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Hello, a very good morning, welcome back to the Crucible Theatre in | :00:34. | :00:40. | |
Sheffield. Day nine remarkably the 2017 Betfred World Snooker | :00:41. | :00:43. | |
Championship, two more second-round matches get under way from scratch | :00:44. | :00:46. | |
today, forming already through the quarterfinals. | :00:47. | :00:58. | |
Ronnie was just a little bit too good... Ding Junhui gets into the | :00:59. | :01:12. | |
quarterfinal where he will play Ronnie O'Sullivan. What a | :01:13. | :01:23. | |
performance, a very confident young man. What a performance from John | :01:24. | :01:36. | |
Higgins! He is the best in my opinion. And this is the second | :01:37. | :01:42. | |
round draw as it stands. Always top class action at the | :01:43. | :02:23. | |
Crucible but I don't know about you, some of the snake has been | :02:24. | :02:32. | |
scintillating. That was a fantastic match last night with John Higgins | :02:33. | :02:38. | |
playing virtuoso snooker. Some of the clearances he made, the one from | :02:39. | :02:43. | |
58 behind, the one from 17 behind to clear up with 72, two frames and it | :02:44. | :02:50. | |
was a real sublime finish for John Higgins. How much are you looking | :02:51. | :02:54. | |
forward to Neil Robertson v Marco Fu? Some might say their surprise | :02:55. | :03:01. | |
that Marco is in the round. It might give him inspiration, I'm sure he | :03:02. | :03:05. | |
would have packed his bags. He came back remarkably well. A long history | :03:06. | :03:10. | |
of great comebacks at the Crucible another certainly one of them. They | :03:11. | :03:15. | |
have performed admirably and he is prone to a few Crucible comebacks | :03:16. | :03:20. | |
himself, this is going to be a cracking match, two players in great | :03:21. | :03:24. | |
form. Do you share the view of John Parrott, Neil Robertson not really | :03:25. | :03:28. | |
tested in the first round? This is an entirely different much? Not | :03:29. | :03:31. | |
really test the still very good and very sharp. He scored very heavily. | :03:32. | :03:39. | |
Neil Robertson, in the Crucible, he is always up-to-date. He was a | :03:40. | :03:43. | |
winner here before so bags of experience. I'm really looking | :03:44. | :03:46. | |
forward to this match against Marco Fu. Me too, thank you. The one thing | :03:47. | :03:51. | |
you can be sure of when these two players meet, it will be high | :03:52. | :03:53. | |
quality. They first met in 2008. Very happy with my game, I've been | :03:54. | :04:09. | |
practising hard coming in here, I have never practised harder coming | :04:10. | :04:12. | |
into championship before, so, I have done everything right, regardless of | :04:13. | :04:16. | |
performances, at least I know I have done everything I can. Since the UK, | :04:17. | :04:24. | |
I think I've been playing quite consistently, just producing the | :04:25. | :04:29. | |
type of consistency I want, that's the most important thing, especially | :04:30. | :04:36. | |
coming into the World Championships. Yeah, Marco has been playing good | :04:37. | :04:41. | |
snooker throughout his career and an unbelievable season, really, you | :04:42. | :04:44. | |
look at the draw, the players left, there aren't too many players that | :04:45. | :04:50. | |
you could get a good draw from, everyone fights to the death. | :04:51. | :05:01. | |
Strike-mac I think we just want to do some wonderful clearances and | :05:02. | :05:04. | |
hopefully I can win as quickly as possible. We try not to miss shops. | :05:05. | :05:15. | |
I am quite happy to be one of the lesser fancied players. You know, | :05:16. | :05:21. | |
Ronny, Judd Trump, are ahead of me and I am more than happy to fly | :05:22. | :05:24. | |
under the radar and quietly go about my business. I'm sure it's going to | :05:25. | :05:33. | |
be a challenge for me, so it will be an evenly matched contest. I will | :05:34. | :05:39. | |
play to my best and enjoy the occasion Kempley come out as a | :05:40. | :05:46. | |
winner. Here at the players backstage. On table to then this | :05:47. | :05:51. | |
wonderful arena, Barry Hawkins starts second-round match against | :05:52. | :05:54. | |
Graeme Dott, the first session, frames 1-8 and then all four players | :05:55. | :06:01. | |
back tonight for the 7pm session. Rob Walker is at the London | :06:02. | :06:05. | |
Marathon, I don't know if he is running for BBC television, watch | :06:06. | :06:11. | |
those hamstrings, Walker, let's get the players out for today, welcome, | :06:12. | :06:15. | |
ladies and gentlemen to the Crucible Theatre here in Sheffield! | :06:16. | :06:15. | |
CHEERING AND APPLAUSE First up on table two, a man who | :06:16. | :06:38. | |
knows the sweet feeling of lifting one of the biggest prizes in World | :06:39. | :06:44. | |
Snooker and one of the great British sporting venues, the champion of | :06:45. | :06:49. | |
2006, who, as a qualifier, won three matches to get here, then dispatched | :06:50. | :06:54. | |
Ali Carter in round one, please welcome the pride of Scotland, | :06:55. | :06:58. | |
Graeme Dott! CHEERING AND APPLAUSE | :06:59. | :07:16. | |
Sexed up, a special day for Barry Hawkins, not only is he about to | :07:17. | :07:24. | |
embark on another second-round match here at the Crucible Theatre, but he | :07:25. | :07:29. | |
will be cracking open the champagne tonight whatever happens because it | :07:30. | :07:33. | |
is his birthday! Will you please welcome... | :07:34. | :07:39. | |
LAUGHTER He did expect this! Will you please welcome the birthday | :07:40. | :07:46. | |
boy, Barry Hawkins! CHEERING AND APPLAUSE | :07:47. | :08:10. | |
We either do it or we do it properly... | :08:11. | :08:16. | |
Happy birthday to Barry! On table one, another former Crucible King, a | :08:17. | :08:22. | |
former world number one who made his 500th career century in the first | :08:23. | :08:26. | |
round match and is looking to win the World Championship title again, | :08:27. | :08:30. | |
he lifted the trophy, beating Graeme Dott, sorry, Graeme, in 2010, will | :08:31. | :08:39. | |
you please welcome Peter Robinson! CHEERING AND APPLAUSE -- Neil | :08:40. | :08:57. | |
Robertson! Next up, the world number eight, who | :08:58. | :09:01. | |
we all thought was heading home after the opening session of his | :09:02. | :09:05. | |
first-round match against Luca Brecel but you never have to write | :09:06. | :09:10. | |
off this man, he remarkably turned it around, dug deep and found his | :09:11. | :09:13. | |
way into the second round, three times a world ranking title winner, | :09:14. | :09:18. | |
which is welcome Marco Fu! CHEERING AND APPLAUSE | :09:19. | :09:40. | |
What a fantastic atmosphere here at the Crucible. | :09:41. | :09:45. | |
If you want to watch Barry Hawkins against Graeme Dott in the company | :09:46. | :09:48. | |
of Willie Thorne and Steve Davis, that is available on the BBC sport | :09:49. | :09:53. | |
website and BBC Sport app, but live here on BBC Two, a very good | :09:54. | :09:58. | |
morning. John Virgo and Ken Doherty. COMMENTATOR: Good morning Jason and | :09:59. | :10:03. | |
good morning everybody. Lovely day here in Sheffield. A bit chilly but | :10:04. | :10:11. | |
the sun was shining. The first frame of the second-round match. Two | :10:12. | :10:22. | |
heavyweights here. Neil Robertson, former champion. Marco Fu, they have | :10:23. | :10:32. | |
played 11 times. It is just slightly in favour of Neil Robertson, he has | :10:33. | :10:37. | |
won six against Marco's five but I think the most important step for me | :10:38. | :10:39. | |
is the fact that ranking titles, Neil Robertson has won 12, Marco Fu | :10:40. | :10:47. | |
has won three. Yes, and of course, with the experience of actually | :10:48. | :10:51. | |
winning here, when Neil Robertson did that. Yeah, he has a lot more | :10:52. | :11:05. | |
experience at the Crucible. Marco Fu has been a long time as well. A | :11:06. | :11:11. | |
couple of semifinals but a wonderful player on his day, Marco Fu, one of | :11:12. | :11:18. | |
the best scorers in the business. And Neil Robertson, who made his | :11:19. | :11:23. | |
500th career century in his last match and Marco Fu just looking at | :11:24. | :11:31. | |
the stats has made 449 in his career, so big scorers. They are not | :11:32. | :11:35. | |
so amateurs, nay? Incredible standing. And when he completed the | :11:36. | :11:46. | |
hundredth centuries in one season that was quite incredible. It really | :11:47. | :11:53. | |
was. Meanwhile, what on earth was Marco Fu playing there? It may have | :11:54. | :12:11. | |
cost him... Hmm, the red's come out. He thought if he got close to the | :12:12. | :12:15. | |
chores, it would have stayed at this end. | :12:16. | :12:24. | |
He needs a bit of luck with the position for the cover. Well, he has | :12:25. | :12:35. | |
two pots the red first. An edgy start, this, from Marco. He could | :12:36. | :12:42. | |
have gone for the yellow instead of playing that safety shot on the | :12:43. | :12:47. | |
brown. Bound to have some sort of nervous going into this match. An | :12:48. | :12:54. | |
opportunity for both players. And of course, Marco, that first round, | :12:55. | :13:01. | |
they finished the session 7-2 against Luca Brecel but what a | :13:02. | :13:04. | |
