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|---|---|---|---|
involved in any of the match at for. -- at all. He is such a nice lad, | :00:17. | :00:20. | |
Ryan, he will probably have a smile with his good friend when he shakes | :00:20. | :00:27. | |
hands with him but how is he feeling?! It is hard to explain. We | :00:27. | :00:32. | |
have all been humiliated out there, everybody suffers in the Crucible. | :00:32. | :00:39. | |
But Matthew Stevens has won every frame of this second session. He | :00:39. | :00:42. | |
frame of this second session. He takes a strong lead into tomorrow's | :00:42. | :00:49. | |
final session. 11 -5. Ryan Day with a huge task when they resume on | :00:49. | :00:52. | |
Wednesday morning. We're almost at the end of our coverage on what has | :00:52. | :00:58. | |
been a dramatic day at the Crucible. Snooker Extra is up next and you | :00:58. | :01:03. | |
can see more of the match between Jamie Jones and Ali Carter. We are | :01:03. | :01:09. | |
back at 10 am to see the resumption of that match and then on BBC Two | :01:09. | :01:15. | |
at 1:30pm to C section two of Neil Robertson against O'Sullivan. Day | :01:15. | :01:18. | |
11 will be remembered as the day that snooker wave goodbye to its | :01:18. | :01:24. | |
greatest ever player, and we can say one moment of final magic from | :01:24. | :01:34. | |
| :01:34. | :01:35. | ||
the legend that is Stephen Hendry - Absolutely fantastic! There's only | :01:35. | :01:39. | |
one Stephen Hendry. Congratulations from Stuart Bingham and the referee. | :01:39. | :01:45. | |
Well done, Stephen, you have done it again. His 11th century | :01:45. | :01:50. | |
congratulated by both players from the other side. Stephen Hendry, who | :01:50. | :02:00. | |
| :02:00. | :02:01. | ||
said he is not the player he was? Supertext captions by Red Bee Media | :02:01. | :02:11. | |
| :02:11. | :02:11. | ||
Apology for the loss of subtitles for 107 seconds | :02:11. | :03:59. | |
Welcome to snooker extra from the World Championship. We are now at | :03:59. | :04:01. | |
the quarterfinal stage of this year's tournament and tonight we | :04:01. | :04:05. | |
will bring you the opening session of the match between Jamie Jones, | :04:05. | :04:10. | |
24, enjoying a dream debut, up against the 2008 runner up, Ali | :04:10. | :04:14. | |
Carter. We will pick up the action with commentators Willie Thorne and | :04:15. | :04:24. | |
| :04:25. | :04:26. | ||
Ali Carter, fresh from his unbelievable win yesterday when he | :04:26. | :04:32. | |
trailed Judd Trump 12-9. At that stage he did not think she would be | :04:32. | :04:36. | |
breaking off the next day in the quarterfinal -- he would be. The | :04:36. | :04:41. | |
same could be said about Jamie Jones, he led 10-six. At the | :04:41. | :04:47. | |
interval it was 10-10. Far the interval he may not have won the | :04:47. | :04:51. | |
match but after the interval he came out against Higginson and he | :04:51. | :04:55. | |
played some wonderful snooker. Both these players have gone through the | :04:55. | :04:59. | |
mill already at the Crucible. If they go on to win the title they | :05:00. | :05:09. | |
| :05:10. | :05:31. | ||
will be going through a few more Speaking of qualifiers, you have | :05:31. | :05:34. | |
got three qualifiers in the quarterfinals this year. It is not | :05:34. | :05:43. | |
a record. There were four qualifiers in the quarterfinals | :05:43. | :05:53. | |
| :05:53. | :05:54. | ||
back in 1992. Jamie Jones has played superb snooker, as you said. | :05:54. | :06:02. | |
Against first Shaun Murphy and then Andrew Higginson. For a debutant at | :06:02. | :06:08. | |
the Crucible he hasn't shown any signs of nerves. A couple of | :06:08. | :06:12. | |
twitches again Shaun Murphy, which you would expect, but only in the | :06:12. | :06:16. | |
latter part of the match. Against Andrew Higginson he played some | :06:16. | :06:26. | |
| :06:26. | :06:32. | ||
great stuff, really enjoyed himself He's very fortunate he played | :06:32. | :06:36. | |
