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The World Championship to me and every snooker player I suppose, just | :00:40. | :00:48. | |
means to be world champion. It's a title everybody wants to win, every | :00:49. | :00:55. | |
player striving to win that title. Being world number one is a great | :00:56. | :00:58. | |
feeling and definitely one of my goals starting out, to become world | :00:59. | :01:03. | |
number one and world champion, if I could achieve that, I would be happy | :01:04. | :01:10. | |
even if I was to retire tomorrow. It's just those little fine lines | :01:11. | :01:13. | |
which is the difference between winning and losing and the | :01:14. | :01:16. | |
difference between a champion and not a champion. It can be like just | :01:17. | :01:25. | |
here and there, winning or losing a match. You get out of the sport what | :01:26. | :01:31. | |
you put in and if you don't put the hours in, that talent counts for | :01:32. | :01:38. | |
nothing. Never say die until that last ball is potted because until | :01:39. | :01:43. | |
that moment, you've still got a job to do. I put that waistcoat on and | :01:44. | :01:49. | |
my name is called and I go into the arena and I make my opponent work as | :01:50. | :01:53. | |
hard as possible. Mark Selby very much the man to | :01:54. | :01:57. | |
beat. Good evening and welcome to the Crucible Theatre. We are | :01:58. | :02:01. | |
celebrating 40 years of snooker at this magnificent venue and this is | :02:02. | :02:06. | |
what it is all about. Mark Selby will be walking out in front of a | :02:07. | :02:10. | |
packed crowd here at the Crucible in the next few minutes, looking to | :02:11. | :02:14. | |
book his place in the second round. It's been a magnificent first day | :02:15. | :02:20. | |
here at the 2017 Betfred World Snooker Championship. Let's bring | :02:21. | :02:23. | |
you right up to date. The Rocket Ronnie O'Sullivan got off to his | :02:24. | :02:27. | |
usual fast start. Not at his best but he raced into a | :02:28. | :02:39. | |
5-1 lead. But back came the tenacious Gary Wilson on his | :02:40. | :02:43. | |
Crucible debut. Winning the last three frames and stealing a tense | :02:44. | :02:48. | |
final frame black with this nervous cut. And in another all English | :02:49. | :02:59. | |
battle, the warrior, Kyren Wilson, took control early on but another | :03:00. | :03:03. | |
fine fightback saw David Grace Paul Dummett back to 5-4. -- David Grace | :03:04. | :03:16. | |
polled the match back to 5-4. Anthony McGill had upset the fellow | :03:17. | :03:20. | |
Scott Stephen Maguire on his Crucible debut two years ago. | :03:21. | :03:24. | |
Maguire came roaring back, winning the last five frames to lead 7-2. | :03:25. | :03:35. | |
And world number one Mark Selby got the defence of his title off to a | :03:36. | :03:40. | |
flyer. Stunning cue control and shot selection so he raced to 8-0 lead. | :03:41. | :03:47. | |
His opponent avoided the dreaded whitewash by pinching the final | :03:48. | :03:50. | |
frame but Mark Selby in total control of this one. Live action | :03:51. | :03:55. | |
coming up on BBC Two. We are with you throughout the evening on the | :03:56. | :04:00. | |
red button. Do not go anywhere. Ken Doherty knows what it's like to lift | :04:01. | :04:05. | |
that magnificent trophy at this wonderful venue. We have a packed | :04:06. | :04:09. | |
crowd into night. What is it like coming back as the reigning world | :04:10. | :04:13. | |
champion and the weight of expectation on your shoulders? | :04:14. | :04:19. | |
There is a lot of pressure and Mark Selby will want to put in a good | :04:20. | :04:26. | |
performance. He is world number one and he is guaranteed that | :04:27. | :04:28. | |
anti-platelet medicine need this morning against Fergal O'Brien. I | :04:29. | :04:35. | |
felt bad for my old pal and it was tough but Mark Selby is in very good | :04:36. | :04:41. | |
form. Stephen Hendry, Steve Davis, Ronnie O'Sullivan, they have all | :04:42. | :04:44. | |
come back to the Crucible Theatre and retain their title. Is that | :04:45. | :04:49. | |