remarkable comeback in the second session, to get through that round, | :13:05. | :13:11. | |
was amazing. The great comeback and there have been many at the | :13:12. | :13:16. | |
Crucible, that was up there with some of them. I agree. You get a | :13:17. | :13:22. | |
victory like that and you might think, this is my year. You think | :13:23. | :13:26. | |
you're out and you relax but he did play well to come back, he didn't | :13:27. | :13:31. | |
just scraped over the line, he produced good snooker. But the first | :13:32. | :13:37. | |
few shots this morning, very average. And of course, when Neil | :13:38. | :13:49. | |
Robertson won here in 2010, in a second-round match against Martin | :13:50. | :13:54. | |
Gill, he had checked out of the hotel, packed his barracks, came | :13:55. | :13:58. | |
down to play the last session of the match, didn't get himself too much | :13:59. | :14:01. | |
of a chance and then beat Martin Gill 13-12 and went on to win the | :14:02. | :14:03. | |
tournament. He will pots this book, into the top | :14:04. | :14:29. | |
corner and maybe make a little cannon just above it. | :14:30. | :15:22. | |
He has not had the best of seasons, by his own standards, Neil | :15:23. | :15:31. | |
Robertson. He won the Rico Masters back in June. That was last year. It | :15:32. | :15:38. | |
is quite a long time. He's normally at the business end of most | :15:39. | :15:42. | |
tournaments and the normally when several per season. But this has | :15:43. | :15:50. | |
been a bit of a barren one for Neil Robertson. He is such a lovely | :15:51. | :15:59. | |
striker of the ball, tremendous at potting. Of course, there are lots | :16:00. | :16:09. | |
of tournaments now, best-of-7, and in the grand scheme of things, that | :16:10. | :16:14. | |
is like playing three holes of golf, really. Anyone can win. He has | :16:15. | :16:24. | |
already said, he has done lots of preparation for the World | :16:25. | :16:28. | |
Championship this year. This is a big chance to get his career back on | :16:29. | :16:35. | |
track. Marco is ranked number eight in the world, Neil nine. When you | :16:36. | :16:44. | |
consider Neil was world number one for three years. It is a drop down | :16:45. | :16:47. | |
the rankings, somewhat. He is a little straight on the | :16:48. | :17:03. | |
black. He seemed to get a big bones of the side cushion. I think he can | :17:04. | :17:09. | |
force the black incomer to get out for the red above the black. He has | :17:10. | :17:17. | |
plenty of cue power, Neil Robertson. He decided to go back for the red | :17:18. | :17:21. | |
into the left centre. He has this red close to the cue ball. Has it | :17:22. | :17:29. | |
hampered his cueing? There is his target. 69 he needs. Good cueing, | :17:30. | :17:42. | |
this. Considering that, that was an excellent shot. That could clinch | :17:43. | :17:44. | |
the frame. 53 ahead, 83 remaining, two reds, to | :17:45. | :17:59. | |
Michael Collins, that should be enough. | :18:00. | :18:09. | |
Red and black would put him 69 points ahead with just 67 remaining. | :18:10. | :18:55. | |
That was good, the frame ball, acknowledged by the crowd. Now he | :18:56. | :19:04. | |
can concentrate on making a century. He does not need the safe red, close | :19:05. | :19:14. | |
to the left centre pocket. The pink will go on the brown spot and these | :19:15. | :19:18. | |
two reds will be pottable into the bottom right pocket. He is always a | :19:19. | :19:23. | |
way of making centuries. He wants to keep going, he wants to catch up | :19:24. | :19:29. | |
with the likes of John Higgins and Stephen Hendry, and even Ronnie | :19:30. | :19:36. | |
O'Sullivan. As well as being a fantastic player, he loves the | :19:37. | :19:40. | |
history of the game. He loves the records. Yes, two reds, two blacks, | :19:41. | :19:50. | |
that would get into this century without having to play the awkward | :19:51. | :20:00. | |
red knew the left-hand side cushion. This is one of these matches, in | :20:01. | :20:07. | |
this rent particularly, -- in this rent particularly, where we may see | :20:08. | :20:14. | |
lots of century breaks. It would be nice to start with one here. The | :20:15. | :20:19. | |
very first frame. He let that positional shot slip. He | :20:20. | :20:38. | |
will need a pot. Into the far right corner. He will screw back for the | :20:39. | :20:50. | |
black. No problem. Great pot. And the black for the century. Well | :20:51. | :20:58. | |
played. Just the start any player is looking for. Connacht. -- tonne up. | :20:59. | :21:13. | |
He got his cue arm going. Hello. Weight is the red ball going? That | :21:14. | :21:26. | |
is one of your trick shots, John. I have seen them on the television. | :21:27. | :21:31. | |
You might have to have a few attempts at one like that. | :21:32. | :21:39. | |
Well, once he had made the hundred, he was not bothered. I very | :21:40. | :21:48. | |
tentative start from Marco Fu. It cost him in the end. Neil Robertson | :21:49. | :21:50. | |
leads, 1-0. Yes, we talked about Marco, a little | :21:51. | :22:04. | |
bit nervous. He potted red and got onto the brown. Look at this, before | :22:05. | :22:11. | |
he plays the shot. He is just above the baulk line. Would you take on | :22:12. | :22:16. | |
the yellow or possibly the green? Absolutely, the way the reds were | :22:17. | :22:22. | |
spread. Have a look at the shot. I presume he was trying to leave Neil | :22:23. | :22:28. | |
hampered by the brown, but he did not even do that, he left him a pot. | :22:29. | :22:34. | |
Then he had the possible red into the left-centre that the misses as | :22:35. | :22:44. | |
well. He was worried about were the cue ball was going, but he missed it | :22:45. | :22:48. | |
by some distance. He was concerned about the line that the cue ball was | :22:49. | :22:51. | |
going to take, but do not miss the pot. From there, that was the end of | :22:52. | :22:58. | |
the frame. Not the start he was looking for, but the perfect start | :22:59. | :23:04. | |
for Neil Robertson. The second frame, Marco Fu to break. | :23:05. | :23:14. | |
Marco gets the second frame under way. We were saying, he did very | :23:15. | :23:21. | |
well in his first round. He got way behind and fought his way back. He | :23:22. | :23:26. | |
does not want to be doing that against a player of the stature of | :23:27. | :23:33. | |
Neil Robertson. Certainly not. If you give Neil Robertson four, five, | :23:34. | :23:37. | |
six frames start, you do not want to do that. A lovely pot. He played to | :23:38. | :23:50. | |
get in and around the back of the red. There was a nice lunch on that. | :23:51. | :23:57. | |
He is on the black. He can hold for the red into the same pocket or try | :23:58. | :24:03. | |
to nudge the red towards the pocket. Wow. | :24:04. | :24:14. | |
His body language would suggest that he got a kick. I am not sure that | :24:15. | :24:20. | |
was in the middle of the pocket anyway. | :24:21. | :24:27. | |
Anyway, it is a reprieve for Marco, I transfer him to get his in. We can | :24:28. | :24:39. | |
see it again. A slight bones. He would never expect to mist a black | :24:40. | :24:47. | |
like that. You're bound to blame it on something. -- a slight bounce. | :24:48. | :24:58. | |
Let's see what Marco can make of this. | :24:59. | :25:18. | |
Nicely on the pink or black. Or the black into the bottom corner pocket. | :25:19. | :25:33. | |
The red below the pink pots into the right centre. | :25:34. | :26:02. | |
If he goes into the pack, he has to be careful. The pink is a little bit | :26:03. | :26:10. | |
away from the red. He decided to play for the red below the pink. | :26:11. | :27:10. | |
He played that nicely. The perfect angle on the blue to cannon into the | :27:11. | :27:19. | |
pink foul on. He could not wish for a better potting angle than this. He | :27:20. | :27:26. | |
has played it well. That red bounces slightly against the top cushion. It | :27:27. | :27:34. | |
was a good shot. Looking at the side bar, another 33 points from this | :27:35. | :27:35. | |
position to clinch the second frame. He has got a couple, well, the red | :27:36. | :27:54. | |
at the bottom of the pack goes, the red to the left goes, and of course, | :27:55. | :28:00. | |
the red closest to the cue ball. He does not have to disturb any reds | :28:01. | :28:05. | |
just yet. Well. Trying to put left-hand side on that. He has got | :28:06. | :28:14. | |
away with it. That was a mistake. Watchou moves slightly. You see his | :28:15. | :28:22. | |
head put. -- you see him lift his head, trying to get the power in the | :28:23. | :28:24. | |
cue ball. He will not be happy with that, | :28:25. | :28:38. | |
Neil. The cue ball should have been tight to the baulk cushion. He has | :28:39. | :28:44. | |
left Marco chants, it is a to nothing. -- it is a shot to nothing. | :28:45. | :28:59. | |
That was too thick. When Marco missed the black from the spot, you | :29:00. | :29:06. | |
think, you have got away with it. He was just delighted to get back to | :29:07. | :29:11. | |
the table. Even though he did not have anything to go out, but I know | :29:12. | :29:16. | |
what you mean. I would have expected Marco to win the frame from that | :29:17. | :29:25. | |
position. That is a better safety shot from Neil. That is top draw. | :29:26. | :29:29. | |
