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Good afternoon to you. Four days to go here inside the Crucible Theatre | :00:50. | :01:33. | |
and who knows what we're in for. After all, over the last 14 days | :01:34. | :01:38. | |
we've been telling plenty of tales of the unexpected about top seed | :01:39. | :01:43. | |
turmoil, all reflected in the press cuttings that are posted outside the | :01:44. | :01:48. | |
press room every morning. We have been left with a rather unexpected | :01:49. | :01:53. | |
semifinal line-up after all of this. One which features two qualifiers | :01:54. | :01:58. | |
and the oldest player for 30 years to get this far. We also have one | :01:59. | :02:02. | |
world champion and for the first time in history, two players from | :02:03. | :02:07. | |
Asia as well. Plenty of possibilities as we start our second | :02:08. | :02:11. | |
day of action in the semifinals of the Betfred World Championship. | :02:12. | :02:17. | |
Ding Junhui scorched out of his blog yesterday with four centuries in six | :02:18. | :02:27. | |
frames. He looked every inch a world champion in waiting. But ever | :02:28. | :02:31. | |
popular Alan McManus clung on and he does have a foot hold in this match. | :02:32. | :02:36. | |
Second session to come. While number one Mark Selby needs to win this | :02:37. | :02:41. | |
title to stay at the top of the rankings. He took charge in his | :02:42. | :02:51. | |
opening session. It is against Marco Fu that he plays and he has waited | :02:52. | :02:59. | |
ten years for another final. The unmistakable style of Stephen | :03:00. | :03:03. | |
Hendry there. Walking around the table. Already lost some time. | :03:04. | :03:11. | |
And the greatest quizmaster of all time is back as well. Will you get | :03:12. | :03:16. | |
full marks or lose them in today's quiz? What an eventful championship | :03:17. | :03:23. | |
it has been when a 301 outsider of 43 years of age makes a semifinal | :03:24. | :03:32. | |
appearance here. We are of course talking about Alan McManus. Ding | :03:33. | :03:39. | |
Junhui is trying to win this title as a qualifier, like Alan McManus. | :03:40. | :03:45. | |
Can you remember what you are like at the age of 22? Alan McManus was | :03:46. | :03:54. | |
reaching his second Crucible final in two years for a very long time. | :03:55. | :04:06. | |
He didn't qualify for another 11 years but he has had a real | :04:07. | :04:09. | |
renaissance in the last two or three years and 23 years after the heady | :04:10. | :04:18. | |
days, he is back here at 45. Only Ray Reardon can beat that. Ding | :04:19. | :04:27. | |
Junhui was only six when Alan McManus was last here. | :04:28. | :04:38. | |
' is one of the best players in the game but he is under so much | :04:39. | :04:45. | |
pressure from China. He is under so much pressure and very quiet. He | :04:46. | :04:54. | |
speaks English as well as anyone now. At the beginning, it held him | :04:55. | :05:01. | |
back, but not any more. I think Ding is the next best thing to money and | :05:02. | :05:08. | |
heating. On his day, formidable. His cue ball control is amazing. His | :05:09. | :05:13. | |
break-building prowess is better than anyone on his day. It is just | :05:14. | :05:16. | |
questionable about whether he believes he is one of the best | :05:17. | :05:21. | |
players on the planet. Ding is the closest to text back technique, that | :05:22. | :05:29. | |
ramrod cue ball action, the way he strikes the ball. When he first came | :05:30. | :05:36. | |
on the scene, he didn't speak to anyone. Now his English has got | :05:37. | :05:44. | |
better, he speaks to everyone. I couldn't want anyone to win the | :05:45. | :05:47. | |
world championship more than I want Ding to win this. He is such a nice | :05:48. | :05:53. | |
kid, so as a nice player and a nice person, I want him to win this. Ding | :05:54. | :06:00. | |
Junhui could be in ground-breaking mood today. He was only one shy of a | :06:01. | :06:05. | |
record five centuries ever recorded in a semifinal yesterday. He made | :06:06. | :06:11. | |
for in the first eight frames to lead it 6-2. What can McManus do to | :06:12. | :06:19. | |
slow him up? Willie Thorne and Ken Doherty are in the -- were in the | :06:20. | :06:26. | |
comedy box at 10am. Alan McManus looks great this | :06:27. | :06:30. | |
morning in his tartan waistcoat and trousers. What a wonderful | :06:31. | :06:33. | |
championship he has had so far, Kent. Absolutely. Fantastic. Rolling | :06:34. | :06:40. | |
back the years. He has done remarkably well. | :06:41. | :06:47. | |
Considering these two players have come through the qualifying rounds | :06:48. | :06:55. | |
and this is their seventh map -- match already in these | :06:56. | :07:01. | |
championships. And this man at the table now, Ding, has grown in every | :07:02. | :07:10. | |
match. Particularly yesterday. For centuries in those eight frames was | :07:11. | :07:18. | |
really fantastic snooker. His pot success rate was 96% on the first | :07:19. | :07:23. | |
fall. It has now gone to 99%. He's barely missed a ball. -- on the | :07:24. | :07:32. | |
first ball. That is a wonderful opening red. This is a great sign, | :07:33. | :07:40. | |
Willie. It is a sign of conference -- confidence. A wonderful angle, to | :07:41. | :07:46. | |
knock the red away from the black and set up the opportunity. This is | :07:47. | :07:50. | |
the sign of a guy who is in complete control of himself and has | :07:51. | :07:55. | |
confidence. Yes, it he'd be disappointed that over the years he | :07:56. | :07:59. | |
has only had one Crucible semifinal. For a player of his class, that is | :08:00. | :08:04. | |
not what you'd expect. He looks to have settled this year. He has never | :08:05. | :08:12. | |
liked it here, has he? OK, he has made a semifinal before but any of | :08:13. | :08:15. | |
the other times, he seems to have struggled with the atmosphere and | :08:16. | :08:20. | |
the layout. Sometimes, players can take a while to get used to it. He's | :08:21. | :08:26. | |
certainly got used to it this year. He still on a choice of two red | :08:27. | :08:32. | |
spare but he wanted to be on the back of the pack. He seems a little | :08:33. | :08:37. | |
bit disappointed that he missed the case. He missed the joint of that | :08:38. | :08:41. | |
red. He will take an alternative. It will be interesting to see after | :08:42. | :09:00. | |
he pots this pink, will it pop back on the spot or is it covered? It | :09:01. | :09:05. | |
will help him if it is covered because it will go back on the blue | :09:06. | :09:21. | |
spot. They're's his target, 72. The red at the bottom of the pack just | :09:22. | :09:25. | |
to be left up from the black is pottable into this corner pocket. | :09:26. | :09:34. | |
That is what he is looking at now. We saw it land in between two reds | :09:35. | :09:35. | |
here. He will have a choice. It's amazing to try to work out | :09:36. | :09:52. | |
where he disappeared. He had that amazing season two seasons ago where | :09:53. | :09:56. | |
he won five tournaments, and then last year and the best part of this | :09:57. | :10:00. | |
year he has hardly won a match. He has found his form again and he is a | :10:01. | :10:04. | |
wonderful player to watch when he is in full flight. Yes, he lost the | :10:05. | :10:12. | |
first round at the China open in Beijing just at the end of March and | :10:13. | :10:16. | |
that knocked him out of the top 16, losing that first round match. That | :10:17. | :10:19. | |
is why he had to go on prequalifying for the squad championship. -- for | :10:20. | :10:29. | |
the world championship. Stephen Maguire had to get to the semifinals | :10:30. | :10:35. | |
or better, which he did. He was at 17. In an adverse way, Willie, it | :10:36. | :10:45. | |
might have been better, really. He won the pre-qualifiers pretty | :10:46. | :10:52. | |
easily, 10-4, 10-2, 10-2 and that might have given him the confidence | :10:53. | :10:55. | |
he was lacking. There is no doubt he has had such a poor season, as you | :10:56. | :11:01. | |
said. He needed to get a fewer matches under his belt and he is a | :11:02. | :11:03. | |
completely different player now. That is the problem when you are | :11:04. | :11:14. | |
flat at the back. You only get one in the middle and he has got one in | :11:15. | :11:19. | |
the middle. He finished off with a century in the eighth frame, is he | :11:20. | :11:27. | |
going to start with another century here? Alan McManus one two frames | :11:28. | :11:31. | |
and he will have been pleased with that the way that Ding played. | :11:32. | :11:57. | |
He has got a chance of equalling the record here if he makes the century. | :11:58. | :12:05. | |
He will be the fourth player to make five centuries in a semifinal. | :12:06. | :12:10. | |
Should he get a century here, you would think he will go on to make | :12:11. | :12:14. | |
more, so he will get some sort of record. Ronnie O'Sullivan did it | :12:15. | :12:24. | |
twice, and Murphy has done it. It will be a very special moment. | :12:25. | :12:45. | |
He is just getting the cue ball cleaned. He will possibly be playing | :12:46. | :12:50. | |
for that read just to the right of his cue ball. -- he will possibly be | :12:51. | :13:01. | |
playing for that red just to the right of his cue ball. There is the | :13:02. | :13:18. | |
possible break, 146. He is on course at the moment. The highest at the | :13:19. | :13:24. | |
moment is 143 from Kyren Wilson and he made that in his quarterfinal | :13:25. | :13:29. | |
against Mark Selby. A really big break on here. Watch his cue ball, | :13:30. | :13:34. | |
Willie. When he makes these breaks that he has done, his cue ball is | :13:35. | :13:40. | |
never more than 18 inches, two feet within the vicinity of his object | :13:41. | :13:45. | |
ball and his cue ball control is so good when he is playing like this. | :13:46. | :13:55. | |
He puts the frame safe and now he can try to make at least one for | :13:56. | :14:04. | |
6,145, something like that. The difficult thing for Alan McManus, he | :14:05. | :14:07. | |
broke off when he hit the blue, which left Ding a half chance when | :14:08. | :14:10. | |
going for the black. Very, very good. He knows there are | :14:11. | :14:35. | |
four reds. He probably needs the pink on the spot to make a really | :14:36. | :14:41. | |
big break. He will be hoping for 143 or above. I wonder, does he know | :14:42. | :14:50. | |
what the high break is? I know Kyren Wilson's high break against Mark | :14:51. | :14:56. | |
Selby, he was asking the referee and some of the guys in the commentary | :14:57. | :15:04. | |
box will be high break was. I wonder if Ding already knows. Interesting | :15:05. | :15:14. | |
to see him play for that read there, knowing it will be the most | :15:15. | :15:19. | |
difficult to go for. Oh, that have gone straight. He went for a | :15:20. | :15:24. | |
full-ball contact and God be half full. This is to equal the record. | :15:25. | :15:39. | |
-- got the half ball. Get in there. Well done, Ding. Fantastic. Five | :15:40. | :15:45. | |
centuries in nine frames. Unbelievable. | :15:46. | :16:05. | |
Well, Willie, he obviously doesn't know what the high break is because | :16:06. | :16:11. | |
if he takes the pink here, he can only equal 143 here. I'm likely he | :16:12. | :16:20. | |
will get off of the black on here, so I agree with you, Ken, he doesn't | :16:21. | :16:25. | |
know. It doesn't matter though. This has been flawless. If Kyren Wilson | :16:26. | :16:35. | |
is watching, he will be delighted. He can enjoy his breakfast now. He | :16:36. | :16:41. | |
wouldn't have enjoyed its before. He needs that cue ball to go past the | :16:42. | :16:45. | |
blue so he is not hampered. He is OK. | :16:46. | :16:54. | |
This would beat his own highest break of the tournament so far which | :16:55. | :16:58. | |
is 132. He has made an amazing 411 centuries | :16:59. | :17:18. | |
in his career. This will be before hundred and 12th and this one has | :17:19. | :17:21. | |
been absolutely out of the top drawer. -- this will be the 112th. | :17:22. | :17:30. | |
That is the only out of position one he has played. " But in my ear, | :17:31. | :17:43. | |
careless! Ken just whispered in my ear, careless! What a fabulous frame | :17:44. | :17:50. | |
that was. All Alan McManus could do was sit in his chair. Ding Junhui | :17:51. | :17:58. | |
now leads by 7-2. Ding Junhui's record equalling fifth | :17:59. | :18:06. | |
century in the semifinals and McManus responded with a brilliant | :18:07. | :18:13. | |
century of his own. Ding has powered home in the next with a 90 break to | :18:14. | :18:18. | |
restore his five frame advantage at 8-3. This now is frame 12. | :18:19. | :18:42. | |
That has certainly split them up. At first glance, I can't see a pot. He | :18:43. | :18:49. | |
might be able to get through to that one on the left hand side. Let's | :18:50. | :18:53. | |
have a look. Yes, you can. There is a small and he can go through that. | :18:54. | :19:07. | |
-- a small gap and he can go through that. He does not want to go too far | :19:08. | :19:14. | |
through, as he wants to get onto a colour. Wonderful. He doesn't | :19:15. | :19:20. | |
deserve that. A very, very good shot. | :19:21. | :19:33. | |
A wonderful pot, wasn't it? He found a gap as well. You didn't expect it. | :19:34. | :19:42. | |
It went in the centre pocket. What has he left Alan McManus? Nothing | :19:43. | :19:52. | |
straightforward. A possible read to this right corner pocket. -- a | :19:53. | :19:57. | |
possible red to this right corner pocket. He has got to get the cue | :19:58. | :20:08. | |
ball back around the back of the pack, so looking at a more straight | :20:09. | :20:15. | |
red to this left-hand corner pocket. There is a lot of pressure on this. | :20:16. | :20:19. | |
He is looking to see if it will pot to the centre pocket. It is about | :20:20. | :20:26. | |
putting all your eggs in one basket. If it goes in, he could win this | :20:27. | :20:34. | |
frame, but if he misses, he could be throwing it away. Ebbert of pressure | :20:35. | :20:43. | |
and may be the wrong choice. He was sort of forced into it but there | :20:44. | :20:47. | |
were other options. I was surprised he took that on. There were easier | :20:48. | :20:50. | |
shots when you are 8-3 behind. In a funny way, that bit of | :20:51. | :21:16. | |
misfortune for Ding has created this opening now. | :21:17. | :21:43. | |
He will be disappointed. It is not normally his style to push the boat | :21:44. | :21:51. | |
out like that. He does talk to himself quite a bit when he is in | :21:52. | :21:57. | |
the chair. I'm sure he's giving out to himself. | :21:58. | :22:09. | |
I think he knows with the black and pink both being in play, this is | :22:10. | :22:15. | |
likely to be another frame-winning break with the way Ding has played | :22:16. | :22:21. | |
in this match. You can't afford to make any stakes at the moment, can | :22:22. | :22:34. | |
you? -- any mistakes. We have had four players, as you have said, who | :22:35. | :22:38. | |
have made five centuries or more in the semifinal. A possible chance of | :22:39. | :22:46. | |
a record now. Ding, the first man to make six centuries. | :22:47. | :23:10. | |
Once again, he doesn't have to play at cannon here but he knows by | :23:11. | :23:15. | |
playing a little cannon, he will bring every read into play. See if | :23:16. | :23:20. | |
he can get onto this red low so that he doesn't have to do is play the | :23:21. | :23:26. | |
cannon. He could push the other two reds into play. Different | :23:27. | :23:35. | |
possibilities. He is not going to play the cannon here, but he is on | :23:36. | :23:45. | |
that read there. He will play this as a little run free. He didn't | :23:46. | :23:51. | |
quite play the cannon. We have never had six centuries in | :23:52. | :24:15. | |
any single match at the Crucible, so this would be... Well, we have had | :24:16. | :24:20. | |
one match with centuries, so this would equal the record. Just the way | :24:21. | :24:28. | |
he has been playing this morning and throughout this match, it's a good | :24:29. | :24:39. | |
opportunity. His cue ball control. I mean, we are witnessing here, he is | :24:40. | :24:50. | |
never more than 18 inches or force -- or 24 inches from his next pot. | :24:51. | :24:52. | |
He is just so good. He is 49 points in front. Those two | :24:53. | :25:31. | |
reds will have to be brought into play very soon otherwise he won't | :25:32. | :25:41. | |
win on this visit. A glance at the school board. You just wonder if he | :25:42. | :25:50. | |
can get onto this red, screwing into them at an angle to bring them into | :25:51. | :25:56. | |
play. If not, he can certainly get into play the black. He will aim to | :25:57. | :26:06. | |
get onto the black if he gets a cannon. Always thinking. That is | :26:07. | :26:17. | |
what I like about Ding. A lot of players would just have made sure of | :26:18. | :26:21. | |
the red, potted the black, and then obviously if you don't pot the next | :26:22. | :26:26. | |
red, your opponent plays on. Ding wants to make sure that Alan goes to | :26:27. | :26:30. | |
the interval now. He doesn't want to let him back on the table. The | :26:31. | :26:39. | |
lowest break in this mini-session of four has been this but this could | :26:40. | :26:43. | |
obviously become bigger very shortly. | :26:44. | :27:20. | |
He was trying to lead an angle on the pink and I think he has gone too | :27:21. | :27:27. | |
far. He might have to do the double unless he can sit in behind the | :27:28. | :27:40. | |
reds. A good effort. The red is still pottable into either of the | :27:41. | :27:45. | |
corner pockets, after which it will be very difficult. | :27:46. | :27:55. | |
Amazing. This Crucible crowd are missing -- watching some of the best | :27:56. | :28:08. | |
break-building we have ever seen. Just got enough angle on the black. | :28:09. | :28:38. | |
He has got to be careful where the yellow is. He doesn't want to get | :28:39. | :28:45. | |
too much side on this. Not too much side on it. Oh, what a shame. He | :28:46. | :28:55. | |
would have been breaking the record or equalling the record of six | :28:56. | :29:06. | |
centuries in the semi. Hello? What an amazing first four frames this | :29:07. | :29:14. | |
morning. Ding Junhui is absolutely on fire. He doesn't realise it is | :29:15. | :29:20. | |
the interval. He does now. And smiles all the way. | :29:21. | :29:25. | |
The world number 29 stuck to the chase after the interval, taking the | :29:26. | :29:31. | |
first after that, and snooker's elder statesman is more than just | :29:32. | :29:33. | |
hanging in there. This is frame 14. Well, a few mistakes from Ding | :29:34. | :29:48. | |
arriving now. His safety has been very good in the last couple of | :29:49. | :29:53. | |
frames, forcing the opening. If he can get out of this session no worse | :29:54. | :30:01. | |
than 10-6, wedding started, he will be pretty pleased with that. -- | :30:02. | :30:07. | |
where Ding started, he will be pretty pleased with that. That stat | :30:08. | :30:12. | |
we just showed you with the safety, Ding was in front with the safety | :30:13. | :30:18. | |
before today. Coming into this session, that has changed. | :30:19. | :30:30. | |
Not perfect on the blue or the green. Normally the shots just, you | :30:31. | :30:38. | |
don't have to go hard into the pink, you play slow into the pink. But the | :30:39. | :30:43. | |
blue is slow in. He has to very careful here. Not even playing into | :30:44. | :30:48. | |
the pink, playing to the two reds to the right of the pink. | :30:49. | :30:51. | |
It is amazing how much he lifts his head. Two or three inches of | :30:52. | :32:30. | |
movement every time. When he plays a power shot, his head rises about | :32:31. | :32:34. | |
four or five inches. Unlike any other player in the game. | :32:35. | :32:42. | |
We have seen a few players, Mark Selby sort of sways from | :32:43. | :32:47. | |
side-to-side a little bit. Marco Fu sometimes can move the head | :32:48. | :32:57. | |
slightly. Not many players lift just before | :32:58. | :33:00. | |
playing the shot. Didn't get nicely on the previous | :33:01. | :33:11. | |
black. I don't think he can push through to | :33:12. | :33:22. | |
the black. He'll have to play a bit for the blue. Maybe the pink is | :33:23. | :33:26. | |
available in the same pocket. It is. That helps. | :33:27. | :33:39. | |
I don't think pink will be on its own shot, it will go up to the | :33:40. | :33:47. | |
