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He's come here and he is on a mission. He really is an animal on | :00:40. | :00:47. | |
the table in this kind of mood. Enter the Dragon, Ding Junhui! | :00:48. | :00:53. | |
Thought it was worth the risk and he got it! Well done, Kyren Wilson. | :00:54. | :01:00. | |
What a performance from John Higgins, back to his best in my | :01:01. | :01:04. | |
opinion. Fifth consecutive Crucible quarterfinal. Here comes the Hawk, | :01:05. | :01:12. | |
Barry Hawkins! He's a great player, that's for sure. And he's in great | :01:13. | :01:18. | |
form. Mark Selby is now through to the quarterfinal, without breaking a | :01:19. | :01:22. | |
lot of sweat really. You never ever write off this man, Marco Fu! | :01:23. | :01:30. | |
Good afternoon, the last few gulps of fresh air before we immerse | :01:31. | :01:35. | |
ourselves once again in the all enveloping tension inside the | :01:36. | :01:39. | |
Crucible Theatre. 32 men started out 11 days ago in the BetFred World | :01:40. | :01:45. | |
Snooker Championships, eight of them have played their way into the | :01:46. | :01:49. | |
quarterfinals. And you know, this year, you could honestly make a case | :01:50. | :01:51. | |
for every single one of them becoming world champion. | :01:52. | :01:58. | |
Still on track for title number three, Mark Selby faces Marco Fu. | :01:59. | :02:06. | |
O'Sullivan takes on Ding, can be younger man finally topple his idol? | :02:07. | :02:11. | |
The youngest left, Kyren Wilson, against the wily four-time winner | :02:12. | :02:15. | |
John Higgins. Fellow Scot Stephen Maguire, the only qualifier still | :02:16. | :02:19. | |
standing, takes on Barry Hawkins in his fifth straight quarterfinal. | :02:20. | :02:23. | |
Great matches, but the interesting one for me, Marco Fu went through | :02:24. | :02:27. | |
the ringer last night against Marco Robinson. -- Neil Robinson. How will | :02:28. | :02:35. | |
he feel today? A bit deflated, but the adrenaline keeps you going. He | :02:36. | :02:39. | |
must be over the moon to get through the really tight match against Neil | :02:40. | :02:42. | |
Robertson. How tired he will be after the big come-down remains to | :02:43. | :02:46. | |
be seen, but he must get off to a good start against Mark Selby. | :02:47. | :02:53. | |
Agreed. Stephen Maguire against Barry Hawkins, two fantastic | :02:54. | :02:58. | |
matchplayers. Very tough to call, Hawkins on current form but Stephen | :02:59. | :03:02. | |
Maguire has won the UK Championship, a big-time player. He has only got | :03:03. | :03:06. | |
to the semifinal here in previous years. Had a great chance years ago | :03:07. | :03:10. | |
against John Higgins, didn't convert. That will be close to call. | :03:11. | :03:17. | |
John Higgins and Kyren Wilson is a very interesting match-up, young | :03:18. | :03:22. | |
versus old. Still going strong, four times champion, it will be very | :03:23. | :03:26. | |
close. John Higgins looks in imperious form, as does Kyren | :03:27. | :03:32. | |
Wilson. The match most watched in China, Ding Junhui against Ronnie | :03:33. | :03:37. | |
O'Sullivan. And snooker fans all around the world, on the edge of our | :03:38. | :03:41. | |
seats. It is too close to call, for me. The way Ding played against | :03:42. | :03:45. | |
Liang Wenbo was fantastic in the last couple of frames. And Ronnie | :03:46. | :03:49. | |
O'Sullivan at his brilliant best against Shaun Murphy. It could go | :03:50. | :03:53. | |
right to the wire, just like Fu and Neil Robertson. All for those | :03:54. | :03:58. | |
matches feature on our menu this afternoon. -- four of those matches. | :03:59. | :04:11. | |
Ronnie's favourite against Ding. Only the second time John Higgins | :04:12. | :04:16. | |
and Kyren Wilson have ever match. The holder of Mark Selby has not had | :04:17. | :04:21. | |
to reach top gear, plenty in the tank ahead of this afternoon. But | :04:22. | :04:25. | |
his opponent, Marco Fu, may need a pit stop and an oil change after | :04:26. | :04:30. | |
gliding through the gears last night against Neil Robertson. Nothing | :04:31. | :04:34. | |
wrong with his competitive engine. Mild-mannered Barry Hawkins has won | :04:35. | :04:38. | |
his last three matches against fiery Scot Stephen Maguire, but they're | :04:39. | :04:43. | |
only contest here went to a decider. We would take that again. A | :04:44. | :04:47. | |
behind-the-scenes glance at the Crucible, today, a day in the life | :04:48. | :04:54. | |
of our MC, Rob Walker. And a big day in the Winter Gardens, as snooker's | :04:55. | :04:57. | |
top dog takes on the pot quiz challenge. As always, we would love | :04:58. | :05:03. | |
to hear your views, your predictions and any questions for the team in | :05:04. | :05:08. | |
the studio. Get in touch using the hashtag #BBC snooker. Many of you | :05:09. | :05:14. | |
will remember a formative night in the career of Ding Junhui, ten years | :05:15. | :05:20. | |
ago, the Masters final 2007. China's great hope in the snooker world was | :05:21. | :05:24. | |
still four months shy of his 20th birthday. He got to the final and | :05:25. | :05:28. | |
was trounced by Ronnie O'Sullivan and reduced to tears. A very | :05:29. | :05:34. | |
sporting Rocket comforted him. Ten years have gone by, he is now 30, he | :05:35. | :05:39. | |
has won 12 big titles, he just needs this to join the greats of the game | :05:40. | :05:44. | |
and become a Triple Crown winner. So is the young apprentice finally | :05:45. | :05:47. | |
ready to topple the master? We have been canvassing opinion. | :05:48. | :05:55. | |
We just want to know who you think has the edge in this one? Ding or | :05:56. | :06:03. | |
Ronnie O'Sullivan? I think it would be a close match, if Ronnie's mind | :06:04. | :06:09. | |
is right, I think he will win 13-11. I think Ding will win today. This | :06:10. | :06:16. | |
session? I think Marco Fu will win the tournament. O'Sullivan. Is it | :06:17. | :06:26. | |
dependent on his mindset? After the first round against Gary Wilson, and | :06:27. | :06:30. | |
then to beat Shaun Murphy... It is between him and Higgins this year. | :06:31. | :06:36. | |
Tight at the start. But I think Ronnie will win. Ronnie, definitely. | :06:37. | :06:44. | |
No question? He really wants to win this year. It's going to be touch | :06:45. | :06:50. | |
and go. I think it will be close, like 13-12. Who has the edge? Ding. | :06:51. | :07:01. | |
I say Ronnie. Both big break-builders. It will be | :07:02. | :07:06. | |
interesting. They have played a few times and it's always been quite | :07:07. | :07:12. | |
close. Definitely Ronnie. Who has the edge? Ronnie, I love him. We | :07:13. | :07:18. | |
have been coming for three years and I have been hoping to see him. It is | :07:19. | :07:23. | |
tough because Ding Junhui is a very good player and has done | :07:24. | :07:27. | |
exceptionally well to get to the quarterfinal again, but Ronnie on | :07:28. | :07:32. | |
his day is the best. Let's hope for a Ronnie win. The head-to-heads did | :07:33. | :07:38. | |
make comfortable reading for Ding Junhui. Two wins to ten for Ronnie. | :07:39. | :07:46. | |
He suffered a 10-2 drubbing at the opening round in the Crucible. It is | :07:47. | :07:52. | |
ten years since Ding beat Ronnie in any match. What an occasion this is | :07:53. | :07:53. | |
for him today. I love to perform and to play. The | :07:54. | :08:09. | |
fans pay their money and they support you over the years. As a | :08:10. | :08:14. | |
pro, as an entertainer, you thrive of that stuff. My form is good. | :08:15. | :08:22. | |
Sometimes maybe the first session doesn't play good, and maybe the | :08:23. | :08:25. | |
other player is playing good... It's going to change a lot. Important to | :08:26. | :08:33. | |
learn to stay in form. You have to keep fighting all the way. If you | :08:34. | :08:37. | |
are behind, the crowd want you to get back into it. If you are in | :08:38. | :08:40. | |
front, you are just trying to get more and more in front. A place | :08:41. | :08:44. | |
where you have to find your inner strength. I believe I can win this | :08:45. | :08:50. | |
year. Try to challenge every match, challenge myself, see how I'm going. | :08:51. | :08:58. | |
And also, I need to play good, and thinking well. Have bad times and | :08:59. | :09:04. | |
good times. You need to mix that in and sometimes you have to take the | :09:05. | :09:09. | |
bad times. You just have to put your work in, the practice, come as you | :09:10. | :09:15. | |
can and hope you get the rub of the green. Things can go your way or you | :09:16. | :09:20. | |
make it happen. Opponents, you try not to let that influence your | :09:21. | :09:21. | |
approach. This morning, Stephen Hendry and | :09:22. | :09:32. | |
Dennis Taylor positively sprinted into the commentary box to see this. | :09:33. | :09:36. | |
They saw Ding Junhui sprinting out of his blocks, breaks of 71, 128, 71 | :09:37. | :09:44. | |
giving him a 3-0 lead. But Ronnie hit back, 63, 99, 65 to level it at | :09:45. | :09:53. | |
3-3. As you can tell, great stuff so far. This is frame seven. | :09:54. | :10:33. | |
So, maybe that Mr red into the middle pocket for Ronnie will | :10:34. | :10:40. | |
jump-start Ding. -- missed red. Not a bad chance, this, for Ding | :10:41. | :10:53. | |
Junhui. Can he get the form back that he showed in the three opening | :10:54. | :10:54. | |
frames? Ronnie hit it all wrong. He thought | :10:55. | :11:13. | |
it was a big pocket in-off the red. Ding, well, he may be able to pot | :11:14. | :11:32. | |
one into the middle pocket, but that last one, just lost a bit of timing | :11:33. | :11:33. | |
at the moment. Good recovery. Very good recovery | :11:34. | :11:42. | |
there. A nice angle on the black to stun | :11:43. | :11:57. | |
into the red closest to the black. Looking for a possibility of a red | :11:58. | :11:59. | |
into the right middle. You could see, that red was on its | :12:00. | :12:16. | |
way, that's why he didn't hit it as hard as he normally would. Would | :12:17. | :12:21. | |
normally go into these with a lot more pace, but the red going towards | :12:22. | :12:23. | |
the right middle pocket... And because he hasn't hit it at the | :12:24. | :12:32. | |
pace he wanted, he hasn't finished on one. A bit unfortunate there. | :12:33. | :12:49. | |
Potted a terrific one in the middle pocket to keep this effort going. | :12:50. | :12:55. | |
We'll have to play another good one into the same pocket. | :12:56. | :13:03. | |
Not the best of angles, this. And he has to play it with a bit of pace. | :13:04. | :13:34. | |
Had to be very precise. Nicely played. Good chance for Ronnie to | :13:35. | :13:42. | |
continue in the form that he showed in the last three frames. Breaks of | :13:43. | :13:52. | |
63, 99, 65 and 37 in the last frame. From 3-0 behind, all of a sudden he | :13:53. | :13:54. | |
could go one ahead. That seemed to come off the cushion | :13:55. | :14:09. | |
quite quickly there. He got a fast bounce off it. | :14:10. | :14:16. | |
I think we are seeing now the reason why Ronnie has a 10-2 lead over Ding | :14:17. | :14:28. | |
in matches. He has come back at Ding from 3-0 down to 3-3 and Ding seems | :14:29. | :14:30. | |
to have gone into his shell. He has been at the end of some heavy | :14:31. | :14:55. | |
beatings. The famous one, 2007 Masters, when he lost 10-3. He | :14:56. | :14:57. | |
wanted to walk out. So a huge test, this match, for Ding | :14:58. | :15:02. | |
Junhui. You can see by the average shot time | :15:03. | :16:00. | |
how quickly Ronnie is starting to play. | :16:01. | :16:08. | |
A quick glance at the scoreboard, but he has quite a few to pot. | :16:09. | :16:56. | |
Just having the cue ball cleaned, which he doesn't do very often, it | :16:57. | :17:00. | |
has to be said. Probably had it cleaned there just | :17:01. | :17:24. | |
because of the type of shot he was playing. The run-through, the sort | :17:25. | :17:27. | |
of shot sometimes you get a heavy contact on. | :17:28. | :17:32. | |
Great shot, really was. The stun run-through that Dennis was talking | :17:33. | :17:47. | |
about earlier, off two cushions. Just forced the angle. | :17:48. | :17:56. | |
Getting to the stage now where it's going to be a good result for Ding | :17:57. | :18:01. | |
to come out 4-4, and he led 3-0. Not a natural angle. The middle | :18:02. | :18:24. | |
pocket's in the way to go down and play a cannon onto the two reds at | :18:25. | :18:29. | |
the other end of the table. Not straightforward to get on the one | :18:30. | :18:31. | |
closest to the cue ball either. That is a superb positional shot. He | :18:32. | :18:42. | |
couldn't go down the left side of the table. Pulled out a terrific | :18:43. | :18:51. | |
positional shot there. Shot of the match so far. | :18:52. | :19:20. | |
This is a pretty good shot from Ding Junhui. Got the snooker. | :19:21. | :19:58. | |
But with the two reds up the other end of the table... | :19:59. | :20:11. | |
Going to be very difficult for Ding to get two reds, two blacks and all | :20:12. | :20:17. | |
of the colours to tie the frame. Has got the snooker again. Easy to | :20:18. | :20:26. | |
escape from. He wants to try and keep those reds | :20:27. | :21:58. | |
up that end of the table. Because of Ding needing two reds, two black,s. | :21:59. | :22:11. | |
I'm usual for Ronnie to think for this length of time over a shot like | :22:12. | :22:18. | |
this. He could do with a colour safe or something, but it's not easy to | :22:19. | :22:20. | |
play a good safety shot here. Now, can he get past the brown and | :22:21. | :22:49. | |
get up onto the black? I think he can. | :22:50. | :23:04. | |
He has overcut it. He was perfectly on the black. But he missed the red | :23:05. | :23:11. | |
by quite a margin there. He is under a bit of pressure now, | :23:12. | :23:16. | |
the Chinese player. A chance for Ronnie to close this | :23:17. | :24:34. | |
frame out. Ding has an angle on this red to | :24:35. | :24:44. | |
stun over behind the black. Surely we couldn't have a re-spotted | :24:45. | :24:59. | |
black? Well, we just might. As long as he | :25:00. | :25:12. | |
gets a good angle on the red, he can get back to the black. | :25:13. | :25:19. | |
We have had everything so far in this quarterfinal match. Players | :25:20. | :25:24. | |
winning frames with one visit. And every chance there could be a | :25:25. | :25:35. | |
re-spotted black. It's all happening. | :25:36. | :25:59. | |
This is going to be a tough positional shot, because he needs to | :26:00. | :26:07. | |
be the right side of the green to get back to the brown. | :26:08. | :26:13. | |
He has overdone it. By such a distance he might have to play the | :26:14. | :26:23. | |
green into the corner. Possibly can use the blue to follow through off | :26:24. | :26:25. | |
the side cushion for the brown. I think Ding thought he had missed | :26:26. | :26:49. | |
the green but it went in-off the jaw. | :26:50. | :27:00. | |
It's early in this quarterfinal, but this is a mini turning point. | :27:01. | :27:09. | |
Ronnie was starting to dominate. Now he's faced with a re-spotted black. | :27:10. | :27:30. | |
In goes the black and we do have a re-spot. | :27:31. | :27:39. | |
Heads or tails, Dennis. I was always tales. I was always a gentle man and | :27:40. | :27:44. | |
I let the other fella call! He is putting Ronnie in. It is a | :27:45. | :27:57. | |
different shop these days. It used to be up and down the spots. Not | :27:58. | :27:59. | |
these days. And you give the player a chance of | :28:00. | :28:02. | |
taking the double on. He is thinking about it. Might be | :28:03. | :28:19. | |
better pushing the black onto the cushion behind the black spot. | :28:20. | :28:25. | |
That's put a lot of distance between the cue ball and object ball. Quite | :28:26. | :28:31. | |
a good shot. He's got the DDK, the dreaded | :28:32. | :28:55. | |
double-kiss. That's what he thinks about it. | :28:56. | :28:59. | |
Well, for all the world, it looked as if Ronnie O'Sullivan was going to | :29:00. | :29:07. | |
go from 3-0 behind to lead 4-3. And Ding Junhui has won that frame on a | :29:08. | :29:13. | |
re-spotted black and is back in the lead at 4-3. | :29:14. | :29:16. | |
STUDIO: Every frame so far has produced a break of at least 60, but | :29:17. | :29:21. | |
that is the first to go down to the wire. Ding stops the reciprocal | :29:22. | :29:28. | |
charge from Ronnie. Will the man from China emerge from the session | :29:29. | :29:29. | |
with his lead intact? COMMENTATOR: It's going very close | :29:30. | :29:44. | |
to the pocket. It is in the pocket. Ronnie O'Sullivan, four. This long | :29:45. | :29:55. | |
red that Ronnie is looking at, he can only get on the pink, or | :29:56. | :30:03. | |
depending on how he places the cue ball, could play it a little firmer | :30:04. | :30:04. | |
for the blue. Terrific, going a little further | :30:05. | :30:21. | |
than he intended, the most important thing was the cueing on that shot. | :30:22. | :30:31. | |
This was sweet. Fantastic long pot. Shows you what | :30:32. | :30:58. | |
big-time temperament is in snooker, disappointment at losing that last | :30:59. | :31:01. | |
frame immediately forgotten, back, focused on the next frame. | :31:02. | :31:16. | |
Off Ding Junhui had breaks of 71, Ronnie, 63, 95, 69. Brilliant stuff. | :31:17. | :31:30. | |
Yes, I am just surprised they have not been bought century breaks. I | :31:31. | :31:34. | |
thought there would be at least three this morning. But it has been | :31:35. | :31:46. | |
pretty savage scoring, you must say. Ronnie just taking the opportunity | :31:47. | :31:50. | |
to sit down and have a sip of water. And another pink is tied up also. -- | :31:51. | :31:58. | |
now the pink is tied up also. He might take the risk of trying to | :31:59. | :32:03. | |
bring the black into play. If he can just click that read away from the | :32:04. | :32:18. | |
black. -- flick that red away, which he has done. The cue ball going to | :32:19. | :32:23. | |
the cushion, Cummings off the cushion and hopefully will be nicer | :32:24. | :32:25. | |
than the red. Fat too seen a contact on the reds. | :32:26. | :32:50. | |
-- far too soon. I don't think he meant to hit that one with the one | :32:51. | :32:52. | |
just behind it. If you grimace is from Ronnie, he is | :32:53. | :33:17. | |
not sure as to whether he should take on this red. It is not the pot, | :33:18. | :33:25. | |
it is the angle. With the white heading over towards the red, and | :33:26. | :33:26. | |
the black... Is he on the black? If he can cut | :33:27. | :33:45. | |
this in he's going to go straight into the reds. It's an natural | :33:46. | :33:59. | |
angle. And that has turned out very nicely indeed. | :34:00. | :34:19. | |
I am not sure what someone in the audience has been asked to switch | :34:20. | :34:30. | |
of, a camera perhaps, I'm not sure, right in the line of sight. I know | :34:31. | :34:36. | |
that Ronnie was telling me in this last March he had to pot a very | :34:37. | :34:42. | |
crucial black and someone at the front thought, he is going to | :34:43. | :34:49. | |
pottery maxes, I will get up and got up just as Ronnie was delivering the | :34:50. | :34:51. | |
cue. -- he is going to pot this. I will be shocked if Ronnie | :34:52. | :35:06. | |
O'Sullivan doesn't make century now. He is a top player, he is in a | :35:07. | :35:11. | |
situation where you switch on, you need this frame. | :35:12. | :36:08. | |
That sounded very, very heavy, that contact. You could hear it. | :36:09. | :36:28. | |
Very unlucky to get the kick at that stage but he has played a clever | :36:29. | :36:41. | |
shot. If he pots that red is on the black, without the kick he would | :36:42. | :36:44. | |
have made enough to have levelled the scores. Ding Junhui pinched the | :36:45. | :37:01. | |
last frame, with two reds on. As we show you the contact again, you can | :37:02. | :37:07. | |
see the black jumping off the spot. Which just pulled the cue ball up. | :37:08. | :38:19. | |
Fat kiss on the blue might mean that Ronnie can take this long red on | :38:20. | :38:28. | |
because if he ported it he would be on the black. Once again it is one | :38:29. | :38:35. | |
of those situations, he's not bothering to have a go at it but | :38:36. | :38:41. | |
look where he has doubled the reds two, it needs to pull up and it has | :38:42. | :38:46. | |
done, just in time. He decided to make sure and cover the red that was | :38:47. | :38:52. | |
near the right middle pocket. This is definitely worth the risk, taking | :38:53. | :38:55. | |
on this one. Well done. He must be feeling good after | :38:56. | :39:21. | |
winning that last frame. We know how good he has been when he has got in | :39:22. | :39:23. | |
the balls this morning. What a chance. The last two friends | :39:24. | :39:41. | |
have heard his opponent. -- the last two frames have really hurt his | :39:42. | :39:43. | |
opponent. This is the key shot coming up. If | :39:44. | :40:51. | |
he gets the cannon correct he will open up all four reds. | :40:52. | :41:04. | |
Well, it has not worked out. If he plays the | :41:05. | :41:16. | |
cannon he had a rather get the reds closer to the pink spot because the | :41:17. | :41:25. | |
red he had was always going to knock the other one safe. He can and the | :41:26. | :41:28. | |
wrong red. -- he Almost got a delightful flick off | :41:29. | :42:06. | |
the yellow but he can see this read, to the left. -- this red. And the | :42:07. | :42:18. | |
Green are coming to the rescue that was a pretty good cue ball that Ding | :42:19. | :42:20. | |
Junhui got. And intentional cannon into the red. | :42:21. | :42:56. | |
-- that was non-intentional cannon. Thinking he could finish on the | :42:57. | :43:00. | |
yellow if he's able to pot this. It's a bit of a free shot but it | :43:01. | :43:09. | |
could pay dividends if he this back. He's got a kick. What a horrendous | :43:10. | :43:18. | |
kick. What a result. Talk about having bad luck and good luck in one | :43:19. | :43:20. | |
shot. Every chance now fought Ding Junhui | :43:21. | :43:57. | |
to pinch another frame. Although he was very fortunate to fluke the | :43:58. | :44:01. | |
snooker there. Unlucky with the heavy contact. Ding what have you | :44:02. | :44:18. | |
done. What a chance. OK, still got Ronnie into a lot of trouble. If you | :44:19. | :44:25. | |
he's not going to get many more chances to pinch this frame. If you | :44:26. | :44:38. | |
try to find the red closest to this cushion although it's not easy. Far | :44:39. | :44:48. | |
from it. -- he will try. This would be some escape. He needs to hit | :44:49. | :44:53. | |
possibly four cushions. Just look at this. There is the first question, | :44:54. | :44:59. | |
the second cushion, the third cushion. He didn't want to hit that | :45:00. | :45:07. | |
but he was trying to get on the one that Stephen mentioned but it was a | :45:08. | :45:12. | |
tough situation, if he was to lose this frame he would be very | :45:13. | :45:17. | |
disappointed because from 3-0 behind, he took complete control of | :45:18. | :45:24. | |
the match and really Ding pinched that frame when he needed the two | :45:25. | :45:29. | |
reds, the two blacks and all the colours. He has overcut it. Just a | :45:30. | :45:44. | |
little bit of tension. In this last frame of the session. It will be | :45:45. | :45:49. | |
relieved Ronnie O'Sullivan who comes to the table but Ding Junhui has | :45:50. | :45:52. | |
thrown away a golden chance. He had three golden chances to pinch | :45:53. | :46:14. | |
this frame. At this level you can't really afford to let three chances | :46:15. | :46:24. | |
like that slip. Ronnie had made an early break of 59 and could easily | :46:25. | :46:29. | |
