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Hello again. 2015 was a fairytale fortnight for Stuart Bingham. | 0:00:29 | 0:00:33 | |
38 years of age at the time, 20 years in the game, | 0:00:33 | 0:00:37 | |
he was enjoying a fine period of success after many years of trying, | 0:00:37 | 0:00:42 | |
having bagged a handful of trophies over the last few months and years. | 0:00:42 | 0:00:47 | |
And yet there was one piece of the puzzle | 0:00:47 | 0:00:49 | |
that was always missing for him, a performance at the Crucible. | 0:00:49 | 0:00:52 | |
He'd never been past the quarterfinal | 0:00:52 | 0:00:54 | |
stages in all of those years of trying. | 0:00:54 | 0:00:57 | |
Until he managed to beat former champions Graeme Dott | 0:00:57 | 0:01:00 | |
and, famously, Ronnie O'Sullivan to reach the semifinal. | 0:01:00 | 0:01:04 | |
There he would face the prodigiously talented youngster | 0:01:04 | 0:01:07 | |
Judd Trump, in a match which was quite simply sensational. | 0:01:07 | 0:01:12 | |
I am not sort of scared of Judd, you know what he's going to do, | 0:01:12 | 0:01:16 | |
he's going to pot long balls, screw back length of tail, | 0:01:16 | 0:01:19 | |
make breaks, and the crowd is going to be, obviously, on his side, | 0:01:19 | 0:01:22 | |
so I expected all that and I just sort of dealt with it. | 0:01:22 | 0:01:26 | |
And so it was Stuart Bingham, 50-1 outsider before the | 0:01:26 | 0:01:28 | |
championship got underway, who was gradually applying the pressure, | 0:01:28 | 0:01:32 | |
moving out to a 13-9 lead against the young favourite. | 0:01:32 | 0:01:37 | |
And now in frame 23, Bingham was 12 points ahead, | 0:01:37 | 0:01:40 | |
but it's Judd at the table with one red remaining. | 0:01:40 | 0:01:42 | |
WILLIE THORNE: Played the stun, and played it beautifully. | 0:01:46 | 0:01:49 | |
-Has he got on the blue? -One. -Now, then. | 0:01:49 | 0:01:52 | |
Does he play this at pace to try get on the yellow? | 0:01:52 | 0:01:56 | |
-JOHN VIRGO: -If he's straight on the blue, if he hasn't got an angle, | 0:01:56 | 0:01:58 | |
he's got to tuck him up behind the black here. | 0:01:58 | 0:02:01 | |
Yes, the five points, no value, is it? | 0:02:02 | 0:02:04 | |
No value whatsoever, and of course, this is a must win frame now. | 0:02:04 | 0:02:08 | |
Must play the snooker behind the black. | 0:02:10 | 0:02:12 | |
-Judd Trump, one. -So unlucky, though, you'd be very disappointed. | 0:02:16 | 0:02:20 | |
OK, he's got Bingham in all sorts of trouble, but he'd be | 0:02:20 | 0:02:23 | |
so disappointed, having potted that right in the heart of the pocket, | 0:02:23 | 0:02:26 | |
he didn't have some sort of angle on the blue. | 0:02:26 | 0:02:28 | |
But even though he is 11 points in front, Stuart, | 0:02:29 | 0:02:34 | |
he'll be thinking, if he doesn't hit this yellow or get it safe... | 0:02:34 | 0:02:39 | |
..we'll have a new favourite for the frame. | 0:02:40 | 0:02:43 | |
To be honest, at the pace he's going to have to play it, | 0:02:47 | 0:02:51 | |
it'll be almost a miracle if he gets the yellow safe. | 0:02:51 | 0:02:54 | |
There's bound to be some sort of pot on, however he hits this yellow. | 0:02:54 | 0:02:57 | |
Yeah, and the reason Willie says that, of course, | 0:02:57 | 0:02:59 | |
it's not a one cushion escape. He's that tight to the black. | 0:02:59 | 0:03:03 | |
And going this way, there's plenty of room around this yellow. | 0:03:03 | 0:03:08 | |
Well, he's checked it. Oh, what a shot! | 0:03:08 | 0:03:10 | |
What a shot! | 0:03:10 | 0:03:11 | |
Where's this cue ball going?! Where's the cue ball going?! | 0:03:11 | 0:03:15 | |
APPLAUSE | 0:03:15 | 0:03:17 | |
Unbelievable! | 0:03:18 | 0:03:20 | |
Let's first of all, John, talk about the escape. | 0:03:23 | 0:03:25 | |
That was the only escape, and we see the cue ball arc. | 0:03:25 | 0:03:28 | |
That was the only escape where he could leave | 0:03:28 | 0:03:30 | |
distance between cue ball and object ball. | 0:03:30 | 0:03:32 | |
Just unbelievable. When you saw that check side. | 0:03:34 | 0:03:37 | |
Well, Judd managed to get the swerve, | 0:03:41 | 0:03:44 | |
needs the yellow to run a bit more. It's gone safe. | 0:03:44 | 0:03:47 | |
APPLAUSE | 0:03:47 | 0:03:49 | |
I think, in fairness, John, that's fair. | 0:03:49 | 0:03:51 | |
They both had a bit of luck there. | 0:03:51 | 0:03:53 | |
-And I think now the frame is still live. -Absolutely. | 0:03:53 | 0:03:56 | |
Don't get me wrong, great hit from Stuart, but to get the snooker, | 0:03:56 | 0:04:01 | |
that was a bonus, so maybe the luck just evened itself out there. | 0:04:01 | 0:04:05 | |
And I'm glad, because at this stage of the game, it would have | 0:04:07 | 0:04:09 | |
-been very unfortunate if somebody wins a frame purely by luck. -Foul. | 0:04:09 | 0:04:13 | |
And a miss. | 0:04:13 | 0:04:16 | |
Judd Trump, four. | 0:04:16 | 0:04:17 | |
No hesitation, it is a thin contact he's playing for, | 0:04:20 | 0:04:23 | |
and we all know that particularly when the... | 0:04:23 | 0:04:27 | |
Particularly when the object ball is very close to the cushion, | 0:04:30 | 0:04:36 | |
if you don't catch it thin, catch it even quarter ball, | 0:04:36 | 0:04:39 | |
it could back up the table. | 0:04:39 | 0:04:41 | |
But those four points he gave away there by missing it... | 0:04:41 | 0:04:44 | |
Well, when the frame's this close, could be very important. | 0:04:45 | 0:04:49 | |
As you can see there, he can see this quarter ball at least. | 0:04:51 | 0:04:54 | |
So he'll play the same shot again. | 0:04:54 | 0:04:56 | |
Oh, that tells me the table may be just drifting a little bit. | 0:04:56 | 0:04:59 | |
Doesn't want the jaws, though. Might be a free ball. Not this time. | 0:04:59 | 0:05:03 | |
And of course, he won't be warned. | 0:05:05 | 0:05:07 | |
You're only warned if you can hit the object ball full, | 0:05:07 | 0:05:11 | |
and he can't do that. | 0:05:11 | 0:05:13 | |
If he could have hit the yellow full, | 0:05:14 | 0:05:16 | |
then he would be warned now, three misses, you lose the frame. | 0:05:16 | 0:05:19 | |
But these are valuable points he's giving away. | 0:05:22 | 0:05:25 | |
I don't know why he's not clearing this to the right if he | 0:05:26 | 0:05:29 | |
feels that it's drifting a little bit, just to straighten it up. | 0:05:29 | 0:05:32 | |
Just a little bit of right. | 0:05:34 | 0:05:36 | |
If it's drifting slightly to the left, | 0:05:36 | 0:05:37 | |
just play it with a bit of right so it's holding the cue ball. | 0:05:37 | 0:05:41 | |
A bit like one of your golf shots, John, | 0:05:41 | 0:05:43 | |
when you're holding it up into the wind. | 0:05:43 | 0:05:45 | |
Big moments now in this, in this frame and in this match, | 0:05:51 | 0:05:55 | |
to be honest with you. | 0:05:55 | 0:05:56 | |
He's trying to hit this yellow so thin that it hardly moves. | 0:05:58 | 0:06:02 | |
He was in front before this, he's now one point behind. | 0:06:08 | 0:06:13 | |
-No. -Foul. | 0:06:15 | 0:06:17 | |
And a miss. | 0:06:17 | 0:06:19 | |
Now, does it rattle and leave a free ball? | 0:06:19 | 0:06:21 | |
Does it rattle and leave the free ball? | 0:06:21 | 0:06:23 | |
-It has done. -Free ball. | 0:06:23 | 0:06:25 | |
What a difference this could make. | 0:06:25 | 0:06:27 | |
He won't be having it replaced any more. | 0:06:27 | 0:06:30 | |
Do you think, John, snookering behind the pink is better, | 0:06:32 | 0:06:34 | |
-because he's going to have to play at least a two cushion escape? -Yes. | 0:06:34 | 0:06:37 | |
Go of the green and put it tight behind the pink. | 0:06:37 | 0:06:41 | |
Because if he gets the shot right that he's playing, Stuart, | 0:06:43 | 0:06:46 | |
the thin safety, it's easy. | 0:06:46 | 0:06:48 | |
And for those of you who don't know, | 0:06:48 | 0:06:51 | |
when you have a free ball, | 0:06:51 | 0:06:53 | |
the ball you nominate, you cannot snooker behind. | 0:06:53 | 0:06:56 | |
So that's why he played it behind the pink. | 0:06:58 | 0:07:00 | |
Couldn't hit it when he could see it. | 0:07:04 | 0:07:06 | |
Foul and a miss. Judd Trump, four. | 0:07:09 | 0:07:11 | |
Having it put back. And I'll tell you what, these foul points | 0:07:11 | 0:07:14 | |
are accumulating, aren't they? | 0:07:14 | 0:07:16 | |
How many's that? Four, eight, 12, 16, | 0:07:16 | 0:07:18 | |
20 so far, isn't it? | 0:07:18 | 0:07:20 | |
Yeah, you're right, Willie. 20 points. | 0:07:26 | 0:07:29 | |
Now, a bit pacier, doesn't want to run past the yellow. | 0:07:29 | 0:07:31 | |
That's too wide. | 0:07:31 | 0:07:32 | |
And I think Judd will have it replaced because he's no | 0:07:34 | 0:07:37 | |
advantage trying to pot this yellow if he can't get on the green. | 0:07:37 | 0:07:41 | |
What a turnaround. | 0:07:41 | 0:07:42 | |
Stuart seems very bemused at having it... | 0:07:44 | 0:07:47 | |
Seeing it slide off the first cushion the first time. | 0:07:47 | 0:07:50 | |
Played exactly the same shot the second time, it seemed to square up. | 0:07:50 | 0:07:53 | |
OK, Judd? | 0:07:53 | 0:07:56 | |
Hmm. | 0:07:56 | 0:07:57 | |
Hmm. | 0:08:11 | 0:08:12 | |
Foul and a miss. Judd Trump... | 0:08:12 | 0:08:14 | |
Still nothing that would get Judd Trump out of his seat. | 0:08:14 | 0:08:19 | |
I think I might want to have little look there, John. | 0:08:19 | 0:08:22 | |
There may have been a slight angle. | 0:08:22 | 0:08:23 | |
Yeah, but that green is on the baulk line, Willie. | 0:08:23 | 0:08:26 | |
I mean, even if Stuart was to hit this yellow, | 0:08:26 | 0:08:30 | |
Judd would still be in control of this frame. | 0:08:30 | 0:08:33 | |
And the way things are going, he could miss another three times | 0:08:33 | 0:08:38 | |
and he'd want snookers. | 0:08:38 | 0:08:40 | |
28 points been given away, and as you rightly say, | 0:08:40 | 0:08:43 | |
two more misses... | 0:08:43 | 0:08:45 | |
This is a better line. | 0:08:52 | 0:08:54 | |
-Not hit it, but a better line. -Foul and a miss. | 0:08:55 | 0:08:58 | |
It's unbelievable, isn't it, this? | 0:08:58 | 0:09:01 | |
Well, what a turnaround in a frame. | 0:09:05 | 0:09:08 | |
Without a ball being potted. | 0:09:08 | 0:09:10 | |
When you consider Judd's definitely | 0:09:11 | 0:09:13 | |
gone a little bit at the minute, he's not in control of his emotions | 0:09:13 | 0:09:16 | |
and things like that, he's really struggling at this stage. | 0:09:16 | 0:09:20 | |
To think that he could win a frame without potting a ball! | 0:09:20 | 0:09:23 | |
This looks better. | 0:09:32 | 0:09:34 | |
But no, it's just sliding off that second cushion. | 0:09:34 | 0:09:37 | |
Have it put back, and if he misses it this time, | 0:09:37 | 0:09:40 | |
he will need a snooker. | 0:09:40 | 0:09:42 | |
Stuart, you need a little glance at the scoreboard. | 0:09:45 | 0:09:48 | |
I'm not sure he's aware of the points, | 0:09:48 | 0:09:49 | |
he's not looked at the scoreboard for some time. | 0:09:49 | 0:09:52 | |
Is that 32 points he's given away? | 0:09:55 | 0:09:57 | |
CHEERING AND APPLAUSE | 0:10:02 | 0:10:04 | |
Well... | 0:10:04 | 0:10:05 | |
Stuart throws his arms up in the air. | 0:10:05 | 0:10:08 | |
But... | 0:10:08 | 0:10:10 | |
..all those foul points he gave away, | 0:10:12 | 0:10:15 | |
nothing to celebrate. | 0:10:15 | 0:10:17 | |
LAUGHTER FROM CROWD | 0:10:22 | 0:10:24 | |
Well, this one's easy to hit. | 0:10:24 | 0:10:26 | |
The question is, with this type of shot, if Stuart could get | 0:10:26 | 0:10:30 | |
right in behind the yellow, | 0:10:30 | 0:10:32 | |
he could possibly get the snooker behind | 0:10:32 | 0:10:35 | |
the black, but I'm not certain he can get right in behind it. | 0:10:35 | 0:10:38 | |
And if he hits it half ball, he could leave it. | 0:10:38 | 0:10:41 | |
And remember, Judd Trump is now 25 points in front. | 0:10:43 | 0:10:47 | |
27 remaining. | 0:10:47 | 0:10:49 | |
Yeah, 36... | 0:10:59 | 0:11:01 | |
..foul points. | 0:11:03 | 0:11:04 | |
At a crucial stage of the frame, | 0:11:06 | 0:11:08 | |
