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Welcome back to the Barbican, day
two of the last 16. A lot of snooker | 0:00:34 | 0:00:38 | |
to catch up on, since you have been
away. John Parrott and Ken Doherty | 0:00:38 | 0:00:43 | |
still alongside me. We are focusing
on Shaun Murphy, the 2008 UK | 0:00:43 | 0:00:50 | |
champion, taking on Ricky Walden
afternoon. Murphy leads by a 6-3. | 0:00:50 | 0:00:56 | |
When you left, Shaun Murphy was
leading by 3-1 at the mid-session | 0:00:56 | 0:01:02 | |
interval, firing in a brilliant
break in frame three. And he needed | 0:01:02 | 0:01:08 | |
just one to book a place in the
quarterfinals against King. We | 0:01:08 | 0:01:12 | |
joined it in the early stages of the
next frame with Alan McManus and | 0:01:12 | 0:01:17 | |
Dennis Taylor. | 0:01:17 | 0:01:18 | |
I'm not sure if that red next to the
black is great, there are other reds | 0:01:22 | 0:01:27 | |
he can play. If it goes into the
right corner, he may not be able to | 0:01:27 | 0:01:31 | |
get to it this time but there's
plenty of room, as you can see. And | 0:01:31 | 0:01:37 | |
he's played at that side of the
table so he has got the red at the | 0:01:37 | 0:01:41 | |
back of the bunch and he can get
nicely on the black and do something | 0:01:41 | 0:01:45 | |
about the red. It is making that
like a little awkward. | 0:01:45 | 0:01:51 | |
He had to go for the blue because he
was dead straight on that red. Just | 0:01:59 | 0:02:09 | |
that shot there was typical of the
modern game. He potted a | 0:02:09 | 0:02:19 | |
straightforward red and deliberately
played for a long blue. Did not even | 0:02:19 | 0:02:23 | |
think twice about it. | 0:02:23 | 0:02:34 | |
Welcome he has got the angle now on
the blue to play for that red next | 0:02:37 | 0:02:42 | |
to the black. | 0:02:42 | 0:02:44 | |
These are little shots whether cue
action comes in handy. These are | 0:02:57 | 0:03:05 | |
missable. Clean as a whistle. Does
not mind leaving the cue ball near | 0:03:05 | 0:03:09 | |
the side cushion, Shaun Murphy. He's
such a good potter. A great asset to | 0:03:09 | 0:03:16 | |
have. | 0:03:16 | 0:03:26 | |
It has certainly opened up the reds
with that shot and if he can get to | 0:03:33 | 0:03:37 | |
67 points as you can see with the
side bar, he's into the next round. | 0:03:37 | 0:03:41 | |
He does not want to hit the blue!
That is the worst possible outcome. | 0:03:41 | 0:03:49 | |
He's great with the rest. Boy, this
is going to be difficult. I don't | 0:03:49 | 0:03:54 | |
think he can get through to the
green either. We keep saying he's | 0:03:54 | 0:04:05 | |
the best in the world with the rest,
he needs a good one here. Oh, look | 0:04:05 | 0:04:14 | |
at that shot. But as we show you the
great pot again, if the red does not | 0:04:14 | 0:04:30 | |
pass the yellow, from the corner
that he potted the blue, that is | 0:04:30 | 0:04:34 | |
very tight. Half a pocket, you would
say. Well, what a test of the cue | 0:04:34 | 0:04:49 | |
action. Only that much pocket
available to you. Yes, he doesn't | 0:04:49 | 0:05:00 | |
like it, it does go but probably not
even in the middle of the pocket. | 0:05:00 | 0:05:04 | |
No. Once again, he has done all the
hard work, Shaun Murphy, to get into | 0:05:04 | 0:05:16 | |
a prime position. And it was a prime
position. But the ramp -- but the | 0:05:16 | 0:05:20 | |
red and the blue, why he did not go
for a baulk colour, no idea. You | 0:05:20 | 0:05:28 | |
don't want to be critical of
players. He did all the hard work. | 0:05:28 | 0:05:33 | |
This is the red, it actually makes
the pot easier. Not for a baulk | 0:05:33 | 0:05:41 | |
colour. Ricky Walden is in the last
chance saloon. The match mentally is | 0:05:41 | 0:05:51 | |
probably gone right now. We speak
about pride performance. He would | 0:05:51 | 0:05:55 | |
just want to show this Barbican
crowd what he can do. You never | 0:05:55 | 0:06:05 | |
know. You just have to hang in there
as long as you can. It can happen. | 0:06:05 | 0:06:18 | |
The only way it will not happen is
if you mentally give up. | 0:06:18 | 0:06:29 | |
I'm going to give him the benefit of
the doubt, I think he got a heavy | 0:06:35 | 0:06:40 | |
contact. Let's have a look at this.
That did kick and that might be his | 0:06:40 | 0:06:50 | |
last shot for this year at the UK
Championship. | 0:06:50 | 0:06:56 | |
Not a nice way to lose a match. But
he's 5-1 behind. Just a | 0:07:04 | 0:07:11 | |
straightforward little pot. And you
would know it was a kick because the | 0:07:11 | 0:07:16 | |
white finished where it did. | 0:07:16 | 0:07:25 | |
If Shaun does prevail and win this
match this afternoon, you would have | 0:07:48 | 0:07:52 | |
to say he's playing very well. But
he can do better. Concentration | 0:07:52 | 0:07:58 | |
wise, he hasn't been up to it today,
missing too many simple balls and | 0:07:58 | 0:08:05 | |
too many elementary mistakes, but
increasingly likely he will go | 0:08:05 | 0:08:08 | |
through the play Mark King tomorrow.
