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For 12 days, there were two stages upon which the Crucible drummer was | :00:34. | :00:39. | |
played, but in an overnight production worthy of applause in | :00:40. | :00:44. | |
itself, now there is one. One table, one title to be claimed upon it. -- | :00:45. | :00:51. | |
Crucible drama. What memories we have, going back 40 years of this | :00:52. | :00:56. | |
exact setup in the Crucible Theatre. All eyes on one table. 12 foot 6', | :00:57. | :01:03. | |
72 square feet, 6.6 metres squared, if you prefer. It is not the biggest | :01:04. | :01:10. | |
playing surface in world sport, but it is certainly the most intimate, | :01:11. | :01:14. | |
and over the next five days a possible 101 frames of snooker will | :01:15. | :01:19. | |
be played upon this, until we find our champion on Monday night. | :01:20. | :01:24. | |
Welcome to the semifinals of the bet Fred World Championships. ANNOUNCER: | :01:25. | :01:33. | |
Enter the Dragon, Ding Junhui. Congratulations to Ding Junhui, you | :01:34. | :01:37. | |
have beaten your idle and you are through to the semifinal. Almost | :01:38. | :01:40. | |
flawless snooker from the current world champion and he will be so | :01:41. | :01:45. | |
hard to beat. What a performance from John Higgins, he is through to | :01:46. | :01:49. | |
his eighth World Championships any final. Barry Hawkins absolutely | :01:50. | :01:54. | |
delighted to get into his fourth semifinal in five years. Well, if | :01:55. | :02:00. | |
ever there was a venue within a venue, it is this place, the | :02:01. | :02:04. | |
Crucible Theatre. Almost two venues within the one tournament, this is | :02:05. | :02:09. | |
when the real business starts. Can you remember your first final here, | :02:10. | :02:14. | |
1990? I'm surprised you can't remember the what happened? I. | :02:15. | :02:20. | |
People felt to realise you are only just over the tip of halfway, you | :02:21. | :02:25. | |
have played 36 frames to get here and if you want you have to play | :02:26. | :02:29. | |
another 35. Yes, I always considered the first three rounds to be almost | :02:30. | :02:34. | |
qualifying rounds. This is the biggest test was that are you | :02:35. | :02:38. | |
jealous? Extremely. Me too. Such a long two weeks, two and a | :02:39. | :02:52. | |
half weeks, so do try and maintain that form from start to finish is | :02:53. | :02:55. | |
very difficult. The way I have performed at the moment is probably | :02:56. | :02:58. | |
the perfect way if I could have planned it, just to play really good | :02:59. | :03:01. | |
match snooker the first two matches and then sort of pick-up as you go | :03:02. | :03:05. | |
along, as I did in the game against Marco. I just hope I haven't peaked | :03:06. | :03:15. | |
too soon. I am looking forward to that game against Mark Selby. The | :03:16. | :03:19. | |
thing is, he is a top player, he has been number one for a few years. | :03:20. | :03:28. | |
Everything is stronger than before. I will just play my game so that | :03:29. | :03:37. | |
will be OK. It will be a tough game against Ding, played him last time | :03:38. | :03:40. | |
in the final, playing him again at the one-table set-up, it will a | :03:41. | :03:45. | |
fantastic occasion. He is one of the greats of our game. The only thing | :03:46. | :03:48. | |
missing for him is the, world champion. It doesn't feel this time | :03:49. | :03:58. | |
a lot of pressure. When I'm playing well, it doesn't feel like that. If | :03:59. | :04:01. | |
you're not playing good, then you may be thing to much. Having all | :04:02. | :04:09. | |
that pressure from his country on his shoulders as well is not easy. | :04:10. | :04:11. | |
The game is hard enough without that. It has been difficult for him | :04:12. | :04:16. | |
but he is more than capable of winning any tournament he plays in | :04:17. | :04:21. | |
now, and especially this one. World number one Mark Selby and number | :04:22. | :04:25. | |
four, Ding Junhui, only seem to me these days on the grandest | :04:26. | :04:28. | |
occasions. The last three matches have all been finals, most notably | :04:29. | :04:31. | |
right here at the Crucible 12 months ago. But since then, he has claimed | :04:32. | :04:38. | |
the Shanghai Masters last September, but the following month he was | :04:39. | :04:46. | |
swamped by Selby Tanak -- he was swamped by Selby 10-1. Now they | :04:47. | :04:50. | |
cross queues again. Very much looking forward to seeing them doing | :04:51. | :04:55. | |
so, John Virgo and Ken Dougherty. They met in this final last year. In | :04:56. | :05:01. | |
what respects has things changed to them in the past 12 months? I think | :05:02. | :05:06. | |
Mark Selby has come in here and has proven he is the world number one by | :05:07. | :05:10. | |
a long way. You can't dispute that. The form he has shown has been | :05:11. | :05:16. | |
tremendous. What has happened to Ding Junhui, we know what happened | :05:17. | :05:20. | |
to running O'Sullivan all those years ago, and he has been his | :05:21. | :05:24. | |
nemesis of many years. All the people in China base Ding's | :05:25. | :05:29. | |
performances on whether he can beat Ronnie O'Sullivan, and the fact he | :05:30. | :05:32. | |
has now beaten him gives him a bit of impetus going in here, but what | :05:33. | :05:35. | |
he can't afford to do, which he did in the final last year, lose the | :05:36. | :05:40. | |
first six frames, because Mark Selby is looking rock solid. He sure does. | :05:41. | :05:45. | |
Mark Selby was in the arena earlier this morning with his wife and | :05:46. | :05:48. | |
daughter, and his great friend and wing man Bobby, and they looked so | :05:49. | :05:53. | |
relaxed actually. But John makes a very good point, Ding will | :05:54. | :05:58. | |
appreciate the importance of his start and I wonder how much that win | :05:59. | :06:01. | |
over Ronnie will give him the Phillips said he might need today? | :06:02. | :06:05. | |
That is the interesting question, plus the fact he doesn't have a | :06:06. | :06:10. | |
hangover from yesterday. He climbed Everest against a O'Sullivan and he | :06:11. | :06:14. | |
has to do it again against Selby. There will be a completely different | :06:15. | :06:17. | |
proposition. Because of the scars from last year's final as well. It | :06:18. | :06:21. | |
will be interesting to see what confidence Ding derived from that | :06:22. | :06:25. | |
match. He came into the studio and he was very happy, very relaxed, and | :06:26. | :06:30. | |
his snooker has been fantastic. He is one of the best scorers in the | :06:31. | :06:33. | |
business and Mark Selby has been growing into this tournament, | :06:34. | :06:35. | |
getting better and better each round. This is going to be a | :06:36. | :06:41. | |
cracking match. As for economy of effort, does it have any bearing as | :06:42. | :06:46. | |
we come into the semifinal? I don't think so. These guys practice three | :06:47. | :06:51. | |
or four hours a day. I don't think that will really affect him. I think | :06:52. | :06:57. | |
Ding should be on a high. Maybe we should give Terry Griffiths a bit of | :06:58. | :07:02. | |
credit here. Absolutely. Ding used to sit there in his chair looking | :07:03. | :07:06. | |
like he was beaten, and Terry has got into his head and made him come | :07:07. | :07:12. | |
you know, fight. In fact, Terry has two semifinalists here with Barry | :07:13. | :07:19. | |
Hawkins in the other semifinal. A possible 33 frames to play over four | :07:20. | :07:24. | |
sessions. Rob Walker just has two introductions to make, but as usual | :07:25. | :07:30. | |
he will make them count. ANNOUNCER: Good afternoon ladies and gentlemen, | :07:31. | :07:34. | |
just the one table, such a special time here at the Crucible. | :07:35. | :07:39. | |
Semifinals at the bet Fred World Snooker Championship, barely gets | :07:40. | :07:44. | |
any better. What a match to start things off, it is a rerun of last | :07:45. | :07:46. | |
year's final. CHEERING Please welcome, the man who has, | :07:47. | :08:12. | |
without doubt, inspired a generation of snooker fans and players back | :08:13. | :08:17. | |
home. He is emerging for his third Crucible semifinal, after one of the | :08:18. | :08:22. | |
most significant victories of his career yesterday. He was absolutely | :08:23. | :08:26. | |
brilliant against the Rocket. He is a national hero back home and there | :08:27. | :08:30. | |
will be millions watching this live. So, enter the Dragon, Ding Junhui! | :08:31. | :08:35. | |
CHEERING And, his opponent, the undisputed | :08:36. | :09:00. | |
world number one for the last two years. The secured his fifth | :09:01. | :09:07. | |
Crucible semifinal yesterday with a display of absolutely sublime | :09:08. | :09:09. | |
snooker. Arguably the best we have seen from him here at the Crucible. | :09:10. | :09:15. | |
Reigning UK champion, defending world champion, the Jester from | :09:16. | :09:19. | |
Leicester, Mark Selby! CHEERING So the opening frames to play this | :09:20. | :09:41. | |
afternoon in our first semifinal, a three-day drama featuring Mark Selby | :09:42. | :09:44. | |
and Ding Junhui gets underway. Ken and John, these are the moments they | :09:45. | :09:46. | |
play for. COMMENTATOR: Yes, they certainly | :09:47. | :09:56. | |
are, the one-table situation at the Crucible Theatre. No better venue in | :09:57. | :10:02. | |
snooker. And the atmosphere, you can just feel it, Ken, can't you, sort | :10:03. | :10:08. | |
of that tenseness there. Yes, absolutely fantastic, John. Thank | :10:09. | :10:12. | |
you, ladies and gentlemen, the first frame. Ding Junhui the break. Nice | :10:13. | :10:16. | |
round of applause. Ding Junhui gets this semifinal off | :10:17. | :10:34. | |
and running. And we will just have a look at if you stats, just to give | :10:35. | :10:40. | |
you a flavour of it. Look at that, tournament pot success, 92% for both | :10:41. | :10:47. | |
players. Long pot success, I'm looking about mid-60s. Mark Selby | :10:48. | :10:53. | |
gets there, Ding Junhui just lightly below. Please make sure your phones | :10:54. | :10:58. | |
are switched off. There is way is one phone, isn't there? Tournament | :10:59. | :11:04. | |
success, it should be 90%, but they are such good long potters, these | :11:05. | :11:11. | |
players, so it puts pressure on. And the Huybrechts. -- the high breaks. | :11:12. | :11:19. | |
That doesn't tell the full story because that final session yesterday | :11:20. | :11:26. | |
that Mark Selby played was just as good as snooker as you will ever see | :11:27. | :11:28. | |
at the World Championship. And someone once said that the World | :11:29. | :11:44. | |
Championship was a marathon of the mind. It is certainly a marathon, | :11:45. | :11:50. | |
because this is the 500th frame being played in this year's that | :11:51. | :11:55. | |
Fred World Championship. APPLAUSE Good safety from Mark. | :11:56. | :12:19. | |
Certainly doesn't look to be an easy path back Selby to baulk, for Ding | :12:20. | :12:39. | |
Junhui. He has played the containing safety. Well, it's not too bad. It's | :12:40. | :12:46. | |
not brilliant, but he's not left anything easy. And, from that | :12:47. | :12:51. | |
situation, that's all he could hope for. | :12:52. | :13:25. | |
Another excellent links with the cue ball. -- excellent links with the | :13:26. | :13:34. | |
cue ball. Needed a thin contact. Foul. Mark | :13:35. | :13:58. | |
Selby, four. Well, there is a pot on here. If there is a cat pillow, I | :13:59. | :14:04. | |
think Mark would take it on, but that red near the top cushion, is a | :14:05. | :14:11. | |
danger. Not much of a gap here. He needs to be very accurate with this | :14:12. | :14:16. | |
one. Must be going for the pot, otherwise he would have had it | :14:17. | :14:19. | |
replaced. APPLAUSE Good shot. Played it positively, | :14:20. | :14:24. | |
stays short of the baulk line. Yes, nice pot, wasn't it? And he is | :14:25. | :14:40. | |
nicely on green or yellow here. The red above the black, he will be | :14:41. | :14:46. | |
trying to get on that red, into the left-hand corner pocket. There are a | :14:47. | :14:54. | |
couple of other roads available as well, but that would flee Orton free | :14:55. | :15:04. | |
up the black -- a couple of other reds. | :15:05. | :15:25. | |
I think he would have loved to have been a little bit straighter on this | :15:26. | :15:31. | |
red, on the black and closer to it, the screw back into the same pocket. | :15:32. | :15:43. | |
But he looks to have played that inch perfect. Absolutely perfect. | :15:44. | :15:59. | |
Slight problem here, in potting this black, he is just going to nudge the | :16:00. | :16:10. | |
red. He may just leave himself one of the reds into the cushion. He did | :16:11. | :16:17. | |
avoid the kiss, but it's not good, this. I think he was expecting a | :16:18. | :16:25. | |
little kiss, wasn't it, John? Didn't get it. He is going to come around | :16:26. | :16:41. | |
and have a look at the pack. He needs to hit the pink ear, full | :16:42. | :16:46. | |
ball. It is a little bit away from the red as well, he has just got to | :16:47. | :16:53. | |
hit it absolutely perfect. Oh, how is his luck here? I think he has got | :16:54. | :17:02. | |
one to the left corner, but he has hit the pink absolutely perfect. You | :17:03. | :17:06. | |
couldn't have fitted better than that. But he just caught this red, | :17:07. | :17:11. | |
you see, just nudged the cue ball of the table. But he's OK, he can just | :17:12. | :17:20. | |
cue passed the pink. -- you couldn't have hit it better than that. | :17:21. | :17:28. | |
He gets to 70 points in this frame, snookers will be required. Another | :17:29. | :17:32. | |
40 needed. And, at the moment, Mark Selby has | :17:33. | :17:44. | |
got the cue ball on a string. The table looks to be playing lovely and | :17:45. | :17:52. | |
quick. And those few frames yesterday in that session of snooker | :17:53. | :17:56. | |
against Marco Fu, some of the breaks he made, particularly the 143, was | :17:57. | :18:01. | |
quite incredible, one of the best breaks I think we've ever seen in | :18:02. | :18:04. | |
these championships. We have been blessed with a lot of great | :18:05. | :18:10. | |
memories, but that 143 yesterday, some of the pots were just the sign | :18:11. | :18:14. | |
of a guy with plenty of confidence, in complete control. Yeah, and the | :18:15. | :18:22. | |
belief that he can pot anything. And, of course, if you've got great | :18:23. | :18:28. | |
belief in your potting ability, you can always concentrate that little | :18:29. | :18:32. | |
bit more on controlling the cue ball. Getting into position. This is | :18:33. | :18:37. | |
a delicate little shot, this, to drop this in, and I presume he will | :18:38. | :18:40. | |
try to hold for the black in the opposite corner. | :18:41. | :18:54. | |
Played at too delicately. It was a delicate one. | :18:55. | :19:04. | |
It is hard to believe that he could hit it that softly with the long | :19:05. | :19:07. | |
extension. Because the black didn't go into the | :19:08. | :19:24. | |
middle of the pocket, he didn't get the desired connection on that red. | :19:25. | :19:28. | |
He tried to stun into that red full ball. You can see he hit a half | :19:29. | :19:34. | |
ball, slightly out of position now. He can pot this red, but the cue | :19:35. | :19:38. | |
ball is running into the red just below it, so he has got to rely on a | :19:39. | :19:47. | |
little bit of luck, here. Two for the price of one. There you go. But, | :19:48. | :19:53. | |
in all fairness, he will be pleased to see that red that went along the | :19:54. | :19:58. | |
top cushion and dropped in, because he's not really on a colour, and if | :19:59. | :20:02. | |
that red had stayed over a corner pocket, which it could have done, he | :20:03. | :20:12. | |
would have had no safety. Well, he's got to be very careful here. He's | :20:13. | :20:21. | |
got to find the cue ball back to. He's digging down. His play that | :20:22. | :20:28. | |
pretty well. Good start from Mark Selby. He'd be disappointed he | :20:29. | :20:30. | |
didn't when the final, that visit. Not much Ding Junhui can do here, | :20:31. | :21:01. | |
but he would like to get this cue ball fightback on this top cushion. | :21:02. | :21:08. | |
And that's very well played -- tight back on this top cushion. It might | :21:09. | :21:14. | |
look like a nothing short, but that's given Mark Selby a slight | :21:15. | :21:15. | |
problem here, to get this safe. I think if you can get the cue ball | :21:16. | :21:38. | |
up somewhere near the green pocket, it's not straightforward, this, but | :21:39. | :21:40. | |
anywhere in the vicinity of the green pocket, he may block the red | :21:41. | :21:45. | |
that's between the ball colours and the blue. That's what he is coming | :21:46. | :21:47. | |
to have a look at now. But of course with the cue ball in | :21:48. | :22:07. | |
that area, he is going to leave a straightforward safety shot, left of | :22:08. | :22:16. | |
the yellow. He is in a bit of a predicament here. | :22:17. | :22:33. | |
He's gone down the other side. That brown has come to his rescue. It | :22:34. | :22:42. | |
blocked the path of the red into the red centre. Yes, only just, though. | :22:43. | :23:04. | |
Played that well, and particularly if he's covered the red to the | :23:05. | :23:14. | |
middle, with the brown, and the red near the baulk line with the green | :23:15. | :23:17. | |
committee could not have played that any better. It's advantage Ding in | :23:18. | :23:22. | |
this safety exchange, no doubt about that. That's Mark's view of those | :23:23. | :23:35. | |
two reds I was talking about. OK, you can just get past the yellow, | :23:36. | :23:38. | |
but not much you can do with that red. He is just having a look at | :23:39. | :23:45. | |
that one. He might try and cut it towards the right centre. It will | :23:46. | :23:49. | |
certainly pass the red that's closest to the right centre, if he | :23:50. | :23:53. | |
doesn't pot it direct, it might go in of the red. No, he hasn't had | :23:54. | :24:02. | |