John, I don't think I've ever seen that many given away. | 0:11:08 | 0:11:10 | |
Couldn't get right in behind the yellow, | 0:11:17 | 0:11:19 | |
that's why he's played it like that. | 0:11:19 | 0:11:22 | |
Oh, and he might have the snooker with the green. | 0:11:22 | 0:11:25 | |
APPLAUSE | 0:11:25 | 0:11:26 | |
He has. | 0:11:26 | 0:11:28 | |
He'll have to play the swerve here, Judd. | 0:11:30 | 0:11:34 | |
But no guarantee to get the yellow safe. | 0:11:34 | 0:11:37 | |
Well, thinks that... A possibility he could get it safe. | 0:11:43 | 0:11:47 | |
But you're playing this off the side cushion, top cushion. | 0:11:47 | 0:11:50 | |
This is a bit pacey. | 0:11:52 | 0:11:53 | |
-CROWD GROANS -Foul and a miss. | 0:11:57 | 0:11:59 | |
Stuart Bingham, four. | 0:11:59 | 0:12:01 | |
So, here's a chance for Stuart, but he needs the six remaining colours. | 0:12:01 | 0:12:06 | |
Amazingly enough, John, he's left an angle from this escape to be | 0:12:12 | 0:12:14 | |
able to get the cue ball slightly off the cushion. | 0:12:14 | 0:12:17 | |
He can get on the green nicely from here, | 0:12:18 | 0:12:20 | |
but blue to pink's the problem. | 0:12:20 | 0:12:22 | |
Blue to pink's going to be the problem ball. | 0:12:24 | 0:12:26 | |
-APPLAUSE -Two. | 0:12:26 | 0:12:29 | |
Five. | 0:12:45 | 0:12:46 | |
Hmm. | 0:12:49 | 0:12:51 | |
Not quite on this brown as he would like. | 0:12:51 | 0:12:54 | |
Straighter, he could have just run it in. | 0:12:54 | 0:12:58 | |
He's got to manoeuvre this cue ball. | 0:12:59 | 0:13:01 | |
He had a look at playing the cannon on the black, just to | 0:13:01 | 0:13:04 | |
hole for the blue, but that's not certain to work out. | 0:13:04 | 0:13:08 | |
Trying to develop the blue. He's hit it too full. | 0:13:09 | 0:13:12 | |
He's not on it. | 0:13:12 | 0:13:14 | |
As you can see, the white's perilously close to the | 0:13:30 | 0:13:33 | |
cushion, that's why he's having to try and dig down. | 0:13:33 | 0:13:35 | |
He's trying to get in behind the black, but | 0:13:35 | 0:13:37 | |
I'm not so sure it's on from being that close to the cushion. | 0:13:37 | 0:13:40 | |
What ever you do, don't leave a pot on the blue, that's the main thing. | 0:13:40 | 0:13:44 | |
Trying to get in behind the black. | 0:13:47 | 0:13:50 | |
Trying to get in behind it. | 0:13:52 | 0:13:55 | |
Got to get that blue safe, and he has done. | 0:13:55 | 0:13:57 | |
So it appears there's no damage done. | 0:13:57 | 0:13:59 | |
Yes, and it has to be said, | 0:14:02 | 0:14:04 | |
he's not left the easiest safety shot for Judd. | 0:14:04 | 0:14:07 | |
OK, you could try and play the blue up and down the table, | 0:14:07 | 0:14:11 | |
but you've got to be careful of the double kiss. | 0:14:11 | 0:14:16 | |
That's the first thing that will enter your mind. | 0:14:16 | 0:14:19 | |
And if he just tried to come thin off the blue | 0:14:19 | 0:14:22 | |
and played across double, he could cannon the pink. | 0:14:22 | 0:14:25 | |
This is not straightforward at all. | 0:14:25 | 0:14:27 | |
I think for frame of mind, John, Judd has to win this frame. | 0:14:27 | 0:14:31 | |
His mind will be the jam jar if he loses this frame. | 0:14:31 | 0:14:34 | |
Oh, that's a good safety shot. | 0:14:39 | 0:14:41 | |
Deserved to find the cushion there. | 0:14:41 | 0:14:43 | |
It'll be good if it keeps running. | 0:14:43 | 0:14:46 | |
That's excellent. | 0:14:46 | 0:14:47 | |
That's as good as he could have hoped for. | 0:14:49 | 0:14:53 | |
Stuart coming down. | 0:14:53 | 0:14:55 | |
This time he will be able to get in behind the blue, | 0:14:55 | 0:14:57 | |
so he'll play cushion first, kick the blue up the table. | 0:14:57 | 0:15:00 | |
As long as you catch it full, it will turn out to be a good | 0:15:00 | 0:15:04 | |
safety shot, because the cue ball will stay where the blue is. | 0:15:04 | 0:15:07 | |
Played it perfectly. | 0:15:13 | 0:15:15 | |
APPLAUSE | 0:15:15 | 0:15:17 | |
COMMENTARY DROWNED OUT BY APPLAUSE | 0:15:17 | 0:15:20 | |
..along this frame, there's 27 minutes in frame 19. | 0:15:20 | 0:15:23 | |
But, boy, we've had some excitement this frame. | 0:15:24 | 0:15:27 | |
Bingham looked certain to win it, then he gave 36 points away. | 0:15:27 | 0:15:31 | |
Looked certain to lose it. | 0:15:31 | 0:15:33 | |
And now it's all down to the final three colours. | 0:15:33 | 0:15:36 | |
Hmm. I was going to say, that's a good safety from Judd, | 0:15:36 | 0:15:41 | |
he was in a spot of bother. | 0:15:41 | 0:15:43 | |
There's always a possibility of the double. | 0:15:43 | 0:15:46 | |
But surely that's going to be too risky. | 0:15:47 | 0:15:49 | |
-You can see, though, John, he's itching to play it, can't you? -Yes. | 0:15:51 | 0:15:54 | |
No, he didn't play it in the end. | 0:16:00 | 0:16:03 | |
It's not bad, though. | 0:16:07 | 0:16:09 | |
He's got that blue tight to the cushion, so the cross double, | 0:16:09 | 0:16:12 | |
which you'd normally play in this type of shot. | 0:16:12 | 0:16:15 | |
You can't play it because you're bound to get a double kiss. | 0:16:15 | 0:16:18 | |
So it's a case of, I think, really, sending the blue back up | 0:16:20 | 0:16:23 | |
the table, avoid the double kiss and get a good length. | 0:16:23 | 0:16:27 | |
Couldn't have played that any better. Tremendous shot. | 0:16:38 | 0:16:43 | |
Well, we've seen a lot of strange play from Judd in this | 0:16:43 | 0:16:46 | |
morning's session. But the last three safety shots he's played are | 0:16:46 | 0:16:49 | |
right out of the top drawer. | 0:16:49 | 0:16:51 | |
And the ones from Stuart are not too bad either. Look at this. | 0:16:56 | 0:16:59 | |
Look at this! | 0:16:59 | 0:17:00 | |
APPLAUSE | 0:17:00 | 0:17:03 | |
He'll be happy with that. | 0:17:09 | 0:17:11 | |
Are you suggesting he just played the blue in the middle of the top | 0:17:14 | 0:17:17 | |
cushion, John, with that comment? | 0:17:17 | 0:17:19 | |
Well, no, I think he's played a wonderful blue, | 0:17:19 | 0:17:21 | |
but to get it right behind the black is a bonus. | 0:17:21 | 0:17:26 | |
I think Judd has got to come cushion first here. | 0:17:28 | 0:17:32 | |
But it depends how thick he hits the blue. | 0:17:32 | 0:17:36 | |
If he can catch the blue sort of quarter ball, | 0:17:36 | 0:17:40 | |
he may be able to knock the blue into a safe position. | 0:17:40 | 0:17:43 | |
If he's coming off the side cushion, | 0:17:43 | 0:17:45 | |
then he's going to hit it hard, and he's going to hit and hope. | 0:17:45 | 0:17:49 | |
But if he misses it, he's going to leave a free ball. | 0:17:49 | 0:17:51 | |
Yeah, he's obviously worried about... | 0:17:51 | 0:17:53 | |
He can't hit the blue anything more than thin, it would | 0:17:53 | 0:17:55 | |
be just pushing it over the left-hand corner. | 0:17:55 | 0:17:57 | |
That's why he's taking the option of hitting it hard. | 0:17:57 | 0:18:00 | |
Oh, he's playing it slow. This is dangerous. | 0:18:00 | 0:18:03 | |
This is dangerous. | 0:18:03 | 0:18:04 | |
CROWD GROANS | 0:18:06 | 0:18:07 | |
Well, he's hit it. But... | 0:18:07 | 0:18:09 | |
..doesn't give him any advantage. | 0:18:11 | 0:18:13 | |
I don't think Stuart will play the blue here. | 0:18:14 | 0:18:17 | |
What you can do with this shot is just stun | 0:18:17 | 0:18:19 | |
the blue into the jaws, and the blue will go up the table | 0:18:19 | 0:18:22 | |
and you get the snooker behind the black. | 0:18:22 | 0:18:24 | |
Good call, John. Brilliantly played. APPLAUSE | 0:18:29 | 0:18:32 | |
I've got to be honest, John, at first glance, I'd have fancied | 0:18:32 | 0:18:35 | |
rolling the blue in and playing the long pink, but you've called it. | 0:18:35 | 0:18:38 | |
Beautiful shot. | 0:18:38 | 0:18:39 | |
Big, big problem now for Judd. | 0:18:47 | 0:18:49 | |
OK, his opponent will need the blue, pink and black. | 0:18:52 | 0:18:56 | |
But we've seen so many misses in this frame. | 0:18:59 | 0:19:01 | |
Yeah, he's got the same problem, hasn't he? | 0:19:05 | 0:19:07 | |
He's got to hit it hard enough to give him | 0:19:07 | 0:19:09 | |
-a chance of getting it safe, but this is not safe. -No. | 0:19:09 | 0:19:13 | |
So here's Stuart's chance... | 0:19:13 | 0:19:16 | |
to take a frame which, in all honesty, | 0:19:16 | 0:19:18 | |
it almost looked as though he was until he started missing the yellow. | 0:19:18 | 0:19:23 | |
Already 155 points scored in this frame, with another 18 to come. | 0:19:23 | 0:19:27 | |
So, certainly with the highest points | 0:19:30 | 0:19:32 | |
total in a frame in this championship this year. | 0:19:32 | 0:19:35 | |
Without any stretch of the imagination. | 0:19:35 | 0:19:38 | |
But who's going to win it? Bingham now favourite. | 0:19:38 | 0:19:40 | |
APPLAUSE | 0:19:52 | 0:19:54 | |
-Hmm. -Five. | 0:19:54 | 0:19:56 | |
Not the best position on the pink. | 0:19:56 | 0:19:59 | |
Not by a long chalk. | 0:19:59 | 0:20:01 | |
And of course the problem with this, he's going to have to play | 0:20:03 | 0:20:06 | |
still on the right-hand side, which could make him hit this thick. | 0:20:06 | 0:20:09 | |
And hit it thick he did. So hard. | 0:20:15 | 0:20:18 | |
Where's the pink going?! | 0:20:18 | 0:20:20 | |
-Right over the hole. -Bingham, five. | 0:20:20 | 0:20:22 | |
So Judd Trump glances at the scoreboard, | 0:20:22 | 0:20:26 | |
he's two points in front. | 0:20:26 | 0:20:29 | |
Pot the pink, you win the frame, and what a frame this has been. | 0:20:29 | 0:20:33 | |
Well, that will be a mighty relief. | 0:20:39 | 0:20:41 | |
Judd Trump, I don't blame him, for going out the arena. | 0:20:41 | 0:20:45 | |
Well, Stuart looked at Judd and he had a wry smile. | 0:20:45 | 0:20:49 | |
You can't give that many foul points away and win it. | 0:20:49 | 0:20:52 | |
He nearly did, but Judd Trump desperately needed that. | 0:20:52 | 0:20:55 | |
And now he's just three behind. | 0:20:55 | 0:20:59 | |
Well, Judd, as expected, kept up the pressure. | 0:20:59 | 0:21:02 | |
Breaks of 65, 88 and 50 were enough to win three of the next four | 0:21:02 | 0:21:06 | |
frames. The score now, 13 frames to Judd, 14 to Bingham, | 0:21:06 | 0:21:11 | |
as we head into the next. | 0:21:11 | 0:21:12 | |
APPLAUSE | 0:21:18 | 0:21:20 | |
DENNIS TAYLOR: Just got into that too much, but, well... | 0:21:23 | 0:21:29 | |
..he could go into the red, but I think he's got to make sure | 0:21:31 | 0:21:34 | |
and pot this and just let the white do what it's going to do. | 0:21:34 | 0:21:37 | |
Yeah, that was the best option. | 0:21:39 | 0:21:42 | |
No point in trying anything difficult there | 0:21:42 | 0:21:44 | |
-because the black wasn't all that easy. -Eight. | 0:21:44 | 0:21:47 | |
But he's got a long, straight red, and if he comes back, | 0:21:50 | 0:21:52 | |
he's got a good angle to get into the bunch then. | 0:21:52 | 0:21:55 | |
Well, it looks as if he's playing for the pink. | 0:21:56 | 0:21:59 | |
CROWD GROANS | 0:22:02 | 0:22:04 | |
Well, that's a bad miss. That is a poor shot from Judd. | 0:22:04 | 0:22:08 | |
-STEVE DAVIS: -That can only tell me that he's just flicking a bit of | 0:22:09 | 0:22:12 | |
side on, Dennis. It was like a black off the spot, wasn't it? | 0:22:12 | 0:22:15 | |
It was dead straight. | 0:22:15 | 0:22:17 | |
Must have put some unwanted side on that to turn that red over. | 0:22:17 | 0:22:20 | |
Hmm, Stuart's finding it now, Dennis, isn't he? | 0:22:34 | 0:22:37 | |
The tension's arriving, but the yellow just passed the blue | 0:22:37 | 0:22:39 | |
and he certainly didn't play for it in the middle. | 0:22:39 | 0:22:42 | |
He just didn't hit that as he intended. | 0:22:46 | 0:22:48 | |
He would have been on the blue nicely. | 0:22:48 | 0:22:50 | |
But he's got an angle to get up towards the red. | 0:22:53 | 0:22:57 | |
APPLAUSE | 0:23:03 | 0:23:05 | |
Three. | 0:23:09 | 0:23:10 | |
Now, the angle is on this red. If he's going to play for the black, | 0:23:14 | 0:23:17 | |
he has to just drop it in dead weight. | 0:23:17 | 0:23:19 | |
He wouldn't really want to do that. | 0:23:19 | 0:23:20 | |
