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Hello, it's day one of the 2017 Betfred World Snooker Championship | :00:32. | :00:38. | |
and this one is extra special. Last night we rolled out the green carpet | :00:39. | :00:44. | |
and we had a little celebration, 17 former champions and all 32 of this | :00:45. | :00:48. | |
year's participants were able to take part in it because this is the | :00:49. | :00:53. | |
40th anniversary that this great championship has been staged in | :00:54. | :00:57. | |
Sheffield's and wonderful atmospheric Crucible Theatre, a | :00:58. | :01:00. | |
venue that has now become one of the most iconic anywhere in sport. | :01:01. | :01:23. | |
Thanks for whoever thought this one up, this is great. | :01:24. | :01:31. | |
LAUGHTER OK. Ronnie, you know what to do. | :01:32. | :01:33. | |
CHEERING And you've missed...? | :01:34. | :01:44. | |
CHEERING When we met up it was fantastic, we | :01:45. | :02:07. | |
shook hands, and disregarded the bad blood. I feel more consistent now, | :02:08. | :02:16. | |
17 days of this is fun. These lovely people are about to | :02:17. | :02:20. | |
sign a document which will keep this great championship here at the | :02:21. | :02:23. | |
Crucible and in the city for another ten years at the very least. | :02:24. | :02:30. | |
It is a fantastic tournament, it doesn't matter whether you have been | :02:31. | :02:35. | |
here one time or whether you have been had ten times, you still get | :02:36. | :02:37. | |
goose bumps. Last night our commentary team were | :02:38. | :02:44. | |
limbering up ahead of another 17 day marathon, and what a team that is, | :02:45. | :02:49. | |
177 World Championship appearances, 17 world titles between them, the | :02:50. | :02:53. | |
usual mix of expert opinion, a few laughs and some surreal moments no | :02:54. | :02:57. | |
doubt along the way but we are all in very good hands with these | :02:58. | :02:59. | |
gentlemen. As usual for the first part of the | :03:00. | :03:02. | |
championship we will be broadcasting from our studio inside the beautiful | :03:03. | :03:07. | |
Sheffield Winter Gardens and spending a lot of time too in the | :03:08. | :03:11. | |
players' practice room because we will present every single session | :03:12. | :03:15. | |
from one of these bases on BBC One or two, or indeed on the red button | :03:16. | :03:19. | |
and when the championship focuses in on just the one table from the | :03:20. | :03:24. | |
semifinal stages that's when we will make a new camp in our very compact | :03:25. | :03:30. | |
and Bijou table side home. You really will get the best view in the | :03:31. | :03:34. | |
house from them, as indeed will we. That's how we will play it for the | :03:35. | :03:38. | |
next 17 days but this is our grand plan for the opening afternoon. | :03:39. | :03:44. | |
The defending champion always gets things going here and that honour | :03:45. | :03:52. | |
falls once again to the world number one Mark Selby. | :03:53. | :03:55. | |
Huge respect to his opponent Fergal O'Brien who survived a tortuous | :03:56. | :03:59. | |
world record two hours, three minutes deciding friend in | :04:00. | :04:02. | |
qualifying to book his first Crucible appearance for seven years. | :04:03. | :04:07. | |
Meanwhile Ronnie O'Sullivan returns for 25th campaign, all thanks, he | :04:08. | :04:13. | |
says, to the sports psychiatrist who has him hungry. | :04:14. | :04:19. | |
I'm ready to jack it in the then I met Steve and it's his fault I am | :04:20. | :04:21. | |
still playing. He will take on one of five Crucible | :04:22. | :04:24. | |
newcomers this year, the most in form of them all, maximum man Gary | :04:25. | :04:29. | |
Wilson. And whilst it's all about the | :04:30. | :04:32. | |
players of the present we will enjoy a moment with some of the finest of | :04:33. | :04:37. | |
the past at a recent Legends event. Dennis, we are standing in front of | :04:38. | :04:41. | |
the world champions board, some fantastic performances to win those | :04:42. | :04:45. | |
tournaments. You turned professional in 1972 and now in the commentary | :04:46. | :04:49. | |
box and see every ball. How has the game changed over the years? | :04:50. | :04:53. | |
Well, the standard the players are playing to command there are so many | :04:54. | :04:56. | |
of them, all of the players that come here, incredible. You just have | :04:57. | :04:59. | |
to look at the number of century breaks, keeps increasing every year. | :05:00. | :05:09. | |
Way back in the early years it was only something like seven centuries | :05:10. | :05:11. | |
made in the first World Championship. But of course the | :05:12. | :05:13. | |
players were only playing in a few competitions. You didn't have all | :05:14. | :05:16. | |
the matches to play in back then. But it's great to see all of these | :05:17. | :05:18. | |
Chinese players coming through, there are four or five in the top | :05:19. | :05:24. | |
16. So, I think overall I think the standard has improved. But in your | :05:25. | :05:27. | |
day I think you would have competed against the best in the game | :05:28. | :05:32. | |
nowadays. That's very kind of you, thank you. I also think that perhaps | :05:33. | :05:36. | |
there is more aggression in the game and more attacking in general, and I | :05:37. | :05:40. | |
think perhaps they have solved the puzzle of positional play a bit | :05:41. | :05:44. | |
matter, perhaps that's why there is more 100 breaks. I think because | :05:45. | :05:47. | |
they are playing so matches Dummett many matches and they cannot pot | :05:48. | :05:51. | |
their way to a world title and must have a second game and somebody like | :05:52. | :05:54. | |
Judd Trump who is learning all the time, his tactical game is getting | :05:55. | :05:58. | |
better and it's just a matter of time before he wills Dominic Windsor | :05:59. | :06:01. | |
World Championship. We said that about Jimmy White and he lost in six | :06:02. | :06:05. | |
finals so Judd Trump still has to win the first one. | :06:06. | :06:10. | |
No matter what happens over the next fortnight here Mark Selby will end | :06:11. | :06:13. | |
the season as the world number one for the sixth consecutive time. He | :06:14. | :06:19. | |
has almost ?400,000 and thus points ahead of the nearest challenger in | :06:20. | :06:23. | |
the world rankings and could smash the ?1 million prize money in a | :06:24. | :06:26. | |
single season for the first time. There is no doubt that this is going | :06:27. | :06:30. | |
to become known as the Mark Selby era. | :06:31. | :06:38. | |
It is safe to say that if you become world champion and world number one | :06:39. | :06:43. | |
you know your way around a snooker table and Mark Selby certainly does. | :06:44. | :06:46. | |
I think he knows his way around the table than anyone currently playing | :06:47. | :06:52. | |
the game and as somebody who has played him more than anyone on tour | :06:53. | :06:55. | |
I have had my fair share of him and he puts you in difficult positions | :06:56. | :06:58. | |
and you don't know what to do half the time. When he joined the circuit | :06:59. | :07:04. | |
he had a different bridge, it used to be back towards his thumb and he | :07:05. | :07:08. | |
has gone more compact, similar to you, I think. A lot of us came onto | :07:09. | :07:12. | |
the tour as juniors and young players who were used to playing on | :07:13. | :07:17. | |
tables that went as fast and not as good. That technique suited us. But | :07:18. | :07:21. | |
when you play on these superfast cloth in TV arenas around the world | :07:22. | :07:27. | |
you have to have ultimate control of the cue ball and being a little bit | :07:28. | :07:30. | |
nearer to it gives you that and there is less can go wrong with your | :07:31. | :07:34. | |
action, your cue action becomes a bit shorter and that means less can | :07:35. | :07:39. | |
go wrong. It takes a bit of getting used to. He has a strange | :07:40. | :07:43. | |
characteristic of his head moving side to side when coming in on the | :07:44. | :07:47. | |
shot. He does that less now than he used to but there is definite | :07:48. | :07:52. | |
movement. As he is down on the shot there is definite head movement | :07:53. | :07:55. | |
either backwards and forwards or either side to side sometimes but at | :07:56. | :08:00. | |
the moment of strike he is always in the right position. I think among | :08:01. | :08:04. | |
many strong suits shot selection is definitely one of them. I think it | :08:05. | :08:09. | |
is his strongest suit. I perhaps personally go for the odd shot too | :08:10. | :08:16. | |
many. Whereas Mark never over exposes himself. He's always playing | :08:17. | :08:19. | |
a shot thinking about what happens if it goes wrong, what happens if | :08:20. | :08:23. | |
this doesn't quite work out. Whereas somebody like me is going, what | :08:24. | :08:27. | |
happens if it works? He tends to lean towards what happens if it goes | :08:28. | :08:31. | |
wrong and that enables him to play in a slightly different way. He | :08:32. | :08:35. | |
doesn't take on too much damage, which means he is always there or | :08:36. | :08:40. | |
thereabouts. Do you think that enables his B game to be so good, | :08:41. | :08:44. | |
why he wins a lot of matches when he is not quite at it. We can all win | :08:45. | :08:48. | |
when we are at our best, flying with century breaks and making | :08:49. | :08:52. | |
clearances, it is easy to do well. But when you are struggling, if you | :08:53. | :08:55. | |
can have that extra string to your bow we have a B, C or D game some | :08:56. | :09:03. | |
days, it means you can relax and don't have to clear the table. It | :09:04. | :09:07. | |
makes him incredibly difficult to beat. Exactly. | :09:08. | :09:13. | |
Mark Selby's opponent Fergal O'Brien has had good season. And the | :09:14. | :09:23. | |
antithesis of that, involved in the longest frame in snooker history, | :09:24. | :09:26. | |
two hours three minutes in the decider of the qualifying tournament | :09:27. | :09:30. | |
on Wednesday just to get here. This opening match began at 10am this | :09:31. | :09:33. | |
morning and here is what happened when we were live with this on BBC | :09:34. | :09:35. | |
Two earlier. COMMENTATOR: Good morning, | :09:36. | :09:55. | |
everybody. We're back. Played the cross double, got it. | :09:56. | :09:59. | |
APPLAUSE The reigning champion is one in | :10:00. | :10:03. | |
front. Chance missed and that will cost him | :10:04. | :10:09. | |
the frame. I fancy him getting this. Yes, good | :10:10. | :10:31. | |
shot. So, Fergal O'Brien, 3-0 behind. | :10:32. | :10:38. | |
Right in the heart of the pocket. He is playing it with the extension. | :10:39. | :10:53. | |
And that's a concession, so not the start Fergal O'Brien was looking | :10:54. | :10:58. | |
for. But just the start the defending champion wants. He leads | :10:59. | :11:03. | |
at the mid-session interval 4-0. 4-0 has become 7-0 in this first of | :11:04. | :11:12. | |
ten round match. They have two more to play in the opening session. | :11:13. | :11:15. | |
Stephen Hendry and John Virgo on duty in the commentary box. What is | :11:16. | :11:18. | |
your interpretation of what has happened so far? To be perfectly | :11:19. | :11:24. | |
honest with you it is just one way traffic and the best we can say | :11:25. | :11:27. | |
about Fergal is he has had a couple of chances and not made the most of | :11:28. | :11:32. | |
them and with his highest break only 17, at this level that ain't going | :11:33. | :11:40. | |
to cut it. There was a sign in the last frame that I thought Mark may | :11:41. | :11:44. | |
be losing a bit of focus, as you said, being so fine front but he | :11:45. | :11:48. | |
seems to have regained it now. I think we will see an example on this | :11:49. | :11:54. | |
red. It is a fantastic shot. Fergal had missed a long red but it shows | :11:55. | :11:59. | |
the confidence of being 7-0 up in an attacking way to cannon do red | :12:00. | :12:02. | |
alongside the black and creating this opportunity. -- cannon the red | :12:03. | :12:11. | |
alongside the black. He is long past the point of knowing he can't lose | :12:12. | :12:17. | |
this match. It is just a battle with himself for concentration, to stay | :12:18. | :12:22. | |
focused. He will want every frame today, he will want 9-0 to make | :12:23. | :12:28. | |
tonight as short as possible. Go back home, a few days off, relax, | :12:29. | :12:33. | |
watch everyone else sweat it out and then come back for the second round. | :12:34. | :12:51. | |
He decided to play for the red along the top cushion. He has got to be | :12:52. | :13:17. | |
accurate with these but he is full with confidence at the moment. | :13:18. | :13:38. | |
He played for the red, I believe, and just didn't get into it enough. | :13:39. | :13:46. | |
He still has the one to the right middle. | :13:47. | :13:57. | |
Who could have done without kissing the second red. He is on the blue. | :13:58. | :14:16. | |
He hit that beautifully. You could see the cue ball pick up pace after | :14:17. | :14:21. | |
the blue had gone in to avoid the brown. | :14:22. | :14:31. | |
Once again, OK, I thought he had put it behind him but in the last frame | :14:32. | :14:39. | |
there was a few positional shots. But there I wouldn't expect him to | :14:40. | :14:45. | |
miss that. Just losing that little bit of focus, as you said. Year, | :14:46. | :14:54. | |
when you've been put under no pressure, Fergal's highest break 17, | :14:55. | :15:00. | |
you have nothing against you, it is hard to keep the maximum | :15:01. | :15:03. | |
concentration sometimes. Here again he has not been punished for any | :15:04. | :15:13. | |
mistakes. That is always the way, when Fergal Mrs to red comes back on | :15:14. | :15:21. | |
the table and leaves mark with a nice little starter. -- misses the | :15:22. | :15:33. | |
red comes back down the table and leaves Mark with a nice little | :15:34. | :15:42. | |
starter. Two hours 46 is not too quick to say the scoreline is 7-0. | :15:43. | :15:52. | |
He has not won many frames in one visit, Mark Selby. He has been put | :15:53. | :15:57. | |
under no pressure whatsoever. A couple of reds and a couple of | :15:58. | :16:18. | |
colours away from 8-0 scoreline. There is always pressure on | :16:19. | :16:32. | |
defending champion. We have seen many shock results when a defending | :16:33. | :16:38. | |
champion has come here and gone out in the first round. Two of the | :16:39. | :16:45. | |
all-time greats, yourself, Steve Davis. It is nice to get this | :16:46. | :16:52. | |
potential banana skin out of the way and he will be happy if he wins | :16:53. | :16:57. | |
every frame. He won't be thinking, maybe I didn't have much of a test. | :16:58. | :17:05. | |
Just get this first round out of the way. | :17:06. | :17:10. | |
I suppose it is nice to come through a match where you have had to play | :17:11. | :17:20. | |
