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What an atmosphere here at the Crucible. These are two of the | :00:40. | :00:51. | |
greatest cueists the game has ever seen. Cued it to perfection! What a | :00:52. | :01:02. | |
shot! This is snooker of its highest quality! Starting to turn into a bit | :01:03. | :01:11. | |
of a nightmare for Shaun Murphy. He's in a hole. Shaun will hope to | :01:12. | :01:21. | |
do better. STUDIO | :01:22. | :01:27. | |
Good afternoon, Snicko's prizefighters and there is active | :01:28. | :01:33. | |
corners being mocked down ahead of Sachin two. -- Shaun has countered | :01:34. | :01:40. | |
by taking two frames and metaphorically speaking has a few | :01:41. | :01:43. | |
putts and bruises ahead of their second session this afternoon. You | :01:44. | :01:46. | |
just know Ronnie O'Sullivan will have on his mind an early finish, | :01:47. | :01:51. | |
perhaps with a session to spare. But that's not what Shaun Murphy will be | :01:52. | :01:54. | |
thinking about. We will be live with the second session in about 90 | :01:55. | :02:04. | |
minutes time. Let's just show you where that match sits in the overall | :02:05. | :02:10. | |
context of around two's draw. The defending champ as had a week off. | :02:11. | :02:14. | |
Mark Selby back tomorrow against Xiao Guodong. The promise of a | :02:15. | :02:19. | |
high-quality and entertaining match when Neil Robertson meets Marco Fu. | :02:20. | :02:28. | |
Kyren Wilson with a lead against ex-champion Stuart Bingham. Mark | :02:29. | :02:34. | |
Allen has the better record overall against John Higgins. A meeting | :02:35. | :02:37. | |
between Crucible specialists Hawkins and Dott. Rory's reward. In Trump is | :02:38. | :02:45. | |
a meeting with Stephen Maguire. When the draw for this World Championship | :02:46. | :02:49. | |
came out everyone was saying it looked a bit top-heavy. Now we're | :02:50. | :02:52. | |
into the second round, Kent, is that still the case? Are there still | :02:53. | :02:56. | |
better players in the top half? You would say so, you have got Ronnie | :02:57. | :03:00. | |
O'Sullivan and Shaun Murphy, former world champions both. This match | :03:01. | :03:05. | |
will be a cracker, Neil Robertson against Marco Fu, who could | :03:06. | :03:06. | |
potentially win the World Championship. And you have got the | :03:07. | :03:10. | |
all Chinese clash, and Ding Junhui lost in the final last year. But | :03:11. | :03:13. | |
there are some world champions in the bottom half. Here is the big | :03:14. | :03:19. | |
one, the four times winner John Higgins. Cracking match against Mark | :03:20. | :03:23. | |
Allen, it should be. Barry Hawkins has been to the final and the | :03:24. | :03:27. | |
semifinal a couple of times. Stephen Maguire, former top 16 player, | :03:28. | :03:32. | |
former UK champion. It's going to be tough to get through the bottom half | :03:33. | :03:35. | |
and tough to win the World Championship. Four former world | :03:36. | :03:40. | |
champions in the top half, three in the bottom half and a finalist as | :03:41. | :03:44. | |
well. Perhaps if Ronnie O'Sullivan wasn't so low down in the seedings | :03:45. | :03:49. | |
list that would change the equation as well. But don't forget this man | :03:50. | :03:53. | |
caused a big sensation in the third round beating Judd Trump, the number | :03:54. | :03:57. | |
two seed. I think the players in the bottom half will feel this is a | :03:58. | :04:01. | |
great chance to get to the final and let all the heavyweight in the top | :04:02. | :04:05. | |
half knock themselves out. It will be tough whatever happens. I'm not | :04:06. | :04:09. | |
sure if you guys believe in positive omens but if you do it could be a | :04:10. | :04:12. | |
very exciting day today because it was on this date 20 years ago, the | :04:13. | :04:18. | |
21st of April 1997, that Ronnie O'Sullivan knocked in the fastest | :04:19. | :04:22. | |
147 ever seen. Five years ago to this day, Stephen Hendry knocked in | :04:23. | :04:30. | |
the tense and most recent Crucible maximum. We can't say anything for | :04:31. | :04:37. | |
certain but this is the rough plan for the afternoon! Stuart Bingham, | :04:38. | :04:42. | |
the former champion, his chances with it before our eyes, 5-0 down | :04:43. | :04:49. | |
against Kyren Wilson, but he fought back today. Ding Junhui knocked in | :04:50. | :04:53. | |
three centuries already. Is he warming up nicely to go one better | :04:54. | :04:57. | |
than last year? He will have to barge past former friend and | :04:58. | :05:02. | |
countrymen -- friend and countrymen Liang Wenbo. Either way, China | :05:03. | :05:08. | |
beckons. Yes, I just want to play a very good match. For the Chinese | :05:09. | :05:15. | |
fans and the world fans watching the match. It doesn't pay to make him | :05:16. | :05:20. | |
angry, a focused and fired up Ronnie was all business last night. | :05:21. | :05:24. | |
Blistering start against a Shaun Murphy. Shaun's actions are going to | :05:25. | :05:32. | |
have to count louder than words, in their second session this afternoon. | :05:33. | :05:36. | |
I like to try and do my talking on the table. John Higgins on a mission | :05:37. | :05:40. | |
to join O'Sullivan on five world titles. The Scot starts out in his | :05:41. | :05:43. | |
first session against Mark Allen today. Shot clock or no clock? You | :05:44. | :05:51. | |
decide. We want to know your thoughts, so get in touch using | :05:52. | :05:56. | |
hashtag BBC snooker. Live action at about 2:30pm, but until then we will | :05:57. | :06:00. | |
reflect on the other two matches that got under way at 10am, and in | :06:01. | :06:04. | |
Stuart Bingham's case, a match that has resumed. As you know, it took | :06:05. | :06:09. | |
Stuart Bingham 21 months to come to terms with the fact that he was a | :06:10. | :06:12. | |
world champion after that fantastic victory here in 2015. And I guess | :06:13. | :06:17. | |
the increased ins -- expectations of himself and I guess everybody else | :06:18. | :06:22. | |
on him, took a lot of pressure on him reaching four semifinals and | :06:23. | :06:26. | |
then he finally got over the line again, winning the Welsh Open in | :06:27. | :06:30. | |
February. Pressure off? Not really. Now he's got to prove that he's not | :06:31. | :06:35. | |
Crucible one-hit wonder. Muhammad Ali. Golf, tennis, football, | :06:36. | :06:45. | |
snooker, darts. Darts is good, yeah, I'd say darts is pretty much up | :06:46. | :06:49. | |
there. Winning the World Championships! I remember losing a | :06:50. | :06:55. | |
tennis final with a doubles partner and I was having a right top at him. | :06:56. | :07:02. | |
I fulfilled it last year! I like Coventry, the Ricoh Arena. | :07:03. | :07:07. | |
Conditions there played pretty good. I'm always into gadgets or can cute | :07:08. | :07:11. | |
as so I think I would be along the lines of something like that. Lose | :07:12. | :07:18. | |
-cam lose Yourself by Eminem. I get goose bumps just listening to it. | :07:19. | :07:30. | |
Winner winner chicken dinner comes to mind! I booked my flight and got | :07:31. | :07:37. | |
the dates wrong. I looked at the arrival they instead of the | :07:38. | :07:44. | |
departure day. They rang me up and said where are you? I said I'm at | :07:45. | :07:47. | |
home. They said you should be on the flight! | :07:48. | :07:58. | |
The first of the second round matches just about to get under way. | :07:59. | :08:07. | |
And that settles this first frame. Kyren Wilson leads Stuart Bingham by | :08:08. | :08:08. | |
one frame to nil. Wow, that is fantastic cueing. He is | :08:09. | :08:22. | |
on this green nicely. Anywhere but there. So, Kyren Wilson leading by | :08:23. | :08:30. | |
three frames to nil. He actually got a kick, there. | :08:31. | :08:52. | |
Another excellent pot. He now leads by five frames to nil. And he will | :08:53. | :09:00. | |
be a very relieved man to get a frame on the board. Still two to go, | :09:01. | :09:09. | |
but he trails 5-1. Kyren Wilson has had a look to see if he can play a | :09:10. | :09:16. | |
masse shot here, pot the red in the middle. Has to be very careful not | :09:17. | :09:20. | |
to play a per shot here. It may have been a push. So, a very relieved | :09:21. | :09:28. | |
Stuart Bingham wins the second frame. He trails now 5-2. Looks like | :09:29. | :09:40. | |
he's playing the pot. And it's there. He will be absolutely | :09:41. | :09:52. | |
delighted to finish this session only 5-3 down. | :09:53. | :09:54. | |
STUDIO Not the greatest of starts from | :09:55. | :09:58. | |
Stuart Bingham but he clawed his way back. And this morning, as we pick | :09:59. | :10:03. | |
them up, Stuart has made an 84 contribution and he is now just one | :10:04. | :10:13. | |
behind and 5-6. Into the next we go, Bingham up by 26 points here. All | :10:14. | :10:17. | |
watched by John Virgo and Peter Ebdon. | :10:18. | :10:21. | |
COMMENTATOR: He's played the double... And he's got it! But the | :10:22. | :10:31. | |
snooker Kyren Wilson now needs, Stuart has got. Funny old game! | :10:32. | :10:46. | |
There you see it 28 ahead with just 25 remaining. It's a straightforward | :10:47. | :10:50. | |
one-cushion escape, but your mind can play funny tricks on you. There | :10:51. | :10:55. | |
you go. REFEREE: Foul, Stuart Bingham two, | :10:56. | :11:01. | |
Kyren Wilson four. I was thinking the other day, I have never seen as | :11:02. | :11:05. | |
many escapes from snooker is missed as you do hear. I think one of the | :11:06. | :11:09. | |
reasons for that, John, is because these cushions, with the plots and | :11:10. | :11:14. | |
the new balls, they just slide so much, and it is very easy to get it | :11:15. | :11:20. | |
wrong. Anyway, Kyren Wilson can now win this frame. 24 points behind, 25 | :11:21. | :11:34. | |
remaining. We've been saying all along how big a frame this is. It's | :11:35. | :11:36. | |
massive, now. No, but he's just not knocking those | :11:37. | :11:54. | |
mid-distance balls in. He's had a few chances this frame. | :11:55. | :12:04. | |
Well, he's thinking about this, Stuart. It does cut to the middle. | :12:05. | :12:18. | |
He needs the green to get the snookers required. In the end | :12:19. | :12:23. | |
committee tried to hedge his bets. Why? Why? Well, John, there's been | :12:24. | :12:31. | |
so many twists and turns in this final frame, I'm beginning to get a | :12:32. | :12:36. | |
little bit busy. Quite incredible. An amazing frame of snooker. Just | :12:37. | :12:46. | |
the pressure of the situation. Stuart is absolutely delighted. | :12:47. | :12:50. | |
There is the frame time, 32 and a half minutes. The longest frame in | :12:51. | :12:55. | |
the match. Probably the most important. Could have played that | :12:56. | :13:10. | |
better. But if Kyren were to win this, it would feel like winning two | :13:11. | :13:16. | |
frames, in effect. Needing a snooker and with the chances that Stuart has | :13:17. | :13:20. | |
had to clinch it. Stuart will be very disappointed if he goes into | :13:21. | :13:25. | |
the mid-session interval two the Hind, the same as he started this | :13:26. | :13:31. | |
morning. And every likelihood that that is going to be the case now. | :13:32. | :13:39. | |
Under the circumstances and given what has gone before in this frame, | :13:40. | :13:43. | |
that was an excellent pot under pressure. He timed that really well. | :13:44. | :13:52. | |
Soft screw shot with left-hand side. He timed that beautifully. Another | :13:53. | :13:57. | |
chance. Blue, pink and black still required. | :13:58. | :14:08. | |
Normally, John, on that sort of shop, when you do need to get into | :14:09. | :14:23. | |
the cue ball with quite a lot of power, Kyren goes very long. I | :14:24. | :14:27. | |
noticed he was quite short on that. When you do go short, you just can't | :14:28. | :14:31. | |
get the cue power on those sort of shots. So, has this frame got | :14:32. | :14:37. | |
another twist? Hmmm... And where is the pink | :14:38. | :15:15. | |
running to? Now, Stuart, I don't know how many chances you've had to | :15:16. | :15:23. | |
clinch this frame, but... Could this be the decisive one? | :15:24. | :15:28. | |
This game has never come easy, and it doesn't forgive you, sometimes, | :15:29. | :15:48. | |
you feel, Peter. It says, you've had enough chances, you know, I'm not | :15:49. | :15:53. | |
going to make it easy for you. To be perfectly honest, John, I'm in a | :15:54. | :15:56. | |
state of shock. The number of chances that both players have had. | :15:57. | :16:02. | |
It's just pressure. And it's beautiful pressure, that is one of | :16:03. | :16:04. | |
the beautiful things about the Crucible. We see players tested to | :16:05. | :16:10. | |
an extent that there never usually tested. And under the circumstances, | :16:11. | :16:15. | |
that was a very good safety shot, duly acknowledged by Stuart Bingham. | :16:16. | :16:22. | |
Yeah, decision time for Stuart. The obvious shock to me is to play the | :16:23. | :16:25. | |
pink up the table and try and get the cue ball in behind the black. | :16:26. | :16:32. | |
That would be a telling snooker. But he got the double-kiss. It wouldn't | :16:33. | :16:43. | |
surprise me now... Anything could happen in this frame. Both players | :16:44. | :16:47. | |
have had umpteen opportunities to clinch it. Who will the ball 's | :16:48. | :16:56. | |
favour in the end? It's not a difficult shot to put the pink onto | :16:57. | :17:05. | |
the baulk cushion. I don't think the angle is there to play a cross table | :17:06. | :17:07. | |
double. That was definitely the right shot | :17:08. | :17:25. | |
to play, and he played really well. Just got to get the pace right. | :17:26. | :17:42. | |
After all pink and send it down to this top cushion. | :17:43. | :17:50. | |
That's OK. It's not that easy now for Kyren to try and get in behind | :17:51. | :18:02. | |
the black here, without risking leaving the pink near a pocket. He | :18:03. | :18:12. | |
may elect to push the pink onto the right-hand side cushion. That's as | :18:13. | :18:20. | |
if he's trying to get the cue ball the black, though, and this is a | :18:21. | :18:23. | |
relief difficult shot. He didn't want that. Because not | :18:24. | :18:34. | |
only has he got the black into a safer position, he's left a double | :18:35. | :18:40. | |
that, almost certainly, Stuart Bingham will take on, because he can | :18:41. | :18:44. | |
play it with a degree of safety and get a good cue ball onto the black | :18:45. | :18:51. | |
cushion. Well, he was quite a way away from that. Not the greatest | :18:52. | :19:03. | |
angle on the pink. It would be a really tough shot to take on. A few | :19:04. | :19:10. | |
times now I've seen Kyren inspecting his tip. I would hope that nothing | :19:11. | :19:18. | |
is amiss with it. This is a massive shock to take on. And that's | :19:19. | :19:27. | |
brilliant. That is absolutely brilliant. Has he got the cannon on | :19:28. | :19:34. | |
the black? Oh! What a shot! So unlucky. That was brilliant. Yeah, | :19:35. | :19:42. | |
he's had a few long pots that he has missed, and that was top draw. And I | :19:43. | :19:48. | |
suppose there is some justice, after the chances that have been had, that | :19:49. | :19:53. | |
we have come down to a black ball shoot out. | :19:54. | :20:00. | |
He has played that well. He's asking the question now for Stuart Bingham | :20:01. | :20:12. | |
to get this safe. And it's not that easy, I promise you. | :20:13. | :20:24. | |
This is an excellent safety shot. That's brilliant, that is absolutely | :20:25. | :20:32. | |
brilliant. Well played. Yes, purposefully played at that pace to | :20:33. | :20:39. | |
come off the baulk cushion and down to the side cushion. | :20:40. | :20:47. | |
And this is another good safety, from Kyren. | :20:48. | :20:59. | |
Two in front or all square? That is the value of this black ball game. | :21:00. | :21:08. | |
Same shop for Stuart, and if that doesn't go in, it's over the pocket. | :21:09. | :21:11. | |
It's pulling to the left slightly. It's over the pocket! Hmmm. He will | :21:12. | :21:21. | |
be disappointed, Stuart. At one time, Kyren needed a snooker. He | :21:22. | :21:27. | |
didn't get it, Stuart got it. But he just needs to get this back to | :21:28. | :21:37. | |
retain his to frame advantage. It lasted 41 minutes, but what a big | :21:38. | :21:41. | |
frame it was, particularly for Kyren Wilson. They are as you work 7-5 at | :21:42. | :21:46. | |
the mid-session interval. STUDIO | :21:47. | :21:50. | |
The warrior Wilson, the former Shanghai Masters winner, he has a | :21:51. | :21:55. | |
bit of breathing space again. He had his first century, 110, a couple of | :21:56. | :21:59. | |
frames back. But he's got Bingham breathing down his neck this | :22:00. | :22:06. | |
morning. In we go to frame 13 now, and it is Bingham 13 points in | :22:07. | :22:07. | |
front. COMMENTATOR: Too sick, much too | :22:08. | :22:11. | |
thick. -- too thick. It has to be said, the | :22:12. | :22:24. | |
standard of play in the first two frames and indeed this one has been | :22:25. | :22:29. | |
a little bit below par, but that is what the Crucible Theatre can do. | :22:30. | :22:30. | |
Pressure on every shot. There you see it, pot success. | :22:31. | :23:10. | |
Stuart Bingham, not too bad, but Kyren, 82%. Safety success... All | :23:11. | :23:18. | |
these stats should be 90% or above if you're going to be pleased with | :23:19. | :23:19. | |
what you're producing. A bit of work to do here. This isn't | :23:20. | :23:42. | |
a formality, to pot the red and get good position on a colour. | :23:43. | :23:56. | |
Hmmm. Kyren Wilson, three. Kyren Wilson is usually very reliable with | :23:57. | :24:08. | |
the rest. That is a few shots he's missed with the rest in this match | :24:09. | :24:14. | |
now, and a couple this morning. He will be very disappointed with that. | :24:15. | :24:20. | |
Normally he doesn't miss very much at all with the rest. That, again, | :24:21. | :24:24. | |
is purely an indication of the pressure that is out there on both | :24:25. | :24:27. | |
players. Just from our point of view sat in the commentary box, it seems | :24:28. | :24:32. | |
at the moment that the occasion is just getting the better of both | :24:33. | :24:33. | |
players. But that is a good pot from Stuart. | :24:34. | :24:49. | |
OK, maybe a bit thin on the blue. If he feels that way, he can always | :24:50. | :24:52. | |
play the yellow. REFEREE: Turn that phone off, | :24:53. | :24:58. | |
please. MOBILE PHONE RINGS. The dreaded mobile phone. And they | :24:59. | :25:17. | |
are reminded by RMC, Rob Walker, to switch the phones off. -- by our MC. | :25:18. | :25:32. | |
Maybe it was a call to remind them to switch the phone off, John. | :25:33. | :25:39. | |
CHUCKLES Stuart won't be happy with that | :25:40. | :25:43. | |
shot. Unless he can just get past the pink to the red to the | :25:44. | :25:48. | |
right-hand corner. I think it may have just stopped in time. Yes, he | :25:49. | :26:01. | |
can just get past the pink. Another role and he would be nothing. -- be | :26:02. | :26:14. | |
on nothing. The way things are going at the moment, John, this match has | :26:15. | :26:18. | |
got 13-12 written all over it. Yes, I couldn't agree more. You just | :26:19. | :26:27. | |
don't feel that any player at the moment is going to grab this match | :26:28. | :26:29. | |
by the scruff of the neck. Once again, not the best positional | :26:30. | :27:49. | |
shot from Stuart. I'm sure he played for the pink. Fortunately, Stuart | :27:50. | :28:02. | |
has got quite a large room for error here. He can play for a red into the | :28:03. | :28:09. | |
left black pocket off either two or three cushions. Well. He played that | :28:10. | :28:15. | |
with running side. And to be honest, that was very fortunate, because | :28:16. | :28:21. | |
that could quite easily have gone very wrong. Quite easily he could | :28:22. | :28:23. | |
have finished up on nothing. He put his hand up to apologise to Kyren. | :28:24. | :28:34. | |
Much too much pace on the cue ball. But the kiss... Has helped. | :28:35. | :28:43. | |
If you play them, it's a cannon. If it's unintentional, it's a kiss! | :28:44. | :28:54. | |
There you go, ball spotted. 179 apiece. That doesn't show up in the | :28:55. | :29:02. | |
scoreline, but Stuart now has got to make the most of this opportunity. | :29:03. | :29:09. | |
40 points the lead. This is the one time when you | :29:10. | :29:38. | |
wouldn't mind being straight on the pink. | :29:39. | :29:52. | |
If the pink goes into the opposite corner that he's going to play this | :29:53. | :29:57. | |
red, it's no problem. Well, it shouldn't be a problem anyway. But | :29:58. | :30:04. | |
he has to come up for the blue. Just a couple of good positional shots. | :30:05. | :30:08. | |
That should see this frame in the bag. Obviously the pink will go. | :30:09. | :30:34. | |
Two reds. Two colours still required. | :30:35. | :31:00. | |
He needs this to bounce. Just about bounced. | :31:01. | :31:24. | |
Pot this red, 61 points in front, with 59 remaining. It should have | :31:25. | :31:30. | |
been easier than this. To be fair to Stuart, I did detect | :31:31. | :31:36. | |
the sound of a slight kick and that took the pace out the cue ball. | :31:37. | :31:40. | |
Perceived the situation very well there. A nice put. | :31:41. | :31:58. | |
Well and truly over now. He had a couple of half chances here. | :31:59. | :32:12. | |
Missed an opportunity. This one and I know you think he's one of the | :32:13. | :32:19. | |
best players you've seen. Yesterday he was 11 out of 11 with the rest. | :32:20. | :32:28. | |
Oh! Where's the cue ball gone? I don't think it will matter. I don't | :32:29. | :32:37. | |
think Kyren will bother coming back to the table. He's checking the | :32:38. | :32:40. | |
