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Good evening. The last five days of the Betfred World Championship are | :00:31. | :00:37. | |
all about the last four men standing and, if your interest in this great | :00:38. | :00:41. | |
Championship starts to peak about now, your timing's perfect because | :00:42. | :00:46. | |
this evening we start with the semi-final, it features a man who | :00:47. | :00:51. | |
Peppers the honours board. In 1998, 2007 and 009 and 2011 andth because | :00:52. | :00:56. | |
John Higgins is bidding for a fifth world title. | :00:57. | :01:06. | |
John Higgins clears. He beats the defending champion, Ken Docherty by | :01:07. | :01:19. | |
18-12. There is no place like it when it's down to one table. He wins | :01:20. | :01:23. | |
the 2007 World Championship. Fantastic. That's the best I think | :01:24. | :01:29. | |
I've ever played in my life, and to do it under that sort of pressure, | :01:30. | :01:33. | |
it's amazing. Standing ovation... It's amazing to obviously win the | :01:34. | :01:47. | |
first one in 98 then it took so long to win another one, then a couple of | :01:48. | :01:50. | |
years after to win the second one then to come and win it again, it's | :01:51. | :01:53. | |
brilliant. He's taken the double! That was absolutely fantastic. He | :01:54. | :02:07. | |
takes his fourth world title. 2011 was the last time. Obviously I'm | :02:08. | :02:15. | |
taking one day at a time. Not since John won the last of those four | :02:16. | :02:20. | |
world titles in 2011 has he actually walked back out through here into | :02:21. | :02:24. | |
the tunnel and on to this one table stage at the Crucible Theatre in the | :02:25. | :02:27. | |
semi-finals. What a thrill it's going to be for him to be back. But | :02:28. | :02:35. | |
his opponent, Barry Haw canes is an old hand now. This is his fourth | :02:36. | :02:39. | |
semi-final in the last five years, although he's still to get his hands | :02:40. | :02:42. | |
on the trophy. They'll be back out here very soon. | :02:43. | :02:50. | |
It's a quiet occasion. I've been watching it since a young boy. I | :02:51. | :02:57. | |
dreamt about playing at the Crucible. If I don't enjoy that | :02:58. | :03:01. | |
occasion at the table, I might as well put the cue away. John's | :03:02. | :03:04. | |
playing great stuff and I need to be at the top of my game to beat him, | :03:05. | :03:12. | |
that's for sure. At the one-table set-up, there's no place like the | :03:13. | :03:16. | |
Crucible and it's down to one table. I'm delighted. 2011 was the last | :03:17. | :03:21. | |
time and I began to think, am I ever going to get there again to sample | :03:22. | :03:28. | |
it. Obviously I would be willing to bet that I'll get to the final. | :03:29. | :03:33. | |
Proper legend of the game now. He's been playing some brilliant stuff | :03:34. | :03:37. | |
the last couple of years. When he's playing well, you have to play | :03:38. | :03:40. | |
perfect snooker to beat him. Great champion and great bloke as well. | :03:41. | :03:48. | |
He's became such a tough all-round player. He was before but I think it | :03:49. | :03:52. | |
was maybe mentally that let him down a little bit, he maybe felt he | :03:53. | :03:57. | |
didn't belong on the same stage like a an O'Sullivan or a Selby but he | :03:58. | :04:03. | |
knows he belongs here now and he's such a tough, tough player. It's a | :04:04. | :04:07. | |
matter of taking my chances when they come along and I'm going to | :04:08. | :04:11. | |
need to score heavy, that's for sure, I need to win frames in one | :04:12. | :04:24. | |
visit. If it gets too nitty-gritty, I can't be having that, I need to be | :04:25. | :04:29. | |
clinical. I'm going to be competing here for the next few days on the | :04:30. | :04:33. | |
one-table set-up. No place like it. Can't wait to get out there. | :04:34. | :04:37. | |
And we are joined by the 1991 world champion, John Parrot. You played in | :04:38. | :04:46. | |
this amazing set-up three years in a row, 89, 90, 91 - you never take | :04:47. | :04:50. | |
these occasions for granted. What so so special about this place on a | :04:51. | :04:54. | |
night like this? You have been over there sitting next to your opponent | :04:55. | :05:01. | |
for the last week or so, you are the centre of attention, the dividing | :05:02. | :05:04. | |
wall's gone and this is where the business starts. And it's six years | :05:05. | :05:08. | |
since John Higgins last had a taste of it like this. Excitement yes but | :05:09. | :05:12. | |
a few nerves would you imagine for him tonight? It's the moment now | :05:13. | :05:16. | |