something that troubles Mark Selby? I don't think so, I think he will | :04:50. | :04:52. | |
relish the opportunity to have that problem. He is a very determined | :04:53. | :04:58. | |
character. He is the man to beat at this Championship. Just won the | :04:59. | :05:03. | |
China Open a couple of weeks ago so he has Camille Lecointre lot of form | :05:04. | :05:07. | |
and confidence. I think the fact that when he has his hands on the | :05:08. | :05:11. | |
trophy twice already, the pressure is on but he wants to win it again | :05:12. | :05:15. | |
and again and be up there with the likes of John Higgins, Ronnie | :05:16. | :05:18. | |
O'Sullivan and Stephen Hendry and all the greats who won it multiple | :05:19. | :05:24. | |
times. On the radio this morning, they were chatting about snooker. | :05:25. | :05:29. | |
Judd Trump was fancied this year. Is this his year? It could be but there | :05:30. | :05:35. | |
are a lot of protagonists in the drawer who have a great chance. | :05:36. | :05:38. | |
Ronnie O'Sullivan in good form today. Shaun Murphy, Neil Robertson, | :05:39. | :05:43. | |
a whole host of players that could possibly witness but the man to beat | :05:44. | :05:47. | |
at the moment is Mark Selby. And he is standing by. Thank you. It's the | :05:48. | :05:57. | |
climax of Day 1 at the Betfred World Snooker Championship and by the end | :05:58. | :06:00. | |
of tonight, two players will have secured their place in the second | :06:01. | :06:06. | |
round. Will there be two big comebacks? It is showtime, here in | :06:07. | :06:08. | |
Sheffield. CHEERING Please welcome, a five-time ranking | :06:09. | :06:33. | |
event winner who this morning brought his form from the qualifiers | :06:34. | :06:38. | |
right here to the Crucible. Twice a semifinalist at the World | :06:39. | :06:41. | |
Championship, he is hungry for another massive run in Sheffield. | :06:42. | :06:46. | |
When he is good, he is on fire, here is Stephen Maguire. | :06:47. | :07:05. | |
And his opponent, a man who made it to the quarterfinals on a very | :07:06. | :07:11. | |
impressive debut here two years ago. Reigning Indian Open and snooker | :07:12. | :07:16. | |
shoot out champion, he will not be intimidated tonight. Hoping to draw | :07:17. | :07:20. | |
on those legendary nerves of steel, the smiling assassin, Anthony | :07:21. | :07:21. | |
McGill. And on table one, the player who has | :07:22. | :07:45. | |
made it back to the Crucible for the first time in seven years. After a | :07:46. | :07:50. | |
two our three minute epic deciding frame-winner with David Gilbert, he | :07:51. | :07:55. | |
now faces a huge task tonight but he will come out determined to show his | :07:56. | :07:59. | |
class. He is the Marathon man, Fergal O'Brien. | :08:00. | :08:21. | |
And finally, a player returning to the Crucible at the end of a season | :08:22. | :08:28. | |
in which he has added another four ranking titles to his collection. | :08:29. | :08:32. | |
Reigning UK and China Open Championship he has been world | :08:33. | :08:35. | |
number one for more than 100 consecutive weeks. The defending | :08:36. | :08:39. | |
world champion, the Jester from Leicester, Mark Selby. | :08:40. | :09:00. | |
Huge cheers for the reigning world champion Mark Selby. That's our live | :09:01. | :09:08. | |
match on BBC Two. Selby versus Fergal O'Brien. If you want Anthony | :09:09. | :09:11. | |
McGill against Stephen Maguire, that is available on your red button. In | :09:12. | :09:18. | |
the company of Dennis Taylor and Peter Ebdon. Live on BBC Two, let's | :09:19. | :09:22. | |
say good evening to you John Virgo and Steve Davis. JOHN VIRGO: Fergal | :09:23. | :09:34. | |
O'Brien as we say has the proverbial mountain to climb. | :09:35. | :10:02. | |
Fergal O'Brien didn't get that many chances early on in the match and | :10:03. | :10:09. | |
you feel he needed a good start. He didn't get that. He was down at 70% | :10:10. | :10:19. | |
at one stage. You need to be 90% or above. | :10:20. | :10:25. | |