I don't know whether you can run round the back of the black | 0:23:20 | 0:23:22 | |
if he plays it firm. | 0:23:22 | 0:23:24 | |
-I think if he runs it in... -Your camera, can you turn it off, please? | 0:23:27 | 0:23:30 | |
Yeah, just a distraction there. | 0:23:30 | 0:23:31 | |
If he runs it in, he might cannon the black and leave it on, | 0:23:31 | 0:23:35 | |
just looking at that angle. | 0:23:35 | 0:23:37 | |
Hmm. Not the best. APPLAUSE | 0:23:40 | 0:23:43 | |
Four. | 0:23:43 | 0:23:45 | |
He'd like that shot again, wouldn't he? | 0:23:45 | 0:23:48 | |
OK, the seven points is nice | 0:23:48 | 0:23:50 | |
but there is no way he can get onto a red | 0:23:50 | 0:23:52 | |
so whether he will play a safe off a bought colour... | 0:23:52 | 0:23:56 | |
or just take the seven points. | 0:23:56 | 0:23:57 | |
Sometimes that happens, you know, you're not playing for any position, | 0:24:30 | 0:24:34 | |
you lose a bit of concentration, | 0:24:34 | 0:24:36 | |
and you're just playing for the extra seven points there. | 0:24:36 | 0:24:39 | |
APPLAUSE | 0:24:54 | 0:24:57 | |
APPLAUSE | 0:25:11 | 0:25:15 | |
Just making sure there's no plants on, always worth looking | 0:25:31 | 0:25:35 | |
at the pack of reds. | 0:25:35 | 0:25:37 | |
He's got an easy safety shot. | 0:25:38 | 0:25:40 | |
Now he's looking to see if he's going to push a red | 0:25:41 | 0:25:43 | |
over the corner pocket so... | 0:25:43 | 0:25:45 | |
Well, there is... | 0:25:47 | 0:25:49 | |
A possible plant on there but can he get to that? | 0:25:49 | 0:25:51 | |
APPLAUSE | 0:25:55 | 0:25:58 | |
-Er, yeah. -HE CHUCKLES | 0:26:01 | 0:26:03 | |
He certainly did get to it! | 0:26:05 | 0:26:06 | |
Well, Judd had a plant in the previous frame | 0:26:11 | 0:26:14 | |
and almost won the frame off the plant | 0:26:14 | 0:26:16 | |
until he got that terrible kick on the red. | 0:26:16 | 0:26:19 | |
How many is Stuart going to score from this plant? | 0:26:19 | 0:26:23 | |
Four. | 0:26:38 | 0:26:39 | |
Five. | 0:27:08 | 0:27:09 | |
Well, he's been awesome throughout this championship | 0:27:16 | 0:27:19 | |
with this type of shot but the scenario is | 0:27:19 | 0:27:21 | |
it's 14-13 in the semifinal. | 0:27:21 | 0:27:24 | |
And he's still awesome with them. | 0:27:29 | 0:27:31 | |
APPLAUSE That was a terrific shot. | 0:27:31 | 0:27:33 | |
12. | 0:27:40 | 0:27:41 | |
It's hard to explain how difficult they are normally | 0:27:41 | 0:27:43 | |
when you're cutting it back into a blind pocket. | 0:27:43 | 0:27:46 | |
Ask Steve Davis. | 0:27:46 | 0:27:47 | |
Now, just going to mind his work now, the next three or four reds | 0:27:54 | 0:27:57 | |
and colours should be OK. | 0:27:57 | 0:27:59 | |
If he plays that for the blue or a bought colour, | 0:27:59 | 0:28:01 | |
make sure you finish topside of the blue. | 0:28:01 | 0:28:04 | |
-APPLAUSE -That was the key thing, | 0:28:35 | 0:28:36 | |
getting topside of the blue. | 0:28:36 | 0:28:38 | |
He's perfect on the blue. | 0:28:38 | 0:28:40 | |
The red in between black and that little cluster of four | 0:28:40 | 0:28:43 | |
is the one he'd like to get onto now. | 0:28:43 | 0:28:46 | |
He's not got onto it perfect but he's got a second choice. | 0:28:50 | 0:28:55 | |
This red's nice and he can, I think, run-through for the black. | 0:28:55 | 0:28:57 | |
18. | 0:28:57 | 0:28:59 | |
-Oh, that didn't go clean. -19. | 0:29:04 | 0:29:06 | |
Just needs it just to take a deep breath here, | 0:29:08 | 0:29:11 | |
he knows this is a chance once again to level the mini session. | 0:29:11 | 0:29:15 | |
Never been behind in any session. | 0:29:15 | 0:29:17 | |
CROWD GASPS, APPLAUSE | 0:29:21 | 0:29:22 | |
You can just feel the tension out there, | 0:29:22 | 0:29:25 | |
you can feel it in the room. | 0:29:25 | 0:29:26 | |
Well... | 0:29:27 | 0:29:29 | |
-I don't know if he got a kick, let's have a look. -26. | 0:29:29 | 0:29:33 | |
Didn't seem to kick but he's having the white clean, | 0:29:33 | 0:29:35 | |
maybe that's just to give himself a breather. | 0:29:35 | 0:29:38 | |
There's a couple that's wiped their feet on the way in | 0:29:38 | 0:29:41 | |
but that one... | 0:29:41 | 0:29:42 | |
Well, maybe he did have a slight kick. | 0:29:42 | 0:29:44 | |
It didn't look as if it kicked on that last picture but... | 0:29:44 | 0:29:49 | |
it's back on its spot and he's still on the table, | 0:29:49 | 0:29:51 | |
that's the main thing from his point of view. | 0:29:51 | 0:29:54 | |
27. | 0:30:05 | 0:30:07 | |
As we said earlier the mid-session interval coming up. | 0:30:07 | 0:30:10 | |
Stuart's going along nicely here. | 0:30:12 | 0:30:14 | |
Potting this next red is going to clear the two reds to the right | 0:30:22 | 0:30:26 | |
of it. The little triangle of reds behind the pink there. | 0:30:26 | 0:30:31 | |
Just a little glance to see whether the pink would pot in the middle. | 0:30:31 | 0:30:34 | |
Cos he hasn't got the ideal angle on this red. | 0:30:34 | 0:30:37 | |
And if the pink doesn't pot, | 0:30:37 | 0:30:38 | |
he's got a little bit of work to do with the cue ball. | 0:30:38 | 0:30:41 | |
I don't think the pink pots. | 0:30:44 | 0:30:46 | |
He's coming around to have another look now. | 0:30:46 | 0:30:48 | |
I mean, that would be the easiest positional shot | 0:30:53 | 0:30:55 | |
but he should be able to get himself onto the blue or run through. | 0:30:55 | 0:30:58 | |
Well, it looks as if it might just go. | 0:30:58 | 0:31:02 | |
If he's not absolutely sure... | 0:31:03 | 0:31:06 | |
..he'll play for the blue or black. | 0:31:08 | 0:31:10 | |
He's not made up his mind, Dennis. | 0:31:15 | 0:31:17 | |
That's the troubling thing, isn't it? You've got to clear your mind. | 0:31:17 | 0:31:21 | |
-Decided the pink was too dangerous to play for. -35. | 0:31:28 | 0:31:31 | |
-APPLAUSE -I think he judged this perfectly. | 0:31:31 | 0:31:35 | |
That red was almost straight, and look where he's got the cue ball. | 0:31:37 | 0:31:40 | |
I mean, that shows you the cue power that Stuart has. | 0:31:40 | 0:31:44 | |
He really powered that in to get the white there. | 0:31:44 | 0:31:47 | |
He's 31 points in front. | 0:31:49 | 0:31:52 | |
Has to be said there's a pretty clear run... | 0:32:04 | 0:32:08 | |
-40. -..to the winning line in this frame | 0:32:08 | 0:32:10 | |
but we've seen that black wobble, we've seen a red wobble. | 0:32:10 | 0:32:13 | |
But he's held himself together throughout this championship and | 0:32:18 | 0:32:22 | |
in the final session against Ronnie O'Sullivan he hardly made a mistake. | 0:32:22 | 0:32:26 | |
He's used to the winning line in tournaments now. | 0:32:29 | 0:32:32 | |
Won all his tournaments, as Dennis mentioned in commentary, | 0:32:32 | 0:32:34 | |
in Asia and that. | 0:32:34 | 0:32:36 | |
Six tournaments he's won now. | 0:32:36 | 0:32:37 | |
But every player, when they turn professional, | 0:32:51 | 0:32:54 | |
they dream about lifting the | 0:32:54 | 0:32:56 | |
-World Championship trophy at the Crucible. -47. | 0:32:56 | 0:32:59 | |
Stuart has been dreaming about that for the 20 years he's been | 0:32:59 | 0:33:04 | |
a professional. | 0:33:04 | 0:33:05 | |
This, of course, clears the other red for this pocket. | 0:33:13 | 0:33:16 | |
So now, Dennis mentioned, a clear run to the line. | 0:33:16 | 0:33:19 | |
It is definitely a clear run to the line now. | 0:33:19 | 0:33:23 | |
44 points in front. Pink, red, colour. | 0:33:23 | 0:33:27 | |
And once again he will not have lost a mini-session in this match. | 0:33:29 | 0:33:32 | |
54. | 0:33:37 | 0:33:39 | |
55. | 0:33:46 | 0:33:47 | |
And it all started with this terrific plant that he picked out. | 0:33:48 | 0:33:53 | |
Just the black needed. | 0:33:57 | 0:34:00 | |
APPLAUSE | 0:34:01 | 0:34:03 | |
62. | 0:34:10 | 0:34:12 | |
63. | 0:34:15 | 0:34:17 | |
Stuart's highest break in this match has been 89. | 0:34:20 | 0:34:23 | |
He has a chance of eclipsing that here. | 0:34:23 | 0:34:25 | |
He's only had four centuries so far in the tournament. | 0:34:26 | 0:34:29 | |
He is one of the game's great break-builders. | 0:34:32 | 0:34:34 | |
He's had three maximums in tournament play. | 0:34:34 | 0:34:37 | |
Not too sure whether he can hold it. | 0:34:37 | 0:34:39 | |
If he can't he'll play a cannon into the pink. | 0:34:39 | 0:34:41 | |
He could hold it. | 0:34:45 | 0:34:46 | |
APPLAUSE | 0:34:47 | 0:34:48 | |
Well, he has made 38 centuries this season. | 0:34:52 | 0:34:54 | |
263 in total for his career. | 0:34:59 | 0:35:04 | |
86. | 0:35:14 | 0:35:15 | |
The green to beat his highest break. | 0:35:19 | 0:35:21 | |
-88. -The century, if it comes, will be the 77th. | 0:35:21 | 0:35:25 | |
And every time Judd asks him | 0:35:31 | 0:35:33 | |
the question he keeps coming up with the answer, Willie. | 0:35:33 | 0:35:36 | |
Yeah, you couldn't be more impressed if you are a Bingham supporter. | 0:35:36 | 0:35:40 | |
He hasn't lost one mini-session in this whole match. | 0:35:40 | 0:35:43 | |
This is the first time he's been put under pressure | 0:35:43 | 0:35:45 | |
and he looked like he could possibly lose a mini-session. | 0:35:45 | 0:35:49 | |
APPLAUSE | 0:35:49 | 0:35:51 | |
This morning when he was 2-0 behind he won the next two. | 0:35:51 | 0:35:54 | |
Very well played. The crowd deserve a century. | 0:35:58 | 0:36:01 | |
And the century they have. | 0:36:01 | 0:36:02 | |
Remarkable from Stuart Bingham. | 0:36:05 | 0:36:07 | |
Back against the wall, produced again a break of 106. | 0:36:07 | 0:36:10 | |
Takes him two clear again at 15-13. | 0:36:10 | 0:36:14 | |
This is a key shot early on in this frame. | 0:36:18 | 0:36:20 | |
Is it there? | 0:36:21 | 0:36:22 | |
-APPLAUSE -One. | 0:36:24 | 0:36:27 | |
He had to get this. He was sticking a red up next to the black. | 0:36:30 | 0:36:34 | |
-Eight. -Not a good pack to go into from the black. | 0:36:44 | 0:36:48 | |
And that's the reason. He's headed up for the blue, OK. | 0:36:49 | 0:36:53 | |
Didn't matter which side of the blue he got on there. | 0:36:53 | 0:36:57 | |
But it will be blue, red, blue and into the pink. | 0:36:57 | 0:37:01 | |
14. | 0:37:09 | 0:37:10 | |
-15. -Key shot coming up. | 0:37:17 | 0:37:19 | |
Full onto the pink. | 0:37:21 | 0:37:22 | |
Pot the blue, scatter the reds. | 0:37:24 | 0:37:26 | |
And how's your luck? | 0:37:28 | 0:37:29 | |
APPLAUSE | 0:37:29 | 0:37:31 | |
-He's just about OK. There's one that will go into the right corner. -20. | 0:37:34 | 0:37:38 | |
Show you that again. | 0:37:38 | 0:37:41 | |
Judd has been in the practice room throughout the interval, | 0:37:41 | 0:37:44 | |
knocking balls in. | 0:37:44 | 0:37:45 | |
All the players seem to play that shot well. | 0:37:49 | 0:37:51 | |
Pretty well into the pink | 0:37:51 | 0:37:52 | |
but I think Trump plays it better than most. | 0:37:52 | 0:37:56 | |
Very rarely does he not generate the full ball kiss on the pink | 0:37:56 | 0:37:59 | |
and generate the spin to keep the cue ball in the middle of the table. | 0:37:59 | 0:38:02 | |
And because of that shot... | 0:38:02 | 0:38:04 | |
..he'd be disappointed if he doesn't score 50 or above from here. | 0:38:05 | 0:38:09 | |
26. | 0:38:18 | 0:38:20 | |
27. | 0:38:31 | 0:38:33 | |
32. | 0:38:52 | 0:38:54 | |
33. | 0:39:02 | 0:39:04 | |
The standard in the last three frames of Judd's had a break of 88. | 0:39:04 | 0:39:07 | |
And then he had a break of 50 and 44 to get one behind. | 0:39:07 | 0:39:11 | |
And then Stuart had that magnificent century. | 0:39:13 | 0:39:15 | |
So the standard has been superb. | 0:39:17 | 0:39:19 | |
APPLAUSE | 0:39:19 | 0:39:22 | |
Every chance, in about five minutes' time, | 0:39:22 | 0:39:24 | |
it will be just one frame the difference again. | 0:39:24 | 0:39:27 | |
41. | 0:39:30 | 0:39:31 | |
Obviously Stuart thought the plant was a certainty, | 0:39:35 | 0:39:38 | |
otherwise he wouldn't have taken it on, but the problem was where | 0:39:38 | 0:39:41 | |
he left the cue ball. | 0:39:41 | 0:39:43 | |
