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Good afternoon. It seems slightly odd having pictures of Neil | :00:32. | :00:39. | |
Robertson, last year's champion splashed all over the venue here at | :00:40. | :00:42. | |
York. Last year's champion is long gone. He was beaten in the opening | :00:43. | :00:46. | |
round long before the cameras even turned up. Hard lines? Well, in a | :00:47. | :00:51. | |
way, yes. He was beaten by Yorkshire's own Peter Lines, | :00:52. | :00:56. | |
46-year-old veteran who dropped off the tour last year and is now | :00:57. | :01:00. | |
officially an amateur. There were more hard lines last night for | :01:01. | :01:04. | |
another former champion, Judd Trump. The world number three was beaten by | :01:05. | :01:09. | |
Peter's son, 21-year-old Oliver. So, you could say the Lines boy are the | :01:10. | :01:11. | |
stars of the UK show so far. It was on TV in front of I'd say my | :01:12. | :01:28. | |
home crowd because I'm from Leeds. Early on, it didn't really go to | :01:29. | :01:35. | |
plan, I think. COMMENTATOR: Judd gets the first | :01:36. | :01:40. | |
frame underway. There was a fluke at 1-0. What a slice of good fort Euan | :01:41. | :01:49. | |
that is. He couldn't have cued that any better. -- cued that any better. | :01:50. | :01:56. | |
He played that very well. A good line and a pretty good length. I | :01:57. | :02:02. | |
felt very clear tonight and I haven't felt like that on previous | :02:03. | :02:09. | |
matches on TV. At 3-2 he found a plant. | :02:10. | :02:12. | |
COMMENTATOR: He didn't apologise. So maybe he spotted that? I felt | :02:13. | :02:20. | |
something clicked. COMMENTATOR: That's perfect. He made | :02:21. | :02:25. | |
a good clearance. That was a turning point after that. I was very calm. | :02:26. | :02:31. | |
My brain was working. I was trying not to think any negative thoughts. | :02:32. | :02:39. | |
COMMENTATOR: Terrific shot. Absolutely plum on the blue. It gets | :02:40. | :02:45. | |
to the point when the ball's run like that, you feel invincible and | :02:46. | :02:51. | |
the pressure comes off. COMMENTATOR: In it goes. Does that | :02:52. | :02:55. | |
black bounce? It does. He's on the black. A chance to win frame and | :02:56. | :03:03. | |
watch. -- match. I've never really won on TV before. Never against a | :03:04. | :03:08. | |
world-class player. COMMENTATOR: Oliver's father, Peter, | :03:09. | :03:13. | |
beat the defending champion Neil Robertson in an earlier round. Now, | :03:14. | :03:20. | |
his son's following suit. So, another shock. We've seen a few. But | :03:21. | :03:24. | |
that, to me, is one of the biggest ones. He beats the world number | :03:25. | :03:31. | |
three, Judd Trump by six frames to two. Very annoying for me. It is the | :03:32. | :03:37. | |
first big tournament of the season. So that is quite frustrating. And so | :03:38. | :03:44. | |
the father and son combo march into the last 32 here in York. Dead, | :03:45. | :03:48. | |
Peter, is in action this afternoon at the start of round three. So too | :03:49. | :03:54. | |
is the five-time champion of this event Ronnie O'Sullivan who could | :03:55. | :03:58. | |
match Steve Davies's record totele of six titles this week. He looks | :03:59. | :04:05. | |
right in the mood as well. Five times champion of the world. Blink | :04:06. | :04:13. | |
and you'll miss hip, The Rocket, Ronnie O'sullivan. | :04:14. | :04:52. | |
Presumably Ronnie O'Sullivan will lose a frame in this tournament. It | :04:53. | :04:59. | |
is always interesting comparing his statistics with Stephen Hendry and | :05:00. | :05:04. | |
Steve Davis. Matching one, Ronnie O'Sullivan's won 837 but you've won | :05:05. | :05:11. | |
875. Problem is, he's still playing. You're the governor, son. 921. He | :05:12. | :05:22. | |
couldn't make a 30 break. When it comes to UK titles Ronny's won 5, | :05:23. | :05:27. | |
you've won five but the governor... Always a sign of consistency. The | :05:28. | :05:31. | |
World Championship used to bring up freak results. Doesn't matter how | :05:32. | :05:37. | |
many world champions is. But UK Championships. Six. Come on! Ronnie | :05:38. | :05:43. | |
O'Sullivan has five world titles. Steve Davis has six. Should have | :05:44. | :05:50. | |
been seven. Why? Dennis Taylor commentary box. And you've seven | :05:51. | :05:57. | |
Stephen? Quite happy with that, yes. Ronnie O'Sullivan's won six and | :05:58. | :06:03. | |
you've won six. Steve Davis what happened to you? Didn't like the | :06:04. | :06:09. | |
Sven ewe. It was in London. Maximum breaks, Steve, you made the first, | :06:10. | :06:14. | |
fantastic. You had a double on the fifth red. You've made 11. What | :06:15. | :06:21. | |
about Ronnie O'Sullivan? 13. They've opened the pockets up since I | :06:22. | :06:24. | |
retired. Here's a cracker. Century breaks. Steve Davis 338. What was | :06:25. | :06:29. | |
that all about? Over a lopping period of time. It was considered | :06:30. | :06:34. | |
bad sportsmanship to make a century? I made a lot of tournament 100 | :06:35. | :06:39. | |
breaks but no, it wasn't the done thing back then. You, 775 centuries | :06:40. | :06:46. | |
would be brilliant. But, it has been washed and erased. Ronnie | :06:47. | :06:53. | |
O'Sullivan's 846. He played 96 tournaments a year. Of course. And | :06:54. | :06:59. | |
counting. You might as well not have made yours. He will be 100 in front | :07:00. | :07:05. | |
of me in no time. Not far behind you for centuries made in this event as | :07:06. | :07:12. | |
well. All right, all right! Ronnie O'Sullivan's coming up this | :07:13. | :07:16. | |
afternoon. You may even hear from these two prima donna's if you're | :07:17. | :07:25. | |
lucky! So, engine still warm from yesterday afternoon's 6-0 canter. | :07:26. | :07:29. | |
The Rocket prepares to power up again. This time, he'll meet world | :07:30. | :07:36. | |
number 11, Michael Georgiou, a Londoner full of anticipation ahead | :07:37. | :07:40. | |
of his first match against Ronny. World number one Mark Selby still | :07:41. | :07:43. | |
moving through the gears here in York as he chases a second UK title. | :07:44. | :07:55. | |
Now, quick fire rob Milkins. He can be very dangerous on his day. Whilst | :07:56. | :08:01. | |
the new World Open champion, the ever-classy Ali Carter prepares to | :08:02. | :08:07. | |
face Stafford vulcher's much improving Dave Gilbert. Feel free to | :08:08. | :08:13. | |
share your thoughts or question the team through all the usual channels. | :08:14. | :08:18. | |
So, who's next to try and down the Rocket? It is fellow Londoner | :08:19. | :08:24. | |
Michael Georgiou. This is not the Michael Georgiou who was eliminated | :08:25. | :08:28. | |
in bread week in the Great British Bake Off this year. This is | :08:29. | :08:35. | |
snooker's Michael Georgiou who, like bake-off Michael Georgiou, shares | :08:36. | :08:44. | |
Cypriot gene algae. Our Georgiou hopes to sent Cyprus one day. He's | :08:45. | :08:49. | |
very proud of that link. He's had a few bumping landings in this sport. | :08:50. | :08:54. | |
He's fallen over the World Snooker tour twice and has come through that | :08:55. | :09:01. | |
nerve-shredding pro veries of the qualifying school in May. -- process | :09:02. | :09:11. | |
I'm Michael Georgiou, aged 28. This is my story. When I first turned | :09:12. | :09:18. | |
professional, I don't think I was mature enough. First year as a | :09:19. | :09:23. | |
professional, I didn't actually win a single match in the whole season. | :09:24. | :09:31. | |
Because I was working in between tournaments, it was very difficult | :09:32. | :09:35. | |
to balance practice and work. I decided you can't commit fully to | :09:36. | :09:42. | |
snooker as well. Because I'd been doing snooker all my life, I didn't | :09:43. | :09:46. | |
really know, I couldn't really think of another interest I had. It was | :09:47. | :09:51. | |
very difficult. Some family helped me get some work in recruitment. I | :09:52. | :09:55. | |
did that for a few years. But it wasn't for me. I wasn't happy. | :09:56. | :10:02. | |
Squaring up with the juniors I used to compete with week in, week out, | :10:03. | :10:08. | |
seeing them on TV beating great professionals and thinking, why | :10:09. | :10:11. | |
can't that be me? I don't think a day passed where I didn't log on to | :10:12. | :10:16. | |
World Snooker's website to see what was going on. So, to be sitting here | :10:17. | :10:21. | |
today is a bit of a dream come true, really. I saved a lot of money when | :10:22. | :10:27. | |
I was working and as I was stopsoring myself getting back into | :10:28. | :10:30. | |
snooker as an amateur it was very difficult. Sacrificing your time, my | :10:31. | :10:34. | |
social life's completely gone downhill. I'm always at tournaments | :10:35. | :10:39. | |
or practising. It's become a priority in my life. It's a bit of a | :10:40. | :10:48. | |
childhood dream to be playing one of snooker's all-time grates live on | :10:49. | :10:53. | |
TV. I'll be walking out there with Ronnie O'Sullivan it will be all | :10:54. | :10:58. | |
worth it. If I do win, I won't know what to say, really. I've packed | :10:59. | :11:03. | |
enough clothes for a certain amount of days. I'm not anticipating being | :11:04. | :11:08. | |
here as long. I've run out of clothes. I've had to do some | :11:09. | :11:12. | |
emergency shopping. I have everything I need and I'll be ready. | :11:13. | :11:18. | |
So, Michael determined to make a go of his snooker career. This is a | :11:19. | :11:22. | |
hugely significant day in his life. A first match against a player he's | :11:23. | :11:26. | |
looked up to for so long. The contrast is stark between them in | :11:27. | :11:30. | |
terms of snooker experience and earnings. Nearly ?10 million versus | :11:31. | :11:34. | |
tens of thousands of pounds. In century break Ronny in the 800s. | :11:35. | :11:39. | |
Michael with ten so far. John, what an opportunity this is for a very | :11:40. | :11:46. | |
likeable Londoner? It certainly is. I'm here it Dennis Taylor and Steve | :11:47. | :11:51. | |
Davis. This could be a fairytale. He's very likage. He's been lie a | :11:52. | :11:57. | |
preying mantis around the corridors. I've seen him so many times. This is | :11:58. | :12:02. | |
a player who fell off the tour, came back on again. He's been a pro eight | :12:03. | :12:09. | |
years. What he's done recently is shortened his cue action. He's | :12:10. | :12:13. | |
getting a lot more results. He has beaten a few of the top players in | :12:14. | :12:19. | |
earlier rounds. His time might be here. This is a big thing. BBC TV, | :12:20. | :12:26. | |
out on the main arena and Ronnie O'Sullivan? The importance of start | :12:27. | :12:31. | |
cand be underestimated. He needs to go out and enjoy himself. Easier | :12:32. | :12:36. | |
said than done. He needs to give it a go. You've some observations about | :12:37. | :12:44. | |
Ronnie O'Sullivan? ? On the table, business as usual. Commentary | :12:45. | :12:50. | |
superlatives, whizzing around. His play is fantastic. Off the table, I | :12:51. | :12:57. | |
sense when consciously or sub consciously Ronny's trying to | :12:58. | :13:00. | |
deflect attention away from whether he can win or dominate. He's going a | :13:01. | :13:05. | |
lot more along the lines, there are other great players out there, I'm | :13:06. | :13:11. | |
happy doing the commentary. Generally, he's trying to take the | :13:12. | :13:16. | |
heat out of the equation. Whether that's for his own benefit or | :13:17. | :13:19. | |
everybody else's attention, it seems to be working. He seems a lot | :13:20. | :13:25. | |
happier around the scenes. Especially doing interviews with the | :13:26. | :13:30. | |
media. We'll soon see, Rob Walker, it's all yours. After Sunday's late | :13:31. | :13:34. | |
night drama, we are back at the Barbican ready to go again here on a | :13:35. | :13:40. | |
thrilling Monday afternoon. This year's Betway UK Championship is | :13:41. | :13:46. | |
already becoming one of the most unpredictable editions of this | :13:47. | :13:50. | |
year's tournament. The crowd cannot wait for the action to start. | :13:51. | :14:04. | |
Please welcome a player who came through a very tight match against | :14:05. | :14:16. | |
Hammad Miah. A multiple ranking semi-finalist and shoot-out runner | :14:17. | :14:22. | |
up, he may be a cider drinker but they call him The Milkman Robert | :14:23. | :14:30. | |
Milkins # I am a cider drinker | :14:31. | :14:36. | |
# So long he travels away . # | :14:37. | :14:42. | |
His opponent, a player of immense talent and mental strength, he never | :14:43. | :14:46. | |
panics and never knows when he's beaten. Winner here in 2012 and a | :14:47. | :14:53. | |
runner up a year later, twice victorious, he's the reigning world | :14:54. | :15:00. | |
champion, the current world number one, he's The Jester From Leicester | :15:01. | :15:03. | |
Mark Selby. And now, please welcome a player who | :15:04. | :15:17. | |
after losing his place on tour last year showed real character to bounce | :15:18. | :15:27. | |
back straight away via cue school. Victories over Matthew sell ton and | :15:28. | :15:33. | |
Dunn. Born and bred in London, what a moment for Michael Georgiou. | :15:34. | :15:38. | |
# You know what it is # Yellow pack, yellow pack | :15:39. | :15:45. | |
# You know what it is # Packing yellow, pack. | :15:46. | :15:52. | |
# You know what it is And finally, his oi pone ept, a | :15:53. | :15:58. | |
player who first appeared in this tournament in 1992 at the age of 16 | :15:59. | :16:03. | |
and lifted the title a year later. Yet to concede a single frame this | :16:04. | :16:10. | |
year. Five times UK champion, five times world champion, blink and | :16:11. | :16:16. | |
you'll miss him, Ronny "the Rocket" Ronnie O'Sullivan. We'll catch up | :16:17. | :16:26. | |
with the Selby Milkins match throughout the afternoon. If you'd | :16:27. | :16:31. | |
like to watch it from the start, watch it via the red button or | :16:32. | :16:36. | |
online. For now, we'll see what Ronny and Michael serve up for us. | :16:37. | :16:45. | |
With Dennis Taylor and Steve Davis. COMMENTATOR: Afternoon everyone. Big | :16:46. | :16:53. | |
day for Michael Georgiou. As you heard, our referee tell you, Ronny | :16:54. | :16:57. | |
won the toss. He will get this match underway. | :16:58. | :17:27. | |
I haven't seen a great deal of Michael. Interested to see how he | :17:28. | :17:36. | |
starts here. This would be terrific way to start if he could knock this | :17:37. | :17:38. | |
in. You haven't come across Michael? You | :17:39. | :17:58. | |
haven't played him, Steve, in qualifying rounds? No, I've not seen | :17:59. | :18:10. | |
a lot of Michael play. To stay on the tour is tough these days. | :18:11. | :18:14. | |
Doesn't mean just because you've dropped off on occasions that you | :18:15. | :18:21. | |
are in any way under spec. I think the biggest problem for players like | :18:22. | :18:26. | |
Michael Georgiou playing Ronnie O'Sullivan is the fact Ronny's so | :18:27. | :18:32. | |
used to this scenario and his opponent in on this occasion is not. | :18:33. | :18:41. | |
So, with all the positive thoughts in the world flying through your | :18:42. | :18:46. | |
body, it's tough not to have a few worries about being made to look | :18:47. | :18:51. | |
second class out there. You don't really want to be playing this game | :18:52. | :18:56. | |
worried about being 'em barred on the table by your opponent. That can | :18:57. | :19:00. | |
sometimes happen against Ronnie O'Sullivan. | :19:01. | :19:17. | |
Ronny's one of the quickest players in the game. But Michael practices | :19:18. | :19:24. | |
with Tony Drago who would make Ronnie O'Sullivan look like Steve | :19:25. | :19:25. | |
Davis! Well, that's a confident way to | :19:26. | :19:41. | |
start. And nicely on the blue. An early chance. | :19:42. | :20:02. | |
Yes, discussing earlier about having a shorter cue action. Perhaps a | :20:03. | :20:10. | |
shorter bridge, stops the cue being pulled back so far on shots like | :20:11. | :20:16. | |
this. Still a fair amount to pull the cue back for a shot that didn't | :20:17. | :20:25. | |
require that much speed. Mark Allen would have pulled the cue back a lot | :20:26. | :20:28. | |
shorter distance in that that even. It's certainly something he has been | :20:29. | :20:38. | |
working on, he was telling me. Whatever he's doing, it's starting | :20:39. | :20:46. | |
to work. That would be nice to knock in a sizeable contribution here. | :20:47. | :20:53. | |
Straight away, looking at his cue action and his head, it's perfectly | :20:54. | :20:57. | |
still. Oh, that's a careless one. These | :20:58. | :21:13. | |
tables are so fast and so lively, he can noned into the red. He didn't | :21:14. | :21:18. | |
intend to do that. He just wanted to slip past it slightly and just | :21:19. | :21:22. | |