highest available, the yellow. He's got three, four lose reds before he | :33:48. | :33:54. | |
has to worry about even any more. He'll be on the stage where his | :33:55. | :33:59. | |
opponent will need a snooker. He could just concentrate on the lose | :34:00. | :34:01. | |
reds here. Missed a red into this bottom left | :34:02. | :34:21. | |
corner pocket. Albeit more difficult than this. | :34:22. | :34:28. | |
Didn't go into the heart of the pocket, but rattled a little bit. He | :34:29. | :34:36. | |
nicely on the black. At 61 ahead, didn't play that as | :34:37. | :34:54. | |
well as he would have liked to. He wanted to be straight on this red. | :34:55. | :34:58. | |
He may have to pot this red and go into the cluster. | :34:59. | :35:07. | |
He's played it nicely. Played it lovely. | :35:08. | :35:15. | |
Has been top tails. This red goes into a winning frame in this break, | :35:16. | :35:37. | |
frame 14. It has been good stuff, hasn't it? | :35:38. | :36:44. | |
128 and a 38 in the first round and 107. Three centuries on the bounce. | :36:45. | :36:51. | |
97. Another possible century now for | :36:52. | :36:53. | |
McManus. This has been a fantastic break. A | :36:54. | :38:27. | |
great response from Alan McManus and a nice response from our sponsors of | :38:28. | :38:38. | |
course. Once it got over the 70th century mark, Betfred have given | :38:39. | :38:45. | |
?25,000 to the bluebell wood child's hospice. This will be the 22nd | :38:46. | :38:52. | |
century of the tournament. The target is 86, which was made last | :38:53. | :38:58. | |
year. More importantly for Alan McManus, it is closing the gap to | :38:59. | :39:01. | |
four now. It will be nice for him to pot the | :39:02. | :39:17. | |
black. It would level Ding's high break at the moment, 136, thinking | :39:18. | :39:24. | |
about it. This time it is close... Trust me. This time it is really | :39:25. | :39:26. | |
close. Finishes off... That is Alan's highest break of the | :39:27. | :39:47. | |
championship so far. Alan showing us there's more to his game than | :39:48. | :39:54. | |
tactical at the moment. Fantastic fluency from the Scot. Into frame | :39:55. | :39:57. | |
15. Alan, 20 points behind. Once again safety not good enough at | :39:58. | :40:39. | |
the moment. I think he may have covered the red over the corner | :40:40. | :40:43. | |
though. A little bit fortunate there, Ding. Didn't play that | :40:44. | :40:45. | |
particularly well. Would love to get the cue ball down | :40:46. | :41:06. | |
the left-hand side of the table, somewhere behind the yellow. | :41:07. | :41:15. | |
It is much more difficult for Ding. There's his view. | :41:16. | :41:20. | |
Having a look at two reds behind the pink. They are a possible plant. I | :41:21. | :41:30. | |
am wondering if believes the cue ball down the left-hand side of the | :41:31. | :41:34. | |
table, will Ding be able to make that into a plant. That is | :41:35. | :41:39. | |
exactly... Down behind the yellow somewhere. | :41:40. | :41:49. | |
You can see where the cue ball was, well, is now. | :41:50. | :41:56. | |
It blocked his path down the right-hand side of the table. Alan | :41:57. | :42:01. | |
is definitely old school, playing the run-up. The modern day player | :42:02. | :42:06. | |
takes the yellow on to the middle nowadays. | :42:07. | :42:17. | |
Just sometimes the situation sort of will tat whether you take that -- | :42:18. | :42:21. | |
will dictate whether you take that yellow on or you don't. If he had | :42:22. | :42:26. | |
been closer to it, he would have taken it on. The momentum is with | :42:27. | :42:31. | |
Alan. He wants to keep a little bit of pressure on his opponent. | :42:32. | :42:35. | |
Should he have taken the yellow on and potted it and won the frame from | :42:36. | :42:41. | |
it, then Ding is thinking, well, it is off a fluke and his mind starts | :42:42. | :42:45. | |
to wander. At this level it is hardly unlikely he'll leave the pot | :42:46. | :42:52. | |
on, unless he does it too thick when he's playing up and down. | :42:53. | :42:59. | |
All of a sudden things are not happening for Ding. | :43:00. | :43:05. | |
It was not straightforward. The red that is to the left of the cue ball | :43:06. | :43:09. | |
that was blocking the pathway just to lay on the red on the top | :43:10. | :43:14. | |
cushion. I don't think he's left the pot on here though. | :43:15. | :43:21. | |
Possible red up to the green pocket, but Alan will certainly put Ding | :43:22. | :43:25. | |
back. Not sure which red Ding was trying | :43:26. | :43:36. | |
to lay on to there. It is a long way away from any red. | :43:37. | :44:05. | |
He's left his red into the right-hand corner pocket. The | :44:06. | :44:12. | |
problem with this is that he's got to play it with a bit of pace. He 's | :44:13. | :44:16. | |
got to screw it in and take the black into the same pocket. Now, if | :44:17. | :44:20. | |
he misses it and we saw him miss a red like that into the left-hand | :44:21. | :44:25. | |
corner pocket and that's why he's refused it. | :44:26. | :44:31. | |
This is what I think Ding is trying to accomplish here. He's trying to | :44:32. | :44:34. | |
come off the side cushion. He's trying to clip the left-hand side of | :44:35. | :44:38. | |
the red with the cue ball, which means the cue ball will travel down | :44:39. | :44:42. | |
towards top cushion and try and block the path of the red to the | :44:43. | :44:46. | |
bottom right-hand corner pocket. He does not have the angle to come off | :44:47. | :44:50. | |
the side cushion and lay on the red which is closest to the left-hand | :44:51. | :44:54. | |
corner pocket. He's trying to play a delicate shot off this red. Trying | :44:55. | :44:58. | |
to clip this side of the red on the way down. | :44:59. | :45:10. | |
. Well, he's hit that red. It certainly wasn't his intention. | :45:11. | :45:21. | |
If you leave the cue ball where it is now he would take the red into | :45:22. | :45:26. | |
the yellow pocket because he cannot leave the two reds on the centre | :45:27. | :45:33. | |
cushion. He will leave the long red on if he takes the green on and | :45:34. | :45:37. | |
misses it. Could he go on to win this 5-3? And | :45:38. | :46:00. | |
close to 9-7? He's playing well enough. | :46:01. | :46:18. | |
A line her on potting the blue. The two -- a line here on potting the | :46:19. | :46:24. | |
blue. He's played it nicely. A beautiful | :46:25. | :46:30. | |
shot. A beautiful line, if I may say. That | :46:31. | :46:47. | |
was played to perfection. Finishes low on the black. Flicking another | :46:48. | :47:00. | |
couple of reds into play. If he could kiss them both, thin off the | :47:01. | :47:03. | |
first one and then play into the second one. I am really surprised he | :47:04. | :47:11. | |
didn't... There was a line-up, which was not shown, he may live to regret | :47:12. | :47:13. | |
that. Hopefully not. I think he'll be playing it this | :47:14. | :47:38. | |
time. That's the line that Ken's put up. | :47:39. | :47:44. | |
He would like to flick the first, where the two reds together, pushing | :47:45. | :47:47. | |
clear and play the kiss behind it - it opens all four reds. That is what | :47:48. | :47:53. | |
he's looking for now, to play all four reds into play. The one to the | :47:54. | :47:59. | |
extreme right is the red already. This could be a frame, and if this | :48:00. | :48:01. | |
goes right. Just nudged that red nicely out of | :48:02. | :49:01. | |
the way. Play youers don't like to take those | :49:02. | :49:34. | |
reds -- players don't like to take these reds, if they can help it. | :49:35. | :49:38. | |
They are missable below the black, particularly if you land straight on | :49:39. | :49:43. | |
them. He's got plenty of options here before he considers even taking | :49:44. | :49:46. | |
that red. 26 points ahead. | :49:47. | :50:10. | |
Going back to that previous shot you mentioned if you had to play the | :50:11. | :50:16. | |
cannon into those little four reds, all of those would have been | :50:17. | :50:20. | |
available for him now. It wasn't as if there was any risk. It is OK. | :50:21. | :50:24. | |
There's nothing wrong, if he goes on to win the frame, he's done it the | :50:25. | :50:29. | |
right way and his way. This has been a wonderful break | :50:30. | :50:51. | |
again. He needs to pot three more reds and three colours to be | :50:52. | :50:53. | |
absolutely sure. He took the opportunity to make sure | :50:54. | :51:41. | |
he was on a baulk colour rather than on the blue. This is where the | :51:42. | :51:44. | |
problems arise. He's got to play a good positional | :51:45. | :52:02. | |
shot here. Now he's put himself under a bit of | :52:03. | :52:04. | |
pressure. I expect him to pot it, but this is | :52:05. | :52:08. | |
basically frame-winning ball here. No, no, no. And he put himself under | :52:09. | :52:24. | |
pressure from early on in that break. | :52:25. | :52:33. | |
Didn't play the cannon, as was pointed out, may row that mistake | :52:34. | :52:38. | |
now. That is why -- rue that mistake now. They are missable unless you | :52:39. | :52:46. | |
get directly behind them. I know people will say why have you said | :52:47. | :52:50. | |
the wrong way. It is not necessarily the wrong way, it is the way to make | :52:51. | :52:54. | |
sure you don't have any troubled reds. Ding will play the cannon now. | :52:55. | :53:00. | |
He's muttering to himself and he should have definitely have won this | :53:01. | :53:05. | |
frame. He may still. If this kiz goes right he's gone second | :53:06. | :53:09. | |
favourite, even though he's 43 points in front. | :53:10. | :53:17. | |
Well, that hasn't worked out. Just a little bit hard. He's got | :53:18. | :53:26. | |
this red it is very close to the cue ball. | :53:27. | :53:32. | |
Could possibly push it. And the referee has got to be very close to | :53:33. | :53:38. | |
Ding here, just to watch the cue ball on the red because this is a | :53:39. | :53:39. | |
very difficult shot. Played it very well. Amazing how | :53:40. | :53:59. | |
he's not pushed it. Got the screw as well and a little bit of power in | :54:00. | :54:06. | |
the shot. Fabulous cueing. It is such a shame because Alan has | :54:07. | :54:10. | |
fought his way back into this match. He missed a little bit of a trip. It | :54:11. | :54:16. | |
is not nice to criticise a player's break-building, but that is | :54:17. | :54:19. | |
old-school snooker, the way he broke there. He didn't try and win the | :54:20. | :54:24. | |
frame at one visit. The pressure was on it. | :54:25. | :54:40. | |
This could be a massive frame and massive turning point for Alan | :54:41. | :54:46. | |
McManus. A long way to go in this match. Sometimes matches can | :54:47. | :54:53. | |
completely... You claw your way back and make one mistake, and all of a | :54:54. | :54:58. | |
sudden, you still have got a big gap to make up. | :54:59. | :55:33. | |
It has been the longest frame of the match so far. 25 minutes. | :55:34. | :55:42. | |
Over on the blue. There may be a lifeline for Alan, he will play the | :55:43. | :55:46. | |
yellow at distance. Playing around the cushions, through the gap of | :55:47. | :55:55. | |
the... He didn't play that right. He played to go between the pink and | :55:56. | :56:00. | |
black there. This is definitely missable. | :56:01. | :56:18. | |
It may run into the brown here with the cue ball. | :56:19. | :56:33. | |
A natural part of the cue ball was running into the brown. | :56:34. | :56:41. | |
A lifeline for Alan McManus. Played a good shot. He would have | :56:42. | :57:07. | |
been disappointed. He tried to get off from the blue. | :57:08. | :57:14. | |
All of a sudden they miss. An opportunity from Alan, he wouldn't | :57:15. | :57:17. | |
be out of his mind now if he did not lose at this visit, it would have | :57:18. | :57:22. | |
hurt him. Now he knows he has a second chance he will not feel quite | :57:23. | :57:23. | |
so bad. These are the types of situations | :57:24. | :57:27. | |
that Alan McManus is very good at. Ding will have to play some really | :57:28. | :57:42. | |
good shots if he will get another chance. | :57:43. | :57:59. | |
Pretty good. Got the most important part of the safety shot. | :58:00. | :58:09. | |
A possible chance for McManus to get the cue ball behind the brown. Got | :58:10. | :58:17. | |
to be careful of the green. Doesn't want the green to go towards the | :58:18. | :58:20. | |
left-hand corner pocket. Played this with left-hand side, | :58:21. | :58:32. | |
trying to check the cue ball behind the brown. | :58:33. | :59:06. | |
This looks very good. An excellent shot from Ding. Very, very good | :59:07. | :59:11. | |
indeed. A possible escape route just below | :59:12. | :59:52. | |
the middle pocket. Doesn't want to play it off one cushion. Would | :59:53. | :59:57. | |
prefer to hit the cushion and hit the green back up towards pink and | :59:58. | :00:00. | |
black. He misjudged that by quite some way. | :00:01. | :00:36. | |
Once he hit the ground, how has he not get the green on? That's where | :00:37. | :00:42. | |
it was. It is important, as Ken said, | :00:43. | :00:55. | |
because he is playing the two-cushion escape, not the one fish | :00:56. | :01:06. | |
and escape. He will have two attempt three or four more inches than he | :01:07. | :01:10. | |
did first time. Sometimes you have got to slide off of the cushion. He | :01:11. | :01:20. | |
needs to take you baulk cushion. This looks good. This looks very | :01:21. | :01:21. | |
good. Excellent shot. Bit short of pace with the cue ball | :01:22. | :02:00. | |
and with the green. Now, a chance for Alan McManus here. He will try | :02:01. | :02:06. | |
to get the cue ball behind that black. This looks good. This looks | :02:07. | :02:19. | |
very good. He could have done with being a little bit tighter, couldn't | :02:20. | :02:27. | |
he, to the black, Willie? I think that's OK. I don't think he will be | :02:28. | :02:35. | |
able to get past the black. I don't think he will be able to get a | :02:36. | :02:40. | |
natural angle. He may have two play-off three cushions. I am not | :02:41. | :02:55. | |
sure it is on that great. Alan has two take the green on, it will not | :02:56. | :03:00. | |
be amiss, and he deserved to win this frame. In the context of this | :03:01. | :03:07. | |
match, this is probably the biggest shot Alan will play. If he gets | :03:08. | :03:12. | |
nicely on the brown, he should closed to within three. I'm | :03:13. | :03:19. | |
surprised it's not playing with the rest here. He is drawing out quite a | :03:20. | :03:24. | |
lot of the cue here. He could be wise to use the rest. His pot Raid | :03:25. | :03:30. | |
with the rest is eight out of eight, so he shouldn't be afraid to use the | :03:31. | :03:34. | |
rest. -- his pot rate. Oh, a super shot. A beautiful shot. | :03:35. | :04:00. | |
And believe it or not, and incredible statistic. Our director | :04:01. | :04:04. | |
has just told us he has only missed three shots with the rest out of 69 | :04:05. | :04:09. | |
shots with the rest. Isn't that an incredible statistic? Rest play from | :04:10. | :04:23. | |
Alan McManus. The brown is in and he is nicely on the blue. | :04:24. | :04:32. | |
The blue will put him 13 points ahead, 18 points ahead with 13 | :04:33. | :04:49. | |
remaining. Engage the pink and what a frame -- in goes the pink and what | :04:50. | :04:56. | |
a frame that may turn out to be for Alan McManus. He gave Ding a chance | :04:57. | :05:00. | |
and he couldn't take it. Alan McManus comes back and closes the | :05:01. | :05:10. | |
deficit once more. Final frame of this session, Ding Junhui to break. | :05:11. | :05:16. | |
A wonderful seven frames of the session have been played. This, as | :05:17. | :05:21. | |
far as Alan McManus is concerned, is one of the most important frames of | :05:22. | :05:26. | |
the match to get back within two. He trailed, remember, 6-2 overnight. | :05:27. | :05:44. | |
There is a gap between the pack of red, so he will be playing with a | :05:45. | :06:01. | |
lot of left-hand side. He hasn't gone for a pot, he is trying to get | :06:02. | :06:07. | |
back behind the yellow. He didn't want to refuse that in the opening | :06:08. | :06:09. | |
session. Pressure put on the safety. Alan | :06:10. | :07:09. | |
just checking to make sure he went to push a red towards the corner. He | :07:10. | :07:19. | |
could bring the white in behind the brown and green here, making it the | :07:20. | :07:20. | |
more difficult safety shot for Ding. Just a fraction heavy but he will be | :07:21. | :07:32. | |
pleased with that. It's amazing the mind games it plays | :07:33. | :08:03. | |
you here at the Crucible, Ken, because if you had said would you be | :08:04. | :08:08. | |
happy going into the session leading 9-7, you would have said yes. But | :08:09. | :08:13. | |
after going in leading 6-2, he went to be happy. OK, if he wins this, he | :08:14. | :08:22. | |
still maintains a four frame advantage, meaning the session will | :08:23. | :08:27. | |
be tied for frames all, but with the way he started off this session, he | :08:28. | :08:31. | |
was looking to extend that meet with century breaks. This is a massive | :08:32. | :08:38. | |
frame for Alan McManus as well to cut the deficit to two. All to play | :08:39. | :08:46. | |
for in the next session, of course. A good safety. They will come back | :08:47. | :08:52. | |
out this evening. The final session will be tomorrow. | :08:53. | :09:18. | |
That looked pretty good if it had one. It just slowed up. Top of the | :09:19. | :09:28. | |
table from Alan. An acknowledgement. What can he do here? Is there a | :09:29. | :09:35. | |
pathway back to baulk? At first glance, it looks very difficult. | :09:36. | :10:14. | |
Still possesses a lot of key power. It has returned to baulk. He can't | :10:15. | :10:23. | |
play the same shot. He is too close to the cushion. But if he plays a | :10:24. | :10:27. | |
thinner safety shot, to the right of the pin, there is enough room around | :10:28. | :10:32. | |
the back of the red. That is the problem. If you are too thin or too | :10:33. | :10:37. | |
thick, you are in trouble. It has to be perfect. | :10:38. | :10:49. | |
That is pretty good. I know it is pacey with the white, but it was | :10:50. | :10:54. | |
tough to get the gap. It goes without saying that | :10:55. | :11:38. | |
obviously that red going again, that little bounce took a little bit of | :11:39. | :11:42. | |
spin off it. Going across the map is not straightforward. | :11:43. | :11:58. | |
Pity on anything? His body language tells me he might not be. -- is he | :11:59. | :12:14. | |
on anything? Maybe just got to flick a little bit of left-hand side to | :12:15. | :12:19. | |
turn that over. Not too sure he can miss the kiss on the black in | :12:20. | :12:21. | |
playing this. Well done. This was an excellent | :12:22. | :12:43. | |
shot. He turned it round, that red, Ken. A little bit of side helped. | :12:44. | :12:51. | |
He's just got to play one good positional shot here. The red above | :12:52. | :12:56. | |
the black pots into the left-hand corner pocket. If he could get on | :12:57. | :13:04. | |
that, he would free up the black. He has taken the lead. A good part. -- | :13:05. | :13:21. | |
he has taken the blue. A good pot. He could not get on the red behind | :13:22. | :13:23. | |
the black. This will open things up. That brings some more reds into | :13:24. | :13:49. | |
play. Excellent shot. He needs to get onto the red behind the pink at | :13:50. | :13:56. | |
some stage and that will open it up. Not a frame-winning opportunity yet. | :13:57. | :14:11. | |
But it could be in a minute. Another excellent positional shot. He has | :14:12. | :14:18. | |
got the pink into the right-hand corner pocket. | :14:19. | :14:37. | |
He could have done without cue ball another two inches higher so he | :14:38. | :14:42. | |
could have screwed into the red behind the pink. | :14:43. | :14:59. | |
He has worked himself into an excellent position now to win this | :15:00. | :15:16. | |
frame from this visit. He hasn't stunned quite far enough. | :15:17. | :15:44. | |
He would have liked to be straight on this thread. -- on this red. | :15:45. | :16:04. | |
He has had to work so hard for this break. All the reds were in the way | :16:05. | :16:12. | |
but slowly but surely he is picking them all off, one at a time. This | :16:13. | :16:16. | |
now becomes a frame-winning opportunity. | :16:17. | :16:43. | |
He has surprised a lot of people this tournament, Alan McManus. We | :16:44. | :16:48. | |