behind the yellow as well. In the first few days those were going in. | :06:36. | :06:46. | |
| :06:46. | :06:46. | ||
But since they have been re- cloth they are sticking in the jaws. | :06:47. | :06:55. | |
it becomes a bit more worn, they tightened up certainly, the pockets. | :06:55. | :07:01. | |
Let's have a look at that again. Just concentrating on the position | :07:01. | :07:11. | |
| :07:11. | :07:15. | ||
as well. Taking his eyes slightly off the pot. If he could get the | :07:15. | :07:19. | |
long spider out he could play off one cushion but it is obviously too | :07:19. | :07:29. | |
| :07:29. | :07:31. | ||
difficult to cue. There is a line of the baulk cushion. This is the | :07:31. | :07:37. | |
line that Ken and I think he can go and it is on. That is the only way | :07:37. | :07:43. | |
that he could have a go to try to move the red. It's very hard to get | :07:43. | :07:50. | |
safe anywhere on the other side of the table because even if you don't | :07:50. | :07:55. | |
leave a direct chance on, this red over the corner pocket, it would be | :07:55. | :08:01. | |
very easy to manipulate a plant. He has to go and try to take this red | :08:01. | :08:07. | |
away from the pocket. Any sort of hit on the red, you would expect it | :08:07. | :08:16. | |
to go in there. He has got that completely wrong. A wry smile from | :08:16. | :08:20. | |
Ali there, the angle was completely different to what he thought. The | :08:20. | :08:25. | |
good news is he has put the black safe as far as the right-hand | :08:25. | :08:35. | |
| :08:35. | :08:38. | ||
pocket is concerned. This could work. I like his choice here. I | :08:38. | :08:43. | |
like that choice. Unfortunately the WHITE did not run through, another | :08:43. | :08:49. | |
couple of inches and that would have been aimed very clever shot. - | :08:49. | :08:59. | |
- a very clever. Tough shot. Normally players tend to hit it to | :08:59. | :09:09. | |
| :09:09. | :09:12. | ||
the high side because the black falls to the top cushion. Good shot. | :09:12. | :09:22. | |
| :09:22. | :09:34. | ||
A bit unlucky there. I'm not saying this is not a certainty but | :09:34. | :09:41. | |
slightly more difficult than what he wanted. I feel a bit sorry for | :09:42. | :09:50. | |
Jamie there. If he had got the kiss on the red he would have had a | :09:50. | :09:54. | |
frame-winning opportunity. But playing at that pace you have got | :09:54. | :09:58. | |
to hit the centre of the pocket. Ali Carter will be amazed he is | :09:58. | :10:08. | |
| :10:08. | :10:08. | ||
Apology for the loss of subtitles for 107 seconds | :10:08. | :10:49. | |
The ball is in a perfect position It is nice to see Ali Carter in | :10:49. | :10:55. | |
good health again. He has been suffering with crones disease. It | :10:55. | :11:00. | |
must be hard to practise -- not be able to practise when you want to. | :11:00. | :11:06. | |
But he is back to the top of his game. He was talking in the studio | :11:06. | :11:13. | |
about his new diet - no wheat or dairy. It has helped him. With | :11:13. | :11:20. | |
crones disease you get very tired very quickly. You cannot practise | :11:20. | :11:25. | |
more than one or two hours per day before you start feeling tired. He | :11:25. | :11:32. | |
has done remarkably well over the years. It is good to see him, as | :11:32. | :11:42. | |
| :11:42. | :11:43. | ||
you say, playing better, with more After the UK Championship in | :11:43. | :11:47. | |
December he said he was feeling down and in a bad place and talked | :11:47. | :11:53. | |
about possible retirement. But he is such a class player. When he | :11:53. | :11:58. | |
gets in around balls, which we will hopefully see in this break, he is | :11:58. | :12:08. | |
| :12:08. | :12:23. | ||
very quick, very positive on the He made the maximum break on the | :12:23. | :12:33. | |
| :12:33. | :13:01. | ||
way to the final here a few years He is a player but loves playing | :13:01. | :13:06. | |