that too good. He will leave a chance now for Ding Junhui. -- | :24:03. | :24:07. | |
hasn't hit that too good. So Ding's first pot in this | :24:08. | :24:36. | |
semifinal. A chance that he didn't think he was going to get, when Mark | :24:37. | :24:38. | |
Selby was in earlier. Yes, and we were talking just before | :24:39. | :24:56. | |
the match, when they played in last year's final, Ding Junhui lost the | :24:57. | :25:00. | |
first six frames, and did well to close the gap, but lost because he | :25:01. | :25:08. | |
just left himself with too much to do, even though this is the first | :25:09. | :25:15. | |
frame of a best of 33, its massive for Ding Junhui. Because Mark Selby, | :25:16. | :25:21. | |
when he was in, looked very confident. If Ding Junhui could win | :25:22. | :25:29. | |
this frame on this visit, it would certainly put a marker down. Yeah, | :25:30. | :25:39. | |
it's going to be interesting to see how much confidence that fantastic | :25:40. | :25:42. | |
win against Ronnie O'Sullivan, his hero, in the previous round, what it | :25:43. | :25:47. | |
will do for Ding Junhui's confidence. | :25:48. | :26:35. | |
He might go for Brunel, or -- he might go for blue or full colour. -- | :26:36. | :26:55. | |
baulk colour. He didn't play that well but it shouldn't be a problem, | :26:56. | :27:00. | |
so long as he avoids a kiss on pink or black. He would rather have been | :27:01. | :27:14. | |
straight on this red. Coming off two cushions, he is striking low, maybe | :27:15. | :27:20. | |
he can hold. So this is the key shot, and, in all honesty, he's not | :27:21. | :27:27. | |
perfect on any colour here. He wanted to have good close position | :27:28. | :27:30. | |
on this last red. He's not certain to get it off the blue. Yes, he | :27:31. | :27:36. | |
really wanted to be down for brown or green off that red that was close | :27:37. | :27:41. | |
to the right centre pocket, so he's going to negotiate the cue ball of | :27:42. | :27:47. | |
this top cushion, side cushion, back beside the red, and he's got into | :27:48. | :27:52. | |
that too much. Needs to slow up. It's not too bad. So, big shot with | :27:53. | :27:54. | |
the rest now. I'm just having a look at the stats, | :27:55. | :28:04. | |
we've got stats for everything in the tournament. Rest pot success, | :28:05. | :28:15. | |
82%. He could do with this one, could be the frame when. APPLAUSE | :28:16. | :28:24. | |
In it goes. Perfect on the brown. -- could be the frame-winner. Points | :28:25. | :28:25. | |
all square. Of this all came about from the | :28:26. | :28:50. | |
wonderful safety shot. He put Mark Selby in a lot of trouble. It looked | :28:51. | :28:54. | |
a very simple shot. It was very clever, the way he covered the red | :28:55. | :28:58. | |
over the right centre, kept the cue ball tight to the baulk cushion, and | :28:59. | :29:08. | |
he's reaping the rewards now. Mark Selby will be very disappointed, | :29:09. | :29:14. | |
John. He was in. Should have won the frame from that visit. Just the | :29:15. | :29:20. | |
blue. APPLAUSE That puts him 18 points in front | :29:21. | :29:26. | |
with 14 remaining, but not for long. Mark Selby was in, and as Ken said, | :29:27. | :29:30. | |
he just ran out of position at a vital time. They had a safety | :29:31. | :29:35. | |
exchange, which Ding Junhui won, which created this opportunity, and | :29:36. | :29:40. | |
hasn't he taken these well? Wonderful first frame. If the rest | :29:41. | :29:45. | |
of the match is like that, we're in for a cracker. Ding Junhui wins the | :29:46. | :29:49. | |
first frame 1-0. APPLAUSE We are in the practice room. | :29:50. | :30:01. | |
Anything we can help you with, send in your videos or contact us. | :30:02. | :30:10. | |
Thank you, John. We have got ourselves a ringside seat. This is | :30:11. | :30:14. | |
where it is all going to happen. We have a fantastic view. A signal from | :30:15. | :30:21. | |
Ding Junhui, he was bullied in that final, was losing 6-0. He will not | :30:22. | :30:27. | |
be bullied this time? That was a massive first frame. Fantastic | :30:28. | :30:31. | |
break. He looked cool as a cucumber. Mark Selby had the air of somebody | :30:32. | :30:35. | |
who was going to clear the table. The aura he has had all tournament. | :30:36. | :30:41. | |
Ding hit a fantastic safety shot. This was a simple enough shot but | :30:42. | :30:47. | |
there was pressure on it. He will do -- remember being 6-0 down last | :30:48. | :30:51. | |
year. That was magnificent. It really was. Very impressed with that | :30:52. | :30:57. | |
clearance by Ding Junhui. It looked Serena. Fantastic atmosphere. They | :30:58. | :31:04. | |
have both been in semifinals. Physically getting used to the | :31:05. | :31:10. | |
arena? Yeah. There are no sign of nerves. | :31:11. | :31:28. | |
So, Mark Selby breaks off in this second frame. He will be | :31:29. | :31:37. | |
disappointed he didn't win the first frame from that first visit. As | :31:38. | :31:40. | |
Stephen Hendry said in the studio, he did look very calm. He has an | :31:41. | :31:45. | |
aura about him when he is walking around the table, he looked as if he | :31:46. | :31:49. | |
is going to clear the table. It didn't work out that way. | :31:50. | :31:58. | |
The one thing with that kind of shot from Ding Junhui, is he going to | :31:59. | :32:09. | |
miss it? That why -- that is why I always think 66% is about right for | :32:10. | :32:17. | |
a long pot success. Ding Junhui is just below that. That would be OK | :32:18. | :32:22. | |
for me. That type of shot that thing played, not too thin, not too thick. | :32:23. | :32:39. | |
Wonderful shot. You don't get much better than that. That will improve | :32:40. | :32:46. | |
his stats. Excellent opening red. Have a look at this. Great cueing. | :32:47. | :32:58. | |
Is the red to the left of the pink on to the right centre? Not from | :32:59. | :33:03. | |
that of shot. A little kiss on this red. It is not great. | :33:04. | :33:23. | |
That is not a bad positional shot, John! Yeah, for a moment it looked | :33:24. | :33:55. | |
as if he was on nothing. And suddenly this red appeared from | :33:56. | :33:56. | |
nowhere. Couldn't have hit that any better. | :33:57. | :34:23. | |
Fantastic shot. Again, pink, full ball, required. He has a look. Not | :34:24. | :34:36. | |
great. It could have been a lot better. That's a couple of times he | :34:37. | :34:48. | |
has hit the pink perfect. You always need some luck. You need the black | :34:49. | :34:56. | |
not to be tied up and a nice straightforward red. He doesn't have | :34:57. | :34:57. | |
that here. He can cut this red into the corner. | :34:58. | :35:24. | |
Using a spider. He will have to play a very good shot era. I don't think | :35:25. | :35:31. | |
you can hold for the black. You have to find the gap to go for a blue or | :35:32. | :35:44. | |
baulk colour. Very difficult. I don't blame him for not liking this. | :35:45. | :35:50. | |
But this is the way the modern game is played. You get a chance, you try | :35:51. | :36:01. | |
to win the frame in one visit. Look at the amount of right-hand side he | :36:02. | :36:03. | |
is potting on his cue ball. I'm just looking at the red. Would | :36:04. | :36:21. | |
it not be a better choice to pot it into the right-hand pocket? The fear | :36:22. | :36:28. | |
is he may leave this red he is playing. No guarantee to be on a | :36:29. | :36:31. | |
colour here. Well, it's rolled backwards on the | :36:32. | :36:48. | |
pink. It is not as easy as it looks on your screens. But he can drop it | :36:49. | :36:53. | |
in. He did well to find the gap using the spider. | :36:54. | :37:07. | |
He is taking the blue. Watto shot! -- what a shot! It shows the sign of | :37:08. | :37:26. | |
a very confident player. That was magnificent. | :37:27. | :37:37. | |
Nice angle on the black. In potting the black he can move the red to the | :37:38. | :37:41. | |
left of it. That is OK. Now he clears the black | :37:42. | :37:50. | |
into both pockets. This has been a wonderful start from | :37:51. | :38:29. | |
both players, John. They looked in fine fettle. -- look. Yes. And at | :38:30. | :38:43. | |
the moment both players' pot success, 100%. Neither player has | :38:44. | :38:46. | |
missed a ball yet that they have gone for. A tough school. It is not | :38:47. | :38:57. | |
often you see that. But doesn't that just some snooker | :38:58. | :39:14. | |
up? When you are set in your chair, there is nothing you can do about | :39:15. | :39:19. | |
it. We always say, and it is true, you have no right to reply. Just sit | :39:20. | :39:23. | |
there and watch it. He has just missed a cannon. Is there a planned | :39:24. | :39:31. | |
to save him? Fortunate if there is. -- plant. I don't know if you can | :39:32. | :39:43. | |
make it. There are two plants. There is some distance between these reds. | :39:44. | :39:50. | |
Yes, he could make it. Now 68 points in front. With 75 | :39:51. | :40:11. | |
remaining. He is only looking for one more red. And it doesn't go? I | :40:12. | :40:22. | |
don't think that goes. So this frame is not over yet. That is hard to | :40:23. | :40:35. | |
believe, after playing some in a good shots in this break. Just one | :40:36. | :40:39. | |
slight lack of concentration when he could have hit this a lot harder. | :40:40. | :40:46. | |
Just the little kiss on the red has cost him winning the frame in this | :40:47. | :40:58. | |
visit. He is going to leave a chance for Ding Junhui. OK, it has got to | :40:59. | :41:03. | |
be a long pot row. But it is a chance he didn't think he was going | :41:04. | :41:05. | |
to get. He has left a possible pot for a | :41:06. | :41:35. | |
mark into this right corner. And remember, he only needs the red. The | :41:36. | :41:41. | |
red will put him 69 points in front, with just 67 remaining. | :41:42. | :41:52. | |
He has missed one. Now, what can Dean do? -- ding. This red is very | :41:53. | :42:04. | |
straight. Yes, this was a terrific opening | :42:05. | :42:38. | |
red. Because he wants to get the cue ball away from the side-cushion, you | :42:39. | :42:41. | |
have the tendency to pinch a bit. But he made certain of the pot. He | :42:42. | :42:46. | |
will probably have to cannon into the three reds here. Not too hard. | :42:47. | :42:53. | |
Yes, that is where he would love to put the cue ball. That is not too | :42:54. | :43:01. | |
bad. He has not the red towards the right centre. He has put those two | :43:02. | :43:07. | |
reds into a portable position as well. Yes, and he has got viewpoints | :43:08. | :43:18. | |
to play with. -- a few points. He will have to concentrate on these | :43:19. | :43:23. | |
few Mac -- few reds on the black. He has overhead this. He has overhead | :43:24. | :43:29. | |
that. A little bit of adrenaline there. OK, it may be OK. In potting | :43:30. | :43:38. | |
this he will run into the other red, which will hold the cue ball at this | :43:39. | :43:50. | |
end. But he has not fair red close to the side-cushion, not what he | :43:51. | :43:51. | |
wanted. -- he has knocked a red. 46 behind, 51 remaining. It is not | :43:52. | :44:14. | |
ideal on this red. He wanted to be a bit straighter and so he could screw | :44:15. | :44:17. | |
back down for the black. He has to be careful. No. You see, that red | :44:18. | :44:29. | |
below the black is just in his way slightly. He was concentrating so | :44:30. | :44:37. | |
much done missing that red and not on the pot itself. | :44:38. | :44:51. | |
He just needed the red but he deemed it too dangerous to go for. I don't | :44:52. | :44:59. | |
blame them. He has got a good cue ball. Ding Junhui asked to play a | :45:00. | :45:07. | |
good safety here. He has to catch this red just right. | :45:08. | :45:26. | |
He is saved by the blue. He was fortunate there. | :45:27. | :45:44. | |
Yes, and of course being 46 points in the lead, Mark Selby doesn't | :45:45. | :45:52. | |
really like the idea of taking this red away from the black because it | :45:53. | :46:02. | |
is in a safe position. It looks like he is just going to roll the cue | :46:03. | :46:05. | |
ball down towards this bottom right-hand corner pocket. | :46:06. | :46:14. | |
Very clever. He didn't want to take the red off the cushion. He wanted | :46:15. | :46:23. | |
to keep it there. That is his insurance policy. And of course with | :46:24. | :46:29. | |
the black tide up as well, it doesn't help Ding Junhui's chances. | :46:30. | :46:50. | |
He could be taking this red on. If he parts the red he is in front by | :46:51. | :47:09. | |
46. With only 47 remaining. He has drifted by the yellow. It is a good | :47:10. | :47:16. | |
cue ball. Ding Junhui with a problem. OK, the red in the middle | :47:17. | :47:25. | |
of the table will pot. Being 46 points behind with only 51 | :47:26. | :47:29. | |
remaining, he needs these high value colours. He could overcome at it. | :47:30. | :47:38. | |
Played thin. But he has to avoid this red on the left-hand | :47:39. | :47:47. | |
side-cushion. Hankey did. He played it well. If he misses the yellow, | :47:48. | :47:53. | |
excellent. The little flick was no harm there. | :47:54. | :48:14. | |
It must be noticeable in the last frame and in this one, and it is | :48:15. | :48:21. | |
something Ding Junhui has to do in this match, is compete in the safety | :48:22. | :48:26. | |
exchanges. And so far he is doing it. I couldn't agree more. He got a | :48:27. | :48:34. | |
double-kiss but it doesn't make much of a difference. But here, when you | :48:35. | :48:44. | |
play somebody like Mark Selby, safety has got to be spot on. He is | :48:45. | :48:54. | |
so clever. He didn't play the pot there. He has hit it too thin. By | :48:55. | :49:04. | |
getting so close he has left the chance of a pot for Mark. He needs | :49:05. | :49:08. | |
the red to get to snooker is required. -- snookers. | :49:09. | :49:19. | |
There may be an opportunity for Ding Junhui. He has not even looked at | :49:20. | :49:25. | |
it. I would have thought, try to play safe of the red on the black, | :49:26. | :49:29. | |
bring the black into play. Why not? OK, it's safe enough. But I couldn't | :49:30. | :49:48. | |
have turned that down, I have to be honest with you. That was a good | :49:49. | :49:53. | |
opportunity to bring black and red into play. He has played a decent | :49:54. | :49:59. | |
safety shot there. He has knocked the red into the baulk area. The | :50:00. | :50:01. | |
brown is kind of blocking it. If he did decide to play the pot, he | :50:02. | :50:39. | |
could play the run-through, go back down the table and get position on | :50:40. | :50:42. | |
the blue. But it is such a tough shot. He can roll up to the red | :50:43. | :50:57. | |
beside the black and knock the red away from the cushion. There is his | :50:58. | :51:02. | |
view. He is going to do what Ken suggested, roll up to this red. He | :51:03. | :51:12. | |
played the cushion first. Clever shot. At least he has brought the | :51:13. | :51:20. | |
black into play. I'm just wondering, Ken, will mark be tempted by a | :51:21. | :51:24. | |
double? The red on the right-hand cushion. He has not looked at it. | :51:25. | :51:29. | |
But the only needs the red, remember. He contemplated it but the | :51:30. | :51:39. | |
fact that that red is tied to the cautioned... Maybe he is looking. He | :51:40. | :51:43. | |
is looking at doubling this red off the side-cushion into the green | :51:44. | :51:45. | |
pocket. It is there. It is close, it is very | :51:46. | :52:05. | |
close! What a shot this is! That is magnificent. Such a clever shot. | :52:06. | :52:22. | |
Absolutely superb. He is a great cue man. He won the world 8-ball | :52:23. | :52:35. | |
championship. The frame is well and truly over now. Can he pot the | :52:36. | :52:43. | |
brown, Cannes the red? He missed the brown. Another very interesting | :52:44. | :52:51. | |
frame. Ding Junhui looked as if he had a chance. But excellent double | :52:52. | :52:55. | |
from Mark Selby clinched it. 1-1. I'd tell you what, if it is | :52:56. | :53:01. | |
going to be like this, fantastic. Bring it on. How close to peak | :53:02. | :53:07. | |
performance is Mark Selby in this championship? Holed, very. He is | :53:08. | :53:14. | |
walking around the table with the air of a man who is absolutely | :53:15. | :53:17. | |
buzzing. If that is the standard we are going to get in two frames, it | :53:18. | :53:22. | |
has been super. Both players look really sharp. Can you identify with | :53:23. | :53:27. | |
that peak level? And do you see something of yourself in Mark Selby? | :53:28. | :53:35. | |
Very much so. I keep try to find reasons why he will not win this and | :53:36. | :53:39. | |
I can't find one. I commented yesterday on his session, it was | :53:40. | :53:43. | |
some of the best snooker I had seen. This is a typical Mark Selby shot. | :53:44. | :53:50. | |
It just clever. It is maybe a two out of 20 shot. We saw a break of | :53:51. | :53:57. | |
143 yesterday. That is the best break I have seen since I started | :53:58. | :54:01. | |
working in snooker. Even better than 147. Having made 143 from there was | :54:02. | :54:06. | |
outstanding. Having done that, how does it make you feel? Just | :54:07. | :54:12. | |
unbeatable. He has almost an air of the expects to win this. One frame | :54:13. | :54:14. | |
at peace. Absolutely engrossing. We have one of these situations | :54:15. | :54:32. | |
where, whoever gets in, you fancy could win the frame in one visit. It | :54:33. | :54:36. | |
will all be about cue ball control. I don't fancy them missing a pot. It | :54:37. | :54:42. | |
is about keeping good control of the cue ball. Yeah. I totally agree. And | :54:43. | :54:53. | |
I agree with the lads in the studio. Both players playing at their peak. | :54:54. | :55:21. | |
A chance of this long red into the left corner pocket. Hold on... Azi. | :55:22. | :55:44. | |
The cover? -- has he got the cover? There may be a gap between yellow | :55:45. | :55:46. | |
and brown. He is on the brown. But no | :55:47. | :56:19. | |
guarantee. He has to really get into this if he is going to play for | :56:20. | :56:24. | |
