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Hello, a very good morning and welcome back to the Crucible Theatre | :00:33. | :00:40. | |
in Sheffield for the fourth day of the 2017 BetFred World Snooker | :00:41. | :00:43. | |
Championship. What a night last night. Marco Fu, from 7-2 down, beat | :00:44. | :00:49. | |
the Belgian qualifier Luca Brecel 10-9 in a final frame decider. Now | :00:50. | :00:54. | |
the attention turns to John Higgins, a four-time world champion looking | :00:55. | :00:59. | |
to book his place in the last 16. Stuart Bingham, Ronnie O'Sullivan | :01:00. | :01:04. | |
and Mark Selby have already gone through to the last 16. John Higgins | :01:05. | :01:07. | |
looking to join them. Just three frames needed to see him go through. | :01:08. | :01:12. | |
Martin Gould has a job on his hands. Also available on the red button, | :01:13. | :01:18. | |
Liang Wenbo starts his campaign against Stuart Carrington. John | :01:19. | :01:20. | |
parrot is with me in the practice room. One of those mornings that we | :01:21. | :01:25. | |
love at the Crucible. Everyone is still talking about Marco Fu's | :01:26. | :01:29. | |
phenomenal performance. It was remarkable because of the turnaround | :01:30. | :01:33. | |
in form, a stark contrast of the night before when he could not pot a | :01:34. | :01:39. | |
ball. He to just eight goals in the first four frames. He has been in | :01:40. | :01:44. | |
scintillating form this year, and to turn it around... It was 7-1 | :01:45. | :01:49. | |
actually, so to come back and win is incredible. I feel sorry for Luca, a | :01:50. | :01:55. | |
couple of things went wrong and when someone comes back at you, | :01:56. | :01:58. | |
everything seems to magnify. But what a performance, and Marco Fu was | :01:59. | :02:03. | |
quite animated. The world number eight, he is one of the most | :02:04. | :02:07. | |
composed players on the circuit. We rarely see him show that type of | :02:08. | :02:11. | |
relief, but that's purely because... You were in the studio the night | :02:12. | :02:16. | |
before, he could not pot a ball, and last night he was absolutely | :02:17. | :02:20. | |
magnificent. He got the really good start he needed, winning the first | :02:21. | :02:24. | |
couple of frames. He thought he would be sitting at home watching | :02:25. | :02:28. | |
the championship, but now he is through the hard first round and who | :02:29. | :02:32. | |
knows where he could go? Luca Brecel will be thinking, how on earth did I | :02:33. | :02:38. | |
lose? Will it affect him? For a couple of weeks. It is not something | :02:39. | :02:41. | |
you want on your CV but he will forget about it in a couple of | :02:42. | :02:46. | |
weeks. Marco Fu is through. You can't see Martin Gould doing the | :02:47. | :02:50. | |
same thing, can you? Everyone thought it was a tough draw for John | :02:51. | :02:54. | |
Higgins, but it is a really tough draw for Martin Gould. I have played | :02:55. | :03:00. | |
him here, and trust me... His matchplay is superb, four times a | :03:01. | :03:07. | |
winner. Every time you play him, it is a challenge. Is he feeling good | :03:08. | :03:13. | |
this morning? In great spirits. Telling me that he won at the Gold | :03:14. | :03:21. | |
Cup! He backed a winning horse. Before he came here, a little press | :03:22. | :03:25. | |
release saying how well he was playing. John usually keeps that to | :03:26. | :03:31. | |
himself. Amazing, considering a few years ago there was also talk talk. | :03:32. | :03:35. | |
He said in a news conference that he was thinking of packing it in. But | :03:36. | :03:39. | |
all eyes today on the four-time world champion. | :03:40. | :03:49. | |
Sensations, a big bag of crisps. That's my downfall. Watching TV. | :03:50. | :03:56. | |
That's my guilty pleasure. Robbie Coltrane, the Scottish actor. Used | :03:57. | :04:02. | |
to play for Celtic, that was my childhood dream. Easy going. | :04:03. | :04:09. | |
I took her away to Paris for her birthday. Pretty romantic. Sunday | :04:10. | :04:19. | |
roast. With all the trimmings. That would be it. I would love to go to | :04:20. | :04:26. | |
San Francisco. Never been there. Hopefully I can visit sooner rather | :04:27. | :04:32. | |
than later. I love the American Civil War time. One of my favourite | :04:33. | :04:38. | |
programmes was North and south. Patrick Swayze. That fascinated me. | :04:39. | :04:51. | |
The Civil War time. Pamelaewing from Dallas. That was my woman. | :04:52. | :04:57. | |
Seven breaks over 50 in the first session. A tough task facing Martin | :04:58. | :05:06. | |
Gould this morning. He beat Judd Trump in 2011, John Higgins, winning | :05:07. | :05:12. | |
18-15 to lift the title. And then first round, first round, second | :05:13. | :05:16. | |
round... Quarterfinal last year. Is this the year that he makes another | :05:17. | :05:20. | |
final? That is the live match on BBC Two. If you want Liang Wenbo against | :05:21. | :05:25. | |
Stuart Carrington, that is available on the red button. Throughout the | :05:26. | :05:30. | |
Crucible coverage on the BBC, all of the matches are available on the BBC | :05:31. | :05:36. | |
Sport app, table one or two. A very good morning to Rob Walker. | :05:37. | :05:44. | |
After that fabulous Marco Fu fightback last night, he has proved | :05:45. | :05:48. | |
there is almost no such thing as an irretrievable ethicist at the | :05:49. | :05:52. | |
Crucible. After a brilliant Easter weekend of action, let's turn our | :05:53. | :05:59. | |
thoughts today for at the BetFred World Snooker Championship. -- an | :06:00. | :06:01. | |
irretrievable deficit. Please welcome a player returning | :06:02. | :06:19. | |
for the second time, after a superb win over double world champion Mark | :06:20. | :06:23. | |
Williams on Wednesday. He enjoyed a great run to the quarterfinal of the | :06:24. | :06:28. | |
Welsh Open this season. His grandad Big John is in the crowd as always. | :06:29. | :06:31. | |
Grimsby's Stuart Carrington! And his opponent, back for a sixth | :06:32. | :07:00. | |
Crucible campaign nine years after making the quarterfinal on his | :07:01. | :07:04. | |
debut. The UK Championship runner-up last season, he won his first | :07:05. | :07:08. | |
ranking title in October, beating Judd Trump to the English open | :07:09. | :07:13. | |
title. A player who always wears his heart on his sleeve, that's why we | :07:14. | :07:16. | |
call him the Firecracker, Liang Wenbo! | :07:17. | :07:22. | |
On table two, a player returning for an eighth Crucible campaign after | :07:23. | :07:43. | |
coming through qualifying in fine style. His century in the | :07:44. | :07:46. | |
penultimate frame yesterday showed a glimpse of the talent that took him | :07:47. | :07:50. | |
to the German Masters title last season. He will give it absolutely | :07:51. | :07:55. | |
everything this morning, so let's hear it for the Pinner Potter, | :07:56. | :07:57. | |
Martin Gould! And his opponent, bidding for a 19th | :07:58. | :08:22. | |
appearance in the second round at the Crucible. Arriving in fabulous | :08:23. | :08:26. | |
form, producing a break of at least 50 in every single one of the seven | :08:27. | :08:31. | |
frames he won yesterday. Without doubt one of the finest sportsmen | :08:32. | :08:35. | |
plural Scotland has ever produced, four times a champion of the world, | :08:36. | :08:39. | |
the Wizard of Wishaw, John Higgins! A fabulous bit of Dignity and the | :08:40. | :09:04. | |
cold blue. A busy day for us, Ding Junhui and Zhou Yuelong later. Judd | :09:05. | :09:09. | |
Trump taking on Rory McLeod at 2:30pm also. At seven o'clock | :09:10. | :09:14. | |
tonight, Ali Carter begins his campaign against another former | :09:15. | :09:17. | |
world champion, Graeme Dott. In the meantime, good morning to John Virgo | :09:18. | :09:28. | |
and John Parrott. Good morning, everybody, as Martin Gould gets the | :09:29. | :09:32. | |
second session under way. A five frame deficit against someone like | :09:33. | :09:35. | |
John Higgins is going to be hard to pull back, JP. Yes. You would think | :09:36. | :09:45. | |
so, John. One of the best matchplay is the game has ever seen. | :09:46. | :09:52. | |
Approaching 42 years of age, all of his snookering faculties are still | :09:53. | :09:56. | |
there. Excellent break-builder. In the last year or so, his long game | :09:57. | :10:01. | |
has actually got better. It looked like it was on the wane, but that | :10:02. | :10:05. | |
has improved immeasurably, so he has found something. He never gives you | :10:06. | :10:10. | |
anything easy, John Higgins. You have to earn your corn. | :10:11. | :10:17. | |
There has only been on century break in the match. 23 seconds average | :10:18. | :10:27. | |
shot time. 28 for Martin. I suppose when you are behind, a bit more | :10:28. | :10:30. | |
thinking time. The one century was made by Martin. Could do with a | :10:31. | :10:35. | |
couple of them early on this morning. To try and get some kind of | :10:36. | :10:42. | |
foothold in the match. Of course, he's playing somebody who | :10:43. | :10:52. | |
has been there and got the T-shirt four times. Recognised by all as the | :10:53. | :10:55. | |
best matchplay we have ever seen. You mentioned the time it's taken | :10:56. | :11:16. | |
Martin, 28 seconds, but you tend to think a bit more when you are stuck | :11:17. | :11:20. | |
in the baulk area. It's certainly not straightforward. And here's an | :11:21. | :11:23. | |
example. A little shake of the head. He was | :11:24. | :12:30. | |
