his | :17:44. | :17:45. | |
best. Excellent temperament. He will be | :17:46. | :18:01. | |
hoping the pink doesn't go back on its spot and it goes on the black | :18:02. | :18:03. | |
spot. Just caught the wrong red first | :18:04. | :18:34. | |
there and gone into the bunch. There was a gap on the right hand side of | :18:35. | :18:39. | |
the pack. He just flicks the first red ever so slightly and the cue | :18:40. | :18:44. | |
ball's come back to the black cushion. | :18:45. | :18:52. | |
I think that is end of break. There is a lot of reds close to a plant in | :18:53. | :19:04. | |
the middle. Just under hit. The one I was | :19:05. | :19:24. | |
thinking of, well maybe if the black was on its spot you would attempt | :19:25. | :19:30. | |
it. As there is no colour at this end, it is no value and it won't be | :19:31. | :19:33. | |
there. A bit thin, a bit pacy. And I have | :19:34. | :19:46. | |
got to be honest with you, when I said pacy, I didn't expect it to | :19:47. | :19:51. | |
come that far off the baulk cushion! No it was another big | :19:52. | :19:59. | |
bounce. The kungssing being -- cushions being like this it makes | :20:00. | :20:01. | |
safety so difficult. Well it has not cost Ali. In it fact | :20:02. | :20:23. | |
it has created a an opportunity. When Mark Selby misses, sometimes he | :20:24. | :20:29. | |
misses by a long way. It as though he has not got right in the line of | :20:30. | :20:31. | |
the shot. This is a decent chance for Ali. At | :20:32. | :20:43. | |
the moment you forget about the black. You you would like to get the | :20:44. | :20:45. | |
pink into play. There is every possibility he could | :20:46. | :21:01. | |
leave an angle on the blue to play a cannon into the pink and the reds. | :21:02. | :21:36. | |
That is a nice shot. Still a little bit tied up, the pink. But this is | :21:37. | :21:45. | |
becoming a better opportunity all the time. He is just losing the | :21:46. | :21:52. | |
pink, but he is losing the reds around it. I don't think the pink is | :21:53. | :21:55. | |
available just yet. Just slightly more angle on the blue | :21:56. | :22:15. | |
than he would have liked. So didn't have you judge the kiss on | :22:16. | :22:56. | |
the second red as he would have liked there. Must have thought he | :22:57. | :22:59. | |
was going to be able to drift past it. So there is a bit of pressure on | :23:00. | :23:02. | |
this blue now. Just concentrate on the pot and | :23:03. | :23:30. | |
you're bound to be on a red. I'm surprised he played it as hard as | :23:31. | :23:34. | |
that. Well, didn't make the most of that | :23:35. | :24:01. | |
opportunity. Always tricky shots. Can't see the | :24:02. | :24:14. | |
pocket. Got the double-kiss. I don't think | :24:15. | :24:54. | |
it's left anything that easy. He has left the pot on. Maybe a couple of | :24:55. | :25:02. | |
pots. We will see where the colour comes from. | :25:03. | :25:17. | |
The reason he hit it too thick, he is more concerned with hitting | :25:18. | :25:26. | |
another red. Now he will be wishing he fully committed. | :25:27. | :25:43. | |
That is a poor shot. It is funny this game, you make a few errors, a | :25:44. | :25:54. | |
few mistakes and sometimes the balls don't forgive you. So often one | :25:55. | :26:01. | |
player starts making errors, the other player does again and the | :26:02. | :26:07. | |
match becomes scrappy. They set just a high standard yesterday. They | :26:08. | :26:15. | |
haven't achieved that yet today. Both players realise the importance | :26:16. | :26:17. | |
of the second session. Caught the red near the side | :26:18. | :27:05. | |
cushion. Now, what has he left? Just the red near the baulk line. But in | :27:06. | :27:10. | |
potting it looks to have a natural angle to come down for the blue. | :27:11. | :27:24. | |
That takes Mark Selby into a one point lead in this frame. This blue | :27:25. | :27:32. | |
and the remaining reds with colours will see him over the line. | :27:33. | :28:07. | |
He will be a little disappointed with that. Overran it by a good foot | :28:08. | :28:16. | |
there. He will have to play a cannon you | :28:17. | :28:36. | |
feel. It could go wrong. It can always go wrong. A good chance gone. | :28:37. | :29:46. | |
Fine shot, you could say, and helped by the yellow. The one red might | :29:47. | :30:03. | |
have pocketed into this corner. That was the red which would've been | :30:04. | :30:22. | |
potted had he not been hampered by the yellow, so this is a chance now | :30:23. | :30:27. | |