those two reds around the black spot area. The black is out of | :56:25. | :56:31. | |
commission. The paint is out of commission. Where is the cue ball | :56:32. | :56:34. | |
going? Oh! He couldn't get into it too much | :56:35. | :56:51. | |
because of the yellow. He was trying to get this side of the middle | :56:52. | :56:56. | |
pocket. He was lucky not to go in and off. | :56:57. | :57:07. | |
Yeah, the fact the cue ball was so close to the cushion made that pot a | :57:08. | :57:12. | |
little bit more tricky. Playing off these reds will bring | :57:13. | :57:31. | |
the black into play. He needs some help here. He didn't | :57:32. | :58:12. | |
expect a kiss onto the second red. He has left this red on. He is not | :58:13. | :58:20. | |
guaranteed position. The paint is still tied up. The black near the | :58:21. | :58:25. | |
top-cushion. But he can't play for that. -- the pink is still tied up. | :58:26. | :58:31. | |
Can he get position? A thin blue. The red to the left of | :58:32. | :59:10. | |
the pink will be available. But because he can't play for the pink, | :59:11. | :59:14. | |
he can't play for the black, he will be playing for the blue. If he is | :59:15. | :59:18. | |
straight enough he can screw direct. If not, he will have two avoid the | :59:19. | :59:27. | |
red on the left side-cushion. In doing that, he is not on the blue. | :59:28. | :59:39. | |
Well, not to the middle anyway. He can drop it into this bottom | :59:40. | :59:43. | |
right-hand corner pocket. The two reds at the bottom of the pack would | :59:44. | :59:50. | |
go into the corner pocket. A slightly heavy contact. Easy on the | :59:51. | :59:59. | |
red no? -- is he on the red now? May be another plant. It looks like he | :00:00. | :00:04. | |
can make it. In hitting that first red onto the second red, the first | :00:05. | :00:09. | |
one will go into the pack and bring some order into play. This could | :00:10. | :00:10. | |
work out a treat. APPLAUSE | :00:11. | :00:25. | |
Nice shot. Needs to get top side with the blue. | :00:26. | :00:47. | |
He doesn't want to risk playing for the black, but may have no | :00:48. | :00:56. | |
alternative now. So whenever these are just off the cushion, these are | :00:57. | :00:59. | |
missable. You've got to be so accurate with the shot. Got to be so | :01:00. | :01:11. | |
accurate, as I say. In the main, these players make those shots look | :01:12. | :01:14. | |
so easy but when they are just off the cushion, you just catch the near | :01:15. | :01:19. | |
jaw, they're not going to drop. Yes, particularly with a bit of pace as | :01:20. | :01:26. | |
well, which he had to inject into the cue ball to get it out for the | :01:27. | :01:40. | |
red. Ding trying to bring some reds into play with that red he's got a | :01:41. | :01:48. | |
nice angle on the black year. Into the pack of roads. Needs a bit of | :01:49. | :01:50. | |
luck. Didn't get any luck. Looking at the | :01:51. | :02:12. | |
possibility of playing a double. As I say, this is the modern-day | :02:13. | :02:19. | |
snooker player, they are looking for a way they can win the frame in one | :02:20. | :02:27. | |
visit. If this is the only red he can leave, the one he is trying to | :02:28. | :02:30. | |
double, then fair comment, but if he's going to leave another red, | :02:31. | :02:36. | |
it's a very risky shot to take on. Taking it on he is. And getting it. | :02:37. | :02:42. | |
APPLAUSE I am sure when he hit it he didn't | :02:43. | :03:26. | |
expect it to drop. That little kiss on the red as well, | :03:27. | :03:42. | |
helped the cue ball, that red into the centre, now a good chance, a | :03:43. | :03:51. | |
couple of reds close to the thing. He could put the cue ball in an area | :03:52. | :03:55. | |
here and he could be on a couple of reds. | :03:56. | :04:05. | |
I think he played for that red. The right middle. But obviously there is | :04:06. | :04:13. | |
a red below the pink that goes, so maybe he didn't play for that red. | :04:14. | :04:21. | |
Whatever he played for, he was nicely on that one. Just three | :04:22. | :04:27. | |
points behind now, with black to come. | :04:28. | :04:40. | |
He's OK. He would have preferred the red to the right corner, but he's | :04:41. | :04:51. | |
got the red to the right middle. Looking for another 33 points from | :04:52. | :04:52. | |
this situation. It will fall nicely for the thing. | :04:53. | :05:10. | |
But he's going to need four more of these reds to clinch it at this | :05:11. | :05:16. | |
visit. Three right in the middle of the table shouldn't be a problem. We | :05:17. | :05:29. | |
saw Mark Selby negotiate a wonderful double two in the frame in his | :05:30. | :05:36. | |
previous game. Ding Junhui that double could prove the difference. | :05:37. | :05:48. | |
As John said, doesn't need that red that's close to the left-hand side | :05:49. | :05:52. | |
cushion. It's the perfect double here. Excellent shot. | :05:53. | :06:05. | |
He's looking very confident, Ding Junhui, and when he's confident, is | :06:06. | :06:13. | |
a wonderful player to watch. He's got a lovely touch in and around the | :06:14. | :06:23. | |
black spot area. He's got great control, hasn't he? Cue ball control | :06:24. | :06:28. | |
is going to be key, I feel. Average uptime 22 seconds. -- shot time. | :06:29. | :06:37. | |
Just needs to run a little bit, just a bit short of pace. He's looking | :06:38. | :06:50. | |
for red cover, and one more red. In fact, two raids, two colours. -- two | :06:51. | :06:58. | |
reds. APPLAUSE Now it's all about this blue, and | :06:59. | :07:05. | |
getting on the red. He may have the angle on the blue here, as we watch | :07:06. | :07:10. | |
that red go in. No, he's screwing for the one on the right-hand side | :07:11. | :07:14. | |
of the table. Still needs a red and a after this. Played it perfectly. | :07:15. | :07:18. | |
Wonderful shot. APPLAUSE 31 points the lead, 43 points | :07:19. | :07:34. | |
remaining at the moment. Now 35 points remaining, and this together | :07:35. | :07:37. | |
38 points in front. No way back to the table now for | :07:38. | :08:23. | |
Mark Selby. It has been 60 or above in each frame so far, but this has | :08:24. | :08:24. | |
been a wonderful break. He's looking very sharp, isn't he, | :08:25. | :08:48. | |
Ken? He certainly is. Both players have laid down a marker for the rest | :08:49. | :08:51. | |
of the semifinal, if it's going to continue in this form. | :08:52. | :09:03. | |
If you people are asking what sort of reaction would we get from Ding | :09:04. | :09:08. | |
Junhui, after that epic match he had with Ronnie O'Sullivan. I think what | :09:09. | :09:14. | |
I thought at the time, it just gave him great confidence and a great | :09:15. | :09:24. | |
boost. A bit short of pace there on the pink, but it doesn't matter. | :09:25. | :09:29. | |
There is no Centurion. He will try to get on the black, though. Oh, | :09:30. | :09:34. | |
well, he missed the pink, but doesn't matter. Excellent | :09:35. | :09:39. | |
contribution, and Ding Junhui looking very sharp. He now leads by | :09:40. | :09:44. | |
two frames to one. and that is the CV for. One. He got | :09:45. | :10:54. | |
to the semifinal last year, the only time he has really excelled at the | :10:55. | :11:00. | |
Crucible. He has looked in good form as we have ever seen this year. | :11:01. | :11:05. | |
Absolutely forced you would think he a different player, after the | :11:06. | :11:10. | |
disappointment of last season and of course losing in the final to Mark | :11:11. | :11:15. | |
Selby last year, but you think he would have taken a lot of positives | :11:16. | :11:20. | |
from that run to the final, and the experience of it all. Yes, and also | :11:21. | :11:29. | |
we need to remember he is only 30. It is a learning curve. He had | :11:30. | :11:30. | |
success at a very young age. Danny Willett with his manager, | :11:31. | :11:56. | |
chubby Chandler. We always like to see Danny about. He looked as | :11:57. | :12:01. | |
thrilled as anyone when he put the green jacket on Sergio Garcia. A | :12:02. | :12:11. | |
wonderful moment. Ring while, that red just past the pink, and now on a | :12:12. | :12:19. | |
baulk colour. You may elect to play the yellow and play a cannon into | :12:20. | :12:22. | |
the main bunch because there is only one awkward red to get on. That's | :12:23. | :12:31. | |
OK. He's got a red into the right corner pocket. That was his | :12:32. | :12:45. | |
thousandth ball potted. He is 101 behind Ding Junhui, but, as we said | :12:46. | :12:48. | |
earlier, Ding Junhui has played a few more frames. 16, actually, more | :12:49. | :12:56. | |
frames. You could say he's had more practice. All will be revealed. | :12:57. | :13:13. | |
Play that well. It was an excellent shot. | :13:14. | :13:32. | |
When potting this red, he will open the path of the black into the | :13:33. | :13:46. | |
pockets. Just three or four loose reds available. | :13:47. | :14:28. | |
A bit short of pace with the cue ball. | :14:29. | :14:58. | |
Back in prime position now on the red that's below the pack of reds, | :14:59. | :15:06. | |
that open into the same pocket with the black is on. He wants to get | :15:07. | :15:13. | |
into that red. And if he leaves it at a nice angle, which he has done, | :15:14. | :15:18. | |
you can pot this red now and bring some more reds interplay from the | :15:19. | :15:20. | |
pack. That's a wonderful shot. Yes, and | :15:21. | :15:41. | |
that's the way to play, or break-builder. You can leave a red | :15:42. | :15:46. | |
just below that bunch. He has a bit of work to do with the cue ball. | :15:47. | :15:50. | |
Maybe there is a red to that cluster. It is one he has played on, | :15:51. | :16:00. | |
and played inch perfect. Just 25 points required. And he will be at | :16:01. | :16:05. | |
the snookers required stage. He could play the red to the right | :16:06. | :16:27. | |
middle, there is a nice angle on that to come down for the black once | :16:28. | :16:31. | |
again. I don't know if you can lower it through and play for the thing. | :16:32. | :16:34. | |
He is playing this other one here. He would be running into another | :16:35. | :16:39. | |
red, so his got to be careful with the cue ball finishes. Watch the | :16:40. | :16:45. | |
middle pocket. OK, played it confidently, and hitting that red as | :16:46. | :16:54. | |
he did, he is back in the same in the cue ball was travelling but | :16:55. | :16:55. | |
looks very straight on this blue. OK, don't expect him to miss this | :16:56. | :17:13. | |
red but he has just under skewed slightly. Shouldn't cause a problem. | :17:14. | :17:25. | |
Oh no, it's perfect. This will fit into the three points in front, | :17:26. | :17:34. | |
still 75 remaining. So looking for one more red and a colour. And again | :17:35. | :17:46. | |
another 60 plus break. It has been excellent stuff. Perfectly on the | :17:47. | :17:56. | |
blue. This blue to go 69 points in front with just 67 remaining. In it | :17:57. | :18:09. | |
goes. Is he on a red? If he is, the chance of seeing the first century | :18:10. | :18:10. | |
in the semifinal. Now if this cannon goes right, we | :18:11. | :18:50. | |
could see Mark going on to make a century here. And he has played | :18:51. | :19:00. | |
well. If this bottom red goes, if not, he has won to the right middle. | :19:01. | :19:18. | |
He hasn't been out of position once, has he? The way both players are | :19:19. | :19:26. | |
potting, you don't expect them to miss easy balls. It is all about | :19:27. | :19:39. | |
controlling the cue ball. He has already made four centuries in the | :19:40. | :19:42. | |
tournament so far. If you get from this red, you could seen in the five | :19:43. | :19:44. | |
coming up. A bit short. The red for the century. No! Just a | :19:45. | :20:04. | |
fraction off. He can't be too disappointed. As Ken said, that | :20:05. | :20:09. | |
break was exemplary. As they go into the interval, they have given us a | :20:10. | :20:15. | |
treat for four frames, all square to appease. | :20:16. | :20:20. | |
The first time that Mark Selby has fallen behind in any of his matches. | :20:21. | :20:28. | |
He has beaten Marco Fu is radically. Let's get the thoughts of John and | :20:29. | :20:37. | |
Stephen here. If you are an aspiring player and want to be a | :20:38. | :20:39. | |
professional, that is the benchmark you have to find and it is very | :20:40. | :20:45. | |
high. A superb session of the snooker. You can't play at much | :20:46. | :20:51. | |
higher standard than that. How important Ding Junhui made his | :20:52. | :20:54. | |
presence felt right from the off? Very much so. He played very well to | :20:55. | :20:59. | |
beat O'Sullivan. I think he has got to go up a level to win this match. | :21:00. | :21:03. | |
He has got to virtually not miss at all when he gets in four sessions, | :21:04. | :21:09. | |
and that is going to be a real test. So far here standing up it, when he | :21:10. | :21:12. | |
gets in he doesn't look like missing. He has to keep that up | :21:13. | :21:16. | |
because Selby will keep going. Ding has to find another level for this | :21:17. | :21:21. | |
match. It is lining up to be a classic if it keeps going like this. | :21:22. | :21:25. | |
Absolutely. Mark Selby missed a black that was trivial on the top | :21:26. | :21:29. | |
cushion and has lost position twice, that is why it is 2-2. The standard | :21:30. | :21:37. | |
is incredibly high. It becomes a mental battle as well, you talk | :21:38. | :21:42. | |
about keeping your standard survival stop incredibly difficult to | :21:43. | :21:45. | |
achieve, particularly in a four session match. That is why this | :21:46. | :21:51. | |
tournament is so difficult, not only this match for four sessions, but | :21:52. | :21:56. | |
four sessions in the final. It is a massive test of belief, stamina, | :21:57. | :22:01. | |
concentration, everything. This semifinal, if it give going like | :22:02. | :22:04. | |
this, then they have to go up a level again for the final. We love | :22:05. | :22:08. | |
it. It is going to be who is the first here. It is the only place to | :22:09. | :22:14. | |
be in here as well, because we spent the last 12 days out in the Winter | :22:15. | :22:17. | |
Gardens, which has been fantastic, but being in here, it does give you | :22:18. | :22:22. | |
a proper focus. You could hardly breathe, you think you could affect | :22:23. | :22:25. | |
the outcome of the matches in here. I hope you are enjoying it and | :22:26. | :22:28. | |
sharing it all with us on the BBC, but you know there is a parallel | :22:29. | :22:32. | |
championship going on right now in the Winter Gardens. It has been | :22:33. | :22:37. | |
going on since we got here, and John Parrott still think the could be a | :22:38. | :22:38. | |
contender. It no, I don't! Hello and welcome to our next | :22:39. | :22:53. | |
edition of pop quiz with none other than the former world champion, 1991 | :22:54. | :22:58. | |
world champion, Jon Power. APPLAUSE Thank you. -- John Parrott. We have | :22:59. | :23:06. | |
had some of the new breed of snooker, now the not so new. The | :23:07. | :23:13. | |
leaderboard, as we look, it is the world number one and current world | :23:14. | :23:16. | |
champion, Mark Selby. One minute 18 seconds. He won't be getting | :23:17. | :23:24. | |
threatened. As long as you can beat Barry Hawkins, two minutes 18 | :23:25. | :23:30. | |
seconds. Please. Drum roll, please. Question one, you should know this, | :23:31. | :23:34. | |
what was the number one record the day you won your Crucible title in | :23:35. | :23:41. | |
1991. Was it vogue by Madonna, the one and only Chesney Hawkes, your | :23:42. | :23:48. | |
favourite, or was it the Shoop Shoop song by share? I am going to go for | :23:49. | :24:00. | |
Cher. Correct, you always like that of Shoop Shoop. That same year, who | :24:01. | :24:11. | |
won the high break prize, in 1991. It is not a hurricane, but it might | :24:12. | :24:21. | |
be a... Oh... Jimmy White. Very good. APPLAUSE | :24:22. | :24:29. | |
I love you, darling. I hope you are as nice to me as I am to you! From | :24:30. | :24:35. | |
the debut appearance onwards, which player has won the most successive | :24:36. | :24:39. | |
first-round matches. I certainly wouldn't have known this. Jimmy | :24:40. | :24:42. | |
White. It is actually your self, John Parrott. Listen, nobody would | :24:43. | :24:50. | |
have got that right, believe me! LAUGHTER | :24:51. | :24:56. | |
I didn't! Who contested the quickest ever match at the Crucible. Tullo | :24:57. | :25:02. | |
the quickest players that ever played the game. Tony Trego. Yes. | :25:03. | :25:12. | |
Who is the second fastest? Ronnie O'Sullivan. Very good. I love him. | :25:13. | :25:19. | |
The only question I have got wrong is my own! Weir in last year's World | :25:20. | :25:25. | |
Championship, who knocked out Ronnie O'Sullivan, 13-12. Barry Hawkins? | :25:26. | :25:34. | |
Very, very good! APPLAUSE I have for question so I can take | :25:35. | :25:43. | |
four reds off. That one. That one, and maybe one other in the middle. | :25:44. | :25:51. | |
Good choice. So my time starts... As soon as you strike the cue ball. As | :25:52. | :25:55. | |
John Virgo would say, pot as many balls as you can. He is off to a | :25:56. | :26:06. | |
good start. Good choice. Hey, that wasn't bad. Very, very good. I | :26:07. | :26:12. | |
haven't seen in this quick in a long, long time. Very, very good." | :26:13. | :26:17. | |
Of the cue ball, and he's not on a cushion, believe it or not. Thanks. | :26:18. | :26:25. | |
They don't call him Cushy Parr for nothing, you know. 30 seconds, this | :26:26. | :26:34. | |
is good. I cracked up, it was the wrong ball. It's all gone. Look at | :26:35. | :26:46. | |
this. Cagey. Cagey parrot. 50 seconds, you're doing well, don't | :26:47. | :26:56. | |
panic! One good pot. Now, I need the rest! Roll it, you are only on when | :26:57. | :27:05. | |
it. Quick, go. No, I don't want to do that! It has all gone wrong! Oh | :27:06. | :27:17. | |
no, what's he doing? One minute 20, come on. What have I done? You are | :27:18. | :27:24. | |