Yes, you would need to be in the 93 | 0:08:08 | 0:08:20 | |
department. With pot success rate.
He did have a century, Shaun. | 0:08:20 | 0:08:27 | |
Another couple of 50 plus, 49 break.
Ricky Walden just missed too many | 0:08:27 | 0:08:44 | |
pots this afternoon. And Mark King
is waiting for Shaun Murphy, as | 0:08:44 | 0:08:54 | |
Allen said. Rob Walker introduced
him as Kojak and he was in his seat. | 0:08:54 | 0:09:03 | |
Somebody gave him a lollipop. And he
obliged by sucking on a lollipop | 0:09:03 | 0:09:10 | |
throughout the match. What a win
against John Higgins! But he will | 0:09:10 | 0:09:14 | |
have to be on his guard to beat
Shaun. Well, they will not go in at | 0:09:14 | 0:09:20 | |
that pace, but Ricky Walden... He
did not play well, but he | 0:09:20 | 0:09:27 | |
congratulates Shaun Murphy. The
former champion goes through to the | 0:09:27 | 0:09:34 | |
quarterfinal, eating Ricky Walden by
6-1. -- beating. | 0:09:34 | 0:09:39 | |
You know, I played nicely, there was
some shots that did not quite go to | 0:09:43 | 0:09:47 | |
plan and on another day, I think
Ricky being a bit more clinical | 0:09:47 | 0:09:50 | |
might have punished me and we might
still have been playing. The game | 0:09:50 | 0:09:55 | |
turns on a little mistake here all
that. I have lost matches from 3-1 | 0:09:55 | 0:10:00 | |
ahead and 4-1 ahead and you can
never afford to take your foot off | 0:10:00 | 0:10:04 | |
the gas and I finished the match
nicely. I'm playing with a lot of | 0:10:04 | 0:10:09 | |
confidence. I'm seeing opportunities
when I play rather than seeing the | 0:10:09 | 0:10:13 | |
potential problems that can happen.
My attitude to the game has changed | 0:10:13 | 0:10:17 | |
slightly. I would probably give my
game a seven, going on to eight this | 0:10:17 | 0:10:22 | |
week. I'm a couple of shots here or
there, a couple of bad moments of | 0:10:22 | 0:10:27 | |
the cue ball, not putting it in the
right place, from playing really | 0:10:27 | 0:10:32 | |
clinical one visit to snooker. If I
can sort that, it could be | 0:10:32 | 0:10:34 | |
dangerous.
A very good assessment of where | 0:10:34 | 0:10:37 | |
he's. A good assessment of where
he's this afternoon. He's always | 0:10:37 | 0:10:42 | |
extremely honest. He's not stupid,
he's bright and he knows the | 0:10:42 | 0:10:46 | |
situation, 6-1 was a very square --
very flattering scoreline, Ricky | 0:10:46 | 0:10:51 | |
Walden did not play anything like he
can do and did not take his | 0:10:51 | 0:10:55 | |
opportunities. On another day, it
might have been three or four each. | 0:10:55 | 0:10:59 | |
He's hitting the ball well enough to
win the tournament, no doubt, it is | 0:10:59 | 0:11:05 | |
the unforced errors and little
lifelines to his opponent when it | 0:11:05 | 0:11:07 | |
looks like he winning frames.
Interesting hearing Shaun talking | 0:11:07 | 0:11:12 | |
that he could be dangerous, he's
going to be a very dangerous | 0:11:12 | 0:11:15 | |
opponent for anyone if he irons out
those mistakes. Every now and again | 0:11:15 | 0:11:20 | |
he might make a century break and
then he misses on 40 the easiest | 0:11:20 | 0:11:24 | |
round and he did that a couple of
times against Ricky Walden. Against | 0:11:24 | 0:11:28 | |
the top players like Ronnie
O'Sullivan or the other players | 0:11:28 | 0:11:32 | |
playing really well in this
tournament, he will get punished. He | 0:11:32 | 0:11:36 | |
has the cut out those little
mistakes and on his day, he's a | 0:11:36 | 0:11:40 | |
handful for anybody and one of the
best players in the world. This | 0:11:40 | 0:11:44 | |
afternoon, we would talking about
Ricky Walden playing with his back | 0:11:44 | 0:11:48 | |
injuries. He once made a semifinal
of the Crucible and you look at him | 0:11:48 | 0:11:52 | |
now and you think, where is the
Ricky Walden from a few years ago? | 0:11:52 | 0:11:57 | |
He's making inroads to come back, he
has had good results. In the last | 0:11:57 | 0:12:01 | |
round, he beat Kyren Wilson by 6-2
who is a very good player. He just | 0:12:01 | 0:12:06 | |
did not play well today, he did not
play anything like he can do, but | 0:12:06 | 0:12:11 | |
he's on the way back from having a
bad back and terrible health issues, | 0:12:11 | 0:12:14 | |
he will be glad to be near the
business end of a major tournament | 0:12:14 | 0:12:18 | |
but a little disappointed he did not
do his stuff today. Firm favourite | 0:12:18 | 0:12:23 | |
for the UK Championship is Ronnie
O'Sullivan who is back in action | 0:12:23 | 0:12:25 | |
this evening. He's taking on the
Thai 22-year-old sensation Sunny | 0:12:25 | 0:12:33 | |
Akani. I'm feeling very good and
very happy about myself. I'm very, | 0:12:33 | 0:12:41 | |
very happy to play with Ronnie in
the next match. It is my dream to | 0:12:41 | 0:12:46 | |
play with Ronnie. He's one of my
idols. | 0:12:46 | 0:12:58 | |
It is fantastic to play with him.