really thought his glory days were over. What ever happens in this | :16:49. | :16:57. | |
match now, he has done himself proud and who knows, he might still get to | :16:58. | :16:58. | |
the final. He has just overrun it slightly but | :16:59. | :17:52. | |
the blue is OK or the pink. Probably be able to play between the blue and | :17:53. | :17:59. | |
-- the green and brown and bring the cue ball back down. If the yellow | :18:00. | :18:04. | |
was on its .com he would play at the other way round, but it is not so | :18:05. | :18:10. | |
easy to do that. Another excellent positional shot. He is getting | :18:11. | :18:19. | |
close. He will need red colour red, as he | :18:20. | :18:35. | |
is not quite 58 points in the lead. I think under the circumstances, | :18:36. | :19:21. | |
this has to be the best session of snooker Alan McManus has ever | :19:22. | :19:26. | |
played. When you think he has won four frames in this session, to get | :19:27. | :19:32. | |
himself back in the match, that is going to be the reality. | :19:33. | :19:58. | |
It is nice, Ken, isn't it, to see that crowd realising what hardware | :19:59. | :20:04. | |
kit has been for Alan to claw this back? He has got a lot of support | :20:05. | :20:10. | |
it. The Crucible crowd love to see a comeback, that is for sure. They | :20:11. | :20:14. | |
have seen many of them over the years and it is also -- it is always | :20:15. | :20:19. | |
nice to see a player make centuries as well. It is nice to see a player | :20:20. | :20:25. | |
come from way back and get himself back into a match. That is exactly | :20:26. | :20:29. | |
what Alan McManus has done here. He was nine behind at one stage. It is | :20:30. | :20:38. | |
going to close at 9-7, which means he has won this session, 5-3, and | :20:39. | :20:43. | |
sends out a message to his opponent. Just gone a little bit of the cue | :20:44. | :20:56. | |
ball. It is in and he has held it for the | :20:57. | :21:17. | |
black. A beautiful shot. He has had five centuries so far in this | :21:18. | :21:18. | |
tournament. Well played. This has been age and a | :21:19. | :21:34. | |
session of snooker from both players. For centuries from Ding in | :21:35. | :21:42. | |
need first session, five centuries between them in this session. | :21:43. | :21:56. | |
This is his 206 career century. One of the most important ones he has | :21:57. | :22:08. | |
made. I don't think in his career he has ever made this many centuries in | :22:09. | :22:14. | |
one match. He will be buzzing inside. | :22:15. | :22:26. | |
This has equalled the amount of centuries made in one match by both | :22:27. | :22:31. | |
players, which shows you the standard has been fantastic. Great | :22:32. | :22:38. | |
positional play. Now let's see the pink and see if he can pot the black | :22:39. | :22:45. | |
around for cushions again this time. I am sure he will play the | :22:46. | :22:50. | |
four-cushion part on the black. Go one, Alan! They want to see it. They | :22:51. | :22:56. | |
love a trick shot. It is close, it is very close. It is there... Oh! | :22:57. | :23:10. | |
Aged Mendis break from Alan McManus. -- a tremendous break from Alan | :23:11. | :23:15. | |
McManus as Ding shakes his hand. The crowd are on their feet. It was all | :23:16. | :23:22. | |
Ding any best session, it has been all my man is in the second. Ding | :23:23. | :23:33. | |
leads by 9-7. A fantastic session of snooker by those two this morning, | :23:34. | :23:40. | |
with days centuries -- with those centuries equalling the best we have | :23:41. | :23:44. | |
ever seen. What did you think Alan McManus's fightback, Steve? | :23:45. | :23:50. | |
Absolutely fantastic. You can't underestimate it. It is astonishing. | :23:51. | :23:53. | |
The game is not that physically demanding compared to other sports | :23:54. | :23:56. | |
but we know from history that players start to go off the boil. | :23:57. | :23:59. | |
They lose their drive and motivation, don't handle the | :24:00. | :24:05. | |
pressure so well. Alan McManus is winding back the years. Ding had | :24:06. | :24:12. | |
just made five centuries. A lesser player would have crumbled but he | :24:13. | :24:18. | |
seems to have galvanised himself instead. What he is doing is doing | :24:19. | :24:29. | |
it with one visit. He is playing absolutely fantastic snooker. He is | :24:30. | :24:32. | |
entertaining be proud and getting them on his side as well. These long | :24:33. | :24:37. | |
matches, you can win three, four, five matches at a time because you | :24:38. | :24:44. | |
get the momentum. He's probably disappointed that the session ended | :24:45. | :24:49. | |
there. Disappointing in some ways for Ding Junhui because he has | :24:50. | :24:56. | |
played the best he can and this fella has just hang in there. It | :24:57. | :25:01. | |
shows you that there are no easy matches. You have got to fight all | :25:02. | :25:05. | |
the way and Ding is prepared to fight but it is always a shock when | :25:06. | :25:08. | |
someone you think is on the ropes comes back at you. 7-9, Alan McManus | :25:09. | :25:18. | |
was behind and came back to win it, so Ding knows he can do it. Do you | :25:19. | :25:24. | |
sense joy and wonderment that he is still there and kicking? I think he | :25:25. | :25:30. | |
is having a wonderful time. As I have said before, he loves back to | :25:31. | :25:34. | |
thing, he loves playing snooker. He still plays in everything will turn | :25:35. | :25:39. | |
it. We talk about the fatigue but I think the excitement and the | :25:40. | :25:44. | |
enjoyment of being out there galvanises him, and he is loving | :25:45. | :25:50. | |
being out there. We talked at length about fatigue at the start of this | :25:51. | :25:55. | |
tournament because nobody gave a chance of a qualifier coming out and | :25:56. | :25:59. | |
potentially winning. I wonder what they think now? Everybody outside | :26:00. | :26:06. | |
the top 16 has had to play three qualifying matches this year. That | :26:07. | :26:11. | |
is tough. I hope I will be in the top 16 next year and won't have to | :26:12. | :26:15. | |
qualify. I think that will play a big part in being able to last the | :26:16. | :26:19. | |
distance of the 17 days at the world Championships. It can take a lot out | :26:20. | :26:25. | |
of it -- out of you. There is a lot of mental stress and pressure but | :26:26. | :26:29. | |
I've had three really good practice sessions, that is the way I am | :26:30. | :26:33. | |
looking at it. I know from personal experience how much this tournament | :26:34. | :26:36. | |
takes out of you and it is incredibly tough. I think the | :26:37. | :26:40. | |
qualifiers are probably too close to the world championship. I think it | :26:41. | :26:47. | |
is something as important as this which needs the qualifiers to be a | :26:48. | :26:52. | |
month before. The qualifiers are part of the ranking system so I am | :26:53. | :26:56. | |
afraid there is no room for change and if I ever doubted myself, | :26:57. | :27:00. | |
obviously I would look at the performances of two of the players | :27:01. | :27:03. | |
in the semifinals, Alan McManus and Ding Junhui, that both came through | :27:04. | :27:09. | |
qualifying, and one of them is 45 years old, so if anyone is whingeing | :27:10. | :27:14. | |
about the jer raging, I would say the examples of excellence are | :27:15. | :27:22. | |
there. This is fair. -- about the duration. You have got to be fit | :27:23. | :27:25. | |
enough, mentally and physically, to deal with this. You are in a big | :27:26. | :27:32. | |
league now. This is not a small sport any more. You have got to | :27:33. | :27:36. | |
adjust, rather than the format adjusting for you. 1978 was the last | :27:37. | :27:43. | |
time we had to qualifiers in a final. It seems a long time ago now, | :27:44. | :27:50. | |
over two weeks ago. Why do you think it has sharpened up? I don't think | :27:51. | :27:56. | |
it is necessarily that they weren't sharp but I think the amount of | :27:57. | :27:59. | |
snooker that the players are playing keeps them in good nick. There is | :28:00. | :28:03. | |
the argument that you could go stale, that you could be burnt out | :28:04. | :28:08. | |
by the time you get to this part but there are enough days between your | :28:09. | :28:11. | |
matches to recover and relax. You might not need as many as you think. | :28:12. | :28:15. | |
A couple of days off and you are ready to rumble. If it adrenaline | :28:16. | :28:21. | |
keeping Alan going? Fitness? I think if you can't get the thrill of | :28:22. | :28:26. | |
playing in a world championship, you shouldn't be a snooker player. They | :28:27. | :28:31. | |
have played three qualifiers. Ding breezed through his. In Alan | :28:32. | :28:38. | |
McManus's case I think he just loves playing snooker. If you can't come | :28:39. | :28:41. | |
to a one-table situation and have the adrenaline carry you through, | :28:42. | :28:46. | |
you shouldn't be playing anywhere. There are quite a lot of observers | :28:47. | :28:52. | |
on social media saying there are parallels with Stuart Bingham, that | :28:53. | :28:55. | |
sense of appreciation of the situation is very similar to what we | :28:56. | :28:58. | |
saw carrying him through last year as well? Yes, and it seems that the | :28:59. | :29:03. | |
second week of the tournament, somebody comes out of the pack and | :29:04. | :29:08. | |
starts to produce something that is extra special. It doesn't matter | :29:09. | :29:11. | |
what you have done in the first top of the tournament. You are just | :29:12. | :29:15. | |
keeping yourself in there in the first -- like in the first lap of | :29:16. | :29:19. | |
the Grand National, so to speak. If you are able to time your run to | :29:20. | :29:26. | |
perfection, you are in with a shout. There are a couple of other players | :29:27. | :29:32. | |
timing their runs as well though. The only problem is you cannot get | :29:33. | :29:36. | |
off to a poor start because there are no easy matches. We are | :29:37. | :29:43. | |
guaranteed to have one qualifier in the final for the first time since | :29:44. | :29:48. | |
Judge Trump in 2011. The crowd are getting going for the semifinal | :29:49. | :29:58. | |
session with Marco Fu, and Marco Fu has spent half of his life coming to | :29:59. | :30:02. | |
the Crucible. He was 19 years old when he came here first and 19 years | :30:03. | :30:07. | |
have gone by. Only once in that time has he tasted snooker in the | :30:08. | :30:14. | |
one-table situation. I used to watch Stephen Hendry and love watching him | :30:15. | :30:20. | |
play and him and Jimmy were great rivals in the 90s. I remember Jimmy | :30:21. | :30:28. | |
missing the black on 17 and that was one of the most heartbreaking | :30:29. | :30:31. | |
moments. The first time I qualified for the Crucible, I was due to play | :30:32. | :30:36. | |
James Wattana. I went in to have a look at the venue and I couldn't | :30:37. | :30:39. | |
believe how small it was. The atmosphere was great but I couldn't | :30:40. | :30:44. | |
believe it was only 900 people inside the venue. It was still | :30:45. | :30:49. | |
amazing though. The wall separating the two tables when you are playing | :30:50. | :30:53. | |
off the cushion on one of them, it feels like Yorkie will hit the wall, | :30:54. | :30:57. | |
it is that close. When you are sitting down, the crowd is right | :30:58. | :31:02. | |
behind you. You never have that same atmosphere anywhere in the world. | :31:03. | :31:09. | |
It is very modernised now, it was old school before. Now like | :31:10. | :31:17. | |
brand-new venue. In some ways. Which I don't really prefer. I would | :31:18. | :31:24. | |
always go to watch one of the games before I played, to get a feel for | :31:25. | :31:29. | |
the atmosphere. I don't do it in any other venue, only the Crucible, to | :31:30. | :31:33. | |
get a feel of what it is like, and watch the games. You feel nervous, | :31:34. | :31:40. | |
to play, yourself. Really unbelievable feeling. Sheffield is | :31:41. | :31:48. | |
the best place to place Nico. All the snooker fans treated as the home | :31:49. | :31:55. | |
of sneaker. No point moving any rows. Every snooker player's dream | :31:56. | :32:01. | |
is to win the World Championship. You have to stay focused for 17 | :32:02. | :32:07. | |
days, which is very difficult. Mark Selby has had quite reason, by his | :32:08. | :32:12. | |
standards will stop the first time for seven seasons the Leicester | :32:13. | :32:18. | |
player has not won a major title. Claiming one of the smaller titles | :32:19. | :32:22. | |
in Poland in February. Yet to get beyond the semifinals of the big | :32:23. | :32:27. | |
ones. Since February, very quiet indeed. Even took five weeks off in | :32:28. | :32:34. | |
the build-up to this one. Could he be timing his season to perfection? | :32:35. | :32:38. | |
He took command of yesterday's opening exchanges between him and | :32:39. | :32:43. | |
Mark. Could not play much better than | :32:44. | :32:58. | |
that. First frame goes to Mark Selby. | :32:59. | :33:05. | |
He has played this very well. He has the gap. Mark Selby leads 2-0. | :33:06. | :33:24. | |
What a hit? Where is the cue ball going? Unbelievable. Tough shot. | :33:25. | :33:57. | |
Jumped out of the pocket. Marco Fu won it, closes to one frame, 4-3. He | :33:58. | :34:14. | |
has sunk some good balls tonight. Two frame advantage for Mark Selby, | :34:15. | :34:19. | |
enjoying a laugh with Marco Fu. He was 3-0 down, he showed incredible | :34:20. | :34:24. | |
touch and judgment, escaping from some devilish sneakers. I wonder how | :34:25. | :34:30. | |
evil fair, just one session for these players. They are ready, so is | :34:31. | :34:41. | |
Rob Walker. We have already witnessed one incredible session and | :34:42. | :34:49. | |
sneaker. These players are living up to their star-studded billing. At | :34:50. | :34:53. | |
the sport's spiritual home, we are ready to go again. | :34:54. | :35:16. | |
Please welcome a player making his first appearance at the one-table | :35:17. | :35:23. | |
set-up in a decade. From 30 down, he showed composure and experience to | :35:24. | :35:28. | |
get back in this match. Two times a ranking event winner, looking for | :35:29. | :35:32. | |
his first appearance in a Crucible final. One of the sport's global | :35:33. | :35:37. | |
ambassadors, from Hong Kong, Marco Fu. | :35:38. | :35:52. | |
His opponent, player of the mental self belief, even under pressure. A | :35:53. | :36:06. | |
Masters champion, UK champion in 2012. He completed sneaker's Triple | :36:07. | :36:11. | |
Crown winning the big 12-macro years ago. Can he follow his great start | :36:12. | :36:18. | |
to the match. He is number one, he is the Jester from Leicester. He is | :36:19. | :36:22. | |
Mark Selby. Eight more frames this afternoon, | :36:23. | :36:43. | |
Willie Thorne and John Virgo watched yesterday's action, they are back in | :36:44. | :36:51. | |
tandem today. Thank you, Hazel. Good afternoon to you and everybody else. | :36:52. | :37:00. | |
Fantastic atmosphere for the second session of this second semifinal. | :37:01. | :37:04. | |
Shake the hands. All to play for, Willie. Absolutely, watched the | :37:05. | :37:18. | |
morning session and it was absolutely first class, must've | :37:19. | :37:27. | |
whetted the crowd's appetite. Just short of two and three quarters | :37:28. | :37:36. | |
hours for the first eight frames. The fifth one was a long one, 38 | :37:37. | :37:42. | |
minutes. Average shot time. Neither players got into frame-winning | :37:43. | :37:47. | |
contributions assistant Lee. Pot success, you are looking at 90% or | :37:48. | :37:52. | |
more to win this kind of match. The highest break, not a century. I | :37:53. | :37:56. | |
would be very surprised if we don't team or in this session. There is | :37:57. | :38:11. | |
the perfect start. Once again, the poisoned chalice of the break off | :38:12. | :38:22. | |
shop. -- shot. Probably came higher on the black nanny wanted to place | :38:23. | :38:27. | |
the misfit. Not sure, looking at an angle to move the red away from the | :38:28. | :38:34. | |
black. The little bit concerned if the black goes on to its own spot, | :38:35. | :38:35. | |
the red will not be 's pottable. Well, he had the | :38:36. | :38:55. | |
opportunity to move the red, he thinks this Moscow. Is he right? -- | :38:56. | :39:07. | |
must go. Maybe if he plays it slowly, it could go in-off the far | :39:08. | :39:18. | |
jaw. I think it can go in-off the right-hand jaw, that has to be dead | :39:19. | :39:23. | |
weight. Looking for another opportunity, does not go in for him. | :39:24. | :39:32. | |
Back to the red above the black. Sometimes, you know as well as I do, | :39:33. | :39:38. | |
you convince yourself to pot the ball. He is entitled to ask the | :39:39. | :39:44. | |
referee to re-spot the black, in case it is not on the spot. Feeling | :39:45. | :39:51. | |
infractions. Cannot get through to the potting angle, having to bite | :39:52. | :40:03. | |
the bullet, play safe. After a tremendous opening red, he will be | :40:04. | :40:08. | |
disappointed. He will be thankful there, if he had caught the brown | :40:09. | :40:15. | |
full, you can see that one does not go. If he had caught that brown | :40:16. | :40:20. | |
full, he would have left the red to the right middle. Disappointment not | :40:21. | :40:25. | |
being on the red, affecting the next shot. Luckily for him, he has it | :40:26. | :40:38. | |
safe. Coming off two cushions, needs to | :40:39. | :40:54. | |
Harry. Judged it well. Lovely shot. Has he hit that fractionally too | :40:55. | :41:00. | |
hard. Mark Selby coming to have a look if there is a red to the | :41:01. | :41:01. | |
corner. Looks as if there is. Very hard to generate the pace | :41:02. | :41:18. | |
required to come off the top cushion. He had to avoid the push | :41:19. | :41:28. | |
shot, getting that you out of the way quickly. Just nudging behind the | :41:29. | :41:30. | |
black. Just nestling into the side of this | :41:31. | :41:51. | |
cluster, you would think he would not leave anything. The semifinals | :41:52. | :42:05. | |
after four sessions. The first three, eight frames play. The final | :42:06. | :42:13. | |
session, possible nine. Which makes up the best of 33, the target. 17 | :42:14. | :42:19. | |
for a place in the final. There is a gap between green and | :42:20. | :42:56. | |
brown, but whether he can be one of the reds, not sure. He feels he can. | :42:57. | :43:04. | |
Quite clearly, from the picture. That was much to thick. He has left | :43:05. | :43:24. | |
the cube will tighten the cushion, that makes this pot far more | :43:25. | :43:26. | |
difficult. Yes, get the cue ball close to the | :43:27. | :43:51. | |
cushion, makes any shot difficult. I thought he would get it. He has | :43:52. | :43:58. | |
missed it, leaving Mark with a nice easy starter. | :43:59. | :44:07. | |
We know with Marco Fu role to that black, it was pot. You would think | :44:08. | :44:28. | |
you would want to get on the red above the black sooner rather than | :44:29. | :44:34. | |
later. Mark was very relaxed before the match, are in the champions' | :44:35. | :44:44. | |
Lounge. He was very relaxed going into the second session. You have to | :44:45. | :44:49. | |
try and take your mind off of it. Cannot be 17 days of concentration, | :44:50. | :44:56. | |
it will take a lot out of you. Absolutely. Even the days you are | :44:57. | :45:06. | |
not playing, still have the tournament on your mind. Having a | :45:07. | :45:19. | |
look, if the pots the black, silver red -- will the red be available? It | :45:20. | :45:30. | |
will. It was on its spot. When Marco Fu got on it, he just nudge the | :45:31. | :45:32. | |
black. Mark's wife, Vicki, after the | :45:33. | :45:53. | |
players' box, with family and friends. Grandparents can often | :45:54. | :46:00. | |
result of this afternoon. -- looking after the daughter. Mark Selby has | :46:01. | :46:12. | |
been potting some Gimenez falls, but one thing that has been lacking, not | :46:13. | :46:17. | |
finishing in one visit. Going to play the cannon. | :46:18. | :46:27. | |
Just catching the edge of them. Maybe the red five think is | :46:28. | :46:43. | |
available to the left corner. It looked like it was all going to line | :46:44. | :46:47. | |
up, but you can see that one is available. Good solid pot. | :46:48. | :47:08. | |
The highest break of the match so far is a break of 69. Looks certain | :47:09. | :47:14. | |
to eclipse that one here. He feels as if he got a bounce | :47:15. | :47:48. | |
