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Good evening and welcome to snooker
extra, extended | 0:00:35 | 0:00:39 | |
Good evening and welcome to snooker
extra, extended highlights of the UK | 0:00:39 | 0:00:41 | |
championship. We see Martin Gould
take on Xiao Guodong of China. | 0:00:41 | 0:00:50 | |
Commentary from Stephen Hendry and
Steve Davis. | 0:00:50 | 0:01:02 | |
COMMENTATOR: Xiao Guodong breaks. I
think this will be an attacking | 0:01:08 | 0:01:13 | |
match. Both players | 0:01:13 | 0:01:13 | |
think this will be an attacking
match. Both players like to get on | 0:01:13 | 0:01:15 | |
with it, go for their shots and
score heavily. | 0:01:15 | 0:01:26 | |
Not too sure what route Martin Gould
arrived here today, whether it was | 0:01:39 | 0:01:43 | |
on the back of a bike, or through a.
It might be a style. There is only | 0:01:43 | 0:01:51 | |
one winner? Xiao Guodong, straight
from Strictly. Beauties. On a | 0:01:51 | 0:02:03 | |
serious note, I thought it Xiao
Guodong was going to be the next big | 0:02:03 | 0:02:10 | |
thing, got a lot of talent. But for
whatever reason, hasn't managed to | 0:02:10 | 0:02:15 | |
realise that talent. Played him in
an exhibition when he was only 14, | 0:02:15 | 0:02:26 | |
15, got a total clearance against
me. I thought, this guy has got | 0:02:26 | 0:02:31 | |
everything. I do feel, slowly and
surely, a lot of the Chinese are | 0:02:31 | 0:02:45 | |
starting to make their mark on the
world scene. | 0:02:45 | 0:02:56 | |
Very aggressive and considering he
hasn't had much table time, that is | 0:02:59 | 0:03:07 | |
a shot he couldn't guarantee. | 0:03:07 | 0:03:20 | |
This red on the black spot is a good
one to get rid of, obviously. Won't | 0:04:25 | 0:04:30 | |
be able to play for the black this
time, but it makes break-building a | 0:04:30 | 0:04:33 | |
lot easier. Don't know if he can
screw through the. | 0:04:33 | 0:04:40 | |
Underrated player, Martin Gould.
Doesn't seem to be overawed by any | 0:05:11 | 0:05:22 | |
situation. Unusual in respect that
he wears normal glasses to play. I | 0:05:22 | 0:05:36 | |
think they are special glasses he
looks over the top of two play shots | 0:05:36 | 0:05:39 | |
with. Why is he wearing them if he
looks over the top of them? Balance. | 0:05:39 | 0:05:53 | |
When he is looking at the table from
this position, looking through the | 0:05:53 | 0:06:01 | |
glasses and when he gets down he is
looking over the top, clear of the | 0:06:01 | 0:06:04 | |
rings. He obviously hasn't got that
poor eyesight, I would imagine. Not | 0:06:04 | 0:06:12 | |
the first time we have discussed
this, but it is quite fascinating. | 0:06:12 | 0:06:18 | |
Cannon on the middle read. The only
drawback is he has tied the black | 0:06:23 | 0:06:31 | |
dog for the right corner. The harder
cannon would have pushed the red | 0:06:31 | 0:06:36 | |
free of the black line. Probably
won't be an issue. Very, very | 0:06:36 | 0:06:47 | |
efficient. This cue ball hasn't
moved any distance so far in this | 0:06:47 | 0:06:51 | |
break. That is the art of
break-building at the top of the | 0:06:51 | 0:06:55 | |
table. To be fair, he was given a
gift in this opening frame. Just | 0:06:55 | 0:07:03 | |
what he wants, easy chance with the
balls everywhere. Very aggressive | 0:07:03 | 0:07:17 | |
shot by Xiao Guodong. Tough shot to
play, the cue ball was quite close | 0:07:17 | 0:07:22 | |
to the side cushion. It made the
shot even harder. Getting harder | 0:07:22 | 0:07:28 | |
now, the lay of The reds. Got a bit
of a kick on the last red and that | 0:07:28 | 0:07:35 | |
has taken the pace out of the cue
ball. More work to do with the cue | 0:07:35 | 0:07:39 | |
ball here. Had to sacrifice a little
bit of distance between balls, but | 0:07:39 | 0:07:52 | |
as long as this red to the right of
the pink goes in, it's pretty | 0:07:52 | 0:07:56 | |
comfortable. | 0:07:56 | 0:08:02 | |
He is striking the ball nicely,
crisp. Always nice to get off to a | 0:08:14 | 0:08:24 | |
good start, especially in one
session match. It is important in | 0:08:24 | 0:08:31 | |
even longer matches, but settling
down in matches, is never | 0:08:31 | 0:08:36 | |
guaranteed. Opus group that a
fraction. Didn't want to be that | 0:08:36 | 0:08:42 | |
close to the cushion. Although
perhaps it was unavoidable, to get | 0:08:42 | 0:08:46 | |
straight on one of these reds. He'll
expect him to get it. | 0:08:46 | 0:08:52 | |
The first shot but hasn't gone to
plan so far. Going to have to play | 0:09:08 | 0:09:15 | |
the pink to left middle. Which is
admissible. | 0:09:15 | 0:09:30 | |
One more red and this has been a
very comfortable visit to the table. | 0:10:15 | 0:10:21 | |
He's never looked in any danger,
very composed, very relaxed. Never | 0:10:21 | 0:10:27 | |
really had any tough shots to play.
And this is the best way of | 0:10:27 | 0:10:33 | |
punishing your opponent of his
mistake, winning the frame in one | 0:10:33 | 0:10:39 | |
visit. But on another day, when you
are not as comfortable amongst the | 0:10:39 | 0:10:46 | |
balls, you could make an easy visit
like this very difficult. Good | 0:10:46 | 0:10:50 | |
control. Martin Gould, outdoing Xiao
Guodong in the belt department, that | 0:10:50 | 0:11:02 | |
is for certain. It is a beauty. | 0:11:02 | 0:11:11 | |
Jag or donk comes back for a bit of
practice, but it is going to be 1-0, | 0:11:36 | 0:11:42 | |
to Martin Gould. -- shall gong. | 0:11:42 | 0:11:45 | |
I don't see the point in coming to
the table to play a tough shot. If | 0:12:01 | 0:12:07 | |
Martin Gould had left an easy one,
then yes, pot some balls but | 0:12:07 | 0:12:13 | |
otherwise, I don't see the point.
Play a tough shot and missed them by | 0:12:13 | 0:12:20 | |
a mile, it is only going to make you
feel worse when you go into the next | 0:12:20 | 0:12:24 | |
frame. | 0:12:24 | 0:12:28 | |
Martin Gould with that impressive
break of 82. Takes the first frame. | 0:14:28 | 0:14:38 | |
Match is back to all square and now
it is the best of nine. | 0:14:56 | 0:15:05 | |
APPLAUSE
Decent break. | 0:15:05 | 0:15:14 | |
As is the done thing now, a player
knows when a risky shot, gets out of | 0:15:22 | 0:15:32 | |
the way of the shot and the referee
can look at exactly where the cue | 0:15:32 | 0:15:38 | |
ball is, should there be a file
called. Paul Collier, may have more | 0:15:38 | 0:15:47 | |
experience than these two lads put
together. Has been around for | 0:15:47 | 0:15:51 | |
centuries now in the game. | 0:15:51 | 0:15:55 | |
I didn't expect any harm to be done
from that shot, but he has left this | 0:16:10 | 0:16:16 | |
red. Bad judgment from Martin Gould.
I'm sure he was playing into the | 0:16:16 | 0:16:21 | |
bunch of The reds. Gets the cue ball
to stop and quickly. It hasn't done. | 0:16:21 | 0:16:32 | |
He's got enough angle to play-off
may be three or four questions. | 0:16:32 | 0:16:42 | |
Requires a lot of cute power,
although these tables help you out | 0:16:42 | 0:16:46 | |
in that department, more so than a
club table. | 0:16:46 | 0:16:54 | |
Five cushions. Tough pot, I don't
think you will be playing this. | 0:16:59 | 0:17:15 | |
Maybe angle wide off the first
question. That is why the cue ball | 0:17:15 | 0:17:19 | |
has ended up at this down of the
table. | 0:17:19 | 0:17:23 | |
The flick on the brown has left him
perfect to get the cue ball back up | 0:19:07 | 0:19:11 | |
to this end of the table. | 0:19:11 | 0:19:17 | |
Aggressive shot. Everything was
covering each other, there wasn't an | 0:19:47 | 0:19:55 | |
easy red to play for. This red is
on. He can play of the cushion to | 0:19:55 | 0:20:03 | |
the pink for the same pocket but
when you are playing with more pace | 0:20:03 | 0:20:08 | |
and bridging over, the slightest
deviation, you miss this red. | 0:20:08 | 0:20:22 | |
Don't think he will be playing the
pink now, it will be glued to the | 0:20:23 | 0:20:28 | |
green pocket. Virtually nothing to
do with the cue ball. -- it will be | 0:20:28 | 0:20:33 | |
blue. Couple of reds available to
the right corner. Depends how far he | 0:20:33 | 0:20:43 | |
wants to screw the cue ball back.
