Third Round: Selby v Jones UK Snooker Championship Highlights


Third Round: Selby v Jones

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Transcript


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Hello. A very good evening to you and welcome to the 2015 Betway UK

:00:10.:00:41.

Snooker Championship. We've had a wonderful day here at the York

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Barbican and the entertainment is continuing into the night. We are

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going live shortly because Mark Selby is being pushed all the way in

:00:49.:00:53.

his match with Wales's Jamie Jones. It has been tense all evening. Let's

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bring you right up to date. Here is what happened in Frame 8. 4-3 to

:00:58.:01:02.

Jones, Selby trailing by 14 points and has snookered the

:01:03.:01:04.

Jones, Selby trailing by 14 points and has snookered the Welshman.

:01:05.:01:13.

He should be OK. Off the top cushion. No! Foul. Oh, my goodness.

:01:14.:01:24.

Can you believe what can happen on a snooker table, Steve. Just

:01:25.:01:27.

ridiculous. He didn't really connect with the pink anywhere near as he

:01:28.:01:32.

wanted. That was a bit of a misjudgment, but even so - wow! Can

:01:33.:01:38.

he get out of jail here? Can he knock this pink in? What a time to

:01:39.:01:51.

start potting the long balls? You couldn't write the script. You

:01:52.:01:54.

really couldn't write the script. APPLAUSE

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Amazing what can happen on a 12-6 snooker table. You are right, Jamie

:02:05.:02:10.

Jones should be hitting that four ball, shouldn't he? Yep. Well, he's

:02:11.:02:15.

got to be kicking himself, I know that. That is a frame that

:02:16.:02:26.

nightmares are made of. Should he go onto lose this match, He is

:02:27.:02:31.

favourite well... To lose it now. He was huge odds onto win it from 5-3

:02:32.:02:35.

in front. He's gone second favourite again now.

:02:36.:02:41.

APPLAUSE That is what is called stickability.

:02:42.:02:55.

Mark Selby again levels at 4-all. Then Jamie Jones roared back with a

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cracking break to take the next frame and the big question tonight,

:03:00.:03:03.

we have to ask your commentary team Steve Davis, what he thought thought

:03:04.:03:07.

is the 2012 champion Mark Selby going out? Let's go live to the

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Barbican Centre and join the boys. Dramatic stuff, boys? I couldn't

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agree with you more, Jason. Good evening to the late-night viewers

:03:17.:03:20.

who have joined us at a critical stage. He got in with a great

:03:21.:03:25.

opening red and he is on a break of 18 and counting. He was expecting to

:03:26.:03:30.

kiss one of the two Reds on the side to cushion on the black and he

:03:31.:03:33.

hasn't done so now only a safety shot available. Steve, to put it in

:03:34.:03:38.

a nutshell, Mark Selby has not been in the race, has he? He hasn't

:03:39.:03:41.

really looked like the Hoover that we know he can be. He's quickly got

:03:42.:03:47.

into a frame and looks like he looks pretty decent amongst the balls and

:03:48.:03:52.

inexplicably missed very easy shots. He doesn't seem to have the wait of

:03:53.:03:56.

the table right. His tactics have been superb. His safety and grafting

:03:57.:04:01.

has been great, but he's not flowed and Jamie Jones has looked the

:04:02.:04:04.

stronger of the long putters. That was a big point there. The highest

:04:05.:04:07.

break caption we saw there. Mark Selby's high yst break in the whole

:04:08.:04:14.

match. When you consider we are in frame 10 it has only been 54. That

:04:15.:04:18.

is the long time since you have seen Mark Selby play that. But as we all

:04:19.:04:24.

know he just graphs and graphs. He doesn't give up. Now you can see his

:04:25.:04:29.

determinion is back in his face again. He's a little bit angry with

:04:30.:04:35.

himself. There has been some balls missed. Mark Selby missed two or

:04:36.:04:44.

three of the easiest balls I have ever seen. We might get a chance to

:04:45.:04:50.

show you one in a few moment's time. A big shot Jamie Jones is lining up

:04:51.:04:52.

here. A massive shot. Where is the red going? Right over

:04:53.:05:12.

the pocket. While Mark Selby is playing this shot, he ended up

:05:13.:05:15.

winning the frame. Just look at this shot that Mark Selby has won. Can

:05:16.:05:20.

you believe this? He needs the clearance to win and he's missed

:05:21.:05:24.

that brown. In the last 10 years of Mark Selby playing, would you ever

:05:25.:05:29.