The first match of snooker, it was | 0:12:58 | 0:13:04 | |
with Stephen Hendry against Ken
Doherty in the World Championship in | 0:13:04 | 0:13:11 | |
1997. I like Ronnie. Selby, Judd
Trump. It is not the same, Ronnie is | 0:13:11 | 0:13:25 | |
very very good at beating the best
in the world. Mark Selby, his game | 0:13:25 | 0:13:30 | |
is very good. Judd Trump, he's
really attacking, he's very | 0:13:30 | 0:13:33 | |
accurate. And Stephen Hendry, he's a
machine. That is the biggest match | 0:13:33 | 0:13:42 | |
of my career and my dream match to
play with Ronnie and very happy and | 0:13:42 | 0:13:52 | |
very surprised. Fantastic. Excited,
displaying Ronnie's shots. Hopefully | 0:13:52 | 0:14:06 | |
I will not miss a shot, not miss a
safety. | 0:14:06 | 0:14:10 | |
What a great interview, that is on
BBC Two. Lovely to hear talking | 0:14:10 | 0:14:18 | |
about a dream come true especially
after dumping Barry Hawkins. To beat | 0:14:18 | 0:14:24 | |
Barry Hawkins 6-0, not many players
would have that on their CV and he | 0:14:24 | 0:14:28 | |
played superbly well. A lovely young
chap who goes round with his father, | 0:14:28 | 0:14:33 | |
forever on the practice table. When
he wins and he loses, he's out | 0:14:33 | 0:14:36 | |
there. I think he's going to really
enjoy it. This is this afternoon | 0:14:36 | 0:14:42 | |
when he popped into the practice
room. What a lovely interview and | 0:14:42 | 0:14:45 | |
refreshing to hear him talking about
watching his heroes and coming up | 0:14:45 | 0:14:49 | |
against them tonight. Yes, fantastic
match, great experience all week. | 0:14:49 | 0:14:54 | |
That is a great result the Hawkins
so you have you have to have | 0:14:54 | 0:14:58 | |
confidence. As ever, so important at
the beginning of these matches to | 0:14:58 | 0:15:02 | |
get a good start. Just a couple of
chances and getting involved, who | 0:15:02 | 0:15:06 | |
knows what can happen? But you have
to be careful, if Ronnie starts | 0:15:06 | 0:15:10 | |
quickly, who knows? What would you
say, be relaxed and enjoyed it? | 0:15:10 | 0:15:15 | |
Exactly, play as if you have nothing
to lose. Go out and smile and enjoy | 0:15:15 | 0:15:20 | |
it and keep as calm as possible.
Fantastic stuff and we wish him the | 0:15:20 | 0:15:25 | |
best, you can see that on BBC Two.
This is what is happening in the | 0:15:25 | 0:15:31 | |
other match today, Martin Gould
taking on Xiao Guodong, of China. | 0:15:31 | 0:15:34 | |
When we left it, it was 2-2. We are
now joining it in frame five and | 0:15:34 | 0:15:40 | |
Martin Gould has a 30 point lead, it
is Xiao to play commentary from | 0:15:40 | 0:15:48 | |
Stephen Davies and Stephen Hendry.
-- Steve Davis. | 0:15:48 | 0:15:53 | |
Scoring opportunity for Xiao
Guodong. A lovely angle to go into | 0:15:57 | 0:16:02 | |
the bunch of greens. A big target.
He might not feel that way inclined | 0:16:02 | 0:16:07 | |
at the moment. He might not feel
that confident. It could not be | 0:16:07 | 0:16:13 | |
better on the green. He doesn't seem
to have, when I have seen him as a | 0:16:13 | 0:16:25 | |
youngster, he doesn't have the sea
there he doesn't seem to have the | 0:16:25 | 0:16:32 | |
flowing cue action. I can't remember
the word used for it, Steve. | 0:16:32 | 0:16:41 | |
Unflowing. He has put the cue ball
in exactly the same position now to | 0:16:41 | 0:16:47 | |
go into the pack of reds. You might
as well have done it before. Perhaps | 0:16:47 | 0:16:53 | |
he will choose another positional
shot. Yes, well played. He did not | 0:16:53 | 0:17:03 | |
go into the reds but it has turned
out perfectly because he can stun | 0:17:03 | 0:17:07 | |
this red into the same pocket. It
does beg the question, why did you | 0:17:07 | 0:17:14 | |
not do it the first time? You could
not guarantee he would get it | 0:17:14 | 0:17:18 | |
perfect on the green, the second.