well to win, I suppose. Swings and roundabouts. I suppose you don't | :17:21. | :17:24. | |
really know how, in this type of match, how well he is playing under | :17:25. | :17:30. | |
pressure yet. But he is doing what is required. | :17:31. | :17:39. | |
Fergal will just be so disappointed with the way he has played. He would | :17:40. | :17:46. | |
have been looking forward to this so much after qualifying. Yes, three | :17:47. | :17:50. | |
qualifying rounds he had to come through. We were making a story | :17:51. | :17:55. | |
about the longest frame played in the World Championship, but he did | :17:56. | :17:58. | |
really well to get here to the Crucible. So far, no reward for his | :17:59. | :18:01. | |
efforts. Only pride in performance can keep | :18:02. | :18:17. | |
you going now. The chance of winning this match all but gone. I say all | :18:18. | :18:21. | |
but gone because I remember one year when Cliff Thorburn was way in front | :18:22. | :18:28. | |
and Nigel came back from 8-1 behind and finished up winning 10-9. | :18:29. | :18:36. | |
It won't matter, Fergal will concede. He just marches on, Mark | :18:37. | :19:03. | |
Selby, not under any pressure and now leads 8-0, one to play in this | :19:04. | :19:08. | |
session. One-way traffic, as John described | :19:09. | :19:12. | |
it, absolutely right, and this is a feeling of deja vu for you because | :19:13. | :19:15. | |
when you were champion you came back in 1992 and did something similar. I | :19:16. | :19:21. | |
won 10-0 against Eddie Charlton, and a wonderful feeling to get a match | :19:22. | :19:24. | |
over so quickly and obviously Mark Selby will feel that way at the | :19:25. | :19:29. | |
moment. As for Fergal he will be disappointed, nearly as disappointed | :19:30. | :19:32. | |
as Dave Gilbert. Yes, if David Gilbert is watching at home, after | :19:33. | :19:40. | |
being bundled out by Fergal in that two hours last frame, I hope you | :19:41. | :19:43. | |
enjoyed it, you know what we mean, we have all been there, the bloke | :19:44. | :19:46. | |
plays fantastic against you and gets out of jail and the next frame he | :19:47. | :19:50. | |
cannot pot a ball. You cannot underestimate the, I was going to | :19:51. | :19:54. | |
say fatigue, but to be honest the adrenaline performers that being at | :19:55. | :19:59. | |
the Crucible should surely engender to negate that, surely? It wasn't a | :20:00. | :20:03. | |
great draw for Fergal and the fact he has played three tough matches in | :20:04. | :20:08. | |
what is as we said at the start of the show this morning, the Ponds | :20:09. | :20:11. | |
Forge qualifying area, is a tournament within the tournament | :20:12. | :20:14. | |
itself and perhaps he was mentally drained, perhaps more so. It was | :20:15. | :20:18. | |
pretty late when they finished. It was but he got off to a bad start | :20:19. | :20:22. | |
and every chance he gets has double and triple the amount of pressure | :20:23. | :20:25. | |
because you feel as if you've got to get the first frame on the | :20:26. | :20:28. | |
scoreboard, don't want to get whitewashed, the pressure becomes | :20:29. | :20:31. | |
more and more and missed the pot and back to square one. This is the last | :20:32. | :20:35. | |
before the end of the first session and it is certainly all going the | :20:36. | :20:37. | |
defending champion's way. COMMENTATOR: There is a lot to be | :20:38. | :20:47. | |
made about qualifying and how much it takes out of you but I believe | :20:48. | :20:50. | |
that getting through them inspires you but you need a good start and | :20:51. | :20:57. | |
Fergal didn't get one. Yes. Perhaps is game plan could have been | :20:58. | :21:01. | |
different, trying to play the same sort of game that Mark Selby plays. | :21:02. | :21:07. | |
Here is an opportunity. But he has the whole arena now watching his | :21:08. | :21:16. | |
misery. Yeah. The other match, they have finished their first session, | :21:17. | :21:18. | |
so all eyes on this table. For once he has missed one and not | :21:19. | :21:32. | |
left it for his opponent. Possible pot to the far left corner. | :21:33. | :22:10. | |
You feel he will have to try and make something now. As we were | :22:11. | :22:17. | |
saying, in the UK when he made five centuries in that best of 11 match, | :22:18. | :22:20. | |
that was snooker of the highest quality. It's there. Good shot. Not | :22:21. | :22:27. | |
a bad case on the blue. Being so close to the blue it is | :22:28. | :22:57. | |
hard to generate the pace. There is one over the middle. Being so close | :22:58. | :23:01. | |
he couldn't really get the cue through, in danger of playing a push | :23:02. | :23:07. | |
shot. As I say the red has come over the middle, just dropping in around | :23:08. | :23:11. | |
the blue and otherwise he can play to the baulk end. | :23:12. | :23:23. | |
Could have done without being tight to the cushion. I think he's just | :23:24. | :23:31. | |
got the angle and if he puts the blue he is bound to be on the red. | :23:32. | :23:35. | |
He played it well. Good shot. He is dead straight on this red, it | :23:36. | :23:52. | |
needs good striking to screw the cue ball, exactly on the path where his | :23:53. | :24:04. | |
hand is now. Slight bit of angle. I think he may be able to get... He is | :24:05. | :24:12. | |
looking at the brown to the middle for the red in baulk. Maybe he could | :24:13. | :24:14. | |
get around the bunch. He played that well. Every credit. | :24:15. | :24:33. | |
It's hard to think positive when you are in the situation Fergal is in at | :24:34. | :24:37. | |
the moment. You've just got to play one shot at a time. | :24:38. | :24:49. | |
Now, I'm not certain what is available, there may be a red | :24:50. | :24:55. | |
available to the right corner. He's just coming around to have a look. | :24:56. | :24:59. | |
If there isn't I think he has the angle on the brown to come off the | :25:00. | :25:05. | |
side cushion and into them. Big target. That's what he's playing. | :25:06. | :25:15. | |
Couldn't have played it better. Surely he's on something. He is but | :25:16. | :25:22. | |
it could have been a lot easier than this. He has a thin cut. That is | :25:23. | :25:30. | |
very unfortunate, he could not have played that shot much better. Yes, | :25:31. | :25:43. | |
he hit them perfectly. As I say, this red does cut but with it being | :25:44. | :25:47. | |
so thin it is not guaranteed to have position. He potted it well, needs | :25:48. | :26:00. | |
to come in and out of baulk to be on a colour. Couldn't have finished | :26:01. | :26:05. | |
much worse. OK, he's on the brown but the wrong angle to get the cue | :26:06. | :26:09. | |
ball back-up to this end of the table. I was going to say, come on, | :26:10. | :26:17. | |
Fergal, take the brown on. Keep this break going. Every credit, I | :26:18. | :26:27. | |
suppose, still playing the right shots, he feels. Perhaps it was | :26:28. | :26:32. | |
worth just trying to keep that break going. Yes, well, a lot of players | :26:33. | :26:39. | |
would have thumped the brown in the middle and screwed off the baulk | :26:40. | :26:42. | |
cushion but I don't think it is part of Fergal's game. Is this hard | :26:43. | :26:51. | |
enough? Missed calls but it may not be taken as he has a chance of a red | :26:52. | :26:56. | |
to the middle. I see no reason to have it replaced. That 23 break on | :26:57. | :27:03. | |
his last visit, the highest break of his match so far. | :27:04. | :27:15. | |
Pot this, bound to be on the black. It's going to catch the near jaw and | :27:16. | :27:22. | |
not go in. I think we may see Mark play another | :27:23. | :28:40. | |
double hear. Not quite and that's why players | :28:41. | :29:04. | |
don't like playing doubles, depending on which side of the jewel | :29:05. | :29:09. | |
it is you could leave it. But I think it could be safe. -- which | :29:10. | :29:15. | |
side of the jaw it is you could leave it. | :29:16. | :29:31. | |
That red was running loose but I think he has it covered. | :29:32. | :29:42. | |
The balls are not badly situated. There is only one red close to the | :29:43. | :29:52. | |
cushion, so the next chance could be a frame-winning one. Fergal would | :29:53. | :29:53. | |
love it to be him. And it may well be. I think he has | :29:54. | :30:15. | |
left the red to the left middle, as Mark Selby. So Fergal has a chance | :30:16. | :30:22. | |
to get a first frame on the scoreboard. Better late than never. | :30:23. | :30:27. | |
Three hours he has been waiting for this chance. | :30:28. | :30:36. | |
Just got the angle on the blue, to play for the two reds in front of | :30:37. | :32:10. | |
the black. A little bit too straight on it to do that, but no problem. | :32:11. | :32:12. | |
Still in good shape. Just got to keep his concentration | :32:13. | :32:19. | |
now. OK, he would like to have been a bit | :32:20. | :32:57. | |
further away from the cushion than this. Natural to roll the black in | :32:58. | :33:04. | |
and bounce off the side cushion to get to the two reds above the black. | :33:05. | :33:15. | |
Could have done with putting a little bit more pace on the cue | :33:16. | :33:18. | |
ball. But it's not bad. Not perfect. Couple of reds, couple of high value | :33:19. | :33:35. | |
colours, that should see him put his first frame on the scoreboard. | :33:36. | :33:42. | |
And knowing this Crucible audience as I do, Stephen, he will get quite | :33:43. | :33:52. | |
a bit of applause. I think something you have got to give Fergal credit | :33:53. | :33:56. | |
for, his demeanour has not changed whether he is in his chair or at the | :33:57. | :34:02. | |
table. He's looked like he is still concentrating hard. A few players, | :34:03. | :34:06. | |
including myself, head in your hands, looking miserable and you | :34:07. | :34:07. | |
want to get out of there. He's looking for one more red, but | :34:08. | :34:22. | |
it's not as easy as he would've liked. One more red will put him 60 | :34:23. | :34:27. | |
point in front with just 59 remaining. | :34:28. | :34:36. | |
Decided on this one, the one that is next to the yellow. | :34:37. | :34:51. | |
Not there. So this frame isn't over yet. APPLAUSE | :34:52. | :35:18. | |
Nicely on the blue, but it will be a tall order to win the frame at this | :35:19. | :35:30. | |
visit. He needs high value colours in the main with these remaining | :35:31. | :35:39. | |
reds. Six remaining colours. But when you are 8-0 in front, relaxed, | :35:40. | :35:44. | |
anything is possible. This is the first challenge he's had | :35:45. | :36:05. | |
for a while in this match. So it may clean up his concentration. | :36:06. | :36:40. | |
That blue now puts Mark 40 points behind, 43 remaining. So he's going | :36:41. | :36:50. | |
to need high value colours with these last two reds will stop he | :36:51. | :37:01. | |
Watt he could get on the blue, another red and a black and he could | :37:02. | :37:04. | |
win the frame by a point. But it's run safe. And the reason, | :37:05. | :37:26. | |
like you Stephen, I would have thought about the other red, you are | :37:27. | :37:33. | |
8-0 in front. I mean, you know, it was a chance to win the frame at | :37:34. | :37:35. | |
that visit. I do think he purposely tried to run | :37:36. | :38:19. | |
the red into the black to knock the black safe. Good idea, just didn't | :38:20. | :38:21. | |
work out as planned. Fergal just needing a red. I think | :38:22. | :39:46. | |
he will take this on. He won't want to move the crumb-macro tied to the | :39:47. | :39:49. | |
right-hand cushion. But surely he will play a pot on this one. If you | :39:50. | :39:58. | |
knock it in, you win the frame. You won't fancy your opponent cleaning | :39:59. | :40:00. | |
up even if you left the red. He's been around, looked at pot and | :40:01. | :40:16. | |
angle. You are right, John, he has to play this. | :40:17. | :40:24. | |
APPLAUSE Yes! Well done, Fergal. You can see | :40:25. | :40:36. | |
the little smile coming out of his face there. The applause is because | :40:37. | :40:44. | |
he has just made a hundred brig. Well done. -- hundred break. | :40:45. | :41:05. | |
And that will mean there is no way back to the table now for Mark | :41:06. | :41:09. | |
Selby. He can't be disappointed with that. | :41:10. | :41:33. | |
Mark Selby has a seven frame advantage going into tonight's next | :41:34. | :41:40. | |
session. He leads Fergal O'Brien 8-1. | :41:41. | :41:44. | |
HAZEL IRVINE: Mark Selby already in a commanding position against Fergal | :41:45. | :41:50. | |
O'Brien. One Welshman in the draw, Ryan Day up against Xiao Guodong. | :41:51. | :41:58. | |
Neil Robertson taking on Noppon Saengkham. Marco Fu plays Luca | :41:59. | :42:05. | |
Brecel. Yan Bingtao plays Shaun Murphy. Liang Wenbo faces Stuart | :42:06. | :42:12. | |
Carrington, who knocked out Mark Williams. Ding Junhui against | :42:13. | :42:18. | |
Chinese new boy zone Yuelong. Stuart Bingham up against Peter Ebdon. Kyra | :42:19. | :42:25. | |
Wilson against David Grace. Mark Allen against Bexhill's number 39, | :42:26. | :42:34. | |
Jimmy Robertson. John Higgins up against Martin Gould is 881. A real | :42:35. | :42:40. | |
bruiser, Ali Carter against Graeme Dott. So is this. McGill facing | :42:41. | :42:47. | |
Maguire. And joint favourite Judd Trump takes on Rory McLeod on | :42:48. | :42:53. | |
Tuesday. Judd Trump joint favourite with Mark Selby. Mark Selby living | :42:54. | :42:55. | |
up to his favourite tag this morning. A lovely smile on the face | :42:56. | :43:02. | |
of Fergal O'Brien. You almost feel a sense of relief for him. Very much | :43:03. | :43:08. | |
so. He will have been slightly embarrassed by his level of | :43:09. | :43:11. | |
performance today. His highest break was 17 in the match. We know Fergal | :43:12. | :43:17. | |
is a proper buyer, but he has had a bad day at the office. Scoring 181 | :43:18. | :43:21. | |
points in the match so far, the lowest in any match at the Crucible, | :43:22. | :43:27. | |
191. He has ten points work to do to avoid another record. How do you | :43:28. | :43:34. | |
assess the damage from Fergal's point of view? What is it like to | :43:35. | :43:37. | |
sit in your chair, because you have been there and you know what it is | :43:38. | :43:43. | |
like. Horrible. It feels like the game is slipping away from you. You | :43:44. | :43:48. | |
feel helpless about it. You are trying hard to get back into the | :43:49. | :43:52. | |
game. The hardy you try, the worse it gets. Somewhere down the line, | :43:53. | :43:56. | |
the embarrassing factor comes into the equation. You don't want to be | :43:57. | :44:01. | |
in the room and you want to go home. Fergal in the last frame, still grit | :44:02. | :44:07. | |
and determination. Others will have slung their cue at it more. But | :44:08. | :44:13. | |
Fergal played the right shot at the right time. That is why, over the | :44:14. | :44:19. | |