just an inch short of getting behind the green. I looked over at John | :12:31. | :12:37. | |
Higgins and I saw a slight grimace. So even 7-2 in front, still | :12:38. | :12:43. | |
disappointed if he doesn't get it inch perfect. | :12:44. | :12:49. | |
Yes, he will be concentrating like mad in this first frame just to | :12:50. | :12:54. | |
dampen any fire Martin Gould has left in him. Go 8-2, it starts to | :12:55. | :13:03. | |
look totally forlorn for Martin. So this is a massive frame. John | :13:04. | :13:06. | |
Higgins will know that, all that experience of being a matchplayer. | :13:07. | :13:10. | |
You don't want to give your opponent any encouragement. | :13:11. | :13:27. | |
A little safety exchange going on. I mentioned that John Higgins had | :13:28. | :13:36. | |
backed the Gold Cup winner, Sizing John, but I have to congratulate you | :13:37. | :13:41. | |
as well, you told me the Grand National winner eight months ago. | :13:42. | :13:47. | |
Yes, well done to On for Arthur, the second Scottish winner of the | :13:48. | :13:53. | |
National. And didn't he win? Hard held. Could be a Scottish double. | :13:54. | :14:00. | |
John Higgins for the World Championship. Yes. | :14:01. | :14:15. | |
Has pushed on towards the corner. Needed the green to come to his | :14:16. | :14:24. | |
rescue, it hasn't. The only thing, he has a pretty good length of cue | :14:25. | :14:31. | |
ball. If you play this at pace, a chance of putting it -- potting it. | :14:32. | :14:45. | |
A bit of stickiness on the cue. This is a horrible shot he has been left | :14:46. | :14:52. | |
with. The angle is all wrong for what he needs. | :14:53. | :15:01. | |
Mind the Gap! Where did that gap come from? A good pot. Amazing, this | :15:02. | :15:17. | |
game. How did he get through there? And it's worked twice! -- it swerved | :15:18. | :15:23. | |
twice! Just making certain of a good cue | :15:24. | :15:31. | |
ball. Just overhit it slightly. Should | :15:32. | :15:43. | |
have stopped the escape route down the left-hand side of the table, as | :15:44. | :15:45. | |
we look. That's a better safety shot from | :15:46. | :16:09. | |
John. Just shows you the standard of his | :16:10. | :16:22. | |
safety play. No shots wasted with John Higgins. Some players on the | :16:23. | :16:28. | |
circuit think that putting the cue ball in the baulk area is enough. | :16:29. | :16:32. | |
He's always trying to put you in position to force a mistake. And | :16:33. | :16:40. | |
there's a in that. -- a difference in that. | :16:41. | :16:45. | |
And there's the mistake. Yes. Kissing the blue, left the cue ball | :16:46. | :16:56. | |
this side of the As many as are of the opinion, say "aye". To the | :16:57. | :17:02. | |
contrary, "no".. -- this side of the baulk line. | :17:03. | :17:43. | |
Could play the yellow but he would like the blue back on the spot. More | :17:44. | :17:48. | |
work to do with the cue ball. So I don't think you'll be getting | :17:49. | :17:52. | |
many more. A difficult plant. The main concern | :17:53. | :18:22. | |
was getting the cue ball back to the baulk end. | :18:23. | :18:55. | |
Played to leave the cue ball behind that red on the top cushion. Tried | :18:56. | :19:49. | |
to get it right in there, but don't know whether... There may be a red | :19:50. | :19:55. | |
near the pink that goes, but it would require top-class cueing. I | :19:56. | :20:01. | |
suppose, at 7-2 down, you might be tempted. | :20:02. | :20:08. | |
When you are this far behind, you have to come out and play well. | :20:09. | :20:14. | |
And I think sometimes you have to give yourself the chance to play | :20:15. | :20:25. | |
well. By refusing things and playing negative, I don't think you can get | :20:26. | :20:30. | |
into a match from such a deficit. He knows what he has to do, Martin. | :20:31. | :20:35. | |
That was a tough pot, but he took it on. | :20:36. | :20:40. | |
There will be a red over the corner. Can he get through to it? | :20:41. | :20:49. | |
The brown has covered it, but a little swerve, cushion first will | :20:50. | :20:59. | |
pot it, but he won't be certain where the cue ball will finish. | :21:00. | :21:01. | |
Needs a bit of luck with the position. | :21:02. | :21:08. | |
It's quite a decent swerve. Nearly three quarters ball. Has to get it | :21:09. | :21:13. | |
right. Well done. I tell you what, he will | :21:14. | :21:26. | |
settle for that. That's a bonus. Going to need a little run of the | :21:27. | :21:42. | |
ball, and a little help from his opponent, to reduce this deficit. | :21:43. | :21:48. | |
A good chance to build up a useful lead. Frame-winning opportunity? | :21:49. | :21:56. | |
Well, that's a tough call, but just concentrate on trying to get as many | :21:57. | :21:58. | |
points in front as you can. Good, clean pot, but not enough of | :21:59. | :22:24. | |
the cue ball to get the right side of the blue. | :22:25. | :22:29. | |
Slightly off. Just run through for the red. If the pink pots in the top | :22:30. | :22:39. | |
left pocket as we look, that would be ideal. | :22:40. | :22:54. | |
It obviously does, with that positional shot. So a nice chance. | :22:55. | :23:01. | |
Yes, good signs. Struck that beautifully in the heart of the | :23:02. | :23:06. | |
pocket. We were commentating together the | :23:07. | :23:23. | |
other day on that Gary Wilson match. Martin Gould is another one who is | :23:24. | :23:29. | |
predominately left eyed. When he cues up, that's where he is lining | :23:30. | :23:33. | |
up. You always have one stronger than the other. Always amazes me, | :23:34. | :23:39. | |
with his glasses... It's as though he peers over the top of them. When | :23:40. | :23:45. | |
you think of all the trouble that, for example, Dennis Taylor had | :23:46. | :23:48. | |
getting the correct pair of glasses that he could play in... | :23:49. | :23:55. | |
Martin wears glasses and looks like he is peering over the top of them. | :23:56. | :24:04. | |
Don't tell me he is looking through his glasses there. But it works for | :24:05. | :24:19. | |
him. He has become one of the most dangerous players on the circuit. | :24:20. | :24:26. | |
Vastly underrated in my opinion. If those glasses are working, get me a | :24:27. | :24:28. | |
pair. He's decided to play for the black. | :24:29. | :24:51. | |
Not certain where it will go after. The green sport is available. -- | :24:52. | :24:56. | |
spot. Just don't miss anything easy, and | :24:57. | :25:06. | |
get what you can. He has played that absolutely superb. | :25:07. | :25:11. | |
He couldn't have hit that any better. Look at the top spin. Shot | :25:12. | :25:21. | |
of the morning. OK, there haven't been many yet, but that's the best | :25:22. | :25:23. | |
one! I said when he first came to the | :25:24. | :25:40. | |
table it was going to be a tough call for him to win the frame at | :25:41. | :25:44. | |
this visit. It's looking likely now. Just the start he was looking for. | :25:45. | :25:53. | |
Couldn't agree with you more. This has been a fabulous break. Like you, | :25:54. | :26:00. | |
I looked at the table and thought, OK, a few reds available, but that | :26:01. | :26:06. | |
shot on the black was excellent. There is a crispness about the | :26:07. | :26:09. | |
strike this morning from Martin Gould. Hitting the ball very well, | :26:10. | :26:14. | |
lots of authority, certainly better than yesterday. He got off to a poor | :26:15. | :26:19. | |
start, 5-0 down. A little bit at sea. But already this morning, the | :26:20. | :26:22. | |
cueing looks a lot more assured. So, red and a colour... As soon as | :26:23. | :26:59. | |
he pots this red, only 51 remaining, and this will put him 59 in front. | :27:00. | :27:07. | |
If he was to make a century here, this would be special. | :27:08. | :27:15. | |
If this cannon goes right, we could see his second century of the match. | :27:16. | :27:50. | |
A nice screw with plenty of side. That's the one. A little bit of a | :27:51. | :27:53. | |
gap. We'll be able to drop it in. Couldn't do much with the positional | :27:54. | :28:06. | |
side of the shot. Not a bad kiss on the brown. | :28:07. | :28:33. | |
Everything has gone right in the middle of the pocket this morning. | :28:34. | :28:38. | |
Nothing sloppy about it. As a player, you always feel good when | :28:39. | :28:41. | |
you are finding the middle of the pocket. | :28:42. | :28:48. | |
He is in fine fettle. Overrun this one a bit. A bit of work to do with | :28:49. | :28:54. | |
the cue ball. We've already had 18 century breaks | :28:55. | :29:00. | |
in the championship so far. This brown for 19, and not many | :29:01. | :29:29. | |
better than this. I have seen quite a bit of snooker, but I haven't seen | :29:30. | :29:33. | |
many centuries better than this. When he came to the table, it didn't | :29:34. | :29:36. | |
look like he was going to clear up. Excellent. | :29:37. | :29:40. | |
Well played, Martin Gould. Very well played. | :29:41. | :30:05. | |
He just lost his concentration thinking about the next frame. John | :30:06. | :30:11. | |
Higgins didn't do a lot wrong. Martin Gould, sensational century | :30:12. | :30:16. | |
break. He's reduced his arrears to four but put out a warning signal to | :30:17. | :30:18. | |
John Higgins. So when we were talking about the | :30:19. | :30:30. | |
possibilities of the shot on the black, he got on the black, I | :30:31. | :30:35. | |
thought why play for the black. The opportunity to finish perfect but | :30:36. | :30:38. | |
the top spin here and he punched it with top spin just to widen the | :30:39. | :30:42. | |
