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Hello. A very good evening to you and welcome to the 2015 Betway UK | :00:10. | :00:41. | |
Snooker Championship. We've had a wonderful day here at the York | :00:42. | :00:45. | |
Barbican and the entertainment is continuing into the night. We are | :00:46. | :00:48. | |
going live shortly because Mark Selby is being pushed all the way in | :00:49. | :00:53. | |
his match with Wales's Jamie Jones. It has been tense all evening. Let's | :00:54. | :00:57. | |
bring you right up to date. Here is what happened in Frame 8. 4-3 to | :00:58. | :01:02. | |
Jones, Selby trailing by 14 points and has snookered the | :01:03. | :01:04. | |
Jones, Selby trailing by 14 points and has snookered the Welshman. | :01:05. | :01:13. | |
He should be OK. Off the top cushion. No! Foul. Oh, my goodness. | :01:14. | :01:24. | |
Can you believe what can happen on a snooker table, Steve. Just | :01:25. | :01:27. | |
ridiculous. He didn't really connect with the pink anywhere near as he | :01:28. | :01:32. | |
wanted. That was a bit of a misjudgment, but even so - wow! Can | :01:33. | :01:38. | |
he get out of jail here? Can he knock this pink in? What a time to | :01:39. | :01:51. | |
start potting the long balls? You couldn't write the script. You | :01:52. | :01:54. | |
really couldn't write the script. APPLAUSE | :01:55. | :02:04. | |
Amazing what can happen on a 12-6 snooker table. You are right, Jamie | :02:05. | :02:10. | |
Jones should be hitting that four ball, shouldn't he? Yep. Well, he's | :02:11. | :02:15. | |
got to be kicking himself, I know that. That is a frame that | :02:16. | :02:26. | |
nightmares are made of. Should he go onto lose this match, He is | :02:27. | :02:31. | |
favourite well... To lose it now. He was huge odds onto win it from 5-3 | :02:32. | :02:35. | |
in front. He's gone second favourite again now. | :02:36. | :02:41. | |
APPLAUSE That is what is called stickability. | :02:42. | :02:55. | |
Mark Selby again levels at 4-all. Then Jamie Jones roared back with a | :02:56. | :02:59. | |
cracking break to take the next frame and the big question tonight, | :03:00. | :03:03. | |
we have to ask your commentary team Steve Davis, what he thought thought | :03:04. | :03:07. | |
is the 2012 champion Mark Selby going out? Let's go live to the | :03:08. | :03:11. | |
Barbican Centre and join the boys. Dramatic stuff, boys? I couldn't | :03:12. | :03:16. | |
agree with you more, Jason. Good evening to the late-night viewers | :03:17. | :03:20. | |
who have joined us at a critical stage. He got in with a great | :03:21. | :03:25. | |
opening red and he is on a break of 18 and counting. He was expecting to | :03:26. | :03:30. | |
kiss one of the two Reds on the side to cushion on the black and he | :03:31. | :03:33. | |
hasn't done so now only a safety shot available. Steve, to put it in | :03:34. | :03:38. | |
a nutshell, Mark Selby has not been in the race, has he? He hasn't | :03:39. | :03:41. | |
really looked like the Hoover that we know he can be. He's quickly got | :03:42. | :03:47. | |
into a frame and looks like he looks pretty decent amongst the balls and | :03:48. | :03:52. | |
inexplicably missed very easy shots. He doesn't seem to have the wait of | :03:53. | :03:56. | |
the table right. His tactics have been superb. His safety and grafting | :03:57. | :04:01. | |
has been great, but he's not flowed and Jamie Jones has looked the | :04:02. | :04:04. | |
stronger of the long putters. That was a big point there. The highest | :04:05. | :04:07. | |
break caption we saw there. Mark Selby's high yst break in the whole | :04:08. | :04:14. | |
match. When you consider we are in frame 10 it has only been 54. That | :04:15. | :04:18. | |
is the long time since you have seen Mark Selby play that. But as we all | :04:19. | :04:24. | |
know he just graphs and graphs. He doesn't give up. Now you can see his | :04:25. | :04:29. | |
determinion is back in his face again. He's a little bit angry with | :04:30. | :04:35. | |
himself. There has been some balls missed. Mark Selby missed two or | :04:36. | :04:44. | |
three of the easiest balls I have ever seen. We might get a chance to | :04:45. | :04:50. | |
show you one in a few moment's time. A big shot Jamie Jones is lining up | :04:51. | :04:52. | |
here. A massive shot. Where is the red going? Right over | :04:53. | :05:12. | |
the pocket. While Mark Selby is playing this shot, he ended up | :05:13. | :05:15. | |
winning the frame. Just look at this shot that Mark Selby has won. Can | :05:16. | :05:20. | |
you believe this? He needs the clearance to win and he's missed | :05:21. | :05:24. | |
that brown. In the last 10 years of Mark Selby playing, would you ever | :05:25. | :05:29. | |
have seen him miss a shot like that? You can see the amazement on Jamie | :05:30. | :05:34. | |