actually, he'll be cursing us two being out here talking before he | :05:17. | :05:19. | |
needs to come out because behind there I'm feeling for the boys who | :05:20. | :05:24. | |
want to get out and hit some balls. He came out here today to get the | :05:25. | :05:28. | |
atmosphere and sit in the chair because if you have been away, you | :05:29. | :05:32. | |
need to come back and sock it all up. We have seen vintage Higgins, | :05:33. | :05:37. | |
fantastic counterclearances as well. Are the bookmakers right to make him | :05:38. | :05:42. | |
favourite? On what they've watched so far and he scored slightly | :05:43. | :05:46. | |
heavier than Barry, rightly so but this is a tough match-up. They are | :05:47. | :05:50. | |
Consulate players, played 14 times, seven each, so it's going to be | :05:51. | :05:54. | |
tough. Barry's become a real form horse here. What do you put that | :05:55. | :05:58. | |
down to? If you are very good at shot selection, if you play them to | :05:59. | :06:01. | |
the best of your capability, if you have a good temperament and score, | :06:02. | :06:04. | |
you will end up in the semi-final of the World Championship and Barry | :06:05. | :06:09. | |
Hawkins ticks all the boxes. He has. This is his fourth in five years and | :06:10. | :06:14. | |
they'll be out here shortly. The second semi-final is about to get | :06:15. | :06:18. | |
Bray, the first burst into life this afternoon. -- about to get under | :06:19. | :06:25. | |
way. The one-table situation at the Crucible Theatre. No better than you | :06:26. | :06:32. | |
in snooker. Good shot, found the gap, played it positively. | :06:33. | :06:40. | |
He could not have played that any better. Wonderful first frame. If | :06:41. | :06:51. | |
the match stays like that, we are in for a cracker. | :06:52. | :06:54. | |
Straight red. Good cueing needed. And got. Wonderful shot. | :06:55. | :07:07. | |
Well, showing signs of a confident player. Very difficult shot to take | :07:08. | :07:15. | |
on. But take it on he is. And getting it... | :07:16. | :07:25. | |
He's played it well. The red for the century. Oh, just a fraction off. | :07:26. | :07:36. | |
All square, two apiece. Never a doubt. He's adjusted to | :07:37. | :07:48. | |
absolute perfection. Just six points away and he's going | :07:49. | :08:07. | |
to leave a red on. Well, would you believe that? ! It's amazing. The | :08:08. | :08:13. | |
only thing we've missed this afternoon is a century. Not now. | :08:14. | :08:21. | |
Wonderful, absolutely wonderful play from ding Junhui who, has a | :08:22. | :08:25. | |
five-frame lead over the defending champion. Mark Selby trailing for | :08:26. | :08:30. | |
the first time in this Championship. That's a match between the younger | :08:31. | :08:35. | |
boys, Ding is 30, Mark 33, but this is an evening for the more mature | :08:36. | :08:40. | |
playing, Barry Hawkins is 38 and John Higgins is still teaching the | :08:41. | :08:44. | |
younger guys a thing or two at the age of 42. Let's not keep them | :08:45. | :08:50. | |
hanging around any longer. MC Walker is at the ready! Thanks, Hazel, good | :08:51. | :08:56. | |
evening, ladies and gentlemen, what a match in prospect, two of the very | :08:57. | :09:01. | |
best in the business. This is the start of the second semi-final in | :09:02. | :09:05. | |
this year's bet fret snooker World Championship, they are poised and | :09:06. | :09:12. | |
ready backstage. CHEERING AND APPLAUSE. | :09:13. | :09:25. | |
Please welcome, a player who in recent years has acquired a | :09:26. | :09:31. | |
brilliant Crucible record, making, as we have heard, four of the last | :09:32. | :09:36. | |
five semi-finals. Here, after victory over Stephen Maguire last | :09:37. | :09:40. | |
night, three times a ranking event winner, including this season's | :09:41. | :09:43. | |
world Grand Prix, his son Harrison will be watching live tonight, here | :09:44. | :09:46. | |
comes the Hawk, Barry Hawkins! And his opponent, emerging for his | :09:47. | :10:15. | |
eighth Crucible semi-final, his first was back in 1998. This is his | :10:16. | :10:22. | |
best run in Sheffield for six years. Winner of a staggering 28 ranking | :10:23. | :10:27. | |
titles, he is without doubt one of Scotland's finest sportsmen. Four | :10:28. | :10:33. | |
times the champion of the world, the wizard of Wishaw, John Higgins. | :10:34. | :10:53. | |
Well, this is a three-day drama in the Crucible in the semi-finals, | :10:54. | :11:00. | |
best of 33 frames played over four sessions, eight frames this evening, | :11:01. | :11:04. | |