doing OK. You are definitely going to finish ahead of Barry Hawkins and | :27:25. | :27:29. | |
Steve Davis. It looks like. Quickly! APPLAUSE | :27:30. | :27:34. | |
Very, very good! And the time is one minute 35 | :27:35. | :27:52. | |
seconds. That's OK. I am the fifth man who played safe on him say it -- | :27:53. | :27:55. | |
the first man who played safe on himself on the last red. LAUGHTER | :27:56. | :28:01. | |
And right now, here's how it stands. World number one Mark Selby still | :28:02. | :28:08. | |
out in front, nine seconds ahead of Marco Fu. Respectable time from John | :28:09. | :28:13. | |
Parrott, middle of the pack really, I think he would say. The only | :28:14. | :28:18. | |
player who could upset the standings is our last competitor, the 11 times | :28:19. | :28:23. | |
women's world champion, Rhiannon Evans, as pot quiz comes down to the | :28:24. | :28:26. | |
wire. Looking forward to seeing that. We have had some terrific | :28:27. | :28:31. | |
feedback from you about a feature we have been running a couple of times | :28:32. | :28:34. | |
actually, about the amazing table footage. Peter Godwin and his team | :28:35. | :28:41. | |
ready to this arena for the championship, and last night they | :28:42. | :28:43. | |
were up till six o'clock in the morning, moving one table out, | :28:44. | :28:46. | |
moving the main match centre into the centre, and Rikl thing it. -- | :28:47. | :28:54. | |
re-clothing it. We will give you the insiders guide to the equipment that | :28:55. | :29:03. | |
will win these guys a title tomorrow night. The queues. I go to the | :29:04. | :29:09. | |
timber yards with large stocks of ash and maple, and I come away with | :29:10. | :29:17. | |
just a little pile. I'm looking for the colour, the grain in the wood, | :29:18. | :29:19. | |
the density and the wait. From there, it will become a square | :29:20. | :29:29. | |
like this, and you can see then where the grain's going on the word. | :29:30. | :29:35. | |
I'll then look at each one. If there are any knots or blemishes, we can | :29:36. | :29:39. | |
discard them at that stage, and then we start the rolling process from | :29:40. | :29:46. | |
there. We will leave the square is for a couple of months, and then we | :29:47. | :29:49. | |
take it down to an oversize, and then leave that for at least a | :29:50. | :29:53. | |
month. From there we take it down again to the mid-size, leave it | :29:54. | :29:58. | |
again, and then from there to an oversize to finish. We then weigh | :29:59. | :30:02. | |
the shaft to see what the wait is, because there can be quite a | :30:03. | :30:05. | |
variation, with the densities of wood. Then I will check it over, | :30:06. | :30:12. | |
decide on the grain. Depending on what lengthy cue will be. I will | :30:13. | :30:17. | |
then look down to see what the size someone once, however they wanted, | :30:18. | :30:20. | |
what length they want, and I will just find, basically, the best one | :30:21. | :30:28. | |
that will suit that. That then becomes the shaft for that | :30:29. | :30:31. | |
particular order, and then it will then go through splicing and things | :30:32. | :30:32. | |
like that. And the jihad is a natural weight to | :30:33. | :30:48. | |
the cue. So basically we plane it down. -- the ebony. Then it goes to | :30:49. | :31:00. | |
a tapered wedge. The ebony is glued onto those two sides. And from there | :31:01. | :31:10. | |
we then plane that in by hand. Gibbon turning that. As you can see, | :31:11. | :31:15. | |
the points are starting to develop from there. You plane that in. Be | :31:16. | :31:22. | |
careful not to take too much of any one place. It is a case of keep | :31:23. | :31:29. | |
checking that. Quite a bit of planning. It will end up looking | :31:30. | :31:34. | |
like this, with the nice distinctive points. And hopefully a line that is | :31:35. | :31:44. | |
in line with the shaft. We are going to inlay some decoration here. We | :31:45. | :31:54. | |
have 20 different woods we can use. That will be glued onto there. To | :31:55. | :31:59. | |
give it an extra feature, we have used a sandwich of veneers, thin | :32:00. | :32:05. | |
pieces of wood. These are able. This is a stained sycamore to give a | :32:06. | :32:14. | |
black line. The cue is then cut to length. The reason for this is | :32:15. | :32:23. | |
twofold. One, it holds the wood together. It gets a battering with | :32:24. | :32:26. | |
hitting the ball is. It stops it from splitting. When it is on the | :32:27. | :32:35. | |
cue, it gives it a nice solid base to dilute the tip onto. Once the | :32:36. | :32:41. | |
Farrell is on, the shaft is planed in and then it goes through sanding | :32:42. | :32:49. | |
operations. It needs eight different sanding operations to get it into | :32:50. | :32:54. | |
the silky smooth finish that is ready for the final finishing. When | :32:55. | :32:57. | |
we have done the final sanding on the cue, the tip goes on. It is | :32:58. | :33:02. | |
important that you level the top of the Farrell at the back of the tip | :33:03. | :33:11. | |
and dome it to its final shape. The cue then gets its oil finish, which | :33:12. | :33:17. | |
is a few coats of linseed oil that we put on there. That seals the | :33:18. | :33:21. | |
shaft and protected from the elements. It also has the effect of | :33:22. | :33:25. | |
enhancing the grain and bringing out the natural colours within the wood | :33:26. | :33:31. | |
and the nice grain patter ands appear. The final part is putting | :33:32. | :33:38. | |
the flat bottom. It is traditional to have the flap. You can put a low | :33:39. | :33:46. | |
go in. The final touch is dropping in the logo. | :33:47. | :33:57. | |
I think John Parris has about 60%? I'm sure I heard of that. That is | :33:58. | :34:03. | |
quite a large percentage of top snooker players. He is widely | :34:04. | :34:06. | |
regarded as the best cue maker in the business. How many cues would | :34:07. | :34:10. | |
you go through in a lifetime? Hopefully one. A snooker cue is a | :34:11. | :34:19. | |
very personal thing. My own cue was a rubbish cue. I bought it when I | :34:20. | :34:24. | |
was 12 or 13 and use that my whole career until it got smashed on an | :34:25. | :34:29. | |
aeroplane. I could never replace it. Hopefully you go through with one | :34:30. | :34:33. | |
cue your whole life. A few of the players tend to tinker. John Higgins | :34:34. | :34:37. | |
fingered a little bit. Maybe Judd Trump is thinking of actually | :34:38. | :34:45. | |
changing his. What promptss changes? Is it easier to change your game | :34:46. | :34:49. | |
than it is your cue, is that more advisable? My own coach never liked | :34:50. | :34:54. | |
the cue I was using because it didn't have enough power, he said. | :34:55. | :35:01. | |
Some players might want to change their game. They want to play more | :35:02. | :35:05. | |
shots. A stronger bit of wood will give you that cue power. Some | :35:06. | :35:10. | |
players might want to change from a bigger tip Lewis Moore tip, or vice | :35:11. | :35:15. | |
versa. It is not advisable to tinker. You never stop when you | :35:16. | :35:22. | |
start. The flat piece on the butt of the cue, you always liked that but | :35:23. | :35:27. | |
some players don't? Some players like it round. I was like the flat. | :35:28. | :35:32. | |
I used to like to feel it when I delivered the cue. It is purely | :35:33. | :35:37. | |
preference. Did that help you line up? I just feel comfortable having | :35:38. | :35:42. | |
that on the palm of my hand. It is preference. I did mention the table | :35:43. | :35:48. | |
fitters. One of the guys who probably has not had a great deal of | :35:49. | :35:53. | |
sleep last night is Eugene James, let's go behind the scenes with him. | :35:54. | :36:04. | |
My name is Eugene James. My job is a snooker table fitter. I have been | :36:05. | :36:13. | |
coming to the Crucible for 30 years. It is magic. It's great. When you | :36:14. | :36:17. | |
have been to all the other venues all over the world, this one is | :36:18. | :36:22. | |
definitely special. When we service the tables during the tournament, | :36:23. | :36:28. | |
people are right behind you and it is scary sometimes. They think that | :36:29. | :36:31. | |
make you think they are talking about you and they are not, really. | :36:32. | :36:37. | |
They are not interested in you. You only see two tables at most on the | :36:38. | :36:44. | |
TV. There is more going on. If you have -- you have a table in the Cue | :36:45. | :36:49. | |
Zone in the Winter Gardens. You also practice tables. That keeps us busy. | :36:50. | :36:52. | |
The main thing is making sure you keep the table level and clean. And | :36:53. | :37:02. | |
also fighting the elements. Letting moisture into the cloth and the | :37:03. | :37:06. | |
table and the slate. It is all natural materials. As the years have | :37:07. | :37:10. | |
gone by, things have got more technical. We have added extra | :37:11. | :37:15. | |
things, we have added heaters, static controls to stop kicks. When | :37:16. | :37:20. | |
the weather gets bad, it's getting to the table. There is not a logic | :37:21. | :37:25. | |
can do. You just keep brushing, ironing, try to adjust the | :37:26. | :37:34. | |
temperature. It's very hard. Each day you will get VIPs come in. You | :37:35. | :37:39. | |
get a lot of people coming in to look at the tables. Sit down and | :37:40. | :37:44. | |
have their pictures taken. All of these people are constantly walking | :37:45. | :37:48. | |
around. It makes the table move. They are not allowed to touch the | :37:49. | :37:52. | |
table. We sit there like Bulldogs to make sure they go nowhere near. It | :37:53. | :37:59. | |
is a long haul, a long night. The biggest problem is time. Because a | :38:00. | :38:11. | |
snooker table likes two or three days to settle improperly. -- to | :38:12. | :38:14. | |
settle improperly. When you see the great matches on the table, I don't | :38:15. | :38:19. | |
think a lot of people appreciate how hard we work and what we put into | :38:20. | :38:25. | |
it. I think it is just the satisfaction that you have seen a | :38:26. | :38:28. | |
great game. That is the satisfaction you get from it. I would probably | :38:29. | :38:35. | |
walk around and nobody would know who I am in a sense. I'm the quiet | :38:36. | :38:40. | |
person behind the scenes. But yeah, I am proud of it. Proud of what I | :38:41. | :38:49. | |
have put into it. It's just the finished article you get, a | :38:50. | :38:52. | |
fantastic tournament, year after year. | :38:53. | :38:59. | |
You don't walk on the grass at Wimbledon, do you? You don't touch | :39:00. | :39:03. | |
the table here. Otherwise Eugene and the boys will be onto you. But you | :39:04. | :39:07. | |
can in the practice room. John is there now. Perhaps there is nothing | :39:08. | :39:13. | |
wrong with your cue, but John, help us. We have had some fantastic | :39:14. | :39:19. | |
responses. Nate asks, what is the difference between running side and | :39:20. | :39:23. | |
Czech side? When the cue ball makes contact with the cushion, which | :39:24. | :39:27. | |
weighs it going? I'm going to play the green. If I wanted to widen the | :39:28. | :39:36. | |
angle, if you put some extra side on, that is running side. It is | :39:37. | :39:40. | |
going right and coming off white. You play the green like that, screw | :39:41. | :39:45. | |
back and widen the angle. It is running the way the ball was | :39:46. | :39:49. | |
naturally going. Conversely, if you are playing the shot there and you | :39:50. | :39:53. | |
are on the brown and you try to come back to hold the lab brown, you | :39:54. | :39:59. | |
would go the other side. Because you are putting it left-hand side, it | :40:00. | :40:04. | |
and bring it back. You would get on the left-hand side of the cue ball, | :40:05. | :40:08. | |
play it through, and the quite checks itself up and comes back and | :40:09. | :40:13. | |
nice and straight towards the red. That one back there for the Czech | :40:14. | :40:16. | |
side, running side down the table. Adam asks about playing screw shots. | :40:17. | :40:25. | |
He can't get any power on the cue ball or Mikey scuffs the white. What | :40:26. | :40:29. | |
you have to do, naturally your bridge hand is a certain height. | :40:30. | :40:35. | |
Just drop it down slightly so you can go lower down the cue ball. | :40:36. | :40:42. | |
Don't be frightened. What you are trying to do is you are trying to | :40:43. | :40:48. | |
gather the white... Don't be afraid to come back nice | :40:49. | :40:52. | |
and smooth, try to imagine you are your at it through the cue ball and | :40:53. | :40:56. | |
trying to hit the red. Nice and smooth, threw the ball, and screw it | :40:57. | :41:04. | |
back like that. And this one, the final one, comes from Billy. He | :41:05. | :41:08. | |
says, sometimes I struggle with how to judge shots at an angle. This is | :41:09. | :41:13. | |
probably the best piece of advice amateurs can have, getting the angle | :41:14. | :41:16. | |
right for potting a ball. We have a blue in the bog area. If you're cue | :41:17. | :41:20. | |
ball was here and you are trying to pot that blew in the corner pocket, | :41:21. | :41:37. | |
basically everybody knows when -- what a plant is. Movies out of the | :41:38. | :41:38. | |
way. That applies to every single pot on the table, whether it is here | :41:39. | :41:44. | |
or there. You will see players walking around the table, they will | :41:45. | :41:48. | |
have a look to see the angle of the pot. They are trying to visualise | :41:49. | :41:51. | |
that cue ball being where the yellow is. When you are in the club, try | :41:52. | :41:57. | |
this next time. But a bowl down there, get lined up. And say, I'm | :41:58. | :42:03. | |
going to pot this. Get him to play the yellow out of the way when you | :42:04. | :42:06. | |
are playing and you should pot the blue in the middle pocket. Every | :42:07. | :42:10. | |
single one of those, it is a plant, that is what you are thinking about. | :42:11. | :42:16. | |
Thank you very much, John. He has not lost it, as he? He was | :42:17. | :42:22. | |
impressive. He did ever so well. We didn't see where the cue ball ended | :42:23. | :42:25. | |
up though! Good camerawork. Two frames each. | :42:26. | :42:37. | |
We return to Ken and John. So the mid-session interval over. Ding | :42:38. | :42:42. | |
Junhui gets the fifth frame under way. The match time coming up to one | :42:43. | :42:48. | |
hour and five minutes. It has been quickfire. | :42:49. | :43:05. | |
100% pot success after the first couple of friends was never going to | :43:06. | :43:14. | |
last. -- frames. The safety play from both players has improved. 88% | :43:15. | :43:23. | |
each. That is a very poor safety shot from Mark Selby. Long pot | :43:24. | :43:32. | |
success... Ding Junhui has not been knocking too many long ones in. | :43:33. | :43:38. | |
Quite surprised. I'm sure that will improve. He is normally such a good | :43:39. | :43:46. | |
long potter. The Huybrechts statistic has been very impressive. | :43:47. | :43:51. | |
Ding has made nine centuries in this championship so far. Well, Mark | :43:52. | :43:57. | |
Selby played a very poor safety shot. But it is the 60s and 70s that | :43:58. | :44:07. | |
have been going in. Mark played a very poor safety shot, didn't leave | :44:08. | :44:13. | |
anything. And Ding Junhui has followed suit. You feel with your | :44:14. | :44:21. | |
hand on the table. He is looking at this part. It is straight. He will | :44:22. | :44:26. | |
have to play a lot of pace to go back for a blue or baulk colours. | :44:27. | :44:31. | |
This pot is very difficult. You have to be so accurate. Just like that. | :44:32. | :44:51. | |
He certainly got hold of that. What's the cue ball. It stops. | :44:52. | :44:55. | |
Almost like a dragster effect. Great camera angle. Nicely on yellow or | :44:56. | :45:04. | |
brown. I'm just wondering whether that read to the right of the black | :45:05. | :45:07. | |
will pot into this left-hand corner pocket. -- red. He is going into | :45:08. | :45:19. | |
them. Obviously it doesn't. He didn't mean that. He won't be taking | :45:20. | :45:23. | |
it back. The red doesn't pot into the same | :45:24. | :45:45. | |
pocket as the black. He may have to negotiate a little cannon on that | :45:46. | :45:48. | |
red. I'm not quite sure where he is got the perfect angle here. He would | :45:49. | :45:57. | |
like to have been a bit straighter with the cue ball. | :45:58. | :46:25. | |
He wanted the cannon body was not straight enough the black. The red | :46:26. | :46:32. | |
he is closest to does go to the far left corner. | :46:33. | :46:44. | |
Right in the heart of the pocket. Has he got an angle on the blue? He | :46:45. | :46:58. | |
would like one. He has looked at the angle on the blue and looked at what | :46:59. | :47:05. | |
reds available. He is not nicely on the blue. He is on the yellow. | :47:06. | :47:10. | |
Playing the yellow, he may decide to play the cannon with pace. | :47:11. | :47:20. | |
He never really got the pace that he felt was required. Does this red go? | :47:21. | :47:37. | |
It must do. That's amazing. Touching ball. As long as the red he is | :47:38. | :47:50. | |
touching doesn't move. It looked as though it was fine but he flicked | :47:51. | :47:54. | |
the other red and I think that has ruined his position. That is the end | :47:55. | :48:01. | |
of the break. As I said earlier, Ken, that is the only way you can | :48:02. | :48:05. | |
see him breaking down. Both players. Yeah. Good safety low. -- good | :48:06. | :48:12. | |
safety. He caught that much too thick. This | :48:13. | :49:12. | |
is a chance for Ding Junhui. A straight red to the right corner. | :49:13. | :49:17. | |
Nothing to do with the cue ball to be on the black. He needs to knock | :49:18. | :49:22. | |
this red in. His long pot success, he is one out of three at the | :49:23. | :49:29. | |
moment. He would love this to be two out of four. | :49:30. | :49:37. | |
He has feathered and touched the White with the tip of the cue! It | :49:38. | :49:42. | |