for Ali. He comes to the table 12 points behind. He won't need the | :30:28. | :30:37. | |
black. To win the frame. It's all down to this one good pot needed | :30:38. | :30:43. | |
here. Yeah, he would like to play to the left corner but the black is on | :30:44. | :30:48. | |
the way. He may go for the blue here. | :30:49. | :30:59. | |
Good, solid pot, but he has not got to the right side of the blue, I | :31:00. | :31:04. | |
don't think. Just on the wrong side. Just potting | :31:05. | :31:20. | |
it, screwing back for the red in the middle of the table. Of course, if | :31:21. | :31:25. | |
he had a good angle on the blue, he would've been a lot closer to this | :31:26. | :31:29. | |
thread. As I say, he doesn't have too worry about the black. Just | :31:30. | :31:34. | |
concentrate on potting this red and getting on any colour. | :31:35. | :31:57. | |
He seemed to play that at quite a strong pace. I don't know if he was | :31:58. | :32:03. | |
planning to Cameron into the black at such a strong angle. Yeah, he | :32:04. | :32:08. | |
published thought I'm going to run into the black so I need some more | :32:09. | :32:12. | |
pace. He does not want to kiss the black finish near the Krishna. It's | :32:13. | :32:18. | |
a tricky blue, this. And is a lot of pressure on it. -- cushion. | :32:19. | :32:25. | |
We are right in the heart of it. What a good shot that was. The | :32:26. | :32:32. | |
points are all square now in this frame. | :32:33. | :32:36. | |
If he doesn't win the frame from here, you will be kicking himself, | :32:37. | :32:42. | |
giving himself a great opportunity. Can he let that cue ball drift a | :32:43. | :33:11. | |
little bit for comfort? To make it an automatic shot? This is when you | :33:12. | :33:16. | |
want everything straightforward, no problems. | :33:17. | :33:24. | |
And that's what happens. Amazing. A couple of shots ago you would put | :33:25. | :33:33. | |
your house on Ali clearing up. The blue in the middle would be the | :33:34. | :33:46. | |
obvious shot. And down the table for the yellow. The way the cushions are | :33:47. | :33:52. | |
reacting, it's putting you on edge. You don't know how fast the ball | :33:53. | :34:01. | |
will come off the cushion. Good pot. Little flick on the black would | :34:02. | :34:02. | |
help. Not on the yellow. And that's exactly what happened. | :34:03. | :34:16. | |
That was at the back of his mind, definitely, what is going to happen | :34:17. | :34:18. | |
when the cue ball hits the cushion? What a chance missed. Will he get | :34:19. | :34:26. | |
another one? A pretty good safety, though. Yeah, | :34:27. | :34:43. | |
he will be disappointed at not winning the frame at that visit. So | :34:44. | :34:50. | |
the age-old problem for Mark, no problem hitting the yellow, needs to | :34:51. | :34:52. | |
get it safe. Has he got the snooker behind the | :34:53. | :35:10. | |
green? Oh, unbelievable. Well, he puts his hand up to apologise to Ali | :35:11. | :35:17. | |
but I don't think Ali is too keen to accept the apology. Not in the heat | :35:18. | :35:24. | |
of battle. No, as a player, Ali is thinking how unlucky he has been, | :35:25. | :35:29. | |
but, to be brutally honest, it is caused by himself. He had a killer | :35:30. | :35:34. | |
shot on the pink for the last red. A careless positional shot, and this | :35:35. | :35:35. | |
is the outcome. A very good swerve. But he has left | :35:36. | :35:40. | |
half a chance for Mark. A superb swerve and he does not kiss | :35:41. | :35:58. | |
the black any more. It would run a lot further away from the yellow, | :35:59. | :36:00. | |
but this is half a chance. Not perfect on this green and the | :36:01. | :36:17. | |
blue was going to make it slightly awkward when he gets the rest out. | :36:18. | :38:04. | |
He will want to play this cushion first. It's the easiest way to play | :38:05. | :38:09. | |
the safety shot but you must make sure you get the brown full ball. | :38:10. | :38:16. | |
Half ball, and you will get stuck. Yeah, well played. | :38:17. | :38:20. | |
Yes, good shot. Eight points in it. You would have | :38:21. | :38:37. | |
to say slight advantage to Ali. And he is such a good tactician, Mark | :38:38. | :38:45. | |
Selby. He knows his way around the snooker table as well as anybody in | :38:46. | :38:50. | |
the modern game. Believe me. It's hard to force him to make an error. | :38:51. | :39:35. | |
Good shop there from Ali. -- good shot there from Ali. | :39:36. | :39:57. | |