a team of two in the commentary box. And that's Willie Thorne and Denis | :11:05. | :11:10. | |
Taylor. Good evening, fellas. Good evening to everyone. Two of the | :11:11. | :11:15. | |
game's great nice guys contesting this semi-final here. | :11:16. | :11:21. | |
And it's Barry Hawkins who gets the first frame under way. | :11:22. | :11:30. | |
Couldn't believe it was 2011 since John Higgins was at the one-table | :11:31. | :11:37. | |
situation here in the Crucible Theatre. But doesn't time fly by. | :11:38. | :11:42. | |
Look at that, down to the one table. That's when it really comes into its | :11:43. | :11:45. | |
own. Gonchtsing to be a fascinating | :11:46. | :12:07. | |
tussle this one, Willie. -- going to be a fascinating tussle this one, | :12:08. | :12:13. | |
Willie. Barry Hawkins considered himself fortunate against Stephen | :12:14. | :12:16. | |
Maguire. 17 days at the Crucible, you need that little bit of the run | :12:17. | :12:21. | |
of the ball now and again. He's been here four times in the last five | :12:22. | :12:25. | |
years at the semi-final stage. Can he go one stage further and get to | :12:26. | :12:27. | |
the final. That's a slight mistake there, | :12:28. | :12:45. | |
catching the yellow with a safety shot. But no damage done. It means | :12:46. | :12:49. | |
John can play a more telling safety. He'll be looking to get in behind | :12:50. | :12:51. | |
the yellow and brown. Not quite, but with the yellow off | :12:52. | :13:10. | |
its spot, it's a pretty good target those two colours. Tournament safety | :13:11. | :13:15. | |
success rate there: APPLAUSE. | :13:16. | :13:33. | |
Great opening pot. Just shows, if you don't get the cue ball down on | :13:34. | :13:46. | |
the baulk cushion, right in the centre of the pocket, there's | :13:47. | :13:49. | |
something about left-handed players that are great to watch. At this | :13:50. | :13:53. | |
game and of course at the great game of golf. | :13:54. | :13:58. | |
Yes, we were talking to Neil Robertson about that. So many good | :13:59. | :14:11. | |
left-handers. Mark William, Judd Trump, Mark Allen. | :14:12. | :14:27. | |
Found the gap in-between the cluster of reds. Running through, it's going | :14:28. | :14:37. | |
to hit the second red a little bit thick so he's got to be careful | :14:38. | :14:42. | |
here. He might push the black into a safe position here in potting this | :14:43. | :14:43. | |
red. For that reason he's screwing it | :14:44. | :14:53. | |
back because he had the pink and blue available. | :14:54. | :15:01. | |
It's not a good chance just yet. They are all covering each other, | :15:02. | :15:08. | |
these Reds, even though they are open slightly. | :15:09. | :15:20. | |
I think he's overhit that by quite a way. Playing for the red to the | :15:21. | :15:28. | |
right. For the left middle pocket. New cloth. Obviously on the table. | :15:29. | :15:36. | |
Now that we've just got the one table in the Crucible Arena, it's a | :15:37. | :15:38. | |
new cloth. It was the shot before where he ran | :15:39. | :15:54. | |
slightly out of position. He hasn't left anything. Always nice when you | :15:55. | :16:01. | |
miss one, if you can get them safe. Once he missed it, no idea where | :16:02. | :16:02. | |
that red was going to finish. In his pre-match interview Barry | :16:03. | :16:32. | |
suggested he'd need to compete in the break-build department. That's | :16:33. | :16:36. | |
the only thing that's been lacking from him this week. Safety play's | :16:37. | :16:42. | |
been good but he's playing the master in the safety department so I | :16:43. | :16:45. | |
believe he's going to have to push the boat out a little more in this | :16:46. | :16:51. | |
match by scoring more heavily of the two, if he can. | :16:52. | :17:00. | |
Of course, it takes a bit of getting used to because you have got so far | :17:01. | :17:06. | |
to walk to the table when you are down to the one-table situation. | :17:07. | :17:09. | |
When there are two tables, you don't have very far to walk to get to the | :17:10. | :17:11. | |
table. But the beauty about it is, there's | :17:12. | :17:23. | |
no distractions whatsoever. I think it's great for the people watching | :17:24. | :17:27. | |
at home because you can't hear the noise from the other table. | :17:28. | :17:45. | |
He's concerned about the red cannoning into the black or the red | :17:46. | :17:51. | |
to the left of the black. Two-cushion escape. Dangerous shot. | :17:52. | :17:57. | |
Authority burn was the first to play this very, very well -- Cliff | :17:58. | :18:01. | |