scoreboard. 51 remaining. That's enough. | :32:41. | :32:49. | |
He's conceded. So, not the best frame from either player, but they | :32:50. | :32:53. | |
will all be important in the end. Kyren Wilson, a one-frame advantage. | :32:54. | :32:57. | |
7-6. The 2015 champion is giving this | :32:58. | :33:02. | |
26-year-old man from Kettering a real run for his money. | :33:03. | :33:08. | |
Kyren Wilson's third time here. He's got form and he's got the | :33:09. | :33:20. | |
experience and this is all boiling up very nicely, as we go into the | :33:21. | :33:24. | |
next one. This time it is Bingham, nine points ahead. | :33:25. | :34:11. | |
It was made more awkward, the fact he was stretching over the green and | :34:12. | :34:17. | |
blue. He's finished up with a nice angle on the blue here. | :34:18. | :34:23. | |
Talking about apologising for flukes and tapping the table when your | :34:24. | :34:28. | |
opponent plays a really good shot, we had a really unusual incident the | :34:29. | :34:39. | |
other day... What a brilliant shot that was. Well played. | :34:40. | :34:50. | |
We had really unusual situation, came off the baulk cushion, hit the | :34:51. | :34:54. | |
red and deliberately left the snooker. Played a great shot, | :34:55. | :34:59. | |
apologised for leaving the snooker. It was quite amazing! | :35:00. | :35:06. | |
You say that was an excellent shot on the blue there. | :35:07. | :35:15. | |
Brought all the reds into play. What a chance this is to get back to | :35:16. | :35:21. | |
two frames in front, as he started this morning's session. | :35:22. | :35:31. | |
I really believe this is one of Kyren Wilson's greatest strengths. | :35:32. | :35:41. | |
It makes him a different from a lot of the modern players coming | :35:42. | :35:44. | |
through. When he's at his best he's aggressive and he takes the first | :35:45. | :35:46. | |
opportunity to open the balls up. Not perfect now. Easy enough, but | :35:47. | :37:22. | |
just a little bit of work to do with the cue ball. | :37:23. | :37:32. | |
17 points the lead. Going to need, you would think, at | :37:33. | :37:36. | |
least four of these reds with colours. | :37:37. | :37:39. | |
Trusting to luck a little bit here w this positional shot here. He played | :37:40. | :37:44. | |
that very well. A deep screw shot there - lots of | :37:45. | :37:53. | |
power. This is a tough pink. Deciding to take an equally tough | :37:54. | :38:07. | |
black. How's this for a shot! ? | :38:08. | :38:19. | |
APPLAUSE Absolutely inch-perfect! | :38:20. | :38:38. | |
If he's on the reds, the left corner, well, he couldn't have | :38:39. | :38:40. | |
placed it better with his hand. Well, John, I first met Kyren Wilson | :38:41. | :38:58. | |
during a pool exhibition that I did, almost 20 years ago, when he was six | :38:59. | :39:04. | |
years of age. And I played him on this pool table and I remember | :39:05. | :39:10. | |
commenting to his parents how natural he was as a cuist. And her | :39:11. | :39:16. | |
we are, almost 20 years later, he beats me up in practise almost every | :39:17. | :39:20. | |
day. Should have kept it to yourself! | :39:21. | :39:25. | |
Funny thing, although it is the first time you have mentioned that | :39:26. | :39:44. | |
to me, I knew the story because I was with him in Ireland in January | :39:45. | :39:49. | |
and we did the snooker legends over there and he told me the story. So, | :39:50. | :39:52. | |
well done you, Peter! Good to see a young man coming | :39:53. | :40:01. | |
through. Neither player has really reached | :40:02. | :40:25. | |
their limit of what they are capable of. | :40:26. | :40:35. | |
Well, the red's not gone in. 47 in front. 43 remaining. One | :40:36. | :40:43. | |
snooker to tie. For that, he'll be two frames in front again. | :40:44. | :40:46. | |
And he was. He's led from the first frame. There's a long way to go here | :40:47. | :40:53. | |
because it is the first of 13 in this second round. We will head into | :40:54. | :40:55. | |
frame 15 of a possible 25. Got the kiss on the second red. | :40:56. | :41:08. | |
Where's the cue ball going? He played a positive shot trying to | :41:09. | :41:23. | |
bring the red into play. Nice to see he's got the appetite to | :41:24. | :41:42. | |
smile. I don't think I would be smiling. | :41:43. | :41:46. | |
I am sure inside he's not very happy about that at all. | :41:47. | :42:00. | |
He could have decided to pot the red, but decided to give himself the | :42:01. | :42:07. | |
opportunity of winning the frame by removing a difficult red. | :42:08. | :42:15. | |
He shouldn't miss this red into the left centre. | :42:16. | :42:21. | |
This red, black and one more red will be enough. | :42:22. | :42:36. | |
This red will put him 43 points in front, with 43 remaining. | :42:37. | :43:13. | |
To be perfectly honest John, neither player will be happy with how they | :43:14. | :43:19. | |
have played this morning. The only thing that Stuart Bingham may take | :43:20. | :43:24. | |
out of it, and it depends on the frame, one more frame to be played | :43:25. | :43:28. | |
in this session, if he can come out all square, job done. Having lost | :43:29. | :43:32. | |
the first session, 5-3, win the next one 5-3. If he's still two behind, | :43:33. | :43:39. | |
the opportunity he's had, he'll be disappointed, as will Kyren. He's | :43:40. | :43:44. | |
had opportunities as well. But, he was very unlucky in this | :43:45. | :43:51. | |
instance. No way back to the table now for | :43:52. | :44:07. | |
Kyren. Both players will think about the last frame of this session and | :44:08. | :44:09. | |
the importance of it. Well, doesn't matter about the | :44:10. | :44:51. | |
green. Both players now will go out to the dressing room, prepare for | :44:52. | :44:55. | |
what is a very, very important last frame. Kyren Wilson. He still needs | :44:56. | :44:57. | |
by one. 8-7. Bingham keeps nibbling into the | :44:58. | :45:11. | |
lead. Can he close that gap? Highly-significant final frame | :45:12. | :45:15. | |
coming up. Wilson is five points adrift. | :45:16. | :45:23. | |
Now, he would have been disappointed with his long pot in this morning. | :45:24. | :45:36. | |
He's fully committed - fair play to him, but wasn't really that close. | :45:37. | :45:44. | |
He's left a red on for Stuart. The problem Stuart has is how does he | :45:45. | :45:46. | |
get out for a colour? Finds the gap. Nicely on the yellow. | :45:47. | :46:09. | |
And as Peter and I were talking earlier, although neither player | :46:10. | :46:12. | |
will be that pleased with their performance this morning, this is a | :46:13. | :46:18. | |
chance for Stuart to get out the venue and think, job done! Two | :46:19. | :46:21. | |
frames behind. Well, John, this has been a | :46:22. | :47:33. | |
thoroughly enjoyable session of snooker this morning. | :47:34. | :47:38. | |
Mainly because of the tension that has affected both players. | :47:39. | :47:47. | |
Just to emphasise this is the World Championship - there's tension in | :47:48. | :47:54. | |
the air. And it's good, hard match play. | :47:55. | :47:59. | |
And the mistakes just make it that much more watchable, because you | :48:00. | :48:05. | |
don't know when it's going to come. I mean we would like to sit in the | :48:06. | :48:12. | |
commentary box and predict every shot and rewrite... No fun in that. | :48:13. | :48:22. | |
Stuart played a lovely positional shot there. | :48:23. | :48:27. | |
Gave himself the choice of three reds. Into the right corner. | :48:28. | :48:36. | |
Into the middle pocket. This is the one that's more | :48:37. | :48:38. | |
straightforward. That was nicely worked out. | :48:39. | :48:52. | |
Just gets that red away from the pink spot. | :48:53. | :49:01. | |
Quite obviously Stuart's concentration has gone up a notch | :49:02. | :49:06. | |
and he's just taking his time here. He knows the importance of this | :49:07. | :49:13. | |
contribution, this visit, and indeed just how important winning this | :49:14. | :49:16. | |
frame would be in the context of this match. | :49:17. | :49:24. | |
Slightly overhit that. He's OK. | :49:25. | :49:32. | |
Nice little cannon here, to leave himself on the red in the same | :49:33. | :49:39. | |
pocket. Looking good. | :49:40. | :49:59. | |
Still the tendency to play for the blue here, to cut out the chance | :50:00. | :50:08. | |
that that red that's just left to the pink, as you look now, with that | :50:09. | :50:11. | |
to come into play. And that's why he didn't want to | :50:12. | :50:25. | |
take that risk and go for the blue. Thinking clear. | :50:26. | :50:39. | |
After losing the first five frames of this to finish the second session | :50:40. | :50:50. | |
all square would be a very positive thought for Stuart. | :50:51. | :50:53. | |
And just the opposite for his opponent. | :50:54. | :51:13. | |
Kyren certainly had chances this morning. | :51:14. | :51:21. | |
And he'll be very disappointed with his performance today. A shake of | :51:22. | :51:25. | |
the head there. It confirms that. | :51:26. | :51:30. | |
But this is all great experience for the young man. | :51:31. | :51:42. | |
There really is no better experience than the often torturous times that | :51:43. | :51:55. | |
you face at the Crucible here. This is good stuff from Stuart | :51:56. | :52:12. | |
Bingham, digging in deep here. A red and a black. | :52:13. | :52:30. | |
Well played! The applause tells you, snooker | :52:31. | :52:40. | |
required. He's tempted to play this red. He | :52:41. | :53:23. | |
knows if he drops it in, it is definitely frame over. At the | :53:24. | :53:33. | |
moment, if he played it and left it, just one needed for Kyren Wilson, | :53:34. | :53:39. | |
his frame would be still on. No heroics. Just give it every | :53:40. | :53:44. | |
chance to drop. Decided it was too risky. Where's the red ball going? | :53:45. | :53:59. | |
It is possible that Kyren may be able to hit this red back, send it | :54:00. | :54:07. | |
down the table and snooker Stuart on all of the reds. Perhaps he couldn't | :54:08. | :54:12. | |
get in behind it and he got a kick on the red, anyway. | :54:13. | :54:17. | |
I just thought that if it was possible to hit the red from behind, | :54:18. | :54:22. | |
he could have left the cue ball where the red was and snooker him on | :54:23. | :54:26. | |
all four reds behind the yellow. As it has turned out, it was a good | :54:27. | :54:30. | |
kick. He's snookered Stuart on the reds, | :54:31. | :54:35. | |
anyway. Not that he should miss this. | :54:36. | :54:45. | |
Stuart will be a little bit concerned. Only if Kyren can get the | :54:46. | :54:56. | |
chance, one you would think of the three would be behind the pink. Be | :54:57. | :55:00. | |
able to play a snooker off. And play the pot there. He cannot get | :55:01. | :55:11. | |
position. Wouldn't want to be opening these | :55:12. | :55:15. | |
three reds. But then, don't let the scoreboard | :55:16. | :55:22. | |
determine the right shot to play. Well, I know it is a thin snick but | :55:23. | :55:31. | |
this does go. Rather than play three reds off the middle of the table. | :55:32. | :55:35. | |
The only thing is if he caught it too thick he could run into those | :55:36. | :55:40. | |
three reds and then he would be scratching his head. So he's playing | :55:41. | :55:44. | |
safe of these three reds thinking he may not want to decide cushion. Much | :55:45. | :55:49. | |
too thick. Much too thick! So, 61 points in | :55:50. | :56:05. | |
front. 59 remaining. Kyren will be going for the pot | :56:06. | :56:11. | |
here, no doubt. Could there possibly be one more | :56:12. | :56:12. | |
twist left in this session, John? It wouldn't surprise you. Stuart | :56:13. | :56:29. | |
Bingham would be a little bit edgy because he's already lost one frame | :56:30. | :56:34. | |
this morning, where his opponent needed a snooker. | :56:35. | :57:09. | |
He would have liked to have been straighter on this black, but | :57:10. | :57:15. | |
doesn't have to do a lot with the cue ball, just concentrate on the | :57:16. | :57:17. | |
pot. Wants to be on the red to the right | :57:18. | :57:28. | |
corner. With only needing one snooker I | :57:29. | :57:39. | |
don't suppose it does matter. You could play the snooker on the yellow | :57:40. | :57:44. | |
if you could get the cue ball in the right position. | :57:45. | :57:48. | |
With that red being adjacent to the pink, you think he may decide to | :57:49. | :57:50. | |
play the snooker off the last red. You need the cue ball to be tight to | :57:51. | :58:05. | |
the snooker in ball and put distance between cue ball and object ball. | :58:06. | :58:16. | |
He's going to play the snooker behind the pink. | :58:17. | :58:23. | |
35 remaining. One four-point snooker required to try and get this tight | :58:24. | :58:33. | |
behind the pink here. Couldn't have played that any | :58:34. | :58:35. | |
better. Could not have played that any | :58:36. | :58:49. | |
better. Every possibility of a... Could there be one more twist? | :58:50. | :58:53. | |
Let's see if we can find a way out of this? I'm not certain how much of | :58:54. | :59:03. | |
the cushion he can hit. The right-hand side cushion. | :59:04. | :59:09. | |
This is a tough shot. A miss won't be called because we're in the | :59:10. | :59:14. | |
snookers required stage. Stuart will be very keen not to leave a free | :59:15. | :59:17. | |
ball here. If he comes down this side, I mean, | :59:18. | :59:23. | |
there's not much of the red to hit. That's my suggestion. As I say, he's | :59:24. | :59:52. | |
playing it this way. He doesn't want to leave the free ball. | :59:53. | :00:04. | |
A Miss won't be called. REFEREE: Foul, Kyren Wilson four. | :00:05. | :00:13. | |
Free ball. Free ball! Obviously it's difficult to tell from our position. | :00:14. | :00:21. | |
Can't get both sides of the red, so in a way he overhit that. | :00:22. | :00:29. | |
Here is the twist you were talking about, Peter. | :00:30. | :00:41. | |
Glance at the scoreboard. That Brown counted as a read. There's nothing | :00:42. | :00:51. | |
Stuart can do now. Is this going to be the second frame of the morning | :00:52. | :00:56. | |
he has lost when his opponent needed a snooker? If he gets on this | :00:57. | :00:59. | |
yellow, you think that's going to be the case, and he has landed | :01:00. | :01:03. | |
absolutely perfect by the looks of it. Red, colour and the six reigning | :01:04. | :01:08. | |
colours to retain his to frame advantage. -- six remaining colours. | :01:09. | :01:16. | |
Under normal circumstances, this would be a straightforward | :01:17. | :01:28. | |
clearance. Kyren Wilson is now under massive pressure to clear, here. The | :01:29. | :01:34. | |
difference between 9-7 and eight each. You always fear in these | :01:35. | :01:46. | |
clearances that the key shot is Brown to blue. If he gets perfect on | :01:47. | :01:53. | |
the blue, it's a formality. Stuart, he'll be... Well, very upset that he | :01:54. | :02:03. | |
has let this chance go to finish all square going into the final session. | :02:04. | :02:08. | |
Well, this is the key shot. Get a good angle on the blue, no problem. | :02:09. | :02:24. | |
So, this will be the second frame that Stuart Bingham has lost this | :02:25. | :02:44. | |
morning when his opponent needed a snooker. | :02:45. | :02:54. | |
We might see a little bit of a fist pump here, because this was a frame | :02:55. | :03:07. | |
Kyren never looked like winning. That was a big, big frame. Stuart | :03:08. | :03:11. | |
Bingham will be very upset to have lost it. Kyren Wilson nearly knocked | :03:12. | :03:17. | |
the referee over, there. And that will give him a two frame advantage | :03:18. | :03:21. | |
going into the final session this evening. He leads nine frames to | :03:22. | :03:24. | |
seven. STUDIO | :03:25. | :03:29. | |
And what a one to win. 61 points behind, needing a snooker, laid it | :03:30. | :03:34. | |
beautifully. That is a clever, canny move by Kyren Wilson. It certainly | :03:35. | :03:37. | |
was. Sometimes when you get the snooker and then a you've got the | :03:38. | :03:41. | |
easy clearance, there is pressure on to do it. You can bottle that part | :03:42. | :03:45. | |
of it. But Kyren Wilson looks very strong in that department. He's got | :03:46. | :03:48. | |
an all-round game that is very strong and also guts and | :03:49. | :03:53. | |
determination. We were talking about his scoring. 3/2 centuries in his | :03:54. | :03:57. | |
first match. He's made his first century here this year in this | :03:58. | :04:00. | |
match. You mention his all-round game. You don't think of him as | :04:01. | :04:05. | |
primarily a potter will start how clever a player is this guy? He | :04:06. | :04:12. | |
seems to be good all round and that is what you need to win this | :04:13. | :04:15. | |
championship. You have to rely sometimes... Pots aren't always | :04:16. | :04:21. | |
going to go in. Sometimes the frames go scrappy and you need to have a | :04:22. | :04:24. | |
bit of that craft and he certainly has that. To win two frames needing | :04:25. | :04:29. | |
a snooker against a former world champion takes guts and | :04:30. | :04:32. | |
determination, and also a little bit of the old grey stuff. You need a | :04:33. | :04:40. | |
mature personality, it seems to me. The warrior, what should we call | :04:41. | :04:46. | |
him? The wily warrior! Wily warrior Wilson... Whatever! They will be | :04:47. | :04:52. | |
coming back for their final session this evening. Wilson with that two | :04:53. | :04:55. | |
frame advantage. Ken and I were doing the commentary last night with | :04:56. | :05:02. | |
the presentation on the red button and Jason will be accompanying Mr | :05:03. | :05:08. | |
Davies there tonight. Press red and you will get the whole presentation | :05:09. | :05:11. | |
on the red button. It's been great fun to do that, tell you now. All | :05:12. | :05:16. | |
right. We've talked a lot about the Chinese domination of the draw this | :05:17. | :05:20. | |
year, a record number of six Chinese players made it to Sheffield this | :05:21. | :05:24. | |
time. All of them in the top half of the draw. Four of them are through | :05:25. | :05:27. | |
to round two. Two of them meet in this second round. Ding Junhui | :05:28. | :05:33. | |
against Liang Wenbo. Either way, China wins, they have a guaranteed | :05:34. | :05:37. | |
quarterfinalist, but which one? COMMENTATOR: Ding Junhui goes | :05:38. | :05:41. | |
through into the second round. COMMENTATOR: Liang Wenbo goes | :05:42. | :05:49. | |
through into the lasting steam. This will probably be the best TV match | :05:50. | :06:00. | |
ever for the Chinese audience. Regards has been doing -- Ding has | :06:01. | :06:06. | |
been doing well this year. And Liang Wenbo getting into the top 16 as an | :06:07. | :06:11. | |
established player and winning his first ranking title in Manchester, | :06:12. | :06:18. | |
the English open. That's why he got his nickname, the Firecracker! It's | :06:19. | :06:23. | |
great to have someone with a strong character is our game. And it's | :06:24. | :06:26. | |
exciting to see him doing well on the circuit. Yeah, I'm playing Ding. | :06:27. | :06:35. | |
He is a good friend. We just want to play a very good match for the | :06:36. | :06:42. | |
Chinese fans in the world fans, everybody watching. It should be a | :06:43. | :06:48. | |
good match. When we talk about Ding, he is definitely the top five | :06:49. | :06:55. | |
sporting hero now in his professional career. 90% of people | :06:56. | :06:58. | |
know who he is and what he does. That is how big a name he is. I | :06:59. | :07:04. | |
bring snooker back to China, make that famous. I believe they could | :07:05. | :07:11. | |
have more players come to the Crucible in the next few years. He | :07:12. | :07:17. | |
has been a role model for all the up and coming Chinese young players for | :07:18. | :07:21. | |
maybe one decade. He is doing so well. All the new generation is | :07:22. | :07:27. | |
looking up to him. If he wins, he will be the first one to lift the | :07:28. | :07:31. | |
title for China, for Asia, and that will be a special moment for | :07:32. | :07:35. | |
everyone in China. It's quite hard to play somebody from the same | :07:36. | :07:42. | |
country, China. I just need to concentrate on all my shots. | :07:43. | :07:52. | |
Everything comes to my mind but I must just lose it and turn it clean | :07:53. | :07:59. | |
and play snooker. If you do good, everybody has the chance. This is | :08:00. | :08:07. | |
now the last 16. Just keep going and concentrate, control the table. | :08:08. | :08:08. | |
Confident, yeah. Well, it's amazing to think that | :08:09. | :08:17. | |
Ding turned 30 years old on the 1st of April and he has been the Pied | :08:18. | :08:21. | |
Piper of Chinese snooker for half his life. Players like Liang Wenbo, | :08:22. | :08:25. | |
who is actually two months older, have tried to emulate his success. | :08:26. | :08:29. | |
Liang has one to win and that was winning the Steve Davis Trophy, the | :08:30. | :08:34. | |
English Open, last year. In matches between these two, it is Liang who | :08:35. | :08:40. | |
holds the better record, 3-1, but this is their first meeting in a | :08:41. | :08:49. | |
competitive match in three-year 's. Ding has motored away in the first | :08:50. | :08:56. | |
part of this match. He is 3-1 ahead in frames as we pick them up in | :08:57. | :09:01. | |
frame five, Stephen Hendry and Willie Thorne in charge. | :09:02. | :09:07. | |
APPLAUSE COMMENTATOR: He knew -- you didn't | :09:08. | :09:24. | |
know he would leave the black as a snooker in ball but that is what has | :09:25. | :09:29. | |
happened. He's going to have to play a little bit of left-hand side. | :09:30. | :09:35. | |
Can't play this plane ball, needs a touch of side to get there. | :09:36. | :09:46. | |
APPLAUSE Oh! His heart was in his mouth | :09:47. | :09:48. | |