Jones face there. And then Jamie Jones missed the next shot. It was a | :05:35. | :05:39. | |
comedy of errors and it has been the case, and you said it earlier in the | :05:40. | :05:44. | |
match, in a normal situation, in a normal Mark Selby, the one that we | :05:45. | :05:49. | |
have come to know and respect, a situation like the h would be a | :05:50. | :05:53. | |
frame-winning situation, but he just hasn't looked that confident amongst | :05:54. | :05:55. | |
the balls. He's just got to make sure he is | :05:56. | :06:23. | |
across the table far enough to make the black gettable. He hasn't judged | :06:24. | :06:27. | |
the pace at all. He is still playing what he considers to be pin-point | :06:28. | :06:31. | |
position when he is not playing as well as that to get that pin-point | :06:32. | :06:36. | |
position at the moment. Once again, you would have thought the black | :06:37. | :06:41. | |
would have been potable with the rest but maybe hampering cueing is | :06:42. | :06:45. | |
stopping him playing it. No attempt at the pot there, of course. He is | :06:46. | :06:49. | |
just trying to get a good white. Mark Selby, 1. | :06:50. | :07:19. | |
Who r loses this match this evening will be -- whoever loses this match | :07:20. | :07:29. | |
this evening will be in a pretty bad place mentally, confidence-wise - | :07:30. | :07:32. | |
they both have thrown away great chances. Jamie Jones arguably could | :07:33. | :07:38. | |
have clinched this match already. Should Mark Selby lose it, well, | :07:39. | :07:43. | |
that is a low point in this season for him. Yes. Those who have not | :07:44. | :07:49. | |
been with us throughout the evening session, I mean Jamie Jones led | :07:50. | :07:54. | |
2-nil and was playing flawless snooker. He should definitely have | :07:55. | :08:00. | |
won frame 3 and 4 but it was too easy at the interval and that set | :08:01. | :08:04. | |
the pattern. Selby has been playing catch-up | :08:05. | :08:10. | |
That is more like it. A very confident putt. | :08:11. | :08:18. | |
This is a big test now for Jamie Jones. He's got an excellent chance | :08:19. | :08:24. | |
here of knocking out the world No. 1 Mark Selby. Pink, black, blue all in | :08:25. | :08:32. | |
play. Has he overhit it? A big bounce off the cushion. It is OK. It | :08:33. | :08:37. | |
might have helped him. I don't think that is the ball that - I think he | :08:38. | :08:42. | |
was play fogger the one in the right corner. -- playing for the one in | :08:43. | :08:46. | |
the right corner. It is getting late. Perhaps the cushion cover is a | :08:47. | :08:55. | |
bit wrapped up. That is a nice shot. 7. A bit unlucky that second red has | :08:56. | :09:03. | |
gone in, really. Very clever shot, wasn't it? He had to play at that | :09:04. | :09:09. | |
pacey to get the cue to come back for the pink because he was hitting | :09:10. | :09:13. | |
two Reds. Well, it could be a frame-winning shot. A match-winning | :09:14. | :09:14. | |
shot. LAUGHS | :09:15. | :09:19. | |
If it was the first frame of the evening you would say that Jamie | :09:20. | :09:28. | |
Jones is going to win the frame, but obviously now it is frame and | :09:29. | :09:32. | |
match-winning chance, there is a bit more tension in the arm. He looked | :09:33. | :09:36. | |
good amongst the balls. He looked better than Mark Selby. He made a | :09:37. | :09:40. | |
good break in the last frame albeit - oh, No, a kick. Oh, no. He just | :09:41. | :09:44. | |
about potted it. Absolutely dried the pace on the cue | :09:45. | :10:07. | |
ball. -- destroyed the pace on the cue ball. We've had some twists and | :10:08. | :10:12. | |
turns in this game. We really have. Yellow ball. Going back, we were | :10:13. | :10:19. | |
starting to talk about when Jones led 2-nil but should have led 4-nil | :10:20. | :10:25. | |
really. Mark Selby has only had breaks of 54, 37, 40, 38 and 33. Cue | :10:26. | :10:33. | |
ball. Just trying to link through for the black. Look at the reaction | :10:34. | :10:36. | |
from Jamie Jones. A massive kick. Another chance for Jamie Jones. Can | :10:37. | :11:06. | |
he do it again? Striking those as crispy as anything. | :11:07. | :11:09. | |
APPLAUSE He needs an angle on the brun, which | :11:10. | :11:14. | |
he's got. Now, surely, this time he can convert the frame. A fabulous | :11:15. | :11:23. | |
putt, this. He's got three reds he can play. Just have to screw up on | :11:24. | :11:27. | |
the middle pocket. Just on the righthand side, three reds | :11:28. | :11:31. | |
available. He won't get a better chance than this to knock out the | :11:32. | :11:34. | |
world No. 1. 5. 6. Perhaps lost a bit of control on | :11:35. | :12:03. | |
the cue ball. Just a little bit. He would have preferred to have played | :12:04. | :12:04. | |