He needed to finish low on the black and he didn't. | 0:39:43 | 0:39:46 | |
-48. -Hit it a little bit too hard, the plant. | 0:39:46 | 0:39:48 | |
Judd's knocked the first red in the middle nicely. | 0:39:49 | 0:39:53 | |
And the rest now are in a perfect position. | 0:39:53 | 0:39:55 | |
49. | 0:40:00 | 0:40:02 | |
APPLAUSE | 0:40:18 | 0:40:20 | |
Perfect positional shot. That's the shots he'd not been playing well. | 0:40:21 | 0:40:27 | |
He's been losing the cue ball by either playing them | 0:40:27 | 0:40:29 | |
-too hard or too soft. That time, played perfectly. -53. | 0:40:29 | 0:40:32 | |
-60 points ahead. -60. | 0:40:56 | 0:40:58 | |
Red, colour, red... | 0:41:02 | 0:41:04 | |
..would be enough. | 0:41:05 | 0:41:06 | |
61. | 0:41:10 | 0:41:11 | |
APPLAUSE | 0:41:21 | 0:41:23 | |
You would think as we get near the winning post of this semifinal, | 0:41:28 | 0:41:30 | |
the players would be getting a little nervous. | 0:41:30 | 0:41:33 | |
Missing a few, but that's not the case. The standard has got better | 0:41:33 | 0:41:40 | |
as we get closer to that winning line. | 0:41:40 | 0:41:44 | |
Just been going over seven minutes, and the frame is more or less over. | 0:41:51 | 0:41:55 | |
Doesn't matter about that. Stuart will stay in his seat, I think. | 0:41:57 | 0:42:03 | |
So he only needed one chance, Judd Trump, and he took it. | 0:42:05 | 0:42:08 | |
And he's only one frame behind again. It's 15-14. | 0:42:08 | 0:42:13 | |
Yes, he's not going to refuse anything now, | 0:42:25 | 0:42:28 | |
Judd Trump won the first frame of this match, he won the third | 0:42:28 | 0:42:30 | |
frame of this match and ever since then he's been playing catch-up. | 0:42:30 | 0:42:34 | |
That's what he's got to do again. | 0:42:36 | 0:42:38 | |
Foul. | 0:42:38 | 0:42:40 | |
Misjudged safety from Stuart. | 0:42:40 | 0:42:42 | |
Judd Trump, four. | 0:42:42 | 0:42:44 | |
Judd's already had a look to see if the black was available | 0:42:48 | 0:42:51 | |
if he was to take this red onto the left corner, but sometimes, | 0:42:51 | 0:42:57 | |
he makes these look easy but they're quite tough, I can tell you. | 0:42:57 | 0:43:01 | |
APPLAUSE | 0:43:06 | 0:43:07 | |
One. | 0:43:09 | 0:43:10 | |
Quite tough. | 0:43:14 | 0:43:15 | |
THEY CHUCKLE | 0:43:15 | 0:43:17 | |
How well did he hit that? Obviously the black won't go. | 0:43:17 | 0:43:21 | |
He was dead straight and look at that screw back he got on that. | 0:43:21 | 0:43:26 | |
And in a few shots' time the red that's next to the black | 0:43:27 | 0:43:30 | |
might be available. | 0:43:30 | 0:43:31 | |
He's already thinking about that where he's placing the cue. | 0:43:31 | 0:43:35 | |
Yes, at first glance, | 0:43:39 | 0:43:40 | |
Dennis, I can't see a red he can get onto easily. | 0:43:40 | 0:43:42 | |
So he may decide to play for that red | 0:43:42 | 0:43:44 | |
but that would be a hell of a positional shot. | 0:43:44 | 0:43:46 | |
-He's played for it. -Oh. I'll tell you what... | 0:43:50 | 0:43:54 | |
What an effort. | 0:43:56 | 0:43:57 | |
-Four. -Now is it time to risk...? | 0:43:59 | 0:44:01 | |
He's got himself back into the match again now. | 0:44:01 | 0:44:04 | |
If he plays this red into the yellow pocket | 0:44:04 | 0:44:06 | |
and stays for the black there's so much pressure on it | 0:44:06 | 0:44:09 | |
because he's going to leave the red just above the black. | 0:44:09 | 0:44:12 | |
I don't think the black goes, Willie. | 0:44:12 | 0:44:14 | |
Well, it does go, so, yeah. | 0:44:20 | 0:44:22 | |
That's a great shot. | 0:44:27 | 0:44:28 | |
APPLAUSE | 0:44:28 | 0:44:30 | |
Where is that cue ball? | 0:44:30 | 0:44:31 | |
Five. | 0:44:34 | 0:44:35 | |
What a shot that was, Willie. | 0:44:36 | 0:44:38 | |
I didn't think he could see the red to pot it! | 0:44:38 | 0:44:41 | |
He's decided, I think, to go for his shots now. | 0:44:41 | 0:44:43 | |
He's now looking for red, | 0:44:50 | 0:44:52 | |
the one that's on the far left-hand side. | 0:44:52 | 0:44:55 | |
Does that pass the black? | 0:44:55 | 0:44:57 | |
That's the red he's looking | 0:45:00 | 0:45:02 | |
at and I think he can see the centre of the pocket, Dennis. | 0:45:02 | 0:45:05 | |
He would need to be right in behind it, though. | 0:45:06 | 0:45:09 | |
Pretty tight, that. | 0:45:10 | 0:45:11 | |
He's only got the slightest of angles on the blue, | 0:45:14 | 0:45:18 | |
but we know he's got lots of cue power. | 0:45:18 | 0:45:21 | |
And look at the angle he created there from almost | 0:45:25 | 0:45:28 | |
straight on the blue. | 0:45:28 | 0:45:29 | |
APPLAUSE | 0:45:29 | 0:45:31 | |
-10. -That's amazing. He's actually hit it too well. | 0:45:35 | 0:45:38 | |
Now, I think he can miss the black, and go round the back of the black. | 0:45:38 | 0:45:41 | |
He couldn't miss the black. | 0:45:44 | 0:45:47 | |
11. | 0:45:47 | 0:45:48 | |
Stuart Bingham made a very similar shot in one of the earlier frames, | 0:45:49 | 0:45:52 | |
and kissed into the black and didn't make it into a pottable position. | 0:45:52 | 0:45:57 | |
Judd's not thinking of cutting this in, surely? | 0:45:57 | 0:46:00 | |
He played to push the black on, and just caught it a little | 0:46:13 | 0:46:18 | |
bit on the right side rather than full ball or slightly to the | 0:46:18 | 0:46:23 | |
left would have been better. | 0:46:23 | 0:46:24 | |
It's a very thin one if he wants to get back down the table. | 0:46:28 | 0:46:31 | |
It was very difficult. That was all he could do there, really. | 0:46:31 | 0:46:34 | |
Judd Trump, 11. | 0:46:34 | 0:46:36 | |
APPLAUSE | 0:46:36 | 0:46:38 | |
Not the best safety shot from Stuart. | 0:47:04 | 0:47:06 | |
Just over-hit that, and this red might pot. | 0:47:06 | 0:47:10 | |
He'll be playing the safety shot, but he did have a look at it. | 0:47:10 | 0:47:13 | |
That's a better length from Judd. | 0:47:17 | 0:47:19 | |
Although there is a gap... APPLAUSE | 0:47:20 | 0:47:24 | |
..for Stuart. He can come down... | 0:47:27 | 0:47:29 | |
..that right side of the table as we look at it. | 0:47:31 | 0:47:33 | |
He hit that a bit thick. It's going to come up short. | 0:47:41 | 0:47:45 | |
And Judd might be able to take this red on to the right corner. | 0:47:45 | 0:47:48 | |
He can get round the back of the red that's sitting on the black spot. | 0:47:48 | 0:47:52 | |
Well, looks like he's just going to play the safety shot. | 0:47:53 | 0:47:56 | |
APPLAUSE | 0:48:04 | 0:48:05 | |
He's covered the right-hand side of the table up | 0:48:19 | 0:48:22 | |
so he can only play the safe down the left. | 0:48:22 | 0:48:24 | |
The two reds he can see, neither of which are easy to get | 0:48:26 | 0:48:29 | |
back into baulk without pushing a red over the corner. | 0:48:29 | 0:48:32 | |
There goes the red but he's played it pretty well. | 0:48:40 | 0:48:43 | |
A bit pacey with the cue ball. | 0:48:43 | 0:48:45 | |
We know what kind of shot Judd played in the previous shot. | 0:48:45 | 0:48:49 | |
If he can cue this he'll be taking this on. | 0:48:49 | 0:48:51 | |
He hit that far too thin, Stuart. | 0:48:57 | 0:49:00 | |
Where is that red going to finish? | 0:49:14 | 0:49:16 | |
It's amazing, isn't it? | 0:49:18 | 0:49:20 | |
He played it as a shot to nothing, he could have potted that | 0:49:20 | 0:49:23 | |
and played on the pink. He thought, "I'll screw back. | 0:49:23 | 0:49:26 | |
"If I get it I'm on a baulk colour." | 0:49:26 | 0:49:28 | |
Thinking he wouldn't leave the red but watch the red. | 0:49:28 | 0:49:31 | |
As it wobbles it just heads up over the other corner. | 0:49:33 | 0:49:36 | |
Yes, more often than not you cover them with the baulk colour | 0:49:40 | 0:49:43 | |
but that time it's finished... | 0:49:43 | 0:49:44 | |
It's an easy pot for Stuart. | 0:49:45 | 0:49:47 | |
APPLAUSE | 0:50:03 | 0:50:05 | |
The two reds that are just to the right of the black definitely | 0:50:06 | 0:50:09 | |
pot on the right-hand side but he's just looking about playing | 0:50:09 | 0:50:12 | |
a little cannon, just missing the pink and just pushing | 0:50:12 | 0:50:15 | |
one of those two reds to the left of the pink towards the corner. | 0:50:15 | 0:50:18 | |
And, of course, if the kiss doesn't go right the white should hopefully | 0:50:20 | 0:50:23 | |
push through and be on the two reds just below the black spot. | 0:50:23 | 0:50:26 | |
So there's a little bit of value in playing that cannon. | 0:50:26 | 0:50:30 | |
That might have turned out to be perfect | 0:50:49 | 0:50:51 | |
because I think he's got a perfect angle on this red. | 0:50:51 | 0:50:53 | |
He didn't play this cannon, he played in between the gap | 0:50:53 | 0:50:55 | |
there for those reds he's just kissed there. | 0:50:55 | 0:50:57 | |
But he's finished in such a way that he can just drop this in | 0:50:57 | 0:51:00 | |
and get on the black. | 0:51:00 | 0:51:01 | |
Seven. | 0:51:05 | 0:51:07 | |
Yeah, that last shot couldn't have worked out better | 0:51:07 | 0:51:09 | |
but as you say, Willie, he didn't get the cannon | 0:51:09 | 0:51:11 | |
he intended. And it worked out much better for Stuart. | 0:51:11 | 0:51:15 | |
And all of a sudden...it's developing into | 0:51:17 | 0:51:20 | |
a very good opportunity. | 0:51:20 | 0:51:22 | |
He's just two frames away from the final. | 0:51:23 | 0:51:26 | |
14. | 0:51:42 | 0:51:44 | |
The black's tied up at the moment, | 0:51:51 | 0:51:53 | |
won't go into either corner pocket but | 0:51:53 | 0:51:55 | |
when he removes either of the reds, it will free up one of the pockets. | 0:51:55 | 0:51:59 | |
He's doing the right thing here. He's not just rushing into it. | 0:52:05 | 0:52:08 | |
He's making sure he plays the correct shot. | 0:52:08 | 0:52:10 | |
-APPLAUSE -15. | 0:52:20 | 0:52:22 | |
You could see the action he got on that. | 0:52:28 | 0:52:30 | |
Because if he hits the other two reds he's on absolutely nothing. | 0:52:30 | 0:52:35 | |
He played that to perfection. | 0:52:35 | 0:52:37 | |
As I mentioned before, the standard as we get towards | 0:52:42 | 0:52:45 | |
the end of this semifinal has been superb. | 0:52:45 | 0:52:48 | |
22. | 0:52:48 | 0:52:49 | |
That was a good shot but I was holding my breath because I thought, | 0:52:57 | 0:53:01 | |
"This is certainly playing the more difficult of the two reds." | 0:53:01 | 0:53:05 | |
And when he played that little screw shot off the side | 0:53:06 | 0:53:08 | |
of the pack I thought it had played up for the pink. | 0:53:08 | 0:53:11 | |
So he's determined to make this a frame-winning chance now. | 0:53:11 | 0:53:15 | |
He's played all the right shots to get the balls in play. | 0:53:15 | 0:53:18 | |
Can he complete the job? | 0:53:18 | 0:53:19 | |
30. | 0:53:29 | 0:53:30 | |
Very, very impressed with Stuart Bingham. | 0:53:35 | 0:53:37 | |
This is the biggest match of his career. | 0:53:37 | 0:53:39 | |
OK, he's won two world ranking titles | 0:53:41 | 0:53:43 | |
but this is the daddy of them all. | 0:53:43 | 0:53:46 | |
This is the big one. | 0:53:46 | 0:53:48 | |
All of a sudden you could hear a pin drop in the Crucible. | 0:53:56 | 0:53:59 | |
-They know the importance of this frame. -38. | 0:53:59 | 0:54:02 | |
And you mentioned, Dennis, I wasn't commentating on it | 0:54:02 | 0:54:05 | |
but you were, the way he played in the final | 0:54:05 | 0:54:07 | |
session against Ronnie O'Sullivan where he never missed a ball. | 0:54:07 | 0:54:09 | |
Is this going to be the case here? | 0:54:09 | 0:54:11 | |
You can see there he's playing into an area where he was going to | 0:54:24 | 0:54:28 | |
leave himself a choice of reds. | 0:54:28 | 0:54:30 | |
46. | 0:54:30 | 0:54:31 | |
47. | 0:54:42 | 0:54:43 | |
Look at that shot there. Isn't that magnificent? | 0:54:46 | 0:54:49 | |
As Stuart glances at the scoreboard. | 0:54:49 | 0:54:51 | |
And has the cue ball cleaned. | 0:54:52 | 0:54:54 | |
Working out how many he needs. | 0:54:55 | 0:54:57 | |
Sometimes you're concentrating that hard you find it difficult | 0:54:58 | 0:55:02 | |