there. APPLAUSE | :09:49. | :11:16. | |
He needs a bit of help and he hasn't got it. This pink is going to be | :11:17. | :11:25. | |
very, very tough. Is this the time possibly to put the red on the | :11:26. | :11:29. | |
right-hand side vision and get a snooker between green and black. -- | :11:30. | :11:35. | |
behind green and black. Sometimes, Stephen, you've got to play to the | :11:36. | :11:41. | |
scoreboard. Yeah. I don't often say this but I think you're right. If | :11:42. | :11:50. | |
you play the pink, you're playing for position on the red. He's going | :11:51. | :12:06. | |
to play safe. You wanted a bit of insurance, Stephen, by playing the | :12:07. | :12:13. | |
Brown safe? The last thing he wants is a high-value colour down here. I | :12:14. | :12:20. | |
don't think he's gained any advantage with that shop at all. | :12:21. | :12:39. | |
APPLAUSE I'm afraid he's got no one to blame | :12:40. | :12:53. | |
but himself, Ding Junhui, for this situation. | :12:54. | :13:13. | |
Just trying to rest on this red that is nearest the left-hand jaw. Now | :13:14. | :13:22. | |
you can see why it was so important to put the red safe on the previous | :13:23. | :13:27. | |
shot. Now it could be for reds and four colours and of course the | :13:28. | :13:28. | |
clearance is on. APPLAUSE | :13:29. | :14:07. | |
Well, that is one of the best shots of the morning. | :14:08. | :14:37. | |
He can't really flick of the red that is nearest the pink, because of | :14:38. | :15:54. | |
the yellow and brown in the way. If he plays it slightly thin, he could | :15:55. | :16:03. | |
go towards the corner pocket. If he plays it thin to go on to the baulk | :16:04. | :16:06. | |
cushion, that red will spring away from it. It's not straightforward. | :16:07. | :16:13. | |
Make sure it covers the red up, because at the moment it is playing | :16:14. | :16:19. | |
away from the red. There could be a pot on here. Is there it gap? Is | :16:20. | :16:29. | |
there a gap? Not quite. But he has left a shot to nothing on the red on | :16:30. | :16:32. | |
the pink spot. Liang Wenbo looks like he is shaping | :16:33. | :17:19. | |
up to take this on. But if he misses the red: he may knock into the other | :17:20. | :17:28. | |
two reds and not get back to safety. You feel he loses the frame if he | :17:29. | :17:34. | |
misses this. Yes, it's one of those that if he hits it plain ball is not | :17:35. | :17:41. | |
a problem avoiding the red, but if he hits it slightly harder and | :17:42. | :17:48. | |
misses the part... He tried to make sure of the gap, and missed it. It | :17:49. | :17:52. | |
could be very costly. He's already trailing by 45 points. He has just | :17:53. | :18:09. | |
left this a little bit awkward. He could possibly concentrate so much | :18:10. | :18:12. | |
on where the cue ball is going, you could miss the pot here. No, safely | :18:13. | :18:22. | |
in. I thought it would cost Liang Wenbo the frame if you missed that | :18:23. | :18:28. | |
red, and it has done. Ding Junhui knows, at worst now, he's going to | :18:29. | :18:34. | |
be level going into the second session. Now it's all about pressing | :18:35. | :18:43. | |
home the advantage and seeing how many of these last three frames he | :18:44. | :18:44. | |
can get. So, frame over. Ding knows he can't | :18:45. | :19:16. | |
be behind going into the second session now. Danny Kent enough gap | :19:17. | :19:29. | |
to make it the catalyst? Very rarely does a player comeback from 7-1 or | :19:30. | :19:38. | |
6-2 behind when it is a race to 25. Although Liang bow when | :19:39. | :19:43. | |
-- although Liang Wenbo has not played to badly this morning. | :19:44. | :20:39. | |
Yet another 50 plus breaks. It was a bit of a scrappy frame but he takes | :20:40. | :20:49. | |
it and stretches his lead now to 4-1. | :20:50. | :20:50. | |
STUDIO Well, Liang Wenbo hit back in the | :20:51. | :20:54. | |
next frame and got it to 2-4. But this is an emphatic first session | :20:55. | :20:59. | |
from the man who was runner-up here last year. Being made another 52 to | :21:00. | :21:11. | |
go 6-2 in front. -- Ding made another 52. Three major titles. He | :21:12. | :21:21. | |
just needs the Worlds to complete a triple Crown. He looks very sharp, | :21:22. | :21:28. | |
five centuries so far. Now, all of 210 million people watched that | :21:29. | :21:32. | |
final with Ding Junhui and Mark Selby last year. House brightly does | :21:33. | :21:38. | |
he seem to you early on, Ken? He was very impressive against is Oulu | :21:39. | :21:42. | |
-- he was very impressive in his first match. He's scoring a lot of | :21:43. | :21:51. | |
century breaks. If he is in good form and on the top of his game, he | :21:52. | :21:55. | |
is a match for anybody. I saw how well he played here last year when | :21:56. | :21:58. | |
he nearly won the title. He is a major contender. He pushed cell be | :21:59. | :22:04. | |
hard in that final session. What do you think that has done for him? He | :22:05. | :22:08. | |
seemed so uptight coming to the crucible on previous occasions? I | :22:09. | :22:12. | |
think for the World Championship alone, purely in the Crucible, | :22:13. | :22:16. | |
experience counts perhaps more than in other events. The fact that you | :22:17. | :22:22. | |
know what is required and what it feels like to go the distance can be | :22:23. | :22:27. | |
a marvellous thing to have armoury, because other players, it's a | :22:28. | :22:32. | |
journey into the unknown. I think you just calms you down to know what | :22:33. | :22:38. | |
you can withstand. Everything is thrown at you in the Crucible. There | :22:39. | :22:42. | |
was a point in that match early on when the scores went to 2-1. The | :22:43. | :22:48. | |
balls were all over the place. Whoever survived that, and it looks | :22:49. | :22:51. | |
like Ding has done that, has got control of the game. He has got | :22:52. | :22:57. | |
through that one and they are back for the second session this evening. | :22:58. | :23:01. | |
Now, his popularity is absolutely huge in China. It's hard to | :23:02. | :23:05. | |
overestimate that. And Ding's popularity here Sheffield committee | :23:06. | :23:10. | |
likes to get a quiet life actually! He has been the subject of a | :23:11. | :23:15. | |
documentary made by the BBC's Jamie Broughton. It is called Enter the | :23:16. | :23:21. | |
Dragon. A bus journey gives the players the | :23:22. | :23:32. | |
chance to catch up. Tonight's destination is the famous tower | :23:33. | :23:37. | |
where the reception is being held. The snooker fans are also making | :23:38. | :23:39. | |
their way there. This red event feels more like a | :23:40. | :23:54. | |
movie premiere in Hollywood. Only in China do snooker players get treated | :23:55. | :23:58. | |
like film stars. Most of the fans here have only ever seen their hero | :23:59. | :24:06. | |
on television before, so are keen to get a chance close-up. Sheffield is | :24:07. | :24:14. | |
a city Ding knows well. He's lived here for the past ten years. In | :24:15. | :24:18. | |
China, it's impossible to walk down the street without being recognised, | :24:19. | :24:23. | |
but here it is a different story. Well, almost a different story. | :24:24. | :24:32. | |
Hello. Best of luck. Thank you. And he takes it all with such grace, he | :24:33. | :24:38. | |
really is a lovely person. I'd better get a wiggle on here because | :24:39. | :24:45. | |
time is fleeting and time pressure is a subject today in table talk. | :24:46. | :24:52. | |
And the reason for the haste is because we are talking shop clocks | :24:53. | :24:59. | |
today. The Snooker Shoot out is currently the only event on the | :25:00. | :25:02. | |
World Snooker Tour that uses a shot clock and puts players under time | :25:03. | :25:10. | |
pressure. They have got 15 seconds to do so for the first five minutes | :25:11. | :25:15. | |
and then it goes down to ten seconds thereafter. A good idea or a serious | :25:16. | :25:20. | |
pain in the neck? Let's get the players's views. A shot clock of | :25:21. | :25:28. | |
some sort have got to be introduced, I think. Not for each shot but maybe | :25:29. | :25:35. | |
the referee and the tournament organiser can assess how things are | :25:36. | :25:39. | |
going at the interval. A shot clock is not going to work. It's not | :25:40. | :25:45. | |
snooker. OK we have the Shoot out and things like that... Some players | :25:46. | :25:53. | |
want to take long and drag it out, that is their business. You can't do | :25:54. | :25:57. | |
the shot clock. I personally think they could use like a traffic light | :25:58. | :26:02. | |
system. When your green, you're flying. When you get to yellow, you | :26:03. | :26:08. | |
sort of get a little nudge and say, you're getting a little bit slow. | :26:09. | :26:15. | |
And if you are red, you are in deep trouble. I would be all for it if it | :26:16. | :26:23. | |
was maybe a one table format. But not a two-table format and nearly | :26:24. | :26:26. | |
every tournament we play in these days is multi-table. John is not for | :26:27. | :26:36. | |
it but would it be an effective tool for speeding up debate. Gentlemen, | :26:37. | :26:41. | |
are you ready? Ten, 15 seconds starts now! Yes but I don't think it | :26:42. | :26:49. | |
can be introduced as John said on a multi-table. I think an average shot | :26:50. | :26:55. | |
time could be introduced. As opposed to beep beep beep. Not bad, 13 | :26:56. | :26:59. | |
seconds. Steve, have a look at this graphic which actually gives you the | :27:00. | :27:03. | |
slowest to fastest shot times of the players so far. Ronnie, not | :27:04. | :27:09. | |
surprisingly, 19 seconds. Anthony McGill in the first round, 30 | :27:10. | :27:14. | |
seconds. Only one match this year has gone to overtime so far. Your | :27:15. | :27:17. | |
impressions and indeed your thoughts on whether it should be introduced | :27:18. | :27:22. | |
at the Crucible? Start the clock. LAUGHTER | :27:23. | :27:26. | |
That's what you call a pregnant pause. No! I think that should prove | :27:27. | :27:35. | |
the point. Players who play very slowly usually lose. The only thing | :27:36. | :27:40. | |
about the shot clock that does stop things... Ken, the shot clock would | :27:41. | :27:47. | |
add an extra degree of jeopardy to proceedings and may stop people | :27:48. | :27:50. | |
falling asleep in the front row. Start us off. I don't think it could | :27:51. | :27:55. | |
be introduced in the World Championship. I think it would take | :27:56. | :27:59. | |
away from the World Championship. Would they fall asleep? I don't | :28:00. | :28:05. | |
think so. OK, you're on the wire again, 14 seconds. Steve, the shot | :28:06. | :28:10. | |
clock is an infernal gimmick that shouldn't be allowed anywhere near a | :28:11. | :28:13. | |
snooker tournament, and the Snooker shoot out should not be a world | :28:14. | :28:17. | |
ranking event in the first place start the clock. The Snooker shoot | :28:18. | :28:23. | |
out is a fantastic event but it should not be a ranking event. The | :28:24. | :28:26. | |
rules are different so it should not be a ranking event at all. The | :28:27. | :28:31. | |
biggest problem with this shot clock is that you take away the tension | :28:32. | :28:35. | |
and that is what snooker is about. How many World Championship would | :28:36. | :28:40. | |
you have won if there had been a shot clock in play? I would have | :28:41. | :28:46. | |
one... Seven World Championships! LAUGHTER | :28:47. | :28:51. | |
I like it! A fantastic start for Ronnie O'Sullivan last night. He and | :28:52. | :29:00. | |
Shaun Murphy readying themselves backstage for another blockbuster | :29:01. | :29:02. | |
session this afternoon. The figure of Ronnie looms large in Sheffield | :29:03. | :29:04. | |
quite literally at the moment. Not just the players who have been | :29:05. | :29:13. | |
putting years of hard work and dedication to the test. I'm here to | :29:14. | :29:17. | |
meet a young man showcasing his talent on the biggest stage. It's a | :29:18. | :29:34. | |
passion, doing it. This big wall outside, it's a blank canvas. He | :29:35. | :29:39. | |
said, I'm going to predict the winner of the world should be chips. | :29:40. | :29:45. | |
He said, you'll have to wait and see! He used to be opening presents, | :29:46. | :29:54. | |
my brother, toys and things, and I would be opening pens and paper and | :29:55. | :30:00. | |
things like that. My vision is pulling me to something, if you know | :30:01. | :30:07. | |
what I mean. It is quite strong. Anybody who can make a 147 as fast | :30:08. | :30:13. | |
as he has, televised, he's a genius if you ask me. | :30:14. | :31:14. | |
That is perfect. I wanted to do something for my dad. He | :31:15. | :31:25. | |
picked the photo. You can see that in Sheffield. Our technological talk | :31:26. | :31:39. | |
on the Rocket is by one estimate acquire. We have had some | :31:40. | :31:44. | |
unbelievably talented snooker players in our game, have you see | :31:45. | :31:50. | |
anyone more talented than Ronnie O'Sullivan? No, the honest answer. | :31:51. | :31:55. | |
The most naturally gifted snooker player I have ever seen. I don't | :31:56. | :32:00. | |
think in snooker and there is a better site to see than Ronnie in | :32:01. | :32:05. | |
full flight. Great to watch. He really is the all-round package. | :32:06. | :32:09. | |
Brilliant save the game, save the game which can destroy other | :32:10. | :32:11. | |
world-class players, it is that good. Did Ray Reardon have a bearing | :32:12. | :32:17. | |
on that? Absolutely. I don't think enough has been said about that. Ray | :32:18. | :32:21. | |
Reardon made a fantastic impact on Ronnie O'Sullivan plasma game. The | :32:22. | :32:24. | |
last time you played Ali Carter in the World Championship, in my honest | :32:25. | :32:27. | |
opinion when O'Sullivan was as close to being unplayable as I have ever | :32:28. | :32:31. | |
seen. His safety was unplayable. You are in trouble when he came to the | :32:32. | :32:34. | |
table. If you look at the footage, he looked a different player from a | :32:35. | :32:38. | |
technical point of view. Much faster before Ray. His bridge was a | :32:39. | :32:43. | |
significant distance further to the cue ball. That may not have been Ray | :32:44. | :32:50. | |
Reardon's implements. Coincidentally happened at the same time. You | :32:51. | :32:56. | |
notice a technical thing? Than usual, Vienna top player in the game | :32:57. | :33:01. | |
able to play Wishart. The thing that makes when O'Sullivan say unique, he | :33:02. | :33:06. | |
plays everything with side. That is an absolute no-no from a textbook | :33:07. | :33:11. | |
point of view. Somebody who plays with so most side would be | :33:12. | :33:17. | |
inconsistent, but when he's at his best he's unbelievable. One shot | :33:18. | :33:26. | |
near the cushion, a shot from here, playing on the cue ball with loads | :33:27. | :33:30. | |
of side, clipping the ball thinly. Never seen anyone else play that | :33:31. | :33:39. | |
shot was all being so fine, so difficult to it takes timing. If you | :33:40. | :33:44. | |
are going to shape the ball. Ronnie knows he's going to shape it right | :33:45. | :33:50. | |
to left, left to right. He knows he's going to get it, it is a good | :33:51. | :33:55. | |
idea. Taking the nuances of the class, whether the table is level, | :33:56. | :33:58. | |
what type of arena we are playing in. Whether we are playing in | :33:59. | :34:05. | |
Shanghai, dead humid, or Sheffield, take that out of the equation. Get | :34:06. | :34:11. | |
the exact shape he's looking for. He is going to win more things? I'm | :34:12. | :34:16. | |
hoping he is around for a long time. The tournament is extra special when | :34:17. | :34:20. | |
he decides to play. From ticket sales point of view, I hope he plays | :34:21. | :34:26. | |
for ever. From a snooker competitive point of view, I hope he retires | :34:27. | :34:35. | |
next year expect Murphy the last qualifier to claim the title in | :34:36. | :34:39. | |
2005, close to becoming a multiple champion, losing to John Higgins and | :34:40. | :34:46. | |
Stuart Bingham. His most recent title was in Gibraltar. His first | :34:47. | :34:51. | |
since becoming a father to Harry last year. Build up full of | :34:52. | :34:56. | |
controversy. Getting himself loosened up. Piling into the debate, | :34:57. | :35:02. | |
following the controversy following Ronnie's press conference outburst. | :35:03. | :35:07. | |
It has been like kerosene on burning embers. Firing up the Rocket. Mark | :35:08. | :35:15. | |
Allen and John Higgins ready to go. Rob Walker ready to fire things up. | :35:16. | :35:23. | |
Good afternoon ladies and gentlemen. Surely the best line-up we have ever | :35:24. | :35:25. | |
had for a second round session at the Crucible. Whatever atmosphere on | :35:26. | :35:33. | |
a fabulous Friday afternoon at the World Snooker champ Winship. This | :35:34. | :35:38. | |
could be absolutely epic. -- Championship. | :35:39. | :35:52. | |
Please welcome, first of all, player making his eighth appearance in the | :35:53. | :35:59. | |
second round at the Crucible. Made the semifinals eight years ago, | :36:00. | :36:04. | |
since winning three rankings titles. One of the great break-builders of | :36:05. | :36:09. | |
the modern game, from Northern Ireland he comes Mark Allen, the | :36:10. | :36:12. | |
Pistol. His opponent, 22 years after his | :36:13. | :36:37. | |
debut. In eight years coming out for a 19th appearance in the second | :36:38. | :36:42. | |
round. Winner of 28 rating titles in all, tour-macro times champion the | :36:43. | :36:46. | |
world. Without doubt one of the finest sportsmen Scotland has ever | :36:47. | :36:50. | |
produced. The Wizard will of Wishaw, John Higgins. And now, | :36:51. | :37:10. | |
and man thrilling crowds at the Crucible for decades. 20 years ago | :37:11. | :37:16. | |
today, came that epic world record 147. He has gone on to become a five | :37:17. | :37:20. | |
times champion of the world, blink and you will miss him, he is the | :37:21. | :37:22. | |
Rocket, Ronnie O'Sullivan. Finally, a class act on and off the | :37:23. | :37:46. | |
baize. Winner of all three of the sport's Triple Crown events. Victory | :37:47. | :37:50. | |
in Gibraltar earlier this season took into seven ranking titles. | :37:51. | :37:56. | |
Champion in 2005, he is the magician, Shaun Murphy. | :37:57. | :38:15. | |
STUDIO: Here we go for a fascinating session. You can follow Mark Allen | :38:16. | :38:26. | |
and John Higgins if you want. We joined the company Peter Ebdon and | :38:27. | :38:29. | |
John Virgo. COMMENTATOR: Thank you, Hazel. If | :38:30. | :38:37. | |
this session is anything like the first session, we're in for a treat. | :38:38. | :38:48. | |
Ronnie O'Sullivan with a four frame advantage, he will be looking to | :38:49. | :39:08. | |
push on. A big session for Shaun , Peter. Absolutely. Those are the | :39:09. | :39:15. | |
pot percentages. One thing is sure, as we get the | :39:16. | :39:53. | |
dreaded mobile phone. Shaun Murphy cannot afford to lose this session | :39:54. | :40:00. | |
6-2. Otherwise there will be no way back. Never ceases to amaze me, | :40:01. | :40:07. | |
John, no matter how the times our MC, Rob Walker, asks people to turn | :40:08. | :40:14. | |
off their mobiles, all on silent, one still goes. To be honest, is | :40:15. | :40:16. | |
unacceptable. Ronnie purposefully running that red | :40:17. | :40:33. | |
into the bunch reds. The one that has come loose is covered by the | :40:34. | :40:34. | |
blue. A nice little nudge off the brown. | :40:35. | :40:56. | |
You don't mind that happening every now and again. Did not look | :40:57. | :41:03. | |
particularly good safety shot until that flick of the brown, putting the | :41:04. | :41:10. | |
cue ball behind the yellow. Ronnie trying to come off two cushions, | :41:11. | :41:15. | |
nestle into the bunch. He will still leave one into the middle, if he's | :41:16. | :41:17. | |
not careful. Played it well. Ronnie going down to the baulk end | :41:18. | :42:14. | |
for to see where he would not like to be for the next shot. | :42:15. | :42:30. | |
Suggest a little bit pacey. Tight onto the ball cushion. I think he | :42:31. | :42:39. | |
may have left a pot on. On the left-hand side of the table. There | :42:40. | :42:45. | |
is a path through to it. In this case, you would say that is a bit | :42:46. | :42:50. | |
careless. Ronnie should have done better than this. There you go. Kiss | :42:51. | :43:03. | |
on the blue. Not a bad one for Shaun Murphy. Tremendous long pot from | :43:04. | :43:12. | |
Shaun Murphy. Down into the cue ball. Touch of left-hand side. This | :43:13. | :43:17. | |
is a tough pink. The pink spot is not available, the | :43:18. | :43:33. | |
highest available is the blue, that will not bother Shaun. That will, | :43:34. | :43:40. | |
being the wrong side of the pink as the cue ball has finished near the | :43:41. | :43:58. | |
top cushion . Might be a route to the left | :43:59. | :44:51. | |
centre. No. Playing safe. Slightly | :44:52. | :45:10. | |
unfortunate. Of course when you go into the balls like that, with pace, | :45:11. | :45:14. | |
never absolutely certain where the cue ball is going to finish. Even | :45:15. | :45:20. | |
so, very unlucky to split the reds so nicely, and are not end up on | :45:21. | :45:22. | |
one. Catching that a fraction too thick. | :45:23. | :45:50. | |
Leaving what you would think is a shot to nothing. Not another phone. | :45:51. | :46:15. | |
Right in the heart of the pocket. If he gets bounce off the ball cushion, | :46:16. | :46:17. | |
he will be on under brown. He has. I must say, John, I really like the | :46:18. | :47:17. | |
back of Shaun Murphy's waistcoat, very smart. I had not noticed it, | :47:18. | :47:21. | |