the pink. 11. He should go this into the | :12:05. | :12:18. | |
middle, but it is missable. Very nice. He's going to need that | :12:19. | :12:55. | |
difficult red behind the pink, so there is hope for Mark Selby. That | :12:56. | :13:06. | |
was a bad contact as well somehow. Wanted to be straight so he could | :13:07. | :13:12. | |
rescue back for the black again. He played that as a stunt shot but it | :13:13. | :13:16. | |
ran through. Didn't look like he hit it badly. | :13:17. | :13:30. | |
This is a little bit more tricky than expected. A good recovery. 20. | :13:31. | :13:51. | |
Of course, if he doesn't fancy trying to get on the red, to clear | :13:52. | :14:01. | |
the balls or get over the line, he can always play a very easy snooker. | :14:02. | :14:13. | |
That would be not as preferable as knocking the red in, Just shows you | :14:14. | :14:17. | |
but... What can happen under pressure. He is looking at the | :14:18. | :14:21. | |
scoreboards and can't work out the scores. That is what pressure does | :14:22. | :14:24. | |
to you. He needs an angle on this black. Oh, yep. So, question: What | :14:25. | :14:35. | |
do you want to do? Try and break out the red? You would do normally. | :14:36. | :14:41. | |
Killer safety. Playing killer snooker. I mean, that was really | :14:42. | :14:49. | |
poor work leaving him hampered like this, but the pressure is on. Good | :14:50. | :15:06. | |
shot. 28 in front. Mark Selby is going to be in all sorts of trouble. | :15:07. | :15:11. | |
He's going to need to get out of this safety shot and get out of this | :15:12. | :15:16. | |
snooker. Not only get out of it, but keep the red safe. 33. | :15:17. | :15:19. | |
APPLAUSE And also, if he misses it, he will | :15:20. | :15:28. | |
be 36 behind the 35 on. So it is really - this is last-chance saloon | :15:29. | :15:31. | |
for Mark Selby. Hit it, get it, otherwise you are out. Off the top | :15:32. | :15:35. | |
cushion. Maybe preferable to the side cushion here. Off the top | :15:36. | :15:40. | |
cushion if he does connect with it, he could get it safe. He will have | :15:41. | :15:49. | |
two goes at it. He has one free go if he misses and gets away with it. | :15:50. | :15:56. | |
That is a great shot. He's got it safe. | :15:57. | :15:56. | |
APPLAUSE Trusted to luck, obviously. Are we | :15:57. | :16:10. | |
going to see one more twist in this match? | :16:11. | :16:10. | |
LAUGHS . This has been such a topsy turvy | :16:11. | :16:22. | |
match. The yellows in Jamie Jones favour, not being in an easily | :16:23. | :16:26. | |
potable position. All Jamie Jones needs to do is get this red off the | :16:27. | :16:31. | |
table. He must have been sitting in his chair when he got him snookered | :16:32. | :16:39. | |
there and thought, even if he pots it I will get a shot on the red. He | :16:40. | :16:45. | |
is not even in a position to play a good safety shot. If he tries to get | :16:46. | :16:49. | |
the key board in behind the black he will have to play it pacey and then | :16:50. | :16:53. | |
the red comes into play. He is playing a little negative one here. | :16:54. | :16:57. | |
If he doesn't get the snooker, he will snooker himself, but he's | :16:58. | :17:00. | |
played it nicely. Can he just flick the edge of this? I am not sure. No. | :17:01. | :17:02. | |
Doesn't look like it. He can play a little swerve and push | :17:03. | :17:14. | |
the red onto the left-side cushion, but he loses all of the advantage | :17:15. | :17:19. | |
and I don't see what else he can do, coming off two cushions - he might | :17:20. | :17:24. | |
be able to push the red up the table. So you think two cushions | :17:25. | :17:28. | |
hard? Yeah, but the white ball could go up the table as well. That is | :17:29. | :17:33. | |
what I was thinking and the red could kiss into the groan or the | :17:34. | :17:40. | |
brown. I think the - push it into the side cushion. Cut your losses | :17:41. | :17:46. | |
really on this one. If he hits this too hard the white is likely | :17:47. | :17:56. | |
That was a good idea. Well, it probably is cuttable, but Jamie | :17:57. | :18:06. | |
Jones has got to Jack himself up over the brown. Oh, my goodness. | :18:07. | :18:12. | |
That makes a shot - I don't know - five times more difficult. He can't | :18:13. | :18:16. | |
play the putt now being hampered like this. Playing safe. No, no | :18:17. | :18:25. | |
attempt at the pot there. Needs to get behind the black. Just see | :18:26. | :18:30. | |
enough of this from Mark Selby, but it would be very hard for him to get | :18:31. | :18:36. | |
a snooker. I don't think the angles are there. Ultra-thin, you could get | :18:37. | :18:40. | |
it behind the black, but he's also going to push the red towards the | :18:41. | :18:50. | |
