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Welcome back to my camper van journey | 0:00:02 | 0:00:05 | |
along the roads less travelled | 0:00:05 | 0:00:07 | |
in the West Highlands of Scotland. | 0:00:07 | 0:00:09 | |
It's one where I'm deliberately taking my time. | 0:00:09 | 0:00:12 | |
Why hurry when you're immersed in what I believe are | 0:00:12 | 0:00:16 | |
some of the finest landscapes you'll find anywhere in the world? | 0:00:16 | 0:00:20 | |
This is, unashamedly, | 0:00:22 | 0:00:24 | |
a celebration of our great country. | 0:00:24 | 0:00:26 | |
So here's an offer - | 0:00:26 | 0:00:28 | |
why don't you join me on this journey of discovery? | 0:00:28 | 0:00:31 | |
Oh, I'm in heaven! | 0:00:31 | 0:00:34 | |
This is as good as it gets. | 0:00:34 | 0:00:37 | |
In the first programme, I got off to a great start, | 0:00:44 | 0:00:47 | |
visiting three fantastic islands. | 0:00:47 | 0:00:49 | |
Luing was a revelation. | 0:00:49 | 0:00:51 | |
Just 20 miles south of Oban, | 0:00:51 | 0:00:54 | |
it's steeped in history and industrial heritage, | 0:00:54 | 0:00:56 | |
with stunning views over the Atlantic. | 0:00:56 | 0:00:59 | |
It's absolutely wonderful. | 0:00:59 | 0:01:01 | |
On a day like this, where else would you want to be? | 0:01:02 | 0:01:06 | |
The landscape of Seil was dramatic and rugged, | 0:01:06 | 0:01:09 | |
something I didn't expect from an island | 0:01:09 | 0:01:12 | |
whose highest point is less than 150 metres. | 0:01:12 | 0:01:15 | |
And there's this real sense that it's a very hilly, craggy, | 0:01:15 | 0:01:19 | |
almost mountainous landscape | 0:01:19 | 0:01:21 | |
that sort of calls out, "Explore me!" | 0:01:21 | 0:01:24 | |
And I enjoyed every minute on Lismore. | 0:01:24 | 0:01:27 | |
Here, I felt I was stepping back to a time | 0:01:27 | 0:01:30 | |
when our ancestors first started exploring our landscape. | 0:01:30 | 0:01:33 | |
You know, it's amazing to think this has stood here for 2,000 years. | 0:01:33 | 0:01:37 | |
Phew. | 0:01:37 | 0:01:39 | |
Returning to the mainland, | 0:01:40 | 0:01:42 | |
I've learned about the fascinating geology | 0:01:42 | 0:01:45 | |
behind the Port Appin peninsula, | 0:01:45 | 0:01:47 | |
I made an ascent of one of the lesser-known hills in Glencoe, | 0:01:47 | 0:01:51 | |
and in Moidart, I discovered the finest of coastal walks. | 0:01:51 | 0:01:55 | |
They have this sense of unspoiled, remote wildness. | 0:01:55 | 0:02:00 | |
Finally, I swapped my boots for paddles, | 0:02:02 | 0:02:05 | |
and took to the water for a packrafting trip | 0:02:05 | 0:02:08 | |
around the dozens of skerries that litter the coast at Arisaig. | 0:02:08 | 0:02:12 | |
Oh, there's a seal. Oh, there's a lot of seals around. Yahoo! | 0:02:13 | 0:02:18 | |
And yet I'm only halfway through my journey. | 0:02:19 | 0:02:22 | |
I can't guarantee the weather but I've a sneaking suspicion | 0:02:22 | 0:02:25 | |
that what lies ahead will be every bit as good. | 0:02:25 | 0:02:29 | |
I'm now in Armadale on the Isle of Skye and, from here, | 0:02:29 | 0:02:32 | |
I'm going to head south, deep into the Sleat peninsula. | 0:02:32 | 0:02:36 | |
You'll have noticed I'm not in my camper van. | 0:02:42 | 0:02:45 | |
HE PANTS | 0:02:45 | 0:02:47 | |
One of the great advantages | 0:02:47 | 0:02:49 | |
of a journey like this is that I can go for a hill walk or a climb, | 0:02:49 | 0:02:53 | |
I can take my packraft and enjoy the water, | 0:02:53 | 0:02:56 | |
or I can grab my bike off the back, just whenever I feel like it, | 0:02:56 | 0:03:00 | |
and go off for an overnight, with all my camping gear. | 0:03:00 | 0:03:03 | |
As I get older, these old legs complain more and more | 0:03:05 | 0:03:10 | |
about carrying heavy loads up and down mountains, | 0:03:10 | 0:03:13 | |
so nowadays, I tend to take all my camping gear on the bike | 0:03:13 | 0:03:16 | |
and go off and enjoy a bit of cycle touring | 0:03:16 | 0:03:19 | |
or what, nowadays, they call "bikepacking". | 0:03:19 | 0:03:23 | |
Most people tend to leave Armadale | 0:03:31 | 0:03:33 | |
and head north to enjoy the rugged grandeur of the Cuillin, | 0:03:33 | 0:03:37 | |
or the sculptured landscapes of the lovely Trotternish Ridge, | 0:03:37 | 0:03:41 | |
or maybe even to go and do a bit of shopping in Portree | 0:03:41 | 0:03:44 | |
but, instead, I've turned south. | 0:03:44 | 0:03:46 | |
I want to reach the southern extremity of the Isle of Skye, | 0:03:46 | 0:03:50 | |
the very foot of the Sleat peninsula, | 0:03:50 | 0:03:53 | |
a peninsula that many people refer to as "the garden of Skye". | 0:03:53 | 0:03:56 | |
The Sleat peninsula is bigger than you might think - | 0:03:58 | 0:04:01 | |
roughly 15 miles long by five miles wide, | 0:04:01 | 0:04:05 | |
and I was surprised to learn that almost 1,000 folks stay here | 0:04:05 | 0:04:09 | |
all year round. | 0:04:09 | 0:04:10 | |
Whoo-hoo! | 0:04:10 | 0:04:12 | |
I'm always curious to know how people manage to earn a living | 0:04:13 | 0:04:16 | |
in the rural parts of Scotland, | 0:04:16 | 0:04:18 | |
so I'm pedalling down to the small community of Aird. | 0:04:18 | 0:04:22 | |
I'm looking for the last house at the end of the tarmac road | 0:04:22 | 0:04:25 | |
and someone who could be | 0:04:25 | 0:04:27 | |
an ambassador for this part of the world. | 0:04:27 | 0:04:30 | |
I'm off to meet Heather McDermott. | 0:04:30 | 0:04:32 | |
The single-track road makes people feel like | 0:04:33 | 0:04:36 | |
they're going to the end of the world, but once you're here, | 0:04:36 | 0:04:39 | |
once you live in Sleat, there's so much happening, | 0:04:39 | 0:04:42 | |
there's so many people coming through. | 0:04:42 | 0:04:44 | |
It's a lot more cosmopolitan than people realise, up here. | 0:04:44 | 0:04:47 | |
I'd never have thought it was cosmopolitan, | 0:04:47 | 0:04:49 | |
but there you go. Are you attracted to remote places, wild places? | 0:04:49 | 0:04:53 | |
I think I am, from growing up here | 0:04:53 | 0:04:56 | |
and having my mini adventures over the hills and down to the beach. | 0:04:56 | 0:05:00 | |
It's something about being so close to the coast. I just love it. | 0:05:00 | 0:05:03 | |
I can't remember a time when I ever felt, | 0:05:03 | 0:05:06 | |
"I really want friends to be closer to me," you know? | 0:05:06 | 0:05:08 | |
We'd always arrange things to happen and there was always a friend round, | 0:05:08 | 0:05:13 | |
or we were always, you know, | 0:05:13 | 0:05:14 | |
building a den in the garden or whatever. | 0:05:14 | 0:05:17 | |
Because we boarded at school, | 0:05:17 | 0:05:18 | |
it means that you're with your friends during the week, | 0:05:18 | 0:05:21 | |
so you'd see them more than you would if you were at home, | 0:05:21 | 0:05:24 | |
-which was great. -So you went to school in Portree? | 0:05:24 | 0:05:26 | |
Yeah. It was all the way up there, so it was great. I loved it. | 0:05:26 | 0:05:29 | |
Not being with the parents all week and, you know, | 0:05:29 | 0:05:32 | |
you could do what you want up there, nobody knew. | 0:05:32 | 0:05:34 | |
You could get up to all sorts of mischief up there. | 0:05:34 | 0:05:36 | |
CAMERON LAUGHS | 0:05:36 | 0:05:38 | |
The Sleat peninsula has been Heather's home for most of her life | 0:05:38 | 0:05:42 | |
but when she left school, | 0:05:42 | 0:05:43 | |
she headed south to study art at Edinburgh University. | 0:05:43 | 0:05:47 | |
Now she's back and is running her own jewellery business. | 0:05:47 | 0:05:51 | |
I'd always be drawn back to here | 0:05:51 | 0:05:53 | |
and the harbours and the colours, | 0:05:53 | 0:05:56 | |
and I think colours always played such a big part of my work. | 0:05:56 | 0:06:00 | |
I always come back to this place. | 0:06:00 | 0:06:02 | |
So, what are the colours of Skye? | 0:06:02 | 0:06:04 | |
Oh, there are so many. Actually, I call one of my necklaces | 0:06:04 | 0:06:08 | |
"a dreich necklace", because it's this stainless-steel, | 0:06:08 | 0:06:11 | |
really grey necklace, and it's all sort of distressed, | 0:06:11 | 0:06:15 | |
and it just looks, you know... | 0:06:15 | 0:06:17 | |
when the rain comes across Eigg | 0:06:17 | 0:06:19 | |
and it's just grey, but you have all these different tones of grey. | 0:06:19 | 0:06:23 | |
And then the fishing nets that all the fishermen use | 0:06:23 | 0:06:26 | |
in all their boats, and the buoys and the floats and, yeah, | 0:06:26 | 0:06:29 | |
you're spoilt for choice up here, you really are. | 0:06:29 | 0:06:33 | |
I'm fascinated with the concept of a "distressed" necklace. | 0:06:33 | 0:06:36 | |
It depends what mood I'm in how distressed it looks. | 0:06:36 | 0:06:40 | |
But I've sort of developed this technique where I colour steel | 0:06:40 | 0:06:45 | |
and then I get the shape back and I... Yeah, just really work into it | 0:06:45 | 0:06:49 | |
and just create these distressed looks. | 0:06:49 | 0:06:52 | |
It's supposed to look like weathered woods that you find on the beach, | 0:06:52 | 0:06:56 | |
and the fishing boats, | 0:06:56 | 0:06:57 | |