flicked it in. That really has made it a little more difficult for him. | :21:23. | :21:27. | |
If it pots, he will be opening up reds here, I think. | :21:28. | :21:37. | |
He has a calmness about him, the way he walks around the table. I like | :21:38. | :22:02. | |
his style. He's looked at both reds. He feels | :22:03. | :22:23. | |
the one into the right corner is the better one to regain good position. | :22:24. | :22:30. | |
He can stun down for the blue. He's come up a little bit short, though. | :22:31. | :22:36. | |
The ping goes. That may be his choice instead. -- pink. Did play | :22:37. | :22:53. | |
for the blue there, but. Pink is alternate. The pink spot's occupied. | :22:54. | :23:03. | |
That side bar shows you if he can get to 68 points, Ronny would need a | :23:04. | :23:09. | |
snooker. The referee has a tricky spotting to do here with the pink. | :23:10. | :23:20. | |
Just deciding which red of the two is best position to get the perfect | :23:21. | :23:27. | |
angle on the blue. Ideally, he'd like to perhaps get into the pack | :23:28. | :23:33. | |
with this next shot. This shot off the blue, off the colour. Doesn't | :23:34. | :23:40. | |
have to, obviously. Still four loose reds. Three after this. | :23:41. | :23:51. | |
Not the correct angle, this shot, to go into the pack. | :23:52. | :24:00. | |
Doesn't necessarily have to go into the pack from this situation. It | :24:01. | :24:07. | |
could unfold in a different way. Yeah, he had that red at the back of | :24:08. | :24:09. | |
the little bunch there available. He could go in this time off the | :24:10. | :24:27. | |
cushion. He has the other one. Two loose reds still. As Steve said, | :24:28. | :24:32. | |
it's not 'em per tiff he goes into the pack just yet. -- imperative. | :24:33. | :24:42. | |
He can't win without opening more reds up. So, he has to be accurate | :24:43. | :24:49. | |
from now on in. Now's the chance to go into the | :24:50. | :25:04. | |
pack. He has a good angle on the blue. One good split here and he | :25:05. | :25:09. | |
could win this opening frame with just one visit. It's not ideal. He | :25:10. | :25:16. | |
could lose the cue ball if he's not careful or Ian unlucky. Or even that | :25:17. | :25:25. | |
as an outcome. He did have a chance with a black to go into the pack. It | :25:26. | :25:30. | |
would have been a more aggressive option. I think he was a bit | :25:31. | :25:36. | |
straight on the blue to make that shot ideal. So, now, while he has a | :25:37. | :25:48. | |
52 point advantage, the way the modern game pans out, he's nowhere | :25:49. | :25:51. | |
near as much a favourite as you would think. | :25:52. | :25:59. | |
Especially with an opponent like Ronnie O'Sullivan coming behind you | :26:00. | :26:06. | |
who hasn't dropped a frame yet in this year's Betway UK Championship. | :26:07. | :26:22. | |
All things considered, a very nice start for Michael Georgiou. | :26:23. | :26:40. | |
This is another chance, if the red's dead straight. He can hold for the | :26:41. | :26:48. | |
black. This ask a test of your cue action at this distance. | :26:49. | :26:53. | |
Now, that is a real confidence booster. How still did he keep his | :26:54. | :27:08. | |
head on that forcing shot? Well, there was probably more pressure on | :27:09. | :27:12. | |
that shot than any of the previous ones he's played in the frame. To | :27:13. | :27:18. | |
hit it as beautifully as that, it was, as you say, a real confidence | :27:19. | :27:25. | |
booster. It looks like with that outcome, he will clinch this first | :27:26. | :27:30. | |
frame. And it will be the first frame Ronnie O'Sullivan's lost in | :27:31. | :27:31. | |
the whole tournament. And there he is. He's reached that | :27:32. | :27:51. | |
68 points that we showed you earlier with the side bar. And what a start | :27:52. | :27:57. | |
for the very likeable Michael Georgiou. | :27:58. | :28:08. | |
I think this sums up how tough snooker is these days. A player | :28:09. | :28:15. | |
who's fallen off the tour. Had to play in the cue school to get back | :28:16. | :28:22. | |
on. Playing to a standard like this there just aren't any bad players in | :28:23. | :28:24. | |
the game, as far as I'm concerned. Yeah, they're playing so many | :28:25. | :28:41. | |
tournaments these days, it doesn't phase the players when they get to | :28:42. | :28:45. | |
the televised stage. They are playing all year round. Doesn't | :28:46. | :28:49. | |
matter about that. The end of a break. But it's also the end of this | :28:50. | :28:54. | |
opening frame. Will be interesting to see if Ronny stays in his seat or | :28:55. | :28:58. | |
wants to try to get a little bit of potting practice. He'll probably | :28:59. | :29:00. | |
just stay in his seat. Or maybe not. If he can see the red, | :29:01. | :29:09. | |
he'll come for a little bit of practice. | :29:10. | :29:18. | |
I think even this is a telling sign that Ronnie O'Sullivan comes back to | :29:19. | :29:41. | |
the table. On many occasions, he would have just got on with the next | :29:42. | :29:46. | |
frame. But I think he has his mind on the job, Ronny. Regardless of | :29:47. | :29:54. | |
what he's saying in interviews. He looks very focussed, very relaxed. I | :29:55. | :29:58. | |
was with him in Northern Ireland last week, he was in great form. | :29:59. | :30:06. | |
Even when he lost his match to Kyren Wilson after making three century | :30:07. | :30:09. | |
breaks, he lost a decider. But he was in great form. A very | :30:10. | :30:16. | |
entertaining opening frame here. The Look what I'm going to do if you | :30:17. | :31:58. | |
miss. Just a little message planted in his head. You have to see this | :31:59. | :32:03. | |
fella. You have something smart to say about what happened there? No, | :32:04. | :32:07. | |
nothing! In terms of the way you must have been feeling, Michael | :32:08. | :32:13. | |
Georgiou coming out, says a lot about his spirit? He's not been read | :32:14. | :32:18. | |
reading the script. He's lost one already. Very impressive. His cue | :32:19. | :32:25. | |
ball control is impressive. If he hadn't that cannon into the pack, he | :32:26. | :32:28. | |
probably would have cleared up. All in all, very impressive. Let's get | :32:29. | :32:32. | |
back whilst we calm things down in here, shall we? | :32:33. | :32:55. | |
There's three loose reds and one at the back of the bunch. Another | :32:56. | :33:00. | |
chance for Ronny. There's the difference with Ronny clearing up in | :33:01. | :33:05. | |
the first frame. He'd had enough exposure to the table. Hitting the | :33:06. | :33:08. | |
balls, that opening shot he had to play was made a lot easier. If he'd | :33:09. | :33:16. | |
given the game in and had to play that, it was arguably more missable. | :33:17. | :33:42. | |
I don't think he has quite the judgment of weight on the shot with | :33:43. | :33:48. | |
his left hand as he has with his right. Very rarely misses a pot | :33:49. | :33:52. | |
left-handed. An awkward pack to go into. He plays | :33:53. | :34:20. | |
this type of shot so well. There's one which will go to the | :34:21. | :34:35. | |
middle pocket. If he drops nicely on to a colour, he's opened enough up | :34:36. | :34:40. | |
to give himself a great chance. He got a little too much back spin on | :34:41. | :34:47. | |
that one. Usually, that isn't the shot we recommend these days the | :34:48. | :34:50. | |
players play as the cue ball can come back to this bottom corner. | :34:51. | :34:54. | |
Perhaps he felt it was the only way to get a sniff at a red. | :34:55. | :35:19. | |
Intimated in the studio after his last match, hasn't really been | :35:20. | :35:28. | |
practising a great deal. But you would not know it yet from his | :35:29. | :35:38. | |
cueing. He seems to be in fine fashion. -- in fine fettle. | :35:39. | :36:11. | |
DENNIS TAYLOR: This particular table is playing delightful. We've had | :36:12. | :36:18. | |
some in the century breaks on it. Fergal O'Brien played on this table | :36:19. | :36:23. | |
and they made a record-breaking five centuries. That was in the six | :36:24. | :36:32. | |
frames that Kibrom. It's very, very quick, but when you're cueing well | :36:33. | :36:43. | |
sites beautiful to play on. Purposely going into the side of the | :36:44. | :36:44. | |
bunch there. STEVE DAVIS: In between green and | :36:45. | :37:08. | |
brown, with lots of right-hand side for that loose red to the left of | :37:09. | :37:15. | |
the pink. Don't hit to be on this server way he plays it. Brilliantly | :37:16. | :37:20. | |
fluent Key West, it's just amazing to watch. He hasn't got a definite | :37:21. | :37:27. | |
pause at the end of the backswing, but it looks like he's got some much | :37:28. | :37:31. | |
time in the transition between the pull-back and the hit. He's making | :37:32. | :37:34. | |
this look, easy. He's already had five centuries in | :37:35. | :37:54. | |
this year's championship. Three in the first round, two in the second | :37:55. | :38:01. | |
round. And what a way ticket back on level terms. Yes, so you're | :38:02. | :38:06. | |
presented with a loose break-off shot from Michael Georgiou, but the | :38:07. | :38:11. | |
pack was still tight. And apart from one tricky shot, he's just | :38:12. | :38:17. | |
annihilated this frame. That was a push shot, but it didn't | :38:18. | :38:45. | |
really matter. It was a poor break-off shot and Michael had to | :38:46. | :38:51. | |
sit in his seat and watch Ronnie finish off the frame. Well, that was | :38:52. | :39:05. | |
just what the doctor ordered from Ronnie O'Sullivan. But it shows the | :39:06. | :39:12. | |
importance of the break-off shot. Michael, having won the opening | :39:13. | :39:17. | |
frame, it was his turn to break-off. He just caught it three-quarter | :39:18. | :39:26. | |
ball, almost full ball. A little bit I'm lucky to leave the between the | :39:27. | :39:33. | |
green and the brown, though. Yes, you don't really want to be catching | :39:34. | :39:39. | |
that first red too thick. Still a nice opening shot from Ronnie | :39:40. | :39:42. | |
O'Sullivan, made it look a lot easier than it was. Yes, and he | :39:43. | :39:48. | |
would have had another century break just for sticking in the reds at the | :39:49. | :39:54. | |
end of the break there. If those three had split up, he would have | :39:55. | :39:59. | |
been certain to make a century. For he looks very relaxed so-called and | :40:00. | :40:03. | |
calm. 21 minutes and we've had two frames | :40:04. | :40:45. | |
played. That was a mis-hit break-off shot from Ronnie O'Sullivan as well. | :40:46. | :40:51. | |
But he has left a bit more of the difficult opening shot for Michael | :40:52. | :40:56. | |
Georgiou. Had to commit to playing that slow if he was going to play | :40:57. | :41:01. | |
it. And has left Ronnie O'Sullivan options. None of them guaranteed. Is | :41:02. | :41:16. | |
looked at the one into the right corner and the one into the left | :41:17. | :41:20. | |
middle. He goes back to the long red. And he can get back onto the | :41:21. | :41:32. | |
black from that angle. Oh, he might be able to slot this into the right | :41:33. | :41:36. | |
middle pocket and stay on the black, because he would not leave a great | :41:37. | :41:40. | |
deal. So this is a half chance for Michael here. , that was | :41:41. | :41:50. | |
noncommittal from Ronnie O'Sullivan. The red into the middle perhaps | :41:51. | :41:53. | |
would have been heard of shots to nothing. If this is dead straight, | :41:54. | :42:00. | |
it's not too difficult. Dhoni he'll be disappointed with that effort. | :42:01. | :42:17. | |
And he hasn't left it safe - he can this in an open bunch. -- and open | :42:18. | :42:31. | |
the bunch. That last shot from Michael was pretty poor, because he | :42:32. | :42:35. | |
should have screwed the white back a few more inches and that red would | :42:36. | :42:38. | |
not have been available for Ronnie. That was a fantastic shot from | :42:39. | :43:02. | |
Ronnie O'Sullivan. Was only just off straight. He was able to actually | :43:03. | :43:08. | |
pot the black into the right-hand half of the pocket and generate more | :43:09. | :43:14. | |
of an angle. It was superbly played to get onto the red as well. , easy | :43:15. | :43:19. | |
to miss those. A bit further away from the black than he would of | :43:20. | :43:28. | |
liked, this one. Yes, he was almost straight on that black son he did | :43:29. | :43:35. | |
well to force the angle. Oh, his cueing beautifully. That type of | :43:36. | :43:40. | |
shot, is just made that look ridiculously easy. | :43:41. | :44:14. | |
And when you sing Ronnie O'Sullivan playing like this, it's no supply is | :44:15. | :44:24. | |
that the general snooker fan considers him by far the best player | :44:25. | :44:30. | |
in the world, regardless of the ranking positions. When he plays at | :44:31. | :44:38. | |
this standard, if he keeps it up for the whole tournament solely has the | :44:39. | :44:42. | |
ability to make the rest of the look pedestrian. It's getting harder for | :44:43. | :44:51. | |
him to do that, because the standard of the top players is | :44:52. | :44:53. | |
ever-increasing, but it's just great to watch. Yes, that was a lovely | :44:54. | :45:02. | |
little piece at the top of the show with you, Stephen Hendry and John | :45:03. | :45:07. | |
Parrott, drilling you about all your wins and breaks... Was a fascinating | :45:08. | :45:13. | |
little piece, and I think this man has made 846 centuries. Every chance | :45:14. | :45:21. | |
that he could reach 1000 before he decides to call it a day. I mean, | :45:22. | :45:28. | |
there's no reason why Ronnie can't carry on for another four or five | :45:29. | :45:35. | |
years. A very fit young man, keeps himself a very fit, does a lot of | :45:36. | :45:39. | |
running. Yes, it's tough to know whether he can make 1000 in a season | :45:40. | :45:42. | |
if he's not playing in every tournament. And how long his | :45:43. | :45:52. | |
motivation will carry on for well, he would make 1001 season, I can | :45:53. | :45:56. | |
tell you that Steve! Sorry, in his career! The record for that is Neil | :45:57. | :46:09. | |
Robertson, 100 in a season. Should get this... | :46:10. | :46:30. | |
STEVE DAVIS: Not too sure how many century breaks Ronnie | :46:31. | :46:35. | |
O'SullivanAPPLAUSE made last season. But it is going to take a few years | :46:36. | :46:40. | |
to get to that 1000. He made 30 last season and he's already made 22 this | :46:41. | :46:50. | |
season. Three or four more seasons. Contact he can still open up the | :46:51. | :46:59. | |
reds off this shot. And he pleaded with the left-hand, made it look, | :47:00. | :47:01. | |
easy. 90 98%, he's missed one ball! What a shame. But once again he only | :47:02. | :47:49. | |
needed one chance. And that has quickly taken Ronnie O'Sullivan into | :47:50. | :47:56. | |
the lead. Two very big breaks in rapid | :47:57. | :48:00. | |
succession from The Rocket. John, you did mention the fact that he was | :48:01. | :48:06. | |
looking in good form, and he seems to have carried it on beautifully? | :48:07. | :48:13. | |
It's funny, you're playing Ronnie, and Michael is playing really | :48:14. | :48:16. | |
nicely, and in the blink of an eye, he's 2-1 behind. O'Sullivan is in | :48:17. | :48:22. | |
fantastic form. He played one shot in that break off the black. This | :48:23. | :48:33. | |
was an absolute peach. To put that there, you could not put it better | :48:34. | :48:37. | |
with your hand. What does that do to your opponent, Stephen? It was | :48:38. | :48:46. | |
disappointing, Michael Mr really easy year the middle. He played some | :48:47. | :48:51. | |
well in the first frame and then he misses that easy red - that will not | :48:52. | :49:00. | |
make him feel good. When Ronnie gets in amongst them, if he's playing | :49:01. | :49:02. | |
anywhere near his best, he's still going to score. Qui go to the last | :49:03. | :49:05. | |
before the interval. -- act we go. Paul Collingwood off just reminding | :49:06. | :49:50. | |
the audience to keep their phones switched off. | :49:51. | :50:18. | |
The has gone into quite an interesting position. -- yellow. | :50:19. | :50:38. | |
A chance to get behind the brown now. He had the line, Steve, he just | :50:39. | :50:56. | |
needed to hit it a little bit harder and he would have been in behind | :50:57. | :50:57. | |
that brown that you mentioned. Not the best safety shot that Ronnie | :50:58. | :51:23. | |
has ever played. There may be a long straight red but there's no colour. | :51:24. | :51:30. | |
The yellow is over the pocket, that's one bonus. He has got a | :51:31. | :51:35. | |
slight angle to get up towards the blue. Well, considering he's been | :51:36. | :51:47. | |
effectively kept off the table for the last two frames and had his | :51:48. | :51:51. | |
momentum halted, that was an excellent shot. But can he make | :51:52. | :51:56. | |