angle slightly and let the top spin go forward. The punch stops and then | :30:43. | :30:46. | |
gets the top spent on it and they split up beautifully. Deserve to, | :30:47. | :30:50. | |
such a well struck shot Mike and on these pockets you need to have | :30:51. | :30:54. | |
plenty of respect for them and we will show you a shot here. Watch the | :30:55. | :31:00. | |
top spin on this. Black and white Ball on this, right through the cue. | :31:01. | :31:04. | |
Stephen Hendry playing that. The way it stops and the top spin goes | :31:05. | :31:09. | |
forward and you wouldn't think in slow motion it was going to get | :31:10. | :31:17. | |
there but it does. It's amazing. It hits the red, stopped but as long as | :31:18. | :31:21. | |
you have the top spin it keeps spinning and look at the way it | :31:22. | :31:23. | |
keeps going through. Things like that like the last frame | :31:24. | :31:40. | |
will not particularly perturbed John Higgins. Certainly give a bit of | :31:41. | :31:47. | |
hope for Martin. Sensational start for him. | :31:48. | :32:23. | |
Caught that much to stick. Always a danger with these mid-range pots. | :32:24. | :32:32. | |
Players of this class with their hand on the table. | :32:33. | :32:52. | |
There you go, 46 to the ball and four feet three to the pocket but | :32:53. | :33:06. | |
good cueing. An excellent start to the season, | :33:07. | :33:21. | |
John. ? The events right at the beginning of it and was in superb | :33:22. | :33:29. | |
form. Still playing well, you can lose a final frame deciders, lost a | :33:30. | :33:33. | |
couple of those and his game still been all right, but I think he's got | :33:34. | :33:36. | |
time to have good preparation and put hours and back in Scotland and | :33:37. | :33:43. | |
turns up here with a distance of ground in the long tournaments. He | :33:44. | :33:46. | |
can win the tournaments that the best of seven and best of nine but | :33:47. | :33:51. | |
John Higgins's game is suited to this longer format. It was | :33:52. | :33:55. | |
interesting when he came in, a couple of courts as to how well he's | :33:56. | :34:01. | |
been plain, usually keeps back to himself, but when he says he's | :34:02. | :34:05. | |
playing well, you've got to take notice. | :34:06. | :34:13. | |
Got into that. You'd have thought it would have stunned of the cushion | :34:14. | :34:22. | |
and I'm certain that was the idea. Got into it too much and didn't | :34:23. | :34:30. | |
bounce it off the cushion. Tricky blue. Playing it pretty quickly but | :34:31. | :34:40. | |
it's difficult. I was amazed he got down and played it so quickly. | :34:41. | :34:45. | |
You're right, it was very acute that angle, horrible. Cueing across, got | :34:46. | :34:50. | |
to make sure you're in the middle of the white panties overcooked it. -- | :34:51. | :35:00. | |
and he has overcooked it. Just got into the white too much. | :35:01. | :35:15. | |
Another example of excellent cueing to pot is tough enough and to flick | :35:16. | :35:29. | |
the red out as well. Very good. I think he might be struggling for | :35:30. | :35:33. | |
another red. There is one that goes there but he has two pot this and | :35:34. | :35:37. | |
screw back off the cushion and this requires excellent cueing to find | :35:38. | :35:39. | |
that gap. It was a classic example there of | :35:40. | :35:55. | |
not hitting the centre of the cue ball. Must have put unintentional | :35:56. | :35:59. | |
side and particularly when you're striking down and it pushes the cue | :36:00. | :36:03. | |
ball into the black and that's why he hit it to six. Little unlucky to | :36:04. | :36:07. | |
come that close to the cushion. This will be testing his eyesight. | :36:08. | :36:31. | |
He's just got the right hand side of this pack to clip off and you've got | :36:32. | :36:36. | |
to get these mighty sin. Anything sick here and it's going to contact | :36:37. | :36:53. | |
the jaws of the pocket. He'll settle for that. Not quite how he played it | :36:54. | :36:59. | |
but where it's finished isn't too bad. In fact, where it's finished, | :37:00. | :37:03. | |
the blue is blocking the left-hand side of the table off for John | :37:04. | :37:05. | |
Higgins. Can he get through to this thread? | :37:06. | :37:42. | |
-- this red. He may be able to bend it with a trace of right-hand side. | :37:43. | :37:48. | |
It's all about fractions, another role and he could have potted this | :37:49. | :37:49. | |
red comfortably. Well. What a pot that was. | :37:50. | :38:14. | |
Absolutely stunning. I loved it when he got down to that, thought he was | :38:15. | :38:19. | |
taking that reds on, looking for the safety shot and he thought whenever | :38:20. | :38:25. | |
he played safe he leaves a shot, he decided to attack and the way he's | :38:26. | :38:27. | |
playing this morning, why not. Known as the Pinner putter and he | :38:28. | :38:53. | |
deserves it after that opening red. That was sensational. When you just | :38:54. | :39:06. | |
concentrate on the blue, you can't see a lot of value, he'd love the | :39:07. | :39:15. | |
black back on its spot but wouldn't sacrifice your position for that. | :39:16. | :39:21. | |
Just overscrew that slightly. Can still cut the blue in and play a | :39:22. | :39:26. | |
cannon. Wondering if you'll do that. If he takes the chance, he could | :39:27. | :39:32. | |
bring the pink into play and maybe promote a few reds. Where he's | :39:33. | :39:36. | |
finished, he may have to play that can in any way. Just needs a little | :39:37. | :39:37. | |
bit of luck here. He didn't bring the pink into play, | :39:38. | :39:57. | |
that would have been a bonus but he's on a rant, so the break will | :39:58. | :40:02. | |
keep going and he's knocked the red out to better positions. As long as | :40:03. | :40:07. | |
he can keep getting the right side of the blue. Which he hasn't on that | :40:08. | :40:13. | |
one. He should be able to score a few. They always say, if you're | :40:14. | :40:19. | |
going to be wrong side of the blue, be well the wrong side of the blue, | :40:20. | :40:24. | |
which is. With the yellow not being on its spot. No problem there. | :40:25. | :40:28. | |
Didn't have the yellow to avoid, so made it a little bit easier. | :40:29. | :40:38. | |
Just a 17 point lead, so not a straightforward run to the line but | :40:39. | :40:45. | |
we saw in the last frame how well he's potting. And he needs to be | :40:46. | :40:51. | |
right side of the blue this time. Just got there. Just got there. The | :40:52. | :41:04. | |
right side of the blue. For in this case, the left side of the blue | :41:05. | :41:05. | |
line. There is the side bar. 60 points is | :41:06. | :41:26. | |
the target. Basically he's looking for another 29 points from this | :41:27. | :41:31. | |
situation. Only two reds available at the moment. Not an easy 29 points | :41:32. | :41:48. | |
to get. Not the right side of the blue this time. | :41:49. | :42:01. | |
Try to stun in between the green and brown here. Striking the ball well | :42:02. | :42:18. | |
this morning, John. There's a sound to it as well, the back of the | :42:19. | :42:21. | |
pocket very well and he's not hitting the jaws, hitting it very | :42:22. | :42:27. | |
clean. This has been a tough break so far. As to keep this | :42:28. | :42:34. | |
concentration level up. Difficult when there is more travel in the cue | :42:35. | :42:36. | |
ball. That's another terrific shot. That's | :42:37. | :42:52. | |
unlucky. That really is. Worst case scenario you think you'd be on the | :42:53. | :42:57. | |
yellow. I think he can pot this black but so close to it, it's an | :42:58. | :43:02. | |
easy snooker go for the easy snooker. He's got a 30 point lead | :43:03. | :43:12. | |
and John Higgins will do well to hit a red here and not leave anything | :43:13. | :43:13. | |
on. REFEREE: Foul and a mess, Martin | :43:14. | :43:51. | |
Gould, four. COMMENTATOR: Decision time, would you take the mess? I | :43:52. | :43:56. | |
played a pot, I tell you why, you can play it plain ball. I'm | :43:57. | :44:00. | |
surprised at that, he's got a yellow over the corner pocket. With John | :44:01. | :44:04. | |
Higgins plays this properly and there is a very good chance he will, | :44:05. | :44:08. | |
you're going to have nothing. I would have been taking that one. | :44:09. | :44:16. | |
That's what he's attempting to do. Just didn't get enough side on it | :44:17. | :44:19. | |
last time. This looks nice. This looks nice. He hit it coming off the | :44:20. | :44:30. | |
back cushion and as John said, probably know, the wrong decision | :44:31. | :44:35. | |
from Martin to have it put back. Definitely the wrong decision. Any | :44:36. | :44:40. | |
time you're given a free shot to nothing like that on the way he's | :44:41. | :44:44. | |
potted this morning, you'd fancy him nine times out of ten to knock on, | :44:45. | :44:48. | |
I'm really side he refused it. The yellow is over the pocket, no | :44:49. | :44:52. | |
position required and you're guaranteed to be on a ball. Of | :44:53. | :44:59. | |
course, we played in an era where the miss rule wasn't as prevalent as | :45:00. | :45:03. | |
it is now and some players think going on the sticker here, you can | :45:04. | :45:07. | |
get 20 points out of this snooker. Wrong way to think, I see that a lot | :45:08. | :45:13. | |
now. Particularly when there are a couple of reds on the table, get out | :45:14. | :45:17. | |
of a tough snooker, get past somebody by just getting foul | :45:18. | :45:24. | |