An excellent reply from Mark. Ali just coming down to significant | :39:58. | :40:05. | |
getting behind the brown again, but the same thing still applies as | :40:06. | :40:10. | |
Stephen mentioned earlier. It's OK if you can get right behind it. If | :40:11. | :40:15. | |
you don't, the brown and the cue ball can go back up the table | :40:16. | :40:22. | |
together. Maybe too far in behind it that time. Left a chance of a pot. | :40:23. | :40:30. | |
Mark Selby needs the four remaining colours. Brown, blue and pink would | :40:31. | :40:41. | |
put him seven points in front with seven points remaining. It's hard to | :40:42. | :40:49. | |
see the angle here. Is it enough on to the right middle? You would think | :40:50. | :40:55. | |
not if he is playing the part. -- pot. | :40:56. | :41:00. | |
No. Good pot. Excellent, fully committed. | :41:01. | :41:22. | |
He could do with this cue ball slowing up a bit. I don't think it | :41:23. | :41:33. | |
is ideal. Is he able to roll the pink into the middle and dropped to | :41:34. | :41:40. | |
the side question? Behind the black? -- side cushion? Maybe not. Maybe, | :41:41. | :41:51. | |
after playing it with a bit of pace, screw off the top cushion, he's not | :41:52. | :41:59. | |
ready to play this. Looking at that angle the I don't think you can just | :42:00. | :42:02. | |
roll the paint in and be on the black. I think the obvious thing, | :42:03. | :42:09. | |
play it firm, stun off the top cushion. A big shot, this. Superb | :42:10. | :42:18. | |
exploration Mark superb, it will win the frame and come in all honesty, | :42:19. | :42:20. | |
he deserves to win the frame. A little punch on the table to show | :42:21. | :42:35. | |
his delight. Ali Carter will be very disappointed. He had his chances but | :42:36. | :42:40. | |
did not take them. He is three frames behind again, 7-4. | :42:41. | :42:48. | |
I was born in Leicester on the 19th of June, 1983. My nickname is the | :42:49. | :42:58. | |
Jester from Leicester. I turned professional in 1999. In 2007, I | :42:59. | :43:04. | |
reached the final of the World Championship. I won the Masters at | :43:05. | :43:15. | |
Wembley in 2008. I won my first ranking title at the Welsh Open in | :43:16. | :43:23. | |
2008. In 2010, I'd be too Ronnie O'Sullivan in a final frame disaster | :43:24. | :43:30. | |
-- decider at the Masters. In 2012, I won the UK championship. I won the | :43:31. | :43:33. | |
Masters again in 2013. COMMENTATOR: While the players are | :43:34. | :43:46. | |
out, Stephen, let's have a look at a few examples, you were saying how | :43:47. | :43:53. | |
the chalk affects the bounce of the cushion. When the players are | :43:54. | :43:58. | |
playing, the cue ball is very close to the cushion and you can see the | :43:59. | :44:02. | |
chalk left from the Q-Tip. As I was saying earlier, you can see how the | :44:03. | :44:09. | |
chalk, when it's magnified, how much comes off the tip when you play the | :44:10. | :44:16. | |
shots. When it hits it, the exact Mark, the bounce is exaggerated so | :44:17. | :44:25. | |
much. Yeah, it's amazing the super slow motion, isn't it? That is an | :44:26. | :44:32. | |
ash cue, by the way, you can tell by the grain. Chalk dust. Chalk dust. | :44:33. | :44:43. | |
McEnroe used to say that in tennis. You cannot be serious! In all | :44:44. | :44:49. | |
seriousness, the players are not happy. I wouldn't be. The cushions | :44:50. | :44:55. | |
looks so applicable. Whenever you play a thin shot when the cue ball | :44:56. | :44:59. | |
is running out of control, it's so difficult to play. Yes, you have got | :45:00. | :45:03. | |
enough things on your mind, haven't you, about worrying about the table. | :45:04. | :45:12. | |
A mid-session interval after this frame. I think Ali needs it badly. | :45:13. | :45:23. | |
More than Mark. Just to stay within those two frames. And feel as though | :45:24. | :45:31. | |
he has got something out of the first four frames, although, having | :45:32. | :45:35. | |
said that, it was his own faulty did not win the last frame. Absolutely, | :45:36. | :45:40. | |
John. He had a golden opportunity and he can't keep passing of these | :45:41. | :45:46. | |
opportunities to win these frames. -- passing up. | :45:47. | :46:13. | |
In the back of Ali's mind, is that he knows Mark is not playing as well | :46:14. | :46:21. | |
as he was yesterday, and if he is not capitalising on his chances, | :46:22. | :46:25. | |