That is why you need the cue ball welded to the baulk cushion. There | :29:30. | :29:34. | |
is every chance he will force a mistake from your opponent. | :29:35. | :29:53. | |
The referee, Jan Verhaas, had a look. If it had been touching, he | :29:54. | :30:01. | |
would have declared it. There is no obvious path back to baulk for Neil. | :30:02. | :30:10. | |
But there will be four Marco. He has put himself in trouble here, Neil. | :30:11. | :30:23. | |
Marco can get a good cue ball here. That's a bit heavy. Eight kiss on | :30:24. | :30:38. | |
the brown. He could target up behind the yellow, he can try to double the | :30:39. | :30:41. | |
red across the table. That was always going to go pretty | :30:42. | :30:52. | |
close. That was an excellent roll-up from | :30:53. | :31:17. | |
Neil. I'm sure anyone who has ever tried to shout... Don't like them at | :31:18. | :31:26. | |
all, I've never liked those shots. It was excellently played. He may | :31:27. | :31:32. | |
have cut off the one-cushion escape, if so, it loses a little bit more of | :31:33. | :31:37. | |
a problem for Marco Fu. He found the one-cushion escape and | :31:38. | :32:07. | |
Neil wondered whether he could pots it. And that's the problem with | :32:08. | :32:21. | |
this. He could knock the red on. He is afraid if he kept it to heart, | :32:22. | :32:26. | |
this red could be onto the bottom right pocket. That was a lovely, | :32:27. | :32:34. | |
lovely shot. I think he had it twice. If it is not touching, he | :32:35. | :32:42. | |
might try to bring the black into play here. If it was touching, he | :32:43. | :32:49. | |
could have knocked the black up and down the table. There you go. Two | :32:50. | :32:52. | |
for the price of one. REFEREE: Quietly, please. It took me | :32:53. | :33:24. | |
a while to work out that BOGOF thing, buy one get one free, isn't | :33:25. | :33:31. | |
it? Not quite certain what Neil is looking at. Maybe to knock the pink | :33:32. | :33:46. | |
into the opposite corner. He didn't think he could, over the pink, and | :33:47. | :33:51. | |
once you play the extra bit of pace, it makes the pots more difficult and | :33:52. | :33:55. | |
he has left the red on. I would have preferred to be on the | :33:56. | :34:18. | |
yellow or brown hair, Marco, because playing the green at the black, not | :34:19. | :34:25. | |
sure if he can avoid the black when potting the green. You may come | :34:26. | :34:33. | |
around and have a look at the yellow. To pot the yellow into the | :34:34. | :34:43. | |
left pocket. Can he popped the green and justified the black? He couldn't | :34:44. | :34:49. | |
do it. He may still take this red on as he | :34:50. | :35:07. | |
tries to avoid the black. They read about the pink, if it doesn't come | :35:08. | :35:09. | |
in, you would think it would be covered by the other rates. He | :35:10. | :35:16. | |
played it positively. Pot this blue, go for two points in | :35:17. | :35:37. | |
front of the Bristol 67 remaining. If you pop toodle-00, the Civic to | :35:38. | :35:44. | |
the player safety shot. Maybe put the blue safe. | :35:45. | :35:54. | |
He is not getting through the ball this morning. Very tentative and the | :35:55. | :35:58. | |
present pushrod. This looks like a decent line and | :35:59. | :36:47. | |
length. But there is a red, one that would be in a direct line of the | :36:48. | :36:53. | |
pink. I think Neil can get enough of this to play the pots, problem is he | :36:54. | :36:56. | |
may run into the plinth, so they need to get it... -- ran into the | :36:57. | :37:14. | |
blue. He has left the chance of a pot for Marco. | :37:15. | :37:22. | |
APPLAUSE He played that well. Certain players play that shot and | :37:23. | :37:35. | |
it never moves, but Marco just sort of lift up for the shot. The head | :37:36. | :37:53. | |
just comes off the cue. The reason his game has improved slightly is he | :37:54. | :37:58. | |
is bringing the cue further and getting more than the ball and... | :37:59. | :38:16. | |
The extra power, that helps when you're splitting the pack from the | :38:17. | :38:21. | |
black as well. It just opens up the reds easier. He has played this very | :38:22. | :38:36. | |
nicely. 40 points ahead, so pink and red required. This will relax him, | :38:37. | :38:51. | |
he has looked a bit tense. But now, with just this | :38:52. | :39:05. | |
And particularly here at the Crucible, it is such a difficult | :39:06. | :39:29. | |
place to play that this will make him feel a lot better. On the face | :39:30. | :39:47. | |
of it, it is hard to pick a winner. It is a slight favour for Neil | :39:48. | :39:52. | |
Robertson but anyway, that red didn't go in. Neil won't bother. So, | :39:53. | :40:00. | |
Marco still looks a little bit nervy but he's got his first frame on the | :40:01. | :40:10. | |
scoreboard. It is 1-1. Let's have a look at that missed black. His body | :40:11. | :40:21. | |
language suggests heavy contact. Let's see. As he plays this shot, | :40:22. | :40:30. | |
listen and see whether the black jumps. Maybe slightly. But I don't | :40:31. | :40:40. | |
think it was going to be in the centre of the pocket anyway, the | :40:41. | :40:45. | |
black. It's definitely jumped, as we saw that I don't necessarily think | :40:46. | :40:51. | |
it through off-line, I think because of that red that was beside the | :40:52. | :40:54. | |
black, he was wondering whether to promote that will try to get on the | :40:55. | :41:03. | |
inside of the natural,. -- inside of that red. It has all gone, 1-1. A | :41:04. | :41:25. | |
chance here for Marco if he can get through to the potting angle on this | :41:26. | :41:32. | |
red. And he could. And that's the type of shot he knocks in the | :41:33. | :41:36. | |
regular. As he left it to the middle? -- has he left it to the | :41:37. | :41:45. | |
middle? No. There was a bit careless. | :41:46. | :42:13. | |
Catching the blue. He may not have left a pot on but Marco will play a | :42:14. | :42:21. | |
better safety shot than that, you would have thought. I'm looking at a | :42:22. | :42:30. | |
lot of distance between the reds and he knows one has gone to this rate | :42:31. | :42:32. | |
pocket. That's a mistake. Anywhere down the | :42:33. | :42:55. | |
right-hand side of the table, it will put Neil Robertson in a little | :42:56. | :42:58. | |
bit of difficulty but now, the fact that he has the cue ball-in-hand, | :42:59. | :43:06. | |
this red is normally quite routine for Neil Robertson. | :43:07. | :43:24. | |
That's fantastic. He didn't decide to go for the black. Beautifully | :43:25. | :43:41. | |
cued. And he looks as though he has a nice handle on the blue. I think | :43:42. | :43:47. | |
that red is available to buy the corner. Can he get it off the blue? | :43:48. | :43:53. | |
Depends how straight he is. Well, he could hold and it looks as | :43:54. | :44:12. | |
though he is on the red, just above the black and that is inch perfect, | :44:13. | :44:13. | |
good shot. A bit straighter on this in black | :44:14. | :44:45. | |
and it would have made the cannon to the left of the black, at the one he | :44:46. | :44:52. | |
wants just to make a little cannon on to hold the red in the opposite | :44:53. | :44:53. | |
pocket. That could have been a little bit | :44:54. | :45:12. | |
better. It's one of those shops now, particularly if he plays the red to | :45:13. | :45:16. | |
the right corner, which is the easiest pot, he's got to run through | :45:17. | :45:21. | |
all the reds with the cue ball, not guaranteeing a good position on the | :45:22. | :45:22. | |
cover. Just about on the blue. He has got a decent line, but not | :45:23. | :46:24. | |
enough pace left in the cue ball. That is the problem. When the cue | :46:25. | :46:29. | |
ball starts to travel, it is not only about the line, you need pace. | :46:30. | :46:35. | |
At first glance, I cannot see anything he is on. I am a little bit | :46:36. | :46:40. | |
surprised he did not play for the red in the other half of the table. | :46:41. | :46:44. | |
I would have thought that would have been easier to play. He is playing | :46:45. | :46:52. | |
it now. Hampered cueing. I do not know if he can risk the pot. Trying | :46:53. | :47:00. | |
to get to the baulk cushion, behind the yellow. | :47:01. | :47:07. | |
That is OK, decent enough safety shot. And he has covered the escape | :47:08. | :48:41. | |
route down the left-hand side of the table, as we look. He has a little | :48:42. | :48:49. | |
bit to think about, Marco. This is not straightforward. That is his | :48:50. | :48:58. | |
view, from his point of view. He cannot play safe down the right-hand | :48:59. | :49:01. | |
side. The blue is blocking that path. Just having to play the | :49:02. | :49:10. | |
containing safety. And in these situations, Neil will | :49:11. | :49:22. | |
once again keep the cue ball down the right-hand side the table. | :49:23. | :49:29. | |
Because playing safe down the right-hand side of the table, there | :49:30. | :49:36. | |
are few awkward reds on the right-hand side condition that he | :49:37. | :49:37. | |
can run into. He will play safe against one of | :49:38. | :49:52. | |
these. The blue is always a big ball. That is the line the Ken is | :49:53. | :49:58. | |
looking at. In the end, he went for the red. Risky. | :49:59. | :50:16. | |
