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Good evening. If it's greatness you after, its greatness you'll get at | :00:35. | :01:04. | |
the end of this annual snooker marathon in the Betfred World | :01:05. | :01:08. | |
Championship. Greatness on show this evening in the second round when our | :01:09. | :01:11. | |
defending champion, Mark Selby, makes his return a week after | :01:12. | :01:14. | |
getting through his opening round match against Fergal O'Brien. | :01:15. | :01:18. | |
There's greatness in the air in a match which we will see two | :01:19. | :01:22. | |
spectacular conclusion to match between an four time champion John | :01:23. | :01:28. | |
Higgins and feisty Northern Irishman Mark Allen, who between them have | :01:29. | :01:34. | |
already made five centuries Higgins believes this 19-7. Allen has | :01:35. | :01:40. | |
knocked an four times so far. -- Higgins leaves this one. You do not | :01:41. | :01:44. | |
want to miss this one tonight. Live on BBC Two and thereafter on the red | :01:45. | :01:49. | |
button. Already through to the quarterfinals is a certain Ronnie | :01:50. | :01:51. | |
O'Sullivan. The five times champion strode over | :01:52. | :01:57. | |
the line this morning with hardly a glance behind him. Ramming home some | :01:58. | :02:03. | |
spellbinding long pots and completing an entirely focused and | :02:04. | :02:05. | |
polished performance against Shaun Murphy. The winning margin in the | :02:06. | :02:14. | |
end 13-7 and The Rocket marches through to an 18th quarterfinal in | :02:15. | :02:16. | |
25 appearances at the Crucible. I'm just pleased to be through. It's | :02:17. | :02:20. | |
so hard out there at the Crucible. It's like no place on earth I have | :02:21. | :02:32. | |
ever played feels like this. It drags you through the mill. To come | :02:33. | :02:37. | |
through is like relief in many ways. You just have to go through it as a | :02:38. | :02:41. | |
professional snooker player. You can never play the same every session. | :02:42. | :02:45. | |
There will always be dips and troughs that it is how good your bad | :02:46. | :02:49. | |
game is and how bad your good ones are. Overall, my bad ones weren't | :02:50. | :02:54. | |
too bad and won amongst them, I was pretty decent. That's all you can | :02:55. | :02:57. | |
do. I have a long stretch, you have to that that sort of... You can be | :02:58. | :03:02. | |
stronger than your opponents. I love to perform, to play. The fans pay | :03:03. | :03:07. | |
the money, they support you over the years, you just want to give them | :03:08. | :03:14. | |
something to remember. "I was there when he did this fantastic break", | :03:15. | :03:20. | |
whether it's a 147, 90 clearance, people just think, that was | :03:21. | :03:26. | |
unbelievable. As a pro, as an entertainer, you thrive off that | :03:27. | :03:31. | |
sort of stuff. You just try to do your best for them, really. But who | :03:32. | :03:33. | |
would run a play? That depended on the outcome of an | :03:34. | :03:39. | |
almighty all Chinese tussle between last year Crucible runner-up danger | :03:40. | :03:43. | |
and weight and his great colleague and friend Liang Wenbo, this year's | :03:44. | :03:50. | |
open winner. So long in his shadow. Liang fought back to lead 12-11 | :03:51. | :03:56. | |
before dING took this to a deciding frame. -- before Ding to get to a | :03:57. | :04:00. | |
deciding frame. This is how it turned out. | :04:01. | :04:06. | |
COMMENTATOR: That was such a tough shot to play at that stage of the | :04:07. | :04:16. | |
match. That could be his last shot. APPLAUSE | :04:17. | :04:21. | |
We're talking about the start of the frame. He just had one chance. If | :04:22. | :04:34. | |
Junhui doesn't win the match from here, he can have no complaints. He | :04:35. | :04:42. | |
will have to play this black to this red. I didn't know from Ding 's | :04:43. | :04:46. | |
angle, how thin this is. He just needs one good shot here. If | :04:47. | :04:56. | |
he pots this red he can get a perfect on the black. He can win the | :04:57. | :05:00. | |
match from this visit. Black in the same pocket. | :05:01. | :05:13. | |
It's not ideal. He hasn't got any room to play for the black in the | :05:14. | :05:20. | |
same pocket. This easy red is definitely no advantage playing | :05:21. | :05:23. | |
this, you may have to play the more difficult choice of red. You can't | :05:24. | :05:28. | |
make his mind up. -- he can't make his mind up. | :05:29. | :05:43. | |
Well, I think he's just slipped on the carpet. He must have some new | :05:44. | :05:52. | |
shoes on, there. He somehow have to find a gap to get | :05:53. | :05:57. | |
the white into open play. I'm not too sure you can get him to | :05:58. | :06:10. | |