might not be that funny. Didn't hold the cue ball. | :49:43. | :50:06. | |
Desperately looking to cf the black goes to the left middle. I don't | :50:07. | :50:08. | |
think it does. -- to the left. No. He is having to talking behind | :50:09. | :50:27. | |
it. -- going behind it. He will be annoyed with themselves there. -- | :50:28. | :50:29. | |
himself. If Ding Junhui can nestle in those | :50:30. | :50:48. | |
two red, if he could come of the one caution and nestle into those reds | :50:49. | :50:53. | |
below the pink, you would think it would be safe enough. If you can't | :50:54. | :50:57. | |
get to the left-hand side-cushion, he has got a problem. That is the | :50:58. | :51:05. | |
shot you are talking about, John. It has to be dead weight. If it slides | :51:06. | :51:09. | |
away from those couple of reds next to the pink, he could have a red to | :51:10. | :51:17. | |
the right centre or even the left-hand corner pocket. That looks | :51:18. | :51:24. | |
to be played pretty well. I don't think he is on that red. That is OK. | :51:25. | :51:34. | |
I thought he was in trouble but it was a natural one-cushion escape. As | :51:35. | :51:37. | |
long as he got the pace right, which he did. I've not seen Ding do that | :51:38. | :51:48. | |
before, feathery cue ball. It's not often you see a player do that. He | :51:49. | :51:54. | |
might do it in practice a little bit. Just touch did. It was nice to | :51:55. | :52:07. | |
see him smile. I don't think it is something you would've seen few | :52:08. | :52:14. | |
seasons ago. Which tells me he is comfortable in his own skin and | :52:15. | :52:17. | |
feeling at one with himself. I know I would have been smiling! But it | :52:18. | :52:27. | |
didn't cost him. It only cost him four points for the foul and the 1.4 | :52:28. | :52:28. | |
the red. -- one point four the red. Very hard to see the funny side of | :52:29. | :52:55. | |
it. But he did. And that's why, of course, that we say the referees do | :52:56. | :52:59. | |
a great job, because you have to be on the ball all the time. Brendan | :53:00. | :53:04. | |
Moore spotted it. I have no doubt that Ding Junhui would have declared | :53:05. | :53:10. | |
it. But he was right on the spot. They don't get a chance to sit down | :53:11. | :53:17. | |
during these matches. Brendan Moore is a local lad as well, from the | :53:18. | :53:22. | |
Sheffield area. A proud Sheffield man. One of the top referees we have | :53:23. | :53:26. | |
now. I don't see any EC safety. Normally | :53:27. | :53:42. | |
when you don't see an easy safety, you look at the modern-day players | :53:43. | :53:45. | |
and they try to pop their way out of trouble. But it is risky. If the | :53:46. | :53:52. | |
pink was available he could stun the red in. There are a couple of reds | :53:53. | :53:57. | |
available, one to the left corner, want to the right corner. -- one. | :53:58. | :54:11. | |
In the end he went for the pot. You just get the feeling if he had | :54:12. | :54:18. | |
parted the red in the middle of the pocket, I don't think he would have | :54:19. | :54:25. | |
been on the black. -- potted. There was no other shot you could see to | :54:26. | :54:29. | |
get it safe. He has left a red to the left middle. In potting this, | :54:30. | :54:35. | |
screw off the red to the right of it. If he gets it, he could well be | :54:36. | :54:37. | |
on the black. I think he may have left this red. | :54:38. | :55:53. | |
It may cut back into the left middle. It is a thin one. | :55:54. | :56:07. | |
Mark doesn't think so, so he is playing safe. He didn't want the | :56:08. | :56:18. | |
kiss on the yellow. Not that he has left a pot on. It won't put Ding | :56:19. | :56:28. | |
Junhui in any difficulty. This could be one of those frames | :56:29. | :57:11. | |
that you talked about in the first four frames, about competing with | :57:12. | :57:18. | |
Mark Selby in this kind of game. There are not many in the world who | :57:19. | :57:21. | |
can compete with him at the safety game. | :57:22. | :57:35. | |
Just looking at Ding Junhui. His body language. His arm dropped. If | :57:36. | :57:46. | |
Mark Selby hadn't clipped the green, he would more than likely have left | :57:47. | :57:48. | |
a pot on. It is a safety shot here. He didn't get it. He didn't get it. | :57:49. | :58:06. | |
Yeah, didn't get away with it. Mark Selby got a little bit of luck. In | :58:07. | :58:12. | |
hitting the green, he took the pace out of the cue ball. He has left a | :58:13. | :58:16. | |
chance now. He will try to get on the blue here. | :58:17. | :58:28. | |
Try to get that back on its own spot. | :58:29. | :58:59. | |
Even though Marquez got a 26 point lead, this is not an easy | :59:00. | :59:05. | |
opportunity. -- Mark has got. Some noise coming from the backstage | :59:06. | :59:22. | |
area. It is just putting Mark Selby off. Just composing himself. | :59:23. | :59:44. | |
He wants a nice angle on the blue. But as you say, John, it's not | :59:45. | :59:54. | |
ideal. He doesn't have a great angle on the blue to go directly into the | :59:55. | :59:56. | |
pink and the four reds. It's gone wrong. Tried to get on | :59:57. | :00:22. | |
that red. Near the bottom right-hand corner pocket to open that pocket | :00:23. | :00:29. | |
for the black. But here overheated. Is this another plant? Surely he | :00:30. | :00:44. | |
won't take this on. He is looking at it. As I say, as a former world | :00:45. | :00:52. | |
eight ball champion, they play a lot of plants at pool, but this is a | :00:53. | :00:57. | |
tough one. APPLAUSE Fair play to him. I think he played | :00:58. | :01:07. | |
that more out of annoyance, than anything else. This looks a better | :01:08. | :01:23. | |
pace. And this is typical of Mark Selby, you can pick out these type | :01:24. | :01:28. | |
of shots. We saw that double of the red up to the green pocket, on one | :01:29. | :01:37. | |
of the previous frames. He is such a clever player. And he is a | :01:38. | :01:47. | |
shotmaker. Yes, I think that is the one thing that he is. He is a | :01:48. | :01:51. | |
shotmaker, that's absolutely correct. Sometimes, when it all | :01:52. | :01:56. | |
straightforward, we can all call the shots, but he does play some very | :01:57. | :02:07. | |
intelligent shots. He has got the flick. It has opened the red, but it | :02:08. | :02:12. | |
has made this pot, the red to the top push and, very difficult, so | :02:13. | :02:17. | |
close, and he had to play it with a lot of pace, you feel, to get | :02:18. | :02:21. | |
position on the black. This is tough. Yes, he knew. He missed the | :02:22. | :02:37. | |
black along the cushion if you frames ago as well, and that was a | :02:38. | :02:42. | |
tough pot, and particularly because of the pace he had to put into it, | :02:43. | :02:44. | |
he has left the chance now for Ding. Played it well, considering he was | :02:45. | :03:06. | |
frozen out on the frame before the mid-session interval. Just under | :03:07. | :03:11. | |
half an hour since the last potted a ball. That's what can happen at this | :03:12. | :03:20. | |
game. You've got to get your fluency back, though, immediately, when you | :03:21. | :03:29. | |
get the opportunity. He doesn't have to play a cannon on these three | :03:30. | :03:33. | |
words. The one directly above the black will pot into the bottom | :03:34. | :03:39. | |
right-hand corner pocket. When he pots that, I'm sure it will open up | :03:40. | :03:43. | |
the path for the one just to the right of it. | :03:44. | :04:01. | |
He is coming around to look at this red but I'm sure it pots. He wants | :04:02. | :04:08. | |
to leave an angle on the red so when he does pot the red he can bring the | :04:09. | :04:15. | |
other one into play, the one that closest to the tank. It is | :04:16. | :04:20. | |
imperative he gets a nice angle on this black. And he has got it, inch | :04:21. | :04:26. | |
perfect. Yes, and once he releases the red, it will move the other red | :04:27. | :04:34. | |
from below the pink, as cancers. That is the problem ball, the one | :04:35. | :04:38. | |
near the baulk line. It went past the yellow. That is a little hurdle | :04:39. | :04:57. | |
he is going to have to overcome. I suppose in an ideal world you would | :04:58. | :05:01. | |
pot the black and navy of the second last read you play for the yellow to | :05:02. | :05:03. | |
clear the path for the pocket. Bit surprised he didn't take the | :05:04. | :05:35. | |
pink into the vet centre there. He may be able to get on the cream | :05:36. | :05:44. | |
here, -- into the right centre. Straightforward, that. Trying to get | :05:45. | :05:50. | |
onto the green but he has left the red. What surprised me about that, | :05:51. | :05:55. | |
he played it with right-hand side, and the right-hand side will push | :05:56. | :05:57. | |
the cue ball into the red. Good long pot. Now for Mark Selby, | :05:58. | :06:16. | |
how do you get position on the red that on the baulk line? | :06:17. | :06:29. | |
Short of pace. He has got to be careful here. The cue ball looks to | :06:30. | :06:51. | |
be going towards the. When potting the red into the top right-hand | :06:52. | :06:56. | |
corner pocket, can he just miss the yellow? If he connects with the | :06:57. | :06:58. | |
yellow, it could go wrong. It is not too bad. He will settle | :06:59. | :07:20. | |
for that. This is the shot again. Just caught the yellow. He made sure | :07:21. | :07:30. | |
of the yellow. He was in trendy get it up past the baulk line. Of course | :07:31. | :07:37. | |
the yellow comes back up because it was potted after a red. Still needs | :07:38. | :07:45. | |
yellow and green. Oh, and he's missed frame ball yellow! Would you | :07:46. | :07:55. | |
believe that? Didn't see that coming. I've seen it, but I don't | :07:56. | :08:01. | |
believe it. Straightforward yellow. Look to be up off the shots like | :08:02. | :08:13. | |
these, just before he hit it. This yellow does cut into the corner | :08:14. | :08:20. | |
pocket, and I'm sure he could miss the pink on the way back up for the | :08:21. | :08:22. | |
green. He overcut the yellow, that is why | :08:23. | :08:41. | |
he has run into the pink. OK, Mark Selby, 23 points ahead. A yellow | :08:42. | :08:47. | |
would put 25 points ahead, still 25 left on the table. What do you do | :08:48. | :08:57. | |
here? Just pot the yellow, try and make sure of it, even though it is a | :08:58. | :09:03. | |
difficult enough pot? Do you play it dead weight? I prefer the safety to | :09:04. | :09:09. | |
be honest with you. Send the yellow back up to the baulk end. It is | :09:10. | :09:21. | |
missable if you play the pot. Yes, good choice. He must have hurt you. | :09:22. | :09:34. | |
This is becoming a big frame now. Mark Selby looked all over the | :09:35. | :09:41. | |
winner of it. And yet somehow Ding Junhui can take it and really hurt | :09:42. | :09:49. | |
Mark, missing that comparatively easy yellow to the middle. Needs a | :09:50. | :10:00. | |
bit of risk you, where is the yellow ball going? APPLAUSE | :10:01. | :10:05. | |
Would you believe it? Well, value go. I think the reason Ding Junhui | :10:06. | :10:12. | |
was smiling, he was more interested was the blue going to cover it, if | :10:13. | :10:16. | |
the yellow had stayed in the jaws, he would have been snookered by the | :10:17. | :10:21. | |
blue. He can't pot the green, but he can hit it, he is not snookered. He | :10:22. | :10:29. | |
could play a good snooker here though, back at the table, white | :10:30. | :10:31. | |
behind the brown. Just overhit the green slightly, but | :10:32. | :10:55. | |
it is still a full ball snooker. He has to swerve this. And when you | :10:56. | :10:59. | |
swerve like this come you don't get too much distance between cue ball | :11:00. | :11:03. | |
and object ball, so where is this green going to stop? Control swerve, | :11:04. | :11:10. | |
couldn't have played it much better than that in all honesty. | :11:11. | :11:22. | |
Well, this would be a brave shot if he tries to roll the green towards | :11:23. | :11:29. | |
the baulk cushion, cue ball behind the blue. Got to be so precise with | :11:30. | :11:36. | |
this. A very delicate shot, and he has played it pro well. Excellent | :11:37. | :11:44. | |
shot. Such a delicate shot. The cue ball could drift off. Could have | :11:45. | :11:54. | |
left the green all got the snooker. Now that he has the snooker, Mark | :11:55. | :11:58. | |
Selby with the age-old problem, it is not so much hitting the green, | :11:59. | :12:03. | |
can he get it safe, because if he doesn't, Ding Junhui, 21 points | :12:04. | :12:07. | |
behind at the moment, 25 remaining, and as I said, this would really | :12:08. | :12:12. | |
hurt Mark Selby if he was to lose this frame. That is the angle. Not | :12:13. | :12:28. | |
the connection he wanted on the green, but he has left this pot for | :12:29. | :12:37. | |
Ding Junhui, but is he going to play it? To try and hold for the brown. | :12:38. | :12:43. | |
Or is he going to try and send the cue ball up the other end of the | :12:44. | :12:46. | |
table? He tries to hold it. Playing it that | :12:47. | :13:04. | |
way, it is a much more difficult shot. What does Mark Selby do here? | :13:05. | :13:17. | |
Could try and double the green, cue ball behind the thing. He only needs | :13:18. | :13:32. | |
the cream. -- the green. He has played the snooker. Pretty good. A | :13:33. | :13:41. | |
bit surprised he didn't take the double on. He could have had the cue | :13:42. | :13:48. | |
ball down towards the green pocket. Could have used the pink as a | :13:49. | :13:57. | |
blocker. Yes. The this would be the one, easy to hit, he would rather | :13:58. | :14:00. | |
hear this two questions rather than come off the one. Can he get the | :14:01. | :14:08. | |
green safe? As you say, he would rather it come off the baulk | :14:09. | :14:13. | |
cushion, side cushion. What way do you play this, that he take the | :14:14. | :14:16. | |
brave approach, try to nestle on the green, or does he try to hit it hard | :14:17. | :14:23. | |
and hope you gets to save? I personally would hit it hard. He is | :14:24. | :14:32. | |
playing at the delicate way. The only problem with that, he has still | :14:33. | :14:41. | |
given Mark Selby the advantage to get the snooker once again behind | :14:42. | :14:42. | |
the pink here. Got to be careful with the green, he | :14:43. | :15:05. | |
has to be certain that the green is safe, OK, try and get the cue ball | :15:06. | :15:08. | |
behind the pink but make sure you get the green safe. That's not too | :15:09. | :15:15. | |
bad. Would have liked it to have been further behind the pink. Again, | :15:16. | :15:22. | |
it is an easy swerve of this bottom cushion. Send the greenback of the | :15:23. | :15:26. | |
table. -- back at the table. He needs to hit this just right to | :15:27. | :15:51. | |
get it safe. Needs to run. Remember Mark Selby only needs the green and | :15:52. | :15:57. | |
here is the chance to pot it. This green to go 22 points in front with | :15:58. | :16:02. | |
23 remaining. Then it goes, where's the cue ball | :16:03. | :16:22. | |
going? Oh! Well, his heart must have been in his mouth. | :16:23. | :16:37. | |
And I would suggest this would be a mightily relieved Mark Selby to get | :16:38. | :16:45. | |
this frame under his belt. Coming up to 34 minutes, this is the type of | :16:46. | :16:51. | |
frame that hurts your opponent as well, particularly when he has had a | :16:52. | :16:59. | |
chance, Ding Junhui. Yes. It goes on. Mark Selby goes into the lead. | :17:00. | :17:03. | |
Three frames to two now. The first time he has been ahead in | :17:04. | :17:12. | |
the semifinal. A much more nervy frame. We saw that miss cue from | :17:13. | :17:17. | |
Ding, and one or two mistakes creeping into Mark's game as well. | :17:18. | :17:22. | |
It looked like Mark Selby was just about in control all the time, it | :17:23. | :17:28. | |
was a really interesting frame over half an hour, but those are the type | :17:29. | :17:31. | |
of friends you would expect Mark Selby to win. I definitely think | :17:32. | :17:36. | |
these frames could be the decider, who wins this crabby ones, because | :17:37. | :17:42. | |
you expect Ding to score heavily and Mark Selby, when the balls are | :17:43. | :17:44. | |
nicely placed but these are the friends that will be massive in this | :17:45. | :17:52. | |
match. Mark Selby has won four major world ranking titles this season. | :17:53. | :17:57. | |
Only you and Ding Junhui have made five major titles on the one season. | :17:58. | :18:02. | |
He is world number one, and you were just chatting away about how long he | :18:03. | :18:07. | |
could possibly be there. This would be the sixth season. He could be | :18:08. | :18:11. | |
number one for another ten years as far as I'm concerned. I don't see | :18:12. | :18:15. | |
anyone else consistently doing well enough to compete. The likes of Judd | :18:16. | :18:20. | |
Trump, the women's titles, but does he do it all year long? No. Neil | :18:21. | :18:24. | |
Robertson is not winning the tournament he was. Ronnie as we know | :18:25. | :18:29. | |
doesn't play another thing. Ding possibly, but who is there? You will | :18:30. | :18:34. | |
dominate this game for a long time. This is the sixth season he will | :18:35. | :18:38. | |
finish as number one. You did it eight in a row and that was a | :18:39. | :18:43. | |
record. I wonder what confidence it gives you being number one in the | :18:44. | :18:46. | |
sport and you are out there to be shot at? What gives you confidence | :18:47. | :18:50. | |
is playing like he did in his last match. I was number two, I never got | :18:51. | :18:56. | |
to number one. But when you are winning and playing well, that is | :18:57. | :19:00. | |
what gives you the confidence. Let's get back, shall be? | :19:01. | :19:11. | |
COMMENTATOR: Interesting comments there. Yes, the confidence of being | :19:12. | :19:21. | |
world number one probably overrides the pressure of coming here as | :19:22. | :19:28. | |
defending champion, can? Yes, he came as defending champion when he | :19:29. | :19:32. | |
first won it, and of course the Crucible of course Peel played its | :19:33. | :19:37. | |