and it's all taken from that kind of peeling-paint look, | 0:06:57 | 0:07:01 | |
but in a more wearable way, sort of thing. | 0:07:01 | 0:07:04 | |
I see your workshop here actually looks quite technical. | 0:07:04 | 0:07:07 | |
I mean, you've got files and hammers and goodness knows what. | 0:07:07 | 0:07:10 | |
I mean, how technical is the process? | 0:07:10 | 0:07:13 | |
It depends what you're making. | 0:07:13 | 0:07:14 | |
For a jeweller, I think, your standard kit would be | 0:07:14 | 0:07:18 | |
a blowtorch, a saw, | 0:07:18 | 0:07:20 | |
a file and a hammer, and a couple of pliers. | 0:07:20 | 0:07:23 | |
I mean, you don't really need that much more. | 0:07:23 | 0:07:26 | |
I find it extraordinary that you've got this beautiful stuff here | 0:07:26 | 0:07:29 | |
and it's created by blowtorches and hammers and files. | 0:07:29 | 0:07:32 | |
I love it! A power tool, you know, | 0:07:32 | 0:07:35 | |
figuring out how to use something bigger, I love it. | 0:07:35 | 0:07:38 | |
So, this is me just cutting up my wire | 0:07:40 | 0:07:44 | |
to make some diamond shapes for a necklace. | 0:07:44 | 0:07:48 | |
I will then just bend each piece of wire, | 0:07:48 | 0:07:52 | |
using my thumb and my pliers. | 0:07:52 | 0:07:54 | |
And each piece normally has about 30 links. | 0:07:56 | 0:07:59 | |
Do you have an item that you could show me | 0:07:59 | 0:08:02 | |
and then tell me what the natural inspiration was for that? | 0:08:02 | 0:08:05 | |
Yeah, sure. So, actually, I've got this piece here. | 0:08:05 | 0:08:08 | |
This is all based on fishing nets | 0:08:08 | 0:08:11 | |
and how the floats are all caught. | 0:08:11 | 0:08:14 | |
The chain is steel. It's a very fine steel, | 0:08:14 | 0:08:17 | |
so it really catches the light. | 0:08:17 | 0:08:19 | |
-It's lovely. -And then you've got the circles. | 0:08:19 | 0:08:22 | |
I use quite uniform shapes throughout my jewellery, | 0:08:22 | 0:08:25 | |
so it's nothing too fancy, but it's just to make that statement. | 0:08:25 | 0:08:29 | |
Tell me, is there somewhere close to your home here | 0:08:29 | 0:08:32 | |
where you go often and get most inspiration? | 0:08:32 | 0:08:36 | |
Yeah, we've got a wee beach that we go down to, | 0:08:36 | 0:08:39 | |
that we've been down to as kids, | 0:08:39 | 0:08:42 | |
and that's where you'll find me and my mum | 0:08:42 | 0:08:44 | |
bent over on the beach, beachcombing. | 0:08:44 | 0:08:47 | |
Not looking at the view, it'll be what we can find on the beach, | 0:08:47 | 0:08:50 | |
and I always come back pockets full of all these pebbles. | 0:08:50 | 0:08:53 | |
It's like, "Where are we going to put them?" | 0:08:53 | 0:08:56 | |
So we've got lots of little corners in the house | 0:08:56 | 0:08:59 | |
of, like, brightly coloured bits. | 0:08:59 | 0:09:01 | |
You never know what you're going to find down there. I love it. | 0:09:01 | 0:09:04 | |
And Heather's right. | 0:09:04 | 0:09:05 | |
This peninsula is full of wonderful, isolated beaches and bays, | 0:09:05 | 0:09:10 | |
and if, like me, you're on a bike, the road doesn't stop at Aird. | 0:09:10 | 0:09:14 | |
Phew. | 0:09:18 | 0:09:20 | |
Oh, wow. | 0:09:20 | 0:09:22 | |
It's steep. | 0:09:22 | 0:09:24 | |
Well, as you can see, I'm now off road, | 0:09:24 | 0:09:27 | |
and this bike is ideal for that, I have to say. | 0:09:27 | 0:09:30 | |
It's got smaller tyres, smaller wheels, a steel frame, | 0:09:30 | 0:09:34 | |
but it's still hard work. | 0:09:34 | 0:09:36 | |
But, anyway, look on the positive side, | 0:09:36 | 0:09:38 | |
because they say on Skye, | 0:09:38 | 0:09:40 | |
if you don't like the weather, wait ten minutes and it'll change. | 0:09:40 | 0:09:44 | |
It's perfect. | 0:09:44 | 0:09:46 | |
Ah, the unmistakable outline of the Cuillin of Rum, | 0:10:02 | 0:10:05 | |
one of my favourite islands. | 0:10:05 | 0:10:08 | |
I've always thought of this as a hidden corner of Skye | 0:10:12 | 0:10:16 | |
and, to complete a perfect day, | 0:10:16 | 0:10:18 | |
what better than a night under canvas? | 0:10:18 | 0:10:21 | |
Ah, this is exactly what I've been looking for. | 0:10:21 | 0:10:25 | |
A lovely view, a beautiful seascape, | 0:10:26 | 0:10:29 | |
a nice, green patch of turf | 0:10:29 | 0:10:32 | |
to put my tent down, | 0:10:32 | 0:10:33 | |
a bit of a breeze to keep the midges away, | 0:10:33 | 0:10:36 | |
and only a few sheep for company. | 0:10:36 | 0:10:39 | |
I think I've arrived in heaven. | 0:10:39 | 0:10:41 | |
Whoo-hoo! | 0:10:41 | 0:10:43 | |
You know, it's just struck me, | 0:10:53 | 0:10:55 | |
even just two or three years ago, | 0:10:55 | 0:10:57 | |
I'd have been coming down with two big rear panniers, | 0:10:57 | 0:11:01 | |
full of camping equipment, | 0:11:01 | 0:11:03 | |
but now I've got everything I need for one or two nights' camping | 0:11:03 | 0:11:06 | |
in one, two, three little bags, | 0:11:06 | 0:11:09 | |
and these bags are also quite streamlined. | 0:11:09 | 0:11:12 | |
So you don't get the wind resistance from big panniers at the back. | 0:11:12 | 0:11:16 | |
I tend to carry a little rucksack with me | 0:11:16 | 0:11:18 | |
when I'm out on the bike like this, | 0:11:18 | 0:11:20 | |
really just in case I feel like going for a wee hill walk, | 0:11:20 | 0:11:23 | |
and it's always quite handy. | 0:11:23 | 0:11:25 | |
But, essentially, everything I need goes into these bags | 0:11:25 | 0:11:28 | |
and it's just a question of hauling it out. | 0:11:28 | 0:11:30 | |
The tent inner. | 0:11:32 | 0:11:34 | |
I don't have to go very far because this looks ideal just here. | 0:11:34 | 0:11:37 | |
Perfect. | 0:11:37 | 0:11:39 | |
You know, it strikes me that you can take the ageing, | 0:12:01 | 0:12:05 | |
long-distance backpacker and put them into a camper van, | 0:12:05 | 0:12:09 | |
but you can never quite take the wild camper out of that camper van. | 0:12:09 | 0:12:15 | |
And even if it's only in small doses, | 0:12:15 | 0:12:18 | |
to come out for a night like this, | 0:12:18 | 0:12:20 | |
it's quite sublime. | 0:12:20 | 0:12:23 | |
Sometimes, I think I could stay on Skye for good. | 0:12:34 | 0:12:38 | |
It's not only the mountains that are impressive | 0:12:38 | 0:12:40 | |
but the coastline is equally dramatic | 0:12:40 | 0:12:43 | |
and on a day like this, the views are stunning. | 0:12:43 | 0:12:46 | |
But this year, | 0:12:46 | 0:12:48 | |
I want to explore parts of Scotland that I've previously passed by, | 0:12:48 | 0:12:52 | |
and as I get older, I realise there's more to this country of ours | 0:12:52 | 0:12:56 | |
than just mountain summits. | 0:12:56 | 0:12:58 | |
My route now takes me through a succession of dramatic landscapes. | 0:12:59 | 0:13:04 | |
There's the sheer grandeur of the Kintail mountains. | 0:13:04 | 0:13:07 | |
Then it's on to the magnificent coastline around Torridon. | 0:13:07 | 0:13:11 | |
There's the beauty and mystery of Loch Maree, | 0:13:11 | 0:13:15 | |
the isolated Melvaig peninsula, | 0:13:15 | 0:13:18 | |
and journey's end is high above Ullapool. | 0:13:18 | 0:13:21 | |
But I'm in no hurry to get there. | 0:13:23 | 0:13:25 | |
The roads-less-travelled doctrine, I think, | 0:13:25 | 0:13:29 | |
prohibits me from crossing back to the mainland over the Skye Bridge, | 0:13:29 | 0:13:33 | |
so I'm going to leave Skye the same way I arrived, by ferry, | 0:13:33 | 0:13:36 | |
this time, the Kylerhea to Glenelg ferry, | 0:13:36 | 0:13:40 | |
on board the nice, old MV Glenachulish. | 0:13:40 | 0:13:43 | |
You may have noticed the name of this ferry. | 0:13:50 | 0:13:53 | |
It was named Glenachulish | 0:13:53 | 0:13:55 | |
because it was originally built | 0:13:55 | 0:13:57 | |
to cross from North to South Ballachulish, | 0:13:57 | 0:13:59 | |
across Loch Leven, and of course there's a bridge there now, | 0:13:59 | 0:14:02 | |
there's been a bridge there since 1975, | 0:14:02 | 0:14:04 | |
so the ferry was made redundant, | 0:14:04 | 0:14:06 | |
and then it was moved north to cover this very narrow crossing | 0:14:06 | 0:14:10 | |
between Kylerhea and Glenelg. | 0:14:10 | 0:14:13 | |
It's an interesting ferry because it's the only manual-turntable ferry | 0:14:13 | 0:14:18 | |
in the entire world. | 0:14:18 | 0:14:20 | |
And here's a tip. Remember this for your pub quiz - | 0:14:22 | 0:14:26 | |
you can spell "Glenelg" forwards or backwards, | 0:14:26 | 0:14:30 | |
and it doesn't make the slightest difference. | 0:14:30 | 0:14:32 | |
I've now negotiated the steep twists and turns | 0:14:41 | 0:14:44 | |
of the Mam Ratagan pass, and I'm arriving in Kintail. | 0:14:44 | 0:14:47 | |
Like so much of the West Highlands, | 0:14:47 | 0:14:50 | |
this landscape is dominated by a succession of imposing mountains. | 0:14:50 | 0:14:54 | |
I'm here to meet an old friend of mine. | 0:14:56 | 0:14:59 | |
Willie Fraser was brought up 50 miles away, in Applecross, | 0:14:59 | 0:15:02 | |
but moved to Kintail 30 years ago. | 0:15:02 | 0:15:05 | |
He's been a shepherd, a gillie, | 0:15:05 | 0:15:07 | |
a member of the mountain rescue team and, for the last two decades, | 0:15:07 | 0:15:11 | |