yellow pocket. That was a better choice, just getting the object to | :18:51. | :18:52. | |
safety. Excellent shot. APPLAUSE | :18:53. | :18:56. | |
He's given himself another chance now, Selby. He really has. Yes. | :18:57. | :19:06. | |
Jamie Jones might be forced to play off the side cushion with rescue and | :19:07. | :19:11. | |
try and get a full-ball contact. If he can just flick enough of it, | :19:12. | :19:15. | |
perhaps he can work a path back. He might get the double kiss. He might | :19:16. | :19:21. | |
get the double kiss, he's played it well, though. He's played it very | :19:22. | :19:28. | |
well. Well done. APPLAUSE That wasn't absolutely certain that | :19:29. | :19:29. | |
he could do that. Mark Selby has been pulling out | :19:30. | :19:45. | |
Robert the Bruce-like proportions tonight to just stick at it, even | :19:46. | :19:53. | |
though things have not been going right, going but... It is advantage | :19:54. | :19:58. | |
Jamie Jones for certain in this frame. Also pink a little bit out of | :19:59. | :20:06. | |
commission as well. As well as that yellow. | :20:07. | :20:24. | |
He needs to find the cushion. If it bounces, he may decide to cut this | :20:25. | :20:37. | |
in. An excellent shot by Mark Selby. It is a brave cut, but he only needs | :20:38. | :20:40. | |
one ball. Would you believe it? Oh, my | :20:41. | :20:55. | |
goodness. What pressure can do to you in this game is unbelievable. | :20:56. | :21:01. | |
Well, he hasn't necessarily lost this frame. One good positional shot | :21:02. | :21:11. | |
by Mark Selby could alleviate the difficulty here and this surely to | :21:12. | :21:17. | |
try and drop on the side cushion and give himself options Four pockets. | :21:18. | :21:24. | |
Of... ..Yeah, ideally into the middle pocket or... Mmm, that is not | :21:25. | :21:35. | |
good. He decelerated it there. He is really under it, Mark Selby at the | :21:36. | :21:39. | |
minute. Why wouldn't he have played the drop-on into the middle. Yeah. | :21:40. | :21:43. | |
If he underhits it, he is into the green pocket. If he hits it perfect | :21:44. | :21:48. | |
he is into the middle. Overhits it, he is into the black pocket. Quite a | :21:49. | :21:55. | |
big margin but the way this is, it is a very Hardwick shot. He's got to | :21:56. | :22:00. | |
hold for the green, which I don't think is a problem, but he can't hit | :22:01. | :22:05. | |
it too hard. He's hit a lot of pressure balls in his career. That | :22:06. | :22:09. | |
is another one! That is another one! APPLAUSE | :22:10. | :22:18. | |
Amazing. Jamie Jones! The agonies he is going through | :22:19. | :22:24. | |
tonight. Can Mark Selby pile on the pressure by getting from blue to | :22:25. | :22:33. | |
pink successfully? We expect him to drop this groan in and get | :22:34. | :22:34. | |
successfully on the brown. Doesn't have a great handle on the | :22:35. | :22:47. | |
brown, but he needs to leave the blue virtually half ball so he can | :22:48. | :22:52. | |
just drop him behind the pink. His angle is not good so he has to swing | :22:53. | :22:56. | |
it around two cushions. Very easy the finish short or long on this | :22:57. | :22:58. | |
shot. 17. Well, one more very difficult | :22:59. | :23:13. | |
pot on the pipping -- pink coming up in a moment. We couldn't really ask | :23:14. | :23:15. | |
for anything much better than that. He doesn't really want to get onto | :23:16. | :23:33. | |
the pink, so he has to risk playing it slow into the corner, doesn't he? | :23:34. | :23:38. | |
He needs to get right behind it if he can. Anywhere but there. 22. | :23:39. | :23:42. | |
No-man's land. Well, if you risk playing the slow | :23:43. | :23:58. | |
pink and trying to cover it with the black, it is very dangerous to play | :23:59. | :24:00. | |
it that way. He's taking it on. What a great shot. A fantastic shot. | :24:01. | :24:14. | |
APPLAUSE How on earth has Mark Selby got to | :24:15. | :24:28. | |
5-5. ? But that is it! He is still in there. | :24:29. | :24:31. | |
APPLAUSE The decider live on BBC, 5-5. Well, | :24:32. | :24:38. | |
Steve, honestly, I just can't believe what has happened in this | :24:39. | :24:44. | |
match. I mean, Selby has just been grafting and grafting and highest | :24:45. | :24:50. | |
break - 54 and it is 5-all. Jones Jennifer Aniston, I suppose, did the | :24:51. | :24:53. | |
right thing by playing that snoker. He just got out of it -- snooker. He | :24:54. | :24:58. | |
just got out of it. Mark Selby's escape was perfect and then Jamie | :24:59. | :25:01. | |
Jones was sort of on the back foot again. He couldn't get over the line | :25:02. | :25:06. | |
and the thin cut. That was it. He would have been better off playing | :25:07. | :25:10. | |