Thorburn. The crowd acknowledged that that was | :18:02. | :18:19. | |
such a tough shot to execute. To judge that is so difficult. | :18:20. | :18:53. | |
Barry would like to knock this red that's gone at the other end of the | :18:54. | :19:00. | |
table back up to keep the frame normal. | :19:01. | :19:22. | |
Pet hate when the redstarts to go up against the yellow, green and brown | :19:23. | :19:29. | |
and the sieve day areas back behind the black spot. | :19:30. | :19:37. | |
He just pointed to the red there. He'll be playing the safety shot. In | :19:38. | :19:44. | |
fact, he's just doing it off the reds to the right of the bunch. | :19:45. | :19:55. | |
Just a little bit short of pace. He was trying to block the path down | :19:56. | :20:01. | |
the right side of the table as we look at it and he hasn't. So it's | :20:02. | :20:05. | |
the player that can get the white near the cushion and in behind the | :20:06. | :20:09. | |
yellow and brown that's going to gain the advantage here. That's what | :20:10. | :20:11. | |
they are looking for. I was watching the afternoon session | :20:12. | :20:25. | |
between Selby and Junhui and I thought the back cushion was playing | :20:26. | :20:28. | |
soft, it wasn't getting the bounce that it has in the previous few days | :20:29. | :20:33. | |
here at the Crucible. New table of course, new cushions, new cloth. It | :20:34. | :20:38. | |
will speed up as the days go on. I thought it was a little bit slower | :20:39. | :20:42. | |
than it has been the rest of the fortnight. | :20:43. | :21:01. | |
Interesting shot played with lots of side. | :21:02. | :21:23. | |
This needs thin contact, the one he's playing. And he's got it. Very | :21:24. | :21:34. | |
good. Excellent. APPLAUSE. | :21:35. | :21:43. | |
George Osborne's had a look at three reds as we show you this shot. The | :21:44. | :21:48. | |
natural angle would have taken the right into -- white into the reds, | :21:49. | :21:54. | |
but with the right hand side, it gave it a completely different | :21:55. | :21:58. | |
angle. He looked at the three reds in the middle of the pack but I | :21:59. | :22:02. | |
don't think they're a plant. I think they are going to the right of the | :22:03. | :22:03. | |
pocket. Yes, you can see it there. Quite an interesting tactical battle | :22:04. | :22:11. | |
at the moment. Potted it thin, if that made any | :22:12. | :22:35. | |
sense. If he would have potted it centre, the cue ball would have been | :22:36. | :22:39. | |
nicely on the back. The cue ball had a bit more pace on it. Didn't leave | :22:40. | :22:44. | |
Barry Hawkins the red. Now he's got the same problem though, can he get | :22:45. | :22:51. | |
to the black? If he is going to play off the right, he'll need | :22:52. | :22:54. | |
eeverything the referee's got under that table. Paul collier is going to | :22:55. | :23:00. | |
need the spider with the extension there on his cue and he won't be | :23:01. | :23:06. | |
able to see what he's doing with this because he'll just have to | :23:07. | :23:12. | |
judge this. This is quite awkward. Bridging over three balls! Look at | :23:13. | :23:14. | |
that. Well, he didn't mean to pot it. He | :23:15. | :23:27. | |
played the safety shot and it's a pretty good one. Have a look at that | :23:28. | :23:38. | |
shot! Isn't it amazing. If he had been trying to get in from behind | :23:39. | :23:41. | |
the yellow and brown, and John does it have that position. Amazing. He'd | :23:42. | :23:54. | |
Loch to get to the red near the black. Not sure he can miss the kiss | :23:55. | :24:01. | |
on the left hand side though. He could go off the baulk cushion. | :24:02. | :24:17. | |
Needs perfect judgment. Second cushion, third cushion. He's coming | :24:18. | :24:22. | |
towards it. Just missed it but might catch the other one. Doesn't want to | :24:23. | :24:25. | |
slip by it. He feels he's playing a little | :24:26. | :24:38. | |
slower as well on this table. He gave that more meat than he needed | :24:39. | :24:44. | |
to. Not too sure if he can get past the pink. | :24:45. | :24:56. | |
Looks like he's taking it into the middle corner. Played the stun shot. | :24:57. | :25:01. | |
Played it nicely. Trying to get the black back on the | :25:02. | :25:48. | |
spot now. Should be able to do it from this. | :25:49. | :26:00. | |
There's not many loose reds, two or three that may be available. | :26:01. | :26:58. | |
He's got such a compact style, John Higgins. The head is perfectly still | :26:59. | :27:07. | |
when he delivers the cue. Just watch the head. And this cannon if it | :27:08. | :27:19. | |