have seen him miss a shot like that? You can see the amazement on Jamie

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Jones face there. And then Jamie Jones missed the next shot. It was a

:05:35.:05:39.

comedy of errors and it has been the case, and you said it earlier in the

:05:40.:05:44.

match, in a normal situation, in a normal Mark Selby, the one that we

:05:45.:05:49.

have come to know and respect, a situation like the h would be a

:05:50.:05:53.

frame-winning situation, but he just hasn't looked that confident amongst

:05:54.:05:55.

the balls. He's just got to make sure he is

:05:56.:06:23.

across the table far enough to make the black gettable. He hasn't judged

:06:24.:06:27.

the pace at all. He is still playing what he considers to be pin-point

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position when he is not playing as well as that to get that pin-point

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position at the moment. Once again, you would have thought the black

:06:37.:06:41.

would have been potable with the rest but maybe hampering cueing is

:06:42.:06:45.

stopping him playing it. No attempt at the pot there, of course. He is

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just trying to get a good white. Mark Selby, 1.

:06:50.:07:19.

Who r loses this match this evening will be -- whoever loses this match

:07:20.:07:29.

this evening will be in a pretty bad place mentally, confidence-wise -

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they both have thrown away great chances. Jamie Jones arguably could

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have clinched this match already. Should Mark Selby lose it, well,

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that is a low point in this season for him. Yes. Those who have not

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been with us throughout the evening session, I mean Jamie Jones led

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2-nil and was playing flawless snooker. He should definitely have

:07:55.:08:00.

won frame 3 and 4 but it was too easy at the interval and that set

:08:01.:08:04.

the pattern. Selby has been playing catch-up

:08:05.:08:10.

That is more like it. A very confident putt.

:08:11.:08:18.

This is a big test now for Jamie Jones. He's got an excellent chance

:08:19.:08:24.

here of knocking out the world No. 1 Mark Selby. Pink, black, blue all in

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play. Has he overhit it? A big bounce off the cushion. It is OK. It

:08:33.:08:37.

might have helped him. I don't think that is the ball that - I think he

:08:38.:08:42.

was play fogger the one in the right corner. -- playing for the one in

:08:43.:08:46.

the right corner. It is getting late. Perhaps the cushion cover is a

:08:47.:08:55.

bit wrapped up. That is a nice shot. 7. A bit unlucky that second red has

:08:56.:09:03.

gone in, really. Very clever shot, wasn't it? He had to play at that

:09:04.:09:09.

pacey to get the cue to come back for the pink because he was hitting

:09:10.:09:13.

two Reds. Well, it could be a frame-winning shot. A match-winning

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shot. LAUGHS

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If it was the first frame of the evening you would say that Jamie

:09:20.:09:28.

Jones is going to win the frame, but obviously now it is frame and

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match-winning chance, there is a bit more tension in the arm. He looked

:09:33.:09:36.

good amongst the balls. He looked better than Mark Selby. He made a

:09:37.:09:40.

good break in the last frame albeit - oh, No, a kick. Oh, no. He just

:09:41.:09:44.

about potted it. Absolutely dried the pace on the cue

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ball. -- destroyed the pace on the cue ball. We've had some twists and

:10:08.:10:12.

turns in this game. We really have. Yellow ball. Going back, we were

:10:13.:10:19.

starting to talk about when Jones led 2-nil but should have led 4-nil

:10:20.:10:25.

really. Mark Selby has only had breaks of 54, 37, 40, 38 and 33. Cue

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ball. Just trying to link through for the black. Look at the reaction

:10:34.:10:36.

from Jamie Jones. A massive kick. Another chance for Jamie Jones. Can

:10:37.:11:06.

he do it again? Striking those as crispy as anything.

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APPLAUSE He needs an angle on the brun, which

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he's got. Now, surely, this time he can convert the frame. A fabulous

:11:15.:11:23.

putt, this. He's got three reds he can play. Just have to screw up on

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the middle pocket. Just on the righthand side, three reds

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available. He won't get a better chance than this to knock out the

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world No. 1. 5. 6. Perhaps lost a bit of control on

:11:35.:12:03.

the cue ball. Just a little bit. He would have preferred to have played

:12:04.:12:04.

the pink. 11. He should go this into the

:12:05.:12:18.

middle, but it is missable. Very nice. He's going to need that

:12:19.:12:55.

difficult red behind the pink, so there is hope for Mark Selby. That

:12:56.:13:06.

was a bad contact as well somehow. Wanted to be straight so he could

:13:07.:13:12.

rescue back for the black again. He played that as a stunt shot but it

:13:13.:13:16.

ran through. Didn't look like he hit it badly.