the custodian of the National Trust for Scotland's Kintail Estate. | 0:15:11 | 0:15:16 | |
If it wasn't for the midges, this area would be perfect, | 0:15:17 | 0:15:21 | |
but I'm not going to let the little blighters spoil my day out | 0:15:21 | 0:15:24 | |
with someone I've always admired. | 0:15:24 | 0:15:27 | |
I came here initially to work in one of the sheep farms, | 0:15:27 | 0:15:31 | |
and I still remember my drive up Loch Duich | 0:15:31 | 0:15:35 | |
and looking up to the Five Sisters and saying to my friend, | 0:15:35 | 0:15:39 | |
"Oh, for goodness' sake, we're not expected to go up there, are we?" | 0:15:39 | 0:15:43 | |
And lo and behold, almost 30 years later, | 0:15:43 | 0:15:46 | |
I'm still going up there. | 0:15:46 | 0:15:49 | |
-So, you worked as a shepherd? -I did, yeah. -What was that like? | 0:15:49 | 0:15:53 | |
I loved it, being out there and working a dog on these hills. | 0:15:53 | 0:15:57 | |
I mean, there's nothing like it, you know, up on the tops and that. | 0:15:57 | 0:16:00 | |
It was just that sort of freedom, | 0:16:00 | 0:16:02 | |
seeing the sheep getting gathered off the high tops. | 0:16:02 | 0:16:05 | |
But it was a good life and I think, looking back on it, | 0:16:05 | 0:16:09 | |
I would still love to be doing that but, unfortunately, | 0:16:09 | 0:16:12 | |
it's not an easy way to make a living, or a decent living. | 0:16:12 | 0:16:15 | |
Now, you've been working for the National Trust for Scotland | 0:16:15 | 0:16:18 | |
here in Kintail for over 20 years. | 0:16:18 | 0:16:20 | |
What sort of changes have you seen in the area in that time? | 0:16:20 | 0:16:23 | |
There's a much greater emphasis on conservation. | 0:16:23 | 0:16:26 | |
When I came here, there was very little work done | 0:16:26 | 0:16:29 | |
on woodland regeneration. | 0:16:29 | 0:16:30 | |
There's a greater emphasis on recreation. | 0:16:30 | 0:16:33 | |
We never really considered the damage that was being done | 0:16:33 | 0:16:36 | |
to some of the footpaths. | 0:16:36 | 0:16:38 | |
We tend to work more with communities now, | 0:16:38 | 0:16:41 | |
so it's not just about the mountainous area | 0:16:41 | 0:16:45 | |
that we've got around us. | 0:16:45 | 0:16:47 | |
If we're going to achieve our conservation objectives, | 0:16:47 | 0:16:50 | |
our access objectives, we've got to work more with the communities, | 0:16:50 | 0:16:54 | |
and I think we do that a lot better | 0:16:54 | 0:16:56 | |
than we probably did when I came here first. | 0:16:56 | 0:16:58 | |
You're virtually running an estate. How do you make it pay? | 0:16:58 | 0:17:02 | |
With great difficulty. | 0:17:02 | 0:17:03 | |
Unfortunately, anyone who thinks these estates | 0:17:03 | 0:17:06 | |
actually make a profit, they're misguided. | 0:17:06 | 0:17:09 | |
Our income streams generally come from venison sales, | 0:17:09 | 0:17:12 | |
because we've got to control the deer. | 0:17:12 | 0:17:15 | |
We've got some minimal rentals, through farm rentals, | 0:17:15 | 0:17:18 | |
caravan site etc, and about ten years ago, | 0:17:18 | 0:17:21 | |
we were faced with a situation where | 0:17:21 | 0:17:23 | |
we had to look at other opportunities | 0:17:23 | 0:17:26 | |
and we identified, you know, that we could probably develop | 0:17:26 | 0:17:29 | |
our outdoors activity side of things a bit more. | 0:17:29 | 0:17:33 | |
-This is where it starts to look a bit dramatic. -Yes. | 0:17:35 | 0:17:38 | |
Now, the other land use that we haven't mentioned at all | 0:17:38 | 0:17:41 | |
is deerstalking. | 0:17:41 | 0:17:43 | |
-Yeah. -And you're involved in that too. Do you enjoy it? | 0:17:43 | 0:17:45 | |
I've come from that sort of background. | 0:17:45 | 0:17:47 | |
After I was a shepherd here, I got a job as a seasonal gillie. | 0:17:47 | 0:17:50 | |
It's a necessary operation within any estate | 0:17:50 | 0:17:53 | |
because we've got to control the number of deer. | 0:17:53 | 0:17:57 | |
You know, if you take away the sort of | 0:17:57 | 0:17:59 | |
view that people have of deerstalking... | 0:17:59 | 0:18:02 | |
But, for me, it's something, | 0:18:02 | 0:18:04 | |
you're out there, you're in a remote environment, | 0:18:04 | 0:18:07 | |
you know, the stalking, | 0:18:07 | 0:18:09 | |
it gets you into places that, perhaps, you'd never go. | 0:18:09 | 0:18:12 | |
There's such an atmosphere, particularly in October, | 0:18:12 | 0:18:16 | |
when the weather's changing, | 0:18:16 | 0:18:17 | |
the hills are starting to go that golden-brown, | 0:18:17 | 0:18:20 | |
you've got early frosts and, you know, the stags roaring. | 0:18:20 | 0:18:24 | |
To me, it's just the whole atmosphere of stalking, | 0:18:24 | 0:18:28 | |
it's not about pulling the trigger. | 0:18:28 | 0:18:30 | |
Could you imagine yourself living in any other part of Scotland? | 0:18:37 | 0:18:40 | |
I have to say, you know, I've often thought about that, | 0:18:40 | 0:18:43 | |
and I'm often asked, "Have you been anywhere else | 0:18:43 | 0:18:46 | |
"or lived anywhere else?", | 0:18:46 | 0:18:47 | |
and I've said, "Well, I've never had the need to." | 0:18:47 | 0:18:50 | |
I've been brought up here, I've lived here, I've worked here, | 0:18:50 | 0:18:53 | |
and there's nowhere quite like it. | 0:18:53 | 0:18:56 | |
On a good day, as I say to anyone, | 0:18:56 | 0:18:58 | |
you'll never beat the west coast of Scotland. | 0:18:58 | 0:19:01 | |
Yeah, we've got our bad days, we've got the midges, | 0:19:01 | 0:19:03 | |
we've got the rain at times, | 0:19:03 | 0:19:05 | |
and your whole life revolves around this environment and the seasons. | 0:19:05 | 0:19:09 | |
Willie, you were keen to bring me up here | 0:19:15 | 0:19:17 | |
because it's one of your favourite places in Kintail. | 0:19:17 | 0:19:20 | |
Why is it so special to you? | 0:19:20 | 0:19:21 | |
I think it's because you've come through | 0:19:21 | 0:19:24 | |
this really narrow, forbidding glen, | 0:19:24 | 0:19:26 | |
and it's almost like a doorway opening up in front of you, | 0:19:26 | 0:19:30 | |
Loch a Bhealaich there, looking down towards Glen Affric, | 0:19:30 | 0:19:34 | |
and you go from... | 0:19:34 | 0:19:36 | |
It's almost like you've left civilisation behind. | 0:19:36 | 0:19:38 | |
It's my perception, I guess, of wild land, you know? | 0:19:38 | 0:19:42 | |
It's untouched. You know, you look down the glen here | 0:19:42 | 0:19:45 | |
and there's very little human influence visible. | 0:19:45 | 0:19:49 | |
It's a very special place, it's got an atmosphere about it. | 0:19:49 | 0:19:54 | |
WIND WHISTLES | 0:19:54 | 0:19:56 | |
To me, you know, dropping down into a place like this | 0:19:56 | 0:20:00 | |
is as near as I'll get to wilderness in Scotland. | 0:20:00 | 0:20:03 | |
To wander through these glens is, you know... It's home. | 0:20:03 | 0:20:10 | |
You know, about 20 years ago, | 0:20:21 | 0:20:23 | |
after a good day in the hills, | 0:20:23 | 0:20:25 | |
I'd invariably find myself rushing off home | 0:20:25 | 0:20:28 | |
to deal with one of 1,000 wee jobs that I had to do | 0:20:28 | 0:20:32 | |
but, nowadays, I try to live life at a slightly more leisurely pace, | 0:20:32 | 0:20:36 | |
and why not? | 0:20:36 | 0:20:38 | |
I look forward to coming down and having a night | 0:20:38 | 0:20:41 | |
in my five-star luxury of a hotel on wheels. | 0:20:41 | 0:20:43 | |
Over the last few years, | 0:20:49 | 0:20:50 | |
I've seen a big change, as people like me | 0:20:50 | 0:20:53 | |
have moved from tents to camper vans. | 0:20:53 | 0:20:55 | |
Perhaps it's just a sign we're all getting older. | 0:20:55 | 0:20:59 | |
But, for me, there's no finer way to explore Scotland, | 0:20:59 | 0:21:02 | |
and it doesn't matter whether you've got a basic vehicle | 0:21:02 | 0:21:05 | |
with maybe just a rubber mat in the back | 0:21:05 | 0:21:08 | |
or a hugely expensive conversion. | 0:21:08 | 0:21:11 | |
They all give us the chance to get closer to our lochs, | 0:21:11 | 0:21:14 | |
glens and mountains. | 0:21:14 | 0:21:16 | |
But I'll tell you one thing. | 0:21:16 | 0:21:19 | |
The choice of camper van is almost endless, | 0:21:19 | 0:21:22 | |
and I'm still deciding what's best for me. | 0:21:22 | 0:21:25 | |
I think this is about the tenth camper van I've had | 0:21:25 | 0:21:28 | |
over a 40-year period, and each time, | 0:21:28 | 0:21:31 | |
they've got that little bit more luxurious, | 0:21:31 | 0:21:33 | |
that wee bit more comfortable. | 0:21:33 | 0:21:35 | |
So, let me give you a conducted tour | 0:21:35 | 0:21:37 | |
of the latest Cameron camper van. | 0:21:37 | 0:21:40 | |
A two-burner hob, hot and cold running water, | 0:21:40 | 0:21:44 | |
you've got a heater in here as well, | 0:21:44 | 0:21:46 | |
which is actually a necessity in winter, | 0:21:46 | 0:21:48 | |
because, at the end of the day, | 0:21:48 | 0:21:49 | |
this is basically just a tin box and it can get very, very cold. | 0:21:49 | 0:21:52 | |
LED lighting, lots of storage space for cups and saucers | 0:21:52 | 0:21:55 | |