LAUGHTER There is another telling stat. A | :10:26. | :10:33. | |
nice break for Fergal, only 32. STEVE DAVIS: He was pretty | :10:34. | :10:53. | |
inefficient this morning, Fergal, he would be disappointed with the day. | :10:54. | :10:56. | |
Experienced enough to know that every session can have a different | :10:57. | :11:02. | |
outcome. But as you say, a mountain decline. -- a mountain to climb and | :11:03. | :11:10. | |
none higher than trying to pull back a lead from our world champion, Mark | :11:11. | :11:14. | |
Selby. You don't expect him to crumble. | :11:15. | :11:46. | |
Pink is a fractional problem here in the escape route, should he catch it | :11:47. | :11:53. | |
a little too thick, don't expect him to... Perhaps it will go the other | :11:54. | :12:00. | |
side, good shot. APPLAUSE Played that with a lot of left-hand | :12:01. | :12:08. | |
spin. I think mark can try and play this | :12:09. | :12:27. | |
firm, come off the top cushion and try to clip a read, there are a | :12:28. | :12:28. | |
couple there. Fergal could try to pot the brown | :12:29. | :12:48. | |
into the top right-hand corner pocket as we look on our TV screen. | :12:49. | :12:58. | |
It's a sort of free shot really. He is following your idea. | :12:59. | :13:09. | |
Could get plenty should he go in. But not quite. | :13:10. | :13:22. | |
I say a shot for nothing, it is the red at the top of the cluster that | :13:23. | :13:30. | |
is available. Possibly Mark could pot this, leaving himself on the | :13:31. | :13:32. | |
pink. Is there any such thing as a shot | :13:33. | :13:59. | |
for nothing? Judging by that shot, that was a little risky. Not an | :14:00. | :14:12. | |
ideal opening but... A couple of good positional shots and it could | :14:13. | :14:15. | |
change things. Probably got something into the centre. Or the | :14:16. | :14:21. | |
yellow pocket. As a last resort. The black at the moment will be | :14:22. | :15:08. | |
available into the right corner. So he gets the brown out of the way... | :15:09. | :15:16. | |
Of course, I'm just looking like the brown may go, the pink... If the | :15:17. | :15:28. | |
pink spot is not available then the brown will go as close to its own | :15:29. | :15:32. | |
spot in a direct line with the middle of the top cushion. That more | :15:33. | :15:38. | |
or less puts the pink and brown out of commission. Needs an angle on | :15:39. | :15:49. | |
this red which he just about has. To run through off two cushions. He | :15:50. | :15:56. | |
could, if he gets low on this black, open up these four reds. Or at least | :15:57. | :16:05. | |
start to open up away from the black spot. | :16:06. | :16:16. | |
I think you would settle for that. Having said that, all the top spin | :16:17. | :16:25. | |
and once the cue ball got put to the bed of the table, it rolled through. | :16:26. | :16:29. | |
Does the black still go to the right corner? Is there a gap for it? If it | :16:30. | :16:36. | |
doesn't, he still has the blue. Obviously, the black doesn't go if | :16:37. | :16:44. | |
you play for them. Got to be said, looks very clinical, | :16:45. | :17:02. | |
getting amongst the balls, very controlled. A sign of confidence, | :17:03. | :17:11. | |
quickly off the mark at the start of every session. The black doesn't go, | :17:12. | :17:17. | |
I don't think, but it's tight. The way those two reds now are, he can | :17:18. | :17:21. | |
play them before he plays the black. If he gets a nice position. On the | :17:22. | :17:23. | |
blue. He has come down for the blue. I | :17:24. | :17:38. | |
don't think he will risk the cannon. He would love to get on the red | :17:39. | :17:44. | |
that's just above him and to the right of the black. | :17:45. | :17:58. | |
That looks about inch perfect to me. 71, the target. That is when snooker | :17:59. | :18:15. | |
's will required. He has come out tonight and he looks a lot sharper. | :18:16. | :18:20. | |
He did have a good start earlier on today but he wasn't winning frames | :18:21. | :18:24. | |
in one visit necessarily. He was feeding off a few mistakes from | :18:25. | :18:29. | |