Should he pot this blue, looking | 0:20:43 | 0:20:52 | |
further ahead, that black will be
difficult to get into open play. Hit | 0:20:52 | 0:21:02 | |
his hand on the edge of the table
then. Going through with the cube, | 0:21:02 | 0:21:13 | |
he hit his hands before he hit the
ball. Hurt his finger. I thought he | 0:21:13 | 0:21:19 | |
had got an electric shock, sometimes
that happens on the table. But you | 0:21:19 | 0:21:23 | |
were right. Bad miss on the blue.
Had nothing to do with the cue ball, | 0:21:23 | 0:21:31 | |
just concentrate on the pot. Missed
it by a mile. Good opportunity now | 0:21:31 | 0:21:36 | |
for Xiao Guodong. | 0:21:36 | 0:21:40 | |
He will be disappointed with the
outcome. I would imagine he got a | 0:23:40 | 0:23:50 | |
bit low on the cue ball. I think
perhaps he was playing to stun onto | 0:23:50 | 0:23:56 | |
the cushion and then off again. Now
he has made a realistically chance | 0:23:56 | 0:24:10 | |
of winning the frame into a tough
one. He never looked in a rhythm in | 0:24:10 | 0:24:23 | |
that break at any stage. When Martin
Gould miss the blue, it was a | 0:24:23 | 0:24:28 | |
comfortable chance. But he seemed to
take a long time over shots, Xiao | 0:24:28 | 0:24:34 | |
Guodong, when it looked pretty
straightforward. When Martin Gould | 0:24:34 | 0:24:39 | |
went to 82, had a good rhythm around
the table. Maybe he hasn't settled | 0:24:39 | 0:24:47 | |
down yet, Xiao Guodong. Still a bit
edgy. | 0:24:47 | 0:24:53 | |
Looked like he was creating problems
that weren't there. | 0:24:56 | 0:25:03 | |
That was a much better pot than it
looked, bridging over. Not out of | 0:26:08 | 0:26:13 | |
the woods yet. | 0:26:13 | 0:26:18 | |
Two reds beside the pink. This isn't
an easy chance. | 0:26:23 | 0:26:34 | |
APPLAUSE | 0:27:14 | 0:27:20 | |
Great shot from Guodong. Superb
control. Not guaranteed to get leave | 0:27:50 | 0:28:02 | |
from this, but it's not easy. I
think Martin Gould will be tempted | 0:28:02 | 0:28:06 | |
by the one cushion escape, dead
weight. He's got to be careful. | 0:28:06 | 0:28:13 | |
Wrong side of the red could develop
the other red. He doesn't want to | 0:28:13 | 0:28:19 | |
hit the pink, obviously. Left the
two alone, I think. The two alone by | 0:28:19 | 0:28:29 | |
the pink. Played that well, if
that's how he played it. | 0:28:29 | 0:28:35 | |
Misjudged safety. | 0:28:57 | 0:29:01 | |
All those three reds look to be
covering each other to the right | 0:29:11 | 0:29:15 | |
corner. That yellow is a little
tempter to try and get in behind. | 0:29:15 | 0:29:23 | |
That was a far better choice of
shots from Martin Gould there. | 0:29:26 | 0:29:34 | |
APPLAUSE | 0:29:34 | 0:29:34 | |
Returning the compliment. Guodong
down very quickly here. Playing this | 0:29:39 | 0:29:48 | |
ultra thin. Tough shot. He's playing
a container. | 0:29:48 | 0:29:55 | |
Chance to perhaps get the black into
play. Playing very thin on the red | 0:29:59 | 0:30:10 | |
by the black, on to the cushion
first, knock the black into play, | 0:30:10 | 0:30:13 | |
get the cue ball down the table. Red
is obviously available into the | 0:30:13 | 0:30:19 | |
right middle, the left middle. So,
once again, playing the positive | 0:30:19 | 0:30:23 | |
shot. | 0:30:23 | 0:30:25 | |
Didn't hit it particularly
positively though. I don't know | 0:30:31 | 0:30:40 | |
about that one. The way he played it
was less committal than the shot | 0:30:40 | 0:30:48 | |
itself.
APPLAUSE | 0:30:48 | 0:30:51 | |
Unlucky. Martin Gould had a problem
if he potted the red. It wasn't the | 0:31:05 | 0:31:17 | |
easiest of opportunities. It looked
for a second that Guodong had | 0:31:17 | 0:31:21 | |
punished him. That bump got in the
way. This is a lot tougher | 0:31:21 | 0:31:27 | |
proposition, screwing back with the
extended rest. | 0:31:27 | 0:31:32 | |
You almost wouldn't be surprised to
see the miscue here with the | 0:31:35 | 0:31:38 | |
extension. It become as possibility,
digging right down on that cue ball. | 0:31:38 | 0:31:45 | |
APPLAUSE
How well has he hit that? What a mag | 0:31:49 | 0:31:54 | |
enough September shot. | 0:31:54 | 0:31:57 | |
Unfortunately, I think he's hit it
too well he was hoping to be on the | 0:32:00 | 0:32:03 | |
red into the middle so he could drop
off the side cushion for the pink | 0:32:03 | 0:32:07 | |
into the right corner. He's come lob
sided on the red over the middle | 0:32:07 | 0:32:13 | |
pocket. He may not have the right
angle on the red into the left | 0:32:13 | 0:32:16 | |
corner. He would have to go back up
for the baulk corner. | 0:32:16 | 0:32:31 | |
16 point lead. These three open reds
would be enough. | 0:32:37 | 0:32:43 | |
Couldn't have judged that better.
From not doing too much in this | 0:33:22 | 0:33:30 | |
match, Martin Gould looks like he
will be going 2-1 behind. Obviously | 0:33:30 | 0:33:37 | |
the blue earlier in the frame looks
to be pretty costly. | 0:33:37 | 0:33:43 | |
Pink to leave Martin Gould needing a
snooker. Not trying to be too fancy | 0:34:35 | 0:34:43 | |
with this one, but he's played that
well. That's put paid to this third | 0:34:43 | 0:34:46 | |
frame. Another scrappy affair. | 0:34:46 | 0:34:50 | |
Sometimes the balls dictate, if they
go awkward straightaway, colours go | 0:34:55 | 0:35:00 | |
to cushions. Looks to have the
perfect angle to break this red out | 0:35:00 | 0:35:07 | |
here. | 0:35:07 | 0:35:12 | |
Wanted to hit black first. 50 points
in front, Martin Gould won't be | 0:35:15 | 0:35:24 | |
coming back to the table. | 0:35:24 | 0:35:29 | |
Xiao Guodong goes into a 2-1 lead. | 0:35:35 | 0:35:43 | |
APPLAUSE
Decent pot, is he on a colour? Even | 0:36:10 | 0:36:18 | |
if he's on the green, it's not...
It's very difficult to control, to | 0:36:18 | 0:36:23 | |
get any position on the red. I think
the red only goes into the pocket | 0:36:23 | 0:36:26 | |
that the green is covering? Yeah. He
could play cushion first on the | 0:36:26 | 0:36:32 | |
green, play with power. He's not
even attempting the green here. He | 0:36:32 | 0:36:39 | |
thinks it's a really low percentage
chance of getting on the red. Trying | 0:36:39 | 0:36:43 | |
to play a telling safety shot. Not
going to disagree with him there. He | 0:36:43 | 0:36:48 | |
does promote the yellow into a
pottable position. So clever little | 0:36:48 | 0:36:53 | |
shot here. Now the yellow is in
play. Didn't really want to let | 0:36:53 | 0:37:03 | |
Martin Gould have a one cushion
escape though. | 0:37:03 | 0:37:08 | |
Looks like he hasn't. So Martin
Gould hoping to push that red | 0:37:15 | 0:37:19 | |
towards the green pocket. That's a
safe area. Four ball kiss he'd be | 0:37:19 | 0:37:25 | |
happy with. | 0:37:25 | 0:37:27 | |
Three-ball. | 0:37:30 | 0:37:34 | |
REFEREE: Miss, three-ball.