anything from this position? It's not easy. Oh, that might be good! | :51:57. | :52:13. | |
Little bonus there! , black and pink are out of commission here. Can he | :52:14. | :52:27. | |
screw back for the blue? The flick-on the blue was not helpful. I | :52:28. | :52:33. | |
cannot see many more points from this position. I think the red to | :52:34. | :52:40. | |
the right of the pink might go in the left corner. If he screws back | :52:41. | :52:49. | |
he might be able to have a go at that one of. That's the only one he | :52:50. | :52:50. | |
can possibly get on, I think. Cued it beautifully. And he keeps | :52:51. | :53:30. | |
his head, I'll say it once again,, still on the shot. He's ended up in | :53:31. | :53:47. | |
no mans land a bit here. That's asking for trouble, that type of | :53:48. | :53:53. | |
shot. Very committed. Did not like that shot. Trying to keep the break | :53:54. | :54:04. | |
going. If Ronnie O'Sullivan can knock this red in, perhaps he can | :54:05. | :54:12. | |
develop the black. Perhaps he's got other plans. Michael Georgiou gets | :54:13. | :54:28. | |
away with it. And a chance. Yes, he can get out on to the blue, but just | :54:29. | :54:37. | |
looking at the angle there, if he screws, he's going over towards the | :54:38. | :54:38. | |
reds... He's still OK. Now, he could this | :54:39. | :54:56. | |
in. I'm not sure, it might come twice across the table, there's | :54:57. | :55:00. | |
every chance he might even hit the reds next to the pink and bring it | :55:01. | :55:07. | |
into play. It depends how thin the blue is as to whether he will | :55:08. | :55:14. | |
attempt at. Yes, not an easy position to try and win the frame | :55:15. | :55:16. | |
from. He's got quite a lot to do. Is he | :55:17. | :55:38. | |
going to try and bring the black into play here? You are right never | :55:39. | :55:49. | |
going to BEC. Ronnie might have a bit of a chance here. If you just | :55:50. | :56:02. | |
drops the red in... That black definitely goes along the cushion - | :56:03. | :56:07. | |
and he would be on the red next to it. Well,, and no better player than | :56:08. | :56:15. | |
Ronnie O'Sullivan in making what looks like an awkward situation into | :56:16. | :56:20. | |
a frame-winning chance. Well, maybe the black did not go past the red to | :56:21. | :56:27. | |
the other corner. He made that shot look a lot easier than it felt. | :56:28. | :56:40. | |
Ronnie O'Sullivan will probably be looking to get this pink into the | :56:41. | :56:52. | |
open play off the blue. Unless he can get to the back cushion. So, | :56:53. | :57:00. | |
correct side of the blue - and then open the pink up. | :57:01. | :57:15. | |
Yes, thanks, Ron! And that's why Ronnie O'Sullivan has perhaps made | :57:16. | :57:29. | |
far more century breaks than me! He normally would do that, go straight | :57:30. | :57:33. | |
into them to you never know with Ronnie! Sometimes he likes to change | :57:34. | :57:38. | |
things around. I remember he went through a spell when he was working | :57:39. | :57:45. | |
with the great Ray Reardon than he was not going into the bunch, he was | :57:46. | :57:48. | |
knocking them out the couple at a time, and that was the way the old | :57:49. | :57:52. | |
players used to do because the cloths were quite thick and it was | :57:53. | :57:58. | |
not easy to open the bunch. But Ronnie really enjoyed playing that | :57:59. | :58:08. | |
way for half a season. STEVE DAVIS: I've just got to say, | :58:09. | :58:12. | |
I'm taking no delight in the fact that he's lost position here. Ronnie | :58:13. | :58:15. | |
O'Sullivan does not like going into the pack if he doesn't know whether | :58:16. | :58:20. | |
cue ball is going. He thinks that's a risk. | :58:21. | :58:43. | |
Well, he's keeping this going quite nicely, even though the cue ball has | :58:44. | :58:50. | |
done quite a lot of mileage! DENNIS TAYLOR: He's having to work | :58:51. | :59:15. | |
really hard for these. Nothing available around the pink. Those | :59:16. | :59:27. | |
three are all tied up. This time he would does go into them, maybe he | :59:28. | :59:30. | |
should have taken Steve Davis's advice and gone into the pink off | :59:31. | :59:32. | |
that blue. This was the shot where he thought | :59:33. | :59:51. | |
he would open them up and go on and take the frame. | :59:52. | :00:51. | |
Top that much too soon but the pot that he's left, don't think Ronnie | :00:52. | :01:04. | |
can avoid cannon ink into the black and red. If it's a plain ball, he | :01:05. | :01:09. | |
will, that's why he's taking the other one into the right corner, he | :01:10. | :01:20. | |
can get back up the table off that. What a useful nudge on the brown and | :01:21. | :01:25. | |
that was. It was going out of position, could have played snooker | :01:26. | :01:31. | |
but once he flicked the brown that was a nice little bonus. | :01:32. | :01:38. | |
Outside chance of winning the frame, getting over the line in this visit. | :01:39. | :02:07. | |
Needs one of those reds on the side cushion, the top cushion. | :02:08. | :02:20. | |
Looks to have a nice angle to shift this red, should he so desire. | :02:21. | :02:34. | |
APPLAUSE Perfect judgment of weight, the | :02:35. | :02:39. | |
positional shot was perfect. It was the position shot, to leave himself | :02:40. | :02:44. | |
on the pink the way to cannon the rent out, that was pinpoint | :02:45. | :02:45. | |
accuracy. -- can that makes the frame more or less | :02:46. | :02:59. | |
safe. Going just over 42 minutes. The average frame time, nine minutes | :03:00. | :03:08. | |
24 seconds. A few players used to take that long to break off. | :03:09. | :03:13. | |
Considering how well Michael Georgiou started this match off, | :03:14. | :03:20. | |
he's been totally put on the back foot by Ronnie O'Sullivan, in | :03:21. | :03:30. | |
imperious form. You psych yourself up and get off to such a great start | :03:31. | :03:33. | |
and you've got to be proud of yourself on the big stage. Not even | :03:34. | :03:38. | |
half the battle against Ronnie O'Sullivan. Like holding wild horses | :03:39. | :03:49. | |
back. Doesn't matter about the green. Michael just looks to the | :03:50. | :03:53. | |
referee and he concedes the frame. Got off to a great start but it's | :03:54. | :03:57. | |
been all the Rocket for the last three and he goes to the mid-session | :03:58. | :04:04. | |
interval leading 3-1. Ronnie Berry firmly in command in this match, | :04:05. | :04:07. | |
have we seen anything else about Michael Georgiou's game that gives | :04:08. | :04:11. | |
you cause for optimism? No, I don't think so. He got a great start, | :04:12. | :04:18. | |
looked good the first frame and now it's just more of the same from the | :04:19. | :04:22. | |
first two groans from Ronnie, looks like he's going to steam-roll | :04:23. | :04:24. | |
through the rest of this match pretty comfortably and he's yet to | :04:25. | :04:31. | |
be put under any pressure in this tournament. That's the point, John, | :04:32. | :04:35. | |
you made a point he conceded one frame but the longer he goes in, | :04:36. | :04:41. | |
he's not having a work-out as yet and with the greatest of respect | :04:42. | :04:44. | |
everybody who's been up against in so far, he's not funded going | :04:45. | :04:50. | |
difficult. I'm more impressed with that this afternoon, he's had to | :04:51. | :04:53. | |
play more this afternoon in the opening session that he had in the | :04:54. | :04:58. | |
opening two games. Good start, 1-0 down, little test at the start. He's | :04:59. | :05:02. | |
turned that around to go 3-1 and played much better in the other | :05:03. | :05:06. | |
matches, even though he's made centuries but his overall play is | :05:07. | :05:10. | |
much better. Hugely impressed and it's a funny thing playing against | :05:11. | :05:13. | |
them because Michael will go back to the dressing room and think he has | :05:14. | :05:16. | |
played too badly, missed one ball early on but this is the level | :05:17. | :05:20. | |
you're playing against him. Words of encouragement if you were to offer | :05:21. | :05:23. | |
anybody like Michael something to hold onto at this point, what would | :05:24. | :05:28. | |
it be? You just have to concentrate on one shot at a time. But as much | :05:29. | :05:32. | |
concentration and effort into every single shot. It's unforced errors | :05:33. | :05:38. | |
that Ronnie pounces on and he got in there from Michael Georgiou missing | :05:39. | :05:45. | |
quite a comfortable red to the bottom right pocket to try to ring | :05:46. | :05:48. | |
the black into play. If you can't just give us much concentration as | :05:49. | :05:52. | |
possible and if he can go through the rest of the match and not miss | :05:53. | :05:57. | |
any easy ball, he'll be amazed how well he'll do. Those chances become | :05:58. | :06:00. | |
magnified because you know there are less of them coming away and your | :06:01. | :06:05. | |
focus has got to be there but you just know that when they come there | :06:06. | :06:08. | |
are so important because you get less of them. You two have scared | :06:09. | :06:13. | |
the living daylights out of players over the years, you'd been an | :06:14. | :06:16. | |
Ronnie's position are some youngster is going to come in and play you, | :06:17. | :06:22. | |
it's very daunting. Can you see it from the other perspective, how did | :06:23. | :06:25. | |
you feel knowing this is someone that you're supposed to beat? Ronnie | :06:26. | :06:33. | |
will know inside that Michael can't beat him, you have that superiority, | :06:34. | :06:37. | |
that's what it is, you think this guy can't beat me. But Ronnie still | :06:38. | :06:42. | |
has to keep his attitude right and get them respect and played the game | :06:43. | :06:45. | |
properly but deep down he will think Michael can't beat me today. It's a | :06:46. | :06:51. | |
tough situation for players coming in against the top boys. We're going | :06:52. | :06:57. | |
to concentrate on events on the other side on table one, table two | :06:58. | :07:02. | |
today. Mark Selby the world number one is up against Robert Milkins. | :07:03. | :07:10. | |
E-readers Alarcon he comes on, his walk on music. Much more about | :07:11. | :07:15. | |
points than pints during the match and racked up quite a few of those | :07:16. | :07:19. | |
over the years, a prolific brick builder and he never ever likes to | :07:20. | :07:24. | |
hang about. -- he raises a bit of a laugh when he comes on. | :07:25. | :07:31. | |
In our circle he's a legend. We call him no thrills. No airs and graces, | :07:32. | :07:43. | |
just funny. His own little TV show. He can chop his cue and he just | :07:44. | :07:47. | |
walks around and knocks the ball is on. Been there for a while. He's | :07:48. | :07:54. | |
very clever, seems a bit of a slapdash kind of player but he does | :07:55. | :07:58. | |
think about it and play some clever shots. When he's on song you'll get | :07:59. | :08:03. | |
to the latter stages of tournament. Devastating attacking player, | :08:04. | :08:09. | |
doesn't appear there as a ball said on the table. Walking around with | :08:10. | :08:12. | |
not a care in the world and that's how he plays the game, very | :08:13. | :08:16. | |
dangerous, one of the most dangerous players on the tour. Scores very | :08:17. | :08:20. | |
quickly and can beat anyone on his day. Another streaky player, when he | :08:21. | :08:23. | |
plays well he's given me some very good hiding is over the years where | :08:24. | :08:28. | |
you just don't see a ball, goes for all his shots, usually gets them off | :08:29. | :08:31. | |
and then wanders round the table and clears up. He's a world-beater when | :08:32. | :08:37. | |
things right, I like him, he saw easy come easy go in life, it's a | :08:38. | :08:39. | |
good thing to have sometimes. There you are, universally liked in | :08:40. | :08:48. | |
the snooker cycles and up against Mark Selby. This is a repeat of a | :08:49. | :08:53. | |
match which was in the first round of this year's Crucible campaign | :08:54. | :08:59. | |
which Mark Selby went on to win. It was Selby who led 7-2 but back came | :09:00. | :09:06. | |
Milkins 6-7 and Mark Selby won the last three and he was in Hoover | :09:07. | :09:14. | |
economic mode. This match a few months later and Selby has taken the | :09:15. | :09:16. | |
opening frame, Whether he got a bad contact, I'm | :09:17. | :10:57. | |
not sure. But he has a nice angle on the yellow. He can swing this round | :10:58. | :11:02. | |
three cushion is to get onto that red. So, round the back of the | :11:03. | :11:07. | |
green. cue ball needs to travel a little | :11:08. | :12:45. | |
bit more. A little bit straight on the blue. Is the pink available into | :12:46. | :12:53. | |
this corner pocket pocket? I think it's not quite available, Ken. I | :12:54. | :12:59. | |
think the only way here is to pop the blue and leave the double. | :13:00. | :13:35. | |
Three reds around the pink all appear to be covering one another. | :13:36. | :13:46. | |
He's not out of the woods yet. I think what he can do, he can bounce | :13:47. | :13:51. | |
it in. The top one may just sneak in, Ken? , But if he gets directly | :13:52. | :13:57. | |
behind it, he may be able to get it in. Did not want to kiss, but it's | :13:58. | :14:00. | |
still OK. Every now and again, he just throws | :14:01. | :14:22. | |
in a little quick one. As we talked about at the top of this match, it's | :14:23. | :14:28. | |
been his Achilles heel. When he gets going, he's hard to stop, but just | :14:29. | :14:35. | |
every now and again, there's the occasional ball that you think he's | :14:36. | :14:38. | |
going to pot and uncharacteristically misses. | :14:39. | :14:51. | |
It's just off the cushion, Ken - a lot easier when they're tight. Yes, | :14:52. | :15:04. | |
it's all about pace here. Perfect. He has a nice angle on the black to | :15:05. | :15:10. | |
disturb these three reds around pink. -- around the pink. He had | :15:11. | :15:23. | |
some screw on that, didn't he, goodness me?! Blessed with an awful | :15:24. | :15:28. | |
lot of cue power, gets through the ball really well. Even though his 20 | :15:29. | :15:37. | |
points behind, he's just gone favourite to win the frame. In a few | :15:38. | :15:45. | |
shots' time he will try and get on the pink. And he would like to do it | :15:46. | :15:58. | |
off this shot, it he can. -- if he can. | :15:59. | :16:14. | |
But if it was a direct line to screw back off the cushion, he would play | :16:15. | :16:28. | |
that shot - but it's not. It will be interesting to see how he goes about | :16:29. | :16:36. | |
moving that red now. Has he got in off-side on? | :16:37. | :16:45. | |
He will try and leave this half-ball, so he can come off the | :16:46. | :16:49. | |
top cushion. So, he's coming round now to try and | :16:50. | :17:08. | |
leave the half-ball blue. Not quite right. , who are have to play a | :17:09. | :17:14. | |
little bit of check side on this, Ken? , he will have to play a little | :17:15. | :17:19. | |
bit of check side and try and straighten the cue ball up off this | :17:20. | :17:31. | |
top cushion. With it being where it is, would you not play it a little | :17:32. | :17:40. | |
bit harder? He could do that. But I think he's got a better chance just | :17:41. | :17:44. | |
trying to rest it over the middle. In fact he probably put a little bit | :17:45. | :17:47. | |
too much aside on it. Robert Milkins is going to be only | :17:48. | :18:08. | |
two points behind as he comes back to the table. He's having a look at | :18:09. | :18:16. | |
this pot down the cush. It's very, very difficult, but he could lay it | :18:17. | :18:18. | |
with safety in mind. He's certainly blessed with enough | :18:19. | :18:37. | |
power to be able to have got this one, Willie. | :18:38. | :18:46. | |
WILLIE THORNE: He's going to put the red on the other cushioned the white | :18:47. | :18:54. | |
in behind the green. But he has not played it well. Sooner Robert can | :18:55. | :18:56. | |
take this on. Really surprised Robert did not take | :18:57. | :19:18. | |
that on. He's such a good potter. He might not get a better chance than | :19:19. | :19:19. | |
that in this frame now. He needs a bit of luck here, Robert | :19:20. | :19:53. | |
- and he's got it! That flew into the pocket, and how about that for | :19:54. | :19:55. | |
position?! NICK Doherty: Hasn't given this | :19:56. | :20:07. | |
enough. But he could still went this yellow into the top left-hand corner | :20:08. | :20:08. | |
pocket. He is judged it very nicely. But | :20:09. | :20:24. | |
he's still going to need an excellent shot from green to brown. | :20:25. | :20:31. | |
You need up to the blue to secure this frame. -- he will need. | :20:32. | :20:43. | |
working ground in the middle. He has played it very well indeed. That was | :20:44. | :20:55. | |
an excellent shot, lots of cute power. Anywhere on the blue and he's | :20:56. | :21:00. | |