:13:17.:13:30.

This is a little bit more tricky than expected. A good recovery. 20.

:13:31.:13:51.

Of course, if he doesn't fancy trying to get on the red, to clear

:13:52.:14:01.

the balls or get over the line, he can always play a very easy snooker.

:14:02.:14:13.

That would be not as preferable as knocking the red in, Just shows you

:14:14.:14:17.

but... What can happen under pressure. He is looking at the

:14:18.:14:21.

scoreboards and can't work out the scores. That is what pressure does

:14:22.:14:24.

to you. He needs an angle on this black. Oh, yep. So, question: What

:14:25.:14:35.

do you want to do? Try and break out the red? You would do normally.

:14:36.:14:41.

Killer safety. Playing killer snooker. I mean, that was really

:14:42.:14:49.

poor work leaving him hampered like this, but the pressure is on. Good

:14:50.:15:06.

shot. 28 in front. Mark Selby is going to be in all sorts of trouble.

:15:07.:15:11.

He's going to need to get out of this safety shot and get out of this

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snooker. Not only get out of it, but keep the red safe. 33.

:15:17.:15:19.

APPLAUSE And also, if he misses it, he will

:15:20.:15:28.

be 36 behind the 35 on. So it is really - this is last-chance saloon

:15:29.:15:31.

for Mark Selby. Hit it, get it, otherwise you are out. Off the top

:15:32.:15:35.

cushion. Maybe preferable to the side cushion here. Off the top

:15:36.:15:40.

cushion if he does connect with it, he could get it safe. He will have

:15:41.:15:49.

two goes at it. He has one free go if he misses and gets away with it.

:15:50.:15:56.

That is a great shot. He's got it safe.

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APPLAUSE Trusted to luck, obviously. Are we

:15:57.:16:10.

going to see one more twist in this match?

:16:11.:16:10.

LAUGHS . This has been such a topsy turvy

:16:11.:16:22.

match. The yellows in Jamie Jones favour, not being in an easily

:16:23.:16:26.

potable position. All Jamie Jones needs to do is get this red off the

:16:27.:16:31.

table. He must have been sitting in his chair when he got him snookered

:16:32.:16:39.

there and thought, even if he pots it I will get a shot on the red. He

:16:40.:16:45.

is not even in a position to play a good safety shot. If he tries to get

:16:46.:16:49.

the key board in behind the black he will have to play it pacey and then

:16:50.:16:53.

the red comes into play. He is playing a little negative one here.

:16:54.:16:57.

If he doesn't get the snooker, he will snooker himself, but he's

:16:58.:17:00.

played it nicely. Can he just flick the edge of this? I am not sure. No.

:17:01.:17:02.

Doesn't look like it. He can play a little swerve and push

:17:03.:17:14.

the red onto the left-side cushion, but he loses all of the advantage

:17:15.:17:19.

and I don't see what else he can do, coming off two cushions - he might

:17:20.:17:24.

be able to push the red up the table. So you think two cushions

:17:25.:17:28.

hard? Yeah, but the white ball could go up the table as well. That is

:17:29.:17:33.

what I was thinking and the red could kiss into the groan or the

:17:34.:17:40.

brown. I think the - push it into the side cushion. Cut your losses

:17:41.:17:46.

really on this one. If he hits this too hard the white is likely

:17:47.:17:56.

That was a good idea. Well, it probably is cuttable, but Jamie

:17:57.:18:06.

Jones has got to Jack himself up over the brown. Oh, my goodness.

:18:07.:18:12.

That makes a shot - I don't know - five times more difficult. He can't

:18:13.:18:16.

play the putt now being hampered like this. Playing safe. No, no

:18:17.:18:25.

attempt at the pot there. Needs to get behind the black. Just see

:18:26.:18:30.

enough of this from Mark Selby, but it would be very hard for him to get

:18:31.:18:36.

a snooker. I don't think the angles are there. Ultra-thin, you could get

:18:37.:18:40.

it behind the black, but he's also going to push the red towards the

:18:41.:18:50.

yellow pocket. That was a better choice, just getting the object to

:18:51.:18:52.

safety. Excellent shot. APPLAUSE

:18:53.:18:56.

He's given himself another chance now, Selby. He really has. Yes.

:18:57.:19:06.