STEVE DAVIS: Pretty wide of that. | 0:37:42 | 0:37:47 | |
Don't know if he could have come off
the side cushion. A lot more assured | 0:37:47 | 0:37:53 | |
of hitting the red if he could have
done. | 0:37:53 | 0:37:57 | |
He needs an angle on the yellow
after this green, just so he can | 0:38:01 | 0:38:05 | |
stun the cue ball across and leave
that red to the green pocket. | 0:38:05 | 0:38:09 | |
He really got into that. I mean he
overscrewed it. I mean, he's on the | 0:38:23 | 0:38:37 | |
green, but, in a way, you were
expecting as a play tore have an | 0:38:37 | 0:38:42 | |
easier shot. It seems to put a bit
more pressure on the green now. You | 0:38:42 | 0:38:46 | |
look stupid if you miss it. So, he's
got to regroup, just treat this as a | 0:38:46 | 0:38:51 | |
shot that would come up anyway in
normal play. Hit it postively. | 0:38:51 | 0:38:58 | |
-- positively. He nearly flicked it
out. He had two chances in a way. If | 0:39:05 | 0:39:10 | |
he flicked it out, it would have
been wonderful. He wasn't that far | 0:39:10 | 0:39:15 | |
off getting round the back of it for
the red, as Stephen said, into the | 0:39:15 | 0:39:19 | |
same pocket.
APPLAUSE | 0:39:19 | 0:39:22 | |
I can't believe I'm going to say,
this I think I would have rolled it | 0:39:22 | 0:39:26 | |
behind the yellow rather than play
the green there. What? Are you | 0:39:26 | 0:39:33 | |
advocating a safety shot? Yeah. You | 0:39:33 | 0:39:39 | |
the green there. What? Are you
advocating a safety shot? Yeah. You! | 0:39:39 | 0:39:41 | |
I might have got a few points from
safety. If Gould you willed had hit | 0:39:41 | 0:39:45 | |
the red he might have stuck it up.
Are you on antibiotics at the moment | 0:39:45 | 0:39:50 | |
or something? -- Martin Gould had
hit the red, he might have stuck it | 0:39:50 | 0:40:02 | |
up. Are you on antibiotics at the
moment or something? | 0:40:02 | 0:40:09 | |
Great effort. Dangerous effort. May
not be a four ball snooker, if at | 0:40:11 | 0:40:19 | |
all. It looks like you can even cut
it in. | 0:40:19 | 0:40:25 | |
Martin Gould, 20 points in front.
Guodong's going for this. Hit it | 0:40:28 | 0:40:39 | |
firm, black's on. Very important pot
there from Guodong. Can he hold it | 0:40:39 | 0:40:44 | |
for the black or is it going to
trundle down the table? He's trying | 0:40:44 | 0:40:48 | |
to tell it to stop. It's not going
to help. He's not happy. You can see | 0:40:48 | 0:40:55 | |
he's not happy. Even we could see
his eyes, they're not happy. If it's | 0:40:55 | 0:41:02 | |
too thin he can always roll up
behind the black. | 0:41:02 | 0:41:09 | |
I think it does cut in the black,
but then obviously it's so thin that | 0:41:10 | 0:41:16 | |
the cue ball's... You just lose
control of the cue ball. | 0:41:16 | 0:41:20 | |
The right middle pocket to think
about. As long as you don't absolute | 0:41:24 | 0:41:31 | |
will I blast at it you think would
end up in the bottom half of the | 0:41:31 | 0:41:38 | |
table.
APPLAUSE | 0:41:38 | 0:41:44 | |
It must have been... He mustn't have
fancied the pot. I'd have been | 0:41:46 | 0:41:51 | |
tempted to just take my chances with
where that cue ball is going to end | 0:41:51 | 0:41:55 | |
up. Yeah. If you said the cue ball
is in the baulk area of the table | 0:41:55 | 0:41:59 | |
you would be unlucky not to have a
pot at the yellow, some sort of pot. | 0:41:59 | 0:42:03 | |
But he has got command of this
frame. Even though he's 19 points | 0:42:03 | 0:42:08 | |
behind. Martin Gould has only got to
hit this yellow, he's got to get it | 0:42:08 | 0:42:14 | |
safe. A nice way to play this would
somehow be to, if you did miss it, | 0:42:14 | 0:42:19 | |
end up in the top half of the table.
It may have been a possibility of a | 0:42:19 | 0:42:27 | |
way of doing that. You're committing
really this way. Trying to get lucky | 0:42:27 | 0:42:32 | |
if he misses somehow. If he misses
and Guodong doesn't like it, he's | 0:42:32 | 0:42:40 | |
going to be put back. Good effort
there from Martin Gould to try and | 0:42:40 | 0:42:52 | |
lay on that yellow. 12 feet of
distance of travel. | 0:42:52 | 0:42:57 | |
APPLAUSE | 0:43:05 | 0:43:07 | |
Has it gone round the back? P pots
and I think he's got a way of | 0:43:19 | 0:43:29 | |
getting on the green as well. Didn't
take much time on getting down on | 0:43:29 | 0:43:33 | |
this. | 0:43:33 | 0:43:35 | |
Has he got the pace right? No good. | 0:43:38 | 0:43:47 | |
No, the reason it's no good is that
brown, behind the pink. The angle | 0:43:49 | 0:43:55 | |
he's got on the green is natural if
the pink wasn't there for the brown | 0:43:55 | 0:43:59 | |
to the same pocket. He may have to
play for the brown to right middle. | 0:43:59 | 0:44:06 | |
Playing it slowly makes the green
missable. I don't suppose he will, | 0:44:09 | 0:44:12 | |
but getting perfect on the brown is
not easy. Oh, didn't know what he | 0:44:12 | 0:44:22 | |
was doing there. That was a weird
shot. I can only assume he was | 0:44:22 | 0:44:26 | |
playing some sort of cannon into the
pink and brown. Side spin. Stun with | 0:44:26 | 0:44:30 | |
right hand side. Or just to come
round off two cushions, miss the | 0:44:30 | 0:44:34 | |
pink and leave the brown to the left
corner. Just make sure of the green. | 0:44:34 | 0:44:37 | |
Yeah. If he pots the green and he
doesn't get nicely on the brown he | 0:44:37 | 0:44:42 | |
can roll up nicely behind the pink.
Martin Gould can surely get off the | 0:44:42 | 0:44:50 | |
brown on one cushion here. Well,
he's two balls off winning this | 0:44:50 | 0:44:58 | |
frame and getting out of the session
at 2-2. I think 2-2 is a fair | 0:44:58 | 0:45:03 | |
result, neither player deserves to
be in front in this match. | 0:45:03 | 0:45:11 | |
He just about got on the blue. | 0:45:16 | 0:45:20 | |
In it goes. He will be relieved. | 0:45:31 | 0:45:40 | |
Mark Williams style effort here on
the pink. Perhaps not as good as | 0:45:46 | 0:45:51 | |
Mark, never mind. Guodong carrying
on for snookers, but I think it will | 0:45:51 | 0:45:57 | |
be 2-2 at the interval. I don't know
if Martin Gould normally pots those | 0:45:57 | 0:46:05 | |
shots with ease. Why not take the
rest out and make sure you pot the | 0:46:05 | 0:46:09 | |
pink and get this frame over with.