it thicker. He got so excited. It was a chance to win frame and match, | :25:11. | :25:15. | |
but that one shot on the red. This is the cut now. People at home might | :25:16. | :25:19. | |
be suggesting why hasn't he pushed the red and played it full ball | :25:20. | :25:22. | |
behind the black and played it at the other end. This is frame and | :25:23. | :25:26. | |
match ball so he is entitled to play it, but because of the nerves he put | :25:27. | :25:31. | |
too much side on it and cut it too thin. You never know what will | :25:32. | :25:35. | |
happen, do you? What will happen in this last frame. Probably go and | :25:36. | :25:40. | |
make it 1-6-7 or something. He potted the red and didn't get right | :25:41. | :25:43. | |
on the yellow potting the black and didn't get right on the pink. The | :25:44. | :25:46. | |
pink and yellow, the way he's been playing this evening he wouldn't | :25:47. | :25:50. | |
have been looking forward to playing those two shots. Heroic effort, it | :25:51. | :25:58. | |
has got to be said. It is not necessarily all about what your best | :25:59. | :26:00. | |
is. APPLAUSE | :26:01. | :26:02. | |
It is how many matches you can pull out of the fire. 11th and final | :26:03. | :26:11. | |
frame. Jamie Jones to break. Probably his best performance, | :26:12. | :26:15. | |
really, to win. Here we go, final frame, we never thought it would be | :26:16. | :26:19. | |
that an hour ago. Jamie Jones breaks off. After just over four hours of | :26:20. | :26:29. | |
play. It is not a bad breaker. Can he get through to the red? If he can | :26:30. | :26:32. | |
get through to the red, it cuts. If Markit feels he can't get through | :26:33. | :27:11. | |
to the red, then it is not a safety shot. Maybe if he swerves. It helps | :27:12. | :27:16. | |
because it helps the cue ball get back to the ball and obviously he | :27:17. | :27:22. | |
will be trying to pot the red. That is the first time that Mark Selby | :27:23. | :27:28. | |
has been ahead in this match, albeit only by one point. 1. A marvellous | :27:29. | :27:33. | |
shot there. A power swerve to make the potting angle. | :27:34. | :27:40. | |
Can he open the reds up with this? Perhaps he chose a more controlled | :27:41. | :27:52. | |
shot. There are reds available. I thought for a moment he was going to | :27:53. | :27:58. | |
go into them, but... In the last frame he got in very | :27:59. | :28:09. | |
early and it looked like he was going to move through the gears and | :28:10. | :28:15. | |
he inexplicably lost an easy ball, but once again he is first in. What | :28:16. | :28:17. | |
can he do? Still 54 is his highest break and if | :28:18. | :28:30. | |
you can going to win a ball at one visit you need more than 54 so Jamie | :28:31. | :28:34. | |
Jones will still be thinking he is going to get another chance in this | :28:35. | :28:37. | |
match. After the nitty-gritty when it gets | :28:38. | :28:48. | |
to the final frame, they sometimes find plenty. The way he has played, | :28:49. | :28:52. | |
I will be surprised if he wins the game at one visit, but he is such a | :28:53. | :28:58. | |
great champion that he might just do that. | :28:59. | :29:04. | |
11. What is available at this end of the table? The red to the right of | :29:05. | :29:14. | |
the black there is a pack of two to get onto that red. | :29:15. | :29:20. | |
You see, normally, if you are playing great, you just roll this in | :29:21. | :29:27. | |
and get on that gap, but he is independent hitting the ball that | :29:28. | :29:29. | |
well, so he may decide an alternative shot to that one. He has | :29:30. | :29:34. | |
player for the loose red. I don't know if he is on it for that pace. | :29:35. | :29:43. | |
He's just on it. 16. He is on it, but he may not be. He is just on it. | :29:44. | :29:49. | |
Perhaps he can hold for the black. He's got to play it slow. Should he | :29:50. | :29:57. | |
have wanted to be on the black. He didn't want to collide with that | :29:58. | :30:01. | |
red. This is a monster black to take on. Massively missable. Once again, | :30:02. | :30:09. | |
though, Steve, have you ever seen Selby play a canon like that when | :30:10. | :30:15. | |
he's got oceans of room to get on the blue ball colour. He got into | :30:16. | :30:27. | |
the cue ball a bit too much. Now, in normal circumstances, even if it is | :30:28. | :30:31. | |
5-5 he would be taking the black on, but I am not sure his confidence is | :30:32. | :30:36. | |
good enough to play the black now. Wow, he is looking at the snooker, | :30:37. | :30:43. | |
the safety. On another day, he would knock the yellow in, I think. | :30:44. | :30:47. | |
Although the red is in the way on the cushion for that, so - well. | :30:48. | :30:56. | |
17. Mark Selby. The most important thing - there is no one right way to | :30:57. | :31:06. | |