points. In that instance as well, if you're playing against somebody who | :45:25. | :45:28. | |
didn't know their way round a table and some of the attack minded, but | :45:29. | :45:33. | |
yes, but this fellow knows his way around it as well as anybody. | :45:34. | :45:42. | |
You make your decisions and you stand or fall by them. It will all | :45:43. | :45:51. | |
be forgotten if Martin Gould can win this frame. | :45:52. | :45:56. | |
He did. Now the red is running loose. Where is it going to finish. | :45:57. | :46:11. | |
He's left it. John just checking there, all he has | :46:12. | :46:37. | |
to do with the cue ball is just stun it, leave the cue ball where the red | :46:38. | :46:41. | |
is because the yellow will go through the gap between brown and | :46:42. | :46:44. | |
green, so just concentrate wholly on the pot. | :46:45. | :46:52. | |
That was a surprise. And sometimes when you're that close to a ball, | :46:53. | :47:03. | |
once again he's just not down the middle of the cue ball there. | :47:04. | :47:07. | |
Sighted it wrong, didn't get in the line of the shot. APPLAUSE | :47:08. | :47:17. | |
Used all the pocket there, but in it went. And this blue, I assume he's | :47:18. | :47:29. | |
going to play the blue, will put Martin 40 points in front with 59 | :47:30. | :47:35. | |
left. He still looking for two reds and two colours after this blue. The | :47:36. | :47:41. | |
positional side of this is not straightforward. Obviously he's got | :47:42. | :47:47. | |
to try to play this with a bit of screw and side, maybe try to get | :47:48. | :47:50. | |
between the two reds and the pink if he can. Or maybe flick one of those | :47:51. | :47:59. | |
out. Always a little tricky that, couldn't quite get into the cue ball | :48:00. | :48:02. | |
enough to get into the gap and if you play the cannon like that, the | :48:03. | :48:07. | |
position can go astray. It's one of those, after the event you think, I | :48:08. | :48:12. | |
could have done with hitting it a bit harder, but that's after the | :48:13. | :48:16. | |
event and we are all wise after that. 40 point lead, it's not a bad | :48:17. | :48:24. | |
one. I think if he can play a city where he can put a red on the side | :48:25. | :48:29. | |
cushion, it might be worthwhile just chipping off the one above. You can | :48:30. | :48:32. | |
just see the edge of that and just push it onto the side cushion may | :48:33. | :48:38. | |
be. Yes, because the other two reds will not past the pink. They | :48:39. | :48:48. | |
obviously can't see enough of that. Is he playing this red to the | :48:49. | :48:56. | |
middle? I think years. -- I think he is. And got it! Wonderful shot. | :48:57. | :49:10. | |
Wonderful. He has patted back some balls this morning -- potted some | :49:11. | :49:17. | |
balls this morning. That was an absolute cracker. He's only going | :49:18. | :49:26. | |
for anything that's round this morning. I admire him. He could have | :49:27. | :49:38. | |
left it tight on the top vision but he's given himself a chance to see | :49:39. | :49:42. | |
how he's playing this morning and so far he's playing well and he must be | :49:43. | :49:45. | |
very pleased. Take nothing for granted. And that's it. Snookers | :49:46. | :49:55. | |
needed and John Higgins had a chance when he had that red to this corner | :49:56. | :50:00. | |
pocket and missed it. Didn't have much chance in the first frame this | :50:01. | :50:01. | |
morning. nice little shot here, play this | :50:02. | :50:39. | |
with running side to make it hunger cushion. There you go. -- hog the | :50:40. | :50:43. | |
cushion. Martin Gould in very good form this | :50:44. | :50:47. | |
morning. The frame is over, she can't make a | :50:48. | :51:10. | |
century break, he doesn't want to play this, really. | :51:11. | :51:17. | |
John said to him, don't bother. That will do. Nice to see a smile but | :51:18. | :51:26. | |
what a start this morning from Martin Gould, absolutely superb. | :51:27. | :51:30. | |
He's playing great snooker. He still three behind but you could see, | :51:31. | :51:39. | |
match on. And he has potted some balls this morning. And exhibition, | :51:40. | :51:44. | |
apart from good break-building, individual balls he's potted have | :51:45. | :51:50. | |
been wonderful. This one, we're thinking he is playing safe | :51:51. | :51:54. | |
initially and he hits this one good. As we said, right in the heart of | :51:55. | :52:01. | |
the pocket. Another nice medium range one, John had missed the red | :52:02. | :52:07. | |
to the corner but got to cue these well. There's one shot you, this one | :52:08. | :52:12. | |
for me is a peach. Frame when, anchored he was. You can put a | :52:13. | :52:17. | |
little bit of unintentional side and once that went in. Look at this. You | :52:18. | :52:25. | |
said it. Little bit of side on it, just cases it along the cushion. | :52:26. | :52:29. | |
Beautiful shot. But he's really been very positive this morning, I've | :52:30. | :52:33. | |
been hugely impressed with his cueing. Everything has at authority | :52:34. | :52:37. | |
of strike, he's not quite on a ball and looks like he's not quite on a | :52:38. | :52:41. | |
ball and looks like he is, it with a purpose. John Higgins has left the | :52:42. | :52:46. | |
arena just to compose himself and that's the difference with Martin | :52:47. | :52:48. | |
Gould. The way he's come out this morning. There are two ways you can | :52:49. | :52:52. | |
try to get yourself back into the match, you can play ultra safety, | :52:53. | :52:56. | |
not take any risks but then sometimes I don't think you give | :52:57. | :52:59. | |
yourself a chance to know how you're playing. Try and play well, he's | :53:00. | :53:03. | |
only going to win this match if he plays well. There's a little bit of | :53:04. | :53:07. | |
a balancing act, you don't want to go gung ho all the time, but what | :53:08. | :53:13. | |
he's done this morning has been correct, hasn't it? Yeah. | :53:14. | :53:29. | |
Of course, there's a possible ten frames in this session. They play | :53:30. | :53:37. | |
four before we get to the mid-session interval, saw two very | :53:38. | :53:38. | |
important frames, these. Missed it on the way up. A scratch | :53:39. | :54:04. | |
of the head there from John. He could have left an easier chance. He | :54:05. | :54:09. | |
was playing it with left-hand side to try to swerve it to hit the end | :54:10. | :54:14. | |
red and missed it. He pushed the cue ball out and hasn't come back. | :54:15. | :54:19. | |
That's what's happened there. All these little things will just be | :54:20. | :54:23. | |
giving Martin Gould a little bit more encouragement. Especially when | :54:24. | :54:27. | |
you see somebody like John Higgins making a mistake on a safety shot. | :54:28. | :54:38. | |
If he can get through to the blue he'll settle for it. But obviously | :54:39. | :54:46. | |
he can. He's a little unlucky there. I have to say that John was bit | :54:47. | :54:50. | |
fortunate to leave the cue ball near the side cushion which meant. Can't | :54:51. | :54:54. | |
get through to the blue. It meant he couldn't do much with the cue ball, | :54:55. | :54:59. | |
he had to trust a little bit to luck and he's had none. That was massive. | :55:00. | :55:04. | |
That flips out and he's on a blue, what a difference that makes because | :55:05. | :55:07. | |
he has momentum at the minute and he's scoring well. He's going to | :55:08. | :55:13. | |
take on the brown. Little bit tricky because he is also slightly hampered | :55:14. | :55:17. | |
by a red that's under his arm when he is playing. This is one of those | :55:18. | :55:24. | |
instances, even though you'd been attacking all morning, do you take | :55:25. | :55:27. | |
this on just be a bit more prudent and play a safety shot? I think he's | :55:28. | :55:31. | |
playing safe. Well that's the balance you are | :55:32. | :55:44. | |
talking about. I won't disagree with that. He was a little unlucky there. | :55:45. | :55:55. | |
Quite impressed by that actually. Sometimes it really difficult dust | :55:56. | :56:01. | |
to real yourself in. You can be playing really well, knocking in | :56:02. | :56:04. | |
everything and you feel like you should make more from that | :56:05. | :56:07. | |
opportunity but he's been very professional there. Just played the | :56:08. | :56:12. | |
right shot and said no, this is the right shot for this instance and I'm | :56:13. | :56:14. | |
going to play it. Close. Over 20 minutes now since | :56:15. | :56:38. | |
John Higgins has potted 8-ball and he may have left this red just to | :56:39. | :56:41. | |
the right of the black. Or maybe not. It was close. He wouldn't have | :56:42. | :56:51. | |
been on a colour, was just trying to contain the situation, he thought if | :56:52. | :56:56. | |
he was doing at containing shot, he would play the potted. Martin cannot | :56:57. | :57:07. | |
get through to the potting angle to the red immediately right of the | :57:08. | :57:17. | |
black. Is he playing the pot here? Was a bit risky to me, I would have | :57:18. | :57:21. | |
played the safety from that. Just had to cover the one on the left, he | :57:22. | :57:26. | |
was initially going to play off the red on the left but he knew the only | :57:27. | :57:30. | |
place he could hide the cue ball was up the right-hand side. That's what | :57:31. | :57:37. | |
he decided to do. He could have done with better length on the cue ball. | :57:38. | :57:49. | |
That was a very aggressive safety shot. Look at the length of the cue | :57:50. | :57:58. | |