He has either gone into that too much or not enough. I am not quite | :50:17. | :50:22. | |
sure whether he wanted to screw off the cushion or not. It was a tough | :50:23. | :50:36. | |
pot. He made it look easy. I am just thinking, here's a tall man. When he | :50:37. | :50:43. | |
got down to play this shot, he was so close to the boarding at the | :50:44. | :50:48. | |
side, where the audience are. That is the beauty of the two table | :50:49. | :50:54. | |
situation. If you have never been to the Crucible, you are frightened to | :50:55. | :50:59. | |
breathe. Particularly with all the people in the front row. It is so | :51:00. | :51:04. | |
close. Yes, there is not a lot of room to | :51:05. | :51:15. | |
step back and admire your work. That has not gone as planned. I still | :51:16. | :51:23. | |
think he has the red to the left middle and possibly on to the right | :51:24. | :51:26. | |
middle, but trickier than he was hoping for. It must be one of the | :51:27. | :51:32. | |
very few sporting occasions, around the world, particularly for a World | :51:33. | :51:38. | |
Championship in any sport, where the actual spectators get so close to | :51:39. | :51:45. | |
the action. I suppose I can think of cycling, as the cyclists are going | :51:46. | :51:50. | |
through, but the people in the front row, there are so close to the | :51:51. | :51:54. | |
players. It is quite incredible. It adds to the atmosphere and detention | :51:55. | :52:00. | |
in the room, it is fantastic. It is wonderful. I always say to people, | :52:01. | :52:04. | |
if you have never been to the Crucible, put it on your bucket | :52:05. | :52:12. | |
list. We were just looking at the points scored. Neil, 1000 points | :52:13. | :52:24. | |
scored in the tournament. Now the black has gone in, he is looking for | :52:25. | :52:27. | |
another 17 points to get to snookers required. It does not look | :52:28. | :52:30. | |
difficult. Black and one more red will suffice | :52:31. | :53:06. | |
for this frame. Yes, it was a bit short of pace, but | :53:07. | :53:28. | |
it should not be a problem. As Ken says, he only needs the red. And he | :53:29. | :53:37. | |
has finished on the blue. Yuki pots the blue and one more red, there | :53:38. | :53:42. | |
will be no way back to the table for Marco, who took on a risky red. I | :53:43. | :53:47. | |
was thinking about the safety, but he said in the pre-match interview, | :53:48. | :53:52. | |
and we heard from both players, that they both liked the attack and get | :53:53. | :53:57. | |
on with it. If that is the way you are going to play, that is the way | :53:58. | :54:01. | |
your mindset is, have a chance and go for it. It cost him this frame, | :54:02. | :54:10. | |
though. Yes, I put a line-up when he was shaping up for the particular | :54:11. | :54:14. | |
shot that I thought he was going to play. I thought he was going to play | :54:15. | :54:24. | |
the safety. Trying to disturb the reds. | :54:25. | :54:33. | |
That was unlucky. Can they keep this break going? Brown, pink. Brown | :54:34. | :54:47. | |
would not be a bad choice. The natural angle of the cue ball would | :54:48. | :54:51. | |
be going back down towards the reds, but the pink would be easier. He has | :54:52. | :54:56. | |
got to move the cue ball with some pace to get it over towards the | :54:57. | :55:01. | |
reds. We could see an amazing trick shot. | :55:02. | :55:16. | |
62 from Neil Robertson when is this frame. He now leads Marco Fu, 2-1. | :55:17. | :55:34. | |
There you can see Kyren Wilson, getting ready for his match, his | :55:35. | :55:41. | |
quarterfinal match, and what a cracking match that will be against | :55:42. | :55:44. | |
the four times previous world champion, John Higgins. Up and | :55:45. | :55:54. | |
coming players. That match starts on Tuesday, over the best of 25. It | :55:55. | :56:00. | |
should be a cracker. Yes, and Kyren Wilson, like we did, he will have | :56:01. | :56:04. | |
seen how well John Higgins played in that match, as bid Allen, the loser. | :56:05. | :56:11. | |
I do not blame him, spending time on the practice table. It will be a big | :56:12. | :56:17. | |
match he has got, but he will look forward to it, playing John Higgins | :56:18. | :56:21. | |
at the Crucible. He played Mark Selby last year in the | :56:22. | :56:24. | |
quarterfinals, lost to the eventual winner. This is the last frame | :56:25. | :56:29. | |
before the interval. Yes, and just to remind you, how | :56:30. | :56:44. | |
these matches are played, three sessions make up the 25. Two | :56:45. | :56:54. | |
sessions of eight, and one of nine. They will play this morning, and | :56:55. | :56:57. | |
come out again this evening. You have got to play them on session at | :56:58. | :57:04. | |
a time. If you were to lose the first session, 6-2, you are really | :57:05. | :57:09. | |
up against it, even though the winning line is 13. You get 6-2 | :57:10. | :57:18. | |
behind, and if you can only have the sessions after that, you're soon | :57:19. | :57:28. | |
licking defeat firmly in the face. -- looking defeat. Most players have | :57:29. | :57:34. | |
a target for the first four frames, they like to try and get the 3-1 | :57:35. | :57:40. | |
lead. If they find themselves leading 6-2, that would be a bonus. | :57:41. | :57:46. | |
You have to keep it short in your mind, not get too far ahead. That is | :57:47. | :57:51. | |
the way I have always tried to approach each match I have played at | :57:52. | :57:56. | |
the Crucible. Even if you lose the first session, 5-3, sometimes you | :57:57. | :58:00. | |
might have a bad session where you try and minimalise the damage. If | :58:01. | :58:06. | |
you do have a bad session, 5-3 is not too bad. Meanwhile, that was a | :58:07. | :58:13. | |
good shot from Marco. He seems to have snookered Neil on all the reds. | :58:14. | :58:20. | |
If he is playing away from the top cushion with pace he has got to... | :58:21. | :58:26. | |
No, it is gentle. Has he hit the red or the black? He has judged it well. | :58:27. | :58:30. | |
Good shot. The great thing about these best of | :58:31. | :58:43. | |
25s, and as we get onto semifinals and the final, four sessions, there | :58:44. | :58:52. | |
is so much time to make those comebacks, even if you have some bad | :58:53. | :58:58. | |
sessions. Well, everybody can have a bad session, whether it is due to | :58:59. | :59:04. | |
your player or the bad run of the ball. You have to try and put that | :59:05. | :59:06. | |
behind you. Decent cue ball. There was a danger. | :59:07. | :00:12. | |
He has left this red to the left corner, but it could have been | :00:13. | :00:20. | |
easier. Solid, right in the heart of the pocket. That is what makes Neil | :00:21. | :00:23. | |
Robertson such a dangerous player. Great cueing. Kept so still on the | :00:24. | :00:47. | |
shot. No head movement. Usual optimistic scorer, anyone pots the | :00:48. | :01:01. | |
red and black. He has made three maximums in tournament play, Marco | :01:02. | :01:07. | |
has made four. He made one against me once in Scotland. I don't like | :01:08. | :01:16. | |
talking about masters with you. Oh! Their's a surprise. Now, what | :01:17. | :01:49. | |
has he left? Is anything available into the left centre? | :01:50. | :02:07. | |
The red is close to the pocket but it is not the type of shot that he | :02:08. | :02:16. | |
can swear off the cue ball around the black and put -- pot the red. | :02:17. | :02:37. | |
He has done that but it could have been closer to the ball cushion with | :02:38. | :02:51. | |
the cue ball. Yeah, that's the last two frames, Marco was in, I think it | :02:52. | :02:58. | |
was the second frame, when he missed the black off the spot, didn't cost. | :02:59. | :03:02. | |
On another day, use this when you're in and that is the end of the frame. | :03:03. | :03:13. | |
-- on another day, you miss when you are in and that is the end of the | :03:14. | :03:15. | |
frame. You can see reds but his concern, | :03:16. | :03:37. | |
the red that is closest to the left. He has plenty of balls to cover, the | :03:38. | :03:44. | |
green, the blue, even the red, which is below the blue. If I had one | :03:45. | :03:51. | |
slight, not a criticism but a concern about Neil Robertson, | :03:52. | :03:55. | |
sometimes he can get himself bogged down. Andy has misused that | :03:56. | :04:08. | |
completely, after all that thinking. I think you're right. Neil Robertson | :04:09. | :04:18. | |
is such a fluent player and sometimes over the safety shot, he | :04:19. | :04:23. | |
may think about too many options and sort of confused himself at times | :04:24. | :04:27. | |
and that's exactly what has happened, he has misjudged that | :04:28. | :04:28. | |
shot. And that could be very costly. Here's looking at this red to the | :04:29. | :05:16. | |
left corner, obviously he doesn't have the angle to leave it in the | :05:17. | :05:21. | |
middle but he has a nice angle on that one and is playing it nicely | :05:22. | :05:27. | |
and usually very effective in and around the black spots, is Marco. | :05:28. | :05:53. | |
It has gone wrong! He played a cannon on that red and didn't get | :05:54. | :06:06. | |
into the cue ball enough. Now, there's a surprise. Mind you, to be | :06:07. | :06:13. | |
fair, I say it's a surprise that he's not looked quite on it yet this | :06:14. | :06:30. | |