years, he has been so successful. Your Crucible record remains, the | :44:20. | :44:21. | |
only whitewash in Crucible history that you have configured. Against Mr | :44:22. | :44:27. | |
Charlton. I am quite glad about. Still intact, there aren't many of | :44:28. | :44:33. | |
them. They will return as the champion 's prerogative on the first | :44:34. | :44:37. | |
day, they come back and complete their match in the Saturday evening, | :44:38. | :44:41. | |
that is at 7pm. Jason Mohammad will be here for that one. Former world | :44:42. | :44:45. | |
number two Stephen Maguire hasn't won a match at the Crucible since | :44:46. | :44:50. | |
2012. He beat Stephen Hendry in the quarterfinal here in a match that | :44:51. | :44:56. | |
effectively retired Stephen. But it seems Maguire's record at this great | :44:57. | :45:02. | |
championship has suffered as well. He has lost in round one in the four | :45:03. | :45:09. | |
years between then and now. He is a qualifier this time. How will that | :45:10. | :45:13. | |
affect him? Is the writing on the wall again? Perhaps even on the | :45:14. | :45:15. | |
page. This writing is capital letters. | :45:16. | :45:28. | |
Capital letters are usually somebody trying to protect themselves from | :45:29. | :45:32. | |
allowing anybody to get a feeling for who they are. It is called | :45:33. | :45:37. | |
putting on a uniform. He is somebody with a lot of willpower. There is no | :45:38. | :45:42. | |
right margin. If you look at the difference between the left margin | :45:43. | :45:47. | |
and right margin, it is quite a narrow margin. This is somebody that | :45:48. | :45:52. | |
wants to get on with things. There are one or two points that show | :45:53. | :46:00. | |
defiance. Look at the K. You have an enormous aggressive shooting up to | :46:01. | :46:04. | |
the right. That is a defined structure. This site, the curve is | :46:05. | :46:09. | |
right over to the left. He is somebody that is quite protective. | :46:10. | :46:12. | |
If it curved in the other direction, it would be someone more open to | :46:13. | :46:17. | |
symbolically to the outside world. This is somebody quite define. | :46:18. | :46:27. | |
Capital Os have these angles. Again, quite a tenacious person. Where you | :46:28. | :46:31. | |
have angles where there should be curves, it is like a fist. He is | :46:32. | :46:36. | |
putting a fist in place. The words have a number of twisted letters in | :46:37. | :46:40. | |
them as well. If you look at the slander of some letters, they are | :46:41. | :46:45. | |
going the opposite direction to the letters next door. This is known as | :46:46. | :46:50. | |
twisted writing. Here is somebody who needs to be in control. They | :46:51. | :46:56. | |
need to verify and take arguments a stage further. Somebody like this | :46:57. | :47:01. | |
might start quite strongly, but then his writing flattens out. The way he | :47:02. | :47:07. | |
pursues his aims starts with a flourish and then there is a | :47:08. | :47:10. | |
flattening out. There may be difficulties in long-range planning, | :47:11. | :47:16. | |
but a nice bit of aggression, and checking, and fighting. So a | :47:17. | :47:18. | |
reasonably good competitor. Defiant, protective, tenacious, | :47:19. | :47:30. | |
aggressive. Spot on for Stephen Maguire. Anthony McGill winning in | :47:31. | :47:42. | |
India and the snooker shoot out. He is the automatic qualifier this | :47:43. | :47:46. | |
time. A different feeling to the last two years when he has inflicted | :47:47. | :47:52. | |
pain on leading seed, knocking out Shaun Murphy, and sending Stephen | :47:53. | :47:55. | |
Maguire back to Glasgow with a super cool performance on his debut in | :47:56. | :47:59. | |
2015. This time, as the seeded player, the pressure is on And. | :48:00. | :48:06. | |
I have had a breakthrough season. I wasn't a winner before and I have | :48:07. | :48:11. | |
managed to steal a couple of tournaments. I am coming here with a | :48:12. | :48:18. | |
lot of confidence. I am high in the rankings, which happens when you are | :48:19. | :48:23. | |
doing well. Yeah, as years go by, because it is a game of experience | :48:24. | :48:28. | |
as well, really. I think the more experience you get, the better plate | :48:29. | :48:32. | |
you become. As the years go by, the better you get. I have played | :48:33. | :48:38. | |
Stephen here before two years ago. The draw came out, I watched it | :48:39. | :48:41. | |
live, and I couldn't believe it. We used to practice together. You would | :48:42. | :48:49. | |
like to maybe play someone who you are not familiar with. You don't | :48:50. | :48:51. | |
want to play your mate or your practice partner. You want him to do | :48:52. | :48:57. | |
well, I want Stephen to do well. Stephen wants me to do well. But it | :48:58. | :48:59. | |
is what it is, and that is the draw. At 2:30 we live with Ronnie | :49:00. | :49:08. | |
O'Sullivan, but we will update you on progress in this one. We join | :49:09. | :49:15. | |
them at 2-2. This is frame five, Willie Thorne and Peter Ebdon | :49:16. | :49:19. | |
commentating. COMMENTATOR: A good opportunity for | :49:20. | :49:22. | |
Anthony McGill. He might play ace workshops to the right-hand side, a | :49:23. | :49:26. | |
lot of swerve, and that is the reason why he missed it. He had to | :49:27. | :49:29. | |
play that with lots and lots of right-hand side. Lots of right-hand | :49:30. | :49:36. | |
side on the cue ball. The right-hand side, throwing the cue ball to the | :49:37. | :49:39. | |
left, hitting the object ball thick. That is the reason why he missed the | :49:40. | :49:45. | |
Quins. He looked amused to say the least. He couldn't believe that the | :49:46. | :49:51. | |
cue ball through so much. Through so much and didn't come back. Usually | :49:52. | :49:54. | |
you get some movement to the right. He had no movement at all. He played | :49:55. | :50:01. | |
it a fraction too hard. Yes, absolutely. And was very fortunate | :50:02. | :50:07. | |
in the end not to leave the red. This is a really tough red to take | :50:08. | :50:09. | |
on. Wow, what a shot that is. Cued that | :50:10. | :50:23. | |
really well. He can get onto the pink in the middle without any | :50:24. | :50:27. | |
problems. If that goes in, he has an excellent chance of scoring well | :50:28. | :50:33. | |
with the black to both corners. I mentioned in commentary in the first | :50:34. | :50:41. | |
four friends, doing well with little breaks, but no player as yet, apart | :50:42. | :50:45. | |
from in the opening frame when Maguire made 66. We always say | :50:46. | :50:54. | |
instead the com if you get a chance a friend, you are happy because you | :50:55. | :50:59. | |
have had a chance. At this point in time, you are the getting three or | :51:00. | :51:02. | |
four. It has been interesting so far, we | :51:03. | :51:24. | |
have seen both players now miss balls when they have been using | :51:25. | :51:28. | |
extreme side and hitting the object ball thick. Obviously, this cloth is | :51:29. | :51:35. | |
throwing considerably with side. Which is one of the reasons why | :51:36. | :51:39. | |
players like to play as much playing ball as possible. Could it be the | :51:40. | :51:43. | |
fact that the tables, the first match is on this morning, and they | :51:44. | :51:49. | |
to had heat on the tables, the table heaters on the days, and there may | :51:50. | :51:53. | |
be dampness in the cloth? Could that be a problem? Normally, if there is | :51:54. | :51:59. | |
dampness, you tend not to get so much throw. You tend to get more | :52:00. | :52:04. | |
grip. I would say the conditions are playing very good out there this | :52:05. | :52:05. | |
morning. That's a lovely shot from Stephen | :52:06. | :52:13. | |
Maguire Hebert. Really well controlled. Played the screw shot | :52:14. | :52:19. | |
through the red. Very, very well controlled. That was an excellent | :52:20. | :52:20. | |
shot. The first morning session of any | :52:21. | :52:28. | |
tournament, the tables all ten to be different to how they are on the | :52:29. | :52:33. | |
second day. Table heaters on for a couple of days, the television | :52:34. | :52:37. | |
lights on, everything gets dried out. I will be surprised in the next | :52:38. | :52:43. | |
day or so, if the table is pushing as much. An opportunity to play into | :52:44. | :52:48. | |
the pink. Play video screw. Just needs to miss the pink. He | :52:49. | :53:04. | |
played the cannon into the pink. I am surprised, Maguire usually plays | :53:05. | :53:10. | |
the aggressive shot. And that wasn't the aggressive shot. That does | :53:11. | :53:14. | |
surprise me. Screwing back through and opening them up. Yes, as you | :53:15. | :53:22. | |
say, Stephen usually takes the first opportunity to open the balls as | :53:23. | :53:26. | |
much as he possibly can. He plays very aggressive. | :53:27. | :53:37. | |
But if he could take these two loose reds, and perhaps leave himself an | :53:38. | :53:44. | |
angle on the blue, it would leave a nice pack to go into from the blue. | :53:45. | :53:49. | |
He made play for the red nearest to his hand now to finish on it | :53:50. | :53:55. | |
straight. He could have the half bald pink into the corner. In which | :53:56. | :53:59. | |
case, it would open the reds up. And he can't do it from that shot. | :54:00. | :54:17. | |
Does he have the angle for the buck to go into the reds? If the pink is | :54:18. | :54:28. | |
available, he will play-off pink for the next red. | :54:29. | :54:41. | |
We will know after this shop. Because he is plumb on this red. | :54:42. | :54:50. | |
Having another look now to see if the pink is available. He needs to | :54:51. | :54:54. | |
leave the cue ball low on the pink. This could be the frame with this | :54:55. | :54:58. | |
shot here. If he gets nicely on the pink, it would things up far and | :54:59. | :55:05. | |
wide. The shot that we saw a few seconds ago, this pink is actually | :55:06. | :55:11. | |
quite tight. It doesn't go clearly. There's a slight gap there. | :55:12. | :55:23. | |
Not quite as straightforward as it looks, this. If he plays with top | :55:24. | :55:30. | |
spin, he could end up finishing on the black. He needs to make sure the | :55:31. | :55:35. | |
cue ball is out in open play. Push them towards the middle, but hit it | :55:36. | :55:43. | |
too. He has been fortunate, the red up near the yellow, because he | :55:44. | :55:47. | |
didn't play for that. I wasn't expecting him to play a shot into | :55:48. | :55:52. | |
the baulk pocket, that's the shore. But 54 and counting. -- that's for | :55:53. | :55:59. | |
sure. Stephen's also got some insurance if | :56:00. | :56:15. | |
it were to go wrong. With the red being on the baulk cushion between | :56:16. | :56:16. | |
the yellow and the brown. But if he cannot this long red in, | :56:17. | :56:32. | |
there are a couple of loose reds that go as well. | :56:33. | :56:48. | |
Very good shot on the red. He's on a nice angle on the blue as well, just | :56:49. | :57:00. | |
to knock this in for the red to the right-hand pocket. | :57:01. | :57:14. | |
And that should really be the end of the frame. Stephen Maguire on the | :57:15. | :57:20. | |
verge here of going 3-2 up. 75 remaining, 63 in front. Just this | :57:21. | :58:20. | |
comes to make a frenzy. Red and colour, and we may see our first | :58:21. | :58:24. | |
century of the match now. The highest break previously was 66 from | :58:25. | :58:25. | |
Maguire. 52 competitive centuries Stephen | :58:26. | :58:38. | |
Maguire's had in his career. Not any players have got past the 400 marks, | :58:39. | :58:44. | |
but he is a very, very good break-builder. Making sure of that. | :58:45. | :58:50. | |
Making the frame safe. You also just get the feeling that | :58:51. | :59:06. | |
the smiling and joking that both players were sharing before the | :59:07. | :59:11. | |
interval has now stopped. The smiling assassin, Anthony McGill, is | :59:12. | :59:12. | |
no longer smiling in his chair. And personally, I think it will be a | :59:13. | :59:29. | |
better match for it as well. The way it started, it looked like being | :59:30. | :59:33. | |
commended, 58, 66 from either player. I thought we would get 60 | :59:34. | :59:35. | |
and above every frame. I think the record will be broken | :59:36. | :59:43. | |
this year, Peter, as far as centuries are concerned. We could | :59:44. | :59:48. | |
see very close to 100 centuries at this tournament, because there are | :59:49. | :59:53. | |
so many players scoring heavily. I have no idea who's going to win the | :59:54. | :59:57. | |
championship this year. If I had three pics, I wouldn't necessarily | :59:58. | :00:13. | |
find the winner. -- free picks. The break goes to 91, which is | :00:14. | :00:17. | |
unfortunate, because he is going to need the last consumer. What he | :00:18. | :00:21. | |
needs to do here is pay for a baulk colour, or even half bald blue. That | :00:22. | :00:33. | |
is quite clever. One lucky. -- unlucky. | :00:34. | :00:40. | |
It looks as if he has the angle on the green for the red if he cuts the | :00:41. | :00:48. | |
green in but he decided to pot the fantastic long blue instead. He | :00:49. | :00:54. | |
would have been very unfortunate to finished rate on this red. This is | :00:55. | :00:59. | |
going to take some shot to pot this at pace and get on a colour. What a | :01:00. | :01:07. | |
shame, no century, but fantastic break. 3-2. | :01:08. | :01:16. | |
36-year-old Mogwai won frame six as well with a knock of 60, his fourth | :01:17. | :01:21. | |
half-century of the match so far, so he has that two frame gap at last | :01:22. | :01:25. | |
4-2 as we head into the seventh, it is McGill to play. | :01:26. | :01:31. | |
There is a lot of pressure on this long red. | :01:32. | :01:42. | |
And that is what can happen he put a lot of unwanted side on that, he | :01:43. | :01:56. | |
flicked a bit of right-hand side on unintentionally and the cue ball | :01:57. | :01:58. | |
turnover and hit the red half ball, glaring error. As we mentioned | :01:59. | :02:06. | |
earlier, with Anthony being so strong in his sighting underneath | :02:07. | :02:10. | |
his right eye there is a natural tendency to come across the ball. | :02:11. | :02:23. | |
With right-hand side. The fact he was missing everything thick he may | :02:24. | :02:26. | |
have thought if I put a bit of right-hand side on it it will be OK | :02:27. | :02:30. | |
but he completely mis-hit it and it could be very costly the way Maguire | :02:31. | :02:34. | |
has started the second session of four in this match. | :02:35. | :02:53. | |
This is the one thing you can be absolutely certain love with Stephen | :02:54. | :02:59. | |
Maguire when he's playing well, he scores heavily amongst the balls. | :03:00. | :03:04. | |
And there you have a fantastic example of his cue power, the cue | :03:05. | :03:09. | |
ball to avoid the reds and get perfect on the blue. He is timing | :03:10. | :03:19. | |