the screw shot. It is sometimes hard to get the weight right, but | :13:06. | :13:16. | |
| :13:16. | :13:28. | ||
The red to the left of the pink is the ball he is likely to get on. If | :13:28. | :13:37. | |
he overscrew sit bid will still be OK. He can play a choice of reds. - | :13:37. | :13:47. | |
| :13:47. | :14:01. | ||
- is the overscrew is it, it will. -- if he. -- overscrews it. He has | :14:01. | :14:08. | |
no option but to play a cannon now. He must hit the middle one of full | :14:08. | :14:18. | |
| :14:18. | :14:44. | ||
If he is this red fall, it will be He wanted a fault contact on that | :14:44. | :14:54. | |
| :14:54. | :15:10. | ||
ball. It looks pretty tight. -- a He has missed it. It just shows you, | :15:10. | :15:16. | |
even though he looked OK, that shows how important it is to hit | :15:16. | :15:21. | |
the ball properly. It was not a bad shot. It just did not get the | :15:21. | :15:31. | |
| :15:31. | :15:31. | ||
Apology for the loss of subtitles for 107 seconds | :15:31. | :16:41. | |
correct contact of the black. -- A bit of nerves creeping in from | :16:41. | :16:51. | |
| :16:51. | :17:22. | ||
both players. The first frame of Ali Carter will need a Riddick, car | :17:22. | :17:32. | |
| :17:32. | :17:37. | ||
luck and one more red to secure this first frame. -- red, colour. | :17:37. | :17:47. | |
| :17:47. | :17:55. | ||
The cannon and maybe the choice. -- That has worked out a treat. Have | :17:55. | :18:05. | |
| :18:05. | :18:07. | ||
they look at these. That was a present, going over the whole. -- | :18:07. | :18:17. | |
| :18:17. | :18:18. | ||
So Ali Carter, has done what he hoped to do. He has needed to | :18:18. | :18:28. | |
| :18:28. | :18:28. | ||
Apology for the loss of subtitles for 107 seconds | :18:28. | :19:46. | |
chances. -- two. He has clinched He started with a 47 and finished | :19:46. | :19:56. | |
| :19:56. | :19:56. | ||
Apology for the loss of subtitles for 107 seconds | :19:56. | :20:50. | |
with a 58. Ali Carter looks in good It is not a great chance to score | :20:50. | :20:58. | |
really heavily where the black is. But he can work off pink and blue. | :20:58. | :21:03. | |
The reds are in the way down the left-hand side. He will have to | :21:03. | :21:08. | |
move a couple of them out of the weight to make the plot. He does | :21:08. | :21:18. | |
| :21:18. | :21:18. | ||
Apology for the loss of subtitles for 107 seconds | :21:18. | :22:17. | |
not have the right angle on the He did not mean to cut that red. It | :22:17. | :22:26. | |
took the pace out of the cue ball. He has a chance of the pink, but he | :22:27. | :22:30. | |
must keep his pressure on the opponent. He must use his | :22:30. | :22:35. | |
experience of playing at the Crucible, keep his opponent at the | :22:35. | :22:45. | |
| :22:45. | :23:13. | ||
Another example that Jamie Jones has not quite settled yet. I do not | :23:13. | :23:18. | |
blame him for trying to push the boat. He has been plotting a lot of | :23:18. | :23:24. | |
those this week, but he hit that almost all the wrong side. This is | :23:24. | :23:29. | |
Ali Carter APPLAUSE Second chance in this frame. | :23:30. | :23:39. | |
| :23:40. | :23:42. | ||
That is why Ali Carter has refused a few of the longer pots in this | :23:42. | :23:48. | |
match so far. He is giving Jamie Jones some teasers and Jones has | :23:48. | :23:58. | |
| :23:58. | :24:09. | ||
We have used the cliche many times. It is very true, especially at the | :24:10. | :24:14. | |
Crucible. You cannot settle into a match until you have got that first | :24:14. | :24:24. | |
| :24:24. | :24:26. | ||
frame on the board. A surprising this from Ali Carter. A half chance | :24:26. | :24:36. | |
| :24:36. | :24:44. | ||
Jamie Jones was a little bit unlucky. There was applause from | :24:44. | :24:47. | |
the other table. What you're struggling you do not need | :24:47. | :24:52. | |
something to break your concentration. But Jamie played | :24:52. | :25:02. | |
| :25:02. | :25:12. | ||
-- when you are struggling. would not say it is a great friend, | :25:12. | :25:15. | |