fine. That was a very welcome fluke of | :21:01. | :21:18. | |
that red into the corner pocket. Well played Robert Milkins. | :21:19. | :21:32. | |
Need a frame with a big break. Due to that flukey levels and 1-1. One | :21:33. | :21:44. | |
piece there and there are of course another couple of matches going on | :21:45. | :21:50. | |
this afternoon in the last 32. Let's drop in on table three because Ali | :21:51. | :21:54. | |
Carter, the reigning World Open champion, great to see him back in | :21:55. | :21:59. | |
very good form taking on Dave Gilbert, 14th season for the | :22:00. | :22:01. | |
Staffordshire player, very good player. Gilbert needs a snooker in | :22:02. | :22:09. | |
this frame, already 2-0 down and looks like Carter going 3-0 up at | :22:10. | :22:17. | |
this point. At the moment, on paper it had the makings of a pretty close | :22:18. | :22:20. | |
match because Dave Gilbert's form has been good of late, making | :22:21. | :22:25. | |
improvements but Ali Carter clearly a class act, has been for a very | :22:26. | :22:28. | |
long time, former runner-up in the United Kingdom at the Crucible at | :22:29. | :22:36. | |
the World Championship. And the man who is now racking up even more | :22:37. | :22:40. | |
world ranking Victor Ruiz as well. Got a book coming out shortly as | :22:41. | :22:47. | |
well, I understand. Any match, Liam Highfield and Peter Lines who | :22:48. | :22:50. | |
knocked out the defending champion, Neil Robertson, in the first round | :22:51. | :22:57. | |
and Peter has made 65 to 2-1 up. Lim Highfield, one of the up-and-coming | :22:58. | :23:01. | |
players had a century to reduce the arrears to just one frame so that's | :23:02. | :23:10. | |
your right up to date. Back we go to events on the main table this | :23:11. | :23:14. | |
afternoon Ronnie O'Sullivan has quickly sprinted into that 3-1 | :23:15. | :23:19. | |
advantage over Michael Georgiou, the 28-year-old Londoner playing his | :23:20. | :23:23. | |
first match against Ronnie and one of the biggest matches of his career | :23:24. | :23:27. | |
under the television lights in the UK championship and we go back to | :23:28. | :23:30. | |
Dennis and Steve to see if Michael can reduce the arrears and inflict a | :23:31. | :23:33. | |
little bit of pain upon running this afternoon. | :23:34. | :23:36. | |
COMMENTATOR: He dearly love to do that in this frame but Ronnie will | :23:37. | :23:40. | |
have other ideas. I was having a chat with Michael | :23:41. | :23:56. | |
Georgiou in the tournament office and he says he's loving every minute | :23:57. | :24:07. | |
out there. Didn't get much chance in the second and third frame, that's | :24:08. | :24:09. | |
for sure. Certainly living the experience. Got | :24:10. | :24:23. | |
off to a great start and just mis-hit the red into the middle | :24:24. | :24:29. | |
pocket that he didn't hit correctly. Had to sit down for the rest of that | :24:30. | :24:37. | |
second frame. Not a two all planned into the green pocket? He's given it | :24:38. | :24:47. | |
a couple of looks. -- client plant. He's got to make it. And he has. | :24:48. | :25:00. | |
He's made it into a plant. Michael Georgiou was a long way out with | :25:01. | :25:04. | |
that red but the type of shot most times you get away with it. | :25:05. | :25:19. | |
This time going into the pack. Perhaps can consider himself a | :25:20. | :25:26. | |
little unlucky that he hasn't got a better split but this is, whilst | :25:27. | :25:40. | |
tricky, relatively gettable. And if he hits the pack correctly and pots | :25:41. | :25:46. | |
the red he did finish on the black candle can quite a few reds. | :25:47. | :25:56. | |
He was on the black but he didn't putter the red. This is a type of | :25:57. | :26:16. | |
opportunity that Michael Georgiou will have green. | :26:17. | :26:28. | |
Now got converted. Not easy with shot get in on the blue weight. More | :26:29. | :26:49. | |
to do now to pot the blue and retain position. The pink goes, that helps. | :26:50. | :27:03. | |
If you get it. There's no question that you had to play it in the | :27:04. | :27:07. | |
pocket you play for as long as you get it in. I was just about to say | :27:08. | :27:13. | |
she head that the hard and have a look at that. He's got to capitalise | :27:14. | :27:20. | |
on it, just hit it harder than he intended to. | :27:21. | :27:49. | |
Presented in full pupil has been found wanting a bit. Straight after | :27:50. | :28:00. | |
the interval. You'll be disappointed at difference in the very top | :28:01. | :28:06. | |
players and players further down the rankings, out of the convert very | :28:07. | :28:08. | |
easy looking chance. As I've mentioned on a number of | :28:09. | :28:24. | |
occasions, the table, and they feed. You able and not in full evening of | :28:25. | :28:34. | |
shots. Even the first shot of Michael Georgiou thing to get on the | :28:35. | :28:42. | |
blue, in hindsight, arguably didn't seem to be the right thing to do, | :28:43. | :28:47. | |
perhaps pots read and use that to get one of the business end of the | :28:48. | :28:52. | |
table. Not such critical position required. | :28:53. | :29:27. | |
One O'Sullivan just pointing out exactly that when he's going to | :29:28. | :29:36. | |
attempt so that should keep mis-hit, the referee will know exactly where | :29:37. | :29:37. | |
to put the cue ball back. Let's drop and constantly have a | :29:38. | :30:15. | |
look to see where it was. Could get past the blue. Ronnie is looking | :30:16. | :30:17. | |
over. Like a little game back and forwards | :30:18. | :30:29. | |
there. I think the pupils. We can show you for it was, that's | :30:30. | :31:09. | |
where it was. Ronnie will not take any advantage, he knows he could | :31:10. | :31:15. | |
only see the edge of the red. I think he was trying to play to catch | :31:16. | :31:19. | |
enough of the red that he could swing the cue ball around before the | :31:20. | :31:25. | |
red on the right-hand side cushion. Looks tough to do. This red on the | :31:26. | :31:36. | |
right-hand side cushion, he can see a lot more of it than I thought. Is | :31:37. | :31:40. | |
this another chance for Michael Georgiou or has Ronnie O'Sullivan | :31:41. | :31:48. | |
got away with it? It's a thin one. Surely he can sneak this end. -- | :31:49. | :32:00. | |
this in. He thinks it's a lot thinner than us on our picture. If | :32:01. | :32:14. | |
he goes for it he must think it's certain but no guarantee of | :32:15. | :32:16. | |
position, that's for sure. Had a little laugh with each other | :32:17. | :32:41. | |
there, has he done the same thing? Maybe Ronnie can't cut it in now but | :32:42. | :32:46. | |
there is one to the middle but that's so tough. This one looks much | :32:47. | :32:50. | |
too thin, a lot closer than Michael was, and amazing how it finished | :32:51. | :32:58. | |
there. He could have hit it thinner than that. Amazing little sequence | :32:59. | :33:07. | |
there, good couple of shots and this is not easy as I mentioned. He was | :33:08. | :33:16. | |
up and walking round as soon as he hit it he knew he'd struck that | :33:17. | :33:20. | |
perfectly. He really is cueing so well and when ye not that type of | :33:21. | :33:27. | |
shot in, he's on his way up, he knows it's in there. | :33:28. | :33:42. | |
Arguably that last record was a big pressure shot in a tournament as big | :33:43. | :33:49. | |
as the UK championship but Ronnie O'Sullivan seems immune from the | :33:50. | :34:01. | |
pressure. On most occasions. Just plays very naturally. | :34:02. | :34:20. | |
You've got to fancy 4-1 here. There's a few reds clustered on the | :34:21. | :34:34. | |
left, but Ronnie will be able to get those out. | :34:35. | :34:59. | |
Lovely to watch all these little shots. | :35:00. | :35:14. | |
STEVE DAVIS:, Dennis. I wonder if there is some kind of statistics | :35:15. | :35:19. | |
which shows the distance the cue ball moves during players' breaks, | :35:20. | :35:22. | |
and how economic all they are. DENNIS TAYLOR: He's got to get in | :35:23. | :35:46. | |
behind those four reds. He's hampered slightly. This might | :35:47. | :36:14. | |
just be a little bit awkward. No problem. Made that one look easy. | :36:15. | :36:36. | |
Woman from the O'Sullivan's greatest strengths is having such a quick | :36:37. | :36:43. | |
thinking brain, from a positional aspect. -- one-off Ronnie O'Sullivan | :36:44. | :36:51. | |
Nielsen greatest strengths. It does not destroy the flow of his killing. | :36:52. | :36:58. | |
We have seen him look at the scoreboard a couple of times, just | :36:59. | :37:01. | |
to calculate the score, but it still does not stop his flow. And snooker | :37:02. | :37:05. | |
is very much a game of rhythm. Already 60 ahead. The frame is | :37:06. | :37:36. | |
certainly safe. I think Michael will come back to the table, but barring | :37:37. | :37:39. | |
snookers, it's going to be 4-1. Ten foul points needed - that's | :37:40. | :38:04. | |
three snookers. Michael Georgiou will be looking to try and pot two | :38:05. | :38:09. | |
reds and then get a free ball situation. That's if he gets a | :38:10. | :38:18. | |
chance. And he's not going to get that chance. He will stay in his | :38:19. | :38:24. | |
seat this time delay of Ronnie misses. -- this time, even if Ronnie | :38:25. | :38:33. | |
misses. He's tried a bit of an exhibition | :38:34. | :39:15. | |
shot. That break of 67P the way to him taking that frame. He now leads | :39:16. | :39:21. | |
4-1. We were just talking about help for the cue ball moves. We have got | :39:22. | :39:26. | |
a little sequence that we can show you here. He stand the first red. | :39:27. | :39:34. | |
He's not too far away from the blue, it's just a series of stone shots. | :39:35. | :39:38. | |
He's just not moving the white very far. His next shot, he's just not | :39:39. | :39:46. | |
very far away from it. Now, that's nearly as quick as Tony Drago, the | :39:47. | :39:54. | |
way Ronnie is clearing up here! It's always within a couple of feet or so | :39:55. | :40:03. | |
of his next pot. It takes years to perfect this, doesn't it, Steve, the | :40:04. | :40:06. | |
number of hours of practice you've got to put in to be able to control | :40:07. | :40:18. | |
the cue ball like that? Yes. If you do keep that cue ball close in | :40:19. | :40:21. | |
public more or less guarantees the pot. It takes a lot of heat out of | :40:22. | :40:24. | |
the situation. Michael Georgiou could do with | :40:25. | :40:47. | |
another frame here. This is a must-win frame for him. First to | :40:48. | :40:57. | |
six. It is amounting to climb as it is, but 5-1, well, definitely all | :40:58. | :41:06. | |
over. 4-2 - stranger things have happened. | :41:07. | :41:32. | |
Now, is that possible guide? To may be knocking this red in? | :41:33. | :42:18. | |
Funnily enough, I mentioned the other day about cleaning the table. | :42:19. | :42:30. | |
Ronnie is playing a shot, and you've got the man sweeping away! It used | :42:31. | :42:34. | |
to be like that at The Crucible, even though there is a petition | :42:35. | :42:42. | |
there. But here, is there is no partition, he can see everything. | :42:43. | :42:48. | |
He's just stopped at the moment, while Ronnie knocks this in the | :42:49. | :42:53. | |
middle pocket. And he hasn't. He's smiling about it. Carry on sweeping! | :42:54. | :43:04. | |
Yes. It's a trade-off, the open plan table set up we now have, between | :43:05. | :43:09. | |
the crowd getting a lot of access to me watching different matches, and | :43:10. | :43:15. | |
sometimes the players being put off by unusual movements. Steve, if that | :43:16. | :43:25. | |
had happened in Ray Reardon's day, there is no way he would have played | :43:26. | :43:27. | |
the shot while that was going on! Yes, there was a lot of criticism of | :43:28. | :43:44. | |
the open plan table situation for this particular reason, that the | :43:45. | :43:53. | |
table fitters have to come out and brush the tables, which is a | :43:54. | :43:56. | |
dramatic thing to be doing whilst there is play on the other table. | :43:57. | :44:02. | |
Ronnie O'Sullivan tried to get things under control in his brain, | :44:03. | :44:13. | |
but the trouble was, the concentration had been snapped. I | :44:14. | :44:23. | |
know it is a tough one, isn't it, Dennis? The open plan table set up | :44:24. | :44:28. | |
is quite nice from the viewers' perspective. | :44:29. | :44:57. | |
DENNIS TAYLOR: Well, very aggressive, and he's a little | :44:58. | :45:02. | |
unfortunate. STEVE DAVIS: That shot is tough to | :45:03. | :45:19. | |
perfect, with backspin on the cue ball. What a great recovery there. | :45:20. | :45:31. | |
Got to be pleased with that - that's as good as it gets. Now, the chance | :45:32. | :45:34. | |
to go into the pack if he wants to. , he has three loose reds, but I'm | :45:35. | :46:05. | |
with you, he did not have to hit them too hard, he would have opened | :46:06. | :46:06. | |
everything up. From this position now, you would | :46:07. | :46:22. | |
think he would go into the pack and play for the loose two reds. I think | :46:23. | :46:36. | |
he needed to go into them a little bit harder there. He can consider | :46:37. | :46:41. | |
himself arguably a little bit unlucky. But these days, you look | :46:42. | :46:53. | |
over the season at your choices of positional shots, when and when not | :46:54. | :46:56. | |
to go into the pack, you do not always get it right. Perhaps he | :46:57. | :47:03. | |
might have chosen a different way. I think he wanted to hit the reds on | :47:04. | :47:08. | |
the right side, and he would have been OK. He hit them on the wrong | :47:09. | :47:24. | |
side. Yes, if he had cannoned into them just on the right side as we | :47:25. | :47:28. | |
look at it, it would have been perfect. Dennis, we have an expert | :47:29. | :47:36. | |
break-builder in the studio, and it will be interesting to get his | :47:37. | :47:39. | |
thoughts on that. Make him do a bit of work! I thought you were talking | :47:40. | :47:57. | |
about Hazel for a while there! Hazel's break-building and shot | :47:58. | :48:01. | |
selection is fantastic these days. Tried a very delicate pot there. Has | :48:02. | :48:28. | |
he left one to the left middle? It must be tight. Yes, he can just get | :48:29. | :48:34. | |
through to that one. Might be able to have a choice of | :48:35. | :48:56. | |
reds here. We know that one goes, the other one is a little bit the | :48:57. | :49:11. | |
tight side. Beautiful. Their all of a sudden, that advantage that | :49:12. | :49:17. | |
Michael has at the moment could disappear very quickly indeed. Yes, | :49:18. | :49:24. | |
excellent shot. And he was leaving reds if he missed. There was no way | :49:25. | :49:33. | |
of getting that is shot to nothing. Chance now for Ronnie O'Sullivan. -- | :49:34. | :49:40. | |
of getting that as a shot to nothing. You certainly feel like | :49:41. | :49:45. | |
he's going to get back in the frame here. Just does Rieff reds on the | :49:46. | :49:52. | |
side cushion, and perhaps the one to the left side, will cause him | :49:53. | :50:02. | |
problems later. From Michael Georgiou's perspective, he's hanging | :50:03. | :50:06. | |
on to a string, hoping that those reds will be too much of a problem | :50:07. | :50:08. | |
for Ronnie O'Sullivan. Once again, the cue ball doing very | :50:09. | :51:09. | |
little. It is just ultimate control. I know it's a situation where all | :51:10. | :51:16. | |
the reds are in a small area at the top of the table, you would expect | :51:17. | :51:20. | |
that. But he very rarely gets the wrong side of a red. The first small | :51:21. | :51:27. | |
mistake, you could argue, with that shot. But the yellow is an easy | :51:28. | :51:35. | |
option to get back down the table for that loose red. And then Michael | :51:36. | :51:43. | |
Georgiou has just got to hope Ronnie O'Sullivan does not convert this | :51:44. | :51:48. | |
chance. What sort of angle has he got on this? A little bit further | :51:49. | :52:01. | |
up, he might have attempted to move those two. Oh, he has. The only | :52:02. | :52:06. | |
problem is, you're not guaranteed good position on the colour. He | :52:07. | :52:14. | |
decided to bring them into play, and it's finished rather awkward. He | :52:15. | :52:20. | |
thought about it for a while and decided, let's bring them into play. | :52:21. | :52:24. | |
He thought he would be guaranteed to be on the blue. Yes, I think it was | :52:25. | :52:33. | |
the wrong shot. He needed to have hit it harder. So, 13 points in | :52:34. | :52:45. | |
front. He's just trying to work out the maths, and how to go about this. | :52:46. | :52:56. | |
He might be thinking if he can put a colour safe, it gives him a little | :52:57. | :53:01. | |
bit of insurance. There's the insurance policy, onto | :53:02. | :53:26. | |
the side cushion with the green. Making it hard for Michael Georgiou | :53:27. | :53:27. | |