just to reckon the score up. | 0:55:02 | 0:55:04 | |
You don't have a running total. | 0:55:05 | 0:55:07 | |
He's come up just a little bit short, but he'll free the other | 0:55:15 | 0:55:18 | |
-three reds, so as long as he's got a nice angle to... -54. | 0:55:18 | 0:55:24 | |
He can screw back if he wishes. There you can see it. | 0:55:24 | 0:55:27 | |
-Didn't have to play that cannon. -55. | 0:55:27 | 0:55:29 | |
Won't need...those three difficult reds. | 0:55:33 | 0:55:37 | |
The pink, red and another colour... | 0:55:37 | 0:55:40 | |
..would leave Judd needing a snooker and this is superb from Bingham. | 0:55:42 | 0:55:46 | |
It has to be said. | 0:55:46 | 0:55:48 | |
Every time he's been asked the question, as we said before, | 0:55:48 | 0:55:52 | |
-he's coming up with the correct answer. -61. | 0:55:52 | 0:55:54 | |
He's made many breaks over 60 in this tournament so far. | 0:55:56 | 0:56:00 | |
This, for me, has been the best one because of the pressure he's under. | 0:56:00 | 0:56:04 | |
Perfect angle on the pink. | 0:56:10 | 0:56:12 | |
Just to flick another couple of reds into play. | 0:56:12 | 0:56:14 | |
Excellent. Deserves a century now. | 0:56:23 | 0:56:25 | |
APPLAUSE | 0:56:25 | 0:56:27 | |
68. | 0:56:32 | 0:56:33 | |
He's had five centuries | 0:56:40 | 0:56:42 | |
so far in this year's Betfred World Championship. | 0:56:42 | 0:56:45 | |
We've had 77. 83 is the record number of centuries. | 0:56:45 | 0:56:49 | |
-Made way back in 2009. -69. | 0:56:51 | 0:56:54 | |
Doesn't have to do anything with the cue ball here, just stun up | 0:56:58 | 0:57:00 | |
and down, finish with the two reds just below the pink into the... | 0:57:00 | 0:57:03 | |
He's able to play it slow enough. | 0:57:03 | 0:57:05 | |
Judd Trump is going to have to win the three remaining frames. | 0:57:10 | 0:57:14 | |
We've seen him | 0:57:16 | 0:57:18 | |
come back against Ronnie O'Sullivan in the UK Championship. | 0:57:18 | 0:57:21 | |
This is even bigger. He'll have to do it again. | 0:57:21 | 0:57:23 | |
Yes, he's very capable, | 0:57:27 | 0:57:29 | |
but Bingham knows he only needs one chance in any of those three | 0:57:29 | 0:57:33 | |
remaining frames to go on to reach his first World Championship final. | 0:57:33 | 0:57:38 | |
This break has been absolutely perfect. | 0:57:38 | 0:57:41 | |
Had to play a lot of little cannons earlier on in the break. | 0:57:41 | 0:57:46 | |
88. | 0:57:54 | 0:57:56 | |
He just looks so comfortable and so relaxed out there. | 0:57:59 | 0:58:02 | |
90. | 0:58:04 | 0:58:05 | |
93. | 0:58:15 | 0:58:16 | |
Little glance up there we noticed when he was walking around. | 0:58:18 | 0:58:20 | |
Probably to his wife who is sitting up in the top there. | 0:58:20 | 0:58:23 | |
Yeah, Michelle's here. | 0:58:25 | 0:58:26 | |
She was in tears the other night when he beat Ronnie. | 0:58:26 | 0:58:29 | |
Or he was in tears speaking to her, but she'll be | 0:58:29 | 0:58:32 | |
so proud of her husband, I can tell you. | 0:58:32 | 0:58:34 | |
In goes the century. | 0:58:36 | 0:58:37 | |
APPLAUSE | 0:58:37 | 0:58:38 | |
Absolutely first class. Ton Up signs around the audience go up. | 0:58:38 | 0:58:42 | |
Massive kick there, but that won't worry Stuart Bingham. | 0:58:52 | 0:58:55 | |
Absolutely tremendous break, Bingham wins it. He goes 16-14 in front. | 0:58:55 | 0:58:59 | |
One away from a place in the final. | 0:59:00 | 0:59:02 | |
Oh, a long way off that, and he's put the red on. | 0:59:30 | 0:59:33 | |
Long way off the attempt there. An early chance for Stuart. | 0:59:35 | 0:59:40 | |
APPLAUSE | 0:59:55 | 0:59:57 | |
One. | 0:59:57 | 0:59:58 | |
Look at that bunch of reds. | 1:00:00 | 1:00:02 | |
As Willie, said that's a flatback pack, | 1:00:02 | 1:00:05 | |
and it's difficult to bring them into play, | 1:00:05 | 1:00:07 | |
but if anyone can it's Stuart Bingham with his cue power. | 1:00:07 | 1:00:10 | |
But that's not a good angle, he might have to leave it. | 1:00:10 | 1:00:13 | |
Yep, lots of reverse side. Look at the spin he got on that. | 1:00:14 | 1:00:18 | |
APPLAUSE | 1:00:18 | 1:00:19 | |
Right down the left side of the cue ball striking there. | 1:00:24 | 1:00:28 | |
And here we go again. If this works, have a look. | 1:00:29 | 1:00:33 | |
Make sure there's no plants. Straight into the pink. | 1:00:33 | 1:00:36 | |
How are these going to finish here? | 1:00:36 | 1:00:38 | |
He played it well, but has he stuck on that red? | 1:00:43 | 1:00:46 | |
He's been unlucky, I think. | 1:00:46 | 1:00:48 | |
-Ooh, look at the face Stuart's pulling! -14. | 1:00:48 | 1:00:52 | |
LAUGHTER | 1:00:52 | 1:00:53 | |
The crowd respond to that grimace there. | 1:00:53 | 1:00:55 | |
Oh! He knew that was just a fraction off being absolutely perfect. | 1:00:57 | 1:01:02 | |
Wanted to cry, didn't he? I don't blame him | 1:01:09 | 1:01:11 | |
because bar it being touching ball no problem, just pot it, | 1:01:11 | 1:01:15 | |
screw back for the pink, another 40 or 50 points there for the waiting. | 1:01:15 | 1:01:19 | |
Not now, though. Has to play a telling safety shot. | 1:01:19 | 1:01:22 | |
Somehow it's never that easy, is it, that frame you need. | 1:01:26 | 1:01:30 | |
It's amazing the things that can go wrong and that was very unfortunate. | 1:01:33 | 1:01:38 | |
So it is a touching ball, so can he find an awkward spot? | 1:01:50 | 1:01:56 | |
Stuart Bingham, 14. | 1:02:00 | 1:02:02 | |
APPLAUSE | 1:02:02 | 1:02:04 | |
I tell you what, there's nothing wrong with his touch. | 1:02:08 | 1:02:10 | |
Look where he found... | 1:02:10 | 1:02:13 | |
the cue ball, right on the cushion. | 1:02:13 | 1:02:15 | |
And that's a nice gesture, Judd Trump tapped the table there... | 1:02:16 | 1:02:20 | |
..to acknowledge that last shot from Stuart. | 1:02:22 | 1:02:26 | |
Must find the gap between those two reds. The left side of the table. | 1:02:31 | 1:02:35 | |
He hasn't found the gap. And there's a long... straight red. | 1:02:40 | 1:02:47 | |
Now, what a test this will be for Bingham's cue action. | 1:02:47 | 1:02:51 | |
Either of those reds are a big test at this stage. | 1:02:55 | 1:02:59 | |
Surely he's going to have to play the left of the two reds. | 1:03:02 | 1:03:05 | |
But he's not. | 1:03:05 | 1:03:06 | |
Foul. | 1:03:10 | 1:03:11 | |
-Why has he not played the left of the two? -Judd Trump, six. | 1:03:11 | 1:03:17 | |
That was just pure tension because he hit it a lot harder | 1:03:18 | 1:03:21 | |
and I think he threw the white into the pink before he got there. | 1:03:21 | 1:03:25 | |
But he thought, "If I can get this | 1:03:25 | 1:03:26 | |
"and leave the pink for the left middle I'm right in amongst them." | 1:03:26 | 1:03:29 | |
-That is tension, Willie. -Absolutely. Couldn't agree with you more, | 1:03:29 | 1:03:32 | |
but he could have got onto the pink in the right middle. | 1:03:32 | 1:03:34 | |
It's amazing what tension does for you, pressure. | 1:03:39 | 1:03:42 | |
Now, Judd, can you do it from here? | 1:03:43 | 1:03:46 | |
APPLAUSE | 1:04:05 | 1:04:07 | |
One. | 1:04:07 | 1:04:08 | |
I don't know about you watching at home, | 1:04:12 | 1:04:14 | |
my hands are starting to perspire here in the commentary box. | 1:04:14 | 1:04:17 | |
This is... | 1:04:17 | 1:04:19 | |
a chance. Look at the reds. | 1:04:19 | 1:04:20 | |
Can Judd hold himself together and knock in a sizeable break here? | 1:04:24 | 1:04:29 | |
Cos one mistake, one careless shot and it could be all over for Judd. | 1:04:41 | 1:04:47 | |
This black must be extremely tight | 1:04:52 | 1:04:55 | |
into the right hand corner, | 1:04:55 | 1:04:56 | |
that's why he's trying to free the black into the left hand corner. | 1:04:56 | 1:05:00 | |
Probably play it for the blue from here. | 1:05:00 | 1:05:03 | |
That's not good. Almost... | 1:05:06 | 1:05:10 | |
Unless he plays the yellow he can't go onto a red easy here. | 1:05:10 | 1:05:13 | |
The yellow's the only ball that gets him | 1:05:13 | 1:05:15 | |
onto a red, or obviously the blue, but the blue is very tricky. | 1:05:15 | 1:05:19 | |
APPLAUSE | 1:05:26 | 1:05:28 | |
-14. -Prolonged round of applause for that shot but... | 1:05:35 | 1:05:38 | |
..the black has gone near the cushion. | 1:05:40 | 1:05:42 | |
I think he can get the one on the black spot | 1:05:42 | 1:05:44 | |
and drop in behind the black. | 1:05:44 | 1:05:45 | |
He would have very little to do with it to leave the other red | 1:05:45 | 1:05:49 | |
that's to the right of the black. | 1:05:49 | 1:05:51 | |
15. | 1:05:53 | 1:05:54 | |
Well played. | 1:06:07 | 1:06:09 | |
APPLAUSE | 1:06:09 | 1:06:10 | |
That was a better shot than it looked | 1:06:16 | 1:06:18 | |
because he wanted to be straight on that black to leave the red that's | 1:06:18 | 1:06:21 | |
to the right side of the black there but he coped well with that. | 1:06:21 | 1:06:25 | |
This looks a bit pacey to me. | 1:06:30 | 1:06:33 | |
23. | 1:06:33 | 1:06:34 | |
He's OK. Because there is reds near the pink spot. | 1:06:35 | 1:06:39 | |
I think he's got a slight angle on the blue. | 1:06:40 | 1:06:43 | |
I think Judd stopped in his tracks because he thought he'd got | 1:06:43 | 1:06:46 | |
a bounce off the cushion but it's absolutely finished perfect. | 1:06:46 | 1:06:49 | |
He thought he was going to come top side of the blue there. | 1:06:51 | 1:06:54 | |
28. | 1:06:58 | 1:07:00 | |
29. | 1:07:08 | 1:07:11 | |
34. | 1:07:24 | 1:07:27 | |
35. | 1:07:30 | 1:07:31 | |
Still in perfect position here. | 1:07:36 | 1:07:38 | |
42. | 1:07:51 | 1:07:52 | |
43. | 1:07:57 | 1:07:59 | |
50. | 1:08:15 | 1:08:17 | |
-Get a wipe? -Sure. | 1:08:20 | 1:08:22 | |
51. | 1:08:22 | 1:08:23 | |
He's had a kick which means he's a little straighter on the black | 1:08:23 | 1:08:26 | |
than he would have been. | 1:08:26 | 1:08:28 | |
He's 43 in front, black will make 50. | 1:08:29 | 1:08:33 | |
Just a few more pots needed to keep himself in this year's | 1:08:36 | 1:08:40 | |
World Championship. | 1:08:40 | 1:08:41 | |
Yes, in the previous frame we were waxing lyrical about Bingham | 1:08:44 | 1:08:47 | |
under pressure, compiling that wonderful break of 102. | 1:08:47 | 1:08:51 | |
What will we be saying in a few minutes' time if Trump makes this a | 1:08:51 | 1:08:54 | |
frame-winning opportunity from here, which it looks like he will do now? | 1:08:54 | 1:08:59 | |
-This has been fabulous, this break. -59. | 1:08:59 | 1:09:02 | |
Just one more pot needed to leave Stuart | 1:09:15 | 1:09:18 | |
at the snookers required stage. | 1:09:18 | 1:09:21 | |
64. | 1:09:23 | 1:09:25 | |
APPLAUSE | 1:09:29 | 1:09:31 | |
65. | 1:09:31 | 1:09:32 | |
Willie, that red that Stuart took on and hit the pink when you | 1:09:42 | 1:09:48 | |
thought he could take the other red has proven to be very costly. | 1:09:48 | 1:09:53 | |
That was just pure tension. | 1:09:54 | 1:09:55 | |
-73. -But this is superb, it really is. | 1:09:57 | 1:10:01 | |
-Just ran slightly out of position there. -80. | 1:10:11 | 1:10:14 | |
-He's had eight centuries so far this year. -81. | 1:10:20 | 1:10:23 | |
APPLAUSE | 1:10:23 | 1:10:25 | |
86. | 1:10:33 | 1:10:34 | |
87. | 1:10:36 | 1:10:38 | |
Needs to pull up now, and it's perfect. | 1:10:47 | 1:10:49 | |
APPLAUSE | 1:10:51 | 1:10:52 | |
Dennis, this could be three centuries in four frames. | 1:10:52 | 1:10:56 | |
-Right at the nitty gritty stage of the match. Amazing snooker. -96. | 1:10:56 | 1:10:59 | |
You've got to give both players credit, it really is... | 1:10:59 | 1:11:03 | |
..a fabulous display these two | 1:11:07 | 1:11:09 | |
players are putting on here this evening. | 1:11:09 | 1:11:11 | |
Well played, Judd Trump! Ton Up, great shot. | 1:11:18 | 1:11:23 | |
You had everything in that. | 1:11:23 | 1:11:25 | |
-Let's have a naughty pink... -108. | 1:11:31 | 1:11:33 | |
..from Judd, this might jump off the table. | 1:11:34 | 1:11:37 | |
Well, nearly jumped off the table. | 1:11:41 | 1:11:45 | |
The standard continues. | 1:11:45 | 1:11:48 | |