part of that. But he has come back a different player this season. | :19:38. | :19:42. | |
Solidified that number one position for at least another season all | :19:43. | :19:47. | |
possibly more. I totally agree with Stephen Hendry, he could be number | :19:48. | :19:53. | |
one for a long time. Stephen Hendry holds the record, eight years in a | :19:54. | :20:01. | |
row. He's so consistent, four tournaments this year already in the | :20:02. | :20:12. | |
bag. This is the big one. Not touching, looks as though it might | :20:13. | :20:16. | |
be, but if it had been, our referee Brendan Moore would have declared | :20:17. | :20:19. | |
it. If he can get through to the red on | :20:20. | :21:15. | |
the left-hand side of the table, but doesn't CAC 40 there. Just was it | :21:16. | :21:22. | |
into a cluster. As long as he judges it right, MySpace, is that touching? | :21:23. | :21:34. | |
Mark at the baulk end, where he wouldn't like to be. | :21:35. | :21:50. | |
He called a foul on himself. The play to him. I don't blame him for | :21:51. | :22:06. | |
that one but you would have to say fair play. Ding says maybe play it | :22:07. | :22:13. | |
again. Not quite sure. That is one of the great things about our sport, | :22:14. | :22:18. | |
even if the referee doesn't see the foul, the player will call it | :22:19. | :22:25. | |
himself. Yes, and in that instance, you would feel it against your | :22:26. | :22:29. | |
knuckle. Sometimes, if you're reaching over and your shirt is | :22:30. | :22:32. | |
touching the ball, you wouldn't be aware of it. But Mark was well and | :22:33. | :22:43. | |
truly aware of that. So Ding has got the touching ball, straight back to | :22:44. | :22:47. | |
the baulk end. Trying to get in behind the green. APPLAUSE | :22:48. | :22:57. | |
He does so nicely. You wouldn't have thought it would cause Mark Selby a | :22:58. | :23:00. | |
problem as the cluster is so tightly bunched. | :23:01. | :23:15. | |
He hopes it will be touching ball again but it's not going to be this | :23:16. | :23:19. | |
time. A chance for Mark Selby, that is all | :23:20. | :23:47. | |
they could really do, roll into the bunch and leave a touching ball. A | :23:48. | :23:53. | |
chance for Mark Selby to put the cue ball tight on this baulk cushion. | :23:54. | :24:04. | |
It looks pretty good, excellent post. Have a look at that. Set tight | :24:05. | :24:12. | |
on the baulk cushion, he didn't do a bad job, did he? No, welded to it. | :24:13. | :24:22. | |
Ding may be tempted here to play the pot on the red on the left-hand side | :24:23. | :24:26. | |
cushion, if he can get through to the potting angle. Trying to play | :24:27. | :24:31. | |
the safety but people have to cut it mighty thin. But to catch this | :24:32. | :24:38. | |
right. -- he will have to cut it. Foul and a miss. | :24:39. | :24:47. | |
Mark just quickly let out that no free ball, put it back, as soon as | :24:48. | :24:55. | |
the yellow moved. But, as I say come he's got to catch this very thin. If | :24:56. | :24:58. | |
he catches it a fraction too thick, he will kiss that red on the | :24:59. | :25:01. | |
left-hand side of the table. He needs to hit it this time. He | :25:02. | :25:24. | |
will be warned now. He will be warned now. Three misses, and you | :25:25. | :25:34. | |
lose the frame. It would be a very brave Ding Junhui if he plays | :25:35. | :25:39. | |
exactly the same shot again. Well, it begs the question, Ken, if he can | :25:40. | :25:43. | |
get through to this red on the left-hand side of the table, would | :25:44. | :25:49. | |
he be tempted to play the pot. You have the referee, warning him. I | :25:50. | :26:00. | |
think he's forced into taking this red that you mentioned, John. Please | :26:01. | :26:01. | |
don't miscue. He's left it. So it just shows you | :26:02. | :26:22. | |
the importance of getting that cue ball tight to the baulk cushion, and | :26:23. | :26:28. | |
it has forced the mistake and given this chance to mark. He has played | :26:29. | :26:44. | |
that nicely, purposely leaving this angle on the black. It will stand up | :26:45. | :26:51. | |
into the reds, he will still have the red closest to the black and to | :26:52. | :27:01. | |
the right pocket. Well, the cue ball is pushed through the roads. He | :27:02. | :27:09. | |
stand it. Really needed to stop the cue ball in there. He has got a | :27:10. | :27:23. | |
couple of tricky reds in the left and right middle. These are tough. | :27:24. | :27:29. | |
Too tough. Yes, when he went into them, he was | :27:30. | :27:48. | |
looking for something a lot easier than that. There is a possible pot | :27:49. | :28:00. | |
to the far left corner. I don't know whether Ding Junhui can play it with | :28:01. | :28:09. | |
an element of a shot to nothing. Doesn't matter, because he is right | :28:10. | :28:11. | |
in the heart of the pockets. Can't do a lot with the cue ball, | :28:12. | :28:38. | |
but if you just bounces it of the site, he is digging in, is he going | :28:39. | :28:45. | |
to make an angle? He thinks he can just get in between the yellow and | :28:46. | :28:49. | |
brown, and he looks to have judged that well. Yes, he's looking at | :28:50. | :28:58. | |
what's, after this red and a colour. It was an excellent positional shot. | :28:59. | :29:12. | |
A fraction too hard for the blue. More difficult pink, but the pink | :29:13. | :29:21. | |
gives him more chance of being on the next red. | :29:22. | :29:39. | |
APPLAUSE Played that nicely. | :29:40. | :30:03. | |
Just getting the cue ball cleaned. He can go into the pack if he | :30:04. | :30:14. | |
wishes, he has a nice angle. All he can just hold for the red. | :30:15. | :30:21. | |
He held for the two reds. The one of the pack of roads. | :30:22. | :30:48. | |
This is normally where he's so good, stunning and screwing around the | :30:49. | :31:03. | |
reds. Just looking for an odyssey straight on the pink. Looking if the | :31:04. | :31:08. | |
runs through, whether he can make an angle on the red that is closest to | :31:09. | :31:17. | |
the people. -- to the cue ball. Yes, played nicely. Obviously would like | :31:18. | :31:23. | |
to be straighter to this red to the left corner. Going to play a | :31:24. | :31:31. | |
delicate little positional shot. Lots of left-hand side, trying to | :31:32. | :31:35. | |
play for the black in the same corner. No, played it with a lot of | :31:36. | :31:41. | |
right-hand side, and could not played better. Believe me, on | :31:42. | :31:46. | |
superfine cloth, playing it with that much right-hand side. | :31:47. | :31:53. | |
Beautifully played. Took the opportunity to go into the reds. | :31:54. | :32:03. | |
Another 36 points from this position will see him get to the snookers | :32:04. | :32:06. | |
required stage. Quite wonderful to watch Ding, when | :32:07. | :32:24. | |
he is making breaks around the pink and black. Lovely delicate shots, | :32:25. | :32:36. | |
little cannons. Developing reds. Quite an art. | :32:37. | :32:48. | |
The red immediately above the black is available to the same pocket as | :32:49. | :32:55. | |
the black. Just running off the top cushion for that red. Well, if you | :32:56. | :33:06. | |
are being picky, a bit careless. Just a bit short, could have run up | :33:07. | :33:10. | |
the table another six inches. Running into other raids, has to be | :33:11. | :33:19. | |
careful. Got to be careful. And he has lost the cue ball slightly. Can | :33:20. | :33:32. | |
he hold it? Or will he go up and down the table? He will try and hold | :33:33. | :33:43. | |
it. No, not there. As you said, John, not the shot, the previous | :33:44. | :33:47. | |
shot, to get on that red. That caused the problem. | :33:48. | :34:11. | |
Trying to swing the cue ball over to the reds on the left-hand side of | :34:12. | :34:16. | |
the table. 32 points behind, plenty remaining. | :34:17. | :34:33. | |
Any colour will do of these reds. The one tight to the pink is not an | :34:34. | :34:56. | |
impossible position at the moment. -- in a position to be potted. | :34:57. | :35:35. | |
Getting down pretty quick, must be happy with the angle on this black. | :35:36. | :35:46. | |
Does not look perfect to me. Good shot, forcing it in, he will be very | :35:47. | :35:50. | |
badly hampered. Dear me, step ladders, Orange boxes. How do you | :35:51. | :36:06. | |
reach this one? He's a tall lad, Mark, still will not be able to | :36:07. | :36:08. | |
reach it. I don't suppose, with all the | :36:09. | :36:19. | |
extensions we have today, not many shots which are unplayable. This is. | :36:20. | :36:34. | |
Certainly would be for me! Once again, you don't expect a player to | :36:35. | :36:44. | |
miss easy pots, he just lost control of the cue ball, as Ding did in the | :36:45. | :36:49. | |
previous visit. Once it nestled on that red, impossible to play. | :36:50. | :37:39. | |
He missed one, John! Yes, this is an important long pot for Ding Junhui. | :37:40. | :37:53. | |
At the moment he is down at 29% long pots success. Only two out of seven. | :37:54. | :37:57. | |
Needs one here. Something catching his eye. Appears | :37:58. | :38:11. | |
to have been a bit of movement in different places. Just gone to the | :38:12. | :38:19. | |
one-table situation, not everyone is comfortable. This is a very | :38:20. | :38:27. | |
important shot he has here. Is he on the black? He is on it, but he | :38:28. | :38:35. | |
cannot pot it. Just a snooker. He will be disappointed here. | :38:36. | :38:54. | |
Remember he could put that cue ball anywhere he liked in the D. Good | :38:55. | :39:06. | |
shot, from Mark. Hitting that red exactly has he played. | :39:07. | :39:26. | |
He has looked at the scoreboard, 21 points in front. Will he be tempted | :39:27. | :39:32. | |
to play this red into the far corner? The modern-day player | :39:33. | :39:39. | |
surprises me with a lot of the shots they go for. Looks like we'll play | :39:40. | :39:52. | |
safe. He may have purposely knocked the blue safe. Could be a clever | :39:53. | :39:56. | |
shark. If Mark Selby did get a chance, he has a problem with the | :39:57. | :39:58. | |
blue. Good thinking, young man. Certainly a clever shark, if he did | :39:59. | :40:19. | |
mean it. He did have a look at the scoreboards. The blue safe is to his | :40:20. | :40:23. | |
advantage. Could be a bit of trouble, the cue | :40:24. | :40:44. | |
ball behind the blue. Could knock the red up the table. Yet in the | :40:45. | :40:53. | |
baulk cushion, behind brown Green. If he had the angle to push the red | :40:54. | :40:59. | |
pass the blue, the cue ball rolling behind it, he would do. If he cannot | :41:00. | :41:03. | |
do that, could target green and brown hair. | :41:04. | :41:18. | |
Wonderful shot. Very nicely judged. I mentioned it earlier, Ken, this | :41:19. | :41:37. | |
seems to me as the year has gone on, he is learning more ring craft, when | :41:38. | :41:40. | |
it comes to these tactical exchanges. Hitting the red, but | :41:41. | :41:53. | |
leaving a thin cut. To win it. He will need the red that is tight to | :41:54. | :41:55. | |
the pink. That was a surprise. Yes. | :41:56. | :42:27. | |
Disappointed to have missed that. If the pots it, even if he doesn't get | :42:28. | :42:35. | |
on the colour, rolling up to the baulk colours, how difficult the | :42:36. | :42:37. | |
snooker would have been to get out of. Mark taking this red run, he | :42:38. | :42:43. | |
feels there is plenty of value in it. | :42:44. | :43:01. | |
Don't blame him for taking it on, it was a long pot, but only a fraction | :43:02. | :43:14. | |
out, to be fair. Not desperate to get on the colour here. Would like | :43:15. | :43:19. | |
to be on the colour, he is on the brown. As I say, if he could nestle | :43:20. | :43:25. | |
up to one of the baulk colours, what a snooker this would be. Leaving | :43:26. | :43:30. | |
himself a possible position on the brown. I see no reason not to come | :43:31. | :43:38. | |
up. If he did get parallel with the red, could play his own snooker | :43:39. | :43:42. | |
behind the pink. He has a nice angle on the brown, if he wishes, to go | :43:43. | :43:48. | |
off the side cushion, just before the middle pocket. Try to cannon | :43:49. | :43:55. | |
into the pink and red. Seize the moment, would not disagree with that | :43:56. | :44:11. | |
idea. That is the angle. He also has the blue, as a bit of insurance | :44:12. | :44:17. | |
policy. Reluctant to play the brown, if he does not Mr Cannon on the pink | :44:18. | :44:22. | |
and red, he will have to play against a to shot. That is why he is | :44:23. | :44:27. | |
thinking about playing the snooker. Mark Selby is so good at getting out | :44:28. | :44:35. | |
of sneakers, not guaranteed to get a lot of points out of it. Looks like | :44:36. | :44:39. | |
a stunning off, to get in behind the green. He thinks he has put the | :44:40. | :44:46. | |
brand safe, leaving it in such a way that Mark will have to play with | :44:47. | :44:51. | |
left and right hand side. No matter how he hits the red, it will stay | :44:52. | :44:58. | |
the middle of the table. He needs to hit this something like water ball. | :44:59. | :45:06. | |
22 points are in it. Ding Junhui needs red and black, and red and | :45:07. | :45:15. | |
pink. Needs to play the two cushion escape with pace. Could hit it with | :45:16. | :45:23. | |
portable. Hitting it to fall. When you hit bid to fall, normally I | :45:24. | :45:28. | |
would say, you leave the red. Don't think he has. In the respect that if | :45:29. | :45:35. | |
Ding Junhui laid it to the left corner, or the left middle, the | :45:36. | :45:38. | |
possibility of going in off. Difficult enough pot, but as you | :45:39. | :45:52. | |
said, the middle pocket may be on the way. Not sure whether he can pot | :45:53. | :46:02. | |
the red into the middle centre, coming off the top cushion, on the | :46:03. | :46:04. | |
black. That may be an option. He did not play the pot there. He | :46:05. | :46:32. | |
has and underhit it. Did not play the pot, because the in off was on. | :46:33. | :46:39. | |
Now he has the blue and brand safe. Glad he did. This is half a chance | :46:40. | :46:48. | |
for Mark Selby. But he has it all to do. The black will put in 14 points | :46:49. | :46:58. | |
behind. He would need the six remaining colours. A tall order. | :46:59. | :47:13. | |
The cue ball would be naturally going up to the yellow. Needs to | :47:14. | :47:29. | |
make sure the pot. Where is the cue ball for the yellow? Overrunning its | :47:30. | :47:34. | |
likely for the right centre, but not too bad. Straight enough yellow to | :47:35. | :47:41. | |
the bottom right corner pocket. He will be on the green. | :47:42. | :47:55. | |
Good pot. Coming around to look at the brown. The fact it is so tight | :47:56. | :48:08. | |
to the cushion, cannot pot the brown, getting on the blue. Coming | :48:09. | :48:14. | |
around, potting the green, trying to leave a snooker up the table. Cue | :48:15. | :48:21. | |
ball behind the pink. The reason he is playing that, because there is no | :48:22. | :48:28. | |
chance of him potting the green and getting on the brown to get on the | :48:29. | :48:35. | |
blue. Type of matchplay sneaker he is so did. Back in the frame. Nine | :48:36. | :48:47. | |
points behind. If he can leave the cue ball somewhere where the brown | :48:48. | :48:51. | |
is now, move the brown at the table anywhere, should be OK. | :48:52. | :49:03. | |
Wanted it to have a little bit more pace. Easy swerve. Important in John | :49:04. | :49:14. | |
Wayne hits this brown, because if he does not, then Marked just needs | :49:15. | :49:25. | |
brown, blue and pink. This frame just over 30 minutes, the last 134 | :49:26. | :49:33. | |
minutes. Very tense out there. -- the last one, 34 minutes. Could not | :49:34. | :49:42. | |
have hit that better. He has got the snooker. He has had to apologise. | :49:43. | :49:49. | |
There may be a thin edge of the brown sticking out. That is no good | :49:50. | :49:58. | |
to mark. If the hits that the right edge, he will knock the brown to the | :49:59. | :50:03. | |
right corner. That's why he is looking to come off the side | :50:04. | :50:17. | |
cushion. Does it reach? Wonderful. Touching ball. Wow! That is hard to | :50:18. | :50:29. | |
believe. The last thing he wanted, touching ball. Easy snooker behind | :50:30. | :50:33. | |
the blue now, you would have thought. Maybe he might be better | :50:34. | :50:41. | |
taking the blue after cushion. He needs the brown and the blue. Easy | :50:42. | :50:55. | |
snooker. Unless he is tight to the blue. Good shot. He will need that | :50:56. | :51:01. | |
blue, unless he gets a lot of points from the snooker. The missing rule | :51:02. | :51:11. | |
may encourage players to play this kind of shot at the end of the | :51:12. | :51:17. | |
frame. This is not easy to hit. He knows his way around the table so | :51:18. | :51:21. | |
well, very hard to get points from sneakers from Mark Selby. This one | :51:22. | :51:32. | |
is a little wide. He will be sure to hit its second time round. Ding | :51:33. | :51:38. | |
Junhui definitely has the upper hand for now. Needs to hit it this time. | :51:39. | :51:49. | |
Otherwise he only needs the brown. He has missed it again. Now Ding | :51:50. | :51:57. | |
Junhui is 17 points in front, 22 remaining. Only needs the brown. | :51:58. | :52:09. | |
Mark could hit this and leave the brown on, quite easily. He has hit | :52:10. | :52:19. | |
at this time, will he leave it on. Not quite. He will be snookered, | :52:20. | :52:23. | |
next time he comes to the table. Needs to get the brown into the | :52:24. | :52:35. | |
middle of the table, up to the Bulgarian somewhere. Try not to keep | :52:36. | :52:45. | |
it close to if possible. Very fortunate there. Very fortunate. He | :52:46. | :52:54. | |
has brought the blue into play, did not want that. He only needs the | :52:55. | :53:02. | |
brown. A full ball snooker. 17 behind. | :53:03. | :53:14. | |
The fact that Mark is having a look at this, looking at the scoreboard. | :53:15. | :53:21. | |
Yes, can Mr brown, and still able to win. Amis will be called. The fact | :53:22. | :53:26. | |
