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Good evening and welcome to snooker extra. Extended highlights of the | :00:33. | :00:41. | |
snooker championship. Our featured match night is Peter Ebdon, the 2006 | :00:42. | :00:47. | |
UK champion taking on David Gray from Leeds who was knocked out in | :00:48. | :00:50. | |
the very first round of last season's perdition. -- competition. | :00:51. | :00:54. | |
We go to your commentators. A revitalised Peter Ebdon. Gets this | :00:55. | :01:16. | |
last 16 match under way. Dropped down to world number 34 in the | :01:17. | :01:24. | |
rankings. Playing David Grace who plays at the northern snooker centre | :01:25. | :01:31. | |
in Leeds. That will bring back memories. World ranked 81. Had some | :01:32. | :01:36. | |
good results. In the last few matches. This is probably one of the | :01:37. | :01:43. | |
biggest occasions he has had so far in his snooker career stop it could | :01:44. | :01:49. | |
be an interesting contrast in styles. | :01:50. | :01:58. | |
I always find it interesting. Sometimes, it can be in the mid- | :01:59. | :02:09. | |
30s, a time, and other times, you can play quicker. I remember when he | :02:10. | :02:16. | |
got the UK, down to 22nd shot and then up to 30 seconds per shot. | :02:17. | :02:21. | |
Peter Ebdon is his own man. Sometimes he plays his own man | :02:22. | :02:24. | |
rather than the table. I agree with that. You are entitled to slow him | :02:25. | :02:31. | |
down. He withstood every opponent in what he does do is put 110% into | :02:32. | :02:37. | |
every shot. He is playing a double here. Heading the black into the | :02:38. | :02:42. | |
left centre. The only read that he could leave was one he was playing. | :02:43. | :02:48. | |
It was not very close, the double, it has to be said. | :02:49. | :03:05. | |
I personally haven't had the pleasure of watching David Grace | :03:06. | :03:10. | |
before. This is the first time for me in commentary. | :03:11. | :03:18. | |
Always takes time to settle, especially in the biggest match of | :03:19. | :03:24. | |
his life so far. This may be his first television match. It is his | :03:25. | :03:34. | |
first on BBC. It may not be his first abroad. An icebreaker in | :03:35. | :03:53. | |
tournament play. An easy safety shot for Peter. In that top caution. He | :03:54. | :03:57. | |
would leave the red on the right-hand side caution. -- cushion. | :03:58. | :04:06. | |
He would not want to risk the pot on this red. | :04:07. | :04:27. | |
He has decided just to play that containing save. He will not get | :04:28. | :04:35. | |
much advantage out of it. There is no safety area in the ball. David | :04:36. | :04:41. | |
will be playing off that red on the right-hand side, off the black. The | :04:42. | :04:44. | |
tighter he gets it into the top cushion, the better. | :04:45. | :04:52. | |
He failed to do that. There may be a red that could turn Peter here. That | :04:53. | :05:04. | |
cluster in the left of the pink goes into the far right corner stop if | :05:05. | :05:11. | |
that is the case, and he felt that the only read he could leave was the | :05:12. | :05:14. | |
one that he was playing, it may be worth a pot. You see? Out in the | :05:15. | :05:22. | |
open, 75% pot. The problem is that he did not get | :05:23. | :05:47. | |
into the jaws of the pocket so that red is running loose. It has enough | :05:48. | :05:51. | |
pace to bounce off the top cushion and not leave anything easy for his | :05:52. | :05:53. | |
opponent. The pink has gone into the pocket. | :05:54. | :07:02. | |
Peter will be more concerned as he has left the pot on. He certainly | :07:03. | :07:11. | |
did not play the cue ball very well. The pink spot was available, so that | :07:12. | :07:17. | |
puts it out of commission. Is there a pot for David Grace to go out? | :07:18. | :07:40. | |
That was a good pot, that. Playing it at that pace. That could be so | :07:41. | :07:48. | |
accurate. Forced the cue ball the table. Bigelow, David. Can reach the | :07:49. | :07:59. | |
blue no problem. -- a big lad, David. | :08:00. | :08:07. | |
Be nice and solid pot. As soon as you can get your hand on the table | :08:08. | :08:14. | |
and start looking a few balls in... It is a way to relax you. | :08:15. | :08:25. | |
He has had some butterflies coming into this game but seemed to have | :08:26. | :09:04. | |
settled nicely. A very good chance to get 40 or above. | :09:05. | :09:14. | |
It helps a bit that the yellow is not in the spot. As long as he plays | :09:15. | :09:21. | |
of the screw shot and misses the yellow or plays a cannon on the | :09:22. | :09:24. | |
yellow or red, and there is bound to be one of the two. The angle he has | :09:25. | :09:38. | |
got, in -- immediately will to play slowly on the left-hand side. That | :09:39. | :09:47. | |
may not be a good kids, there. -- kiss. That is the most awkward place | :09:48. | :09:54. | |
he could have finished. He has about a red to the left centre but you are | :09:55. | :10:01. | |
playing into a blind pocket... APPLAUSE. Not very easy when they go | :10:02. | :10:04. | |
in. Tricky. Played it nicely. Found the gap. | :10:05. | :10:20. | |
Just needs to slow up a little bit. Overran this black. This black will | :10:21. | :10:26. | |
be difficult if he decides to take it on. | :10:27. | :10:41. | |
Now just a bit wide. A decent chance. Just didn't get a good | :10:42. | :10:55. | |
position on the blue. That eventually caused him to break down. | :10:56. | :11:51. | |
Peter can sometimes be pedestrian. He has taken his time on this | :11:52. | :11:53. | |
particular shot. Obviously, the black is over there. | :11:54. | :12:10. | |
He was playing for the brown. Whatever, he would be happy with the | :12:11. | :12:17. | |
results. The black looks straight enough. Maybe he can just cue past | :12:18. | :12:30. | |
the yellow. Considering the thought that went into potting the red and | :12:31. | :12:34. | |
to me, it was the wrong choice. I thought he could come up for the | :12:35. | :12:36. | |
blue no problem. Playing cushion first. Getting the | :12:37. | :12:53. | |
cue ball to manoeuvre around. It is not bad, he has this read to the | :12:54. | :12:55. | |
right corner. The dreaded miscue. That was bad | :12:56. | :13:33. | |
killing. -- queueing. Played with a lot of bottom on the cue ball but | :13:34. | :13:40. | |
adjusted the accelerated. One mistake could be costly. You always | :13:41. | :13:52. | |
say when you miss and you are in. Not only did he miss, he said David | :13:53. | :14:01. | |
Grace up for a nice opportunity. He could possibly win the frame at this | :14:02. | :14:02. | |
visit. Not settled, has he? We would expect | :14:03. | :14:48. | |
him to get ten out of ten. A bit fortunate to have left the red from | :14:49. | :14:52. | |
Peter on the other red. That was tough. It is always tough | :14:53. | :15:40. | |
when you are using the spider and especially, he felt a little bit | :15:41. | :15:45. | |
aggrieved that David Grace had to miss the easy red in the corner and | :15:46. | :15:49. | |
was covered. David gets another chance. | :15:50. | :16:01. | |
Straighter on the blue would have been ideal but without red over in | :16:02. | :16:04. | |
the corner pocket, no problem. One good position of shot could | :16:05. | :16:48. | |
leave them in the corner. He could leave the green and play for the two | :16:49. | :16:52. | |
red is there. One in the middle pocket first, which is not a | :16:53. | :16:57. | |
problem. I don't know if they were playing damp but when they were | :16:58. | :17:01. | |