recover from there. He needs a kiss. He gets a slight kiss. APPLAUSE | :06:11. | :06:20. | |
I have to say, he steered the cue ball well to miss the red on the | :06:21. | :06:25. | |
black cushion but the low flick from the red on the side cushion has kept | :06:26. | :06:31. | |
him in position watch this. If he doesn't hit this, the pink doesn't | :06:32. | :06:35. | |
pop. He may have been faced with a blue to the far left corner. | :06:36. | :06:41. | |
Couldn't get a better chance now, to win this match. He could win this | :06:42. | :06:54. | |
match. That last safety shot, once he played that, split them all over | :06:55. | :07:02. | |
the place. He got away with it and Ding was faced with a safety shot | :07:03. | :07:05. | |
and he glued to the top cushion. That was the one that won it for | :07:06. | :07:10. | |
him. Look at this position. Virtually nothing to do with the cue | :07:11. | :07:14. | |
ball in this break. Just keep potting balls. He is bound to be on | :07:15. | :07:21. | |
something. In the open, pink. Pink may be restricted. -- blue in the | :07:22. | :07:25. | |
open. He will be leaning over this red | :07:26. | :07:38. | |
which is on the pocket. He's got to be a bit careful. Plenty of room. | :07:39. | :07:42. | |
APPLAUSE Liang Wenbo has dug so deep in this | :07:43. | :08:01. | |
match, he's lost the first session 6-2. He will battle his heart out in | :08:02. | :08:11. | |
the second session. To close within two frames, 1-4 behind. Played | :08:12. | :08:16. | |
beautifully to win that session 5-3. All his hard work could be in vain. | :08:17. | :08:36. | |
Playing the red over the right corner pocket, now. Red to the left | :08:37. | :08:45. | |
corner. The one over the right corner pocket is stopping the red to | :08:46. | :08:46. | |
the pink. I would be looking at clearing away. | :08:47. | :08:59. | |
-- I would be looking at clearing that away. | :09:00. | :09:49. | |
Stephen mentioned a series of little screw shorts. Don't have to play any | :09:50. | :09:56. | |
serious positional shots. Now 20 points in front. | :09:57. | :10:01. | |
Leaving at least two of the awkward reds, the next two should be OK. | :10:02. | :11:10. | |
This is about the most typical shot he's had to face and he still within | :11:11. | :11:15. | |
four feet of the ball -- the most difficult shot. | :11:16. | :11:39. | |
After this red is when the break gets slightly more difficult. | :11:40. | :11:51. | |
The red below the black is obviously the most straightforward to pot. If | :11:52. | :11:59. | |
he can just on this red and leave an angle on the pink, he can drop one | :12:00. | :12:04. | |
on the right cushion. He's gone for the blue. Make sure he goes high on | :12:05. | :12:06. | |
the blue. Stunning down for the red, just | :12:07. | :12:13. | |
below the black, to the left of it. Red, black. Leaving Liang Wenbo | :12:14. | :12:25. | |
needing a snooker. Cue this nicely. He won the previous frame with a | :12:26. | :12:59. | |
magnificent break of 132 to level at 12-12. This black could cost him a | :13:00. | :13:04. | |
place in the quarterfinals. APPLAUSE Very well done Ding Junhui. Since | :13:05. | :13:18. | |
that interval when they came in at 10-10, he's found his scoring, | :13:19. | :13:24. | |
hasn't he? 80, 132 and now this in one visit. Match-winning break. He | :13:25. | :13:30. | |
needs to try and pot this red. A bit to go here. Unless Liang Wenbo | :13:31. | :13:48. | |
can find a snooker, Ding Junhui is through to the quarterfinals. | :13:49. | :14:09. | |
Where is the cue ball going? This could be a handshake. And a | :14:10. | :14:14. | |
handshake it is. APPLAUSE INAUDIBLE | :14:15. | :14:20. | |
Ding Junhui goes through to the quarterfinals to face Ronnie | :14:21. | :14:25. | |
O'Sullivan. We all want to win. We all want to | :14:26. | :14:38. | |
have the victories at the Crucible. So, we fought hard. You can see the | :14:39. | :14:44. | |
game is coming good and Liang played very strong and very good. The last | :14:45. | :14:49. | |
frame, I missed a double. Ding played very well. Congratulations to | :14:50. | :14:56. | |
Ding, good luck for the next match. Enjoy. I enjoyed this match. We both | :14:57. | :15:03. | |
played very happy. I believe I can win this year, every match. | :15:04. | :15:07. | |
Challenge myself. See how I am going. How I am good. Also, I need | :15:08. | :15:15. | |
to play good and thinking well. You need to mix that in. Sometimes you | :15:16. | :15:23. | |
have to take the bad times. Nightmares to sleep overnight, even | :15:24. | :15:25. | |
when you are losing sometimes. Genuine respect and friendship shown | :15:26. | :15:29. | |