morning. Such a margin for error, 90% for Robertson. Long pot success, | :06:31. | :06:39. | |
71% for Robertson. That is better. Good recovery. Has he got an angle | :06:40. | :06:51. | |
on this brown? On the yellow, maybe slightly hampered by the green but I | :06:52. | :06:57. | |
think he just has a nice angle on the brown just to move that red into | :06:58. | :07:03. | |
the right centre. Played it very well. A great relief for Marco Fu to | :07:04. | :07:15. | |
get back in position after that additional shot from the previous | :07:16. | :07:16. | |
black. Hmm, another loose shot, | :07:17. | :08:42. | |
unforgivable putting the blue but that's what he did. He has run out | :08:43. | :08:57. | |
of position. So, thanks to cut opportunities he has had here and | :08:58. | :09:09. | |
has not made the most of them. Well, last time, she recovered with a | :09:10. | :09:16. | |
tremendous pot but not quite bad time. -- not quite that time. Now we | :09:17. | :09:31. | |
see an example of Neil Robertson's cue power, particularly if he is | :09:32. | :09:44. | |
straight and he looks straight. And a nice kiss on the blue, deserved | :09:45. | :09:49. | |
it, can't cue that much better than that. | :09:50. | :09:59. | |
Not quite sure that cue ball has travelled far enough. Maybe just OK. | :10:00. | :11:32. | |
He may have to play a slight cannon on the red just above it. The points | :11:33. | :11:47. | |
now are all square. Just need another 29 points. That really | :11:48. | :11:53. | |
equates to four more reds. Doing the maths, checking the | :11:54. | :12:14. | |
scorers. APPLAUSE And the red on the | :12:15. | :12:24. | |
left-hand side of the table will be no problem. | :12:25. | :12:28. | |
It is close to the cushion in that left-hand corner pocket, shouldn't | :12:29. | :12:36. | |
be a problem for a left-hander. Marco may have missed a trick here. | :12:37. | :12:45. | |
He had a really good opportunity with balls at his mercy. | :12:46. | :13:06. | |
Nicely on the black now. He can pot the black and get right behind the | :13:07. | :13:27. | |
red. Him a screw back for the blue, if he does that, he can get away | :13:28. | :13:33. | |
from the cushion and red and pink would do. And this blue whippet and | :13:34. | :13:41. | |
37 points in front, with just 35 remaining. -- and this blue would | :13:42. | :13:57. | |
put him 37 points in front, with just 35 remaining. | :13:58. | :14:11. | |
And Neil Robertson will be the happier of the two. He has won the | :14:12. | :14:24. | |
first mini-session, if you like, of the match, three frames to one, in | :14:25. | :14:34. | |
just over an hour. Four frames, just over an hour, that's pretty quick. | :14:35. | :14:39. | |
The green doesn't: but that won't matter. -- the green does not go in | :14:40. | :14:50. | |
but that won't matter. It won't bother Neil Robertson, the | :14:51. | :14:53. | |
Australian League at 3-1. STUDIO: Let's switch our attention | :14:54. | :15:00. | |
to the other time taking place on table two. 2006 world champion | :15:01. | :15:05. | |
Graeme Dott taking on Barry Hawkins, who famously marched all the way to | :15:06. | :15:09. | |
the 2015 Crucible final, and the taboos to Ronnie O'Sullivan. | :15:10. | :15:19. | |
I think I was three, riding a green bike, and following of it. For some | :15:20. | :15:27. | |
reason, that sticks in my mind, in a school playground, or where we used | :15:28. | :15:33. | |
to live, on an estate. I try to be polite to most people, and treat | :15:34. | :15:37. | |
people how I like to be treated. I sold for a while after I lost. That | :15:38. | :15:43. | |
is one of my bad qualities. My wife will tell you, not very much. I am | :15:44. | :15:49. | |
not romantic. I took to Mexico when we first got together. Michael | :15:50. | :15:57. | |
taught me how to cook a dish. It is spaghetti, with chicken. Every now | :15:58. | :16:02. | |
and then, I could grab. My wife seems to like it. Going into space. | :16:03. | :16:08. | |
I like that sort of thing. Going to Las Vegas, that is another one. The | :16:09. | :16:17. | |
1960s, that sounds like fun. I quite like Susanna Reid, on Good Morning | :16:18. | :16:21. | |
Britain. A little bit older but she sticks in my mind at the minute. | :16:22. | :16:27. | |
None of the players like answering questions about their celebrity | :16:28. | :16:32. | |
crush. His opponent, Graeme Dott, made his debut in 1987, losing 10-9 | :16:33. | :16:40. | |
against James Wattana. He won it famously in 2006. He has been the | :16:41. | :16:45. | |
runner-up twice. After that, his record is littered with defeat in | :16:46. | :16:49. | |
the quarterfinal and the first and second rounds. Let's show you the | :16:50. | :16:54. | |
action from frame one. It is Dott to play, and he is trailing by three. | :16:55. | :17:00. | |
The reason I mention Barry Hawkins with the rest, I noticed that he | :17:01. | :17:05. | |
only missed one ball with his rest in the previous match. I was waxing | :17:06. | :17:10. | |
lyrical about how good he was with the rest and he missed that one. A | :17:11. | :17:17. | |
different day, a different game. That is the trouble. The start of | :17:18. | :17:23. | |
matches are very important, even if you are informed. You can get out of | :17:24. | :17:33. | |
form. Turning down the black into the right corner in preference for | :17:34. | :17:39. | |
more mileage with the cue ball. I guarantee pot, but I wonder if he | :17:40. | :17:46. | |
had another chance, would he play the black? | :17:47. | :17:56. | |
That yellow looked like a big target, didn't it? I thought he | :17:57. | :18:03. | |
might have screwed it in to take the kiss on the baulk colours out of the | :18:04. | :18:09. | |
equation. He has taken on this long pot. Oh, dear. That was a prime | :18:10. | :18:17. | |
example of a little unwanted side. He is looking up to the commentary | :18:18. | :18:19. | |
box. He cannot believe how much he missed that by. After his first | :18:20. | :18:25. | |
excellent long pot, he has gone off the boil in that department. | :18:26. | :18:37. | |
Barry has not settled. What are the reasons? Is it gripping the cue to | :18:38. | :18:46. | |
type, or is it a little bit of unwanted side that throws it out so | :18:47. | :18:49. | |
far? You certainly have not settled down, | :18:50. | :19:01. | |
even though you will have gone to the practice table to loosen up your | :19:02. | :19:06. | |
arm. That extra attention, whether it is in your grip or your | :19:07. | :19:11. | |
background, it makes you deliver the cue slightly differently. You need | :19:12. | :19:17. | |
20 or 30 points, continuous shots on the table, to get into a rhythm. As | :19:18. | :19:31. | |
if it is down the club. What do you mean by unwanted side? It is when | :19:32. | :19:36. | |
they are trying to hit a plain ball, the way that Graeme Dott was trying | :19:37. | :19:40. | |
to hate the last shot plain ball, and he did not deliver the cue in a | :19:41. | :19:44. | |
straight line, and the cue ball goes off immediately. The fine cloth so | :19:45. | :19:49. | |
good when you're cueing beautifully, but when it is bad, they can find | :19:50. | :19:51. | |
you out. He did not really on the kiss on the | :19:52. | :20:17. | |
pink. That was not in his plan. A bit more of the judgment pot then he | :20:18. | :20:28. | |
would have wanted. Maybe these few shots are enough to settle Graeme | :20:29. | :20:30. | |
Dott down. Not a bad situation for Graeme Dott. | :20:31. | :20:47. | |
He can mop up quite a number of reds. And get close to the finishing | :20:48. | :20:51. | |
line with very little risk. Yes, as soon as he gets rid of the | :20:52. | :21:02. | |
red on the black spot, so the black can go back to its own spot, that | :21:03. | :21:07. | |
makes those three reds accessible. He can get nicely on the black into | :21:08. | :21:12. | |
Michael shots time, Susie can bring those three reds into play. Yes, I | :21:13. | :21:18. | |
think he could get over the line without needing any of those. That | :21:19. | :21:20. | |
would be a nice scenario. 29 in front, 36 with this black. Mop | :21:21. | :21:36. | |
up the two on the right-hand side cushion. Onto the next frame. I am a | :21:37. | :21:43. | |
little surprised he did not make sure he finished top side of the | :21:44. | :21:48. | |
black. There was plenty of room. That makes a massive difference. Now | :21:49. | :21:53. | |
he is three or four feet away from the red instead of one fit. -- one | :21:54. | :22:08. | |
foot. He certainly took its time not to finish straight on the black, | :22:09. | :22:11. | |
because he will not have any chance of getting onto a collar. He is | :22:12. | :22:16. | |
trying to get an angle from this red. If he is high on the black, it | :22:17. | :22:23. | |
could be perfect. Let's have a little lip. He can screw back on the | :22:24. | :22:26. | |
one on the cushion that Steve mentioned. Past 51 points. He needs | :22:27. | :22:36. | |
to be in front with three reds left. Sometimes you can get a good kick. | :22:37. | :22:45. | |
That was a good one. Yes. It was. The perfect kick. | :22:46. | :22:54. | |
There have been some horrendous ones. Shaun Murphy's yesterday, | :22:55. | :23:02. | |
against Ronnie O'Sullivan, which eventually cost him the match. He | :23:03. | :23:05. | |