OK, he's 99 times out of 100 he's | 0:46:09 | 0:46:15 | |
still going to win, but look at this
shot. What you are saying is - you | 0:46:15 | 0:46:23 | |
want a cup of tea? | 0:46:23 | 0:46:28 | |
The last thing Martin Gould wants is
for 10, 15 minutes trying to get out | 0:46:48 | 0:46:52 | |
of snookers. Pot the pink, get on to
the practice table, get your arm | 0:46:52 | 0:46:59 | |
moving again. Very strange shot that
was. | 0:46:59 | 0:47:04 | |
Excellent effort, it really is. | 0:47:32 | 0:47:38 | |
Not been much to talk about in the
last three frames, but that is one | 0:47:43 | 0:47:46 | |
of the best shots we've seen. | 0:47:46 | 0:47:51 | |
Martin Gould, after that very
strange shot, to try and pot the | 0:47:57 | 0:48:01 | |
pink, has put himself under pressure
in this frame. | 0:48:01 | 0:48:13 | |
With ball-in-hand, you do get a
chance to play a better snooker, but | 0:48:14 | 0:48:19 | |
it's not an easy snooker. He's got
to get a good one, not just a | 0:48:19 | 0:48:27 | |
snooker. What is the weight like? It
looks pretty good. It might be a bit | 0:48:27 | 0:48:36 | |
too hard. Yeah, what he had to do
was at least keep the object ball | 0:48:36 | 0:48:42 | |
safe. He hasn't done. Martin Gould
coming round to see what the | 0:48:42 | 0:48:47 | |
situation is. Cue ball in the green
pocket. That would be an error. I | 0:48:47 | 0:48:52 | |
wouldn't be surprised the way these
frames have gone. But it's in. It's | 0:48:52 | 0:49:07 | |
not been a snooker for the
puristses, you could say. Let's hope | 0:49:07 | 0:49:12 | |
it's better after the interval, but
it's 2-2 between Xiao Guodong and | 0:49:12 | 0:49:17 | |
Martin Gould. | 0:49:17 | 0:49:27 | |
-- pureists. So scoring opportunity
for Xiao Guodong. If you want to be | 0:49:50 | 0:50:02 | |
attacking, the green has a lovely
angle to go into the bunch. A big | 0:50:02 | 0:50:06 | |
target. He may not feel that way
inclined at the moment. Don't feel | 0:50:06 | 0:50:12 | |
that confident. It couldn't be
better on the green. | 0:50:12 | 0:50:19 | |
When I saw him as a Youngster he
doesn't have the same flow in cue | 0:50:25 | 0:50:31 | |
action he used to have. I can't
remember the word you use, Steve, | 0:50:31 | 0:50:34 | |
for it. Unflowing. He's put the cue
ball in exactly the same position | 0:50:34 | 0:50:46 | |
now to go into the pack of reds. Is
he going to do it now, he might as | 0:50:46 | 0:50:51 | |
well have done it before. Perhaps he
will choose another positional shot. | 0:50:51 | 0:50:56 | |
Well played. He didn't go into the
reds, but it turned out perfectly. | 0:51:00 | 0:51:08 | |
He can stun this red for the black
into the same pocket. It begs the | 0:51:08 | 0:51:13 | |
question why he didn't do it the
first time because he couldn't | 0:51:13 | 0:51:17 | |
guarantee he would get perfect on
the green. Regardless. This is now a | 0:51:17 | 0:51:21 | |
great chance. | 0:51:21 | 0:51:24 | |
At some stage in this match you
would expect the standard to rise. | 0:51:27 | 0:51:33 | |
Maybe it's who gets off the ground
first. | 0:51:36 | 0:51:42 | |
Yeah everyone has bad days, no doubt
about it. Whoever wins this match, | 0:51:54 | 0:52:00 | |
they know if they ply like this in
the next round against, we presume | 0:52:00 | 0:52:10 | |
it would be Ronnie O'Sullivan no,
disrespect to his opponent, whoever | 0:52:10 | 0:52:14 | |
wins this match will have to play a
lot better. They are going to be sat | 0:52:14 | 0:52:21 | |
in the chair for a long time. | 0:52:21 | 0:52:31 | |
The only red pottable to this one is
the red of the three. Either right | 0:52:52 | 0:52:58 | |
corner or left middle. | 0:52:58 | 0:53:02 | |
Quite straight on the black, so
screw back and touch of right hand | 0:53:11 | 0:53:17 | |
side. Take the cue ball up the
table. Not the best angle. He should | 0:53:17 | 0:53:32 | |
get it right. Played it nicely. Even
if he's not straight on the red, | 0:53:32 | 0:53:36 | |
there's a gap there to stun the cue
ball through with the black to the | 0:53:36 | 0:53:40 | |
same pocket. He could possibly play
with topspin to move the two reds | 0:53:40 | 0:53:45 | |
and leave pink to left middle. I
think the stun really. He's going to | 0:53:45 | 0:54:02 | |
need these remaining three reds. | 0:54:02 | 0:54:03 | |
Cannon on the pink. Well played. So
playing with a little bit more | 0:54:13 | 0:54:20 | |
rhythm, Xiao Guodong. He has taken
these well so far. He doesn't really | 0:54:20 | 0:54:32 | |
want to be straight on the black.
That's careless if he is because the | 0:54:32 | 0:54:37 | |
shot they played previously, the
screwback shot, if he overdose it he | 0:54:37 | 0:54:43 | |
could snooker himself behind the
pink. I don't know if he's checked | 0:54:43 | 0:54:48 | |
to see if there's a plant into the
left corner. | 0:54:48 | 0:55:00 | |
Because of the pink he played that
to the side. | 0:55:03 | 0:55:07 | |
Over hit that somewhat. Now this red
is missable. Just got a bit too much | 0:55:42 | 0:55:51 | |
into it. That's the last thing he
wanted was the frame ball to be a | 0:55:51 | 0:55:59 | |
difficult one. | 0:55:59 | 0:56:03 | |
Would be a It horrible ending to
this break should he miss it. | 0:56:06 | 0:56:18 | |
He got a kick on that. | 0:56:19 | 0:56:23 | |
Not his fault he got a kick. It was
his fault he was out of position. | 0:56:25 | 0:56:39 | |
It could be a big moment in this
match. | 0:56:43 | 0:56:46 | |
Finished in an ideal position.
Played that shot like a hit and | 0:57:00 | 0:57:07 | |
hope. Didn't seem to have a plan to
get on a colour. | 0:57:07 | 0:57:14 | |
This could be a moment in this
match. Xiao Guodong should have been | 0:57:21 | 0:57:28 | |
3-2 ahead by now. | 0:57:28 | 0:57:33 | |
I think I am correct in saying that
Martin Gould is still in with a | 0:58:03 | 0:58:09 | |
chance of sneaking into the top 16
in the race to the Masters. | 0:58:09 | 0:58:23 | |
If the information has changed, I do
apologise for my lack of knowledge. | 0:58:23 | 0:58:29 | |
Yesterday he was in the race.
Depending on other results, of | 0:58:29 | 0:58:35 | |
course. | 0:58:35 | 0:58:44 | |
Because the pink isn't on its spot,
he has played left to right middle. | 0:58:54 | 0:59:00 | |
But it came off the cushion quite
quickly. | 0:59:00 | 0:59:12 | |
This is a tricky cut back for the
black. | 0:59:13 | 0:59:18 | |
Look where the cue ball ended up. It
was an excellent frame. Xiao Guodong | 0:59:34 | 0:59:41 | |
should have won it. Didn't get
position on the last red. Martin | 0:59:41 | 0:59:46 | |
Gould takes it, 3-2. Martin Gould
breaks off in the second frame after | 0:59:46 | 0:59:59 | |
the interval. Having won the first
against the head. Advantage, Martin | 0:59:59 | 1:00:05 | |
Gould. | 1:00:05 | 1:00:07 | |
Forced into that, he did well to get
the cue ball down the table. Makes | 1:01:46 | 1:01:51 | |
it difficult positional play the
Xiao Guodong. | 1:01:51 | 1:01:58 | |
You have to say, he's not had a
great brunt of the balls today, Xiao | 1:02:18 | 1:02:22 | |
Guodong. -- run of the balls. | 1:02:22 | 1:02:28 | |
I think Martin Gould has identified
the red next to the black as the | 1:02:33 | 1:02:39 | |
best idea of trying to get a hit and
safe. | 1:02:39 | 1:02:46 | |
He may have got away with that.