but it is a chance to reduce its deficit and get a few points on the | :25:16. | :25:25. | |
| :25:26. | :25:26. | ||
Apology for the loss of subtitles for 107 seconds | :25:26. | :26:08. | |
He needs the cue ball to slow up. That was a pretty good shot from | :26:08. | :26:11. | |
Jamie Jones. He took the opportunity to bring these reds | :26:11. | :26:16. | |
into open play with a red. He trusted one a bit of luck but it | :26:16. | :26:22. | |
has worked out a treat. It could have been a little bit better. The | :26:22. | :26:29. | |
one next to the blue could have been a bit more open for him. But | :26:29. | :26:35. | |
it was a good shot. He got behind these two reds and has a choice of | :26:35. | :26:45. | |
| :26:45. | :26:45. | ||
Apology for the loss of subtitles for 107 seconds | :26:45. | :27:39. | |
From he nearly misjudged that. Jamie Jones has just not settled | :27:39. | :27:45. | |
yet. Luckily for him, the balls are relatively safe. He does unlikely | :27:45. | :27:55. | |
| :27:55. | :28:29. | ||
that Carter will win the frame from He is perfect on the ear lobe, but | :28:29. | :28:39. | |
| :28:39. | :28:42. | ||
he would love to get the pink back It would be more beneficial to have | :28:42. | :28:51. | |
the pink on the spot. It is OK, but he would have liked to have been a | :28:51. | :29:01. | |
| :29:01. | :29:11. | ||
bit straighter on this red into the A good snooker. That is three or | :29:11. | :29:21. | |
| :29:21. | :29:24. | ||
four shots that he has refused in To be honest, I did not see him | :29:24. | :29:30. | |
refusing that one. That is a tough snooker. But if Jamie Jones gets | :29:30. | :29:40. | |
| :29:40. | :29:44. | ||
safe he has gained no advantage He is playing two cushions to rest | :29:44. | :29:54. | |
| :29:54. | :29:57. | ||
on the road near the pocket. -- the Mike Coley has put the line-up that | :29:57. | :30:07. | |
| :30:07. | :30:15. | ||
he is thinking. It is like a Zorro He is playing Ken's line, believe | :30:15. | :30:25. | |
| :30:25. | :30:25. | ||
Apology for the loss of subtitles for 107 seconds | :30:25. | :31:24. | |
it or not. He used just not playing That is a cut your local butcher | :31:24. | :31:34. | |
| :31:34. | :31:44. | ||
would be proud. -- proud. It was a nice kiss on the yellow. If he is | :31:44. | :31:48. | |
short he will still have the red into the app yellow pocket as we | :31:48. | :31:58. | |
| :31:58. | :31:58. | ||
look. -- into the yellow. Red or any colour will do and then another | :31:58. | :32:08. | |
| :32:08. | :32:21. | ||
Slightly straight on the pink but he can force the angle. Anywhere | :32:21. | :32:26. | |
behind the red, he would have a choice of green or middle pocket. | :32:26. | :32:36. | |
| :32:36. | :32:39. | ||
Trying to stun it over. Just not enough. He will try and get in | :32:39. | :32:43. | |
behind the brown and leave the possible snooker behind the blue as | :32:43. | :32:53. | |
| :32:53. | :32:57. | ||
well. He has miss hit this. The frame is not over yet but where the | :32:57. | :33:07. | |
| :33:07. | :33:07. | ||
Apology for the loss of subtitles for 107 seconds | :33:07. | :33:52. | |
yellow, green and brown are it will Excellent safety shot from Ali | :33:52. | :33:57. | |
Carter. With him being 32 in front, he will have to make contact with | :33:57. | :34:07. | |
| :34:07. | :34:10. | ||
the red otherwise he will need a snooker. He can do that offer -- | :34:10. | :34:20. | |
| :34:20. | :34:34. | ||
Great shot, but he has been a bit fortunate. He did not play it | :34:34. | :34:44. | |
| :34:44. | :34:44. | ||
behind the green. Not round the back surely! That's a bit unlucky | :34:44. | :34:48. | |
for Jamie there but he's had a couple of chances here in this | :34:48. | :34:58. | |
| :34:58. | :35:38. | ||
Jamie Jones says that's enough for this frame. Ali Carter wins the | :35:38. | :35:48. | |
| :35:48. | :36:27. | ||
second frame. He now meets Jamie Went all out for the pot here and | :36:27. | :36:30. | |