to clear up in one visit. As I mentioned at the start of this | :53:28. | :53:53. | |
frame so that it's a must-win frame for Michael Georgiou, it really is. | :53:54. | :54:07. | |
5-1, very little chance. 4-2, a glimmer of hope for him. | :54:08. | :54:22. | |
Ronnie O'Sullivan will not be too upset with that outcome. | :54:23. | :54:35. | |
Poor safety effort there from Michael Georgiou - should have got | :54:36. | :54:44. | |
that tubal a little bit better. -- that cue ball. | :54:45. | :55:00. | |
He looks to have snookered Michael on the red on the right side of the | :55:01. | :55:08. | |
table. He's got to be careful that he doesn't catch the other red here. | :55:09. | :55:19. | |
And it looks as if the black is going to come to his rescue also - | :55:20. | :55:25. | |
or has it? Can he get past the black? He can. This would be a | :55:26. | :55:31. | |
fantastic shot if he could pot, screw right back. Fantastic! | :55:32. | :55:40. | |
Who cannot hit the ball any better than that. That's probably perfect | :55:41. | :55:48. | |
chewing, to pot that shot and screw back. -- perfect chewing. -- cueing. | :55:49. | :56:03. | |
That could have worked out better. Unlucky. | :56:04. | :56:17. | |
No attempt to pot the red there. Keeping his opponent under wraps. | :56:18. | :56:30. | |
Michael Georgiou's last safety shot was a good line. A little bit | :56:31. | :56:37. | |
heavy-handed. He's got another very difficult one now. He's more or less | :56:38. | :56:43. | |
forced to push the red into the corner. Perhaps he will try and get | :56:44. | :56:49. | |
it on the side cushion. Played very well. | :56:50. | :57:00. | |
Using a little touch of side and swerve there. That was an awkward | :57:01. | :57:22. | |
safety, when you've got a red close to the cushioned. | :57:23. | :57:37. | |
I was going to say, that's a bit unlucky, catching the jewel of the | :57:38. | :57:44. | |
middle pocket. This is where the left-hand comes into play for | :57:45. | :57:52. | |
Ronnie. If he can pot this, it just shows you how useful it can be. | :57:53. | :58:12. | |
That's just fantastic. That was just such a difficult shot, with your | :58:13. | :58:19. | |
normal hand, never mind the opposite hand. | :58:20. | :58:25. | |
It is going to win him the frame, that, Steve. Yes, I mean, he got a | :58:26. | :58:34. | |
lot of screw back on that shot with very little effort - and | :58:35. | :58:43. | |
left-handed. And you'd have to think he's secured the frame. | :58:44. | :58:59. | |
Quick glance at the scoreboard for Ronnie. He's quite comfortable now | :59:00. | :59:04. | |
in this frame. Even Ronnie O'Sullivan can't pot | :59:05. | :59:24. | |
this mean, surely, left-handed? Not about effort, but it was the red | :59:25. | :59:27. | |
with the left hand down the cushion which paved the way for Ronnie to | :59:28. | :59:34. | |
take that frame. And he now extends his lead, and he just needs one | :59:35. | :59:39. | |
more. There was a little bit of discussion | :59:40. | :59:42. | |
about break-building. I could not show you, honestly, I don't want to | :59:43. | :59:49. | |
show you up! But in all honesty, what was the point about the | :59:50. | :59:55. | |
break-building? Was just one shot. I'm sure he did look, he just never | :59:56. | :00:01. | |
played it right. You just have to make sure you go into the pack the | :00:02. | :00:05. | |
right way. You cannot just go into the bunch and hope something | :00:06. | :00:11. | |
happens. Fewer reds there are, the more important it comes to make | :00:12. | :00:16. | |
contact with the correct ball in the right place. That was Dennis's | :00:17. | :00:19. | |
point. Experience on this couch. It is | :00:20. | :00:28. | |
interesting because I know you give some advice if you years ago about | :00:29. | :00:34. | |
break-building. Is it something that you can learn from, just hearing | :00:35. | :00:38. | |
advice and not just watching other people? Is it something that you can | :00:39. | :00:42. | |
discuss? Absolutely. Stephen is one of the first players where he came | :00:43. | :00:47. | |
of the blue and then hit the pack. He was one of the first players to | :00:48. | :00:52. | |
play a full shot. No one had done that before. There are ways and | :00:53. | :00:56. | |
means of doing it. What in the commentary box, people go in the | :00:57. | :01:04. | |
pack at the last minute. They are giving themselves less chance. You | :01:05. | :01:07. | |
see all Sullivan and Stephen play. They go in when they land on the | :01:08. | :01:12. | |
ball in the correct manner. The pack can be gone, it is gone | :01:13. | :01:16. | |
straightaway. Obviously, some players do better than others. They | :01:17. | :01:20. | |
get to the table and there are 13 or 14 reds and they can just visualise | :01:21. | :01:25. | |
the situation and now when the right time is going to be and before you | :01:26. | :01:28. | |
start the break, you will think something and that is the time to | :01:29. | :01:33. | |
get on the black or the blue. That is something that perhaps you cannot | :01:34. | :01:38. | |
learn. You have to have that knowledge. Everyone plays | :01:39. | :01:42. | |
differently. But Michael will learn so much today. From playing against | :01:43. | :01:47. | |
Ronnie. He is watching one of the best out there. And sometimes they | :01:48. | :01:50. | |
will be trying to get it on the angle with the black to split the | :01:51. | :01:53. | |
pack up and they might have two or three goes to get there. The | :01:54. | :01:58. | |
position might be right, and then they will go at the right time. Back | :01:59. | :02:07. | |
with you for another masterclass. Bonnie has been fortunate to cover | :02:08. | :02:12. | |
with the brown in the second frame. A gap was left between the green and | :02:13. | :02:19. | |
the brown when he brought the red up and he sat in his seat for the remit | :02:20. | :02:31. | |
of that frame. If he hits this to heart... Flight misjudgement. Just | :02:32. | :02:35. | |
got the red. We have not seen much tactical play | :02:36. | :02:50. | |
in this match. Ronnie is one of the best there has ever been in the | :02:51. | :02:56. | |
safety Department of the game. Glancing at the other table there. | :02:57. | :03:01. | |
Difficult not to when you are right next to it. Not the best. Can't | :03:02. | :03:12. | |
afford to leave Ronnie O'Sullivan with this type of shot. Needs to be | :03:13. | :03:22. | |
tight on the cushion. Really cute one on the previous frame. He does | :03:23. | :03:27. | |
not have to hit this as hard. APPLAUSE | :03:28. | :03:41. | |
Superb. If Ronnie O'Sullivan was to come out firing in this frame and | :03:42. | :03:46. | |
the scoreline was to be 6-1, I am sure Michael Georgiou will be going | :03:47. | :03:53. | |
back to his dressing room saying he played a lot of matches worse and | :03:54. | :04:03. | |
one. That is what Stephen Hendrie was talking about in the studio. | :04:04. | :04:09. | |
First chance Ronnie got he was straight into the bunch of the | :04:10. | :04:13. | |
green. Would have been unlucky not to finish on one. Yet, because he | :04:14. | :04:18. | |
went in with what you could have considered sufficient pace. | :04:19. | :04:52. | |
Pretty easy path for Michael Georgiou. This is all about the | :04:53. | :05:00. | |
pace. And making sure you do not collide with the ball colour. Well, | :05:01. | :05:07. | |
that plant helps. He did have a quick look at it so he must have | :05:08. | :05:12. | |
played it and it was not a certainty otherwise he would not have played | :05:13. | :05:19. | |
not to get on a colour. We will just show you the plant again. It looks | :05:20. | :05:24. | |
easy to roll up tight behind the colour but on the very fast cloth, | :05:25. | :05:30. | |
difficult to judge this. You do not want to leave it short. He certainly | :05:31. | :05:41. | |
did not leave it short. He has left enough of the red to the left | :05:42. | :05:47. | |
corner. For Ronnie to take the pot on. He was just scared of not | :05:48. | :05:50. | |
reaching the brown there, and he never hit it. | :05:51. | :05:56. | |
On occasions in the past, Ronnie O'Sullivan said his long game is not | :05:57. | :06:10. | |
up to scratch. Doesn't look to be much wrong with it today. Regardless | :06:11. | :06:24. | |
of the fact that he has intimated he has not really been practising a | :06:25. | :06:29. | |
great deal this season, using the matches as a way of practising. His | :06:30. | :06:47. | |
cue action looks superb. 6-1. This visit. What do you reckon? It is a | :06:48. | :06:54. | |
great chance, isn't it? Just talking about the practice here. Are member | :06:55. | :07:00. | |
the early days when I turned professional, you would go to play | :07:01. | :07:04. | |
the champions and they would say they had not played all summer and | :07:05. | :07:08. | |
they had not practised and they would go on the table and just play | :07:09. | :07:15. | |
mind games. Not saying that Ronnie is doing that but there are so many | :07:16. | :07:24. | |
matches these days. But I think you are not far wrong in saying that 6-1 | :07:25. | :07:28. | |
is the target. Just going just over a minute and 23 | :07:29. | :07:59. | |
seconds. There hasn't been much tactical play and that just shows | :08:00. | :08:02. | |
you with the average frame time under 15 minutes. Yes, Ronnie | :08:03. | :08:09. | |
O'Sullivan doesn't seem to get bogged down in tactical matches. | :08:10. | :08:21. | |
Perhaps it's a mix of the fact that he plays good safety himself and | :08:22. | :08:27. | |
forces the issue and also he is such a good scorer. May be the case that | :08:28. | :08:31. | |
perhaps his opponents have a slightly different mindset against | :08:32. | :08:34. | |
him and they feel like they have got to be a bit more aggressive than | :08:35. | :08:38. | |
they would normally be. Not absolutely sure of the equation but | :08:39. | :08:44. | |
Ronnie O'Sullivan's frame times, regardless of how fast he placed | :08:45. | :08:49. | |
himself, its match times come he always seems to be finished before | :08:50. | :09:01. | |
the rest of the players around him. And in very little time indeed. The | :09:02. | :09:08. | |
frame is more or less over. When this red goes in. I must admit, I | :09:09. | :09:19. | |
enjoyed the little we have seen of Michael Georgiou. He started off so | :09:20. | :09:26. | |
well. I like his cue action. He keeps his head still. And I think | :09:27. | :09:29. | |
this will give him quite a bit of confidence. He will lose 6-1, but he | :09:30. | :09:37. | |
has done well here. All over the table now. His highest break has | :09:38. | :09:48. | |
been 84 and 83. He has been very fluent, very consistent. And just | :09:49. | :10:00. | |
trying a little exhibition shot. He congratulates Ronnie. He got off to | :10:01. | :10:05. | |
a great start, winning the opening frame, but after that it was all The | :10:06. | :10:10. | |
Rocket. He gets through to the next and with a very comfortable win by | :10:11. | :10:16. | |
six frames to one. Well, it is the first spring he has lost in the last | :10:17. | :10:19. | |
three games but Michael Georgiou can take that sort of consolation. | :10:20. | :10:22. | |
Ronnie will be playing either Matthew Stevens or Joe Perry in the | :10:23. | :10:26. | |
last 16. Was that a harder work-out over all today? He does makes it | :10:27. | :10:31. | |
look easy. It could be a match that other players may struggle a little | :10:32. | :10:35. | |
but more web but he just steps up and looked a bit more focus in this | :10:36. | :10:39. | |
match today than he did in the other one. He has played well and he has | :10:40. | :10:43. | |
played 19 frames of snooker this week and he has lost one. We saw | :10:44. | :10:47. | |
some absolutely fantastic pots from him, particularly in the last few | :10:48. | :10:50. | |
frames. Yes, there was a point in a game where obviously you realise | :10:51. | :10:55. | |
that you can't win and you just completely relax and towards the end | :10:56. | :11:00. | |
it was basically just almost like a practice session. He was under no | :11:01. | :11:03. | |
pressure whatsoever. It looked like frame over. So it was bread and | :11:04. | :11:09. | |
butter stuff but you have still got to go out there and do it. It is | :11:10. | :11:13. | |
very easy if you know you're going to win to let your concentration | :11:14. | :11:17. | |
slip and then you start to miss all over the place but to keep your | :11:18. | :11:21. | |
focus, that is a good thing. He potted a lot of difficult balls, | :11:22. | :11:26. | |
certainly the left-hand screw back down the cushion that ultimately won | :11:27. | :11:29. | |
him the match. There were a lot of awkward shot that he could easily | :11:30. | :11:34. | |
have missed but his cueing was spot on. How much of an enjoyable moment | :11:35. | :11:38. | |
is it when you realise that your opponent is not going to beat you | :11:39. | :11:41. | |
and you have got a couple of friends almost to relax and show off? Is it | :11:42. | :11:46. | |
a nice place to be? Absolutely. It is the best place to be. When you're | :11:47. | :11:49. | |
feeling totally invincible and it does not matter what your opponent | :11:50. | :11:52. | |
does, you know you're winning the match. It is a nice place to be. But | :11:53. | :11:57. | |
there will be a lot of tougher matches to come. Here years. Well | :11:58. | :12:01. | |
done. We are just talking about the work out. Was that harder than | :12:02. | :12:06. | |
Europe at the last couple of days? Yes, first spring he got in and | :12:07. | :12:09. | |
scored an potted some good ones and I felt a bit under pressure, to be | :12:10. | :12:15. | |
honest. I am not used to this. So I had to try and get into the game. It | :12:16. | :12:19. | |
was all right in the end. And what was a really big moment for him | :12:20. | :12:22. | |
because obviously he has looked up to you and re-admired what you have | :12:23. | :12:27. | |
done over the years will stop but it was a special moment for him. Were | :12:28. | :12:33. | |
you aware? Could you sense that beer or excitement in the other player? | :12:34. | :12:38. | |
No, not at all. If I had missed balls, you would probably have | :12:39. | :12:41. | |
punished me. I don't think anyone cares about reputations. I think it | :12:42. | :12:48. | |
was probably thinking it was a great occasion but if I would not have | :12:49. | :12:52. | |
been on it, he would have beaten me. Your long game looking good as well. | :12:53. | :13:00. | |
It was all right. Some awkward ones as well. Good stuff in there. Yes, | :13:01. | :13:07. | |
it is all right. I am just trying to enjoy it. You get a little bit older | :13:08. | :13:10. | |
and you think you just want to enjoy it. I don't want to be playing any | :13:11. | :13:13. | |
long drawn out matches or get dragged down. I don't want to think | :13:14. | :13:17. | |
it was hard work. I does want to enjoy it and that I get beaten, I | :13:18. | :13:21. | |
get beaten and that I win, great. If not, I am not going to put any more | :13:22. | :13:24. | |
miles on the clock. You've got to preserve yourself as you get a | :13:25. | :13:28. | |
little bit older. How enjoyable was that for you today? Great. Now I | :13:29. | :13:34. | |
have two days and I will be bored out of my head. Now I have got to | :13:35. | :13:37. | |
kill some time, I don't know what to do. Will you go home? Don't know. I | :13:38. | :13:43. | |
could probably get a train, I suppose. I can't run because I have | :13:44. | :13:50. | |
a fractured heel. I don't know. I will have to go to an AA meeting or | :13:51. | :13:58. | |
something. I tell you what I do want to ask you about, Bonnie. Lions | :13:59. | :14:05. | |
gate, Hunger Games producers. They are talking about potentially making | :14:06. | :14:08. | |
a film about you. What is the latest? I have sounded over. It is | :14:09. | :14:13. | |
up to whether they want to make it or not. You have read the article in | :14:14. | :14:22. | |
the mag new Yorker. I got a phone call and then I got if Eddie the | :14:23. | :14:32. | |
capping eagle could make a film, so can I. Who would you like to play | :14:33. | :14:41. | |
you? Properly it is hard. Because I am secretly in the closet. Did not | :14:42. | :14:47. | |
expect to hear that. -- Eddie Izzard. I do not want to be on my | :14:48. | :14:54. | |
deathbed and wishing I had done something. We live in this reality | :14:55. | :15:01. | |
TV world and I have done our bit and other things and I just get really | :15:02. | :15:05. | |
bored playing this game so it can be brain damaging. Stephen will tell | :15:06. | :15:10. | |
you. It is a tough sport. I think sometimes I just need to lighten up | :15:11. | :15:13. | |
and have as many distractions as I can. We have spoken about work- life | :15:14. | :15:19. | |
balance. Is it hard to achieve? To get the balance right between what | :15:20. | :15:22. | |