what if Mark Selby starts playing well again? | :46:26. | :47:29. | |
He's struck that well. A fantastic pot. | :47:30. | :47:41. | |
Unfortunately, he couldn't get position on the baulk colour. So he | :47:42. | :47:49. | |
just had to content himself with rolling into the brown, but very | :47:50. | :47:58. | |
unlikely that he is going to lead anything here, Mark Selby. | :47:59. | :49:36. | |
You think he would play a safety shot by the two reds to open that | :49:37. | :49:44. | |
up. Safety shot. Yeah, the safety play, it will go | :49:45. | :50:00. | |
down as 85% Mark Selby, but he has got quite a few baulk colours. He | :50:01. | :50:04. | |
was not doing that yesterday, in the safety exchanges. | :50:05. | :50:09. | |
Ali just can't get to one of those long ones. There was more concerned | :50:10. | :50:18. | |
therewith finding the path back to the baulk end and, understandably | :50:19. | :50:24. | |
will stop gives Mark a chance now, though. | :50:25. | :50:55. | |
That interval cup of tea will taste very nice indeed. On the other hand, | :50:56. | :51:10. | |
Ali desperately would like to keep his arrears at just two frames and | :51:11. | :51:13. | |
then, after the mid-session interval, hopefully try and level | :51:14. | :51:20. | |
ready for this evening's final session. Big moments in the match. | :51:21. | :51:28. | |
This session was always going to be that way. Well, decided to play the | :51:29. | :51:42. | |
part. -- pot. The cue ball had just run past the pack. This is the | :51:43. | :51:49. | |
advantage, of course, having the Ali Carter. You can screw off the side | :51:50. | :51:56. | |
cushion back to the baulk end. That is safe. | :51:57. | :52:05. | |
He can just get to the edge of this red, near the blue. A bit too thin. | :52:06. | :52:57. | |
Another example of the player playing the safety shot, not missing | :52:58. | :53:34. | |
the baulk colour. Make such a difference. | :53:35. | :54:13. | |
Well he was knocking lots of those in in the first session. He has | :54:14. | :54:19. | |
missed a few in this session so far this morning. | :54:20. | :54:44. | |
Another factor in the long matches, with four sessions, you're not going | :54:45. | :54:52. | |
to play your best in every session. A lot of the time it's about getting | :54:53. | :54:56. | |
the best out of that session. I know. Mark Selby has not been in the | :54:57. | :55:03. | |
form of yesterday. He is still 2-1 up in the session so far. | :55:04. | :55:15. | |
OK, I think. If he can judge, as we watch again the blue, going in, | :55:16. | :55:31. | |
could he pot this red and screw run the back for the black in the same | :55:32. | :55:40. | |
pocket? He's going for pink or blue. Didn't fancy playing for that | :55:41. | :55:49. | |
precise positional shot. But, once the cue ball has to keep travelling | :55:50. | :55:52. | |
up and down the table, it makes it just that little bit more difficult. | :55:53. | :55:58. | |
Yeah, he seems to be taking the more percentage shots at the minute. | :55:59. | :56:02. | |
Definitely an opportunity to screw around for the black to the back | :56:03. | :56:06. | |
pocket. It's understandable. There is a lot of tension out there at the | :56:07. | :56:12. | |
moment. And that is the thing when you are behind in a match like this. | :56:13. | :56:16. | |
Every frame becomes massive and it puts more pressure on every shot, | :56:17. | :56:18. | |
constantly playing catch-up. I don't know if you can drop this | :56:19. | :56:52. | |
pink in. Play it to the right corner. | :56:53. | :57:06. | |
That's not bad. Depends what sort of angle he has got on this thread. He | :57:07. | :57:18. | |
has come very straight on it. A bit of work to do here. | :57:19. | :57:51. | |
STUDIO: This is where we lead you on BBC Two for now but only one hour | :57:52. | :58:04. | |
and we will be back so grab some lunch, make a cup of tea and join us | :58:05. | :58:08. | |
at 1pm for live coverage of Joe Perry against Ronnie O'Sullivan, the | :58:09. | :58:13. | |
match resuming at 2:30pm. If you want to carry on watching, | :58:14. | :58:18. | |
press the red button. Coverage is online, tablets and mobiles, and | :58:19. | :58:22. | |
incidentally, over on table one, Barry Hawkins is taking on Ricky | :58:23. | :58:28. | |
Walden. He leads 3-1. They are on a mid-session interval. We will see | :58:29. | :58:30. | |
you at 1pm. Bye bye for now. Ted, I... I'm not interested in | :58:31. | :59:12. | |
coming to see Lady Gaga, sir. | :59:13. | :59:15. |