by the two guys at the end of that match. What a finish from Ding | :15:30. | :15:33. | |
Junhui. He kept a clear head as he said had made the wonderful break of | :15:34. | :15:38. | |
plus 130 and 70 to turn the match around and book a place against | :15:39. | :15:42. | |
Ronnie on Tuesday morning. I bet that was a ratings winner in Beijing | :15:43. | :15:45. | |
and beyond. It's left the second-round draw looking like this. | :15:46. | :15:52. | |
Welcome back to defending champion Mark Selby. Starting his match | :15:53. | :15:55. | |
against... Former champion facing one of the | :15:56. | :16:03. | |
men of the season, Marco Fu. We now know he will be taking on Ding | :16:04. | :16:07. | |
Junhui, Ronnie. 26-year-old Karen Wilson through to his second | :16:08. | :16:10. | |
consecutive quarter after beating Stuart Bingham. | :16:11. | :16:12. | |
He awaits Mark Alan Ord John Higgins. Two Crucible specialists. | :16:13. | :16:25. | |
There is no place that 2002 world champion Peter Ebdon would rather be | :16:26. | :16:31. | |
than the Crucible on a Saturday night, not even his favourite vegan | :16:32. | :16:35. | |
restaurant. Plenty for us to get our teeth into tonight, Peter, and I | :16:36. | :16:38. | |
don't mean chicken nuggets either. Off we go into what we are really | :16:39. | :16:43. | |
looking forward to. Final session of this match between John Higgins who | :16:44. | :16:46. | |
hold such two frame advantage over Mark Allen. John has turned the | :16:47. | :16:49. | |
whole match around trailing by two at the end of the first session to | :16:50. | :16:57. | |
lead by two at the end of the second. Possible nine frames await, | :16:58. | :16:59. | |
they have just begun. We will join them live in the company of Ken | :17:00. | :17:03. | |
Doherty and John Virgo. Early days. Bring us up to speed on what has | :17:04. | :17:09. | |
been happening. COMMENTATOR: Quite a dramatic... We've had quite a | :17:10. | :17:13. | |
tactical exchange from the two players. John Higgins got in first. | :17:14. | :17:21. | |
He potted a red but unexpectedly missed the black, you can see, it's | :17:22. | :17:23. | |
over the pocket. This was him missing the black. I | :17:24. | :17:33. | |
don't know whether it was a heavy contact... It seemed to come off a | :17:34. | :17:39. | |
bit square. Whatever. As I say, a long tactical battle all playing | :17:40. | :17:42. | |
down to this end. John Higgins got the first red. | :17:43. | :17:55. | |
Now John has got to sit there and wonder if he will get another | :17:56. | :18:01. | |
chance. The frame is so important to mark Alan. | :18:02. | :18:33. | |
I'm not quite sure. Maybe very bemused about that missed black. | :18:34. | :18:46. | |
Hasn't missed too much today. High-quality second session from | :18:47. | :18:47. | |
John Higgins. APPLAUSE Being left-handed, this shouldn't be | :18:48. | :19:26. | |
a problem. Just reaching over a couple of reds. The referee, Paul | :19:27. | :19:29. | |
Callier, on the scene. You can pot this red and go through | :19:30. | :19:44. | |
the gap between the red and the green. | :19:45. | :19:49. | |
Now a chance to get on the black. That's the problem with the reds | :19:50. | :20:43. | |
being at the baulk end, the scoreboard doesn't tick along as | :20:44. | :20:48. | |
fast when you are around the black area. | :20:49. | :20:54. | |
Just got into that a bit too much. He's rubbing percussion. Probably a | :20:55. | :21:03. | |
bit of adrenaline, their -- he's rubbing the cushion. This black | :21:04. | :21:04. | |
needs June care and attention. There was a similar frame between | :21:05. | :21:13. | |
Rory McLeod and Judd Trump in the first round. Exactly the way the | :21:14. | :21:18. | |
balls went in that frame, Rory McLeod potted eight raids and eight | :21:19. | :21:24. | |
colours and only on 36, 38 points. -- eight reds and eight colours. | :21:25. | :21:34. | |
That's a good pot. Nicely on the blue as well. | :21:35. | :21:40. | |
There was a bit of pressure on that because he was looking for something | :21:41. | :21:46. | |
easier. Right in the heart of the pocket. | :21:47. | :22:00. | |
I think he may just have a slight angle. The red he has to play is the | :22:01. | :22:34. | |
one closest to the right middle pocket. It needs to get the cue ball | :22:35. | :22:36. | |
near the site cushion. Could not have played that better, | :22:37. | :22:43. | |
beautiful shot. The blue will do. The blue will put | :22:44. | :23:01. | |
him 60 points in front with just 59 remaining. APPLAUSE | :23:02. | :23:17. | |
The crowd recognise a frame ball. John will sit and contemplate that | :23:18. | :23:28. | |
missed black. When he had first chance. | :23:29. | :23:40. | |