and pans and bits and pieces. This is, OK, my pride and joy. | 0:21:55 | 0:21:59 | |
It's a proper oven and a grill, | 0:21:59 | 0:22:03 | |
and it's just great for making toast in the morning. | 0:22:03 | 0:22:06 | |
This seat that I'm sitting on folds forward | 0:22:06 | 0:22:09 | |
into quite a spacious double bed, | 0:22:09 | 0:22:11 | |
and if that's not enough room for you, | 0:22:11 | 0:22:14 | |
this pulls down from the top | 0:22:14 | 0:22:16 | |
and you've got another bed up there as well. So, all in all, | 0:22:16 | 0:22:19 | |
it's actually quite a comfortable little home from home. | 0:22:19 | 0:22:22 | |
The world's your oyster. | 0:22:22 | 0:22:24 | |
Now my journey takes me ever northwards, | 0:22:34 | 0:22:37 | |
and to another of Scotland's iconic mountain ranges - Torridon. | 0:22:37 | 0:22:41 | |
The mountains here are all distinctively shaped | 0:22:41 | 0:22:44 | |
and rise straight up from the sea, | 0:22:44 | 0:22:47 | |
and the bedrock from which they are formed is the oldest in Europe. | 0:22:47 | 0:22:51 | |
Today, though, I'm heading to the coast | 0:22:54 | 0:22:57 | |
to explore another road less travelled. | 0:22:57 | 0:23:01 | |
I've also come here to meet someone who has a special bond | 0:23:01 | 0:23:04 | |
with this place, although that might come as a surprise to many people. | 0:23:04 | 0:23:08 | |
Chris Smith grew up in Edinburgh, | 0:23:08 | 0:23:10 | |
and spent his working life as a Westminster politician. | 0:23:10 | 0:23:15 | |
He is now a Lord of the Realm, | 0:23:15 | 0:23:17 | |
but his relationship with Torridon goes back over half a century, | 0:23:17 | 0:23:20 | |
and that relationship with wild places | 0:23:20 | 0:23:23 | |
is as important to him as anything else. | 0:23:23 | 0:23:26 | |
He's proud of being the first and only MP to climb all the Munros, | 0:23:26 | 0:23:31 | |
and that passion for remote landscapes started right here. | 0:23:31 | 0:23:36 | |
That's true, not only of the high mountains, | 0:23:37 | 0:23:40 | |
but also this rugged and less visited coastline. | 0:23:40 | 0:23:43 | |
This is a special kind of wilderness, I think. | 0:23:43 | 0:23:46 | |
It doesn't have the high drama that you get with the big peaks | 0:23:46 | 0:23:51 | |
but there is an awful lot of drama in the wind and the heather | 0:23:51 | 0:23:56 | |
and the water, and the breadth of the landscape. | 0:23:56 | 0:24:00 | |
What are the special attributes of Torridon | 0:24:00 | 0:24:02 | |
that brings you back, time after time? | 0:24:02 | 0:24:04 | |
It's the combination of mountain and sea that really does it for me. | 0:24:04 | 0:24:09 | |
And, yes, the mountains are dramatic | 0:24:09 | 0:24:11 | |
and, yes, you can look out over ridge succeeding ridge | 0:24:11 | 0:24:15 | |
and that wonderful vista that you can get, | 0:24:15 | 0:24:18 | |
but it's the way in which the water and the hillside interact | 0:24:18 | 0:24:23 | |
that I think makes Torridon really special. | 0:24:23 | 0:24:27 | |
You lead a busy lifestyle in the capital. | 0:24:28 | 0:24:31 | |
What's it like coming to a place like this? | 0:24:31 | 0:24:34 | |
What are your initial feelings? | 0:24:34 | 0:24:36 | |
Is it one of escapism, or is it one of relief? | 0:24:36 | 0:24:39 | |
Partly, it's coming home. | 0:24:39 | 0:24:42 | |
It's always wonderful, no matter what the weather. | 0:24:42 | 0:24:45 | |
But also, it is such a contrast. | 0:24:45 | 0:24:48 | |
Where I live in London, | 0:24:48 | 0:24:50 | |
there's, I think, two trees I can see from my flat. | 0:24:50 | 0:24:54 | |
Here, the air is cleaner, the vista is wonderful | 0:24:54 | 0:24:59 | |
and, of course, there is no better antidote | 0:24:59 | 0:25:02 | |
to Whitehall and Westminster and London | 0:25:02 | 0:25:05 | |
than being here in the middle of a wild and empty landscape. | 0:25:05 | 0:25:10 | |
What is your home? | 0:25:10 | 0:25:11 | |
Is it your flat in London, or is it your house here in Torridon? | 0:25:11 | 0:25:14 | |
That's a very difficult question. | 0:25:14 | 0:25:16 | |
I think I would have to say both. | 0:25:16 | 0:25:18 | |
That's a cop-out, Chris. | 0:25:18 | 0:25:20 | |
It is a cop-out, but then I've been a politician most of my life. | 0:25:20 | 0:25:23 | |
THEY LAUGH | 0:25:23 | 0:25:25 | |
Chris first visited Torridon at the start of his teenage years. | 0:25:27 | 0:25:30 | |
Later, he spent three summers as warden | 0:25:30 | 0:25:33 | |
at the isolated Craig Youth Hostel on this coast. | 0:25:33 | 0:25:37 | |
Today, it's no longer a hostel but a bothy, | 0:25:37 | 0:25:40 | |
and in the driving rain and strong wind, | 0:25:40 | 0:25:43 | |
that's where we're heading for now. | 0:25:43 | 0:25:45 | |
There's no other dwelling within three miles of here. | 0:25:45 | 0:25:49 | |
When I was the warden here, there was no running water, | 0:25:49 | 0:25:53 | |
there was no electricity, | 0:25:53 | 0:25:55 | |
lighting was by candlelight or Tilley lamps, | 0:25:55 | 0:25:58 | |
and there were one or two occasions | 0:25:58 | 0:26:00 | |
when I was here completely on my own. | 0:26:00 | 0:26:03 | |
And being completely on your own, in the middle of the night, | 0:26:03 | 0:26:08 | |
three miles from anyone else, | 0:26:08 | 0:26:10 | |
no road in sight, | 0:26:10 | 0:26:12 | |
is a very strange experience in this very crowded island of ours. | 0:26:12 | 0:26:17 | |
But it's also very special because the depth of the quiet | 0:26:17 | 0:26:22 | |
and the darkness, and the sounds and smells of the landscape | 0:26:22 | 0:26:27 | |
around you is something you don't normally get. | 0:26:27 | 0:26:30 | |
You and I share this inner background, | 0:26:30 | 0:26:33 | |
that we were both youth-hostel wardens. | 0:26:33 | 0:26:36 | |
I was in Aviemore for eight or nine years, | 0:26:36 | 0:26:38 | |
and I have very distinct memories of a lot of our hostellers | 0:26:38 | 0:26:41 | |
coming for the nightlife of Aviemore. | 0:26:41 | 0:26:44 | |
I guess they didn't come to this youth hostel for that? | 0:26:44 | 0:26:47 | |
The people who came here, | 0:26:47 | 0:26:48 | |
they would have had to have walked at least three miles | 0:26:48 | 0:26:51 | |
over quite boggy ground. | 0:26:51 | 0:26:53 | |
They really, really wanted to make it here. | 0:26:53 | 0:26:56 | |
They weren't just dropping in on the off-chance. | 0:26:56 | 0:26:58 | |
And partly because of that, you got a real sense of community | 0:26:58 | 0:27:02 | |
every night, because people had made a bit of an effort to get here. | 0:27:02 | 0:27:06 | |
You know, we'd sit round, | 0:27:06 | 0:27:08 | |
we'd sing songs. | 0:27:08 | 0:27:10 | |
I'm afraid I broke all the rules about no alcohol | 0:27:10 | 0:27:14 | |
and so, people who arrived with a bottle of whisky | 0:27:14 | 0:27:17 | |
were particularly welcome. | 0:27:17 | 0:27:19 | |
So, why don't we go in and have a look around? | 0:27:19 | 0:27:21 | |
-You can give me a conducted tour. See if it brings back any memories. -OK. | 0:27:21 | 0:27:25 | |
It's now a bothy, as opposed to a youth hostel. | 0:27:25 | 0:27:27 | |
It is, yes, and some of the best features have gone. | 0:27:27 | 0:27:30 | |
There used to be a wonderful old range | 0:27:30 | 0:27:33 | |
and I remember I used to try and make bread in the oven, | 0:27:33 | 0:27:36 | |
which came out a little bit like a brick, | 0:27:36 | 0:27:38 | |
but it was still just, almost edible. | 0:27:38 | 0:27:41 | |
Come on in. | 0:27:42 | 0:27:44 | |
Ah. | 0:27:47 | 0:27:49 | |
Well, this is what used to be the common room of the youth hostel | 0:27:49 | 0:27:53 | |
and the old range was there, | 0:27:53 | 0:27:55 | |
and we had this wonderful old metal hip bath | 0:27:55 | 0:27:58 | |
that was a sort of quarter-size hip bath, | 0:27:58 | 0:28:02 | |
that was stuffed full with cushions | 0:28:02 | 0:28:05 | |
and it was the most comfortable seat. | 0:28:05 | 0:28:08 | |
-And it was reserved for the warden! -Ah, good. | 0:28:08 | 0:28:12 | |
And the loo at the back, it was a chemical loo | 0:28:12 | 0:28:16 | |
and, I have to say, the worst job I have ever done in my life, | 0:28:16 | 0:28:21 | |
even worse than being a politician, | 0:28:21 | 0:28:23 | |
was emptying the chemical loo here at Craig. | 0:28:23 | 0:28:27 | |
Now, this was what used to be my warden's room here. | 0:28:30 | 0:28:35 | |
It still has the old panelling, which is rather lovely, | 0:28:37 | 0:28:41 | |
but the best thing about it, of course, | 0:28:41 | 0:28:44 | |
was looking out of the window here. | 0:28:44 | 0:28:47 | |
On a good day, you can see the tops of the Cuillins on Skye | 0:28:47 | 0:28:51 | |
just peeping over the slopes of Applecross. | 0:28:51 | 0:28:54 | |
-That's not a bad thing to wake up to. -Not bad at all. | 0:28:54 | 0:28:58 | |
My journey is taking me | 0:28:59 | 0:29:01 | |
into some fantastic hidden corners of our country | 0:29:01 | 0:29:04 | |
but it's not over yet. | 0:29:04 | 0:29:06 | |
From Torridon, I'll be travelling along the shores of Loch Maree | 0:29:06 | 0:29:09 | |