playing to get into the cue ball, he played that absolutely straight so | :17:02. | :17:06. | |
he can get onto the blue. I don't think they can get into the ball | :17:07. | :17:11. | |
well enough. They talk about atmosphere is outside but it is not | :17:12. | :17:16. | |
raining outside today. That obviously makes the tables damp | :17:17. | :17:24. | |
sometimes. That was a fluke. That will work. | :17:25. | :17:28. | |
You can't eat a bit of luck. But only the fluke... He put up his hand | :17:29. | :17:45. | |
to apologise but he will not apologise in getting enough points | :17:46. | :17:48. | |
here to win the frame. He has every chance to do that. Take advantage of | :17:49. | :17:59. | |
a run on the ball when you get it. The reason he says that is that it | :18:00. | :18:05. | |
can soon change. He did not play a good positional shot off the blue | :18:06. | :18:11. | |
for that red. As I have said many times, once the cue ball starts to | :18:12. | :18:15. | |
travel up and down the table, you can quite easily lose a good | :18:16. | :18:17. | |
position. He puts in 46 points in front. Still | :18:18. | :18:30. | |
a possible 67 remaining. On the scoreboard. Two reds needed. | :18:31. | :18:47. | |
A nice angle to play a cannon. No need to play a cannon because after | :18:48. | :18:54. | |
this blue, one more in the corner is all that is required. Later cannon | :18:55. | :18:59. | |
and it could go wrong. -- played the cannon and it could go wrong. Just | :19:00. | :19:04. | |
knocking the blue in and playing the red into the left corner. In the | :19:05. | :19:12. | |
scoreboard, 52 ahead and pop this with only 52 remaining. | :19:13. | :19:20. | |
He has needed a few chances and some help from his opponent. He has got | :19:21. | :19:28. | |
there in the end. Straighter on the black and then he | :19:29. | :19:56. | |
would like. He has the red available in the middle. Just roll it in and | :19:57. | :20:05. | |
play ball. This will certainly unsettle whatever mercy did have | :20:06. | :20:13. | |
coming into the match. -- whatever nerves he did have coming into | :20:14. | :20:20. | |
A good shot needed now. Two straight on the black which is why he is | :20:21. | :20:53. | |
playing the pink, to get up for the yellow. Played it nicely. Of course, | :20:54. | :21:15. | |
there is no pressure on your shot. It just settles you down as he said. | :21:16. | :21:22. | |
More table time you get early in the match, the more you benefit from it. | :21:23. | :22:03. | |
Well played! Nice 84. He needed a few chances. Peter gave him chances. | :22:04. | :22:19. | |
Grace leads one frame to zero. Nothing straightforward here. | :22:20. | :23:19. | |
Sometimes you can get in your own way when you're visiting. Peter has | :23:20. | :23:24. | |
been known to have a think a little bit. This is a straightforward | :23:25. | :23:28. | |
up-and-down to get one under the back cushion. He decided to play a | :23:29. | :23:35. | |
pot. You never know. He plays strange shots. He played the | :23:36. | :23:43. | |
snooker. Didn't see that. I suppose. I didn't see him put up his hands to | :23:44. | :23:47. | |
apologise. I assume that he thought that, playing that shot, he could | :23:48. | :23:52. | |
find the line back to the ball. He missed the pot by so much that the | :23:53. | :23:55. | |
cue ball could have finished anywhere. I agree with you. You can | :23:56. | :24:01. | |
never second-guess Peter because he is a shotmaker. There are shots that | :24:02. | :24:05. | |
he will see that other people would not consider taking on. And | :24:06. | :24:09. | |
vice-versa. The most obvious shots and he will play something else. | :24:10. | :24:14. | |
Everyone to their own. He has had great success over the years. Not so | :24:15. | :24:17. | |
much in recent seasons... Prides himself on being strong | :24:18. | :24:35. | |
mentally, doesn't he? I can understand that people are better | :24:36. | :24:38. | |
than my ability wise but nobody can be better than my temperament wise. | :24:39. | :24:43. | |
That has him in good stead. You can't always play at your best. | :24:44. | :24:49. | |
Absolutely. We see that 70 times with the so called up and coming | :24:50. | :24:54. | |
players. -- so many times. You cannot always play at your best. | :24:55. | :24:57. | |
Many of them do not see the warning signs and may have frame where they | :24:58. | :25:02. | |
do not push the goals too much. Last night, he would have gone home | :25:03. | :25:08. | |
horrified, Jamie Jones. Mark couldn't put in a ball at Jamie | :25:09. | :25:13. | |
Jones played well. It is not all about potting balls. Finally enough, | :25:14. | :25:20. | |
the lad that everybody is expecting great things from, who David Grace | :25:21. | :25:32. | |
defeated in the last round, Jack. All great talents, all great potters | :25:33. | :25:36. | |
and break builders and when they are not doing that, have a got a -- have | :25:37. | :25:50. | |
they got a B-game? All of these young fellows, find it so easy in | :25:51. | :25:54. | |
practice. Not so easy out there. Good blend with the cue ball from | :25:55. | :26:10. | |
Peter. I don't know whether David can just get past the yellow of the | :26:11. | :26:17. | |
main bunch of red. If you can, this is difficult. If he can just get | :26:18. | :26:22. | |
past the yellow, it makes it so much easier. | :26:23. | :26:31. | |
It has got a cueball but there is a red going towards the corner and he | :26:32. | :26:39. | |
has gone past the brown. That has worked out to be quite a telling. | :26:40. | :26:47. | |
Safety shot. Brown came to his rescue. He put up his hand and | :26:48. | :26:54. | |
apologised to Peter. Peter has a couple of possible pots in the right | :26:55. | :26:58. | |
corner but they are fraught with danger. You don't mind taking on a | :26:59. | :27:03. | |
difficult pot if you think that there may be a cull at the end of | :27:04. | :27:08. | |
it. If there is not, it is risk with no reward. He has to get a good | :27:09. | :27:16. | |
cueball here to cover that red that is adjacent to the left corner | :27:17. | :27:20. | |
pocket. He is playing with the one just below the pink. He keeps it on | :27:21. | :27:24. | |
the right-hand side of the table and covers that are red. How easy is | :27:25. | :27:33. | |
cueball this time? Every credit. Great shot. Lots of check side. | :27:34. | :28:09. | |
And they had to be very thin with the contact. Ms called. There is a | :28:10. | :28:18. | |
red in the left corner. I don't know whether you would take... Could you | :28:19. | :28:26. | |
take miss, really? In potting it, you would run near the red in the | :28:27. | :28:29. | |
top cushion. Where does the colour come from? If he has the ball is | :28:30. | :28:35. | |
replaced and this time, David Grace wants to catch the red, thin as he | :28:36. | :28:41. | |
intended, the first time around. Peter could be in a spot of bother | :28:42. | :28:45. | |
himself. He is taking a calculated risk. I think that the yellow got | :28:46. | :28:48. | |
nudged slightly. As I say, he has to catch this a | :28:49. | :29:00. | |
very thin. Too thick and it could run off. He has missed it again. The | :29:01. | :29:10. | |
thing is now... APPLAUSE. It will be a warning now. He can hit its sides | :29:11. | :29:19. | |
of the reds and, of course, three misses and you are out. He may be | :29:20. | :29:24. | |
forced into taking the long pot now, the one nearest him. He can | :29:25. | :29:29. | |
definitely pot this red and try to screw it in and get onto the one | :29:30. | :29:34. | |
