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Hello. Good morning, welcome back to the Crucible Theatre. We're getting | :00:34. | :00:43. | |
closer to the final of the 2017 Betfred World Snooker Championship. | :00:44. | :00:46. | |
Four players hoping to land the biggest prize in the sport. In a few | :00:47. | :00:51. | |
minutes, defending champion Mark Selby and Ding Junhui will walk out | :00:52. | :00:56. | |
into this magnificent arena knowing a solid second session could edge | :00:57. | :01:00. | |
them closer to the final. It's beautifully poised after yesterday's | :01:01. | :01:07. | |
opener. Cracking semifinal in store. A repeat of last year 's final. | :01:08. | :01:11. | |
Everybody wants to get to the one-table set-up, the tournament | :01:12. | :01:18. | |
comes into its own. He could not have played that any better. Mark | :01:19. | :01:23. | |
Selby was in great form coming into the semifinal and looked like he had | :01:24. | :01:27. | |
the aura of a champion in waiting again. Wonderful shot! That first | :01:28. | :01:35. | |
frame when Mark Selby got in first, walking around the table like he | :01:36. | :01:41. | |
owned the place. It's a very risky shot to take on, but taking it on he | :01:42. | :01:48. | |
is. And getting it. That first frame, I've felt, was so key to Ding | :01:49. | :01:53. | |
Junhui. If he can beat Wally O'Sullivan, he can beat anyone. | :01:54. | :01:58. | |
People saying will there be an angle? They're definitely wasn't. He | :01:59. | :02:04. | |
is judged it to absolute perfection. Wonderful first frame. If the match | :02:05. | :02:09. | |
stays like that, we are in for a cracker. I thought the first four | :02:10. | :02:13. | |
frames were absolutely excellent snooker. You didn't fancy either | :02:14. | :02:18. | |
player missing an easy shot. All square, 2-2. He will give six points | :02:19. | :02:26. | |
away and leave a red on! Would you believe that? Amazing. It shows a | :02:27. | :02:34. | |
very confident player. Selby will be very disappointed, a couple of silly | :02:35. | :02:37. | |
errors you wouldn't normally see from him and it cost him a couple of | :02:38. | :02:43. | |
frames. The only thing he's missed this afternoon is a century and he's | :02:44. | :02:48. | |
got one now. Wonderful, absolutely wonderful from Ding Junhui will stop | :02:49. | :02:55. | |
he has a 5-3 lead over the defending champion. Selby has some catching up | :02:56. | :03:01. | |
to do. Ding is in fine form. What you need on a day like today, | :03:02. | :03:06. | |
semifinal day, is a former world champion. There's one standing next | :03:07. | :03:12. | |
to me, John Parrott. A session of high-quality snooker. Absolutely | :03:13. | :03:17. | |
brilliant. The first three frames was free-flowing, high-scoring, and | :03:18. | :03:20. | |
then two tactically brilliant frames. The last two frames, Ding | :03:21. | :03:26. | |
was magnificent. If he plays like that, he will win the World | :03:27. | :03:30. | |
Championship. Mark Selby is playing with a new tip. How important will | :03:31. | :03:36. | |
that be? It's a big decision, but also easy. If you feel like the | :03:37. | :03:40. | |
reaction off the cue ball isn't right, you have to change it. I text | :03:41. | :03:44. | |
him last night and he's put a new one on. You don't really know until | :03:45. | :03:50. | |
you get out there, but if it's gone, it's gone and you have to change it. | :03:51. | :03:56. | |
If you are Ding at the moment, is the objective to stay in front of | :03:57. | :04:00. | |
Mark Selby? That will ultimately be it, but the way he's playing at the | :04:01. | :04:04. | |
moment, he will look for every opportunity score. Do you think he | :04:05. | :04:09. | |
can win the World Championship? On yesterday's form, yes. The players | :04:10. | :04:15. | |
are standing by. Good morning, Rob Walker. Welcome back to this | :04:16. | :04:23. | |
intriguingly poised semifinal. 23 ranking titles, four Masters wins | :04:24. | :04:27. | |
between them, but there's only room for one in Sunday's final. It's show | :04:28. | :04:30. | |
time once again in Sheffield! Please welcome a player whose | :04:31. | :04:53. | |
influence on the global game has been huge. This is his third | :04:54. | :04:57. | |
Crucible semifinal and we've surely never seen better form from him here | :04:58. | :05:04. | |
than this year. Superb against Ronnie and absolutely brilliant | :05:05. | :05:08. | |
yesterday. He's a national hero in China so enter Dragon, Ding Junhui! | :05:09. | :05:15. | |
And his opponent, undisputed world number one for more than two years. | :05:16. | :05:39. | |
This is his fifth Crucible semifinal, a decade on from his | :05:40. | :05:44. | |
first. A man of immense mental strength who never knows when he's | :05:45. | :05:51. | |
beaten. UK champion, world champion, the Jester from Leicester. Mark | :05:52. | :05:52. | |
Selby! Here we go, the second session of | :05:53. | :06:20. | |
Mark Selby against Ding Junhui live on BBC Two. Good morning to John | :06:21. | :06:27. | |
Virgo and Willie Thorne. Thank you, good morning. | :06:28. | :06:31. | |
Apprehensive Mark Selby having to change his tip overnight. He trails | :06:32. | :06:37. | |
5-3. Ding Junhui in the ascendancy at the moment. The last four frames, | :06:38. | :06:44. | |
Mark Selby didn't have a break above 30, but we know what a fantastic | :06:45. | :06:48. | |
player he is. World number one and the world number one for some time | :06:49. | :06:53. | |
to come. The last session of his previous match, against Marco Fu, | :06:54. | :06:58. | |
was the best snooker I've ever seen. Can he reproduce that form to get in | :06:59. | :07:07. | |
front in this session? The break of shot from Ding Junhui was a good | :07:08. | :07:11. | |
one. Mark was having a smile that something. I think somebody hadn't | :07:12. | :07:16. | |
settled in or someone was looming into the press box. He is happy now. | :07:17. | :07:21. | |
He'll be looking for a good start this morning. Slightly on the back | :07:22. | :07:31. | |
foot. A long way to go, of course. First to 17th. These matches are | :07:32. | :07:37. | |
played over four sessions. Three of eight and one of nine to make up the | :07:38. | :07:43. | |
33 frames. Mark Selby experienced enough not to panic, but he'd like | :07:44. | :07:46. | |
to win this session. I think it's OK. Or is it? Can mark | :07:47. | :08:35. | |
get through to this red? Even if he can,... He can clearly get through | :08:36. | :08:40. | |
to the red, but he's hampered so he can't do a lot with the cue ball. | :08:41. | :08:46. | |
The pink and black aren't available. Is it worth the risk? | :08:47. | :08:53. | |
If he does roll the red in, he will have a virtually straight blue. I | :08:54. | :09:01. | |
wonder, with a new tip, if he will fancy it first thing in the morning | :09:02. | :09:05. | |
or playing a safety shot on the blue. In the early sessions of this | :09:06. | :09:10. | |
tournament, he would have taken the blue on, but I'm not so sure he will | :09:11. | :09:17. | |
this morning. I think the fact that he's gone to the baulk end and had a | :09:18. | :09:23. | |
look where he'd like to leave the tubal, where he would like not to | :09:24. | :09:28. | |
have to play from. Purposely covered the escape down | :09:29. | :09:43. | |
the right half of the table. I think the blue and the brown, the blue in | :09:44. | :09:52. | |
particular, stopping that. Yes, blue stopping it. No gap. There's a gap, | :09:53. | :10:00. | |
but no red at the end the gap. He's got a slight problem here. The two | :10:01. | :10:05. | |
reds to the top of the black, you can get to the thin edge of that | :10:06. | :10:10. | |
one. Take the white back into the baulk area. He is playing a | :10:11. | :10:14. | |
containing safety. He's missed it. REFEREE: Foul, and a | :10:15. | :10:37. | |
miss. Mark Selby four. The shot you described, you made it sound so | :10:38. | :10:42. | |
easy. Not like he has to do anything with the cue ball, is just plain | :10:43. | :10:47. | |
ball or quarter ball. I know what you mean. What he's really concerned | :10:48. | :10:51. | |
about is the red on the left-hand side of the table. That's the red | :10:52. | :11:01. | |
that Willie is referring to. But he doesn't fancy it. He might think he | :11:02. | :11:05. | |
would be knocking one to the right corner as well. | :11:06. | :11:11. | |
He doesn't want to hit this red... He's OK, he's caught it full. I | :11:12. | :11:23. | |
can't believe that was the intention, but he'll settle for it. | :11:24. | :11:25. | |
Safe enough. That's careless. Boy is that | :11:26. | :11:48. | |
careless. Trying to get the cue ball tight to the ball cushion, but | :11:49. | :11:52. | |