have lost the frame but the standard, as I mentioned before, | :46:30. | :46:32. | |
every frame that has been a break of 50 or more. Most of them 60 or more. | :46:33. | :47:09. | |
I suppose Ronnie will be quite pleased, from 3-0 down to come out | :47:10. | :47:19. | |
for- four but there was a chance that he could have won all five | :47:20. | :47:24. | |
friends, almost did. It has been very quick stuff over the two hours. | :47:25. | :47:28. | |
The longest frame was the last frame which took 22 minutes. An exhibition | :47:29. | :47:39. | |
shot to finish. He's not going to bother with the black. Handshakes | :47:40. | :47:45. | |
all around. A very entertaining opening session of this | :47:46. | :47:48. | |
quarterfinal. Both players playing terrific stuff and in the end Ronnie | :47:49. | :47:56. | |
O'Sullivan does well to come out of the session, all square, 4-4. | :47:57. | :48:08. | |
What do you think of the qualities so far, John? Brilliant, it's been | :48:09. | :48:17. | |
superb. All aid frames, it's just a bit longer than O'Brien took to | :48:18. | :48:25. | |
qualify. Leave my mate alone! One century, 270s, and we spotted black, | :48:26. | :48:32. | |
it has not been dull. How does Ding change the dynamic against a man who | :48:33. | :48:38. | |
has led for so long in their matches in similar years? It is easy for us | :48:39. | :48:44. | |
to the past but sometimes there are always memories at the back of the | :48:45. | :48:48. | |
mind. And he will go through those emotions but you just have to get | :48:49. | :48:53. | |
over it, go out and play the balls as you see them. Think about your | :48:54. | :48:58. | |
own game, but how well you are playing. He is killing beautifully. | :48:59. | :49:04. | |
I think of the two players Ding will be disappointed that he doesn't have | :49:05. | :49:06. | |
a lead going into the session tonight. He should have won that | :49:07. | :49:11. | |
frame, probably should have won the previous one, he had a chance to go | :49:12. | :49:15. | |
ahead and didn't take it. Those kind of friends can come back to haunt | :49:16. | :49:19. | |
you. They can be the difference between winning and losing. Stephen | :49:20. | :49:24. | |
Hendry said if anyone has the game to beat Ronnie its Ding Junhui. He | :49:25. | :49:29. | |
is a brilliant champion in his own right but the crucial question is | :49:30. | :49:33. | |
does he have the strength of mind to beat Ronnie especially given this | :49:34. | :49:38. | |
history between them. And other an elongated number of frames. You've | :49:39. | :49:42. | |
just got to prove it. We can talk as much as we like, at the end of the | :49:43. | :49:47. | |
day he has to do it with his cue. He has the capabilities because he is a | :49:48. | :49:50. | |
scorer and if you don't score against Ronnie you want when. Nobody | :49:51. | :49:55. | |
can help him but himself. Fascinating so far and another aid | :49:56. | :49:58. | |
frames this evening. If you are lucky enough to have been at the | :49:59. | :50:02. | |
Crucible of the last ten years you will have seen Rob Walker | :50:03. | :50:14. | |
doing his stuff brilliantly. He is a good warm up act before the live | :50:15. | :50:18. | |
matches begin. And more often than not you will see Rob out there | :50:19. | :50:21. | |
strutting his stuff and mentioning some of the VIPs in the crowd, | :50:22. | :50:24. | |
people who have come from around the world to celebrate, celebrate a | :50:25. | :50:25. | |
birthday perhaps and sometimes singling out someone in the crowd | :50:26. | :50:30. | |
for whom a visit to the Crucible has special significance. It could be a | :50:31. | :50:34. | |
timely boost they need. It's the same as it was ten years ago for a | :50:35. | :50:38. | |
lad named George Marietta was just ten years of age. Making his debut | :50:39. | :50:44. | |
at the Crucible at the staggering age of ten. From Chesterfield please | :50:45. | :50:52. | |
welcome George Marriott! It is hard to believe that was eight years ago. | :50:53. | :50:57. | |
A few more wrinkles for me and at least two and a half feet for big | :50:58. | :51:03. | |
George Marriott. George, it's nice to see you back here. To see you as | :51:04. | :51:08. | |
well Rob. It's good to be back at the snooker. To me it doesn't seem | :51:09. | :51:14. | |
like eight years ago. You were a little boy then come you are a man | :51:15. | :51:18. | |
now, can you remember that vividly? If you might very remember the day | :51:19. | :51:23. | |
vividly, it is one of those who can't forget, once-in-a-lifetime | :51:24. | :51:27. | |
experience to wear a waistcoat made of baize, and when you are a big | :51:28. | :51:33. | |
snooker fan and you knew Nigel Bond as well, to introduce at the | :51:34. | :51:38. | |
Crucible was amazing. The Sheffield Children's Hospital Charity got in | :51:39. | :51:41. | |
touch with you because at the time I had just been diagnosed with my | :51:42. | :51:47. | |
brain tumour. I kick-started my charity campaign raising the money | :51:48. | :51:50. | |
for them and that was a big boost to the start of my campaign. Seuk-hyun | :51:51. | :51:56. | |
Baek I had a caravan back in the day and I met George and his family in | :51:57. | :52:02. | |
France believe it or not. His dad recognised me from the snooker. We | :52:03. | :52:07. | |
kept in touch and it sort of went from there. It was generous of you | :52:08. | :52:11. | |
to allow us to bring George into the walk on because that is the time | :52:12. | :52:15. | |
when many players would be fully focused on the job but you were | :52:16. | :52:19. | |
quite relaxed about it. I was quite happy to do that. George, take it | :52:20. | :52:25. | |
away. Let's get the boys on the baize. Liverpool it was a great | :52:26. | :52:31. | |
moment for George and I was more than happy to do it for him. I've | :52:32. | :52:37. | |
had quite a few operations since then and been in and out of hospital | :52:38. | :52:43. | |
a lot but my main aim has been fundraising. You've impressed the | :52:44. | :52:48. | |
sponsors. They've given you a job this time. And helping with social | :52:49. | :52:52. | |
media, getting to know anything that happens at the snooker. And for me | :52:53. | :52:56. | |
as a big snooker fan it's a wonderful experience to be here. | :52:57. | :53:01. | |
This guy is dynamite. He's George Marriott. What a fantastic story and | :53:02. | :53:08. | |
the start of something very special all those years ago for George and | :53:09. | :53:12. | |
it's great to see him around the venue now working with World | :53:13. | :53:15. | |
Snooker. Dreams are made of that kind of stuff. We are going to talk | :53:16. | :53:20. | |
about the other quarterfinal now that features the youngest man in | :53:21. | :53:25. | |
the draw, Kyren Wilson, 26, who is in back-to-back quarterfinals here. | :53:26. | :53:31. | |
His nickname is the Warrior. That belies wiliness and ring craft, that | :53:32. | :53:35. | |
nickname. Kenna rechristened him the wily warrior the other day. He will | :53:36. | :53:42. | |
have to remaster all his wing craft because he is up against perhaps the | :53:43. | :53:46. | |
greatest technician at the game has ever known, four times champion John | :53:47. | :53:47. | |
Higgins. Is a great talent. He fancies it. He | :53:48. | :54:03. | |
has been here lasted, he just lost to Mark Selby, the champion, last | :54:04. | :54:08. | |
year. I be giving it my all. I know it will be an extremely tough game, | :54:09. | :54:15. | |
definitely. He is a great champion, won it four times, been there and | :54:16. | :54:20. | |
bought the T-shirt. It will be a tough match. I've got to prepare | :54:21. | :54:25. | |
right. I will have to be at the top of my game to beat Kyren Wilson and | :54:26. | :54:29. | |
whatever happens after that, it's tight margins at the top just now. | :54:30. | :54:35. | |
These are all great players and teach my. I am in the quarterfinals | :54:36. | :54:38. | |
now so it's only going to get tougher. -- these are all great | :54:39. | :54:44. | |
players here. Not much to go on when you survey their previous contests, | :54:45. | :54:50. | |
only one time has Wilson got the better of the Scots at which will be | :54:51. | :54:54. | |
fascinating to see how he plays in his second consecutive appearance in | :54:55. | :55:00. | |
the crushable quarterfinal. It must have aged him terribly because he's | :55:01. | :55:05. | |
only turned 25. Apologies to him, he is just a young man. Peter spotted | :55:06. | :55:11. | |
his potential as a six-year old and beta is keeping an eye on the | :55:12. | :55:15. | |
session along with John Virgo. We left it earlier with Higgins having | :55:16. | :55:19. | |
taken an early lead. We'll pick it up in friendly and this time the | :55:20. | :55:21. | |
Scotsman is trailing by seven if he nestles to this Kyren he may | :55:22. | :55:39. | |
leave a Kyren to the middle. The two-cushion escape. That was a bit | :55:40. | :55:46. | |
of hit and halt. I think Kyren can get past the black. It's not like | :55:47. | :56:02. | |
John to play a shot like that. So Kyren Wilson has been rewarded for | :56:03. | :56:07. | |
an excellent safety shot. Played that nicely. Good control of the cue | :56:08. | :56:19. | |
ball. Choice of pink or black. Just taking a look at the scores. Taking | :56:20. | :56:29. | |
the black. Easier to do than it was in the old days. Personally if I am | :56:30. | :56:36. | |
being honest I think I would have played the pink there. But it is OK. | :56:37. | :56:45. | |
He's just got to be able to avoid the red that is close to the top | :56:46. | :56:49. | |
cushion. He wants to be on the black. The pink is available and | :56:50. | :56:52. | |
that he wants to stay around the black spot area. I wondered if he | :56:53. | :57:00. | |
might take the opportunity to move with the pink in the middle so it | :57:01. | :57:07. | |
was well thought out. And if that red has held the black spot it is | :57:08. | :57:14. | |
even better. He would hope it has, because if it hasn't and he puts the | :57:15. | :57:18. | |
black that red is going to be tied up. Two ways of looking at | :57:19. | :57:27. | |
everything. Good shot needed on the pink. Lots of follow-through. | :57:28. | :57:46. | |
22 points to lead but still 43 remaining. This would be a risky | :57:47. | :57:54. | |
part, should he take it on. He is desperate to. This is really tricky. | :57:55. | :58:10. | |
That is a great shot. Well played. He will not be winning the frame at | :58:11. | :58:31. | |
this visit, though. So how does he play this? Looks like he's going to | :58:32. | :58:37. | |
go thin off the pink. Just try to get the cue ball in the jaws of the | :58:38. | :58:43. | |
far corner pocket. Could have thought of a better shot than that. | :58:44. | :58:51. | |
Tried to get that cue ball near the cushion, he's left John with his | :58:52. | :58:56. | |
hand on the table, kick it at the table, could give him the upper | :58:57. | :59:01. | |
hand. A couple of ways that John Higgins could play this. He could | :59:02. | :59:06. | |
move the blue and he could snooker Kyren behind the black as well. They | :59:07. | :59:16. | |
did very well. -- played that are very well. Kyren coming to the table | :59:17. | :59:22. | |
shaking his head. You need a good cue ball in those instances. He | :59:23. | :59:32. | |
won't be shaking his head now as he walks back to his seat. It will be | :59:33. | :59:34. | |
more of a nod. Good hit. But always the problem, | :59:35. | :00:02. | |
it's not so much the hit, it is can you get it safe. John will feel | :00:03. | :00:09. | |
miffed with Kyren fluking the snooker. And nicely potted. So it | :00:10. | :00:22. | |
looks now as if Kyren Wilson is going to get his first frame on the | :00:23. | :00:25. | |
scoreboard and nothing settles you better. | :00:26. | :00:37. | |
27 points the lead, 27 remaining, but not for long. | :00:38. | :00:44. | |
It doesn't matter about the blue, John Higgins stays in his seat. | :00:45. | :01:31. | |
Kyren Wilson has his first frame on the scoreboard. John Higgins leads | :01:32. | :01:34. | |
by 2-1. STUDIO: And there was no stopping | :01:35. | :01:38. | |
the former Shanghai Masters champion Kyren Wilson, because he took the | :01:39. | :01:42. | |
next as well with a break of 92 to get back on level terms. Frame five | :01:43. | :01:47. | |
after the interval, Higgins at the table ahead by 16 points. | :01:48. | :01:57. | |
COMMENTATOR: This red is going to be left on, but hampered by the green. | :01:58. | :02:04. | |
He may just be able to get past the blue. He can, but the green being | :02:05. | :02:11. | |
there just makes this very awkward cueing. | :02:12. | :02:24. | |
That is absolutely brilliant. Such a difficult shot. Hampered by the | :02:25. | :02:32. | |
green. Tremendous shot. What can be missed at the Crucible | :02:33. | :03:09. | |
Theatre, the World Championship? Never take anything for granted. | :03:10. | :03:14. | |
For somebody that is so good with the rest, that was an incredible | :03:15. | :03:18. | |
miss. Straightforward yellow, and somebody | :03:19. | :03:37. | |
like John Higgins who usually pounces on his opponent's mistakes | :03:38. | :03:42. | |
to really make them suffer, misses a chance there. | :03:43. | :03:48. | |
Very unusual for John Higgins. You feel maybe they are still seething | :03:49. | :03:54. | |
from his last visit to the table where he felt he was distracted. | :03:55. | :04:04. | |
If he hasn't left this yellow, he has been very fortunate. Quite an | :04:05. | :04:10. | |
easy shot to play the snooker behind the black. | :04:11. | :04:14. | |
Having taken on a very difficult yellow, he's been very fortunate not | :04:15. | :04:20. | |
to leave John Higgins an easy opportunity. | :04:21. | :04:28. | |
Whoever loses this frame will look back on chances missed. | :04:29. | :04:54. | |
What John's got to do here, no option you feel but to send the | :04:55. | :05:10. | |
yellow back up to this end of the table. | :05:11. | :05:25. | |
John Higgins's turn to be fortunate this time. Because that could quite | :05:26. | :05:34. | |
easily have ended up in an easier position. | :05:35. | :05:47. | |
Yes, all that frustration of missing the chances earlier... Now needs one | :05:48. | :06:04. | |
good positional shot. He couldn't have played that much | :06:05. | :06:10. | |
better. Blue on its spot would have made it | :06:11. | :06:20. | |
a simple frame-winning chance. It's not so now. | :06:21. | :06:40. | |
The cue ball is OK, but the potting angle on the blue is taking him away | :06:41. | :06:46. | |
from the pink slightly. Oh, and another opportunity has gone | :06:47. | :07:02. | |
begging! As I say, just didn't have the right potting angle on the blue. | :07:03. | :07:07. | |
Playing it at pace made it missable, and that's what he did. | :07:08. | :07:19. | |
You could say fortunate not to leave the blue, but from John Higgins' | :07:20. | :07:26. | |
point of view, you are just glad to come back to the table still with a | :07:27. | :07:30. | |
chance of winning the frame. Absolutely. I must admit, I didn't | :07:31. | :07:36. | |
fancy Kyren to pot that in the middle. They are so small, and any | :07:37. | :07:41. | |
pace whatsoever makes the shots into the middle pocket so difficult. A | :07:42. | :07:44. | |
lot of people at home will be thinking, how has he missed that? It | :07:45. | :07:50. | |
was a very, very tough pot. If they could have dropped it in dead | :07:51. | :07:54. | |
weight, it wouldn't have been a problem, but that pace, very, very | :07:55. | :07:55. | |
difficult. A good line, but just a little bit | :07:56. | :08:05. | |
short. It's easy to play safe on the blue at the moment. Just play to the | :08:06. | :08:10. | |
left-hand cushion, the black is a blocker for that corner pocket. | :08:11. | :08:17. | |
Looking to get the cue ball behind the pink if he can... | :08:18. | :08:27. | |
John may have to send the blue around the table. Needs to be | :08:28. | :08:35. | |
careful not to leave the blue near the left-hand black pocket. He would | :08:36. | :08:41. | |
like to stun the blue around the table and leave the white on the | :08:42. | :08:44. | |
baulk cushion. That looked a risky way to go, but I | :08:45. | :08:56. | |
tell you what, he couldn't have played it any better. I think he | :08:57. | :09:01. | |
played the safety shot, not the cross double. | :09:02. | :09:10. | |
But hampered, making it slightly awkward. | :09:11. | :09:46. | |
This is a tough safety shot for Kyren. | :09:47. | :10:03. | |
He has played that really well. Excellent shot. Well played. | :10:04. | :10:10. | |
He did play it well. It was a risky way to go. If he got too far in | :10:11. | :10:18. | |
behind the blue, he could well have knocked the black in. | :10:19. | :10:30. | |
Difficult at the moment to see how either player can force the other | :10:31. | :10:34. | |
one into a mistake. I don't think so. Because with the | :10:35. | :11:12. | |
black being tight to the cushion, it's going to double-kiss. | :11:13. | :11:26. | |
And in it goes. That was a frame, whoever lost it would be | :11:27. | :11:56. | |
disappointed. John Higgins on it. It's Kyren Wilson who will have the | :11:57. | :12:00. | |
battle scars from that one, trailing 3-2. | :12:01. | :12:04. | |
STUDIO: They don't call him the warrior for nothing, because he | :12:05. | :12:08. | |
bounced back with a 61 in frame six to level it at 3-3. At the top of | :12:09. | :12:17. | |
the next frame, Kyren Wilson miscues and unfortunately damaged the tip of | :12:18. | :12:21. | |
his cue. The players went out of the arena for ten minutes as Wilson | :12:22. | :12:26. | |
underwent repairs to the cue. The tip was repaired, not replaced. Upon | :12:27. | :12:31. | |
their return, we will pick it back up again at the table, Higgins to | :12:32. | :12:34. | |
play, 11 points down. The problem with this situation here | :12:35. | :12:45. | |
is neither player may want to take the risk of sending the cue ball | :12:46. | :12:51. | |
into baulk because of the red which is close to the left-hand black | :12:52. | :12:52. | |
pocket. So unfortunately this could well end | :12:53. | :13:10. | |
up being a re-rack. Foul. Interesting, John Higgins said he | :13:11. | :13:11. | |
fouled. I didn't see it myself. Hard, in fairness, for the referee. | :13:12. | :13:33. | |
Kyren has put him back in. If the red pots, why would he do that? | :13:34. | :13:37. | |
He mustn't have thought the red was pottable. | :13:38. | :14:13. | |
Well, it's not as costly as it could have been. | :14:14. | :14:20. | |
Well, John Higgins is on this red along the top cushion, and if it's | :14:21. | :14:26. | |
tight to the cushion, it looks as though he has enough angle to come | :14:27. | :14:27. | |
out for the black. I don't blame him for not trying to | :14:28. | :14:38. | |
00 hard to get further up the table. He is bound to cannon into the red | :14:39. | :14:53. | |
just above the black, which should hold the cue ball. Just pot the | :14:54. | :14:54. | |
black. Just a fraction too thin. Just | :14:55. | :15:03. | |
caught the left-hand jaw. And when you see that type of shot, | :15:04. | :15:16. | |
don't let anyone tell you these pockets are easy. | :15:17. | :15:23. | |
Yes, at that pace, even though it did touch the near jaw, that would | :15:24. | :15:30. | |
have gone in on most club tables. So we are seeing a few mistakes from | :15:31. | :15:41. | |
both players now. This black will put John a point in | :15:42. | :15:45. | |
front. Forget the two reds near the centre | :15:46. | :16:34. | |
pocket, the six reds in the open, with high value colours, would see | :16:35. | :16:42. | |
him get to the snookers required stage. So this is a good chance. | :16:43. | :18:03. | |
Got complete control of the cue ball now. | :18:04. | :18:10. | |
As I say, these open reds were always going to be enough, with high | :18:11. | :18:15. | |
value colours. A 25 point lead. These three reds with pink or black, | :18:16. | :18:29. | |
and he wouldn't need the two awkward reds. | :18:30. | :18:37. | |
He's overdone that slightly. Not too bad. They have to play a little | :18:38. | :18:45. | |
cannon, which wasn't part of the master plan. | :18:46. | :18:50. | |
Pot the pink and cannon the red to the right of it, you would have | :18:51. | :18:54. | |
thought. And hampered by the blue. Makes it a | :18:55. | :19:05. | |
little bit more awkward, having to use the rest now. All because he | :19:06. | :19:09. | |
just overran by about three or four inches. | :19:10. | :19:18. | |
So back in prime position. It could have gone wrong, but good shot. | :19:19. | :20:03. | |
Red, pink or black would put him in the snookers required stage. | :20:04. | :20:15. | |
It will be the black. That will put him 47 in front. With 43 remaining. | :20:16. | :20:28. | |
Got the cannon but has not developed the reds. One snooker required by | :20:29. | :20:39. | |
Kyren Wilson. Kyren will play on for that snooker. | :20:40. | :20:56. | |
But if he doesn't get the snooker, John Higgins, who led 2-0, 3-2, | :20:57. | :21:06. | |
could be 4-3 in front. STUDIO: Higgins 4-3 in front. In the | :21:07. | :21:10. | |
last frame, Higgins had already made a break of 59. They played for about | :21:11. | :21:17. | |
six or seven minutes thereafter. Wilson are against it, having | :21:18. | :21:19. | |
earlier had the trouble with the tip of his cue... A miscue again, and he | :21:20. | :21:26. | |
would go on to concede that frame to trail 3-5. | :21:27. | :21:33. | |
Eight frames to play this evening. That is a very disconcerting last | :21:34. | :21:40. | |
couple of frames for Kyren Wilson, Ken. The good thing is he has a bit | :21:41. | :21:45. | |
of time before the evening session, to change the tip, I would suggest. | :21:46. | :21:50. | |
Sometimes players have old tapes. John Parrott is an old stalwart at | :21:51. | :21:56. | |
that. -- old tips. Keeping them in your case in case of a situation | :21:57. | :22:02. | |
like this. Put that on, plenty of time to practice before tonight. | :22:03. | :22:06. | |
Should be OK. I was speaking to Ronnie the other day, he changed his | :22:07. | :22:10. | |
tip after the Shaun Murphy match. He wasn't happy with it, so I don't | :22:11. | :22:15. | |
think it will be much of a problem. Disconcerting and unnerving, but at | :22:16. | :22:19. | |
least he has a bit of time. It would have been worse if it happened | :22:20. | :22:24. | |
earlier in the session, but he has a bit of time now. No point creating a | :22:25. | :22:28. | |
drama out of it, but when it happens it is extremely unknown thing. Last | :22:29. | :22:32. | |
year, in fact a few months ago, Ronnie O'Sullivan in the semifinal | :22:33. | :22:36. | |
of the Masters against Marco Fu, having to take the interval early. | :22:37. | :22:42. | |
And last year Marco in the semifinal against Mark Selby, the tip flew | :22:43. | :22:48. | |
off. It must be really difficult to get your head back on when this is | :22:49. | :22:53. | |
going on. It is, and when you put the tip on, if you don't have one | :22:54. | :22:57. | |
that's already broken in, it is very, very soft, so it is a | :22:58. | :23:01. | |
different feel and it takes you a while. To get the touch and feel you | :23:02. | :23:07. | |
had with the old tip. It takes a bit of time but thankfully for Kyren he | :23:08. | :23:13. | |
has time now. I am sure we will see a lot of him on the practice table | :23:14. | :23:17. | |
before this evening. So not a new situation but still not nice for any | :23:18. | :23:22. | |
player that has to go through it. Stephen has been talking to | :23:23. | :23:23. | |