with colour. Not seen too many players as we have said before. Not | :29:35. | :29:39. | |
sure of his cue power. We need all of it to get back into the ball. The | :29:40. | :29:45. | |
referee did give him the warning. If you do not, it is a red this time | :29:46. | :29:47. | |
and you forfeit frame. Do not think that you can risk | :29:48. | :30:01. | |
playing the thin one. He is playing the pot. What has he left? Peter | :30:02. | :30:19. | |
Anthony Hamilton's body language, I would think, not a lot... -- Peter | :30:20. | :30:36. | |
Ebdon. Hand in his pocket, Peter. He has not let anything on. Just | :30:37. | :30:55. | |
below the pink when he gets in with the ball. You'll believe anything | :30:56. | :30:59. | |
the ball. He is looking for a problem that is not there. | :31:00. | :31:03. | |
One short of what would be considered a good cueball. He may | :31:04. | :31:25. | |
have left a pot on here. Those two rates close together made | :31:26. | :31:42. | |
pot but she would be developed and -- would make pot but you would | :31:43. | :31:48. | |
favour the left-hand side won. -- two reds. It is very unlike him. | :31:49. | :31:57. | |
That was half a chance. It shows you that Peter might be having trouble | :31:58. | :32:06. | |
with a good safety shot. David was looking to get away with it. That | :32:07. | :32:11. | |
time, Peter played a poor safety shot and now is gifted an easy | :32:12. | :32:15. | |
opportunity. Sometimes there is no rhyme or reason. | :32:16. | :33:02. | |
An excellent victory over Stuart Bingham in the previous round. One | :33:03. | :33:07. | |
of those players that play with fire. There is not another player in | :33:08. | :33:11. | |
the game who plays with that. Allegedly, it consists to throw the | :33:12. | :33:19. | |
ball. When you play with one, it helps but with a cyber thrower, it | :33:20. | :33:24. | |
doesn't. Have you played with one? I did in the early days with the | :33:25. | :33:32. | |
2-piece cues. The wood-would join. Cliff always used to play with a | :33:33. | :33:37. | |
five. It was something well used in Canada. | :33:38. | :33:43. | |
I'm not sure about that. The availability of the black. The left | :33:44. | :34:01. | |
corner pocket... Reckon he can only assume it doesn't go, because if it | :34:02. | :34:04. | |
did, Peter would be down, rolling the red in and play going the black. | :34:05. | :34:11. | |
He is having a look now. Like, it does... Well, he should have pots | :34:12. | :34:17. | |
think red and the black by now. Just leave yourself a nice angle on | :34:18. | :34:29. | |
the black. And a little screw back and play for the red immediately to | :34:30. | :34:33. | |
the left of the black in the same pocket. A good chance, this. | :34:34. | :35:02. | |
He played the run, trying to develop the red. The problem with that was, | :35:03. | :35:11. | |
you can always push the red into a position, where it would go away | :35:12. | :35:12. | |
from the black. No, he had a bit of a result there. | :35:13. | :35:27. | |
To be honest with you, he could use one red to hold the cue ball, but it | :35:28. | :35:34. | |
wasn't holding it that well till he hit the third red. | :35:35. | :35:40. | |
Still with a good chance of getting enough points to win the frame here. | :35:41. | :36:28. | |
Played that quite nicely. A choice of reds, one to right corner, one to | :36:29. | :37:08. | |
the left corner. He is fairing the one to the right | :37:09. | :37:17. | |
corner, because you can control that and leave yourself a nice angle on | :37:18. | :37:23. | |
pink or black, as it turns out. Still want to be straight on the | :37:24. | :37:25. | |
black. Probably played a pink now, but as I | :37:26. | :37:35. | |
say, he had choices of colours to play on. He got a 45-point lead with | :37:36. | :37:42. | |
a colour to come. Yes, a bit in commentary, it goes, no way about | :37:43. | :37:48. | |
it. He is one of the game's great break makers. Two maximum breaks in | :37:49. | :37:53. | |
tournament play, and 11 centuries this season. He is not a natural | :37:54. | :37:58. | |
break builder. He looks, at times, he plays it different to other | :37:59. | :38:00. | |
players, but he gets them. Over a little bit for the desired | :38:01. | :38:13. | |
red. Yeah. Think he would lay for the one of the middle, you you. He | :38:14. | :38:18. | |
is on the red to the left coverage, but he's running into other reds. | :38:19. | :38:23. | |
Plays to one to the left middle, he is running into other reds. So... | :38:24. | :38:25. | |
This could go wrong. Well, LAUGHS | :38:26. | :38:41. | |
Not quite. That is where he intended, but he'll settle for it. | :38:42. | :38:47. | |
He obviously completely mis-hit it. He played the gap between the black | :38:48. | :38:53. | |
and the reds to come out for the whack, and because he mis-hit it, it | :38:54. | :38:56. | |
cannoned onto the reds. He could hold it without cannoning | :38:57. | :39:06. | |
the pink. He is not looking settled at the moment, Peter. | :39:07. | :39:30. | |
Well, would be believe it. And the one thing you can never accuse Peter | :39:31. | :39:40. | |
Ebdon off, missing a shot. Because he was dayless. -- careless. Just | :39:41. | :39:50. | |
decelerated it on him. If you don't get through the cue ball, it just | :39:51. | :39:56. | |
drift away from the intended target. It was a good chance missed. | :39:57. | :40:07. | |
So, David Grace gains the table. 60 points behind. A few reds in the | :40:08. | :40:18. | |
open, but those two reds on the left-hand side cushion, as we look, | :40:19. | :40:26. | |
will take some negotiating. He is going to has hopes of winning the | :40:27. | :40:30. | |
frame. Just concentrate on reducing the deficit. | :40:31. | :40:36. | |
Not a natural gap to bet back into bauks, so you don't know whether he | :40:37. | :42:08. | |
is taking this on. I don't know quite why he pushed it | :42:09. | :42:20. | |
out there, 57 points in front. A strange choice, that one. He may be | :42:21. | :42:24. | |
thinking the only red he could leave is the one he is playing. That is | :42:25. | :42:31. | |
the one he is left. 57 points in arrears. | :42:32. | :42:32. | |
APPLAUSE Not certain about the availability | :42:33. | :42:49. | |
of these two reds near the top cushion. I don't know whether the | :42:50. | :42:54. | |
outside one will pot to the left corner. It's just having a look now. | :42:55. | :43:02. | |
If it did, it would make matters a little easier. | :43:03. | :43:11. | |
It must pot. Yes, clearly. He would have liked to have had a bit more | :43:12. | :43:24. | |
angle than this. He may have to play for the straight screw back and play | :43:25. | :43:28. | |
for the plaque in the same pocket. He won't be playing the red closest | :43:29. | :43:29. | |
to top cushion. He tried to force it over but I | :43:30. | :43:41. | |
think he would have been better served trying to play the deep screw | :43:42. | :43:47. | |
there. And play for the black in the same pocket as the red. | :43:48. | :44:08. | |
Good pot to pronounce the cue ball. That will pot into the left-hand | :44:09. | :44:18. | |
corner. Ideally, would like to finish outside of baulk, rather than | :44:19. | :44:22. | |
baulk, and the left of the three reds available as well. A choice of | :44:23. | :44:29. | |
two reds he can play. I suppose you can swing it around nicely for the | :44:30. | :44:33. | |
blue, and that would be a shot to nothing. Decided to play the baulk, | :44:34. | :44:34. | |
for some reason. A little bonus there, the fact he | :44:35. | :45:16. | |
has nicely hung the pink in the middle. 42 points in front. | :45:17. | :45:22. | |