was dead straight on the ball and it went sideways. He is taking these | :23:06. | :23:07. | |
well. He probably planned it like that, to | :23:08. | :23:22. | |
try and bring two reds into play. 52 in front with 51 remaining. He may | :23:23. | :23:29. | |
not play this pot. That is a good scenario here. Touching ball is even | :23:30. | :23:34. | |
better. Put another colour on the cushion. A | :23:35. | :23:51. | |
break of 48. Graeme Dott takes the frame. | :23:52. | :24:48. | |
Five and the frame, game Dott. Graeme Dott wins the first frame in | :24:49. | :25:01. | |
this best of 25 match. A good start for Graeme Dott. Let's show you what | :25:02. | :25:07. | |
happened in frame two. Barry Hawkins to play, leading 51-12. We cannot | :25:08. | :25:16. | |
bring you that frame for now. We are busy pressing buttons to make sure. | :25:17. | :25:24. | |
Here it comes. He has decided to play the | :25:25. | :25:27. | |
containing safety and he has not played that very well at all. | :25:28. | :26:27. | |
The black goes, but only of the left-hand side jaw, so the pink is | :26:28. | :26:32. | |
the better choice for positional purposes. Still 24 points behind, | :26:33. | :26:46. | |
but you would have to suggest that his favourite, B brown, is going to | :26:47. | :26:48. | |
be the problem ball. If this red goes in, and no reason | :26:49. | :27:39. | |
to believe it will not, it is very much a brown ball frame. What would | :27:40. | :27:44. | |
you be thinking? Obviously get on the black, but would you want to | :27:45. | :27:47. | |
play for the yellow and use the brown. It is tough to move the brown | :27:48. | :27:56. | |
and guarantee position on the green. Brown to blue then becomes very | :27:57. | :28:03. | |
hard. Yes, a difficult shot. He cannot play it now. He will have to | :28:04. | :28:07. | |
get a nice angle on the green to play to move the brown. The chances | :28:08. | :28:11. | |
of potting colour and moving the brown into a good position are | :28:12. | :28:16. | |
pretty slim. The first thing, he has got to get the right angle, and that | :28:17. | :28:22. | |
is quite tough. Even the kiss on the brown does not guarantee position. | :28:23. | :28:29. | |
He can play behind it, get as close as possible, so he does not have to | :28:30. | :28:35. | |
ban the brown in. A bit of an angle, but he has overscrewed dad. It is | :28:36. | :28:40. | |
one of those, when you're playing, sometimes you have to hope you do | :28:41. | :28:44. | |
not get perfect on the brown to make you go for the pot. Because it is | :28:45. | :28:49. | |
such an easy safety shot. He will have to go for it from here. He has | :28:50. | :28:59. | |
the perfect angle. Brown and blue. That would put him 14 points in | :29:00. | :29:09. | |
front. It just shows you how difficult they are along the baulk | :29:10. | :29:14. | |
cushion. He did all the hard work, I do not blame him at all, taking the | :29:15. | :29:20. | |
brown. He was perfect on it. It is one of those where you are willing | :29:21. | :29:25. | |
it in. I thought it was in but it caught the newer jaw. We have seen | :29:26. | :29:29. | |
lots of balls going in and the far jaw, but not the new job. -- the | :29:30. | :29:37. | |
near jaw. He has not played that too well. | :29:38. | :29:56. | |
Both players need blue and pink. Barry Hawkins has not really been in | :29:57. | :30:00. | |
this match this morning so far. He can pot the blue and pink to win the | :30:01. | :30:05. | |
frame and they will certainly relax. He could and perhaps should be 2-0 | :30:06. | :30:13. | |
behind. Very good. It was a good pot. Pink for the frame. | :30:14. | :30:29. | |
My word, why is that? An aberration. You wouldn't miss many of those in a | :30:30. | :30:45. | |
season. That is the miss of the | :30:46. | :31:03. | |
championship. An excellent positional shot from Graeme. He | :31:04. | :31:10. | |
knows this will hurt Barry Hawkins. Barry Hawkins started with 31, but | :31:11. | :31:16. | |
the important was the last 13 points, takes over the winning line, | :31:17. | :31:21. | |
he now leads 2-0. STUDIO: Let's bring you right up to | :31:22. | :31:25. | |
date, blue players emerge on table one after the interval, Barry | :31:26. | :31:29. | |
Hawkins has a frame back, so Graeme Dott leet opens by 2-1, that much is | :31:30. | :31:35. | |
available on the BBC sport website and the BBC Sport app but now, life | :31:36. | :31:40. | |
here on BBC One, let's resume, Marco Fu, Neil Robertson in the company of | :31:41. | :31:44. | |
John Virgo and Ken Doherty. COMMENTATOR: Players are back. They | :31:45. | :32:05. | |
always said the first bit of water when they take the top off. | :32:06. | :32:16. | |
For more frames to be played in this session. | :32:17. | :32:34. | |
A decent break off. Average frame time, just over 15 minutes. And the | :32:35. | :32:47. | |
average shot time, that's good. And 91% for Neil Robertson and 85% | :32:48. | :33:06. | |
for Marco Fu, that need to be increased a bit. Not certain he | :33:07. | :33:21. | |
played the pot there. I'm not sure, though. Neil was trying to create | :33:22. | :33:32. | |
that cue ball in the behind the black but I think he has just left | :33:33. | :33:45. | |
it short. I was a bit careless or from Neil. A good pot! And a bit | :33:46. | :33:58. | |
close to the cushion but we fully expected Neil to have got that cue | :33:59. | :34:10. | |
ball behind the black. He played that nicely. And he is on the red, | :34:11. | :34:16. | |
immediately above the black. During the interval, I was in the | :34:17. | :35:12. | |
practice room and Marco Fu came in with Wayne Griffiths, his coach. | :35:13. | :35:22. | |
Marco obviously happy with the first session and want to just pot a few | :35:23. | :35:26. | |
balls, try and loosen up a little bit. | :35:27. | :35:42. | |
Not certain if the pink will in its spot... He couldn't be certain that | :35:43. | :35:59. | |
red wasn't going to be tied up but no hesitation from yarn for house. | :36:00. | :36:05. | |
He first refereed in 1995. He has been a professional referee for 25 | :36:06. | :36:09. | |
years and one of the best, it has to be said. -- Jan Verhaas. | :36:10. | :36:26. | |
Just lost the cue ball a fraction there. It may tempt them into | :36:27. | :36:35. | |
playing the cannon, cannon the pink, if you like, and that will bring red | :36:36. | :36:51. | |
into play. But don't miss the black. Just another bit of evidence of the | :36:52. | :36:57. | |
nervousness of Marco Fu at the moment. He just hasn't got that cue | :36:58. | :37:06. | |
ball blue we would normally see from him. Kiss the brown in the previous | :37:07. | :37:20. | |
frame, the blue... A good chance for some points there. What can Neil | :37:21. | :37:24. | |
Robertson do? A tremendous shot. He really got | :37:25. | :37:42. | |
through that ball so well, didn't it? Beautifully played. | :37:43. | :38:31. | |
He's not really perfect on either pink or black, blue it turns out. | :38:32. | :38:43. | |
You would think black would be the choice. Only one loose red. Will it | :38:44. | :38:53. | |
be too risky to play the cannon? Well, if he scampered over the red, | :38:54. | :38:58. | |
he will just content himself with this black here and play for that | :38:59. | :39:00. | |
looks red. Judge did nicely. He would have | :39:01. | :39:21. | |
possibly liked it to be a bit straighter. Just having a look to | :39:22. | :39:30. | |
see if those three balls in a line or planted to this bottom left-hand | :39:31. | :39:33. | |
corner pocket, it looks pretty close. Wire-mac that would help. | :39:34. | :39:44. | |
That would help. It looks dead onto me. Blue long blue those will reds | :39:45. | :39:59. | |
aren't touching each other. Nicely played, held for the blue. | :40:00. | :40:27. | |
Could play a little cannon on the reds here. He's thinking about | :40:28. | :40:34. | |
taking the brown. Now, he's going for the yellow, of | :40:35. | :40:52. | |
course he is, blessed with tremendous cue power, these types | :40:53. | :40:56. | |
are shops you can play with consummate ease. -- these types of | :40:57. | :41:06. | |
shots you can play with consummate ease. Still five points behind. He's | :41:07. | :41:14. | |
going to need that awkward red on the right-hand side cushion. There's | :41:15. | :41:21. | |
always that one red, seems to be, anyway. Just looking at the position | :41:22. | :41:33. | |
of the pink, John, I know it's going to be a few shots away but should he | :41:34. | :41:40. | |
get on one of those reds around the pink sport and play the pink where | :41:41. | :41:43. | |
it is, he could get a nice angle from the pink to knock that red out | :41:44. | :41:47. | |
and I'm sure that is what is going through his mind. | :41:48. | :42:00. | |
He has coped with that well, it could have come slightly wrong but | :42:01. | :42:08. | |
it's OK, since the red to the corner. Still open for the blue. | :42:09. | :42:20. | |
This will put him nine points in front. | :42:21. | :42:33. | |
Being a left-hander, it's the wrong side for him. So, not shameful. -- | :42:34. | :42:43. | |
sowed not straightforward. Maybe if he can take this red into | :42:44. | :43:02. | |
the pocket and then go up for the blue. If he gets on the red on the | :43:03. | :43:11. | |