you want to do in the game and actually having a life away from it. | :15:23. | :15:28. | |
Yes, it is. When you get the enjoyment from winning, when that | :15:29. | :15:32. | |
stops happening, that is when the problem started for me. But I think | :15:33. | :15:37. | |
there are only drawn it is these days as well. You do not get any | :15:38. | :15:41. | |
time of. Every week there is a tournament. There is probably a | :15:42. | :15:46. | |
tournament starting now while this is on. There are so many. It is hard | :15:47. | :15:53. | |
for the top players you have got to work out which ones you want to play | :15:54. | :16:00. | |
in. The great thing is, now you can pick and choose add it. Well, look | :16:01. | :16:07. | |
at the players who missed Belfast. I don't think anyone is good enough to | :16:08. | :16:10. | |
pick and choose at the moment. There are so many players who can beat | :16:11. | :16:13. | |
each other. When Stephen was in his prime, he could have picked and | :16:14. | :16:19. | |
choose to but now the gap is not that big so it goes to prove I may | :16:20. | :16:25. | |
have been better going to Belfast and having some matches and learning | :16:26. | :16:30. | |
to pace myself. Just getting to the last 16 and then coming to the UK | :16:31. | :16:35. | |
and then thinking... Because that is what I used to do. I used to think I | :16:36. | :16:39. | |
only had so many wins in me but you have to go to them to get the match | :16:40. | :16:43. | |
practice and stay in touch. So how have you chosen this year? Last | :16:44. | :16:47. | |
year, you did not come back until December anyway. Compared with | :16:48. | :16:51. | |
previous seasons, you have done a reasonable amount. I think I am | :16:52. | :16:55. | |
about 18 in the world now and I need to try and get a little bit up so I | :16:56. | :16:59. | |
don't have to qualify for the World Championships. I did not play any a | :17:00. | :17:04. | |
lot of tournaments and I've had to work out as well even when I have | :17:05. | :17:11. | |
got beaten. So two trips to China. That is the weeks just for two | :17:12. | :17:18. | |
tournaments. And is constant. But when you enter, you have to go. I | :17:19. | :17:22. | |
just thought I needed to place the matches because I did not place are | :17:23. | :17:25. | |
many and you lose that competitive edge, I think. One of the things I | :17:26. | :17:30. | |
wanted to talk about what you said the other week about playing any a | :17:31. | :17:32. | |
lot of ex-division matches. I think you did about 60 in the last year. | :17:33. | :17:36. | |
An awful lot, in other words. If there are a danger when you're doing | :17:37. | :17:40. | |
that that your technique loosens up a little bit? Do you become a bit | :17:41. | :17:46. | |
ragged? The tables are really slow and heavy so you end up comping the | :17:47. | :17:51. | |
ball about instead of hitting the ball Sweet and on these tables you | :17:52. | :17:54. | |
need to strike it well. If you strike it poorly, it is like trying | :17:55. | :18:00. | |
to putt on a bust up for people like us. You have to be able to strike it | :18:01. | :18:07. | |
well. Anyway, that is history now. But it does affect your game. But I | :18:08. | :18:12. | |
will still do some. Absolutely. It is all part of the game, isn't it? | :18:13. | :18:18. | |
Next, Matthew Stevens and Joe Perry. Listen, the last 16 and I had one of | :18:19. | :18:23. | |
my hardest matches last year was Joe Perry so if it is him, it will be a | :18:24. | :18:30. | |
mega- tough match. Matthew Stevens, also world-class. He has never lost | :18:31. | :18:33. | |
it and if he performed, here's a really fine player. So I have to | :18:34. | :18:39. | |
bring my game. But I am just happy to still be in, I suppose. Good | :18:40. | :18:44. | |
performance today. Thank you for coming in to chat to as. Listed | :18:45. | :18:49. | |
quickly update you on what is going on on the other tables right now. | :18:50. | :18:54. | |
This is an table three. We have Dave Gilbert who is gnashing his teeth at | :18:55. | :19:00. | |
the moment because Carter 62-45 up in frame five and he has that 3-1 | :19:01. | :19:04. | |
advantage. I should tell you that in the other match Peter lines against | :19:05. | :19:13. | |
the Highfield, it is 3-2 now. That has been turned around with breaks | :19:14. | :19:19. | |
of 110-86 to go level and he has just got the last one. We will speak | :19:20. | :19:25. | |
about another player who does not give up and does not know when he is | :19:26. | :19:28. | |
beating, but does he have a technical advantage as well? Let's | :19:29. | :19:39. | |
find out. I think it is said to say that if you become world champion | :19:40. | :19:42. | |
and world number one, you know your way around the snooker table and | :19:43. | :19:46. | |
Mark Selby certainly does. I think he knows his way around the table | :19:47. | :19:49. | |
better than anyone currently playing the game. Someone who has played in | :19:50. | :19:52. | |
more than anyone on tour, I have had my fair share with him and you just | :19:53. | :19:58. | |
don't know what to do half the time. When he joined the circuit, he had a | :19:59. | :20:02. | |
different bridge hand. He is to have a massive link the bridge between | :20:03. | :20:05. | |
the tip and the back of it, and now he has gone in more compact like | :20:06. | :20:10. | |
that. Similar to you, I think. I think a lot of us came on the tour | :20:11. | :20:13. | |
as juniors and young players, we were used to playing on tables that | :20:14. | :20:16. | |
were not as fast and not as good. And that technic citadels. But when | :20:17. | :20:23. | |
you're playing on the super fast cloth and in television arenas | :20:24. | :20:26. | |
around the world, you have got to have ultimate control of that ball. | :20:27. | :20:31. | |
Being near and gives you that. It means there is less that can go | :20:32. | :20:34. | |
wrong with your action and your action becomes shorter and that | :20:35. | :20:38. | |
means that less can go wrong. But it takes a little bit of getting used | :20:39. | :20:43. | |
to. He'll soon as the strange characteristic of his head moves | :20:44. | :20:45. | |
from side to side as he comes into the shot. He definitely does that | :20:46. | :20:49. | |
less than he used to but there is move there. As he is down on the | :20:50. | :20:54. | |
shot, there is definite head movement backwards and forwards or | :20:55. | :20:56. | |
from side to side sometimes, but at the moment of strike, he is always | :20:57. | :21:01. | |
in the right position. I think, among many strong suits, shots | :21:02. | :21:06. | |
selection is definitely one. I think it is this strongest suit. I perhaps | :21:07. | :21:13. | |
personally go for the odd shot to many, whereas Mark never over | :21:14. | :21:17. | |
exposes himself. He is always playing a shot, thinking about what | :21:18. | :21:20. | |
happens if it goes wrong, what happens if this does not white work | :21:21. | :21:25. | |
out, whereas someone like me is always thinking, what happens if it | :21:26. | :21:28. | |
works? He tends to lean towards what happens if it goes wrong and that | :21:29. | :21:32. | |
enables him to play any slightly different way. Does not take on too | :21:33. | :21:35. | |
much damage. Means he is always there or thereabouts. Do you think | :21:36. | :21:41. | |
that enabled his beat game to beat so good? Why he when so many matches | :21:42. | :21:45. | |
when he is not quite on it? Yet, we can all win when we are playing at | :21:46. | :21:49. | |
or best. When we are making great clearances. It is easy to do well. | :21:50. | :21:53. | |
But when you are struggling, if you can have that extra sort of string | :21:54. | :21:58. | |
to your bow, where you have got a B, C, or a deep game sometimes comic | :21:59. | :22:02. | |
means you can relax, you know you do not have to keep clearing the table | :22:03. | :22:07. | |
and you will always do well. It makes incredibly difficult to beat. | :22:08. | :22:14. | |
There are the thoughts of two former world champion about the current | :22:15. | :22:19. | |
Crucible king. We left this matter of Mark Selby against Robert | :22:20. | :22:23. | |
Milkins, former world number 13, now into the 30s. We will head back into | :22:24. | :22:29. | |
this. One frame a piece. Brain three from the start. Back to our taters. | :22:30. | :22:39. | |
-- back to commentators. Not a good weight. | :22:40. | :23:07. | |
APPLAUSE Tremendous pot from Mark Selby. | :23:08. | :23:21. | |
Nicely on the brown or green here. He could try and take the green and | :23:22. | :23:27. | |
go into the pack of reds, just to the right of the pink, tried to | :23:28. | :23:32. | |
bring the paint into play because the black is not completely out of | :23:33. | :23:33. | |
commission but difficult. Decided against going into the pack. | :23:34. | :23:45. | |
Back up for the blue. Well, that was a complete list hit. | :23:46. | :24:24. | |
He meant to brush by that pack of reds there. It would be a bonus if | :24:25. | :24:29. | |
that Eddie Izzard ports now, I am sure. | :24:30. | :24:40. | |
-- red. He has judged that nicely. That was a bonus. He probably put | :24:41. | :24:47. | |
his hand up there to say that that was lucky. He played that one to the | :24:48. | :24:51. | |
left of the black previously, which he will play now. That is where he | :24:52. | :24:59. | |
played before. Just there. So now a chance with that black on the spot. | :25:00. | :25:05. | |
If he gets just behind it, he could drop it in and the red just to the | :25:06. | :25:11. | |
right of the black spot will be his next choice. After the black, of | :25:12. | :25:19. | |
course. Does not want to be too straight on this black. | :25:20. | :25:35. | |
Nice angled is to get out for that red. Good chance to win the frame | :25:36. | :25:44. | |
from this visit. You running out of loose reds now. | :25:45. | :26:38. | |
Needs to get back on the colour to bring the reds back into play. | :26:39. | :26:52. | |
Essential either to get top side of the blue or even on the half green | :26:53. | :27:00. | |
to play into the bunch. Decided to play on the half ball green. He | :27:01. | :27:06. | |
could play for the loose red that is on the cushion. I presume that maybe | :27:07. | :27:10. | |
the bottom red of that five pops into the right hand corner. Yes, it | :27:11. | :27:21. | |
clearly does. He does not have to play into the bunch yet. He is also | :27:22. | :27:26. | |
now looking at the plant. From this position, it does not look like you | :27:27. | :27:31. | |
can get a red and there are three to pot. It looks pretty OK, the plant | :27:32. | :27:40. | |
as well. Let's see what he decides to do. He is trying to get on the | :27:41. | :27:46. | |
one just at the bottom of the pack now. He has come up short. He is | :27:47. | :27:50. | |
having a look at the plant again. That is it. He did not take that | :27:51. | :27:58. | |
very well. He has gone slightly towards the right-hand side of this | :27:59. | :28:07. | |
pocket. Maybe just going towards that right knuckle but seems OK. | :28:08. | :28:14. | |
APPLAUSE Nicely judged shot on the right-hand | :28:15. | :28:50. | |
side. That red at the bottom of the pack | :28:51. | :29:15. | |
is still available. Also the red have the right hand side cushion as | :29:16. | :29:27. | |
well. The lead goes to 53 points. He will need red, black, red to secure | :29:28. | :29:34. | |
this frame. And leave his wallet needing a snooker at least. -- open | :29:35. | :29:40. | |
it. Looks just about perfect. Nice angle | :29:41. | :29:57. | |
on the black. Just a stun up for the red. It's available into the | :29:58. | :30:01. | |
opposite right hand corner pocket. Typical Selby this, just picking | :30:02. | :30:22. | |
them off one by one. This is an already framed ball. | :30:23. | :30:27. | |
Good kiss here, we could see the first century of the match. | :30:28. | :30:41. | |
Just got enough of that red, didn't he, to push it out of the way and | :30:42. | :30:47. | |
leave this spot and red on. Oh, just missed a cannon on the red, | :30:48. | :31:08. | |
so there won't be a century unless he hits and hopes and the red finds | :31:09. | :31:13. | |
a way into a pocket somewhere. Calling all pockets! Nothing went | :31:14. | :31:20. | |
in, and Robert Milkins sits in his chair and says, that's enough. A | :31:21. | :31:25. | |
nice 77 break from Mark Selby and he goes back into the lead once more. | :31:26. | :31:29. | |
He leads Robert Milkins by two frames to one. The world number one | :31:30. | :31:34. | |
Mark Selby has beaten Robert Milkins in the last five of the eight times | :31:35. | :31:38. | |
that they've played, so he knows he has a very good record over this | :31:39. | :31:43. | |
guy. Two frames to one then and we are going into frame four, the last | :31:44. | :31:47. | |
before the interval. Just two points in it and Milkins is two adrift. | :31:48. | :32:35. | |
That was a very good positional shot. Now, will he risk trying to | :32:36. | :32:41. | |
get on the black in the middle? He could stun the rid off the top | :32:42. | :32:46. | |
cushion and leave a black into left-centre. No, doesn't like it. | :32:47. | :32:54. | |
Possibly try to win the friend this visit he's going to need that. That | :32:55. | :33:01. | |
black on the spot. He has a chance now, pot the yellow, try and come | :33:02. | :33:07. | |
down and maybe go into those two or three reds to the left of the black | :33:08. | :33:15. | |
here. Bring some reds into play. Surely has to be on one red. | :33:16. | :33:23. | |
Watch the cue ball. If he had hit that with a bit more pace, it was | :33:24. | :33:37. | |
perfect line definitely on this red into the bottom right hand corner | :33:38. | :33:41. | |
pocket, but just didn't hit it hard enough. He's not on it. | :33:42. | :33:50. | |
REFEREE: Foul. Well, that was very sportsman like from Robert. He | :33:51. | :33:56. | |
falled a foul on himself there and the referee didn't see it. Mark | :33:57. | :34:01. | |
Selby having a little laugh, because he hasn't hit any of these reds into | :34:02. | :34:06. | |
the corn pocket. He fouled the black actually, so it is seven away. | :34:07. | :34:13. | |
That's the one great thing about our sport. Even when the referee doesn't | :34:14. | :34:18. | |
spot the foul, the player generally will own up to it. You can feel it | :34:19. | :34:25. | |
in your arm can't you when you misjudge the ball, sometimes it's | :34:26. | :34:29. | |
hard for the referee to spot. Good news for Robert Milkins, he never | :34:30. | :34:34. | |
left it easy. Albeit Mark Selby potted the red but it will only cost | :34:35. | :34:38. | |
him one point, unless he wants to risk the yellow. | :34:39. | :36:24. | |
This big target, the three reds sit together, he's worried about pushing | :36:25. | :36:30. | |
the red over to the right hand corner but that's the angle off the | :36:31. | :36:34. | |
Mildred into the three to get back into that Europe. He can't get back | :36:35. | :36:38. | |
to it from the extreme left of the table. That's a good line. It's hard | :36:39. | :36:51. | |
enough, it's a great line. Another inch could have had him snookered. | :36:52. | :37:41. | |
That excellent safety shot Robert played at the previous visit to the | :37:42. | :37:47. | |
table that developed this half chance. | :37:48. | :38:04. | |
He's one of those players, Mark Selby is an excellent frontrunner. | :38:05. | :38:12. | |
Robert, oh, dear, played the cannon on the brown and missed it. He's not | :38:13. | :38:15. | |
feeling too good at the moment. We had a fluke from Robert Milkins | :38:16. | :39:16. | |
in the second frame. And there's one from Mark Selby. A little kiss on | :39:17. | :39:23. | |
the green has given him a chance of this brown into the top left-hand | :39:24. | :39:26. | |
corner pocket. Didn't expect him to miss that one. | :39:27. | :39:45. | |
And now, what a chance for Robert Milkins. | :39:46. | :40:11. | |
It really is essential with a position like this to win the frame | :40:12. | :40:23. | |
at this visit. It will make Mark Selby realise that Robert, if he | :40:24. | :40:29. | |
wins this frame who he'll be the more pleased of the two, to be | :40:30. | :40:33. | |
honest. To come out of this session 2-2, he'll be absolutely delighted. | :40:34. | :40:38. | |
He has played a delightful little cannon to push the red away. When he | :40:39. | :40:43. | |
putts this, it will bring the black into play as well. | :40:44. | :40:54. | |
Just a couple of reds and high value colours here. Pink and black will be | :40:55. | :41:09. | |
enough. I'm with you, it seems that... Oh wow, wow, wow! Can't | :41:10. | :41:23. | |
afford to miss them, aim afraid. That was unmissable wasn't it? He's | :41:24. | :41:32. | |
distraught there. But that's it, isn't it, he gets into such a mood | :41:33. | :41:38. | |