play any given shot and it is how you feel. If you don't feel | :31:07. | :31:10. | |
comfortable, then don't do it. He's not been comfortable all night, | :31:11. | :31:13. | |
Steve, has he? On another day he would have knocked the yellow and | :31:14. | :31:18. | |
the black in, but he's trying to get over the line. Somehow. Somehow. | :31:19. | :31:19. | |
LAUGHS . The silly thing is if he wins in | :31:20. | :31:28. | |
match he may go on and win the tournament and play some of the best | :31:29. | :31:31. | |
snooker he's ever played. Every day is a different day. | :31:32. | :31:47. | |
A very good safety shot there from Jamie Jones. Might have looked like | :31:48. | :31:55. | |
an attempted pot, but it was never that. | :31:56. | :32:03. | |
There is a few nice positions in the baulk area to try and hide behind. | :32:04. | :32:09. | |
Brown and green are looking tempting. Not great. It is very | :32:10. | :32:20. | |
unlike Selby, isn't it? His safety has been poor as well tonight. Not | :32:21. | :32:25. | |
to find the top cushion there. He's giving Jamie Jones the upper hand in | :32:26. | :32:31. | |
the safety exchange. Behind the yellow tight to the rail could pay | :32:32. | :32:33. | |
dividends. Not bad. There is a red that has | :32:34. | :32:52. | |
poked its Well, now where all of the reds are, this is a big shot to take | :32:53. | :32:59. | |
on. I think he's got the take it on. There is a slight chance -- He is | :33:00. | :33:04. | |
playing the safety. Wow! It is not as easy as it locks. | :33:05. | :33:07. | |
APPLAUSE Fantastic shot. There is me talking | :33:08. | :33:15. | |
more aggressively than I have ever played and Markit is playing the | :33:16. | :33:20. | |
right shot at the -- Markis playing the right shot at the right time. If | :33:21. | :33:26. | |
he has to de-20 at a time, he is normally great. It doesn't matter. | :33:27. | :33:33. | |
Even though he hasn't got the cue ball, down on the ball cushion, it | :33:34. | :33:36. | |
is a little bit of a problem for Jamie Jones. Looks like the only | :33:37. | :33:44. | |
shot he's got is a thin one down the left-hand side. He hasn't got that | :33:45. | :33:52. | |
much room for manoeuvre here. Very nice. Where is the red? Now where is | :33:53. | :33:58. | |
the white? Can he get it behind the yellow? | :33:59. | :34:02. | |
Looks a good shot. A great shot. Mark...oh, my goodness. Oh, dear! | :34:03. | :34:18. | |
Oh, dear! We both "oh deared" at the same time. Once again, I think he | :34:19. | :34:26. | |
will have to play a swerve. Let's look down the line to see if he can | :34:27. | :34:32. | |
play a swvr here. Maybe not. I don't think he's got | :34:33. | :34:35. | |
play a swvr here. Maybe not. I don't not. I don't think he's got enough | :34:36. | :34:39. | |
of that. The side won't take. What he could do is overswerve to try and | :34:40. | :34:43. | |
play cushion first and he doesn't mind if it goes in off. As long as | :34:44. | :34:48. | |
he hit the red. As long as you hit the red, yes. It is not the swerve | :34:49. | :34:53. | |
to try to pot the red. That is dangerous. Overswerve cushion first, | :34:54. | :35:00. | |
inside of the red, in off and take your chances. Or can he work out | :35:01. | :35:03. | |
some other type of shot? He's looking for some inspiration of | :35:04. | :35:18. | |
what we can think of. We have thought of a few things, albeit not | :35:19. | :35:21. | |
necessarily right. We don't know what to do either -- Mark? I like | :35:22. | :35:28. | |
the overswerve. As long as you hit the red. You have got to move the | :35:29. | :35:32. | |
red away from the pocket. Well, not bad. He may have made it hard for | :35:33. | :35:44. | |
Jamie Jones to get on the colour. Yeah, I agree. Lucky the red is not | :35:45. | :35:48. | |
the problem, but where does the white come? Kissing the red. I | :35:49. | :35:58. | |
wouldn't like this in the middle pocket. Is he going for it? Wow. | :35:59. | :36:03. | |
What a big shot this is. What a big shot! | :36:04. | :36:08. | |
What a great shot. Very well played. APPLAUSE | :36:09. | :36:23. | |
This subpoena an excellent - with what has happened to Jamie Jones | :36:24. | :36:30. | |
this evening -- this is an excellent - with what has happened to Jamie | :36:31. | :36:35. | |
Jones this evening, the play a shot like that in the final frame, you | :36:36. | :36:39. | |
have to take your hat off to him. That was brilliant. This is a bit | :36:40. | :36:41. | |
awkward. APPLAUSE | :36:42. | :37:04. | |
If he can get his cue through the gap, he's got a shot at the red, but | :37:05. | :37:09. | |
I just don't think he is able to get on a colour. | :37:10. | :37:34. | |
That gap you are talking about is there. He has to be careful with the | :37:35. | :37:40. | |