pink spot, he can pop that red after this blue, of course, and leave that | :43:12. | :43:15. | |
pink because I think it is in the perfect position. He is having a | :43:16. | :43:17. | |
look. He has to get in somewhere within | :43:18. | :43:39. | |
that small circle. Blue long blue he has a nice angle on this pink. | :43:40. | :44:03. | |
That will do nicely. Could not have worked out better. | :44:04. | :44:24. | |
Beautifully played, to a bit of working out that people always | :44:25. | :44:31. | |
asking how many shots players think of in their head and sometimes it | :44:32. | :44:36. | |
may be two or three or even four, John, and I think in a particular | :44:37. | :44:40. | |
case, he knew exactly where the pink was and was thinking maybe, four | :44:41. | :44:55. | |
shots ahead. You just concentrate on a nice potting angle on each ball. | :44:56. | :45:01. | |
But he worked it out nicely there. And now just this red required to go | :45:02. | :45:03. | |
in front. With just 27 remaining. Yes, a bit nervous right from the | :45:04. | :45:23. | |
beginning. OK, he won the second frame, but he has had his chance in | :45:24. | :45:28. | |
this frame, in the fourth frame, the one just before the interval. | :45:29. | :45:39. | |
Robertson certainly looks in good form. | :45:40. | :45:52. | |
Up to 93 now, pot success. Marco has still got to get close to 90%, you | :45:53. | :46:01. | |
feel. This is good for Neil Robertson. 22 second shot average | :46:02. | :46:09. | |
time at the moment. This is when he is at his best, free-flowing, a | :46:10. | :46:12. | |
tremendous potter and break-builder. Marco had some chances in that | :46:13. | :46:26. | |
frame, but in the end, Neil Robertson ran out with a break of | :46:27. | :46:28. | |
90. He now goes three clear. 4-1. That is the CV of Neil Robertson. | :46:29. | :47:43. | |
The Riga Masters he won last season, it might seem a long way ago. It was | :47:44. | :47:54. | |
the first tournament of the season. But I think agree, Ken, that when we | :47:55. | :48:00. | |
come to the World Championships, the Crucible Theatre, and these longer | :48:01. | :48:04. | |
matches, this is a real test of a player. Some of these best-of-7s, | :48:05. | :48:12. | |
they are toss of a coin, really. Absolutely. It is a true test. And | :48:13. | :48:20. | |
of course, the one that they all measure their season on, even if | :48:21. | :48:28. | |
sometimes, players come to the World Championships, having won a couple | :48:29. | :48:32. | |
of the smaller tournaments are even the bigger tournaments, but they | :48:33. | :48:37. | |
always gauge how they deal with the World Championships. If they do not | :48:38. | :48:40. | |
have a decent World Championship, they feel that the season is not as | :48:41. | :48:48. | |
good as it could have been. This is careless. | :48:49. | :48:53. | |
Things not going too well for Marco at the moment, it has to be said. He | :48:54. | :49:02. | |
may have left the pot on. There is a line of three just before -- just | :49:03. | :49:07. | |
below the pink. I think the middle one might go to right corner. Maybe | :49:08. | :49:09. | |
not. Maybe yes. Beautifully picked out. | :49:10. | :49:29. | |
He will be nicely on the yellow. Another couple of rolls. I thought | :49:30. | :49:36. | |
it may not go. He went for it, and in a way, he was lucky not to be on | :49:37. | :49:42. | |
the yellow. Just an inch short of pace. | :49:43. | :49:50. | |
Now because the reds are loose, there is no guarantee that Marco Fu | :49:51. | :50:04. | |
can hit one and not leave a pot on. Particularly the one adjacent to the | :50:05. | :50:08. | |
left middle pocket. Not guaranteed to get this safe. | :50:09. | :50:26. | |
He decided to rest on that one, but he has overhit it. There is | :50:27. | :50:35. | |
definitely a pot on this red that is closest to the cue ball. Is there | :50:36. | :50:37. | |
another one? I cannot see another red that will | :50:38. | :50:52. | |
pot. This definitely's -- this definitely pots, the one closest to | :50:53. | :51:02. | |
the cue ball, into the right middle. He is shaping up, though, to the | :51:03. | :51:07. | |
green pocket, to try to get on the bike. Another difficult pot, but | :51:08. | :51:14. | |
more reward if it goes in. A chance missed. | :51:15. | :51:25. | |
He has not left anything easy. This red into the green pocket looks very | :51:26. | :51:36. | |
straight. Marco is not blessed with the same amount of cue power that | :51:37. | :51:45. | |
Neil Robertson has. So he would try and pot lad, and screw it, the cue | :51:46. | :51:49. | |
ball up towards the blue, it would be very difficult for Marco. | :51:50. | :52:11. | |
That is quite a clever shot. He has left the cue ball and the red in the | :52:12. | :52:19. | |
baulk area, squid on, so to speak. It will not be easy for Neil to play | :52:20. | :52:26. | |
a telling safety shot from the red. It is the only ones he can play, | :52:27. | :52:27. | |
really. If he has covered the red with the | :52:28. | :52:40. | |
yellow, that is an excellent shot. He has looked good this morning. | :52:41. | :53:28. | |
He is giving there's plenty of fodder. If he tries to play the | :53:29. | :53:34. | |
safety back to the baulk end, he could leave a very easy safety shot. | :53:35. | :53:42. | |
The last time he left the cue ball square on with the red. Is he taking | :53:43. | :53:47. | |
the bottom one. The dead. He played it well. He could never guarantee | :53:48. | :53:54. | |
good position. He knew it was running into other reds. He just | :53:55. | :54:00. | |
caught that red, and that is why he did not catch the third one fill in | :54:01. | :54:05. | |
the face. If he had done, he would have been on the black. He has got | :54:06. | :54:14. | |
to convert the red knew the baulk line. He has not done it. It is an | :54:15. | :54:25. | |
easy safety for Neil. Send it down the table, the red, and the cue ball | :54:26. | :54:27. | |
tight to the baulk cushion. On the face of it, he has an easy | :54:28. | :55:25. | |
shot shot. -- on the face of it he has an easy safety shot. He does not | :55:26. | :55:30. | |
want to catch it too thick and run into the green. He does not want to | :55:31. | :55:39. | |
play the pot on this red. Using his cue power once again. When you play | :55:40. | :55:43. | |
that shot, you're never certain where the ball is going to finish. | :55:44. | :55:49. | |
The worst possible outcome for Neil, he has left the red over the corner | :55:50. | :55:54. | |
pocket. Add pace, you can never be sure. No. The odds are against you. | :55:55. | :56:01. | |
You have got two pockets, and you have got so many reds. One of them | :56:02. | :56:08. | |
is bound to go very close. That is exactly what has happened. This will | :56:09. | :56:17. | |
be an interesting shot. If he chooses to play a little cannon on | :56:18. | :56:22. | |
the red. To try and hold for the black. Has he played it well? The | :56:23. | :56:33. | |
pink is on into the left-centre. It was a good effort. If the pink is | :56:34. | :56:41. | |
on, he will definitely take it on. He has got to get it. If he misses | :56:42. | :56:50. | |
this, it could cost him the frame. Well played. Well played. There was | :56:51. | :57:01. | |
a bit of pressure on that one. He kept still on the shot as long as he | :57:02. | :57:09. | |
could. He knew the importance of it. Can he get on the black? | :57:10. | :57:22. | |
There is a little cannon that he can play while potting this red. He can | :57:23. | :57:32. | |
pot this red and play delicate little cannon onto the red just to | :57:33. | :57:37. | |
the right of it, and hold the cue ball for the black to the opposite | :57:38. | :57:39. | |
pocket. Yes, that is OK. If the red to the | :57:40. | :57:51. | |
right of the black will go into the same pocket as the black, well, I do | :57:52. | :57:54. | |
not think it does. It does not. This is where you feel Marco really | :57:55. | :58:20. | |
has to win this frame on one visit, just for his own confidence, | :58:21. | :58:28. | |
eradicate those only match nerves. They have been quite evident so for | :58:29. | :58:36. | |
this morning. Yes, he got into that one a bit too much. He played for | :58:37. | :58:39. | |
the blue, not the green. He has not really recovered ideal | :58:40. | :58:59. | |
position. He is usually so good in and around the black spot area. His | :59:00. | :59:03. | |
timing is just not there this morning. That can only be tension in | :59:04. | :59:13. | |
the cue arm. Yes, he wanted the cue ball to travel at least another | :59:14. | :59:16. | |
eight or ten inches for the red on the pink spot. He has this red into | :59:17. | :59:22. | |
the right centre. It should be OK, but he must get top side of the | :59:23. | :59:29. | |
blue. He has purposely played on this side of the blue. We saw in the | :59:30. | :59:36. | |
previous frame, the frame before the interval, he was out of position on | :59:37. | :59:40. | |
the brown. He has played this one a lot better. A much better shot. Well | :59:41. | :59:45. | |
played. If he cannot get through to the red | :59:46. | :00:42. | |
to the right of the black, he will have to go for the blue. | :00:43. | :00:55. | |
He got there, just. He just found a nice angle on the blue. | :00:56. | :01:14. | |
Once again, another poor positional shot. This is not the red he played | :01:15. | :01:31. | |