there. I must admit, seemed to fly off the top cushion. I have the | :47:49. | :47:57. | |
pleasure of working on this morning? Session, never had one bad bounce | :47:58. | :48:01. | |
can't believe it was such a bad misjudgement. A tough red to keep | :48:02. | :48:13. | |
this visit going. Not there. Mark Selby will go back to his seat. With | :48:14. | :48:20. | |
a 43 point lead. Still a possible 75 remaining. He has had a bit of a | :48:21. | :48:29. | |
result. And Marco pot this, and get on the black? Not easy, hampered as | :48:30. | :48:32. | |
years. Played it is positive. If you were on the practice table, | :48:33. | :48:50. | |
you would play this with a lot of left-hand side. Decided to play dead | :48:51. | :49:08. | |
weight. It could hold. This would be a steal, Willie. Mark is sitting | :49:09. | :49:15. | |
down, feeling a bit unhappy about the cushion. It was a bounce, | :49:16. | :49:20. | |
amazing we did not have one this morning. That one fly. Something | :49:21. | :49:26. | |
about the physician, could have cost in the frame. He gestured with his | :49:27. | :49:30. | |
hand, walking back to his seat. Not happy with it. These are the kind of | :49:31. | :49:38. | |
things that can change matches, your frame of mind can change. As I say, | :49:39. | :49:51. | |
to be so far about, it just seemed to fly off the first cushion. No way | :49:52. | :49:59. | |
he could misjudgement by that much. The thing is, Willie, with this type | :50:00. | :50:03. | |
of frame, you are sat in your seat, thinking the frame has gone. All of | :50:04. | :50:08. | |
a sudden your opponent gives you a chance, getting back to the table, | :50:09. | :50:12. | |
it is like a bonus just to be back in the frame. The one on the back | :50:13. | :50:24. | |
cushion, which he will play for now... Mind you, did that? He was up | :50:25. | :50:36. | |
early, Little bounce. He thought he missed that, you know. Just fell in. | :50:37. | :50:39. | |
Not perfect on the red. Could not avoid the jewels. -- jaw. | :50:40. | :51:04. | |
He will have to play the snooker, no value in plain black. Obviously the | :51:05. | :51:09. | |
natural one to come off the yellow, try to use green and brown. Not | :51:10. | :51:25. | |
quite. Little get past the blue. Mark looking at the potting angle. | :51:26. | :51:31. | |
As you can see, he can get through to it. He will certainly be taking | :51:32. | :51:33. | |
it on. This looks a good line, pretty good | :51:34. | :52:14. | |
length. Very well played. Advantage Marco Fu now. All the colours are | :52:15. | :52:22. | |
open. Mark with the age-old problem, not hitting the red. Can he get it | :52:23. | :52:31. | |
safe? Looking to come off two cushions, using lots of right-hand | :52:32. | :52:37. | |
side. Just wants to hits this quarter full, or less will stop he | :52:38. | :52:42. | |
has hit eightfold. That is the problem. -- he has hit it full. | :52:43. | :53:21. | |
Seven points behind, need up to and including the thing. -- pink. For a | :53:22. | :53:32. | |
frame, just the moment ago, you thought he had no chance in. Not | :53:33. | :53:40. | |
leaving himself the nicest of angles on the yellow. Green should be quite | :53:41. | :53:45. | |
straightforward. Will have to bounce off the cushion. | :53:46. | :53:59. | |
He only needs up to and including the think, makes it easier. If you | :54:00. | :54:06. | |
need black, I always say this is the key shot, going from brown to blue. | :54:07. | :54:10. | |
Does not matter, only needs to think. He has overrun it. He will | :54:11. | :54:31. | |
have to go in and out of baulk. He is OK. If he needed the flak as | :54:32. | :54:37. | |
well, would not be good on this thing. Just the thing. This will | :54:38. | :54:47. | |
hurt Mark Selby. If it goes. -- pink. Mark Selby in and amongst the | :54:48. | :54:53. | |
balls, got a bad bounce, looked certain to win the frame. Marco Fu | :54:54. | :54:58. | |
had two opportunities, taking the second one, closing the arrears to | :54:59. | :55:05. | |
just one frame. STUDIO: A bit of a steal. Marco | :55:06. | :55:09. | |
showing some of that trademark composure to finish off that break. | :55:10. | :55:14. | |
Nice clearance in the end. This match is such a contrast to the | :55:15. | :55:18. | |
other semifinal. The highest break is only 89, the other match there | :55:19. | :55:23. | |
centuries all over the place. Mark Selby, the one thing missing from | :55:24. | :55:27. | |
his game, winning frames in one visit. Making big breaks. As long as | :55:28. | :55:33. | |
he's not doing that, Marco has good Hope. As you say, completely | :55:34. | :55:38. | |
different kind of match we are watching. No less intriguing between | :55:39. | :55:45. | |
two top 16 players. World number one, and Marco starting the season | :55:46. | :55:51. | |
at number 14. The only two seeds remaining. I hate going on about it, | :55:52. | :55:59. | |
but people who watch this game about it don't like us to moan. But things | :56:00. | :56:03. | |
conspired against Mark, as I've found is destroying his positional | :56:04. | :56:10. | |
play, making his shot important. Marco Fu Mr black, -- missing the | :56:11. | :56:19. | |
black, everybody knew that he enlisted, people talking about the | :56:20. | :56:26. | |
pockets being bigger. But it is the same for everybody. | :56:27. | :56:38. | |
COMMENTATOR: This is one of those, if you pot it, going through the | :56:39. | :56:45. | |
gap, if it is slightly thick, you catch the red. | :56:46. | :57:07. | |
He has gone all out for it. Not hitting that very well. Good chance | :57:08. | :57:12. | |
the market. -- for Marco. He drove into them, not working out | :57:13. | :58:07. | |
well. He knew, as soon as he court the red. Came off that red, then | :58:08. | :58:14. | |
getting the vaccine. He knew when it came off the side cushion, even | :58:15. | :58:17. | |
nestled into that bunch, being on nothing. | :58:18. | :58:43. | |
Just gone over three hours, match time. A little sign of frustration | :58:44. | :59:04. | |
from the previous frame, on his facial expression at the moment. | :59:05. | :59:17. | |
Nicely dropped in. Nicely on the green. The black not available into | :59:18. | :59:30. | |
both corners. Plenty of room to play for it in the right corner pocket. | :59:31. | :59:39. | |
Playing for this red in the middle, needs travel a little bit. A little | :59:40. | :59:46. | |
bit thinner than he wanted, to drop it in, get position on the flak. -- | :59:47. | :59:54. | |
black. You must be reasonably happy with the potting angle. Coming off | :59:55. | :00:03. | |
two cushions. Well, a little bit firmer than he needed. Not perfect | :00:04. | :00:07. | |
on this black. I just wonder if he could roll it in | :00:08. | :00:23. | |
and try to kiss the red. Off the cushion first. He has lost the | :00:24. | :00:35. | |
white. Very surprised he did not choose your shot. That would have | :00:36. | :00:41. | |
held him for the other red. Nothing much to do with the cue ball. It | :00:42. | :00:45. | |
just seemed like a little bit of edge. | :00:46. | :00:59. | |
Not making the most of their opportunities. That was always | :01:00. | :01:06. | |
missable. It was a poor positional shot off the black. He caught that | :01:07. | :01:27. | |
much too thin. The red on the side cushion may not tempt Marco. If he | :01:28. | :01:32. | |
tries to play a return back to the baulk end, he has got to be very | :01:33. | :01:37. | |
wary that he does not run into that red. I think he is playing the pot. | :01:38. | :01:53. | |
That was a tough pot to take on. But he preferred it to the safety. And | :01:54. | :01:58. | |
he has not got away with it. Yes, he had a goal added. Mark Selby has no | :01:59. | :02:06. | |
problem with the red but he will have two play this firm to come out | :02:07. | :02:12. | |
for the pink or the black. It is all about the pace. He has got through | :02:13. | :02:17. | |
the gap. He played to get into the bunch. He will be happy with that. | :02:18. | :02:26. | |
Look at the gap he has gone through. Playing for the red near the top | :02:27. | :02:45. | |
cushion. He has played it well. He has got a beautiful angle on it. He | :02:46. | :02:49. | |
can play for the black now. Get the black back on its spot. There is a | :02:50. | :03:00. | |
loose red on the right-hand side of the cluster that he can play for. He | :03:01. | :03:07. | |
would like to have been straighter. He is just pointing where he would | :03:08. | :03:14. | |
like the cue ball to be. If he was straighter on the black, he would be | :03:15. | :03:18. | |
closer to the next red then he will be. -- than he will be. He will have | :03:19. | :03:32. | |
to use the rest. And he will be running into other balls. He will be | :03:33. | :03:36. | |
bringing other reds into play. This is a must pot. | :03:37. | :03:47. | |
No. It was dangerous. Very dangerous should you miss that. If you miss at | :03:48. | :04:02. | |
this level it can cost you a frame. An easy starter for Marco. | :04:03. | :04:26. | |
He has gone into the cluster again. Let's have a look at it again. Did | :04:27. | :05:19. | |
he catch the wrong red? And not really. It was a good line. All it | :05:20. | :05:27. | |
lacked was pace. He went into them a little bit tentatively. A bit more | :05:28. | :05:32. | |
pace and he would have got the cue ball going through the reds more. | :05:33. | :05:34. | |
Another chance and it is gone. The only reason he is thinking about | :05:35. | :06:03. | |
this is he is trying to get over the disappointment of having to play | :06:04. | :06:07. | |
safe. It seems he does not want to risk going to the baulk end, which I | :06:08. | :06:15. | |
find strange. But playing that way, he had to judge it well. And boy, | :06:16. | :06:20. | |
has he judged it well. He has left a pot on. He has left a red for Mark | :06:21. | :06:29. | |
to go at. But Mark knows, being 24 points behind and the way the reds | :06:30. | :06:35. | |
are, and the colours on their spot macro -- spots, and he is only 50% | :06:36. | :06:51. | |
long pot success, this is a test. He got the cue ball running back to the | :06:52. | :06:58. | |
baulk. And he got a good cue ball. He will settle for that. It was | :06:59. | :07:10. | |
tough. Once again the cue ball being close to the cushion makes it so | :07:11. | :07:11. | |
much more difficult. At first glance, nothing available | :07:12. | :07:39. | |
to pot your way out of trouble. Unless that red just below the pink | :07:40. | :07:43. | |
will go to the right corner. The only problem is he is in danger of | :07:44. | :07:50. | |
catching the red Navy top-cushion. That would leave the cue ball at | :07:51. | :07:57. | |
this end. -- near the top-cushion. That is the problem. Now Marco Fu | :07:58. | :08:03. | |
has got a tremendous chance. A little bit of annoyance there for | :08:04. | :08:10. | |
Mark Selby. That is not like Mark. A little bit of annoyance. He probably | :08:11. | :08:17. | |
feels a little bit aggrieved about the first frame when he looked | :08:18. | :08:21. | |
certain to take it. What a chance per Marco Fu to level the match. | :08:22. | :08:32. | |
He needs another 25 points from here to get to 67. He will level the | :08:33. | :09:16. | |
match. You can see a lot more than 25 coming from this position. | :09:17. | :09:31. | |
For a moment Marco was stopped in his tracks. I think he played for | :09:32. | :09:40. | |
the one below the pink there. Yes, I do not think he played for this but | :09:41. | :09:48. | |
he hit it too hard. As it happened, he landed perfect on the red. | :09:49. | :10:14. | |
42 points is the lead. Not perfect on this red. He has a little bit of | :10:15. | :10:20. | |
work to do with the cue ball but you would not expect him not to be on a | :10:21. | :10:29. | |
colour. Well, he took his eye off the pot. It just shows you, it was | :10:30. | :10:38. | |
not perfect on the red. He took his eye off the pot. How many times do | :10:39. | :10:44. | |
we see that? Now there is a chance that Mark Selby was not expecting. | :10:45. | :10:54. | |
He has got to make the most of it. As he was about to hit it, somebody | :10:55. | :11:00. | |
in the audience coughed. He has to stay focused. Do not let something | :11:01. | :11:07. | |
like that put you off. I would suggest the way he turned around | :11:08. | :11:12. | |
there, Mark has not settled. Yes, his concentration is poor for him to | :11:13. | :11:18. | |
let that put him off. This should relax. He should have won the first | :11:19. | :11:24. | |
frame but did not. He thought this frame had gone away and now suddenly | :11:25. | :11:26. | |
he has been given a lifeline. A couple of awkward reds to contend | :11:27. | :11:46. | |
with. 27 points behind. 51 remaining. Plenty of points to play | :11:47. | :11:52. | |
with. It does not match -- matter which colours he plays for. To make | :11:53. | :12:04. | |
this red to the left, he has to get as close as he can, stunning between | :12:05. | :12:09. | |
brown and yellow, a little bit of sight. Played it absolutely inch | :12:10. | :12:20. | |
perfect. It is one of those, you cannot be too greedy. You just roll | :12:21. | :12:28. | |
it in dead weight, let gravity take over. I know they always look easy. | :12:29. | :12:36. | |
It is quite an acute angle. He seems very concerned about the angle he | :12:37. | :12:45. | |
needs on the blue. This is one where you play for two pockets. You play | :12:46. | :12:53. | |
around the back of the red. Give him a choice of both corners. Or the | :12:54. | :12:59. | |
right-hand medal. You cannot guarantee you will get into the | :13:00. | :13:03. | |
exact area. Just a fraction too hard. Betwixt and between, as we | :13:04. | :13:13. | |
say. 15 points behind. This red, any colour. We call this playing into a | :13:14. | :13:22. | |
blind pocket. You can see the cue ball and the object ball but the | :13:23. | :13:26. | |
Pocket is not in your eye line. You have to trust you pick the . And he | :13:27. | :13:36. | |
has. That is perfect. -- you have to do to trust to pick the angle out. | :13:37. | :13:48. | |
Marco Fu was pleased with stealing the first frame. Mark Selby will be | :13:49. | :13:53. | |
happy to get this opportunity. I think in some ways this will mean | :13:54. | :13:57. | |
more to Mark Selby than the first frame that he lost. There was no | :13:58. | :14:01. | |
chance of him coming back to the table until Marco missed that red. | :14:02. | :14:07. | |
An unbelievable mess. He has forgotten what happened in the first | :14:08. | :14:12. | |
frame. He needs these remaining colours to pinch it. If you add all | :14:13. | :14:21. | |
the hours that Mark Selby has been playing at this championship, he has | :14:22. | :14:24. | |
gone over 24-hour 's of play since the first round. -- 24-hours. | :14:25. | :14:39. | |
Marco sat there. As Mark out to sit and suffer in the first frame of | :14:40. | :14:52. | |
this session... He cannot just roll the blue in. Blue and pink needed. | :14:53. | :15:03. | |
Hain goes the pink. Marco Fu had three chances in that frame and in | :15:04. | :15:22. | |
the end he missed a simple red. Mark Selby will be mightily relieved. He | :15:23. | :15:28. | |
took his opportunity and goes two clear once again. | :15:29. | :15:33. | |
Yes, he restores his advantage. We will be back there shortly. | :15:34. | :15:38. | |
We will be looking -- we have been looking for John Parrott everywhere. | :15:39. | :15:44. | |
Getting some practice in. We said that Marco Fu has slightly different | :15:45. | :15:49. | |
cue action to other people. We are going to show you a shot he played | :15:50. | :15:53. | |
in this frame. Watch how little his cue actually moves. The cue is | :15:54. | :16:02. | |
absolutely ecstatic before he takes it back, has a pause and then he | :16:03. | :16:07. | |
knocks the red in. Why is that unusual? Most of the players, when | :16:08. | :16:12. | |
they are growing up, are told they have to have a pre-empt of the shot, | :16:13. | :16:18. | |
a waggle. One player who did not do that was James Wattana. He used to | :16:19. | :16:23. | |
put his cue to the ball and not move at all. If I try to do that, I do | :16:24. | :16:28. | |
not think you can get the feel for the shot. Marco has played a heck of | :16:29. | :16:35. | |
a long time. Over 400 centuries in competitive play. But if you are | :16:36. | :16:40. | |
starting off, I would like to see more movement. You waggle to get a | :16:41. | :16:44. | |
feel for the shot you are about to play. Get away from the feeling of | :16:45. | :16:52. | |
being static. If I play for the pink to come down the table. A little bit | :16:53. | :16:59. | |
more feel for the shot. I would be coming in something like this. I is | :17:00. | :17:04. | |
on the ball. Screw the pink back down the table. And have a bit more | :17:05. | :17:11. | |
feel for the shot. Marco Fu and James Wattana, certainly unusual. | :17:12. | :17:13. | |
But it definitely works for them. He decided he could not find a path | :17:14. | :18:00. | |
back to baulk. He has left a red to the right centre. It may tempt | :18:01. | :18:04. | |
Marco. It all depends. If he feels he is going to run into the blue, it | :18:05. | :18:10. | |
is not on. If he feels he can avoid the blue, he will take it on. | :18:11. | :18:20. | |
No, he does not feel he can avoid the kiss on the blue. Running off | :18:21. | :18:26. | |
this red, trying to find the baulk cushion. The tighter the better. | :18:27. | :18:28. | |
Pretty good. A pretty good safety shot from Mark. | :18:29. | :18:52. | |
It is funny how matches seem to be played. You are talking earlier | :18:53. | :18:58. | |
about the Ding Junhui and Alan McManus match, where there has been | :18:59. | :19:02. | |
a glut of century breaks. These frames have carried on from where | :19:03. | :19:07. | |
they left off in the first session. Every frame is different. There have | :19:08. | :19:11. | |
been eight centuries in 15 frames in that first match. Still no century | :19:12. | :19:19. | |
as yet in this. But I think there will be at least one century in this | :19:20. | :19:23. | |
session. By whom, I am not quite so sure. A little tap on the table | :19:24. | :19:32. | |
there from Mark. He has a better view of the situation than me. It | :19:33. | :19:39. | |
looks like there is a pot on. Looking at the virtual image, he | :19:40. | :19:42. | |
cannot get through to anything on the right-hand side. So yes, it will | :19:43. | :19:51. | |
not be easy to get this back in to baulk. If he tries, he has got to | :19:52. | :19:53. | |
hit this absolutely perfect. He did not want to risk it. He just | :19:54. | :20:02. | |
played the containing safety. Not many players in the game can | :20:03. | :20:46. | |
outplay Mark Selby in the safety Department we will see how this goes | :20:47. | :20:47. | |
on in this frame. He must be taking this on. The pink | :20:48. | :21:17. | |
goes to the middle. A terrific shot. The cue ball has not slowed down. | :21:18. | :21:24. | |
That was the only way he felt he could escape that problem, by | :21:25. | :21:33. | |
rolling this red in. Seven foot 11. Used to do that on the high jump, | :21:34. | :21:40. | |
didn't you, Willie? The Fosbury flop as well. The pink does go. But too | :21:41. | :21:47. | |
risky. Trying to find the baulk cushion. He has not founded. He has | :21:48. | :21:58. | |
not put Mark Owen as much trouble as he would have liked. -- he has not | :21:59. | :22:06. | |
put Mark -- Marco in as much trouble. This looks a good safety | :22:07. | :22:19. | |
shot. Excellent reply. That was as good a safety shot as you will see. | :22:20. | :22:21. | |
Well played. And it looks like it has forced an | :22:22. | :22:45. | |
error. Mark has left this red on. If it is straight, I do not fancy him | :22:46. | :22:51. | |
getting on a colour. But he might just be able to run the cue ball off | :22:52. | :23:00. | |
two-cushions. I will tell you what, you say he is not blessed with the | :23:01. | :23:04. | |
most cue power in the game but he did well enough there. He had to | :23:05. | :23:09. | |
throw everything into it. We talk about Alan McManus coming off the | :23:10. | :23:15. | |
shot. Everything came up there. What a great positional shot. We often | :23:16. | :23:25. | |
say when you play a great shot, you get what you deserve. But he is not | :23:26. | :23:31. | |
happy with that contact. The pink has gone on the black spot. He got a | :23:32. | :23:38. | |
heavy contact. When he kissed the red, the cue ball stopped, held the | :23:39. | :23:43. | |