the ball very well. And he has upped his pace as well, which is very | :03:20. | :03:23. | |
noticeable. Does he play a little cannon into the pink at pace? I | :03:24. | :03:31. | |
think he will go into the reds, for sure, he will want to win this frame | :03:32. | :03:39. | |
in one visit if he can. And there is you answer. He has not played that | :03:40. | :03:43. | |
very well, to be honest. He did not get the cannon he wanted there. It | :03:44. | :03:49. | |
was one of those packs where there was only one red behind the pink and | :03:50. | :03:53. | |
if you didn't catch the pink full ball as we see here he would not get | :03:54. | :03:57. | |
any movement and that is what has happened. He could pot this red and | :03:58. | :04:01. | |
use the pack to screw back for, but could he run back for the black? | :04:02. | :04:10. | |
Otherwise he will have to go for another colour. Where is the cue | :04:11. | :04:16. | |
ball going? This table is very quick, isn't it? Yes, very, very | :04:17. | :04:20. | |
quick. He will take the green into the Green pocket and play for the | :04:21. | :04:22. | |
red into the right centre. Yes, Stephen has certainly upped the | :04:23. | :04:33. | |
tempo now, scoring very heavily in this match, breaks of 66, 50, 44, 97 | :04:34. | :04:47. | |
and 60. 32 and counting hear. This is two frames in front at double the | :04:48. | :04:51. | |
points in front. He is outscoring McGill by some 200 odd points by | :04:52. | :04:58. | |
this match so far. This all happened after the third frame that McGill | :04:59. | :05:02. | |
should have won when Maguire was all over the place and somehow Maguire | :05:03. | :05:07. | |
managed to pinch it. He needs to be very careful with this cannon | :05:08. | :05:10. | |
because if it goes wrong he could go in off. He played that really well, | :05:11. | :05:17. | |
that was a beautiful shot, decided not to play with pace. He knew | :05:18. | :05:22. | |
exactly what he was doing with the cue ball. The danger of playing with | :05:23. | :05:29. | |
pace, if he had caught the top red he could have gone in off into the | :05:30. | :05:33. | |
corner but he worked that out very well. | :05:34. | :05:41. | |
He is just a couple of shots away from making this a frame-winning | :05:42. | :05:44. | |
opportunity. Has that gone up the table or did he | :05:45. | :06:05. | |
get a bad contact? It sounded like a kink, it sounded like it just went | :06:06. | :06:12. | |
straight. Let's have a little look at this as we see it for the second | :06:13. | :06:16. | |
time. Yes, just straightened up, pushed it to the corner. It wasn't | :06:17. | :06:21. | |
his fault, just a little unlucky. Once again, when you play with side | :06:22. | :06:56. | |
you can see the difficulty playing on these cloths sometimes, he is all | :06:57. | :07:03. | |
at sea at the moment, Anthony McGill, lost his way in this match. | :07:04. | :07:08. | |
But I think he'd be happy to get out of it 6-3 in the way things are | :07:09. | :07:17. | |
going at the moment. Not sure if he could avoid the case on the pink and | :07:18. | :07:21. | |
get the red closest to the cue ball, that goes into the corner. He would | :07:22. | :07:27. | |
have to play with a tiny bit of left-hand side. The natural angle is | :07:28. | :07:31. | |
to play where the pink is an hit the cushion but he can't do that. | :07:32. | :07:38. | |
He will play a little bit of stunned and try and play onto the side, he | :07:39. | :07:45. | |
didn't quite get it but he is on the red no problem. | :07:46. | :08:01. | |
Once again, the speed of the table fooling him. What a massive | :08:02. | :08:12. | |
difference that is. If he finishes two inches short it is frame over. | :08:13. | :08:17. | |
Where he is now he can power in the blue and finish on the red in the | :08:18. | :08:21. | |
left-hand corner, taking on the slightly more difficult green to | :08:22. | :08:28. | |
finish on the same red, playing off one cushion now. How is the pace | :08:29. | :08:33. | |
this time? He lost the cue ball a little bit, could have done with a | :08:34. | :08:37. | |
bit of left-hand side to straighten the cue ball, dead straight, no | :08:38. | :08:38. | |
problem. This is a real test of cueing now | :08:39. | :08:53. | |
for Stephen. That is a lovely shot. That is Ephraim winner. -- that is a | :08:54. | :09:04. | |
frame-winner. He has a nice angle on the black to screw in the reds. | :09:05. | :09:07. | |
Although it looks as though the bottom red in the cluster will go | :09:08. | :09:17. | |
providing he gets on it correctly. Just depends how he sees it. Decided | :09:18. | :09:22. | |
to screw through them, not really got into the white at all what he | :09:23. | :09:28. | |
has a choice of reds in the centre. Didn't get as much spin as he would | :09:29. | :09:30. | |
have liked to have done there. Very similar to a red he refused | :09:31. | :09:52. | |
earlier, he could have played a little screw back, he overscrewed it | :09:53. | :09:58. | |
this time by six or seven inches. But he can still Part this black. | :09:59. | :10:05. | |
Missing the cannon but he will be on the other reds, hopefully, but he | :10:06. | :10:12. | |
hit that too hard as well. Service frame is still not in the balance. | :10:13. | :10:21. | |
The favourite with 66 in front and 67 on. | :10:22. | :10:30. | |
This is good stuff from Stephen Maguire hear. | :10:31. | :11:51. | |
He played a little exhibition shot to try and get the red into play. | :11:52. | :11:59. | |
Didn't control the cue ball nicely enough. Power the cue ball to get | :12:00. | :12:05. | |
back down to the red cushion. There is the cue ball, but he missed the | :12:06. | :12:11. | |
blue. McGill will stay in his seat. Maguire now leads 5-2. | :12:12. | :12:19. | |
And a break of 59 in the next, and yet another win in the ninth means | :12:20. | :12:26. | |
that Stephen owns a 7-2 advantage going into tonight's concluding | :12:27. | :12:30. | |
session and needs three more. For those of you watching the match on | :12:31. | :12:33. | |
the red button you may have heard colourful language in commentary and | :12:34. | :12:35. | |
we apologise for that. Tables have certainly turned between | :12:36. | :12:41. | |
these two men in this particular situation. Two years ago McGill was | :12:42. | :12:47. | |
a qualifier inflicting the damage and now it's the other way around. | :12:48. | :12:51. | |
It could have gone the other way because at the start they were bit | :12:52. | :12:54. | |
ropey and it was the first person to get a grip on the match, Stephen | :12:55. | :12:58. | |
Maguire. The difference from two years ago when Anthony McGill was | :12:59. | :13:02. | |
the qualifier coming through and was not necessarily looking over his | :13:03. | :13:07. | |
shoulder like if you are a seed the tables have been turned. Anthony | :13:08. | :13:11. | |
McGill has a bit more to prove as a seed and perhaps from Stephen | :13:12. | :13:14. | |
Maguire's perspective, coming in as a qualifier with extra matchplay has | :13:15. | :13:19. | |
taken the load off his shoulders. He looked largely untroubled in the | :13:20. | :13:23. | |
qualifiers, smooth progress to this point. That's right, and even though | :13:24. | :13:27. | |
he had a bad start, he missed some awful boards in the early part of | :13:28. | :13:30. | |
the match, now he's playing with a lot more freedom and certainly | :13:31. | :13:34. | |
hasn't got that in aggression of beating himself up if he plays a bad | :13:35. | :13:38. | |
shot. If Stephen Maguire gets off to a good start in this match and | :13:39. | :13:43. | |
converts that and gets a run in the tournament, you see the best in | :13:44. | :13:49. | |
Stephen Maguire, the competitive, gritty, determined player. He has | :13:50. | :13:52. | |
the session tonight, they have their second session this evening, Mogwai | :13:53. | :13:55. | |
needing three more to get over the line for the first time in five | :13:56. | :13:59. | |
years here at the Crucible. Now it is time for Ronnie O'Sullivan. It is | :14:00. | :14:03. | |
very much the Ronnie O'Sullivan show this afternoon, in his 25th campaign | :14:04. | :14:07. | |
he is trying to become a joint legend. He is already a legend, he | :14:08. | :14:12. | |
has five world titles but only Steve Davis and a certain Stephen Hendry | :14:13. | :14:17. | |
have won six or more in the modern era involving matches here at the | :14:18. | :14:21. | |
Crucible and he could join them. He has had his ups and downs at the | :14:22. | :14:25. | |
Crucible, as you know, he has been tortured soul at times and has | :14:26. | :14:29. | |
wonderful triumphs too but it appears he's very much looking | :14:30. | :14:30. | |
forward to this campaign. It's quite nice to be here really, I | :14:31. | :14:42. | |
like Sheffield, it's a good place. It's like a home from home really | :14:43. | :14:49. | |
because I've got friends here, and I know all the people at the | :14:50. | :14:53. | |
restaurants, so when I come here we are always happy to see each other | :14:54. | :14:57. | |
so it's a nice place to come. I think life is good, I'm really | :14:58. | :15:02. | |
enjoying stuff, I have a variety of things going on, so it's not just | :15:03. | :15:06. | |
about playing snooker. So, it's probably the best year I've ever had | :15:07. | :15:11. | |
in my life. This a big moment for Ronnie to break Stephen Hendry's | :15:12. | :15:16. | |
record of six Masters titles. It is a big thing to Ronnie. | :15:17. | :15:22. | |
I've had to bring in Steve and say, you need to help me out, I am a busy | :15:23. | :15:27. | |
guy, how can we deal with this? Sometimes you have to just work | :15:28. | :15:31. | |
around it and that's great, you are always learning. It is a new task | :15:32. | :15:36. | |
for me to learn, managing time. I was ready to jack it in and I met | :15:37. | :15:41. | |
Steve and it's his fault I'm still playing. You go to the master and he | :15:42. | :15:45. | |
gives you a few lessons and you have to go away and work it out for | :15:46. | :15:53. | |
yourself. He has helped me tremendously and with Steve, he told | :15:54. | :15:56. | |
me I can show you what to do but unless you go away and actually do | :15:57. | :15:59. | |
it yourself, like if you start going to the gym you have to motivate | :16:00. | :16:02. | |
yourself to do it and I am good like that. It works for me, I keep on top | :16:03. | :16:06. | |
of it and we have a good relationship. | :16:07. | :16:08. | |
I just think I've got a busy May, June, July, August, September, so | :16:09. | :16:21. | |
much going on, it's amazing. And if you get a few pages in between, | :16:22. | :16:25. | |
happy days. Many Stooke watchers would like to | :16:26. | :16:28. | |
thank Dr Steve Peters for prolonging Ronnie's career but he placed | :16:29. | :16:35. | |
31-year-old newcomer Gary Wilson, he has fulfilled an ambition to play | :16:36. | :16:39. | |
here, one he has held since being a nine-year-old schoolboy coming to | :16:40. | :16:42. | |
the Crucible to watch. Many would have thought you would want to avoid | :16:43. | :16:47. | |
Ronnie in round one but not Gary, he has been in impressively high | :16:48. | :16:51. | |
scoring form in qualifying and what of this will be for the player | :16:52. | :16:55. | |
ranked 59 in the world, no more time to think about it, it is time for | :16:56. | :16:59. | |
action. He has been hugely impressive in qualification, Gary | :17:00. | :17:02. | |
Wilson, eight centuries including a 147 maximum in his first match, and | :17:03. | :17:08. | |
the seniors world champion Peter Lynas, but the last match to qualify | :17:09. | :17:14. | |
was impressive, Michael White from Wales, 10-3, magnificent score to | :17:15. | :17:18. | |
get here. He is a good score and he will have to be today, it is a | :17:19. | :17:22. | |
baptism of fire at the Crucible against the Rocket, five times | :17:23. | :17:25. | |
champion of the world and when the big players, for the big tournaments | :17:26. | :17:28. | |
Ronnie O'Sullivan is one of those, winner of the Masters in January, | :17:29. | :17:32. | |
finalist in the UK, you could not ask for a tough opening match. Let's | :17:33. | :17:36. | |
get the players out there, the crowd is in full anticipation, it is all | :17:37. | :17:40. | |
yours. Thanks, John, good afternoon, ladies | :17:41. | :17:45. | |
and gentlemen, day one at the 2017 Betfred World Snooker Championship, | :17:46. | :17:50. | |
and as always the Crucible crowd in this very special 40th anniversary | :17:51. | :17:54. | |
year are in fine voice and ready for the drama to come. | :17:55. | :17:56. | |
Please welcome a player emerging for one of the biggest matches of his | :17:57. | :18:22. | |
career so far, superb run to the semis at the UK champion last season | :18:23. | :18:25. | |
but this is his first appearance here at the Crucible, all the way | :18:26. | :18:31. | |
from Leeds, it is Yorkshire's very own David Amazing | :18:32. | :18:57. | |
Graceful stop and his opponent, back after a great run to the quarters | :18:58. | :19:04. | |
here last year, winner of last year's Shanghai Masters, he made the | :19:05. | :19:06. | |
final of the Indian open at the start of the current campaign, now | :19:07. | :19:11. | |
established in the world's top 16, The Warrior Kyren Wilson. | :19:12. | :19:34. | |
And on table one, please welcome another player who has done it the | :19:35. | :19:38. | |
hard way through qualifying to make it here for the very first time, and | :19:39. | :19:44. | |
a magnificent 147 along the way at Ponds Forge, he will have massive | :19:45. | :19:48. | |
support from the north-east this afternoon, the Tyneside terror, Gary | :19:49. | :19:49. | |
Wilson. And finally, a player emerging for | :19:50. | :20:22. | |
his 25th Crucible campaign, here after a record-breaking seventh | :20:23. | :20:25. | |
victory at the Masters in January, five times a champion of the world, | :20:26. | :20:29. | |
blink and you'll miss in The Rocket Ronnie O'sullivan. | :20:30. | :20:47. | |
So, the Rocket approaches the launch pad up against Gary Wilson, | :20:48. | :20:53. | |
fantastic, the thing to local hero, the chosen track for Gary. I wonder | :20:54. | :20:58. | |
if he will be so today. Don't worry if you want to watch the Kyren | :20:59. | :21:03. | |
Wilson, David Grace match, it is live online via connected | :21:04. | :21:08. | |
televisions on BBC Two and the red button. For the moment we will be | :21:09. | :21:11. | |
watching this one. Good luck to both, and hello to Stephen Hendry | :21:12. | :21:16. | |
and Dennis Taylor. COMMENTATOR: Good afternoon everyone, and a warm | :21:17. | :21:18. | |
welcome to the Crucible Theatre. Ronnie gets the first frame underway | :21:19. | :21:38. | |
and a pretty good break off. And a fairly new player to your screens, | :21:39. | :21:47. | |
Gary Wilson. What an achievement to get here for the first time after | :21:48. | :21:49. | |