That shows a bit of a lack of confidence there. | :45:23. | :45:53. | |
On the wrong pass, this red. Miss will be called. It won't be taken. | :45:54. | :46:00. | |
Let's have a look at the old score board. Peter Ebdon looking for red | :46:01. | :46:02. | |
and a black. That would put him 54 points in | :46:03. | :46:08. | |
front, with just 51 remaining. Need to force the angle slightly. Be | :46:09. | :46:27. | |
a bit wary of this. Yeah, no problem. Playing it such a | :46:28. | :46:33. | |
right-hand side, just to widen the angle after second cushion. So this | :46:34. | :46:37. | |
black to get to snookers required stage. | :46:38. | :46:58. | |
Ebdon has changed his stance in the last year year. He used to have a | :46:59. | :47:26. | |
very, very straight back leg. Now he is crouching. A different stance to | :47:27. | :47:28. | |
with what he normally used to have. David Grace will stay in his seat | :47:29. | :47:41. | |
here. Just at the stance, look, both legs bent. | :47:42. | :47:45. | |
Good effort. But no cigar and Peter Ebdon levels the scores at one-all. | :47:46. | :48:07. | |
Peter Ebdon gets frame three under way. Both players looking a little | :48:08. | :48:15. | |
bit edgy at the moment. I think it's the occasion that's making them a | :48:16. | :48:19. | |
bit edgy, rather than who they are playing. A big match for both of | :48:20. | :48:24. | |
them. I know that Peter Ebdon is former UK and world champion, but he | :48:25. | :48:30. | |
has not been getting the best of the results of late, and this is a big | :48:31. | :48:33. | |
opportunity, having knocked out the world champion. | :48:34. | :48:37. | |
APPLAUSE On the other hand, David Grace, this | :48:38. | :48:48. | |
is an opportunity to go to the laster stages of one of the biggest | :48:49. | :48:54. | |
tournaments in the snooker calendar. As I say, the occasion can increase | :48:55. | :48:58. | |
the pressure and the importance. APPLAUSE | :48:59. | :49:49. | |
Well that is twice he's played a similar shot. Played it in the | :49:50. | :49:54. | |
middle, caught the knuckle. He had one in this corner and now one in | :49:55. | :49:57. | |
the far corner. Peter looks on in disgust. | :49:58. | :50:15. | |
And lots of players go into the pink. It won't a natural hold shot, | :50:16. | :50:22. | |
that. Had to really get into the cue ball. He may have second prize | :50:23. | :50:26. | |
handing on his red to the far right corner. And it looks straight | :50:27. | :50:32. | |
enough. You expect him to pot it. He didn't have to do a lot with the cue | :50:33. | :50:35. | |
ball to get position on the colour. APPLAUSE | :50:36. | :50:49. | |
Yeah, nicely played. As I say, but looking to land in such an | :50:50. | :50:51. | |
advantageous position. I think, there may be a red at the | :50:52. | :51:25. | |
bottom. Cluster, immediately above the black. He would be running into | :51:26. | :51:31. | |
other reds. He wouldn't be certain where the cue ball is going to | :51:32. | :51:33. | |
finish, but make certain of the pot. He's done that. And he's finished on | :51:34. | :51:45. | |
the black. Well played. Judged to pace off the second reds very | :51:46. | :51:46. | |
nicely. In slight angle on the black, he | :51:47. | :52:38. | |
would play for the loose red on the middle, or just the cannon on the | :52:39. | :52:43. | |
outside red. Bount to be one of the middle, wharf happens. | :52:44. | :52:52. | |
Just the one remaining loose red now. Essential to get an angle on | :52:53. | :54:16. | |
this black, preferably half ball. Didn't have to do too much with the | :54:17. | :54:21. | |
pact. There is only five reds there. Not enough to go it at in pace, to | :54:22. | :54:24. | |
push one towards the middle. He has got the perfect angle. He hit | :54:25. | :54:39. | |
the both reds, the middle red and the right-hand red. If he hit it is | :54:40. | :54:44. | |
smack over the joint, he'll push it over the rpd middle. -- the | :54:45. | :54:51. | |
right-hand middle. Almost impossible not to get on one here. He needs to | :54:52. | :54:53. | |
get the joint. That's what happens when you hit the | :54:54. | :55:12. | |
outside of them, you can run away. Once again, extremely fortunate to | :55:13. | :55:20. | |
get on the one in the middle. It was a pretty straightforward cannon to | :55:21. | :55:24. | |
the bunch. Why play in outside, I don't know. 51 in front and | :55:25. | :55:27. | |
counting. Inching ever closer to the winning | :55:28. | :56:07. | |
line in this third frame. 55 points in lead. Still going to need three | :56:08. | :56:10. | |
of these remaining reds, you feel, to be certain. | :56:11. | :56:18. | |
Maybe two, of the high value colours. | :56:19. | :56:26. | |
That's nice. In fact, this pink will put him 62 points in front, so | :56:27. | :56:35. | |
another red and a colour would be sufficient, and he's perfect on the | :56:36. | :56:43. | |
pink. Let's not forget, it came off a fluke when he played the one in | :56:44. | :56:49. | |
the middle, went down the cushion. Ebdon won't be liking this at all. | :56:50. | :56:55. | |
The red and the black would put himself 70 points in front, with 67 | :56:56. | :57:01. | |
remaining. And the pink would put himself 69 points in front, with 67 | :57:02. | :57:03. | |
remaining. Snooker required. He knows that | :57:04. | :57:23. | |
Peter will carry on, so if this won't be concentration, and nothing | :57:24. | :57:28. | |
you can do about it, Peter, when someone gets a fluke like David did. | :57:29. | :57:35. | |
He looks to have landed. I was going to say, perfect on the pink to | :57:36. | :57:43. | |
disturb the three reds, but he has just come a little too straight. And | :57:44. | :57:48. | |
that's why he is thinking there's a blue and trying to cannon the three | :57:49. | :57:50. | |
reds. 75 points in lead. Just 59 | :57:51. | :58:12. | |
remaining. Put it past Peter to carry on. But for quite a few | :58:13. | :58:17. | |
snookers, it should be all over. And 2. 1 to David Grace. | :58:18. | :58:43. | |
He caught the red much too thin as it happens. He been a little bit | :58:44. | :58:52. | |
fortunate. The cue ball was finished near the side cushion, so you | :58:53. | :58:57. | |
wouldn't think there is any pot on, that would tempt David. Although he | :58:58. | :59:05. | |
is having a look to see if he played the red on the left-hand side of the | :59:06. | :59:11. | |
table, if he would anything. The only red he left was the one he was | :59:12. | :59:16. | |
playing. It's a tough shot. Taking the ball by the horns. He's going | :59:17. | :59:18. | |
for it. Well, that's a tremendous pot. Is a | :59:19. | :59:36. | |
tremendous pot. Every credit for taking that on. Whatever he gets, he | :59:37. | :59:40. | |
deserves. The black is fairly available to the | :59:41. | :00:08. | |
left-hand side. He has to get through the gap of the three reds at | :00:09. | :00:12. | |
this end of the table. He want to play for the black, so I imagine he | :00:13. | :00:16. | |
would be playing for pink or black. He is holding it for the pink, I | :00:17. | :00:17. | |
suggest. What he wouldn't give for another | :00:18. | :00:27. | |
sizeable break in this frame, to take a 5-1 lead. | :00:28. | :01:09. | |
If the pinks pots in the left-hand coverage, make sure you get high on | :01:10. | :01:16. | |
the pinch. That's a good shot, it brings the other reds into play. Got | :01:17. | :01:22. | |
to be a little careful in playing the cannon. Play for the loose one, | :01:23. | :01:28. | |
don't play onto them. Not too sure if they available. The way he's | :01:29. | :01:35. | |