What an unbelievable 108 break, | 1:11:48 | 1:11:51 | |
and it keeps Judd Trump in this semifinal. | 1:11:51 | 1:11:54 | |
There's the scoreline, 16-15. | 1:11:56 | 1:11:58 | |
Sort of relieved after the frame, | 1:11:58 | 1:12:01 | |
the chance to smack the balls around and see what happens. | 1:12:01 | 1:12:05 | |
I feel like it's such... | 1:12:05 | 1:12:07 | |
Some of the games are so intense, | 1:12:07 | 1:12:09 | |
and you spend 20-30 minutes in silence during the frame. | 1:12:09 | 1:12:13 | |
I think it's nice for the last minute or two, the crowd get | 1:12:13 | 1:12:16 | |
the chance to be talking and buzzing before the end of the frame. | 1:12:16 | 1:12:22 | |
And they're more involved | 1:12:22 | 1:12:23 | |
when people are smashing the balls in and have a little | 1:12:23 | 1:12:26 | |
chat to themselves, seeing if they could play that or not. | 1:12:26 | 1:12:29 | |
Stuff like that. | 1:12:29 | 1:12:30 | |
I don't think Judd could see the one up to the right of the green. | 1:12:33 | 1:12:37 | |
I don't know if he can see enough to take the pot on. | 1:12:37 | 1:12:40 | |
Might be able to send it back up the table. | 1:12:40 | 1:12:42 | |
This was the one that cost him the last frame. | 1:13:01 | 1:13:03 | |
The one to the left, if he had took the one to the left | 1:13:03 | 1:13:06 | |
he would have been perfect on the pink in the right-hand middle. | 1:13:06 | 1:13:10 | |
This is a good safety shot. | 1:13:14 | 1:13:15 | |
I say that, I thought it was going to roll to the baulk cushion. | 1:13:19 | 1:13:22 | |
Red's not along the left-hand side, but surely too dangerous to | 1:13:22 | 1:13:26 | |
take the one down the right, because you'd be screwing into reds. | 1:13:26 | 1:13:30 | |
Safety shot coming up. | 1:13:31 | 1:13:33 | |
I'll tell you what, that was a good safety shot. | 1:13:42 | 1:13:44 | |
APPLAUSE | 1:13:44 | 1:13:46 | |
Acknowledged by Stuart because he got so close to that red. | 1:13:52 | 1:13:55 | |
He judged that to perfection. | 1:13:55 | 1:13:57 | |
You watch the side he has on this, | 1:14:01 | 1:14:02 | |
and watch how close he goes to that red on the right side. | 1:14:02 | 1:14:06 | |
Oh, well judged. | 1:14:06 | 1:14:08 | |
The crowd are deeply involved in this game as you'd expect and they | 1:14:14 | 1:14:17 | |
would love to see 16-all but Bingham fans wouldn't want to go there. | 1:14:17 | 1:14:22 | |
The Theatre of Dreams, it's here again. | 1:14:25 | 1:14:28 | |
The black is OK. | 1:14:49 | 1:14:51 | |
It's available into the left corner pocket, | 1:14:51 | 1:14:53 | |
so it's not out of commission, the pink is. | 1:14:53 | 1:14:55 | |
A couple of tempters, Dennis. | 1:15:06 | 1:15:07 | |
The one into the middle and the one into the corner, | 1:15:07 | 1:15:10 | |
but not at this stage, maybe. | 1:15:10 | 1:15:11 | |
That's brought the pink into play, | 1:15:20 | 1:15:22 | |
and Judd is not going to take anything reckless at this stage. | 1:15:22 | 1:15:27 | |
He's going to try to play some good tactical and safety play | 1:15:27 | 1:15:31 | |
until he gets a proper chance. | 1:15:31 | 1:15:33 | |
There's one thing for certain, Stuart Bingham would have never | 1:15:50 | 1:15:52 | |
played a safety shot under this much pressure. | 1:15:52 | 1:15:55 | |
Just a little bit pacey. | 1:16:08 | 1:16:11 | |
And as I said, that black goes, what a shot this would be... | 1:16:11 | 1:16:14 | |
..for Judd Trump to take on. There's a red into the right corner pocket. | 1:16:16 | 1:16:21 | |
The pink's on. The black's on. | 1:16:22 | 1:16:25 | |
He's steadying himself up. He's walking into the shot. | 1:16:28 | 1:16:31 | |
He's going for it. | 1:16:31 | 1:16:33 | |
APPLAUSE | 1:16:38 | 1:16:40 | |
One. | 1:16:45 | 1:16:46 | |
If he stops the white where the red is he's on the pink or black. | 1:16:49 | 1:16:53 | |
But he played it in such a way that he might get a bit of safety, | 1:16:53 | 1:16:57 | |
but how well did he hit that? | 1:16:57 | 1:16:59 | |
And if he's got an angle on the yellow he can get up to the reds. | 1:16:59 | 1:17:02 | |
And the chance is now there. | 1:17:11 | 1:17:12 | |
-Six or seven loose reds. -Three. | 1:17:16 | 1:17:19 | |
Four. | 1:17:26 | 1:17:27 | |
He's striking the ball as well now as he has throughout this semifinal. | 1:17:27 | 1:17:31 | |
Can he keep it going, though? | 1:17:34 | 1:17:36 | |
-Just a little bit of adrenaline there, he's over-screwed that. -Nine. | 1:17:51 | 1:17:54 | |
As he looks away. | 1:17:54 | 1:17:56 | |
He can still pot it but I don't know if he can screw past the reds. | 1:17:57 | 1:18:02 | |
He might have to go straight into them here. | 1:18:04 | 1:18:06 | |
APPLAUSE | 1:18:08 | 1:18:11 | |
10. | 1:18:11 | 1:18:12 | |
That's a terrific shot, | 1:18:17 | 1:18:19 | |
but the next one, he's going to need a little bit of help. | 1:18:19 | 1:18:22 | |
He's going to need the spider. He's going to need... | 1:18:22 | 1:18:25 | |
Well, the extended spider to get over those reds and pink. | 1:18:25 | 1:18:30 | |
That is awkward. | 1:18:40 | 1:18:41 | |
That is very awkward. | 1:18:50 | 1:18:51 | |
That looks a lot higher than the spiders we used to play with, | 1:18:58 | 1:19:00 | |
Dennis, doesn't it? Having to cue really right down on it. | 1:19:00 | 1:19:03 | |
Well played. | 1:19:03 | 1:19:04 | |
-That was horrible. -APPLAUSE | 1:19:04 | 1:19:05 | |
Judd uses the wrist and the spider with his right hand. | 1:19:14 | 1:19:18 | |
17. | 1:19:20 | 1:19:21 | |
-APPLAUSE -18. | 1:19:29 | 1:19:32 | |
Well, just look at those reds. | 1:19:32 | 1:19:33 | |
Absolutely amazing, this semifinal. | 1:19:42 | 1:19:45 | |
I thought the Robertson-Hawkins game was unbelievable that went to 13-12. | 1:19:47 | 1:19:51 | |
The standard was...every time somebody got in they got 70 or 80. | 1:19:51 | 1:19:55 | |
-This, under this pressure, is amazing. -25. | 1:19:55 | 1:19:58 | |
Judd's hit 108 in the last frame. | 1:20:10 | 1:20:12 | |
He's had a 76, | 1:20:13 | 1:20:15 | |
-and Stuart Bingham's had two centuries. -31. | 1:20:15 | 1:20:18 | |
32. | 1:20:22 | 1:20:24 | |
And Stuart knows that he could be going into a deciding frame. | 1:20:24 | 1:20:29 | |
He's showing so much character here, is Judd Trump. | 1:20:35 | 1:20:38 | |
39. | 1:20:38 | 1:20:40 | |
40. | 1:20:44 | 1:20:46 | |
It's as if the great players have an inner strength | 1:20:48 | 1:20:51 | |
that kicks in under these conditions. | 1:20:51 | 1:20:53 | |
47. | 1:21:01 | 1:21:02 | |
What a run of high breaks we've had in this match. | 1:21:07 | 1:21:10 | |
Well, it would have been a worthy final, wouldn't it? | 1:21:17 | 1:21:20 | |
And I'm sure Sean Murphy will be somewhere watching this. | 1:21:20 | 1:21:24 | |
54. | 1:21:28 | 1:21:29 | |
Well, I've just heard in my ear, believe it or not, | 1:21:34 | 1:21:37 | |
Sean Murphy is in the practice room. | 1:21:37 | 1:21:38 | |
I'm sure keeping an eye on the big screen we have in there. | 1:21:42 | 1:21:46 | |
Just got into that too much. | 1:21:48 | 1:21:51 | |
-He wanted to be straighter on this red. -61. | 1:21:53 | 1:21:56 | |
Safely in the centre of the pocket, though. | 1:22:02 | 1:22:04 | |
-APPLAUSE -62. | 1:22:04 | 1:22:07 | |
Well, just look at the focus on Judd Trump's face there. | 1:22:19 | 1:22:22 | |
-Just a little cut back on this red... -67. | 1:22:32 | 1:22:36 | |
..and we're going to be into a deciding frame. | 1:22:36 | 1:22:38 | |
What a match! | 1:22:39 | 1:22:41 | |
-And it's there. -It's in! -APPLAUSE | 1:22:44 | 1:22:46 | |
68. | 1:22:49 | 1:22:50 | |
The crowd determined and wanting to see another frame. | 1:22:54 | 1:22:57 | |
And barring snookers, it looks like | 1:22:57 | 1:22:59 | |
they're going to get that deciding frame. | 1:22:59 | 1:23:02 | |
Yeah, a quick glance at the scoreboard. | 1:23:07 | 1:23:09 | |
-Blue. -Blue ball. | 1:23:15 | 1:23:17 | |
-CHEERING -Wahey! | 1:23:23 | 1:23:25 | |
Stuart might have come back to the table, | 1:23:31 | 1:23:34 | |
but after that fantastic blue he'll stay in his seat. | 1:23:34 | 1:23:37 | |
This is awesome at the moment from the Juddernaut. | 1:23:37 | 1:23:40 | |
74. | 1:23:41 | 1:23:43 | |
-Oh, that might just spoil the century. -81. | 1:23:58 | 1:24:02 | |
But that doesn't really matter. | 1:24:02 | 1:24:04 | |
In goes the plant. CHEERING | 1:24:16 | 1:24:18 | |
-82. -Could we possibly have four centuries in five frames? | 1:24:18 | 1:24:24 | |
Well, I've never known it at this stage of the World Championship | 1:24:26 | 1:24:29 | |
for four centuries in five frames to be made. | 1:24:29 | 1:24:33 | |
-It's still going to be difficult, but it's still a possibility. -88. | 1:24:33 | 1:24:36 | |
It's there. | 1:24:45 | 1:24:46 | |
CHEERING | 1:24:46 | 1:24:47 | |
-89. -Unbelievable. | 1:24:47 | 1:24:50 | |
Absolutely unbelievable. | 1:24:50 | 1:24:53 | |
CHEERING Very well done, Judd Trump. | 1:25:03 | 1:25:05 | |
You couldn't have been under more pressure | 1:25:07 | 1:25:09 | |
at any stage in your career | 1:25:09 | 1:25:10 | |
-than you have been in the last half an hour or so. -96. | 1:25:10 | 1:25:13 | |
And what have you done? | 1:25:13 | 1:25:14 | |
-You've made back-to-back centuries if this next colour goes in. -97. | 1:25:14 | 1:25:17 | |
Remarkable. | 1:25:17 | 1:25:18 | |
Go on. | 1:25:24 | 1:25:25 | |
-CHEERING -Absolutely incredible. | 1:25:25 | 1:25:28 | |
Ton up again. | 1:25:28 | 1:25:30 | |
-They've seen four tons in five frames. -102. | 1:25:30 | 1:25:35 | |
-104. -Willie, we'll have to fasten our seatbelts for the final frame. | 1:25:35 | 1:25:39 | |
107. | 1:25:47 | 1:25:49 | |
I'm almost having to pinch myself | 1:25:49 | 1:25:50 | |
to think what's happening in this match. | 1:25:50 | 1:25:53 | |
Stuart Bingham must have just thought, | 1:25:53 | 1:25:56 | |
-"Well, I'm surely going to get a good chance." -111. | 1:25:56 | 1:25:59 | |
Well, that's a good point. | 1:26:00 | 1:26:02 | |
Because that's all Stuart will want in the final frame. | 1:26:02 | 1:26:05 | |
-You just want one chance. -116. | 1:26:05 | 1:26:07 | |
Will he get it? | 1:26:07 | 1:26:08 | |
-122. -This for a 15-red clearance. | 1:26:10 | 1:26:14 | |
Keep an eye on the cue ball. | 1:26:14 | 1:26:16 | |
-Come on! -CHEERING | 1:26:16 | 1:26:18 | |
Absolutely top drawer. | 1:26:18 | 1:26:19 | |
A magnificent break of 129. | 1:26:19 | 1:26:22 | |
We're in for a decider in the semifinal of this year's | 1:26:22 | 1:26:25 | |
Betfred World Championship. | 1:26:25 | 1:26:27 | |
Both players leave the auditorium for a breather. | 1:26:27 | 1:26:29 | |
We need a breather in the commentary box. Quite fantastic. | 1:26:29 | 1:26:33 | |
Unbelievable. | 1:26:33 | 1:26:35 | |
Yes, an incredible four centuries in five frames. | 1:26:35 | 1:26:37 | |
Two from each man. | 1:26:37 | 1:26:39 | |
And it had all come down to | 1:26:39 | 1:26:41 | |
a pulsating decider on that Saturday evening. | 1:26:41 | 1:26:44 | |
The Crucible crowd enraptured | 1:26:44 | 1:26:46 | |
by the efforts of both men. | 1:26:46 | 1:26:48 | |
That's coming up a little bit short. | 1:26:53 | 1:26:55 | |
But there's nothing easy there for Judd to go at. | 1:26:59 | 1:27:02 | |
Well, could we possibly, | 1:27:08 | 1:27:10 | |
after having four centuries in five frames, | 1:27:10 | 1:27:13 | |
have a tactical deciding frame? | 1:27:13 | 1:27:16 | |
It doesn't matter what sort of frame we get. | 1:27:16 | 1:27:18 | |
It's going to be exciting. | 1:27:18 | 1:27:20 | |
He's just itching to take this red on, | 1:27:20 | 1:27:21 | |
but there is no path back into baulk. | 1:27:21 | 1:27:23 | |
He's just looking here if there is a gap. | 1:27:23 | 1:27:25 | |
There is a slight gap there. | 1:27:25 | 1:27:26 | |
But it's one of those gaps, if you get the pot, you get the gap. | 1:27:26 | 1:27:29 | |
But is it worth the risk? | 1:27:29 | 1:27:30 | |
Cos if you miss the pot, you're going to career into reds. | 1:27:30 | 1:27:33 | |
Well, look at that. | 1:27:48 | 1:27:50 | |