Fergal. But this is a bit more like the mark Selby we have been seeing | :18:30. | :18:31. | |
most of the season. I also feel that people are making | :18:32. | :18:49. | |
him favourite because you feel the longer matches suit him probably as | :18:50. | :18:52. | |
much of anyone in the game at the moment. I think he is so much in | :18:53. | :18:58. | |
control of his game, his cue action and control of the cue ball, he | :18:59. | :19:05. | |
starts off a session, maybe in top gear but maybe not but by the end, | :19:06. | :19:10. | |
he has built up a head of steam and he's like a juggernaut and it's | :19:11. | :19:14. | |
really tough to stop it by then, he's really in the groove. As all | :19:15. | :19:20. | |
the top players, when they are playing their best, every time they | :19:21. | :19:25. | |
settled down on a shot, the same preparation, cue action exactly the | :19:26. | :19:28. | |
same every time. Robotic. And now just looking for one more | :19:29. | :19:48. | |
red and a colour. The red will put him 67 points in front. If he gets | :19:49. | :19:55. | |
the colour, you think there is no way back to the table for Fergal. | :19:56. | :20:04. | |
Fergal tried to be positive on that brown rather than... | :20:05. | :20:15. | |
He has been punished severely. It was your idea as well. | :20:16. | :20:30. | |
You'd have got the brown, though! This is the highest break of the | :20:31. | :20:40. | |
match. Certainly don't criticise Fergal for | :20:41. | :20:56. | |
playing the free ball because a high break prize, Fergal probably | :20:57. | :20:58. | |
thinking he will be knocked out, could make a break bigger than a 147 | :20:59. | :21:03. | |
with that free ball, always a possibility. | :21:04. | :21:10. | |
Only had one century. So far in the Championship. That was Ronnie | :21:11. | :21:15. | |
O'Sullivan. A red and a black and we will see | :21:16. | :21:31. | |
our second. That cost him the frame. Mark Selby | :21:32. | :22:06. | |
notice one frame away from a place in the second round. | :22:07. | :22:14. | |
Welcomed by the way to our brand-new studio for our evening sessions. We | :22:15. | :22:21. | |
will be live with you some evenings from 7pm but throughout the evening | :22:22. | :22:26. | |
every night on the red button from this venue. It's great because we've | :22:27. | :22:30. | |
got the players practising. Marco Fu is there. You just put him off his | :22:31. | :22:39. | |
shot! IMHO he had played it! Mark Selby in imperious form. Yes, a good | :22:40. | :22:52. | |
round. Mark Selby, fantastic. He is in complete control as Steve Davis | :22:53. | :22:57. | |
said, of his cue action. Coming in on really good form and he looks | :22:58. | :23:01. | |
very good. When we look at him on our big screen, he looks much more | :23:02. | :23:07. | |
composed and happier. Do you remember when he won the world title | :23:08. | :23:13. | |
and then came back and lost Anthony McGill. He didn't look in the zone | :23:14. | :23:19. | |
that year. He was a first time winner, coming back as defending | :23:20. | :23:23. | |
champion and nobody has done it. That made him very nervous. He was | :23:24. | :23:27. | |
quite open about that. Looks a lot more confident and in control of his | :23:28. | :23:34. | |
emotions. He's playing very well the moment. He is going to be tough to | :23:35. | :23:40. | |
beat. But he is in a tough half of the draw, very top-heavy. But he | :23:41. | :23:46. | |
will be the man to beat so far. Yes and he is looking for an early | :23:47. | :23:47. | |
finish. JOHN VIRGO: Once again, he just went | :23:48. | :23:56. | |
off the jury if I'm being picky. He had a chance to go into the pack | :23:57. | :24:16. | |
off the green but where these open reds are situated, there is no need | :24:17. | :24:17. | |
for that. He has got that red below the pack | :24:18. | :24:31. | |
that he can use to pot and open the reds at the same time. That seems to | :24:32. | :24:39. | |
be the shot of choice now. He has played, I think, deliberately low on | :24:40. | :24:47. | |