played that, they obviously are. A great chance to go 5-1 in front. He | :01:36. | :01:41. | |
looks as though he has landed inch' perfect. Pot this red, a little | :01:42. | :01:45. | |
screw into the red just to the right of it. That's and that's worked out | :01:46. | :01:56. | |
pretty good. Both those reds a available. What a chance he's given | :01:57. | :02:01. | |
himself near. It's fair to say, a red that he took on, that not many | :02:02. | :02:09. | |
would have. Yes, you called in commentary, what he gets from here | :02:10. | :02:13. | |
he deserves. The way he potted the opening red. The reason that John | :02:14. | :02:19. | |
was saying it's a bit risky, playing at the pace he did, it had to go in. | :02:20. | :02:26. | |
This was the shot you are talking about, John. He knows the pink and | :02:27. | :02:31. | |
black are there for the taking. The pace he played at it, went all out | :02:32. | :02:33. | |
for it. Well done. He held it, has he held it! ? I | :02:34. | :02:48. | |
think he has. He is going around to look at where he wants to leave | :02:49. | :02:52. | |
himself. I thought for one moment, he run too far. And couldn't get | :02:53. | :02:58. | |
through to the black. But I think he can just about make it. | :02:59. | :03:05. | |
Oh! He convinced himself he could. Could you believe it. | :03:06. | :03:17. | |
He convinced himself he could get past the red. Well, guest past the | :03:18. | :03:26. | |
red. -- get past the red. A disappointing end there. Given | :03:27. | :03:28. | |
himself a great chance. Once again, a very average safety | :03:29. | :03:49. | |
shot the from Peter Ebdon. I mean, he has only just reached the baulk | :03:50. | :03:52. | |
line, never mind the baulk cushion. A little look up to the heavy, from | :03:53. | :04:26. | |
David, they through it was to the heavens, he knew when he was in | :04:27. | :04:28. | |
before that was an excellent chance. This looks a good line. The only | :04:29. | :04:45. | |
problem is with that shot, he dropped a snooker. But it's an easy | :04:46. | :04:51. | |
escape, you would have thought. The left-hand side cushion as we look. | :04:52. | :04:57. | |
Just the other side of the middle pocket, trace aside, OK, always a | :04:58. | :05:01. | |
bit frightened I may slip past the reds, but shouldn't do. | :05:02. | :05:19. | |
It looks straightforward, but not as straightforward as I thought. | :05:20. | :05:37. | |
He is going to try and come off three cushion, and hoping it checks | :05:38. | :05:40. | |
off the third cushion. Badly misjudged. But the pace he is | :05:41. | :05:55. | |
playing, if he didn't make contact with the red, he goes by the red and | :05:56. | :06:01. | |
leaves it. What he's trying to do, to come off the side cushion, the | :06:02. | :06:08. | |
left-hand side, right-hand side, top cushion and check into them. Surely | :06:09. | :06:17. | |
he'll make a better adjustment here. Well, that wasn't the shot. Have a | :06:18. | :06:23. | |
look at this face. I'm not certain that's the shot he had in mind. | :06:24. | :06:54. | |
Both these reds a available in the middle pocket. He is worrieded about | :06:55. | :06:59. | |
getting it on the black, maybe just roll it in for the pink and the | :07:00. | :07:01. | |
opposite middle. It's not a pretty sight to see a | :07:02. | :07:51. | |
player struggling, as Pete is. He certainly is. He is finding it very | :07:52. | :08:01. | |
hard work out there. The two reds at the right of the pack, has he had a | :08:02. | :08:04. | |
look at it yet? Having a look now. He can play this and screw back for | :08:05. | :08:11. | |
the black. Yeah. He screwed back for the black, | :08:12. | :08:30. | |
but much too straight on the black. To be getting on the next red, so I | :08:31. | :08:36. | |
would suggest he'll probably roll this in and settle for the seven | :08:37. | :08:37. | |
point. If he played that with any kind of | :08:38. | :08:43. | |
pace, the black just won't go in. Peter looks like he is taking this | :08:44. | :09:27. | |
red on, and playing for the brown or the green. | :09:28. | :09:29. | |
Yeah, it was a good pot. But David Grace, when he played safe, he won't | :09:30. | :09:49. | |
trickle that black in along the top cushion, he should have found the | :09:50. | :09:54. | |
baulk cushion with his safety. Now has he got the angle? Just a natural | :09:55. | :10:00. | |
angle to pot the yellow, or the blue, and go into the reds. | :10:01. | :10:13. | |
Missed the blue and that's the problem. He is missing too many | :10:14. | :10:20. | |
balls, is Peter. And now looking at the reds hoping he's got away with | :10:21. | :10:22. | |
it. Mark Selby struggled with it the | :10:23. | :10:36. | |
other night, against a very in-form Jamie Jones. Not sure how Peter can | :10:37. | :10:41. | |
get a victory, the way he's playing. He has to win this frame if he is | :10:42. | :10:48. | |
any chance. I can't see him winning five frames in a row, not on what we | :10:49. | :10:49. | |
witnessed so far. The little cluster of four in the | :10:50. | :11:30. | |
middle, with a yellow, that could be quite a telling safety shot. There | :11:31. | :11:36. | |
is a pot on. A gap between yellow and pink to play this red, but he | :11:37. | :11:39. | |
would be running into the black. This is not a shot for nothing. You | :11:40. | :11:41. | |
go for it, you need to get it. He is just throwing himself at it. | :11:42. | :11:51. | |
So much movement going on. This is very unlike Peter. | :11:52. | :11:58. | |
The head lifted. Has he got a back injury? I'm trying to work out why | :11:59. | :12:16. | |
he's got a different stance. I saw him the other day after he beat | :12:17. | :12:22. | |
Stuart Bingham. He was pleased. He said he was really well and | :12:23. | :12:26. | |
practising hard. Seemed very content. | :12:27. | :12:33. | |
Obviously couldn't get through to get to the potting angle of that | :12:34. | :12:40. | |
red. This long pot, you know, it's a shot to nothing the fact he can get | :12:41. | :12:46. | |
the cue ball right back into baulk. The way he's cueing, he's a bit | :12:47. | :12:47. | |
reluctant to play it. That's in one I'm thinking of. He | :12:48. | :12:59. | |
has to play the other one. If he pots it, he would do well to miss | :13:00. | :13:04. | |
the kiss off to the left-hand side. Has to get around the back of the | :13:05. | :13:09. | |
that red, and play the check side to make sure he did. Once again, an | :13:10. | :13:11. | |
awful long way away. Hit right across that. He might have | :13:12. | :13:54. | |
getting away with it, but he knock the brown in. But he's not left | :13:55. | :13:58. | |
anything easy. Just came round to see if the red is | :13:59. | :14:12. | |
cuttable. It looks a little bit past the pocket. | :14:13. | :14:27. | |
22-point lead. No very big with his standard of play. Peter is in the | :14:28. | :14:37. | |
mood to make a 40 or 50 break at the minute. | :14:38. | :14:45. | |
We've all been there, standing at the table and everything is going | :14:46. | :14:51. | |
wrong, and you can't kind of get any confidence. Everything looks | :14:52. | :14:56. | |
difficult, you are looking for problems rather than the not. Well, | :14:57. | :15:02. | |
he has decided he is going to play the thin cut here. He had a couple | :15:03. | :15:08. | |
of looks at it. Don't know where the cue ball is running to. He'll pot | :15:09. | :15:17. | |
the red. Much too thick. Did you see his head again, John? Yep. I mean, I | :15:18. | :15:25. | |