works out will certainly give him a chance to knock in a sizeable | :27:20. | :27:21. | |
contribution here. Could be a frame-winner if he splits | :27:22. | :27:34. | |
the reds up. He'll be disappointed with that. | :27:35. | :27:43. | |
-- he'll be disappointed if he doesn't win the frame. | :27:44. | :28:20. | |
Just having to run away towards the blue, green or brown, looking at the | :28:21. | :28:29. | |
angle he's left on this cut back. Always nice if you can stay in and | :28:30. | :28:34. | |
around the pink and black, make it as easy for yourself as possible. | :28:35. | :28:46. | |
So no problem of potting the green and getting on to that red to the | :28:47. | :28:51. | |
left of the pink. Got the perfect angle to do that. One of the game's | :28:52. | :29:04. | |
great builders has made 169 centuries. Ronnie O'Sullivan and | :29:05. | :29:17. | |
Stephen Hendry ahead of him. Won't be thinking about a century at the | :29:18. | :29:22. | |
moment, he'll be thinking he'll want to get the frame. Looking at the | :29:23. | :29:31. | |
angle there. Has to be very precise with this. | :29:32. | :29:43. | |
Thinner than intended. He wanted it a little thicker, as we show you. | :29:44. | :29:54. | |
This is not a gimme this one. This needs good cueing. | :29:55. | :30:11. | |
He needs the black, red and one more colour. It won't be easy from here, | :30:12. | :30:17. | |
he might be able to flick this red out, if he pots this. | :30:18. | :30:27. | |
Down to the one next to the pink, which is ideal that that red would | :30:28. | :30:31. | |
pot there, it looks as if it was tied up with the pink, so check the | :30:32. | :30:36. | |
score board, one more colour and it is a good start for the former four | :30:37. | :30:42. | |
times champion. He is looking good here Willie. Yes, | :30:43. | :30:46. | |
he has kept off the table for the early part of the frame. He won the | :30:47. | :30:52. | |
safety battle with that excellent snooker in behind the yellow. | :30:53. | :30:59. | |
Created this chance. That has won him the first frame. | :31:00. | :31:11. | |
He would have liked to have knocked that in and made certain. You would | :31:12. | :31:19. | |
think that is enough to take the opening frame, but still a chance | :31:20. | :31:21. | |
for Barry here. The yellow is still in a perfect | :31:22. | :31:40. | |
position to get in behind if Barry puts the white on the right spot. | :31:41. | :31:47. | |
And that looks pet I good to me. He can come off that red with a bit of | :31:48. | :31:52. | |
side. He could play behind the black if he wan, he has maybe gone too far | :31:53. | :31:57. | |
to get in behind the yellow. He would have to play a little stun | :31:58. | :32:01. | |
shot so it's behind the black he's playing. | :32:02. | :32:18. | |
Well, that is one of the two snookers he needs, so that is far | :32:19. | :32:25. | |
from over this frame. Barry is still in with a chance here. | :32:26. | :32:36. | |
Got to be careful with the pace he plays it. | :32:37. | :32:54. | |
Good hit from John. Couldn't play it any harder than that, just in case | :32:55. | :33:01. | |
he missed it He might have left a free ball. Usually against somebody | :33:02. | :33:09. | |
like Higgins you would need a couple of snookers. | :33:10. | :33:23. | |
Wants a second one. He can't get to the right-hand side cushion. That is | :33:24. | :33:35. | |
a biggish swerve to go round the black and hit the cushion, so could | :33:36. | :33:39. | |
easily slip round the back of this one. And he doesn't want to hit it | :33:40. | :33:45. | |
too hashed, if he missed it he could leave a free ball. | :33:46. | :33:47. | |
-- too hard. He might just be in behind the black | :33:48. | :34:10. | |
here again. It is nice to see the big breaks but to see proper snooker | :34:11. | :34:16. | |
match play like this it is just as exciting. He has three there, this | :34:17. | :34:21. | |
is the easiest of the three, to hit. No, surely not? Almost knocked the | :34:22. | :34:51. | |
brown in, but that's put the brown out of commission now, for getting a | :34:52. | :34:55. | |
snooker behind. But the yellow is still sitting in a nice spot. | :34:56. | :35:07. | |
Has he fluked it? That was a total mis-hit from Barry that time and a | :35:08. | :35:13. | |
chance for John to pot this long red and secure this opening frame. | :35:14. | :35:43. | |
That last shot that John knocked in, he is terrific at that but Barry | :35:44. | :35:52. | |
Hawkins is one of the best at playing that sort of shot, knocking | :35:53. | :35:56. | |