Could take out the red on the side cushion and he has done. APPLAUSE | :23:41. | :23:47. | |
Just gone a bit too far to have it on the opposite centre, I don't | :23:48. | :23:53. | |
think it will pass the blue. Already, Mark has had four sentries | :23:54. | :23:56. | |
in this match. That's why he's had such... A difference between the | :23:57. | :24:04. | |
points scored. In those that red. Nothing to say there won't be | :24:05. | :24:05. | |
another century, now. Just check, referee, has he got a | :24:06. | :24:18. | |
magnet on that ball? LAUGHTER Oh! Not another century but he took | :24:19. | :25:19. | |
his chance and won the frame in one visit. He is now within one of John | :25:20. | :25:20. | |
Higgins. STUDIO: This is the sort of standard | :25:21. | :25:27. | |
that made this match so compelling, you were commentating on it in the | :25:28. | :25:30. | |
second session this morning, how would you describe it? A brilliant | :25:31. | :25:34. | |
match. It was fascinating for me to watch the crowd this morning. They | :25:35. | :25:38. | |
were absolutely enthralled, they were buzzing, they were loving it. | :25:39. | :25:41. | |
Such a high-quality game, probably the best match we seen at the | :25:42. | :25:45. | |
Crucible this year. Both players playing to the best of their | :25:46. | :25:47. | |
ability, it's brilliant. There was one moment in frame 14 when Allen | :25:48. | :25:54. | |
was 70 points up, 72 left on the table, Higgins gets in, dishes it, | :25:55. | :26:00. | |
scores them all, wow, sit in your seat. That is vintage Higgins of | :26:01. | :26:05. | |
old. Is he back there again? It is what he always does. I mentioned in | :26:06. | :26:08. | |
commentary that if you would put your money on anybody to clear up | :26:09. | :26:12. | |
under pressure for your life, it would be John Higgins. Here he is. | :26:13. | :26:19. | |
This is a little further warning for the other competitors here. Higgins | :26:20. | :26:22. | |
appears to be back to his best. He has a real scrap in this match. Is | :26:23. | :26:27. | |
this the kind of match, as a player, Peter, but you actually can enjoy | :26:28. | :26:33. | |
when you are out there? Absolutely, both players appreciate the high | :26:34. | :26:36. | |
quality they are playing. It is just a brilliant match. The Crucible | :26:37. | :26:39. | |
crowd loving it, we are all loving it. In terms of percentages, this | :26:40. | :26:45. | |
pot success percentage, in the first session, after the first seven | :26:46. | :26:49. | |
frames, Allen was 98%. He was playing like a god at the time! And | :26:50. | :26:54. | |
still only came out of that session with the two frame advantage, | :26:55. | :26:57. | |
showing how close and how predatory Higgins can be. Unbelievable. This | :26:58. | :27:01. | |
is the best I have seen John hit the ball for a long time, he is timing | :27:02. | :27:06. | |
the ball beautifully. We go back, frame 18, Ken and John, or yours, | :27:07. | :27:15. | |
again. COMMENTATOR: Obligatory red, stick it out. Mark has not got the | :27:16. | :27:18. | |
cue ball tight to the ball cushion, John will take it on. | :27:19. | :27:25. | |
APPLAUSE Beautifully played. If it stops | :27:26. | :27:34. | |
short of the baulk line or kiss the green. It's done neither. It's on | :27:35. | :27:36. | |
nothing. You could see John, as we see this | :27:37. | :27:48. | |
wonderful pot, you could see John, his head shaking a bit, he couldn't | :27:49. | :27:52. | |
believe the cue ball had come to rest just on the baulk line. He | :27:53. | :27:57. | |
expected it to come off the top cushion so fast. -- he didn't expect | :27:58. | :28:02. | |
it to come off. One red onto the other two. Could it | :28:03. | :29:10. | |
flick it off the other red or is he just concerned about leaving it near | :29:11. | :29:13. | |
the right corner? We will see from here. Never going to go into the | :29:14. | :29:20. | |
corner. He's got a good cue ball, though. He will be pleased with | :29:21. | :29:22. | |
that. Excellent shot. It's OK if it runs past the brown. | :29:23. | :29:51. | |
Even then, he may have left a path to this red, to the left corner. | :29:52. | :29:56. | |
It's one of those you could run into a second red. If you go for it, you | :29:57. | :29:58. | |
need to get it. Can he kissed the red to the right | :29:59. | :30:07. | |
of the black and stay on the black? He found a gap. Good pot, though. | :30:08. | :30:14. | |
He's got a nice kiss on the yellow. He will be happy with that. | :30:15. | :30:20. | |
He shouldn't really apologise for that. That was an excellent pot. All | :30:21. | :30:34. | |
those fractions. When John Higgins potted that excellent read, he | :30:35. | :30:35. | |
needed a kiss and didn't get it. He will try to get top side of the | :30:36. | :31:05. | |