when he's running around so quickly around the table, every now and | :41:39. | :41:41. | |
again he'll throw a quick one in and miss an easy ball you don't expect | :41:42. | :41:44. | |
him to miss. You would be surprised if Robert | :41:45. | :41:58. | |
Milkins comes back to the table. OK, there's a bit of work to do, but | :41:59. | :42:07. | |
Mark Selby is at his best winning frames on positions like this. | :42:08. | :42:12. | |
Especially when he knows how much it's going to hurt his opponent if | :42:13. | :42:17. | |
he clears up. Sometimes you put an extra bit of concentration in don't | :42:18. | :42:22. | |
you, just to know it is going to sicken your opponent. | :42:23. | :42:39. | |
Needs the cue ball to slow up. It's OK. If he can get on the green, I | :42:40. | :42:54. | |
think the only difficulty from brown to blue and from blue to pink. | :42:55. | :43:30. | |
This is the key shot coming up. May go in around the back of the blue | :43:31. | :43:42. | |
here. Keeps his options open. Left centre pocket. This is his choice | :43:43. | :43:51. | |
and he's played it pretty well. Two points ahead, Mark Selby. Blue and | :43:52. | :43:54. | |
pink required to win this frame. It could be a key moment in the | :43:55. | :44:07. | |
match already that miss on the pink for Robert Milkins. Looked like he | :44:08. | :44:12. | |
was going to tie the match at two frames all and he is hurting in his | :44:13. | :44:15. | |
chair at the moment. He doesn't want to look. Pink for a 3-1 lead. And | :44:16. | :44:23. | |
it's there! APPLAUSE. And that will certainly | :44:24. | :44:31. | |
hurt Robert Milkins. Mark Selby pinches the frame and goes into the | :44:32. | :44:36. | |
mid-session interval, leading by three frames to one. And that | :44:37. | :44:39. | |
half-time cup of tea will taste rather good. 3-1 in the lead at the | :44:40. | :44:43. | |
moment for the world number one. It is not just been head down all | :44:44. | :44:49. | |
practise here at the Barbican Centre for Mark and indeed for Dominic. | :44:50. | :44:53. | |
They were lucky. They went along to the big RAF base here near York to | :44:54. | :44:58. | |
try something that most mere mortals like you and me never get the chance | :44:59. | :45:03. | |
to do, and that's to have a go in an RAF flight simulator. There was a | :45:04. | :45:09. | |
price to play, he they had some official duties to perform too. Just | :45:10. | :45:14. | |
a short distance from the Barbican the village of Lynton on Ous | :45:15. | :45:19. | |
section, where the RAF train tomorrow's FastJet pilots. True | :45:20. | :45:25. | |
intrepid players were more than willing to find out what's all | :45:26. | :45:27. | |
about. This is the second stage of training | :45:28. | :45:40. | |
for the pilots. First stage is elementary flying training. This is | :45:41. | :45:48. | |
basic fast Jet training. All the guys train in a simulator before | :45:49. | :45:53. | |
flying in an aircraft. They do about 36 hours in the sim out of a course | :45:54. | :45:57. | |
of 100 live flying hours. That's good. Looking down the far end of | :45:58. | :46:05. | |
the runway. Push with the right foot, push with the right foot, the | :46:06. | :46:09. | |
push with the right foot, mull back on the control column. That's good. | :46:10. | :46:14. | |
OK, now just lower the nose slightly. Night was a good | :46:15. | :46:18. | |
experience. We came here today myself and Dom to have a go in the | :46:19. | :46:22. | |
flight simulator to see how it works. Different experience to what | :46:23. | :46:27. | |
we are used to, playing snooker, but it was fun. His break-off is better | :46:28. | :46:35. | |
than his takeoff! As for Dominic, his own version of loop the loop... | :46:36. | :46:39. | |
You have control. Roll quicker. Quicker! A bit more. Keep rolling. | :46:40. | :46:46. | |
This is a very tough skill. It's been a lovely, enjoyable experience | :46:47. | :46:50. | |
having a go on the flight simulator. The joystick and the pedals and what | :46:51. | :46:55. | |
have you were just as sensitive as aimagined them to be. Controlling | :46:56. | :46:57. | |
the aircraft was difficult. Full of variety. But it wouldn't be a | :46:58. | :47:08. | |
snooker field trip if there wasn't a new club to met them. He shook the | :47:09. | :47:13. | |
Station Commander's hand. It was all official at this point. And who | :47:14. | :47:17. | |
better the make the club's first break-off than the world number one. | :47:18. | :47:21. | |
Two or three years ago the Sergeant's mess was a changing their | :47:22. | :47:28. | |
snooker room into a coffee ante room, so the snooker table was going | :47:29. | :47:34. | |
beg being. We asked if we could have it. We got it set up and six months | :47:35. | :47:40. | |
ago we got in touch with the Nuffield Trust who got the table | :47:41. | :47:45. | |
reclothed and recushioned. A couple of new cues and new balls and we are | :47:46. | :47:51. | |
now in a position to open the club. It is like an old-style billiards | :47:52. | :47:56. | |
hall, with the high ceiling and the 1920s Riley table. It is a lovely | :47:57. | :48:01. | |
facility and I hope it gets well used. It was good to see Mark. | :48:02. | :48:14. | |
Thanks for them coming down. It is massively appreciated. Is there a | :48:15. | :48:19. | |
future in fast jets for our budding Top Guns? They are perhaps a long | :48:20. | :48:24. | |
way from maverick status but flying high in the UK Championship will do | :48:25. | :48:28. | |
for now. Both are through to the last 32 and they are cleared for | :48:29. | :48:32. | |
takeoff again in the Barbican Centre once more. | :48:33. | :48:35. | |
What a fantastic thing to be able to do. I wouldn't mind that. I live not | :48:36. | :48:41. | |
far from an airfield. I'm always tempted to have a couple of lessons. | :48:42. | :48:46. | |
I find it fascinating. You are not scared of heights are you? Don't | :48:47. | :48:50. | |
think so. Would you have a go at this? It looks quite interesting to | :48:51. | :48:56. | |
know what's involved. It is a massive departure from what we do, | :48:57. | :49:01. | |
isn't it? It is. I've been very lucky in my life, because about 20 | :49:02. | :49:07. | |
years ago I went up in a Tornado jet at RAF Leuchars when it was still | :49:08. | :49:13. | |
going at the time. Wow! I did a proper loop the loop. Did you keep | :49:14. | :49:18. | |
your lunch down? No, I did not! But it was a privilege. Was this before | :49:19. | :49:23. | |
you came a wonderful break-builder or afterwards? Let's not go there. | :49:24. | :49:28. | |
Even to have that sensation or the feeling of it again would be | :49:29. | :49:31. | |
wonderful. Going out over the North Sea and breaking the speed of sound, | :49:32. | :49:35. | |
wow! Are you feeling the freed for speed? Something like that. Mark got | :49:36. | :49:42. | |
a taste of it in that flight simulator. We are from the top of | :49:43. | :49:48. | |
frame 5, Mark with the 3-1 advantage today. | :49:49. | :49:55. | |
Robert Milkins wouldn't have enjoyed his 15 minute interval. He didn't | :49:56. | :50:03. | |
play well enough to be tall but that was the equation. It was an easy | :50:04. | :50:08. | |
pink when he was certain to win the frame. | :50:09. | :50:48. | |
An excellent shot. I'm not sure if he played to kiss the red first and | :50:49. | :50:56. | |
stay on the black, but kissing the black like he did, I would give limb | :50:57. | :51:01. | |
the benefit of the doubt. I imagine he wanted to free the red away. | :51:02. | :51:32. | |
He's helping that red next to the black potted into this bottom right | :51:33. | :51:41. | |
hand corner pocket but it doesn't, so trying to power the cue ball | :51:42. | :51:46. | |
through the reds. Not good. Seemed to play that shot without any | :51:47. | :51:59. | |
left-hand side. Normally a lot of players would have played that with | :52:00. | :52:03. | |
a lot of left-hand side. Side. Once it touches the right-hand side | :52:04. | :52:07. | |
cushion it would go up towards the blue to the middle of the table. | :52:08. | :52:12. | |
Didn't seem to get any side on it whatsoever. Try to hit the yellow | :52:13. | :52:16. | |
here just off one cushion. Looks like he's been tempted. It's | :52:17. | :53:04. | |
going to have to go in. There is an example of his cue power. Hardly | :53:05. | :53:09. | |
touched that and manage to do so screw back to baulk. Look at where | :53:10. | :53:16. | |
the red is going. Just past the middle pocket. | :53:17. | :53:41. | |
That's cueing at its finest. He couldn't have played that much | :53:42. | :53:47. | |
better. Look at the lovely angle on the blue. Just come around to check | :53:48. | :53:52. | |
the black pots, taking a few shots ahead here. If the black pots into | :53:53. | :53:57. | |
this bottom right hand corner pocket it will try to get back on the red. | :53:58. | :54:02. | |
Looks like it goes. It's got to be high enough on the black to pot the | :54:03. | :54:07. | |
black in a couple of shots' time, if and move the red just to the left of | :54:08. | :54:12. | |
the black away and into an open position. Putt this red and make the | :54:13. | :54:20. | |
cue ball probably just a couple of inches lower than where the red is | :54:21. | :54:24. | |
right now and a nice angle on the black. | :54:25. | :54:38. | |
When he putts this black he wants to try and make sure when he hits the | :54:39. | :54:45. | |
red he wants to bounce it off the top cushion here, or even hit it | :54:46. | :54:50. | |
towards this bottom right hand corner pocket. He's played it | :54:51. | :54:55. | |
nicely. Sometimes you can play that shot and if you don't play it hard | :54:56. | :55:02. | |
enough, it will not come off this top cushion enough to make it an | :55:03. | :55:06. | |
easier putt. He couldn't have played that much better. | :55:07. | :55:19. | |
Trying to clear up the right hand centre pocket now, I'm sure. After | :55:20. | :55:26. | |
putting this green. A couple of reds over the right middle. Try to free | :55:27. | :55:30. | |
up the blue and to both pockets. In the previous frames Mark Selby's | :55:31. | :56:42. | |
been in first in virtually every frame. He is still only 28 and | :56:43. | :56:49. | |
that's just not good enough at this level. | :56:50. | :57:09. | |
Cannon the two reds on to the pink spot to hold the cue ball. Didn't do | :57:10. | :57:13. | |
it that time but that was an option. Nice little cannon into the red. A | :57:14. | :58:41. | |
gentle cannon as it was, but it was perfect on this red, which he just | :58:42. | :58:46. | |
pot there and brings the other reds into play. Play. Always got the red | :58:47. | :58:49. | |
over the right centre as well. 58 points in the lead, so red colour | :58:50. | :59:05. | |
red here will be enough. Again another frame on the board. | :59:06. | :59:41. | |
A certain century there for Mark Selby, a series of little stunt | :59:42. | :59:47. | |
shots. I suppose in fairness just getting on the yellow would be a | :59:48. | :59:51. | |
slight problem but may play that if the baulk is off the last red. You | :59:52. | :59:57. | |
would expect him to hit a century now he's settled. | :59:58. | :00:15. | |
Six blacks, one pink, to green. Not the initial red as well. When he | :00:16. | :00:25. | |
brought the black into play, that is when he could win the frame from | :00:26. | :00:28. | |
this particular visit. And that is what we call the art of brick | :00:29. | :00:35. | |
building. Getting the balls into position. Without a doubt. And | :00:36. | :00:38. | |
getting the big colours into position. Something and eight red | :00:39. | :00:45. | |
break of six greens and things like that, that is why you see these top | :00:46. | :00:49. | |
players always tried to bring the black or pink back into play at the | :00:50. | :00:57. | |
earliest possibility. This looks almost certain to be 442 consecutive | :00:58. | :00:59. | |
centuries. He is certainly tall and of that he | :01:00. | :01:28. | |
does not need the rest on that particular shot. He has pleaded very | :01:29. | :01:29. | |
well. -- he has played it very well. It has been a masterclass of brick | :01:30. | :02:10. | |
building. Already had 23 centuries already this season. This is his | :02:11. | :02:13. | |
24th. Plenty more to come from this young man. Shows you how important a | :02:14. | :02:22. | |
fourth frame was when he missed the pink. | :02:23. | :02:31. | |
APPLAUSE This time he leads by four frames | :02:32. | :02:33. | |
one. Mark Selby breaks off. 4-1 lead. | :02:34. | :03:52. | |
Which essentially means that his opponent Robert Milkins must win | :03:53. | :04:02. | |
five. Five out of six, if possible. To try to win this match. It is a | :04:03. | :04:11. | |
tall order against a world champion. But he has had his chances. | :04:12. | :05:30. | |
Nice to see Robert getting into a bit of a group here. He hasn't | :05:31. | :05:49. | |
really made any decent breaks. Maybe just a bit of noise coming | :05:50. | :07:00. | |
from the other table just disturbed his concentration a little bit. He | :07:01. | :07:05. | |
was down and he got back up but missed some of those. | :07:06. | :07:24. | |
He has had a good look at this pack of reds. I don't think he is going | :07:25. | :07:30. | |
to make it planned by the ready possible plant at the back of the | :07:31. | :07:35. | |
pack but he can't get to them. There are the balls he is looking at but | :07:36. | :07:41. | |
how does he get to that last red. I think it makes a reverse planned | :07:42. | :07:47. | |
because I think it will push towards the right-hand side and he will | :07:48. | :07:50. | |
stick and right that the baulk of the misses it. There's got to be | :07:51. | :07:53. | |
careful. He has got to avoid the red that is on the top cushion as well. | :07:54. | :08:00. | |
Because he has hit that's and he has just gifted Mark Selby an | :08:01. | :08:05. | |
opportunity here. There is a bit of frustration from Robert Milkins. | :08:06. | :08:54. | |
Interesting to see now. Will he tried to nudge into the pack and | :08:55. | :09:01. | |
beyond the two reds to the left-hand corner packet -- pocket? He could | :09:02. | :09:06. | |
have nudged into them and maybe brought another one into play. | :09:07. | :09:19. | |
Decided against it on that occasion. He has got the same shot here. | :09:20. | :09:28. | |
Again, there are plenty of Liz reds. He may not take the opportunity to | :09:29. | :09:32. | |
go into the pack here. Well, you did, now he is properly sorry that | :09:33. | :09:38. | |
he has done. Did not get the normal sort of reaction from the cue ball | :09:39. | :09:44. | |
than he usually does. Usually hits the reds and then side spin off the | :09:45. | :09:52. | |
bottom of the cue ball and then take shape and then comes through the | :09:53. | :09:55. | |
reds again. Well, it did not happen there. Maybe just a safety shot now. | :09:56. | :11:34. | |
Well, this is a great shot. A fantastic shot from Robert Milkins. | :11:35. | :11:40. | |
He could not have tools that much better. -- he could not have chosen | :11:41. | :11:43. | |
that better. Might be able to do is nestle into | :11:44. | :11:57. | |
these reds. He has got to judge this dead weight. | :11:58. | :12:08. | |
Always keen to find the cushion when you play that shot, to stop your | :12:09. | :13:27. | |
open and being able to screw back to the same place. Just needed to get | :13:28. | :13:30. | |
closer to the cushion to make it difficult for Robert. | :13:31. | :15:26. | |
Nice support. And where all the reds are. Up in the top of the table. | :15:27. | :15:42. | |
Just going to have to concentrate on a possibly green or brown here. The | :15:43. | :15:48. | |
only couple of ball colours that will pot. The brown can go into the | :15:49. | :15:59. | |
left-hand corner pocket. Green if he gets it on to the spot after this | :16:00. | :16:04. | |
red will pot as well right into the corner pocket. | :16:05. | :16:28. | |
Just a matter of keeping control of the cue ball here, isn't it? | :16:29. | :16:55. | |
So far, it is been a typical Mark Selby performance. We spoke about | :16:56. | :17:03. | |
his matchplay and his the game and he has not been on his a game, it | :17:04. | :17:07. | |
has to be said. He had one nice break of 120. But he certainly has | :17:08. | :17:19. | |
not played anywhere near his best. But his second-best is so good and | :17:20. | :17:26. | |
so consistent that he still plays well and can still win. It is always | :17:27. | :17:29. | |
a good sign. It is most likely paces himself at | :17:30. | :17:47. | |
times. Yes, absolutely. He is doing all the scoring but he is not that | :17:48. | :17:51. | |
into it today. He has not had to play as tight as he is had to win | :17:52. | :18:01. | |
his opponent is playing better. He has just gone 18 points in front of | :18:02. | :18:06. | |
you can win the frame and the five remaining through open play. He does | :18:07. | :18:09. | |