a long ball in and going round the table. When they play plain-ball, | :35:57. | :36:01. | |
these two players you will see a lot of that plain-ball potting. | :36:02. | :36:08. | |
The modern they player doesn't necessarily put the side on to help | :36:09. | :36:12. | |
the pots as they used to do in the olden days, a lot easier to play | :36:13. | :36:16. | |
plain-ball on these super fine cloths. | :36:17. | :36:41. | |
Some great tactical play in this opening frame but that earlier break | :36:42. | :36:48. | |
of 63 that paved the way for John Higgins to win it, he leads one | :36:49. | :36:54. | |
frame to nil. We are settling in to our arena side home for the next | :36:55. | :36:59. | |
five day, you can almost touch the action, we hope it gives you a great | :37:00. | :37:02. | |
view and a sense of what it is about. Settling into this match | :37:03. | :37:07. | |
nicely John Higgins, such a great examples of the great break-building | :37:08. | :37:10. | |
and the craft. You can expect more of that, as I say the shot selection | :37:11. | :37:14. | |
from both is of the highest quality and then they go and play the shots | :37:15. | :37:18. | |
to the highest quality, you will get a lot of frames that will be | :37:19. | :37:23. | |
tactical. I think more than anything, John Higgins it was the | :37:24. | :37:26. | |
way he hit the ball, that break 63 was beautifully constructed but well | :37:27. | :37:29. | |
struck, there was nothing that was hit hard or forceful. He has the | :37:30. | :37:34. | |
pace of the table. We talked about having a few nerves but not in | :37:35. | :37:39. | |
evidence. He came in and sat in the chair and wondered what it is about. | :37:40. | :37:43. | |
He is a professional straight in. He seems very excited about his chances | :37:44. | :37:48. | |
this year, he never talks himself up but you can tell whether he feels | :37:49. | :37:54. | |
confident and the way he has talked before has been significant. You | :37:55. | :37:58. | |
read the article about two weeks' ago and he said he has fancied his | :37:59. | :38:03. | |
chance, that is not like him at all. He was playing well and practising | :38:04. | :38:09. | |
well, he is backing it up. He sure is. Strike one for Higgins. | :38:10. | :38:25. | |
Eight frames being played. As we talk about in commentary it is a | :38:26. | :38:28. | |
case of winning each session if you can, or if you are going to have a | :38:29. | :38:34. | |
bad session, make sure they are only bad by 5-3, to stay close in the | :38:35. | :38:40. | |
match. Barry Hawkins has this cut into the middle. Not a particularly | :38:41. | :38:42. | |
good breaker from John, that. Playing into the corner. Oh | :38:43. | :38:55. | |
fabulous. He is just ahead, that last shot | :38:56. | :39:21. | |
tells you why, he is too near the cushion to be able to pot the pink | :39:22. | :39:26. | |
and gro straight into the, or pot the blue and go straight into the | :39:27. | :39:32. | |
pink, I should say. Just had to play for that one | :39:33. | :39:37. | |
closest to the black, I think he has gone a bit too far. | :39:38. | :39:43. | |
Looking at his body language he stopped in his tracks there, you can | :39:44. | :39:52. | |
see why. As I say he was unlucky to finish as close to the cushion as he | :39:53. | :39:57. | |
did, otherwise he would have potted the blue and went straight into the | :39:58. | :40:03. | |
pink. Mmm. That has left John a free shot. | :40:04. | :40:13. | |
That was played a bit quicker than he probably should have done, should | :40:14. | :40:18. | |
have just give that one a bit more thought. | :40:19. | :40:38. | |
The attempt at the stun run threw, didn't get it quite right. He needed | :40:39. | :40:46. | |
to come just another eight or nine inches. He would like to play into | :40:47. | :40:52. | |
the bunch here. Play for that one remaining red, because it is so | :40:53. | :40:59. | |
thin. He has played into them. That was unlucky, because this shot, | :41:00. | :41:04. | |
with so much right hand side on these cloths, I can't tell you how | :41:05. | :41:08. | |
difficult that is, and he's very close to this, but he might be able | :41:09. | :41:13. | |
to screw back and touch the reds and get on the black. | :41:14. | :41:20. | |
He's thought better of it and he's going for the safety shot. | :41:21. | :41:27. | |
You would think he would have an easier shot than this, as you | :41:28. | :41:31. | |
rightly said the black was a tough pot. | :41:32. | :41:47. | |
That was almost a tempter. Not quite the snooker, with the blue | :41:48. | :41:51. | |
in between the green and brown there is a lovely target there, if the | :41:52. | :41:55. | |