trying for seven years good player. Very interesting to see what former | :21:50. | :22:20. | |
Ronnie O'Sullivan brings to this World Championship. He has not been | :22:21. | :22:26. | |
at his best in the previous few months. He won the Masters but since | :22:27. | :22:34. | |
then he has not been too impressive. Will know if he can bring his A-game | :22:35. | :22:41. | |
here he will win, his best game is better than anyone else's. But that | :22:42. | :22:50. | |
is easier said than done. Yes, just gone a little bit awkward, the | :22:51. | :22:53. | |
opening frame, with the red up at the other end of the table. | :22:54. | :22:59. | |
This is the second time they have played. He has played Ronnie wants | :23:00. | :23:13. | |
and Ronnie Peter 5-3. So he took three frames off the Rocket. -- | :23:14. | :23:22. | |
Ronnie Peterson 5-3. That gets the frame of back-up to normality, the | :23:23. | :23:28. | |
red coming back up this end of the table. It hasn't come up far enough. | :23:29. | :23:33. | |
That will be very difficult. He could take on the pot but in the | :23:34. | :23:40. | |
first frame he might just decide on the safety shot off that red. That's | :23:41. | :23:49. | |
what he's done. He has just knocked the black onto the side cushion so | :23:50. | :23:58. | |
that has made it a little awkward. He doesn't take many risks these | :23:59. | :24:03. | |
days, Ronnie O'Sullivan. He's not, perhaps, as aggressive as the likes | :24:04. | :24:12. | |
of a Judd Trump. He prefers to wait and get chances from his opponent's | :24:13. | :24:17. | |
mistakes. That is an excellent long pot. That will make him feel really | :24:18. | :24:23. | |
good. No matter who you are it's always nice to get your first long | :24:24. | :24:32. | |
pot in. His first pot at the Crucible and it was a cracker. | :24:33. | :24:44. | |
Just travelled a little bit too close to the blue and he needs to | :24:45. | :24:50. | |
get past agreement to take him self back up to the reds. And a lot of | :24:51. | :24:59. | |
our older viewers watching here, when they see Gary cueing up, it | :25:00. | :25:06. | |
will remind them of twice Pot Black Champion, Graham Miles who passed | :25:07. | :25:09. | |
away a couple of years ago. He holds the key similar to Graham, down the | :25:10. | :25:22. | |
sides of his chin. -- he holds the cue. | :25:23. | :25:33. | |
Make no mistake, Gary is a great player. Can he produce his best on | :25:34. | :25:47. | |
the big stage? That's the question. That last qualifying round John | :25:48. | :25:50. | |
Parrott mentioned against Michael White, very impressive result. Eight | :25:51. | :25:58. | |
centuries in three matches is pretty good scoring as well. | :25:59. | :26:05. | |
This is a tricky little shot. Hit it slowly to give it more chance of | :26:06. | :26:16. | |
going in. He played it at pace to go for the red into the same pocket. | :26:17. | :26:23. | |
That wasn't easy. Maybe would have been better just dropping in the | :26:24. | :26:26. | |
black for the red to the left corner. | :26:27. | :26:39. | |
I think he has left enough angle on the black to get out for the red | :26:40. | :26:51. | |
near the pink. It pops into the right corner. He will have a look at | :26:52. | :26:58. | |
the one at the back of the pack, because if it goes, he did have a | :26:59. | :27:02. | |
glance at it, but it would open a ball the reds if he does decide to | :27:03. | :27:07. | |
take this on. One shot here and you know what Ronnie is like, he likes | :27:08. | :27:16. | |
to get the ball is open as possible. That is unlucky, although I think | :27:17. | :27:19. | |
the pink may go into the middle but he's going away from the reds now. A | :27:20. | :27:24. | |
bit unlucky for that red to cover the pocket. The pack was a lovely | :27:25. | :27:31. | |
shape, as long as he struck it where he did he would be on the black but | :27:32. | :27:35. | |
for the red covering the right pocket. | :27:36. | :28:34. | |
You heard Ronnie talking about Steve Peters, that's the gentleman that | :28:35. | :28:42. | |
has helped Ronnie for quite a few years and he has certainly worked | :28:43. | :28:47. | |
wonders with him. He a sports psychiatrist. Not a psychologist. He | :28:48. | :28:56. | |
has worked with the England team, Liverpool football club he has a | :28:57. | :29:06. | |
great respect for Ronnie and vice versa. | :29:07. | :29:17. | |
He will go for the little one into the middle pocket to get nicely on | :29:18. | :29:24. | |
the black again. No problem. Handy, the plant is on. That's the | :29:25. | :30:21. | |
number he is looking for, 65. He is doing, Stephen, what you used | :30:22. | :30:37. | |
to do throughout the 90s, and what Steve Davis did in the 80s. Always | :30:38. | :30:42. | |
able to get off to a fast start. What was the mindset, is that what | :30:43. | :30:47. | |
you were after? We all want a fast start, but you two gentleman seemed | :30:48. | :30:53. | |
to do it all the time. Ron Lee just looks very comfortable out there, | :30:54. | :31:00. | |
very composed. -- Ronnie. The top players in the game, they step into | :31:01. | :31:08. | |
the groove so quickly. You hear a lot of players talking about nerves | :31:09. | :31:10. | |
in the first round and want to get the first round over. They don't | :31:11. | :31:15. | |
look comfortable. But the very top two or three in the game don't think | :31:16. | :31:20. | |
like that. It looks like he might have overrun this to the right | :31:21. | :31:21. | |
corner. Just a couple of inches too far. So | :31:22. | :31:31. | |
he's not going to clinch the frame with this visit. | :31:32. | :31:36. | |
Just a little bit too much pace on it. Such fine margins, this game. | :31:37. | :32:07. | |
The only bad thing is he's put two of the reds on the cushion. Already | :32:08. | :32:26. | |
one safe on the left cushion. If he wants to get a chance, it won't be | :32:27. | :32:31. | |
an easy one. Ronnie catching that safety shot far too fig. So that | :32:32. | :32:40. | |
excellent safety shot has provided an opportunity. -- far too thick. A | :32:41. | :32:48. | |
chance for Gary Wilson to get right back into this first frame. | :32:49. | :33:00. | |
He's got an angle he can can become to the black. I think it is worth | :33:01. | :33:11. | |
the risk. He may choose to play the red nearest the corner first. I am | :33:12. | :33:16. | |
surprised he played that way. And he's ended up in a bit of no man's | :33:17. | :33:18. | |
land. Well, either red is very, very tough | :33:19. | :33:32. | |
indeed if he's going to take the pot on. He has two fully commit. This to | :33:33. | :33:42. | |
give him a possible chance. If it doesn't go in, the frame is gone. | :33:43. | :33:45. | |
Well played. Very good. I am not sure if you can get an | :33:46. | :33:55. | |
angle on the pink to get onto the red. As we show you this delicate | :33:56. | :33:59. | |
slip along the cushion. He has still got the guns and Mac near the left | :34:00. | :34:05. | |
corner, but I don't think has the angle to move to the one on the side | :34:06. | :34:12. | |
cushion. He might have. -- he has still got the red near the left | :34:13. | :34:16. | |
corner. Didn't have the angle to move it, that's why he just dropped | :34:17. | :34:17. | |
it in. A little bit tempted by the double, | :34:18. | :35:16. | |
looks like it. If you missed it, you have no idea where the red is going | :35:17. | :35:23. | |
to go. In the end, he was so far away from the double. He certainly | :35:24. | :35:30. | |
hasn't left an easy opportunity. This is interesting, I don't think | :35:31. | :35:50. | |
Ronnie wants to take this safety -- take this on. | :35:51. | :35:55. | |
He might only be able to tie, but as you say, Stephen, he seemed to be | :35:56. | :36:02. | |
looking at the safety shot. That maybe tells me, he's got some sort | :36:03. | :36:07. | |
of game plan not to risk too many, which is unlike Ronnie. I must | :36:08. | :36:15. | |
admit, I'm shocked he hasn't already taken this red on. | :36:16. | :36:21. | |
He struck it well. He couldn't have got much closer, but maybe he's just | :36:22. | :36:27. | |
not feeling that confident. He was looking for an alternative | :36:28. | :36:37. | |
shop, but didn't see one. He forced himself into taking it on. | :36:38. | :37:00. | |
That red seemed to fly off the top vision. In fact, it's gone past the | :37:01. | :37:11. | |
middle pocket, but it seemed to come off the cushion very quick indeed, | :37:12. | :37:16. | |
Stephen. Divinity. When Ronnie went out opposition, that was the reason | :37:17. | :37:21. | |
as well. He was shocked he got a big bounce. -- definitely. When Ronnie | :37:22. | :37:27. | |
went out of position. He will want a thin snick here. He | :37:28. | :38:00. | |
doesn't want to develop both these reds. | :38:01. | :38:22. | |
There's that style I was telling you about, cue right down the side of | :38:23. | :38:27. | |
his chin, as you can see. Didn't play it to get the white back | :38:28. | :38:37. | |
in the baulk area, he wanted to make sure that he didn't push a red | :38:38. | :38:43. | |
towards a pocket. Money can get the advantage here and quite easily | :38:44. | :38:49. | |
swing this around. Ronnie can get the advantage. That has left Gary in | :38:50. | :38:51. | |
a of bother. This is a test of the cue action, | :38:52. | :39:28. | |
long pot. These type of shots are what you call confidence boosters. | :39:29. | :39:33. | |
It tells you how well you are cueing. That's the distance he has, | :39:34. | :39:42. | |
6'8", cue ball to object ball. No, cueing across it slightly. | :39:43. | :39:52. | |
You could see the backhand there moves slightly. | :39:53. | :40:17. | |
What's he done here? He needs the pink to come to his rescue and it | :40:18. | :40:22. | |
might just. Just the black needed, so he can | :40:23. | :40:54. | |
just concentrate and drop the black in. | :40:55. | :41:00. | |
Just one snooker needed. He could chip this in past the brown. Yeah, | :41:01. | :41:20. | |
it could. Not quite, but look at the cue ball. He can and the black. That | :41:21. | :41:32. | |
means but Gary could take this on, but he'd have to get up for a high | :41:33. | :41:33. | |
value colour. If he had of taken the pot on, he | :41:34. | :42:02. | |
could put pink or black to have one snooker. | :42:03. | :42:21. | |
He could do with that black off the cushion a little bit. It is totally | :42:22. | :42:50. | |
out of commission. Well, he tried to develop a black | :42:51. | :43:02. | |
and pushed it right over the pocket. He's got a good cue ball, but I | :43:03. | :43:07. | |
think he's going to find the gap, is he? | :43:08. | :43:17. | |
If he could get a chance, he would pot the red and the black, and he | :43:18. | :43:34. | |
would still only need one snooker. But that's far too Finn from this | :43:35. | :43:37. | |
position. -- to not a bad effort. He is able to bend | :43:38. | :43:55. | |
it around the brown. You have the perfect picture to see the little | :43:56. | :43:57. | |
swerve shot. Always nice to see a swerve shot | :43:58. | :44:12. | |
executed. Seeing Ronnie's swerve their, it is | :44:13. | :45:02. | |
a lovely shot to watch. -- seeing Ronnie's swerve there. We can show | :45:03. | :45:08. | |
you how it is executed, striking down lest I come you can see the | :45:09. | :45:11. | |
ball bounce and start to turn to the left. -- striking down left side. | :45:12. | :45:28. | |
Now then, Pogba red, pop black, he's far from out of this first frame. -- | :45:29. | :45:34. | |
pot the red, pot the black. And the balls are now nicely placed | :45:35. | :45:47. | |
for that snooker that he needs. Yeah, if he can pot black and then | :45:48. | :45:56. | |
pot the you, leave the cue ball behind the blue. | :45:57. | :46:07. | |
Yeah, that's what he's looking at Stephen. And I think he can still | :46:08. | :46:12. | |
get to that position that you suggested. He has got to avoid the | :46:13. | :46:18. | |
pink and get back up into the correct position to play your shot. | :46:19. | :46:25. | |
From here, it comes if it misses the brown. A bit too heavy. But he can | :46:26. | :46:34. | |
still play that shot and still get in behind the blue. | :46:35. | :46:40. | |
It's one of those, if you can get it tight in behind the blue, it is | :46:41. | :46:49. | |
very, very difficult to get away from. If he tries to get the cue | :46:50. | :46:55. | |
ball in tied behind the blue, the Green could come off the cushion and | :46:56. | :46:57. | |
double-kiss. He just decelerated a little bit. | :46:58. | :47:19. | |
It's a snooker, but he didn't get enough side to just come off the | :47:20. | :47:25. | |
cushion and clip the green. A little but harder there and it would have | :47:26. | :47:29. | |
been difficult for Ronnie. He doesn't like the swerve, by the | :47:30. | :47:33. | |
looks of it. He is coming off one or two cushions, possibly three, in | :47:34. | :47:37. | |
between the pink and black to hit the green. | :47:38. | :47:40. | |
The only problem here, if he rolls tight in behind the blue, he's going | :47:41. | :47:54. | |
to be putting the green right over the corner pocket. But Arles told | :47:55. | :48:00. | |
you what, that might not be a bad thing. -- but I will tell you what. | :48:01. | :48:09. | |
It's a pretty straightforward one. Off the top cushion, if he hits the | :48:10. | :48:21. | |
cushion where the G is, he will go back and hit the green. | :48:22. | :48:24. | |
He hit the capital L instead, but that will do. That was an 'ell of a | :48:25. | :48:37. | |
shot. Can he slot this in behind the black | :48:38. | :49:07. | |
off two or three cushions? He's going to have to do it with the | :49:08. | :49:21. | |
pink. Didn't quite judge that. That was a decent chance there to get a | :49:22. | :49:25. | |
smooth. One good pot on the brown, and the friend, a friend that looks | :49:26. | :49:32. | |
like it would be over 10-15 minutes ago, and Ronnie was in, and just | :49:33. | :49:39. | |
overran the positions likely. -- overran the position slightly. | :49:40. | :49:45. | |
Looked as if he didn't even take a pot on there. | :49:46. | :51:24. | |
He's certainly making Ronnie work for this first frame, Dennis. Not a | :51:25. | :51:34. | |
bad thing. First time at the Crucible Theatre, he's certainly | :51:35. | :51:37. | |
playing himself in here, and getting used to the conditions. | :51:38. | :51:43. | |
I know they are used to playing on multiple tables now, but there is | :51:44. | :51:52. | |
nowhere like the Crucible. Look how tight it is and how close the crowd | :51:53. | :51:59. | |
are to the tables. And what great news that was, to hear that it's | :52:00. | :52:04. | |
going to be at the Crucible for another ten years. The cheer that | :52:05. | :52:09. | |
went up last night when Barry Hearn announced that, it was tremendous. | :52:10. | :52:51. | |