Peter. Oh, yes. He has a good opportunity, black and | :47:22. | :47:36. | |
available to both corners. Enough reds in the open, not to worry about | :47:37. | :47:40. | |
bringing other reds into play. There you go. It gets to 68 points. | :47:41. | :47:53. | |
Snooker is required. Another 30 required. Four reds, four colours. | :47:54. | :48:12. | |
Needed a good start. Looks like he's going to get one. Just thinking how | :48:13. | :48:24. | |
wonderful it is to see how fluent both of these players are. In | :48:25. | :48:29. | |
amongst the balls, really getting on with it. Player to really nice | :48:30. | :48:32. | |
place. Very difficult thing to do under pressure. The great Steve | :48:33. | :48:39. | |
Davis once said, if you can play as if it means nothing, when it means | :48:40. | :48:43. | |
everything, that is the way to play. Fantastic philosophy. They're very | :48:44. | :48:49. | |
difficult to put into practice. Both of these great players managed to do | :48:50. | :48:50. | |
that. This black, one more red and colour. | :48:51. | :49:12. | |
Ronnie will need a snooker. Not had much chance in this frame. He will | :49:13. | :49:17. | |
know that, not as if you missed anything. A loose safety shot early | :49:18. | :49:30. | |
on gave Shaun a chance. He has needed two chances, but made it with | :49:31. | :49:35. | |
that. But since 68 points in front with 67 remaining. | :49:36. | :50:06. | |
No way back to the table for running. Will not be getting out of | :50:07. | :50:10. | |
his seat. -- Ronnie. He'll be doing well here he can make | :50:11. | :50:30. | |
a century. Playing the plant. That is enough | :50:31. | :51:01. | |
for Ronnie, never got a chance in that frame, all about Shaun Murphy. | :51:02. | :51:06. | |
Three frames behind now, just the Stasi wanted. STUDIO: Needed a | :51:07. | :51:12. | |
positive start, it yesterday absolutely underrate. We enjoy that | :51:13. | :51:18. | |
last night, Steve I know you are watching. In terms of the start, how | :51:19. | :51:22. | |
much better will it that made him feel? Needs a fast start. Anything | :51:23. | :51:30. | |
other than a 5-3 victory in this session, he will be out of the | :51:31. | :51:37. | |
championship. At least 5-3. How much intensity, focus and desire was | :51:38. | :51:41. | |
evident from O'Sullivan last night in the opening session? I sensed the | :51:42. | :51:49. | |
same grit and determination that he showed when he won the first round | :51:50. | :51:53. | |
match against Gary Wilson. There was a moment in the match last night, we | :51:54. | :51:58. | |
did not talk about it. Ronnie failed to clinch his chance, Shaun came | :51:59. | :52:08. | |
back to the table, missing one, he went like that, this is my chance. | :52:09. | :52:12. | |
Really animated. Loads of aggression. That usually do not see | :52:13. | :52:24. | |
we've Ronnie. Whether it is just Shaun, or he has gotten himself | :52:25. | :52:29. | |
fired up for the event, he is on a mission, maybe going to be able to | :52:30. | :52:36. | |
stop them. There was the controversy in the build-up, it certainly has | :52:37. | :52:40. | |
fired Ronnie up. Here we go, back for frame number ten. | :52:41. | :52:48. | |
COMMENTATOR: He has left the chance of a red here. Look to see what the | :52:49. | :52:57. | |
consequences or if he had missed it. There is not a path back to baulk. | :52:58. | :53:08. | |
Deciding to use the red on the black cushion as a stopper. Horrendous | :53:09. | :53:19. | |
kick. That was not Ronnie's fault. I don't know whether he got the | :53:20. | :53:24. | |
potting angle. Look at the way the pace was taking Natalie Keble. That | :53:25. | :53:33. | |
happens. Why, I don't know. Left a tricky red, but doesn't have to do | :53:34. | :53:40. | |
much to be on the black. Jess catching the near jaw. Those | :53:41. | :53:45. | |
mistakes will prove very costly at this level. You cannot afford to | :53:46. | :53:48. | |
miss when you are in like that. Ronnie's first ball he has potted. | :53:49. | :54:05. | |
That one catching the near jaw. We have seen one or two drop, but | :54:06. | :54:11. | |
usually when they catch the right-hand jaw. They do not go in. | :54:12. | :54:31. | |
Obviously got the wrong angle on the black. Wondering where the pink will | :54:32. | :54:36. | |
go when it is re-spotted. Ronnie getting out of the way, | :54:37. | :55:05. | |
sitting down, a sip of the water, letting the referee position the | :55:06. | :55:11. | |
pink. Looks as if it could go on the pink spot, but obviously doesn't. | :55:12. | :56:01. | |
Always a joy to watch runny when he gets around the black spot area. | :56:02. | :56:10. | |
Taking his breaks. Not one that goes into the pack straightaway, smashing | :56:11. | :56:15. | |
them open. You are trusting a little bit to luck. He would rather leave | :56:16. | :56:17. | |
it to skill. If he gets to 72, sneakers will be | :56:18. | :56:35. | |
required. Quite a way to go yet. I don't know whether he can play for | :56:36. | :56:57. | |
the black now, may have to give up for the blue. Oh, no, he was OK. | :56:58. | :57:19. | |
He will think about trying to bring some reds into place very soon. -- | :57:20. | :57:32. | |
play. I wonder if the top red of that cluster... Ronnie looking if | :57:33. | :57:42. | |
that is available into the middle. Might be able to get that, bring | :57:43. | :57:49. | |
some more into play. That is what he has played for. All depends on the | :57:50. | :57:53. | |
potting angle here. Decided to leave it out of the last | :57:54. | :58:29. | |
minute. Stunning into the red on the left-hand side, just missing the | :58:30. | :58:32. | |
pink. Will be unlucky not to be on one. A bit surprised he played it | :58:33. | :58:41. | |
like that. I thought it was more of a stunt, to run through the red. | :58:42. | :58:50. | |
Would have loved to open up the reds, pushing the Keble ten inches | :58:51. | :58:56. | |
further to the left. He will be disappointed with that. Persimmon | :58:57. | :59:08. | |
control of the frame. -- puts him in control of the frame. Disappointed | :59:09. | :59:17. | |
not to win it in that visit. Shaun 63 points behind, but a possible 83 | :59:18. | :59:19. | |
remaining. Shaun needs to be very careful here. | :59:20. | :59:40. | |
Playing the red on the left-hand side of the table, needs to cover | :59:41. | :59:49. | |
the red into the right centre. Which will not be easy, despite the baulk | :59:50. | :59:53. | |
colours being there. Not so sure about that. No. This red | :59:54. | :00:11. | |
is a bit more difficult than it looks on your screens. It is more of | :00:12. | :00:18. | |
an acute angle than it appears that you would not expect Ronnie to miss | :00:19. | :00:23. | |
it. He doesn't have to do much with the cue ball to get position. | :00:24. | :00:31. | |
And I think to be fair to Shaun, he almost certainly got a heavy contact | :00:32. | :00:43. | |
on that red because the cue ball finished three feet shorter than his | :00:44. | :00:44. | |
intended position. Obviously this top red in the | :00:45. | :01:12. | |
cluster goes to the right corner and he just needs this red and colour | :01:13. | :01:16. | |
and that will be the frame in the bag. 67 points is the lead now, 67 | :01:17. | :01:26. | |
remaining, but this will put on the 72 points in front with 67 | :01:27. | :01:35. | |
remaining. A complete turnaround from the first frame, Ronnie never | :01:36. | :01:41. | |
got much of a chance and Shaun has not had much of a chance in this | :01:42. | :01:46. | |
one, apart from that chance when he missed the red along the top | :01:47. | :01:50. | |
cushion. But it is a tough school when you only get one opportunity. | :01:51. | :01:56. | |
Exactly, but that is what happens at this level. The red has not gone in | :01:57. | :02:02. | |
but it doesn't matter, Shaun obviously has conceded so a complete | :02:03. | :02:06. | |
reversal of the first frame with Ronnie taking the second and he is | :02:07. | :02:12. | |
7-3 ahead. STUDIO: Ronnie averaging about 18 second shot, the fastest of | :02:13. | :02:15. | |
anybody in the championship this year and talking about speed, we | :02:16. | :02:19. | |
asked you what you thought of the shot clock. Is it a much-needed | :02:20. | :02:26. | |
addition or an infernal nuisance? What if the public saying? We have | :02:27. | :02:33. | |
had so much reaction to this question on Twitter, I could be here | :02:34. | :02:39. | |
all night! It has been very one sided. Esther says that shot clocks | :02:40. | :02:44. | |
are a terrible idea, long frames are normally caused by scrappy frames | :02:45. | :02:51. | |
and not decision-making. Ryan said the players need thinking time. Neil | :02:52. | :02:57. | |
has said that shoot out style is rushing but you could take 40 | :02:58. | :03:01. | |
seconds with three extensions per frame but Ryan disagreed, saying | :03:02. | :03:08. | |
that 42nd is enough time to wake of the options and get the angles right | :03:09. | :03:13. | |
and take the shot. Dan hate the idea, Kate said that players need | :03:14. | :03:16. | |
the time to work out the best options and I will end on this one | :03:17. | :03:20. | |
because Neal sums it up well in terms of what our fans have been | :03:21. | :03:29. | |
saying, saying simply, no. That is officially a big no! Apart from at | :03:30. | :03:36. | |
the shoot out. But we are very much enjoying this second session between | :03:37. | :03:39. | |
Ronnie O'Sullivan and Shaun Murphy, Shaun might not be enjoying it as | :03:40. | :03:44. | |
much as Ronnie, now he is four frames in arrears again and Ken and | :03:45. | :03:52. | |
Steve are with me. It is Honours even in this session but they are | :03:53. | :03:56. | |
both in good form. They are but the trouble for Shaun Murphy it is tough | :03:57. | :04:01. | |
to beat Ronnie O'Sullivan in a single session, I would say 5-3 is | :04:02. | :04:05. | |
the best you can hope for because you rarely outplay him so he has to | :04:06. | :04:09. | |
somehow hope that Ronnie drops his standards. Back to frame 11. | :04:10. | :04:16. | |
COMMENTATOR: A better break-off shot from Ronnie and when he plays | :04:17. | :04:21. | |
left-handed, I spoke to him about it and he thinks he can get more side | :04:22. | :04:26. | |
but he believes you have to be afoot this side of the baulk like to get | :04:27. | :04:30. | |
the cue ball where it is now and not leave that pot on. And he will be | :04:31. | :04:36. | |
happy with that, even though he has not got the cue ball tight, just | :04:37. | :04:44. | |
watch where it lands. It is a foot this side of the Boult line and that | :04:45. | :04:49. | |
gives you a nice angle to use the green is a cover. Mark Selby does a | :04:50. | :04:54. | |
similar thing. No coincidence that two of the best players in the world | :04:55. | :04:57. | |
are try to do a similar thing of the break-off shot and it is difficult | :04:58. | :05:01. | |
because these cushions slide a lot. That was an excellent shot from | :05:02. | :05:07. | |
Shaun Murphy. Not touching because if they would have been, the referee | :05:08. | :05:10. | |
would have called it. Neither player will want to get | :05:11. | :05:41. | |
involved in this type of frame. Sometimes it is the balls that | :05:42. | :05:45. | |
dictate how a frame will be played out. | :05:46. | :06:05. | |
Shaun left Ronnie a nice easy run back to baulk them as it turns out. | :06:06. | :06:16. | |
This needs to be very thin. But not that thin! Foul and a miss. | :06:17. | :06:54. | |
He will be under pressure if he doesn't hit it this time. But he did | :06:55. | :07:06. | |
and he hit it well. But he couldn't avoid the kiss on the yellow so you | :07:07. | :07:11. | |
would expect a better safety from Ronnie. A decent sized target to get | :07:12. | :07:20. | |
the cue ball behind the yellow and brown. Interesting to see how Ronnie | :07:21. | :07:33. | |
decides to play this. A lot of players might play it playing ball. | :07:34. | :07:41. | |
Almost certainly Ronnie will be playing it with right-hand side. | :07:42. | :07:47. | |
Just a little thick. That is not a bad flick at all, almost snooker | :07:48. | :08:00. | |
Shaun behind the green. I don't know what he's going to do with the cue | :08:01. | :08:04. | |
ball but Shaun is a very aggressive player and you can see him taking | :08:05. | :08:07. | |
this on but he would be trusting to luck with the cue ball. | :08:08. | :08:26. | |
I thought for a moment he might have the run of the balls but that is the | :08:27. | :08:35. | |
problem, the more pace you put in that shot, the more you've got to | :08:36. | :08:38. | |
hit the centre of the cue ball. You have really got to have good, Centre | :08:39. | :08:45. | |
ball striking and that is what caused the miss. I think there was a | :08:46. | :08:50. | |
lot of pressure on the shot because Shaun was not guaranteed to get on a | :08:51. | :08:55. | |
colour, it was a very low percentage pot. He played it full-blooded lead | :08:56. | :08:59. | |
but to be honest he would have had no idea where the cue ball was going | :09:00. | :09:05. | |
because he was cannoning into balls. And at that pace he was trusting to | :09:06. | :09:09. | |
luck and he thought if he hit it hard there was a chance the cue ball | :09:10. | :09:15. | |
would come back up the table. But you don't really want to be playing | :09:16. | :09:20. | |
those risky shots, as Peter said, unless you are certain of a good | :09:21. | :09:25. | |
reward. Anyway, he has handed a good chance to Ronnie. Obviously the | :09:26. | :09:35. | |
black is tied up. And I don't think the red just to the right of it is | :09:36. | :09:37. | |
available. Then we checked that, if he does it | :09:38. | :09:54. | |
again, he's out. He's clapping for their shots. It's a bit weird. | :09:55. | :10:00. | |
Security will have a look and if he does it again, he's out. I think | :10:01. | :10:05. | |
what Ronnie is saying, he must be looking at the other table and he is | :10:06. | :10:08. | |
clapping for shots on the other table and not this one which is just | :10:09. | :10:13. | |
a bit off-putting for Ronnie but thank goodness he is mature enough | :10:14. | :10:17. | |
now just to have a little walk round the table and concentrate on his own | :10:18. | :10:22. | |
game. He nearly ran out of position there. | :10:23. | :10:28. | |
I think this pink goes to the right corner. | :10:29. | :11:02. | |
Obviously it is not straightforward otherwise he would have played it by | :11:03. | :11:07. | |
now. I thought the end red would go to the left corner. It mustn't be | :11:08. | :11:15. | |
straightforward otherwise he wouldn't be taking this long over | :11:16. | :11:23. | |
it. He has played for this red but where does the pink go? Is it going | :11:24. | :11:29. | |
to be available? It is available to the left middle and when he removes | :11:30. | :11:35. | |
this red it will go to the right corner as well. | :11:36. | :11:49. | |
That's a nice shot. Playing for the red to the left and rolling this in, | :11:50. | :11:59. | |
he will just nudge the other three reds and be on the pink to the right | :12:00. | :12:01. | |
corner. If he gets to 70, it would be | :12:02. | :12:43. | |
snooker is required. Not the easiest of chances with the black tied up | :12:44. | :12:49. | |
obviously, and he can't play for the pink of this red, he has to go back | :12:50. | :12:54. | |
up for the blue so he needs a good angle on the blue. | :12:55. | :13:09. | |
And at first look, he hasn't got it. No, he needed to be a bit further to | :13:10. | :13:17. | |
the right of the blue line. Well, he has tried to force it in | :13:18. | :13:31. | |
and he did well to get the cue ball to there. He is looking at the | :13:32. | :13:38. | |
possibility of this plant but there is quite a distance between the two | :13:39. | :13:46. | |
and it is no gimme. APPLAUSE It went in nevertheless. But still | :13:47. | :13:53. | |
he can't get the right side of the blue. This was a good one, you can | :13:54. | :14:05. | |
see the distance between the balls. He really had to get that first run | :14:06. | :14:07. | |
correctly which he did. And that of course is the advantage | :14:08. | :14:20. | |
of these superfine coughs, you can move the ball almost straight. -- | :14:21. | :14:31. | |
superfine cloths. He is now thinking about this one because it is a risk. | :14:32. | :14:36. | |
Can he get on a colour without any risks involved? That is the decision | :14:37. | :14:39. | |
he has to make here. He thought it was worth the risk and | :14:40. | :14:52. | |
he got it and bladed beautifully. -- played it beautifully. | :14:53. | :15:26. | |
66 points is the lead now with 67 remaining. What the black and go 73 | :15:27. | :15:48. | |
in front with 67 remaining. No problem, he has taken these well, | :15:49. | :15:54. | |
Peter. Yes, he really is up for this match, isn't he? I have not seen him | :15:55. | :16:03. | |
with this level of focus, commitment, concentration, for quite | :16:04. | :16:04. | |
some time. Well, he missed the red and is a bit | :16:05. | :16:23. | |
disappointed but that is enough for Shaun and Ronnie now opens up a five | :16:24. | :16:32. | |
frame gap and it is 8-3. And as we know with Ronnie, when he gets among | :16:33. | :16:38. | |
the balls he is very dangerous. This shot that Shaun took on was very | :16:39. | :16:43. | |
risky as the best of times. For me it was a low percentage shot. We | :16:44. | :16:47. | |
know what a wonderful long potter Shaun Murphy is, one of the best | :16:48. | :16:51. | |
ever, but there is extra pressure on this because it is not guaranteed to | :16:52. | :16:54. | |
get on a colour and there was no path back to baulk. It is a shot | :16:55. | :17:00. | |
that you have to get but unfortunately for him he didn't get | :17:01. | :17:04. | |
away with it after missing it. And that let Ronnie in and the balls | :17:05. | :17:08. | |
were nicely situated because the black was tied up and he was in this | :17:09. | :17:11. | |
situation, just a couple of reds. Whatever he said to Ronnie, he was | :17:12. | :17:31. | |
nodding in agreement. No problems there. I think it is somebody in the | :17:32. | :17:36. | |
audience who seems to be clapping for no reason. Getting back to that | :17:37. | :17:40. | |
last frame when the black was tied up, he had to make a decision and he | :17:41. | :17:44. | |
thought, I can play for the pink but I'm not certain to but he was | :17:45. | :17:50. | |
perfect on the red and took the chance to kiss the red away from the | :17:51. | :17:55. | |
black. He tried to make it a no risk break but in the end decided to take | :17:56. | :17:59. | |
that slight risk. It could quite easily have gone wrong and couldn't | :18:00. | :18:05. | |
it? Yes. But once he had cleared the black, then the frame was his | :18:06. | :18:13. | |
inevitably. One of the things I find interesting as part of his | :18:14. | :18:15. | |
preparation for the World Championship every year, he always | :18:16. | :18:25. | |
seems to get a very sharp haircut! Well, he's a sharp lad. I think I | :18:26. | :18:28. | |
might go for that next time! Every frame now he is -- every frame | :18:29. | :18:42. | |
is building up in importance for Shaun Murphy. The target for a place | :18:43. | :18:48. | |
in the quarterfinal is 13th. Shaun has got to start winning frames now. | :18:49. | :19:02. | |
He can't quite see enough of this long red, you will have to plates | :19:03. | :19:09. | |
with a trace of right-hand side if he takes it on -- he will have to | :19:10. | :19:12. | |
play it. He decided to take the red on the | :19:13. | :19:24. | |
opposite side of the table and that is a mistake. Yes, he didn't get | :19:25. | :19:33. | |
close to the pot and I think if he had done, you might not have left | :19:34. | :19:39. | |
this easy one close to the black. But Shaun has got to capitalise now | :19:40. | :19:45. | |
on these chances. And it is only because Ronnie overcut the long red | :19:46. | :19:51. | |
bikes such a distance that he left an opportunity for Shaun Murphy. If | :19:52. | :19:56. | |
he had got closer to the pot, the cue ball would have stayed a lot | :19:57. | :20:01. | |
closer to the black. And not travelled so far back up the table | :20:02. | :20:05. | |
and this opportunity would not have been on. | :20:06. | :20:17. | |
Slightly under that one. This is a little bit of test but you still | :20:18. | :20:27. | |
expect him to get it. But these are the sort of shots that you can | :20:28. | :20:36. | |
decelerate on and slightly overcut. He made sure that he got a very | :20:37. | :20:40. | |
solid strike and played it very well. | :20:41. | :21:13. | |
I think he got a heavy contact their because he played for the red that | :21:14. | :21:21. | |
is just below the right middle but I don't think he is on it. You could | :21:22. | :21:25. | |
see, just a bit of a jump. Can he get to it? No, he doesn't think he | :21:26. | :21:40. | |
can. When we saw the slow motion, it almost looked as if the cue ball | :21:41. | :21:45. | |
jumped before it reached the black which might be one of the reasons he | :21:46. | :21:49. | |
got a kick. That can happen if you don't keep the cue parallel. Then | :21:50. | :21:58. | |
you have this striking down a motion and you get the cue ball bouncing | :21:59. | :22:01. | |
and if it is coming back to the table when it makes contact with the | :22:02. | :22:05. | |
object ball, hence the every contact. You can see it, definitely. | :22:06. | :22:12. | |
The main reason for that bad contact was | :22:13. | :22:12. | |
It would be good if he could miss the yellow but he can't. It's an | :22:13. | :22:42. | |
easy safety shot for Shaun. He did have a look but it didn't | :22:43. | :23:34. | |
look as if there was a plant there. It nearly went in off the other one. | :23:35. | :23:40. | |
The main concern was to get the cue ball back to the baulk end which he | :23:41. | :23:45. | |