Bridging over the top of the ball | 1:02:57 | 1:03:06 | |
makes this a more difficult
prospect. You fancy him to get it, | 1:03:06 | 1:03:12 | |
but no guarantee of position. He can
probably get the blue, on second | 1:03:12 | 1:03:20 | |
thoughts. The blue cuts in, but
difficult to control the cue ball. | 1:03:20 | 1:03:31 | |
Nice choice from Xiao Guodong, that
if he accidentally missed it, he | 1:04:09 | 1:04:14 | |
might cover the pocket. Can he turn
this into a frame-winner? The pack | 1:04:14 | 1:04:22 | |
is tight, but one good angle on the
black could reap rewards. | 1:04:22 | 1:04:28 | |
I get the feeling it is not going to
be Xiao Guodong's day here. He's not | 1:04:37 | 1:04:44 | |
firing on any cylinders. And now,
Martin is looking how he gets into | 1:04:44 | 1:04:54 | |
this bunch of The reds. Lots of
right-hand side. It is a pretty big | 1:04:54 | 1:05:08 | |
target that way. | 1:05:08 | 1:05:10 | |
Pretty good, he wants to stun it off
the two cushions. Just get into the | 1:05:24 | 1:05:35 | |
middle of the pack. Nice shot, bit
unlucky. More than a bit unlucky, | 1:05:35 | 1:05:49 | |
really. Even half of a ball, a
quarter of a bald more contact on | 1:05:49 | 1:05:58 | |
the pack, they would have opened up
and the cue ball would have stayed | 1:05:58 | 1:06:02 | |
in the top half of the table. Does
he try and keep this break going? | 1:06:02 | 1:06:08 | |
Has he got a shock to nothing at the
same time? It's hard to see him | 1:06:08 | 1:06:15 | |
turning this red down. | 1:06:15 | 1:06:18 | |
Very nice. | 1:06:34 | 1:06:40 | |
He may have to play this red with
lots of left-hand side to get the | 1:07:08 | 1:07:12 | |
right side of the blue. Needs to be
just off straight to be able to play | 1:07:12 | 1:07:19 | |
that shot. There is an argument to
say play for the black. Can stun | 1:07:19 | 1:07:27 | |
into the bunch. The only danger with
this sometimes, you hit the side of | 1:07:27 | 1:07:37 | |
the bunch of reds and the cue ball
goes up to the ball could end of the | 1:07:37 | 1:07:41 | |
table. -- ball end. | 1:07:41 | 1:07:45 | |
Excellent shot. Not too far off
being perfect. A bit unlucky. Did he | 1:07:58 | 1:08:08 | |
get another electric shock or
something. He is twitching with his | 1:08:08 | 1:08:12 | |
hand again. Really unlucky. He has
given a belt into the meat of the | 1:08:12 | 1:08:25 | |
pack. A bit low on it, yes, but
splitting hairs, really. If he | 1:08:25 | 1:08:34 | |
leaves the cue ball by this
left-hand side cushion, he's not | 1:08:34 | 1:08:36 | |
leaving anything. Certainly didn't
expect him to play like that. He | 1:08:36 | 1:08:44 | |
hadn't got it totally safe. He still
left the red into the same middle | 1:08:44 | 1:08:56 | |
pocket. Wasn't even a benefit to
play it that way. Xiao Guodong has | 1:08:56 | 1:09:02 | |
unmissable red, but he could hold
for the black plate of these three | 1:09:02 | 1:09:07 | |
reds. Not like that. Didn't hit that
with enough conviction. | 1:09:07 | 1:09:14 | |
Good recovery from Xiao Guodong.
Little bit of work to be done with | 1:09:52 | 1:09:59 | |
the implements. Stunning across the
face of the black here, it looks. | 1:09:59 | 1:10:05 | |
Bit of screw back. That was strange.
What's happened there? Must have | 1:10:05 | 1:10:12 | |
just caught the red, bounce the
white ball. Thought he could screw | 1:10:12 | 1:10:22 | |
back without touching that one. Even
though I said it looked like it | 1:10:22 | 1:10:32 | |
wasn't going to be his day, he's not
really in unlawful position. Just | 1:10:32 | 1:10:39 | |
his general standard, he needs to
it. Either playing this game could | 1:10:39 | 1:10:48 | |
potentially just fall over the line.
It will be like pulling teeth, if it | 1:10:48 | 1:10:53 | |
happened that way. | 1:10:53 | 1:10:55 | |
Two reds on the pink spot. I don't
know if the bottom one goes to the | 1:11:04 | 1:11:08 | |
corner. Obviously it does. Sometimes
you need to be at the table to see | 1:11:08 | 1:11:13 | |
the true angle as to whether it goes
or not. You feel for his own belief | 1:11:13 | 1:11:21 | |
in winning this match, he has to win
this frame at this visit. If he | 1:11:21 | 1:11:27 | |
keeps failing, his confidence keeps
taking a hit and you wonder how he | 1:11:27 | 1:11:31 | |
can come back from it. | 1:11:31 | 1:11:33 | |
Couldn't keep position on the blue.
But always nice to have all colours | 1:12:12 | 1:12:17 | |
available. Little bit of danger on
where those three reds are to the | 1:12:17 | 1:12:24 | |
right. Could find yourself in a
positional trap. Is playing down the | 1:12:24 | 1:12:32 | |
right-hand side of the table. Looks
to have overscrewed this by some | 1:12:32 | 1:12:36 | |
distance. That is a long way out.
This red into the middle pocket, | 1:12:36 | 1:12:49 | |
wasn't one he played. | 1:12:49 | 1:12:51 | |
He was fortunate to have that red.
He was that far out with his | 1:13:10 | 1:13:13 | |
position. Good pot. | 1:13:13 | 1:13:16 | |
Red, colour, red. | 1:13:35 | 1:13:40 | |
Similar to the last frame. Frame
ball, he's left one that is | 1:14:06 | 1:14:12 | |
missable. Doesn't have too played
position though. Should do, but | 1:14:12 | 1:14:19 | |
doesn't have too. Position was more
or less automatic. So he will be | 1:14:19 | 1:14:30 | |
feeling a bit better inside that he
has survived a little bit of a | 1:14:30 | 1:14:34 | |
storm. I said before, although the
last two frames, he had a couple of | 1:14:34 | 1:14:47 | |
60 breaks, he's not been playing
well. But still he is 3-3. | 1:14:47 | 1:14:52 | |
50 points behind. A very unlikely
you can get back into the match from | 1:14:57 | 1:15:05 | |
this position. Barring snoopers, it
is 3-3. | 1:15:05 | 1:15:10 | |
-- snookers. | 1:15:16 | 1:15:17 | |
At professional level, it is a minor
miracle to win a frame 50 points | 1:15:23 | 1:15:29 | |
behind. 49 points behind you can win
with one snooker and a free ball. | 1:15:29 | 1:15:46 | |
Some fluke snookers. Some people are
clapping. They must think it is all | 1:15:49 | 1:15:53 | |
over. | 1:15:53 | 1:16:03 | |
Come on Xiao Guodong, green ball.
Well done. He will feel a lot | 1:16:20 | 1:16:31 | |
better. Should have won the last
frame, made a break of 62 but missed | 1:16:31 | 1:16:39 | |
the last red. He has missed the
green, but it doesn't matter, Xiao | 1:16:39 | 1:16:44 | |
Guodong levelled the match at 3-3. | 1:16:44 | 1:16:48 | |
Wonderfully struck. You won't see a
better ball struck all week, I don't | 1:17:27 | 1:17:36 | |
care who you are watching. This was
perfection. Black ball, tied up | 1:17:36 | 1:17:48 | |
again. | 1:17:48 | 1:17:49 | |
Has left himself a nice angle on
this red to get back out down the | 1:18:15 | 1:18:20 | |
table. I assume the pink spot is
occupied. | 1:18:20 | 1:18:37 | |
He has played for the pink. It goes
on the black spot. It's not too bad. | 1:18:38 | 1:18:49 | |
Where is the next red coming from if
he is wrong sided? | 1:18:49 | 1:18:54 | |
There is a possibility of a couple
of reds in the corner. | 1:19:11 | 1:19:20 | |
He had to trust a bit to look. He
has played an excellent shot. -- | 1:19:26 | 1:19:34 | |
good luck. | 1:19:34 | 1:19:35 | |
Perfect on the blue. It looks such a
simple shot to play. He couldn't put | 1:19:55 | 1:20:09 | |
the cue ball any better if he had
picked it with his hand. It seems a | 1:20:09 | 1:20:17 | |
more difficult shot on fast cloth.
Sheik of the head by Martin Gould. | 1:20:17 | 1:20:22 | |
He wanted to be a bit lower to get
back for the blue. Now he's got to | 1:20:22 | 1:20:29 | |
play a power screw back. Shaking his
head as if it was a bad positional | 1:20:29 | 1:20:36 | |
shot. As it turns out, where is the
problem? | 1:20:36 | 1:20:44 | |
Can only assume he didn't want the
pink back on the spot. | 1:20:54 | 1:21:03 | |
Some people just shake their head
for no reason. I think snooker | 1:21:09 | 1:21:12 | |
players, when you want to put the
cue ball exactly where you want to | 1:21:12 | 1:21:17 | |
put it and it doesn't go there. We
are all perfection when it comes to | 1:21:17 | 1:21:29 | |
the cue ball. There is an example of
how difficult it is to get perfect | 1:21:29 | 1:21:34 | |
on the blue. He can do this, should
he want to play but the cue ball | 1:21:34 | 1:21:40 | |
will be running away. It takes some
good control to keep it under severe | 1:21:40 | 1:21:46 | |
control. | 1:21:46 | 1:21:48 | |
Unfortunate flick off the pink and
out of position. Tough pots | 1:21:56 | 1:22:04 | |
available into the middle pocket.