and on to the remote Melvaig peninsula, north of Gairloch. | 0:29:09 | 0:29:14 | |
I'll then wind my way up the coast, | 0:29:14 | 0:29:16 | |
past the deserted Gruinard Island, | 0:29:16 | 0:29:18 | |
to journey's end at the village of Ullapool. | 0:29:18 | 0:29:21 | |
Well, this programme may well be about roads less travelled, | 0:29:28 | 0:29:32 | |
but I've always been quite keen to get on to some water less travelled, | 0:29:32 | 0:29:35 | |
and the packraft is absolutely ideal for that. | 0:29:35 | 0:29:38 | |
Wheech it out of the back of the camper van, blow it up and off we go. | 0:29:38 | 0:29:42 | |
I'm actually on Loch Maree, | 0:29:42 | 0:29:44 | |
one of the most beautiful lochs in Scotland. | 0:29:44 | 0:29:47 | |
It's the biggest loch north of the Great Glen | 0:29:47 | 0:29:50 | |
and it boasts five large wooded islands | 0:29:50 | 0:29:54 | |
and a couple of dozen smaller islands, | 0:29:54 | 0:29:57 | |
and I think it's these islands that give Loch Maree its real character. | 0:29:57 | 0:30:01 | |
It's certainly the islands that gave rise to a song | 0:30:01 | 0:30:04 | |
recorded in the early '70s by one Fergie MacDonald. | 0:30:04 | 0:30:09 | |
I think I can remember some of it. | 0:30:09 | 0:30:11 | |
# Show me Airigh an Eilean Below me Loch Maree | 0:30:11 | 0:30:15 | |
# And leave me to my solitude and let me wander free | 0:30:15 | 0:30:19 | |
# To climb the rocky mountains | 0:30:19 | 0:30:21 | |
# And to view the glen below | 0:30:21 | 0:30:24 | |
# For a fine ten-pointer or a royal, oh | 0:30:24 | 0:30:27 | |
# Take me where I faintly see the distant Isle of Lewis | 0:30:27 | 0:30:31 | |
# Show me all the world There is one place I must choose | 0:30:31 | 0:30:35 | |
# That represents the beauty of the golden glen so fair | 0:30:35 | 0:30:38 | |
# The Loch Maree islands from the heights of Ardlair! # | 0:30:38 | 0:30:42 | |
Hooch! Hey-hey! | 0:30:42 | 0:30:44 | |
Fantastic being here. | 0:30:44 | 0:30:46 | |
Well, here we are, Isle Maree, | 0:30:53 | 0:30:55 | |
one of the smaller islands on Loch Maree, | 0:30:55 | 0:30:58 | |
and, you know, this is a place I've been eager to visit | 0:30:58 | 0:31:01 | |
for a long, long time. | 0:31:01 | 0:31:03 | |
I've wanted to visit this island for a number of reasons | 0:31:03 | 0:31:06 | |
but, mainly, because of all the islands of Scotland, | 0:31:06 | 0:31:10 | |
this one is the island with probably more stories and legends | 0:31:10 | 0:31:13 | |
attached to it than any other. | 0:31:13 | 0:31:16 | |
It's an island of romance, it's an island of mystery, | 0:31:16 | 0:31:19 | |
it's an island of legend | 0:31:19 | 0:31:22 | |
and I'm just dying to explore it. | 0:31:22 | 0:31:24 | |
Loch Maree is named after Saint Maelrubha, | 0:31:38 | 0:31:42 | |
who discovered this island round about the time | 0:31:42 | 0:31:44 | |
he built the monastery in Applecross, in 672. | 0:31:44 | 0:31:48 | |
This was probably a Pagan site, because it was quite common | 0:31:48 | 0:31:52 | |
in those days for Christian missionaries | 0:31:52 | 0:31:54 | |
to set up their church, or their hermitage, | 0:31:54 | 0:31:57 | |
on the site of Pagan worship | 0:31:57 | 0:31:59 | |
and, today, you can see that it's largely a graveyard, | 0:31:59 | 0:32:03 | |
and some of the stones are fairly contemporary, | 0:32:03 | 0:32:06 | |
others are actually quite ancient. | 0:32:06 | 0:32:09 | |
But this has always been a place of mystery, a place of legend, | 0:32:09 | 0:32:13 | |
and it's said that Druids sacrificed bulls here | 0:32:13 | 0:32:17 | |
right up into the late 18th century, | 0:32:17 | 0:32:20 | |
much to the consternation of the local church. | 0:32:20 | 0:32:23 | |
In front of me are two cross slabs, | 0:32:32 | 0:32:35 | |
which are apparently the gravestones of a Viking prince and princess. | 0:32:35 | 0:32:41 | |
The Vikings adopted Isle Maree as a ceremonial island, | 0:32:41 | 0:32:45 | |
and this young man and young woman were betrothed to be married here. | 0:32:45 | 0:32:50 | |
But not long before the wedding, | 0:32:50 | 0:32:52 | |
the prince decided he had to go and fight some battles, | 0:32:52 | 0:32:55 | |
but it took much longer than he expected and, as time went on, | 0:32:55 | 0:32:58 | |
the princess became grief-stricken, | 0:32:58 | 0:33:01 | |
because she thought he might have been killed in battle, | 0:33:01 | 0:33:03 | |
but then word had come to her that he was safe. | 0:33:03 | 0:33:06 | |
So she then became angry and she decided to play a trick on him. | 0:33:06 | 0:33:10 | |
She asked her handmaidens to deck out her ceremonial barge in black, | 0:33:10 | 0:33:15 | |
and she would lie in a casket in the middle of the barge | 0:33:15 | 0:33:18 | |
and pretend she had died of a broken heart | 0:33:18 | 0:33:21 | |
because she thought her lover had been killed at war. | 0:33:21 | 0:33:24 | |
The barge was duly launched into Loch Maree | 0:33:24 | 0:33:28 | |
and when the prince saw the barge, | 0:33:28 | 0:33:30 | |
he leapt on board and saw his loved one lying in the casket, | 0:33:30 | 0:33:34 | |
pale and wan and apparently dead, | 0:33:34 | 0:33:38 | |
and in grief, he took his dagger, his dirk, | 0:33:38 | 0:33:40 | |
and plunged it into his heart. | 0:33:40 | 0:33:43 | |
When the princess realised what was happening, | 0:33:43 | 0:33:46 | |
she jumped up and grabbed the dirk, | 0:33:46 | 0:33:48 | |
pulled it out of his heart and plunged it into her own heart. | 0:33:48 | 0:33:51 | |
They both died. | 0:33:51 | 0:33:53 | |
They were brought here and laid here on Isle Maree, | 0:33:53 | 0:33:57 | |
and I reckon that, ever since, | 0:33:57 | 0:33:59 | |
this young prince and princess have been guarded over, | 0:33:59 | 0:34:02 | |
they've been protected by hordes and hordes of midges. | 0:34:02 | 0:34:06 | |
Ohh. | 0:34:06 | 0:34:08 | |
Of all the islands on Loch Maree, | 0:34:21 | 0:34:23 | |
this Isle Maree is unusual | 0:34:23 | 0:34:25 | |
because it's the only island where holly and oak trees grow. | 0:34:25 | 0:34:28 | |
And I reckon these two trees were planted by the early Pagan people | 0:34:28 | 0:34:33 | |
because oak, in particular, had quite a significance for the Druids. | 0:34:33 | 0:34:39 | |
It symbolised strength and wisdom. | 0:34:39 | 0:34:42 | |
And right up into the 18th century, | 0:34:42 | 0:34:45 | |
people with mental-health issues were regularly brought to this island | 0:34:45 | 0:34:49 | |
and towed around the island, behind a boat, at the end of a rope, | 0:34:49 | 0:34:53 | |
to try and restore their mental health. | 0:34:53 | 0:34:56 | |
Sounds a pretty drastic action to me. | 0:34:56 | 0:35:00 | |
Leaving the atmospheric Loch Maree behind, | 0:35:04 | 0:35:07 | |
I've travelled west to the sea. | 0:35:07 | 0:35:10 | |
I've come to the Melvaig peninsula, | 0:35:10 | 0:35:13 | |
an almost forgotten headland, out on a limb, north of Gairloch. | 0:35:13 | 0:35:17 | |
I'm exploring this coastline with Nevis Hulme. | 0:35:17 | 0:35:21 | |
He's a geography teacher and deputy head of the local high school. | 0:35:21 | 0:35:25 | |
Nevis has lived here for most of his working life | 0:35:26 | 0:35:29 | |
and has taught himself Gaelic | 0:35:29 | 0:35:31 | |
as a way of recording the place names of the area, | 0:35:31 | 0:35:34 | |
names that he believes might otherwise be lost to us, | 0:35:34 | 0:35:38 | |
especially as they don't appear on today's maps. | 0:35:38 | 0:35:41 | |
The grid square that I live in, in Aultgrishan, | 0:35:41 | 0:35:44 | |
part of the Melvaig settlement, | 0:35:44 | 0:35:46 | |
on the Ordnance Survey map, | 0:35:46 | 0:35:48 | |
there are actually two place names given. | 0:35:48 | 0:35:50 | |
There are two water courses that are named | 0:35:50 | 0:35:52 | |
just off that square, | 0:35:52 | 0:35:54 | |
so let's say there are four place names. | 0:35:54 | 0:35:57 | |
I have 30 for that one grid square. | 0:35:57 | 0:35:59 | |
I suppose the great danger now is that not so many people | 0:35:59 | 0:36:03 | |
live in areas like this as there were in the past, | 0:36:03 | 0:36:06 | |
so they're not using these place names on a daily basis. | 0:36:06 | 0:36:10 | |
Is that how we lose them? | 0:36:10 | 0:36:11 | |
That's how we lose them. | 0:36:11 | 0:36:13 | |
I started my work about 20 years ago | 0:36:13 | 0:36:16 | |
and I had six informants | 0:36:16 | 0:36:19 | |
who had been brought up in the area. | 0:36:19 | 0:36:21 | |
Unfortunately, the last two of those died last year | 0:36:21 | 0:36:24 | |
and had I not recorded these, | 0:36:24 | 0:36:26 | |
I think many of them would have been lost. | 0:36:26 | 0:36:29 | |
And it strikes me that, in English, we tend only to have one | 0:36:29 | 0:36:31 | |
or maybe two words for "mountain" - | 0:36:31 | 0:36:34 | |
"mountain" or "peak" perhaps. | 0:36:34 | 0:36:36 | |
In Gaelic, there's a whole lot of names that are descriptive | 0:36:36 | 0:36:39 | |
in "sgurrs" and "carns", and they all mean something slightly different. | 0:36:39 | 0:36:43 | |
Yes, we are on what, if it weren't called "bruthach", | 0:36:43 | 0:36:46 | |