ball. OK, an inch short, but a good one, telling one. Yeah, got a lot | :57:59. | :58:07. | |
more to think about here, just wander about the red nearer the | :58:08. | :58:12. | |
blue, but he's got to get a good red. The two reds near the left-hand | :58:13. | :58:21. | |
pocket, that's the problem he's got. There is a safety of that red nearer | :58:22. | :58:25. | |
the blue, but unless you get a really good cue ball, you could be | :58:26. | :58:33. | |
leaving yourself open. That's the shot that John's referring to. But | :58:34. | :58:41. | |
you need a good cue ball. You need to find that baulk cushion. And also | :58:42. | :58:48. | |
don't fit it to seven and catch the bump at the middle pocket. He's | :58:49. | :58:56. | |
missed the bump. Played it well. Very good shot. | :58:57. | :59:03. | |
Excellent. He was in a spot of bother. He did get very close to the | :59:04. | :59:15. | |
middle pocket. Made a huge difference not hitting that bump. | :59:16. | :59:18. | |
You can be unlucky, but it does happen. | :59:19. | :59:27. | |
He has played it, but has he left anything? It looks like that was a | :59:28. | :59:39. | |
fortuitous case on the green. -- fortuitous | :59:40. | :59:45. | |
if it ran past the green, it may have left a choice of two reds. Has | :59:46. | :59:53. | |
long game and medium game has been excellent this morning but there's a | :59:54. | :59:56. | |
lot more pressure on this one, knowing you could be leaving | :59:57. | :00:03. | |
something. The first one he is cued across. | :00:04. | :00:10. | |
He's certainly covered the one down the left-hand side. John is already | :00:11. | :00:30. | |
looking at the red on the right-hand side, taking on that pot. | :00:31. | :00:45. | |
All of the hours of practice in your club, they are for shots like that. | :00:46. | :00:55. | |
Beautifully struck. He has missed a couple this morning, John Higgins, | :00:56. | :00:59. | |
but that will give him a bit more confidence. That was a beauty. | :01:00. | :01:04. | |
And it's time for John to score now. He has seen Martin playing very well | :01:05. | :01:11. | |
this morning, winning two quick frames. He needs to read stamp his | :01:12. | :01:21. | |
authority on this match. -- restamp his authority. | :01:22. | :02:03. | |
Just a little overhit, but it's one of those shots John has played there | :02:04. | :02:10. | |
where you are frightened of not getting far enough for the blue. | :02:11. | :02:12. | |
Brown is available. Actually, the green. He could see | :02:13. | :02:20. | |
both of those. Not what he played, but it's an | :02:21. | :02:37. | |
opportunity when putting this red to get the black back on its spot. | :02:38. | :02:49. | |
When the black does go on its spot, it won't be available in either | :02:50. | :02:56. | |
corner pocket, so he would like to get on one of the reds that would | :02:57. | :03:00. | |
stop the black going into one of the corners. | :03:01. | :03:23. | |
Don't think you'll be able to get through to the red immediately to | :03:24. | :03:26. | |
the right of the black. Moving that red means the black will | :03:27. | :03:42. | |
be available into that corner pocket in a few shots. Once again he went | :03:43. | :03:46. | |
up for the blue, but you would rather be too hard than soft. He has | :03:47. | :03:55. | |
a good angle. The green looks perfect for the red to the left-hand | :03:56. | :03:57. | |
side of the black. If he is on the bottom one, well, | :03:58. | :04:15. | |
that is just perfect. That's a bonus, as long as he pots | :04:16. | :04:27. | |
it. He won't be taking it for granted. | :04:28. | :04:38. | |
That makes the black available into both corners. It was quite a clever | :04:39. | :04:46. | |
shot off the green. He knew if he wasn't on one, he would be on the | :04:47. | :04:50. | |
other. And he got on the perfect red. | :04:51. | :04:59. | |
He's had a couple of nice little kisses and nudges, it has still been | :05:00. | :05:15. | |
a really well constructive break. -- constructed break. He will want to | :05:16. | :05:21. | |
win the frame at this visit. Needs another 32 to get to the snookers | :05:22. | :05:28. | |
required stage. Hard to see where he's going to slip up. Those three | :05:29. | :05:31. | |
reds nicely in a line. And a red on the left of the table | :05:32. | :05:39. | |
that's nicely available. Two reds, two colours would be more | :05:40. | :06:40. | |
than enough, but he's given himself a bit of work to do. | :06:41. | :06:49. | |
Still expected him to pot that, but a bit more on it. Recovered the | :06:50. | :06:59. | |
situation beautifully. Good pot, good position. This would put him 61 | :07:00. | :07:06. | |
in front with 67 remaining. This black, one more red and a colour and | :07:07. | :07:11. | |
he will have his first frame on the scoreboard this morning. It started | :07:12. | :07:18. | |
with that excellent mid-range red, a lovely crisp pot into the top | :07:19. | :07:23. | |
right-hand corner. Lovely when they go in. Players spent hours playing | :07:24. | :07:29. | |
these shots. That's what it's for, in the heat of battle. | :07:30. | :07:49. | |
It won't matter to John, just a red and a colour needed. But good | :07:50. | :08:05. | |
thinking. How many people would have noticed the pink was not going back | :08:06. | :08:10. | |
on the spot? He has taken these very well. Considering he has not had | :08:11. | :08:12. | |
much table time. That's what all the great players | :08:13. | :08:21. | |
can do, of course. Can be frozen out. It was over 20 minutes since he | :08:22. | :08:28. | |
potted a ball, and the first chance he gets, he wins the frame. A class | :08:29. | :08:31. | |
act. Always has been. I'm a big fan of his cue action. I | :08:32. | :08:50. | |
like watching John play. He lets the cue do the work. A modern | :08:51. | :08:56. | |
phenomenon, people have become more compact and tighter into the cue | :08:57. | :08:59. | |
ball, but John lets the cue do the work. I have never seen him | :09:00. | :09:06. | |
decelerate on a ball yet. If I was teaching someone starting off, I | :09:07. | :09:07. | |
would prefer this cue action. Nearly comes off his bridge hand, he | :09:08. | :09:18. | |
takes it back that far, but it's always smooth. I know you worked a | :09:19. | :09:24. | |
lot with Frank Callan. Do you think he was the one who first got this | :09:25. | :09:30. | |
real old drawback? I think John, from years of practising with | :09:31. | :09:35. | |
Stephen Hendry... I think he went to see Frank. John picked that up from | :09:36. | :09:43. | |
practising with Stephen and Frank was very much an advocate of letting | :09:44. | :09:49. | |
the cue do the work. No better advert than seeing Stephen winning | :09:50. | :09:53. | |
those championships, and John as well. And Steve Davis, and you as | :09:54. | :10:02. | |
well. And Ken Doherty. He coached seven world champions, Frank. Sadly | :10:03. | :10:07. | |
passed away last year. A right character. Loved his snooker. | :10:08. | :10:15. | |
Last year, the record number of centuries was equalled. I think it's | :10:16. | :10:30. | |
going to be bettered this year. It's a good shout. I hope so, John, it's | :10:31. | :10:37. | |
better to watch. As long as they are not every frame. I like to see the | :10:38. | :10:42. | |
close frames. This has been an excellent contribution. Just one | :10:43. | :10:45. | |
poor positional shot, but he made light of it. | :10:46. | :10:51. | |
This has been top draw. That's why he's the champion that he is. | :10:52. | :11:03. | |
Trying to come around... Where's the cue ball going to? | :11:04. | :11:11. | |
Wonderful. We have been treated to three marvellous frames so far this | :11:12. | :11:25. | |
morning. It seemed to be all Martin Gould. John Higgins showing what a | :11:26. | :11:29. | |
competitor he is. He is four ahead again. | :11:30. | :12:36. | |
Impressive record, that, isn't it? Yeah, not many better. If you are a | :12:37. | :12:45. | |
multiple champion here at the Crucible, they are very where birds | :12:46. | :12:51. | |
-- rare birds indeed. You are in with the greats. Absolutely. | :12:52. | :12:59. | |
This was a key shot, the way he judged this. I thought this was | :13:00. | :13:05. | |
played really well. The one thing you couldn't do with it was short. | :13:06. | :13:11. | |
He knew the red above the black... That was the one I called first, but | :13:12. | :13:15. | |
if he could get on the bottom one, that was even better. Then he has | :13:16. | :13:21. | |
opened up the black to both pockets, and he couldn't have struck it any | :13:22. | :13:25. | |
better. That was the key shot to the frame. Absolutely. As you say, he | :13:26. | :13:30. | |
couldn't afford to be short, and that was in his mind. If anything, a | :13:31. | :13:37. | |
little bit harder. Anyway, it was a perfect positional shot and a | :13:38. | :13:39. | |
wonderful century. Mid-session interval after this | :13:40. | :13:58. | |
frame. Three marvellous frames we have seen this morning. | :13:59. | :14:04. | |
Nothing worse than doing that. A great frame, you make a century and | :14:05. | :14:11. | |
then all of a sudden a break off like that, sticking the red towards | :14:12. | :14:15. | |
the middle pocket. You can see it in John's face, he is annoyed with | :14:16. | :14:17. | |
that. Yes, and the red has gone in. He | :14:18. | :14:27. | |
will finish close to the cushion so he needs a nice angle of the blue. | :14:28. | :14:29. | |