forgot about knocking the red over the middle. Not too sure whether he | :11:53. | :12:02. | |
can avoid the kiss on the red on the left-hand side after potting this | :12:03. | :12:07. | |
red. Getting onto a colour won't be easy. I think he can avoid the kiss. | :12:08. | :12:17. | |
He has kissed it. But it's turned out to be OK. Not very often you get | :12:18. | :12:19. | |
a good case. -- good kiss. We call them kisses when you don't | :12:20. | :12:34. | |
play them. When you do, it's a cannon! | :12:35. | :12:57. | |
Everything is in the way... All the reds are blocking each other. He's | :12:58. | :13:06. | |
playing the green around the table because he needs to finish on the | :13:07. | :13:10. | |
opposite side of the table. There must be something that pots. A plant | :13:11. | :13:18. | |
not be on. He's dead set. Unmissable. The only thing he's got | :13:19. | :13:26. | |
to be a bit wary of is the two reds are close together. You've got to | :13:27. | :13:32. | |
hit the first read correctly. Yes, unmissable. That's the way it goes | :13:33. | :13:43. | |
sometimes. He must have knocked that on when he potted the red to the | :13:44. | :13:50. | |
middle. Taking advantage of the run while you get it as it can soon | :13:51. | :13:51. | |
turn. That was a good short -- shot, the | :13:52. | :14:05. | |
way he steered the cue ball between the book colours. Couldn't have | :14:06. | :14:10. | |
played it any better. I wonder whether the pink pots in the middle. | :14:11. | :14:16. | |
If he can finish low on the pink, pecan pot the pink and move the two | :14:17. | :14:20. | |
reds away from the pink spot. He won't win the frame in this visit | :14:21. | :14:25. | |
without bringing the pink and black into that's for sure. -- interplay, | :14:26. | :14:30. | |
that's the shore. Doesn't want to be straight. | :14:31. | :14:40. | |
Slightly the wrong angle on the pink. If that cue ball was two | :14:41. | :14:48. | |
inches further to the left, he could move the reds away from the pink | :14:49. | :14:51. | |
spot, but he can't do that now. He might be trying to find the best | :14:52. | :15:15. | |
gap after potting the pink. He's got the red on the left-hand side as an | :15:16. | :15:19. | |
alternative should the position go wrong. | :15:20. | :15:28. | |
There's a red three down from the pink that pots in the corner. If he | :15:29. | :15:35. | |
gets dead straight on that, he can screw back for the blue. I think | :15:36. | :15:41. | |
there are a couple of reds. His concern is that when he pops the | :15:42. | :15:46. | |
pink, he's not certain where he's going to go. -- pots. Maybe the pink | :15:47. | :15:52. | |
spot isn't available. There are no other spots available. It might | :15:53. | :15:58. | |
block the path to potting one of those reds. He is taking a long time | :15:59. | :16:03. | |
over this. I think he's decided the pink doesn't go and it could go | :16:04. | :16:10. | |
behind its own spot. That could block those three reds clearly | :16:11. | :16:18. | |
available in the opposite corner. In the end, didn't want to risk... | :16:19. | :16:23. | |
Let's see where the referee can find a place for the pink. He has to go | :16:24. | :16:31. | |
as close to its own spot in the direct line with the middle of this | :16:32. | :16:40. | |
black cushion. He's got the line. He'll use the line between the | :16:41. | :16:45. | |
black, blue and brown. He's got to get it as close to the red as he can | :16:46. | :16:51. | |
without touching. Delicate job with gloves on. | :16:52. | :17:06. | |
Amazing because the reds are spread quite nicely. It's very difficult | :17:07. | :17:13. | |
without the pink and black in play. He will need all his cue power here | :17:14. | :17:18. | |
to screw it back. He might be able to flick the red to the left of the | :17:19. | :17:25. | |
pink with this screenshot and makes the pink available. Let's see if he | :17:26. | :17:31. | |
can manufacture an angle. No, had to screw directly back. That's not | :17:32. | :17:37. | |
good. Could have done with that cue ball stopping on a half bald blue. | :17:38. | :17:48. | |
-- half ball. Absolutely. If you're going to be just off straight, you | :17:49. | :17:53. | |
want to be lots of straight to force an angle. This will take some doing. | :17:54. | :17:59. | |
Tell you what, he's made a very good effort. | :18:00. | :18:05. | |
Most of the speed in the cue ball was generated by lots of left-hand | :18:06. | :18:13. | |
side. OK, top spin, but the running side. Wonderful shot. | :18:14. | :18:21. | |
Considering the White has travelled a really long way, a little | :18:22. | :18:26. | |
unfortunate to be so close to the cushion. I'm not sure if he can | :18:27. | :18:37. | |
generate enough speed to make it a shot to nothing. | :18:38. | :18:44. | |
Certainly taking his time over this break. A break of 23 and it's | :18:45. | :18:51. | |
already been going for more than seven minutes. Now decided to play | :18:52. | :18:54. | |
safe. But he realises the importance of | :18:55. | :19:03. | |
this first frame this morning. Can't say he didn't make the most of | :19:04. | :19:22. | |
that opportunity, Ding, because the reds were awkwardly situated. But | :19:23. | :19:23. | |
he's played a good safety. He can hit these two reds to the | :19:24. | :20:03. | |
left of the black very, very thin. Can he get around the back of those | :20:04. | :20:09. | |
two reds on the crush and? That's a great shot. You can stand there all | :20:10. | :20:13. | |
day and try to hit that shot so perfectly. That was absolutely top | :20:14. | :20:24. | |
drawer. If he had any apprehension about the new tip, he shouldn't have | :20:25. | :20:29. | |
now. Could not have hit a ball better than that. Wonderful shot. | :20:30. | :20:48. | |
That was the thing. The safety shot from Mark Selby was so good, it | :20:49. | :20:55. | |
forced an error from Ding Junhui. Now what you've got to do is take | :20:56. | :20:57. | |
advantage. This will test the tip, screwing | :20:58. | :21:05. | |
back for blue or black. That will make him feel a lot | :21:06. | :21:23. | |
better. It was all about the pace. So easy to - roo or overscrew them | :21:24. | :21:31. | |
with a new tip. That was perfect. -- underscrew or overscrew. | :21:32. | :21:47. | |
It's a decent chance, this, mainly because when he gets the black on | :21:48. | :21:55. | |
its spot, it will be available into both corners. | :21:56. | :22:05. | |
A little bit closer to the conditions and you would like. -- to | :22:06. | :22:12. | |
the cushion van you would like. Now got to judge the pace of this | :22:13. | :22:25. | |
well. If he had put it there with his hand, he couldn't have put it | :22:26. | :22:31. | |
better. That was an indication of how Britain -- break-builders do the | :22:32. | :22:36. | |
job. He played for a choice of reds. If he had hit it slightly too hard, | :22:37. | :22:41. | |
he would have had the red near the bottom cushion into the same pocket. | :22:42. | :22:46. | |
Always play in areas, that the art of brick building. -- | :22:47. | :22:50. | |
break-building. Has it stopped in time? Looking at | :22:51. | :23:20. | |
Mark's body language, it has. A little bit straighter than he wanted | :23:21. | :23:26. | |
to be, though. It has to be said. Thinking about screwing this back | :23:27. | :23:31. | |
and flicking off the red just in front of this one and getting back | :23:32. | :23:35. | |
on the black into the same pocket. This would be some shot. He got the | :23:36. | :23:39. | |
flick nicely. Clever shot. A cannon into the pink. That's OK. | :23:40. | :24:04. | |
He's now got a ten-point lead. The four reds in the middle of the table | :24:05. | :24:10. | |
with high value colours would be enough. | :24:11. | :24:17. | |
Just thinking about it, they wouldn't be enough. He needs one of | :24:18. | :24:27. | |
the reds along the top cushion. Four reds, four blacks would put him 42 | :24:28. | :24:31. | |
in front with 43 remaining. -- 43 in looking at the scoreboard now. 18 | :24:32. | :25:04. | |
point lead. No matter what colour is he takes, even if he took all | :25:05. | :25:09. | |
blacks, it wouldn't matter. He knows he will need one of the reds along | :25:10. | :25:13. | |
the top cushion. Might go back up for the blue here. If he could have | :25:14. | :25:19. | |
done it with blacks, he would have made an effort to stay on the black. | :25:20. | :25:25. | |
He glanced at the scoreboard. He now knows what he's got to do to win the | :25:26. | :25:27. | |
frame at this visit. Just shows you how important it is | :25:28. | :25:39. | |
not only to play safe in a decent area, but try to get the white glued | :25:40. | :25:44. | |
to the baulk collision. The safety shot Ding played on his previous | :25:45. | :25:52. | |
visit would have been easier if the cue ball wasn't on the cushion. Mark | :25:53. | :25:58. | |