Bit of pressure on this. | 1:22:04 | 1:22:18 | |
He has missed that and now he has
given Xiao Guodong a chance. | 1:22:28 | 1:22:39 | |
He has an angle here, is it worth
the top spin and cannon into the | 1:23:01 | 1:23:07 | |
reds. Just to open things up a bit. | 1:23:07 | 1:23:13 | |
He could have done. But there are
times when that is perhaps the | 1:23:19 | 1:23:26 | |
correct mode of operation. Keep on
going back for the blue. Try to get | 1:23:26 | 1:23:38 | |
exactly the right angle on the blue.
That was a great shot. Can't argue | 1:23:38 | 1:23:42 | |
with that one. He has a couple of
reds into that left corner. Judging | 1:23:42 | 1:23:49 | |
by the first time he played it, he
may be going for one of those reds | 1:23:49 | 1:23:53 | |
into the left corner. Doesn't have
to go off the side cushion, can stun | 1:23:53 | 1:23:59 | |
down. | 1:23:59 | 1:24:02 | |
Might be in a bit of a trap. Might
be no way back. May be forced to | 1:24:11 | 1:24:23 | |
play a cannon on the black. Brave
shot, it could go wrong and he could | 1:24:23 | 1:24:29 | |
be made to look a bit foolish, I
suppose. He's looking at the line, | 1:24:29 | 1:24:35 | |
isn't he? Half ball cannon, very
softly. Can't afford to hit it too | 1:24:35 | 1:24:43 | |
hard. Might snooker him. Have two
hit it hard enough to get the other | 1:24:43 | 1:24:56 | |
side of it. I think I would have
preferred the softer cannon, even | 1:24:56 | 1:25:01 | |
though I would have left the black
closer to the question. Wasn't a bad | 1:25:01 | 1:25:05 | |
way of going about it. Tough pink.
This is a brave shot. You get it, | 1:25:05 | 1:25:18 | |
chance to go 5-3 ahead. If you miss
it, it is 4-4. Or you will go back | 1:25:18 | 1:25:25 | |
to your chair expecting it to be
4-4. It is a tough pot, made | 1:25:25 | 1:25:31 | |
fractionally tougher than if it was
on its preferred spot. It is more of | 1:25:31 | 1:25:39 | |
an acute angle, by a fraction. I
don't like this shot, I don't like | 1:25:39 | 1:25:45 | |
playing it. Sometimes you have too.
He's already looked at the safety | 1:25:45 | 1:25:50 | |
option. I assume he's turning it
down, isn't he? I couldn't turn this | 1:25:50 | 1:25:57 | |
down. He looked at the safety
option. Why bother going down the | 1:25:57 | 1:26:03 | |
table, I suppose. Big shot in the
match. | 1:26:03 | 1:26:05 | |
In the end, I don't know why he went
down the other end of the table. He | 1:26:13 | 1:26:19 | |
put negativity in his mind. It was
the right shot to go for the pot, he | 1:26:19 | 1:26:27 | |
didn't have two hit it that hard.
It's probably cost him the frame. If | 1:26:27 | 1:26:33 | |
you going for the pot, go for it,
don't be thinking about safety shots | 1:26:33 | 1:26:38 | |
and then go back down and play for
the pot. | 1:26:38 | 1:26:42 | |
If you don't fancy the pink enough,
then you're not going to get it, are | 1:26:53 | 1:27:00 | |
you? If you absolutely don't like
the shot, perhaps then you don't go | 1:27:00 | 1:27:07 | |
for it, even if you get criticised
for not going for it. Tough | 1:27:07 | 1:27:13 | |
decisions snooker throws up. | 1:27:13 | 1:27:17 | |
But in the end that's what sorts out
the winners from the losers, being | 1:27:21 | 1:27:26 | |
able to make these decisions under
pressure, being able to play the | 1:27:26 | 1:27:30 | |
right shot. That's what, I suppose,
you could say in most sports, being | 1:27:30 | 1:27:35 | |
able to make the right decisions
when it really matters. | 1:27:35 | 1:27:39 | |
I'm sure a sports psychologists
would have had a field day with that | 1:27:46 | 1:27:51 | |
particular shot, once they
understood the game. Great chance | 1:27:51 | 1:27:54 | |
now for Martin Gould to get back on
level terms. | 1:27:54 | 1:27:59 | |
Hard to make a case for this match
going any other way but 5-5. At the | 1:28:22 | 1:28:29 | |
moment neither player seems to be
able to really take this match by | 1:28:29 | 1:28:37 | |
the scruff of its neck and win it.
One frame at a time it is. Neither | 1:28:37 | 1:28:45 | |
player can get up a bit of momentum. | 1:28:45 | 1:28:52 | |
Pink and a red to draw level. | 1:28:57 | 1:29:01 | |
This red for the frame. | 1:29:20 | 1:29:22 | |
APPLAUSE | 1:29:26 | 1:29:27 | |
Make sure to pot the pink and make
sure he pots one red to make sure | 1:29:40 | 1:29:44 | |
his opponent doesn't come back to
the table. 55, 43 on, there's every | 1:29:44 | 1:29:51 | |
chance that Guodong will come back
to the table and try for snookers. | 1:29:51 | 1:29:57 | |
Not now. | 1:30:00 | 1:30:08 | |
That's another frame were both
players had two or three chances, | 1:30:35 | 1:30:38 | |
but it's Martin Gould who wins it
and draws level again at 4-4. | 1:30:38 | 1:30:43 | |
APPLAUSE | 1:30:43 | 1:30:49 | |
Guodong can play an aggressive shot
here if he chooses. Pot this red, | 1:31:04 | 1:31:08 | |
screw the cue ball through the reds,
put them everywhere. You would think | 1:31:08 | 1:31:12 | |
he would have to be very unlucky not
to be on a colour. | 1:31:12 | 1:31:18 | |
Just got a bit too much forward
momentum on the cue ball. Just went | 1:31:29 | 1:31:36 | |
forwards first before it started to
come back. Well, we see Martin miss | 1:31:36 | 1:31:46 | |
a lot easier chance than this, but
Guodong can get his hand on the | 1:31:46 | 1:31:54 | |
table, straight cueing. Shots you
practice all day long. Let's see how | 1:31:54 | 1:31:59 | |
hard he hits this. A pressure shot.
No need to hit it hard. Why is he | 1:31:59 | 1:32:04 | |
crewing back? Why is he screwing
back? To get the right side of the | 1:32:04 | 1:32:11 | |
red. The red over the pocket, the
right middle. , he could get back | 1:32:11 | 1:32:18 | |
for the blue. That makes that shot
so much more difficult, putting that | 1:32:18 | 1:32:21 | |
extra pace in means that the ball
won't drop in the hole. | 1:32:21 | 1:32:26 | |
I don't think you would have seen
Ronnie O'Sullivan play that shot as | 1:32:30 | 1:32:34 | |
hard. | 1:32:34 | 1:32:36 | |
The priority there was potting the
blue. | 1:32:46 | 1:32:49 | |
He's out on the table. He can see
where that red is over the middle | 1:33:00 | 1:33:04 | |
pocket. If he pots the blue and
stuns it dead. It's a thinner cut | 1:33:04 | 1:33:09 | |
and the cue ball will come to the
top cushion, surely he can get it | 1:33:09 | 1:33:13 | |
back down the table again. I would
love to know what was going through | 1:33:13 | 1:33:16 | |
his mind there. That's tight. Enough
room though. | 1:33:16 | 1:33:35 | |
Will he risk dropping on the black? | 1:33:44 | 1:33:47 | |
Oh, dear. Well, this isn't good.
He's got the red with the... He | 1:33:49 | 1:33:57 | |
didn't have much of a check up
before he played that shot. That in | 1:33:57 | 1:34:02 | |
itself was an error, not knowing
exactly where the pink ball was | 1:34:02 | 1:34:05 | |
going to spot. He always had this
red with the extended rest, but not | 1:34:05 | 1:34:16 | |
clever. Can he drop on the black?
The black is available to the right | 1:34:16 | 1:34:23 | |
or left corner. Maybe there's too
much angle on this red. Play some | 1:34:23 | 1:34:27 | |
sort of cannon. He needs to be lucky
here. He has been. What a result, | 1:34:27 | 1:34:37 | |
what a result. | 1:34:37 | 1:34:47 | |
Played the aggressive shot. I
suppose you could say fortune | 1:34:47 | 1:34:51 | |
favours the brave. If he'd not been
on that black, we'd have been | 1:34:51 | 1:34:55 | |
digging out his positional sense.