Almost got it tight to the black. This is not easy off the right side | :52:52. | :53:04. | |
cushion. Just one cushion, this is very difficult to judge. | :53:05. | :53:09. | |
A tap on the table from Gary to acknowledge that. Yeah, it's a | :53:10. | :53:27. | |
problem when playing the top players. One snooker, you probably | :53:28. | :53:31. | |
need to lay about six or seven just to get that one foul. | :53:32. | :54:15. | |
Ronnie's good friend, Damien Hirst in the audience. | :54:16. | :54:38. | |
And what Gary's doing here when attempting the snooker is, he is | :54:39. | :54:49. | |
making sure he keeps the object ball safe -- attempting the snookers. He | :54:50. | :54:52. | |
will probably roll this into the pocket after saying that. | :54:53. | :54:55. | |
Ronnie just attempting to put the black out of commission, and didn't | :54:56. | :56:22. | |
quite manage it. This might turn out to be the longest frame of the | :56:23. | :56:29. | |
match, this opening frame. Just over 35 minutes. | :56:30. | :56:33. | |
As I say, it looked like it was going to be over in a matter of 11 | :56:34. | :56:37. | |
or 12 minutes. Can he knock this long round in? -- | :56:38. | :56:41. | |
long brown in. Can he get the snooker behind the | :56:42. | :56:57. | |
pink? Lucky boy. Can he hit this, and can he not it's | :56:58. | :57:18. | |
safe? He's hit the blue. Bit of a schoolboy error there. The fact he's | :57:19. | :57:25. | |
hit the blue, he's now 29 behind. Just lost a little bit of rhythm at | :57:26. | :57:41. | |
the moment, Ronnie, because of all the tactical play here. | :57:42. | :57:46. | |
Could screw off the cushion and back over the black. Not | :57:47. | :57:54. | |
I don't think it will go in the middle pocket. Well, it might do. | :57:55. | :58:48. | |
No, played the snooker. How many cushions is he going to | :58:49. | :59:03. | |
have to let? One, two, three, maybe four four. That's the end of the | :59:04. | :59:07. | |
opening frame. Gary turned to the referee and said, that's enough. He | :59:08. | :59:15. | |
looked like he was going to clinch, ran out of position, but has taken | :59:16. | :59:16. | |
the first frame. HAZEL IRVINE: In the end, a | :59:17. | :59:24. | |
competitive frame. Positive from Gary Wilson, he looks like a | :59:25. | :59:28. | |
positive young man. An interesting first frame in many ways. Perhaps | :59:29. | :59:31. | |
significantly, the value of being able to win a frame in one visit and | :59:32. | :59:36. | |
kill your opponent off so that he doesn't come back to the table to | :59:37. | :59:39. | |
get those snookers. The difference usually with the top players, but | :59:40. | :59:43. | |
you can't always guarantee it. Ronnie O'Sullivan would have loved | :59:44. | :59:47. | |
to have got off to a quick start. But he had to work for it | :59:48. | :59:51. | |
afterwards. Gary Wilson, I think, is decent among the balls tactically as | :59:52. | :59:55. | |
well. So it should be interesting. He is a heavy scorer, runner-up to | :59:56. | :00:00. | |
Mark Selby in the China open, getting to the final a couple of | :00:01. | :00:03. | |
years ago. He has beaten some good names in the past. He knows his game | :00:04. | :00:09. | |
stands up, but the thing today will be scoring. He will be tested on | :00:10. | :00:14. | |
that today. I was looking at him, some people when they have done a | :00:15. | :00:19. | |
piece to camera before, some looked like rabbits in headlights, he | :00:20. | :00:22. | |
didn't. He looked up for it and looked forward to going out. Also an | :00:23. | :00:28. | |
interesting story. I don't know the ins and outs of it, but was a pro, | :00:29. | :00:34. | |
dropped off out of the game, gave it up to some degree, then started taxi | :00:35. | :00:37. | |
driving, followed another path. But somewhere down the line, decided to | :00:38. | :00:44. | |
give it another go. You know what it is like to be retired, you don't | :00:45. | :00:47. | |
think too much about that, give it your second goal and you asked on | :00:48. | :00:54. | |
for -- you are stronger for it. He need to win qualifying matches to | :00:55. | :00:58. | |
remain on tour. He is currently ranked 59, but he sailed through. | :00:59. | :01:03. | |
Eight centuries in three matches. He can clearly play, and he has clearly | :01:04. | :01:07. | |
played himself into good form. He can clearly play under pressure as | :01:08. | :01:12. | |
well. If he needed that to keep his card, credit to him. If you have | :01:13. | :01:16. | |
dropped off or retired, and you come back, it is not so much of a fear | :01:17. | :01:19. | |
factor looking over your shoulder, thinking you might drop off, so you | :01:20. | :01:23. | |
perhaps don't worry so much about that. He has ensured himself another | :01:24. | :01:29. | |
season and is certainly in a positive impression in this match. | :01:30. | :01:36. | |
Crucible debut, back we go, frame two. | :01:37. | :01:42. | |
COMMENTATOR: Not a bad break off but the only problem is the rednecks to | :01:43. | :01:46. | |
the black which has tied up the black. That shot hasn't really freed | :01:47. | :01:55. | |
up the black completely but it was a good return safety shot from Ronnie. | :01:56. | :02:20. | |
That's certainly freed the black up now, other end of the table in the | :02:21. | :02:28. | |
open. He might even be able to take the | :02:29. | :02:40. | |
pot on, there is a path down the table back to this red. Nice flick. | :02:41. | :02:53. | |
Has he covered the ones to the right corner? May be the middle one. The | :02:54. | :03:02. | |
straight one will pot but it's not very exciting. The other one is a | :03:03. | :03:18. | |
bit tight. This needs good cueing. That wasn't easy, and he knew there | :03:19. | :03:25. | |
was every chance he was going to put Ronnie in and look at the way the | :03:26. | :03:30. | |
reds have split up. In a few shots time it could be a very good chance. | :03:31. | :03:35. | |
He did not really fancy taking that on but decided to give it a go. | :03:36. | :03:45. | |
Looking at the table I can tell you one thing, this frame would be as | :03:46. | :03:46. | |
long as the opening frame. He just needs to work around the | :03:47. | :04:45. | |
blue, the pink is not possible so he needs to get the black back on its | :04:46. | :05:02. | |
spot. Clever shot. The red to the left middle automatically takes him | :05:03. | :05:07. | |
onto the black. Very clever positional shot there. | :05:08. | :05:27. | |
Looking at his body language, is he on the black? He is dead straight. | :05:28. | :05:45. | |
As long as he cues this right he will have to try and avoid the end | :05:46. | :05:46. | |
off with the screw shot. Just the wrong side of the blue | :05:47. | :06:39. | |
line. He's having to work a little bit harder for these. He has not | :06:40. | :06:47. | |
been in prime position just yet. But as long as you keep potting them | :06:48. | :07:09. | |
it doesn't matter which colour you take. | :07:10. | :07:25. | |
You see, he has had five reds and a couple of Yellows and three blues. | :07:26. | :08:35. | |
This has been an excellent break. He has had to work really hard, as you | :08:36. | :08:53. | |
said, the pink has not been available and the white was at the | :08:54. | :09:00. | |
baulk end. I'd be shocked if he didn't win this frame this visit. | :09:01. | :09:25. | |
Gary Wilson knows what's going to happen most of the time when he | :09:26. | :09:32. | |
misses long pots most of the time and leaves the cue ball down this | :09:33. | :09:34. | |
end of the table. You heard an audible groan there | :09:35. | :10:06. | |
from that shot. Still needs a colour. That might be end of break. | :10:07. | :10:15. | |
50 ahead, 59 on, so black safe. REFEREE: Ronnie O'Sullivan, 58. | :10:16. | :10:34. | |
Didn't quite clinch the frame before and he's done exactly the same | :10:35. | :10:41. | |
again. With 58 he is almost there but just enough for Gary Wilson. As | :10:42. | :10:46. | |
Stephen mentioned with the black save the old sigh heavily in | :10:47. | :10:51. | |
Ronnie's favour of taking this second frame. | :10:52. | :11:17. | |
99 times out of a hundred, on that score you would win the frame but it | :11:18. | :11:30. | |
is just the frustration now it could last another 20 minutes. | :11:31. | :12:25. | |
It is almost worth leaving a pot because he needs four blacks. | :12:26. | :12:37. | |
He is just thinking about risking playing the cannon to bring the | :12:38. | :12:43. | |
black interplay. It's a good idea as long as you keep everything else | :12:44. | :12:52. | |
safe. -- into play. That has turned out very nice indeed. That is a | :12:53. | :13:00. | |
pretty good shot bringing the black into play. | :13:01. | :13:18. | |
Advantage Ronnie O'Sullivan with that very good shot. Might just be | :13:19. | :13:28. | |
able to get past the yellow. It's very tight. He's having a good long | :13:29. | :13:32. | |
hard look at it. He has got to be careful if he plays | :13:33. | :14:14. | |
off the red that is tight on the cushion. That's why he's thinking. | :14:15. | :14:19. | |
He knows if he hits that thick he could open the frame up so he needs | :14:20. | :14:26. | |
a thin contact on this. He played it well. And what a little flick that | :14:27. | :14:35. | |
is. I don't think it is a snooker, though. | :14:36. | :15:20. | |
There was no easy safety shot on and Ronnie thought I will have a go at | :15:21. | :15:35. | |
the long one. He pushed the cue through in a perfectly straight line | :15:36. | :15:44. | |
there. He has missed two or three long pots by longwave but that was | :15:45. | :15:53. | |
the most difficult and he cued it so well. -- by a long way. | :15:54. | :16:13. | |
Gary just looked at the referee and said, "That's enough", and concedes | :16:14. | :16:24. | |
the frame. Steady start from the Rocket winning Beatty opening | :16:25. | :16:28. | |
frames. Breaks of 57 and 58 for Ronnie | :16:29. | :16:32. | |
O'Sullivan, they make him third favourite this year -- both opening | :16:33. | :16:37. | |
frames. He's in the same half as the world number one and one of the | :16:38. | :16:40. | |
greatest players to play the game, Mark Selby. If he was in Judd | :16:41. | :16:44. | |
Trump's position at the bottom of the draw he would probably be | :16:45. | :16:47. | |
favourite for the event but he has to get through a few tests before he | :16:48. | :16:51. | |
comes to that, but the bookies think he has more to do in the top half. | :16:52. | :16:56. | |
He's had an interesting season, won the Masters for the second | :16:57. | :16:59. | |
consecutive time, lost the other three finals in which he has | :17:00. | :17:04. | |
performed, not the easiest of run-ins to the Crucible but does any | :17:05. | :17:08. | |
of that matter where running O'Sullivan is concerned at the | :17:09. | :17:11. | |
Crucible? I don't think it does. Remembering the fact he led off a | :17:12. | :17:15. | |
whole season and came to the world and won, and the fact he seems to be | :17:16. | :17:19. | |
able to, more than any other player, peak when he wants to peak, you have | :17:20. | :17:24. | |
a player that if he decides to give it his best shot he will do. Using | :17:25. | :17:29. | |
Steve Peters is there in round one, I would not say that is necessarily | :17:30. | :17:33. | |
a panicked phone call, he's just professionally going about his job. | :17:34. | :17:36. | |
He tweeted earlier in the week, good training run, but of boxing and gym | :17:37. | :17:46. | |
work. Feeling great physically. The major championships are the ones he | :17:47. | :17:49. | |
wants to Ben Gummer those are the ones you are remembered by so the | :17:50. | :17:51. | |
World Championships now has become even more important. -- the major | :17:52. | :18:01. | |
championships are the ones he wants to win. He's in the final of the UK, | :18:02. | :18:06. | |
won the Masters, the World Championships, he still wants | :18:07. | :18:08. | |
another one of these. A couple of shots in the first frame he turned | :18:09. | :18:13. | |
down chances to pot the red to contain the situation. That somebody | :18:14. | :18:16. | |
not trying to win pretty, he just knows he is here for a job, trying | :18:17. | :18:21. | |
to win the best way possible and not give his opponent away back in by | :18:22. | :18:25. | |
missing a careless red and giving his opponent and easy snooker. | :18:26. | :18:29. | |
Clever tactical play as well. Back we go. Ronnie O'Sullivan, winner of | :18:30. | :18:34. | |
17 major titles, one shy of a certain Stephen Hendry. | :18:35. | :18:51. | |
COMMENTATOR: no point putting it back here really. In fact, he is. He | :18:52. | :19:05. | |
got down to play the shot and then decided it looks a bit awkward. He's | :19:06. | :19:11. | |
just hoping that Gary can misjudge the escape. It's not | :19:12. | :19:19. | |
straightforward. Much of the pack to nestle into. Coming off the two | :19:20. | :19:29. | |
cushion is. It's the pink this time, it's the reds. Well judged. I say | :19:30. | :19:35. | |
well judged, as we show you it again, it was going to hit the pink | :19:36. | :19:42. | |
and then glanced off the reds. He could see enough of the red to pot | :19:43. | :19:49. | |
it. It was a good decision that Ronnie took to let him back in. | :19:50. | :20:02. | |
Four reds are loose but they are not easy, covering each other into both | :20:03. | :20:08. | |
corner pockets so this is not straightforward. I wonder if he will | :20:09. | :20:16. | |
go into the bunch off two cushion is. That was close to being sublime | :20:17. | :20:30. | |
positional shot. I thought he was going off two cushion is into the | :20:31. | :20:34. | |
left-hand side of the bunch. If he doesn't clip this red he would be | :20:35. | :20:39. | |
absolutely perfect on this red. He still should get it. | :20:40. | :22:09. | |
When he plays for the next red after this one he wants to finish low on | :22:10. | :22:17. | |
the red, just that little gap in the bunch so he can screw off that, pot | :22:18. | :22:24. | |
the red and open the bunch at the same time. That is perfect, he | :22:25. | :22:28. | |
couldn't have placed that with his hand any better, screw off the bunch | :22:29. | :22:37. | |
for the black into the same pocket he just came off the bunch a bit | :22:38. | :22:40. | |
quicker than I think he expected there. He got a lot of action on the | :22:41. | :22:44. | |
cue ball. He has gone a bit further than he | :22:45. | :23:24. | |
wanted, he cannot go into the bunch. He had to play for the one over the | :23:25. | :23:26. | |
middle pocket. Key shot coming up here. He needs an | :23:27. | :23:44. | |
angle. He doesn't want to be straight on the black otherwise it | :23:45. | :23:49. | |
is the end of the break. I think he has finished pretty strict. There | :23:50. | :23:52. | |
might be won at the end of the bunch that he could play for. One to the | :23:53. | :23:55. | |
left of the group of reds. This time, stun. He could try and | :23:56. | :24:38. | |