this. But perhaps it's a bit too straight to do too much damage to | :24:48. | :24:51. | |
the pack but he will be screwing back perhaps for the blue. Yes, for | :24:52. | :25:02. | |
the pink. But, I think he wanted a bit more on that. I think it is | :25:03. | :25:09. | |
coming more and more into the game. When you go into a cluster as it is | :25:10. | :25:16. | |
now, you smashed into it, you always trust it but if you can put a red | :25:17. | :25:21. | |
and knock a few out, you are more in control of the situation. Yes and | :25:22. | :25:25. | |
then maybe take a position on the colour so now he has to get the | :25:26. | :25:28. | |
correct angle on the colour. It is more difficult. The blue is a | :25:29. | :25:34. | |
possibility, could spread the reds open and win the match. He is a bit | :25:35. | :25:42. | |
straight on that to generate too much power. Straight into the pack. | :25:43. | :25:49. | |
He's got to belt this if he is playing straight in. Nice effort, | :25:50. | :25:52. | |
got to trust luck now. He could have done with a better | :25:53. | :26:03. | |
angle than the one he had. You don't really get the pace in the cue ball. | :26:04. | :26:13. | |
You need to do it full in the face. You also don't get that much back | :26:14. | :26:18. | |
spin. By the time the cue ball hits the pink. Playing the double. | :26:19. | :26:22. | |
Speculative double in the middle. I'm not going to wonder if he had | :26:23. | :26:42. | |
played that read, perhaps try to get on the blue, whether it would have | :26:43. | :26:46. | |
worked out better. He was right behind the shot he knew. I think he | :26:47. | :26:49. | |
was a bit straight for that. It would appear that Fergal didn't | :26:50. | :27:06. | |
play the pot. If he did, he was a long way out. It begs the question, | :27:07. | :27:18. | |
if not, why not? They are always semi-shots to nothing. That was an | :27:19. | :27:22. | |
excellent shot from Selby, guaranteed position on the black. | :27:23. | :27:27. | |
Doesn't look like any damage done. You don't get many frames in the | :27:28. | :27:55. | |
modern-day game that happen where all the reds are pushed into the | :27:56. | :27:58. | |
Baltic area of the table, used to be a lot more cagey safety at one stage | :27:59. | :28:06. | |
but as we speak, its safety to the top cushion. | :28:07. | :28:24. | |
And with these shots, there is with a premium on getting the cue ball | :28:25. | :28:31. | |
tyke on cushion. To stop your opponents screwing back to the same | :28:32. | :28:35. | |
position. Fergal has spotted something else. He's got a shot to | :28:36. | :28:43. | |
nothing of his own, a cut into the middle pocket. You see the path of | :28:44. | :28:55. | |
the cue ball, it was worth the risk. He's got to take some risks, no | :28:56. | :28:57. | |
doubt. He did play the pot. Mark bringing all the reds into | :28:58. | :29:23. | |
play. Not a bad cue ball. Fergal hasn't had a look at this red to the | :29:24. | :29:30. | |
right middle even though it is a very difficult one. He hasn't even | :29:31. | :29:38. | |
got around to see if that goes. Played an excellent safety shop, is | :29:39. | :29:45. | |
it tight? Once again on our TV screens, this reds to the left | :29:46. | :29:49. | |
middle looks like, why don't you go for it? It looks really easy but | :29:50. | :29:53. | |
because the table is shortened on the TV screen, it is more of a cue | :29:54. | :29:59. | |
angle into the middle pocket. Unless you've got a very big TV screen! But | :30:00. | :30:06. | |
I don't know, if he can't get to that red, he may be forcing him to | :30:07. | :30:11. | |
play that. That's an excellent cue ball. Will | :30:12. | :30:23. | |
Fergal be tempted? This does look like a frame from the | :30:24. | :30:38. | |
past. Rarely does this happen these days. Players tend to be more | :30:39. | :30:43. | |
speculative in their attacking shots. Fergal slightly old school in | :30:44. | :30:55. | |
terms of shots. Mark Selby perhaps playing a more modern game. Fergal | :30:56. | :31:03. | |