white was six inches to the right, of where it is now, every chance of | :41:56. | :42:01. | |
getting a snooker the way those three colours are placed. | :42:02. | :42:13. | |
There is quite a margin of error to get a good safety chance and every | :42:14. | :42:54. | |
chance of a snooker. Referee just making sure he knows where the white | :42:55. | :42:58. | |
is, just in case there is a foul, and it has to be replaced. | :42:59. | :43:06. | |
And the brown is in a way of going into the side of a bunch. The left | :43:07. | :43:12. | |
side. He is going to have to go twice | :43:13. | :43:16. | |
across the table to land into the reds that side. | :43:17. | :43:24. | |
That's pretty good. Not quite snookered but I mentioned | :43:25. | :44:20. | |
earlier about John Higgins knocking long pots in. He can't quite see | :44:21. | :44:25. | |
that one for the right corner. Now one good telling safety shot | :44:26. | :44:45. | |
here, and John is coming round to look at this long red, he has been | :44:46. | :44:50. | |
potting really well throughout this year's Championship but that would | :44:51. | :44:56. | |
be a big risk, I think a good safety shot here and if he gets in behind | :44:57. | :45:03. | |
those three colours again, he could cause a problem for Barry. | :45:04. | :45:17. | |
Just a little bit too hard, maybe tempted this time Willie? Yes, he | :45:18. | :45:26. | |
can get round the back of the black, the three reds, the middle one, is | :45:27. | :45:30. | |
going to have to play a bit of stun to get that gap. If he plays it | :45:31. | :45:37. | |
plain-ball. He has to stun it a little bit. | :45:38. | :45:48. | |
Played it with a lot of side, not the stun, he still managed to find | :45:49. | :45:50. | |
the gap. If he pots that red that is the | :45:51. | :46:11. | |
angle he will take, he will go up the table but he can't find that gap | :46:12. | :46:13. | |
there. This time he won't be trying to get | :46:14. | :46:30. | |
the white on the baulk. He will try and get on to the blue and pink and | :46:31. | :46:35. | |
going round the angles as Dennis suggested. I am surprised he missed | :46:36. | :46:39. | |
that. He has been good that the sort of shot all tournament, so far. | :46:40. | :46:44. | |
There was just a disstructure with the colour there, he was leaning | :46:45. | :46:49. | |
over. That green was just putting him off | :46:50. | :46:51. | |
slightly. Well, that was a bad mistake, mine | :46:52. | :47:22. | |
Barry's so good at that type of shot, when you mis-hit it, that is | :47:23. | :47:26. | |
the sort of thing that can happen. He didn't find the path. He didn't | :47:27. | :47:31. | |
get near the pot. Let us have a look at this. If he had potted that he | :47:32. | :47:38. | |
might have got the gap. He has put John in right aunderstanding -- | :47:39. | :47:46. | |
among them here. What a chance. Get round the back. Not sure whether | :47:47. | :47:50. | |
the black will be available, I don't think it is on its spot at the | :47:51. | :47:55. | |
moment. He has a nice angle to move the | :47:56. | :47:59. | |
three reds away, to try and open things up at this end of the table. | :48:00. | :48:07. | |
Table. Things must be open. Otherwise he would have played to | :48:08. | :48:08. | |
move those three reds. It is OK but having seen where the | :48:09. | :48:42. | |
black has gone for I think it is still available into the middle | :48:43. | :48:45. | |
pocket but not into the corners. That is why I thought he might free | :48:46. | :48:50. | |
the black spot with that first shot on the black. | :48:51. | :49:06. | |
Doesn't have a great angle on the pink, he is probably thinking of | :49:07. | :49:12. | |
playing the cannon on the black to hold the white. He would love not to | :49:13. | :49:16. | |
play that because he doesn't want to move balls round and put them | :49:17. | :49:23. | |
possibly into a safe position. He may have missed a trick, the | :49:24. | :49:27. | |
first black he could have moved those three reds away, still OK, | :49:28. | :49:35. | |
just. The only problem is the blue is off | :49:36. | :49:39. | |
its spot. The angle he has on this red, he will have to play on the | :49:40. | :49:49. | |
blue and the baulk colours here. I'm not sure if that blue passes the | :49:50. | :49:57. | |
green, if not, you felt he had a slight heavy contact there. | :49:58. | :50:06. | |
With that, the kick, the blue would have been much easier. But maybe it | :50:07. | :50:16. | |
doesn't, he is taking the ?. -- brown. | :50:17. | :50:29. | |