Jamie Jones might be forced to play off the side cushion with rescue and

:19:07.:19:11.

try and get a full-ball contact. If he can just flick enough of it,

:19:12.:19:15.

perhaps he can work a path back. He might get the double kiss. He might

:19:16.:19:21.

get the double kiss, he's played it well, though. He's played it very

:19:22.:19:28.

well. Well done. APPLAUSE That wasn't absolutely certain that

:19:29.:19:29.

he could do that. Mark Selby has been pulling out

:19:30.:19:45.

Robert the Bruce-like proportions tonight to just stick at it, even

:19:46.:19:53.

though things have not been going right, going but... It is advantage

:19:54.:19:58.

Jamie Jones for certain in this frame. Also pink a little bit out of

:19:59.:20:06.

commission as well. As well as that yellow.

:20:07.:20:24.

He needs to find the cushion. If it bounces, he may decide to cut this

:20:25.:20:37.

in. An excellent shot by Mark Selby. It is a brave cut, but he only needs

:20:38.:20:40.

one ball. Would you believe it? Oh, my

:20:41.:20:55.

goodness. What pressure can do to you in this game is unbelievable.

:20:56.:21:01.

Well, he hasn't necessarily lost this frame. One good positional shot

:21:02.:21:11.

by Mark Selby could alleviate the difficulty here and this surely to

:21:12.:21:17.

try and drop on the side cushion and give himself options Four pockets.

:21:18.:21:24.

Of... ..Yeah, ideally into the middle pocket or... Mmm, that is not

:21:25.:21:35.

good. He decelerated it there. He is really under it, Mark Selby at the

:21:36.:21:39.

minute. Why wouldn't he have played the drop-on into the middle. Yeah.

:21:40.:21:43.

If he underhits it, he is into the green pocket. If he hits it perfect

:21:44.:21:48.

he is into the middle. Overhits it, he is into the black pocket. Quite a

:21:49.:21:55.

big margin but the way this is, it is a very Hardwick shot. He's got to

:21:56.:22:00.

hold for the green, which I don't think is a problem, but he can't hit

:22:01.:22:05.

it too hard. He's hit a lot of pressure balls in his career. That

:22:06.:22:09.

is another one! That is another one! APPLAUSE

:22:10.:22:18.

Amazing. Jamie Jones! The agonies he is going through

:22:19.:22:24.

tonight. Can Mark Selby pile on the pressure by getting from blue to

:22:25.:22:33.

pink successfully? We expect him to drop this groan in and get

:22:34.:22:34.

successfully on the brown. Doesn't have a great handle on the

:22:35.:22:47.

brown, but he needs to leave the blue virtually half ball so he can

:22:48.:22:52.

just drop him behind the pink. His angle is not good so he has to swing

:22:53.:22:56.

it around two cushions. Very easy the finish short or long on this

:22:57.:22:58.

shot. 17. Well, one more very difficult

:22:59.:23:13.

pot on the pipping -- pink coming up in a moment. We couldn't really ask

:23:14.:23:15.

for anything much better than that. He doesn't really want to get onto

:23:16.:23:33.

the pink, so he has to risk playing it slow into the corner, doesn't he?

:23:34.:23:38.

He needs to get right behind it if he can. Anywhere but there. 22.

:23:39.:23:42.

No-man's land. Well, if you risk playing the slow

:23:43.:23:58.

pink and trying to cover it with the black, it is very dangerous to play

:23:59.:24:00.

it that way. He's taking it on. What a great shot. A fantastic shot.

:24:01.:24:14.

APPLAUSE How on earth has Mark Selby got to

:24:15.:24:28.

5-5. ? But that is it! He is still in there.

:24:29.:24:31.

APPLAUSE The decider live on BBC, 5-5. Well,

:24:32.:24:38.

Steve, honestly, I just can't believe what has happened in this

:24:39.:24:44.

match. I mean, Selby has just been grafting and grafting and highest

:24:45.:24:50.

break - 54 and it is 5-all. Jones Jennifer Aniston, I suppose, did the

:24:51.:24:53.

right thing by playing that snoker. He just got out of it -- snooker. He

:24:54.:24:58.

just got out of it. Mark Selby's escape was perfect and then Jamie

:24:59.:25:01.