Selby's safety shot looks like winning the frame. Excellent so far. | :25:59. | :26:08. | |
This red and he will probably play for the black. Needs a nice angle on | :26:09. | :26:15. | |
the black to drop on one of the reds. He will only need the red. If | :26:16. | :26:21. | |
he can get right in behind one of these reds, he can roll it along the | :26:22. | :26:26. | |
top cushion. Doesn't have to play it with pace. | :26:27. | :26:49. | |
Good shot. He thought he would play the cannon and if it goes wrong, | :26:50. | :27:00. | |
I've still got the other red along the top cushion. This for the first | :27:01. | :27:06. | |
frame of the morning. Well played. Superb break. Superb safety that | :27:07. | :27:16. | |
forced the error from Ding Junhui. As I said at the time, he had to | :27:17. | :27:21. | |
make the most of this opportunity and boy has he taken them well. | :27:22. | :27:27. | |
There's a possible century should this red go in. He would be nicely | :27:28. | :27:32. | |
on the black and that would be the 35 points needed to make a century. | :27:33. | :27:37. | |
If he needed some confidence with his new tip, this will go a long way | :27:38. | :27:39. | |
towards doing that. Ding Junhui did very little wrong | :27:40. | :27:52. | |
apart from that one escape from the safety that went wrong. | :27:53. | :28:28. | |
When he came to the table, it didn't look like a frame-winning | :28:29. | :28:34. | |
opportunity, but he's played these very well. This should be Mark | :28:35. | :28:41. | |
Selby's third century of the tournament. | :28:42. | :28:48. | |
This is going to be the 64th century of the tournament so far. | :28:49. | :29:01. | |
Very well done. His fifth century of the tournament and it's closed the | :29:02. | :29:10. | |
gap again. Now he's just one behind at 5-4. | :29:11. | :29:16. | |
(STUDIO) that is why Mark Selby is the defending champion at the | :29:17. | :29:20. | |
Crucible. From our wonderful position, we can see every blow, | :29:21. | :29:26. | |
every grimace. Ding Junhui, as he walked back to his chair, knew what | :29:27. | :29:30. | |
he'd done. I think that tip is a keeper! We're going to go to a | :29:31. | :29:36. | |
shopkeeper -- shot he played with the rest and it was brilliant. This | :29:37. | :29:41. | |
is a test of whether your tip is any good. The screw. To time that as | :29:42. | :29:46. | |
well as he has done and get perfectly on the blue suggests to me | :29:47. | :29:50. | |
that it is great. It sounds nice as well. To make 100 with his first | :29:51. | :29:58. | |
poke, he'll be very happy. Mark Selby was 5-3 down going into the | :29:59. | :30:02. | |
second session, important he gets on the board, but look at the way he | :30:03. | :30:07. | |
cleared up. The boys mentioned it on commentary, Ding took a really long | :30:08. | :30:11. | |
time early in the break. Seven and a half minutes for a break of 23. He | :30:12. | :30:16. | |
was really trying not to make a mistake. I might be reading too much | :30:17. | :30:21. | |
into it, but he didn't look as fluent as yesterday. Perhaps he | :30:22. | :30:25. | |
realised the importance of the opening frame. Mark Selby was so | :30:26. | :30:30. | |
composed around the table. Fabulous break, tubal under control, fabulous | :30:31. | :30:35. | |
shot on the pink. The cannon into the pink could have gone wrong but | :30:36. | :30:43. | |
he played it beautifully. Great feel confidence to know your tip is fine, | :30:44. | :30:46. | |
every shot is available and just get on with the match. Mark Selby's | :30:47. | :30:50. | |
first century break of this match. Back to the chaps. | :30:51. | :31:03. | |
COMMENTATOR: Just the start of the mark Selby was looking for in the | :31:04. | :31:14. | |
first frame but not the best break of shot. So dangerous well, the | :31:15. | :31:26. | |
break-off shot. You always seem to see the half full pot, that is what | :31:27. | :31:32. | |
he is left with, in the corner. -- half-ball pot. | :31:33. | :31:39. | |
Missed that by a long way. Hitching a little bit thinner. That is a wide | :31:40. | :32:03. | |
in snooker. Check and see if the pink is available, if it is, he may | :32:04. | :32:14. | |
take this on. This is a tip test. You have two strike these world to | :32:15. | :32:24. | |
get an offside on. -- you have to strike these well to get enough side | :32:25. | :32:32. | |
on. Could not be any closer, I am sure that when he hit it, when the | :32:33. | :32:36. | |
cue ball hit the road, he thought it was going to drop. Court the white | :32:37. | :32:46. | |
jaw. -- caught the wide jaw. Is desperate to see what he has left. | :32:47. | :32:55. | |
Just a bit edgy, this morning, we have to play a cannon, wasn't easy, | :32:56. | :33:09. | |
long pocket. Mark needs to jump on these chances now. As we said at the | :33:10. | :33:21. | |
start the match, Ding had put him on the back foot. If he can win this | :33:22. | :33:26. | |
frame, he will be back to all square, awful lot better off. | :33:27. | :33:38. | |
He would love to get the gap in between the reds. Almost impossible. | :33:39. | :33:49. | |
Was not on, luckily, he has won in the middle. Gap there would have | :33:50. | :34:00. | |
been great. So hard to get back out. Fortunately have the red in the | :34:01. | :34:10. | |
middle. -- fortunate to have the red in the middle. | :34:11. | :34:21. | |
Did not try to be too clever with the red. | :34:22. | :34:30. | |
Cut it to sin. -- cut it too thin. May have been a bit fortunate, | :34:31. | :34:40. | |
already played on, not on it. Yes, strange, isn't it, cue ball is | :34:41. | :34:56. | |
a foot further up the table, he has hit it further, has a little more | :34:57. | :35:13. | |
pace, this is cuttable, chop -- not a shot you would like to play | :35:14. | :35:20. | |
regularly. He has had a bit of luck, well, he has had a lot of luck. | :35:21. | :35:28. | |
LAUGHTER It is a wry smile from Mark Selby as | :35:29. | :35:34. | |
he is walking around the table, had a smile at each other, no matter how | :35:35. | :35:38. | |
good you are, you want a little bit of luck now and again. Wondering if | :35:39. | :35:45. | |
that wry smile, whether we could be having a re-rack here. Where is the | :35:46. | :35:51. | |
safe place, with the red over in the far corner. Will they look at one | :35:52. | :35:57. | |
another? Mark is waiting, Ding refuses to look at him(!) and Mark | :35:58. | :36:06. | |
is still waiting. I would take a re-rack. I see no reason why not. | :36:07. | :36:10. | |
He's waiting in the wings... Just when he looked at him, Mark | :36:11. | :36:14. | |
turned his head away. Thinking of playing the double? | :36:15. | :36:40. | |
Dangerous... Don't see how you cannot leave the ball over... Read | :36:41. | :36:47. | |
over the corner. APPLAUSE There you go. -- red. Mark will be | :36:48. | :36:56. | |
pleased he did not catch his eye now, because a little swerve should | :36:57. | :37:00. | |
pop this red. He was mighty close to this double. | :37:01. | :37:26. | |
Added that not drop? -- how did that not drop. | :37:27. | :37:45. | |
Trying to get on the half ball blue, scene which one has the better | :37:46. | :37:56. | |
chance to get back into the bunch. -- seeing which one. Yes, could be a | :37:57. | :38:10. | |
bit concerning. I think... Tired of red, just off straight, slightly in | :38:11. | :38:15. | |
two minds as to how to play it, decided to play for the blue rather | :38:16. | :38:21. | |
than the green. As we say many times, the more pace you put in the | :38:22. | :38:30. | |
cue ball, the more accurate you have to be. -- tight-off. | :38:31. | :38:52. | |
All snooker buyers in the audience and all those watching at home will | :38:53. | :38:57. | |
realise how difficult it is to play with a new tip and that was a prime | :38:58. | :39:03. | |
example of negotiating the path to the side, you never know how much it | :39:04. | :39:07. | |
will push in or push out, I know he had a centre back in the first | :39:08. | :39:12. | |
frame, but always takes a couple of days, normally, to work a new tip | :39:13. | :39:27. | |
in. Always a nice little night. If he catches it full in the face, left | :39:28. | :39:39. | |
a pot on. Is there a gap? Edge sticking out below the pink? Can see | :39:40. | :39:52. | |
some red just below the pin, in the wrong side. Trying to nestle on the | :39:53. | :40:00. | |
red that is closer to the top cushion. All about line and length. | :40:01. | :40:12. | |
Want the best line. These two have hit it. I think he has left it | :40:13. | :40:24. | |
straight and enough. -- pleased to have hit it. If he puts it he cannot | :40:25. | :40:28. | |
get onto a colour, he is only putting it for the one point and | :40:29. | :40:34. | |