blue here. That is pretty good. The cue ball must hit the pink almost | :31:06. | :31:12. | |
full ball. Trying to hold it in the middle of the table. He lost the cue | :31:13. | :31:19. | |
ball. He needs a little bit of luck and he has got it. He will settle | :31:20. | :31:20. | |
for that. He has been scoring heavily when he | :31:21. | :31:40. | |
has got these opportunities. This is a big fitter now to get the match | :31:41. | :31:50. | |
back to all square. He led 5-3 coming into the second session this | :31:51. | :31:57. | |
morning. Lost the first four frames. Couldn't afford to do that this | :31:58. | :32:09. | |
evening. Yes, get the extension out. He may try after this red and black | :32:10. | :32:17. | |
to follow to get rid of the red below the black. It's a little bit | :32:18. | :32:28. | |
in the way at the moment. You always like to clear the reds underneath | :32:29. | :32:33. | |
the black spot. It just helps with your positional play. He's bridging | :32:34. | :32:43. | |
long here. He played it well. He is not perfect on this red, he may have | :32:44. | :32:48. | |
to go up to the blue, but you are exactly right. You want that read | :32:49. | :32:53. | |
out the way just in case you have to come off that cushion sometime. As I | :32:54. | :32:59. | |
say, can't hold for the black. Imperative he gets a good angle on | :33:00. | :33:03. | |
the blue. That needs to run. Just got there. Perfect. | :33:04. | :33:15. | |
First impressions, John. I think Allen has got the cue ball relief on | :33:16. | :33:27. | |
a string at the moment. Good, close control. He is making every next | :33:28. | :33:34. | |
part very simple. That is good break-building. Yes. And that shop | :33:35. | :33:38. | |
there with the stunned run-through, he made that look easy. Many times | :33:39. | :33:42. | |
do you give that too much and go to far? That is OK when you break them | :33:43. | :33:53. | |
all. He might have do drop this in and play free ball colour. All the | :33:54. | :33:58. | |
balls he needs are now in the open. -- baulk. Now down to the read write | :33:59. | :34:16. | |
over the pink spot. Looks just about perfect. | :34:17. | :34:42. | |
He had to force that black in with a lot of pace. He will come around to | :34:43. | :34:55. | |
see if the red on the right of the three will part in the bottom | :34:56. | :35:01. | |
right-hand pocket. -- pot. Doesn't look like it will. | :35:02. | :35:12. | |
Decision time. Does he go up for the blue? If that route doesn't go as | :35:13. | :35:19. | |
you think, can, then playing the run-through and trying to flick off | :35:20. | :35:23. | |
one of the reds, that would open them up. That is risky, you could | :35:24. | :35:28. | |
lose position for the black. Looking there, maybe he could potted. Maybe | :35:29. | :35:32. | |
get to the potting angle of that read. We will see. Oh, and he did | :35:33. | :35:42. | |
just flick them out. A delicate little shot, wasn't it? Look at | :35:43. | :35:46. | |
this. Just touched it very nicely indeed. It is twice that this pink | :35:47. | :36:03. | |
has made him bridge long. Well, he did well to get the cue ball that | :36:04. | :36:07. | |
far around because when you are striking down, it is harder to get | :36:08. | :36:17. | |
the top spin to generate as you need it. Oh, no! It is a kick! Heavy | :36:18. | :36:33. | |
contact. That is why he is showing his disappointment. That is very | :36:34. | :36:38. | |
unlucky. You can see that right down the line. Just have a look at that | :36:39. | :36:43. | |
red. It straightens off just to the left-hand side of the pocket and you | :36:44. | :36:45. | |
can see and suddenly his frustration. -- certainly here. He | :36:46. | :36:56. | |
made a break of 70 and John Higgins made a break of 72. It could happen | :36:57. | :37:03. | |
again here. Although, there is a view problem -- there are some | :37:04. | :37:11. | |
problem balls. It is a big ask for John to win the frame on this visit. | :37:12. | :37:15. | |
He can get back into it which didn't look likely. For all money, it | :37:16. | :37:25. | |
looked like it would be to frames in a row for Mark Allen. It will be | :37:26. | :37:34. | |
interesting to see whether John will try and attempt the loose red, or | :37:35. | :37:40. | |
try and to stir up one or two of these threads here on the right-hand | :37:41. | :37:45. | |
side cushion. -- disturb. He has try to go into them. He has played a | :37:46. | :37:50. | |
lovely. He couldn't have played that much better. What a fantastic shot. | :37:51. | :38:00. | |
It is worth another look. Talking about seizing the opportunity, | :38:01. | :38:06. | |