has done but he has not found the baulk cushion. He thought that was | :23:46. | :23:55. | |
too risky to take on because he would be running into a the reds but | :23:56. | :24:00. | |
he has not played the best safety shot and has given Ronnie a chance | :24:01. | :24:05. | |
here. And if Ronnie can judge this well enough, he can pot this, can | :24:06. | :24:11. | |
the red left of it is full in the fate and might be able to stay on | :24:12. | :24:15. | |
the black but it depends how he sees it. | :24:16. | :24:25. | |
To get the full bowl contact on that red he would have had to stun it so | :24:26. | :24:35. | |
he gave the pot every consideration, something Shaun did not do in the | :24:36. | :24:43. | |
last frame. Yes, Ronnie certainly gave that every chance of going in | :24:44. | :24:49. | |
at that pace. Perhaps he felt that if he got a slightly thinner can and | :24:50. | :24:54. | |
he might be going up and perhaps leave himself the blue into the left | :24:55. | :25:01. | |
centre. The way the cue ball has finished, he will almost certainly | :25:02. | :25:06. | |
be taking the long blue into the yellow pocket. And because Ronnie | :25:07. | :25:13. | |
tends to play these with a touch of left-hand side, he will need to get | :25:14. | :25:18. | |
through this smoothly. A bit of a disturbance in the crowd which will | :25:19. | :25:22. | |
not help his concentration. I think what has happened, they are in | :25:23. | :25:25. | |
between frames on the other table and there are just people moving so | :25:26. | :25:32. | |
Ronnie decided to let them settle down and just asked the referee to | :25:33. | :25:39. | |
clean the cue ball so he can not be put off. This is the maturity he has | :25:40. | :25:43. | |
been showing in the last couple of seasons. Make sure you stay still | :25:44. | :25:50. | |
and sit still, please. The only thing I would be saying about having | :25:51. | :25:55. | |
the cue ball cleaned is that the left-hand side that he will be | :25:56. | :26:01. | |
imparting on the cue ball now will actually throw more so he has to hit | :26:02. | :26:05. | |
this smooth otherwise this will be thick but he has played it really | :26:06. | :26:06. | |
well. He got a heavy contact Ben. On both | :26:07. | :26:30. | |
of those last two shots he would have been playing with left-hand | :26:31. | :26:36. | |
side as John mentioned earlier, helping side to help the pot but on | :26:37. | :26:41. | |
these cloths it can make things very difficult sometimes. Even on a shop | :26:42. | :26:51. | |
like this, if you are playing drag with left-hand side you can hit the | :26:52. | :26:56. | |
red thick. He played that beautifully. It is the same with | :26:57. | :27:02. | |
every shot and particularly if you put a trace of side on, it depends | :27:03. | :27:08. | |
how you strike the ball because if you hit it too hard that it can be | :27:09. | :27:14. | |
thin but his timing throughout this match invariably has been absolutely | :27:15. | :27:23. | |
superb. He was given a scare in the first round by Gary Wilson and it | :27:24. | :27:28. | |
was his reaction after that match when he punched the air, I have | :27:29. | :27:32. | |
never seen him do that after a first-round match but he was | :27:33. | :27:36. | |
delighted and it showed how much it meant to him. As Steve Davis has | :27:37. | :27:40. | |
mentioned a few times, I think he has come in and he is on a mission. | :27:41. | :27:46. | |
Yes, he is certainly playing with an intention that I have not seen for a | :27:47. | :27:50. | |
very long time. He is very focused and disciplined and he is using his | :27:51. | :27:57. | |
experience. He is playing very fluently under pressure as he always | :27:58. | :28:06. | |
likes to. But there is a real determination and steeliness about | :28:07. | :28:11. | |
his whole demeanour this year. He just can't get that cue ball exactly | :28:12. | :28:18. | |
where he wants it. He wasn't good on the black and he is not great on | :28:19. | :28:21. | |
this red. And eventually it has caught up on | :28:22. | :28:33. | |
him. He never really got the cue ball under tight control for some | :28:34. | :28:37. | |
reason. Again, I think it was a heavy contact. There was a definite | :28:38. | :28:45. | |
sigh when he missed it and I don't think it was just because he missed | :28:46. | :28:47. | |
the pot. Normally if you get a kick they go | :28:48. | :28:58. | |
thick but that was one of the rare occasions where you can pull it thin | :28:59. | :29:05. | |
and get a kick but meanwhile that is an excellent shot from Shaun Murphy. | :29:06. | :29:14. | |
This is a frame he desperately needs to win. Yes, and it is a big frame | :29:15. | :29:23. | |
because I'm sure he was sat down a few moments ago thinking that the | :29:24. | :29:27. | |
frame had gone with Ronnie in the balls. He is four points behind and | :29:28. | :29:33. | |
trying to think if there was any way he could win the frame without all | :29:34. | :29:37. | |
of the awkward reds near the cushion so he has tried to bring it into | :29:38. | :29:46. | |
play-off red and is he on the black? It is a thin one. They don't | :29:47. | :29:49. | |
recommend you do that but he took the chance. It is a tricky black, it | :29:50. | :29:54. | |
looks easier than it is. Right in the heart of the pocket. | :29:55. | :30:20. | |
Shaun Murphy got up off that black, there was another noise in the | :30:21. | :30:26. | |
audience. Somebody in the crowd is making some quite strange noises and | :30:27. | :30:30. | |
if they continue to do that they will be ejected without any shadow | :30:31. | :30:35. | |
of a doubt. He got up off the shot just to regain his composure. | :30:36. | :30:57. | |
He is on this red, he should not have any problem potting it and | :30:58. | :31:09. | |
getting on the blue. Well, Shaun, Shaun, you cannot afford to be | :31:10. | :31:12. | |
missing those and he cannot believe it. In all honesty, neither can I. | :31:13. | :31:19. | |
He had nothing to do with the cue ball, just pot the red and you are | :31:20. | :31:25. | |
bound to bully on the blue. A bad mistake. -- you are bound to be on | :31:26. | :31:29. | |
the blue. The problem he would have had was the two reds near the | :31:30. | :31:37. | |
cushion. It is now Ronnie's problem but he will be happy to have it. | :31:38. | :31:47. | |
Half Key points in it. -- two points in it. All about the cue ball now. | :31:48. | :32:14. | |
Nice angle on the blue. Will not be easy. Definitely not from there. Now | :32:15. | :32:26. | |
will he try to knock this in play snooker. Very difficult to play at | :32:27. | :32:37. | |
pace. Giving himself the chance of the pot on the black. Right in the | :32:38. | :32:50. | |
heart of the pocket, if he misses the kiss on the yellow, this is | :32:51. | :32:59. | |
perfect. Look at this. Superb. Just wanted it to bounce another | :33:00. | :33:01. | |
fraction. Well, I said, going into a slightly | :33:02. | :33:18. | |
blind pocket. He played in such a way, if it does not give in, I will | :33:19. | :33:26. | |
get the cover with the pink. Strange thing about that shall permit the | :33:27. | :33:30. | |
pink was not there, and aiming he would have missed the red. Yes, I | :33:31. | :33:35. | |
get what you are saying, played its lower then he would have, trying to | :33:36. | :33:41. | |
cover it. Just a negative thought. With it being so close to the | :33:42. | :33:46. | |
pocket, there is a chance Shaun Good hit the red and knock it in. Need | :33:47. | :33:59. | |
something good to happen, otherwise we'll lose the frame. It was not | :34:00. | :34:18. | |
right over the pocket. Ronnie comes back to the table with a 12 point | :34:19. | :34:27. | |
lead. Whoever pots this red, you feel will win the frame. Tough pot, | :34:28. | :34:31. | |
can play it with an element of safety. Because of the difficulty, | :34:32. | :34:38. | |
decided against it. Not bad. Not as good as you would have liked. | :34:39. | :34:57. | |
The difficulty for Shaun, does not have the angle to swing the white | :34:58. | :35:03. | |
around the four cushions, around the yellow and brown. The chance of | :35:04. | :35:09. | |
sticking it over the middle that. Interesting choice of shock. I don't | :35:10. | :35:27. | |
think it was the best choice. He feel Ronnie has control of the | :35:28. | :35:31. | |
situation. Important tactical exchange. Could have played that | :35:32. | :35:46. | |
better. Again, sounded heavier to me. The White Sox very quickly | :35:47. | :36:03. | |
there. -- the white stopped. Far be going to see a Shaun Murphy special? | :36:04. | :36:07. | |
If you take this on, will be really tough. Not the easiest safety shot | :36:08. | :36:14. | |
in the world. Will have to avoid double-kisses. Played that snooker | :36:15. | :36:23. | |
behind the pink really well, excellent shot. Looks easy enough to | :36:24. | :36:40. | |
hit. Need to get the red say. He will settle for this, may have got a | :36:41. | :36:55. | |
snooker back. I think he has. Full ball snooker. Shaun looking to come | :36:56. | :37:04. | |
off the cushion. A possibility of coming off a two cushions, hitting | :37:05. | :37:09. | |
the red. The cue ball hitting the yellow, sniggering in the high. | :37:10. | :37:22. | |
Hiding him behind brown. If Ronnie can park-macro | :37:23. | :37:32. | |
-- pot this red, and get on a colour. Holding on the blue, not | :37:33. | :37:43. | |
bad. But Italy when you can play left-handed. | :37:44. | :37:48. | |
And just look at the scoreboard, 18 points in front. Looking for yellow | :37:49. | :37:58. | |
and green to get to snookers required. 1323 points in front | :37:59. | :38:07. | |
22 remaining. -- puts him in 23 points in front. | :38:08. | :38:21. | |
Just about getting past the baulk line, to make the screen easy pot. | :38:22. | :38:36. | |
Still not sure, snookers needed. Now no way back to the table for Shaun | :38:37. | :38:40. | |
Murphy. Mid-session interval coming up. He has nothing to show for his | :38:41. | :38:47. | |
efforts. Winning one of the first four frames. Not what he was looking | :38:48. | :38:52. | |
for. In goes the black. Ronnie O'Sullivan | :38:53. | :39:08. | |
with a six frame advantage after starting with a four frame | :39:09. | :39:15. | |
advantage. STUDIO: For all the world, it looked like Murphy was | :39:16. | :39:20. | |
going to take that one, to prevent the possibility of Irwin for | :39:21. | :39:24. | |
O'Sullivan with a session to spare. Where he to win the next four, he | :39:25. | :39:28. | |
would be into the quarterfinals. Assess how this is going for Shaun? | :39:29. | :39:35. | |
Apart from having a good start, he has been outplayed. No disgrace in | :39:36. | :39:40. | |
that. Ronnie O'Sullivan is one of the greats. From Shaun's | :39:41. | :39:46. | |
perspective, how do you play better? You come here with all the hype, all | :39:47. | :39:51. | |
the optimism, doing the practice, hard work. You know you are great | :39:52. | :39:55. | |
player, winning the World Championship before. Someone | :39:56. | :39:59. | |
outplays you, and you have to suffer it. Not the crackling intensity in | :40:00. | :40:04. | |
this session we witnessed last night. Because of the imbalance in | :40:05. | :40:10. | |
the scoreline. He has his chances, he has not taken them. Not been as | :40:11. | :40:15. | |
clinical. It was not clinical in the fourth session. Not as clinical as | :40:16. | :40:20. | |
he would be normally. I don't expect this match to finish. As the gap | :40:21. | :40:27. | |
widens, hard to get yourself up. As a player, you feel like the match as | :40:28. | :40:32. | |
gone from you, hard to keep your concentration. Funnily enough for a | :40:33. | :40:38. | |
game where you don't have any physical contact with each other, | :40:39. | :40:43. | |
you don't have a style, you come to the table, the balls are static, | :40:44. | :40:49. | |
amazing how a guy can put you off your stride. The balls are still | :40:50. | :40:54. | |
when you come to the table. But you put yourself under pressure, you | :40:55. | :40:56. | |
think I have to play well because he's playing well. Do you send Shaun | :40:57. | :41:02. | |
Murphy senses he can turn it around? I do think so. I think he senses it | :41:03. | :41:09. | |
is inevitable now. Because of the gap, not making the most of the | :41:10. | :41:13. | |
chances. To claw back six frames, very difficult. He has done before. | :41:14. | :41:18. | |
Not beyond the realms of possibility. Not giving up, | :41:19. | :41:29. | |
preparing for the worst. Deflated. Take your mind off things, go for a | :41:30. | :41:32. | |
drive with Steve Davis, but keep your eyes on the road. | :41:33. | :41:39. | |
Where do we go? Where would you go now? Let's say you have played in | :41:40. | :42:03. | |
the first round, you have got beaten. You want to run 1 million | :42:04. | :42:08. | |
miles away. The answer is home to my wife, and little baby. That really | :42:09. | :42:13. | |
the answer is to a golf course somewhere, get myself away from it. | :42:14. | :42:23. | |
What is your handicap? Scratch. That is not an ordinary reaction. | :42:24. | :42:29. | |
Scratch. You have picked golf up and put it down more times than I have | :42:30. | :42:34. | |
had hot dinners. You have had more love affairs with golf than a few. | :42:35. | :42:38. | |
You try your hand, then putting it down, going off on playing your | :42:39. | :42:43. | |
records, the Jing. You are a bit musical? How does the piano playing | :42:44. | :42:50. | |
do? What level are you? My handicap at piano would be a decent 12. | :42:51. | :42:59. | |
12-14. All I almost went through a red. I am so lost. I think it is | :43:00. | :43:09. | |
down and left. All these years you have been coming to Sheffield. Never | :43:10. | :43:14. | |
been to this pitiful. I turned right when I should have turned around. | :43:15. | :43:20. | |
You like a nice car? I have had nice cars in the past. You are man, no | :43:21. | :43:30. | |
commitments, no kids, not married. A baby seat does not look good in a | :43:31. | :43:34. | |
sports car. Would not have gone on the Aston Martin, that had to go. | :43:35. | :43:40. | |
Are we still in Sheffield? This is Derbyshire. Are we in Bakewell. I | :43:41. | :43:51. | |
apologise, I have turned the clock off. I will not be charging you | :43:52. | :43:55. | |
extra. Totally the wrong side of town. In the one-way system. Stuck | :43:56. | :44:01. | |
in the one-way system. The trouble is when I first came here, you could | :44:02. | :44:05. | |
drive anywhere. There was no one-way system. It was horse and cart. That | :44:06. | :44:16. | |
is cruel. I think it was. We will be OK. We will be all right. How much | :44:17. | :44:21. | |
petrol do we have? I have a full tank. This is on expenses. All | :44:22. | :44:28. | |
routes going the wrong way. Let's go to all routes. What is on the | :44:29. | :44:35. | |
agenda, as an adrenaline junkie. Is this right? What is on the agenda? | :44:36. | :44:45. | |
What would you like to do? By the way, ladies and gentlemen from he | :44:46. | :44:48. | |
put the indicator run, the wipers came on. The one I would definitely | :44:49. | :44:56. | |
do, and be keen to do is Strictly Come Dancing. I would love to do | :44:57. | :45:05. | |
Strictly. I used to do it in my younger days, when I was young and | :45:06. | :45:10. | |
single. It was French jive and rock and roll. So my mate said it was a | :45:11. | :45:17. | |
great place to meet girls. That was enough. I loved it. Really enjoyed | :45:18. | :45:27. | |
it. Then there was the sparkly crystal suit I had made for the | :45:28. | :45:31. | |
World Championship ague years ago. That was made by the head Taylor for | :45:32. | :45:36. | |
Strictly. The trousers were a bit baggy at the bottom. He thought I | :45:37. | :45:40. | |
was going to do some spins was out there. You were the first person to | :45:41. | :45:46. | |
see me in it. You came to my dressing room, and said, wow, you | :45:47. | :45:53. | |
better play well with that on. The meantime I wore it. Can you go Trip | :45:54. | :45:59. | |
Adviser with taxi drivers? I'm not sure, I am not registered. Aside | :46:00. | :46:06. | |
from your gear changing, lane discipline and general knowledge of | :46:07. | :46:09. | |
Sheffield, it has been great. I remember running up this road after | :46:10. | :46:15. | |
you for an autograph. That'll be ?355. Please. Good grief. I am sorry | :46:16. | :46:21. | |
for the journey. That Steven Davis, he has the | :46:22. | :46:33. | |
knowledge, but he has not done the knowledge. I will have to buy una to | :46:34. | :46:39. | |
Z of Sheffield. Difficult, all these one-way systems, they keep on | :46:40. | :46:53. | |
changing. -- by you the a to Z. We will have a new champion here in | :46:54. | :46:59. | |
Sheffield. So roll-up, who is next for our competition. It is John | :47:00. | :47:08. | |
Higgins. Welcome to today's edition of pot quiz. We have the four time | :47:09. | :47:19. | |
champion, John Higgins. Am I right in saying you had again last year. I | :47:20. | :47:24. | |
have not had a go. We ask you five questions, every time you get one | :47:25. | :47:29. | |
right you remove the red on the table, then when the clock starts, | :47:30. | :47:35. | |
you have the pot Demel. Which five players the GB to bring your first | :47:36. | :47:44. | |
world title in 1998? Is this for five reds? I have to get the five of | :47:45. | :47:57. | |
them. Dave Harold? No. Ken Debaty. One. Ronnie O'Sullivan. Anthony | :47:58. | :48:08. | |
Hamilton. Graeme Dott. Jason Ferguson, Anthony Hamilton, John | :48:09. | :48:16. | |
Parrott. So I did! Ronnie O'Sullivan and Ken Debaty. Who refereed? Robbie | :48:17. | :48:29. | |
Arendell. Which player have you played the most times at the | :48:30. | :48:35. | |
Crucible? Ronnie O'Sullivan? Correct. Brilliant answer. What is | :48:36. | :48:41. | |
your highest ever Crucible century break? 145. 143 in 1998, against me. | :48:42. | :48:57. | |
Thank you very much. You still have two. Question number five, what was | :48:58. | :49:02. | |
the number one record the day you were born on the 18th of May, 1975. | :49:03. | :49:21. | |
Sugar Baby Love, Stand By Your Man. Bye-bye Baby. It was Stand By Your | :49:22. | :49:39. | |
Man. Good luck, take your reds. When we get near the end, everybody put | :49:40. | :49:43. | |
him under pressure on the black. Here we go, starting now. | :49:44. | :49:51. | |
Fluent. Two down already. This is good. Nice touch. You can play this | :49:52. | :50:08. | |
quick, what has been happening? Nice cue action. Lovely series of stands. | :50:09. | :50:13. | |
Economy with the cue ball. Not moving very far. Excellent. | :50:14. | :50:23. | |
Beautiful. Coming up to 40 seconds. Doing very well. Very well ahead of | :50:24. | :50:29. | |
schedule. Maybe the first position on the state. The crowd roaring. | :50:30. | :50:38. | |
Very good. Where is the cue ball going? Stop, stop. He has himself in | :50:39. | :50:45. | |
a bit of trouble. Up to one minute. Beautiful shot. Fantastic. He needs | :50:46. | :51:00. | |
the spider. One minute. Time now one minute, 15. Quickly, you have to get | :51:01. | :51:06. | |
this one, then the black. You have a chance. Come on, Johnny. It is | :51:07. | :51:20. | |
there. This is good. We don't know how good, I am waiting. One minute, | :51:21. | :51:31. | |
28. Unlucky. You have lost by 0.1 in a second. I want a recount. I'm | :51:32. | :51:42. | |
sorry, you have failed. One minute 28. I am not so sure he does not | :51:43. | :51:53. | |
deserve a recount after that one. Will he take that form to the match | :51:54. | :51:59. | |
table? C. His 23rd go of the Crucible since he appeared first. | :52:00. | :52:15. | |
His best friend was the quarters last year, losing to Alan McManus. | :52:16. | :52:25. | |
You get the feeling he's in the mood for title number five. He has to get | :52:26. | :52:30. | |
past Mark Allen, who has beaten him more times than he has lost, but not | :52:31. | :52:35. | |
in Sheffield. In 2009, a couple of years after making his debut he lost | :52:36. | :52:40. | |
to John in the semifinals. That remains his best progress to date. | :52:41. | :52:44. | |
Never pass the second round stage since then. Let's start at the very | :52:45. | :52:50. | |
beginning in this match. Good place to start. We will do so in the | :52:51. | :52:56. | |
company of John Parrott and Dennis Taylor, four frame one. | :52:57. | :53:04. | |
The curtain comes down in the Crucible Theatre. The four times | :53:05. | :53:10. | |
champion John Higgins gets this opening frame under way. This could | :53:11. | :53:19. | |
be a cracker, John. Yes, Dennis, often said, these rounds for the | :53:20. | :53:28. | |
finals. This one definitely good. John Higgins, four times champion of | :53:29. | :53:32. | |
the world. Mark Allen certainly has the capabilities to be world | :53:33. | :53:35. | |
champion. Tough match in the last 16. | :53:36. | :53:43. | |
Not a bad way to start. Cracking pot, like that. Worth another look | :53:44. | :54:03. | |
at that one. The kiss on the blue could have been better. Quite an | :54:04. | :54:07. | |
attacking shot, taking this one on, surely. That is a super shot if he | :54:08. | :54:21. | |
is on the red next to the black. He has the one the middle, but what are | :54:22. | :54:27. | |
confident pot that was. Superb pot around the ankles, with the rest. -- | :54:28. | :54:36. | |
angles. Whether he has come around the right angle near the black. He | :54:37. | :54:44. | |
has a choice. Looked at this before. Needs to play little cannon. Well | :54:45. | :54:49. | |
judged. Very positive. The two reds have just stuck | :54:50. | :55:21. | |
together, he is on the bottom one, that is perfect. The waymark is | :55:22. | :55:31. | |
getting the spider out, the swan neck I should say, looks like it | :55:32. | :55:38. | |