think the stance is causing him a big problem. He can't get through | :15:26. | :15:29. | |
the ball without lifts his head. He is twitching at the shot. Yeah, the | :15:30. | :15:37. | |
elbow went out, the arm went out. One good pot here and he could find | :15:38. | :15:39. | |
himself 5-1 behind. It's catching. Because all of a | :15:40. | :15:50. | |
sudden David Grace is starting to It's one of those things, you are | :15:51. | :16:10. | |
excited to see your opponent playing so bad. And you think, "I'm going to | :16:11. | :16:16. | |
win the match" you got to play one shot at a time, don't see the | :16:17. | :16:17. | |
winning post too soon. I think, "Reason he's playing the | :16:18. | :16:40. | |
yellow and not the blue is that the blue, if it went back on it own | :16:41. | :16:47. | |
spot, could tie the pinch up. Well, would you believe it? Would you | :16:48. | :16:55. | |
believe it? I mean... He is going as though he got a kick. But normally, | :16:56. | :17:00. | |
if you get a kick, you hit them to thick, not too thin. | :17:01. | :17:07. | |
Hard no know, I'm not a lip reader. Maybe I'm glad I'm not. | :17:08. | :17:11. | |
LAUGHTER Well, Grace will never get a better | :17:12. | :17:23. | |
chance of getting into the last eight of a tournament than this. | :17:24. | :18:07. | |
Just not getting through the ball all the moment. He is getting so | :18:08. | :18:14. | |
excited to realise he's got a chance to get into a quarterfinal, his cue | :18:15. | :18:19. | |
action has got a bit there. He was playing to get on the pink in the | :18:20. | :18:29. | |
middle pocket. 25 point the lead. Just cue this pink straight, doesn't | :18:30. | :18:31. | |
have to do much with the cue There is goes. | :18:32. | :18:39. | |
APPLAUSE 31 points the lead. Two reds, two | :18:40. | :18:45. | |
colours. And he will be one frame away from victory. | :18:46. | :19:10. | |
He'll be excited inside now. Just vas thanks mind his work here -- | :19:11. | :19:18. | |
just has to mind his work here. Pink, red, high valued colour. He | :19:19. | :19:20. | |
would be 5-1. Looking to be surprised he played | :19:21. | :19:31. | |
for the bottom red. Why not pray for the top red, a little easier? | :19:32. | :19:35. | |
Looking at this body language, he is on neither of them. | :19:36. | :19:46. | |
Hang on a minute, he can get through to this red. He is playing the | :19:47. | :19:52. | |
bottom, you need to run around the two cushions. | :19:53. | :19:54. | |
APPLAUSE Well that is as well as he has | :19:55. | :20:03. | |
struck any shot. Well, in the last couple of frames, anyway. So this | :20:04. | :20:10. | |
black to go 46 points in front with just 43 remaining. | :20:11. | :20:16. | |
And it goes. He kept his head down, played that well. That was a good | :20:17. | :20:24. | |
shot. Surprised he played the screw back and not the run through, but | :20:25. | :20:27. | |
the result was the same. He got on the black. | :20:28. | :20:50. | |
Of glancing at the scoreboard. Getting excited now. He done what he | :20:51. | :20:57. | |
has to do, won the frame at one visit, second visit, of course, but | :20:58. | :21:03. | |
he scored enough to get past the winning post in this frame. I have | :21:04. | :21:10. | |
to say, he was pretty consistent when he got the balls in open play. | :21:11. | :21:52. | |
Hard to see a player struggling as much as Peter is today. He must have | :21:53. | :21:58. | |
a black problem with the way he's standing. -- a back problem with the | :21:59. | :22:08. | |
way he's standing. Another break of 50 for David Grace, his third of the | :22:09. | :22:10. | |
match so far. Very well done, David, this is is a | :22:11. | :22:21. | |
good little clearance here. Missed a couple early on in the frame. But | :22:22. | :22:26. | |
did it when it mattered most. David Grace goes five one a possible six | :22:27. | :22:29. | |
to play. Four with a possible five to play. | :22:30. | :22:36. | |
Peter Ebdon, one of the toughest competitors in snooker. He has to | :22:37. | :22:43. | |
show all those qualities now, if he's going to get anything out of | :22:44. | :22:51. | |
this match. David Grace, we said at the start of the match, one of the | :22:52. | :22:56. | |
biggest games of his career. He needs this frame for a place at in | :22:57. | :23:00. | |
the quarterfinal of the United Kingdom Championship. | :23:01. | :23:11. | |
He went for the positively. Thought the only red that he could leave is | :23:12. | :23:21. | |
the one he's playing. And he has left that. What has Peter Ebdon got | :23:22. | :23:29. | |
left in the tank. His pot success, 74%. | :23:30. | :23:37. | |
And he's not going to win this match just getting little bits and pieces | :23:38. | :23:44. | |
when he gets in. He has to be winning frames in one visit. And the | :23:45. | :23:49. | |
evidence so far, it doesn't look on. But you never know with Peter. | :23:50. | :24:05. | |
Peter is moaning about another kick, but in fairness, the kick has done | :24:06. | :24:11. | |
himself a favour. He got a perfect handle on the red in the black spot. | :24:12. | :24:17. | |
If had it run a bit further, he may have to play off the cushion. But | :24:18. | :24:21. | |
it's a perfect angle. A little bounce, but only a fraction. | :24:22. | :24:58. | |
He is bemoaning his luck again. He felt he had a kick. But once again, | :24:59. | :25:06. | |
not a bad kick. It left him an angle to bring a couple of reds into play. | :25:07. | :25:14. | |
Come on Peter, you can bring the red into play here, bound to get onto | :25:15. | :25:15. | |
the black. Well, that turned out OK. Nice angle | :25:16. | :25:36. | |
on the blue. Oh, dear. Thrown his... A few | :25:37. | :26:44. | |
complaints about some of the tables and clothes and things. But I think | :26:45. | :26:48. | |
that Peter will have a few words to say after this match. Should he go | :26:49. | :26:55. | |
on the lose it. I'm sure I would like to be at his press conference. | :26:56. | :27:48. | |
He would have liked to have that one again. I'm not quite certain why he | :27:49. | :27:57. | |
played this red for, was it a right corner or a right middle? | :27:58. | :28:14. | |
Played it in the right middle, and was into the main bunch, hoping for | :28:15. | :28:18. | |
a better result than that. Well, that's, his eyes break when he | :28:19. | :28:38. | |
made a break of 52. All you can do here is nestle into | :28:39. | :29:01. | |
the cluster, and if you can get tight, you leave nothing easy. | :29:02. | :29:08. | |
Touching ball. So that gives Peter, well, would normally think, an easy | :29:09. | :29:20. | |
escape route to the baulk end. Just enough room to get between the red | :29:21. | :29:25. | |
and the blue, to get the cue ball behind the yellow spot there. Is he | :29:26. | :29:29. | |
playing the pot, can get through to the red. He is taking the pot on. He | :29:30. | :29:34. | |
has to be careful he doesn't foul the red here with his cue. | :29:35. | :29:41. | |
That was the thing that was putting him off slightly. | :29:42. | :29:51. | |
No, you're more concerned with pushing the cue in with a straight | :29:52. | :29:56. | |
line and bricking it back in a straight line. This is a chance | :29:57. | :30:02. | |
here, OK, maybe a bit tricky. Well, the fact he has the spieder, or | :30:03. | :30:06. | |
asked for the spider, doesn't make it any easier. The thing is, with | :30:07. | :30:10. | |
the red, he doesn't have to do anything with the cue ball, just | :30:11. | :30:14. | |
drop the red in, and you are bound to be on the black. But tricky with | :30:15. | :30:25. | |