Vice Chancellor to work very hard for these. -- having to work very | :50:30. | :50:44. | |
hard for these. I think this red is possibly dead | :50:45. | :50:57. | |
straight. Not much angle on that so it will have to be a good brown. So | :50:58. | :51:02. | |
one God shot here and he could have a great chance. | :51:03. | :51:12. | |
No, not this time. Where's the brown going in | :51:13. | :51:20. | |
Ooh! He couldn't get himself into the ideal position, he was having to | :51:21. | :51:31. | |
work all the way round the table for those points there. You can't keep | :51:32. | :51:32. | |
knocking them in. This red passes the brown but he | :51:33. | :51:45. | |
can't really see the left hand jaw of this pocket. But he can play | :51:46. | :51:50. | |
through slowly. The brown will be sitting there for him, or everyone | :51:51. | :51:56. | |
hold for the black. Decided to make sure... He needs a | :51:57. | :52:01. | |
bit of cue ball power here. Just went in off it. Not bound to | :52:02. | :52:15. | |
get in off a red, this shot. Played very well. | :52:16. | :52:40. | |
You would fancy him knocking this in, he has plenty to do with the cue | :52:41. | :52:46. | |
ball in potting this red. If the yellow passes he may take it | :52:47. | :52:53. | |
on. Still going to be a long way away | :52:54. | :53:19. | |
from the next red. Does he have an angle to get on to the black in the | :53:20. | :53:23. | |
same pocket? If he does, this is a good chance. | :53:24. | :54:07. | |
I think he has the perfect angle on the black. | :54:08. | :54:17. | |
Yes. Oh he bounced it in and that is the | :54:18. | :54:21. | |
end of break. The fact that the white bounced there, just took it | :54:22. | :54:26. | |
away. He seemed to stun it, he needed the, a lot more top-spin | :54:27. | :54:33. | |
rather than stun on it. Presume it must will have been some | :54:34. | :54:38. | |
sort of kick, because both balls took off there, everything is is | :54:39. | :54:44. | |
covering one of those, or the six reds, so he needs a good safety | :54:45. | :54:52. | |
shot. He can do it off the red, that's just between the two reds and | :54:53. | :54:57. | |
the black, he can stun up past the pink and get in behind green and | :54:58. | :55:06. | |
blue. It's pretty good. | :55:07. | :55:10. | |
There is one red to pot and John will have to take it on but there is | :55:11. | :55:15. | |
a slight angle here, if this goes in, he could finish on brown or | :55:16. | :55:19. | |
black here, but this requires good cueing. | :55:20. | :55:34. | |
It was Barry's shot, he should have got over on the brown and green | :55:35. | :55:40. | |
there, the way John is potting, you can't leave a shot like that. | :55:41. | :55:47. | |
But this is not straightforward. It will pay dividends if this goes | :55:48. | :55:52. | |
on in. Just about. | :55:53. | :56:04. | |
Chance is there now for possibly taking a 2-0 advantage. That was a | :56:05. | :56:12. | |
fabulous pot on the black. He would be bound to be leaving the two reds | :56:13. | :56:21. | |
but just went in off the jaw. With the black big available, all | :56:22. | :56:24. | |
four reds are available, every chance is he is going to be leading | :56:25. | :56:28. | |
2-0. And I don't think like saying this, | :56:29. | :56:42. | |
but what John Higgins is doing now, he is not making any careless shots, | :56:43. | :56:50. | |
over the last four or five seasons, he would play really well and all of | :56:51. | :56:58. | |
a sudden he would miss the easiest of shots, he has cut that out of his | :56:59. | :57:05. | |
game, that is why he is winning lots of tournaments again. | :57:06. | :57:17. | |
39 in front, so just the red needed. He wants to pot both reds to keep | :57:18. | :57:46. | |
Barry in his chair. As long as he doesn't do anything | :57:47. | :58:03. | |
too flash with the red, he should just pot the red and that should | :58:04. | :58:05. | |
keep Barry sitting in his chair. John Higgins conceded so John | :58:06. | :58:28. | |
Higgins has evened the scores at one all. | :58:29. | :58:31. | |
HAZEL IRVINE: John taking a quick break, that is an appropriate time | :58:32. | :58:35. | |
for us to leave you here on BBC Two, but we are going nowhere, we hope to | :58:36. | :58:40. | |
continue sharing the evening with you, over on our red Button | :58:41. | :58:44. | |
coverage, now, so I do hope you will grab the remote. We will catch you | :58:45. | :58:47. | |
again in just a moment's time. Otherwise I will be back with the | :58:48. | :58:51. | |
highlights here on BBC Two, at 11.15. We will catch you soon. | :58:52. | :58:54. |