Mark Selby will be pleased enough with that outcome. | :40:35. | :41:30. | |
The red will be going towards the pocket on the safety shop. Intention | :41:31. | :41:34. | |
is to get the white behind the brown. -- safety shot. | :41:35. | :41:49. | |
I'm sure you're right, trying to get in behind the brown, because that | :41:50. | :41:54. | |
would have been a safety but considering where he was, that is a | :41:55. | :42:00. | |
decent one, can Ding get a decent reply? Red going towards the corner, | :42:01. | :42:19. | |
covered in the kiss on the brown, problem for Mark Selby. | :42:20. | :43:09. | |
That's all he could think of, he may have left a pot to the left middle, | :43:10. | :43:25. | |
but it's a tough one. Just think, Ding has set his stall out this | :43:26. | :43:28. | |
morning, he's not going to take any undue risks at the start of this | :43:29. | :43:37. | |
morning session, but you can't keep refusing things. Where is the blue | :43:38. | :43:53. | |
ball going? Not the best safety. The two reds immediately to the left of | :43:54. | :43:57. | |
the black, the left-hand one will go to the right corner, I think, I say | :43:58. | :44:02. | |
the left-hand one, I think the right-hand one may just squeeze in, | :44:03. | :44:05. | |
but the left-hand one will definitely... Well, right-hand one | :44:06. | :44:10. | |
doesn't, but the left-hand one does. Thing is, how can you get the cue | :44:11. | :44:15. | |
ball out and on a colour, so he is refusing the pot, playing safe. | :44:16. | :44:29. | |
Called it a bit too thick. -- caught. If he can manoeuvre the cue | :44:30. | :44:34. | |
ball, every reason to take it on. Nothing wrong with taking on the | :44:35. | :45:06. | |
pot, unfortunate to have pushed the red towards the corner. Got the cue | :45:07. | :45:16. | |
ball back into baulk and you could never see that happening from the | :45:17. | :45:19. | |
shot he was playing, not sure how he got that, just kissed the red, how | :45:20. | :45:21. | |
has it finished over the corner? That's landed nicely. I suppose he | :45:22. | :46:30. | |
would have been happier if he could have drifted by the red, there was a | :46:31. | :46:34. | |
couple of threads available to the left corner. He is on this one to | :46:35. | :46:41. | |
the right corner. -- there was a couple of reds available to the left | :46:42. | :46:45. | |
corner. If he screws back direct, he could run into the black. I don't | :46:46. | :46:51. | |
think the black goes to the left middle. Otherwise he could play for | :46:52. | :47:01. | |
the black. Just a little bit awkward. Gap between the red and the | :47:02. | :47:12. | |
black, of course, whether it is hard enough to generate the spin to get | :47:13. | :47:16. | |
out onto the pink or black. I think he can from the angle he has on the | :47:17. | :47:20. | |
red, just missing the red he has on the cushion. | :47:21. | :47:29. | |
Put plenty in the cue ball there, got there, just a fraction hard. One | :47:30. | :47:38. | |
of those instances where you would rather be too hard and too soft. -- | :47:39. | :47:53. | |
rather be too hard than too soft. Nice little flick on the black, | :47:54. | :47:55. | |
worked out perfectly. One of those, if he had just ran | :47:56. | :48:05. | |
past the black and finished on the side cushion, he would have had a | :48:06. | :48:11. | |
little bit of a problem, but not so now. | :48:12. | :48:24. | |
The only downside of potting the black, the pink tide up at the | :48:25. | :48:33. | |
moment, is when the black is re-spotted, I'm not certain it is | :48:34. | :48:36. | |
going to be available into either corner pocket. Anyway, don't worry | :48:37. | :48:39. | |
about that, pop the black. Could not guarantee good position. | :48:40. | :48:55. | |
See where the black has gone. Out of commission, so is the pink. 30 point | :48:56. | :49:03. | |
lead, the red just above the pink will go. 30 point lead, also found | :49:04. | :49:12. | |
another to the right corner. Not a bad lead, 30 to build on, I mean. | :49:13. | :49:25. | |
Very awkward, Ding did not get a chance, hard to get back into the | :49:26. | :49:28. | |
frame, wonder whether he will play the cannon or get back into the gap. | :49:29. | :49:34. | |
I'm surprised he's not playing the red above the pink. Now changing his | :49:35. | :49:38. | |
mind to go for that. The one he was looking at, so much work to do with | :49:39. | :49:44. | |
the cue ball, this is just a plain ball pot, finish on yellow or green. | :49:45. | :49:48. | |
Don't make things difficult when they don't have to be. | :49:49. | :50:04. | |
Where the cue ball finished, he mis-hit that completely. If it had | :50:05. | :50:11. | |
gone in he would not have been on yellow or green, OK, if he had | :50:12. | :50:15. | |
potted it, probably hit it a bit thinner, but not that much more pace | :50:16. | :50:22. | |
on the cue ball. Edgy start from both players, good from Mark in the | :50:23. | :50:27. | |
first, every credit for the 100. This frame getting scrappy now. | :50:28. | :50:44. | |
Blessed with quite a lot of cute pad, don't know if he can cut the | :50:45. | :50:52. | |
blue in the middle and get around the back, I don't think so, from | :50:53. | :50:58. | |
this angle. To be able to run through this yellow with two | :50:59. | :51:01. | |
questions of the left-hand side or screw it back is very difficult. -- | :51:02. | :51:08. | |
two cushions. Playing the screw, trying to get the cue ball somewhere | :51:09. | :51:11. | |
near the middle pocket to leave him a shot to nothing on the red, close | :51:12. | :51:18. | |
to this thread. -- close to this red. Very good shot. | :51:19. | :51:35. | |
As we watch this, he has had a look, he was right, superb shot, he has | :51:36. | :51:42. | |
had a look to see if the pink is available, if you can get to the red | :51:43. | :51:46. | |
below the pink, fiercely, you want the pink on. -- obviously. Played it | :51:47. | :51:56. | |
well, good shot. At least he has a higher value colour in play now. | :51:57. | :53:01. | |
How is he going to get onto these two reds either side of the black of | :53:02. | :53:07. | |
these shots...? Ideally he would like to be on the pink in such a way | :53:08. | :53:11. | |
that he can screw the pink in the middle pocket, leave an angle to | :53:12. | :53:14. | |
play the cannon on the black, he hasn't got that this time. He needs | :53:15. | :53:26. | |
some sort of kiss. He has played for the bottom red, didn't realise that | :53:27. | :53:28. | |
potted. Called the near jaw of that, that | :53:29. | :53:45. | |
was close. -- caught. We have seen those stop out. Cue | :53:46. | :54:03. | |
ball cleaned. This pink to go one point ahead. | :54:04. | :54:19. | |
And now, one point advantage, to win the frame. Four reds. Four blacks | :54:20. | :54:32. | |
will put him in the snooker required stage. As you can see, it's not | :54:33. | :54:39. | |
going to be easy. -- snookers. Probably play the cannon on the red | :54:40. | :54:44. | |
that is tight on the cushion now. If he can, if he can, he has got to | :54:45. | :54:48. | |
choose the pace right because he could sneak himself, he would love | :54:49. | :54:54. | |
to play the cannon. -- because he could snooker himself. I got to be | :54:55. | :55:00. | |
honest, that surprises me, could have played the cannon quite easily. | :55:01. | :55:02. | |
Put that into play. Tricky, this. He's got the problem, | :55:03. | :55:34. | |
the potting angle he has got on the black, does he play a little can on | :55:35. | :55:40. | |
the red near the top cushion? That reds near the top cushion stopping | :55:41. | :55:45. | |
him playing for the red near the right-hand cushion, he could play | :55:46. | :55:50. | |
the cannon here. It's not gone great. Think this red may still cut. | :55:51. | :55:58. | |
Just called the red a little bit too full. -- caught. Two reds, two | :55:59. | :56:14. | |
Carlas. 17 point lead. -- two colours. | :56:15. | :56:23. | |
He has taken the cut on because the last red was running too thin. | :56:24. | :56:28. | |
APPLAUSE Not playing the pot here, playing a | :56:29. | :57:08. | |
thin one, off the top cushion, side cushion and back across. If he's not | :57:09. | :57:13. | |
going to get behind the green, that's just as good. The nestler. | :57:14. | :57:25. | |
Very awkward cueing this now. APPLAUSE | :57:26. | :57:38. | |
Justified applause. Considering how badly hampered he | :57:39. | :57:48. | |
was, very well played. That's a clever shot G-force Ding | :57:49. | :58:09. | |
into playing the red on the cushion, seeing now whether he will be | :58:10. | :58:14. | |
pushing the black on pocket with the cross double. What he doesn't want | :58:15. | :58:18. | |
to do is miss the kiss on the black and pushed the red out of the side | :58:19. | :58:24. | |