cannon that one. He had it absolutely perfectly but very | :24:39. | :24:43. | |
unlucky not to be on one. I think he just wanted to hit the right-hand | :24:44. | :24:55. | |
side read without the first one. -- hit the right hand side red without | :24:56. | :25:05. | |
the first one. Just awkward cueing. It's following the same pattern as | :25:06. | :25:10. | |
the two opening frames. A very good break of 58, not enough to secure | :25:11. | :25:18. | |
the frame. The shake of the head tells you. Listen, if you keep on | :25:19. | :25:22. | |
winning the frames. That's two breaks of 58 and one of 57 and all | :25:23. | :25:28. | |
three looked like he could go on to take it in one visit. It doesn't | :25:29. | :25:32. | |
matter how many visits, as long as you win them. And really we have not | :25:33. | :25:39. | |
seen Gary, he has not had a chance in amongst the balls, it has all | :25:40. | :25:43. | |
been tactical play he has had to play. He hasn't really had a chance | :25:44. | :25:50. | |
in amongst the balls. He has only potted 13 balls and bits and pieces. | :25:51. | :25:59. | |
Yes, it is starting to follow a similar pattern to the match ICAO | :26:00. | :26:08. | |
commentated on this morning, Mark Selby up against Fergal O'Brien in a | :26:09. | :26:11. | |
similar situation. Gary Wilson needs to get a frame on the board very | :26:12. | :26:20. | |
quickly. He was a strong outsider at the start to win this match but | :26:21. | :26:24. | |
unless he does something this match is going to slip away very quickly | :26:25. | :26:26. | |
in this first session. He has one more frame before the | :26:27. | :26:41. | |
mid-session interval and he could do with taking that, Gary. But as I | :26:42. | :26:47. | |
mentioned he just hasn't had a chance in amongst the balls. | :26:48. | :27:10. | |
You just cannot see him winning. Top players don't make that many | :27:11. | :27:20. | |
mistakes as we saw in the match this morning. You are not going to get | :27:21. | :27:25. | |
gifted any chances, not very often anyway. | :27:26. | :29:03. | |
It doesn't matter about the pink. 58 followed by 63, and Ronnie | :29:04. | :29:14. | |
O'Sullivan now leads Gary Wilson 3-0. | :29:15. | :30:20. | |
Put in perfect time for the fourth frame, a frame that Gary could do | :30:21. | :30:33. | |
with -- back in perfect time. 94%, that's terrific. Gary at 76%. | :30:34. | :30:58. | |
As I mentioned before the end of the last round, he hasn't had much of a | :30:59. | :31:01. | |
chance in amongst the balls as of yet. Now, this might be a chance. | :31:02. | :31:07. | |
Where is that red going to finish up? Doesn't pass brown, so it's not | :31:08. | :31:14. | |
an chance. I don't think it passes the brown. | :31:15. | :31:25. | |
He is again having a look at it, but I think it's far too tight. Only | :31:26. | :31:34. | |
half a pocket. You can see the black tied up only | :31:35. | :32:51. | |
in this fourth frame. It's not tied up now. Ronnie taking a chance to | :32:52. | :33:02. | |
bring it into play. He needs the cue to pull up. It has. He has got to be | :33:03. | :33:10. | |
careful here, Gary, the red is near the cushion. If he plays back down | :33:11. | :33:14. | |
the table, to the reds, he had to make sure he doesn't cannon into | :33:15. | :33:18. | |
that one. That is why he is taking this one. But that isn't | :33:19. | :33:20. | |
straightforward either. Well, he did have a look at the | :33:21. | :33:42. | |
possible plant. He's playing a safety shot, but he double checked | :33:43. | :33:45. | |
to see if he could make it into a plant. | :33:46. | :33:48. | |
It wasn't far away. As you can see, concentrating on the cue ball. If | :33:49. | :33:56. | |
the plant had gone in, he would have rolled up tight behind the yellow. | :33:57. | :34:30. | |
I think that one confused Ronnie. In fact, he almost hit back. He got | :34:31. | :35:19. | |
close to the black coming off two cushions and hitting a red. It is | :35:20. | :35:24. | |
worth giving four points away, rather than hitting fit. He is | :35:25. | :35:28. | |
nowhere near them. He needs a little bit more side on | :35:29. | :35:45. | |
the cue ball to create the angle. Third time lucky in... | :35:46. | :35:53. | |
APPLAUSE It was worth giving the eight points | :35:54. | :35:57. | |
away. To make sure he got it right. Very rarely, if ever, does Ronnie | :35:58. | :39:16. | |
O'Sullivan play a safety shot, plain ball. Always putting some sort of | :39:17. | :39:20. | |
side on the cue ball to develop the angles. | :39:21. | :40:20. | |
Such a good target in behind the brown and the yellow. | :40:21. | :40:28. | |
Ronnie anxiously looking there to see, well, everybody's having a look | :40:29. | :40:35. | |
now. He's taking the pot on by the looks | :40:36. | :40:40. | |
of things. Oh, how's your luck, Gary? Maybe not | :40:41. | :41:00. | |
too bad. Cutting into the right corner. Once he missed that pot, he | :41:01. | :41:05. | |
could quite easily have put money in amongst them as we show you the | :41:06. | :41:09. | |
attempt again. It was very difficult. Still, Gary can't get a | :41:10. | :41:16. | |
chance in amongst the balls with an easy starter. -- putting Ronnie in | :41:17. | :41:23. | |
amongst them. What's the word I'm looking for, | :41:24. | :41:30. | |
that was a little bit wild from Ronnie. He is not happy with that, I | :41:31. | :41:36. | |
can tell you. This is Gary's first proper chance, | :41:37. | :41:48. | |
believe it or not. The pink's awkward, the black's not too badly | :41:49. | :41:55. | |
placed. It's not an easy opening. The amazing thing is he was driving | :41:56. | :42:07. | |
a taxi around not long ago. Here he is, at the Crucible, playing Ronnie | :42:08. | :42:08. | |
O'Sullivan. The red to the right middle, he | :42:09. | :43:10. | |
could actually play for the black. He's not entertaining that, at the | :43:11. | :43:16. | |
sooner he gets the black on its spot, it becomes a good opportunity | :43:17. | :43:21. | |
to win the frame. He's playing the easier shot. | :43:22. | :43:32. | |
He's not playing it that well. Wanted it a bit straighter on this | :43:33. | :43:37. | |
blue. If he plays the same shot now, he | :43:38. | :43:54. | |
will play for the black to the left corner. He had a decent shot on the | :43:55. | :43:56. | |
blue there. Yeah, well played. APPLAUSE | :43:57. | :44:09. | |
Straight enough so that he can screw back and play the red and the blue | :44:10. | :44:16. | |
to the same bug. He has got a bit of an angle. Putting the black back on | :44:17. | :44:22. | |
its spot, this is a good chance to win the fourth frame. | :44:23. | :44:29. | |
Very important visit to the table, this, from Gary Wilson, in this | :44:30. | :44:33. | |
match. You can see the side bar, 70 points | :44:34. | :44:41. | |
required to put the frame beyond his opponent. | :44:42. | :45:14. | |
As I've already said, eight centuries in the three qualifying | :45:15. | :45:22. | |
rounds he played to get here. This is going to be one of his strengths, | :45:23. | :45:30. | |
scoring. He should feel confident. Gary... As soon as I said that, that | :45:31. | :45:35. | |
was a poor shot. He will be very disappointed. What an opportunity. | :45:36. | :45:46. | |
Yeah, just a bit of a nervy one there. Normally, he would never miss | :45:47. | :45:55. | |
that type of pot. But at 3-0 down, mid-session interval coming up in... | :45:56. | :46:07. | |
It was a thin one, but he still should have, that's what he thinks | :46:08. | :46:14. | |
about that. Giving the table a good, old wrap. | :46:15. | :46:19. | |
I think he forgot about the pot there, Ronnie, he was thinking about | :46:20. | :46:25. | |
which way he should get onto the black. And in the end, he forgot to | :46:26. | :46:28. | |
pot the red. He is very disappointed, Ronnie. He | :46:29. | :46:47. | |
was frustrated about the previous shot as well. Giving the table a | :46:48. | :46:51. | |
good wrap. Quite unusual to show that much frustration when you are | :46:52. | :46:54. | |
3-0 up. What a time to get a kick. | :46:55. | :47:04. | |
Definitely a heavy contact, he is still on the black, but he was in | :47:05. | :47:12. | |
the perfect position. You can see that red jump there. He has now got | :47:13. | :47:16. | |
to use one of the other reds as a stopper here. | :47:17. | :47:20. | |
Safely in. Not that many pots away from winning a frame that he badly | :47:21. | :47:29. | |
needed. Well, all of a sudden, Gary Wilson | :47:30. | :48:50. | |
will be heading to the mid-session interval and, really, he won't be | :48:51. | :48:55. | |
that disappointed. He never really got a chance in the three opening | :48:56. | :49:04. | |
frames, opening breaks of 57 and 58, 58, 63. But he looked a little | :49:05. | :49:12. | |
frustrated there when he gave the table a good, old wrap. | :49:13. | :49:15. | |
And we always say, you never, ever settle until you get your first | :49:16. | :49:44. | |
frame on the board. While, Gary has certainly done that. And it is going | :49:45. | :49:48. | |
to make it an interesting second session. This match will be played | :49:49. | :49:51. | |
to a conclusion tomorrow afternoon. I think he got another kick there, | :49:52. | :50:19. | |
but it doesn't matter. Ronnie says that's enough. Showing a little bit | :50:20. | :50:24. | |
of frustration there. Gary will be pleasantly happy going to the | :50:25. | :50:27. | |
mid-session interval. Although he still trails 3-1. | :50:28. | :50:32. | |
HAZEL IRVINE: A confidence boosting break of 54 from Gary Neville stop | :50:33. | :50:39. | |
there was a touch of frustration from Ronnie. Again, the competitive | :50:40. | :50:45. | |
juices appeared to be flowing. Getting a future answers and he | :50:46. | :50:48. | |
wants to get the match over as quickly as possible. He let a couple | :50:49. | :50:52. | |
of chances go. Everyone misses balls from time to time. He is in front, | :50:53. | :51:00. | |
so there is nothing wrong with the scoreline. We have had actually 5/2 | :51:01. | :51:04. | |
centuries in this matter. Good quality what we have seen so far. | :51:05. | :51:09. | |
That's right. Looking at Ronnie's smack of the table, the frustration | :51:10. | :51:13. | |
of knowing you have got your opponent on the ropes and you have | :51:14. | :51:17. | |
let them, that is not a happy thing to do. You know that games can on | :51:18. | :51:22. | |
things like that. He knows a chance went begging. These first round | :51:23. | :51:26. | |
matches are best of 19, and they will play line frames in the opening | :51:27. | :51:29. | |
session with the second session to come. But on the other side of the | :51:30. | :51:35. | |
curtain today, Kyren Wilson, who was a debutant here last year, making it | :51:36. | :51:39. | |
all the way to the quarterfinals. In fact, he had a very, very good show | :51:40. | :51:43. | |
here, beating Joe Perry and Mark Allen before going out to the | :51:44. | :51:47. | |
eventual champion Mark Selby in the quarterfinal. And he couldn't wait | :51:48. | :51:52. | |
to get back here, he had a run to the semifinals of the China open, | :51:53. | :51:57. | |
good form coming in. Not sure of his chosen method of arriving, the | :51:58. | :52:02. | |
transport situation in Sheffield is very dodgy. | :52:03. | :52:08. | |
Hello, Steve, you all right? Not bad, how are you. I'm all right, | :52:09. | :52:30. | |
thank you. Put your seat belt on. It's very important. Safety play, | :52:31. | :52:38. | |
it's underrated. You spent time with Peter Ebdon in practice? Yeah. Well | :52:39. | :52:45. | |
done. How long does a session take? Talk us through it. Peter, did he | :52:46. | :52:49. | |
make a break in 12 minutes and five seconds with you? I don't know about | :52:50. | :52:56. | |
that. He plays well in practice. He's given me a fewer hiding is. Has | :52:57. | :53:01. | |
he got a ponytail in a glass case was that when I first played him, he | :53:02. | :53:06. | |
came on the scene with the big ponytail. He looks like My Little | :53:07. | :53:13. | |
Pony, looking like it had been taken off a horse. What I remembered was | :53:14. | :53:18. | |
his breakneck speed. The ponytail evaporated, but we wondered whether | :53:19. | :53:24. | |
it is in a glass jar. It is like Samson with the hair. It could be | :53:25. | :53:31. | |
the same scenario with Peter, maybe he has two grown about the ponytail | :53:32. | :53:33. | |
and he could have another world title. How is it going for you? Have | :53:34. | :53:44. | |
you swerved it? I can't quite go down that route. I love my steak too | :53:45. | :53:50. | |
much. Chicken fan as well. The chickens don't like that. No, yes. | :53:51. | :53:56. | |
Robertson on it now, Anthony McGill. As well? He was even looking at long | :53:57. | :54:04. | |
leather shoes and tips. Peter is using an avocado tip. A non-leather | :54:05. | :54:11. | |
tip? So he says to me. Non-leather tips, do they exist? Peter found | :54:12. | :54:19. | |
one, and organic avocado. Fantastic. He has lost cube power. Doesn't take | :54:20. | :54:29. | |
the chalk to well PB you power. Roll your sleeves up. Let's have a look. | :54:30. | :54:37. | |
The tattooed. How much is there, is it a sleeve? Right the way up. Let's | :54:38. | :54:42. | |
have a look. See if I can get this shirt open. You have got the man | :54:43. | :54:51. | |
walking down the street. I have got a big saying, don't wait for the | :54:52. | :54:55. | |
storm to pass, learn to dance in the rain. Profound. It is a family | :54:56. | :55:01. | |
motto. One of my family members staffers with MS, unfortunately. | :55:02. | :55:06. | |
Don't wait for the storm to pass, learn to dance in the rain, it means | :55:07. | :55:11. | |
to just get on with your problems and live life to the full. Yeah, | :55:12. | :55:16. | |
yeah. I've been thinking about going down | :55:17. | :55:20. | |
the Peter Wright route, darts player. Fancy trousers, fancy shirt, | :55:21. | :55:29. | |
Mohican, snake on the side. It would be difficult to get a warrior on the | :55:30. | :55:34. | |
side. You could become a figure of fun, rather than serious play. If | :55:35. | :55:39. | |
you keep winning, that's OK. Yeah, yeah, yeah. Get a deal for some | :55:40. | :55:48. | |
clothes, you never know. If you had one superpower, what would it be? | :55:49. | :55:56. | |
What would it be? That is a tough one. They are all good, obviously. | :55:57. | :56:02. | |
You know what I would have, I would like to fly. The amount of time we | :56:03. | :56:06. | |
have, you could have your dinner and fly to China. I think very, very | :56:07. | :56:16. | |
close after, or even ahead of flying, for me, would be | :56:17. | :56:23. | |
invisibility. Right. You could be a fly on the wall. It would be quite | :56:24. | :56:29. | |
good to be invisible. Yeah, yeah. You could have fun. You could nudge | :56:30. | :56:37. | |
someone's cue. On Dennis! On the black ball, you could have nudged | :56:38. | :56:40. | |