tournament director Martin Clark. Kyren Wilson damaged his tip on a | :23:24. | :23:32. | |
miscue earlier and that has generated a lot of discussion on | :23:33. | :23:37. | |
social media. I am with Martin Clark, the tournament director and a | :23:38. | :23:40. | |
former top 16 snooker player. Can you shed some light on what happened | :23:41. | :23:48. | |
today? In frame seven, Kyren waseering off the baulk cushion and | :23:49. | :23:52. | |
split the side of his tip, so he had to come off and do some repair work. | :23:53. | :23:57. | |
How much do you think that will have thrown him off? He was level with | :23:58. | :24:03. | |
Higgins. Higgins took the final two frames. Did that affect what | :24:04. | :24:08. | |
happened? Sometimes in that situation you can lose a bit of | :24:09. | :24:11. | |
confidence in the tip playing certain shots, so it could have had | :24:12. | :24:17. | |
an effect. On social media, people have been asking questions. Andrew | :24:18. | :24:20. | |
made an interesting point, you would think players would have a spare | :24:21. | :24:28. | |
cue, never mind a spare tip. The question of why don't players carry | :24:29. | :24:34. | |
a spare cue has been asked. Cues are unique, every bit of wood is | :24:35. | :24:39. | |
different. It is a lot easier to get used to a new tip than a different | :24:40. | :24:45. | |
cue. I take it he will have to practice if you are places the tip, | :24:46. | :24:51. | |
to bed it in? If he decides to change the tip between sessions, he | :24:52. | :24:55. | |
will need to go to the practice room and practice for a couple of hours. | :24:56. | :25:00. | |
Stephen asked that question, he said, how long will it take? He has | :25:01. | :25:05. | |
to practice, but what is the time frame he will have to allocate? A | :25:06. | :25:09. | |
couple of hours to get confidence with the tip. Graham and Katie have | :25:10. | :25:15. | |
both said, the one thing a player doesn't want is to break the Q-Tip. | :25:16. | :25:19. | |
Katie thinks it will definitely throw him off. -- the cue tip. You | :25:20. | :25:26. | |
do lose confidence. If you have certain shots, it could happen. | :25:27. | :25:34. | |
Thank you very much, Martin. Keep your thoughts coming, using the | :25:35. | :25:39. | |
hashtag #BBC snooker. STUDIO: Keep the responses coming. | :25:40. | :25:43. | |
They will be back this evening for another eight frames, but this is | :25:44. | :25:47. | |
the line-up for this afternoon. A lot to get our teeth into. Mark | :25:48. | :25:52. | |
Selby and Marco Fu, renewing their rivalry that burst into life in the | :25:53. | :25:59. | |
semifinal last year. Selby pushed past Marco in a memorable final | :26:00. | :26:03. | |
session 12 months ago. Barry Hawkins has reached the last eight for a | :26:04. | :26:07. | |
fifth time in a row, and for the 36-year-old Glaswegian Stephen | :26:08. | :26:11. | |
Maguire, he has failed to win a match if for the last five years. He | :26:12. | :26:15. | |
has won five in a row to come through qualifying and make it into | :26:16. | :26:20. | |
the second week. We mention Rob Walker's warm up earlier. This is | :26:21. | :26:28. | |
him doing his thing before the afternoon session, having a laugh, | :26:29. | :26:32. | |
telling everyone to switch off their mobile phones, which of course | :26:33. | :26:35. | |
someone will inevitably forget to do. It is all part of the day job | :26:36. | :26:37. | |
for our Crucible MC. I am Rob Walker, snooker MC, and | :26:38. | :26:49. | |
I've been doing this for ten years. It is so important that your | :26:50. | :26:58. | |
contribution to the drama is at the start of the evening and at the | :26:59. | :26:59. | |
appropriate moments... It's just the best place in the | :27:00. | :27:07. | |
world to come and be a part of live snooker. There is no venue like it | :27:08. | :27:11. | |
anywhere in the world. Because the place where people in the -- and the | :27:12. | :27:16. | |
players deserve everyone to walk through the door and think, right, | :27:17. | :27:21. | |
I'm going to do my bit to be part of another great year of snooker. A | :27:22. | :27:26. | |
world-class weekend of live sport starts right here, right now in | :27:27. | :27:27. | |
Sheffield. I get a lot of stick sometimes on | :27:28. | :27:35. | |
social media for being cheesy, but that is part of the role. You are | :27:36. | :27:40. | |
there to pump people up. The national hero in China, enter the | :27:41. | :27:44. | |
Dragon, Ding Junhui! You have to give it a bit of welly, because you | :27:45. | :27:48. | |
want the audience to give that back. Not to you, but to the players when | :27:49. | :27:53. | |
they walk out. We call him the warrior, Kyren Wilson! If it is fun | :27:54. | :27:59. | |
for me coming back, in my little role as MC, imagine what that must | :28:00. | :28:04. | |
feel like for the players. First time, tenth time, 23rd time, must be | :28:05. | :28:06. | |
amazing. I have two really strong memories of | :28:07. | :28:13. | |
the Crucible. The first is when I made my big mistake when I | :28:14. | :28:17. | |
accidentally introduced Steve as Dennis Taylor. He's a legend, he's | :28:18. | :28:20. | |
Dennis Taylor! Steve Davis! When he came out, he was laughing | :28:21. | :28:29. | |
and he hugged me. And then the crowd almost felt as though they were part | :28:30. | :28:31. | |
of a moment. And the other one is Steve's | :28:32. | :28:38. | |
retirement walk around the arena last year. | :28:39. | :28:44. | |
That was absolutely amazing. I nearly had a tear in my eye, a login | :28:45. | :28:50. | |
my throat, just watching him go around. -- a lot in my throat. And | :28:51. | :28:57. | |
when he came round for the interview, I started asking him a | :28:58. | :29:00. | |
question and I saw he was getting emotional. I thought, you know what, | :29:01. | :29:04. | |
this doesn't need words for anybody. I just hugged him and I stood back. | :29:05. | :29:09. | |
The wave of emotion through the applause and the cheers just wafted | :29:10. | :29:14. | |
over him. That was incredible. That is about as good as it gets at the | :29:15. | :29:16. | |
Crucible. It's just been so special to be part | :29:17. | :29:24. | |
of such a great event. Very humbling. You are watching people | :29:25. | :29:30. | |
live out their dreams under the most intense, immense pressure. So it | :29:31. | :29:35. | |
means everything that I've had a chance to be part of it for ten | :29:36. | :29:40. | |
occasions. And it also means a great deal to all of us that we know this | :29:41. | :29:44. | |
tournament is staying here for another ten years. Ruby anniversary, | :29:45. | :29:50. | |
it will go to Golden, and that's the way it should be. | :29:51. | :29:57. | |
Ten years, hard to believe. We met Duncan, our, a man on his 60th | :29:58. | :30:06. | |
birthday yesterday. We were assessing and underlining how big a | :30:07. | :30:12. | |
family business. That our cameraman. Rob is an energising presence | :30:13. | :30:14. | |
backstage and here, what do the players make of his walk of | :30:15. | :30:21. | |
introductions. It's fantastic, he has done a tremendous job, he is | :30:22. | :30:26. | |
like a dual cell battery, he keeps going. He introduces everyone, gives | :30:27. | :30:31. | |
them their nicknames, build it up. He sets the tone for everyone in the | :30:32. | :30:35. | |
audience. And that is very special. The players will feel the energy | :30:36. | :30:40. | |
coming from the crowd and they only get that from Rob, he does his job | :30:41. | :30:44. | |
and does so well, it's fantastic. Coming through those curtains to | :30:45. | :30:50. | |
that introduction, there is nothing like it. He's brilliant at it and | :30:51. | :30:54. | |
follows in a long line of slick and seas. Alan Hughes was one of my | :30:55. | :31:00. | |
favourites, responsible for many of the nicknames in snooker, Whirlwind, | :31:01. | :31:08. | |
Rocket... He was fantastic. He led the way for Rob and Rob learned from | :31:09. | :31:13. | |
him that Allen was one of the greats. Allen, if are watching we | :31:14. | :31:17. | |
still think about you and we always say hello. But it is the man doing | :31:18. | :31:27. | |
the honours now, it is Rob who will get us under way shortly. He will be | :31:28. | :31:32. | |
teeing up our live contest, the one we will be watching today. I don't | :31:33. | :31:42. | |
feel as much pressure as I did two years ago, coming into this | :31:43. | :31:46. | |
tournament I had the best season have had as a professional which | :31:47. | :31:50. | |
always helps the confidence. I need to find some form. I'm playing well, | :31:51. | :31:56. | |
I think, just not producing on a consistent basis. In all | :31:57. | :32:03. | |
departments. I played Marco last year in the semifinal, we had a good | :32:04. | :32:08. | |
game, 17-15. Had a great season this year. We had a great game last in | :32:09. | :32:14. | |
the semifinal. Yet, we play a similar type of game. It's just | :32:15. | :32:20. | |
about who can handle the pressure better. I think you have to make | :32:21. | :32:25. | |
mark the favourite for this much but and still in the tournament. I just | :32:26. | :32:31. | |
need to be ready straightaway. In a way I think it's a good thing, if | :32:32. | :32:35. | |
you peaked too early there's only one way you can go, which is down. | :32:36. | :32:42. | |
I'm playing OK, not great snooker, not bad snooker. If you ask him, | :32:43. | :32:52. | |
same as me, you would like to get among the balls but sometimes when | :32:53. | :32:55. | |
they are messy and can tie you up and get you into all sorts of | :32:56. | :32:59. | |
trouble. His safety game is probably the best in the world at the moment. | :33:00. | :33:08. | |
It depends. It could go both ways. Down in the commentary box with your | :33:09. | :33:12. | |
brains trust. That much last night was a classic. You only get those | :33:13. | :33:16. | |
matches at the Crucible and that is when you find out if you can play. I | :33:17. | :33:29. | |
thought he was the better player, Neal Robertson hung on with Aussie | :33:30. | :33:32. | |
grid but I thought he was the bed and play at the end of the day. He's | :33:33. | :33:39. | |
like a bottle of wine, Marco Fu. Judging players is difficult, you | :33:40. | :33:42. | |
don't know what they go through in their lives, on the practice table | :33:43. | :33:47. | |
form is always going up and down. This increase in form may have | :33:48. | :33:50. | |
collided with the fact that he is now with young Mr Griffiths! Is it | :33:51. | :33:55. | |
possible that the young pretender to the throne is no better than Terry | :33:56. | :34:00. | |
Griffiths! Has he gone up in the rankings? Marco Fu seems to have | :34:01. | :34:05. | |
more belief around the table. Can he beat the predator? This is a | :34:06. | :34:12. | |
fascinating matchup. And also he's had a hard match last night and gone | :34:13. | :34:16. | |
through the ringer, this opening session could be very important. I | :34:17. | :34:19. | |
think we've got a contrast of styles. If it gets into a tactical | :34:20. | :34:24. | |
battle I agree with Steve that Mark Selby will be favourite. Marco has | :34:25. | :34:30. | |
to take chances. You've got to keep this much open. Of the two he will | :34:31. | :34:34. | |
score more heavily than Mark Selby. It seems strange that when Marco | :34:35. | :34:38. | |
gets among the balls he looks like winning frames in one visit. His | :34:39. | :34:45. | |
opponent is a competitive animal. They have been on a journey so far | :34:46. | :34:49. | |
in this tournament and I don't think anything that Mark Selby can throw | :34:50. | :34:52. | |
out those two will deter them from their mission. Plenty of people | :34:53. | :34:56. | |
throughout this season have been saying that Marco Fu is a potential | :34:57. | :35:00. | |
world champion this year. This could be Mark Selby's toughest test so | :35:01. | :35:06. | |
far. Thank you very much, boys, looking forward to listening to you | :35:07. | :35:09. | |
this afternoon. Let's get robbed to bring the players out. Good | :35:10. | :35:20. | |
afternoon, ladies and gentlemen, four of the very best waiting | :35:21. | :35:23. | |
backstage ready to go toe to toe for a place in the semis this year, in | :35:24. | :35:26. | |
Sheffield. APPLAUSE | :35:27. | :35:43. | |
Please welcome first of all a player back in the quarterfinals for the | :35:44. | :35:48. | |
first time in five years, coming through qualifying and conceding | :35:49. | :35:51. | |
only five frames so far at the Crucible this year. It's the best | :35:52. | :35:56. | |
we've seen from him in Sheffield for quite some time, from Glasgow, when | :35:57. | :36:00. | |
he's good, he's on fire, it's Stephen Maguire! | :36:01. | :36:16. | |
And his opponent whose victory over former world champion Graeme Dott | :36:17. | :36:25. | |
have seen him into a fifth successive Crucible quarterfinal. | :36:26. | :36:28. | |
Runner-up in 2013 he is this season's Grand Prix winner with | :36:29. | :36:33. | |
three titles in all, he's no doubt comfortable here on the world's | :36:34. | :36:41. | |
biggest stage, the Hawk, Barry Hawkins! | :36:42. | :36:56. | |
On table one, a player who came through a monumental match against | :36:57. | :37:03. | |
Neil Robertson last night to book his fourth Crucible quarterfinal. | :37:04. | :37:08. | |
He's been in superb form this season winning the Scottish open in | :37:09. | :37:11. | |
December and storming back up the rankings, one of the most important | :37:12. | :37:17. | |
players ever to emerge from Asia. From Hong Kong, he's Marco Fu. | :37:18. | :37:33. | |
And finally a player who buy this season alone has added four titles | :37:34. | :37:46. | |
to his collection and has now been world number one for an incredible | :37:47. | :37:51. | |
115 consecutive weeks he is of course the defending world champion, | :37:52. | :37:55. | |
the Jester from Leicester, Mark Selby. | :37:56. | :38:11. | |
STUDIO: First session of them match between Hawkins and Stephen Maguire | :38:12. | :38:20. | |
on the BBC website and the app. Last night Mark Selby quietly worked on | :38:21. | :38:25. | |
his routines backstage while we were on the air with the Marco Fu- Neil | :38:26. | :38:28. | |
Robertson finale and he will have seen how much that gripping contest | :38:29. | :38:33. | |
took out of them, how much does Marco Fu have to give 48 hours later | :38:34. | :38:38. | |
and how much does Mark Selby still the tank? Let's find out with Steve | :38:39. | :38:42. | |
Davis and John Virgo. COMMENTATOR: Thank you, Hazel. It will be a very | :38:43. | :38:46. | |
interesting first session, this, no doubt. As you say, Marco Fu was put | :38:47. | :38:56. | |
through the ringer last night. And that is not the best break-off shot. | :38:57. | :39:09. | |
That he is here in the quarterfinal. So he needs to be at the top of his | :39:10. | :39:20. | |
game. This chance for Mark. Right in the heart of the pocket type of shot | :39:21. | :39:25. | |
he had been playing on the practice table. Played nicely, bladed | :39:26. | :39:36. | |
confidently as well. Staying well short of the lines to leave an of | :39:37. | :39:43. | |
colours. -- to leave an option of colours. The bottom follow through, | :39:44. | :40:02. | |
skimming back of this green. Just overran it a fraction. The reason I | :40:03. | :40:06. | |
say that, I don't think the black goes into the opposite corner. He | :40:07. | :40:12. | |
might be able to put this and just cannon off to the right of it. | :40:13. | :40:17. | |
Stayed on the black, played it well. Pretty important, these first | :40:18. | :40:24. | |
frames, and they, Steve. I know you set a lot of stock by them. Yeah. | :40:25. | :40:30. | |
You think that there's plenty of time in a match that is the best of | :40:31. | :40:35. | |
25 but even in a match of this length, when you look back at the | :40:36. | :40:40. | |
opening frames can be the turning points. It has happened. Not exactly | :40:41. | :40:52. | |
the turning points but the critical points in a match. | :40:53. | :41:04. | |
Nice deft touch there. Excellent control of the pace of the cue ball, | :41:05. | :41:20. | |
Mark Selby. Tables in general now are pretty uniform. So you can trust | :41:21. | :41:27. | |
them much more than you used to. Especially the shot that doesn't | :41:28. | :41:32. | |
require any bounces off a cushion, for certain. | :41:33. | :41:44. | |
A couple of new ones to play from before he considers going into the | :41:45. | :41:59. | |
cluster. Bit of a kick on that shot. Doesn't really make much difference | :42:00. | :42:04. | |
to the outcome. Up for the blue Nile. Probably the right time to | :42:05. | :42:10. | |
consider going into the pack. -- up to the blue now. At least not | :42:11. | :42:16. | |
directly. Well he did take the opportunity... | :42:17. | :42:34. | |
The problem is when you are coming off a cushion you don't get pace off | :42:35. | :42:43. | |
the cue ball. Has he been unlucky? Brilliant effort. Not only to get | :42:44. | :42:48. | |
the power on, and control the speed of the shot, also the correct amount | :42:49. | :42:54. | |
of side spin to get into the pack. Just went. Just went. A bit closer | :42:55. | :43:03. | |
to that red and he would have wanted but he struck it well. He could go | :43:04. | :43:09. | |
into the side of the pack now but it would be the wrong short. - the | :43:10. | :43:16. | |
wrong short. Probably aimed to be low on this | :43:17. | :43:33. | |
black, then he can open the reds up, should he so wish. I would imagine | :43:34. | :43:42. | |
the glands and that red pretty full in the centre of the pack could show | :43:43. | :43:47. | |
dividends but looks like he's digging a bit deeper than that. I | :43:48. | :43:56. | |
fancied this turn into them more than the screw back. I don't think | :43:57. | :44:02. | |
he will be too happy when the black history spotted. He could see the | :44:03. | :44:06. | |
back spin. I thought that was asking for trouble. It's tough to criticise | :44:07. | :44:15. | |
the world number one and world champion! I feel a bit uncomfortable | :44:16. | :44:26. | |
doing it! Well, don't do it! End of break. He's probably trying to park | :44:27. | :44:35. | |
the cue ball into the reds and got the wrong red. Good contribution. | :44:36. | :44:39. | |
Just one of those things, went into them. Made most of that poor break | :44:40. | :44:45. | |
of shot from Marco. Doesn't want that read to be tempted | :44:46. | :45:19. | |
into the middle and it is. Certainly not a guaranteed part, with the cue | :45:20. | :45:25. | |
ball underneath the cushion, you would expect him to get it, he's had | :45:26. | :45:30. | |
a bit of table time, cue action going. It was the fact that he was | :45:31. | :45:44. | |
tight and the cushions, he just had to concentrate on the pot to look | :45:45. | :45:49. | |
for position and didn't get a good kiss on the brown. It's not a | :45:50. | :45:59. | |
guaranteed snooker behind the brown. Could use a colour to try and screw | :46:00. | :46:10. | |
in behind it. It's going to be tough to snooker Marco. I think he's done | :46:11. | :46:15. | |
it well. Trying to guarantee sniggering Marco and the extreme | :46:16. | :46:22. | |
reds, table. It's pretty critical. It could have got a bit of a | :46:23. | :46:29. | |
headache for Marco here. Yes, I am trying to see an escape route. It's | :46:30. | :46:39. | |
not easy to see one. To hit a red and not leave a possible spot on. If | :46:40. | :46:49. | |
you nestle on it you leave the cue ball in an awkward place, that's the | :46:50. | :46:53. | |
only thing I can think of at the moment. He could get around the back | :46:54. | :47:03. | |
of the brown it's just so much more difficult to judge hitting into a | :47:04. | :47:09. | |
cushion more or less immediately. He could be miles out with this. And | :47:10. | :47:14. | |
the problem is with a couple of reds available, and the pink, he's run | :47:15. | :47:19. | |
into them, needs a bit of luck here and I think he's had some. I think | :47:20. | :47:24. | |
he played it with an element of hit and hope. Does this red just below | :47:25. | :47:33. | |
the pink go to the middle? If it's does he isn't in luck. It does. | :47:34. | :47:47. | |
Because he's not in line with it it will look tighter from where he is | :47:48. | :47:50. | |
standing but it definitely just goes. | :47:51. | :48:07. | |
Some players might have been forgiven for playing that slower to | :48:08. | :48:18. | |
try to make the most of the pocket. Mark Selby brand it in. Confident | :48:19. | :48:27. | |
pot. -- he rammed it in. Wasn't guaranteed to have left anything up. | :48:28. | :48:39. | |
That wasn't a good shot, however. So much margin for error, he's put | :48:40. | :48:48. | |
himself in a difficult position. He's looking very solid. Is a very | :48:49. | :48:59. | |
controlled final pull-back and delivery, very mechanical, very | :49:00. | :49:04. | |
solid under pressure. Repeats all the time. In many ways it is the | :49:05. | :49:17. | |
ultimate snooker machine. Just 59 remaining. First frame over, no | :49:18. | :49:35. | |
doubt. In all honesty Marco Fu has not done a lot wrong OK, poor break | :49:36. | :49:40. | |
of shot but at this stage of the tournament you don't have to do much | :49:41. | :49:41. | |
wrong to lose a frame. The ante has been upped. He has | :49:42. | :50:09. | |
missed the black, so Mark Selby looked very solid, very impressive | :50:10. | :50:16. | |
in this first frame, 1-0 to the defending champion. STUDIO: Mark | :50:17. | :50:21. | |
Selby off to a good start. A lot of question marks about how Marco Fu | :50:22. | :50:24. | |
would respond after that late night last night. It is a big ask to pick | :50:25. | :50:29. | |
yourself up again after a late finish. Nothing physical, just the | :50:30. | :50:33. | |
mental aspect, he went through the ringer to get over the line and Mark | :50:34. | :50:37. | |
Selby will know that, he is an experienced player himself, he's had | :50:38. | :50:41. | |
a few friends that have gone to deciders. If he can put his opponent | :50:42. | :50:48. | |
on the back foot right at the start, big help. If you are going to win | :50:49. | :50:52. | |
this championship you won't have an easy run. You're going to have a | :50:53. | :50:57. | |
last frame decider or a match that will go close and you have to be | :50:58. | :51:01. | |
prepared for that. And I am sure Marco Fu, like the rest of the lads, | :51:02. | :51:05. | |
would be prepared for that as well. Might be a little bit tired, his | :51:06. | :51:10. | |
concentration might not be up to scratch yet but I am sure that once | :51:11. | :51:14. | |
he gets into the match the adrenaline will kick in. I am sure | :51:15. | :51:17. | |
it will because he came through quite a drama last night | :51:18. | :51:22. | |
particularly two deciding blacks in the last five frames. And he was | :51:23. | :51:29. | |
trailing 7-1 in his first much so he hasn't had and easy. He hasn't but | :51:30. | :51:34. | |
he is in there fighting and many believe that this could be his year. | :51:35. | :51:39. | |
A big, big match from Marco Fu, as indeed it is for Mark Selby. | :51:40. | :51:46. | |
COMMENTATOR: Good break of shot for Mark Selby, good escape for Marco. | :51:47. | :51:53. | |
Noticeably a lot of Mark Selby's break-ups, and how much he has | :51:54. | :52:03. | |
worked on that, studied it if it is just a shop that suits him. -- shot | :52:04. | :52:09. | |
that suits him. If I was a current top player, | :52:10. | :52:27. | |
trying to work out why Mark Selby is able to do that and others are not. | :52:28. | :52:37. | |