cushion. 17 point lead, seems a bit reluctant to even play the red that | :58:25. | :58:25. | |
is in open play, that he can see. Has to be very careful with the | :58:26. | :58:47. | |
cross double. Coming on another look. If the colours were on the | :58:48. | :58:56. | |
spots, I'd be concerned. With the brown where it is, the blue, I'm not | :58:57. | :59:02. | |
certain the blue is pottable, plenty of insurance lying about the table. | :59:03. | :59:09. | |
Looks a natural cross double, just has too avoid the double-kiss, you | :59:10. | :59:12. | |
would think this red would run into the black. | :59:13. | :59:18. | |
Got it too thin. Got it too thin on that. Aslef a possible pot on. Not | :59:19. | :59:37. | |
easy. -- has left. Not easy, it is a chance. | :59:38. | :59:57. | |
No colour, but he can put him in all sorts of trouble here. Ideally, | :59:58. | :00:03. | |
would like to bring the brown into play, but cannot do that, if he's | :00:04. | :00:07. | |
going to nestle behind the yellow, he has got to try to cut out the | :00:08. | :00:12. | |
escape route of the Leicester backhand and side cushion. He has | :00:13. | :00:16. | |
seen how he can get the browning to play, and get a snooker, it is not | :00:17. | :00:22. | |
guaranteed. -- he has seen how he can get the brown into play. -- | :00:23. | :00:30. | |
escape route off the left side cushion. Goes back to there. | :00:31. | :00:40. | |
But he thinks there's value in bringing the brown into play. | :00:41. | :00:50. | |
He's played it well. He's got the snooker. Not as difficult as it | :00:51. | :01:00. | |
might have been if he'd been able to run tight up but hides the yellow, | :01:01. | :01:06. | |
but I think he made a good choice in bringing the brown into the open. | :01:07. | :01:13. | |
Absolutely. It's been a really tactical frame. Half an hour played | :01:14. | :01:22. | |
so far. If he wants to play the red into the middle, he can, but if not | :01:23. | :01:28. | |
he can lay a really telling snooker. I think the fact the blue is so | :01:29. | :01:33. | |
close to the pocket, and whether brown is now, he can drop onto the | :01:34. | :01:40. | |
cushion. Blue to pink wouldn't be a problem. Just roll the blue in. | :01:41. | :01:45. | |
Whoever pots the next red is favourite to win the frame. Played | :01:46. | :01:47. | |
the snooker. He was leaning, Mark. Has he got it? | :01:48. | :02:00. | |
He'll be very disappointed if he hasn't. | :02:01. | :02:07. | |
If it says snooker, it's a tough one. OK, he could play this word. | :02:08. | :02:17. | |
But this way, you're not guaranteed to get the red safe. -- played the | :02:18. | :02:21. | |
swerve. He'll be happy with that. Mark Selby | :02:22. | :02:35. | |
still in control of this vital tactical exchange at the end of this | :02:36. | :02:40. | |
second frame of the morning. Will it be white behind the green or behind | :02:41. | :02:46. | |
the black? Either way, it will leave the red in the middle of the table | :02:47. | :02:51. | |
to make it more difficult to hit the snooker. Played behind the green. | :02:52. | :02:59. | |
Not quite. He can just get past the green. Doesn't make the shot any | :03:00. | :03:18. | |
easier. But it's a lot easier than if he had been snookered. | :03:19. | :03:38. | |
You think this blue is available, do you, Willie? If you're directly | :03:39. | :03:47. | |
behind it, just to roll it in the middle, yeah. That's what made me | :03:48. | :03:53. | |
say it's a red ball game, but since then the green has been pushed | :03:54. | :03:57. | |
further towards the cushion. I think the blue will drop in the middle if | :03:58. | :04:00. | |
you're directly behind it. Needs a snooker here or at least | :04:01. | :04:17. | |
cover some of the red and he has. He's played that well. Normally with | :04:18. | :04:23. | |
this type of shot you say you try to come off the cushion first and kicks | :04:24. | :04:28. | |
the red up the table, but he can't do that off one cushion. He's | :04:29. | :04:33. | |
snooker Tim on the right side of the brown. Coming off two cushions, no | :04:34. | :04:40. | |
guaranteed to get right in behind the red. And no guaranteed to get it | :04:41. | :04:52. | |
safe. I don't see the value in this shot anyway. Even if you hit it, | :04:53. | :05:03. | |
you're handing the initiative... Write a bit. Write a bit. Bit more. | :05:04. | :05:14. | |
-- to the right a bit. That's where it was. That's where it is now. | :05:15. | :05:21. | |
Perfect. Well done, ref. Just nestling up to this and you don't | :05:22. | :05:27. | |
want to run across it. Playing it like that... Just handing the | :05:28. | :05:31. | |
initiative to Mark Selby. You always think whoever 's got the | :05:32. | :05:44. | |
upper hand in the safety exchange, it will possibly create a | :05:45. | :05:46. | |
frame-winning opportunity. Cat and mouse. Mark Selby is the | :05:47. | :06:06. | |
cat. He's left a pot on here. A natural | :06:07. | :06:42. | |
angle, you would have thought, to a pot of this red and come down for | :06:43. | :06:48. | |
pink or black. Just got to judge the pace. The line is automatic. | :06:49. | :06:56. | |
It needs to bounce or do something. It's done nothing. A little trickle | :06:57. | :07:10. | |
behind the pink I think is the only option. He's 11 points behind. | :07:11. | :07:22. | |
Played it well. Cut out the one-cushion escape. Off the | :07:23. | :07:29. | |
left-hand side cushion as we look. It now makes this yellow a lot more | :07:30. | :07:31. | |
difficult to hit. We've had some quick frames in this | :07:32. | :07:53. | |
match and we've had some long ones. 38 minutes and 30 -- 54 seconds in | :07:54. | :08:01. | |
frame six. Good fit. It's not really safe, though. With the miss rule, | :08:02. | :08:05. | |
you're sometimes just glad to hit the ball. The longest frame in the | :08:06. | :08:12. | |
match was frame six, just shy of 39 minutes. This is now in its 38th | :08:13. | :08:23. | |
minute. The average frame time is pedestrian, really, at just over 21 | :08:24. | :08:25. | |
minutes. Close. But the worst possible | :08:26. | :08:44. | |
outcome for Mark is he's missed it and left it. A bit to do with the | :08:45. | :08:49. | |
cue ball, though, to get back for the green. Makes the yellow more | :08:50. | :08:59. | |
missable. There was plenty of room past the blue. That's a little bit | :09:00. | :09:09. | |
fortunate. The run of the balls goes to and fro. Plenty of pocket there. | :09:10. | :09:13. | |
Just hit it too thin. But a chance now for Mark Selby to | :09:14. | :09:19. | |
get the upper hand once again. He's not got the snooker. OK, he's | :09:20. | :09:40. | |
got good length on the cue ball and Ding will have to try to think of a | :09:41. | :09:48. | |
good safety shot. You can see a few options. Hitting it full in the face | :09:49. | :09:57. | |
and missed the kiss on the green. If he can get the white somewhere near | :09:58. | :10:01. | |
the green. The longest frame of the match so far and we're still no | :10:02. | :10:12. | |
longer knowing who will win it. Some flukes are worth more than others! | :10:13. | :10:19. | |
I'm not sure that's in his favour, that fluke. He surely doesn't really | :10:20. | :10:24. | |
want to attempt this green and it's going to be hard to get safe. There | :10:25. | :10:33. | |
you go. Trying to get the yellow down towards the black. 13 points in | :10:34. | :10:40. | |
the lead. Green and brown would give him the frame. He's taking it on. | :10:41. | :10:49. | |
Should Mark Selby pot this green, that fluked yellow would have cost | :10:50. | :11:09. | |
him the frame! I think it's worth the risk to screw this in and come | :11:10. | :11:16. | |
off the cushion for the brown. Yeah. I don't know whether... If it was a | :11:17. | :11:21. | |
three quarters ball pot, you would fancy it. But it's half ball and if | :11:22. | :11:27. | |
you miss it, you could leave the green. He's going for it. And he's | :11:28. | :11:33. | |
got it! What they shot! Tremendous pot from Mark Selby. That's surely | :11:34. | :11:40. | |
him winning the frame. Ding Junhui right behind the shot. He knew, like | :11:41. | :11:46. | |
we did, that it was in. These types of frames are so important, | :11:47. | :11:51. | |
psychologically more than anything else. That's when a fluke costs you | :11:52. | :11:56. | |
the frame. Amazing what can happen. A brave shot he took on. Pink and | :11:57. | :12:04. | |
black needed. In goes the black. He was in control | :12:05. | :12:30. | |
of the safety exchange act the end of the frame, but that cracking pot | :12:31. | :12:35. | |
on the Green sealed it. Mark Selby, just what he wanted, he's won the | :12:36. | :12:41. | |
first two frames and we are level. A look of satisfaction on Mark Selby's | :12:42. | :12:46. | |