Jones was sort of on the back foot again. He couldn't get over the line

:25:02.:25:06.

and the thin cut. That was it. He would have been better off playing

:25:07.:25:10.

it thicker. He got so excited. It was a chance to win frame and match,

:25:11.:25:15.

but that one shot on the red. This is the cut now. People at home might

:25:16.:25:19.

be suggesting why hasn't he pushed the red and played it full ball

:25:20.:25:22.

behind the black and played it at the other end. This is frame and

:25:23.:25:26.

match ball so he is entitled to play it, but because of the nerves he put

:25:27.:25:31.

too much side on it and cut it too thin. You never know what will

:25:32.:25:35.

happen, do you? What will happen in this last frame. Probably go and

:25:36.:25:40.

make it 1-6-7 or something. He potted the red and didn't get right

:25:41.:25:43.

on the yellow potting the black and didn't get right on the pink. The

:25:44.:25:46.

pink and yellow, the way he's been playing this evening he wouldn't

:25:47.:25:50.

have been looking forward to playing those two shots. Heroic effort, it

:25:51.:25:58.

has got to be said. It is not necessarily all about what your best

:25:59.:26:00.

is. APPLAUSE

:26:01.:26:02.

It is how many matches you can pull out of the fire. 11th and final

:26:03.:26:11.

frame. Jamie Jones to break. Probably his best performance,

:26:12.:26:15.

really, to win. Here we go, final frame, we never thought it would be

:26:16.:26:19.

that an hour ago. Jamie Jones breaks off. After just over four hours of

:26:20.:26:29.

play. It is not a bad breaker. Can he get through to the red? If he can

:26:30.:26:32.

get through to the red, it cuts. If Markit feels he can't get through

:26:33.:27:11.

to the red, then it is not a safety shot. Maybe if he swerves. It helps

:27:12.:27:16.

because it helps the cue ball get back to the ball and obviously he

:27:17.:27:22.

will be trying to pot the red. That is the first time that Mark Selby

:27:23.:27:28.

has been ahead in this match, albeit only by one point. 1. A marvellous

:27:29.:27:33.

shot there. A power swerve to make the potting angle.

:27:34.:27:40.

Can he open the reds up with this? Perhaps he chose a more controlled

:27:41.:27:52.

shot. There are reds available. I thought for a moment he was going to

:27:53.:27:58.

go into them, but... In the last frame he got in very

:27:59.:28:09.

early and it looked like he was going to move through the gears and

:28:10.:28:15.

he inexplicably lost an easy ball, but once again he is first in. What

:28:16.:28:17.

can he do? Still 54 is his highest break and if

:28:18.:28:30.

you can going to win a ball at one visit you need more than 54 so Jamie

:28:31.:28:34.

Jones will still be thinking he is going to get another chance in this

:28:35.:28:37.

match. After the nitty-gritty when it gets

:28:38.:28:48.

to the final frame, they sometimes find plenty. The way he has played,

:28:49.:28:52.

I will be surprised if he wins the game at one visit, but he is such a

:28:53.:28:58.

great champion that he might just do that.

:28:59.:29:04.

11. What is available at this end of the table? The red to the right of

:29:05.:29:14.

the black there is a pack of two to get onto that red.

:29:15.:29:20.

You see, normally, if you are playing great, you just roll this in

:29:21.:29:27.

and get on that gap, but he is independent hitting the ball that

:29:28.:29:29.

well, so he may decide an alternative shot to that one. He has

:29:30.:29:34.

player for the loose red. I don't know if he is on it for that pace.

:29:35.:29:43.

He's just on it. 16. He is on it, but he may not be. He is just on it.

:29:44.:29:49.

Perhaps he can hold for the black. He's got to play it slow. Should he

:29:50.:29:57.

have wanted to be on the black. He didn't want to collide with that

:29:58.:30:01.

red. This is a monster black to take on. Massively missable. Once again,

:30:02.:30:09.

though, Steve, have you ever seen Selby play a canon like that when

:30:10.:30:15.

he's got oceans of room to get on the blue ball colour. He got into

:30:16.:30:27.

the cue ball a bit too much. Now, in normal circumstances, even if it is

:30:28.:30:31.

5-5 he would be taking the black on, but I am not sure his confidence is

:30:32.:30:36.

good enough to play the black now. Wow, he is looking at the snooker,

:30:37.:30:43.

the safety. On another day, he would knock the yellow in, I think.

:30:44.:30:47.

Although the red is in the way on the cushion for that, so - well.

:30:48.:30:56.

17. Mark Selby. The most important thing - there is no one right way to

:30:57.:31:06.

play any given shot and it is how you feel. If you don't feel

:31:07.:31:10.

comfortable, then don't do it. He's not been comfortable all night,

:31:11.:31:13.

Steve, has he? On another day he would have knocked the yellow and

:31:14.:31:18.

the black in, but he's trying to get over the line. Somehow. Somehow.