pink. Careful with the follow-threw that he doesn't touch a reds. -- | :37:41. | :37:49. | |
follow-threw that he doesn't touch a red. It was off-putting. Those two | :37:50. | :37:55. | |
reds hadn't been there, he no doubt would have potted that. Jamie Jones. | :37:56. | :38:03. | |
That was hard. Harder than it looked, I think. | :38:04. | :38:23. | |
Mark Selby eyeing up the red in the middle. A bit of sped. I think he is | :38:24. | :38:37. | |
eyeing that up, anyway. He is worried about just in case he hits | :38:38. | :38:42. | |
it too hard. If he plays for the pink in the middle, he won't have to | :38:43. | :38:47. | |
hit it too hard. Excellent. APPLAUSE | :38:48. | :38:54. | |
This is the first sight he's had of winning the match. | :38:55. | :39:10. | |
Jamie Jones has failed to get over the winning line on a few occasions | :39:11. | :39:18. | |
in this match, individual frames. Can Mark Selby do it at the most | :39:19. | :39:20. | |
important part? 8. I don't blame him at all going for | :39:21. | :39:48. | |
blue or even the green at this stage just to keep his hand on the table, | :39:49. | :39:53. | |
just to get further and further clear at the moment. He is 25 points | :39:54. | :39:58. | |
and counting. 16. Like I say, under normal circumstances you would say | :39:59. | :40:01. | |
it is a certainty, but not this evening. | :40:02. | :40:13. | |
Jamie's face is getting a bit redder there. He is getting frustrated | :40:14. | :40:21. | |
about what might have been and what certainly should have been. This is | :40:22. | :40:29. | |
one maybe, Jamie, that has definitely got away. | :40:30. | :40:44. | |
36 points in front. 27. Three more reds, three more colours. Should be | :40:45. | :40:49. | |
enough. Has he got the end on the pink to | :40:50. | :41:41. | |
flick the other two reds into play? He has. | :41:42. | :41:51. | |
This play up for the blue now or even the pink to get it into the | :41:52. | :41:58. | |
same pocket. The same pocket he's just potted it in. 35. | :41:59. | :42:09. | |
Trying to make this break as easy as possible. | :42:10. | :42:19. | |
Blue and pink are sometimes nice balls to knock in when you are under | :42:20. | :42:25. | |
a bit of pressure or open pocket. That looks like it. A great | :42:26. | :42:56. | |
positional shot. It is all over. APPLAUSE | :42:57. | :43:01. | |
43 points in front with 51 on. Jamie Jones, with this red goes in, will | :43:02. | :43:06. | |
know that he is out of the tournament and, boy, should he have | :43:07. | :43:12. | |
won it! 45. It won't be the best Christmas you have ever had, Jamie, | :43:13. | :43:20. | |
having seen this match slip away. Selby looks like making the highest | :43:21. | :43:24. | |
break of the match for him in this final frame. 53. How on earth has | :43:25. | :43:34. | |
Mark Selby won this match? I have watched every ball go in and I don't | :43:35. | :43:40. | |
know how he has won. Incedsible. -- incredible. | :43:41. | :43:57. | |
I've just had a text from his wife, Vickie, to say "thank God". That's | :43:58. | :44:07. | |
right, he's pulled it from somewhere today. He really has. Incredible. | :44:08. | :44:24. | |
You have got the feel so sorry for Jamie. That is what experience does | :44:25. | :44:30. | |
for you. He had the match completely won on five or six occasions, but | :44:31. | :44:37. | |
that is it. I am sure he can't believe he's done it, but he's come | :44:38. | :44:41. | |
back on five occasions and the only time he's been in front of the match | :44:42. | :44:45. | |
is just then. Mark Selby goes through, six frames to five. Well, | :44:46. | :44:50. | |
Steve, it is a match that honestly I don't know how he has won. I really | :44:51. | :44:55. | |
don't. Nor do I. I have never seen him so ill at ease around the table. | :44:56. | :45:00. | |
I have never seen him so uncomfortable. He shook his head | :45:01. | :45:03. | |
towards the even and felt like it wasn't his day. He stuck at it. From | :45:04. | :45:08. | |
my perspective, it wasn't even his B game he played there, but his C | :45:09. | :45:12. | |
game. It was good tactically, still sound. You have got to say, "Well | :45:13. | :45:17. | |
done, Mark Selby", I think Jamie Jones had the best of it. If you | :45:18. | :45:22. | |
look at the stats, I don't know if they tell a story or not. They | :45:23. | :45:25. | |
sevened themselves out a bit. Earlier in the The ball has match... | :45:26. | :45:29. | |
Plotted. It is amazing. Jamie Jones has done everything. He outscored | :45:30. | :45:35. | |
him on points and balls potted. The key thing, early on the long pot | :45:36. | :45:40. | |
success he was miles behind and all the rest of it. Towards the end of | :45:41. | :45:44. | |