Regardless, this is now a great | 0:17:18 | 0:17:22 | |
chance. And at some stage in this
match, you would expect the | 0:17:22 | 0:17:30 | |
standards to rise. Maybe it is who
gets off the ground first. | 0:17:30 | 0:17:47 | |
Yes, everyone has bad days, no
doubt. Whoever wins this match, they | 0:17:53 | 0:18:00 | |
know to play like this in the next
round. Against whom we presume it | 0:18:00 | 0:18:08 | |
will be Ronnie O'Sullivan, no
disrespect his opponent. They will | 0:18:08 | 0:18:14 | |
have to play a lot better. They are
going to be sat on their chair for a | 0:18:14 | 0:18:24 | |
long time, otherwise. | 0:18:24 | 0:18:28 | |
I think the only red that is notable
after this is to the right of the | 0:18:47 | 0:18:55 | |
three, the right corner or the left
middle. | 0:18:55 | 0:19:06 | |
It looks to be quite straight, the
black. So screw back and a touch to | 0:19:08 | 0:19:15 | |
the right-hand side. Take the cue
ball up the table. Not the best | 0:19:15 | 0:19:22 | |
angle but he should get it right. He
played it nicely. Even if he's not | 0:19:22 | 0:19:35 | |
straight on the red, he can stomach
the cue ball through, the black into | 0:19:35 | 0:19:41 | |
the same pocket, he could possibly
play the top spin to move the reds | 0:19:41 | 0:19:46 | |
to the top middle, but I think the
stun is the shot. He's going to need | 0:19:46 | 0:19:58 | |
these remaining three reds. | 0:19:58 | 0:20:12 | |
Cannon on the pink is ideal. Well
played. Playing with a little more | 0:20:12 | 0:20:21 | |
with them, Xiao Guodong, taking
these well so far. -- more rhythm. | 0:20:21 | 0:20:31 | |
He does not really want to be
straight on the black, that is Kelis | 0:20:31 | 0:20:35 | |
if he's. The shot he played
previously, the screw-back shot, if | 0:20:35 | 0:20:38 | |
he overdoes it, he could snooker
himself with the pink. I don't know | 0:20:38 | 0:20:48 | |
if he has checked to see if there's
a plant into the left-hand corner. | 0:20:48 | 0:21:00 | |
Because of the pink, that was the
other side. | 0:21:00 | 0:21:14 | |
He overhit that somewhat, and now
this red is permissible. He just got | 0:21:43 | 0:21:49 | |
a bit too much into it. Yes, the
last thing he wanted was frame ball. | 0:21:49 | 0:21:57 | |
To be difficult. | 0:21:57 | 0:22:02 | |
It would be a horrible ending to
this break, should you miss it. | 0:22:07 | 0:22:12 | |
He got a kick on that. It is not his
fault he got a kick, but it was his | 0:22:20 | 0:22:29 | |
fault he was out of position. | 0:22:29 | 0:22:38 | |
It could be a big moment in this
match. | 0:22:43 | 0:22:55 | |
He kind of playback shot like a hit
and hope. Did not seem to have a | 0:23:00 | 0:23:07 | |
plan to get on a colour. -- he kind
of played that shot. Yellow and | 0:23:07 | 0:23:14 | |
brown. Yes, this could be a bit of a
moment in this match. Xiao Guodong | 0:23:14 | 0:23:25 | |
should have been 3-2 ahead by now. | 0:23:25 | 0:23:37 | |
I think I'm correct in saying that
Martin Gould is still in with a | 0:24:01 | 0:24:07 | |
chance of sneaking in to the top 16
in the race to the Masters. If that | 0:24:07 | 0:24:22 | |
information has changed, I do
apologise for my lack of knowledge. | 0:24:22 | 0:24:27 | |
But I think yesterday, he was in the
race. Depends on the results, of | 0:24:27 | 0:24:32 | |
course. | 0:24:32 | 0:24:36 | |
Well, because the pink is not on its
spot, Martin Gould has played the | 0:24:48 | 0:24:56 | |
pink to the left but it seems to
have gone to the cushion a lot | 0:24:56 | 0:24:59 | |
quicker than it went on. A lot of
big bouncers we have had at the UK | 0:24:59 | 0:25:06 | |
Championship. It seems to have been
something we have not had to | 0:25:06 | 0:25:11 | |
discuss. So this is a tricky cutback
to hold for black. He hit it very | 0:25:11 | 0:25:24 | |
nicely. To get over the
disappointment of whether cue ball | 0:25:24 | 0:25:30 | |
has ended up. So that was an
excellent frame, Xiao Guodong should | 0:25:30 | 0:25:38 | |
have got it and did not get position
on the last red and Martin Gould | 0:25:38 | 0:25:42 | |
takes the lead on 3-2. | 0:25:42 | 0:25:44 | |
Martin Gould is back in front. This
is frame six and it is Xiao to play. | 0:25:47 | 0:25:54 | |
A good recovery from Guodong. A
little bit of work to be done with | 0:26:43 | 0:26:50 | |
the implements. Across the face of
the black, it looks like, a bit of | 0:26:50 | 0:26:59 | |
screw back. Strange. What happened
there? It must have just caught the | 0:26:59 | 0:27:06 | |
red, bounced the white ball a
fraction. He thought he could screw | 0:27:06 | 0:27:12 | |
back without touching that. Well,
even though I said it looked like it | 0:27:12 | 0:27:23 | |
was not going to be Guodong's day,
he is not in an awful position, it | 0:27:23 | 0:27:29 | |
is just his general standard he
needs to increase if he is going to | 0:27:29 | 0:27:32 | |
win. He is a player in this game
that could potentially just fall | 0:27:32 | 0:27:37 | |
over the line. It would be like
pulling teeth. If it happens that | 0:27:37 | 0:27:43 | |
way. But a win is a win. Two reds in
the pink spot, I don't know if the | 0:27:43 | 0:27:57 | |
bottom one will go into the top
corner. He obviously doesn't think | 0:27:57 | 0:28:01 | |
that. Sometimes you need to be a
player down at the table to see the | 0:28:01 | 0:28:06 | |
real angle, whether it goes or not.