Some players are forever sticking a red at the break of shot. Then of | :52:38. | :52:42. | |
course you have to hope that you hide it behind the green and yellow | :52:43. | :52:52. | |
and get it tight on the cushion. That's not the best shot from Mark. | :52:53. | :53:01. | |
A chance here for Marco. I think he can just get past... Or can he? | :53:02. | :53:06. | |
Maybe he can't. I thought he could just get past the blue. He can play | :53:07. | :53:19. | |
the two-cushion safety shot, all the more aggressive safety, three or | :53:20. | :53:24. | |
four cushions swinging it around to get to the right-hand side of the | :53:25. | :53:29. | |
table. The bit too risky. That's rubbish shot! It wasn't one of his | :53:30. | :53:42. | |
best, that's true. What is going right for his mind, seeing the cue | :53:43. | :53:46. | |
ball bounce off the cushion. It might not have done any damage. Not | :53:47. | :53:55. | |
a we had 3-ball planned. Does it go past the red? It does. It does, that | :53:56. | :54:01. | |
is more or less certain. It might not look like it but I would be | :54:02. | :54:12. | |
astonished if it doesn't go in. And he just didn't hit that red thin | :54:13. | :54:18. | |
enough. He just turned it over slightly. | :54:19. | :54:29. | |
Just. Needs to play the good safety, here. Needs the green to come to the | :54:30. | :54:51. | |
rescue. That did its best to get in the pocket. He's got a pot here. | :54:52. | :54:58. | |
It's going to be tough to get on a ball. Looks like, in putting this, | :54:59. | :55:06. | |
he might clip the red on the top cushion. He has to trust to luck | :55:07. | :55:14. | |
with the cue ball ends up. He is under enough pressure safety wise. | :55:15. | :55:21. | |
He has more Lescott to take it on. - more otherwise Lescott take it on. | :55:22. | :55:29. | |
Look at the gap he found for the cue ball. He wants to port it. It is so | :55:30. | :55:40. | |
hard to do that and control the cue ball. Magnificent shot. | :55:41. | :55:51. | |
Long pots success, 56%. But the ones he has gone for in this he hasn't | :55:52. | :55:57. | |
done a lot wrong in this match so far. Didn't get great contact | :55:58. | :56:07. | |
between green and cue ball, slowed the cue ball down a bit. Looks like | :56:08. | :56:10. | |
he's got the gap. A bit of a cut. Just had to do a bit now. As he left | :56:11. | :56:33. | |
this red for Marco? Marco has yet to pot the ball in this match. He can | :56:34. | :56:42. | |
get through to it. This could be his first pot of the match so far. Can | :56:43. | :56:49. | |
he get on a colour. Does the pink go? Axiom it does. -- Ali assume it | :56:50. | :57:04. | |
does. -- I assume it does. I'm not sure he played that. He rightfully | :57:05. | :57:07. | |
take it. He potted the pink and then stopped | :57:08. | :57:23. | |
and didn't look happy. I don't know why, perhaps he felt it could have | :57:24. | :57:34. | |
held the cue ball better. Mark has had his chance. Make the most of it. | :57:35. | :57:49. | |
If he has a slight angle, he is straight enough, isn't he. I think | :57:50. | :58:05. | |
he's had to hold the pink spot to stay on that red nicely. If the | :58:06. | :58:13. | |
black spot is not available, Mark Selby will be hoping it isn't | :58:14. | :58:22. | |
available, the only one available is the yellow spot. | :58:23. | :58:37. | |
Obviously that red is holding the black spot at the moment. We know | :58:38. | :58:48. | |
that because obviously the pink would have gone on it if it had been | :58:49. | :58:55. | |
available. Can he play for this red in the same pocket as the black? | :58:56. | :59:03. | |
Because the black will have to go as close to its own spot as it can. | :59:04. | :59:11. | |
Schoolboy error from the commentator! | :59:12. | :59:35. | |
I always wondered if it was possible in a practice game to orchestrate | :59:36. | :59:42. | |
every colour on the wrong spot. It is tough to do. | :59:43. | :00:01. | |
Could have played that with pace and screwed into the cluster that it did | :00:02. | :00:09. | |
not feel as though he was going to develop anything so purposely play | :00:10. | :00:16. | |
for this red. Is a fascinating player to watch, Marco He doesn't | :00:17. | :00:21. | |
seem to do anything particularly brilliant, he just quietly goes | :00:22. | :00:27. | |
about being very efficient. I think his cue ball control is his asset, | :00:28. | :00:31. | |
when he gets in and around the black spot. This is where he struggles a | :00:32. | :00:35. | |
little bit. Was not easy to get on a red there, | :00:36. | :00:46. | |
trusting a bit to luck. Getting that break. | :00:47. | :00:57. | |
So, a bit like Selby in the first frame, could not actually convert | :00:58. | :01:14. | |
the shot. Convert the chance. An alarm on a mobile phone going off in | :01:15. | :01:18. | |
the auditorium. For anyone with an earpiece, putting a phone on silent | :01:19. | :01:24. | |
these days is not good enough. Turning them off is the most | :01:25. | :01:25. | |
guaranteed way. An excellent safety shot there for | :01:26. | :01:45. | |
Mark Selby. And of these two players, this is where he will gain | :01:46. | :01:50. | |
the most advantage in safety exchanges. I think that Marco can | :01:51. | :01:58. | |
score just as well as he can, but it is the safety were obviously, if you | :01:59. | :02:04. | |
play it, you can force an error. It may make you think that Mark Selby | :02:05. | :02:07. | |
will get more opportunities than Marco. A good reply. A little closer | :02:08. | :02:28. | |
to the middle then he would have liked but it was not a mis-hit. So, | :02:29. | :02:37. | |
the possibility of the four-cushion safety behind the green... Swung it | :02:38. | :02:49. | |
around very nicely. Although there is a gap. He has got to hit this | :02:50. | :03:02. | |
just right, if it goes to fake it goes at the table with the cue ball. | :03:03. | :03:09. | |
-- toothache. He tries to hit it thin but misses completely. | :03:10. | :03:16. | |
This all depends, really. I cannot see him having the ball put back. | :03:17. | :03:20. | |
Marco could get it right the next time. He could pot this, screwing | :03:21. | :03:30. | |
between black and the left-hand red on the cushion. Get it out for a | :03:31. | :03:32. | |
blue. Perfectly played. Only the pace denying him the | :03:33. | :03:51. | |
perfect chance, you would expect him to screw this between brown and | :03:52. | :04:03. | |
green. And come across the face. He hit that so welcome I think he | :04:04. | :04:06. | |
overheated. He gets another red into the corner. -- he hit it so well, I | :04:07. | :04:16. | |
think he overhit it. He has got chances, he really did strike that | :04:17. | :04:17. | |
well. A little thin on the blue then he | :04:18. | :04:40. | |
would like. I think he has got to play that blue though. He is having | :04:41. | :04:46. | |
a look at the pink but has to do plenty with the tuple if he is to | :04:47. | :04:52. | |
play the pink. That red is a little awkward, he is stretching over. | :04:53. | :04:56. | |
Trying to control the cue ball, not easy on the superfast tables. | :04:57. | :05:21. | |
No, not good. You must make sure that you get the right side, their | :05:22. | :05:35. | |
trap areas, this is one of them where you leave yourself much | :05:36. | :05:38. | |
farther away from a short uncomfortable. This is one of them. | :05:39. | :05:45. | |
-- further away from the shot then comfortable. | :05:46. | :05:52. | |
This shot is very similar to the opening one he played to get in. The | :05:53. | :05:58. | |
only difference is the small extension, that does change the | :05:59. | :06:04. | |
throw, if he puts on side spin. If he hits it badly, he could go thick. | :06:05. | :06:21. | |
Right in the heart of the pocket. But once again, wrong side of the | :06:22. | :06:28. | |
blue. The old-fashioned way of playing is | :06:29. | :06:34. | |
between pink and brown. That is no longer played. That kind | :06:35. | :06:42. | |
of shot... Chosen by nearly all of the players now. Full is to retch, | :06:43. | :06:54. | |
just tiptoe on the floor. -- at full stretch. | :06:55. | :07:02. | |
Still three points behind here, this is not a formality. He could win the | :07:03. | :07:11. | |
frame in this visit... He made the last red look ridiculously easy. It | :07:12. | :07:21. | |
was very missable. Not a great love affair with the blue today. Some | :07:22. | :07:27. | |
difficult ones from the position aspect of it. | :07:28. | :07:33. | |
Did not really want to be colliding with this red, perhaps he could not | :07:34. | :07:41. | |
avoid it? In the end, he has got a difficult one out the way, but if | :07:42. | :07:46. | |
you cannot get past the black, he obviously cannot, on this red into | :07:47. | :07:50. | |
the corner here, going straight, that place you would have to play it | :07:51. | :07:56. | |
at, it makes this red very missable. On reflection, I think he played to | :07:57. | :08:01. | |
move the red but wanted more angle. Anything could happen here. He has | :08:02. | :08:12. | |
hit it well but could never get it in a good position for the black, I | :08:13. | :08:15. | |
think that the black just goes but boy, this is tough... He does not | :08:16. | :08:31. | |
have to play it, in one respect... Don't really see the point of giving | :08:32. | :08:36. | |
your opponent back to the table without him having to work hard for | :08:37. | :08:41. | |
his chance. That is one of the great strengths of Mark Selby. Yes, the | :08:42. | :08:53. | |
black was too risky. I do not see how he could have got position on | :08:54. | :08:56. | |
the next red. He plays well, getting the cue ball | :08:57. | :09:00. | |
tied to the baulk cushion. Marco has a problem, now he is three | :09:01. | :09:05. | |
points behind. That was not just a containing safety shot. He has asked | :09:06. | :09:09. | |
Marco Fu the question... I have taken the yellow off the baulk | :09:10. | :09:17. | |
cushion. Can you play a telling safety shot? If not, the table is | :09:18. | :09:22. | |
live. All balls in the open. The big | :09:23. | :09:28. | |
problem with the red that he can see, he is not going to play it, but | :09:29. | :09:33. | |
come off the side cushion, top cushion, nestle onto the red. | :09:34. | :09:39. | |
But you need the touch of a surgeon to get this safe, he did not want to | :09:40. | :09:43. | |
hit it on the way... He has left a chance here for Mark. Not an easy | :09:44. | :09:51. | |
one but it is a chance. He won along the top cushion is as difficult, if | :09:52. | :09:53. | |
not more so, than the cutback. A clever shot, nonetheless, from | :09:54. | :10:18. | |
Mark Selby. Some insurance there. Should he have potted it, he was on | :10:19. | :10:26. | |
a colour, so to speak. Maybe not perfectly, but... I don't | :10:27. | :10:35. | |
know if Fu can get round the back of this red? I think he's trying to go | :10:36. | :10:39. | |
around the back of it. A good shot for Fu, a little unlucky. Very | :10:40. | :10:48. | |
unlucky, really. He knocks the red onto the right middle. If Mark | :10:49. | :10:54. | |
knocks this end, all of the reds are in the open. | :10:55. | :10:56. | |
More difficult than it looks on our TV. | :10:57. | :11:08. | |
But once again, a difficult shot made to look very easy. | :11:09. | :11:25. | |
John, I know that it is early in the match, but if Mark Selby converts | :11:26. | :11:35. | |
this chance, our alarm bells ringing? A yellow alert for Marco | :11:36. | :11:40. | |
Fu? Well, I don't think Marco has done much wrong. He should not be | :11:41. | :11:45. | |
disheartened. He did not have much chance in the first frame. It was | :11:46. | :11:49. | |
halfway through this frame he potted his first ball. But I still have the | :11:50. | :11:57. | |
worry that Mark is going to get more opportunities to you to the better | :11:58. | :12:00. | |
quality safety that he will play throughout this match. | :12:01. | :12:11. | |
I think Marco has an age-old problem, the balance between attack | :12:12. | :12:15. | |
and defence, I think he should be favouring attack more. But it is | :12:16. | :12:20. | |
early stages. I want to see if he gets a real good chance and can win | :12:21. | :12:26. | |
a frame in one visit, before I give an opinion on how this match is | :12:27. | :12:30. | |
definitely going to go. I know that according to the bookmakers, Mark | :12:31. | :12:41. | |
Selby will come in favourite. I had to admit, I know why you ask the | :12:42. | :12:47. | |
question, Mark is looking solid at the moment, comfortable in his skin | :12:48. | :12:55. | |
in these first couple of frames. Yes, it can have an effect on your | :12:56. | :13:00. | |
opponent. You know full well how well flat Marco can play. | :13:01. | :13:08. | |
He has proved it this week. Against a different opponent, although you | :13:09. | :13:13. | |
play the table, your opponent does seem to come into the equation. A | :13:14. | :13:21. | |
couple of balls now away from the finishing line... Yes, just yellow | :13:22. | :13:30. | |
and green to get to the snookers required. | :13:31. | :13:36. | |
Playing this perfectly... The green to go 26 ahead with just 22 | :13:37. | :13:38. | |
remaining. It's funny, it is that saying that | :13:39. | :14:26. | |
you keep coming out with. You cannot win the match in the first session | :14:27. | :14:33. | |
but you can lose it. Looking very assured. Not allowing any half | :14:34. | :14:40. | |
chances at the moment, it is 2-0 to Selby. | :14:41. | :14:44. | |
Two exponents of the cue action which is very good. If you want any | :14:45. | :14:48. | |
help at your cue action, or bridging over balls or on the cushion, send | :14:49. | :14:54. | |
us a written request or it can come through on your video. | :14:55. | :14:59. | |
Get your head on shot or a side on shot, use the hashtag cuefix, I will | :15:00. | :15:15. | |
get it right in a minute! COMMENTATOR: The beautiful scene | :15:16. | :15:21. | |
that is the Crucible Theatre. First thoughts on this match, Steve? I | :15:22. | :15:31. | |
think my thoughts would go along the lines of we are getting to the | :15:32. | :15:34. | |
quarterfinal stages with great players. But when they come | :15:35. | :15:40. | |
head-to-head commies you see a difference in class, that is why | :15:41. | :15:46. | |
sometimes in these best of 25 matches, sometimes there are massive | :15:47. | :15:50. | |
differences in the frame scores. Marco Fu needs to get going and get | :15:51. | :15:54. | |
a frame on the board here in the third frame. Yes, you want to get | :15:55. | :16:01. | |
your frame on the scoreboard sooner rather than later. Not the best | :16:02. | :16:05. | |
break-off shot once again from Marco. You would never expect by the | :16:06. | :16:11. | |
quarterfinal stages that the best of 25 matches would be finished with a | :16:12. | :16:15. | |
session to spare, but it does happen. | :16:16. | :16:27. | |
If anybody could get into the rhythm to do that, it is Mark Selby. As we | :16:28. | :16:38. | |
watch that wonderful opening red again, nicely on the black. Marco | :16:39. | :16:47. | |
would be disappointed. There is always the danger with the break-off | :16:48. | :16:54. | |
shot, but finding that baulk cushion, that is what makes any shot | :16:55. | :17:03. | |
difficult. The other great exponent of relentless snooker, John Higgins, | :17:04. | :17:09. | |
still in the tournament. Some heavyweights certainly playing | :17:10. | :17:17. | |
the game. Walking around positively, so the cannons worked out OK, it | :17:18. | :17:20. | |
appears... You can't guarantee that is going to | :17:21. | :17:40. | |
be held the cue ball releases but when it happens, it is a wonderful | :17:41. | :17:46. | |
side, as a player. The always -- highways preferred playing the screw | :17:47. | :17:52. | |
shot there. Selby has a very good snooker brain, doesn't he? He is | :17:53. | :17:58. | |
very clever. Of course, he is that talented with | :17:59. | :18:02. | |
the cue, he was once the 8-ball world champion at pool. He knows the | :18:03. | :18:12. | |
little moves. There we go, three reds, three blacks... | :18:13. | :18:27. | |
If anybody is due for one in the championship at the Crucible, it is | :18:28. | :18:36. | |
the world number one. And the world number one by quite some margin. | :18:37. | :18:51. | |
He can play for the black again there. | :18:52. | :19:07. | |
I don't think you would necessarily be thinking maximum break just yet | :19:08. | :19:20. | |
but when you get 289 reds or blacks, the frame will be over -- when you | :19:21. | :19:34. | |
get to eight or nine reds. Something to show the grandchildren... Not a | :19:35. | :19:45. | |
massive prize this year, more of a rolling prize. It keeps ticking up, | :19:46. | :19:54. | |
but has made recently. Back in the day, at ?147,000, that was given and | :19:55. | :20:00. | |
one of the reasons why that was possible was because there were not | :20:01. | :20:04. | |
many made, and use nuclear association could insure against it. | :20:05. | :20:11. | |
Now, the premiums are too I -- and the Sneaker association could insure | :20:12. | :20:16. | |
against it. That was the right shot to play for | :20:17. | :20:20. | |
the blue. The frame is more important. | :20:21. | :20:42. | |
Playing that nicely, he would have liked to have been straight on this | :20:43. | :20:51. | |
red but you would rather be too hard and too short, and not be on the red | :20:52. | :20:55. | |
at all. Potting the red, he would be running | :20:56. | :21:01. | |
into another. You need to judge the pace of this shot. | :21:02. | :21:10. | |
Not perfect... As long as he can pot the blue and avoid collision with | :21:11. | :21:26. | |
the yellow? I don't think you necessarily can bet he can get down | :21:27. | :21:30. | |
the table to the black cushion, and get an easy red. If he has contact | :21:31. | :21:38. | |
on the yellow he needs to trust his luck a bit. | :21:39. | :21:46. | |
Nothing wrong with that. I think that was the only where he could | :21:47. | :21:51. | |
miss the yellow, a pure strike in. If he played firmer than he could | :21:52. | :21:56. | |
have run into the yellow but he knew the red was on. | :21:57. | :22:11. | |
Not easy to judge that pace. For the blue. | :22:12. | :22:13. | |
A loose red on the right-hand side of the table. In between yellow and | :22:14. | :22:22. | |
brown, with left-hand side, the pack is protected by the pink. Screwing | :22:23. | :22:30. | |
between brown and green... I think that he will be able to miss the red | :22:31. | :22:37. | |
on the baulk cushion. They control to screw between these two balls. | :22:38. | :22:48. | |
Could have played that better. 66 ahead, Selby. As soon as he parts | :22:49. | :22:54. | |
one more red, there will only be 67 remaining. | :22:55. | :23:02. | |
Was that a plant? A look on his face... I think there is a plant on | :23:03. | :23:08. | |
here. Dead set. You need to be careful. He cannot hit the opposite | :23:09. | :23:17. | |
part of the red in line with the pocket. So hitting this first red, | :23:18. | :23:21. | |
that will push the second to the top chore. -- top jaw. He only needs the | :23:22. | :23:37. | |
red and one more colour... 67! You were right. He played that | :23:38. | :23:45. | |
confidently to give the red every chance of the drop. And it shows, | :23:46. | :23:56. | |
always as Marco Fu has done, he has broke off, and overhit it slightly. | :23:57. | :24:04. | |
He might be sat down now, and also... Unless something has | :24:05. | :24:08. | |
happened while I was away, we could be seeing the highest break of the | :24:09. | :24:18. | |
tournament here. 137, the highest break, made by | :24:19. | :24:23. | |
Bingham. Although with that red near the baulk cushion, you could think | :24:24. | :24:31. | |
otherwise. A good word, folly... I didn't know | :24:32. | :24:40. | |
that you had been away, where have you been? Things happen when I am | :24:41. | :24:44. | |
not commentating that I like to know about... | :24:45. | :24:54. | |
That is not going to happen now. Throwing the extension onto the | :24:55. | :25:06. | |
floor in disappointment. Petulant. Does not matter about the pink. | :25:07. | :25:16. | |
That'll be enough. Mark Selby is just controlling every aspect of | :25:17. | :25:19. | |
this match at the moment. 3-0 is the lead. | :25:20. | :25:26. | |
STUDIO: He hasn't really been seriously pushed so far, a worrying | :25:27. | :25:31. | |
start from Fu's perspective, he is up and running very quickly? Yes, | :25:32. | :25:36. | |
looking in total control and very confident in everything he is doing. | :25:37. | :25:39. | |
He has great cue ball control and makes it look easy at the moment. A | :25:40. | :25:44. | |
few little mistakes but he is very good at picking out these shots. It | :25:45. | :25:51. | |
looks like he had the wrong side but needed to make that plant to keep it | :25:52. | :25:56. | |
going. He is such a clever player, and is very tough to play against. | :25:57. | :26:01. | |
Every safety shot has a purpose, you come down the table and you are in | :26:02. | :26:05. | |
trouble. He does not operate anywhere behind the baulk line. | :26:06. | :26:09. | |
Always something to concentrate on. Here's off to a very good start and | :26:10. | :26:13. | |
seems to be getting stronger in this tournament. | :26:14. | :26:16. | |
Better in the second round than the first, he is getting to the top of | :26:17. | :26:20. | |
his form. He said he had a lot of reserve, Marco Fu has been 7-1 and | :26:21. | :26:26. | |
4-1 down in these first couple of matches, keys had to climb into the | :26:27. | :26:34. | |
match but you would give yourself a heck of a task to climb back into it | :26:35. | :26:37. | |
against this man. Let's go back now. COMMENTATOR: | :26:38. | :26:41. | |
Arguably, the mountain to climb back from a deficit is harder this time | :26:42. | :26:56. | |
around. Mark Selby is an Everest. Some table time there. And the | :26:57. | :26:58. | |
points scored. Over 200 more , Mark Selby scored. I suppose in a | :26:59. | :27:14. | |
way, Marco Fu was pleased he did not have to break off the frame. He | :27:15. | :27:19. | |
broke off the first and it cost him 48 and the third cost him 82. There | :27:20. | :27:33. | |
was the gap to get to the reds here but he cannot get to the edge of the | :27:34. | :27:37. | |
red, it would be difficult to get the cue ball back to the bulkhead. | :27:38. | :27:42. | |
We've spoken about it before, the break off and how often the players | :27:43. | :27:48. | |
pot a red from it. You would think that surely a player should really | :27:49. | :27:53. | |
investigate another way to break off the guaranteed no pot. | :27:54. | :28:02. | |
Just about got the safety shot, has he got it far enough down the table | :28:03. | :28:06. | |
to stop Selby from cutting the red in? You couldn't go into your club | :28:07. | :28:11. | |
and practice because the tables play differently and the break off is | :28:12. | :28:16. | |
very different. You would only have to be able to practice on the match | :28:17. | :28:21. | |
tables. Even the practice tables at the venue are not the same. I would | :28:22. | :28:31. | |
think this red cuts, but not much clue as to the white as it travels. | :28:32. | :28:39. | |
Hit hard and hope... Wherever he hoped, he did not get. LAUGHTER | :28:40. | :28:48. | |
I think there was a task from the crowd, as to how good a shot that | :28:49. | :28:56. | |
was and a few people in the crowd did not expect that to be the chosen | :28:57. | :28:58. | |
one, he played it so well. If Mark Selby were to win this | :28:59. | :29:20. | |
frame, Marco Fu fans would be hoping that the interval could change the | :29:21. | :29:28. | |