the spider. H the cue ball, just drop the red in, and you are bound | :30:26. | :30:28. | |
to be on the black. But tricky with the spider. Played it well, played | :30:29. | :30:31. | |
it very well. OK, he's not got a good angle on the black here, but in | :30:32. | :30:37. | |
the main cluster, just one red sticking out as we watch this | :30:38. | :30:45. | |
again... Well played. Yes, if you wanted to be absolutely perfect on | :30:46. | :30:50. | |
the next red, he would like to leave another angle to bring a couple of | :30:51. | :30:55. | |
reds into play. If he gets on the colour here, that could be the | :30:56. | :30:58. | |
black, got to be careful when playing the run through, not in the | :30:59. | :31:02. | |
way of the black, that is why he is playing the screw, up for the pink | :31:03. | :31:06. | |
or the blue. If this works, this is a frame and match-winning | :31:07. | :31:11. | |
opportunity. Because all the reds are now perfect. Yeah, just going to | :31:12. | :31:19. | |
a little bit too much. He's not on the blue and not ideal on the baulk | :31:20. | :31:24. | |
colour. But the reds are all there for the taking. He is looking. If he | :31:25. | :31:31. | |
can drop the blue in and cannon into another red, or the cue ball. Most | :31:32. | :31:33. | |
important thing here, pot the blue. Which he has done nicely, and nudged | :31:34. | :31:47. | |
the red over the corner. Couldn't have put it better with his hand. | :31:48. | :31:54. | |
This is deep breathe time for David Grace and his supporters. A chance | :31:55. | :32:00. | |
of beating a former UK and world champion in the lasters stages of a | :32:01. | :32:04. | |
second major. Have to hold himself together now. | :32:05. | :32:19. | |
?CLEAR A little bit hampered. He can get true to it though. | :32:20. | :32:28. | |
Just slight hampered. You can see him cueing high on the cue ball | :32:29. | :32:37. | |
there. Nothing to do with the white. Just on the cushion. | :32:38. | :33:00. | |
A red and a black would make the points all square. That would leave | :33:01. | :33:26. | |
four reds. OK, one of them near the top cushion. That shouldn't prove | :33:27. | :33:30. | |
too much of a difficulty, but one near the red. Those four reds, with | :33:31. | :33:36. | |
high value colours, could see him get to the snookers required stage. | :33:37. | :33:41. | |
So as I say, this black makes the points all square. Frame and match | :33:42. | :33:49. | |
at his mercy. Essential this time to leave angle. | :33:50. | :34:12. | |
On the black, so he can get on the two reds, but don't think they're | :34:13. | :34:17. | |
both available left-hand corner. He needs a good angle. | :34:18. | :34:22. | |
Doesn't want to be straight. Otherwise he'll have to play for it | :34:23. | :34:30. | |
in the middle. Yeah, but that wouldn't be no bad thing. I think | :34:31. | :34:41. | |
you're right. Has too stand up and play for one of them | :34:42. | :34:45. | |
It would be close, and a little bit straighter, maybe. Not quite, if he | :34:46. | :34:54. | |
plays for the pink, not quite sure where it will go, when it's | :34:55. | :34:56. | |
respoted. Played that nicely. Once again, I | :34:57. | :35:12. | |
think he got the slight angle here. If he's going to play the run aushed | :35:13. | :35:17. | |
the two cushion, just got to judge it. Where he would like to cue ball | :35:18. | :35:23. | |
to be. Not too concerned about getting the red on in middle of the | :35:24. | :35:29. | |
table, so he can move in one in a left-hand side. That's in the | :35:30. | :35:35. | |
pottable cushion. He is asking for cue ball to be cleaned. Doesn't want | :35:36. | :35:38. | |
any heavy contact, anything to go wrong. It's all about controlling | :35:39. | :35:45. | |
this, isn't he? He is going to play it with top spin, don't hit it too | :35:46. | :35:50. | |
hard. Very easy to do that and snooker yourself on the pink. Needs | :35:51. | :35:56. | |
a bounce. He was so concerned about snookering himself on the pisk, he | :35:57. | :36:01. | |
slightly injured hit it. That makes the shot it, takes a little bit of | :36:02. | :36:08. | |
prush off the red, the fact he can play for a baulk colour, to cover | :36:09. | :36:14. | |
things up with the blue. So long ass pot the ball, you get the play the | :36:15. | :36:20. | |
next shot. F the red, the fact he can play for a baulk colour, to | :36:21. | :36:23. | |
cover things up with the blue. So long ass pot the ball, you get the | :36:24. | :36:26. | |
play the next shot. Oh, that's a nice kiss. That's OK! He put his | :36:27. | :36:29. | |
hand up and apologised to Peter. 'Cause I think he may just be able | :36:30. | :36:35. | |
to stun across to the other side of the table where the last key red for | :36:36. | :36:41. | |
frame and match is. I would be wanted to play behind the red, to | :36:42. | :36:45. | |
give yourself at least four pockets. If you screw direct, and hit over | :36:46. | :36:51. | |
it, you have got no shot. Try to give yourself options, playing on | :36:52. | :36:55. | |
two or three pockets. Which he hasn't done. Oh, dear. Still some | :36:56. | :37:02. | |
life in this frame yet. I don't mind him kissing the black, that can | :37:03. | :37:10. | |
happen. But not on the way up. I mean, I would excuse him from | :37:11. | :37:14. | |
kissing the black if he hit it off the cushion, but not straight into | :37:15. | :37:15. | |
the black. That's about all he could do, he | :37:16. | :37:30. | |
felt. Back to his seat. 22 points in lead. He missed his match-winning | :37:31. | :37:40. | |
opportunity. Will he get another one in this frame? | :37:41. | :38:03. | |
Decision time now for Peter Ebdon. He knows if he goes for this and | :38:04. | :38:09. | |
misses it, it could be his last shot. | :38:10. | :38:14. | |
And in the end, he decided not to go for it. If he's got the snooker, ud | :38:15. | :38:26. | |
have to say, right, decision. -- you'd have to say, right, decision. | :38:27. | :38:30. | |
Just an edge sticking out. Don't think so. | :38:31. | :38:40. | |
AR And there is an edge, but nothing he can get to. It came off the side | :38:41. | :38:50. | |
cushion, just have to hope you get it safe. He has not got it safe. | :38:51. | :38:58. | |
Peter, this is your chance. 22 points in it. He is going to need | :38:59. | :39:05. | |
red colour and the six remaining colours. To keep his hopes alive. | :39:06. | :39:53. | |
Be well, once again, you heard him immediately asking for cue ball to | :39:54. | :39:58. | |
be cleaned. The shaking of the head, we had a lot of that today. | :39:59. | :40:09. | |
Always feeling this clearances, I said in many occasions, the position | :40:10. | :40:31. | |
from brown to blue is the key. If you pot the brown, you get | :40:32. | :40:40. | |
perfect position on the blue it should be a formality. | :40:41. | :40:53. | |
The pink not being on the spot, he was able to hold. Pink and black to | :40:54. | :41:12. | |
pinch the frame. APPLAUSE | :41:13. | :41:38. | |
And in it goes and even then, the black one, he is complaining about | :41:39. | :41:42. | |
the contact. It won't matter. He won the frame. David Grace had a chance | :41:43. | :41:48. | |
to claim the frame. But he didn't it. The lead man leads by | :41:49. | :41:52. | |
So David Grace breaking off. In frame eight. | :41:53. | :43:49. | |
Decided on the aggressive safety. And he has got a good cue ball, but | :43:50. | :44:04. | |
he left a path to the red in the right corner. | :44:05. | :44:17. | |
And he is slotted it in. A nicement flick off the red. Has given him a | :44:18. | :44:24. | |