brilliant shot. And now the only real problem ball that I can see is | :38:07. | :38:11. | |
the pink. He is going to need this black, the two reds, two colours and | :38:12. | :38:17. | |
all the remaining colours. What a steal this would be. | :38:18. | :38:31. | |
A slight heavy contact there, but he is OK. He really expected the cue | :38:32. | :38:44. | |
ball to be away from the commission. He is all right, he is on this other | :38:45. | :38:54. | |
red, drop it in, stay on the black. Nicely held for the black. | :38:55. | :39:08. | |
A little bit short. He is a little bit short, but he has a few points | :39:09. | :39:18. | |
to play with. Not too bad. What will you do this red? -- what will he do | :39:19. | :39:27. | |
off this red? You always say with these kind of things, getting | :39:28. | :39:32. | |
position from brown to blue, but with the pink where it is, it is | :39:33. | :39:36. | |
essential he gets good position on the blue. Mark Allen was in and | :39:37. | :39:48. | |
looked like he was going to put a break together to win the frame. | :39:49. | :39:57. | |
Very unlucky with the kick. But he may still have a lifeline. That pink | :39:58. | :40:04. | |
is going to be the problem ball for John Higgins here. That is his only | :40:05. | :40:16. | |
hope. It is one of those pinks, John, it is not one that you want to | :40:17. | :40:20. | |
be behind. It is one that you feel that you might have to get off the | :40:21. | :40:25. | |
cushion. If you get the chance, you would like to move it. Now, will he | :40:26. | :40:35. | |
screw behind it? Even if he screws behind it, it is a tough one with | :40:36. | :40:38. | |
the rest and that is what he will have to use. He couldn't have played | :40:39. | :40:51. | |
that much better. He has just got to drop this in and leave a difficult | :40:52. | :40:53. | |
black. You knew that this is what he was going to be | :40:54. | :41:07. | |
left with. Tight on the cushion, the black. To get back his two frame | :41:08. | :41:13. | |
advantage and steal a frame that would really hurt Mark Allen. | :41:14. | :41:23. | |
Absolutely brilliant! You can see what it meant to John Higgins. OK, | :41:24. | :41:28. | |
unlucky, Mark Allen. He will feel aggrieved about that, but what a | :41:29. | :41:32. | |
clearance once again. The Wizard of Wishaw? You bet you. What a | :41:33. | :41:38. | |
fantastic clearance from John Higgins. Like the one we were | :41:39. | :41:43. | |
telling you about in frame 14. That is going to mess with the head of | :41:44. | :41:47. | |
Mark Allen, surely? To be perfectly honest, it is nothing that Mark | :41:48. | :41:52. | |
Allen did wrong there. Got a terrible contact. This man, John | :41:53. | :41:55. | |
Higgins, is unbelievable. This is the kick. Terrible contact. Throws | :41:56. | :42:00. | |
the red thick. What a clearance. That is the second time he has done | :42:01. | :42:04. | |
it in this match. There is nobody better in the world at clearing up | :42:05. | :42:07. | |
under those circumstances than John Higgins. You can see what that meant | :42:08. | :42:12. | |
to him because he knew at the end of that frame, a psychological damage | :42:13. | :42:15. | |
that that would do to Macallan. That is a real kick. You summed it up | :42:16. | :42:21. | |
nicely levels -- Mark Allen. Use all the frustration of Mark Allen. You | :42:22. | :42:27. | |
wonder when do you feel safe? Is there any lead that is saved against | :42:28. | :42:31. | |
John Higgins when you are getting to the 70s or 80s? No. In all the time | :42:32. | :42:38. | |
I have playing, I had never seen anybody clear as consistently under | :42:39. | :42:41. | |
pressure as he does. He is phenomenal. That is the only way I | :42:42. | :42:45. | |
can describe him. Phenomenal. Just when you look like it was them to go | :42:46. | :42:50. | |
9-9, he has got a mountain to climb again. Two friends. Assess what he | :42:51. | :42:55. | |
may be feeling in that chair, stewing about what has happened. | :42:56. | :42:59. | |
Honestly, he will be devastated. He has played well enough to be level | :43:00. | :43:05. | |
in this match. He is not. He knows he is playing well enough to win. | :43:06. | :43:09. | |
What can you do when John Higgins keeps clearing up like that? The man | :43:10. | :43:13. | |
is unbelievable. He turns 42 years of age in May. There hasn't been a | :43:14. | :43:19. | |
40 something winner of the title since a certain Ray Reardon in the | :43:20. | :43:24. | |
70s. 90s T8. We have still got John clicking here and Ronnie clicking | :43:25. | :43:31. | |
here. What a match we have heading into frame 19 of a possible 25. | :43:32. | :43:37. | |
STUDIO: Well, John Higgins, that was a very poor break-off shot. I think | :43:38. | :43:47. | |