Beautiful Crucible Theatre. | 1:27:50 | 1:27:52 | |
And look at how the balls are situated. | 1:27:52 | 1:27:54 | |
He is having another look at that gap | 1:28:15 | 1:28:17 | |
I talked about a few moments ago. | 1:28:17 | 1:28:20 | |
But if he goes through the gap, | 1:28:20 | 1:28:21 | |
I'm not too sure that he could miss | 1:28:21 | 1:28:23 | |
the two reds that are on the cushion. | 1:28:23 | 1:28:25 | |
Well, the yellow's slightly in the way. | 1:28:27 | 1:28:30 | |
It's hampering his cue action there. | 1:28:30 | 1:28:32 | |
-CROWD GASPS -Foul. | 1:28:39 | 1:28:41 | |
-Well, it's not all that bad. -Stuart Bingham, four. | 1:28:41 | 1:28:43 | |
He wanted a thinner contact on that. | 1:28:43 | 1:28:46 | |
But he's got everything safe. | 1:28:46 | 1:28:48 | |
That's one way of getting that cue ball back up the table. | 1:28:48 | 1:28:51 | |
He wanted a thin snick on this. | 1:28:51 | 1:28:53 | |
But he'd rather have it in the pocket | 1:28:53 | 1:28:55 | |
than wobble in the jaws and stay there. | 1:28:55 | 1:28:57 | |
With his hand on the table, though, Stuart has the first chance | 1:28:59 | 1:29:02 | |
of playing a very telling safety shot here. | 1:29:02 | 1:29:05 | |
APPLAUSE | 1:29:35 | 1:29:38 | |
APPLAUSE | 1:30:14 | 1:30:17 | |
It's all about missing the blue and brown, | 1:30:24 | 1:30:25 | |
him playing this next safety shot. | 1:30:25 | 1:30:27 | |
He'll be playing thin off this red he's closest to. | 1:30:29 | 1:30:32 | |
He'd like to get in between the gap of the brown and green. | 1:30:32 | 1:30:35 | |
Suppose you could play the one just below the pink. | 1:30:38 | 1:30:41 | |
But then of course you'd have to miss the kiss on the green, | 1:30:41 | 1:30:43 | |
if you play that one. | 1:30:43 | 1:30:45 | |
Whichever red he decides, can't afford to hit a baulk colour. | 1:30:47 | 1:30:50 | |
We could finish up | 1:31:51 | 1:31:53 | |
with quite a long, tactical frame, as I mentioned earlier. | 1:31:53 | 1:31:55 | |
After all the fireworks and both players having two century breaks, | 1:31:55 | 1:32:00 | |
but you never know how the frame is going to pan out. | 1:32:00 | 1:32:04 | |
This could be tension all the way. | 1:32:04 | 1:32:07 | |
It seems a pretty straightforward shot just to run up... | 1:32:09 | 1:32:12 | |
..between the green and brown. | 1:32:14 | 1:32:17 | |
I know he's trying to find a very awkward spot, but... | 1:32:28 | 1:32:30 | |
..it's pretty straightforward, you'll have to say. | 1:32:36 | 1:32:38 | |
And in the end he's hit the green, after thinking for so long about it. | 1:32:42 | 1:32:46 | |
Just the four points on the score | 1:33:25 | 1:33:28 | |
from the in-off that Judd had. | 1:33:28 | 1:33:31 | |
I mean, the last frames, they were all very quick frames. | 1:33:39 | 1:33:42 | |
The last four or five. | 1:33:42 | 1:33:43 | |
These two reds he's looking at, I don't think they're a plant. | 1:33:48 | 1:33:51 | |
He's having a glance. | 1:33:51 | 1:33:52 | |
That's the two that Stuart was looking at. | 1:33:56 | 1:33:58 | |
I'll tell you what, they go into the left of the pocket, | 1:33:58 | 1:34:00 | |
but he'd have to hit the left side of the first red | 1:34:00 | 1:34:03 | |
to be able to squeeze that. | 1:34:03 | 1:34:05 | |
So, it's not on from where he's sitting. | 1:34:06 | 1:34:08 | |
Well, what has he spotted? | 1:34:12 | 1:34:14 | |
Because he's marching round the table there. | 1:34:14 | 1:34:16 | |
Can he make that plant, do you think? | 1:34:21 | 1:34:23 | |
APPLAUSE | 1:34:27 | 1:34:30 | |
And that is very unlucky because he did pick out a little beauty there. | 1:34:34 | 1:34:39 | |
Wow. How did he get through that gap? | 1:34:42 | 1:34:45 | |
And he's unlucky to finish where he has. | 1:34:45 | 1:34:47 | |
-So, it's... -The brown will cut back in. | 1:34:53 | 1:34:56 | |
Sorry, Dennis, yes, I was just going to say, | 1:34:56 | 1:34:58 | |
it's Stuart who's got the first chance. | 1:34:58 | 1:35:00 | |
But not a great scoring chance where the pink and black are. | 1:35:00 | 1:35:04 | |
There's a little bit of mileage in playing the brown into the pocket | 1:35:04 | 1:35:07 | |
and trying to just play the little cannon into the red and pink. | 1:35:07 | 1:35:11 | |
It's on from there. | 1:35:11 | 1:35:12 | |
Mmm. It's all about the brown here. | 1:35:16 | 1:35:18 | |
Right in the centre of the pocket. | 1:35:20 | 1:35:21 | |
How's the cue ball? | 1:35:21 | 1:35:23 | |
Oh, I think he's unlucky, you know. | 1:35:24 | 1:35:27 | |
I don't think he's dropped on anything. | 1:35:30 | 1:35:32 | |
Now, what does he see into that corner pocket? | 1:35:42 | 1:35:46 | |
Well, if he takes that on, he's going to screw back | 1:35:49 | 1:35:52 | |
with a little bit of safety in mind. | 1:35:52 | 1:35:54 | |
I mean, we've seen two frames. | 1:35:54 | 1:35:57 | |
One with plants... | 1:35:57 | 1:36:00 | |
-..and there's another. -APPLAUSE | 1:36:01 | 1:36:03 | |
Six. | 1:36:05 | 1:36:06 | |
Slightly the wrong side of the blue, | 1:36:08 | 1:36:09 | |
but has a very good angle on this blue | 1:36:09 | 1:36:11 | |
to play in between green and brown. | 1:36:11 | 1:36:13 | |
Two cushions for those reds to the left of the pink. | 1:36:13 | 1:36:16 | |
Until he gets the pink or black into play, this is not ideal. | 1:36:19 | 1:36:23 | |
Well, how's your luck this time, Stuart? | 1:36:24 | 1:36:27 | |
Might be on the one to the right of the black spot. | 1:36:31 | 1:36:34 | |
Where does the colour come from? | 1:36:36 | 1:36:38 | |
He might just have a gap, you know. | 1:36:38 | 1:36:40 | |
If he pots this red... He's looking at it. | 1:36:40 | 1:36:43 | |
That's the gap that he's looking at. | 1:36:51 | 1:36:52 | |
So he might be able to get back up towards pink or blue. | 1:36:52 | 1:36:57 | |
The pink's tied up, but the white'll be coming towards that red and pink. | 1:36:57 | 1:37:02 | |
If he plays it plain ball, Den, | 1:37:02 | 1:37:04 | |
I think he can kiss into the red and pink. | 1:37:04 | 1:37:06 | |
Is that worth the risk? | 1:37:06 | 1:37:07 | |
He doesn't want to put any side on it | 1:37:08 | 1:37:11 | |
at this stage of the game, do you? When you're playing with the rest. | 1:37:11 | 1:37:13 | |
If he pots this plain-ball, he'll find the gap | 1:37:15 | 1:37:18 | |
and every chance that he could go through the other little gap | 1:37:18 | 1:37:20 | |
near where the cue ball is. | 1:37:20 | 1:37:22 | |
Or cannon into the red and pink. | 1:37:22 | 1:37:24 | |
But make sure of the pot. | 1:37:24 | 1:37:26 | |
He's played it with side. | 1:37:31 | 1:37:33 | |
Which made the pot more difficult. | 1:37:33 | 1:37:35 | |
12. | 1:37:35 | 1:37:36 | |
He still looks pretty calm and collected, does Stuart Bingham. | 1:37:41 | 1:37:44 | |
It has to be said. | 1:37:44 | 1:37:45 | |
He's looked like that throughout the whole | 1:37:45 | 1:37:47 | |
of this year's World Championship. | 1:37:47 | 1:37:49 | |
The biggest frame of his life. | 1:37:52 | 1:37:55 | |
The blue's available into the corner, or the middle. | 1:37:58 | 1:38:01 | |
Middle is his choice. | 1:38:03 | 1:38:05 | |
CROWD GASPS | 1:38:09 | 1:38:10 | |
-CROWD CHEERS -Stuart Bingham, 12. | 1:38:10 | 1:38:12 | |
It's amazing. | 1:38:14 | 1:38:15 | |
The crowd knew that that blue wasn't in. | 1:38:15 | 1:38:16 | |
The crowd that were in line with the middle pocket knew before we did. | 1:38:16 | 1:38:20 | |
Stuart's had one chance. | 1:38:29 | 1:38:31 | |
Judd now has his chance. | 1:38:31 | 1:38:33 | |
APPLAUSE | 1:38:35 | 1:38:37 | |
-Well, what a bounce he's had off that cushion there. -One. | 1:38:39 | 1:38:42 | |
He didn't expect the white to come this far up the table. | 1:38:42 | 1:38:46 | |
He's asking for the cue ball. | 1:38:46 | 1:38:48 | |
He's just looking at the cushion there. | 1:38:48 | 1:38:50 | |
He did get a fast bounce off it. | 1:38:50 | 1:38:51 | |
It wasn't the baulk cushion, it was the side cushion it flew off. | 1:38:54 | 1:38:57 | |
Look at that. | 1:38:57 | 1:38:59 | |
But he can get onto a red from the blue without any problem. | 1:38:59 | 1:39:06 | |
Can he get onto this red with an angle to bring the pink into play? | 1:39:08 | 1:39:13 | |
Mmm. That doesn't look like any good. Is it? | 1:39:13 | 1:39:16 | |
Tell you what, Willie, that was just pure adrenaline. | 1:39:16 | 1:39:18 | |
Because there's a couple of reds | 1:39:18 | 1:39:20 | |
that will go into the left corner pocket | 1:39:20 | 1:39:22 | |
and he just hit that far too hard. | 1:39:22 | 1:39:25 | |
Those reds to the left of the pink were available. | 1:39:29 | 1:39:33 | |
That was just pure adrenaline... | 1:39:33 | 1:39:36 | |
..that caused that. | 1:39:37 | 1:39:38 | |
Stuart's sitting in his chair. | 1:39:44 | 1:39:45 | |
He would imagine that he's going to come back to the table | 1:39:48 | 1:39:50 | |
after the next shot, unless Judd decides to play | 1:39:50 | 1:39:52 | |
this very dangerous red. | 1:39:52 | 1:39:54 | |
He's got a kick. | 1:40:01 | 1:40:02 | |
-He's got a horrendous kick. -Judd Trump, six. | 1:40:04 | 1:40:06 | |
Let's have a look at this. | 1:40:12 | 1:40:15 | |
Yeah, the red jumped and straightened up. | 1:40:15 | 1:40:19 | |
And worse still, the pink's now available | 1:40:19 | 1:40:20 | |
into the right-hand, middle pocket. | 1:40:20 | 1:40:22 | |
But I don't think he's got an angle on the red | 1:40:22 | 1:40:24 | |
to be able to get onto that. | 1:40:24 | 1:40:25 | |
He may have to play up for blue or baulk colour. | 1:40:25 | 1:40:27 | |
Off the red in the middle. | 1:40:27 | 1:40:29 | |
It's all about the red next to the pink. | 1:40:31 | 1:40:34 | |
If he can go red, colour and then get on to that red | 1:40:34 | 1:40:37 | |
next to the pink, he'll have a chance to win frame and match. | 1:40:37 | 1:40:40 | |
APPLAUSE | 1:40:43 | 1:40:44 | |
-The wrong side of the blue, though. -One. | 1:40:44 | 1:40:46 | |
But at least with those two reds to the left of the pink, | 1:40:52 | 1:40:55 | |
he can still leave a medium-length pot. | 1:40:55 | 1:40:59 | |
I'm not sure if they'll both pot. | 1:41:01 | 1:41:03 | |
One of them certainly will. | 1:41:04 | 1:41:06 | |
So, which of those two reds are available? | 1:41:15 | 1:41:18 | |
Six. | 1:41:18 | 1:41:19 | |
Well, he's coming round to see if he can get on the pink. | 1:41:19 | 1:41:24 | |
Just looks like he can play a little stun run-through | 1:41:36 | 1:41:38 | |
to get onto the pink in the middle. | 1:41:38 | 1:41:40 | |
-He's played it nicely. -Seven. -APPLAUSE | 1:41:45 | 1:41:48 | |
And this will just flick the other red away from there. | 1:41:52 | 1:41:56 | |
There's still three or four reds available. | 1:41:58 | 1:42:02 | |
Just the gentlest of flicks on that red. | 1:42:09 | 1:42:13 | |
Pink having to go on the black spot. | 1:42:14 | 1:42:16 | |
13. | 1:42:17 | 1:42:18 | |
Not a bad thing. | 1:42:18 | 1:42:20 | |
It's still available into the right corner. | 1:42:20 | 1:42:22 | |
Steve Davis came up with a great point in the studio | 1:42:22 | 1:42:25 | |
when he was saying that Stuart Bingham is so match-hardened, | 1:42:25 | 1:42:27 | |
he's played in every single tournament. | 1:42:27 | 1:42:30 | |
Yeah, but he hasn't played in anything like this, | 1:42:36 | 1:42:39 | |
the semifinal of the World Championship. | 1:42:39 | 1:42:42 | |
He's waited 20 years for this chance. | 1:42:42 | 1:42:46 | |
One of the best-liked players on the circuit. | 1:42:49 | 1:42:52 | |
Another example of tension there. | 1:42:53 | 1:42:56 | |
Played for the blue in the middle, look how far he's over-screwed it. | 1:42:56 | 1:42:58 | |
And you were right down the cue action there. | 1:43:05 | 1:43:08 | |
And it's gone wrong. | 1:43:08 | 1:43:10 | |
-Now he's looking at the cushion as well. -18. | 1:43:15 | 1:43:19 | |
Just because of the red, Dennis, | 1:43:30 | 1:43:32 | |
two up from the red to the left-hand side. | 1:43:32 | 1:43:34 | |
He'd like to play the white over the left-hand side, | 1:43:34 | 1:43:37 | |