does go. You have to be a bit careful here, bridging over. | :55:39. | :55:50. | |
The word on the street, so to speak, before we got to the Crucible was | :55:51. | :55:56. | |
that Mark Allen was playing incredible stuff in practice. If he | :55:57. | :56:07. | |
can take that sort of form here to the Crucible, he will give John | :56:08. | :56:13. | |
Higgins a very tough time here. He has beaten John on eight occasions, | :56:14. | :56:19. | |
three times he has beaten him in the Masters. | :56:20. | :56:27. | |
He has, but the interesting stats, whenever they have played the longer | :56:28. | :56:32. | |
format, in those matches John Higgins winning all three, including | :56:33. | :56:36. | |
the semifinal of the World Championship. Maybe suits John over | :56:37. | :56:44. | |
a distance of ground. Mention how well Mark was playing, he had four | :56:45. | :56:49. | |
centuries in five frames at Shaun Murphy's house. Not a very nice | :56:50. | :56:54. | |
house guest. He will not be going back there, as a guest, either. I | :56:55. | :57:05. | |
can already sense in the opening frame there is far more focus on | :57:06. | :57:09. | |
Mark Allen. He played a Cajuns Jimmy Robinson the other day. Jimmy did | :57:10. | :57:16. | |
well, much improved. Mark, his concentration at the end was very | :57:17. | :57:19. | |
good. Parts of it were a little sloppy. He knows he will not be able | :57:20. | :57:23. | |
to be like that today. Mark is one of those players, he's a | :57:24. | :57:42. | |
left-hander, when he uses the rest coming he uses his right hand. | :57:43. | :57:47. | |
Amazing the number of left-handers who do that. How does that work? I | :57:48. | :57:56. | |
don't know why that is the case. Dean Reynolds, Mark Allen. Very | :57:57. | :58:01. | |
strange anomaly. Judd Trump, another one. Barry Hawkins, another one. | :58:02. | :58:17. | |
He got a poor contact. Stopping dead, the cue ball. | :58:18. | :58:26. | |
Mark was playing for the loose read the top of the gap. No reaction. | :58:27. | :58:47. | |
Trying to pick a spot on the cushion where he would knock the first red, | :58:48. | :58:53. | |
to make the ankle to knock the plant in. Quite a bit of distance between | :58:54. | :59:02. | |
the two reds. He has thought better of it. Just the safety shot. Maybe | :59:03. | :59:10. | |
he has done for the middle here. Terrifc pot. I tell you what, the | :59:11. | :59:18. | |
next shot, if it works correctly, he could take the frame with this | :59:19. | :59:21. | |
visit. Wonderful shot, well controlled. Need to keep the cue | :59:22. | :59:30. | |
ball for the black. This is an excellent contribution. What a way | :59:31. | :59:31. | |
to start the match. Played that particular screw shot | :59:32. | :00:15. | |
Sally had a choice of two reds. Closest to the black or the bottom | :00:16. | :00:21. | |
one of these two on the right. Cannoning office. -- of this. | :00:22. | :00:31. | |
Showing us what he made 32 centuries this season so far. 36 the season | :00:32. | :00:38. | |
before. 313 in his career. One of the great break-builders in our | :00:39. | :00:39. | |
game. He won the World Open championship | :00:40. | :00:59. | |
on two occasions, that was in China. The frame is safe so he can | :01:00. | :01:16. | |
concentrate on trying to clear them up here. And I think that's not a | :01:17. | :01:29. | |
bad idea. What a shame. John will probably come back to the table but | :01:30. | :01:34. | |
barring a snooker mark Allen Wildig the opening frame. STUDIO: That was | :01:35. | :01:38. | |
an emphatic start from Mark Allen who leads the head-to-head against | :01:39. | :01:45. | |
John Higgins 8-7 and that will continue on and we will reflect more | :01:46. | :01:49. | |
on it after the conclusion of this session between Murphy and | :01:50. | :01:53. | |
O'Sullivan, possibly the conclusion of the match but there are four more | :01:54. | :01:58. | |
frames to play this afternoon and O'Sullivan is four away from a 19th | :01:59. | :02:04. | |
quarterfinal appearance at the quiz but in 25 goes. Back to Peter and | :02:05. | :02:16. | |
John. COMMENTATOR: Thank you, Hazel. And I'm sure Ronnie wouldn't mind if | :02:17. | :02:23. | |
he could seal this match as we are not even at the three hour stage in | :02:24. | :02:29. | |
the match time, and he could certainly win the match if he could | :02:30. | :02:33. | |
win the next four frames and it would be all over, 13-3, with a | :02:34. | :02:39. | |
session to spare and a bit more time on the practice table. That needed | :02:40. | :02:48. | |
to be very thin from Shaun Murphy, but slightly too much. It has given | :02:49. | :02:58. | |
the initiative to Ronnie O'Sullivan to play a better safety shot and he | :02:59. | :03:01. | |
is playing this with a lot of left-hand side. That is careless. | :03:02. | :03:08. | |
He's been fortunate, John. Shaun just stopped in his tracks | :03:09. | :03:19. | |
there but there is a chance of potting this red. He is looking at | :03:20. | :03:27. | |
an alternative but it looks like it is pottable off the side cushion. | :03:28. | :03:34. | |
What has he got in mind here? Well, it was a good effort at trying to | :03:35. | :03:48. | |
move the red from the corner and in a way he was unlucky it | :03:49. | :03:53. | |
double-kissed and stayed there. He will be thinking that not much is | :03:54. | :03:56. | |
going his way. It was a good attempt. Ronnie might well elect to | :03:57. | :04:00. | |
play cushion first here. Easy enough pot but controlling the | :04:01. | :04:25. | |
pace of the cue ball was always going to be difficult. It was on the | :04:26. | :04:30. | |
pink but the potting angle is taking him away from the reds. That is why | :04:31. | :04:35. | |
I suggested he might have been better off playing cushion first | :04:36. | :04:40. | |
because it would have taken the pace off the cue ball and he almost | :04:41. | :04:43. | |
certainly would have been on the black. Where has the cue ball gone?! | :04:44. | :04:56. | |
That was an unexpected error from Ronnie. The pockets are always in | :04:57. | :05:00. | |
the same place! Is he looking at the pot here? No, | :05:01. | :05:47. | |
just the safety. There was always a chance he could not want over the | :05:48. | :05:48. | |
left corner. -- he could knock one. He didn't mind leaving this red | :05:49. | :06:48. | |
along the top cushion, as long as it is straight there is no way he would | :06:49. | :06:49. | |
be tempted to play the pot. The only thing that Shaun has to be | :06:50. | :07:26. | |
a bit wary of, he has to play safe down the left-hand side of the table | :07:27. | :07:31. | |
and he has to void the kiss on the red that is tight to the top cushion | :07:32. | :07:35. | |
but he has decided to play safe off it and you have to be careful with | :07:36. | :07:43. | |
these. He has got a good line, an excellent line. That's a bonus. | :07:44. | :07:47. | |
APPLAUSE Exactly the three-hour mark now in | :07:48. | :08:17. | |
this match. Foul and a miss, Shaun Murphy six. Shaun has no reason not | :08:18. | :08:28. | |
to have it replaced. It couldn't have been closer to hitting the red. | :08:29. | :08:39. | |
Has to be a little bit careful here, Ronnie. If he just slides past it or | :08:40. | :08:51. | |
even hits the red thin, he could possibly leave something. | :08:52. | :09:01. | |
Two people sat there waiting for the referee to do his job. | :09:02. | :09:14. | |
The same shot, just a minor adjustment needed but he has to be | :09:15. | :09:18. | |
precise. Ronnie coming down to look at the | :09:19. | :09:57. | |
reds to see if he could play a shot to nothing. Digging down on the cue | :09:58. | :10:06. | |
ball slightly. He has caught that a bit thin. Will the blue come to his | :10:07. | :10:21. | |
rescue? There is a pot here for Shaun Murphy. But he will be | :10:22. | :10:26. | |
cannoning into the two reds above the pink and he needs to avoid the | :10:27. | :10:31. | |
screw off into the middle pocket. He has played it really well. APPLAUSE | :10:32. | :10:35. | |
Yes, good, solid pot. He has got to take these chances | :10:36. | :10:42. | |
now. He is running out of time. He played that nicely and I think | :10:43. | :11:30. | |
the pink will go to the right corner. He would like it on its | :11:31. | :11:32. | |
spot. He is looking to see if there is a | :11:33. | :12:04. | |
way he could get on the black once he has pocketed the pink and the | :12:05. | :12:05. | |
next red. -- he has pocketed the He can always play for the pink of | :12:06. | :12:36. | |
course but he feels that if he can get on the black nicely he might be | :12:37. | :12:41. | |
able to nudge one of those reds awaits that is just above it and | :12:42. | :12:45. | |
clear it for both corners and then he would be thinking about winning | :12:46. | :12:47. | |
the frame in one visit. In the end he played the run-through | :12:48. | :13:23. | |
but what sort of angle has he got on this red? He doesn't want to be too | :13:24. | :13:26. | |
straight on it. Just enough angle. Just as soft screw here, pot black, | :13:27. | :13:49. | |
Cannes in the full in the face. -- pot the black, cannon the pink. He | :13:50. | :13:57. | |
is still OK. He needs to get to 72 points, | :13:58. | :14:57. | |
another 25 required and it looks a task well within his reach here. Of | :14:58. | :15:03. | |
course, if he wins this frame it would go into the third session, no | :15:04. | :15:05. | |
matter what. 61 ahead, 83 remaining, so he is | :15:06. | :15:48. | |
looking for red, colour, red here. He is just a little bit straight on | :15:49. | :16:08. | |
the easy red. Nicely played, just a red needed to | :16:09. | :16:39. | |
go 69 in front with only 67 remaining. | :16:40. | :16:54. | |
He has taken these well, Peter, and he looks determined. He is not | :16:55. | :17:02. | |
throwing the towel in by any means. No, this has been an excellent | :17:03. | :17:06. | |
contribution from Shaun Murphy, timing the ball particularly sweetly | :17:07. | :17:13. | |
in this break. His highest break so far in the match was 84. He would | :17:14. | :17:20. | |
love to make a century. He just lost the cue ball a bit | :17:21. | :17:32. | |
there. APPLAUSE | :17:33. | :17:55. | |
Good, solid pot. Two reds, two blacks would take him | :17:56. | :18:27. | |
to the century. But just not to be, but he has the frame on the board | :18:28. | :18:32. | |
and this match will go to the third session no matter what. He is still | :18:33. | :18:36. | |
five frames behind but that was a competent break. 9-4 O'Sullivan. | :18:37. | :19:43. | |
Berry impressive CV from Shaun Murphy and of course champion in | :19:44. | :19:50. | |
2005 -- very impressive CV. Three more frames to be played in | :19:51. | :20:11. | |
this session. Can he make any inroads into that deficit? | :20:12. | :20:39. | |
Not the best from Ronnie, that red has gone over the far left corner. | :20:40. | :20:48. | |
That is unlike Ronnie to make a careless shot but he did want in the | :20:49. | :20:52. | |
last when he potted the pink and went in off. Normally a very good | :20:53. | :20:58. | |
about his knowledge of where the cue ball and the object ball will finish | :20:59. | :21:02. | |
but he misjudged that one so the first chance for Shaun. | :21:03. | :21:32. | |
He did not get the pace into that, unless the red just below the pink | :21:33. | :21:41. | |
goes to the left corner which it obviously doesn't. I know he's very | :21:42. | :21:45. | |
good with the rest but I don't think this was the red he was looking to | :21:46. | :21:48. | |
be on. 82% success rate with the rest. | :21:49. | :21:59. | |
Slightly better than Ronnie. Good shot. You have seen those | :22:00. | :22:28. | |
missed quite a few times when people just don't get through the white | :22:29. | :22:34. | |
but, as he did in the last frame, Peter, may be a bit of pressure has | :22:35. | :22:38. | |
gone off him now because he is so far behind and he is just starting | :22:39. | :22:50. | |
to free up his cue arm. Maybe Ronnie has taken his foot off the gas a | :22:51. | :22:54. | |
little bit thinking he has done the damage but there is still a long way | :22:55. | :23:01. | |
to go. He doesn't seem to have quite the intensity that he had earlier | :23:02. | :23:09. | |
on. But at this level you cannot afford any lapses in concentration. | :23:10. | :23:50. | |
He purposefully left himself an angle on this red. To disturb some | :23:51. | :23:58. | |
more reds. He is a bit straighter than he would have liked. So from a | :23:59. | :24:05. | |
positional point of view, this can go wrong. | :24:06. | :24:15. | |
If he doesn't want to risk playing the run-through, he could screw back | :24:16. | :24:21. | |
and play for the pink in the middle but he is playing the run-through. | :24:22. | :24:29. | |
At first glance he doesn't look to be perfect on the black. Hence he is | :24:30. | :24:34. | |
playing the pink. Now, where does the pink go? The | :24:35. | :24:54. | |
pink spot is not available so it goes as close as it can. Looking at | :24:55. | :24:59. | |
the side bar, he needs another 33 points to get to the snooker 's | :25:00. | :25:01. | |
required stage. -- snookers. Now it is all down to this break. He | :25:02. | :25:22. | |
is going to pot the black and try to bring enough reds into play so he | :25:23. | :25:27. | |
can win the frame at this visit. It's gone wrong. We saw Ronnie | :25:28. | :25:33. | |
playing a similar shot in another frame. Yes, he didn't get enough | :25:34. | :25:43. | |
action on the cue ball. It is the type of shop Shaun Murphy normally | :25:44. | :25:46. | |
plays really well and he screws right through the reds. And he gets | :25:47. | :25:51. | |
the arc on the cue ball. Instead he played the stun. He is wondering | :25:52. | :25:57. | |
about the possibility of putting this red to the far corner and does | :25:58. | :26:02. | |
not feel he would be leaving much if he misses it. But he is not going to | :26:03. | :26:08. | |
miss it! Great shot. He has lost the cue ball slightly, though. This | :26:09. | :26:10. | |
black is tricky. Excellent pot. I wouldn't say he was | :26:11. | :26:35. | |
fortunate but he just had the perfect angle when he could run | :26:36. | :26:39. | |
around the back of that red because there was not what he could do so | :26:40. | :26:44. | |
close to the cushioning. Just pop the black and let the cue ball go of | :26:45. | :26:47. | |
its natural angle and he has finished on this nicely. -- on this | :26:48. | :27:02. | |
red. He has to come in and out of baulk here so he has to be a bit | :27:03. | :27:08. | |
careful. Doesn't want to kiss the green. Just trickled past it. That | :27:09. | :27:13. | |
is good. This black, one more red and a | :27:14. | :27:42. | |
colour required. 65 ahead, 75 remaining and when he pots this red | :27:43. | :27:49. | |
there will only be 67 remaining and he will be 66 in front so he will | :27:50. | :27:51. | |
need a colour off it. That should be it. It was a loose | :27:52. | :28:23. | |
safety shot from Ronnie earlier in the frame and he has been sat down | :28:24. | :28:30. | |
ever since. This was the one, containing safety, he hit the red | :28:31. | :28:34. | |
wrong and left it on and that was the only mistake he had to make. | :28:35. | :28:38. | |
That is not in but I don't think Ronnie will bother coming back. He | :28:39. | :28:46. | |
might do. 73 behind, 67 remaining, two snookers needed. | :28:47. | :29:05. | |
He needs a big bounce off the top cushion and I don't think he's going | :29:06. | :29:15. | |
to get one. If he doesn't pot the black he will concede. Terrific | :29:16. | :29:27. | |
shot. OK, the kiss on the brown has stopped his position. | :29:28. | :29:39. | |
It it might imagination come does it seem like the table is playing a big | :29:40. | :29:47. | |
heavy? That is a couple that Ronnie has played that have only just got | :29:48. | :29:51. | |
past the Buk line which is unlike him. -- the baulk line. This is a | :29:52. | :29:58. | |
great test of Shaun's cueing. Definitely jumped. The cue ball | :29:59. | :30:39. | |
leaving the bed of the table on the way to making contact. That should | :30:40. | :30:49. | |
be the end of the frame. He has done well here, Shaun Murphy. Yes, | :30:50. | :30:56. | |
although he missed the red which encouraged runny to carry on. He did | :30:57. | :31:02. | |
do it in one visit. We have been saying all along, that is what he | :31:03. | :31:05. | |
has to do. Two more frames to play, and if he | :31:06. | :31:24. | |
was to win them both, definitely match on. Does not matter about the | :31:25. | :31:30. | |
black, Ronnie will concede. The poor safety shot from runny at the start | :31:31. | :31:37. | |
of the frame, but all credit to Shaun, he took his chance. Still | :31:38. | :31:47. | |
trailing by four. STUDIO: That is a different complexion on things, the | :31:48. | :31:50. | |
first time Shaun has strung back-to-back frames together. At | :31:51. | :31:55. | |
what point in the best of 25 frames can you start to relax? Clearly it | :31:56. | :32:00. | |
is not as relaxing as a couple of frames ago for runny. 11-5, happy. | :32:01. | :32:10. | |
10-6, you had to kill the guy. I apologise for saying Shaun had given | :32:11. | :32:16. | |
up. I did not mean that. What I meant, was he was looking like it. | :32:17. | :32:22. | |
Body language was deflated. A proper spring in his step. If he could get | :32:23. | :32:29. | |
a couple, 9-7 would be fantastic. Important for runny, to stop the | :32:30. | :32:34. | |
rot. Get the next frame on the board. Put some distance between | :32:35. | :32:40. | |
them. Fair play to Shaun, being a past champion here, he has the | :32:41. | :32:47. | |
quality and pedigree. Just needed to get momentum going. We talked last | :32:48. | :32:52. | |
night about the thumping he received from runny three, four years ago. | :32:53. | :33:02. | |
Beat 13-3. A horrible memory. He is well past. Starting to make inroads | :33:03. | :33:08. | |
into the match. At what point is a player do you feel momentum starting | :33:09. | :33:14. | |
to turn your way. You play that frame by frame. You are a happy | :33:15. | :33:19. | |
bunny when you win a frame. Getting a roll on. They started the session | :33:20. | :33:28. | |
6-2. 9-5, still has the four frame advantage. To win the last two | :33:29. | :33:33. | |
frames, that is what he's opening for. At least win the session 5-3. | :33:34. | :33:40. | |
You always feel Ronnie O'Sullivan does not crumble in front, a great | :33:41. | :33:45. | |
front runner. Whatever is thrown at him communicates of it. The bigger | :33:46. | :33:51. | |
breaks have been made by Shaun. 70 and 84. As for runny, not huge | :33:52. | :33:59. | |
bursts of big scoring. Still has a four frame cushion as we go into the | :34:00. | :34:04. | |
penultimate one of the session. Frame 15. COMMENTATOR: Interesting | :34:05. | :34:13. | |
two frames these could turn out to be. To get through to the red. Black | :34:14. | :34:31. | |
is available. Oh, no, I decided to play the run-through. Catching the | :34:32. | :34:36. | |
table. I thought he would have committed more to that. He thought | :34:37. | :34:43. | |
it was in. A look of a player who thought that was in. Certainly could | :34:44. | :34:54. | |
not got any John. -- got any closer, John. Struggled it in. Wanted to | :34:55. | :35:04. | |
avoid the case on the yellow. It is decision time. He will trickle up to | :35:05. | :35:15. | |
the brown. Don't blame him. A couple of loose reds on either side of the | :35:16. | :35:20. | |
cluster. Any guaranteed to get this safe. Shaun Murphy must be very | :35:21. | :35:32. | |
careful here. As you quite rightly pointed out, John. | :35:33. | :36:05. | |
Should not be too much of a problem for Shaun. Should be able to | :36:06. | :36:14. | |
readjust. The only problem with this red being tight, if he hits it too | :36:15. | :36:18. | |
hard committee could possibly lead the red one. Needs to hit it's a | :36:19. | :36:25. | |
dead weight. Nearly did leave it on. Shaun came down to check if there | :36:26. | :37:30. | |
was a path to the right-hand black pocket. It was too thick. Checking | :37:31. | :37:38. | |
to see whether the red would go to the pocket. One did. And that was | :37:39. | :37:42. | |
not good. As the guys in the studio were | :37:43. | :38:01. | |
saying, Ronnie will think he has since stopped the rot. The fact that | :38:02. | :38:07. | |
Shaun has won two frames in succession. If the won the next to, | :38:08. | :38:12. | |
Ronnie would not be pleased that outcome. -- pleased with that | :38:13. | :38:23. | |
outcome. Something catching runny in his eyeline. | :38:24. | :38:33. | |
Ronnie knows. He was thinking everything, where the cue ball would | :38:34. | :39:01. | |
go, the cardinal error, missing the pot. What a let off for Shaun. What | :39:02. | :39:06. | |
an opportunity has now. A bit of adrenaline, John. Cue ball | :39:07. | :39:30. | |
control throughout the match, not up to its usual high standards. It | :39:31. | :39:36. | |
appears to be over or underhitting quite a few shots. | :39:37. | :39:54. | |
OK, you can nestle behind the blue, but chances like that, you only get | :39:55. | :40:05. | |
one, disappointing. Thinking that the red over the corner pocket, I | :40:06. | :40:11. | |
will get another chance. If runny tries to come off-the-ball cushion, | :40:12. | :40:25. | |
using the spider, this is so. -- baulk cushion, using the spider, | :40:26. | :40:31. | |
this is tough. This is the line he's looking for. Any sort of pace on the | :40:32. | :40:36. | |
cue ball. Really hampered by the blue here. Wide. Shaun gets another | :40:37. | :40:48. | |
bite at the cherry. You look at the body language of | :40:49. | :41:30. | |
players, and Shaun's body language seems to be changing. He has that | :41:31. | :41:38. | |
look of determination, where not so long ago he had a look of | :41:39. | :41:43. | |