Not bad. Doesn't have to do much with the cue | :14:30. | :14:38. | |
ball, just role in the blue. He will probably play for the red at the | :14:39. | :14:42. | |
back near the black. That's a good shot. Tight on the | :14:43. | :14:55. | |
cushion. JP here was known as one of the best | :14:56. | :15:07. | |
players off the cushion. You would have been content to drop that in | :15:08. | :15:08. | |
dead weight! Cues it beautifully. Amazing how your mind thinks, | :15:09. | :15:20. | |
because you would have played that shot exactly as Martin did. | :15:21. | :15:26. | |
I was blessed to be able to play off cushions. Willie always gives me | :15:27. | :15:33. | |
stick, he says the position was there! One of those things, I never | :15:34. | :15:38. | |
had any problem with it. But he struck that lovely. | :15:39. | :15:59. | |
OK... He would have liked to have been another six inches away. I | :16:00. | :16:08. | |
prefer playing the screw on that type of short, I just feel it has a | :16:09. | :16:13. | |
bit more control. He has opened up the reds, but it's all about potting | :16:14. | :16:21. | |
the black and getting position. I wonder if he'll play a little stun | :16:22. | :16:28. | |
up into the reds, the little cannon. That would be ideal. | :16:29. | :16:35. | |
Mmm. Could have just done with catching it's likely the other way. | :16:36. | :16:44. | |
Don't get me wrong, he has a red to the left middle, one to the right | :16:45. | :16:49. | |
middle. But just a little bit tricky. Particularly the one to the | :16:50. | :16:54. | |
left middle. That was almost a case of the fact he is hitting the ball | :16:55. | :16:56. | |
too well this morning. Just wanted it to the other side | :16:57. | :17:06. | |
slightly, would have been perfect for the bottom red. This is trickier | :17:07. | :17:07. | |
with the cueing. He can't get the right side of the | :17:08. | :17:14. | |
blue. Slightly blind pocket, a trickier | :17:15. | :17:22. | |
red, but it's there, no problem. The frame before the mid-session | :17:23. | :17:37. | |
interval, it's a big one. As long as he can keep John Higgins two away | :17:38. | :17:42. | |
from victory, he's got a little bit of room to manoeuvre. | :17:43. | :17:54. | |
I don't think that was entirely how he played it, but he'll take it. | :17:55. | :18:05. | |
This has been a fabulous little mini-session this morning, it has to | :18:06. | :18:12. | |
be said. The standard is superb. Are they paying us for watching this, | :18:13. | :18:16. | |
John? Yeah, it's been absolutely marvellous. Proof of what we were | :18:17. | :18:25. | |
saying. 94% pot successful Martin Gould this morning. 91%, John | :18:26. | :18:26. | |
Higgins. And take your hat off to Martin | :18:27. | :18:38. | |
Gould, playing one of the best players to have ever picked up a | :18:39. | :18:44. | |
cue, 7-2 behind, and he's had such a good approach to the match. That | :18:45. | :18:46. | |
takes a bit of doing. Just let the cue ball on loose | :18:47. | :18:58. | |
there. And once again he is going to be relying on a little cannon. Can't | :18:59. | :19:01. | |
really guarantee position. Pot the black, that's the main | :19:02. | :19:05. | |
priority. Well played. One in the middle. And | :19:06. | :19:19. | |
one in the corner. If he can win this frame in one | :19:20. | :19:37. | |
visit, which is a distinct possibility, it will make him feel | :19:38. | :19:42. | |
good at the mid-session interval. Nothing like winning with one visit. | :19:43. | :19:46. | |
25 points needed. He will settle for the blue to the | :19:47. | :19:54. | |
far corner. That's OK. He's not done a lot wrong this | :19:55. | :20:11. | |
morning. Just shows you. A wonderful century, and then plays the break | :20:12. | :20:15. | |
off... Just caught the end red a bit too thick. | :20:16. | :20:26. | |
Perfect. I think that break off thing happens quite a bit after | :20:27. | :20:42. | |
you've just done something really good. A little bit in concentration, | :20:43. | :20:46. | |
you've just made a century and stamped your authority back on the | :20:47. | :20:49. | |
match, and you don't quite concentrate enough on the break off, | :20:50. | :20:54. | |
and you sit in the chair thinking, why did I do that? We've all done | :20:55. | :20:58. | |
it. Just drop your guard for a second in this game... The worst | :20:59. | :21:02. | |
thing is you have to go and sit down and suffer. | :21:03. | :21:08. | |
This has been excellent stuff from Martin Gould. Well, excellent stuff | :21:09. | :21:14. | |
from both players. Really is a cracking session. I'm just impressed | :21:15. | :21:19. | |
with the belief he has shown this morning. Yeah. | :21:20. | :21:27. | |
I was impressed with the safety shot he played before. One of the best | :21:28. | :21:35. | |
things I had seen this morning. Playing so well, but he pulled in | :21:36. | :21:39. | |
his horns and said no, this is the right shot. That shows someone | :21:40. | :21:43. | |
thinking clearly. The right shot is always the right shot. | :21:44. | :22:04. | |
When they started this morning, obviously would -- he would have | :22:05. | :22:20. | |
loved to win the four frames... If he gets out of it 3-1, he will have | :22:21. | :22:25. | |
done some damage. But that is a poor positional shot. | :22:26. | :22:28. | |
The higher he goes up the table, the more he is going to be on the red in | :22:29. | :22:35. | |
the corner, and the one that goes in the other corner, so the one thing | :22:36. | :22:40. | |
he could not be there was short. This is a tricky pot. | :22:41. | :22:52. | |
Needed a bit of side on it. The flick on the second red has worked | :22:53. | :22:57. | |
out perfectly. Scare over. John Higgins, for all | :22:58. | :23:11. | |
money it looks now... Well, he started the morning session with a | :23:12. | :23:14. | |
five frame lead, it is going to be cut to three. | :23:15. | :23:25. | |
Another good example, that last shot... To get ideal position, he | :23:26. | :23:33. | |
could have put on a bit of side, but he said no, I will just knock the | :23:34. | :23:38. | |
ball in and see where I finish. Good thinking again. | :23:39. | :23:44. | |
I don't think John Higgins will bother coming back to the table if | :23:45. | :23:54. | |
that goes in. Well, we've already had two | :23:55. | :24:12. | |
centuries. In the first three frames this morning. Could we see a third | :24:13. | :24:17. | |
one? Not beyond the realms of possibility. | :24:18. | :24:21. | |
The little cannon to stay on the pink. Well, what a pity. Not a | :24:22. | :24:59. | |
century, but more than enough. Martin Gould should be very proud of | :25:00. | :25:04. | |
that performance. Came at with no negative thoughts, trailing 7-2. At | :25:05. | :25:10. | |
the mid-session interval, it is now 8-5. | :25:11. | :25:11. | |
STUDIO: We shall be back there shortly. The mid-session interval. | :25:12. | :25:17. | |
John Higgins, the four-time world champion, needing two frames to book | :25:18. | :25:21. | |
his place in the last 16. But a spirited fightback from Martin | :25:22. | :25:24. | |
Gould, all to play for. An interesting tussle on the other | :25:25. | :25:29. | |
table, as Stuart Carrington of Grimsby takes on Liang Wenbo. Wenbo | :25:30. | :25:35. | |
beta Judd Trump to win his first ranking title last year in the | :25:36. | :25:39. | |
English open. He has a real chance to do something here at the | :25:40. | :25:40. | |
Crucible. Somebody Peter knows very well, | :25:41. | :25:51. | |
Liang Wenbo. Wait to see him back. Absolutely. A really nice lad. | :25:52. | :25:58. | |
Incredibly talented, a very excitable character, brilliant for | :25:59. | :26:03. | |
the game. He is such a good player, it's incredible. His technique is | :26:04. | :26:08. | |
unusual. He is incredibly close to the cue ball with his bridge hand, | :26:09. | :26:12. | |
which means the back end of the cue is up a bit, which is not ideal. But | :26:13. | :26:16. | |
he scores so heavily and his cue ball in practice is so good. We | :26:17. | :26:23. | |
recounted before that he played a best of nine against somebody and | :26:24. | :26:27. | |
had three centuries, a maximum and a 90. Which is just unbelievable | :26:28. | :26:33. | |
stuff. I am so pleased for him that he has won his first big tournament. | :26:34. | :26:39. | |
You mentioned his technique. He is right eyed and left-handed. It is | :26:40. | :26:44. | |
very strange, and sometimes he can come across the ball and twitch | :26:45. | :26:47. | |
under pressure, which we have all done from time to time. But it is | :26:48. | :26:52. | |
noticeable with him, so I am sure he will be working on keeping as still | :26:53. | :26:56. | |
as he can in future, especially under pressure. Seriously talented | :26:57. | :27:00. | |
player, and on his game he can beat anybody. He is exciting. Moving all | :27:01. | :27:06. | |
over the place, art off the shot before he has hit the cue ball, | :27:07. | :27:09. | |
brilliant to watch, but some think you would like to get control of. I | :27:10. | :27:14. | |
love his celebration when he wins. To be able to jump up in the air and | :27:15. | :27:19. | |
his feet come above the table, buried athletic sort of guy, he has | :27:20. | :27:24. | |
done a lot of running in the past to keep himself fit. -- very athletic. | :27:25. | :27:29. | |
One of the best players China has ever produced. Perhaps in the shadow | :27:30. | :27:33. | |
of Ding for a time, but the fact he has won a big tournament now, let's | :27:34. | :27:38. | |
hope he can kick on. I've ever watching him in the commentary box | :27:39. | :27:41. | |