You feel for his own belief in | 0:28:06 | 0:28:12 | |
winning this match that he has to
win this frame at this visit. If he | 0:28:12 | 0:28:16 | |
keeps failing, his confidence keeps
taking a hit, you wonder how he can | 0:28:16 | 0:28:21 | |
come back from it. | 0:28:21 | 0:28:22 | |
Couldn't keep position on the blue,
but always nice to have the Bal dock | 0:29:04 | 0:29:11 | |
colours | 0:29:11 | 0:29:12 | |
but always nice to have the Bal dock
colours available. Let up of danger | 0:29:12 | 0:29:15 | |
with those three reds to the right,
could find yourself in a positional | 0:29:15 | 0:29:21 | |
trap. So, he's playing down the
right-hand side of the table. Looks | 0:29:21 | 0:29:26 | |
to have over-screwed this by some
distance... That's a long way out. | 0:29:26 | 0:29:36 | |
So, this red into the middle pocket
wasn't the one he played, but has a | 0:29:36 | 0:29:43 | |
chance, obviously. | 0:29:43 | 0:29:46 | |
Although you could say he was
fortunate to have that red, he was | 0:30:03 | 0:30:06 | |
that far out with his position, but
it was a good pot. | 0:30:06 | 0:30:20 | |
35 ahead. Red, colour, red. | 0:30:21 | 0:30:36 | |
So, very similar to the last frame.
Frame ball, he's left one which is | 0:30:57 | 0:31:03 | |
missable. Doesn't have to play
position, though. Should do, but | 0:31:03 | 0:31:11 | |
doesn't have to.
STEVE DAVIS: Position was more or | 0:31:11 | 0:31:17 | |
less automatic. So he'll be feeling
a bit better inside, that he's | 0:31:17 | 0:31:24 | |
survived a little bit of a storm.
STEPHEN HENDRY: Yeah, as you said | 0:31:24 | 0:31:35 | |
before, Steve, although the last
couple of frames he has had a couple | 0:31:35 | 0:31:39 | |
of 60 breaks, he's not been playing
well, but he's still 3-3. | 0:31:39 | 0:31:45 | |
50 points find - very unlikely that
you could get into the match from | 0:31:50 | 0:31:56 | |
this position. So, barring snookers
it will be 3-3 arablea real | 0:31:56 | 0:32:02 | |
topsy-turvy affair, this. Zarco
Donald Penn made it 4-3. Martin | 0:32:02 | 0:32:11 | |
Gould then knocked in a couple of
breaks to draw level again. Let's | 0:32:11 | 0:32:16 | |
take you to frame nine, with Stephen
Hendry and Steven Davis. | 0:32:16 | 0:32:25 | |
STEVE DAVIS: Well, Martin Gould
hoping to reap the rewards from his | 0:32:25 | 0:32:28 | |
excellent safety shot.
STEPHEN HENDRY: And talking about | 0:32:28 | 0:32:35 | |
your scenario before, Steve, talking
about winning the last two frames in | 0:32:35 | 0:32:40 | |
one visit - I would fancy Martin
Gould to be the more capable of | 0:32:40 | 0:32:44 | |
doing that, winning if quick frames.
-- winning two quick frames of. I | 0:32:44 | 0:32:53 | |
think when he gets in, his
positional play is just that little | 0:32:53 | 0:32:57 | |
bit tighter than Xiao Guodong's. He
missed that by miles! Perhaps his | 0:32:57 | 0:33:05 | |
rest play is not good enough! That
is an astonishing distance! He must | 0:33:05 | 0:33:14 | |
have got unwanted side spin on it.
The cue ball has ended up nowhere | 0:33:14 | 0:33:19 | |
near where he wanted it. Xiao
Guodong can play a very aggressive | 0:33:19 | 0:33:26 | |
shot here, if he chooses, pot it and
screw the cue ball through the reds, | 0:33:26 | 0:33:31 | |
put them everywhere. He would have
to be very unlucky not to be on a | 0:33:31 | 0:33:37 | |
colour. | 0:33:37 | 0:33:39 | |
Just got a duty to much forward
momentum on the cue ball, it started | 0:33:57 | 0:34:02 | |
to go forwards first, before it
started to come back. Well, we've | 0:34:02 | 0:34:05 | |
seen Martin miss a lot easier
chances than this. Straight cueing, | 0:34:05 | 0:34:15 | |
shots you practice all day long.