we went -- he went out of the arena to compose himself. It didn't work. | :43:48. | :43:55. | |
I think he is full of adrenaline. A good part by Mark Allen. Now, is he | :43:56. | :44:08. | |
on the yellow into the right centre? A nice spot. -- pot. Possibly will | :44:09. | :44:18. | |
played into the bottom right-hand corner, as well. I think it is one | :44:19. | :44:21. | |
of the situations where it you just trickle up behind the yellow, with | :44:22. | :44:26. | |
the cluster packed tight as it is comedy pink not available, the black | :44:27. | :44:31. | |
not available, you're not going to get a chance. I've seen people play | :44:32. | :44:37. | |
the yellow and maybe run it into the reds to open it up a bit. You know, | :44:38. | :44:42. | |
the snooker, I don't think is going to get you much. Yes, the way he is | :44:43. | :44:49. | |
potting, you fancy him potting that yellow. Into the bottom right-hand | :44:50. | :44:52. | |
corner pocket, even into the right centre. Down towards the red, maybe, | :44:53. | :44:58. | |
behind the black that is free or the one left of the pink. As I say, | :44:59. | :45:03. | |
identity gets much out of the snooker. If you wanted to play safe | :45:04. | :45:06. | |
and not cover the pot, I would prefer to cover the balk cushion. | :45:07. | :45:16. | |
Yes. Maybe he is still in a bit of a daze and it is still hurting. That | :45:17. | :45:22. | |
kick in the last frame cost him the frame. But what a black, John | :45:23. | :45:37. | |
Higgins potted. The black off the spot, it wasn't easy. So much | :45:38. | :45:42. | |
pressure on it. Coming twice across, as you say, you wouldn't expect him | :45:43. | :45:48. | |
to make a mistake there. And of course he didn't. I think in the | :45:49. | :45:54. | |
last frame, what impressed me, when he finished on the pink as he did, | :45:55. | :45:57. | |
he knew he was going to leave it there, but look at this black. He | :45:58. | :46:01. | |
never looked like touching the side of the pocket. Perfect. Look at the | :46:02. | :46:06. | |
reaction. That is what it meant. It is not often that you see John | :46:07. | :46:10. | |
Higgins reacting in such a way. He knew. How important back clearances. | :46:11. | :46:18. | |
Not only for himself, but also for the psychological edge that it has | :46:19. | :46:22. | |
given him. Yes, we are getting to the nitty-gritty of this match now. | :46:23. | :46:30. | |
First to 13, remember, for a place in the quarterfinal. | :46:31. | :46:42. | |
John thought it was a natural angle to come off the one cushion. Maybe | :46:43. | :46:54. | |
it isn't. You get one more go at this. Of course, he can see reds. So | :46:55. | :47:11. | |
does it need a trace of side? He has overcompensated here. Has he left | :47:12. | :47:15. | |
the red on? Obviously not. A clever shot that. Trying to cut | :47:16. | :47:50. | |
out the escape down the right-hand side. Saying that, can he just get | :47:51. | :47:55. | |
past the pink? There is just an edge of this red sticking out. It just | :47:56. | :48:02. | |
shows you, it is all about fractions, this game. Nothing wrong | :48:03. | :48:15. | |
with his eyesight, is there John? No trips to Spec Savers. Fantastic. I | :48:16. | :48:27. | |
was thinking, what a good safety shot that Mark had played and with | :48:28. | :48:33. | |
that reply, it is Mark now that is on the back foot. Pacey, this. But | :48:34. | :48:43. | |
hit it well. Looks like a touching ball though. Touching ball. He is | :48:44. | :48:56. | |
going to need the spider here, but he will be trying to put it back up | :48:57. | :49:05. | |
towards baulk cushion, behind the yellow. He has got to be careful it | :49:06. | :49:20. | |
doesn't hit the red. Certainly wanted behind the yellow so he can | :49:21. | :49:26. | |
block it down the right-hand side of the table. | :49:27. | :49:51. | |
It slid past them. I don't see a pot on. I don't see any reason why he | :49:52. | :50:02. | |
shouldn't have it replaced. I don't think I quite have the | :50:03. | :50:28. | |
potting angle, but I can hit that side of it. That is where they were, | :50:29. | :50:37. | |
and that is where they are now. Just a fraction low. It could make a | :50:38. | :50:42. | |
difference. He gets one more chance of hitting these reds and he will be | :50:43. | :50:46. | |
warned, but he has played this one better. Good shot. | :50:47. | :51:16. | |
John Higgins firmly in control of this safety battle. And I would | :51:17. | :51:28. | |
imagine, Ken, that Mark is desperate to get the first chance in this | :51:29. | :51:33. | |
frame to put right the wrongs of the last one. Yeah. It is unlucky when | :51:34. | :51:40. | |
you get a kick like that. You get a kick and not often it will cost you | :51:41. | :51:43. | |