for. Just 29 points shy of what is required. Not got the angle on the | :01:32. | :01:42. | |
blue this time, looks to be very straight. Making hard work of this. | :01:43. | :01:53. | |
Not much room to play with there, on the blue line. | :01:54. | :02:20. | |
Again, a good pot. Slightly lost the cue ball. He's going to play this | :02:21. | :02:38. | |
blue cue ball off the top cushion, side cushion. He has a nice angle. | :02:39. | :02:56. | |
67 still remaining. I think he can get on the black here. And he has | :02:57. | :03:07. | |
played that very well. Very nicely done, he has struggled | :03:08. | :03:29. | |
through this rake back but has done well to keep it going. | :03:30. | :03:45. | |
I am certain Neil Robertson would have thought he had a chance of | :03:46. | :03:49. | |
getting back to the table here. He has been pulling out some good pots | :03:50. | :03:55. | |
and this will make him feel better. Every possibility of a century break | :03:56. | :04:06. | |
here. As long as you get to 73, when you come to the covers, valued at 27 | :04:07. | :04:18. | |
points, you will make 100. He has only had one so far, but he had that | :04:19. | :04:30. | |
scare against Luca Brecel and I think he's more concerned about | :04:31. | :04:33. | |
trying to get through that and making hundreds. Only one century | :04:34. | :04:39. | |
but we said at the start of this match, both players, Neil made his | :04:40. | :04:48. | |
500th century this week, I think we are going to see quite a few | :04:49. | :04:52. | |
centuries in this match, maybe four mag or five. | :04:53. | :05:04. | |
This will be a milestone, if he can make it, it will be his 450th. He | :05:05. | :05:13. | |
looks to be perfect on the green, he has played this well. A good shot. | :05:14. | :05:24. | |
It will be the 43rd century, 44th, and the record is 83. Sorry, 86. | :05:25. | :05:35. | |
You'll get it right eventually! Of course I will, if you give me enough | :05:36. | :05:43. | |
time. I can see the record century has been beaten this year. As I | :05:44. | :05:52. | |
said, it was equalled last year, at 86 and now, with this break, we're | :05:53. | :05:56. | |
just over the halfway towards that targets. And he's done very well | :05:57. | :06:07. | |
here, has Marco. Lost the cue ball on numerous occasions that in the | :06:08. | :06:13. | |
end, a lovely break. He will be feeling an awful lot better. Neil | :06:14. | :06:18. | |
Robertson is sat in his chair, for almost all of that frame. Still | :06:19. | :06:20. | |
lead, though, 4-2. It's got to be Michael Jordan | :06:21. | :06:34. | |
because he makes the game look so easy, not only a great basketball | :06:35. | :06:38. | |
there and off the court, a great role model. It may not be the best | :06:39. | :06:47. | |
sport to watch live, snooker, but on TV, everyone loves it, that's why we | :06:48. | :06:50. | |
get great viewing figures all over the world. I always wanted to become | :06:51. | :06:54. | |
a footballer but when I moved to Canada I was into MBA, so I want to | :06:55. | :06:59. | |
be a basketball player. The shot putt. 30 seconds is pretty fair. I | :07:00. | :07:06. | |
think we should do that every tournament to help the game attract | :07:07. | :07:11. | |
more viewers. Sports management or sports promoter but I took my mind | :07:12. | :07:21. | |
off it, only in a practice session, a lot of people watching and | :07:22. | :07:28. | |
laughing but my mind was elsewhere. I would love to become a snooker | :07:29. | :07:33. | |
coach because I think Hong Kong has helped me a lot, so, after I finish | :07:34. | :07:38. | |
playing professionally I would love to get back to snooker playing in | :07:39. | :07:40. | |
Hong Kong and help the players out. He's certainly has a lot of interest | :07:41. | :07:56. | |
in Hong Kong, as does Neil Robertson in Australia, I am surprised there's | :07:57. | :08:00. | |
not been another Australian player come through, we have had quite a | :08:01. | :08:07. | |
few but no Australians seem to be coming through at the moment. But | :08:08. | :08:15. | |
plenty from the far east. Just have a look at those shops that cost Neil | :08:16. | :08:20. | |
the last frame, he decided he didn't want to play the pot, thought he | :08:21. | :08:27. | |
would run the red into the pink but he didn't envisage a red going over | :08:28. | :08:32. | |
the corner. On another day, it might have dropped in. But not today. | :08:33. | :08:42. | |
So, this frame and one more will conclude this procession of this | :08:43. | :08:52. | |
match. You would feel that Marco Fu would have settled down a little bit | :08:53. | :08:57. | |
after that nice break. And after that last break, he is now up to | :08:58. | :09:00. | |
90%, he was languishing down at 84%. And Marco in that little piece wee | :09:01. | :09:18. | |
soul is in favour of the shot clock at all tournaments. Not sure how | :09:19. | :09:25. | |
that would work. It wouldn't work. Whatever you say, John. If it ain't | :09:26. | :09:40. | |
broke, that's what they say. You like don't fix it. | :09:41. | :09:56. | |
Just the pay kept out, really. -- just the pace kept that out. A | :09:57. | :10:15. | |
chance for Neil, who will be well aware that if he was to win this | :10:16. | :10:19. | |
frame he would be bound to have at least a two frame advantage going | :10:20. | :10:21. | |
into the second session this evening. It's a funny thing, when we | :10:22. | :10:31. | |
first started doing the Crucible Theatre, the average frame time by | :10:32. | :10:36. | |
some within the reach of about 28 minutes. Really? Yeah but I think | :10:37. | :10:43. | |
the average frame time now for a normal match, this one is just under | :10:44. | :10:49. | |
16 minutes, would be about 18 or 19 minutes. Now, that's quick enough. I | :10:50. | :10:53. | |
don't think you should have to restrict people to have 30 seconds | :10:54. | :10:59. | |
to think about every shot because some shots are more difficult than | :11:00. | :11:00. | |
others. The unexpected. He courted to think. You think it | :11:01. | :11:26. | |
would be a good idea to not have a shot clock but to have players' and | :11:27. | :11:33. | |
veg shops time documented so the public know the players are more | :11:34. | :11:37. | |
aware of it and if they are more aware of it, they will be conscious | :11:38. | :11:42. | |
to speed up. If you have a list from fastest to slowest. Absolutely. And | :11:43. | :11:49. | |
also, the referee has the ability to tell a player to quicken up, it's | :11:50. | :11:52. | |
not used but I remember years ago it was used with the likes of Dean | :11:53. | :12:00. | |
Reynolds got warned a few times, I remember another player being warned | :12:01. | :12:10. | |
for taking too long over shots. We gave them the misrule to play with, | :12:11. | :12:19. | |
they're not weak too. -- they're not work on that. | :12:20. | :12:27. | |
Someone who has a strong referee is Jan Verhaas. I have been chatting to | :12:28. | :12:41. | |
some band encouraging them to be a bit stronger. He is shaking his head | :12:42. | :12:46. | |
and he knows that was a fantastic chance to score points. Be | :12:47. | :12:56. | |
disappointed with that. Looks like there is a gap, you never know from | :12:57. | :13:03. | |
Marco's facial expression that he will be sacked their sleeping, I | :13:04. | :13:05. | |
imagine. He can pot this. It would make life easier to get the | :13:06. | :13:39. | |
red away from the top cushion. I think what is putting him off, it is | :13:40. | :13:44. | |
definitely a gap. Not certain he wants to for the black. In the end, | :13:45. | :13:54. | |
he had no choice but to play for the black. I can understand why, | :13:55. | :13:59. | |
particularly if he's straight on this black. This is a tough pot. | :14:00. | :14:11. | |
Certainly not got the best potting on it. | :14:12. | :14:23. | |
You are right. He tried to move the red off the top cushion and it | :14:24. | :14:39. | |
hasn't worked out. APPLAUSE | :14:40. | :15:31. | |
Marco Fu will be coming back to the table, mightily relieved, having Mr | :15:32. | :15:39. | |
red when he was in like that, it has only cost them eight points. -- | :15:40. | :15:50. | |
having missed a red. He is having a look at these two | :15:51. | :17:27. | |
reds. I am not quite sure if he can make these into a plant. It looks | :17:28. | :17:33. | |
very tight. He may be able to squeeze the second red past the red | :17:34. | :17:38. | |
closest to the pocket, in that line. It could go in. | :17:39. | :17:47. | |
Yes, it could going, indeed. He brings it to the left-centre. -- the | :17:48. | :18:04. | |
green will go to the left-centre. He is going to take on the green. | :18:05. | :18:18. | |
STUDIO: This is where we leave you on BBC Two. Both matches, Marco Fu | :18:19. | :18:25. | |
against Neil Robertson, Barry Hawkins against Graeme Dott on table | :18:26. | :18:32. | |
two, they are both on the BBC sport website, and the BBC sport at. Hazel | :18:33. | :18:36. | |
Irvine will be here with John Parrott and Stephen Hendry from one | :18:37. | :18:42. | |
o'clock. MOTD2 Extra is next. We shall see you soon. | :18:43. | :19:03. | |
# You've made it this far Don't leave it to chance | :19:04. | :19:07. | |
# No holding back No half measures | :19:08. | :19:13. |