pattern of the match. A loose safety, not left anything on but can | :29:29. | :29:34. | |
Marco play a more telling safety? You certainly can. | :29:35. | :29:45. | |
Just wrapping his concentration for one second. When he wasn't on | :29:46. | :29:54. | |
anything, he had some fun with the audience, that might have taken the | :29:55. | :29:58. | |
edge of the safety shot that he was about to play. I think that Mark has | :29:59. | :30:03. | |
spotted the possibility of a shot to nothing, although it is critical, | :30:04. | :30:09. | |
the escape path... Yes, I think you would favour to overcut it rather | :30:10. | :30:14. | |
than hitting it too thick. That is what he did. An excellent shot, | :30:15. | :30:18. | |
guaranteed of getting the cue ball down the table, no attempt | :30:19. | :30:23. | |
whatsoever to pot the ball. I would agree. That is why when I look at | :30:24. | :30:30. | |
long pot success, if I see 66% that is good because a lot of the time | :30:31. | :30:34. | |
you play a shot for nothing and you are on the side of hitting them to | :30:35. | :30:36. | |
thin. That was lacking in pace. It needed | :30:37. | :30:54. | |
to hurry. He has left a pot on. Mark Selby can get this red in. It looks | :30:55. | :31:00. | |
to be going into the three reds next to the pink. He might be able to | :31:01. | :31:06. | |
miss them and get down the table. He cannot put on any right-hand side. | :31:07. | :31:15. | |
He had to trust to luck and was probably hoping to hit the red next | :31:16. | :31:25. | |
to the pink and develop it, but he had to put almost all his | :31:26. | :31:31. | |
concentration into the pot. The fact of the red did not go in the middle | :31:32. | :31:36. | |
of the pocket probably changed the line of the cue ball. I do not think | :31:37. | :31:42. | |
there is a colour he will go for to keep this going. He has Marco Fu, at | :31:43. | :31:52. | |
the moment, just where he wants him. He would play the yellow normally, | :31:53. | :31:53. | |
if the cueing was easier. Well, a bit close. He must've known | :31:54. | :32:13. | |
he was unlikely to click it. Puts you under pressure. This excellent | :32:14. | :32:21. | |
safety shot, the red in the bottom half of the table pots into three | :32:22. | :32:28. | |
pockets down there. He is certainly calling the shots. Marco, a couple | :32:29. | :32:42. | |
of poor break offs that have cost him a couple of frames, but he is | :32:43. | :32:46. | |
not being left unlocked. The fact that Mark has won the first three | :32:47. | :32:53. | |
frames, he is now in what could be described as a comfort zone. He is | :32:54. | :32:58. | |
not forced to play anything, he can play within himself. I think Marco, | :32:59. | :33:02. | |
as you said, needs a frame quickly. Another cut. And another dagger into | :33:03. | :33:37. | |
Marco. Not a guarantee pot, but really cueing well. | :33:38. | :33:48. | |
A bad kick, bad contact. Does that come to Marco Fu's rescue? Is this | :33:49. | :33:59. | |
the way he gets back into the match? Does he have the ball cleaned, does | :34:00. | :34:02. | |
he just carry on playing? Well, he cannot look a gift horse in | :34:03. | :34:18. | |
the mouth. It was not a certainty that red, but | :34:19. | :34:33. | |
you would have expected him to get it on another day, in another | :34:34. | :34:38. | |
situation. He is under it a bit, now. Fascinating, so early in the | :34:39. | :34:44. | |
match, best of 25, how quickly you can be under pressure. | :34:45. | :34:50. | |
Not much of this red passed the pink. | :34:51. | :34:58. | |
Another excellent safety shot. It is a killer blow. Oh. He did not expect | :34:59. | :35:14. | |
that, but it is piling the heat on to Marco. Yes, obviously he was | :35:15. | :35:20. | |
trying to get the cue ball tight to the baulk cushion. He underhit it | :35:21. | :35:25. | |
slightly, but it has come out beautifully. Marco, having missed, | :35:26. | :35:32. | |
and not had much chance, and 3-0 behind, there is a lot of pressure | :35:33. | :35:37. | |
on the escape. He has to come off the side cushion, top cushion, and | :35:38. | :35:43. | |
nestle on this red by the black. Wonderful. Wonderful. | :35:44. | :35:54. | |
He is going to be back. Not behind the yellow, but in that area. About | :35:55. | :36:05. | |
two feet along from the baulk cushion. He is checking to see if | :36:06. | :36:11. | |
there is an advantage in getting behind the brown. If you can stop | :36:12. | :36:18. | |
any escape paths that way. It depends on how much he can see off | :36:19. | :36:20. | |
the right-hand cushion. Not enough of it to get behind the | :36:21. | :36:25. | |
yellow. A little bit lucky? He certainly | :36:26. | :36:42. | |
didn't play topside of the yellow. A misjudgement, certainly could not | :36:43. | :36:46. | |
get down the table wide enough off the right-hand side cushion. But as | :36:47. | :36:52. | |
we know, when you are under pressure, it seems like everything | :36:53. | :36:56. | |
is going against you. Marco Fu still has a problem. The green made it | :36:57. | :37:03. | |
hard that the pink would stop the escape route down the right. I | :37:04. | :37:13. | |
cannot see a path back to book back -- back to baulk. Will he have to do | :37:14. | :37:20. | |
pot his way out of this spot of bother? | :37:21. | :37:26. | |
This is horrible. He cannot get back to baulk. The more I look at this, | :37:27. | :37:36. | |
the worse it is getting, the same for Marco. There is a red to the | :37:37. | :37:42. | |
left pink, the first one along that line. There is a gap between pink | :37:43. | :37:49. | |
and the below it. Is that possible? Only just. If he hits it to thick, | :37:50. | :37:59. | |
it will bounce off the pink. There is a gap. There is always a gap. I | :38:00. | :38:06. | |
think it is a last resort shot. He is trying to see if he can contain | :38:07. | :38:10. | |
the situation. I think he will take the pot on. It is a massive shot to | :38:11. | :38:17. | |
take on. But if there is no safety... Perhaps he can play into | :38:18. | :38:19. | |
the jaws of the left-hand corner. A tough shot. Sometimes, rather than | :38:20. | :38:34. | |
just playing negative, he has tried to pot his way out of trouble. I do | :38:35. | :38:43. | |
not think he has. OK. A little bit of hope for Marco Fu, it is not an | :38:44. | :38:49. | |
absolute certainty, the first pot. He can obviously get past the black | :38:50. | :39:19. | |
to the red in the left corner but he feels that is delicate. Can he not | :39:20. | :39:23. | |
get past the black? Is that the problem? | :39:24. | :39:29. | |
And interesting shot in one respect is if he does pot it using the blue, | :39:30. | :39:38. | |
no guarantee he will be on a baulk colour. It is a big pocket, as you | :39:39. | :39:52. | |
say. Not that big. He has got away with it, though. Mind you, by the | :39:53. | :40:01. | |
same rule, so did Marco. Marco is desperate for an easy in, but he is | :40:02. | :40:10. | |
not getting one. 37 and a half minutes since Marco last potted a | :40:11. | :40:12. | |
ball. A straighter red into the left | :40:13. | :40:23. | |
corner, perhaps. The thing about the thick shot into | :40:24. | :40:42. | |
the middle pocket, it is hard to judge the cue ball. He has this one | :40:43. | :40:49. | |
to the left corner. It needs good cueing. The harder you hit this one, | :40:50. | :40:55. | |
a chance of missing it if he plays up for the green, which is what he | :40:56. | :41:00. | |
decided to do. He tried to play it and not leave the red to the right | :41:01. | :41:05. | |
middle. That was the 4-0 shot. I could not agree more. He hedged his | :41:06. | :41:13. | |
bets, didn't he? Once again, Marco is left with a tester. Very | :41:14. | :41:25. | |
understandable if he misses. On another day, certainly with a | :41:26. | :41:29. | |
different scoreline, you would say it is more or less certain, but he | :41:30. | :41:31. | |
is under it. Well, there you go. It is amazing. | :41:32. | :41:45. | |
These players make the game look easy, but, sometimes, when you have | :41:46. | :41:50. | |
been frozen out, and it was coming up to 39 minutes as he last potted a | :41:51. | :42:00. | |
ball, it does not get any easier. He has a fantastic temperament, Marco | :42:01. | :42:05. | |
Fu, as we know from recent performances. He needs to regroup | :42:06. | :42:09. | |
and it is not easy to regroup when you are sitting there. Sometimes you | :42:10. | :42:12. | |
need the sanctuary of the dressing room. | :42:13. | :42:23. | |
This table has gone awkward. That is another time when Marco had a pot on | :42:24. | :42:34. | |
and was not guaranteed position. This green need some potting. He has | :42:35. | :42:40. | |
to play the stun run-through to get on the red near the baulk cushion, | :42:41. | :42:47. | |
you would have thought. He missed it. Does Marco get another chance, | :42:48. | :42:58. | |
he does. A funny table now, Marco. You are only four macro points | :42:59. | :43:03. | |
behind. Your opponent has had good chances. Over 40 minutes since he | :43:04. | :43:14. | |
last potted a ball. That is debilitating. | :43:15. | :43:22. | |
That is almost embarrassment level for a professional player. He is | :43:23. | :43:25. | |
really struggling out there. Fascinating moments in this | :43:26. | :43:31. | |
quarterfinal. We were saying how much it has taken | :43:32. | :43:47. | |
it out of him last night, the battle with Neil Robertson. What we have | :43:48. | :43:53. | |
seen so far, it looks like quite a lot. I cannot believe you missed | :43:54. | :43:54. | |
that red. We talked at the start of the match | :43:55. | :44:07. | |
about how Marco Fu has improved drastically as a player. With Wayne | :44:08. | :44:13. | |
Griffiths in his corner, he has been an inspiration. Wayne Griffiths may | :44:14. | :44:17. | |
be required to earn his keep here. I am certain he will go on the | :44:18. | :44:27. | |
practice table at the interval. He did not score in the first frame. | :44:28. | :45:03. | |
He had a 36 break in the second. He did not score in the third frame, | :45:04. | :45:07. | |
and he has not scored in this one, yet. I think failing to make any | :45:08. | :45:14. | |
type of sizeable contribution and only getting to 36 points is | :45:15. | :45:18. | |
arguably his downfall. A similar thing happened to Mark | :45:19. | :45:39. | |
Selby and he is almost 4-0, so swings and roundabouts in that | :45:40. | :45:40. | |
department. There is a little bit of work to do. | :45:41. | :45:50. | |
He has to be careful he does not get into the cue ball too much when | :45:51. | :45:54. | |
potting the yellow and he has to avoid the kiss on the blue. | :45:55. | :46:03. | |
Sometimes you can pot a colour and almost be nailed on to be on a red, | :46:04. | :46:06. | |
but this is not the case here. Just as Steve said, he potted the | :46:07. | :46:33. | |
yellow, avoided the kiss on the blue. But where is the red? I do not | :46:34. | :46:40. | |
think the one to the right of the black passes the black, I am certain | :46:41. | :46:42. | |
it doesn't, so what is he on? This frame is very much alive. Only | :46:43. | :46:58. | |
22 points in it. It is, but you feel like Mark Selby | :46:59. | :47:18. | |
is going to go 4-0. It does not look like Marco will be effective, at the | :47:19. | :47:30. | |
moment. That was a more positive strike and that is an excellent shot | :47:31. | :47:36. | |
for Marco. Well played. Very well played indeed. And, for once, he | :47:37. | :47:40. | |
will give Mark Selby something to think about. | :47:41. | :47:49. | |
Possibly could risk playing full in the face on the red on the far side | :47:50. | :48:02. | |
cushion but he would not want to hit the red and the red hit the far jaw | :48:03. | :48:06. | |
and then he gets a double-kiss. I do not know if he can get past the | :48:07. | :48:20. | |
blue to hit the side cushion just past the middle pocket and play a | :48:21. | :48:22. | |
one cushion escape. He played a better shot! I think you | :48:23. | :48:51. | |
played it, if you didn't, then it is all going wrong for Marco. Marco had | :48:52. | :48:55. | |
him in trouble and he managed to pull one out. He can get back in | :48:56. | :49:02. | |
control of this safety exchange. Of course the shot Mark Selby | :49:03. | :49:19. | |
played, if the red does not pot, there is always the possibility that | :49:20. | :49:27. | |
you don't stick it up and you contain the situation. Just the same | :49:28. | :49:34. | |
as you played full ball and got the cue ball on the top cushion. The | :49:35. | :49:42. | |
bonuses you can play telling safety shot off a colour. | :49:43. | :50:10. | |
It seems to become on most occasions with Marco, he is having to give | :50:11. | :50:20. | |
these safety shots a lot of thought. I thought he had Marco in trouble, | :50:21. | :50:27. | |
but he pulled out a good pot. Marco is just trying to... Well, that is a | :50:28. | :50:34. | |
tough ask to play that shot. REFEREE: Foul and a miss. And he had | :50:35. | :50:41. | |
to hit that so thin. And that could be the killer blow. | :50:42. | :51:15. | |
Deliberately played for position on that. I think that is one of the | :51:16. | :51:21. | |
things with Mark Selby, he could have been forgiven for playing it as | :51:22. | :51:28. | |
a shot to nothing and getting the cue ball further down the table. | :51:29. | :51:35. | |
203 points without reply. It is not as if Marco has not had a couple of | :51:36. | :52:10. | |
chances in this frame. It is not looking good for the man from Hong | :52:11. | :52:18. | |
Kong. Just this black and one more red and he will be 4-0 down come the | :52:19. | :52:26. | |
mid-session interval. We say so many times that intervals can turn things | :52:27. | :52:29. | |
around. That is what Marco will be hoping. | :52:30. | :52:48. | |
And whilst Marco Fu has been a professional many years and he has | :52:49. | :52:55. | |
played in big matches, coming into this World Championship as potential | :52:56. | :52:59. | |
winner, with more people tipping him, perhaps that has raised his own | :53:00. | :53:06. | |
level of expectation. Against Mark Selby, a bigger question has been | :53:07. | :53:15. | |
asked. Perhaps the biggest match of his career in his own eyes, or it is | :53:16. | :53:17. | |
how the match has unfolded. The referees, the unsung heroes. The | :53:18. | :53:41. | |
player, when he misses, goes to his seat, but they are on their feet all | :53:42. | :53:45. | |
the time and have to keep the score and concentrate 100% of the time. | :53:46. | :54:02. | |
This has not been flawless, this performance from Mark Selby, but | :54:03. | :54:08. | |
Marco Fu has had chances in this frame. He has not been able to score | :54:09. | :54:16. | |
a point so this is the third frame out of the four where he has failed | :54:17. | :54:18. | |
to pot a ball. Well, he wants to pot the black. | :54:19. | :54:46. | |
Just rubbing salt in the wound. Marco Fu needs to get his act | :54:47. | :54:50. | |
together in the mid-session interval. Mark Selby is comfortably | :54:51. | :54:56. | |
in front. I think the comfort level is high. The defending champion | :54:57. | :55:04. | |
looks like he is on easy street. He was 3-0 up and more or less got | :55:05. | :55:08. | |
nervous himself because he knew he should be 4-0 up and he had chances | :55:09. | :55:17. | |
he made a mess of. He forgot to pot a few balls and it is only because | :55:18. | :55:21. | |
Marco is really struggling Hugh won the last frame. Marco has not been | :55:22. | :55:26. | |
able to come up with an answer when asked the question. He does look | :55:27. | :55:31. | |
drained. Worrying signs, I know it is early in the match and hopefully | :55:32. | :55:36. | |
the interval has come at the right time and he can talk to Wayne | :55:37. | :55:40. | |
Griffiths, maybe recharge the batteries. He needs a couple of | :55:41. | :55:44. | |
frames of the next four, otherwise this match may be over in the first | :55:45. | :55:48. | |
session. I looked at last year's semifinal. It was a brilliant last | :55:49. | :55:56. | |
couple of sessions and Marco went 3-0 behind but came out of the first | :55:57. | :56:05. | |
session 5-3. It was a fantastic battle in the last session, but he | :56:06. | :56:08. | |
is in danger of losing the plot right away. You do not want to keep | :56:09. | :56:17. | |
doing it. What will you have left in the tournament? He was down against | :56:18. | :56:22. | |
Luca Brecel. And against Neil Robertson, it went almost to the | :56:23. | :56:28. | |
distance. 4-0 down to Mark Selby. I can think of some players I would | :56:29. | :56:32. | |
not mind being 4-0 down to but not Mark Selby. Marco has won 23 frames | :56:33. | :56:38. | |
and conceded 20. It is still possible to go through, as you did | :56:39. | :56:46. | |
in 2003, you came through a huge number of frames, I think you played | :56:47. | :56:50. | |
the most ever in one Crucible championship. 132 frames without | :56:51. | :56:56. | |
winning the tournament. The most you can play, if every match as a last | :56:57. | :57:02. | |
frame decider it is a 137. You are value for money! Just as well I was | :57:03. | :57:09. | |
not paying for the light! You still had something left to go on. How did | :57:10. | :57:13. | |
you convince yourself mentally to stay alert? You have to keep your | :57:14. | :57:20. | |
concentration. Every match, every session, I was trying to focus on | :57:21. | :57:25. | |
winning each session. That is what we try to do, particularly at the | :57:26. | :57:29. | |
World Championship. You do not look at the number at the end of the | :57:30. | :57:32. | |
second round, you think of the first four frames. Trying to get a lead. | :57:33. | :57:40. | |
Play it in short spurts. If you think too far ahead, you get lost. | :57:41. | :57:46. | |
Marco has to regroup, speak to Wayne Griffiths, try to get a couple of | :57:47. | :57:51. | |
these frames. If he gets two, it gives him a chance. If you wake up | :57:52. | :57:57. | |
on semifinal morning and think, I have to win 17 frames, you would not | :57:58. | :58:01. | |
get round to doing it. You have to split it into mini sessions. It is | :58:02. | :58:07. | |
time for the main man in Stoke, the world number one, to put the | :58:08. | :58:13. | |
pressure on him. It is his turn now in the hot seat. | :58:14. | :58:18. | |
Welcome to another edition of the competition more important than the | :58:19. | :58:27. | |
World Championship. And today, the defending World Snooker champion, | :58:28. | :58:28. | |
Mark Selby. APPLAUSE | :58:29. | :58:36. | |
Did you play this lasted? I did. I cannot remember what time I | :58:37. | :58:43. | |
got. The time to beat... As long as I beat Hawkins, I will be happy. | :58:44. | :58:48. | |
That is impossible not to beat, over two minutes. The best time is Marco | :58:49. | :58:55. | |
Fu. Did he get all questions right? I do not think so. Pot the balls as | :58:56. | :59:04. | |
quick as you can. What was the number one record the day you were | :59:05. | :59:14. | |
born, June 1983? A multiple-choice. Let's Dance, I Just Called To Say I | :59:15. | :59:22. | |
Love You. Every Breath You Take. I will go for number two. No, it was | :59:23. | :59:33. | |
Every Breath You Take. . I will go for that. Name all the players... | :59:34. | :59:40. | |
This is tough. Name of the players he beat on the way to winning the | :59:41. | :59:47. | |
title in 2014. The locked. Michael White. Correct. Ali Carter. Alan | :59:48. | :59:53. | |
McManus. Neil Robertson. One in O'Sullivan. Ronnie O'Sullivan. | :59:54. | :59:55. | |
APPLAUSE What an anorak! You will need to be | :59:56. | :00:07. | |
an anorak for this third question. Who scored the first century break | :00:08. | :00:15. | |
at the Crucible? That is cruel. But you are world champions. First | :00:16. | :00:20. | |
century break at the Crucible. If I were Ken Doherty, I would give you a | :00:21. | :00:28. | |
too. Ken. That was not a clue. The first ever century break at the | :00:29. | :00:33. | |
Crucible. I do not think Ken was there. I will go for yourself. Eddie | :00:34. | :00:41. | |
Charlton. Eddie Charlton, did he make a century? Just, 105. | :00:42. | :00:47. | |
Who chose these questions anyway? Nothing to do with me! Including | :00:48. | :00:55. | |
yourself, how many players have won two and only two World | :00:56. | :01:03. | |
Championships? Mark Williams, Alex Higgins,... And including yourself, | :01:04. | :01:14. | |
Mark Selby. Congratulations, yes. So far, two balls off. Lastly, what is | :01:15. | :01:21. | |
your highest Crucible century break? I should know this... You should, | :01:22. | :01:28. | |
you made it! You were there. I was, but I can't remember. From first | :01:29. | :01:34. | |
ball to last... It definitely wasn't this year... 145?" 142. 2010. I | :01:35. | :01:42. | |
cannot tell you any more information than that. It's not coming through | :01:43. | :01:48. | |
my ear. Two balls off. You get to choose which ones... In your own | :01:49. | :01:56. | |
time... You get to choose which two balls. That is one off... And I will | :01:57. | :02:04. | |
go with this one... Place the cue ball wherever you want... And the | :02:05. | :02:12. | |
time strikes... No, the time starts when you strike the cue ball. Ready? | :02:13. | :02:21. | |
Go! He's off, the trademark wonderful pull-back of the cue. | :02:22. | :02:25. | |
Totally in control... That's enough, that's enough! Enough time to chalk | :02:26. | :02:36. | |
his cue... No time to even sway on the shot, this is amazing. So far, | :02:37. | :02:42. | |
this is wonderful, it has to be said. 30 seconds gone so far, well | :02:43. | :02:53. | |
in time. No ball yet has touched the cushion. All touched the sides! The | :02:54. | :03:00. | |
first cue ball doing any kind of mileage. Four reds left. Nicely into | :03:01. | :03:06. | |
the corner, for a minute he did not spot it. Slowly rolling in... Short | :03:07. | :03:13. | |
of pace, dropping slightly... A sort of run around the table. A nice and | :03:14. | :03:19. | |
controlled the top of the cushion there. He has got the angle... In | :03:20. | :03:27. | |
goes the red. CLAPPING How many are we on? One minute and | :03:28. | :03:30. | |
15 seconds. In it goes! Did not put a foot wrong, that was a | :03:31. | :03:52. | |
good time. One minute 18 seconds, you go into top place! CLAPPING | :03:53. | :04:04. | |
STUDIO: Nine seconds faster than his opponent Marco Fu today, is that an | :04:05. | :04:08. | |
omen? We will see, that was brilliant. | :04:09. | :04:13. | |
Let's check in on our last quarterfinal now, featuring the | :04:14. | :04:17. | |
mild-mannered, quietly spoken Barry Hawkins, 38 years old and now a very | :04:18. | :04:21. | |
big noise at the sharp end of major tournaments because he was a | :04:22. | :04:25. | |
runner-up here four years ago and has always been thereabouts ever | :04:26. | :04:30. | |
since. So too has Stephen McGuire, it has been a while for the | :04:31. | :04:35. | |
36-year-old Scot, a former world number two and UK champion. Twice a | :04:36. | :04:39. | |
semifinalist, falling down the rankings lately, he dropped down to | :04:40. | :04:44. | |
number 24 but if he wins the quarterfinal he will fault back into | :04:45. | :04:48. | |
the top 16 which would be a lovely consolation. It is the first time | :04:49. | :04:53. | |
he's ever had to prequalify for the Crucible having not won a match at | :04:54. | :04:58. | |
the Crucible in five years, he beat Anthony McGill and Rory McLeod, so | :04:59. | :05:03. | |
he has made the most surreal progress of anyone at this stage, | :05:04. | :05:09. | |
having only conceded five frames. A Scot won the first where they | :05:10. | :05:17. | |