not necessarily need the one that is tight on the left-hand side cushion, | :18:10. | :18:13. | |
depending on what colour is key parts of course. If you took all | :18:14. | :18:17. | |
yellows or all greens then he may still need that last red. Let's look | :18:18. | :18:21. | |
at the scoreboard. He would be better to get the blues back into | :18:22. | :18:25. | |
his own spot. He is going to work it out now. He is having another glance | :18:26. | :18:35. | |
at the scoreboard. Well, he has got 18 points already so he has plenty | :18:36. | :18:45. | |
there. The four reds and even browns and greens should be enough. | :18:46. | :19:03. | |
It is amazing, people will always ask how many shots and sometimes | :19:04. | :19:14. | |
they may be thinking for or five or six shots ahead. In this case, Mark | :19:15. | :19:21. | |
Selby is probably thinking about at least five reds, five colours, so | :19:22. | :19:26. | |
that is ten shots and then will he need that red that is close to the | :19:27. | :19:33. | |
left-hand side cushion? He is doing his car collisions. Can he get past | :19:34. | :19:42. | |
the wing line without having to worry about those? That is the | :19:43. | :19:45. | |
reason he stood at the scoreboard for quite some time. | :19:46. | :20:05. | |
I know that the great Stephen Hendrie was commentating on Mark | :20:06. | :20:13. | |
Selby and he put on twitter that he won a match and also played rubbish, | :20:14. | :20:16. | |
but that is the way that he can play. He does not have to play well | :20:17. | :20:19. | |
to win and he has not played his best today but it looks like he will | :20:20. | :20:24. | |
win. He is scoring better than he did in his first match. Hammy | :20:25. | :20:34. | |
players in the game would love to play like that and then also win? | :20:35. | :20:39. | |
You can count them on one hand. Absolutely. It is a fine art. 37 | :20:40. | :20:51. | |
points ahead so he can drop the red in. And that is exactly what he has | :20:52. | :21:00. | |
done. Just made sure of the red, as you try to get a ball colour into | :21:01. | :21:04. | |
the same pocket. He could possibly miss it. And that is typical | :21:05. | :21:21. | |
matchplay and a lesson for any young snooker player watching this | :21:22. | :21:24. | |
afternoon. Well, except for a snooker, that | :21:25. | :21:43. | |
fortified break will put another frame on the board for Mark Selby | :21:44. | :21:48. | |
and he will go into a 5-1 lead. Yes, and that was indeed an offer that | :21:49. | :21:53. | |
for a frame advantage. He has already had 16-1 win against Andy | :21:54. | :21:56. | |
Hicks in the opening round. Is he heading for another? Let's find out. | :21:57. | :21:58. | |
Frame seven, no points yet. I can't believe how careless Robert | :21:59. | :22:17. | |
played that last 60 shot. Surely he will need to play to the left-hand | :22:18. | :22:22. | |
side so he does not need that pot. Luckily for him, Mark Selby did not | :22:23. | :22:26. | |
put it in. He has forced an opening, can he take it? Good first part. | :22:27. | :22:37. | |
You are kidding. I am afraid he does not want to be here any more. He | :22:38. | :22:44. | |
just wants to get out of the place. He is really struggling. | :22:45. | :23:03. | |
You have to feel for him. It is just one of those days. Cant seem to do | :23:04. | :23:12. | |
anything right. It is a tough game, particularly playing the best | :23:13. | :23:16. | |
players in the world and the world number one in the world, the world | :23:17. | :23:21. | |
champion. One of the best players who as of played. | :23:22. | :24:32. | |
He needs to get down this end as quickly as he can. He will probably | :24:33. | :24:39. | |
try to pot another colour. The black is the one that opens every thing | :24:40. | :24:53. | |
up. Ideally of the next red or the one after that, she will be looking | :24:54. | :24:57. | |
to get on the blue. And then it is easier to get onto the blue. He has | :24:58. | :25:00. | |
just looked where to pot. And it surprised he has not gone a | :25:01. | :25:57. | |
little bit earlier than this and he is still one shot away from this end | :25:58. | :26:04. | |
of the table. He is looking at the brown for that red at the back of | :26:05. | :26:17. | |
the pack. I don't know why he did that. Obviously played to go into | :26:18. | :26:24. | |
the pack and missed it by a long way. | :26:25. | :27:15. | |
Good pot. Nice angle on the blue Nile to go into the reds here now. | :27:16. | :27:21. | |
Just looking to see if the bottom one will pot but may be an | :27:22. | :27:24. | |
opportunity to go into the reds to try to open them all up and take a | :27:25. | :27:35. | |
chance. Has not worked out. A little bit too straight for him. Just | :27:36. | :27:46. | |
needed to hit that think a little bit fuller. -- pink. | :27:47. | :28:31. | |
Follow the sudden, Mark Selby has become a little bit overcautious. He | :28:32. | :28:41. | |
got into those with the reds at the reds and the other end of the table | :28:42. | :28:44. | |
and nobody would quickly get up to the other end and then because he | :28:45. | :28:48. | |
didn't he ran out of reds. And then his shot did not come off and he has | :28:49. | :28:56. | |
become restricted. -- stated. -- frustrated. | :28:57. | :30:11. | |
He's hard enough to beat without getting good cases like that. That | :30:12. | :30:17. | |
was unbelievable, the way he got with that. He'd have been right in | :30:18. | :30:26. | |
among them apart from that kiss. That's what happens sometimes, when | :30:27. | :30:29. | |
things are going against you, they are going against you. You're not | :30:30. | :30:35. | |
playing well, you're not getting a look, your opponent seems to get all | :30:36. | :30:43. | |
the running. Nice little nudge, and he's putting in trouble here. Not | :30:44. | :30:51. | |
straightforward to get back down to baulk this is very shot not | :30:52. | :31:03. | |
straightforward to get back to baulk from this position. | :31:04. | :31:15. | |
Sometimes you can make your luck if you are playing well. Everything | :31:16. | :31:23. | |
seems like hard work at the moment, especially in this match. Could be | :31:24. | :31:28. | |
his last shot, just the way the position of the reds now. The one | :31:29. | :31:35. | |
red he wanted to avoid it, he's hit it full ball. Left his opponent Plum | :31:36. | :31:44. | |
in amongst the reds here. It's just a practice set up. | :31:45. | :32:00. | |
Milkins will be disappointed with his performance today. For the game | :32:01. | :32:07. | |
he will have been very excited about playing on TV, playing the world | :32:08. | :32:12. | |
champion, world number one, having a good match against him, but he just | :32:13. | :32:18. | |
hasn't performed today. He is a much better player than this, believe me. | :32:19. | :32:25. | |
Some days, like this, we've had plenty of them, haven't we? Many, | :32:26. | :32:39. | |
many times. And yet you have days when you can't miss a ball. It's so | :32:40. | :32:43. | |
strange, isn't it, what the mind can do to you? Even that was not his | :32:44. | :32:50. | |
best shot, but he got a nice enough kiss to be perfect on the red. | :32:51. | :33:18. | |
Not enough on for a century, of course, but he won't be bothered. He | :33:19. | :33:45. | |
did make a nice 120 in the fifth frame. | :33:46. | :33:56. | |
So, 52 points in front, bar the shouting, now. Mark Selby will be | :33:57. | :34:07. | |
pretty pleased. Hasn't had to be at his all-time best but when he's been | :34:08. | :34:10. | |
in the balls he's scored lots of breaks. Six or seven breaks of 30, | :34:11. | :34:18. | |
couple of 70s, and a 120. So a good work-out. | :34:19. | :35:30. | |
The cue ball needs to be travelling a bit more. Just about on it, is he? | :35:31. | :35:38. | |
Good shot. Probably not been the work-out that | :35:39. | :35:55. | |
Mark Selby expected from Robert Milkins today. Shakes his hand and | :35:56. | :36:02. | |
says well played. Didn't play so well but Mark Selby won't be too | :36:03. | :36:07. | |
worried about that, you'll be delighted. The world number one is | :36:08. | :36:12. | |
in the next round, he beats Robert Milkins 6-1. And he is in the studio | :36:13. | :36:19. | |
as well. Well played, straightforward 6-1, more | :36:20. | :36:22. | |
straightforward than you could have imagined against a potentially | :36:23. | :36:26. | |
dangerous player? He is, but he was nowhere near his game today. If he | :36:27. | :36:31. | |
does play well he is a match for anyone. He wins friends so quickly. | :36:32. | :36:36. | |
But wasn't on his game today. How much better did you play than your | :36:37. | :36:42. | |
last match? I felt a little better, more in control. You were rubbish, | :36:43. | :36:53. | |
then. That's a compliment. He's right, though, I was. Impact is I'd | :36:54. | :36:57. | |
have a Hundred Break think I was playing well. | :36:58. | :37:01. | |
The worst president in the commentary box is him. Before- four, | :37:02. | :37:08. | |
all of a sudden he found a gear, which is what you do. Write | :37:09. | :37:12. | |
interesting, you tweeted after that you'd seen both the world number one | :37:13. | :37:16. | |
and two, and they were rubbish, and both came back and said it was a | :37:17. | :37:20. | |
compliment. What would your assessment be? It looked a lot | :37:21. | :37:24. | |
better, hitting the ball is more comfortable around the table, a bit | :37:25. | :37:28. | |
of rhythm. Robert Milkins is the type of player, not on his game, he | :37:29. | :37:32. | |
is quite comfortable to play because you get loads of chances. If he is | :37:33. | :37:37. | |
on his game he is so dangerous, you can reel off trains in five or ten | :37:38. | :37:42. | |
minutes. One ball that can be missed can completely change the momentum | :37:43. | :37:46. | |
of the match, the Pinky missed at the middle pocket, before the | :37:47. | :37:51. | |
interval. You know, when somebody misses like that and they have 15 | :37:52. | :37:55. | |
minutes in the interval to sit and think about it. That's right, I | :37:56. | :38:00. | |
missed the brown earlier, tried to screw off when I should have rolled | :38:01. | :38:04. | |
it in playing the ball off one cushion and I was cursing myself, I | :38:05. | :38:10. | |
knew it was a good chance to go 3-1. And he couldn't play that pink any | :38:11. | :38:16. | |
quicker, very careless. If he pots that, 2-2, different story. And you | :38:17. | :38:21. | |
are through to play Mitchell Mann or Zhang Anda in the next round. It's | :38:22. | :38:28. | |
been a surprising tournament, Trump and Neil Robertson going out to the | :38:29. | :38:34. | |
same family, the Lines boys. How do you assess the number of big-name | :38:35. | :38:38. | |
surprises? I think the way the format is now, 128, the fear factor | :38:39. | :38:43. | |
that used to be there many years ago when everybody was seated, when | :38:44. | :38:49. | |
these younger players played the top 16, a lot of times it would be live | :38:50. | :38:55. | |
on TV and it's a completely different game. I think that fear | :38:56. | :38:59. | |
factor has gone and it is showing in big tournaments like this. Which | :39:00. | :39:03. | |
means that you are there to be shot at the whole time but yet you are | :39:04. | :39:07. | |
still there as well number one. We said on Saturday, fifth season in a | :39:08. | :39:11. | |
row you have ended as world number one and you've just had three big | :39:12. | :39:15. | |
world ranking wins in six months. Would you say this is the best | :39:16. | :39:18. | |
season of your career to date? Possibly, yeah. Definitely the best | :39:19. | :39:24. | |
start I've had in a season. I won one of the big tournaments in China, | :39:25. | :39:27. | |
and a smaller tournament at the start of the season. In terms of | :39:28. | :39:33. | |
consistency, the last few years, I seem to win at least one tournament | :39:34. | :39:37. | |
in the season. This year has probably been the best start to any | :39:38. | :39:42. | |
seasoned. We talk about the seeds going out, but you your own business | :39:43. | :39:48. | |
and let the draw unfolds, you can never really predict. You look at it | :39:49. | :39:53. | |
sometimes and think, I must be playing him, next minute, you never | :39:54. | :39:57. | |
know, just get on with your own match. That's true and it shows the | :39:58. | :40:01. | |
strength of depth in snooker. You look at the seeds in your half | :40:02. | :40:04. | |
thinking you will play them in the last 16 and before you know it, some | :40:05. | :40:08. | |
of them get beaten and you are playing somebody you don't expect. | :40:09. | :40:12. | |
We saw what you were doing away from the table, great piece when you had | :40:13. | :40:17. | |
a go in the RAF simulator. Good job it was a simulator. You're telling | :40:18. | :40:23. | |
me, definitely. Enjoyable? It was good. You had the guy talking in our | :40:24. | :40:27. | |
ear telling us what to do, turn left, turn right, look at the | :40:28. | :40:30. | |
different things. I was overanalysing everything and not | :40:31. | :40:34. | |
concentrating on what I was doing. It was enjoyable but stressful as | :40:35. | :40:38. | |
well. Stick to the day job, definitely. Looked like you were on | :40:39. | :40:41. | |
autopilot today, cruise control, perhaps. Well done. Another couple | :40:42. | :40:47. | |
of matches to update you with, Ali Carter looked as though he was in | :40:48. | :40:50. | |
the ascendancy but he's been in an almighty scrap against Dave Gilbert, | :40:51. | :40:55. | |
the man who made real strides in this came over the last couple of | :40:56. | :41:00. | |
seasons. Dave was 3-0 down but he's come straight back to level at 3-3 | :41:01. | :41:04. | |
and he went back to back centuries to go 5-3 in front. It's now gone | :41:05. | :41:12. | |
5-4, and that one very tense indeed for the four-time ranking win | :41:13. | :41:16. | |
against Dave Gilbert. Now this is the other match, the only other one | :41:17. | :41:20. | |
to be decided this afternoon, Liam Highfield has come roaring back | :41:21. | :41:25. | |
having been 2-0 down against Peter Lines, the guy who beat Neil | :41:26. | :41:30. | |
Robertson, the 46-year-old. He won six frames in a row and has gone 6-2 | :41:31. | :41:37. | |
with a century, 110 along the way as well. Just 26 years of age. Really | :41:38. | :41:42. | |
beginning to make waves on the scene. Neil Robertson's conqueror | :41:43. | :41:49. | |
has himself been conquered. This is the situation for tonight. For more | :41:50. | :41:53. | |
matches this evening. Five of the eight players in action this evening | :41:54. | :42:01. | |
are Chinese. Hong Kong Chinese in Marco Fu and for other mainland | :42:02. | :42:13. | |
Chinese players. The match between John Higgins and Ben Woollaston is | :42:14. | :42:16. | |
interesting, a repeat of the Welsh Open final, the first big event | :42:17. | :42:21. | |
final four when Woollaston, a very likeable player. It was all a little | :42:22. | :42:26. | |
too much for him, 9-3. This man making real inroads. You watched | :42:27. | :42:32. | |
John's last match? He had a real tough outing. Pushed him right to | :42:33. | :42:37. | |
the end. Looked for all the way like it would go 5-5. He was a very good | :42:38. | :42:43. | |
player, he beat Ken Doherty 6-0 the round before. John Higgins had to | :42:44. | :42:47. | |
work very hard. You consider the form Higgins has been in, winning | :42:48. | :42:50. | |
two tournaments, the end he was relieved to get through. Fantastic | :42:51. | :42:57. | |
November, he is also knocked in an eighth maximum break. He says he's | :42:58. | :42:59. | |
been cueing up to this point probably better than he has for ten | :43:00. | :43:04. | |
or 15 years, and that's some statement from a man who is as | :43:05. | :43:07. | |
conservative with his opinions as John. Outstanding. In China against | :43:08. | :43:13. | |
being, winning the last three frames in a row to win that. Champion of | :43:14. | :43:18. | |
champions, outstanding against O'Sullivan. His form is back. They | :43:19. | :43:23. | |
were not ranking events, so he still leads the points, so this is an | :43:24. | :43:26. | |
important tournament for him. Important time for us to dash, our | :43:27. | :43:32. | |
quickfire afternoon has come to a bit of a quickfire end. Thank you to | :43:33. | :43:38. | |
you both for your company. Jason Mohammad will be back much later | :43:39. | :43:42. | |
with the highlights programme but from us all here in York, thank you | :43:43. | :43:44. | |
for your company. Goodbye. The most daunting | :43:45. | :44:02. | |
of cookery challenges is back. It's not as simple | :44:03. | :44:05. | |
as it first appears, is it? It's going to take a very skilled | :44:06. | :44:07. | |
chef to pull this off to that level. I can't wait to see | :44:08. | :44:15. | |
what they can do. | :44:16. | :44:18. |