he's not playing it straightaway means he cannot get past the little | :53:27. | :53:32. | |
pocket. Trying to swerve. To get the angle to hit the brown. Can he get | :53:33. | :53:44. | |
it safe? He has got it safe. Could not played that any better. | :53:45. | :53:53. | |
Beautiful shot. Wonderful shot. Now this game will rest on the brown, | :53:54. | :53:55. | |
you would feel. Looks as though Ding Junhui can only | :53:56. | :54:12. | |
get to the right-hand side of the brown, as he looks. As to be careful | :54:13. | :54:21. | |
here. Trying to get the snooker with the pink. Looks to have played | :54:22. | :54:24. | |
reasonably well. Straightforward side cushion. | :54:25. | :54:50. | |
Straightforward to hit the brown of the side cushion. That is the angle, | :54:51. | :54:56. | |
wanting to hit it full ball, so the brown comes off the opposite side | :54:57. | :55:00. | |
cushion, resting somewhere on the bottom cushion near the black. Just | :55:01. | :55:08. | |
resting it on the other cushion. Very well play. Great weight of | :55:09. | :55:17. | |
shot. Thought he was going to hit it harder, off the side cushion down | :55:18. | :55:23. | |
towards the black. It is pressure now. Ding Junhui made a big mistake. | :55:24. | :55:34. | |
That is why there is pressure on the safety shots. Just content to tuck | :55:35. | :55:43. | |
it behind the black. I tell you what, could not played much better. | :55:44. | :55:52. | |
That is brilliant. Mark Hurd a quick glance up to the balcony where his | :55:53. | :55:56. | |
supporters are, saying how can anyone play that? But he did. There | :55:57. | :56:07. | |
is is wife, Vicki in the middle. Good friend of his. Bobby, his close | :56:08. | :56:15. | |
friend. Travels with him. He looks more under pressure than Mark. He | :56:16. | :56:24. | |
has the outside edge of this brown. Very brave man to play that shot. | :56:25. | :56:30. | |
Could hit the black, and the need is sneaker. Worse, if you missed it, he | :56:31. | :56:35. | |
would leave a free ball. As you said, leaves the free ball. | :56:36. | :56:58. | |
That is end of frame, you would feel. 21 points the difference. The | :56:59. | :57:13. | |
blue counts as four. Now Mark Selby needs a snooker, he has not hit this | :57:14. | :57:15. | |
too well. Just about on the brown. In goes the brown, that will be the | :57:16. | :57:40. | |
end of the frame. The longest frame either player has been involved in | :57:41. | :57:50. | |
in the tournament so far. He flicks the blue, but the frame was over | :57:51. | :57:56. | |
before then. Two tight, Titanic frames. They have been shared. Mark | :57:57. | :58:05. | |
Selby will not come back to the table. It is a frame that Ding | :58:06. | :58:13. | |
Junhui did really well to win. Laid Mark Selby of his own game. | :58:14. | :58:24. | |
STUDIO: Nearly 39 minutes, and 34 the one before then. Mark Selby | :58:25. | :58:30. | |
never leaves a pot one. What were the chances of him getting out of | :58:31. | :58:35. | |
that one with a win? When he had the reds stuck behind a thing, he were | :58:36. | :58:40. | |
snookered, blue and brown on the cushions. He thought he had a 10% | :58:41. | :58:47. | |
chance of winning the frame. His Nat Tilly Macca matchplay, getting out | :58:48. | :58:53. | |
of sneakers was fantastic. Ding moved the blue inadvertently offered | :58:54. | :58:58. | |
vision, a bad move. Only the shop that Ding played getting behind the | :58:59. | :59:02. | |
black. Anywhere else on the table, leaving the edge, it would have gone | :59:03. | :59:06. | |
in. A master in frames he does not look like winning, gives is of a | :59:07. | :59:12. | |
chance. Ding realises, to beat this guy, he will have to survive frames | :59:13. | :59:18. | |
like that. To be fair to Ding he outplayed Mark in the safety | :59:19. | :59:22. | |
department. He had complete control for the last 15, 20 minutes. Always | :59:23. | :59:28. | |
have the upper hand, always the aggressor. Playing snooker 's. | :59:29. | :59:32. | |
Important for him to win those types of frames. -- playing sneakers. | :59:33. | :59:39. | |
Keeping the blue safe on the side rail was key to it. Very clever, he | :59:40. | :59:45. | |
had two reds, could have played anywhere down the baulk area. Could | :59:46. | :59:49. | |
not ready player safety. Just clipping off it, cannoning the blue. | :59:50. | :59:54. | |
Putting it on the cushion, clever shot. Interesting change of pace. | :59:55. | :00:00. | |
The first four frames were bang, bang. Slowed up, very intriguing. | :00:01. | :00:06. | |
Yes, always going to get frames like this. The first four, maybe we were | :00:07. | :00:11. | |
spoiled a bit, the way they were going. Big visits. It will get more | :00:12. | :00:16. | |
cagey as long as it is level scoring. I was going to say, what | :00:17. | :00:23. | |
happens in games like this. When two people are adept at safety, making | :00:24. | :00:26. | |
responses to each other you get frames like that. Back we go to the | :00:27. | :00:29. | |
penultimate of the opening session. COMMENTATOR: Yes, the first four | :00:30. | :00:50. | |
frames, we were averaging just over 60 minutes a frame the last two | :00:51. | :00:58. | |
frames, the last one was nearly 32 minutes. The average frame time now | :00:59. | :01:05. | |
is just over 23 minutes. -- the first four frames we were averaging | :01:06. | :01:07. | |
just over 16 minutes a frame. But I agree, I think it is just the | :01:08. | :01:23. | |
good safety that is being played that is making these frames look a | :01:24. | :01:30. | |
bit more drawn out than the quality of play deserves. | :01:31. | :01:50. | |
He tried to play that with a lot of top spin. And after winning an | :01:51. | :02:02. | |
elongated previous frame, the worst thing you want to do is give your | :02:03. | :02:05. | |
opponent and easy start on the next. A bit of a cutback from this lack | :02:06. | :02:23. | |
here. Oh. He didn't play that previous red | :02:24. | :02:52. | |
too well. But, Ken, Hanley times do we sit, the first four frames either | :02:53. | :02:57. | |
player gets a chance, they would win the frame. Now we have had a couple | :02:58. | :03:02. | |
of long, drawn-out frames, it seems to have taken the edge off the | :03:03. | :03:10. | |
potting. It can happen. Yes, it can happen, your concentration can get a | :03:11. | :03:16. | |
little tired, a bit weary. A good chance if he can knock this one into | :03:17. | :03:24. | |
the far left corner. APPLAUSE Never a doubt. Profiting from a | :03:25. | :03:32. | |
mistake from Tim one, it only cost him 1.4 is that what can he make for | :03:33. | :03:39. | |
Mark Selby's error? A couple of reds to go at here. The loose one, that | :03:40. | :03:51. | |
is the one he has got on. At the red, just the right of the pink, as | :03:52. | :04:02. | |
well. Coming round to have a look at this red come on the right-hand side | :04:03. | :04:07. | |
is that pot into the corner pocket. Just to drop in for the black here. | :04:08. | :04:24. | |
That is the red he was looking at, so he can try to get on that red. If | :04:25. | :04:33. | |
he is not on it nice, there is a red above it on the left centre, as | :04:34. | :04:34. | |
well. Not quite certain if the pink spot | :04:35. | :05:24. | |
is available. If it's not, well, it is, obviously. That is why he played | :05:25. | :05:29. | |
the threw off the side cushion. Still in good position. | :05:30. | :05:50. | |
Ding will typically take the loose threads before he contemplates going | :05:51. | :05:57. | |
into the pack. He has a nice angle now but I don't think he will go | :05:58. | :06:07. | |
into the pack of roads here. He is a master at just picking off the loose | :06:08. | :06:10. | |
threads and then choosing the right time to go into the pack. Yes, and | :06:11. | :06:22. | |
the way the reds are situated commie would probably prefer to go into | :06:23. | :06:30. | |
them off the blue. The pink just separating slightly, so if he was | :06:31. | :06:34. | |
going to play the cannon, which is the normal way of doing it, cannon | :06:35. | :06:38. | |
kit full in the face, he has to catch the pink full in the face, | :06:39. | :06:43. | |
otherwise you can always risk going in off one of the callers. See no | :06:44. | :06:49. | |
reason why he shouldn't play one of the tenancy. Didn't catch the pink | :06:50. | :06:56. | |
full in the face. He is not perfect, by any means. He only caught a | :06:57. | :07:08. | |
quarter ball. Tough red along the cushion. Can he get past the black | :07:09. | :07:11. | |
to cut the spun back into the corner? I think he can. But he won't | :07:12. | :07:21. | |
have much control of the cue ball. So if he goes for it, he needs to | :07:22. | :07:26. | |
get it. The one that is closest to the top cushion, well, he would have | :07:27. | :07:29. | |
to play it with pace, and makes it very missable. | :07:30. | :07:45. | |
Good pots. He has found the gap between yellow and brown. Nicely | :07:46. | :07:56. | |
onto the blue as well in this corner right-hand pocket. It was imperative | :07:57. | :08:04. | |
he didn't kiss into any of the baulk colours. You can drop the blue in. | :08:05. | :08:10. | |
It looks pretty straight. Just getting the cue ball cleaned. He has | :08:11. | :08:13. | |
a choice, green into the top corner pocket. Just drop it in and take the | :08:14. | :08:21. | |
red, left of the black. Just checking whether he can push | :08:22. | :08:36. | |
the cue through enough. He is at full stretch. This is dangerous to | :08:37. | :08:42. | |
play it like this. Well, he has made it. Rather that, than use the rest. | :08:43. | :08:51. | |
Just the pace as well, if it had been any harder. Have a look at this | :08:52. | :08:56. | |
again. Any harder and I don't think that blue would have gone. It was a | :08:57. | :09:02. | |
little bit wired. But I still think the pink spot is | :09:03. | :09:19. | |
available. He is only looking for another 24 points from this | :09:20. | :09:22. | |
situation but I don't think it is obvious, because there are two roads | :09:23. | :09:28. | |
on either cluster of that five. One to the left corner, want of a right | :09:29. | :09:33. | |
corner, but when the pink goes on its spot, they will not be | :09:34. | :09:41. | |
available. He does have the angle on the pink to try to nudge onto the | :09:42. | :09:56. | |
red and try to develop them. He tried to play a delicate little | :09:57. | :10:00. | |
screw shot just past that read. Does keeping go? -- now where does the | :10:01. | :10:12. | |
pink go. It was a delicate little shot between the pink spot and that | :10:13. | :10:17. | |
would you spoke about, John. You have to be very precise. | :10:18. | :10:33. | |
He has got a 49 point lead. But there is still a possible 83 | :10:34. | :10:43. | |
remaining, so plenty of snooker left in this frame. | :10:44. | :11:19. | |
Well, that is probably the most careless shot I've seen Mark play | :11:20. | :11:27. | |
for quite a while. We'll watch again as he gets the double-kiss, the only | :11:28. | :11:32. | |
think he tried to just send it up and misjudged it. Fortunately for | :11:33. | :11:38. | |
Mark, the cue ball has gone prior to the cushion. Beware the left middle | :11:39. | :11:43. | |
pocket here. It is going to go very close. Beware the left middle | :11:44. | :11:56. | |
pocket. He's OK. That is what he was frightened of, and that is why he | :11:57. | :12:04. | |
played it so slowly. If he had played it a little bit harder, that | :12:05. | :12:07. | |
cue ball could have swung a little bit wider, so he needs a good shot | :12:08. | :12:11. | |
on the blue. I know he is already on the baulk end, but he can't just | :12:12. | :12:15. | |
role in this blue and be on it, I don't think. Well, he deserves that, | :12:16. | :12:28. | |
he deserves that, because to play that with pace, as he did, he made | :12:29. | :12:38. | |
it a very tough pot, and he has adjusted to absolute perfection. A | :12:39. | :12:51. | |
cluster of five make it 67 points remaining, the ones between the pink | :12:52. | :13:01. | |
and black. That now puts him 56 points in front. There is a red at | :13:02. | :13:13. | |
the bottom. Straight on the blue. He can play for that one. Blue right | :13:14. | :13:25. | |
into the heart of the pocket. How has he judged the pace? He looks to | :13:26. | :13:29. | |
have judged it to perfection. 61 points is the lead. Red and the pink | :13:30. | :13:34. | |
to go 68 ahead with only 59 remaining. | :13:35. | :13:47. | |
He will have to play the pink into the far right corner. No heroics | :13:48. | :13:55. | |
here. He has glanced at the scoreboard. He knows if he goes 68 | :13:56. | :14:00. | |
points in front, Mark Selby will need a snooker. I'm amazed. I am | :14:01. | :14:16. | |
absolutely amazed. Well, no, why should I be amazed? I got the score | :14:17. | :14:23. | |
wrong, sorry. 62 points, the lead. 59 remaining. The new better than | :14:24. | :14:30. | |
me. That is why he is there and we are here, Ken. Speak for yourself, | :14:31. | :14:34. | |
John. I give the Royal we, sorry. That will secure the frame. APPLAUSE | :14:35. | :14:49. | |
Good pots. I'm sorry we all make mistakes, that | :14:50. | :15:09. | |
is why they put rubbers on the ends of pencils. | :15:10. | :15:32. | |
I'm still a bit surprised that he didn't take the pink. Maybe he is | :15:33. | :15:41. | |
playing Mark Selby at his own game. It is something Mark Selby would | :15:42. | :15:49. | |
have done as well. He's not afraid to mix it with him. Yeah, if he had | :15:50. | :16:00. | |
potted the pink, there is no way Mark Selby would have carried on, | :16:01. | :16:04. | |
but putting the yellow safe, Mark was encouraged because he only | :16:05. | :16:09. | |
needed one snooker. Anyway, it is of little elephants now. One more -- it | :16:10. | :16:22. | |
is of little relevance. He has played in four sessions. Oh, | :16:23. | :16:35. | |
wonderful. Every session is your goal or your aim is to win it. Yes. | :16:36. | :16:45. | |
A big frame coming up for both players stop yes, you try to win the | :16:46. | :16:51. | |
first mini-session but if you can finish the first session with a | :16:52. | :16:56. | |
lead, and Ding Junhui will have the opportunity to do that now, that | :16:57. | :17:01. | |
would have been in his target, starting out in the semifinal. Not | :17:02. | :17:09. | |
much between both players. We have had a couple of slow frames, but | :17:10. | :17:18. | |
generally it has been high-quality. If APPLAUSE | :17:19. | :17:24. | |
Nice 56 from Ding Junhui. He goes into the lead, yet again. He leads | :17:25. | :17:30. | |
the world number one and defending world champion by four frames to | :17:31. | :17:31. | |
three now. As you can see there is a lot more | :17:32. | :17:44. | |
room now with the one table, so there is a lot more room to place | :17:45. | :17:48. | |
you can brush up on your skills for stuff I have learned a thing or two, | :17:49. | :17:52. | |
so come down and get involved. There are coaches on hand to give you some | :17:53. | :17:55. | |
red-hot tips on improving your game, and you can also add your questions | :17:56. | :17:59. | |
answered on how to get involved in snooker. The tables and coaches will | :18:00. | :18:04. | |
be here right up until Monday's final. Come and have a go on a | :18:05. | :18:08. | |
professional snooker table. You never know, you could end about the | :18:09. | :18:10. | |
World Championships next year. That could be something. If you | :18:11. | :18:17. | |
cannot get to Sheffield and the Winter Gardens, but keep following | :18:18. | :18:21. | |
it here on the BBC. I noticed that somebody who is a bit of a snooker | :18:22. | :18:25. | |
fan, a snooker and can you might say, this is Nick, peanut Baines, | :18:26. | :18:34. | |
the keyboard player for the Kaiser Chiefs. He has been part of the | :18:35. | :18:41. | |
crowd here before. An appreciative audience and we are an appreciative | :18:42. | :18:45. | |
audience in here. This has got all the hallmarks of a classic, but a | :18:46. | :18:49. | |
very clever frame again from Ding Junhui. He is playing really good | :18:50. | :18:54. | |
hard matchplay. Unusually for Mark, he has made a couple of mistakes, | :18:55. | :18:58. | |
certainly the red with the double-kiss. But I am very impressed | :18:59. | :19:03. | |
with his application. Mark Selby looked like he was close to | :19:04. | :19:12. | |
absolutely buzzing. Last year in the first session of the final, Ding | :19:13. | :19:17. | |
went out to - six behind in the first session. He has a chance to go | :19:18. | :19:21. | |
ahead. That would be massive for him. He is so impressive, his | :19:22. | :19:27. | |
desertion of play has been brilliant. If you are looking for | :19:28. | :19:36. | |
ways that Ding is better than Mark Selby, I think his cue ball | :19:37. | :19:39. | |
controllers just that little bit better, especially anywhere around | :19:40. | :19:43. | |
the pink and black. The safety has been so good from Ding as well. | :19:44. | :19:48. | |
Sometimes it looks almost simplistic, is that good at it. So | :19:49. | :19:52. | |
you don't fully appreciate it, unless you play the game and you are | :19:53. | :19:57. | |
thinking, how good was that under the cosh? As you say, it is so good | :19:58. | :20:01. | |
it just makes it look easier than it is. He seldom leaves and self a | :20:02. | :20:05. | |
difficult shot out there. This is the last of the opening session. | :20:06. | :20:12. | |
COMMENTATOR: It is Mark Selby that gets the final frame of the first | :20:13. | :20:16. | |
session underway. Good rake off. It is the type of pot that you take | :20:17. | :20:58. | |
on, thinking there was no good safety. This match played over four | :20:59. | :21:03. | |
sessions to make up the 43 -- to make up the 33, three sessions of | :21:04. | :21:09. | |
eight, and then the nine, if needed, in the fourth session. So a long way | :21:10. | :21:18. | |
to go, but I think what has been evident here, the first frame Mark | :21:19. | :21:22. | |
Selby look as cool as a cucumber, like he wasn't going to make any | :21:23. | :21:25. | |