:31:19.:31:19.

LAUGHS . The silly thing is if he wins in

:31:20.:31:28.

match he may go on and win the tournament and play some of the best

:31:29.:31:31.

snooker he's ever played. Every day is a different day.

:31:32.:31:47.

A very good safety shot there from Jamie Jones. Might have looked like

:31:48.:31:55.

an attempted pot, but it was never that.

:31:56.:32:03.

There is a few nice positions in the baulk area to try and hide behind.

:32:04.:32:09.

Brown and green are looking tempting. Not great. It is very

:32:10.:32:20.

unlike Selby, isn't it? His safety has been poor as well tonight. Not

:32:21.:32:25.

to find the top cushion there. He's giving Jamie Jones the upper hand in

:32:26.:32:31.

the safety exchange. Behind the yellow tight to the rail could pay

:32:32.:32:33.

dividends. Not bad. There is a red that has

:32:34.:32:52.

poked its Well, now where all of the reds are, this is a big shot to take

:32:53.:32:59.

on. I think he's got the take it on. There is a slight chance -- He is

:33:00.:33:04.

playing the safety. Wow! It is not as easy as it locks.

:33:05.:33:07.

APPLAUSE Fantastic shot. There is me talking

:33:08.:33:15.

more aggressively than I have ever played and Markit is playing the

:33:16.:33:20.

right shot at the -- Markis playing the right shot at the right time. If

:33:21.:33:26.

he has to de-20 at a time, he is normally great. It doesn't matter.

:33:27.:33:33.

Even though he hasn't got the cue ball, down on the ball cushion, it

:33:34.:33:36.

is a little bit of a problem for Jamie Jones. Looks like the only

:33:37.:33:44.

shot he's got is a thin one down the left-hand side. He hasn't got that

:33:45.:33:52.

much room for manoeuvre here. Very nice. Where is the red? Now where is

:33:53.:33:58.

the white? Can he get it behind the yellow?

:33:59.:34:02.

Looks a good shot. A great shot. Mark...oh, my goodness. Oh, dear!

:34:03.:34:18.

Oh, dear! We both "oh deared" at the same time. Once again, I think he

:34:19.:34:26.

will have to play a swerve. Let's look down the line to see if he can

:34:27.:34:32.

play a swvr here. Maybe not. I don't think he's got

:34:33.:34:35.

play a swvr here. Maybe not. I don't not. I don't think he's got enough

:34:36.:34:39.

of that. The side won't take. What he could do is overswerve to try and

:34:40.:34:43.

play cushion first and he doesn't mind if it goes in off. As long as

:34:44.:34:48.

he hit the red. As long as you hit the red, yes. It is not the swerve

:34:49.:34:53.

to try to pot the red. That is dangerous. Overswerve cushion first,

:34:54.:35:00.

inside of the red, in off and take your chances. Or can he work out

:35:01.:35:03.

some other type of shot? He's looking for some inspiration of

:35:04.:35:18.

what we can think of. We have thought of a few things, albeit not

:35:19.:35:21.

necessarily right. We don't know what to do either -- Mark? I like

:35:22.:35:28.

the overswerve. As long as you hit the red. You have got to move the

:35:29.:35:32.

red away from the pocket. Well, not bad. He may have made it hard for

:35:33.:35:44.

Jamie Jones to get on the colour. Yeah, I agree. Lucky the red is not

:35:45.:35:48.

the problem, but where does the white come? Kissing the red. I

:35:49.:35:58.

wouldn't like this in the middle pocket. Is he going for it? Wow.

:35:59.:36:03.

What a big shot this is. What a big shot!

:36:04.:36:08.

What a great shot. Very well played. APPLAUSE

:36:09.:36:23.

This subpoena an excellent - with what has happened to Jamie Jones

:36:24.:36:30.

this evening -- this is an excellent - with what has happened to Jamie

:36:31.:36:35.

Jones this evening, the play a shot like that in the final frame, you

:36:36.:36:39.

have to take your hat off to him. That was brilliant. This is a bit

:36:40.:36:41.

awkward. APPLAUSE

:36:42.:37:04.

If he can get his cue through the gap, he's got a shot at the red, but

:37:05.:37:09.

I just don't think he is able to get on a colour.

:37:10.:37:34.

That gap you are talking about is there. He has to be careful with the

:37:35.:37:40.

pink. Careful with the follow-threw that he doesn't touch a reds. --

:37:41.:37:49.

follow-threw that he doesn't touch a red. It was off-putting. Those two

:37:50.:37:55.

reds hadn't been there, he no doubt would have potted that. Jamie Jones.