Let's see how hard he hits this... | 0:34:15 | 0:34:20 | |
No need to hit it hard. Hit kids do,
though. Why is he screwing back? Why | 0:34:20 | 0:34:27 | |
is he screwing back?! To get the
right side of a red, but I mean, | 0:34:27 | 0:34:32 | |
that red over the pocket... It makes
that shot so much more difficult. | 0:34:32 | 0:34:39 | |
Putting the extra pace in means that
the ball won't drop in the whole. I | 0:34:39 | 0:34:51 | |
don't think you would have seen
Ronnie O'Sullivan play that shot as | 0:34:51 | 0:34:54 | |
hard. | 0:34:54 | 0:34:59 | |
Yeah, the priority there was just
potting the blue. | 0:35:05 | 0:35:18 | |
He's out on the table, he can see
where that red is over the middle | 0:35:22 | 0:35:25 | |
pocket. If he just pots the blue and
stuns it dead. Surely he can get it | 0:35:25 | 0:35:34 | |
back down the table again. I would
love to know what was going through | 0:35:34 | 0:35:37 | |
his mind there. | 0:35:37 | 0:35:42 | |
This is tight - enough room, though. | 0:35:45 | 0:35:49 | |
Now, will he risk cropping on the
black? -- dropping. Oh, dear. Well, | 0:36:00 | 0:36:13 | |
this is... This isn't good. He
didn't have much of a cheque before | 0:36:13 | 0:36:20 | |
he played that shot. That in itself
was an error, not knowing exactly | 0:36:20 | 0:36:24 | |
where the pink ball was going to
spot. He always had this red with | 0:36:24 | 0:36:31 | |
the extended rest, but not clever.
Can hit drop on the black? I don't | 0:36:31 | 0:36:43 | |
know if it's available to either
corner... Probably some sort of | 0:36:43 | 0:36:48 | |
cannon... Needs to be lucky here...
And he has been, what a result! | 0:36:48 | 0:37:05 | |
Well, he's played the aggressive
shot, I suppose you could say | 0:37:08 | 0:37:10 | |
fortune favours the brave. Just
about going to drop in. | 0:37:10 | 0:37:22 | |
That was in the middle when it
started, ended up going in off the | 0:37:30 | 0:37:38 | |
front jaw. Well, here's a chance for
a frame-winning contribution. The | 0:37:38 | 0:37:44 | |
first one fell short with a poor
rest shot, but he shouldn't be | 0:37:44 | 0:37:50 | |
needing the rest for a while here,
if at all. | 0:37:50 | 0:37:54 | |
Didn't really want to come away from
the black, but must have felt he had | 0:38:28 | 0:38:32 | |
to. | 0:38:32 | 0:38:37 | |
Oh, and he's overhit that a little
bit. But there's a red below the | 0:38:44 | 0:38:50 | |
black that goes. Doesn't have to
stay on the black, as I said, he can | 0:38:50 | 0:38:57 | |
come back up the table. It's not
ideal, is it, Stephen? I think he'll | 0:38:57 | 0:39:04 | |
play for blue here. | 0:39:04 | 0:39:09 | |
If he had gone the wrong side of the
pink there, could have come unstuck. | 0:39:16 | 0:39:32 | |
Well, he's kept this break going,
and now starting to look more like | 0:39:56 | 0:40:01 | |
prime position. | 0:40:01 | 0:40:05 | |
One more positional shot he's got to
get right, those five reds a bit | 0:40:12 | 0:40:19 | |
crowded. Ideally, he would like to
break them open and have an | 0:40:19 | 0:40:27 | |
insurance red, get one over the
corner. Perhaps he'll go into them | 0:40:27 | 0:40:35 | |
now... I'm not sure he's got the
angle. He would have liked to have | 0:40:35 | 0:40:42 | |
been lower on the black. He may have
to write the bullet and that | 0:40:42 | 0:40:53 | |
apartment. -- he may have to bite
the bullet. Guodong's only hope now, | 0:40:53 | 0:41:02 | |
that after this next black, that
somehow Martin Gould gets unlucky. | 0:41:02 | 0:41:06 | |
It's a he's chance. -- it's a slim
chance. | 0:41:06 | 0:41:15 | |
The red to the right of the five is
the one to cannon. He's played that | 0:41:34 | 0:41:46 | |
well. He has a choice of two reds to
either middle pocket. He's grimacing | 0:41:46 | 0:41:54 | |
slightly, but this one on the left
is OK, surely. | 0:41:54 | 0:42:01 | |
Still a good positional shot. Should
get this - and its frame over. | 0:42:06 | 0:42:20 | |
Surprise in miss on the red. 69
points in front. That was a careless | 0:42:51 | 0:42:59 | |
shot.