settling break. Six points ahead, it is all being watched by Peter Ebdon | :05:18. | :05:18. | |
and Willie Thorne. COMMENTATOR: Just shows that at the Crucible, you | :05:19. | :05:34. | |
could miss anything. That was most unlike Barry Hawkins. Missing that | :05:35. | :05:43. | |
by a long way. You could see there that he was not happy, cueing right | :05:44. | :05:45. | |
across that one. Covering the red with the blue, if | :05:46. | :06:19. | |
he gets these three reds, they are all tied up. | :06:20. | :06:30. | |
Trying to get the cue ball behind the black, on the cushion if | :06:31. | :06:39. | |
possible. A good shot and well played. Stephen Maguire... Coming to | :06:40. | :06:55. | |
the table. The red to the right centre is far too difficult. Try and | :06:56. | :06:59. | |
get the cue ball behind the black on the cushion. To gain the initiative | :07:00. | :07:05. | |
and the safety exchange, playing that very well. Looking at the | :07:06. | :07:16. | |
statistics it is amazing that these two players, we played tournaments | :07:17. | :07:19. | |
week in and week out, have not played in the country since 2014. | :07:20. | :07:26. | |
Been abroad in China and places like that. They've played 17 times. | :07:27. | :07:50. | |
That was a good effort. Get that red nearest the green with some of the | :07:51. | :08:00. | |
left-hand side, that is no good, he may kiss into the green. It looks | :08:01. | :08:05. | |
like a two cushion escape to rest that red into the baulk area. | :08:06. | :08:40. | |
Peter's kindly put a line-up for me there, a two cushion escape, resting | :08:41. | :08:50. | |
on that red. The first wasn't very good but the second and third was. | :08:51. | :08:56. | |
He may take this one in the middle... | :08:57. | :09:24. | |
That was an excellent pot, a lot more difficult than it looked on | :09:25. | :09:29. | |
your television screens, I can assure you. | :09:30. | :09:55. | |
They may try and get the Brownback on the spot here. It depends if the | :09:56. | :10:03. | |
red closest to the brown goes back into that pocket and from where he | :10:04. | :10:08. | |
has finished, he may have to take that red into the centre. And put | :10:09. | :10:15. | |
the red in the yellow pocket, he does not want to finish straight on | :10:16. | :10:21. | |
this. Certainly making sure he did not finish straight on it but I | :10:22. | :10:25. | |
don't know if they would take it on now... This is really missable. A | :10:26. | :10:43. | |
long red into the left-hand pocket. The problem with taking this red on, | :10:44. | :10:48. | |
unless he plays it with a lot of pace, if he misses it, he could | :10:49. | :10:53. | |
leave it right over the pocket. Playing that really well. A very | :10:54. | :11:11. | |
nice kiss on the blue as well. We presume that they passed the green | :11:12. | :11:23. | |
into the corner. That tells us that the red is definitely available. | :11:24. | :11:38. | |
Looking to get a second bite at the cherry after missing that red on his | :11:39. | :11:40. | |
previous visit. On reflection of the opening two | :11:41. | :11:56. | |
frames, that is about right, that they share these first two. | :11:57. | :12:56. | |
Barry Hawkins levels. STUDIO: You can't continue watching that live on | :12:57. | :13:10. | |
the button and online but meantime, we will go back to the last four | :13:11. | :13:16. | |
frames of the opening session this afternoon of quarterfinal one | :13:17. | :13:20. | |
between Mark Selby, the defending champion, and Marco Fu. I wonder | :13:21. | :13:24. | |
what advice the coach has given them as they go out 4-0 down. A lot to do | :13:25. | :13:33. | |
as they head back to Steve and John. COMMENTATOR: Thank you. I do not | :13:34. | :13:37. | |
know if it is down to wane that if they play a break of shot, they have | :13:38. | :13:45. | |
not left a pot on. Every time he has gone off at this stage in the match, | :13:46. | :13:49. | |
he leaves something for Mark Selby to go out. Not this time... That is | :13:50. | :13:54. | |
a step in the right direction. That puts the cat among the pigeons, | :13:55. | :14:40. | |
no safety at the baulk end of the table. The safety is what we called | :14:41. | :14:52. | |
the top cushion. I know people call them different things, we all agree | :14:53. | :14:56. | |
that is the baulk end but some people call it a back cushion. I | :14:57. | :15:03. | |
called it the top cushion because in the billion days, they play cannons | :15:04. | :15:07. | |
on the black spot, it is called top of the table but is that careless? | :15:08. | :15:17. | |
He has, but so careless. Can't keep gifting opportunities | :15:18. | :15:46. | |
like this... Mark Selby must have been amazed he got a pot on there. | :15:47. | :15:53. | |
Good pot it was, but shouldn't have anything to go at. | :15:54. | :16:33. | |
We were just about to say, poor positional shot, but he has run into | :16:34. | :16:42. | |
the brown and left it nicely onto the middle. Fortunate... | :16:43. | :17:06. | |
Nice angle on the yellow, it is all about line and length, no need to | :17:07. | :17:14. | |
play cannons, two reds on the right-hand side of the table. That | :17:15. | :17:23. | |
is absolutely inch perfect. A wonderful shot. | :17:24. | :17:36. | |
It appears that the hole is getting deeper for Marco Fu here this | :17:37. | :17:40. | |
afternoon. Just got to try and maintain | :17:41. | :18:03. | |
concentration, just in case he does get a chance. It is easy to slip out | :18:04. | :18:10. | |
of the zone, and when you get a chance, you are not fully focused. | :18:11. | :18:17. | |
Effectively giving up for the whole session, Intel it is too late. -- | :18:18. | :18:26. | |
until it is too late. Arguably, the fifth frame of a match like this is | :18:27. | :18:32. | |
important from Selby's perspective to keep the heat on. Yes, he would | :18:33. | :18:39. | |
be guaranteed at least a two frame advantage going into the second | :18:40. | :18:48. | |
session. Coming so easily for him at the | :18:49. | :18:52. | |
moment, did not have to work for this chance. Playing for the bottom | :18:53. | :19:05. | |
red... Does not mind going long. He may have two trust luck a little | :19:06. | :19:09. | |
with that position but porting this, bringing other reds into play, if he | :19:10. | :19:15. | |
gets that colour, it could be a frame-winning opportunity. | :19:16. | :19:24. | |
I would imagine a fair bit of power in this shot... That white balls | :19:25. | :19:32. | |
sprung off there, I don't know if he could have worked that out... | :19:33. | :19:42. | |
Perhaps he could have done. Getting a bit close to the middle pocket. A | :19:43. | :19:51. | |
couple of balls away from being a winning contribution here. Expecting | :19:52. | :19:58. | |
him to miss an easy one, they set up like soldiers as long as he misses | :19:59. | :20:05. | |
that positional shot. One good positional shot on the | :20:06. | :20:13. | |
red... Think he can get through that gap there. He has played for it, I | :20:14. | :20:19. | |
think. Making a pot easier. That was an interesting way of playing it. Of | :20:20. | :20:27. | |
course, playing a drag below central strike. Slowing the cue ball down to | :20:28. | :20:29. | |
retain position on the black. Purposely played with a bit of pace, | :20:30. | :20:59. | |
a choice of reds. Had one in the right corner but he has got one in | :21:00. | :21:05. | |
the left, 52 points in front, with help the balls are situated. Likely | :21:06. | :21:10. | |
we will see Fu back at the table, this could be another frame where he | :21:11. | :21:19. | |
does not pot a ball -- it is unlikely that we will see Fu back at | :21:20. | :21:21. | |
the table. The only one where he did pot Kenny | :21:22. | :21:28. | |
was in frame two. -- where he did pot any. | :21:29. | :21:38. | |
A red and a black. Black, going 68 points in front with | :21:39. | :21:49. | |
only 67 remaining. Easy at the moment for the defending | :21:50. | :22:09. | |
champion. And the way he got in here, Steve, the last thing that | :22:10. | :22:15. | |
Marco can afford to do, is just to roll up to the reds and leave a pot | :22:16. | :22:22. | |
open. No part of Marco's game at the moment is sound. What a difference a | :22:23. | :22:33. | |
day makes. Yes. You would be looking, OK, if I can win two frames | :22:34. | :22:40. | |
in the next three, six twos, that isn't bad, but you begin to panic | :22:41. | :22:44. | |
that you may not get single on the board. Marco must be disappointed, | :22:45. | :22:51. | |
he sits in his chair and watches another frame slipped by to zero. | :22:52. | :22:57. | |
Scoring 36 points in the match so far after five frames. | :22:58. | :23:10. | |
It gets to the stage where if Mark was to miss now, he could just go | :23:11. | :23:21. | |
and pot sunbird Mark Selby knows the significance of keeping his opponent | :23:22. | :23:25. | |
off the table, going for the 100 break as well. | :23:26. | :23:38. | |
The highest break was 82 in this match, but Steve, the chance of a | :23:39. | :23:45. | |
century. He would like to get one... | :23:46. | :23:54. | |
Misjudging that... I do not think you can get through to the red. | :23:55. | :24:02. | |
Making a century break, if there are six pockets, can he get it in one? | :24:03. | :24:09. | |
Not like that... Another frame, gifted to him. Rolling up to the | :24:10. | :24:16. | |
reds, Marco Fu, left a red in the middle, another frame Fu has not | :24:17. | :24:21. | |
scored in. STUDIO: Mark gratefully accepting | :24:22. | :24:24. | |
that gift, nothing wrong with his cueing but a few of you have sent in | :24:25. | :24:31. | |
your problems for Doctor Parrott, Lewis says he finds it hard to | :24:32. | :24:35. | |
consistently cue straight and accurately, joined the club! | :24:36. | :24:39. | |
Any tips to know if you are slightly off or is it all down to practice? | :24:40. | :24:44. | |
Good question, one thing you want to use is the straight line on the | :24:45. | :24:48. | |
snooker table, the baulk line, a good test for your cueing. | :24:49. | :24:52. | |
If you line up with your Q-Tip on the brown spot, if you have a fault | :24:53. | :24:57. | |
with your cue action and go through, and it turns that way, and then if | :24:58. | :25:02. | |
it went a long can you go that way. If we exaggerated, what you want to | :25:03. | :25:07. | |
do is take a nice cue action, finish the backswing and follow it through. | :25:08. | :25:12. | |
You want your cue to go through and finished dead straight and write | :25:13. | :25:16. | |
down the line. Then you know you cue straight through the ball. That will | :25:17. | :25:21. | |
do it. Lewis, keep practising and report back! Meanwhile, back at the | :25:22. | :25:25. | |
World Championships, frame six of the first quarterfinal... | :25:26. | :25:32. | |
COMMENTATOR: Yes, did it goes straight, that cue? There is no such | :25:33. | :25:37. | |
thing as dead straight. Just the degrees of it... Once again, Mark | :25:38. | :25:43. | |
Selby breaks off and does not leave the wing red poking out, the best | :25:44. | :25:54. | |
Marco Fu has is a speculative one into the right corner. Don't tell me | :25:55. | :26:02. | |
that that red has poked its nose out into the left middle... Everything | :26:03. | :26:06. | |
going wrong for Marco Fu, if it is happening... Those are the marks... | :26:07. | :26:11. | |
But one has a know on the end. This is a chance that Marco Fu could | :26:12. | :26:24. | |
not have envisaged happening. He has played it well. Just a | :26:25. | :26:35. | |
procession at the moment. Certainly doing a job here, on his opponent. | :26:36. | :26:43. | |
If you are to win the World Championship, you need to be | :26:44. | :26:51. | |
clinical. You need killer instinct, and to be relentless. | :26:52. | :26:55. | |
That is exactly what Mark Selby has in spades. | :26:56. | :27:05. | |
A little more angles needed, he may just go up for the use read. By the | :27:06. | :27:16. | |
blue, and then pot that in a play for the blue. | :27:17. | :27:21. | |
Side, not quite enough... Plenty of side on it, a bit short of pace but | :27:22. | :27:28. | |
so much side he is on the red. So, you can always use the baulk of | :27:29. | :27:34. | |
colours to smash into the pack of the side cushions. | :27:35. | :27:38. | |
He could hold for the blue a bit further away than he would have | :27:39. | :27:42. | |
wanted. That makes the cannon on the paint a | :27:43. | :27:46. | |
bit harder. -- on the pink. The pace, making the | :27:47. | :27:56. | |
blue missable. Solid, a red all going. Unlucky! Mark Selby, 17. He | :27:57. | :28:03. | |
did not check that cluster... I wonder if it was lined up... No. | :28:04. | :28:11. | |
Could not possibly have foreseen the red going in, a chance for Fu. In it | :28:12. | :28:21. | |
goes! One hour and five minutes later, the last time he potted a | :28:22. | :28:24. | |
ball. I know that Marco would have loved | :28:25. | :28:56. | |
to have won the frame in this visit, but he will not win anything easy... | :28:57. | :29:03. | |
Going into them... This does not look too good... | :29:04. | :29:20. | |
It is one of those nightmare sessions, Marco Fu has got involved | :29:21. | :29:26. | |
himself involved in this here. Nothing going right. Must feel like | :29:27. | :29:31. | |
it is not his day. Currently must feel like it is slipping away from | :29:32. | :29:41. | |
him. In this first session... You must have quite a bit of reserve and | :29:42. | :29:47. | |
resolve to be able to cope with the emotions of this happen. | :29:48. | :30:04. | |
JOHN VIRGO: He has covered the escape route down the left-hand side | :30:05. | :30:13. | |
of the table. It will give Mark Selby a little bit to think about. | :30:14. | :30:23. | |
Has he found a path? He will have to be accurate with this. | :30:24. | :30:30. | |
Did not find the path. He caught the red much too thin. Marco gets | :30:31. | :30:38. | |
another opportunity. Just looking at the potting angle. | :30:39. | :31:04. | |
He would love to go up and play for the black and get it back of its | :31:05. | :31:09. | |
spot. He will not finish on anything good. He could cut the black in, but | :31:10. | :31:18. | |
I think he will be hampered by the blue. Obviously, he has the green. | :31:19. | :31:27. | |
Can he cued pass the blue for the black. He does not think so, so it | :31:28. | :31:36. | |
is the green. Swinging it around oft two cushions. Not good on this red | :31:37. | :31:47. | |
to the middle. He can pot it, but it is missable, but he has played it | :31:48. | :31:55. | |
well. He will be on the black. He needs an angle of the black. It is a | :31:56. | :32:00. | |
good shot and he has got an angle on the black. He may have to play the | :32:01. | :32:05. | |
cannon. He needs luck, once again, and he | :32:06. | :32:19. | |
never seems to get it when he needs it. One thing in his favour, an easy | :32:20. | :32:35. | |
path back to the baulk end. For me, it is essential he does not miss | :32:36. | :32:37. | |
anything easy when he gets the opportunity. If you pot the ball, | :32:38. | :32:44. | |
you may run out of position, but you get to play the next shot. Find a | :32:45. | :32:50. | |
spot near the baulk cushion where he leaves it awkward for Mark Selby. A | :32:51. | :32:55. | |
touching ball, he should be able to do that. | :32:56. | :33:08. | |
Trying to cover the escape path. That brown, or so. I don't know if | :33:09. | :33:26. | |
Mark get through to a red in the middle of the table, if you can't, | :33:27. | :33:30. | |
he can only get through to the red off the right-hand side and I don't | :33:31. | :33:38. | |
see a safety from that one. Looking to come off a cushion to hit another | :33:39. | :33:40. | |
red. He is in a spot of bother. He tried the two cushion escape with | :33:41. | :34:20. | |
pace. A miss. No free ball. Marco does not even bother getting out of | :34:21. | :34:24. | |
his seat, asking him to play from that same position again. He got | :34:25. | :34:29. | |
very close to the two cushion escape. | :34:30. | :34:42. | |
He has a very clever snooker brain, Mark Selby. You do not want to hit | :34:43. | :34:52. | |
the red to thick. And that is what he did. This is a golden opportunity | :34:53. | :34:58. | |
for Marco Fu to put his first frame on the scoreboard. He has got to | :34:59. | :34:59. | |
take this chance. If it were the perfect angle of the | :35:00. | :35:13. | |
red to the middle, he would stun across for the black to the right | :35:14. | :35:18. | |
corner. He is obviously a little bit straight on it, nevertheless, it is | :35:19. | :35:20. | |
a good chance. But he could stun over for the | :35:21. | :35:32. | |
black. He may have to play for a red to the middle. If he tries to stun | :35:33. | :35:39. | |
for a red in the same pocket as the black he could cannon into the | :35:40. | :35:42. | |
ocean, but he avoided it. He will need one of the awkward | :35:43. | :36:10. | |
reds. These two reds and two blacks is not going to be enough. He will | :36:11. | :36:19. | |
be the red along the top cushion, maybe the one near the right side | :36:20. | :36:24. | |
cushion. An awkward red anyway is needed to clinch the frame. Maybe in | :36:25. | :36:30. | |
potting this pink he will bring the red away from the cushion. He did | :36:31. | :36:45. | |
not make a great job of it. The trademark lifting at the back of | :36:46. | :36:49. | |
Marco Fu and slight lifting up of the head on the strike of the shot, | :36:50. | :36:54. | |
not so much on this type of shot, but anything with a bit of pace, | :36:55. | :37:01. | |
just a little up in the air. Mark Selby is more rock solid on the | :37:02. | :37:03. | |
shot. But it is the style he plays. No heroics here. This is to go 50 | :37:04. | :37:20. | |
points in front with 43 remaining. Asking the referee to clean the cue | :37:21. | :37:24. | |
ball. He does not want to risk a bad contact. | :37:25. | :37:37. | |
Oh, it struggled in but he has his first frame on the scoreboard now, | :37:38. | :37:45. | |
surely. He dropped his chalk in the meantime! He could not find his | :37:46. | :37:50. | |
pocket. Thankfully, with the red, he found that one. There will be no way | :37:51. | :37:58. | |
back to the table for Mark Selby now. | :37:59. | :38:06. | |
He had first chance in this frame, did Mark. Even though he has a good | :38:07. | :38:15. | |
lead, he will be a little bit annoyed. Anyway, the frame is over | :38:16. | :38:23. | |
now. It is tough to keep the pressure up on your opponent. To | :38:24. | :38:29. | |
guarantee not leaving him any breathing space whatsoever. | :38:30. | :38:39. | |
A nice position shot. Appreciated by the packed Crucible audience. | :38:40. | :38:51. | |
Well, OK, he will be disappointed he missed the red, it doesn't matter, | :38:52. | :39:01. | |
he has a frame on the scoreboard. Everything is set up now. Two more | :39:02. | :39:07. | |
frames to play in the session and if he can win them both, he will forget | :39:08. | :39:09. | |
about the 5-0 deficit. As you saw, he has been to two | :39:10. | :40:17. | |
semifinals, Marco Fu. One quarterfinal. So he has got past | :40:18. | :40:26. | |
this quarterfinal stage on two occasions. After what has happened, | :40:27. | :40:35. | |
and this is the amazing thing, if he could win the next two frames and go | :40:36. | :40:40. | |
to 5-3, he would be over the moon. A good pot. He will be on the yellow | :40:41. | :40:50. | |
all brown at least. There are loads of variations of | :40:51. | :41:07. | |
5-3. This would be a good one from Marco Fu's perspective. He would | :41:08. | :41:12. | |
probably feel he had won the session! Absolutely. | :41:13. | :41:21. | |
Trying to play the precise positional shot and it needed to | :41:22. | :41:25. | |
run. Has it? Great effort. Really great effort. | :41:26. | :41:42. | |
Could be forgiven by trying to gamble by going into the pack. You | :41:43. | :41:46. | |
can see the disappointment. He wanted to be low on the black in | :41:47. | :41:51. | |
order to play the cannon into the cluster. He will still be on the | :41:52. | :41:56. | |
lease red. He has the blue. He wanted to be low. It is all about | :41:57. | :42:07. | |
pace. Can he find a good angle on the blue? Need to hurry. He has more | :42:08. | :42:17. | |
of a chance off two cushion is into the back of the pack. He was quickly | :42:18. | :42:27. | |
down on it. He has this hit it. He stunned it fractionally and did not | :42:28. | :42:32. | |
get enough top spin. When he plays that shot, he lifts up a little bit | :42:33. | :42:35. | |
with his head and there is a tendency perhaps to hit down on the | :42:36. | :42:40. | |
shot. Not happy with himself. A little muttering. He wanted to be on | :42:41. | :42:50. | |
the black early and did not get that. Did not get the angle on the | :42:51. | :42:58. | |
blue. A tip when you are playing that shot, obviously you need top | :42:59. | :43:05. | |
spin, but you also need the side to get pace into the cue ball. The way | :43:06. | :43:11. | |
it came off, it did not look like he played with a lot of side. It | :43:12. | :43:17. | |
bounced a bit and never recovered. No top spin gripped the cloth and | :43:18. | :43:29. | |
drew it towards the side cushion. A speculative shot. He is going for | :43:30. | :43:34. | |
this. A screw back to the side. Well. Marco still has a chance in | :43:35. | :43:41. | |
this session. Noticeably on that shot, you see, | :43:42. | :44:03. | |
when any amount of effort has to be put into the shot, Marco lifts up a | :44:04. | :44:12. | |
significant amount. It is as if he is moving his head and shoulder to | :44:13. | :44:15. | |
give him room to get the cue through. Yes. A lot of players are | :44:16. | :44:23. | |
not as gifted as some of the great power players of the game, like the | :44:24. | :44:29. | |
Judd Trumps, Shaun Murphys. An excellent pot therefrom Mark Selby. | :44:30. | :44:37. | |
He did not screw back far enough, Marco, when he played the pot down | :44:38. | :44:44. | |
the side cushion. He did not want to leave that on. The red to the right | :44:45. | :44:50. | |
next to the black, I think is available. If he could get on that | :44:51. | :44:58. | |
red, of course, he would clear the black. | :44:59. | :45:06. | |
He wanted to be straight on this red. Not certain of the potting | :45:07. | :45:16. | |
angle now. He certainly wants to stay this side of the baulk line, if | :45:17. | :45:19. | |
he can. No, he is nicely on the yellow. This | :45:20. | :45:34. | |
red that is close to the black, it looks to be available. Unless he | :45:35. | :45:42. | |
wants to play the cannon, I see no reason why not to play on it now. | :45:43. | :45:49. | |
Needed more pace in the cue ball. I think you can pot the red from there | :45:50. | :46:00. | |
but he will cannon the black from this position so he needs to judge | :46:01. | :46:04. | |
the cannon correctly to develop the black into a pottable position. | :46:05. | :46:16. | |
Good pot. He played it with base. -- with pace. It worked out nicely. Can | :46:17. | :46:26. | |
he find a path? He could not have played it better. | :46:27. | :46:49. | |
He still has the problem. This is the last of the pottable reds. Knees | :46:50. | :46:53. | |
an angle on -- he needs and angle on a colour | :46:54. | :47:07. | |
now. This could be the key shot to this frame, if he can bring reds | :47:08. | :47:16. | |
into play. Nothing available at the moment, you cannot see any plants. | :47:17. | :47:25. | |
The could not have given that much more welly. | :47:26. | :47:31. | |
I think he can just get past the pink. | :47:32. | :47:37. | |
You would rather be playing for a baulk colour here, so you can push | :47:38. | :48:01. | |