Just about going to drop in. | 1:34:55 | 1:35:05 | |
That was in the middle when it
started, but ended up going in-off | 1:35:10 | 1:35:15 | |
the front jaw. Well, here's a chance
for a frame-winning contribution. | 1:35:15 | 1:35:25 | |
First one fell short with a poor
rest shot, but he shouldn't be | 1:35:25 | 1:35:30 | |
needing the rest for a while here,
if at all. | 1:35:30 | 1:35:35 | |
Didn't really want to come away from
the black, but obviously felt he had | 1:36:06 | 1:36:10 | |
to. | 1:36:10 | 1:36:17 | |
He's over hit that a little bit, but
there's a red below the black that | 1:36:24 | 1:36:31 | |
goes. Doesn't have to stay on the
black, as I said, he can come back | 1:36:31 | 1:36:36 | |
up the table. | 1:36:36 | 1:36:38 | |
It's not ideal, is it, Stephen? Play
for blue here, I think. Yeah. | 1:36:40 | 1:36:47 | |
If he'd have gone wrong side of the
pink there he could have come | 1:36:56 | 1:37:04 | |
unstuck. | 1:37:04 | 1:37:06 | |
He's kept this break going and now
starting to look more like prime | 1:37:37 | 1:37:42 | |
position. | 1:37:42 | 1:37:46 | |
One more positional shot he's got to
get right with those five reds a bit | 1:37:52 | 1:37:58 | |
crowded in the middle of the table.
Ideally, he'd like to break them | 1:37:58 | 1:38:05 | |
open and have an insurance red at
one over the left corner, so perhaps | 1:38:05 | 1:38:12 | |
he's going to try to go into them
now. Though I'm not so sure he's got | 1:38:12 | 1:38:18 | |
the angle. Would have liked to have
been low on the black so he could | 1:38:18 | 1:38:23 | |
play some type of screw shot into
the reds. Leave himself on that one | 1:38:23 | 1:38:27 | |
by the left corner. Now he may have
to bite the bull in the that | 1:38:27 | 1:38:30 | |
department. | 1:38:30 | 1:38:36 | |
Guodong's only hope now is that
after this next black that somehow | 1:38:39 | 1:38:43 | |
Martin Gould gets unlucky. It's a
slim chance. | 1:38:43 | 1:38:57 | |
Another red to the right of the five
is the one to connon. If it goes | 1:39:14 | 1:39:17 | |
wrong though you're on nothing he
may choose to go into the main | 1:39:17 | 1:39:21 | |
bunch, hope for the best. He played
it well. He's got a choice of two | 1:39:21 | 1:39:28 | |
reds to either middle pocket. OK,
he's grimacing slightly | 1:39:28 | 1:39:40 | |
reds to either middle pocket. OK,
he's grimacing slightly. This is OK | 1:39:40 | 1:39:42 | |
surely. He caught it more than he
wanted. It's still a good positional | 1:39:42 | 1:39:47 | |
shot. He should get this. That's
frame over. | 1:39:47 | 1:39:52 | |
APPLAUSE | 1:39:54 | 1:39:56 | |
Surprising missing the red. 69
points in front, Martin Gould, 59 op | 1:40:31 | 1:40:37 | |
the table. That was a careless shot
to miss that. If he pots that red, | 1:40:37 | 1:40:43 | |
his opponent doesn't come back to
the table. | 1:40:43 | 1:40:48 | |
Hanging on in here, 53 points
behind. One more red and black and | 1:42:13 | 1:42:19 | |
then keep that last red on the
table. | 1:42:19 | 1:42:29 | |
It's not come that well for snookers
on this red. 45 behind. Absolutely | 1:42:37 | 1:42:52 | |
no way he should pot the red. Even
if he could get on the black. | 1:42:52 | 1:43:00 | |
Not a bad try. Oh, nearly. | 1:43:11 | 1:43:21 | |
I think he can see enough to pot
this. | 1:43:23 | 1:43:28 | |
Yep, it's there. Martin Gould has
taken two frames in a row from 4-3 | 1:43:30 | 1:43:38 | |
down, he's going to lead 5-4, one
up, with two play, as we say. Xiao | 1:43:38 | 1:43:48 | |
Guodong concedes. One frame to get
into the quarter-final. He leads | 1:43:48 | 1:43:52 | |
5-4. | 1:43:52 | 1:43:56 | |
Martin Gould breaks off hoping for
one good chance in the next two | 1:44:05 | 1:44:11 | |
frames. Ideally this frame. | 1:44:11 | 1:44:15 | |
It's getting to the sharp end of
this match, adrenaline, tension is | 1:44:17 | 1:44:24 | |
rising. Will that hone in the
player's concentration. He's going | 1:44:24 | 1:44:29 | |
for this. | 1:44:29 | 1:44:31 | |
Great shot.
APPLAUSE | 1:44:32 | 1:44:36 | |
He struck it so well, he's gone past
the baulk line. I don't know if that | 1:44:39 | 1:44:46 | |
was his plan. He's put it into a
safe position, but ideally those | 1:44:46 | 1:44:51 | |
type of shots you leave yourself
slightly short of the baulk line for | 1:44:51 | 1:44:56 | |
a good choice of a frame winner so
early on. He should get this green | 1:44:56 | 1:45:04 | |
into the middle. It's a bit of an
angle. | 1:45:04 | 1:45:10 | |
He's got two reds, perhaps three
reds, that go into the left corner. | 1:45:12 | 1:45:15 | |
He's got choices. | 1:45:15 | 1:45:18 | |
Wants to get way from this side
cushion. Cushion. | 1:45:25 | 1:45:30 | |
He doesn't want to be straight on
this red. A bit more difficult. | 1:45:31 | 1:45:38 | |
Somebody moving in the crowd, I
think. Somebody is doing something. | 1:45:39 | 1:45:50 | |
REFEREE: The light is catching your
watch. | 1:45:50 | 1:45:55 | |
STEVE DAVIS: Unlucky, reflection of
someone's watch. Just digging down a | 1:45:55 | 1:46:03 | |
bit makes this shot a bit harder. | 1:46:03 | 1:46:08 | |
He'll be happy with that strike.
Looks like he's going to go into | 1:46:12 | 1:46:18 | |
them here, the far part of the pack
would be a nice part to go into, not | 1:46:18 | 1:46:23 | |
screw it in, stun it in. | 1:46:23 | 1:46:25 | |
Could have gone piano them. There's
a couple of loose reds. Perhaps he's | 1:46:29 | 1:46:36 | |
seen a far more assured way. At some
stage he's got to open the pack, | 1:46:36 | 1:46:42 | |
though. | 1:46:42 | 1:46:45 | |
Yeah, I agree. Perfect angle, but I
suppose this red he can leave this | 1:46:50 | 1:46:55 | |
low, the red to the left corner,
leave it low. Maybe that was his | 1:46:55 | 1:46:59 | |
plan all along. Screw back across
the face of them, nothing wrong with | 1:46:59 | 1:47:06 | |
that. | 1:47:06 | 1:47:06 | |
As long as you can guarantee getting
that positional shot that he's just | 1:47:08 | 1:47:12 | |
played. Play it with topspin it's a
little bit more in the lap of the | 1:47:12 | 1:47:22 | |
Gods where the cue ball end up. Oh,
my goodness. I mean the screw back | 1:47:22 | 1:47:27 | |
shot guarantees position on the
black. That in itself is probably | 1:47:27 | 1:47:30 | |
these days considered the wrong
shot. He's so worried about where | 1:47:30 | 1:47:37 | |
the cue ball is going he missed the
pot. Yeah, I agree. The decision | 1:47:37 | 1:47:43 | |
should have been to go into the pack
off the black, two shots previously. | 1:47:43 | 1:47:48 | |
He's given Martin Gould an
opportunity to get this match over | 1:47:48 | 1:47:51 | |
and done with. | 1:47:51 | 1:47:51 | |
That's not a gimme. He knows as long
as he pots it, automatic position on | 1:47:59 | 1:48:07 | |
a red to either left middle or left
corner. Just keep still on this, cue | 1:48:07 | 1:48:12 | |
it nicely. | 1:48:12 | 1:48:17 | |
It's been a poor standard. It's just
who can possibly keep themselves | 1:48:25 | 1:48:30 | |
together to over the line in this
match. I can't say that any player | 1:48:30 | 1:48:36 | |
is favourite at this moment. Player
with Martin Gould's experience | 1:48:36 | 1:48:48 | |
should have seized that opportunity. | 1:48:48 | 1:48:51 | |
Wrong side of the blue, so further
away from the reds than he wanted. | 1:49:02 | 1:49:08 | |
On what we've seen so far, I can't
say that I'm absolutely confident | 1:49:08 | 1:49:13 | |
this is going in. | 1:49:13 | 1:49:24 | |
Nice shot.