resignation. That is true, also in the last couple of frames Ronnie | :41:44. | :41:46. | |
seems to be tired looking in his chair. Definitely showing signs of | :41:47. | :41:55. | |
tiredness. Maybe went out to put some water on his face. At the end | :41:56. | :41:57. | |
the last frame. Shaun playing a delicate cannon | :41:58. | :42:25. | |
here. Claydon that really well. -- Claydon that. | :42:26. | :42:35. | |
Glorious opportunity, the black available now into both corners. | :42:36. | :43:03. | |
Lots of noise from the other side of the wall. Got to concentrate, and | :43:04. | :43:10. | |
focus on what you were doing on here. These players very | :43:11. | :43:26. | |
experienced. 41 points required. The way they are spread around, nothing | :43:27. | :43:30. | |
is a formality, but you would expect him to do it. | :43:31. | :44:37. | |
They will probably play down for the black here. Just needs to get the | :44:38. | :44:48. | |
pace right. Looks as if he has got enough angle. Does not want to blame | :44:49. | :44:53. | |
the red along the top cushion, if he can avoid it. Could not worth it | :44:54. | :45:00. | |
that positional shot any better. Not straightforward for Shaun here, | :45:01. | :45:25. | |
the wave these reds are situated. -- the way. The positional shot needed | :45:26. | :45:30. | |
from this black. Just had a look at the red to the | :45:31. | :45:50. | |
right middle. Doesn't have to look to the macro do much with the cue | :45:51. | :45:58. | |
ball. Looks from our commentary position like it does not go, but | :45:59. | :46:05. | |
obviously not the case. Well, used all the pocket. His heart skipped a | :46:06. | :46:16. | |
beat them. We have seen plenty of those types of shots missed this | :46:17. | :46:23. | |
week. Catching the near knuckle. Red, colour, red. That is what is | :46:24. | :46:27. | |
required. Last two frames, breaks of 73, 84 in | :46:28. | :46:51. | |
the one before that. 66 and counting now. This is why do. Absolutely. | :46:52. | :47:00. | |
Just what the doctor ordered. We have a big last frame coming up, | :47:01. | :47:21. | |
that is the shore. If Ronnie O'Sullivan manages to win | :47:22. | :47:45. | |
the final frame, it is job done for him. Sharing the session. Shaun | :47:46. | :47:57. | |
Murphy would love to trail only 9-7. Great effort. | :47:58. | :48:19. | |
Ronnie hoping the red would give in. They were not. He has won three in a | :48:20. | :48:28. | |
row. Ronnie O'Sullivan just three frames ahead. It is, Shaun Murphy | :48:29. | :48:39. | |
backing the game, back in room. We are real analysts, we don't have a | :48:40. | :48:48. | |
clue. Saying it is all over. Ronnie O'Sullivan will have a sudden look a | :48:49. | :48:53. | |
different. Looks tired. Do you detect signs of fatigue? Not quite | :48:54. | :48:59. | |
sure, but you get tired when your opponent puts you under pressure. | :49:00. | :49:03. | |
That is what is happening. Good to see him come back, get some fluency. | :49:04. | :49:09. | |
Massive frame for both players. Shaun Murphy cutting the gap to 9-7, | :49:10. | :49:15. | |
he will feel ten feet tall getting ready for the final session tomorrow | :49:16. | :49:20. | |
morning. Ronnie wins it, it is as you were. Massive frame for both | :49:21. | :49:27. | |
players. Even if it finished 10-6, there is still life in this match | :49:28. | :49:32. | |
tomorrow? Obviously if Ronnie O'Sullivan wins this last frame, he | :49:33. | :49:38. | |
has stopped the rot. If you look through the history books, collapses | :49:39. | :49:42. | |
in major events, I have a couple. We have all had them. Not something | :49:43. | :49:49. | |
Ronnie O'Sullivan seems to suffer from greatly. When he goes flat, | :49:50. | :49:59. | |
quite a shock to the system. We have all been brainwashed by his | :50:00. | :50:05. | |
brilliance. Such a good player in all departments. When he goes like | :50:06. | :50:12. | |
this, you wonder what happens. How'd you sense the danger when someone is | :50:13. | :50:20. | |
coming back EU? At what point do you sense danger? He will be sensing | :50:21. | :50:27. | |
danger now. At 9-3 the game looked wrapped up. Shaun Murphy looked a | :50:28. | :50:30. | |
different proposition then he is now. A bit of a shock to Ronnie | :50:31. | :50:34. | |
O'Sullivan, no doubt about that. If you does not win the last frame, | :50:35. | :50:38. | |
O'Sullivan, he will be livid with himself. You don't know what is | :50:39. | :50:42. | |
going through a player's mine. The body language of Ronnie O'Sullivan | :50:43. | :50:47. | |
is more introverted. Going to Michelle. You can only sit in your | :50:48. | :50:55. | |
chair and wave your shots. Shaun Murphy has a chance, different match | :50:56. | :50:59. | |
all of the sudden. Don't go anywhere, last one of the afternoon. | :51:00. | :51:07. | |
It is a biggie. COMMENTATOR: Yes, certainly is. | :51:08. | :51:24. | |
Not the best break of shock. -- break off. The cue ball running just | :51:25. | :51:38. | |
the extra inch. Not only one to the right corner, as I thought. There | :51:39. | :51:50. | |
you see it. Not an easy safety shot either. Shows you the extra role, | :51:51. | :52:00. | |
the fractions that are so important. Ronnie playing this workshop, to | :52:01. | :52:05. | |
leave Shaun Murphy a shot along the cushion. He has played that really | :52:06. | :52:11. | |
well. He will not take that song, being so straight. Could not played | :52:12. | :52:14. | |
that much better. The last few frames, Shaun getting | :52:15. | :52:48. | |
the better of the early tactical exchanges. Which is unusual, if you | :52:49. | :52:54. | |
put the two together, you would think Ronnie would be the better | :52:55. | :53:01. | |
safety play. Who will make the first mistake here? The red to the right | :53:02. | :53:06. | |
corner is on for Shaun. Big chance for Shaun. This red is a | :53:07. | :53:24. | |
test of cueing. Shaun Murphy is so good at these. Brilliant. | :53:25. | :53:30. | |
Unfortunately just lost the cue ball. Great strike. Did not quite | :53:31. | :53:41. | |
get the spin. He will have been wishing now he rolled up off the top | :53:42. | :53:52. | |
cushion. At least if you pot the ball, you get to play the next shot. | :53:53. | :53:59. | |
Must avoid the blue at all costs. He has done. A touch short of pace. | :54:00. | :54:21. | |
You can feel the tension in the air, the | :54:22. | :54:35. | |
hush. Does not mind leaving this red on the top cushion. In the to | :54:36. | :54:47. | |
difficult category to get out with the pot on a colour. | :54:48. | :54:56. | |
Shaun is having a look. Thinking if the pot the red, will he have the | :54:57. | :55:06. | |
black to the middle? I don't blame him, that's the way I feel about the | :55:07. | :55:09. | |
shot, and I then have to play. Give cue ball, puts pressure on | :55:10. | :55:28. | |
Ronnie. Now, you may have left the red. | :55:29. | :55:52. | |
Quite a bit to do with the cue ball. He may get past the blue. Such a | :55:53. | :56:00. | |
difficult pot. Specially the way he will be playing it. Deep screw, | :56:01. | :56:10. | |
left-hand side. Need some good fortune. He has got it. | :56:11. | :56:22. | |
As Peter said, little bit of left-hand side, hitting it so hard, | :56:23. | :56:32. | |
if pushed the cue ball to the right. Fortunate to get away with it. Just | :56:33. | :56:39. | |
the run of the ball, nothing you can do about that. Everybody wanting to | :56:40. | :56:52. | |
see whether Shaun can get past the green, to the thin edge. Obviously | :56:53. | :56:59. | |
cannot. Looking to come off the site cushion, nestle into the cluster. | :57:00. | :57:03. | |
The pink should not be a problem, looks unnatural angle. -- a natural | :57:04. | :57:09. | |
angle. Nearly went wrong. If Ronnie has stopped the safety | :57:10. | :57:29. | |
shot down the right-hand side of the table, which she appears to have, | :57:30. | :57:36. | |
Shaun has a problem. No path back to bolt. -- back to baulk. The black is | :57:37. | :57:45. | |
stop that. -- stopping that. Shaun looking to see whether he can | :57:46. | :58:04. | |
come off a couple of cushion is, to drop on the red. Also has the | :58:05. | :58:10. | |
opportunity to play with a touch of right-hand side, off two cushions. | :58:11. | :58:19. | |
Clipping a red Finn, setting the cue ball back into the Bulgarian. I've | :58:20. | :58:28. | |
-- back into the baulk Ronnie is thinking there is no path | :58:29. | :58:52. | |
back to baulk, I would rather have it put back. At the moment he cannot | :58:53. | :59:00. | |
hit The reds. The lady from there, he could have hit The reds. Still no | :59:01. | :59:10. | |
path back. If he comes off two cushions, that is where they were. | :59:11. | :59:14. | |
That is where it is now. Looks good to me. | :59:15. | :59:28. | |
With the two cushion escape, always erring on the side of not eating it | :59:29. | :59:38. | |
at all, rather than to fix. Dan hitting YouTube | :59:39. | :59:44. | |
it was a bonus, excellent shot, wonderful escape. You see the | :59:45. | :00:07. | |
situation that Ronnie faces. I think that's OK. Touching ball | :00:08. | :00:29. | |
will help Shaun. But it's funny, one it looked in complete control of | :00:30. | :00:32. | |
this tactical exchange but now it has turned in Shaun's favour and | :00:33. | :00:39. | |
both players are aware of how important this is. -- how important | :00:40. | :00:47. | |
a frame this is. One of those situations, because | :00:48. | :00:57. | |
there is no safety down the right-hand side you don't mind the | :00:58. | :01:01. | |
player being able to hit the ball but having said that, the red | :01:02. | :01:05. | |
immediately to the right the black, I wonder if he could hit it thin | :01:06. | :01:12. | |
enough to get it back to baulk? He didn't think so and that is why he | :01:13. | :01:18. | |
has rolled it. At first look the table has not let him down. | :01:19. | :02:06. | |
Foul and a miss, Shaun Murphy, four. Although there is an escape route | :02:07. | :02:16. | |
down the left-hand side now, there is no reason for Shaun not to have | :02:17. | :02:19. | |
it replaced. Unlike Shaun, second time round | :02:20. | :03:02. | |
Ronnie caught it too full. He has left him a chance but he will be | :03:03. | :03:05. | |
somewhat hampered. It is also very difficult for him to | :03:06. | :03:19. | |
do too much with the cue ball. It is only just off straight but it is the | :03:20. | :03:26. | |
sheer awkwardness of being hampered that will also restrict what he is | :03:27. | :03:27. | |
capable of doing with the cue ball. APPLAUSE | :03:28. | :03:48. | |
Good pot. Yes, excellent pot. He has got an angle on the brown. He has | :03:49. | :03:53. | |
got to play it with a bit of pace so he has to be quite accurate with | :03:54. | :03:55. | |
this pot. He is on the red at the bottom of | :03:56. | :04:07. | |
the cluster but he wanted to be straighter on it. At least he is on | :04:08. | :04:12. | |
it but maybe there is another one that has appeared from nowhere. You | :04:13. | :04:16. | |
can just get past the pink for this red to the right corner. Not one he | :04:17. | :04:21. | |
could have dreams of being on but he's on it. It is amazing how those | :04:22. | :04:29. | |
little roles now all seem to be favouring Shaun. When Ronnie was | :04:30. | :04:35. | |
going through his run of winning frame after frame he was having that | :04:36. | :04:39. | |
nice run of the ball and it has turned. Shaun just taking his time | :04:40. | :04:48. | |
to compose himself here. You can see the total points since the interval. | :04:49. | :04:57. | |
275 points for Shaun, 19 points for Ronnie. Interesting to see where | :04:58. | :05:08. | |
this pink goes. Shaun would like it to go on the black spot if it was | :05:09. | :05:13. | |
available but it has gone on its own spot. Does it go to the corner? Yes. | :05:14. | :05:22. | |
It does go. He decided to leave a nice angle on | :05:23. | :05:48. | |
the blue. He may just elect to play a little cannon on the black here, | :05:49. | :05:57. | |
on the red to bring the black into play. He has played it well, in fact | :05:58. | :06:07. | |
perfectly, and now he will clear the back spot in potting this red. It is | :06:08. | :06:10. | |
a decent chance. -- the black spot. You have to say, a little bit | :06:11. | :06:43. | |
careless to kiss the blue there. If you thought that was on, he should | :06:44. | :06:49. | |
have played a little stun up the table maybe. He will have to play | :06:50. | :07:02. | |
the green instead. And he played it badly. This is a good chance that | :07:03. | :07:05. | |
has gone begging. A decent safety shot from Shaun | :07:06. | :07:41. | |
Murphy but he will be very disappointed that he could not get | :07:42. | :07:43. | |
more from that visit. Can Ronnie O'Sullivan play a good | :07:44. | :07:56. | |
safety shot? He is digging down into the cue ball slightly. It was a good | :07:57. | :08:03. | |
line. Just slightly overhit. I think the bottom red of that | :08:04. | :08:17. | |
cluster below the pink will pot but I don't think he can hit enough of | :08:18. | :08:19. | |
it. He is having a look at the potting | :08:20. | :08:34. | |
angle. Can he hit enough of it? I think if he could he would be | :08:35. | :08:39. | |
playing it by now. He needs to make sure he doesn't hit the black here. | :08:40. | :08:45. | |
Just got a bit too much side on that. He avoided the black butt | :08:46. | :08:53. | |
kissed the blue full in the face. He was trying to get the cue ball above | :08:54. | :09:03. | |
the Buk rail. It is half a chance and he has played it well. | :09:04. | :09:11. | |
This is a tough shot here. You would think the obvious ball would be the | :09:12. | :09:26. | |
blue but he has to play it with so much pace, it | :09:27. | :09:27. | |
will be tough. The brown is more of an open pocket but a lot to do with | :09:28. | :09:32. | |
the cue ball. He decided to make certain of the brown and leave | :09:33. | :09:35. | |
himself a mid-range Kroos and I mentioned that one at the bottom of | :09:36. | :09:39. | |
the cluster that Shaun could not get through to but Ronnie certainly can | :09:40. | :09:44. | |
and of course the black is in the baulk end, should it go in. Solid | :09:45. | :09:53. | |
pot. Is he going to be on the black? Will it run past the green? It is | :09:54. | :09:58. | |
absolutely inch perfect! What a shot that was! | :09:59. | :10:17. | |
We have seen Ronnie O'Sullivan do this so many times in his | :10:18. | :10:26. | |
professional career. When he comes under the most extreme pressure, he | :10:27. | :10:31. | |
seems to find something, some inspiration from somewhere that only | :10:32. | :10:37. | |
the great players and the outstanding champions do. He has | :10:38. | :10:42. | |
been slightly subdued the last couple of frames, partly because | :10:43. | :10:49. | |
Shaun Murphy has played very well. And wouldn't this be typical of | :10:50. | :10:53. | |
Ronnie O'Sullivan if he stepped up once again under pressure? Yes, and | :10:54. | :10:59. | |
that black was a reminder, it struggled in. Not to take your eye | :11:00. | :11:06. | |
off the ball here and keep focused. It is a great chance. I think those | :11:07. | :11:12. | |
two reds might be a plant to the corner in the same pocket he is | :11:13. | :11:17. | |
potting the black. He had a look at them. | :11:18. | :11:24. | |
He could have played that better. He could have played the position on | :11:25. | :11:43. | |
the black better. That is where it went wrong. | :11:44. | :12:06. | |
Well, disappointment there. Just a poor positional shot on the black. | :12:07. | :12:18. | |
Shaun Murphy would certainly have been fearing the worst there. Ronnie | :12:19. | :12:25. | |
has been quite fortunate to leave Shaun hampered. Trying to get the | :12:26. | :12:33. | |
cue ball behind the yellow and this looks very good, that is very good. | :12:34. | :12:43. | |
Fantastic shot, well played. Yes, striking down as he was, very good. | :12:44. | :12:48. | |
It is a good hit. APPLAUSE 15 points the difference in favour | :12:49. | :13:08. | |
of Ronnie. But this frame still is well and truly on for either player. | :13:09. | :13:24. | |
Shaun Murphy would like to be able to play this red very finely. | :13:25. | :13:38. | |
Possibly get the cue ball behind the yellow again. | :13:39. | :14:03. | |
Well, I think it's safe enough but it could have handed the initiative | :14:04. | :14:13. | |
to Ronnie now. You expect a much better safety shot than Shaun has | :14:14. | :14:18. | |
just played. He will be looking to get this cue ball in behind the | :14:19. | :14:20. | |
yellow if he can. APPLAUSE | :14:21. | :14:32. | |
He couldn't have played it much better than that. | :14:33. | :14:45. | |
That is Shaun's view of it. There seems to be a gap between the yellow | :14:46. | :14:50. | |
and brown. I suppose if you were desperate, you | :14:51. | :15:06. | |
could play the pot on the red. Yes, he has just got enough gap for the | :15:07. | :15:14. | |
potting angle. It is an incredibly tough pot. But he has a really | :15:15. | :15:24. | |
difficult safety shot. Under the circumstances, you wouldn't be | :15:25. | :15:29. | |
surprised if he took it on. What a gap this could be... Not quite. Not | :15:30. | :15:37. | |
quite. But it was pottable. Well... I'm very surprised Ronnie | :15:38. | :16:06. | |
played that red to be honest with you, he was always cannoning into | :16:07. | :16:10. | |
the second red and he had won to the middle he could have played. He was | :16:11. | :16:14. | |
never certain to be on the black. It was certainly very tough, especially | :16:15. | :16:25. | |
as he needed to play it at pace. It is Ronnie whose body language does | :16:26. | :16:35. | |
not look too good now. He is probably sitting there feeling his | :16:36. | :16:40. | |
opportunity to keep that four frame advantage that he started this | :16:41. | :16:43. | |
session with, it is going to be reduced to two. | :16:44. | :17:03. | |
The longest frame of the match, coming up to 26 minutes. | :17:04. | :17:24. | |
No need to tell you where the biggest obstacle is, the red near | :17:25. | :17:30. | |
the side cushion. Important that in potting this red | :17:31. | :17:42. | |
he gets a nice angle on the colour. He played that positional shot very | :17:43. | :17:43. | |
nicely. There has been a huge swing in | :17:44. | :17:57. | |
momentum in this match in these last few frames. Now, big shot coming up | :17:58. | :18:07. | |
for Shaun Murphy. I think playing for the pink like this he is going | :18:08. | :18:14. | |
to try to move the red. He has moved it. But not into too advantageous a | :18:15. | :18:28. | |
position. Looking at the board and he has a lead of 14 points. This | :18:29. | :18:39. | |
will pot but boy, it's tough. And being the attacking player that he | :18:40. | :18:43. | |
is, you would expect him to take this on but from his facial | :18:44. | :18:46. | |
expression there he doesn't really fancy it. He is committed. | :18:47. | :18:58. | |
No, he didn't like it, he needs a bit of luck. | :18:59. | :19:08. | |
This red will cut back. It is thin but it will pot. He probably wants | :19:09. | :19:22. | |
to be a little wary of what we referred to as the yellow pocket. It | :19:23. | :19:27. | |
was Shaun's decision and it was a tough one to go for but he took the | :19:28. | :19:29. | |
chance. Can Ronnie punish him? He was able to hold it and he needs | :19:30. | :19:44. | |
a good kiss on the green but that is not a good kiss. Now then. If he | :19:45. | :19:50. | |
takes on the brown, Boyd is their pressure on this. -- boy. This is | :19:51. | :20:03. | |
huge and it is really tough as well. Pressure. | :20:04. | :20:11. | |
Can Shaun pot this yellow and hold the cue ball for the green in the | :20:12. | :20:17. | |
same pocket? Very difficult to hold the cue ball | :20:18. | :20:37. | |
at this angle, may be going up and down the table. He decided to play | :20:38. | :20:46. | |
safe. APPLAUSE It was a good effort. It surprised | :20:47. | :20:51. | |
me a little. If Ronnie could get in behind this | :20:52. | :21:04. | |
yellow he could kick it up the table. He couldn't. He has underhit | :21:05. | :21:14. | |
this. He needs the pink to come to his rescue and it might just have | :21:15. | :21:19. | |
done. I don't think it's a snooker but I don't think Shaun can get to | :21:20. | :21:24. | |
the potting angle. No, he can't. There is a good opportunity here for | :21:25. | :21:28. | |
Shaun to stun the cue ball behind the black. He has underhit it. | :21:29. | :21:42. | |
Ronnie will have to have a look at this. It's not a plant, is it? Hit | :21:43. | :21:50. | |
the yellow and knock the green in, that's the last thing you want. | :21:51. | :21:59. | |
And it may well have been and that is right he played it like that but | :22:00. | :22:06. | |
once again, not a good safety and Shaun has got the cue power to put | :22:07. | :22:13. | |
this and get on the green. It is a tough shot but he will go for it. | :22:14. | :22:18. | |
Absolutely. Deep screw, left-hand side. Oh! | :22:19. | :22:27. | |
No apology for the fluke. No, he put his hand up, he put his hand up. Did | :22:28. | :22:40. | |
he? Yes. I apologise, I didn't see that. Yes, he did. | :22:41. | :22:47. | |
What a timely fluke that could prove to be. He just needs green and brown | :22:48. | :22:52. | |
now. And he's missed it! Well... After | :22:53. | :23:12. | |
having the luck on the yellow, to miss the green when he only needed | :23:13. | :23:16. | |
green and brown, that is really unforgivable. If he loses this | :23:17. | :23:21. | |
frame, that will really hurt. Ronnie needs the five remaining | :23:22. | :23:32. | |
colours. Betwixt and between. OK, as we look | :23:33. | :23:55. | |
at Shaun, he can't look at the table at the moment, he is still wondering | :23:56. | :24:01. | |