face as he boarded the black. 41 minutes and 27 seconds. The only | :12:47. | :12:53. | |
thing wrong with a 41 minute frame is if you lose it. You put in all | :12:54. | :12:59. | |
that graft for nothing. That was a brilliant frame of snooker. It was | :13:00. | :13:03. | |
always awkward. Tactically it was fantastic near the end. Ding had a | :13:04. | :13:09. | |
fluke, 40 would win, but the pot on the green from Mark Selby. Wonderful | :13:10. | :13:13. | |
strike. You've got to get plenty in the cue ball and you've got to knock | :13:14. | :13:18. | |
it in. Position was guaranteed if he knocked it in, but a brilliant pot. | :13:19. | :13:26. | |
The other thing we picked up on was the look of concentration on his | :13:27. | :13:29. | |
face. As world number one, he's a very, very experienced match player | :13:30. | :13:34. | |
and he knows certain parts of matches are very important. He knows | :13:35. | :13:38. | |
nicking the frame will hurt him. Getting 5-5 was very big. Ding was | :13:39. | :13:45. | |
on a break of 47 and there was a missed red. It looked really | :13:46. | :13:51. | |
difficult. The break up to that point was brilliant. I thought he | :13:52. | :13:55. | |
would be lucky to make 20 when he came to the table, but 40 was | :13:56. | :14:01. | |
brilliant. A cracking frame. A typical Crucible frame. Lots of | :14:02. | :14:06. | |
tension. We are back all square. Who can handle the tension? That the big | :14:07. | :14:11. | |
question. Hopefully both of them, that would | :14:12. | :14:15. | |
make an excellent match. I'd love this match to go to the final | :14:16. | :14:20. | |
session, and at this moment in time it looks like doing just that. | :14:21. | :14:31. | |
Good break off. Very unusual for the cue ball to end up Heinz brown on a | :14:32. | :14:36. | |
break off, it's usually behind the yellow or green. -- behind the | :14:37. | :14:41. | |
brown. Playing the two-cushion escape with | :14:42. | :14:54. | |
pace. That's what we call a site. He | :14:55. | :15:19. | |
doesn't want to leave a free ball. No free ball. It will be replaced. | :15:20. | :15:26. | |
Just wanted a bit of exercise, stretch the legs! | :15:27. | :15:43. | |
Well, this is the home of snooker. Isn't that a beautiful site? Change | :15:44. | :15:56. | |
of plan. Trying to nestle into the bottom of the cluster. Looks to have | :15:57. | :16:04. | |
judged it well. Possible red, possible red that cuts back to the | :16:05. | :16:09. | |
right corner. But surely too risky to take on. | :16:10. | :16:21. | |
Amazing, isn't it? Didn't even think about the whys and way fours or | :16:22. | :16:31. | |
whether he should play it or not. He only had eyes for one thing, the | :16:32. | :16:36. | |
pot. How on earth has he not brought the reds into play? You would have | :16:37. | :16:42. | |
thought, playing that cut, he would open them far and wide. In some ways | :16:43. | :16:47. | |
this is a more important frame for the Ding than Mark Selby. Mark Selby | :16:48. | :16:53. | |
has done very well to win the opening two frames. Ding could have | :16:54. | :16:59. | |
won both of them. Ding was in control of the frame before Selby | :17:00. | :17:05. | |
made 100. A strange morning so far for Ding supporters. To be honest | :17:06. | :17:13. | |
with you, I don't think he's done a lot wrong. | :17:14. | :17:35. | |
It's a horrible pack to go into. He's had a quick look at the half | :17:36. | :17:43. | |
ball pink rather than the black. If you place the black, he could be in | :17:44. | :17:52. | |
trouble. I think he's going to play for the red in baulk. Yeah, it's | :17:53. | :17:58. | |
going to be very difficult to pot this black and generate the pace off | :17:59. | :18:07. | |
the cushion to go into the pack. From this red, looking for an angle, | :18:08. | :18:13. | |
possibly on a baulk colour. He may risk coming back for the blue. | :18:14. | :18:19. | |
Depends how he sees it. But the plan is to get nicely on a colour to be | :18:20. | :18:24. | |
able to cannon into the cluster of reds in between the pink and black. | :18:25. | :18:31. | |
I think we'd both prefer ripped off the brown or yellow. The pink is a | :18:32. | :18:41. | |
little away from the cluster. Yes. He's played that poorly. Of all the | :18:42. | :18:46. | |
places in all the world, he didn't want to finish there. | :18:47. | :19:13. | |
Poor positional shot off the last red he potted. He had a choice of | :19:14. | :19:21. | |
yellow, green, brown to get an angle and didn't get one on any. A risky | :19:22. | :19:29. | |
opening red yielding him 25 points. A bit thin. Will the blue come to | :19:30. | :20:02. | |
his rescue? Desperately looking to see if it has. It's tight. There is | :20:03. | :20:13. | |
another one, second left of the pink, but the one on the left-hand | :20:14. | :20:18. | |
side of the table, if he can get past the blue... He just has to pot | :20:19. | :20:24. | |
it to be on the black. Has he spotted something else? A plant? He | :20:25. | :20:28. | |
must have found a plant. You could say that Mark Selby was a | :20:29. | :20:56. | |
little bit fortunate after his safety shot. Caught his safety shop | :20:57. | :21:01. | |
too thin and it was only the blue, and only by a fraction, that stopped | :21:02. | :21:07. | |
Ding getting through to a straightforward much red that would | :21:08. | :21:10. | |
have given him nice position on the black. | :21:11. | :21:22. | |
Playing a containing safety. Thought it was too risky to try to get the | :21:23. | :21:29. | |
cue ball back to the baulk end. Looks safe enough. | :21:30. | :22:03. | |
That won't please Ding, where the cue ball has finished. Wanted it to | :22:04. | :22:11. | |
finish behind the brown, but hit the red too thin. You would expect Mark | :22:12. | :22:17. | |
Selby to play a telling safety shot. Looking at the possibility of a | :22:18. | :22:21. | |
plant, but more concerned about getting the due ball back to baulk. | :22:22. | :22:27. | |
I don't think he can hit it thin enough without kissing the red. The | :22:28. | :22:34. | |
pink is almost on, but I think he kisses the other red first. Just | :22:35. | :22:40. | |
flicked the other red which made the plant on available. Good line with | :22:41. | :22:49. | |
the cue ball, though. Just coming up... Just going past the four hour | :22:50. | :22:56. | |
mark in this match. Ten frames, four hours. You do the maths, Willy. | :22:57. | :23:03. | |
A little pedestrian. Can't do the maths. | :23:04. | :24:02. | |
What a fabulous pot. Played it with a little trace of right-hand side to | :24:03. | :24:11. | |
not only avoid the cannon on the red, but also to take it wide of the | :24:12. | :24:17. | |
five red on the left-hand side. Really unfortunate to finish there. | :24:18. | :24:24. | |
Right into the heart of the pocket. The side to take it around the back | :24:25. | :24:29. | |
of the reds. How on earth he not on a baulk colour unlucky. | :24:30. | :25:04. | |
Straightforward safety, this. Or escape. Coming off the side cushion. | :25:05. | :25:14. | |
He would like to come off the top cushion as well. Couldn't have | :25:15. | :25:16. | |
played that better. Not tight to the baulk cushion and a | :25:17. | :26:02. | |
possible pot on. It's one of those, you don't want to hit it too thick | :26:03. | :26:08. | |
or you could run into other reds. That's why he erred on the side of | :26:09. | :26:16. | |
hitting it too thin, which has made the cue ball come in and out of | :26:17. | :26:21. | |
baulk. No harm done, by the looks of it. Really important stage of the | :26:22. | :26:29. | |
match. The safety play. Whoever wins this safety battle you would expect | :26:30. | :26:34. | |
to win the frame. Whoever wins -- pots the next red. What an excellent | :26:35. | :26:47. | |
safety shot this is. Just needed another inch. Mark Selby may have to | :26:48. | :26:55. | |
take the pot on with the red on the left-hand side. If he does go for | :26:56. | :27:04. | |
it, this will test his cueing. He can play the run-through, he feels. | :27:05. | :27:10. | |
There are reds going with the cue ball. How is the kiss? He's been | :27:11. | :27:18. | |
fortunate again. Ding Junhui was looking at him as if to say, are you | :27:19. | :27:21. | |
not going to apologise?! Does this cut? Surely not. Mark | :27:22. | :27:40. | |
Selby has had a result there. Ding potted a magnificent red a moment | :27:41. | :27:45. | |
ago but didn't have a colour. That was unlucky. Mark Selby's run of the | :27:46. | :27:49. | |
ball there was very fortunate. Decided he could play the | :27:50. | :28:03. | |
run-through. He wanted to get the cue ball back to baulk. When he | :28:04. | :28:07. | |
double-kissed the red, you thought he would leave it. Not only did he | :28:08. | :28:13. | |