we'd probably call "ploc". | 0:36:46 | 0:36:47 | |
-What does that mean? -A lump. | 0:36:47 | 0:36:49 | |
As opposed to a sharp pinnacle hill, | 0:36:49 | 0:36:52 | |
or a more general, rounded hill. | 0:36:52 | 0:36:57 | |
As you say, there are many, many different words | 0:36:57 | 0:36:59 | |
and they all describe slightly different sorts of hills. | 0:36:59 | 0:37:03 | |
How many of these names have their origins in the geology | 0:37:03 | 0:37:07 | |
-of our landscape? -Many do, | 0:37:07 | 0:37:09 | |
because many of them reflect the colour of the landscape. | 0:37:09 | 0:37:14 | |
We have the ruadhs, the deargs, the gorms, | 0:37:14 | 0:37:17 | |
so, in this area, we're on the Torridonian sandstone, | 0:37:17 | 0:37:20 | |
and so we have lots of "dearg" and "ruadh" names. | 0:37:20 | 0:37:24 | |
Just across from us is "An Geodha Ruadh", | 0:37:25 | 0:37:28 | |
"the reddish-brown inlet", | 0:37:28 | 0:37:31 | |
just one example of colour coming into the landscape | 0:37:31 | 0:37:37 | |
through the geology. | 0:37:37 | 0:37:38 | |
Are there particular place names in a short area like this? | 0:37:38 | 0:37:42 | |
The whole shoreline here is called "Cladach Allt an Fheidh" | 0:37:42 | 0:37:46 | |
after the burn that comes down in the middle distance there. | 0:37:46 | 0:37:50 | |
So that's all... That's the stream of... | 0:37:50 | 0:37:53 | |
The "burn of the deer". | 0:37:53 | 0:37:54 | |
And all along there, we have burns coming down with names, | 0:37:54 | 0:37:59 | |
for example, Allt Creig an Fhucadair, | 0:37:59 | 0:38:02 | |
which means the "burn of the crag of the fuller", | 0:38:02 | 0:38:06 | |
and that raises the question, | 0:38:06 | 0:38:10 | |
why is it named after an occupation involved in cleansing wool? | 0:38:10 | 0:38:17 | |
And this led me to look around the area | 0:38:17 | 0:38:20 | |
and I found evidence of quarrying. | 0:38:20 | 0:38:22 | |
I am not certain whether it's fuller's earth | 0:38:22 | 0:38:26 | |
that was being quarried, | 0:38:26 | 0:38:28 | |
but it requires further investigation, | 0:38:28 | 0:38:30 | |
but this is just one of the things that comes from the place name. | 0:38:30 | 0:38:33 | |
It would just have been a minor burn running across the moorland | 0:38:33 | 0:38:37 | |
that you wouldn't have paid any attention to | 0:38:37 | 0:38:39 | |
had it not been for the place name. | 0:38:39 | 0:38:41 | |
So, learning and understanding the place names | 0:38:41 | 0:38:44 | |
gives you a deeper sense of the history of an area | 0:38:44 | 0:38:47 | |
and, perhaps, what went on before here? | 0:38:47 | 0:38:50 | |
Very much so, because there are shielings all on this peninsula. | 0:38:50 | 0:38:55 | |
Many of these have names, and that draws you to a particular place | 0:38:55 | 0:38:58 | |
and then you find there's evidence of agricultural activity | 0:38:58 | 0:39:02 | |
or other place names associated with that. | 0:39:02 | 0:39:06 | |
Are there names that you can't actually work out | 0:39:06 | 0:39:08 | |
-what the original story was? -Yes. | 0:39:08 | 0:39:10 | |
In a way, unfortunate, | 0:39:10 | 0:39:12 | |
but, to me, | 0:39:12 | 0:39:14 | |
part of the joy of a puzzle is not knowing the answer. | 0:39:14 | 0:39:18 | |
You've brought me right here to the very end of the peninsula, | 0:39:18 | 0:39:22 | |
close to the lighthouse. | 0:39:22 | 0:39:23 | |
Are there quite a lot of place names round this furthest edge | 0:39:23 | 0:39:26 | |
-of the peninsula? -Yeah, just in this grid square, | 0:39:26 | 0:39:30 | |
where most of the square | 0:39:30 | 0:39:32 | |
is taken up by the sea, there are 15 place names. | 0:39:32 | 0:39:36 | |
What about the history of this particular peninsula? | 0:39:36 | 0:39:40 | |
You've mentioned to me a couple of place names | 0:39:40 | 0:39:43 | |
that seem to be associated, a little bit, | 0:39:43 | 0:39:45 | |
with...almost with clan warfare. | 0:39:45 | 0:39:47 | |
Just over by the lighthouse is "Uamhag Fhionnla Dhuibh", | 0:39:47 | 0:39:53 | |
which is "the little cave of Black Finlay", | 0:39:53 | 0:39:55 | |
and this was Black Finlay of the Arrows, | 0:39:55 | 0:39:59 | |
and he is supposed to, in the 16th century, | 0:39:59 | 0:40:03 | |
to have fired on the MacLeods, | 0:40:03 | 0:40:05 | |
who were in a boat coming to the area, | 0:40:05 | 0:40:08 | |
seeking the hand of Mackenzie's daughter. | 0:40:08 | 0:40:11 | |
Black Finlay was seeking his revenge | 0:40:11 | 0:40:14 | |
for various other conflicts that had gone on prior to that. | 0:40:14 | 0:40:18 | |
So there are place names that reflect some of that history. | 0:40:18 | 0:40:21 | |
How important do you think it is | 0:40:23 | 0:40:25 | |
that we can keep this language of ours going? | 0:40:25 | 0:40:28 | |
I think all languages are important | 0:40:28 | 0:40:30 | |
and it's a great shame that, around the world, | 0:40:30 | 0:40:32 | |
languages are being lost, | 0:40:32 | 0:40:33 | |
because it is the door into an understanding of a culture, | 0:40:33 | 0:40:38 | |
an understanding of human nature. | 0:40:38 | 0:40:41 | |
Different cultures have different languages and different words | 0:40:41 | 0:40:45 | |
and different understandings of the way the world works, | 0:40:45 | 0:40:50 | |
the land, all aspects of where they live. | 0:40:50 | 0:40:53 | |
I think to lose any of these is a loss to humanity. | 0:40:53 | 0:40:57 | |
I'm entering the final stretches of my journey | 0:41:02 | 0:41:05 | |
through the West Highlands, | 0:41:05 | 0:41:07 | |
and I'm delighted that my philosophy of taking the roads less travelled | 0:41:07 | 0:41:11 | |
has introduced me to a variety of new people and places. | 0:41:11 | 0:41:14 | |
And I know it's only a tin box on wheels, | 0:41:16 | 0:41:18 | |
but my camper van is fantastic. | 0:41:18 | 0:41:21 | |
It's been an ideal companion every mile of the way. | 0:41:21 | 0:41:25 | |
You know, I just love this coastal road between Gairloch and Dundonnell. | 0:41:27 | 0:41:32 | |
You get big mountains on one side | 0:41:32 | 0:41:34 | |
and lovely bays and islands on the other side. | 0:41:34 | 0:41:38 | |
And one of those islands has quite an interesting story behind it. | 0:41:40 | 0:41:44 | |
Biological warfare. | 0:41:54 | 0:41:57 | |
You know, it's a term that makes us shudder today, | 0:41:57 | 0:42:00 | |
and quite rightly so, | 0:42:00 | 0:42:01 | |
but in 1941, | 0:42:01 | 0:42:03 | |
the British Government decided they wanted to test anthrax-filled bombs. | 0:42:03 | 0:42:08 | |
Military scientists at Porton Down | 0:42:09 | 0:42:12 | |
decided they needed a remote area, | 0:42:12 | 0:42:14 | |
because the contamination would be widespread | 0:42:14 | 0:42:17 | |
and it would last for a long, long time, | 0:42:17 | 0:42:20 | |
so they decided on this area, | 0:42:20 | 0:42:22 | |
this quiet stretch of coastline between Poolewe and Ullapool, | 0:42:22 | 0:42:26 | |
and on this island, Gruinard Island. | 0:42:26 | 0:42:28 | |
The scientists eventually tested their bombs | 0:42:32 | 0:42:35 | |
and within three days, all the sheep on the island had died. | 0:42:35 | 0:42:39 | |
By 1981, the island was still seriously contaminated, | 0:42:41 | 0:42:44 | |
so much so that a couple of scientists, along with local people, | 0:42:44 | 0:42:48 | |
rode out and collected 300 pounds of contaminated soil. | 0:42:48 | 0:42:53 | |
This, they said, would be deposited at strategic places in England. | 0:42:53 | 0:42:58 | |
They dropped some at Porton Down | 0:42:58 | 0:43:01 | |
and they left some more at a hotel in Blackpool, | 0:43:01 | 0:43:04 | |
when the Tories were having their annual conference. | 0:43:04 | 0:43:08 | |
As you can imagine, this focused political minds somewhat | 0:43:08 | 0:43:11 | |
and, by 1986, a process started to decontaminate the island. | 0:43:11 | 0:43:17 | |
By 1990, it was declared clean. | 0:43:17 | 0:43:20 | |
But it's quite remarkable that it took 48 years of quarantine | 0:43:21 | 0:43:25 | |
to get this island back to what it was before. | 0:43:25 | 0:43:29 | |
I find that a really disturbing story - | 0:43:29 | 0:43:32 | |
that something that was rushed into in wartime | 0:43:32 | 0:43:35 | |
was then largely ignored for 48 years. | 0:43:35 | 0:43:39 | |
This is a bittersweet moment for me. | 0:43:46 | 0:43:49 | |
There's just one more stop on the way before journey's end. | 0:43:49 | 0:43:52 | |
The Corrieshalloch Gorge is 12 miles south of Ullapool | 0:43:53 | 0:43:57 | |
and is a well-known tourist site. | 0:43:57 | 0:43:59 | |
But what the day-trippers don't see is another gorge alongside it. | 0:43:59 | 0:44:03 | |
That's the one I want to explore, | 0:44:03 | 0:44:05 | |
for it's here that a local 25-year-old learned the skills | 0:44:05 | 0:44:10 | |
that developed him into a new breed of traveller. | 0:44:10 | 0:44:14 | |
Will Copestake grew up in Ullapool. | 0:44:14 | 0:44:16 | |
He's a keen cyclist, walker and kayaker, and two years ago, | 0:44:16 | 0:44:21 | |