the cue through firmer. And that is what he did. If you tried to play a | :48:02. | :48:11. | |
delicate shot, you could hit it on the thin side. He almost did. But a | :48:12. | :48:16. | |
chance now. He played it nicely. He has to be | :48:17. | :48:56. | |
careful with this, digging down. It was a little bit shy of pace. | :48:57. | :49:23. | |
Could have perhaps decided to play that to overhit it a little bit, | :49:24. | :49:26. | |
which would be preferable to being on the side cushion. | :49:27. | :49:37. | |
That was missable, but he has got it. He has not got the perfect angle | :49:38. | :49:47. | |
on the pink. What has he spotted here? He has an angle on the pink to | :49:48. | :49:56. | |
pot it and cannon into the cluster. Trust to look for position, but I do | :49:57. | :50:01. | |
not see any other shot to play. I think he is checking whether pink | :50:02. | :50:06. | |
would spot. If it does not spot, I think the brown spot is available. | :50:07. | :50:12. | |
He is not allowed to ask the referee, not to use any type of | :50:13. | :50:19. | |
measuring tool, so it is a judgment call. A great effort. Remember | :50:20. | :50:26. | |
Ronnie O'Sullivan, was it last year, the year before, he actually put the | :50:27. | :50:30. | |
chalk down to try to judge, which was effectively an illegal thing to | :50:31. | :50:35. | |
do. He cannot see enough of this red, can he? I think he can. He got | :50:36. | :50:46. | |
down quickly enough on it. I hasten to add it was not Ronnie O'Sullivan | :50:47. | :50:50. | |
deliberately trying to cheat, just perhaps an anomaly in the rules he | :50:51. | :50:56. | |
was not aware of. Canny hit enough of this to pot it? He got an awful | :50:57. | :51:09. | |
kick. It went straight on. I was wondering whether he could have hit | :51:10. | :51:13. | |
enough of it and the way it has gone, he could have hit it full | :51:14. | :51:17. | |
ball. It shows you how a kick can make a ball go off-line. It is the | :51:18. | :51:26. | |
type of shot where it can happen, a soft and deft shot like that. It | :51:27. | :51:36. | |
pushed it off six inches. Marco Fu went care, he needs all the help he | :51:37. | :51:40. | |
can get. This would be a turning point if he were to take the frame. | :51:41. | :51:50. | |
He would have his tail up for the last of the session. It is OK. He | :51:51. | :51:59. | |
has the red to the middle and I think at least the bottom of the two | :52:00. | :52:04. | |
reds is available. He did not get the cannon as he wanted. I think the | :52:05. | :52:13. | |
one closest to the black of the two will go to the right corner. He | :52:14. | :52:15. | |
needs a good angle. I sense good things for the rest of | :52:16. | :52:45. | |
this frame for Marco Fu. Somehow, he is digging himself a little bit out | :52:46. | :52:55. | |
of the hole. On these occasions you could do with some help from your | :52:56. | :53:01. | |
opponent, and, in this case, the balls. Passing by quite easily. He | :53:02. | :53:10. | |
will be taking the one on the top cushion next. | :53:11. | :53:16. | |
Under normal circumstances, you would be thinking that Marco Fu, now | :53:17. | :53:25. | |
only two points behind, and the balls where they are, but it is not | :53:26. | :53:30. | |
quite normal circumstances at the moment. But what an opportunity. As | :53:31. | :53:43. | |
you say, what a fillip it could give him if he wins the frame at this | :53:44. | :53:51. | |
visit. As he approaches the last frame of the session. Big moments | :53:52. | :53:53. | |
for Marco. Any baulk cover. Normally you would | :53:54. | :54:12. | |
play for the blue but with the brown not on its spot, he has to be | :54:13. | :54:20. | |
careful. Of course, the yellow comes back up because it was spotted after | :54:21. | :54:24. | |
he potted a red and now the colours are in sequence. | :54:25. | :54:33. | |
He still needs the blue. The green and brown will put him 18 points in | :54:34. | :54:42. | |
front, with 18 remaining. A nice, positive effort. Marco Fu | :54:43. | :55:01. | |
looks to be re-gaining his composure in this match. What a fantastic, | :55:02. | :55:09. | |
competitive animal he is. He does not know the meaning of the words | :55:10. | :55:11. | |
giving up. And in goes the pink. Mark Selby had | :55:12. | :55:38. | |
a chance. He played the red. He had a horrendous contact, but Marco Fu | :55:39. | :55:45. | |
took advantage. With that break of 60, he has won his second frame. | :55:46. | :55:53. | |
He is doing it again in this match. Very unfortunate for Mark Selby with | :55:54. | :56:00. | |
a horrible kick in the middle. 5-1 up and this is to chip it is in the | :56:01. | :56:06. | |
corner and it straightens up completely. Horrible. He has had | :56:07. | :56:10. | |
three this afternoon, three bad ones, but that one, it has changed | :56:11. | :56:16. | |
the momentum of the game. If Marco gets out of this 5-3, what a result. | :56:17. | :56:22. | |
And gives him the chance to make his biggest contribution of the match so | :56:23. | :56:28. | |
far, 60, which by his standards is not great, but take everything at | :56:29. | :56:31. | |
this stage? Absolutely. A massive frame coming up. If you get a | :56:32. | :56:36. | |
chance, you have got to take it and it is not just about luck, it is | :56:37. | :56:42. | |
what you take advantage of and he did that there. If he gets the last | :56:43. | :56:50. | |
frame, it could be huge. It will make him sleep better, coming back | :56:51. | :56:54. | |
tomorrow. The eighth frame could be very important. Back we go. | :56:55. | :57:00. | |
JOHN VIRGO: Yes, I agree with everything John and Ken said. When | :57:01. | :57:13. | |
he was 5-0 down, he had only scored 36 points in the five frames and you | :57:14. | :57:14. | |
really feared the worst. Well, a tentative pot. The way he | :57:15. | :57:34. | |
played it the only red he could leave was the one he was playing. | :57:35. | :58:09. | |
Just look at that. The first five frames. That needed to slow up. And | :58:10. | :58:23. | |
it did. Just little runs like that, just beginning to favour Marco. | :58:24. | :58:36. | |
This red going towards the corner pocket. The bump. I think Marco is | :58:37. | :58:48. | |
all right, he can cue past the blue and roll it in around two cushion is | :58:49. | :58:53. | |
for the black in the opposite corner. | :58:54. | :58:59. | |
Has he run too far? Looking at his body language, I think he has. It is | :59:00. | :59:11. | |
hard to get any reaction from Marco Fu, facially, but, for me, he has | :59:12. | :59:17. | |
just run a fraction too far, or has he? Can he bend the cue ball in to | :59:18. | :59:25. | |
the left-hand side. A shake of the head tells me if he could, it was | :59:26. | :59:30. | |
too risky. They say it is about fractions. One inch less space, he | :59:31. | :59:34. | |
would have been nicely on the black. That is a nice click, is that an | :59:35. | :00:40. | |
edge on this red sticking out for Marco Fu, to play an easy safety? Or | :00:41. | :00:49. | |
does the green cover the path? I think he can get through to the end | :00:50. | :00:55. | |
red, he is looking to see whether he knocks a red over the left corner | :00:56. | :01:02. | |
here. He has to be careful here. Ooh! Where is that red come over the | :01:03. | :01:11. | |
middle pocket? What a strange situation. Marco Fu may be obligated | :01:12. | :01:20. | |
to play a safety shot up to the top cushion now. Yes. | :01:21. | :01:40. | |
Still no straightforward safety to play into the top cushion, there are | :01:41. | :01:43. | |
a few rates -- reds available, one to the left | :01:44. | :01:54. | |
middle. I cannot see him playing a pot on the brown, surely? That is | :01:55. | :01:59. | |
the only ball you would consider playing a potty Macon? | :02:00. | :02:05. | |
-- playing the part on. He has found a way to cover the red | :02:06. | :02:16. | |
with the yellow. Good thinking! Obviously, you see shots better when | :02:17. | :02:22. | |
you are down on the table. That was a good one. Selby with an | :02:23. | :02:25. | |
appreciative tap on the table, more less obligated to play that red he | :02:26. | :02:33. | |
cannot see over the middle to shift it, get some separation between the | :02:34. | :02:37. | |
balls and get the cue ball into the baulk area. It is very hard... A | :02:38. | :02:40. | |
good shot. I would think that with everything | :02:41. | :03:01. | |
going on here, we say what a big frame this is for Marco Fu, I think | :03:02. | :03:05. | |
it is becoming a big frame for Mark Selby as well. | :03:06. | :03:15. | |
Nailed that safety shot. Very unfortunate, from his perspective. | :03:16. | :03:29. | |
Just sneaking past the brown. It is strange, say that the session is 3-3 | :03:30. | :03:34. | |
and Mark Selby went to the last two in the session, he is delighted but | :03:35. | :03:40. | |
if he ends it 5-3 from 5-0 in front, he is not a happy bunny... | :03:41. | :03:46. | |
But I think he is experienced enough, to go OK, I won that | :03:47. | :03:50. | |
session, we will wait for the next one. | :03:51. | :03:53. | |
A bit unlucky to hit that bump, even though it was in this head. Looking | :03:54. | :03:58. | |
to have done no damage at first sight. You say that, I wonder, there | :03:59. | :04:04. | |
are two reds to the black, I wonder if he he could pot into this left | :04:05. | :04:09. | |
corner? Not quite... | :04:10. | :04:11. | |
But half a chance. Match time of two hours. I cannot | :04:12. | :04:26. | |
say it has not been interesting. A bit one-sided at first, but it seems | :04:27. | :04:31. | |
very interesting now. Not the best safety shot, from Mark. | :04:32. | :04:52. | |
A couple of reds that Marco can have a go at. | :04:53. | :04:55. | |
A poll safety shot, Mark is sitting in his chair, shaking his head a | :04:56. | :05:01. | |
bit. Will he be punished? That needs to | :05:02. | :05:09. | |
slow up, where is the cue going? Oh no, pockets are always in that same | :05:10. | :05:11. | |
place. You cannot say it is bad luck. He | :05:12. | :05:19. | |
seems to put some right-hand side on that. Making it go towards that | :05:20. | :05:25. | |
pocket, he was not really on a colour after that pot. | :05:26. | :05:37. | |
A tough shot, he put a lot of side spin on it... Where is that cue ball | :05:38. | :05:42. | |
going? LAUGHTER | :05:43. | :05:49. | |
Understandable that he missed it, he had to load up on the right-hand | :05:50. | :05:55. | |
side, very much a judgment shot. Left-hand side? Yeah... Left-hand | :05:56. | :06:06. | |
side, same as Marco's. Yeah, depending on, as we said, on the | :06:07. | :06:10. | |
superfine cloth scummy you play with side and it is perilous -- superfine | :06:11. | :06:21. | |
cloth is, you can play with side. Marco puts too much left-hand side | :06:22. | :06:26. | |
on that shot, lucky to hide behind that green, surely he was playing | :06:27. | :06:32. | |
behind the brown, that is the one to snooker behind. | :06:33. | :06:36. | |
He has some luck, really. What I would say, he was fully winged being | :06:37. | :06:40. | |
on that side of the table. The pink blocks that escape route down the | :06:41. | :06:45. | |
right-hand side. He has a bit of a problem here. Is | :06:46. | :06:55. | |
there an edge sticking out? Well... There is but he does not like it. He | :06:56. | :07:01. | |
tries to Nassau on the red closer to the top cushion. -- he is trying to | :07:02. | :07:10. | |
nestle it in. So good at this | :07:11. | :07:15. | |
type of shot. Two for that... Marco Fu can jack up | :07:16. | :07:25. | |
over the top of the red. Possibly snickering his opponent | :07:26. | :07:30. | |
behind the brown that he is concerned about that red near the | :07:31. | :07:38. | |
black. Touching ball would have been handy. | :07:39. | :07:49. | |
So, he has the brown and yellow as snookering balls in that corner, | :07:50. | :07:56. | |
does he move the red away from that corner? Playing this red he cannot | :07:57. | :08:08. | |
get near the circle. He plays the red, coming back from | :08:09. | :08:12. | |
where he plays it from. Putting that green... It comes to | :08:13. | :08:19. | |
the rescue once again! Mark Selby with a wry smile, annoyed that Marco | :08:20. | :08:26. | |
Fu got away with it. I think Mark was planning on playing the same | :08:27. | :08:33. | |
shot he played last time around. I didn't think that would be on the | :08:34. | :08:39. | |
cards... He should know the line of this shot. | :08:40. | :08:50. | |
Does not want to leave a touching ball. Foul... A miss. I do not see | :08:51. | :09:00. | |
any other way that Marco is going to have this. | :09:01. | :09:07. | |
Just a slightly different feeling now, this match. From nowhere, | :09:08. | :09:15. | |
really. Everything looked to be rosy in Mark | :09:16. | :09:23. | |
Selby's camp and suddenly, he is on the back pot slightly. | :09:24. | :09:32. | |
-- he is on the back foot. He has left a pot on. | :09:33. | :09:38. | |
If Marco Fu can pot eight and get the cue ball somewhere near the | :09:39. | :09:40. | |
middle of the table he could play to the middle. | :09:41. | :09:50. | |
He is OK there. In an ideal world, you would want to play but they | :09:51. | :09:55. | |
traced to the left-hand side, but just move the cue ball further up | :09:56. | :10:02. | |
the table which makes that pot listenable, with pace. | :10:03. | :10:07. | |
It is half a chance. He will play that pot, it depends | :10:08. | :10:11. | |
where he wants to leave that cue ball. | :10:12. | :10:15. | |
Roll it in, leave yourself on the green from that position? I would | :10:16. | :10:19. | |
play a screw shot here. He is going to roll it in. The only question | :10:20. | :10:27. | |
that I would ask now, in potting that green, how does he get back to | :10:28. | :10:37. | |
this end of the table? Maybe he thinks with the red adjacent to the | :10:38. | :10:41. | |
left corner, I do not have too... I think that he can get, I was going | :10:42. | :10:45. | |
to say, how he is playing he will not try and get around the yellow | :10:46. | :10:49. | |
and brown, you place an excellent shot there, digging down. | :10:50. | :11:00. | |
Very missable. Could not have played it better, I would have been | :11:01. | :11:06. | |
frightened. A very good shot... That corner pocket is very good. Digging | :11:07. | :11:21. | |
his way out of trouble. He has a red that is open, he does not have to do | :11:22. | :11:25. | |
anything with this, role in the blue. | :11:26. | :11:45. | |
Currently does not seem good to put the pink back on the spot. A bit of | :11:46. | :11:58. | |
chalk dust off the table... I think he would like to pot that red which | :11:59. | :12:06. | |
is nearest the pink in a line down the table, anyway. Get that out the | :12:07. | :12:17. | |
way before he pots the pink. Decided he could not start risking going up | :12:18. | :12:26. | |
blue, I think he will be OK there. Be careful that he does not snooker | :12:27. | :12:33. | |
himself with the pink when it is re-spotted... | :12:34. | :12:37. | |
He could have rolled that in and got on the red. Easier than I thought. | :12:38. | :12:42. | |
Much easier than I thought! It is funny how it resolves itself, tough | :12:43. | :12:48. | |
from the commentary box and on a TV screen to exactly see that layout of | :12:49. | :12:54. | |
the balls going past the others. We don't miss many pots in the | :12:55. | :13:01. | |
commentary box, had you missed any? The pod | :13:02. | :13:06. | |
-- the pot success rate at the moment is excellent. Could possibly | :13:07. | :13:16. | |
be at 101%! I would not be far behind! Play for the pink in the | :13:17. | :13:25. | |
middle again, again he is to be slightly wary. | :13:26. | :13:28. | |
Ideally he would want to shift the reds around and maintain position | :13:29. | :13:32. | |
but he will not have a chance of that with this one. | :13:33. | :13:38. | |
Just run that cue ball... He is going to roll it in... No, has he | :13:39. | :13:46. | |
gone far enough? He is hanging his head! Has he stunned it too much? | :13:47. | :13:54. | |
No, a dog of a shot... Oh dear. Has he got away with it? Effectively... | :13:55. | :14:02. | |
Make it on the left-hand side, he will sacrifice position on the pink | :14:03. | :14:07. | |
for that. He plays it with a long left-hand | :14:08. | :14:11. | |
side to turn it over, and he plays it well. He said he could play at | :14:12. | :14:17. | |
any pace, he has had to play for the black. The unit, he might have the | :14:18. | :14:24. | |
perfect angle to pot the black and shift the red along the top cushion | :14:25. | :14:33. | |
which could resolve itself nicely. He did not risk doing that, he | :14:34. | :14:38. | |
played for the pot along the top cushion but he is a little short. | :14:39. | :14:44. | |
This is very risky now. I do not see how he can play this, to be honest. | :14:45. | :14:49. | |
Just off the cushion, making it missable. A 38 point lead. This is | :14:50. | :15:01. | |
tough... Could not see how you could play that. If it is tight on the | :15:02. | :15:15. | |
cushion, get the red and the cushion together, they cling. | :15:16. | :15:20. | |
But it is very missable. He had a chance to claw his way back into the | :15:21. | :15:23. | |
match and could have done without risking that. | :15:24. | :15:29. | |
If that is a turning point in the frame... I'm not trying to give them | :15:30. | :15:34. | |
any overtime, I'm sure the lads in the studio would be discussing the | :15:35. | :15:45. | |
rights and wrongs of his choices. No. No. This is a funny thing, this | :15:46. | :15:57. | |
game. It is not coming easily to Selby any more. He has seen | :15:58. | :16:02. | |
everything he did in the first four frames in particular, it is getting | :16:03. | :16:09. | |
awkward for him now. Did not make the most of that | :16:10. | :16:10. | |
opportunity. Good safety, but with those reds | :16:11. | :16:28. | |
clustered closely together you would not expect Marco to make a mistake, | :16:29. | :16:32. | |
coming around a two cushion mistake... It is a case of not going | :16:33. | :16:37. | |
into hard, if he goes below the middle pocket... Should not be a | :16:38. | :16:40. | |
problem. That is the line. Just don't want to | :16:41. | :16:48. | |
hit it too hard, that is all. Snooker again, a tap on the table | :16:49. | :17:56. | |
from Marco but once again because these five reds are tightly | :17:57. | :18:04. | |
clustered, he would not think you leave one unless you hit it far too | :18:05. | :18:08. | |
hard, coming off one cushion this time. | :18:09. | :18:14. | |
Making it slightly less of a target. He has judged it well. Well played. | :18:15. | :18:26. | |
This time, he has not left Mark Selby in his return to the bowl ten. | :18:27. | :18:31. | |
Mark is not going to get much of an advantage here. -- the baulk end. | :18:32. | :18:39. | |
He does not really want to play to the top cushion, it sacrifices a | :18:40. | :18:47. | |
tactical advantage to Marco Fu. He may be forced to, I suppose, that | :18:48. | :18:51. | |
way of not doing that would be to roll into the pack. Not the greatest | :18:52. | :19:03. | |
way of playing things. Top cushion it is. Try and get it behind the | :19:04. | :19:08. | |
black, that would be a great shot, if he can do that. As good an effort | :19:09. | :19:17. | |
as you could hope for. Marco Fu looks like he can get past the | :19:18. | :19:23. | |
black. If he tries to be too aggressive with a safety shot he | :19:24. | :19:29. | |
opens up the road a little bit. -- opens up the red a little bit. | :19:30. | :19:36. | |
An excellent cue ball. Mark Selby is 30 points behind and he knows that | :19:37. | :19:45. | |
if he makes one more mistake it could be the end of a frame. Always | :19:46. | :19:50. | |
an outside chance when you play that kind of shocked that you | :19:51. | :19:52. | |
accidentally leave a long-range plant on. Not the case really with | :19:53. | :19:58. | |
this. And less Mark Selby gets very aggressive. | :19:59. | :20:00. | |
-- and -- unless Mark Selby gets very | :20:01. | :20:15. | |
aggressive. A tap on the table... There is | :20:16. | :20:31. | |
plenty of tapping going on today. He wants this cue ball to slow down... | :20:32. | :20:35. | |
Not only does he miss that red but leaves the red between the pink and | :20:36. | :20:40. | |
black. And by a long way, a bit of left-hand side on. It swerved quite | :20:41. | :20:54. | |
dramatically. As you say, missing it by quite a way in the grand scheme | :20:55. | :20:56. | |
of things. A good solid pot, he would not mind | :20:57. | :21:12. | |
a bump on the middle pocket here, and he got one. Less than perfect on | :21:13. | :21:17. | |
the blue. A big pot from Selby there, it would have been easy to | :21:18. | :21:20. | |
have missed that one, and effectively sacrificed the frame. | :21:21. | :21:28. | |
He is digging in as well now. A fascinating ending to this first | :21:29. | :21:37. | |
session of three. Can Marco Fu get himself out of trouble? | :21:38. | :21:47. | |
Can Mark Selby keep up the pressure? Half interested in the cannon on the | :21:48. | :21:52. | |
two reds to the left of the pink, playing at such a pace if he did not | :21:53. | :21:58. | |
get that cannon and the red into the right corner, he is, 20 points | :21:59. | :22:01. | |
behind. Not a straightforward run to the | :22:02. | :22:04. | |
winning line. Two reds near the cushion. | :22:05. | :22:13. | |
Two reds together in an awkward position. | :22:14. | :22:13. | |
This is not straightforward. Now, does he have angle on this pink | :22:14. | :22:28. | |
to nudge these two red Phil Mack into | :22:29. | :22:32. | |
-- nudge these two reds into play? He has got an alternative... Not | :22:33. | :22:46. | |
ideal. I do not think either of those reds pottage, they may go into | :22:47. | :22:51. | |
the left middle but the problem with this red, if you play with any pace | :22:52. | :22:56. | |
to get that cue ball away from the cushion, it makes that pot more | :22:57. | :23:01. | |
difficult. 13 points behind now... | :23:02. | :23:23. | |
A good shot. He does not have the angle on the black toucan and those | :23:24. | :23:33. | |
two reds into play and if he plays the black, he will have to go out on | :23:34. | :23:37. | |
the baulk cushion, and as they are available on the right corner. | :23:38. | :23:43. | |
They do not look like they are... But that cue ball is going to have | :23:44. | :23:49. | |
to travel. Watch the middle pocket... Playing it well. Does the | :23:50. | :24:01. | |
red go? Inch perfect, wonderful positional shot. Wonderful. Marco | :24:02. | :24:14. | |
Fu's only hope is the red on the top cushion. Mark Selby looks like he is | :24:15. | :24:26. | |
plain that now. I thought he was just going to roll | :24:27. | :24:31. | |
it in. A little out with that one. He will have to play for it some | :24:32. | :24:36. | |
time, he had perfect timing on the black to play for it then. It begs | :24:37. | :24:41. | |
the question, why didn't he? Unless he decides to shift it, because it | :24:42. | :24:51. | |
is too risky. It depends, I've said it many times, if the red is tied to | :24:52. | :24:55. | |
the cushion it isn't a problem but if it is just off, it makes it | :24:56. | :24:58. | |
difficult. It looks tight to the question to | :24:59. | :25:04. | |
me... Did not like it. As you say, they | :25:05. | :25:08. | |
try and move it but he has not moved it into an advanced | :25:09. | :25:15. | |
-- advantageous position. The role on the cushion along the frame, it | :25:16. | :25:21. | |
was the way that Ray Reardon played on that last red, leave it for a | :25:22. | :25:31. | |