with Dennis Taylor and thinking, wow, you are the next big thing, and | :27:42. | :27:45. | |
then he disappeared for a while. Where did he go? It can happen. Name | :27:46. | :27:51. | |
one player who has not had a bad season where you think, what has | :27:52. | :27:55. | |
happened to them? All of a sudden, they learn the lessons, worked a bit | :27:56. | :27:59. | |
harder again, get their mind right, take on a coach and then they give | :28:00. | :28:03. | |
themselves every opportunity to come back and be stronger than before. | :28:04. | :28:10. | |
Yes, and Liang Wenbo used the pain of losing in the 2015 final of the | :28:11. | :28:17. | |
UK Championship to finally joins Luca's elite. He lost to Neil | :28:18. | :28:22. | |
Robertson in that final 10-5, and there is a real feeling he could | :28:23. | :28:25. | |
make it through to the semifinals this year at the Crucible. If not | :28:26. | :28:29. | |
the final. We join it in the opening stages. Your commentary team is | :28:30. | :28:32. | |
Dennis Taylor and Ken Doherty. That was the only red he could leave | :28:33. | :28:51. | |
on really. Didn't expect him to hit the far jaw of the middle pocket. | :28:52. | :28:53. | |
First chance now to Liang. That shot Stuart took on, it was so | :28:54. | :29:08. | |
awkward you would maybe only give yourself two out of ten chance of | :29:09. | :29:09. | |
knocking it in from that angle. Liang didn't get enough pace on that | :29:10. | :29:23. | |
pot. He has left himself awkward. Needed to run through another six | :29:24. | :29:24. | |
inches. Would have been an easy pink into | :29:25. | :29:34. | |
the middle, had to take it into the corner and it was nowhere near the | :29:35. | :29:38. | |
pocket. A bit of an edgy start from Liang. | :29:39. | :30:20. | |
Is the. The chance he had, could have got himself nicely on the | :30:21. | :30:36. | |
black. A bit of a slip up there. And that only just went in. Any more | :30:37. | :30:44. | |
pace and it would have stayed out. A few wobbles there. | :30:45. | :31:05. | |
Another couple of wobbles from the blue before safely staying down. But | :31:06. | :31:18. | |
now it's developing into quite a decent chance here. Five loose reds. | :31:19. | :31:45. | |
Nice angle on the black but he won't come into the reds. Doesn't have too | :31:46. | :31:57. | |
here. Four loose reds available. Take the red nearer the left centre | :31:58. | :31:58. | |
pocket. One of those situations where he was | :31:59. | :32:11. | |
playing for virtually see reds. Three reds available to him. | :32:12. | :32:17. | |
Sometimes you do that. Playing into an area so you are giving yourself | :32:18. | :32:28. | |
options. Again he could try and get on two reds. One adds to the left of | :32:29. | :32:32. | |
the pack of reds or the one to the left centre. | :32:33. | :33:16. | |
I like watching Liang Wenbo play, he's got a swagger when he was round | :33:17. | :33:26. | |
the table. Very modest lad, he walks round the table. Bit of a stomp. | :33:27. | :33:32. | |
Very confident round the table. He's got a nice angle, which he | :33:33. | :33:48. | |
seems to have, he can brush off the side of the pack with a little bit | :33:49. | :33:52. | |
of pace and bring a couple more reds into play here. A couple have come | :33:53. | :34:03. | |
out, so that's nicely done. Quick look at the scores. What he's | :34:04. | :34:30. | |
going to need. Two loose reds and one more. That's to secure the first | :34:31. | :34:33. | |
frame. Not quite sure. Having a look to see | :34:34. | :35:09. | |
if the red course to the left centre. Got a nice angle, he can | :35:10. | :35:14. | |
screw into the reds if he wishes. Looks like he's a little bit | :35:15. | :35:19. | |
reluctant to do that. Perfect angle, he may take the red up into the | :35:20. | :35:27. | |
yellow pocket. He likes to pick off the reds from the bunch in his | :35:28. | :35:32. | |
break. Not one of these players that just wants to smash the reds open | :35:33. | :35:38. | |
straightaway. He only needs this to secure the opening frame here. Looks | :35:39. | :35:47. | |
good. Right in the centre of the pocket. Played that with top spin. | :35:48. | :36:08. | |
No side on the cue ball. Just slipped off the reds rather than | :36:09. | :36:13. | |
hitting them full ball but the frame is safe and this red may cut into | :36:14. | :36:19. | |
the middle pocket. If this goes, a chance of a century. | :36:20. | :36:29. | |
No century but you'd have to say it's a good start from Liang Wenbo. | :36:30. | :36:36. | |
Stuart Carrington stays in his seat and a break of 71 gives the Chinese | :36:37. | :36:43. | |
player the opening frame. A very solid start by Liang Wenbo. Let's | :36:44. | :36:47. | |
show you what happened in frame two and its Li Hang to play. -- Li | :36:48. | :36:54. | |
it's gone completely wrong. Just red required for Stuart Carrington. | :36:55. | :37:33. | |
He's had a slight result. He is hampered by the blue, Liang Wenbo, | :37:34. | :37:41. | |
and that he's dead straight he can do a lot about it. The old snooker | :37:42. | :37:51. | |
regards sometimes never forgive you and that easy black that he missed | :37:52. | :37:55. | |
off the spot is coming back to haunt him here. We'll have to get on a | :37:56. | :38:09. | |
colour. Just the pink is the only possible thing that's going to come | :38:10. | :38:14. | |
to his rescue here. Just going back to that red, I don't know why he | :38:15. | :38:17. | |
didn't just try to drop down and give it a chance for the red to drop | :38:18. | :38:22. | |
into the pocket, he only needed red. Was lucky he was trying to get out | :38:23. | :38:27. | |
onto a colour. Have a look at this red. Drop it in, give it a chance to | :38:28. | :38:32. | |
drop in if he plays that slower it might have gone in off the angle of | :38:33. | :38:35. | |
the pocket. As I said, the pink is the only | :38:36. | :38:48. | |
thing that can come to Stuart Carrington's rescue. It all depends | :38:49. | :38:52. | |
on how he gets that thing. I think if he lands somewhere around | :38:53. | :39:26. | |
that baulk line. He has other options also available. But that's | :39:27. | :39:30. | |
where he's over two. And that's not bad. He's nice and straight on the | :39:31. | :39:39. | |
pink but he's not going to be able to get close to the black so it is | :39:40. | :39:43. | |
going to be a black from mid-range distance. Just eyeing it up but he | :39:44. | :39:48. | |
such a good long putter he's got every confidence to take the long | :39:49. | :39:54. | |
black on but might still be a little bit hard for Carrington. User | :39:55. | :39:59. | |
left-hander which helps as well here. Black for this second frame. | :40:00. | :40:13. | |
Straight in the middle of the pocket and a very relieved Liang Wenbo | :40:14. | :40:16. | |
takes the second frame of the morning session, the longest frame | :40:17. | :40:22. | |
of the tournament so far and Stuart Carrington will be very | :40:23. | :40:29. | |
disappointed. He leads 2-0. That happened a short time ago, if you | :40:30. | :40:32. | |
are to carry on watching that match is available on the red button but | :40:33. | :40:37. | |
we prefer to stay here on BBC Two. Watching Liang Wenbo, heady raters | :40:38. | :40:41. | |
game? He's a fantastic player. We must for a few seasons and he got | :40:42. | :40:46. | |
his game back in the final of the UK and he's a very dangerous opponent, | :40:47. | :40:50. | |
a very good scorer. Probably a decent draw, stewards are struggling | :40:51. | :40:53. | |
with the atmosphere at the Crucible and he knocked out Mark Williams and | :40:54. | :40:58. | |
you'd rather play Stuart and Mark Williams. There's a chance that Ding | :40:59. | :41:03. | |
Junhui is booking his place in the last 16 today. Liang, if he wins | :41:04. | :41:07. | |
this match he takes on Ding Junhui and that's going to be one heck of a | :41:08. | :41:11. | |
tussle. In practice for hours and hours together. Maybe it might not | :41:12. | :41:15. | |
have acted before this championship, might have kept away from each | :41:16. | :41:20. | |
other. You are commentating on a match between John Higgins and | :41:21. | :41:23. | |
Martin Gold and Martin are still in this. This is a fantastic match, the | :41:24. | :41:26. | |
session this morning has been superb, bloody century breaks. John | :41:27. | :41:31. | |
Higgins has had the ball well, not on our lot wrong but Martin Gould | :41:32. | :41:35. | |
has been very good, great social action and positive. When he has | :41:36. | :41:37. | |
declared a safety shots he's done well. Very good session this | :41:38. | :41:41. | |
morning. Good stuff, I'll let you go. You got to run back to the | :41:42. | :41:43. | |
commentary box. Mid-session interval over, this | :41:44. | :42:03. | |
match will now be played to a finish. No more intervals. John | :42:04. | :42:10. | |
Higgins needs two frames. Martin Gould needs five. Every credit the | :42:11. | :42:16. | |
way he's come out and fought this morning. | :42:17. | :42:31. | |
Decent safety shot from John. No easy path back to the baulk and | :42:32. | :42:41. | |
unless you can get past the blue. That red on the left-hand side of | :42:42. | :42:51. | |
the table. Had another look, had a few looks. Saw him hit the edge of | :42:52. | :42:55. | |
the red. He probably didn't think he could | :42:56. | :43:13. | |
hit it that thick. Catching the blue was dangerous but that yellow has | :43:14. | :43:18. | |