just in case he missed this. | 1:43:37 | 1:43:38 | |
Cos if he plays it plain-ball for yellow, or brown, or even the blue, | 1:43:38 | 1:43:42 | |
if he misses it, that red will be on. | 1:43:42 | 1:43:44 | |
He's playing the cut. | 1:43:44 | 1:43:46 | |
This is a bit tricky. | 1:43:47 | 1:43:48 | |
Very well done. | 1:43:52 | 1:43:53 | |
How's the cue ball? | 1:43:53 | 1:43:54 | |
-He needs a favourable kiss. -19. | 1:43:55 | 1:43:57 | |
And he hasn't had it. | 1:43:57 | 1:43:59 | |
Well, he's looking to see | 1:44:08 | 1:44:09 | |
if he can get to the potting angle of the green. | 1:44:09 | 1:44:13 | |
But I can see him just stretching his neck there. | 1:44:13 | 1:44:17 | |
That's an indication of how tense it is out there. | 1:44:17 | 1:44:21 | |
With the cut yellow, | 1:44:26 | 1:44:27 | |
the white's going to be careering around the table. | 1:44:27 | 1:44:30 | |
Obviously, there's one red in open play. | 1:44:30 | 1:44:32 | |
The one just below the pink will pot in the right-hand corner. | 1:44:32 | 1:44:36 | |
So if he does screw the yellow in, two... | 1:44:36 | 1:44:38 | |
Three cushions, he can get onto that red next to the pink. | 1:44:38 | 1:44:42 | |
Well, he's definitely looking at the angle of the yellow. | 1:44:46 | 1:44:49 | |
This is a brave shot to take on at this stage. | 1:44:51 | 1:44:53 | |
APPLAUSE | 1:44:59 | 1:45:01 | |
-21. -That was the thinnest of snicks there. | 1:45:07 | 1:45:11 | |
Not easy to control the cue ball. | 1:45:11 | 1:45:13 | |
It's amazing, Dennis, how he underhit that. | 1:45:13 | 1:45:15 | |
You'd think you're bound to come higher than that. | 1:45:15 | 1:45:18 | |
Right in the centre of the pocket again. | 1:45:29 | 1:45:32 | |
-32. -APPLAUSE | 1:45:32 | 1:45:35 | |
This 32-point lead, | 1:45:35 | 1:45:36 | |
where the balls are, is probably equivalent to about a 60-point lead | 1:45:36 | 1:45:41 | |
with balls in open play. | 1:45:41 | 1:45:43 | |
So just got to not miss anything easy. | 1:45:43 | 1:45:45 | |
Hasn't quite got into that. | 1:45:54 | 1:45:56 | |
He played for the one that's next to the pink. | 1:45:56 | 1:46:00 | |
-And it's quite understandable. -27. | 1:46:00 | 1:46:02 | |
And Judd knows that it's not straightforward here for Stuart. | 1:46:06 | 1:46:09 | |
But if that white had have ran to where he wanted, | 1:46:09 | 1:46:12 | |
he could have potted the red and opened things up. | 1:46:12 | 1:46:14 | |
But he's come up quite a way short. | 1:46:14 | 1:46:18 | |
If he's not going to play the pot, | 1:46:18 | 1:46:20 | |
I think he should try and play safe off a different red. | 1:46:20 | 1:46:22 | |
Cos the black's tied up at the moment | 1:46:22 | 1:46:24 | |
with that red being where it is. | 1:46:24 | 1:46:26 | |
If he's going to play the pot, that's OK. | 1:46:26 | 1:46:28 | |
If the red is tight on the cushion, it's slightly easier. | 1:46:31 | 1:46:35 | |
He can play it with the side. | 1:46:35 | 1:46:37 | |
Well, it's absolutely frozen on that cushion. | 1:46:46 | 1:46:49 | |
So if you hit the cushion and the ball at the same time, | 1:46:51 | 1:46:55 | |
every chance you could cut it in. | 1:46:55 | 1:46:56 | |
But, boy, you'd have to be very precise. | 1:46:56 | 1:46:59 | |
Would you want to leave that red there, Dennis, | 1:47:01 | 1:47:03 | |
with the black being out of commission? | 1:47:03 | 1:47:05 | |
APPLAUSE | 1:47:15 | 1:47:17 | |
Stuart Bingham, 37. | 1:47:18 | 1:47:20 | |
Well, it's not a snooker. | 1:47:25 | 1:47:26 | |
And as you said, Willie, that has freed the black up. | 1:47:26 | 1:47:29 | |
He thought long and hard about trying to chip the red in, | 1:47:34 | 1:47:37 | |
and then... | 1:47:37 | 1:47:38 | |
But we've got fun and games now, | 1:47:38 | 1:47:40 | |
because there's a red at the other end of the table. | 1:47:40 | 1:47:43 | |
APPLAUSE Stuart didn't gain any advantage | 1:47:56 | 1:47:58 | |
from that last shot he played. | 1:47:58 | 1:48:01 | |
In fact, it has made it slightly easier. | 1:48:01 | 1:48:04 | |
That 37-point lead with the black safe as well was colossal. | 1:48:04 | 1:48:09 | |
Not so big now. | 1:48:09 | 1:48:10 | |
I mean, he can get past the green to hit the cushion with side. | 1:48:26 | 1:48:28 | |
But the only problem with that, see where he's got the cue there, | 1:48:28 | 1:48:31 | |
the only problem with that, | 1:48:31 | 1:48:33 | |
the red could collide into the brown or yellow. | 1:48:33 | 1:48:35 | |
So you're going to have to get this one spot on, Stuart. | 1:48:35 | 1:48:39 | |
If he misses the brown or yellow with the red, it's a good shot. | 1:48:41 | 1:48:45 | |
CROWD GASPS | 1:48:51 | 1:48:52 | |
Played the shot very well. | 1:49:01 | 1:49:03 | |
But he has left a tempter for Judd. | 1:49:03 | 1:49:04 | |
Decided to wait for a better chance. | 1:49:12 | 1:49:15 | |
Stuart Bingham now would wish that red was still | 1:49:15 | 1:49:19 | |
to the left of the black and tight on the cushion. | 1:49:19 | 1:49:21 | |
Well, is Judd going to get a chance | 1:49:27 | 1:49:29 | |
to get back into this deciding frame? | 1:49:29 | 1:49:31 | |
As we've said a few times, four centuries in five frames. | 1:49:37 | 1:49:40 | |
And now this tactical battle to see | 1:49:40 | 1:49:42 | |
who can get themselves into tomorrow's final. | 1:49:42 | 1:49:45 | |
Think that's OK. | 1:50:13 | 1:50:14 | |
Everything's covered into that right corner. | 1:50:14 | 1:50:17 | |
Well, is it? | 1:50:17 | 1:50:18 | |
Judd's having a long, hard look. | 1:50:18 | 1:50:20 | |
Yeah, I think they're all blocking each other. | 1:50:22 | 1:50:25 | |
There you can see. Nothing available. | 1:50:29 | 1:50:32 | |
Well, you could hear a pin drop in the Crucible Theatre now. | 1:51:41 | 1:51:45 | |
Little did this audience think | 1:51:45 | 1:51:48 | |
we were going to go down to a deciding frame. | 1:51:48 | 1:51:50 | |
Trying to find a spot that will make it awkward. | 1:52:04 | 1:52:07 | |
But that red up past the yellow is spoiling things. | 1:52:07 | 1:52:10 | |
It's starting to open up. | 1:52:17 | 1:52:19 | |
Well, I don't know if he can get past the pink, Willie. | 1:52:32 | 1:52:34 | |
There's a red that might possibly cut into the pocket. | 1:52:34 | 1:52:37 | |
But it's not the sort of shot you'd want to be taking on at this stage. | 1:52:37 | 1:52:41 | |
But he's looked at it. | 1:52:41 | 1:52:43 | |
He's looked at it a couple of times. | 1:52:43 | 1:52:45 | |
-Well... -Can he get through to it? | 1:52:49 | 1:52:51 | |
Well, he got down there as if he was going to take it on. | 1:52:59 | 1:53:03 | |
But he can see enough of it. But it's such a difficult... | 1:53:03 | 1:53:05 | |
Surely not. Not at this stage. | 1:53:05 | 1:53:08 | |
I don't know if he's trying to just hide the white in behind the black. | 1:53:44 | 1:53:48 | |
Couldn't really get the snooker. | 1:53:53 | 1:53:56 | |
It was just a containing safety. | 1:53:56 | 1:53:58 | |
No. Not that plant, surely. | 1:54:25 | 1:54:29 | |
I suppose the only thing that could be in his favour, | 1:54:31 | 1:54:33 | |
if he does play the plant, | 1:54:33 | 1:54:35 | |
he can rest on the other red, and not leave anything on. | 1:54:35 | 1:54:38 | |
Wow. | 1:54:38 | 1:54:40 | |
What a shot. | 1:54:40 | 1:54:41 | |
-What a shot! -CHEERING | 1:54:41 | 1:54:43 | |
One. | 1:54:43 | 1:54:44 | |
Look where the cue ball is, though, Dennis, should he have missed it. | 1:54:46 | 1:54:51 | |
Listen, those are tough enough to pot | 1:54:51 | 1:54:53 | |
without planting one onto the other. | 1:54:53 | 1:54:55 | |
That was a terrific shot! | 1:54:55 | 1:54:59 | |
He's hampered slightly here, but... | 1:54:59 | 1:55:01 | |
Well, I think Judd will be in shock after he's seen that plant go in. | 1:55:01 | 1:55:05 | |
If he gets nicely onto this red, | 1:55:07 | 1:55:09 | |
he could get into the final of the World Championship. | 1:55:09 | 1:55:13 | |
It's there. | 1:55:13 | 1:55:14 | |
-Well, I tell you what. Stuart Bingham... -Eight. | 1:55:16 | 1:55:18 | |
..as he looks round at the scoreboard, | 1:55:23 | 1:55:26 | |
he's had at least four plants in the last five or six frames. | 1:55:26 | 1:55:30 | |
He's picked out some beauties. | 1:55:30 | 1:55:32 | |
But that could be the key to him getting into the final. | 1:55:32 | 1:55:36 | |
Nine. | 1:55:42 | 1:55:43 | |
And Stuart's team will be backstage. | 1:55:43 | 1:55:46 | |
Everybody's palms will be perspiring. | 1:55:47 | 1:55:51 | |
Steve Feeney has worked with Stuart for a few years now, | 1:55:52 | 1:55:56 | |
and he's had so much success. | 1:55:56 | 1:55:58 | |
But this will be his greatest ever win. | 1:55:58 | 1:56:02 | |
49 ahead. | 1:56:02 | 1:56:03 | |
Just the red and any colour. | 1:56:04 | 1:56:08 | |
And Judd Trump, well, he came back to level at 16 each. | 1:56:13 | 1:56:18 | |
But look at that picture. | 1:56:18 | 1:56:20 | |
He was odds-on favourite to lift the title after Ronnie went out, | 1:56:20 | 1:56:25 | |
but Stuart Bingham had other ideas. | 1:56:25 | 1:56:28 | |
APPLAUSE | 1:56:29 | 1:56:32 | |
Absolutely brilliant! | 1:56:32 | 1:56:34 | |
18. | 1:56:37 | 1:56:38 | |
This likeable player deserves everything he gets. | 1:56:41 | 1:56:45 | |
-And he must... -19. -The feeling that's inside is unbelievable. | 1:56:45 | 1:56:49 | |
I don't know what he played to get on there. I think... | 1:56:51 | 1:56:54 | |
-Well, Judd... -Stuart Bingham, 19. | 1:56:58 | 1:57:02 | |
..is coming to the table, but barring snookers... | 1:57:02 | 1:57:05 | |
-He's conceded! -Frame and the match, Stuart Bingham. | 1:57:05 | 1:57:07 | |
What a match these boys have provided for us. | 1:57:07 | 1:57:10 | |
Unbelievable snooker. | 1:57:10 | 1:57:12 | |
Judd Trump came back and gave us a deciding frame. | 1:57:12 | 1:57:17 | |
And this Crucible crowd are giving Stuart Bingham a standing ovation. | 1:57:17 | 1:57:23 | |
And doesn't he deserve it? | 1:57:23 | 1:57:25 | |
What a performance. | 1:57:25 | 1:57:26 | |
He gets himself into the final of the World Snooker Championship | 1:57:26 | 1:57:30 | |
for the very first time. | 1:57:30 | 1:57:32 | |
17-16. | 1:57:32 | 1:57:34 | |
Fantastic, boys. | 1:57:34 | 1:57:36 | |
I sort of punched the air to obviously my family and my friends, | 1:57:36 | 1:57:39 | |
and I remember walking out thinking, "Just hold it together," | 1:57:39 | 1:57:42 | |
cos I could've just burst out crying then. | 1:57:42 | 1:57:44 | |
And I wish I'd have turned round and thanked the crowd, but I couldn't. | 1:57:44 | 1:57:47 | |
I was like, "Right, just get out of here." | 1:57:47 | 1:57:49 | |
Otherwise I would have started, I think. | 1:57:49 | 1:57:52 | |
But, yeah, it's just emotions flying everywhere. | 1:57:52 | 1:57:55 | |
It was sort of just his tournament. | 1:57:55 | 1:57:56 | |
Beating Ronnie, then a couple of other good players along the way. | 1:57:56 | 1:58:00 | |
It just seemed like it was his week. | 1:58:00 | 1:58:01 | |
And... Yeah, that was a very tough one to take for me, I think. | 1:58:01 | 1:58:06 | |
I put way too much pressure on myself and kind of... | 1:58:06 | 1:58:08 | |
That was my downfall in the end. | 1:58:10 | 1:58:12 | |
If I went and relaxed and just played it like another game, | 1:58:12 | 1:58:15 | |
I'd have won comfortably. | 1:58:15 | 1:58:16 | |
Yes, a fantastic semifinal. | 1:58:16 | 1:58:18 | |
One which genuinely neither player deserved to lose. | 1:58:18 | 1:58:21 | |
But it was a tearful Bingham who went through to the final, | 1:58:21 | 1:58:23 | |
and there he continued his fearless run, | 1:58:23 | 1:58:26 | |
beating Sean Murphy 18 frames to 14 in the final, | 1:58:26 | 1:58:30 | |
and lifting the World Championship trophy. | 1:58:30 | 1:58:33 | |
At the age of 38, he became the oldest world champion for 50 years. | 1:58:33 | 1:58:38 | |
50 to 1 outsider, eh? | 1:58:38 | 1:58:40 | |
2015 will always be remembered as Stuart Bingham's year, | 1:58:40 | 1:58:44 | |
and one in which sporting fairytales really do come true. | 1:58:44 | 1:58:48 |