he completed an ambitious journey on foot and on water around Scotland. | 0:44:21 | 0:44:25 | |
It took him 12 months and he survived on £3,000. | 0:44:25 | 0:44:30 | |
That journey, Machair To Munro, resulted in him being named | 0:44:30 | 0:44:34 | |
Adventurer of the Year. | 0:44:34 | 0:44:36 | |
So what exactly did he do to earn the title? | 0:44:36 | 0:44:39 | |
I kayaked all the way round the coast of Scotland, | 0:44:39 | 0:44:42 | |
which was for four months, | 0:44:42 | 0:44:43 | |
and then got on a bicycle | 0:44:43 | 0:44:45 | |
and using the bike to get to the Munro mountains, | 0:44:45 | 0:44:48 | |
climbed the Munros over eight months through the winter, | 0:44:48 | 0:44:51 | |
in an effort to see my back garden. | 0:44:51 | 0:44:53 | |
Was that your first big expedition? | 0:44:53 | 0:44:55 | |
It was my first long, long expedition. | 0:44:55 | 0:44:58 | |
I've done expeditions in the past, before that. | 0:44:58 | 0:45:01 | |
I started when I was just turning 18. | 0:45:01 | 0:45:04 | |
I went out to New Zealand and came home ready for adventure. | 0:45:04 | 0:45:07 | |
I also, at university, walked across Iceland with a friend, | 0:45:07 | 0:45:11 | |
where we stayed in a tent for three months, | 0:45:11 | 0:45:14 | |
-eating Smash potato and pasta. -How do you finance these expeditions? | 0:45:14 | 0:45:18 | |
Because you're away for quite a long period of time. | 0:45:18 | 0:45:21 | |
For me, I basically get a day job. | 0:45:21 | 0:45:23 | |
At the moment, I'm working in the outdoors, but in the past, | 0:45:23 | 0:45:26 | |
it would be anything from fish farms to bar work, | 0:45:26 | 0:45:29 | |
and with that, I'll save up just enough money to keep me going, | 0:45:29 | 0:45:33 | |
and then live very cheaply. | 0:45:33 | 0:45:35 | |
So you stay in a tent, you hitchhike | 0:45:35 | 0:45:37 | |
when you don't walk or kayak or bike. | 0:45:37 | 0:45:40 | |
And then you just eat cheaply. | 0:45:40 | 0:45:42 | |
You have the means to an end in terms of pasta, couscous, | 0:45:42 | 0:45:46 | |
Smash potato, and just pile a load of butter in there, | 0:45:46 | 0:45:49 | |
with some form of protein. | 0:45:49 | 0:45:50 | |
You can go a long way for a very, very small amount on that. | 0:45:50 | 0:45:54 | |
Will, when you think up an expedition, | 0:45:54 | 0:45:57 | |
do you have any thoughts of a payback, | 0:45:57 | 0:45:59 | |
what you might get out of it, | 0:45:59 | 0:46:01 | |
or is it just purely a case of going and enjoying it for its own sake? | 0:46:01 | 0:46:04 | |
For me, it's about doing it. | 0:46:04 | 0:46:06 | |
It's not about financial or sponsorship or fame, | 0:46:06 | 0:46:09 | |
it's about going out and exploring these places, | 0:46:09 | 0:46:12 | |
to see with your own eyes. | 0:46:12 | 0:46:14 | |
We're in an age now where a lot of people are doing trips | 0:46:14 | 0:46:18 | |
to break records, film, make media, | 0:46:18 | 0:46:22 | |
whereas a lot of adventurers, | 0:46:22 | 0:46:24 | |
and those that I really respect, | 0:46:24 | 0:46:26 | |
are those that silently go on | 0:46:26 | 0:46:28 | |
and maybe will get heard about afterwards. | 0:46:28 | 0:46:30 | |
But to do an adventure | 0:46:30 | 0:46:32 | |
should be for the love of the adventure itself, | 0:46:32 | 0:46:34 | |
and not about any ulterior motive. | 0:46:34 | 0:46:37 | |
Will, what exactly is this walk we're on? | 0:46:42 | 0:46:45 | |
Lady Fowler's Walk, | 0:46:45 | 0:46:47 | |
which is a Victorian walk from the wife of Sir John Fowler, | 0:46:47 | 0:46:50 | |
who used to live just down the valley here. | 0:46:50 | 0:46:54 | |
John Fowler made the Forth Rail Bridge, | 0:46:54 | 0:46:56 | |
was one of the chief engineers on it. | 0:46:56 | 0:46:59 | |
We came up here as kids and we'd go and explore the canyon | 0:46:59 | 0:47:02 | |
that is a little further up, jump off the waterfalls | 0:47:02 | 0:47:05 | |
and just go and enjoy the environment around here. | 0:47:05 | 0:47:08 | |
For a young adventurer in the making, | 0:47:08 | 0:47:10 | |
I can't think of anywhere else in Scotland | 0:47:10 | 0:47:13 | |
as fine as the area around Ullapool. | 0:47:13 | 0:47:15 | |
I think it's the perfect playground. | 0:47:15 | 0:47:17 | |
The front of my garden's got the sea, the back mountains, | 0:47:17 | 0:47:20 | |
there's canyons, there's forest, there's open spaces, | 0:47:20 | 0:47:23 | |
there's just everything you want in a landscape. | 0:47:23 | 0:47:25 | |
Wey-hey! There you go. | 0:47:25 | 0:47:28 | |
OK, fine. | 0:47:28 | 0:47:30 | |
-So, you're telling me you actually kayaked down this? -Yeah. | 0:47:33 | 0:47:36 | |
So you come in from the right here, then you come down the side, | 0:47:36 | 0:47:40 | |
and in the middle of the waterfall, | 0:47:40 | 0:47:42 | |
they say you put your paddle over the edge of the waterfall, | 0:47:42 | 0:47:44 | |
and you lift up the front of your boat with the paddle, | 0:47:44 | 0:47:47 | |
then put your paddle at the side and just fall off the edge. | 0:47:47 | 0:47:50 | |
It all happens in an instant, it's very quick. | 0:47:50 | 0:47:52 | |
You make it sound very simple. | 0:47:52 | 0:47:54 | |
Actually, because it's so shallow here normally, | 0:47:54 | 0:47:56 | |
it's almost impossible to capsize. | 0:47:56 | 0:47:58 | |
I don't suppose there's much else you can do than go with the flow? | 0:47:58 | 0:48:01 | |
You just kind of go that way, yeah. This side's a bit harder, | 0:48:01 | 0:48:04 | |
in that you have to come in and you stroke a big stroke in | 0:48:04 | 0:48:07 | |
and pull yourself that way, and you kind of bounce and go off. | 0:48:07 | 0:48:11 | |
Tell me what you get out of that. | 0:48:11 | 0:48:14 | |
Ah, it's just a good buzz, it's fun. | 0:48:14 | 0:48:16 | |
But the thought of coming down, approaching, | 0:48:16 | 0:48:18 | |
in a little plastic boat, | 0:48:18 | 0:48:20 | |
knowing that that's coming, would really make me tremble. | 0:48:20 | 0:48:23 | |
The great thing is, if you crouch down, you can't see the waterfall, | 0:48:23 | 0:48:27 | |
so you get this very... You don't see it until you're on it, | 0:48:27 | 0:48:29 | |
-and you go, "Oh, yeah, OK." -Could you do it in a packraft? | 0:48:29 | 0:48:32 | |
They've just brought out | 0:48:32 | 0:48:34 | |
a whitewater packraft, funnily enough, yeah. | 0:48:34 | 0:48:36 | |
Yeah, you could do. You'd fall out of it, probably. | 0:48:36 | 0:48:38 | |
Very impressive, and a lovely pool for swimming. | 0:48:38 | 0:48:41 | |
Oh, it's great. Yeah, you can just come in here in the summer. | 0:48:41 | 0:48:44 | |
Often, because the river's quite dark, as you can see, | 0:48:44 | 0:48:46 | |
it's sort of peaty water, it can heat up really well, | 0:48:46 | 0:48:49 | |
because it's quite shallow, so it can often be quite warm in here. | 0:48:49 | 0:48:53 | |
-OK, let's see if we can get back across here. -No worries. I'll... | 0:48:53 | 0:48:56 | |
-Oh, careful. -..skid across. Good. Are you all right? | 0:48:56 | 0:49:00 | |
Yeah. I want to get on... I'm fine. | 0:49:00 | 0:49:02 | |
Yeah, yeah, OK. | 0:49:02 | 0:49:04 | |
'So, yes, I'll admit it, I don't need to be reminded, | 0:49:04 | 0:49:07 | |
'I'm officially an OAP.' | 0:49:07 | 0:49:10 | |
-Yay! -Hey, happy days. | 0:49:10 | 0:49:12 | |
Wonderful. | 0:49:14 | 0:49:15 | |
We touched briefly on the mountains, the machair trip | 0:49:15 | 0:49:19 | |
earlier on. How did that actually come around? | 0:49:19 | 0:49:22 | |
I didn't really feel I knew what my own back yard was like | 0:49:22 | 0:49:25 | |
and especially when people ask you, you really don't know, | 0:49:25 | 0:49:27 | |
apart from a couple of patches. | 0:49:27 | 0:49:29 | |
And so, I figured, by going the old highway of Scotland, | 0:49:29 | 0:49:32 | |
along the coast, and then going inland | 0:49:32 | 0:49:34 | |
to the top of all the mountains, | 0:49:34 | 0:49:36 | |
I could cover as much as I possibly could | 0:49:36 | 0:49:38 | |
in a relatively short amount of time. | 0:49:38 | 0:49:40 | |
Most people, if they wanted to know what Scotland was like, | 0:49:40 | 0:49:43 | |
they'd get a car and drive round it. Why a kayak and then on foot? | 0:49:43 | 0:49:47 | |
The thing I like about a kayak is that, | 0:49:47 | 0:49:49 | |
unlike a conventional boat or a yacht, | 0:49:49 | 0:49:51 | |
you can get very close to the shore | 0:49:51 | 0:49:53 | |
and you're not really ON the water, you're IN it. | 0:49:53 | 0:49:56 | |
So you live with the tides, you go with the weather, | 0:49:56 | 0:49:59 | |
and so you're very natural-feeling | 0:49:59 | 0:50:01 | |
and you feel like you're part of the environment you're in. | 0:50:01 | 0:50:04 | |
And the same with the biking and the mountaineering is | 0:50:04 | 0:50:08 | |
I wanted to live through the seasons | 0:50:08 | 0:50:09 | |
and feel what it felt like to be outside in Scotland | 0:50:09 | 0:50:12 | |
for that amount of time. | 0:50:12 | 0:50:14 | |
What were the highlights of the canoe journey? | 0:50:14 | 0:50:16 | |
I think, for me, the highlights are very conflicting. | 0:50:16 | 0:50:20 | |