once he missed it he can see himself as a little bit fortunate | :36:30. | :36:37. | |
that he has not left a red on. There is one available to the | :36:37. | :36:47. | |
| :36:47. | :37:18. | ||
middle and the black is on, but he Just not there yet. Again he has | :37:18. | :37:28. | |
| :37:28. | :37:30. | ||
gifted Ali Carter another chance. The only problem with that is that | :37:30. | :37:37. | |
it was a shock to nothing so there is a bit less pressure on it. -- | :37:37. | :37:46. | |
shot. His long pop success down to 20% for Jamie Jones. -- long pot. | :37:46. | :37:54. | |
Ali Carter will be horrified there, he missed to the kiss on the red. | :37:54. | :37:59. | |
Here's another example of how ultra careful he has been. There's not | :37:59. | :38:03. | |
many players in the world that would not play a pot on the black | :38:03. | :38:08. | |
here. It looks like he's kissing into the red on the cushion, which | :38:08. | :38:14. | |
could develop that, but he's going to play safe. It will keep Jamie | :38:14. | :38:24. | |
| :38:24. | :38:24. | ||
Apology for the loss of subtitles for 107 seconds | :38:24. | :39:38. | |
Didn't get enough right-hand side Good pot on the red this. Just | :39:38. | :39:48. | |
| :39:48. | :39:48. | ||
Apology for the loss of subtitles for 107 seconds | :39:48. | :40:54. | |
as thin as you would like here. He will be happy with the pace of the | :40:54. | :41:04. | |
| :41:04. | :41:22. | ||
You can see he is disgusted with that safety. Ali is slightly | :41:22. | :41:32. | |
| :41:32. | :41:45. | ||
hampered here. He is looking at a We have got a bit of safety play | :41:45. | :41:49. | |
going on, it is a year ago today that we lost the great Ted Lowe, | :41:49. | :41:58. | |
the voice of snooker. He died a year ago today. Fantastic | :41:58. | :42:08. | |
| :42:08. | :42:12. | ||
commentator, wasn't it? He said for those of you watching in black and | :42:12. | :42:21. | |
white are the blue is next to the ground. A great line. He was just a | :42:21. | :42:27. | |
lovely man. I turned professional through Ted. I was 21 and I was the | :42:27. | :42:37. | |
youngest pro in the world at the time. He asked me on to pot Black. | :42:37. | :42:44. | |
Now 13/14-year-olds are turning pro. It is amazing how times have | :42:44. | :42:54. | |
| :42:54. | :43:30. | ||
Jamie Jones wins that protracted round of safety and he has | :43:30. | :43:37. | |
developed a chance. What he wouldn't give for a 70 break here. | :43:37. | :43:47. | |
| :43:47. | :44:04. | ||
Jamie Janes now in the balls. -- Balls are beautifully displaced | :44:04. | :44:11. | |
around the table. This is probably where you would put them in | :44:11. | :44:19. | |
practice. Pot all the reds and then the colours and try to win the | :44:19. | :44:29. | |
| :44:29. | :44:35. | ||
The only thing you have got to really concentrate on, of course, | :44:35. | :44:40. | |
is keeping the cue ball as close to your next ball as possible to try | :44:40. | :44:45. | |
to make things easier for yourself. He's under a bit of pressure at 2-0 | :44:45. | :44:52. | |
Down. He has since settled down in this match yet. -- hasn't settled | :44:52. | :45:02. | |
| :45:02. | :45:39. | ||
Just a series of little stuns and side screws, he will drop the pink | :45:39. | :45:49. | |
| :45:49. | :46:04. | ||
Probably reluctant to play the canon but it would not be a bad | :46:04. | :46:10. | |
shot to play the can and on the one against the cushion. He was | :46:10. | :46:15. | |
concentrating on leaving the angle on the red he had to bring the | :46:15. | :46:23. | |
other Red Bull in play he took his eye off the pink -- red. That is | :46:23. | :46:33. | |
| :46:33. | :46:45. | ||
his highest break of the match so The shot really is to play the | :46:45. | :46:53. | |
cannon into the pink at pace, so possibly pink and black coming out. | :46:53. | :47:03. | |
| :47:03. | :47:18. | ||
He's playing a bit negative this I wonder if he will play it this | :47:18. | :47:28. | |
| :47:28. | :47:30. | ||