come to his rescue somewhat. This pot is on to the right corner. John | :43:19. | :43:22. | |
is going to be hampered by the yellow. That's a bit of playing the | :43:23. | :43:31. | |
pot. If the yellow wasn't there he's playing it no doubt. | :43:32. | :43:44. | |
Well, he looks like he's decided that he is. Maybe his thinking is | :43:45. | :43:52. | |
that it just runs through a little bit on it and the only one he could | :43:53. | :43:55. | |
leave is the one he's taking. Brilliant. I say brilliant, it's a | :43:56. | :44:05. | |
great pot, he just lost the cue ball. | :44:06. | :44:10. | |
Tough enough pot that was, being hampered. | :44:11. | :44:20. | |
All friends here at the Crucible is big -- all frames you and the | :44:21. | :44:30. | |
Crucible are big, but this one is massive. If John wins this, he will | :44:31. | :44:40. | |
think he is home and hosed. Stuart Carrington will think he is looking | :44:41. | :44:42. | |
a bit precarious. Would have been a better shot if it | :44:43. | :45:16. | |
flicked the yellow. Would have made it easier for John with his hand on | :45:17. | :45:18. | |
the table. Who's going to get the first chance. | :45:19. | :45:42. | |
These tactical battles are always interesting at the start of a frame. | :45:43. | :45:46. | |
The way but Spurs have from this morning. John Higgins has played his | :45:47. | :46:00. | |
part. Made a marvellous 127 in the 12th frame. This is a good shot. | :46:01. | :46:07. | |
This is excellent. Could have played that much better, a little tap on | :46:08. | :46:09. | |
the table from John Higgins in appreciation. | :46:10. | :46:49. | |
Couldn't risk trying to get back to the baulk end, so just the | :46:50. | :46:52. | |
containing safety. Bit disappointed with that. John | :46:53. | :47:43. | |
just checking. Towards the left corner. It was a strange frame with | :47:44. | :47:48. | |
the browns in the sport because not a lot of spaces you can have. Behind | :47:49. | :47:58. | |
the yellow. He's got a target and it's a very good shot as well. | :47:59. | :48:05. | |
Nearly got the pot but that isn't what it was about. The cue ball | :48:06. | :48:12. | |
behind the yellow. This has got to be thin whichever way you hit it. If | :48:13. | :48:19. | |
he hates it thing he could pot it. And he has done. Was that a good | :48:20. | :48:25. | |
flick on the blue? It's not a bad one. It's not a bad one. You bet it | :48:26. | :48:35. | |
is. Wow. Great pot, didn't think he could cut that in. Excellent. The | :48:36. | :48:39. | |
flip on the blue, what a bonus that is. Absolute natural angle. What | :48:40. | :48:50. | |
shot does he play? Does he try to call into the reds or come out and | :48:51. | :48:58. | |
play on a loose one? You cannot miss the blue, Martin. | :48:59. | :49:03. | |
Very surprising. How many times do we say, when you look at the shot it | :49:04. | :49:11. | |
looks very easy but it's quite an acute angle. Not that acute to be | :49:12. | :49:17. | |
honest with you. Very disappointed to have missed that opportunity | :49:18. | :49:22. | |
after the excellent opening red. The way the balls are situated, it might | :49:23. | :49:27. | |
not be that costly. This isn't an easy table by any means. | :49:28. | :49:46. | |
Looks like he could have been nothing and then coming off the | :49:47. | :49:54. | |
other one has put him on the black. As you quite rightly say it's not a | :49:55. | :49:59. | |
nice table at the moment. The blue is off its spot which always makes a | :50:00. | :50:03. | |
difference. The brown on the side cushion. I don't think John is going | :50:04. | :50:09. | |
to be on anything after that when the black gets spotted. What could | :50:10. | :50:13. | |
be end of break. Just needed that cue ball to run a | :50:14. | :50:32. | |
fraction further. The situation when the referee spots the black. Thanks | :50:33. | :50:43. | |
Raff. Like the referee takes great pleasure. Slowly potting the black | :50:44. | :50:50. | |
on its spot. I'm sure he doesn't but as a player you feel that. That Mr | :50:51. | :51:01. | |
blue only costing a few points. Just caught that a little bit too | :51:02. | :51:22. | |
thick. That's why he's not quite reaching the baulk line. Chance to | :51:23. | :51:30. | |
have a look at what's available. If the blue passes the red to the right | :51:31. | :51:39. | |
corner he'll take this red on. And it does. Not much margin of error. | :51:40. | :51:45. | |
Will feel that the only red he could leave is the one he's playing. | :51:46. | :51:50. | |
Good solid pot. And perfect on the blue. That was always looking like | :51:51. | :52:04. | |
the shot. Beautifully cute. But where's this position coming from | :52:05. | :52:08. | |
here. Is he going to call up the table and round? I think that's what | :52:09. | :52:14. | |
he'll have to do. With the yellow not being on its spot and the brown | :52:15. | :52:21. | |
not on its spot, not too many obstacles to avoid. Judge this | :52:22. | :52:24. | |
nicely. APPLAUSE Very good. Good cueing yet again. | :52:25. | :52:52. | |
Looking like an unpromising position a couple of shots ago, John Higgins | :52:53. | :52:56. | |
pots this black and the easy red on the right, leaves himself an angle | :52:57. | :53:02. | |
to knock into the pack and who knows, might be able to score enough | :53:03. | :53:08. | |
points to win this frame. We'll be leaving himself a nice half Paul | :53:09. | :53:13. | |
angle to stun into the pack or screw into the pack, which ever way he | :53:14. | :53:17. | |
sees it. Need 64 points to be over the line. A little stunned up here I | :53:18. | :53:24. | |
would suggest here. If the split goes right, good chance to win the | :53:25. | :53:27. | |
frame. Whereas the red ball going. Now can | :53:28. | :53:50. | |
he get past the blue? Didn't quite get into the cue enough, did he? No. | :53:51. | :54:00. | |
Just a tiny fraction off. He feels he can swerve round the blue to pot | :54:01. | :54:06. | |
this red. So close to going in. He thought he could swerve around but | :54:07. | :54:09. | |
in the end he was very lucky to pot it. Very lucky. Lucky not to go in | :54:10. | :54:21. | |
and off. Fractions favoured him there. Looks like the blue ghost | :54:22. | :54:25. | |
just past the yellow. APPLAUSE | :54:26. | :54:44. | |
If he's on that red and found the gap, that's an excellent shot. That | :54:45. | :54:51. | |
is absolutely perfect. He'll be so pleased with himself with that shot, | :54:52. | :55:00. | |
he really will. To find that gap. He got lucky with the one over the | :55:01. | :55:03. | |
middle pocket because I'm pretty sure he didn't play a double-kiss | :55:04. | :55:09. | |
pot. He'll take it. That blue was lovely. | :55:10. | :55:24. | |
This is the last of the open reds. And 43 lead. A possible 83 | :55:25. | :55:36. | |
remaining. Still going to need three more reds, you would have thought, | :55:37. | :55:41. | |
to close the frame at this visit. Needs a good angle on the colour off | :55:42. | :55:46. | |
this thread to try to bring us the reds just below the pink into play. | :55:47. | :55:50. | |
Looking to see if one of them goes to the middle. | :55:51. | :56:04. | |
I don't think he's got the best angle on the black but he may have a | :56:05. | :56:11. | |
good angle on the pink. Looking once again to see if the end red close to | :56:12. | :56:20. | |
the middle. It must be tight. If he plays the pink, he can open them up, | :56:21. | :56:23. | |
looks like he has a nice angle on the pink but he'd rather play this | :56:24. | :56:30. | |
one. The black is unmissable. Because it's virtually catching the | :56:31. | :56:33. | |
other one close to it, just got to get in the right position. Not | :56:34. | :56:40. | |
straightforward. Just got to get the position in the right place so the | :56:41. | :56:45. | |
red is two. Had a look at it a couple of times and I think that's | :56:46. | :56:51. | |
perfect. If he releases the other two reds into good positions, that | :56:52. | :56:55. | |
would be sufficient, these the reds with colours. Would be well past the | :56:56. | :56:59. | |
run of snooker is required. This really has been a break of the | :57:00. | :57:12. | |
highest quality. The red over the middle pocket, he was a bit lucky | :57:13. | :57:15. | |
with a double-kiss to get it but the shot on the blue to find a gap and | :57:16. | :57:21. | |
the rest of it, the way it's been constructed has been pure John | :57:22. | :57:26. | |
Higgins. Wonderful control of the cue ball. When he came to the table | :57:27. | :57:30. | |
I didn't think he'd be winning a frame from there. No. But it was a | :57:31. | :57:35. | |
poor safety shot from Martin and it shows you at this level, if you | :57:36. | :57:39. | |
don't find the baulk cushion, you're in trouble and this to win the | :57:40. | :57:41. | |
frame. STUDIO: Excellent snooker from the | :57:42. | :58:09. | |
four time world champion John Higgins and a bit of red button | :58:10. | :58:11. | |
business now. If you want to continue watching this match ahead | :58:12. | :58:16. | |
your red button and you can continue to watch Liang Wenbo against Stuart | :58:17. | :58:21. | |
Carrington. 2-1 to Liang as it stands on the BBC sport at an BBC | :58:22. | :58:26. | |
sport website. We will show you the best of the John Higgins match very | :58:27. | :58:30. | |
shortly when we return at one o'clock. Hazel will be here as we | :58:31. | :58:33. | |
see Judd Trump for the very first time. | :58:34. | :59:07. | |
How many times have you driven a boat this fast?! | :59:08. | :59:15. |