an old dog in the game and has learned some new tricks, that's for | :31:04. | :31:04. | |
certain. When we had that wonderful tribute | :31:05. | :31:21. | |
to all the champions last night, the 40th anniversary. I was relaying the | :31:22. | :31:28. | |
stort that Patsy Fegan and when we first came here in '77. We had never | :31:29. | :31:33. | |
played in a two-table situation. We sat at the back and there was hardly | :31:34. | :31:39. | |
anyone in the audience. We watched Fred Davis play Eddie Charlton. | :31:40. | :31:45. | |
Eddie Charlton was 16 in front with fewer remaining. Fred Davis ended up | :31:46. | :31:49. | |
winning the frame. He didn't make a break over ten. Going red, black, | :31:50. | :31:54. | |
safety, knock a red out. It was unbelievable. | :31:55. | :32:00. | |
An they said it wouldn't catch on. Tactical snookers are an interesting | :32:01. | :32:17. | |
beast. Fergal's frame to get through to the Crucible took more or less | :32:18. | :32:18. | |
two hours. I happened to be watching on | :32:19. | :32:21. | |
Facebook live. Everybody was moaning and saying it | :32:22. | :32:38. | |
was disgraceful snooker, for some reason. By the end of the match, | :32:39. | :32:43. | |
there were 2,000 people instead of the 1,000 that started. Where's the | :32:44. | :32:47. | |
cue ball going? That could be the end. | :32:48. | :32:53. | |
Fergal didn't expect the cue ball to be anywhere near that corner pocket. | :32:54. | :32:59. | |
He will be expecting to shake hands now with Mark Selby. | :33:00. | :33:13. | |
Just talking about deciding frames, we don't like to talk about 1985 in | :33:14. | :33:19. | |
your company, but that was a long frame, wasn't it? I think 70 | :33:20. | :33:24. | |
minutes. Obviously 120 minutes is another story. | :33:25. | :33:32. | |
You wouldn't have minded if it had lasted! If you'd have come out on | :33:33. | :33:36. | |
top. Not clear-cut chance obviously to | :33:37. | :34:00. | |
wrap up the frame. Quite a lot of reds in awkward positions to get | :34:01. | :34:02. | |
over the line. You expect the top players to keep | :34:03. | :34:11. | |
the breaks going. He's been cueing so nicely. Didn't | :34:12. | :34:44. | |
do that well. Just wept through it a bit quick. The side pushed the cue | :34:45. | :34:47. | |
ball into the red. It looks like the man from Dublin is | :34:48. | :34:59. | |
playing the double. Oh, he's playing safe. | :35:00. | :35:17. | |
It looks like he can get through to the potting angle. | :35:18. | :35:24. | |
Likewise for Fergal, into the same pocket. | :35:25. | :36:17. | |
He'll get lots of encouragement. A very fair audience here. They'll be | :36:18. | :36:24. | |
wanting to see a match or Fergal win a few more frames. | :36:25. | :36:30. | |
It's hard to think straight when you're this far behind. | :36:31. | :36:37. | |
Especially as you've not really settled down in the arena. He will | :36:38. | :36:43. | |
do well to get anywhere near level terms here. | :36:44. | :36:53. | |
He rolled a nice red in and it was fully appreciated. | :36:54. | :37:15. | |
He's an absolute gent and fierce competitor. | :37:16. | :37:23. | |
He's a marvellous sportsman. It's not beyond him to put a charge | :37:24. | :37:27. | |
on. He made five Severnries in a best of | :37:28. | :37:31. | |
11 match. -- centuries. A fantastic | :37:32. | :37:45. | |
performance that was. Hard to get out of jail here. | :37:46. | :38:01. | |
He's not played that well. Playing for the red in the middle. | :38:02. | :38:09. | |
He will have to settle for the far corner now. | :38:10. | :38:28. | |
That short of pace, it was reasonably easy into the corner. He | :38:29. | :38:34. | |
plays with a really fat tip on his cue. | :38:35. | :38:42. | |
The overhang of the tip is preaching 11 millimetres for a snooker tip. | :38:43. | :38:52. | |
What size was your tip then? Just over nine, I think. I used a ten. | :38:53. | :39:18. | |
I always thought the thinner the end of the cue, the more likelihood to | :39:19. | :39:21. | |
put unintentional side on. He couldn't have struck that any | :39:22. | :40:12. | |