JASON MOHAMMED: However he still | 0:42:59 | 0:43:08 | |
took the frame, and Martin is now
one frame away from the | 0:43:08 | 0:43:12 | |
quarterfinals. Into the next frame,
Xiao to break. | 0:43:12 | 0:43:23 | |
STEVE DAVIS: I can't say that any
player is favourite at this moment. | 0:43:23 | 0:43:26 | |
STEPHEN HENDRY: Yeah, a player with
Martin Gould's experience should | 0:43:26 | 0:43:32 | |
have really seized that opportunity. | 0:43:32 | 0:43:36 | |
Wrong side of the blue, so further
away from the reds than he wanted. | 0:43:48 | 0:43:53 | |
From what we've seen so far, I can't
say that I'm absolutely confident of | 0:43:53 | 0:43:56 | |
this is going in. | 0:43:56 | 0:44:04 | |
Nice shot. Yeah, in the end, it was
very well struck. But it's hard to | 0:44:10 | 0:44:25 | |
know how many chances in the frame
each player needs to get the job | 0:44:25 | 0:44:29 | |
done. They are good for the morale,
though, when you knock one in, | 0:44:29 | 0:44:43 | |
especially after you've missed an
easy one. Top spin is a strange | 0:44:43 | 0:44:49 | |
choice for me here. It would be very
hard to get right side of the blue. | 0:44:49 | 0:45:00 | |
Just looking at where the break is
going to end at the moment, aren't | 0:45:00 | 0:45:05 | |
you? It's terrible, but it's been
that type of game, you just fancy | 0:45:05 | 0:45:10 | |
that this is going to be a
frame-winning clearance. -- you just | 0:45:10 | 0:45:18 | |
don't fancy. But we're talking about
the best players in the world - | 0:45:18 | 0:45:23 | |
they're just having a bad day at the
office. It's not so easy to get back | 0:45:23 | 0:45:31 | |
out into open play. He might choose
to use the bunch here, there's every | 0:45:31 | 0:45:40 | |
chance the cue ball will go up
towards that end of the table where | 0:45:40 | 0:45:43 | |
the colours are. He might possibly
be on the pink. Exactly what he | 0:45:43 | 0:45:55 | |
played, good shot. That was good
thinking. Having criticised him for | 0:45:55 | 0:46:06 | |
some bad thinking - that was the
opposite. No! Actually I don't think | 0:46:06 | 0:46:18 | |
he's even on a red! From Martin
Gould's pass per if, once again, | 0:46:18 | 0:46:25 | |
you've got to be pleased he's missed
the blue. -- from Martin Gould's | 0:46:25 | 0:46:32 | |
prospective. Does this one go past
the, which yes, it does have. | 0:46:32 | 0:46:48 | |
If you can't win the match from
here, you can have no excuses. Well, | 0:46:50 | 0:46:56 | |
he's 37 points behind, so he's
basically looking at a clearance. | 0:46:56 | 0:47:08 | |
If he doesn't do it from here, it's
only the situation and the fact that | 0:47:09 | 0:47:15 | |
he's not playing with full
confidence. Another shake of the | 0:47:15 | 0:47:18 | |
head - not where he wanted the cue
ball to be. Looks as if he had a bad | 0:47:18 | 0:47:25 | |
contact there that took some of the
spin off the cue ball. Didn't sound | 0:47:25 | 0:47:31 | |
like one. He might choose to play
the cannon on the pink, leave the | 0:47:31 | 0:47:40 | |
pink to the right middle here.
Pretty straightforward shot - but I | 0:47:40 | 0:47:47 | |
think at this stage nothing's
straightforward. Could go off two | 0:47:47 | 0:47:50 | |
cushions... A bit short of pace
perhaps... That's a sign of tension. | 0:47:50 | 0:48:02 | |
Yeah, tension in the arm. Blue in
and out of baulk is never certain | 0:48:02 | 0:48:10 | |
position the. -- never certain
positionally. There's a lot at stake | 0:48:10 | 0:48:23 | |
for Martin Gould. | 0:48:23 | 0:48:34 | |
I think he's still involved the
mix-up for the race to the Masters. | 0:48:34 | 0:48:39 | |
Couldn't have played that much
better. I was going to say, that | 0:48:39 | 0:48:43 | |
could be the match-winning shot.
Sometimes when you play a perfect | 0:48:43 | 0:48:48 | |
positional shot, it just gets you
right back in the right frame of | 0:48:48 | 0:48:51 | |
mind, when you're struggling for
position. Now he's in, I don't see | 0:48:51 | 0:48:59 | |
him going wrong from here. | 0:48:59 | 0:49:02 | |
Couldn't have slipped it up and
placed it better. Is they're going | 0:49:10 | 0:49:13 | |
to be one more twist? Will can hit
it over the line in style here? -- | 0:49:13 | 0:49:25 | |
or can he get over the line? Shaking
his head. He got in perfect has | 0:49:25 | 0:49:34 | |
issued but then managed to leave
himself the cannon, which he's done | 0:49:34 | 0:49:39 | |
very well. Just a series of little
stuns and screws now. Yeah, | 0:49:39 | 0:49:58 | |
sometimes playing off the blue
there's less Prussia than playing | 0:49:58 | 0:50:02 | |
off the back. You've got four
pockets to play for, rather than | 0:50:02 | 0:50:09 | |
two. -- less pressure. | 0:50:09 | 0:50:16 | |
STEVE DAVIS: Wouldn't want to leave
himself dead straight on the pink. | 0:50:26 | 0:50:33 | |
The line he's got on the red is
perfect to make sure that he doesn't | 0:50:33 | 0:50:38 | |
leave himself dead straight. So, pot
the pink, off the side cushion, out | 0:50:38 | 0:50:49 | |
into the open table - it really is a
gilt-edged chance now to get over | 0:50:49 | 0:50:54 | |
the line. Would you go up for the
green here, Steve? Well, he should | 0:50:54 | 0:51:02 | |
do. If he feels he's absolutely
plumb on it, he could play for the | 0:51:02 | 0:51:13 | |
blue, but really, if there is any
tension in the arm, the green is a | 0:51:13 | 0:51:16 | |
safer option. That's perfect on the
blue, but if he had got straight on | 0:51:16 | 0:51:28 | |
the blue... Yeah. Green gives more
opportunities, but he looks good, he | 0:51:28 | 0:51:36 | |
looks like he's got himself together
and composed. He takes the lead by | 0:51:36 | 0:51:43 | |
eight points. So, he needs up to the
blue. | 0:51:43 | 0:51:50 | |
A little bit further away from the
green than would have been | 0:52:07 | 0:52:10 | |
comfortable. Does he have to screw
for the brown to the same pocket? He | 0:52:10 | 0:52:20 | |
played it well. That's normally the
big shot in clearing the colours, | 0:52:20 | 0:52:27 | |
getting perfectly on the brown.