snooker, it's not the modern way now, but a last resort for Selby, if | :25:32. | :25:35. | |
it does not pan out right, the release of that cushion, keeping the | :25:36. | :25:41. | |
pressure on and not leaving Marco Fu an easy chance. | :25:42. | :25:46. | |
He goes back to his seat with an 11 point lead. Marco with an age-old | :25:47. | :25:54. | |
problem, not so much hitting this red, I don't think it is the | :25:55. | :25:58. | |
toughest snooker to escape from, the longest frame of the match but he | :25:59. | :26:06. | |
has to get this red safe... Disappointing not to hit it. What I | :26:07. | :26:15. | |
would say, about the choice of shot of Mark Selby, not risking that red | :26:16. | :26:18. | |
on the top cushion... What we have seen this week and last | :26:19. | :26:23. | |
week they go along the top cushion and four in relatively easily. We | :26:24. | :26:27. | |
never really got to see whether it was tight or not. We saw Marco Fu | :26:28. | :26:34. | |
play that read along the cushion earlier in the frame, I thought it | :26:35. | :26:40. | |
was risky. This is very important, that this | :26:41. | :26:43. | |
cue ball is put back in the same place. That is where they were and | :26:44. | :26:50. | |
where it is now. Perfect. Marco Fu does not have that right angle of | :26:51. | :26:54. | |
the side cushion unless he swerves it before the cue ball gets to the | :26:55. | :26:58. | |
cushion, he can play a swerve shot around an imaginary ball. | :26:59. | :27:06. | |
To widen the angle and hit the red. He hasn't considered it yet. The | :27:07. | :27:14. | |
middle pocket is in the way. That may a little less pace? If you are | :27:15. | :27:18. | |
to play it with tons of left-hand side... Swerve it before it gets | :27:19. | :27:22. | |
there. Anything could happen with this either way. If he misses it, he | :27:23. | :27:26. | |
leaves a free ball. Mark checking if the red goes past | :27:27. | :27:46. | |
the blue. There is still some damage that Mark | :27:47. | :27:51. | |
Selby has put him in. If your opponent has a problem with | :27:52. | :27:57. | |
escaping, you can more or less get over the line. | :27:58. | :28:01. | |
He has had one go this way. He cannot play at this pace, if he hits | :28:02. | :28:05. | |
it wrong he will knock it over the corner pocket. He hopes for a | :28:06. | :28:08. | |
perfect Kiss, which he has nearly got. | :28:09. | :28:21. | |
21 points is the difference now. Surely he can play the swerve onto | :28:22. | :28:25. | |
the right-hand side cushion and widen the angle? He hasn't really | :28:26. | :28:35. | |
contemplated that... This is better. But, not good | :28:36. | :28:42. | |
enough. He leaves it, if he hits it forward, he is bound to leave it... | :28:43. | :28:46. | |
You cannot play it like that, for me. Asking for the perfect contact | :28:47. | :28:54. | |
on the road. Otherwise it is a miss all the time -- contact on the red. | :28:55. | :29:00. | |
He did not play a shot that I thought was known, if that makes | :29:01. | :29:05. | |
sense! The top pros would not know that, surely? First time he played | :29:06. | :29:09. | |
it, he did not get enough side on, or whatever. He thought it was | :29:10. | :29:14. | |
possible then, why not play that swerve shot and get the side? There | :29:15. | :29:19. | |
you go, it is costing him the frame. No doubt of that in my mind, Mark | :29:20. | :29:24. | |
Selby is looking for a red and a colour. He will finish the session | :29:25. | :29:27. | |
with a four frame advantage. Just to clarify, we are not talking | :29:28. | :29:40. | |
about playing a swerve to swerve directly on the red but swerved | :29:41. | :29:44. | |
before the cue ball gets to the cushion, and it changes the angle of | :29:45. | :29:51. | |
approach of the cue ball. And gives chance for the side spin to take | :29:52. | :29:55. | |
effect. Anyway, Marco, after what happened, losing the first five | :29:56. | :29:59. | |
frames, at least he has got something out of it, or it could | :30:00. | :30:04. | |
have been much more. He played the red along the cushion when he was 40 | :30:05. | :30:09. | |
odd points in front in this frame. To me, I would not have played it. | :30:10. | :30:14. | |
He had a good advantage and he should have been more patient, | :30:15. | :30:19. | |
because this was an important frame. He will not have another chance now. | :30:20. | :30:26. | |
It has been interesting in many ways, this session. It looks like a | :30:27. | :30:33. | |
one-man performance from Mark Selby, but he made mistakes. They will all | :30:34. | :30:42. | |
be forgotten. If you had asked him if he would take a four frame | :30:43. | :30:48. | |
advantage after the first session he would have snatched your hand off. | :30:49. | :30:53. | |
The brown does not go win. I am certain that is enough. Trying to | :30:54. | :30:57. | |
find out where Marco is, where has he gone? Here hears, back in the | :30:58. | :31:04. | |
room. He will say cams. A disappointing start for Marco Fu, | :31:05. | :31:07. | |
losing the first five frames, but at least he got something out of it. | :31:08. | :31:12. | |
Mark Selby, the fist bump, pleased to win that. Takes the overnight | :31:13. | :31:19. | |
advantage 6-2. Nothing wrong with the defending | :31:20. | :31:24. | |
champion's thought processes. A couple of interesting moments, not | :31:25. | :31:28. | |
least Marco having a go down the cushion with this red. This is a | :31:29. | :31:35. | |
tough shot. If it was tight on the cushion, he could have played a run | :31:36. | :31:39. | |
inside and dropped it in but that was a massive shot to take on. It | :31:40. | :31:47. | |
really was. The last red, instead of doing what Marco did, different | :31:48. | :31:49. | |
thinking from the defending champion. Some players might have | :31:50. | :31:56. | |
taken it along the cushion. The fact it was like Marco's shot, just off | :31:57. | :32:01. | |
the cushion cover made it harder. Mark thought to put him in a good | :32:02. | :32:07. | |
snooker, keep the pressure on. If it is close to the cushion, it is | :32:08. | :32:11. | |
easier to hit and it was difficult to hit and eventually he left it on | :32:12. | :32:16. | |
and he won the frame, a massive frame. The momentum firmly with Mark | :32:17. | :32:21. | |
Selby. He would have been disappointed with his work if he got | :32:22. | :32:25. | |
out of its hide - three. The last frame was huge and you could see | :32:26. | :32:30. | |
what it meant, the fist pump. John made the point that Marco got out of | :32:31. | :32:35. | |
it with something. He was 5-0 down. He is still fighting. He could win | :32:36. | :32:41. | |
the next session 5-3, then he is back in the match. He got something, | :32:42. | :32:47. | |
but he has to start of quicker the next one. He has the night off. He | :32:48. | :32:54. | |
will be back tomorrow, there are two sessions to play and we will see how | :32:55. | :32:59. | |
he gets on in the morning. In addition to his punditry and | :33:00. | :33:02. | |
commentary role and presenting role, John Parrott has been busy and even | :33:03. | :33:07. | |
found time to make new friends along with Steve. | :33:08. | :33:15. | |
Sheffield's Becton centre is a facility for children and young | :33:16. | :33:20. | |
adults with mental health issues and learning disabilities. We went with | :33:21. | :33:24. | |
John Parrott to donate a snooker table and of course John had to show | :33:25. | :33:30. | |
us how it is done. Tell us about what we have been doing today. It is | :33:31. | :33:37. | |
about our sport's legacy. We have been guests in the city over 40 | :33:38. | :33:42. | |
years and want to integrate with the community and have a lot of fun, | :33:43. | :33:47. | |
really to leave small tables in as many places as possible. My doubles | :33:48. | :33:51. | |
partner was George. We are up against John and Ellis. I have two | :33:52. | :34:04. | |
of these, now. You were the champions. He played well today, and | :34:05. | :34:10. | |
for a brilliant cause. To see the smiles on their face, and we had a | :34:11. | :34:14. | |
giggle when we did it and this table will stay here permanently. I have a | :34:15. | :34:19. | |
suspicion it will be worn out. It will give them many hours of fun. | :34:20. | :34:24. | |
And it takes your mind off things. You get engrossed in the game. I | :34:25. | :34:32. | |
enjoyed it. You are cut off in the Crucible and do not know what is | :34:33. | :34:36. | |
going on outside and these children are permanently living here, which | :34:37. | :34:40. | |
is not easy for them and their parents. They have this and it is | :34:41. | :34:46. | |
good fun. And you gave me a lesson. How did I do? I was impressed with | :34:47. | :34:52. | |
the yellow and the long green was excellent. You almost got the double | :34:53. | :34:56. | |
but unfortunately you got the runner up prize. | :34:57. | :34:58. | |
Thanks for establishing that once again! It looks like a good time was | :34:59. | :35:07. | |
had by all and we say hello to staff and the kids in the Becton centre | :35:08. | :35:12. | |
and I know they loved being with you. John, you will try to sort out | :35:13. | :35:22. | |
some cue fix problems. We have a question from Grant Wilson who says, | :35:23. | :35:26. | |
when I aim on the snooker table, what am I supposed to be looking at? | :35:27. | :35:34. | |
The cue ball all the red? Am I looking at the cue ball or object | :35:35. | :35:39. | |
ball? When you strike you look at the object ball. Like a darts | :35:40. | :35:43. | |
player, you do not look at the tip of the dart, you look at the board | :35:44. | :35:48. | |
and what you are trying to hit. People ask why snooker players have | :35:49. | :35:52. | |
a pause, it is there to get your eyes transferred to the point on the | :35:53. | :36:01. | |
object ball. You get up to the cue ball and line-up. You come back, you | :36:02. | :36:04. | |
pause, and your eyes on looking at the point on the object ball you | :36:05. | :36:09. | |
want to hit. You can stay here all day, you do not have to rush. When | :36:10. | :36:14. | |
you draw the cue back, get your eyes on the object ball. We have one from | :36:15. | :36:19. | |
another John who says, yesterday you made a comment about top spin | :36:20. | :36:24. | |
changing into back spin after Marco played a pink, how? He played a shot | :36:25. | :36:30. | |
similar to this, he was trying to play down the table and if you put | :36:31. | :36:34. | |
too much top spin on this, once it hits the cushion, because it is | :36:35. | :36:39. | |
close, there is top spin on the ball and it hits the cushion and wants to | :36:40. | :36:44. | |
go back, but it stops. If you want to get round the table you are | :36:45. | :36:48. | |
better off screwing it. If I played top spin, and look what happens to | :36:49. | :36:53. | |
the cue ball. It does not go anywhere but the top spin stays on. | :36:54. | :36:57. | |
It reverts into back spin and the cue ball does not move. Keep them | :36:58. | :37:04. | |
coming through the week. We are here all week to help with your problems. | :37:05. | :37:11. | |
We can quickly bring cue up to date with what is going on on the other | :37:12. | :37:19. | |
side of the arena. We saw some of the match between Stephen Maguire | :37:20. | :37:23. | |
and Barry Hawkins. Last time it was 1-1. Hawkins is now 2-1 in front. We | :37:24. | :37:34. | |
will show you the last before the interval in the company of Peter | :37:35. | :37:36. | |
Ebdon and Willie Thorne. I am not too sure it was an optical | :37:37. | :37:55. | |
illusion, but it looked like it flipped the green as it went in-off. | :37:56. | :38:09. | |
But the green did not move. Does it flick the green? No. Maybe not. | :38:10. | :38:19. | |
Stephen Maguire, as the white disappears, has a long, straight | :38:20. | :38:24. | |
want to play. The way he has put the white, he is playing a screw back | :38:25. | :38:25. | |
for the LA. -- for the yellow. It is decision time for Barry | :38:26. | :38:57. | |
Hawkins. Just off straight. The middle distance red. He has an easy | :38:58. | :39:07. | |
safety shot. By taking the red out of baulk, but he is going for this | :39:08. | :39:13. | |
and needs to cue this smoothly. That is a lovely shot. Very well played, | :39:14. | :39:20. | |
perfectly on the black. A lovely shot. He played the drag shot and | :39:21. | :39:26. | |
managed to avoid the cannon onto the red. | :39:27. | :39:31. | |
After that lovely opening red, this is now a very good opportunity. | :39:32. | :39:48. | |
There you saw an excellent shot. Of Barry Hawkins' tip. With a slight | :39:49. | :39:56. | |
dome, slightly overhanging. Different players have a different | :39:57. | :40:09. | |
reference. We looked at the Kyren Wilson game earlier and he has a | :40:10. | :40:15. | |
very small tip, virtually to the ferrule. What did you prefer? You | :40:16. | :40:25. | |
were a big tip man. I played with a big, overhanging tip, with my old | :40:26. | :40:31. | |
cue which was originally a ten millimetre ferrule, which went down | :40:32. | :40:36. | |
to 9.3 over the course of 30 years. I played with a big tip, as big as | :40:37. | :40:50. | |
11.4 on a 9.3 ferrule. You do not find many top players playing with | :40:51. | :40:56. | |
that size tip these days. I remember when I practised with Tony Jones, a | :40:57. | :41:01. | |
very good player, a former top 16 player. I think he won the European | :41:02. | :41:07. | |
open. He played with a tip that was so wafer thin it actually cut into | :41:08. | :41:12. | |
the cue ball. The ferrule used to damage the cue ball. I have never | :41:13. | :41:18. | |
seen anybody else play with the tip as thin as Tony Jones. But he was a | :41:19. | :41:24. | |
very good player. He was on my Christmas card list one | :41:25. | :41:31. | |
year. He knocked me out of the top 16 by winning the European Open. | :41:32. | :41:33. | |
Thanks very much! I thought he would have played that | :41:34. | :41:43. | |
cannon Fermat, but still nicely on this red. That is the reason. He is | :41:44. | :41:54. | |
now faced with a blue he would take nine out of ten times in practice, | :41:55. | :42:02. | |
that this is not practice. Yes, a lot of pressure. Just a bit | :42:03. | :42:10. | |
of movement in behind his eye line. He needs to keep still and hit this | :42:11. | :42:16. | |
smoothly. Wow, he struck that beautifully. What a lovely shot. | :42:17. | :42:18. | |
Well played. He just slightly underhit that. He | :42:19. | :42:47. | |
played the stun shot with right-hand side. He would have liked to have | :42:48. | :43:01. | |
been straight on this black. It was a good shot. Played the cannon. That | :43:02. | :43:03. | |
is perfect. Very quickly developed this into a | :43:04. | :43:24. | |
chance to win the frame one visit. Just ever so slightly the wrong side | :43:25. | :43:39. | |
of the blue. He would have liked to have been a | :43:40. | :43:56. | |
little bit straighter this red, so he could stunned past the red that | :43:57. | :44:01. | |
is closest and get on the black and in the end he played a cannon, so a | :44:02. | :44:03. | |
choice of black or pink now. He slightly overcut the black. But | :44:04. | :44:32. | |
there was no problem, with the pace that he played it. Just a delicate | :44:33. | :44:42. | |
soft screw shot to hold for the blue. | :44:43. | :44:56. | |
He needed to play for the gap, which he negotiated. 62 ahead with 75 on | :44:57. | :45:06. | |
the table. He is thinner on the red than he would have liked. He will | :45:07. | :45:09. | |
not be bringing the red off the left-hand side cushion. | :45:10. | :45:23. | |
This brown and another red. Just to make sure. | :45:24. | :45:33. | |
To take a 3-1 lead going into the interval. | :45:34. | :45:48. | |
Well played. It has been a first-class break, a super break. | :45:49. | :47:00. | |
Barry Hawkins took the opportunity to try to dislodge the red from the | :47:01. | :47:08. | |
side cushion. He just needs a good pot now. Well played. | :47:09. | :47:14. | |
That was a very nice cannon on the blue. Just a little bit thin. I am | :47:15. | :47:30. | |
sure this Crucible crowd would like to see Barry Hawkins make a century. | :47:31. | :47:40. | |
51 centuries so far in the tournament will stop the double is | :47:41. | :47:43. | |
not on, I am afraid. But an excellent break. Well played, | :47:44. | :47:49. | |
Barry Hawkins. HAZEL IRVINE: Hawkins claimed two | :47:50. | :48:08. | |
after the interval. With runs of 37 and 45. Having only lost five frames | :48:09. | :48:16. | |
in his first two matches, he loses five in a row here. We are now live | :48:17. | :48:21. | |
in frame seven. Seven points the difference with three colours left. | :48:22. | :48:24. | |
Key frame, Willie Thorne and Peter? WILLIE THORNE: It is very tense | :48:25. | :48:45. | |
here, Hazel, at the minute. Barry Hawkins in the position where | :48:46. | :48:49. | |
Stephen Maguire needed two snookers and he got two snookers and he is | :48:50. | :48:50. | |
back into it. Does he have an angle on the pink to | :48:51. | :49:04. | |
move the black? REFEREE: Quiet, please. | :49:05. | :49:24. | |
Well, what a massive frame this is for Stephen Maguire. For or money he | :49:25. | :49:32. | |
was going to be 6-1 behind. Every chance with this double to be | :49:33. | :49:34. | |
trailing by three. A thin clip. A safety shot for Barry | :49:35. | :49:57. | |
Hawkins. He decided to play up and down. He has not played that well. I | :49:58. | :50:05. | |
am very surprised at his choice of shot. This is an opportunity now for | :50:06. | :50:17. | |
Stephen Maguire to pull back to 5-2 in a frame in which he needed two | :50:18. | :50:19. | |
snookers. Well played, well played. A | :50:20. | :50:32. | |
fantastic pot from Stephen Maguire. You can see how much that means to | :50:33. | :50:40. | |
him. A fantastic shot on the black. HAZEL IRVINE: He is still fighting. | :50:41. | :50:46. | |
He has probably got an injury them. He hit that hard. That has happened | :50:47. | :50:51. | |
before. Michael Holt, when he broke his fingers. Such a big frame for | :50:52. | :50:58. | |
Stephen Maguire. As Peter Ebdon said, surprised that Barry Hawkins | :50:59. | :51:02. | |
tried that shot, he could have clipped the black onto the back | :51:03. | :51:07. | |
cushion. What a fantastic pot. That might be the impetus to getting | :51:08. | :51:15. | |
going. Barry Hawkins got five in a row. He can do that, all the players | :51:16. | :51:23. | |
can, to win like that. But that is a bonus. They do not come along often. | :51:24. | :51:31. | |
This is the shot. It is not only the pot, the fact he is close to the | :51:32. | :51:35. | |
cushion. You can see what it means to him. Some things have gone wrong, | :51:36. | :51:41. | |
Barry had flicks. But he has not capitalised on Barry's mistakes. He | :51:42. | :51:48. | |
will be disappointed. But that was a massive last frame for Stephen | :51:49. | :51:55. | |
Maguire. Stephen Maguire knows that at ranked 24, if he gets to the | :51:56. | :52:01. | |
semifinal, he will get back into the 16. And it could be just the impetus | :52:02. | :52:06. | |
he needs. The bizarre thing, I think the three qualifying matches have | :52:07. | :52:11. | |
done him good. In the past years he has turned up at the championships | :52:12. | :52:15. | |
and got beaten first round. He has been in good form coming in. He is a | :52:16. | :52:21. | |
top 16 player all day, I do not know why he is not in the top 16. Ding | :52:22. | :52:26. | |
Junhui hat to come through qualifying last year and won the | :52:27. | :52:32. | |
frames he needed for confidence, the same with Stephen Maguire. I think | :52:33. | :52:36. | |
Pete Godwin will have to go and level the table after that slap! All | :52:37. | :52:45. | |
right, we are coming back shortly at 7pm for the second session of the | :52:46. | :52:50. | |
other quarterfinals that began this morning and you will join Jason at | :52:51. | :52:55. | |
7pm for that. We can give you a reminder of the block us to tie | :52:56. | :53:00. | |
between Ronnie O'Sullivan and Ding Junhui. DENNIS TAYLOR: Ronnie | :53:01. | :53:06. | |
O'Sullivan gets this enthralling encounter under way. Important for | :53:07. | :53:13. | |
him to get off to a good start against Ronnie O'Sullivan, and he is | :53:14. | :53:19. | |
doing that. That is seven centuries for Ding Junhui. He leaves Ronnie | :53:20. | :53:26. | |
O'Sullivan 3-0. What a response. He has bounced back and won three in a | :53:27. | :53:33. | |
row and we are all square at 3-3. Both players playing terrific stuff. | :53:34. | :53:37. | |
In the end, Ronnie O'Sullivan will be more pleased, coming out of the | :53:38. | :53:41. | |
session all square at 4-4. HAZEL IRVINE: Having been three nil | :53:42. | :53:51. | |
down. Kyren Wilson against John Higgins, John Higgins is 5-3 up. | :53:52. | :53:56. | |
Kyren Wilson damaged the tip of his cue and lost the last two. That has | :53:57. | :54:03. | |
been fixed, we understand, and I am sure he has been practising with his | :54:04. | :54:07. | |
new tip. I think the original one has been fixed. They will be back at | :54:08. | :54:12. | |
7pm. We only have a couple of minutes left on BBC Two, but let's | :54:13. | :54:16. | |
get back into the final frame of their session will stop if you want | :54:17. | :54:23. | |
to watch it beyond 6pm, get ready to press the red button because it will | :54:24. | :54:26. | |
continue there. But now, back to Willie Thorne. | :54:27. | :54:33. | |
WILLIE THORNE: We saw Stephen Maguire pot an excellent red. He got | :54:34. | :54:38. | |
that gap perfectly and this is a good chance to get his biggest | :54:39. | :54:43. | |
break. He made 80 in the first frame and since then has not made a | :54:44. | :54:49. | |
sizeable break pro. He has been kept off the table. This is the best | :54:50. | :54:55. | |
chance since frame one. Can he win a framing one visit? -- in one visit? | :54:56. | :55:38. | |
He just lost the cue ball slightly. This is certainly thinner than he | :55:39. | :55:44. | |
would have liked. He will be trusting to lock with the | :55:45. | :55:51. | |
cannon. He played that well. He could not | :55:52. | :55:57. | |
have played that better. He is very thin on this red and it | :55:58. | :56:11. | |
is not ideal. The problem was the previous red, where he lost position | :56:12. | :56:20. | |
on the black. That was a lovely shot. Well played, well played. | :56:21. | :56:27. | |
The reds either side of the pink will pot into either corner pocket | :56:28. | :56:45. | |
but it is one of those where you can play for both of them. If you | :56:46. | :56:50. | |
overhit or underhit. He has decided to go into the bunch, I thought he | :56:51. | :56:52. | |
did. He misjudged that completely. Unfortunately, I do not think you | :56:53. | :57:08. | |
saw the shot you called. That would have been the most straightforward. | :57:09. | :57:16. | |
This is a tough red into the centre. You would expect him to play a good | :57:17. | :57:23. | |
safety shot because if he misses the red into the centre, he could be | :57:24. | :57:28. | |
leaving a red into the yellow pocket. This is really tough. | :57:29. | :57:39. | |
HAZEL IRVINE: Stephen Maguire scrapping hard in the last frame of | :57:40. | :58:06. | |
the session and if you would like to continue to watch it press the red | :58:07. | :58:11. | |
button. It is their on the red button and online. We start again. | :58:12. | :58:16. | |
Jason back with Steve Davis for the evening session. You will see | :58:17. | :58:20. | |
everything in the company of those two. In the meantime, thanks to John | :58:21. | :58:26. | |
and Ken for their company. And the yours. Goodbye. | :58:27. | :58:28. |