better. Never in doubt the ball going into the pocket. Perfect point | :40:13. | :40:16. | |
of contact on the far cushion. He didn't try to open the two reds | :40:17. | :40:28. | |
up. Thought he had more of an angle than he had. | :40:29. | :40:34. | |
I think those two reds go into the yellow pocket. | :40:35. | :40:44. | |
He can certainly shift them from the brown coming behind both off two | :40:45. | :40:48. | |
cushions. He would expect to get some kind of | :40:49. | :41:03. | |
leave. Not a great outcome. No, he would like to have hit the join of | :41:04. | :41:04. | |
the two reds. If he had caught the join, he would | :41:05. | :41:09. | |
have pushed them both into play. Another terrific, solid pot. Nothing | :41:10. | :41:33. | |
better than the sound of the ball hitting the back of the pocket for a | :41:34. | :41:35. | |
player. No. Well, a bit of drama all of a | :41:36. | :42:18. | |
sudden. Only a little bit. Now does Fergal play the red over the pocket? | :42:19. | :42:20. | |
Or play the red onto the red? The red onto the red is guaranteed | :42:21. | :42:35. | |
to pot. He's not looked at it though, yes, he has. | :42:36. | :42:39. | |
Surely playing the red onto the red over the middle pocket, you're | :42:40. | :42:43. | |
guaranteed to knock it. Perhaps he couldn't get a good | :42:44. | :42:53. | |
position, I don't know. Still hanging on, his hopes, by a | :42:54. | :43:03. | |
thread. Does he risk the red down the rail | :43:04. | :43:14. | |
with an element of safety. It's amazing what goes through a | :43:15. | :44:07. | |
player's mind. There was no value in that shot because of where the pink | :44:08. | :44:10. | |
is. He's left this red. It is cuttable. | :44:11. | :44:16. | |
I want to know why Fergal didn't assess the situation of playing the | :44:17. | :44:19. | |
red onto the red over the middle. It's not cost him. He can get past | :44:20. | :44:37. | |
the blue to hit the red and maybe a chance, he can hit the red down and | :44:38. | :44:39. | |
bring the pink into play. Slow screw back over the distance. | :44:40. | :45:05. | |
Done that well. Kept the cue ball down the table and nudged the pink | :45:06. | :45:06. | |
out. Very nice shot. A bit of a bonus with the snooker as | :45:07. | :45:13. | |
well. Couldn't guarantee that. He's back in the frame and slight | :45:14. | :45:27. | |
favourite. Where that pink's ended up has given | :45:28. | :45:30. | |
Mark Selby a headache. It would appear that the pink is in | :45:31. | :45:48. | |
the way, off the yellow cushion. Looks like the blue is in the way. | :45:49. | :45:54. | |
Perhaps he can load up with loads of side in between the blue and pink. | :45:55. | :46:02. | |
It must be the swerve then. Can he swerve it around the brown? Doesn't | :46:03. | :46:07. | |
want to be pushing the red ball towards the pocket. Pass the | :46:08. | :46:09. | |
aspirins. What about bottom cushion somehow - | :46:10. | :46:22. | |
side cushion? Round the back of the yellow, so to speak, and in between | :46:23. | :46:25. | |
the yellow and blue. Haven't got a clue. | :46:26. | :46:27. | |
Mark hasn't got a clue. We haven't. He looked at that line there. He's | :46:28. | :46:35. | |
got to be careful of course. No, that won't hit it. | :46:36. | :46:50. | |
Foul. He's got to get the other side of the black. So I don't think | :46:51. | :46:54. | |
that's on. If he gets the other side of the black, it goes the other side | :46:55. | :46:56. | |
of the red. All valuable points, these, in | :46:57. | :47:17. | |
ferk's course to try and get back in this. | :47:18. | :47:25. | |
It's going to cost him a few points. Fergal is going to get well back in | :47:26. | :47:34. | |
this. It looks like he's trying to play round the back of the black. I | :47:35. | :47:37. | |
don't think that's on, as you say. It's the other side of the black | :47:38. | :47:42. | |
that's in question, whether he can. His big problem, though, if the | :47:43. | :47:46. | |
yellow wasn't in his way, he could play it plain ball. He's got to play | :47:47. | :47:51. | |