time. He's got a nice angle to knock the blue in, straight into | :47:30. | :47:40. | |
| :47:40. | :47:43. | ||
the black and bring the reds into play. That's not too bad. That's | :47:43. | :47:48. | |
the side he wanted it and it has worked out OK. Would have been | :47:48. | :47:55. | |
better if the Black had been in open play. It's going to be very | :47:55. | :48:05. | |
| :48:05. | :48:06. | ||
difficult to win the frame from this position. But if the pink and | :48:06. | :48:10. | |
black were on their spots, it certainly would be a lot easier. He | :48:10. | :48:20. | |
| :48:20. | :48:45. | ||
has got to concentrate on the blues He has the perfect angle on this | :48:45. | :48:53. | |
red here to play the cannon on the pink of the red. If he can get the | :48:53. | :48:59. | |
pink full ball he can play the cannon into the red for. He hasn't | :48:59. | :49:09. | |
| :49:09. | :49:28. | ||
I don't think that was anywhere near. Let's have a look again. It | :49:28. | :49:32. | |
looked on the high side but it was only the pace that allow it to drop | :49:32. | :49:42. | |
| :49:42. | :50:17. | ||
Would you believe it? He did neither. A little bit unfortunate | :50:17. | :50:23. | |
there was a round of applause when his McKeown came back from the | :50:23. | :50:33. | |
| :50:33. | :50:41. | ||
other table -- cue. That may have That could be a telling fluke. He | :50:41. | :50:46. | |
leads by nine points now. The black or the blue is available. It looks | :50:46. | :50:56. | |
| :50:56. | :51:29. | ||
They are a few shots you could play here, pink in the middle and try to | :51:29. | :51:39. | |
| :51:39. | :51:41. | ||
get in behind the green -- there are. It's a clever shot to put the | :51:41. | :51:51. | |
| :51:51. | :51:57. | ||
other near the green here. A tough Very well played. Could have been | :51:57. | :52:07. | |
there for a while with that one but he made the snookered again here. - | :52:07. | :52:17. | |
| :52:17. | :52:25. | ||
He has only just got the snooker. He could do with hitting this | :52:25. | :52:35. | |
| :52:35. | :52:35. | ||
Apology for the loss of subtitles for 107 seconds | :52:35. | :53:43. | |
thinly rather than full ball. Has The worst possible result for Jamie | :53:43. | :53:53. | |
| :53:53. | :54:00. | ||
Jones... for Annie Carter I should That he alone makes him 16 points | :54:00. | :54:10. | |
| :54:10. | :54:15. | ||
ahead -- that yellow. Just green and brown required. That was a nice | :54:15. | :54:25. | |
| :54:25. | :54:35. | ||
Janie Jones looks like getting his first frame on the board. -- Jamie. | :54:36. | :54:41. | |
He will be mightily relieved as well, Willie? Absolutely. You never | :54:41. | :54:46. | |
settle at the Crucible until you get a frame on the board. In goes | :54:46. | :54:50. | |
the pink and there's that frame on the board. Quite a scrappy frame, | :54:50. | :54:54. | |
both men had plenty of chances but Jamie Jones gets that frame he | :54:54. | :55:04. | |
| :55:04. | :55:28. | ||
Interesting to see what happens this frame. If Jamie Jones can get | :55:28. | :55:36. | |
out 2-2 he will be happier. In the middle of the last frame it looked | :55:36. | :55:41. | |
like he was going to go 3-0 in front, it would definitely be a | :55:41. | :55:51. | |
| :55:51. | :56:08. | ||
Can you remember your first time here, Willie? The first time it was | :56:08. | :56:18. | |
| :56:18. | :56:22. | ||
played at the Crucible. Graham Moyes beat me. It was the first | :56:22. | :56:28. | |
time the game had ever been at the Crucible, I thought it was the | :56:28. | :56:33. | |
wrong venue, but over the years I have changed my mind. What a pot | :56:33. | :56:43. | |
| :56:43. | :57:20. | ||
Perfectly on the blue to get rid of the red top side of the black. He | :57:20. | :57:25. | |
would like to get on it in a way where he would be able to screw | :57:25. | :57:30. | |
back to hit the back into the same pocket. This is pinpoint position | :57:30. | :57:36. | |
here. Has he got the angle? He does not want to make contact with the | :57:36. | :57:41. | |