him. I think he did it to me. That's got to be the most surreal of | :56:41. | :56:51. | |
the series so far from an avocado tip to invisibility. Warrior's | :56:52. | :56:57. | |
opponent is David Grace, the Yorkshire men that had a stunning | :56:58. | :57:00. | |
run to the UK Championship semifinals. He is six this fella. | :57:01. | :57:08. | |
Last night, David was in the audience for the gala celebration, | :57:09. | :57:14. | |
and he tweeted that he was in snooker heaven watching it all. Now | :57:15. | :57:18. | |
we get to see him pay. David ahead in friend one, but Kyren Wilson | :57:19. | :57:22. | |
trailing by 46 point the opener which we will see first. | :57:23. | :57:34. | |
COMMENTATOR: The light fantastic pop from Kyren Wilson. | :57:35. | :57:41. | |
Very, very good. Nicely on the black, too. | :57:42. | :57:55. | |
The red above the pink will put into the left middle after he pots this | :57:56. | :58:07. | |
red and black in. The guns and the bunch of three par putt to the left | :58:08. | :58:09. | |
centre, too. He would love to have an angle on | :58:10. | :58:26. | |
putting this one. He could nudge the reds close together into pot able | :58:27. | :58:29. | |
positions, too. Going for the red above the pink | :58:30. | :58:48. | |
this time, so maybe getting on a colour after putting this red. | :58:49. | :58:55. | |
It's important, if you can, getting on this next red, he has a nice | :58:56. | :59:07. | |
angle to bring the other two reds into play. | :59:08. | :59:30. | |
He hasn't found that angle. But he will leave the cue ball high on the | :59:31. | :59:41. | |
back here, a nice angle on the black to try to disturb them. Potting this | :59:42. | :59:50. | |
red, nice angle on the black. A good cannon would bring the two reds into | :59:51. | :59:56. | |
play. It would be a great chance to steal this frame. | :59:57. | :00:12. | |
That's OK. Could have been a little bit better. Pot into the right | :00:13. | :00:25. | |
centre and into the top right-hand pocket. This is a big shot. | :00:26. | :00:32. | |
Excellent pot. What about the pace on the cue ball? Even if he drops | :00:33. | :00:45. | |
the black in dead weight he might end up perfect on the next red. I | :00:46. | :00:51. | |
wonder if you could play a little cannon on the pink to slow the cue | :00:52. | :00:57. | |
down. He played the cannon on the red instead to slow the cue ball | :00:58. | :01:00. | |
down and he has played that beautifully. He is right back into | :01:01. | :01:07. | |
the frame now, trails by 11 points. If he is on the brown in four shots | :01:08. | :01:31. | |
time and then onto the blue there is no problem. This would be a bit of | :01:32. | :01:35. | |
it body blow for David Grace because he had a chance of attempting to pot | :01:36. | :01:41. | |
the brown in the little pocket and rolled up to be yellow and I said | :01:42. | :01:45. | |
that was the shock that could end up costing him the frame. We will see | :01:46. | :01:51. | |
what happens here because we may be able to show that choice of shot. It | :01:52. | :01:57. | |
is all about brown to blue here, isn't it? | :01:58. | :02:31. | |
I didn't see that one coming. There was a deceleration on the backswing | :02:32. | :02:41. | |
trying to miss the brown. That is the end of the break now. | :02:42. | :03:02. | |
He has had a bit of good fortune. The fact there is nowhere to cue | :03:03. | :03:11. | |
over the ball it is tough to get safe. Can't put pressure on Kyren | :03:12. | :03:21. | |
Wilson's next visit to the table. Just about as good as he could have | :03:22. | :03:22. | |
done from there. What a result that is. It was always | :03:23. | :04:30. | |
dangerous playing the brown up into the area of the pink and black but | :04:31. | :04:35. | |
he decided he could get away with it. Seven points in front. This is | :04:36. | :04:40. | |
not an easy safety shot. Usually a fluke is a good thing but I'm not | :04:41. | :04:46. | |
sure it has done him any favours because there is no way Kyren Wilson | :04:47. | :04:49. | |
would have been able to get onto the blue from the brown, would have been | :04:50. | :04:55. | |
able to get right over the pocket. I can't see a safety shot here, can | :04:56. | :05:01. | |
you? It certainly is very tough, the black is in the way as well. Trying | :05:02. | :05:07. | |
to knock the blue around the ankles and try and just missed the black | :05:08. | :05:13. | |
and leave it up here somewhere. He could do it. It needs to go, though, | :05:14. | :05:17. | |
the blue needs to travel, otherwise he has left it. It was one of those | :05:18. | :05:22. | |
occasions where the fluke didn't do him any favours. If you just had to | :05:23. | :05:32. | |
pop the blue you would save no problem but he has to negotiate | :05:33. | :05:37. | |
position for the pink -- if you just had to pot the blue. Coming off | :05:38. | :05:46. | |
three cautions. This looks very, very good. What they shot this is, | :05:47. | :05:51. | |
excellent shot, well played. He couldn't have hit that much better. | :05:52. | :05:59. | |
If ever you could say a positional shot was played to the inch, that | :06:00. | :06:01. | |
was it. Excellent. So, after that fabulous blue, this | :06:02. | :06:14. | |
straightforward black for the opening frame for Kyren Wilson and | :06:15. | :06:23. | |
in it goes. Excellent from blue to black. Kyren Wilson wins the first | :06:24. | :06:28. | |
friend, and leads 1-0. In fact he has just gone 3-1 up at the | :06:29. | :06:33. | |
mid-session interval, that's the situation in there. How much do you | :06:34. | :06:36. | |
like watching Kyren Wilson? We saw last year with the way he attacks | :06:37. | :06:42. | |
the game and approaches the game, he is very positive and seems to have a | :06:43. | :06:46. | |
lot of confidence around the table. That probably comes from practising | :06:47. | :06:49. | |
and proven to himself he is good but the shot he played on the blue it | :06:50. | :06:53. | |
wasn't that hard to pot if you don't have to play the position. What a | :06:54. | :07:00. | |
beautiful positional shot. Grace is like a kid in a sweet shop. I had to | :07:01. | :07:05. | |
apologise to him because I didn't recognise him at the do, he's lost | :07:06. | :07:09. | |
five and a half stone and it has made him taller. I didn't recognise | :07:10. | :07:13. | |
him, I said sorry, we didn't realise it was you. I saw him when he was | :07:14. | :07:17. | |
beaten by Liang Wenbo and he was five and a half stone heavier and I | :07:18. | :07:21. | |
didn't recognise him. He is a problem player. They have played | :07:22. | :07:25. | |
twice and David Grace is 2-0 ahead so this is somebody Kyren Wilson | :07:26. | :07:30. | |
must pay attention to. It is interesting when somebody loses a | :07:31. | :07:33. | |
lot of weight and they are used to playing with the cue and rubbing it | :07:34. | :07:37. | |
on their chest and all of a sudden their chest isn't there and it is a | :07:38. | :07:40. | |
different position for the cue. At the mid-session interval and it will | :07:41. | :07:45. | |
continue on BBC Two, we are nearly there. Golf has its legends to, it's | :07:46. | :07:50. | |
called the champions tour, for players over 50 and snooker has its | :07:51. | :07:54. | |
legends tour as well, it's very popular amongst the fans and | :07:55. | :07:56. | |
extremely popular with the players of old. | :07:57. | :08:02. | |
When I created snooker legends I wanted to create an event that I | :08:03. | :08:07. | |
would like to go and see as a snooker fan. When I was looking at | :08:08. | :08:15. | |
creating my idea I was looking at creating a tournament I would love | :08:16. | :08:22. | |
to play in as a player. I never thought I would play snooker again. | :08:23. | :08:26. | |
When I retired and put the cue away I did the odd exhibition but didn't | :08:27. | :08:31. | |
really play for ten years. For the senior players, retired legends, | :08:32. | :08:33. | |
they have been forgotten a little bit and all desperate to put on that | :08:34. | :08:39. | |
Dickie bow tie and go out and compete in front of a crowd. I woke | :08:40. | :08:44. | |
up this morning and I've got match date nerves, unbelievable. At | :08:45. | :08:46. | |
breakfast this morning with Cliff and Dennis and it was quieter than | :08:47. | :08:50. | |
normal and Cliff said, its game day. We know what that means. It is a | :08:51. | :08:54. | |
strange thing to get your cue out and play and all of the butterflies | :08:55. | :08:59. | |
come back. We were pretty serious about it when we got to the table, | :09:00. | :09:03. | |
you only have to watch people practising to see how serious they | :09:04. | :09:06. | |
were taking it. It's going to be interesting to see how it goes. I | :09:07. | :09:11. | |
tell you what, when you get out into that arena and a sort of match | :09:12. | :09:14. | |
situation when you haven't done it for a long time it's scary. You can | :09:15. | :09:18. | |
do it in practice and in the exhibitions but when you are back on | :09:19. | :09:22. | |
the match table it's tough, but it's a lot of fun. I've got to say, Joe | :09:23. | :09:30. | |
Johnson, in his first match, gave the whole event a validity and | :09:31. | :09:33. | |
credibility by beating Patrick Wallace. I think he proved that we | :09:34. | :09:37. | |
can have some real snooker and it does mean something. For the first | :09:38. | :09:43. | |
time in, he said 30 years, he walked out of a theatre and felt a foot | :09:44. | :09:46. | |
taller and people were coming up to him and wanted photos and wanted to | :09:47. | :09:49. | |
shake his hand and wanted an autograph and to say well done. | :09:50. | :09:53. | |
These guys just don't want to be forgotten. | :09:54. | :09:59. | |
It's what we've been saying all along, that something like this is | :10:00. | :10:04. | |
needed, not just on an entertainment basis, but even opening doors for | :10:05. | :10:09. | |
snooker around the world and playing some of the legends who still want | :10:10. | :10:14. | |
to play and entertain, and also play a bit of match play in with that as | :10:15. | :10:22. | |
well. It was great of our association to give the winner of | :10:23. | :10:26. | |
the legends a wild card with the chance to get to the Crucible | :10:27. | :10:28. | |
Theatre. They would have to go through the qualifying rounds but | :10:29. | :10:31. | |
the chance is there for some of the top amateurs playing in the world | :10:32. | :10:37. | |
seniors, the chance is also there for someone like the seven times | :10:38. | :10:40. | |
former world champion Stephen Hendry. It would almost be like my | :10:41. | :10:47. | |
first time again when I was like 18 or whatever, my first time I played | :10:48. | :10:51. | |
Willie Thorne, it would be almost like that again because I've been | :10:52. | :10:55. | |
away from the game for four years. Walking through the stage door and | :10:56. | :10:58. | |
going into the practice room with a cue in my hand and not a microphone. | :10:59. | :11:03. | |
When they asked me to play in this tournament about two months ago I | :11:04. | :11:07. | |
said I could play but I've got it gets sunglasses, I've had five pairs | :11:08. | :11:12. | |
of glasses, slab on, slab of, prism in and prison out and contact lenses | :11:13. | :11:16. | |
and unfortunately not have them work. The draw when I could possibly | :11:17. | :11:21. | |
play Willie Thorne in the first round who I played my first match at | :11:22. | :11:24. | |
the Crucible with, that would have been fantastic but unfortunately | :11:25. | :11:28. | |
Willie Thorne lost so I have to play somebody who I've no idea who he is. | :11:29. | :11:35. | |
There were a lot of people over the years, I've seen faces I haven't | :11:36. | :11:39. | |
seen for 20 years over the last few days and it's good, they are playing | :11:40. | :11:44. | |
again and enjoying it. I think it can only help and improve snooker. | :11:45. | :11:49. | |
We're hopefully at the start of a journey that moves into a seniors | :11:50. | :11:55. | |
tour. That would be the ultimate goal and if the association | :11:56. | :12:00. | |
continues to support and give places in tournaments, because no doubt the | :12:01. | :12:06. | |
guy who wins will play well. I have not played much because there has | :12:07. | :12:09. | |
not been much to play in but if we get the series of events through the | :12:10. | :12:12. | |
season we will keep playing and getting our cue out and enjoying it | :12:13. | :12:15. | |
but you can't keep practising when there is no end product. We have | :12:16. | :12:20. | |
enjoyed getting our cue out and rolling back the years. Time stops | :12:21. | :12:24. | |
for no man so in a few years, if I can be part of a vehicle that is | :12:25. | :12:30. | |
therefore Jimmy White, Ken Doherty, eventually Ronnie O'Sullivan, John | :12:31. | :12:33. | |
Higgins, Stuart Bingham, the guys who are getting into their 40s, when | :12:34. | :12:39. | |
they retire and have had nothing to go to, the model works in golf and | :12:40. | :12:43. | |
it works in tennis, why can't it work in snooker? That's Peter Lines, | :12:44. | :12:47. | |
now an amateur who beat John Parrott in the final of the world senior | :12:48. | :12:51. | |
championship in March and gained a pass into the qualifying rounds as a | :12:52. | :12:56. | |
consequence of this years Crucible in Sheffield. And in fact, John, you | :12:57. | :13:00. | |
enjoyed playing in that one. Had you beaten Peter, which of course you | :13:01. | :13:04. | |
didn't, would you have been prepared to take up that pass in the | :13:05. | :13:08. | |
qualifying rounds? Absolutely, I would probably have been hammered by | :13:09. | :13:12. | |
whoever I faced but that is part and parcel of it. The tournament itself | :13:13. | :13:15. | |
was fantastic. The amount of people who came to watch was brilliant and | :13:16. | :13:19. | |
already in the pipeline there is more of them and I've signed up for | :13:20. | :13:24. | |
them. They are great fun. Peter Lines, the man who won the senior | :13:25. | :13:27. | |
title did come to Sheffield into the qualifying and was beaten by the man | :13:28. | :13:33. | |
we are watching today, Gary Wilson. Speaking of whom, Gary Wilson and | :13:34. | :13:35. | |
Ronnie O'Sullivan will be coming back very shortly on BBC Two because | :13:36. | :13:41. | |
we are going to pop over to BBC Two now to watch the last few frames of | :13:42. | :13:46. | |
the opening session featuring the five-time world champion Ronnie | :13:47. | :13:49. | |
O'Sullivan. He is here for the 25th time. I can't believe that. Making | :13:50. | :13:55. | |
his debut here in 1993. I hope you will follow us over on to BBC Two | :13:56. | :13:58. | |
right now as we continue coverage from day one of the Betfred World | :13:59. | :14:04. | |
Championship. It's been eventful so far and also | :14:05. | :14:05. |