it with side because the yellow is covering the natural angle. | :47:52. | :47:55. | |
I don't think it's on: It's too difficult a swerve. He will give | :47:56. | :48:05. | |
away more points here. He's trying it the other side of the | :48:06. | :48:10. | |
black. He's got relatively close to the black. He's done it! Superb. | :48:11. | :48:22. | |
If you're playing at a club, on club tables with older cushion covers, | :48:23. | :48:27. | |
that shot is not on. Brand new cushions and covers slide | :48:28. | :48:41. | |
a lot. That was a tremendous shot, yeah. | :48:42. | :48:47. | |
Fergal played the white the other side of the yellow. | :48:48. | :48:49. | |
He'll settle for that. It's half a chance. We know how | :48:50. | :49:26. | |
difficult these reds are coming into the middle pocket, narrow angle. | :49:27. | :49:39. | |
Mark put the pink in a slightly more awkward place. Zblrvelingts Let's | :49:40. | :49:51. | |
forget about winning the match at the moment. But winning this frame, | :49:52. | :49:52. | |
he needs the pink. The key to this will be position | :49:53. | :50:25. | |
from brown to blue. I don't think he's come too good on | :50:26. | :50:33. | |
this brown. Good position on the blue could get | :50:34. | :50:47. | |
good position on the pink. CHEERING AND APPLAUSE | :50:48. | :51:38. | |
Well, what a frame to win. Never say die attitude from Fergal O'Brien, | :51:39. | :51:42. | |
brilliant. OK, it's still a mountain to climb. But well done. | :51:43. | :51:52. | |
There are plenty of ways to enjoy the coverage of this year's world | :51:53. | :52:03. | |
Championship. COMMENTATOR: News features and more | :52:04. | :52:08. | |
on the BBC Sport website. Radio 5 Live will bring you updates | :52:09. | :52:13. | |
throughout the day. COMMENTATOR: Steve Davis then | :52:14. | :52:18. | |
continues his tapestry of titles. You can join in the conversation via | :52:19. | :52:22. | |
social media. COMMENTATOR: Sheffield and The | :52:23. | :52:34. | |
Crucible belongs to Ken Doherty. There's information on mobile phone | :52:35. | :52:38. | |
and on connected TV. At 8pm we switch over to the red butt be. Stay | :52:39. | :52:45. | |
with us -- button, stay with us and get ready to press red. | :52:46. | :53:11. | |
Er A question asked via Twitter about the pink and where it spots in | :53:12. | :53:18. | |
relation to the triangle of reds. The pink is on its spot. It's not | :53:19. | :53:23. | |
touching the triangle of reds. It's the smallest gap. | :53:24. | :53:35. | |
In a strange way it's the only colour that isn't pottable when the | :53:36. | :53:38. | |
balls are set up. Terrific shot. He got the cannon. | :53:39. | :54:00. | |
He's on the black. Lovely shot from Fergal. He should | :54:01. | :54:15. | |
get the black, even though he's cutting it back. | :54:16. | :54:29. | |
He couldn't guarantee position off this. I think he'll be pleased with | :54:30. | :54:32. | |
that. Well, unbelievable. I think the look | :54:33. | :56:03. | |
to the heavens says it all. Just when I thought he was getting up a | :56:04. | :56:06. | |
head of steam. He misses that. | :56:07. | :56:19. | |
It's amazing how you can turn a ball over you see the red when the cue | :56:20. | :56:32. | |
ball hits, it the left side just pushed the red to the right. | :56:33. | :56:38. | |
He's potted the red. It looks like he's got to play an excellent shot | :56:39. | :57:13. | |
here to keep the break going. That makes it a lot easier. Didn't | :57:14. | :57:22. | |
think that went. STUDIO: With Fergal O'Brien at the | :57:23. | :58:12. | |
table, hit the red button now for more coverage. We're staying with | :58:13. | :58:15. | |
you in studio. We'll have a live interview with the winner of this | :58:16. | :58:20. | |
match. The Anthony McGill-Stephen Maguire match moves online. Both | :58:21. | :58:24. | |
matches available on the BBC Sport website. And app. So much choice for | :58:25. | :58:28. | |
you at this year's tournament on the BBC. We have every match covered for | :58:29. | :58:34. | |
you: I'm back with highlights later tonight. ( | :58:35. | :58:38. |