pink spot and now the pink and black well and truly out of commission. He | :23:44. | :23:52. | |
would like to get top side of the blue. Goodness me, missed that by a | :23:53. | :24:05. | |
long way. Completely the wrong side of the blue line. | :24:06. | :24:18. | |
He will need all the cue power again here to get back for the blue. | :24:19. | :24:49. | |
Now he has got the angle on the blue that Willie was talking about. Does | :24:50. | :24:56. | |
he pick off the loose ones and play for the blue? He cannot win the | :24:57. | :25:04. | |
frame with just the loose reds. There is every chance if he placed | :25:05. | :25:07. | |
the pink firm, the black will come into play as well. I think he has | :25:08. | :25:15. | |
decided to play the cannon. No. We will see. He has certainly overrun | :25:16. | :25:23. | |
that. I think he played for the red on the left corner. He has got one | :25:24. | :25:30. | |
to the metal. I will give him the benefit of the doubt. That was one | :25:31. | :25:38. | |
of the tricky ones. My mistake. As you mentioned, John, it is not a | :25:39. | :25:44. | |
frame-winning opportunity with just the blue and baulk colours in play. | :25:45. | :25:49. | |
He will have to get the right side of the blue singer Later. The four | :25:50. | :25:57. | |
reds impossible positions, if he got those and the blues, that would be | :25:58. | :26:06. | |
another 24 points. There would still be 75 remaining. He has to start | :26:07. | :26:12. | |
thinking about those reds that are surrounding the pink and black. | :26:13. | :26:19. | |
There is a gentleman in the studio that would have played it the first | :26:20. | :26:24. | |
shot. Blue into the pink when he had the perfect angle. He overdid that. | :26:25. | :26:38. | |
He immediately asked for the cue ball to be cleaned. I do not know if | :26:39. | :26:43. | |
he felt he had got a bounce. That cue ball is definitely not where he | :26:44. | :26:44. | |
wanted it to be. Just dropped in. Only just. And at | :26:45. | :27:13. | |
first look, he is not perfect here by any means. | :27:14. | :27:31. | |
Not quite recovered the situation. The wrong angle on the blue. He has | :27:32. | :27:45. | |
left it until the last minute. He desperately needs a good angle on | :27:46. | :27:51. | |
the blue or baulk colour to try to get into those reds. Good pot. Penny | :27:52. | :28:04. | |
has found the angle on the blue. He cannot refuse the cannon this time. | :28:05. | :28:14. | |
-- and he has found. He found a gap. Where did that gap come from? That | :28:15. | :28:26. | |
is a port shot, isn't it, John? You are a hard man, Willie. He wants the | :28:27. | :28:34. | |
pink in play. He got too much into the cue ball. That is what I am | :28:35. | :28:35. | |
saying. Anyway, it is end of break. Not the | :28:36. | :29:02. | |
old robe of the green. Well, it has touched the brown. He will be | :29:03. | :29:07. | |
disappointed he did not win the frame at that visit come but maybe | :29:08. | :29:12. | |
he should have played the cannon early and not leave it until the | :29:13. | :29:14. | |
last minute. That was a good shot. Good shot. | :29:15. | :29:36. | |
There is a part of -- possible pot on here. Right in the heart of the | :29:37. | :29:49. | |
pocket. He is on the green. So, another chance to win this frame. | :29:50. | :29:54. | |
That was an excellent pot. Every credit. Can he get into the cue ball | :29:55. | :30:02. | |
enough to play the cannon off one cushion? It looks like he is playing | :30:03. | :30:15. | |
two. As he got on the red to He has. What a mess on the green that could | :30:16. | :30:20. | |
be. He could get through to this red just below the black. He may be able | :30:21. | :30:26. | |
to pot it, screw back, bring the other reds into play and still be on | :30:27. | :30:31. | |
the black. From no where he has been given an opportunity to steal the | :30:32. | :30:37. | |
frame. -- no. He will be disappointed. He did not get into | :30:38. | :30:45. | |
that. He was given a chance there but he wanted more back spin. | :30:46. | :30:49. | |
An opportunity missed. I cannot see him going for the pot | :30:50. | :31:20. | |
here. Nestling behind the green and get | :31:21. | :31:29. | |
the snooker. Not a bad effort. Marco Fu, 48 points ahead, 59 remaining. | :31:30. | :31:33. | |
He only needs and other red and a colour. He will not want to bring | :31:34. | :31:40. | |
the pink interplay. Can he avoided? -- interplay. | :31:41. | :32:23. | |
A dilemma here. He has a lead and he wants to protect it. | :32:24. | :32:30. | |
He doesn't want to open he's reds up. You've got to play the right | :32:31. | :32:31. | |
shot. Left the pot on for Mark Selby. If | :32:32. | :32:47. | |
you were feeling really confident here, you could pot this red, cannon | :32:48. | :32:54. | |
into the pink and red. If you catch the pink full ball, you'd be on the | :32:55. | :32:55. | |
black. I like that. He can play is slowly | :32:56. | :33:02. | |
as well. Well, he got the cannon and | :33:03. | :33:20. | |
everything. But he didn't get the pot. Played a little harder than I | :33:21. | :33:28. | |
thought he would. A bit slower and that would have been on the black. | :33:29. | :33:35. | |
It would have been on the pink. Surprised Marco's not taking this | :33:36. | :33:40. | |
red to the left middle. That red and a blue would put him to the nookers | :33:41. | :33:47. | |
required stage. -- snookers required stage. | :33:48. | :34:08. | |
If it runs boost the brown, this could be -- past the brown, this | :34:09. | :34:13. | |
could be very good. Here's another opportunity now for | :34:14. | :34:47. | |
Mark. I think he can get through to the red closest to the corner. | :34:48. | :35:08. | |
That's a poor shot. He could not afford to miss the cannon there. | :35:09. | :35:26. | |
It was for the red to go on the right hand. If he caught the red | :35:27. | :35:33. | |
thicker, it would have made the cannon. | :35:34. | :35:36. | |
He's taking this brown on. Doesn't want to sneak behind the red | :35:37. | :35:52. | |
near the cushion. Oh, that's unlucky. | :35:53. | :35:56. | |
Of all the places in all the world! Forts | :35:57. | :36:27. | |
Where's the blue ball going? Oh, you could not believe it. Cow have a | :36:28. | :36:38. | |
thousand attempts at that and not get it. Trying to hit that red. | :36:39. | :36:51. | |
Never dreamt of putting the blue in. Marko just needs this red for the | :36:52. | :36:56. | |
frame. It's not there, though. How many | :36:57. | :36:58. | |
chances? Sometimes if you get a couple of | :36:59. | :37:11. | |
chances a frame, you're more than happy. There's been three or four in | :37:12. | :37:15. | |
every frame we've played this second session. | :37:16. | :37:34. | |
Oh, landed perfect. Landed absolutely perfect here. I presume | :37:35. | :37:43. | |
you'd play the kiss black here. If you just kiss the black, you may | :37:44. | :37:52. | |
not finish on the red. He's gone into the black. It needs | :37:53. | :38:12. | |
to stop. It's very hard. I just thought he'd - I mean, at the end of | :38:13. | :38:15. | |
the day, he's thinking if I get the cannon, at least I might be on a | :38:16. | :38:20. | |
red. I think he played your shot, but he | :38:21. | :38:21. | |
got into the cue ball too much. But he's still in this frame. That's | :38:22. | :38:39. | |
a pretty good shot. He's covered the red in the middle of the table. | :38:40. | :38:56. | |
It's going to be a free ball here. Free ball called. | :38:57. | :39:11. | |
Must be the blue that's covering the left-hand side of the red. | :39:12. | :39:16. | |
This yellow will be counted as a red and then colour to follow. | :39:17. | :39:24. | |
This could be three frames on the trot that the right person's not won | :39:25. | :39:28. | |
the frame. There's been so many twists and | :39:29. | :39:30. | |
turns in the first three frames. No need to tell you this is the key | :39:31. | :39:47. | |
shot coming up. Needs a good angle on the colour to drop on this red. | :39:48. | :40:04. | |
Could have played it better than that. He has a slight angle on the | :40:05. | :40:09. | |
blue. But he's going to have to force it. | :40:10. | :40:21. | |
It's tricky, this. Doesn't have to play the pot, of | :40:22. | :40:37. | |
course. If the black was on its spot, it would have been easy to | :40:38. | :40:39. | |
roll it in. He could play it slowly and get on | :40:40. | :40:49. | |
the pink in the middle. But the pink aawkward for the yellow. | :40:50. | :40:55. | |
Playing this pot is very risky. But played beautifully. | :40:56. | :41:14. | |
He can't get enough side on, so he has to get the gap in between blue | :41:15. | :41:17. | |
and pink. Anything but straight on the green, | :41:18. | :41:26. | |
you fancy him to pinch the frame. He needs the six remaining colours | :41:27. | :41:33. | |
for a steal on the black. His body language suggests it may be | :41:34. | :41:59. | |
frerlly straight. -- nearly. This is very good. That's an | :42:00. | :42:14. | |
excellent shot. Just about perfect. Mark Selby | :42:15. | :42:37. | |
should have won the first frame, but he didn't. The next two frames, | :42:38. | :42:43. | |
Marco Fu will be kicking himself not to have won them both. Looks like | :42:44. | :42:46. | |
losing them both now. He led 3-0, this will be the first | :42:47. | :43:11. | |
time since then he goes three frames clear. | :43:12. | :43:19. | |
Using the rest adds a little more pressure to the shot. | :43:20. | :43:34. | |
CHEERING AND APPLAUSE Mark Selby pinches the | :43:35. | :43:59. | |
frame and goes three clear again. STUDIO: Marco Fu has to sit and | :44:00. | :44:04. | |
think about what is effectively grand larceny. It's raised | :44:05. | :44:08. | |
interesting issues. With were talking about the fact that one or | :44:09. | :44:12. | |
two of these pockets, since they've been recovered, are rather generous. | :44:13. | :44:19. | |
The general consensus amongst the pros watching are that the pockets | :44:20. | :44:23. | |
are oversized. If you are playing shots on pockets that are bigger, | :44:24. | :44:27. | |
you should make the most of it. This one in particular, he knew he had | :44:28. | :44:32. | |
missed this. You see his reaction when he hits it. It looks wide from | :44:33. | :44:39. | |
there. Definitely. It hits three knockels and drops in. Here's | :44:40. | :44:44. | |
virtually the same shot on the other pocket, that's even wider. That's a | :44:45. | :44:50. | |
lovely gift. This changes your thinking out there, as you get to | :44:51. | :44:55. | |
grips with what's happening. Yes it can. Let's say you're a good tight | :44:56. | :45:02. | |
rope walker and you can get into tight pockets under pressure. You'd | :45:03. | :45:05. | |
be grieved if you thought somebody was not as good in that department | :45:06. | :45:10. | |
and gets away with it. A shot where it changes the equation, this shot | :45:11. | :45:15. | |
here. It's a tough shot, but if the pockets are bigger... Definitely. If | :45:16. | :45:19. | |
they were playing tight, he would definitely have played the snooker | :45:20. | :45:22. | |
there. He would have sent the red round the table. If you feel that | :45:23. | :45:28. | |
the object ball is going to hit the knuckle and still go in, that shot | :45:29. | :45:32. | |
is so much easier. You're constantly, your frame of mind is | :45:33. | :45:38. | |
more confident. What it does is put a premium on, once you get amongst | :45:39. | :45:43. | |
the balls, you have to kill. You don't necessarily get that many | :45:44. | :45:47. | |
chances. Once you get them, you know you should. Marco missed a glaring | :45:48. | :45:52. | |
red, a bit of pressure in his arm. It puts a bit of pressure on the | :45:53. | :45:55. | |
safety. You've got to get the safety even better. It's hard to judge | :45:56. | :46:00. | |
which players it helps and which players it doesn't. It is argued | :46:01. | :46:04. | |
that it's a great leveller. That's perhaps something that a few players | :46:05. | :46:07. | |
have been aggrieved about. It is the same for both players. It could | :46:08. | :46:11. | |
favour certain types of players. It could indeed. It's certainly been an | :46:12. | :46:15. | |
issue. A lot of discussion happening. That's on social media. | :46:16. | :46:19. | |
Interesting to get your opinion, both of you, that you think that | :46:20. | :46:21. | |
they're right. COMMENTATOR: Marco gets the 12th | :46:22. | :46:34. | |
frame under way. A mid-session interval after this one. If he's | :46:35. | :46:38. | |
going to go to his dressing room, with any good thoughts, he'll want | :46:39. | :46:43. | |
to win it. He'll be disgusted the way he lost | :46:44. | :46:48. | |
the last one. Missed a fairly simple green. OK, | :46:49. | :46:51. | |
Mark Selby didn't take advantage of it. But he did eventually steal the | :46:52. | :46:57. | |
frame. Marco had two or three golden opportunities. | :46:58. | :47:07. | |
One of the better safety shots that we've seen so far in this session. | :47:08. | :48:10. | |
Marco's got to be wary here, he doesn't knock a red towards the left | :48:11. | :48:12. | |
corner. He's got a good white, but that red | :48:13. | :48:20. | |
coming up. I don't know whether he can play the | :48:21. | :49:07. | |
cut. He could. When a good pot it was. | :49:08. | :49:15. | |
I don't think he's got the right angle on the yellow. If not he'll | :49:16. | :49:19. | |
trick up behind it. As it turns out, a slight angle, the | :49:20. | :49:39. | |
cue ball - if he picked it up with his hand he couldn't have put it in | :49:40. | :49:40. | |
a better position. Can one of these players take this | :49:41. | :49:52. | |
opportunity - again, it just catching the pumper of the middle | :49:53. | :49:54. | |
pocket. Never certain to be on the colour. | :49:55. | :50:09. | |
But don't miss the red. APPLAUSE Right in the middle of the | :50:10. | :50:20. | |
pocket though, good recovery. When he knocked that tricky black in | :50:21. | :51:11. | |
with the rest, a tremendous round of applause from The Crucible audience. | :51:12. | :51:17. | |
They've always been very fair, haven't they? | :51:18. | :51:35. | |
Mark Selby should have won the first, lost it. Marco Fu should have | :51:36. | :51:42. | |
won the next two, lost them both. Marco Fu in a position where he | :51:43. | :51:43. | |
should win this frame. If he gets to 68 points, it will be | :51:44. | :51:56. | |
snookers required. Just the feeling about this match, | :51:57. | :52:33. | |
at the moment, and matches can change, but doesn't look as though | :52:34. | :52:37. | |
anyone's going to Republican way with it. -- run away with it. | :52:38. | :52:49. | |
Marco being three frames behind would have known this is a massive | :52:50. | :52:50. | |
frame. Just went to throw his cue up in the | :52:51. | :53:35. | |
air. He's not perfect on this black. I think that red below the pink will | :53:36. | :53:37. | |
go to the right middle. Looks all over now. Played that | :53:38. | :54:17. | |
nicely. In fact, red and a high value | :54:18. | :54:22. | |
colour, you'd think he would roll through for the black here. | :54:23. | :54:33. | |
Well played. He must have been very disappointed after losing the last | :54:34. | :54:44. | |
frame. And even the one before that. Yes, I think on reflection, 2-2 is | :54:45. | :54:48. | |
the fair scoreline. Marco Fu has had five centuries in | :54:49. | :55:27. | |
this World Championship. Amazingly, there have been 73 centuries so far. | :55:28. | :55:37. | |
It probably won't be done, but a couple of days ago, it's not beyond | :55:38. | :55:45. | |
the realms of possibility we could have a century of centuries! | :55:46. | :55:49. | |
Wouldn't that be something at The Crucible. Absolutely. | :55:50. | :56:02. | |
Lovely. This black for a beautifully-piled century break. | :56:03. | :56:14. | |
Well played. -- compiled century break. Well | :56:15. | :56:15. | |
played. Five centuries in the morning | :56:16. | :56:46. | |
session. This, the first for this session. | :56:47. | :56:52. | |
He made 138 earlier on in the turnament. | :56:53. | :57:08. | |
Lost a couple of frames, he will feel that he should have won. I have | :57:09. | :57:15. | |
to say, at the moment, he looks the more likely to win a frame in one | :57:16. | :57:21. | |
visit. Yes, Selby's highest speck still 69. This has been top quality, | :57:22. | :57:29. | |
this break. Lost position just once. APPLAUSE Mark Selby is still two in | :57:30. | :57:38. | |
front at 7-5. STUDIO: It's one tenth of the | :57:39. | :57:41. | |
century action that we've seen in this particular semi compared with | :57:42. | :57:46. | |
the other one. It's intriguing stuff all the same. Fans of both Marco and | :57:47. | :57:52. | |
Mark will be slightly concerned with the exception of that frame, with | :57:53. | :57:57. | |
their inability to kill off frames in one visit. You can see that's | :57:58. | :58:04. | |
Marco's strong suit. His strongest suit is his break building, his | :58:05. | :58:11. | |
scoring. If Fu won this match and Ding won the other one, we could | :58:12. | :58:16. | |
have 20 centuries! They're tremendous break builders. He should | :58:17. | :58:21. | |
have won the two frames previous. He put that out of his mind. That's him | :58:22. | :58:25. | |
at his best. You have a poacher supreme in Mark Selby who's able to | :58:26. | :58:28. | |
pounce and get over the line, when presented with an opportunity to | :58:29. | :58:35. | |
make steals. Yes, he can. He's able to up it and go through the gears. | :58:36. | :58:38. | |
We saw that against Ronnie O'Sullivan in the final that year. | :58:39. | :58:43. | |
You never discount Mark Selby that he could start to reel off frame | :58:44. | :58:47. | |
after frame. There's no-one better at winning lug I. That's -- Winning | :58:48. | :58:51. | |
ugly. Thank you very much. We'll give them | :58:52. | :58:54. | |
a break, whilst you sit back, open your mind and prepare to be | :58:55. | :58:58. | |
enthralled by the wit and wisdom of the brilliant Stephen Fry. | :58:59. | :59:07. | |
Hello again. Today, I have a question that may appeal to the hot | :59:08. | :59:11. | |
heads amongst you. If you possess a short fuse or incendiary temper, | :59:12. | :59:17. | |
this is for you. Tell me, what was the most explosive chapter in the | :59:18. | :59:22. | |
history of snooker and why? I'm sure we can all think of a few, fiery | :59:23. | :59:27. | |
tempered players over the years. The answer may amay not be about one of | :59:28. | :59:31. | |
them. Get involved on social media using hashtag QI. I will reveal all | :59:32. | :59:38. | |
later. An intriguing one. All right, it is | :59:39. | :59:44. | |
time for the final instalment of pot quiz. Mark Allen must be shaking in | :59:45. | :59:51. | |
his boots or not about the thought the greatest that the Crucible has | :59:52. | :59:56. | |
ever known, only seven times Stephen Hendry's turn. | :59:57. | :00:03. | |
And today's contestant is seven times world champion Stephen | :00:04. | :00:13. | |
Hendrie. A man who never likes to lose. No. One minute debate. I am | :00:14. | :00:23. | |
doing it into the second week. The cloth should be changed. Everybody | :00:24. | :00:30. | |
has played on it. Two minutes and 11 seconds was posted by me. One minute | :00:31. | :00:35. | |
will be tough. I think I would rather do an omelette. That is the | :00:36. | :00:40. | |
wrong programme. Five questions. If you get them right you can take five | :00:41. | :00:47. | |
reds off the table. The year you won your seventh world title in 1999, | :00:48. | :00:57. | |
who did you play in the first round? Was it the late great Paul Hunter? | :00:58. | :01:04. | |
It was. Who talk your record of the youngest competitor at the Crucible? | :01:05. | :01:14. | |
Ding Junhui? No, Luca Brazile. 54 days younger than you were. You were | :01:15. | :01:19. | |
the youngest ever world champion, who was the oldest? At the Crucible. | :01:20. | :01:34. | |
Or... Dennis? Ray Reardon. 45. Dennis was 35. I think this is | :01:35. | :01:43. | |
gettable. Name three of the semifinalists at this season's UK | :01:44. | :01:51. | |
Championship? David Grace, Lang when Bo and Mark Selby. | :01:52. | :01:57. | |
Last question. How many century breaks have you made at the | :01:58. | :02:04. | |
Crucible? Is it 117, 127, 137 or 147? Surely not 147? That would be | :02:05. | :02:13. | |
lovely, wouldn't it? I wanted to be 147 but I do not think it is. I will | :02:14. | :02:20. | |
go 127. Correct. Three reds. Take your three | :02:21. | :02:28. | |