mistakes whatsoever. Now he looks a little bit ruffled. Ding has been | :21:26. | :21:30. | |
giving as good as he gets. Yeah, you can see a slight bit of a | :21:31. | :21:52. | |
momentum shift for Ding. He has been very composed over the last few | :21:53. | :22:01. | |
frames, or since he went behind. Mark Selby, particularly that last | :22:02. | :22:07. | |
shot, the double-kiss that cost Mark Selby the frame. It is not often you | :22:08. | :22:13. | |
would see him make such a blatant error, you know? | :22:14. | :22:29. | |
Touching ball, so if you fire away you are deemed to have hit the red | :22:30. | :22:36. | |
your touching. It doesn't mean to say you can't hit another red, of | :22:37. | :22:42. | |
course. Another good line, and a good length. The only thing I would | :22:43. | :22:47. | |
say with a situation like that, there is not much chance of Mark | :22:48. | :22:55. | |
Selby leaving anything on. Well, he is going to give six point way and | :22:56. | :23:01. | |
he will leave a read on. Popa would you believe that? That is amazing. | :23:02. | :23:08. | |
He does look a little bit ruffled, all right. I was just on the verge | :23:09. | :23:20. | |
of saying I would love has a -- rather have a good cue ball welded | :23:21. | :23:22. | |
to the cushion. So he's going to have to sit there | :23:23. | :23:47. | |
now, and who held many in points - and regret how money points that has | :23:48. | :23:52. | |
crossed. Straight into them. He will be unlucky not to do well. That was | :23:53. | :24:01. | |
very positive, and boy, did he play that well? Yes, didn't want to hit | :24:02. | :24:04. | |
the thing that time, just wanted to hit the red to the left of the pink, | :24:05. | :24:10. | |
as we look. And he played it to perfection. | :24:11. | :24:19. | |
The pink is available, as well as the blue here, and of course the | :24:20. | :24:25. | |
black is available into the right corner pocket. May come down for the | :24:26. | :24:32. | |
red closest to this bottom cushion, beneath the black. Just to free up | :24:33. | :24:41. | |
the black into both corner pockets. Yes, I'm certain that is the red he | :24:42. | :24:44. | |
would like to get on. He would have liked to have been a bit straighter | :24:45. | :24:52. | |
on the blue, but this is a good positional shot, here. And he's | :24:53. | :25:08. | |
played it. He's played it. Yeah. That's the beauty of brick building | :25:09. | :25:11. | |
community of yourself options, and when this red goes in, he will try | :25:12. | :25:19. | |
to Venice frame from this position, opening up as Stephen century ton | :25:20. | :25:30. | |
Hendry said, his cue ball controllers just that bit better | :25:31. | :25:33. | |
than Mark Selby in these opening exchanges. | :25:34. | :26:10. | |
48 points from disposition to get to the snookers required stage and take | :26:11. | :26:19. | |
a two frame advantage into the second session tomorrow. He does | :26:20. | :26:28. | |
have the angle to go into the two reds, right above the black. That's | :26:29. | :26:35. | |
what he's looking at, and I'm sure the top right of those two we are | :26:36. | :26:38. | |
looking at goes into the bottom corner pocket. That's OK. He has | :26:39. | :26:47. | |
driven it through them, purposely, because if he had just played the | :26:48. | :26:50. | |
normal cannon, OK, he would have been on the left hand of those two | :26:51. | :26:55. | |
reds that are still there, but he would be going away from the black, | :26:56. | :26:59. | |
and so that is why he forced it through. When it comes to, as I said | :27:00. | :27:03. | |
earlier, even around the pink and black spot area, he has got some | :27:04. | :27:06. | |
lovely moves. He has just got a wonderful touch. | :27:07. | :27:19. | |
He makes the breaks look so easy because of the position of the cue | :27:20. | :27:23. | |
ball. When you watch where he puts the cue ball, it is no more than six | :27:24. | :27:32. | |
or eight inches from the next ball. Well, they say that the best breaks | :27:33. | :27:37. | |
are the ones where people say, well I could have potted that. Well, the | :27:38. | :27:42. | |
reason is because he keeps leaving himself inch perfect, and nice | :27:43. | :27:46. | |
angles on every ball. There you see, straight on that, so he can roll it | :27:47. | :27:53. | |
in, leave a nice angle on the black. This is a big frame, though. Two | :27:54. | :28:01. | |
frame advantage. He will consider it a good afternoon's work. | :28:02. | :28:14. | |
You see 50 ahead, but it all came from that split. He hit the blue. He | :28:15. | :28:19. | |
couldn't go into the pink this time, he had to hit the red full ball. | :28:20. | :28:24. | |
Just look at the reds, how they opened up beautifully. Excellent | :28:25. | :28:25. | |
shot. Just a little bit hampered here by | :28:26. | :29:05. | |
the pink, but I think he only has to roll the red in to get position on | :29:06. | :29:09. | |
the black, so he doesn't have to do too much with the cue ball. | :29:10. | :29:31. | |
Yeah, we were talking at the start of the match with Hazel in the | :29:32. | :29:37. | |
commentary box, Ken, how would you feel after beating Ronnie O'Sullivan | :29:38. | :29:41. | |
in the last match. Gary Goldwyn, remember we used to go around with | :29:42. | :29:49. | |
Tim one a lot, in China it was always -- with Ding Junhui a lot, in | :29:50. | :29:53. | |
China it was always looked upon, could he beat Ronnie O'Sullivan? We | :29:54. | :29:57. | |
looked at the head-to-heads before he beat yesterday, and it was 10-2 | :29:58. | :30:02. | |
to Ronnie, and the fact he has now beaten Ronnie has proven to | :30:03. | :30:08. | |
everybody that he is capable of beating anyone in the game. And I | :30:09. | :30:14. | |
think he is taking that confidence into this. APPLAUSE | :30:15. | :30:22. | |
The applause tells you that is the point where Mark Selby needs | :30:23. | :30:27. | |
snookers. It wasn't just beating Ronnie, but beating him here at the | :30:28. | :30:31. | |
World Championships as well, over the best of 25 frames. And Ronnie | :30:32. | :30:39. | |
playing well. Yeah. Let's. Forget that. We were a little bit | :30:40. | :30:43. | |
concerned, would he have a slight hangover from that win? It would be | :30:44. | :30:47. | |
hard to get himself back up for this match this afternoon, but he looks | :30:48. | :30:50. | |
well up for it. Another wonderful positional shot, | :30:51. | :31:07. | |
to find the gap between those reds. No affect on him, if anything, | :31:08. | :31:12. | |
giving him the air of confidence. This will be a cracking semifinal. | :31:13. | :31:21. | |
Ding will have a slight initiative, but I'm sure Mark Selby will be | :31:22. | :31:26. | |
coming back at him. I think we are in for a wonderful semifinal between | :31:27. | :31:30. | |
both players, playing at the top of their game. | :31:31. | :31:43. | |
Good shot, he is on the red. Already made nine century breaks so far in | :31:44. | :31:56. | |
the tournament. Free-macro in each match he has played. The only thing | :31:57. | :32:03. | |
we have missed this afternoon is a century. Not missing that now. | :32:04. | :32:05. | |
Wonderful. 63rd century break of the tournament | :32:06. | :32:34. | |
so far. 86 is the record. Another lovely shot. Not only yellow. He | :32:35. | :32:39. | |
will end on 110. Very pleased with his | :32:40. | :32:54. | |
afternoon's work. Ding Junhui is a 5-3 lead over the defending | :32:55. | :32:58. | |
champion, Mark Selby. Plenty to think about. Didn't Don John we'd do | :32:59. | :33:05. | |
well? STUDIO: A tenth century of the | :33:06. | :33:10. | |
championship, last year he made 15. He made seven against Alan McManus | :33:11. | :33:15. | |
in the semifinal last year. What a run of scoring, century, 350s, a 70. | :33:16. | :33:23. | |
From Mark Selby, 68 and a 99. Ding would not wanted that session to | :33:24. | :33:29. | |
end? Absolutely not, by far on top for the last three frames, are | :33:30. | :33:32. | |
playing the world number one. Deserving the scoreline. I have seen | :33:33. | :33:37. | |
him play a lot over the years, making century break. Not seen him | :33:38. | :33:42. | |
compete as well. Everybody turned up the championship, the top 30 | :33:43. | :33:46. | |
players, they can all play. But can you compete? That is what he has | :33:47. | :33:52. | |
done. Brilliant session. There is an air of confidence, as Ken Dougherty | :33:53. | :33:57. | |
talked about. And air of certainty. He seems to have grown in the last | :33:58. | :34:02. | |
few hours. You cannot underestimate beating Ronnie O'Sullivan. I did not | :34:03. | :34:07. | |
think he could beat Ronnie. His weakness has been his mental | :34:08. | :34:10. | |
strength over the top players in long matches. He proved me, and | :34:11. | :34:20. | |
others, well not everybody, wrong. I said I could not see reason why | :34:21. | :34:24. | |
would Mark Selby would not win the World Championship. I can now. His | :34:25. | :34:28. | |
biggest asset, his cue ball control, Savage scoring, that may be the | :34:29. | :34:35. | |
reason. A sense of alarm, maybe concern, at the way that Mark | :34:36. | :34:40. | |
started match. What will concern, the last time they play the final in | :34:41. | :34:46. | |
China, it was 10-1, to Mark. Ding did not try, once he got behind. | :34:47. | :34:51. | |
Mark Selby looking at this today, thinking it | :34:52. | :34:56. | |
is a animal. In the Shanghai Masters, he did get the better of | :34:57. | :35:05. | |
him, 10,000 six. Really interesting, they are meeting in the biggest | :35:06. | :35:08. | |
occasions, the last three times they have met, they having finals. The | :35:09. | :35:13. | |
way Selby played yesterday, I compensated, unbelievable session of | :35:14. | :35:20. | |
snooker to finish Marco Fu. It will be a massive shock to the system | :35:21. | :35:24. | |
losing by three. Everything he touched turned to gold yesterday. At | :35:25. | :35:29. | |
the start of the match, he was walking around like owned the place. | :35:30. | :35:33. | |
That is when it comes as a shock, when you are playing as well as he | :35:34. | :35:36. | |
can. At the end of it, only one winner. That was the 63rd century of | :35:37. | :35:41. | |
the championship. 24 required to break the record. It is going to be | :35:42. | :35:50. | |
close. Is it achievable? You are needing John the final, the final, | :35:51. | :35:55. | |
the way he scores. Anyway, that is what we need, 24. It was 86 in 2016. | :35:56. | :36:05. | |
Already pretty great scoring here. 24 required, you never know. Now our | :36:06. | :36:10. | |
thoughts turn to the second of the semifinals. John Higgins against | :36:11. | :36:15. | |
Barry Hawkins. This could be a really interesting one. John has not | :36:16. | :36:22. | |
been in the one table format here at the Crucible since he last won the | :36:23. | :36:27. | |
fourth of his victory is in the World Championship in 2011. A long | :36:28. | :36:33. | |
way. The man he is playing, Barry Hawkins, an old hand at this setup. | :36:34. | :36:38. | |
This is his fourth appearance in the semifinals in the last five years. | :36:39. | :36:45. | |
They will both emerge from backstage at seven o'clock tonight. A great | :36:46. | :36:51. | |
occasion, I have been watching it since I was a young boy on the TV. | :36:52. | :36:55. | |
Dreams are playing at the Crucible, now I am on the one-table set-up | :36:56. | :36:59. | |
again. If you don't enjoy that occasion, might as well put the cue | :37:00. | :37:03. | |
away. John has played some great stuff, I need to be a lot my game to | :37:04. | :37:10. | |
be in with a shout. To be back of the one-table set-up, no place like | :37:11. | :37:14. | |
it at the Crucible. One table. Just delighted. 2011 was the last time, | :37:15. | :37:20. | |
you think are you ever going to get there again, to sample it? Luckily | :37:21. | :37:26. | |
enough I am here. Hoping to go one better, to get into the final. He a | :37:27. | :37:32. | |
proper legend of the now. Playing some brilliant stuff the last couple | :37:33. | :37:37. | |
of years. When he's playing well, you need to play perfect snooker to | :37:38. | :37:40. | |
beat him. Great champion, great bloke as well. He has become such a | :37:41. | :37:47. | |
tough player. He was before, but I think it was mentally that letting | :37:48. | :37:53. | |
down a bit. He felt he did not belong on the same stage as | :37:54. | :37:57. | |
O'Sullivan, Selby. Now he knows he belongs there. Such a tough player. | :37:58. | :38:06. | |
It is a matter of taking my chances when they come along. I will need to | :38:07. | :38:10. | |
score a heavy, to win frames in one visit. If it gets to nitty-gritty, | :38:11. | :38:15. | |
tactical side of it, John is so good. It will take a lot of energy | :38:16. | :38:20. | |
to keep winning frames like that. I need to be clinical, really. So over | :38:21. | :38:26. | |
the moon I will be competing here for the next three days in the | :38:27. | :38:32. | |
one-table set-up, no place like it. Cannot wait, cannot wait to get out | :38:33. | :38:38. | |
there. He has had a very long way to get out there. Six years to get back | :38:39. | :38:42. | |
into the one table format here. This is the head to head. 5-2, in John | :38:43. | :38:50. | |
Higgins' favour. If you include some of the lesser championship league | :38:51. | :38:57. | |
matches. 7-7. Only ever met in one long format match, right here at the | :38:58. | :39:00. | |
World Championship in the first round. John Higgins, 10-6. Not a | :39:01. | :39:07. | |
huge amount to go on, as far as this one is concerned. They are very well | :39:08. | :39:12. | |
matched up, as they play the game. Both exceptional match players. | :39:13. | :39:21. | |
Semifinals stages. Ding is a scorer, cannot be a matchplay. The other | :39:22. | :39:28. | |
three great match players. 7-7. I expect this to be a great match. | :39:29. | :39:33. | |
Both their matches matchup, they can play safely, they can score, tough | :39:34. | :39:38. | |
to pick a winner. Last time John Guptill semifinal and did not go one | :39:39. | :39:44. | |
to win the title, 2001 aged 26. 3-3 since then. Interesting, John looks | :39:45. | :39:50. | |
like a teenager again, the way he's looking forward to the one-table | :39:51. | :39:55. | |
situation. The older players, they get inspired by playing here. John | :39:56. | :40:01. | |
will be inspired coming out here tonight, playing at this venue | :40:02. | :40:05. | |
camellias missed it the like. I expect him to fly. What about the | :40:06. | :40:10. | |
scoring? Barry Hawkins making 1350 plus. John Higgins 25. Five | :40:11. | :40:17. | |
centuries, to Barry's two. Is that a factor? I would say the winner will | :40:18. | :40:25. | |
come from who makes the most unfazed errors. The scoring will be very | :40:26. | :40:32. | |
heavy. As I say, I think John, something about him in this | :40:33. | :40:39. | |
championship. What is it? Seems to have renewed enthusiasm. And hunger. | :40:40. | :40:44. | |
Obviously winning two great events in the middle of the season. | :40:45. | :40:48. | |
Invitation events. He looks so relaxed, enjoying it. You will be so | :40:49. | :40:53. | |
inspired coming out of. This is a place to play snooker. He thought it | :40:54. | :40:57. | |
might be his last semifinal, now back again. We heard him say he | :40:58. | :41:03. | |
cannot wait to get back out there. This morning came after a little | :41:04. | :41:06. | |
look around. Not acquainted himself with this for six years. Coffee in | :41:07. | :41:10. | |
hand, getting back out there. Long way. Adjusting the distance he has | :41:11. | :41:17. | |
to walk. Trying to calculate. Only two steps, now a lot more. He is an | :41:18. | :41:23. | |
old fellow, now 42. Trying to become the oldest winner since Ray Reardon, | :41:24. | :41:28. | |
he was 46. There has not been a winner in his 40s since Ray Reardon. | :41:29. | :41:35. | |
He has technically got better. Rediscovered the middle of the | :41:36. | :41:39. | |
white. Long game is miles better. He had lost that for a couple of | :41:40. | :41:45. | |
seasons. It is debilitating to a snooker player when you're not | :41:46. | :41:48. | |
knocking long balls in. His matchplay is unquestioned. I don't | :41:49. | :41:52. | |
think anyone in the tournament would have beaten Mark Allen, the way you | :41:53. | :41:56. | |
play. He played fantastic. Higgins played better. He has beaten Martin | :41:57. | :42:04. | |
Gold, the best of the qualifiers. Incredible match against Mark Allen. | :42:05. | :42:09. | |
Then Cairo will son, who suffered a bit of ill luck with the tip | :42:10. | :42:14. | |
problem. Going back to the Mark Allen match, for me, the two | :42:15. | :42:18. | |
clearances he a huge statement of intent. Very much so. John is a | :42:19. | :42:27. | |
heavy scorer. One of his biggest attributes in his career has been | :42:28. | :42:30. | |
pinching frames at vital times. Doing it better than anyone has ever | :42:31. | :42:36. | |
done. Barry Hawkins, Tom Ford, Graeme Dott, 13-6. He was relentless | :42:37. | :42:43. | |
in that second session. The scoring statistic, he has had two rock-hard | :42:44. | :42:47. | |
matchplay. You don't get anything easy with Graeme Dott, certainly not | :42:48. | :42:51. | |
with Stephen McGuire. I don't read too much into the way they're been | :42:52. | :42:54. | |
scoring. Different matches. Good matchup. It has been a very eventful | :42:55. | :43:01. | |
afternoon. Some up in one word Ding's played. Does not have to be | :43:02. | :43:10. | |
one word. Awesome. For Selby, what will he do differently in the next | :43:11. | :43:14. | |
session? He will come at the same way, same preparation. No reason to | :43:15. | :43:24. | |
panic. We will return in the evening at seven o'clock with the first | :43:25. | :43:29. | |
session of the second semifinal. We are taking a modest rate of just | :43:30. | :43:34. | |
over two hours. We will refuel, fresh, ready to give again at seven | :43:35. | :43:35. | |
o'clock. Cheers. Goodbye. | :43:36. | :43:40. |