the game when Jamie Jones saw the winning post he started to miss a | :45:45. | :45:49. | |
few. And his positional play wasn't as strong and in the last frame he | :45:50. | :45:53. | |
had the black at his mercy and he got himself tied up at the top end | :45:54. | :45:57. | |
of the table. Perhaps he could have played a slightly less critical | :45:58. | :46:01. | |
shot, but that is the way it is. Absolutely. Back to the studio now. | :46:02. | :46:02. | |
I am sure Mark Selby will be a played a slightly less critical | :46:03. | :46:04. | |
shot, but that is the way it is. Absolutely. Back to the studio now. | :46:05. | :46:05. | |
I am sure Mark Selby will be a very relieved | :46:06. | :46:05. | |
shot, but that is the way it is. Absolutely. | :46:06. | :46:05. | |
I am sure Mark Selby will be a very relieved man. Well played, boys. | :46:06. | :46:08. | |
Mark Selby is here. I remember doing a late interview on what should be a | :46:09. | :46:12. | |
highlights programme a couple of years ago and at one stage this | :46:13. | :46:16. | |
evening we thought you were out of it. Did you think you were out of | :46:17. | :46:21. | |
it? The way I played there was pretty pathetic. Jamie played a lot | :46:22. | :46:24. | |
better than me. He scored well when he got the chances and to be fair, | :46:25. | :46:29. | |
deserved to win the match. If probably deserved to win 6-2, 6-3. I | :46:30. | :46:32. | |
was very, very pr. Happy to get over the line. What was it? Was it | :46:33. | :46:38. | |
because Jamie play sodwell or you game? Why you couldn't get in front? | :46:39. | :46:43. | |
A little bit of both. Jamie was scoring when he got a chance and | :46:44. | :46:47. | |
that was putting me under pressure. I kept blowing the chances and Jamie | :46:48. | :46:51. | |
kept picking up the pieces. Did you fear for your UK championship at one | :46:52. | :46:56. | |
stage throughout this evening? Yeah, I mean Jamie made a good break. I | :46:57. | :47:01. | |
knit the frame 4-all when I had no right to win the frame. I thought he | :47:02. | :47:06. | |
might wilter a bit and he made a great frame to go in front and I | :47:07. | :47:10. | |
thought it showed the character of him. He didn't let his head go down. | :47:11. | :47:14. | |
Just my usual self, dug in and turned it around. I am sure, Mark, | :47:15. | :47:18. | |
you will analyse it, but do you think frame 8 when you had that | :47:19. | :47:22. | |
snacker, is that what hauled you back into the match? Possibly. Like | :47:23. | :47:25. | |
I said, Jamie should have definitely won that. He had a couple of chances | :47:26. | :47:30. | |
at the pink to put that away but I mained to knit that frame, but he | :47:31. | :47:35. | |
made a great next frame to go 5-4 in front. I don't know what to say, | :47:36. | :47:39. | |
happy to get over the line. The fact that you have lost to Jamie in | :47:40. | :47:42. | |
Australia, 5-1. Does that play on the mind knowing you have lost to | :47:43. | :47:47. | |
someone lick Jamie and you are in this position? Not really. Every | :47:48. | :47:49. | |
game is different. Everyone going out there knows you are playing | :47:50. | :47:52. | |
against top-class players and Jamie is one of them. He proved that | :47:53. | :47:55. | |
getting into the quarter finals at the World Championships and when he | :47:56. | :47:59. | |
bet me at the Australian he got to the semifinal and was only one frame | :48:00. | :48:03. | |
away from getting to the final. Well done. You are through. That is the | :48:04. | :48:06. | |
main thing. Good man. Have a good kip now. Thank you very much. Mark | :48:07. | :48:07. | |
Selby leaves us. Let's bring done. You are through. That is the | :48:08. | :48:08. | |
main kip now. Thank you very much. Mark | :48:09. | :48:09. | |
Selby leaves us. Let's bring you up-to-date with what happened today. | :48:10. | :48:16. | |
Jamie Burnett beat Li Hang. Matt Selt bet Robbie Williams. Jack | :48:17. | :48:29. | |
Lisowski bet David Grace. Michael Holt was beaten by six frames | :48:30. | :48:32. | |
Lisowski bet David Grace. Michael Holt was beaten by six frames to | :48:33. | :48:32. | |
Lisowski bet David Grace. Michael Holt was beaten by six frames to one | :48:33. | :48:36. | |
by Joe Swail. Jamie Jones played so well this evening but Mark Selby is | :48:37. | :48:40. | |
through to the next round. That is it for us for this evening but | :48:41. | :48:44. | |
Snooker Extra follows next with Hazel bringing high lights of Stuart | :48:45. | :48:48. | |
Bingham taking on Brad Ebert and we are back with further live coverage | :48:49. | :48:51. | |
from the Barbican Centre here in York. We shall see you at 1:00, BBC | :48:52. | :48:55. | |
Two. Bye for now. Who is this dangerous renegade, | :48:56. | :48:59. | |
this maverick, | :49:00. | :49:02. |