the frame, but it did for Mark Allen. Many lost that frame on the | :51:44. | :51:49. | |
black when he should have won, and of course that one that he should | :51:50. | :51:57. | |
have one way made the rate of 70. John Higgins replied with 72. -- | :51:58. | :52:02. | |
break of 70. Realistically, he could easily have been 10-8 ahead now. But | :52:03. | :52:08. | |
for those two frames. They are the small margins. Frames are won and | :52:09. | :52:14. | |
lost and indeed matches are won and lost. As Peter quite rightly said | :52:15. | :52:19. | |
the studio, there are not many players that you would put your | :52:20. | :52:23. | |
house on to do a clearance like that and John Higgins has done its time | :52:24. | :52:28. | |
and time again in his career. Of course, we always say that it is | :52:29. | :52:34. | |
that kind of frame that would turn a match on its head. Looking at the | :52:35. | :52:38. | |
scoreline now, that it exactly what it has done. Mark Allen desperate to | :52:39. | :52:42. | |
get the first opportunity in this frame. Whether he will or not, we | :52:43. | :52:48. | |
will just have to see how it plays out. A good line from John. And an | :52:49. | :52:57. | |
excellent length. Could have done with a bit more, but he has cut down | :52:58. | :53:01. | |
the safety down the right-hand side of the table. As long as he does | :53:02. | :53:05. | |
that, he had got Mark Allen in trouble. He has blocked the red on | :53:06. | :53:10. | |
the left-hand side of the table with the yellow, as well. A bit more | :53:11. | :53:20. | |
careful here. Of course, a couple of loose reds now. | :53:21. | :53:31. | |
I can see a pot on here. And there is a red three in from the left. If | :53:32. | :53:40. | |
you play that half ball to the left corner, you would kiss off the red | :53:41. | :53:43. | |
next to it and you might get the cue ball back to the balk end. That is | :53:44. | :53:51. | |
the one I am referring to. He is bound to kiss the one to the right | :53:52. | :53:55. | |
of it and he could take the cue ball back to the balk end. Anything else, | :53:56. | :54:00. | |
even though that is risky, anything else for me would be too risky. That | :54:01. | :54:08. | |
is not a bad choice, John. Particularly if you play it with a | :54:09. | :54:11. | |
bit of side and missed the reds on the way back. He is trying to lie on | :54:12. | :54:23. | |
this thread is just to the left. But that is too hard. That has gifted | :54:24. | :54:28. | |
John and easy read into the right-hand centre. Just a little bit | :54:29. | :54:34. | |
too pacey with that Kewell. -- cue ball. | :54:35. | :54:49. | |
He was in control of the safety battle, John Higgins gets the first | :54:50. | :54:52. | |
chance. That jumped a little bit. A lot of | :54:53. | :55:12. | |
pace in the cue ball to try and get it down towards these reds. | :55:13. | :55:31. | |
I'm just wondering, John, can he play this little cannon pot on the | :55:32. | :55:37. | |
red and try and dislodge the red away from the black? He is not | :55:38. | :55:40. | |
looking at it. He is looking at the one left of the pink. But that is a | :55:41. | :55:43. | |
possibility. Just held enough. A nice angle on | :55:44. | :56:08. | |
the brown, he can play a couple of shots here. He can go down for a | :56:09. | :56:13. | |
loose red or he can go straight into the pack of reds, left of the pink. | :56:14. | :56:25. | |
Just looking at John, he has got a couple of pots on here. That red | :56:26. | :56:33. | |
that is adjacent to the right corner maybe blocks the one to the right | :56:34. | :56:40. | |
corner. He has got just enough room. Not all of the pocket available. He | :56:41. | :56:45. | |
has got one to the opposite corner. Hampered, he could be playing with | :56:46. | :56:49. | |
the cue ball. It could have worked out better. | :56:50. | :57:03. | |
Just caught a glimpse of the wonder the left corner, but there is | :57:04. | :57:08. | |
nothing that you can do with the cue ball. You just have to roll it in | :57:09. | :57:12. | |
for the one point. He is playing this, but you have to be very | :57:13. | :57:15. | |
accurate. Favours the right side of the pocket as we look. Oh, right in | :57:16. | :57:18. | |
the middle. Good shot. STUDIO:. A very tight frame here. I | :57:19. | :58:44. | |
hope this is going to have let down left you wanting more. All of it on | :58:45. | :58:48. | |
the red button. That is where we're going. If you can't, there are | :58:49. | :58:53. | |
highlights at 1145. Peter and I and the team will be on the red button | :58:54. | :58:59. | |
all evening. Fire it up and come with this. See very shortly, bye for | :59:00. | :59:00. |