:37:56.:38:03.

That was hard. Harder than it looked, I think.

:38:04.:38:23.

Mark Selby eyeing up the red in the middle. A bit of sped. I think he is

:38:24.:38:37.

eyeing that up, anyway. He is worried about just in case he hits

:38:38.:38:42.

it too hard. If he plays for the pink in the middle, he won't have to

:38:43.:38:47.

hit it too hard. Excellent. APPLAUSE

:38:48.:38:54.

This is the first sight he's had of winning the match.

:38:55.:39:10.

Jamie Jones has failed to get over the winning line on a few occasions

:39:11.:39:18.

in this match, individual frames. Can Mark Selby do it at the most

:39:19.:39:20.

important part? 8. I don't blame him at all going for

:39:21.:39:48.

blue or even the green at this stage just to keep his hand on the table,

:39:49.:39:53.

just to get further and further clear at the moment. He is 25 points

:39:54.:39:58.

and counting. 16. Like I say, under normal circumstances you would say

:39:59.:40:01.

it is a certainty, but not this evening.

:40:02.:40:13.

Jamie's face is getting a bit redder there. He is getting frustrated

:40:14.:40:21.

about what might have been and what certainly should have been. This is

:40:22.:40:29.

one maybe, Jamie, that has definitely got away.

:40:30.:40:44.

36 points in front. 27. Three more reds, three more colours. Should be

:40:45.:40:49.

enough. Has he got the end on the pink to

:40:50.:41:41.

flick the other two reds into play? He has.

:41:42.:41:51.

This play up for the blue now or even the pink to get it into the

:41:52.:41:58.

same pocket. The same pocket he's just potted it in. 35.

:41:59.:42:09.

Trying to make this break as easy as possible.

:42:10.:42:19.

Blue and pink are sometimes nice balls to knock in when you are under

:42:20.:42:25.

a bit of pressure or open pocket. That looks like it. A great

:42:26.:42:56.

positional shot. It is all over. APPLAUSE

:42:57.:43:01.

43 points in front with 51 on. Jamie Jones, with this red goes in, will

:43:02.:43:06.

know that he is out of the tournament and, boy, should he have

:43:07.:43:12.

won it! 45. It won't be the best Christmas you have ever had, Jamie,

:43:13.:43:20.

having seen this match slip away. Selby looks like making the highest

:43:21.:43:24.

break of the match for him in this final frame. 53. How on earth has

:43:25.:43:34.

Mark Selby won this match? I have watched every ball go in and I don't

:43:35.:43:40.

know how he has won. Incedsible. -- incredible.

:43:41.:43:57.

I've just had a text from his wife, Vickie, to say "thank God". That's

:43:58.:44:07.

right, he's pulled it from somewhere today. He really has. Incredible.

:44:08.:44:24.

You have got the feel so sorry for Jamie. That is what experience does

:44:25.:44:30.

for you. He had the match completely won on five or six occasions, but

:44:31.:44:37.

that is it. I am sure he can't believe he's done it, but he's come

:44:38.:44:41.

back on five occasions and the only time he's been in front of the match

:44:42.:44:45.

is just then. Mark Selby goes through, six frames to five. Well,

:44:46.:44:50.

Steve, it is a match that honestly I don't know how he has won. I really

:44:51.:44:55.

don't. Nor do I. I have never seen him so ill at ease around the table.

:44:56.:45:00.

I have never seen him so uncomfortable. He shook his head

:45:01.:45:03.

towards the even and felt like it wasn't his day. He stuck at it. From

:45:04.:45:08.

my perspective, it wasn't even his B game he played there, but his C

:45:09.:45:12.

game. It was good tactically, still sound. You have got to say, "Well

:45:13.:45:17.

done, Mark Selby", I think Jamie Jones had the best of it. If you

:45:18.:45:22.

look at the stats, I don't know if they tell a story or not. They

:45:23.:45:25.

sevened themselves out a bit. Earlier in the The ball has match...

:45:26.:45:29.

Plotted. It is amazing. Jamie Jones has done everything. He outscored

:45:30.:45:35.

him on points and balls potted. The key thing, early on the long pot

:45:36.:45:40.

success he was miles behind and all the rest of it. Towards the end of

:45:41.:45:44.

the game when Jamie Jones saw the winning post he started to miss a

:45:45.:45:49.

few. And his positional play wasn't as strong and in the last frame he

:45:50.:45:53.

had the black at his mercy and he got himself tied up at the top end

:45:54.:45:57.

of the table. Perhaps he could have played a slightly less critical

:45:58.:46:01.

shot, but that is the way it is. Absolutely. Back to the studio now.