reds off, please. I think I am going to go... I quite like that. You can | :02:29. | :02:36. | |
put your white ball anywhere you want. Your time starts when you | :02:37. | :02:47. | |
strike the cue ball. The unmistakable style of Stephen | :02:48. | :02:50. | |
Hendrie. Walking around the table, lost a bit of time already. Looks to | :02:51. | :02:59. | |
be chewing well though. Moaned about the cushions, moaned about the | :03:00. | :03:08. | |
cloth. He is back in prime position. Making sure he does not use the | :03:09. | :03:13. | |
cushions. Keeping everything tight. He does not like it. 30 seconds gone | :03:14. | :03:21. | |
already. The crowd go ballistic! LAUGHTER. No mistakes so far. He is | :03:22. | :03:29. | |
not fast around the table but he is efficient. | :03:30. | :03:37. | |
He will have to do some work with this cue ball. This will be going | :03:38. | :03:44. | |
around the table. It is not the black yet. One minute. He will not | :03:45. | :03:56. | |
be happy with that. Schoolboy error. If the cue ball goes in-off, you | :03:57. | :04:03. | |
have to play it from the baulk. It is not going well. There are two | :04:04. | :04:13. | |
reds left. He is playing safety shots on himself. One minute and 28 | :04:14. | :04:23. | |
seconds. Still looking quite nice. He will not be top of the table but | :04:24. | :04:30. | |
he will not be bottom. Willie tried to play the positive shot? He does. | :04:31. | :04:47. | |
-- will he try. And your time... Rhiannon Evans, one minute 34. | :04:48. | :04:54. | |
Stephen Hendrie, one minute and 48. It could have been one minute and | :04:55. | :05:00. | |
47. The seven times world champion goes well below Rhiannon Evans. | :05:01. | :05:04. | |
Below Ciaran Wilson. Just above Ken Daugherty. I have beaten Ken | :05:05. | :05:10. | |
Daugherty, Ebdon and Davis, that is all that matters. | :05:11. | :05:19. | |
Mark Allen may have gone out in the last 16 but he has the ultimate | :05:20. | :05:22. | |
consolation prize. I do not think it would be going on | :05:23. | :05:27. | |
his CV any time soon but thank you to our game competitors this year. | :05:28. | :05:33. | |
There was much to laugh at when you look at the bottom of the standings. | :05:34. | :05:38. | |
Bringing up the rear, a former rear of the year, Steve Davis. You were a | :05:39. | :05:44. | |
guinea pig. You wanted another shot but we did not give you one. | :05:45. | :05:49. | |
Mid-table, almost relegation zone flirting for you. I should have done | :05:50. | :05:56. | |
more research. I think the clock was wrong. I cannot believe I was that | :05:57. | :06:03. | |
slow. And to be behind Peter Ebdon, that is frightening. | :06:04. | :06:08. | |
John, you were mid-table, respectable? | :06:09. | :06:15. | |
I am actually very happy with that. I beat everyone on our crew, so I am | :06:16. | :06:19. | |
happy with that. We have heard and commentary today that he has missed | :06:20. | :06:27. | |
this and played with a little bit of side. They are the best players in | :06:28. | :06:31. | |
the world and what they do not want to use is side. I am not a physics | :06:32. | :06:37. | |
expert. It was my worst subject at school. But if you get down, watch | :06:38. | :06:46. | |
how the cue ball throws to the left before it comes back. I am playing | :06:47. | :06:52. | |
this to the baulk line. It throws out. It went out straightaway. If I | :06:53. | :06:58. | |
do it on the other side, it will go the other way. Obviously when you | :06:59. | :07:03. | |
are playing over the distance of ground down the table, you have to | :07:04. | :07:08. | |
calculate how much it is going to go out and wait for it to come back. | :07:09. | :07:12. | |
That is why they do not like using the site on the bottom of the cue | :07:13. | :07:17. | |
ball. When you play it at the top, it stays straight. Left-hand side on | :07:18. | :07:22. | |
the top. It actually runs down the line. So basically, you cannot | :07:23. | :07:31. | |
always play with top spin and the side you want. Sometimes you have to | :07:32. | :07:34. | |
use the bottom of the cue ball. The players will like being close into | :07:35. | :07:39. | |
the baulk because it will not throw off so much but they will not like | :07:40. | :07:44. | |
the distance of ground. These tables have got shaved cloths. You have to | :07:45. | :07:48. | |
do a little calculation for this one. You would have two calculate a | :07:49. | :07:55. | |
little bit. If you are playing a little bit of | :07:56. | :08:00. | |
bottom, left-hand side, pot the yellow and let it run down the table | :08:01. | :08:06. | |
and down for the reds. But basically they do not like side at all and try | :08:07. | :08:09. | |
to use it as little as possible and these are the best players in the | :08:10. | :08:12. | |
world. Top marks for analysis. Back to | :08:13. | :08:18. | |
Stephen Fry. He has lit a fire under us today. | :08:19. | :08:28. | |
This is a really tricky one. What has been the most explosive chapter | :08:29. | :08:35. | |
in the history of snooker? You may think it involves some of our | :08:36. | :08:38. | |
celebrity players. I would have to think it has got | :08:39. | :08:42. | |
something to do with the late great Alex Higgins. Everything was | :08:43. | :08:46. | |
explosive when he was around. Explosive. The cue is not -- the | :08:47. | :08:54. | |
clue is not in the question. Whenever you think of explosive in | :08:55. | :08:58. | |
snooker, your mind is drawn to the Hurricane. Or Jimmy White. They were | :08:59. | :09:06. | |
getting rid of elephants. It was OK for billiards. When they went to | :09:07. | :09:11. | |
snooker, finding red elephants was difficult. | :09:12. | :09:19. | |
Obviously the 1985 final, I think it was 1985... Dennis mentioned it! | :09:20. | :09:29. | |
A few snooker managers have deliberately set fire alarms off | :09:30. | :09:31. | |
when their players playing poorly. I have been in a few of those. It | :09:32. | :09:39. | |
has nothing to do with fisticuffs or falling out. The answer I am seeking | :09:40. | :09:45. | |
is a load of old balls. In fact, it is about the composition of some of | :09:46. | :09:49. | |
the first billiards and Snooker balls. Congratulations if you are on | :09:50. | :09:55. | |
the right line. Originally billiard balls were commonly made of ivory. | :09:56. | :09:59. | |
Indeed they had to be caught from the dead centre of an elephant's | :10:00. | :10:06. | |
Tosca. Dead, I am afraid, is right. Each task only yielded three our | :10:07. | :10:12. | |
four balls. Animal welfare was not high on the agenda in the 1890s. | :10:13. | :10:18. | |
Many elephant's were killed to allow snooker and billiards to be played. | :10:19. | :10:22. | |
In the 1860s, a New York billiard table manufacturer offered a | :10:23. | :10:28. | |
gigantic sum of $10,000 to come up with a replacement for ivory. An | :10:29. | :10:33. | |
American chemist answered the call. He produced solid nitro cellulose. | :10:34. | :10:42. | |
He patented it as celluloid. The first industrial plastic in the | :10:43. | :10:49. | |
world. But it was volatile. Highly flammable. And it sometimes exploded | :10:50. | :10:54. | |
during manufacturing. And indeed he recalled his experiments with | :10:55. | :10:57. | |
billiard balls, writing, occasionally the violent contact of | :10:58. | :11:01. | |
the balls would produce a mild explosion. We had a letter from a | :11:02. | :11:08. | |
billiards soon proprietor in Colorado mentioning this and saying | :11:09. | :11:11. | |
when it happened that instantly every man in the room pulled out his | :11:12. | :11:15. | |
gun. Did they get kicks! | :11:16. | :11:27. | |
Eventually celluloid was replaced, of course. These days snooker balls | :11:28. | :11:30. | |
are almost exclusively made from resin. Cue sport is in a safer place | :11:31. | :11:39. | |
now than it was in the 1860s. You would like to think that elephants | :11:40. | :11:45. | |
have, too. But the killings still goes on. | :11:46. | :11:50. | |
Today's snooker history lesson courtesy of Stephen Fry. Some of you | :11:51. | :11:55. | |
were on the right lines. It was a tricky one. Chris Baker got the | :11:56. | :12:01. | |
nitrocellulose connection. Graham Bailey and Aidan TAG. Give | :12:02. | :12:07. | |
yourselves a big tap on the back. The blokes in the studio got -10 and | :12:08. | :12:12. | |
-50 respectively. Mark Selby is capable of some explosive form | :12:13. | :12:21. | |
himself might you know. -- explosive form himself, you know. | :12:22. | :12:27. | |
Behind that funny mask is a player that is very clever, very shrewd. A | :12:28. | :12:34. | |
bit of a street fighter. S very determined, very gritty. One of the | :12:35. | :12:37. | |
nicest guys you will need. Very funny. Determination, great, you | :12:38. | :12:44. | |
have to drag him off the table. He has a complete desire to win. | :12:45. | :12:50. | |
He is funny, hard working and always tries his best. | :12:51. | :12:54. | |
A good lad to be around. He has got so much bottle. | :12:55. | :13:01. | |
Funny, witty, slow, safety. Very talented. | :13:02. | :13:07. | |
Works hard, great ambassador. When Mark plays well he is mentally | :13:08. | :13:12. | |
extremely strong, not fearful of any player. That makes him a tough | :13:13. | :13:18. | |
opponent. A class act on and off the table. Probably one of the smartest | :13:19. | :13:25. | |
players. He has a dry sense of humour. We get on very well. Top | :13:26. | :13:33. | |
that, top player, he can grind out a victory from playing badly are | :13:34. | :13:39. | |
getting way behind. All-round probably the best player in the game | :13:40. | :13:46. | |
right now. Well, to continue the fiery theme, I | :13:47. | :13:53. | |
he has still to catch fire in this match, Mark Selby but he is 7-5 | :13:54. | :13:59. | |
ahead. Marco Fu has begun to slow burn in this semifinal with 135 in | :14:00. | :14:06. | |
the last frame. Back we go. Four more frames to play this afternoon. | :14:07. | :14:21. | |
Yes, as you say, Hazel, four more frames to be played in this second | :14:22. | :14:28. | |
session of four. A good break of shot. Just short of four ours match | :14:29. | :14:40. | |
time. Marco Fu would be delighted with that Breaky made before the | :14:41. | :14:45. | |
interval. A big break like that really settles you down. -- break he | :14:46. | :14:56. | |
made. And a pot like that will. That is a cracker! Knew he would be on | :14:57. | :15:01. | |
the pink. This pink does not go on its own | :15:02. | :15:41. | |
spot. Close to its own spot. In direct line with the middle of the | :15:42. | :15:46. | |
top cushion. The pink is not in too bad a position. He will have to go | :15:47. | :15:52. | |
up for the blue here. That pink is definitely available into the corner | :15:53. | :16:02. | |
pocket. Perfect on the blue. Can he stun down for the red to the right | :16:03. | :16:09. | |
of the black? That is the red who would love to be playing on. | :16:10. | :16:20. | |
He has got the loose red on the left-hand side to play for. He has | :16:21. | :16:29. | |
chosen that. Now it is imperative he get this good angle on the blue. | :16:30. | :16:34. | |
Looking ahead, if he can get a good angle on the blue, play for the red | :16:35. | :16:39. | |
just behind the black, he can play for the pink and open up the reds. | :16:40. | :16:52. | |
It is a choice. Do you play for the loose red or cannon into the main | :16:53. | :16:57. | |
bunch? He has not got the angle to play into the bunch at speed. If he | :16:58. | :17:03. | |
gets low on the pink, you will bring the reds into play. Just coming | :17:04. | :17:08. | |
around to look at the angle he needs. These will be spreading far | :17:09. | :17:12. | |
and wide if he finishes low on this pink. When people say how many shops | :17:13. | :17:19. | |
in advance you look, on this occasion he is looking three shots | :17:20. | :17:30. | |
in advance. Now a chance to pot the pink. Do not take your eye off the | :17:31. | :17:33. | |
pot. That is OK. The pink spot is still covered. The | :17:34. | :17:57. | |
pink available or be black. The blue needed and this time he will go into | :17:58. | :17:59. | |
the bunch. He always gets perfect top side on | :18:00. | :18:27. | |
that side macro of the table. On the other side he comes macro up short. | :18:28. | :18:38. | |
You always need a bit of luck. And at first glance he has had none. He | :18:39. | :18:51. | |
did pretty well. But he wanted to hit that front red fall in the face. | :18:52. | :18:58. | |
When he has hit it half ball, it has come off the side-cushion macro, and | :18:59. | :19:02. | |
then you are relying on a bit of luck. He has had none. So unlucky | :19:03. | :19:11. | |
not to get onto a red. Mark spotted a foreign object on the | :19:12. | :19:50. | |
cue ball. A little rub of the gloves. It will be replaced, | :19:51. | :19:59. | |
meticulously. The referee is a Sheffield man. | :20:00. | :20:06. | |
Too thin. He caught the bumper. Normally catching the bomb is a bad | :20:07. | :20:16. | |
thing. He will not be too unhappy with that result. -- bump. There is | :20:17. | :20:29. | |
a pot on here for Marco. He has to avoid the two reds on the left. He | :20:30. | :20:39. | |
did not avoid them. He would like to get the one nearest the pocket. I | :20:40. | :20:41. | |
think there is a gap. Both players struggling to get top | :20:42. | :21:08. | |
side of the blue from that side. If he can roll the blue in but he is | :21:09. | :21:13. | |
just the wrong side of the blue line. He will be looking to the | :21:14. | :21:22. | |
straight red to the left corner. I do not know if he can drop this red | :21:23. | :21:28. | |
in. See if he can get on the black to the opposite corner pocket. It | :21:29. | :21:34. | |
looks as if he can. If he got on the black and knocked it in, you can see | :21:35. | :21:47. | |
a big break. Do not miss the red. That is unexpected. That is the last | :21:48. | :21:55. | |
thing I thought of. He was not having to do much with the cue ball. | :21:56. | :21:57. | |
No excuse for doing that. Yes, it is certainly a chance | :21:58. | :22:33. | |
missed, with where the black was. That is a better pace. What we saw | :22:34. | :22:48. | |
just before you came back to us, the professional opinion of Mark Selby, | :22:49. | :22:52. | |
and everybody intimated he is one of the few players who can win when he | :22:53. | :22:56. | |
is not at his absolute best. He can grind out a result. Full ball kiss | :22:57. | :23:04. | |
Andy Green is not good for Marco. -- on the green. OK, the green is maybe | :23:05. | :23:16. | |
hampering Mark for the red into the left corner. But the fact he can get | :23:17. | :23:20. | |
his hand on the table should enable him to play a better safety shot. | :23:21. | :23:44. | |
If the red went in that would have been a bonus. The main thing was to | :23:45. | :23:51. | |
screw the cue ball back to the baulk cushion macro. Having seen the red | :23:52. | :23:56. | |
so close, he is wondering why it did not go in. The pace kept it out. | :23:57. | :24:16. | |
This red was trundling towards the right corner. Did it stop on-time? | :24:17. | :24:24. | |
No. He needed that to Mr brown for it to | :24:25. | :24:57. | |
be a good shot. And it has done. An excellent safety. And Marco Fu with | :24:58. | :25:05. | |
a problem to solve. This is not straightforward. | :25:06. | :25:44. | |
He must feel the roll to the red, the bottom one of the two reds is | :25:45. | :25:54. | |
not available. He managed to find a simple solution to the problem. That | :25:55. | :26:01. | |
red is not available in the middle of the table. Another safety. Trying | :26:02. | :26:06. | |
to get in behind the green. He played it very nicely. Calling | :26:07. | :26:29. | |
the shots at the moment. 26 points behind. He knows he needs the next | :26:30. | :26:38. | |
opportunity. If Marco gets it, it could be frame over. Kissed the blue | :26:39. | :26:49. | |
full in the face, so it was never going to get safe. An easy red. Can | :26:50. | :26:58. | |
he get position? Will he want to play for the black? He nearly fluked | :26:59. | :27:07. | |
it. It is risky to play for the black, but if he does get on the | :27:08. | :27:10. | |
black he has got a chance of scoring. He could decide to bring | :27:11. | :27:17. | |
the pink into play, play it firm and try to push through the pink. | :27:18. | :27:29. | |
It is decision time, really. Does he play for the black? No. He is going | :27:30. | :27:38. | |
for a baulk colour. That is the problem when the balls are close. As | :27:39. | :27:42. | |
soon as the cue ball, after hitting the object ball, it checked. That is | :27:43. | :27:50. | |
what you get. That is why I thought he would play thing and get to the | :27:51. | :27:53. | |
pink. A big shot needed here. It is not | :27:54. | :27:59. | |
straightforward. He is worried about the red near the top-cushion. He has | :28:00. | :28:08. | |
to avoid a kiss on the brown and the green. All of those things made that | :28:09. | :28:14. | |
pot very difficult. Mark Selby is struggling at the moment. He throws | :28:15. | :28:20. | |
his extension on the floor. He is looking a little bit rattled. Yes, | :28:21. | :28:28. | |
he struggled a little bit against Kyren Wilson. As Stephen Hendry | :28:29. | :28:34. | |
says, he can win with his second game sometimes. He will need to get | :28:35. | :28:41. | |
to his top game shortly. He is still in front. | :28:42. | :28:49. | |
Marco is OK. He has shown new where he wants the cue ball to be. He can | :28:50. | :29:01. | |
get the cue ball away from the caution. -- cushion. This is OK if | :29:02. | :29:10. | |
the pink is available into the left corner. I assume it is. He can just | :29:11. | :29:20. | |
drop this red in dead weight and retain position on the pink. | :29:21. | :29:32. | |
ever known, only seven times Stephen Hendry's turn. | :29:33. | :29:34. | |
Couldn't have a better chance than this to win a frame. | :29:35. | :29:48. | |
There's an interesting tournament total points, 4,160. Apiece. | :29:49. | :29:56. | |
Marco Fu has just gone ahead. It's amazing that they've played the | :29:57. | :30:09. | |
best of 19 and two best of 25s, now they're playing this game. Amazing | :30:10. | :30:13. | |
what happens. And how it happens. | :30:14. | :30:46. | |
So this red will put him 54 points ahead with just 51 remaining and the | :30:47. | :30:51. | |
pink to follow. I can't see any way back here for | :30:52. | :31:06. | |
Mark Selby in this frame. Marco Fu had the worse possible start to the | :31:07. | :31:09. | |
match in the first session, losing the first three frames. | :31:10. | :31:19. | |
He's back to within one now. Game on. | :31:20. | :31:32. | |
Oh, he's missed it. So Mark Selby may be encouraged to | :31:33. | :31:40. | |
come back to the table. Marco Fu is back to his seat. 60 points the | :31:41. | :31:43. | |
lead, 51 remaining. The first opportunity Mark Selby | :31:44. | :33:12. | |
gets he'd love to be potting a couple of reds, couple of blacks and | :33:13. | :33:16. | |
leave the last red on the table for possible snooker. | :33:17. | :33:58. | |
Here's a chance for Marco now to put this frame to bed. | :33:59. | :34:24. | |
He'd be wishing he'd gone for the pot now because he's left the pot on | :34:25. | :34:30. | |
for Mark. He might have got a bad contact. | :34:31. | :34:38. | |
Mark can aford a pink off one of these reds. | :34:39. | :34:55. | |
I think Marco Fu 64%, roughly about two thirds of what you go for, long | :34:56. | :35:07. | |
pots. Marco now up to 90%. Mark Selby | :35:08. | :35:19. | |
still in the 80s, all right high 80s. Marco Fu just looking the | :35:20. | :35:23. | |
better player at the moment. Yes, having looked at most of those | :35:24. | :35:46. | |
stats, it shows you what a seasoned match player he is. That's the first | :35:47. | :35:54. | |
of three snookers he needs, albeit, they should be easy to hit. | :35:55. | :36:00. | |
It might be three snookers to hit, you probably need about eight | :36:01. | :36:04. | |
snookers to get the desired points. And very difficult to get a snooker | :36:05. | :36:07. | |
on all three reds. Here's a opportunity for Mark to pot | :36:08. | :38:14. | |
this red. If he pots the pink, he will be 53 | :38:15. | :38:42. | |
points behind with 43 remaining, he would still need three snookers. | :38:43. | :38:52. | |
Tough shot. I'm certain he'd like to concede now. But it's etiquette, | :38:53. | :38:57. | |
when it's your opponent's turn at the table, you don't concede. If | :38:58. | :39:01. | |