black. It does not pot on the left- hand side and it is absolutely | :57:41. | :57:47. | |
perfect. Well played. Those are the telling positional shots where you | :57:47. | :57:57. | |
| :57:57. | :58:14. | ||
don't have to do anything with the Jamie Jones previously was looking | :58:14. | :58:19. | |
at that bottom red directly above the black. It does pot into this | :58:19. | :58:24. | |
bottom left-hand corner. He will want to be on that red but in such | :58:24. | :58:32. | |
a way that he can pot after this black that red and bring some more | :58:32. | :58:42. | |
| :58:42. | :58:43. | ||
I know he has been a pro a long time, Jamie Jones, but have you | :58:43. | :58:51. | |
ever played him, Ken? I played him in a PGCE event in Germany last | :58:51. | :58:57. | |
year. Not this year, though. I have been very impressed with what I | :58:57. | :59:02. | |
have seen, and particularly here at this Championship. He really has | :59:02. | :59:07. | |
come of age. It is nice to keep going when you drop off the tour, | :59:07. | :59:11. | |
you still have belief in yourself, his father and parents would have | :59:11. | :59:16. | |
kept encouraging him to carry on. I have known him since 15 and to be | :59:16. | :59:21. | |
honest I thought he's going to be a pro but will he be good enough to | :59:21. | :59:28. | |
play at the top level? He has proved this week that he is. A lot | :59:28. | :59:33. | |
of pros fall off the tour but come back, Neil Robinson is a perfect | :59:33. | :59:37. | |
example and we all know how well he has done over the last four/five | :59:37. | :59:42. | |
years. Neil Robertson is the most improved player I have ever seen. | :59:42. | :59:49. | |
He was an all out Potter when he first came on the scene. Jamie | :59:49. | :59:54. | |
Jones has quickly made this break of 45 in the last couple of minutes, | :59:54. | :00:01. | |
and now if he goes into the pack nicely and gets on one... this is | :00:01. | :00:08. | |
where you want to miss the red directly above the black. The canon | :00:08. | :00:18. | |
| :00:18. | :00:20. | ||
He played for the loose one. I can only presume that the one below the | :00:20. | :00:26. | |
pink will pot. It does not look like that from here. It is a | :00:26. | :00:30. | |
strange choice. He might not get the right angle next time to play | :00:30. | :00:40. | |
for the cannon. No, he has got the right angle now. But the pack is | :00:40. | :00:50. | |
not good off the pink unless you hit the pink full ball. If he hits | :00:50. | :00:53. | |
This pink half ball he could find the cue ball going to the corner | :00:53. | :01:03. | |
| :01:03. | :01:08. | ||
He would love to make the pink plants of the other Wrens. It has | :01:08. | :01:18. | |
| :01:18. | :01:37. | ||
worked out a treat. -- play off the Well it respot? No, it will not. It | :01:37. | :01:43. | |
will go on the pink spot. When he puts this Blackie will only need | :01:43. | :01:53. | |
| :01:53. | :01:53. | ||
one more red. -- black. A fantastic response from Jamie Jones. 2-0 down. | :01:53. | :02:03. | |
| :02:03. | :02:10. | ||
He is getting himself back into He is a good break-builder. He has | :02:10. | :02:20. | |
| :02:20. | :02:40. | ||
had the second highest break of the He would love to make a century | :02:40. | :02:47. | |
break. He has already made for centuries at the Crucible. A nice | :02:47. | :02:57. | |
| :02:57. | :03:02. | ||
split here and we may see another one. He just did not catch them | :03:02. | :03:12. | |
full ball. He wanted to catch the reds full ball. Well played. What a | :03:12. | :03:22. | |
| :03:22. | :03:34. | ||
shot! He stayed on the black. The sponsor of the World | :03:34. | :03:40. | |
Championship has given �200 to a Children's hospice for every | :03:40. | :03:50. | |
| :03:50. | :03:59. | ||
century at the Crucible. -- So, but for another �200. Well | :03:59. | :04:09. | |
| :04:09. | :04:13. | ||
played. Well done, Jamie Jones. And This has been a wonderful break, | :04:13. | :04:23. | |