:46:02.:46:02.

I am sure Mark Selby will be a played a slightly less critical

:46:03.:46:04.

shot, but that is the way it is. Absolutely. Back to the studio now.

:46:05.:46:05.

I am sure Mark Selby will be a very relieved

:46:06.:46:05.

shot, but that is the way it is. Absolutely.

:46:06.:46:05.

I am sure Mark Selby will be a very relieved man. Well played, boys.

:46:06.:46:08.

Mark Selby is here. I remember doing a late interview on what should be a

:46:09.:46:12.

highlights programme a couple of years ago and at one stage this

:46:13.:46:16.

evening we thought you were out of it. Did you think you were out of

:46:17.:46:21.

it? The way I played there was pretty pathetic. Jamie played a lot

:46:22.:46:24.

better than me. He scored well when he got the chances and to be fair,

:46:25.:46:29.

deserved to win the match. If probably deserved to win 6-2, 6-3. I

:46:30.:46:32.

was very, very pr. Happy to get over the line. What was it? Was it

:46:33.:46:38.

because Jamie play sodwell or you game? Why you couldn't get in front?

:46:39.:46:43.

A little bit of both. Jamie was scoring when he got a chance and

:46:44.:46:47.

that was putting me under pressure. I kept blowing the chances and Jamie

:46:48.:46:51.

kept picking up the pieces. Did you fear for your UK championship at one

:46:52.:46:56.

stage throughout this evening? Yeah, I mean Jamie made a good break. I

:46:57.:47:01.

knit the frame 4-all when I had no right to win the frame. I thought he

:47:02.:47:06.

might wilter a bit and he made a great frame to go in front and I

:47:07.:47:10.

thought it showed the character of him. He didn't let his head go down.

:47:11.:47:14.

Just my usual self, dug in and turned it around. I am sure, Mark,

:47:15.:47:18.

you will analyse it, but do you think frame 8 when you had that

:47:19.:47:22.

snacker, is that what hauled you back into the match? Possibly. Like

:47:23.:47:25.

I said, Jamie should have definitely won that. He had a couple of chances

:47:26.:47:30.

at the pink to put that away but I mained to knit that frame, but he

:47:31.:47:35.

made a great next frame to go 5-4 in front. I don't know what to say,

:47:36.:47:39.

happy to get over the line. The fact that you have lost to Jamie in

:47:40.:47:42.

Australia, 5-1. Does that play on the mind knowing you have lost to

:47:43.:47:47.

someone lick Jamie and you are in this position? Not really. Every

:47:48.:47:49.

game is different. Everyone going out there knows you are playing

:47:50.:47:52.

against top-class players and Jamie is one of them. He proved that

:47:53.:47:55.

getting into the quarter finals at the World Championships and when he

:47:56.:47:59.

bet me at the Australian he got to the semifinal and was only one frame

:48:00.:48:03.

away from getting to the final. Well done. You are through. That is the

:48:04.:48:06.

main thing. Good man. Have a good kip now. Thank you very much. Mark

:48:07.:48:07.

Selby leaves us. Let's bring done. You are through. That is the

:48:08.:48:08.

main kip now. Thank you very much. Mark

:48:09.:48:09.

Selby leaves us. Let's bring you up-to-date with what happened today.

:48:10.:48:16.

Jamie Burnett beat Li Hang. Matt Selt bet Robbie Williams. Jack

:48:17.:48:29.

Lisowski bet David Grace. Michael Holt was beaten by six frames

:48:30.:48:32.

Lisowski bet David Grace. Michael Holt was beaten by six frames to

:48:33.:48:32.

Lisowski bet David Grace. Michael Holt was beaten by six frames to one

:48:33.:48:36.

by Joe Swail. Jamie Jones played so well this evening but Mark Selby is

:48:37.:48:40.

through to the next round. That is it for us for this evening but

:48:41.:48:44.

Snooker Extra follows next with Hazel bringing high lights of Stuart

:48:45.:48:48.

Bingham taking on Brad Ebert and we are back with further live coverage

:48:49.:48:51.

from the Barbican Centre here in York. We shall see you at 1:00, BBC

:48:52.:48:55.

Two. Bye for now. Who is this dangerous renegade,

:48:56.:48:59.

this maverick,

:49:00.:49:02.

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