Marco doesn't pot this red, I'm certain that Mark will concede. | :39:02. | :39:13. | |
Frame conceded. Yes, he'd had enough. He had to pot that difficult | :39:14. | :39:18. | |
pink. Marco Fu got in. No big frames that time. Just the breaks of 32 and | :39:19. | :39:23. | |
35. Mark Selby just beginning to wobble a bit for me. Though he still | :39:24. | :39:25. | |
leads. Interesting stats for Marco Fu | :39:26. | :40:35. | |
there. A couple of things that came through, not very good over the best | :40:36. | :40:39. | |
of 25s and things like that. He's lost a lot more than he's won. | :40:40. | :40:53. | |
I agree with you, I'd be worried if I was in the Mark Selby corner at | :40:54. | :40:59. | |
the moment. Decided to play safety into this end | :41:00. | :41:50. | |
of the table. That's a little bit surprising as he could have played | :41:51. | :41:56. | |
safe off the red that was by the left middle pocket. No player really | :41:57. | :41:58. | |
likes this type of game. He's not found the top cushion. This | :41:59. | :42:16. | |
will tempt Marco now to the far right corner. | :42:17. | :42:29. | |
He'll be a little bit concerned if he plays for position on the black | :42:30. | :42:35. | |
on this side of the table, he could lose the red, just to the right of | :42:36. | :42:37. | |
the green. Because he was worried about doing | :42:38. | :42:47. | |
that, put in that extra bit of pace and made that pot more difficult. | :42:48. | :42:54. | |
He still left the red. He didn't play it with a great deal of | :42:55. | :42:56. | |
conviction. Good, solid pot. Needs a bit of | :42:57. | :43:16. | |
luck. Where's the cue ball going? ! Oh, well. | :43:17. | :43:30. | |
Just feel now whether this is a big chance for Mark Selby. Yes, and | :43:31. | :43:37. | |
everybody will be awake now, after that little blast. | :43:38. | :43:45. | |
The last thing he needed there was a bit of bad luck. | :43:46. | :43:55. | |
Didn't quite get into that. He's struggling at the minute. | :43:56. | :44:24. | |
He wanted to screw back another good six inches to be straight on this | :44:25. | :44:28. | |
red. He needs this cue ball to slow up. | :44:29. | :44:51. | |
It's run too far for comfort. The only run I say that is because he | :44:52. | :44:56. | |
will have to play this with pace to go into the cluster. This black is | :44:57. | :44:58. | |
missable. Didn't go full out for it. He knew | :44:59. | :45:08. | |
the black was difficult enough. Just coming round to see if he | :45:09. | :45:35. | |
finishes where the tip is, there would be nothing on. Maybe a double | :45:36. | :45:37. | |
on for Marco. This bottom red is cuttable. But I | :45:38. | :46:21. | |
don't think it's in Marco remit to take a risk like this, surely not. | :46:22. | :46:31. | |
Can you see there, he had to make it. OK it was played a little bit of | :46:32. | :46:48. | |
safety in mind. But he's landed on the brown. | :46:49. | :46:52. | |
He played the plant, a red has come up the table. He's level with the | :46:53. | :46:53. | |
blue. This is a very good chance now for | :46:54. | :47:05. | |
Marco Fu. The four reds in a line, the two | :47:06. | :47:34. | |
middle ones of the four, pock into the same pocket of the black. | :47:35. | :47:55. | |
Played it well. He's played it unbelievably well. | :47:56. | :48:00. | |
Lots could have gone wrong there. You get the feeling that Marco is | :48:01. | :48:15. | |
the one of the two more capable of winning the frame in one visit. | :48:16. | :48:41. | |
All the reds there now for the taking. | :48:42. | :48:57. | |
Don't know if the pink spot is available. Doesn't appear to be. | :48:58. | :49:04. | |
The only one available is the green spot. | :49:05. | :49:11. | |
Mark Selby will be getting a bit concerned. He's had a few chances | :49:12. | :49:31. | |
and not made the most of them. Similar pattern as against Kyren | :49:32. | :49:41. | |
Wilson. Straight on the black, no problem, | :49:42. | :50:39. | |
just a straightforward screw off the side cushion for the red to the same | :50:40. | :50:41. | |
pocket venlt -- pocket. | :50:42. | :50:50. | |
Three reds, three colours would be more than enough. | :50:51. | :51:09. | |
Mark Selby and Marco Fu have played 11 times. Selby leads 9-2 in | :51:10. | :51:16. | |
matches. He's not playing like he's going to | :51:17. | :51:18. | |
win this one, at the moment. Just have to sit and watch now. He's | :51:19. | :51:32. | |
had a three-frame advantage on a couple of occasions, not been able | :51:33. | :51:34. | |
to press home that advantage. This red to go 48 points in front | :51:35. | :52:10. | |
with just 43 remaining. APPLAUSE | :52:11. | :52:25. | |
Now he can concentrate on making another century. | :52:26. | :52:36. | |
When the top seeds went out, there wouldn't be many big breaks going | :52:37. | :52:43. | |
in, but there's been loads of them. Eight in the first match. This is | :52:44. | :52:51. | |
Marco's second, should he get one in this match. | :52:52. | :53:03. | |
It seems apparent to me, growing in confidence. | :53:04. | :53:19. | |
Yeah, he's not being put under any pressure at the minute. That helps | :53:20. | :53:23. | |
when you feel your opponent's not going to score against you. | :53:24. | :53:30. | |
Any mistake you make is not being punished, certainly helps. | :53:31. | :53:57. | |
APPLAUSE Gaining more and more confidence | :53:58. | :54:10. | |
with every century. More importantly, getting more and more | :54:11. | :54:12. | |
confidence. Excellent from Marco Fu. STUDIO: Two centuries, he was three | :54:13. | :54:31. | |
frames behind on several occasions. Now we are all square. We saw a bit | :54:32. | :54:38. | |
of frustration manifesting itself in the frame before that, Mark Selby | :54:39. | :54:41. | |
throwing the extension on the floor. He's struggling a bit. Yeah, only | :54:42. | :54:46. | |
one player is out there playing like he wants to be in the final. Mark | :54:47. | :54:53. | |
Selby did his match against Kyren Wilson, he was 4-4 and he looked | :54:54. | :54:57. | |
like he doesn't want to be out there. He looks bereft of any | :54:58. | :55:01. | |
confidence. He doesn't look like he's enjoying himself. Marco might | :55:02. | :55:05. | |
be picking up on that. What do you see is the problem from Selby's | :55:06. | :55:08. | |
point of view? It may be the case that a lot of top players have | :55:09. | :55:12. | |
fallen by the way side. All of a sudden he's the favourite. In the | :55:13. | :55:18. | |
eyes of a lot of people in the betting world and that brings its | :55:19. | :55:22. | |
own pressures. His first three matches were against people he was | :55:23. | :55:25. | |
expected to beat. All qualifiers. This is another one. I assume | :55:26. | :55:31. | |
everybody would have considered the fact that Ding Junhui and Mark Selby | :55:32. | :55:34. | |
would be the final. There's always pressure on the favourite. Perhaps | :55:35. | :55:37. | |
he's feeling the heat. The world number one is up against it. | :55:38. | :55:49. | |
COMMENTATOR: I think these are two very important frames for Mark | :55:50. | :56:00. | |
Selby. If he was to go out of this session two frames behind, he'd | :56:01. | :56:06. | |
really be thinking the worse, because he's not played well today. | :56:07. | :56:13. | |
We know he's such a hanger on in there. Well, there's a chance! | :56:14. | :56:19. | |
Missed that by a mile. Left Mark an easy starter. That can | :56:20. | :56:21. | |
help. Sometimes, when you're struggling, | :56:22. | :56:34. | |
easier said that done to take advantage of these opportunities. | :56:35. | :56:41. | |
Everybody who's played at The Crucible on numerous occasions have | :56:42. | :56:44. | |
gone through spells where everything looks difficult. Even the two greats | :56:45. | :56:49. | |
in the studio have struggled at times. | :56:50. | :56:55. | |
Mark Selby has to make these chances count now. | :56:56. | :57:15. | |
There's three reds in a line. I know it's strait on this red to the | :57:16. | :57:22. | |
corner, but if he could get to one of those three reds, maybe the black | :57:23. | :57:23. | |
goes into the opposite corner. Let's see what could have happened | :57:24. | :57:45. | |
here. I don't think he needed to bend it slightly. He's just hitting | :57:46. | :57:51. | |
across the ball at the moment. He's not finding the middle of the cue | :57:52. | :57:56. | |
ball. It looked like he felt he needed to | :57:57. | :57:58. | |
turn it over a little bit. Well, that's perfect. That was the | :57:59. | :58:24. | |
line of three he needed to move. He couldn't have played it any | :58:25. | :58:28. | |
better. He's in the ascendency at the | :58:29. | :58:29. | |
moment, no doubt. It remains to be seen whether that | :58:30. | :59:29. | |
little chance there, to bring the reds into play, will cost him in a | :59:30. | :59:35. | |
few moments? I'm surprised the way he has played that red. I thought he | :59:36. | :59:38. | |
would leave himself low on the black to go into the cluster. | :59:39. | :59:46. | |
Imperative he gets a good angle on the black this time. | :59:47. | :59:57. | |
68 is the snookers required target. This time he doesn't want to hit the | :59:58. | :00:02. | |
front red. He wants to go into the joint on the two reds on the | :00:03. | :00:04. | |
right-hand side. He has got them in the middle. He | :00:05. | :00:15. | |
will be happy with that. I think that tells the story of this | :00:16. | :00:39. | |
session. 94% pot success for Marco Fu. 86% for Mark Selby. That is the | :00:40. | :00:44. | |
difference. He has got the right side of the | :00:45. | :01:16. | |
blue. To win the frame at this visit he will have to play a cannon. To | :01:17. | :01:23. | |
bring that little cluster of six into play. His tip has come off. You | :01:24. | :01:33. | |
are kidding! We will have two have a ten minute break. The worst thing in | :01:34. | :01:40. | |
the world that could happen to a snooker player. He must be | :01:41. | :01:48. | |
distraught. What a thing to happen. There will be a break and we will | :01:49. | :01:51. | |
probably have to go back to the studio. It was not like he was | :01:52. | :01:59. | |
chalking it hard. This is where he is chalking the cue. Can you spot | :02:00. | :02:11. | |
it? There it goes. Just watch. There it goes. That is the worst thing | :02:12. | :02:16. | |
that can happen to any snooker player at any time. In the semifinal | :02:17. | :02:21. | |
of the World Championship, when you are really in stroke, you could not | :02:22. | :02:31. | |
take a worse time. That is absolutely just outrageous | :02:32. | :02:34. | |
fortune for Marco Fu. That is dreadful. I don't think we have ever | :02:35. | :02:42. | |
seen that happen live, especially at the Crucible. How bad a stroke of | :02:43. | :02:48. | |
luck is that? I have got goose bumps. I cannot believe that | :02:49. | :02:52. | |
happened. It is a must as if he got the corner of the chalk. To happen | :02:53. | :03:01. | |
out there, that is horrendous. What needs to happen now? He will still | :03:02. | :03:12. | |
be able to use that one, you would imagine to it requires somebody to | :03:13. | :03:16. | |
have a steady hand and put it on. Usually you have them flush at the | :03:17. | :03:20. | |
bottom part. Somerby HAAS to do it on quickly. With the modern-day | :03:21. | :03:30. | |
glue, they dry quickly. There are two types of superglue. There is gel | :03:31. | :03:35. | |
and the other type. The gel gives you a fraction of time to centre the | :03:36. | :03:39. | |
tip before it sets. Hopefully there is some gel behind there. You hold | :03:40. | :03:47. | |
the cue in the same place all the time. So consequently you are | :03:48. | :03:52. | |
hitting the same place. The tip can be sloped. Whoever puts it back on | :03:53. | :03:58. | |
has got to put it back on exactly the slain -- the same way. We are | :03:59. | :04:05. | |
not quite in the Mark Williams territory. He. A split. That played | :04:06. | :04:12. | |
a massive part in his quarterfinal. -- he got a split. Yes. If you put a | :04:13. | :04:19. | |
tip on properly it does not come off. I do not know if Marco Fu puts | :04:20. | :04:27. | |
his own tips on... You do not know how it has been put on. I cannot put | :04:28. | :04:34. | |
a tip on. Well, it is about time you learned! If you put them on | :04:35. | :04:41. | |
properly, they do not come off. The glue is good enough. Whoever put it | :04:42. | :04:47. | |
on has not done the job properly. It is good to be very disconcerting for | :04:48. | :04:51. | |
Marco Reich in the middle of a crucial part of the semifinal. What | :04:52. | :04:57. | |
are your observations? I used to play with a cue with an | :04:58. | :05:01. | |
overhanging tip. When you play with one of those and it happens like | :05:02. | :05:06. | |
Marco happened, it is easier to come off. My tip now is flush to the | :05:07. | :05:14. | |
side. Marco's tip looks like it is flush. You have to get it exactly in | :05:15. | :05:19. | |
the right place. The gelatin superglue is a really good idea. You | :05:20. | :05:27. | |
have got to get the tip absolutely plumb on. If it is hanging over one | :05:28. | :05:33. | |
side or the other, you will not be able to play. He has got a job on. | :05:34. | :05:38. | |
He has to get this sorted out. That will play with his head, surely? The | :05:39. | :05:48. | |
mental side of it is a worry. He has got to quickly run to the practice | :05:49. | :05:54. | |
table to have a few shots to make sure the tip is playing the same, as | :05:55. | :05:59. | |
quickly as possible. Then he has to try to put it out of his head. If he | :06:00. | :06:06. | |
starts to worry about it... Paul Collier there. Nice pressure Paul is | :06:07. | :06:15. | |
under there! Putting somebody's tip on in the semifinal of the World | :06:16. | :06:20. | |
Championship. Paul di Resta arena the final on Sunday and Monday. So, | :06:21. | :06:26. | |
no pressure! -- Paul will be refereeing the final. He will | :06:27. | :06:35. | |
probably glue his fingers to the cue! We hope it is not going to be a | :06:36. | :06:47. | |
turning point but might it be? It depends on how good a job Paul | :06:48. | :06:54. | |
Dodds. If Marco is looking down the cue at the practice table and it is | :06:55. | :07:00. | |
the same, he has no problem. Is their any Limited to the amount of | :07:01. | :07:05. | |
time he has? Effectively as quick as possible. Ten minutes was mentioned. | :07:06. | :07:13. | |
When you put the tip on, you need to put pressure on, put the tip against | :07:14. | :07:22. | |
the wall. Get some leverage. If you put the tip on without pressing down | :07:23. | :07:26. | |
on the tip, you may not get a good contact between both surfaces. If | :07:27. | :07:32. | |
you have got a tip that is flush and you are trying to put it back down | :07:33. | :07:37. | |
again, it may not be in the middle. It is a problem. If he goes to the | :07:38. | :07:43. | |
practice table, he could do with playing some shots with pace. Just | :07:44. | :07:52. | |
to give yourself that confidence. There is Wayne Griffiths, Marco's | :07:53. | :08:01. | |
coach. He is Terry Griffiths's son. He works with the elite players in | :08:02. | :08:06. | |
Hong Kong. He has been with Marco from the start. He has done a fine | :08:07. | :08:12. | |
job with Marco. Marco obviously trust him, he is not even in there! | :08:13. | :08:22. | |
Marco is in tears in the toilet. Happily, he is not. He is in the | :08:23. | :08:29. | |
practice room. He has clearly borrowed somebody's cue. This is | :08:30. | :08:34. | |
Mark Selby practising. He has got a smile on his face. This breaks his | :08:35. | :08:41. | |
rhythm as well. We have talked about how poorly he has been playing. He | :08:42. | :08:46. | |
is straight to the practice table. He has to try to get some form back. | :08:47. | :08:52. | |
It could be a lucky interlude for him. Fortunately it is towards the | :08:53. | :09:00. | |
end of the session, so if it does mentally messy mob, he does not have | :09:01. | :09:09. | |
too long to wait. They have tonight off as well. They will play two | :09:10. | :09:17. | |
sessions tomorrow. It is a most unusual situation. Marco has had | :09:18. | :09:21. | |
problems with his neck. He had problems against Anthony | :09:22. | :09:38. | |
McGill. He is having to come through it. He said a couple of days before | :09:39. | :09:44. | |
the match against Anthony McGill, he had a sudden neck injury and could | :09:45. | :09:50. | |
not address the ball. Here he is. Let's hoped normal service will be | :09:51. | :09:57. | |
resumed. A few shots being tried. He has two make sure the feel is right | :09:58. | :10:03. | |
and get some screw back shots. I would imagine as long as he is happy | :10:04. | :10:07. | |
he can play the screw back and he gets the same reaction, he will be | :10:08. | :10:11. | |
all right. It is not a nice thing to happen. Far better to put the old | :10:12. | :10:17. | |
tip on than a brand-new one. At least he has got an easy shot to | :10:18. | :10:24. | |
come back to. Exactly. That was a dramatic interlude. Here comes Marco | :10:25. | :10:30. | |
Fu accompanied by Martin Clarke, a former top player himself on the | :10:31. | :10:35. | |
tour. Mark coming through as well. An unexpected interlude. Marco has | :10:36. | :10:43. | |
had such a wonderful run to get into this semifinal. His first semifinal | :10:44. | :10:49. | |
for ten years. He has beaten Peter Ebdon 10-2. Anthony McGill. Barry | :10:50. | :10:58. | |
Hawkins. He got over the line against Barry with a clearance of 76 | :10:59. | :11:03. | |
in the match, among the best we have ever seen. He has withstood some | :11:04. | :11:10. | |
pressure. He is shaking his head. Well done, Marco. Let's hope he can | :11:11. | :11:17. | |
maintain the quality from his perspective. | :11:18. | :11:23. | |
He is on a break of 33. We have never seen anything like this before | :11:24. | :11:27. | |
but it is handy to start with in easy pot to get the confidence back. | :11:28. | :11:34. | |
Yes, but it is what is going on between the years for Marco. He had | :11:35. | :11:41. | |
a frame-winning chance the way he was playing. A smile for the | :11:42. | :11:46. | |
audience. That might be a good sign. He has a nice angle on the blue. | :11:47. | :11:59. | |
He played the cannon. Is he on a red to the corner? It has got to be the | :12:00. | :12:08. | |
left corner, otherwise he is on nothing. You can never tell with | :12:09. | :12:17. | |
Marco's body language sometimes. That is tight. It might just go | :12:18. | :12:31. | |
in-off the right-hand jaw but it is risky. He seemed to hit them well | :12:32. | :12:39. | |
enough. He could have done with just flicking the other red. That is | :12:40. | :12:44. | |
making it difficult to judge whether this red pots. He thinks it does. | :12:45. | :12:56. | |
Just half a pocket available. But half a pocket was enough. It was one | :12:57. | :12:59. | |
of those, if you are right behind it, you fancy pinching it added. If | :13:00. | :13:07. | |
he was not right behind it I would not have fancied him. I could not | :13:08. | :13:11. | |
agree with you more. Now he has a chance to win the frame. When you | :13:12. | :13:22. | |
play screw shots, you always favour shaping in a particular way. That is | :13:23. | :13:32. | |
exactly what Stephen said in the studio. You always hold your cue, | :13:33. | :13:36. | |
you grip it at the butt end in exactly the same place. You do tend | :13:37. | :13:44. | |
to have a certain shape to the tip. But at the moment it does not look | :13:45. | :13:49. | |
to be affecting him. 50 points the lead. Two reds and two colours. That | :13:50. | :14:02. | |
would win him one of the most dramatic friends I have ever | :14:03. | :14:06. | |
witnessed. The tip is back on. It looks like somebody has done a good | :14:07. | :14:13. | |
job. Paul Collier, who is refereeing the final this year, was doing it. | :14:14. | :14:19. | |
Ideally you want to play a cannon on that red to the left of the paint. | :14:20. | :14:27. | |
You can see some superglue on the side of the tip. You can see the | :14:28. | :14:37. | |
superglue on his feral. Another nice judgment with the cannon. He is not | :14:38. | :14:44. | |
going to make another century with the tip having just fallen off? It | :14:45. | :14:46. | |
is a possibility now. This black to go 66 points in front | :14:47. | :14:57. | |
with just 59 remaining. What character he is showing here. | :14:58. | :15:57. | |
Marco Fu. He does not show much emotion but after what has happened | :15:58. | :16:02. | |