not leave it, he hampered Ding Junhui on the red to the left middle | :28:14. | :28:22. | |
so a double whammy. I can't see this red is pottable. He needs a few | :28:23. | :28:29. | |
extensions. Just going to stun the red up the table and try to leave | :28:30. | :28:35. | |
the cue ball near the baulk cushion. It should be easy to find the baulk | :28:36. | :28:41. | |
cushion this time, but he has to cover the red he's cueing over the | :28:42. | :28:42. | |
top of. That was all he could do. Surely | :28:43. | :28:53. | |
he's not left the pot... Not quite. He needs to put a bit of | :28:54. | :29:11. | |
side on. He will take it on, he will try to swerve it. Yes, he can't get | :29:12. | :29:21. | |
to it without a trace of left-hand side. A new tip. How will the side | :29:22. | :29:27. | |
react? That's the only problem with new tips. If you're playing | :29:28. | :29:32. | |
everything plain ball, the ball should go where you're aiming it, | :29:33. | :29:37. | |
but he needs to bent this slightly. Playing it with left-hand side, | :29:38. | :29:47. | |
digging down. No problem. A kiss on the pink would have been nice. But | :29:48. | :29:53. | |
he's just stopped short of the cushion enough, you feel, to make | :29:54. | :29:58. | |
the brown Potter ball. Not too difficult. Looking at Ding in the | :29:59. | :30:07. | |
previous shot, kissing the pink half ball to leave that red. Decided the | :30:08. | :30:12. | |
green was the better ball for position. Once again a little close | :30:13. | :30:17. | |
to the cushion, but the red just to the right of the blue, just drop | :30:18. | :30:19. | |
this in and be nicely on the pink. Yes, you could say the last few | :30:20. | :30:30. | |
times that Ding Junhui has been at the table he has had no luck | :30:31. | :30:38. | |
whatsoever. Just the way, sometimes, in any ball game. | :30:39. | :31:01. | |
Anybody who potted after this would have been strong favourite to take | :31:02. | :31:07. | |
the frame. Excellent chance to win the frame at this visit. All game on | :31:08. | :31:13. | |
for Ding at the moment. Of Easley, the pink would not pass | :31:14. | :31:35. | |
the black in the right corner, that is why he has played for the black | :31:36. | :31:39. | |
and judged it very well. Not much to do here, just play the stunning | :31:40. | :31:44. | |
shot, play for the red that will be just below the black when it is | :31:45. | :31:46. | |
re-spotted. -- obviously. I was a little bit surprised that he | :31:47. | :32:14. | |
played it that way but he played it that way because he did not have to | :32:15. | :32:18. | |
put side on, had he gone up the other side of the table, played for | :32:19. | :32:21. | |
the pink in the right middle, you would have had to put a trace of | :32:22. | :32:25. | |
right-hand side, didn't want to risk it, because he didn't, not good on | :32:26. | :32:32. | |
this black, this is tough, and at. -- and at full is rich -- full | :32:33. | :32:39. | |
stretch. He has taken it on, as you can see, | :32:40. | :32:52. | |
looking at the potting angle, one of these, you get the feeling, it it as | :32:53. | :32:55. | |
soon as you can. -- hit it. It's on its way. It's a good shot. | :32:56. | :33:17. | |
Doesn't look to be on a red. Little shake of the head, we saw there. | :33:18. | :33:22. | |
Terrific pot, got the cannon he expected. Just too much pace on the | :33:23. | :33:29. | |
cue ball. He has now got a 1-point lead. | :33:30. | :33:43. | |
He knew he played a careless one there. The green has covered the red | :33:44. | :33:49. | |
in the middle of the table. Coming up to the two-minute mark. | :33:50. | :35:18. | |
Needs to miss the brown for it to be any good, he has done. That was an | :35:19. | :35:24. | |
excellent safety shot. Worth the wait. Lovely line. He's got there. | :35:25. | :35:36. | |
OK, not the perfect length, because Ding Junhui may decide to take a pot | :35:37. | :35:39. | |
on here, hand on the table. He's got a touch of the nearly is at | :35:40. | :35:52. | |
the moment. -- touch of the nearlys. Stopping short of the baulk line | :35:53. | :36:16. | |
just about. On the yellow. That yellow puts mark four points in | :36:17. | :36:40. | |
front. Depends what kind of value colours he is going to need, he will | :36:41. | :36:44. | |
need at least four of these remaining five reds. And that is not | :36:45. | :36:50. | |
going to be easy to get to the winning line in this frame. | :36:51. | :37:06. | |
Just got there, I thought he was going to finish too short to make | :37:07. | :37:13. | |
this red available. Now, the work starts, because the three remaining | :37:14. | :37:17. | |
reds are all pretty safe, he's going to have to move one of them into | :37:18. | :37:21. | |
play, or drop find one. Chance of moving the red away from the middle | :37:22. | :37:25. | |
pocket here. Mysterious middle pocket. Hit it from behind, may drop | :37:26. | :37:30. | |
onto the red that is nearest the pocket at this time, that is what he | :37:31. | :37:33. | |
has played. Interesting way of playing it. Drop | :37:34. | :37:49. | |
the cue ball to the side cushion, probably thinking that he will leave | :37:50. | :37:53. | |
it too close to the cushion to make the pot on the black easy, this way, | :37:54. | :37:57. | |
drops the red in, cue ball will come away from the cushion, be on the | :37:58. | :37:59. | |
black. Very clever. Cue ball coming away | :38:00. | :38:16. | |
from the cushion without having to play it with pace, move the red or | :38:17. | :38:22. | |
drop behind it. But don't miss the black! He had done all of the hard | :38:23. | :38:28. | |
work! Concentrating so much on the cannon, took his eye off the pot. | :38:29. | :38:30. | |
Settle down, please. Thankfully, I suppose, in a way, | :38:31. | :38:45. | |
missed a pot but Ding may play the double here. Not quite. That makes a | :38:46. | :38:59. | |
difference to Mark Selby missing the black off the spot, 20 points, the | :39:00. | :39:06. | |
lead, he needs red, colour, red. Ding Junhui I fancied on that, to be | :39:07. | :39:11. | |
honest. Has it run? Didn't get past the | :39:12. | :39:36. | |
blue. Mark Selby has not got away with that miss. | :39:37. | :39:41. | |
This would be one heck of a clearance. | :39:42. | :39:58. | |
Always the way. He misses, and leaves the red onto the middle. | :39:59. | :40:13. | |
Fraction of help, that is all it takes on these tight pockets. | :40:14. | :40:20. | |
Going to have to play the blue. Still looking for the last red and a | :40:21. | :40:32. | |
colour. Avoiding the kiss on the black here. | :40:33. | :41:07. | |
Not a bad target behind the green and the brown if he can get there. | :41:08. | :41:14. | |
He has got there, wanted it to slow up now, couldn't have played it | :41:15. | :41:18. | |
better. APPLAUSE No gap there. 26 points is the lead. | :41:19. | :41:30. | |
Little shake of the head. Should have taken the most of the last | :41:31. | :41:35. | |
opportunity, but could get one here. If Ding Junhui does not get this red | :41:36. | :41:41. | |
safe, and he's not guaranteed by any means. | :41:42. | :41:50. | |
I was going to suggest, playing it hard, I'm surprised he has played it | :41:51. | :41:56. | |
slow. He is going to be in the same problem again in on it. Maybe not! | :41:57. | :42:00. | |
APPLAUSE The way he has hit it, it has worked | :42:01. | :42:05. | |
out very nicely. Would not have been my choice, I agree with you. He will | :42:06. | :42:08. | |
be happy with that. Once again, as in the last frame, | :42:09. | :42:23. | |
when you get down to the last red, and the colours, if you can get a | :42:24. | :42:28. | |
snooker, then you have the advantage. Mark Selby did it in the | :42:29. | :42:34. | |
last frame. He is in control of this frame at the moment. | :42:35. | :43:25. | |
Hit the snooker last time, ran safe. Can he repeat the dose? I know it is | :43:26. | :43:39. | |
easier to say, but Mark Selby is one of those people who plays 100% on | :43:40. | :43:41. | |
his safety. Some players play it a little | :43:42. | :43:49. | |
willy-nilly, but Mark Selby is looking to put the player in trouble | :43:50. | :43:55. | |
every single time. As I said, in the last frame, as in this, if there is | :43:56. | :44:00. | |
no big breaks made, it will always be decided on the last red and the | :44:01. | :44:03. | |
colours, got control of the situation now... | :44:04. | :44:09. | |
If he leaves the red on, where is the red going, where is the cue ball | :44:10. | :44:17. | |
going...? Safe enough. We'll settle for that. Looking up to his friends | :44:18. | :44:24. | |
in the balcony, probably suggesting, that is the first bit of good luck I | :44:25. | :44:26. | |
have had in this opening session! Took the initiative away from Mark | :44:27. | :44:32. | |