half decent position on the blue. Played it into the top pocket. Knew | :44:25. | :44:49. | |
that was the best way to get good position. It's all the case now, | :44:50. | :44:54. | |
Willie, of just holding yourself together. I wonder whether he is | :44:55. | :44:58. | |
going to risk playing for the black. If he plays for the black off the | :44:59. | :45:05. | |
red nearest the black, if he is going to win the frame in one visit, | :45:06. | :45:11. | |
he needs to black on its spotted. That begs the question, how clear is | :45:12. | :45:15. | |
his thinking. I glee with you - this is the red to play, and play for the | :45:16. | :45:17. | |
black. This goes in, he has his second | :45:18. | :45:26. | |
chance of winning frame and match. But this is not a certainty. No, but | :45:27. | :45:29. | |
he played the right shot. No. No! Too wide! I'm surprised he | :45:30. | :45:48. | |
stunned it. In it had been straighter, he could have dropped it | :45:49. | :45:52. | |
in. He had to play the stun to hold the cue ball. It was always wide of | :45:53. | :45:54. | |
the mark. What can Peter Ebdon do with this | :45:55. | :45:59. | |
opportunity? Glad everything seems like a | :46:00. | :46:54. | |
pinpoint of bitter. Such a straightford shot. | :46:55. | :47:05. | |
He decided to have it off the top cushion, until he was safe at | :47:06. | :48:22. | |
playing a screw shot. He is not too bad. A red at the other half of the | :48:23. | :48:28. | |
table he could play on. It doesn't really have to hold the cue ball. | :48:29. | :48:38. | |
Well, I thought he would have played there the red to the left middle, | :48:39. | :48:46. | |
and have a feeling he may have done, but he is well short of pace. And | :48:47. | :48:54. | |
left himself a bit of a tester. A thin cut to the middle, a tough ball | :48:55. | :49:00. | |
to pot into the corner. Not as straightforward as he would have | :49:01. | :49:01. | |
liked. Once again, he wasn't happy with the | :49:02. | :49:50. | |
contact. A thigh-slapping reaction, hand in the air. | :49:51. | :50:16. | |
Well, if it turned out, he was nicely on the red, OK, it may have | :50:17. | :50:27. | |
been a little bit closer to the cushion than he would liked, but | :50:28. | :50:28. | |
wasn't really a big problem. Well, once again, right into the | :50:29. | :50:43. | |
heart of the pocket, but he is complained he didn't get the best of | :50:44. | :50:48. | |
the contacts. Now, I'm going to say something here, I don't think you | :50:49. | :50:52. | |
are cueing well enough, Peter. I don't think it's the ball's fault. | :50:53. | :50:59. | |
You are not cueing smoothly. This is why he is getting the one or two | :51:00. | :51:01. | |
heavy contacts. This red for his second 50 break of | :51:02. | :51:54. | |
the match. He is starting to find a little bit of form, still a bit of | :51:55. | :51:56. | |
complaining. Oh, you are kidding. He is jabbing | :51:57. | :52:17. | |
at everything. He hit at that. Luckily for him, he has got away | :52:18. | :52:21. | |
with it. Just the way, look at his head and his back arm. Just no | :52:22. | :52:27. | |
confidence at all. Every time he is playing a stun shot, no confidence | :52:28. | :52:28. | |
at all in the shot. Good opportunity now for David | :52:29. | :53:03. | |
Grace. And sometimes, Willie, these are the easier ones, aren't they? | :53:04. | :53:08. | |
The fact that you are sat there, in your chair, and suppose you have | :53:09. | :53:12. | |
lost the frame, and come to the table, it's a bit of a bonus. Yeah, | :53:13. | :53:14. | |
absolutely. And the fact he is behind, he is not | :53:15. | :53:24. | |
getting excited, thinking I can win frame and match. And he wants to get | :53:25. | :53:30. | |
back into the frame. And when he is down to the last red, the pressure | :53:31. | :53:35. | |
is on. The next two reds and two colours should be OK. And then he | :53:36. | :53:39. | |
has to mind his work. He had a chance in the previous frame to | :53:40. | :53:40. | |
pinch it. Well, not a bad idea that, to play. | :53:41. | :53:54. | |
Maybe a choice of two reds, but obviously he got too close to the | :53:55. | :53:59. | |
one that would have been a possible, maybe into the middle, but he is on | :54:00. | :54:04. | |
this, and he can stun out and play for the pink in the middle. Just | :54:05. | :54:08. | |
going off the angle. This pink will put him 23 points | :54:09. | :54:24. | |
behind. He would have liked to have been a bit straighter on this pink. | :54:25. | :54:28. | |
He may have to play a cannon to develop the red just below the pink. | :54:29. | :54:31. | |
Don't day your eyes off the pot. Off the last red... Hopefully, he'll | :54:32. | :54:52. | |
be able to play for the blue, that makes it a lot easier to get to the | :54:53. | :54:56. | |
yellow, or even baulk colour. It doesn't | :54:57. | :55:01. | |
So this is now the key shot, I think. Yes, and if he gets | :55:02. | :55:14. | |
reasonably high value colours, he will not need the black. | :55:15. | :55:37. | |
Nice angle to get onto the baulk colour. He put a bit of back spin | :55:38. | :55:43. | |
on, that makes it slightly more difficult than it should be. Caught | :55:44. | :55:54. | |
the near but it's gom gone in. Not nicely on the blue. Not sure if he | :55:55. | :55:57. | |
can hold it from here. That's nerves for you. I don't think he can hold | :55:58. | :56:04. | |
it. All a case of missing the baulk colours. If he plays to hold it, | :56:05. | :56:10. | |
it's OK. But don't kiss one of the baulk colours. He played that | :56:11. | :56:13. | |
nicely. He has played that nicely. APPLAUSE | :56:14. | :56:18. | |
Well, not bad. Not pest. But he, as I say, he's a tall lad. Ten points | :56:19. | :56:29. | |
behind now. Up to and including the pink for a place in the quarterfinal | :56:30. | :56:33. | |
with the Betway United Kingdom Championship. | :56:34. | :56:48. | |
That was a perfect poxt and he played it nicely -- pot and he | :56:49. | :56:54. | |
played it nicely. Brown to blue should be the only problem. But as I | :56:55. | :57:01. | |
said earlier, the advantage is he doesn't need the black. | :57:02. | :57:12. | |
He would be feeling it out there. This is one of the biggest matches | :57:13. | :57:17. | |
of his snooker-playing career. He has over hit this! It needs to | :57:18. | :57:32. | |
slow down! Just a little bit of adrenaline will. As I say, it's not | :57:33. | :57:38. | |
that important, but he can't get close to pink now. But he only needs | :57:39. | :57:43. | |
the pink. If he needed pink and black he would have a problem. Peter | :57:44. | :57:46. | |
Ebdon may think it's a slight chance of getting back to the table. This | :57:47. | :57:49. | |
pink, for the match. It's there! It's there! Peter Ebdon | :57:50. | :58:15. | |
will be very disappointed, but he gives a warm handshake to David | :58:16. | :58:20. | |
Grace. Peter Ebdon, never found his game, but that won't bother David | :58:21. | :58:26. | |
Grace. He is into the quarterfinal of the United Kingdom UK World | :58:27. | :58:30. | |
Championship. Struggled some time to get over the line, about you he took | :58:31. | :58:34. | |
those well in the end, and a ded winner. And he goes through, beating | :58:35. | :58:40. | |
the former United Kingdom and world champion, by six frames to two. So, | :58:41. | :58:47. | |
congratulations to David Grace. He reaches the quarterfinals, where he | :58:48. | :58:52. | |
will face Martin Gould or Joe Swail. We are back with fourth live | :58:53. | :58:58. | |
coverage at one o'clock, on BBC two. From all of us here, bye for now. | :58:59. | :59:00. |