with the tip... That just struggled in. How well has he done to keep | :16:03. | :16:08. | |
himself together and make this a frame-winning contribution? | :16:09. | :16:32. | |
Well, he has missed a red but every credit to him, because when that tip | :16:33. | :16:40. | |
came off you thought, what is he going to do now? He came back in the | :16:41. | :16:45. | |
arena and he did enough. He now leads the world number one, Mark | :16:46. | :16:52. | |
Selby, by eight frames to seven. One more frame to play. | :16:53. | :16:58. | |
We're going to see where the tip came off. He almost was not choking. | :16:59. | :17:05. | |
He took his eye off where the choke was inflicted off with the back end | :17:06. | :17:16. | |
of the choke. -- choke. The referee making sure it is level. As we were | :17:17. | :17:21. | |
talking about before, you cannot always get it in the same place. We | :17:22. | :17:33. | |
saw superglue on the feral. It is hard to get rid of the remnants of | :17:34. | :17:36. | |
the glue needed but they did a pretty good job. This is a massive | :17:37. | :17:42. | |
frame here. The final frame of the session. | :17:43. | :17:50. | |
Marco Fu breaking off in this final frame. He will be delighted. | :17:51. | :18:00. | |
And once again we have been talking about the break for the last ten | :18:01. | :18:07. | |
days. The shot to nothing left straightaway. That is a nice pot. | :18:08. | :18:19. | |
Played that confidently, did mark. A big frame for Mark Selby. Playing | :18:20. | :18:40. | |
for the red to the left of the black. And he has played it | :18:41. | :18:43. | |
absolutely inch perfect. A wonderful shot. If you're going to lose a | :18:44. | :18:53. | |
session, do not lose it worse than 5-3. Selby needs to win this frame | :18:54. | :18:57. | |
to not lose it more than 5-3. A couple of loose reds on either | :18:58. | :19:38. | |
side. He has gone into the main bunch. I think he has got a red. I | :19:39. | :19:45. | |
think the red just below the blue will go to the left corner. He has | :19:46. | :19:59. | |
got a pot on. He is struggling. He is struggling. He was potting very | :20:00. | :20:03. | |
well in the first session. His cue ball control was not very good but | :20:04. | :20:07. | |
he was getting away with it because he was potting well. Not too many | :20:08. | :20:14. | |
mid-distance balls in this session. A chance for Marco. He played it | :20:15. | :20:26. | |
beautifully. It looks to have not affected him, his tip coming off. | :20:27. | :20:31. | |
Showing very strong character here. Looking to see what reds he can | :20:32. | :21:16. | |
bring into play. Obviously he cannot get straight on the pink. If he can | :21:17. | :21:23. | |
put a white into a position where it is not going to stick on the pack | :21:24. | :21:25. | |
when playing this pink... The pink spot is covering the red | :21:26. | :21:52. | |
available. He has the red closest to the cue ball. He can pot that. It is | :21:53. | :21:54. | |
into a blind pocket. This is missable. Yes. Going into a | :21:55. | :22:18. | |
blind pocket. You are never certain. You have got the angle of the pot | :22:19. | :22:24. | |
but when you get down, you are so close, sometimes you think, I hit it | :22:25. | :22:30. | |
a little thinner than I thought. That is what he did. Mark Selby gets | :22:31. | :22:36. | |
an unexpected opportunity. What can he do with this chance? He did not | :22:37. | :22:46. | |
make much of the last one. He played that beautifully. The | :22:47. | :22:51. | |
pressure is on now though. No doubt. He did not want to kiss into that | :22:52. | :23:03. | |
red. He wanted to just pass the red. Under normal circumstances you would | :23:04. | :23:27. | |
say he would score 50 or 60 points from here but these are not normal | :23:28. | :23:32. | |
circumstances. He needs that white to bounce. | :23:33. | :23:50. | |
You said it earlier, the timing is not there. It puts pressure on the | :23:51. | :24:01. | |
pot. He played it nicely. And now he would like to get rid of the red to | :24:02. | :24:07. | |
the left of the black. That would make the black available into both | :24:08. | :24:12. | |
corner pockets. That pot Robak pleas in more than anything. -- that pot | :24:13. | :24:18. | |
will please him more than anything. That was a pressure pot. | :24:19. | :24:47. | |
He played that nicely. 34 points the lead. | :24:48. | :25:02. | |
It appears these four reds are in the way of one another. That is why | :25:03. | :25:10. | |
he is leaving them. He is shaking his head. That tells me he has got | :25:11. | :25:17. | |
-- not got the desired position on the pink. | :25:18. | :25:28. | |
I cannot see another spot available. The pink will have to go as close to | :25:29. | :25:34. | |
its own spot as it can if it's own spot is not available. Having to | :25:35. | :25:44. | |
come around and play for the red in the middle. He has played that very | :25:45. | :25:52. | |
well. A good shot. It is hard work at the moment for Mark. This is | :25:53. | :25:58. | |
where his competitive instinct will kick in. He knows this is a golden | :25:59. | :26:03. | |
opportunity. OK, he will have lost the session 5-3. But going in all | :26:04. | :26:12. | |
square at 8-8. All to play for tomorrow. Just do not miss this | :26:13. | :26:17. | |
chance. That is as good a shot as he has | :26:18. | :26:40. | |
played in this session. He played that very tentatively. Was not | :26:41. | :26:47. | |
perfect on the black and needed to go one way or the other. A little | :26:48. | :26:52. | |
bit of left-hand side and right-hand side. In the end he has just made | :26:53. | :27:02. | |
certain on -- of the pot. He has just not got any confidence at the | :27:03. | :27:08. | |
minute. Absolutely. That is the only thing you can think of. He will not | :27:09. | :27:16. | |
win the frame at this visit. Will he get a better chance? What about that | :27:17. | :27:25. | |
shot? He could not let go of the cue. He overhit that by six or seven | :27:26. | :27:34. | |
inches. Worrying times. I'm sure he will be straight into the practice | :27:35. | :27:39. | |
room after this. Then get up in the morning do some more and get himself | :27:40. | :27:51. | |
right for the two sessions tomorrow. This red does pot to the far left | :27:52. | :27:56. | |
corner. I'm not certain it is automatic to screw back for the | :27:57. | :27:59. | |
black. He will need to go for the blue. | :28:00. | :28:09. | |
Sweet as a knot. Perfect angle on the blue. So the only stumbling | :28:10. | :28:17. | |
block, and Mark Selby will be pinning his hopes on it, is the red | :28:18. | :28:23. | |
to the left-hand side cushion. That is a smile of, almost he is | :28:24. | :28:31. | |
wondering what is happening. I know what has happened. He is not taking | :28:32. | :28:35. | |
his chances and he has missed too many. He will know that. We did say | :28:36. | :28:42. | |
when he got that opportunity, it was not normal circumstances. There was | :28:43. | :28:48. | |
a lot of pressure on him. Mark can only hope the red on the left-hand | :28:49. | :28:51. | |
side-cushion will cause Marco problems. This kiss on the red has | :28:52. | :28:59. | |
got to be taken. He got the kiss on the red. He | :29:00. | :29:15. | |
played it firm. He has not left himself the easiest shot. He looks | :29:16. | :29:23. | |
at the scoreboard. Any baulk colour will do off this tricky red. | :29:24. | :29:34. | |
Good shot. Now then. This red is definitely available. | :29:35. | :29:53. | |
Anywhere in that sickle would be perfect. | :29:54. | :30:01. | |
That will do nicely. -- circle. | :30:02. | :30:09. | |
We've seen some frames stolen here, this would be another one. | :30:10. | :30:17. | |
He looks worried that he might hit them simultaneously. | :30:18. | :30:27. | |
Oh, and he just tried to pinch a bit. Can you believe it? Another | :30:28. | :30:38. | |
twist in the tale. Settle down, please. | :30:39. | :30:47. | |
Oh, and he's miss today! He got a kick. | :30:48. | :30:51. | |
That red was for frame ball. Poor safety from Marco. Well, this | :30:52. | :31:17. | |
is unbelievable, what's happened in this frame. | :31:18. | :31:22. | |
At least Marco can see the funny side of it. And even Mark's smiling. | :31:23. | :31:29. | |
That red puts him 31 points in front with 27 remaining. | :31:30. | :31:36. | |
That means Marco Fu will not get back to the table - well, will he? | :31:37. | :31:44. | |
Tips flying off, kicks, balls missed, frames stolen. We've had | :31:45. | :31:48. | |
everything. What we've got at the finish is a | :31:49. | :31:52. | |
match all square going into tomorrow. | :31:53. | :31:58. | |
It's been a frustrating session for Mark Selby. A pleasing session for | :31:59. | :32:06. | |
Marco Fu, in one sense. But he will make sure his tip's OK for tomorrow. | :32:07. | :32:11. | |
It looks to be glued on nicely. The last red he missed there was | :32:12. | :32:13. | |
unmissable. APPLAUSE They're all square at 8-8. | :32:14. | :32:32. | |
STUDIO: It certainly had drama and intrigue and unlikely events, this | :32:33. | :32:36. | |
particular semifinal. We haven't had as many centuries. We had eight in | :32:37. | :32:42. | |
the first of them. This one has produced two for Marco Fu. He's | :32:43. | :32:48. | |
produced two at the most crucial time from 5-7 down to lead 8-7, four | :32:49. | :32:54. | |
frames in a row, two centuries and then all kinds of stuff happening in | :32:55. | :32:59. | |
the last frame. Your assessment of a topsy turvy afternoon. Missing that | :33:00. | :33:03. | |
unmissable red is a missed opportunity, I feel! I can't believe | :33:04. | :33:10. | |
that he couldn't see enough of the red to miss it. It looked like he | :33:11. | :33:14. | |
was struggling get the centre of the red. We were talking about it | :33:15. | :33:19. | |
thinking if he couldn't hit all of the red perhaps he runs through for | :33:20. | :33:24. | |
the black. He dug down on the ball to screw back, for the blue. It | :33:25. | :33:28. | |
looked like he was trying to get the angle to get on the pink unless he | :33:29. | :33:36. | |
totally mis-hit it. A couple of shots he hit tentatively, possibly | :33:37. | :33:39. | |
because of the tip situation. He hit a red not very positively. If he's | :33:40. | :33:43. | |
playing for the pink and he doesn't hit a positive stroke, because of | :33:44. | :33:49. | |
the tip, that is what happens, you get a bit of side. He's going to | :33:50. | :33:55. | |
think about that red tonight. That's going to hurt him. I'm sure he will. | :33:56. | :34:00. | |
Overall you have to say it's a session with Selby has struggled and | :34:01. | :34:05. | |
Marco Fu has come back at him and showed particular poise and real | :34:06. | :34:09. | |
character, after what must have been a very unsettling incident with the | :34:10. | :34:12. | |
cue. It would have been hugely unsettling. He could say I'm | :34:13. | :34:16. | |
delighted to have got out of the last two frames 8-8 regardless, but | :34:17. | :34:21. | |
he had chances in most of the frames. It could have been more | :34:22. | :34:25. | |
destructive for Mark Selby. He smiled a few times when things have | :34:26. | :34:29. | |
gone wrong but he won't feel that smiley inside. They will be back | :34:30. | :34:33. | |
tomorrow to play two sessions. But this evening, it's session number | :34:34. | :34:38. | |
three for Ding Junhui and Alan McManus who has shown everybody that | :34:39. | :34:43. | |
his game is not about tactical nous, it's about heavy scoring as well. | :34:44. | :34:50. | |
#-2 is when -- 6-2 is when it started. Alan McManus with three | :34:51. | :34:55. | |
centuries of his own this morning in one of the greatest semifinals we've | :34:56. | :35:00. | |
ever seen. They resume 9 high pressure 7 in front -- 9-7 in front, | :35:01. | :35:07. | |
Ding Junhui. Let's show you how he's perceived by his fellow pros. Two | :35:08. | :35:18. | |
times UK champion, 2011 Masters champion and a couple of seasons | :35:19. | :35:23. | |
ago, five, six ranking events that. Was phenomenal. How do you get | :35:24. | :35:32. | |
better than that? He forgot to how to lose for a season-and-a-half - | :35:33. | :35:36. | |
unbelievable. I saw him first when he was 15 or younger. He came over | :35:37. | :35:40. | |
from China with his then management group. He was in the | :35:41. | :35:43. | |
Northamptonshire area,ery was based at the time. He came over to | :35:44. | :35:48. | |
practise with me. I thought, "Who is this kid? Who is this!" He made me | :35:49. | :35:54. | |
look also-ran in the club. Phenomenal. His cue action is | :35:55. | :36:00. | |
straight. His head never moves. A wonderful touch as well. Amazing | :36:01. | :36:05. | |
break. Winner of five ranking tournaments in one season. Very | :36:06. | :36:09. | |
technically minded. Over the years he's played shots that as he's | :36:10. | :36:14. | |
getting down, he looks at his foot. As he's getting down, he looks at | :36:15. | :36:19. | |
his grip. He's concerned with the technical aspect of getting that | :36:20. | :36:23. | |
ball in the pocket. Ding Junhui pulls the cue back, stops with a | :36:24. | :36:27. | |
pause, gets his eyes to the object ball. When his eyes are on the ball, | :36:28. | :36:31. | |
that's when he fires. It's exactly the same every time. Even on the | :36:32. | :36:38. | |
easier shots, the cue action never really changes, the simple shots, | :36:39. | :36:43. | |
everything is cohesive. The whole action - Why hasn't he won the World | :36:44. | :36:48. | |
Championship? That's the question. For me the answer lies firmly back | :36:49. | :36:53. | |
in China. The amount of pressure that he is under from the Chinese | :36:54. | :36:59. | |
media and the snooker family of China as a whole is unbelievable. | :37:00. | :37:03. | |
You have to be there to see. It the year he won his five ranking events | :37:04. | :37:09. | |
in one season, they considered it a failure, because he didn't win the | :37:10. | :37:11. | |
World Championships off the back of it. There are so many other players | :37:12. | :37:17. | |
with talent who should win it as well. He's coming up against the | :37:18. | :37:22. | |
likes of Ronnie O'Sullivan, Shaun Murphy, Mark Selby and Judd Trump | :37:23. | :37:26. | |
now. They're all playing at a top level. The longer it goes on, the | :37:27. | :37:30. | |
more pressure will build. He is under pressure from China. More | :37:31. | :37:34. | |
likelihood now he's not going to win it than win it. I think the form and | :37:35. | :37:39. | |
the stats and those type, they point in that direction. But of course, he | :37:40. | :37:44. | |
could rock up any time and have a 17-day period when he plays better | :37:45. | :37:48. | |
than anyone and wins the tournament. No-one knows what's going to happen. | :37:49. | :37:56. | |
Jimmy White has the plant. Greatest player never to have won the World | :37:57. | :38:01. | |
Championship, but could say it is this guy. This semifinal features | :38:02. | :38:06. | |
two who have already played three matches before they matches in the | :38:07. | :38:10. | |
last 32 here. This match started with Ding Junhui 6-2 in front after | :38:11. | :38:15. | |
their opening session yesterday. He made four centuries in eight frames. | :38:16. | :38:27. | |
This morning, these guys gave us what Stephen Hendrie called a | :38:28. | :38:28. | |
ton-fest. Quite remarkable, Ken. Five | :38:29. | :38:46. | |
centuries in nine frames, unbelievable. He's knocked the black | :38:47. | :38:51. | |
in. What a fabulous break it was. Junhui goes further clear and leads | :38:52. | :38:56. | |
7-2. Wouldn't it be great if he returned with a high break to let | :38:57. | :39:00. | |
Ding know he's not going away. Lovely shot. Very nice. Well played | :39:01. | :39:09. | |
Alan McManus. Another ton up. I tell you, we've within treated to | :39:10. | :39:10. | |
fantastic snooker. This game is not as easy as this, | :39:11. | :39:23. | |
let me just explain that! Amazing. Amazing. This crowd is witnessing | :39:24. | :39:30. | |
some of the best breaks I've ever seen. Ding Junhui absolutely on | :39:31. | :39:34. | |
fire. He doesn't realise it's the interval. He does now. He leads 9-3 | :39:35. | :39:44. | |
and smiles all the way. Nice shot. Alan McManus gets another frame on | :39:45. | :39:50. | |
the board. He's played it nicely. Played it lovely. Little trick shot. | :39:51. | :39:55. | |
Hold on, wait for the black. This time it's really close. There it is! | :39:56. | :40:00. | |
Finishes off with a trick shot. Wonderful break of 136. He takes a | :40:01. | :40:08. | |
bow. He's cueing well now. The old tartan | :40:09. | :40:12. | |
trousers are bringing him a bit of luck. | :40:13. | :40:17. | |
In goes the pink. And what a frame that may turn out to be for Alan | :40:18. | :40:25. | |
McManus. Well played. This has been a tremendous session of snooker from | :40:26. | :40:30. | |
both players. Four centuries from Ding in the first session. Five | :40:31. | :40:36. | |
centuries between them in this session. Go on. They want to see it. | :40:37. | :40:43. | |
They love a trick shot. Come on! It's close, go on. Ding shakes his | :40:44. | :40:52. | |
hand. What a session of snooker we've had. Ding Junhui leads 9 -7. | :40:53. | :41:00. | |
Eight centuries in this match so far, that equals the most ever made | :41:01. | :41:04. | |
in any match at The Crucible. Staggering. Five from Ding Junhui | :41:05. | :41:08. | |
and it looks like he could break the record for most made in a Crucible | :41:09. | :41:12. | |
semifinal. It's all going on. The story of the morning was Alan | :41:13. | :41:17. | |
McManus, what a response from a 45-year-old Scot! The story of the | :41:18. | :41:21. | |
tournament is Alan McManus. Every player he's played will probably | :41:22. | :41:25. | |
have looked at the draw thinking this is a decent draw, Alan McManus. | :41:26. | :41:29. | |
Maguire in the first round. Then Ali Carter. He's just played incredible | :41:30. | :41:35. | |
snooker. You go through a turnament and think, Alan will you know beat | :41:36. | :41:39. | |
people with tactical knowledge. But he's not, he's scoring as well. | :41:40. | :41:44. | |
Again, he was when he was in his prime, now again, a very tough | :41:45. | :41:49. | |
player to beat. It's 23 years since he was in his prime here. You played | :41:50. | :41:53. | |
him in the last semifinal he appeared in all those years ago. The | :41:54. | :41:58. | |
fluency has been what has taken people aback. Especially when | :41:59. | :42:02. | |
playing against Ding Junhui, knocking in century breaks all over | :42:03. | :42:05. | |
the place. These two players have played with a freedom that we | :42:06. | :42:09. | |
haven't seen so much in the other match. It was only at the end when | :42:10. | :42:14. | |
Marco Fu started to pot his way out of trouble. For a while they were | :42:15. | :42:18. | |
getting bogged down in their own tactical game. Mark Selby is in the | :42:19. | :42:23. | |
hole at the moment. He has to mentally recover. Marco Fu is | :42:24. | :42:26. | |
delighted he has made a few centuries to get going. The | :42:27. | :42:28. | |
fascination is the fact that some players seem to be playing with | :42:29. | :42:33. | |
freedom, as we speak in the semis, and some are struggling. You say | :42:34. | :42:37. | |
freedom but Ding Junhui has thrown everything at him. He's made five | :42:38. | :42:42. | |
centuries and is only two frames in front. That must unbalance you. | :42:43. | :42:47. | |
Yeah, it's worrying. You would think the tactical frames would all go | :42:48. | :42:51. | |
Alan's way, the scoring frames, some of them are also going Alan's way. | :42:52. | :42:55. | |
He has a great chance of winning this match. It's been a brilliant | :42:56. | :42:59. | |
day of semifinal action. I hope that you've enjoyed sharing it with, | :43:00. | :43:06. | |
well, the best two pundits, I think. 13 world titles between the two of | :43:07. | :43:10. | |
you. It doesn't get much better than that in terms of show us your medals | :43:11. | :43:15. | |
culture. Congratulations to our four players in the semis so far. It's | :43:16. | :43:18. | |
wonderful. You can continue to share all the excitement tonight. Jason | :43:19. | :43:24. | |
will be in the chair. Ding Junhui and Alan McManus resume 9-7 up to | :43:25. | :43:31. | |
the man from China. I'm sure they will bring the superglue just in | :43:32. | :43:32. | |
case. You never know! Bye-bye. | :43:33. | :43:39. |