how he missed the green. With this, Ronnie can pot the brown that I | :24:02. | :24:06. | |
don't see him getting real close position on the blue. It's very | :24:07. | :24:11. | |
difficult to play a good positional shot here. He can soft screw the | :24:12. | :24:19. | |
brown in and leave a longish blue. Where is the cue ball going? It was | :24:20. | :24:25. | |
heading towards the middle pocket but the pink helped. That was a nice | :24:26. | :24:33. | |
flick on the pink for Ronnie. Slightly stretching on this blue. | :24:34. | :24:39. | |
And unlike a lot of the players, he doesn't carry a little extension to | :24:40. | :24:45. | |
go on the end. Stretching and he has got to put a bit of action into this | :24:46. | :24:50. | |
cue ball to get back for the pink. Blue, pink and black needed. Good | :24:51. | :25:05. | |
pot on the blue. Well, a wonderful shot, and now left-handed. | :25:06. | :25:13. | |
And now the black to restore that four frame advantage at the end of | :25:14. | :25:22. | |
the second session. Somebody has got up and is walking out at a moment | :25:23. | :25:35. | |
like this. In goes the black. What an opportunity Shaun Murphy missed | :25:36. | :25:38. | |
there. He had a stroke of luck on the yellow but missed a simple green | :25:39. | :25:44. | |
and Ronnie O'Sullivan makes a marvellous clearance and keeps his | :25:45. | :25:48. | |
four frame advantage going into the third session tomorrow morning. | :25:49. | :25:53. | |
10-6. STUDIO: What a grandstand finish them in the second black ball | :25:54. | :25:58. | |
finish in the match and until that point Shaun was 16 out of 18 with | :25:59. | :26:03. | |
the rest but what a time to miss. He doesn't normally miss with the rest, | :26:04. | :26:06. | |
he is so proficient with it and he was dragged to dig into the cue ball | :26:07. | :26:10. | |
to hold it for the brown into the green pocket but I never saw that | :26:11. | :26:14. | |
coming. And what a crucial frame that could turn out to be. It was | :26:15. | :26:19. | |
his chance to get back into the match and he had a Zola Budd rocking | :26:20. | :26:24. | |
and under pressure and he gave Ronnie the lifeline. -- he had him | :26:25. | :26:30. | |
rocking. He was struggling in those last few frames, Ronnie. I think a | :26:31. | :26:35. | |
frame of snooker that only The Crucible can throw up and if you | :26:36. | :26:40. | |
think Ronnie O'Sullivan is invincible towards pressure, he's | :26:41. | :26:44. | |
not. We all feel it and he copes with it marvellously but as he | :26:45. | :26:48. | |
walked out he shook his head, the new because a rocky part of the | :26:49. | :26:51. | |
session. Shaun looked distraught after missing that. He is such a | :26:52. | :26:56. | |
great rest player, you don't expect him to miss that and he doesn't | :26:57. | :27:02. | |
either. They have shared that session 4-4 when all is said and | :27:03. | :27:05. | |
done and the way he came back into it, he will be totally deflated now | :27:06. | :27:10. | |
but at the same time, how much hope can he take from this performance? | :27:11. | :27:14. | |
That is what he should do, he should go back and reflect on the whole | :27:15. | :27:18. | |
session. At the moment he will not feel like it, he will be kicking | :27:19. | :27:23. | |
himself. The dressing room might be in for a bit of a battering! But he | :27:24. | :27:28. | |
should reflect on how we came back and it is possible, if you can go | :27:29. | :27:35. | |
out tomorrow morning, if he can win the first couple of frames, the | :27:36. | :27:40. | |
momentum and build again. The only problem is as I said earlier, it is | :27:41. | :27:46. | |
still the same scoreline, four adrift and he has not eaten back | :27:47. | :27:50. | |
into the lead. Ronnie is further towards the finishing line. I don't | :27:51. | :27:55. | |
think he will get as bad a session out of Ronnie O'Sullivan tomorrow. | :27:56. | :27:58. | |
But you talk about one bad session in the event at the Crucible, if | :27:59. | :28:02. | |
that is Ronnie O'Sullivan's he has got away with it. Had he missed his | :28:03. | :28:09. | |
moment? I definitely think so, 9-7, he would be bursting to get out for | :28:10. | :28:12. | |
the next session but now it is different. I think that was the | :28:13. | :28:18. | |
child he had to try to make the comeback -- the chance he had. It | :28:19. | :28:23. | |
was brilliant to watch and all of this drama on these tables and all | :28:24. | :28:28. | |
down to this. This is the material from which the cloths is made, it is | :28:29. | :28:34. | |
pure Australian wool. Thank you very much, Sheila! | :28:35. | :28:51. | |
This really is the very start the process, this is the will blend that | :28:52. | :28:58. | |
has been put out from the bails and you blend in different types of | :28:59. | :29:03. | |
wool. It comes from Australia. The blending process takes the compacted | :29:04. | :29:10. | |
bales of wool, opened it up and get it as light and full of air as | :29:11. | :29:15. | |
possible and it gets the fibres as well mixed and distributed as you | :29:16. | :29:19. | |
can get them. This is where it ends up and from here it goes over to the | :29:20. | :29:28. | |
next process. There is loads of fine wires that cares the fibres apart | :29:29. | :29:32. | |
and separate them and put it into a web and turned it through 90 degrees | :29:33. | :29:37. | |
and does it again. It combs it to such a degree so you have a smooth, | :29:38. | :29:43. | |
clean web and it is then separated into individual threads. Spinning | :29:44. | :29:48. | |
takes the soft yarn and put a twist in it. It gives the yarn is strength | :29:49. | :29:54. | |
and make it strong enough to weave into a woven product. During this | :29:55. | :29:58. | |
process, each thread is put onto a big beam on a suitable package to go | :29:59. | :30:03. | |
to the back of the loom to start the weaving process and the position is | :30:04. | :30:08. | |
incredible, it has to be precisely fed onto it to end up with stripes | :30:09. | :30:12. | |
on the fabric. The weaving process you have your warped yarns which go | :30:13. | :30:18. | |
up the table and you're putting the weft across it, the sideways yarns | :30:19. | :30:23. | |
and making a woven construction. We have taken the will from straight | :30:24. | :30:30. | |
off the sheep's back and converted it into a woven product ready for | :30:31. | :30:34. | |
the finishing processes in the second half of the Manufacturing. | :30:35. | :30:39. | |
You start with the mending process where people will take off Notts and | :30:40. | :30:44. | |
repair imperfections in the fabric and any imperfections that stayed in | :30:45. | :30:49. | |
is a flaw in the finished product and it would be a problem having | :30:50. | :30:54. | |
them on a championship table so they all have to come off. | :30:55. | :31:00. | |
Near when washing your washing out imperfections, Greece, dirt, any | :31:01. | :31:07. | |
impurity that comes in with a fleece. He want to get it as clean | :31:08. | :31:13. | |
as possible so it is prepared for the process down the line. You can | :31:14. | :31:24. | |
see the yarn in both directions. We mill, with a set of rollers, feeding | :31:25. | :31:28. | |
the cloth through. Round and round for many hours. Creating friction, | :31:29. | :31:38. | |
to get shrinkage. Like shrinking a woollen jumper on a hot wash. You | :31:39. | :31:46. | |
are trying to control, so you get the thickness. If you go to take, | :31:47. | :31:50. | |
too slow, too fast if it is too thin. It is a real skill. After a | :31:51. | :31:56. | |
sequence of processes, we then colour it. We use traditional dyeing | :31:57. | :32:03. | |
methods gentle to the fabric. The last thing you want to do is answer | :32:04. | :32:08. | |
the lead. It is a gentle dyeing process, giving us the green colour | :32:09. | :32:13. | |
we are so aware of. This is the very end of the process. The final | :32:14. | :32:21. | |
touches happened to the cloth. We shearing it. Reduced in height over | :32:22. | :32:29. | |
numerous passes. The cloth we use in Sheffield gets multiple passes, that | :32:30. | :32:33. | |
is many times as needed to make it perfect. Given a final inspection, | :32:34. | :32:40. | |
going through testing for strength, even on occasion, ball speed. All | :32:41. | :32:47. | |
the things that I needed these days. There you have it, some superfine | :32:48. | :32:52. | |
cloth. Some mighty fine action this afternoon, as we saw the Ronnie | :32:53. | :32:55. | |
O'Sullivan and Shaun Murphy second session. Absolutely great match on | :32:56. | :33:01. | |
the other side of the arena. The last we saw the Mark Allen and John | :33:02. | :33:05. | |
Higgins Mark Allen took the opening frame. He actually scored 236 | :33:06. | :33:16. | |
unanswered points to go 2-0 up. John came back, a 32 break in the third, | :33:17. | :33:23. | |
17th in the fourth. This is top-class stuff as we join it in | :33:24. | :33:27. | |
frame five. He begins to play, four frames down. We join Dennis. And | :33:28. | :33:45. | |
John. That is taking nothing away from that. . | :33:46. | :34:06. | |
Easy to play for the baulk colour. Once you have potted the blue back | :34:07. | :34:16. | |
on the spot. The break will be a bit easier. | :34:17. | :34:51. | |
No real need to play cannons into the pink in the red. He has some | :34:52. | :34:57. | |
loose ones. The one on the right-hand side of the available. | :34:58. | :35:10. | |
That is the art building. Played in area if he is not on one, he is on | :35:11. | :35:14. | |
the other one, giving himself options. People try to make breaks | :35:15. | :35:21. | |
in the clubs, classic example how to make a break, give yourself a couple | :35:22. | :35:24. | |
of options. That back in red, the one he will | :35:25. | :35:48. | |
play on. Mark Allen can only sit and watch. | :35:49. | :36:00. | |
He has hit that way too short. Is there a plant on in the middle? Yes, | :36:01. | :36:10. | |
there is. Would have liked the cue ball to come further than that. | :36:11. | :36:19. | |
Quite a gap between these two. Expect him to get it. It could be | :36:20. | :36:21. | |
missed. I think it was the blue, did not hit | :36:22. | :36:37. | |
it far enough down to make the plant easier. Still expected him to get | :36:38. | :36:44. | |
that, really. He overdid it, he knew straightaway he had ever it. -- he | :36:45. | :36:49. | |
had overdone it. Can Mark Allen get back into the | :36:50. | :37:02. | |
form he had in the two opening frames, never missed a shot. Just | :37:03. | :37:15. | |
had a little look there. The red virtually above the black, the one | :37:16. | :37:18. | |
he was thinking he may be able to get through the gap. Maybe he just | :37:19. | :37:26. | |
has to Blair Cowan. -- to play a cannon. Wow, how unlucky is that? | :37:27. | :37:39. | |
Looking for the cannon. Just on that red. He missed it. Not so sure he is | :37:40. | :37:42. | |
on anything. That was an Xserve pot. Great | :37:43. | :38:31. | |
recovery. -- excellent. Deserved what he gets after that shot. Not | :38:32. | :38:39. | |
only knocked the red mean, kept the break going, but they needed some | :38:40. | :38:47. | |
reds inti good positions. It is tough today, John on that plant did | :38:48. | :38:54. | |
not get the cue ball down far enough. He has to sit and watch. | :38:55. | :38:58. | |
Hope he misses. Just looking at the red, does not | :38:59. | :39:41. | |
have to play any cannons. Certainly not for some time. The reds will | :39:42. | :39:49. | |
claim each other. -- clear each other. Just stunning off cushion, | :39:50. | :40:01. | |
leaving himself a choice of two reds into the same pocket as the black. | :40:02. | :40:22. | |
Nice little break, taken them well. Every time he has removed one, in | :40:23. | :40:30. | |
perfect position. Both reds either side of the cluster will pot. Could | :40:31. | :40:37. | |
have done with a bit more than that. Still OK, he can pot it. We'll have | :40:38. | :40:50. | |
the screw out. -- he will have two. Nicely played. | :40:51. | :41:45. | |
This is how he started the match this afternoon. The magnificent | :41:46. | :42:03. | |
century break. Magnificent century after breaks of 6175 in the opening | :42:04. | :42:20. | |
frame. -- 61 and 75. He is well past 68. He must concentrate, maybe make | :42:21. | :42:25. | |
this second century. You expect him to knock this in, he | :42:26. | :42:51. | |
has taken these really well. Right in the heart pocket, on those shots | :42:52. | :42:52. | |
played today. This would be his fourth century, if | :42:53. | :43:35. | |
he carries on air. In this year's World Championship. This, without | :43:36. | :43:41. | |
doubt, is different class, the way here start this match against the | :43:42. | :43:50. | |
four times former champion. Absolutely superb from Mark Allen. | :43:51. | :43:59. | |
Does not matter about the black. He had the one chance, took it, winning | :44:00. | :44:04. | |
the frame with that century break. Now back in the lead, 3-2. STUDIO: | :44:05. | :44:16. | |
Two tons in this match, four in total, making a couple against Jimmy | :44:17. | :44:20. | |
Robinson. He had not played for five weeks, since the Gibraltar Open. | :44:21. | :44:26. | |
Man, does he look sharp going into frame six. | :44:27. | :44:36. | |
COMMENTATOR: I tell you what, John, he has potted some terrific | :44:37. | :44:40. | |
longbows. So much for the shot to nothing theory. Left on this one, no | :44:41. | :44:47. | |
messing. That was an excellent shot, digging | :44:48. | :45:16. | |
down deep on the cue ball. Could not played that any better. | :45:17. | :45:30. | |
He has a little shot just to leave this one on the top cushion. The | :45:31. | :45:36. | |
next red is available on the outside of the cluster. | :45:37. | :45:45. | |
Terrific, 97%. Even John is at 90%. The red that John mentioned, he can | :45:46. | :46:01. | |
get to it this time, the other John has two systems scratches chin, see | :46:02. | :46:14. | |
what develops. Just come off an awkward angle. Just read. What a | :46:15. | :46:19. | |
shot he got out of that. Almost straight. That is these very lively | :46:20. | :46:25. | |
cloth is the players play on these days. The action you can get the | :46:26. | :46:33. | |
ball is amazing. The shot which was not available 30, 40 years ago. The | :46:34. | :46:41. | |
cloth was a much heavier one. Obviously the balls have changed. A | :46:42. | :46:49. | |
lot more lighter and reactive. That helps. Nevertheless, still a very | :46:50. | :46:50. | |
good shot. We have always known Mark Allen was | :46:51. | :47:02. | |
a top-class player, but he's in scintillating the good form today. | :47:03. | :47:11. | |
Very few mistakes. Scoring has been extremely heavy. If John Higgins did | :47:12. | :47:15. | |
not know he was in the match, he does now. | :47:16. | :47:20. | |
Really good stuff. A key shot coming up now. | :47:21. | :47:38. | |
Just OK, he can get the one to the right middle. Deserve to be on | :47:39. | :47:47. | |
something he has played very well. He has opened them nicely, should be | :47:48. | :47:49. | |
fine here. This championship is ready warming | :47:50. | :48:20. | |
up. You are over the very nervy first round, the same for everybody. | :48:21. | :48:25. | |
Some potential banana skin in the first round. Playing against people | :48:26. | :48:32. | |
who have come three with three matches, Matt Sharp. That itself can | :48:33. | :48:37. | |
bring a problem. You played your match, had a few days off, watched | :48:38. | :48:43. | |
everybody else. Back, now the serious stuff starts. | :48:44. | :48:51. | |
It is serious at the minute, because he isn't seriously good form. Has | :48:52. | :48:56. | |
been wonderful. The only other player in the first | :48:57. | :49:25. | |
round, Kim -- Ding made four centuries. Playing | :49:26. | :49:47. | |
fantastic. Stewart Carrington also playing fantastic. Only four had | :49:48. | :49:53. | |
ever done that. The centuries, they are overrated. | :49:54. | :50:17. | |
Might be another one coming. Not easy. The frame is almost secure, it | :50:18. | :50:31. | |
will be when this red disappears. A little bit of work to do if he is | :50:32. | :50:36. | |
going to make another century. Spotted something on the black. | :50:37. | :51:13. | |
He has obviously brought his practice game to the Crucible. Heavy | :51:14. | :51:21. | |
bomber saying how well Mark Allen has been playing in practice. An | :51:22. | :51:27. | |
awful lot of the can do that, then they come to the Crucible Theatre, | :51:28. | :51:33. | |
and not produce it. Playing at home, that is the gallops, this is the | :51:34. | :51:40. | |
racecourse, two different things. He is looking like Derby winner. | :51:41. | :51:52. | |
He will stun up past the pink. As long as he's not dead straight, he | :51:53. | :52:04. | |
knew he had hit that one perfectly. Dropping this one income in on the | :52:05. | :52:15. | |
black. Get in there. Clinging to the cushion comedy hit that one well. | :52:16. | :52:23. | |
What a performance. 25th century in this year's World Championship. | :52:24. | :52:35. | |
I don't care who you are, you cannot play better than this. This is | :52:36. | :53:07. | |
scintillating stuff. Mark Allen at his absolute best. John Higgins, you | :53:08. | :53:11. | |
have a match on, my friend. He rolls the black in. Mark Allen, | :53:12. | :53:28. | |
some of the finest snooker I have ever seen him produce. The crowd | :53:29. | :53:36. | |
appreciated. He extends his lead. 4-2, to the man from County Antrim. | :53:37. | :53:41. | |
STUDIO: Absolutely blistering. He made another sizeable knock in frame | :53:42. | :53:50. | |
eight. At this point, he has a 98% pot success rate. Absolutely | :53:51. | :53:54. | |
extraordinary, very unusual. What can John Higgins do in the face of | :53:55. | :53:58. | |
this onslaught come in the last session? | :53:59. | :54:05. | |
COMMENTATOR: It is there. Never seen a better middle pocket display from | :54:06. | :54:15. | |
any player in this year's World Championship. His middle pocket has | :54:16. | :54:20. | |
been absolutely outstanding. What a huge frame this could be in the | :54:21. | :54:25. | |
match. For all the world, John Higgins looks like he was going to | :54:26. | :54:34. | |
make this frame, 45-3 overnight, instead of potentially 6-2. Pretty | :54:35. | :54:43. | |
good at the double. He may be absolutely dead straight on the | :54:44. | :54:45. | |
yellow, cannot get close to the green. Could do a bit of angle. He | :54:46. | :54:53. | |
just had a bit of angle. As long as he not straight. He will have to | :54:54. | :54:59. | |
play with pace to get out on the brown. Shakes his head. We have seen | :55:00. | :55:04. | |
these wobble in the jaws if you get them too hard. Not the best yellow, | :55:05. | :55:09. | |
leaving himself a funny angle. Knocked everything else into day. At | :55:10. | :55:19. | |
that pace always difficult. I don't think the yellow was the best way to | :55:20. | :55:29. | |
play. Left himself on a funny angle. Better leaving himself slightly | :55:30. | :55:31. | |
higher or tight on the bottom cushion. It was in between. Because | :55:32. | :55:39. | |
he has potted so well, he tried to force it. Could have left the brown | :55:40. | :55:44. | |
for the middle pocket. Just this brown. | :55:45. | :55:59. | |
What a competitor this boy is. To win their final frame of the session | :56:00. | :56:07. | |
only 5-3 behind with the way Mark Allen has played, he will be | :56:08. | :56:12. | |
delighted to get out of the session two behind. Without a shadow of a | :56:13. | :56:19. | |
doubt, some of the best make-up we have seen so far. Handshakes all | :56:20. | :56:25. | |
around. A pleasure to commentate on what has been a scintillating | :56:26. | :56:29. | |
session of snooker. Mark Allen making three century breaks. John | :56:30. | :56:35. | |
Higgins, four times world champion, hanging in there. He will be | :56:36. | :56:41. | |
delighted, still two behind. STUDIO: He did well to come at | :56:42. | :56:45. | |
winning that last frame. 96% for Mark Allen in the end, 91% pot | :56:46. | :56:52. | |
success for John Higgins. How big was that last frame for John? | :56:53. | :56:56. | |
Fantastic always a cracking match. Always looking forward to it. | :56:57. | :57:04. | |
Important frame for John Higgins. 6-2, big mountain, but finely | :57:05. | :57:10. | |
balanced. He will be happy. That was exceptional, Mark Allen, could not | :57:11. | :57:14. | |
play better, to come out of it only two behind, something special. Shows | :57:15. | :57:18. | |
you the strength adjoining ins as a player. When his back is against the | :57:19. | :57:23. | |
wall, he can draft, get over the line. Those three frames are very | :57:24. | :57:31. | |
important. He will expect that Mark Allen cannot do that again. You have | :57:32. | :57:38. | |
to be in the mix. 6-2 is a different story, almost losing touch. Coming | :57:39. | :57:42. | |
back tomorrow morning for the second session. | :57:43. | :57:50. | |
We have being against Wilson. This one will be very tight. First couple | :57:51. | :58:01. | |
of frames so important. Stuart Bingham got him back into the match, | :58:02. | :58:05. | |
letting the last frame, how crucial that could be. For the whole match. | :58:06. | :58:11. | |
Looking forward to it. Steve, you live in the studio on the red button | :58:12. | :58:16. | |
with Jason Mohammed. You can see the whole thing presented live by Jason | :58:17. | :58:21. | |
Steed, live coverage all evening of the session. Thereafter we will have | :58:22. | :58:26. | |
the highlights beyond the witching hour. For the night owls. I will | :58:27. | :58:32. | |
catch you again ten o'clock in the morning. Thank you to Ken and Steve | :58:33. | :58:37. | |
for their wisdom. We will see you later. | :58:38. | :58:40. |