Selby now with the safety exchange. Just ran past the pink. Is there an | :44:33. | :45:02. | |
edge of this red sticking out? Or does he have another snooker? | :45:03. | :45:09. | |
Looking at the line coming off the cushion for the snooker. | :45:10. | :45:27. | |
Left the chance of a pot now, these particular parts, three corner ball | :45:28. | :45:36. | |
pot, and if you miss it, we'll go back up the table with the cue ball. | :45:37. | :45:41. | |
-- pots. So you never play these as a shock for nothing. -- shot for | :45:42. | :45:50. | |
nothing. He played it with an element of safety. APPLAUSE | :45:51. | :45:56. | |
Now 27 points the lead, roll this black in. 34 points in front. Just | :45:57. | :46:00. | |
27 remaining. No heroics here. Could not play it any harder, would | :46:01. | :46:25. | |
have been snookered on the yellow. Surely too experienced to fall for | :46:26. | :46:36. | |
that one. Ding Junhui As you say, has not had much running in this | :46:37. | :46:39. | |
frame, finds himself needing to snooker 's full of -- finds himself | :46:40. | :46:45. | |
needing two snookers. Over 33 frames, you would consider | :46:46. | :47:27. | |
there will be eight or ten scrappy frames, Hammond of those scrappy | :47:28. | :47:31. | |
frames would they win? So far in this match, not any. Just the one, | :47:32. | :47:37. | |
John points out to me, so that'll be the important pot of this game, you | :47:38. | :47:40. | |
know that Mark Selby will win virtually eight, nine frames out of | :47:41. | :47:43. | |
ten scrappy. Doesn't matter about this... Getting | :47:44. | :48:14. | |
out of his seat, only to put his cue on the table and go to the dressing | :48:15. | :48:18. | |
room, dream start this morning for Mark Selby, started two behind, now | :48:19. | :48:20. | |
one in front, 6-5. STUDIO: Probably needs to get out of | :48:21. | :48:30. | |
the arena, Ding Junhui, to win any title in any sport, you need a | :48:31. | :48:33. | |
little bit of luck, a little run of the balls, he's not getting that. In | :48:34. | :48:38. | |
fairness he had it against Ronnie O'Sullivan, played well, but also | :48:39. | :48:43. | |
had some luck. Yesterday, kisses but today, the game has just gone | :48:44. | :48:46. | |
awkward and the frames have gone awkward, Mark Selby is a very fluent | :48:47. | :48:50. | |
scorer, but those frames that go awkward and required to put 100% | :48:51. | :48:53. | |
into everything, there's nobody better than Mark Selby at these type | :48:54. | :48:57. | |
of friends. What it has worked out then this morning, especially with a | :48:58. | :49:01. | |
cloud over him, is the tip going to be all right, these friends have | :49:02. | :49:05. | |
worked out well. In the safety exchange, he was always in the | :49:06. | :49:08. | |
driving seat, always have the upper hand, and for Ding it is | :49:09. | :49:13. | |
debilitating, you are coming to the table only to get out of snookers. | :49:14. | :49:17. | |
When you are looking at them and their body language, do you think | :49:18. | :49:19. | |
Mark has settled that little bit better than Ding? I think he just | :49:20. | :49:25. | |
needs a good chance, Ding, he needs a good chance, the ball to open | :49:26. | :49:34. | |
up... He is a scorer, Ding, at the start of the frame he was in early | :49:35. | :49:38. | |
and then lost position and could not get... These frames have been bitty | :49:39. | :49:42. | |
and awkward, when they come up, no one better than Mark Selby at them. | :49:43. | :49:45. | |
No tip problems, you have been looking closely. If you screw shots, | :49:46. | :49:50. | |
one or two instances, not quite right around the black spot, he will | :49:51. | :49:54. | |
be very happy with that but more importantly he will be happy with | :49:55. | :49:58. | |
the scoreline, I think Ding needs a good chance to show his fluency, get | :49:59. | :50:03. | |
in among the balls and score again. Looking over my left shoulder, | :50:04. | :50:06. | |
bouncing back, really needs to get the frame on the board. | :50:07. | :50:14. | |
COMMENTATOR: Last frame before the mid-session interval. Ding Really | :50:15. | :50:21. | |
needs to win this one to take something out of this first session. | :50:22. | :50:30. | |
Such is his lack of confidence, not even playing the pot here, could | :50:31. | :50:36. | |
have rolled it in and got onto the black, could have gone for the one | :50:37. | :50:42. | |
he was going for. During the break, Mark Selby still working on his tip. | :50:43. | :50:47. | |
New tip sometimes it will spread after a couple of frames and he is | :50:48. | :50:51. | |
trying to leather it back up. Hard on the sides of the tip. -- harden. | :50:52. | :51:04. | |
Could not have wished for a better start than this. | :51:05. | :51:55. | |
CO-COMMENTATOR: Tentative pot of the red, sometimes you play that type of | :51:56. | :52:01. | |
shot, you think, if I had hit it a bit dinner, might go in, main aim is | :52:02. | :52:08. | |
to cover it, but this red dust cut, I believe. Well, whether it did or | :52:09. | :52:23. | |
not, it is on the corner. Is there a gap? Always a gap, you can get past | :52:24. | :52:34. | |
the yellow. As we say, Ding Junhui not having any run of the ball so | :52:35. | :52:43. | |
far this morning full of and a great pot from Mark Selby, at this stage, | :52:44. | :52:49. | |
tough enough without any bad luck, he has not had any. Amazing, we are | :52:50. | :52:55. | |
talking about fractions, just get through to it. Three of four more | :52:56. | :53:01. | |
loose rates, get a chance here, back to the table, 30, 40 points behind, | :53:02. | :53:08. | |
at least. May decide to screw this and just brush off the six rates, | :53:09. | :53:14. | |
running through, same scenario, bringing a couple of reds into play. | :53:15. | :53:25. | |
That could not have worked out any better, that has finished inch | :53:26. | :53:29. | |
perfect. Won't be playing the cannon, just | :53:30. | :54:46. | |
the stun run. Two reds in open play, can of them, somewhere in between | :54:47. | :54:55. | |
the blue and pink spot area. Looks a bit straight. Played for it, not | :54:56. | :55:02. | |
quite hit it hard enough. Two down from the pink will hot, but it is | :55:03. | :55:11. | |
awkward. -- will pot. May need the angle, just flicked off the red to | :55:12. | :55:17. | |
be on the black. The thing I like about this contribution, straight | :55:18. | :55:22. | |
from the off, and I know we have had a couple of scrappy frames, the last | :55:23. | :55:32. | |
two, good strong now. Amazing, Mark Selby, I know people say I am biased | :55:33. | :55:35. | |
because I am from Leicester but that is not the case, you can have three | :55:36. | :55:39. | |
or four scrappy frames and then when he gets the chance, 100 break, same | :55:40. | :55:44. | |
players may be knocked out of their strike or their timing goes, but he | :55:45. | :55:48. | |
is best for that concentration that locks into gear again, knows this is | :55:49. | :55:52. | |
a chance, walking around the table now very quickly. Please make sure | :55:53. | :56:01. | |
they are switched off. Yeah, seize the moment, has a great chance here | :56:02. | :56:02. | |
now. Read on the baulk line but I don't | :56:03. | :56:23. | |
question these top players weight shot selection, not often, anyway. | :56:24. | :56:33. | |
-- red. This is the only one which could go slightly wrong, going | :56:34. | :56:36. | |
slightly close to the ground, on and off the cushion, little bit too much | :56:37. | :56:42. | |
side, this is the new tip, now, the tip they used to, this would be | :56:43. | :56:45. | |
straightforward, you get slightly too much into the cue ball, kiss the | :56:46. | :56:49. | |
brown on the way down or on the way back. | :56:50. | :57:10. | |
Took out the risk, by playing a very good soft screw to haul the cue ball | :57:11. | :57:20. | |
in the middle of the table. Excellent. Good positional shot | :57:21. | :57:21. | |
here. Just about got the angle on the | :57:22. | :57:46. | |
blue. All set fair. 47 point lead. Looking to see if we can get to the | :57:47. | :57:48. | |
red on the pink here, on the corner. Decided it was too risky, played for | :57:49. | :58:01. | |
the loose red. STUDIO: We are now live on the red | :58:02. | :58:28. | |
button because we are leaving you hear on BBC Two, fascinating | :58:29. | :58:30. | |
confrontation between Mark Selby and Ding Junhui and we live on the red | :58:31. | :58:35. | |
button now, switch over, you will not miss a single shot. Hazel will | :58:36. | :58:40. | |
be back at 1pm here on BBC Two with semifinal number two, as John | :58:41. | :58:45. | |
Higgins takes on Barry Hawkins. We will see you shortly, goodbye for | :58:46. | :58:49. | |
now. | :58:50. | :58:52. |