Should be automatic from here. | 0:52:27 | 0:52:31 | |
Steeling himself for the big effort
to pot these two balls. He's done | 0:52:37 | 0:52:50 | |
well, Martin Gould. He was 4-3 down,
his won three frames in a row. Xiao | 0:52:50 | 0:52:57 | |
Guodong has had plenty of chances to
get back in this match. The crowd | 0:52:57 | 0:53:04 | |
applauds, that's much more. It's
been a good break, this, from Martin | 0:53:04 | 0:53:08 | |
Gould. It's not been a pretty much
to watch, by any means, but that | 0:53:08 | 0:53:16 | |
doesn't matter from Martin Gould,
who wins 6-4 to go through to the | 0:53:16 | 0:53:21 | |
quarterfinals. | 0:53:21 | 0:53:23 | |
Martin, good clearance and a big
win? Definitely. It was a strange | 0:53:28 | 0:53:34 | |
game, ebbing and flowing, I was
going in front, he was going in | 0:53:34 | 0:53:37 | |
front. It was one of those where I
don't think either of us really got | 0:53:37 | 0:53:41 | |
our true game together. Thankfully,
I used a bit of knowledge and | 0:53:41 | 0:53:46 | |
experience in the last two to make
two good clearances, but I'm | 0:53:46 | 0:53:51 | |
delighted to be through. It's your
second UK quarterfinal in three | 0:53:51 | 0:53:54 | |
years, so FI putting a decent run
together here in York? There must be | 0:53:54 | 0:54:00 | |
something about Christmas time,
because the last couple of | 0:54:00 | 0:54:02 | |
Christmases I've had a good run at
some point. So, yeah, looks like | 0:54:02 | 0:54:09 | |
there will be a fair few more
Christmas presents having to be | 0:54:09 | 0:54:12 | |
bought at some point this year. It
has been a good season so far - | 0:54:12 | 0:54:16 | |
semifinalist at the International
Championship, things look like | 0:54:16 | 0:54:21 | |
they're clicking for you? Yeah, to
be fair, apart from the first event | 0:54:21 | 0:54:25 | |
of the season, I've qualified for
everything. It's not like I've not | 0:54:25 | 0:54:29 | |
been playing half decent, it's just
I've not really had the good results | 0:54:29 | 0:54:33 | |
to show. And the last couple of
events, Shanghai, now this, | 0:54:33 | 0:54:38 | |
everything is starting to work
towards the main target, which is | 0:54:38 | 0:54:44 | |
obviously the World Championships at
the end of the season. So, | 0:54:44 | 0:54:47 | |
everything's going along nicely, so
just keep wheels in motion. And | 0:54:47 | 0:54:52 | |
potentially, although he is not
guaranteed to be your opponent, but | 0:54:52 | 0:54:55 | |
in all likelihood it will be Ronnie
O'Sullivan - what an occasion that | 0:54:55 | 0:54:59 | |
would be? Yeah, it would be,
definitely. Tact house, obviously, I | 0:54:59 | 0:55:04 | |
don't think many people would expect
in me to win, and the crowd will | 0:55:04 | 0:55:11 | |
certainly be on Ronnie's side I know
what I can do on my given day. If it | 0:55:11 | 0:55:17 | |
means that I'm playing him tomorrow,
then let the show begin. Well done. | 0:55:17 | 0:55:30 | |
Mohamed label fair play to Martin
Gould, he's been saying all week he | 0:55:30 | 0:55:34 | |
is feeling confident and in the
groove? Yeah, it is a lovely way to | 0:55:34 | 0:55:38 | |
win a match. Stephen made the point
in commentary, he made two really | 0:55:38 | 0:55:44 | |
good frames, 69 and 66 to get over
the line. Yeah, very good, the way | 0:55:44 | 0:55:50 | |
he finish off. He can do that. When
he gets on run, it doesn't matter | 0:55:50 | 0:55:55 | |
who he is playing in the next match,
he won't care, he worries about | 0:55:55 | 0:55:58 | |
himself, and that's the best way to
be. Rob and Martin were just talking | 0:55:58 | 0:56:03 | |
about Ronnie O'Sullivan, and he
takes on the man who is practising | 0:56:03 | 0:56:08 | |
in there, big occasion for the young
man? Yeah, massive, the biggest in | 0:56:08 | 0:56:12 | |
his career so far. We mentioned
earlier, go and enjoy it, come out | 0:56:12 | 0:56:17 | |
with a smile on your face, all part
of the learning curve, you never | 0:56:17 | 0:56:21 | |
know. Absolutely, with seems strange
results. Yeah, we've had some shots | 0:56:21 | 0:56:26 | |
this week but it's going to be a
great occasion for him. Boys, really | 0:56:26 | 0:56:30 | |
enjoyed your company as well. That's
our first match tonight on BBC Two | 0:56:30 | 0:56:35 | |
at seven o'clock. And later on this
evening, the highlights. Thank you | 0:56:35 | 0:56:40 | |
very much indeed for watching. Bye
for now. | 0:56:40 | 0:56:48 |