One side, it's the beautiful sunsets, | 0:50:20 | 0:50:22 | |
the tranquil evenings, | 0:50:22 | 0:50:24 | |
where you sit out and you're completely on your own | 0:50:24 | 0:50:26 | |
and you can enjoy the environment around you | 0:50:26 | 0:50:29 | |
but also, on the other half of that, | 0:50:29 | 0:50:31 | |
is the gnarly days, where the weather was bad, the seas were big, | 0:50:31 | 0:50:35 | |
I was scared and, sometimes, not really having a good time, | 0:50:35 | 0:50:38 | |
but, in hindsight, those are some of the most important memories for me. | 0:50:38 | 0:50:42 | |
How wild, how raw did it become? | 0:50:42 | 0:50:44 | |
I set a limit for myself and, without having a time constraint, | 0:50:44 | 0:50:48 | |
I could make that limit quite safe. | 0:50:48 | 0:50:51 | |
In the kayaking, I had a force 6 wind maximum. | 0:50:51 | 0:50:54 | |
I often would get caught out in that. | 0:50:54 | 0:50:57 | |
And equally, in the Munros, I said I wouldn't go into the mountains | 0:50:57 | 0:51:01 | |
if the wind was greater than 60mph. | 0:51:01 | 0:51:03 | |
Now, the winter of 2013 was a particularly windy one | 0:51:03 | 0:51:06 | |
and so I pushed that up to about 90mph | 0:51:06 | 0:51:10 | |
and regularly was above 60mph in the mountains. | 0:51:10 | 0:51:13 | |
And that just became the norm. | 0:51:13 | 0:51:15 | |
I found anything higher than 90, | 0:51:15 | 0:51:17 | |
I would struggle to stand and do anything, really, | 0:51:17 | 0:51:20 | |
so the environment set the limit, | 0:51:20 | 0:51:23 | |
rather than my own personal boundaries. | 0:51:23 | 0:51:25 | |
Right, you're not going to tell me you kayaked down that, are you? | 0:51:26 | 0:51:29 | |
Absolutely not, no. That one's an abseil to get in. | 0:51:29 | 0:51:32 | |
I've kayaked from below this, down, | 0:51:32 | 0:51:34 | |
but definitely not off that waterfall. | 0:51:34 | 0:51:37 | |
My dad jokes that the biggest adventure | 0:51:38 | 0:51:40 | |
I could ever go on is to become an accountant | 0:51:40 | 0:51:42 | |
because it's just so out there, as a thing that I could do. | 0:51:42 | 0:51:45 | |
Hmm, good. | 0:52:04 | 0:52:06 | |
I've driven along the road a few miles | 0:52:08 | 0:52:10 | |
to my journey's end, here in the West Highland town of Ullapool. | 0:52:10 | 0:52:14 | |
Now, Ullapool, at one time, | 0:52:14 | 0:52:16 | |
was known as the herring capital of Scotland | 0:52:16 | 0:52:19 | |
and I thought it would be a bit churlish | 0:52:19 | 0:52:22 | |
if I came to the town and didn't try the local produce. | 0:52:22 | 0:52:25 | |
And I know this isn't herring, it's haddock, | 0:52:25 | 0:52:28 | |
and very nice haddock it is too, | 0:52:28 | 0:52:30 | |
but I don't really want to stop here. | 0:52:30 | 0:52:32 | |
What I'd like to do is take a wee walk up Ullapool's own hill | 0:52:32 | 0:52:35 | |
and look down on the village in what I think is | 0:52:35 | 0:52:38 | |
quite a spectacular West Highland setting. | 0:52:38 | 0:52:41 | |
Hmm, it's lovely. | 0:52:45 | 0:52:47 | |
You don't have to go very far out of Ullapool | 0:53:00 | 0:53:02 | |
to get some great views. | 0:53:02 | 0:53:05 | |
This walk starts on the edge of the village and climbs a wee hill | 0:53:05 | 0:53:08 | |
known quite simply as Ullapool's Hill. | 0:53:08 | 0:53:11 | |
It was actually the Norsemen, the Vikings, | 0:53:24 | 0:53:26 | |
who first discovered Ullapool. | 0:53:26 | 0:53:28 | |
They found this late-Ice-Age raised beach | 0:53:28 | 0:53:32 | |
about 50 feet above the waters of Loch Broom, | 0:53:32 | 0:53:35 | |
and they called it Ulla's Steading, | 0:53:35 | 0:53:37 | |
and they very quickly discovered | 0:53:37 | 0:53:40 | |
that this was a brilliant trading position. | 0:53:40 | 0:53:42 | |
And, not only that, but in the waters of lower Loch Broom | 0:53:42 | 0:53:45 | |
and round the Summer Isles, there was a continuous harvest of fish. | 0:53:45 | 0:53:49 | |
In 1788, the British Fisheries Society founded | 0:53:54 | 0:53:58 | |
what we know as the present town of Ullapool. | 0:53:58 | 0:54:01 | |
Its birth and its later prosperity | 0:54:03 | 0:54:06 | |
were founded solely on the shoals of herring. | 0:54:06 | 0:54:09 | |
It's hard to imagine the hustle and the bustle | 0:54:11 | 0:54:14 | |
and the industry of those times, | 0:54:14 | 0:54:16 | |
because Ullapool was the principal herring port | 0:54:16 | 0:54:19 | |
on the west coast of Scotland. | 0:54:19 | 0:54:21 | |
But a statistical account of the 18th century sums it up rather nicely. | 0:54:21 | 0:54:25 | |
Let me read this to you. | 0:54:25 | 0:54:27 | |
"People are instantly afloat with every species of seaworthy craft. | 0:54:29 | 0:54:34 | |
"They all press forward | 0:54:34 | 0:54:36 | |
"with the utmost eagerness to the field of slaughter. | 0:54:36 | 0:54:40 | |
"Sloops, schooners, wherries, boats of all sizes | 0:54:40 | 0:54:43 | |
"are seen constantly flying on the wings of the winds, | 0:54:43 | 0:54:46 | |
"from creek to creek and from loch to loch, | 0:54:46 | 0:54:49 | |
"according to the various reports of men, | 0:54:49 | 0:54:52 | |
"or the noisy flights of birds, | 0:54:52 | 0:54:54 | |
"or tumbling and spouting of whales and porpoises, | 0:54:54 | 0:54:57 | |
"attracting them." | 0:54:57 | 0:54:58 | |
I think that's rather splendid. | 0:54:58 | 0:55:00 | |
It gives you a very good impression of what it was like here. | 0:55:00 | 0:55:03 | |
But, you know, that overfishing had an effect. | 0:55:03 | 0:55:06 | |
100 years later, the shoals of herring had gone, | 0:55:06 | 0:55:09 | |
and Ullapool had to rely on a different kind of industry. | 0:55:09 | 0:55:13 | |
After the herring came the tourists and, today, | 0:55:21 | 0:55:24 | |
like many other Highland towns, | 0:55:24 | 0:55:26 | |
Ullapool very much relies on the tourist industry. | 0:55:26 | 0:55:29 | |
It's the main ferry port to the Western Isles, | 0:55:29 | 0:55:32 | |
and it's also the gateway to the wonderful, the fantastic | 0:55:32 | 0:55:35 | |
Northwest Highlands of Scotland. | 0:55:35 | 0:55:38 | |
It's also something of a cultural centre. | 0:55:39 | 0:55:42 | |
It has its own annual music festival. | 0:55:42 | 0:55:44 | |
It has lots of literary and artistic events. | 0:55:44 | 0:55:49 | |
I just love the place. | 0:55:49 | 0:55:50 | |
I love wandering through the streets | 0:55:50 | 0:55:53 | |
and smelling that mixture of diesel oil and fish | 0:55:53 | 0:55:56 | |
that you associate with West Highland ports like this. | 0:55:56 | 0:56:00 | |
And, for me, it's been the beginning of so many forays | 0:56:00 | 0:56:04 | |
into the glorious mountains of the Northwest Highlands. | 0:56:04 | 0:56:08 | |
Ullapool is the end of this particular journey, | 0:56:19 | 0:56:22 | |
and it's been a very different kind of journey. | 0:56:22 | 0:56:25 | |
Using the camper van has allowed me | 0:56:25 | 0:56:28 | |
to explore the quieter roads of the West Highlands, | 0:56:28 | 0:56:31 | |
and it's carried everything I need | 0:56:31 | 0:56:33 | |
to embark on a variety of adventurous activities. | 0:56:33 | 0:56:37 | |
Whoo-hoo-hoo! | 0:56:37 | 0:56:39 | |
Cycling on Lismore was wonderful, | 0:56:39 | 0:56:41 | |
or bikepacking in the Sound of Sleat on the Isle of Skye, | 0:56:41 | 0:56:45 | |
and using the packraft to paddle around the Arisaig skerries | 0:56:45 | 0:56:49 | |
was absolutely terrific. | 0:56:49 | 0:56:51 | |
Or to visit that strange and mysterious island in Loch Maree. | 0:56:53 | 0:56:56 | |
But, as always, | 0:56:56 | 0:56:58 | |
it's the Scottish landscape that stays longest in the memory. | 0:56:58 | 0:57:02 | |
Like the panoramic views from the islands of Luing and Seil, | 0:57:02 | 0:57:06 | |
or seeing the Buachaille Etive Mor | 0:57:06 | 0:57:08 | |
through the eyes of climber-turned-mountain-photographer | 0:57:08 | 0:57:11 | |
Dave Cuthbertson, | 0:57:11 | 0:57:13 | |
or hearing about life in Kintail | 0:57:13 | 0:57:15 | |
from someone who lives and works there - Willie Fraser. | 0:57:15 | 0:57:18 | |
But perhaps most memorable for me | 0:57:20 | 0:57:23 | |
was having the opportunity to make a wee bit of music | 0:57:23 | 0:57:26 | |
with the legendary, the one and only, Fergie MacDonald. | 0:57:26 | 0:57:29 | |
Thank you very much. We'll need to form a band, eh? | 0:57:50 | 0:57:53 | |
Go on the road full time! | 0:57:53 | 0:57:55 | |
That was great, but what of the future? | 0:57:57 | 0:58:00 | |
Well, already, my mind's racing forward | 0:58:00 | 0:58:03 | |
and I'm envisaging that north coast of Scotland, | 0:58:03 | 0:58:06 | |
round from the Pentland Firth, | 0:58:06 | 0:58:08 | |
down through Caithness and the Flow Country, | 0:58:08 | 0:58:10 | |
down towards Golspie and Dornoch, | 0:58:10 | 0:58:13 | |
and I'm sure there's lots of rich treasures to explore in that region. | 0:58:13 | 0:58:16 | |
But for the moment, get out there yourself. | 0:58:16 | 0:58:20 | |
Enjoy your Scotland. | 0:58:20 | 0:58:22 | |
I'll see you next time. Bye-bye. | 0:58:22 | 0:58:25 |