APPLAUSE | 1:49:28 | 1:49:34 | |
Yeah, in the end, it was very well
struck. But it's hard to know how | 1:49:36 | 1:49:42 | |
many chances in the frame that each
player needs to get the job done. | 1:49:42 | 1:49:55 | |
They are good for the morale though
when you knock one in, especially | 1:49:55 | 1:50:00 | |
after you've missed an easy one.
Topspin is a strange choice for me | 1:50:00 | 1:50:07 | |
here. Will be hard to get right side
of the blue. Just looking for where | 1:50:07 | 1:50:17 | |
the break is going to end at the
moment, aren't you? It's a terrible | 1:50:17 | 1:50:21 | |
way to look, but it's just been that
type of game, you just don't fancy | 1:50:21 | 1:50:25 | |
there is going to be a frame-winning
clearance from here. We are talking | 1:50:25 | 1:50:29 | |
about the best players in the world,
just having a bad day in the office. | 1:50:29 | 1:50:38 | |
Motoring down there. Is there a red
that goes into the right corner? | 1:50:38 | 1:50:42 | |
This red to the left corner is OK,
but it's not so easy to get back out | 1:50:42 | 1:50:47 | |
into open play. He may choose to
actually use the bunch here. Cue | 1:50:47 | 1:50:54 | |
ball into the bunch. Every chance if
he hits the bunch of reds the cue | 1:50:54 | 1:50:59 | |
ball could go up to that end of the
table, where the colours are, | 1:50:59 | 1:51:02 | |
possibly be in the pink. If he hits
the right part of the bunch, of | 1:51:02 | 1:51:06 | |
course, yeah. That's exactly what he
played. Good shot. Yeah. | 1:51:06 | 1:51:17 | |
APPLAUSE
Good thinking. Criticised him for | 1:51:17 | 1:51:24 | |
some bad thinking, that was the
opposite. No! I don't think he's | 1:51:24 | 1:51:36 | |
even on a red.
He's not a red. From Martin Gould's | 1:51:36 | 1:51:43 | |
perspective, once again, you must be
pleased he's missed blue. Martin | 1:51:43 | 1:51:47 | |
Gould must come to the table
thinking - I've been left the Crown | 1:51:47 | 1:51:53 | |
jewels. Can he had pot one? Does one
goes past? Yes, it does. Can he see | 1:51:53 | 1:51:59 | |
it?
You can have no excuses. No, he's 37 | 1:51:59 | 1:52:08 | |
points behind. He's basically
looking at a clearance. | 1:52:08 | 1:52:15 | |
If he doesn't do it from here, it's
only the situation, the fact that | 1:52:25 | 1:52:30 | |
he's not playing with full
confidence. You see another shake of | 1:52:30 | 1:52:33 | |
the head. Not where he wanted the
cue ball to be. Does he consider he | 1:52:33 | 1:52:39 | |
had a bad contact there that took
some of the spin-off the cue ball? | 1:52:39 | 1:52:44 | |
It didn't sound like that one. | 1:52:44 | 1:52:48 | |
Play the cannon on the pink and
leave the pink to right middle here. | 1:52:53 | 1:52:59 | |
Pretty straight-forward shot, but I
think at this stage nothing is | 1:52:59 | 1:53:02 | |
straight-forward. Yeah. You can play
off two cushions round for the pink | 1:53:02 | 1:53:06 | |
again. | 1:53:06 | 1:53:08 | |
A bit short of pace, perhaps. That's
a sign of tension. | 1:53:10 | 1:53:16 | |
Tension in the arm. | 1:53:18 | 1:53:20 | |
Blue in and out of baulk is never
certain, position Ali. -- | 1:53:24 | 1:53:31 | |
opsitionally. -- positionally.
There's a lot at take for Martin | 1:53:31 | 1:53:46 | |
Gould, apart from the fact of a
place in the quarter-finals he's | 1:53:46 | 1:53:50 | |
involved in the mixup for the race
to the Masters. Couldn't have played | 1:53:50 | 1:53:54 | |
that much better. No, I was going to
say, that could be the match winning | 1:53:54 | 1:54:00 | |
shot. Sometimes when you play a
perfect positional shot it gets you | 1:54:00 | 1:54:05 | |
back in, in the right frame of mind.
When you're struggling around trying | 1:54:05 | 1:54:10 | |
to get position, you don't seem to
fancy it, but now he's in, I don't | 1:54:10 | 1:54:14 | |
see him going wrong from here. | 1:54:14 | 1:54:25 | |
Couldn't have placed it better. Is
there going to be one more twist and | 1:54:26 | 1:54:34 | |
one more mini nightmare for Martin
Gould or can he get over the line in | 1:54:34 | 1:54:38 | |
style here? | 1:54:38 | 1:54:45 | |
Head shaking going on. He got in
perfect position from that good shot | 1:54:48 | 1:54:51 | |
on the blue, he managed to leave
himself needing a cannon, which he's | 1:54:51 | 1:54:55 | |
done very well. Just a series of
little stuns and screws now. The cue | 1:54:55 | 1:55:02 | |
ball shouldn't be travelling any
distance whatsoever. You couldn't | 1:55:02 | 1:55:05 | |
ask for better. Around the pink
sometimes less pressure than around | 1:55:05 | 1:55:09 | |
the black. You have four pockets to
play for, haven't you, rather than | 1:55:09 | 1:55:15 | |
two. | 1:55:15 | 1:55:17 | |
Wouldn't want to leave himself dead
straight on the pink. The line he's | 1:55:42 | 1:55:49 | |
got on the red is perfect to make
sure that he doesn't leave himself | 1:55:49 | 1:55:53 | |
dead straight. | 1:55:53 | 1:55:55 | |
So pot the pink, off the side
cushion, out into the open table. It | 1:56:01 | 1:56:08 | |
really is a guilt edged chance now
to get over the line. | 1:56:08 | 1:56:12 | |
He could play for the blue. If there
is tension in your arm, the green is | 1:56:24 | 1:56:28 | |
a safer option. | 1:56:28 | 1:56:30 | |
Perfect on the blue. If he got
straight on the blue. Yeah not to | 1:56:40 | 1:56:46 | |
clever. The green is more
opportunities, but he looks good. He | 1:56:46 | 1:56:51 | |
looks like he's got himself together
an composed. He takes the lead. | 1:56:51 | 1:56:59 | |
Ahead by eight points. So he needs
another blue. Another blue and he's | 1:56:59 | 1:57:05 | |
won it. | 1:57:05 | 1:57:08 | |
A little bit further away from the
green than would have been | 1:57:23 | 1:57:28 | |
comfortable. With the way he's
feeling at the moment. Does he have | 1:57:28 | 1:57:33 | |
to screw for the brown for the same
pocket? No, he played it well. | 1:57:33 | 1:57:40 | |
That's normally the big shot in
clearing the colours, getting | 1:57:40 | 1:57:44 | |
perfectly on the brown. It should be
automatic from here. | 1:57:44 | 1:57:47 | |
Stealing himself for the big effort
to win these two balls. | 1:57:54 | 1:58:00 | |
He's done well, Martin Gould. He's
4-3 down, he's won three frames in a | 1:58:06 | 1:58:11 | |
row. Guodong has had plenty of
chances. He'll look back on this | 1:58:11 | 1:58:17 | |
match and look back at the mistakes.
APPLAUSE | 1:58:17 | 1:58:23 | |
It's been a good break this from
Martin Gould. It's not been a pretty | 1:58:23 | 1:58:29 | |
match to watch, by any means. Martin
Gould wins 6-4, beats Xiao Guodong | 1:58:29 | 1:58:36 | |
to go through to the quarter-finals.
APPLAUS | 1:58:36 | 1:58:41 | |
Hard-fought win for Martin Gould he
is through to the quarter-finals | 1:58:45 | 1:58:49 | |
they get under way later today on
BBC Two. We kick off at 1.00pm. See | 1:58:49 | 1:58:54 | |
you then, goodbye for now. | 1:58:54 | 1:59:00 |