| :04:23. | :04:29. | ||
Willie. This will be the highest break he has made on television. | :04:29. | :04:39. | |
| :04:39. | :04:54. | ||
This is the 54th century of the sea's World Championship. The | :04:54. | :05:00. | |
record is 83 made a couple of years ago. We still have a bit to go but | :05:00. | :05:10. | |
| :05:10. | :05:16. | ||
That is such a shame it did not go in. But it was still a fantastic | :05:16. | :05:26. | |
| :05:26. | :05:26. | ||
century break from Jamie Jones. He has clawed back. It is too -2. -- | :05:26. | :05:35. | |
2-2. Ali Carter will be disappointed after the opening two | :05:35. | :05:42. | |
frames. But credit to Jamie Jones. He pinched the third frame with a | :05:42. | :05:48. | |
break of 35. Then he made been give us a break of one Russian 27 to | :05:48. | :05:54. | |
take the force break. We are now done to -- down to the best of 21 | :05:54. | :06:04. | |
| :06:04. | :06:04. | ||
Apology for the loss of subtitles for 107 seconds | :06:04. | :07:38. | |
A break of 127. He missed the red Not the best positional shot from | :07:38. | :07:45. | |
Ali Carter. He did not want to be anywhere near that pink. He was | :07:45. | :07:49. | |
trying to get on to the red that he is taking now and also the red | :07:49. | :07:59. | |
| :07:59. | :08:15. | ||
He was in total control of this match for the first two frames. But | :08:15. | :08:24. | |
all of a sudden it looks a book -- bit laboured. This is not | :08:24. | :08:34. | |
| :08:34. | :08:39. | ||
He tried to use the side of the pack to bring the pink into play | :08:39. | :08:45. | |
and a few reds. Look at where he hit the red just below the pink. He | :08:45. | :08:49. | |
wanted to get the other side of the red and bring the cue ball up | :08:49. | :08:59. | |
| :08:59. | :09:12. | ||
He actually missed the yellow. He got very close. But I do not think | :09:12. | :09:18. | |
Ali Carter will pull him back. He may pull him in from there. It is a | :09:18. | :09:28. | |
| :09:28. | :09:48. | ||
This is the angle. But he does not want to hit the yellow full ball. | :09:48. | :09:58. | |
| :09:58. | :10:02. | ||
He just wants to hit the side of He would have loved quarter-ball | :10:02. | :10:12. | |
| :10:12. | :10:29. | ||
There is no possible route down the right-hand side off the table. This | :10:29. | :10:39. | |
| :10:39. | :10:41. | ||
red closest to the left cushion - it may be worth having a go at this. | :10:41. | :10:46. | |
If he can leave the cue ball somewhere around bats circle he | :10:46. | :10:52. | |
booked beyond the black and would not be leaving anything into the | :10:52. | :11:00. | |
top all right centre. This is definitely worth a go. -- top all | :11:00. | :11:10. | |
| :11:10. | :11:10. | ||
Apology for the loss of subtitles for 107 seconds | :11:10. | :12:12. | |
Ali Carter has the chance of this long red. If he wants to go up the | :12:12. | :12:18. | |
table he knows he has cowers waiting. He has been a bit negative | :12:18. | :12:28. | |
| :12:28. | :12:51. | ||
today so far. -- colours. He did That little kiss on the brown has | :12:51. | :13:01. | |
| :13:01. | :13:16. | ||
meant he is on the brown in the He can play the middle road and get | :13:16. | :13:26. | |
| :13:26. | :13:26. | ||
Apology for the loss of subtitles for 107 seconds | :13:26. | :14:44. | |
on the black now or the pink. -- It is pretty much perfect on this | :14:44. | :14:54. | |
| :14:54. | :14:56. | ||
bloke. -- blue. That will print the picket to play. He needed to hit | :14:56. | :15:04. | |
both of them so he could clear the pink as well. -- that will bring | :15:04. | :15:14. | |
| :15:14. | :15:14. | ||
Apology for the loss of subtitles for 107 seconds | :15:14. | :16:48. | |
He can just concentrate on the pink 57 ahead with 67 remaining. Red and | :16:48. | :16:55. | |
come it should be enough. There are plenty more there. -- red and | :16:55. | :17:05. | |
| :17:05. | :17:15. | ||
colour. A possible chance for a Now he can concentrate on the | :17:15. | :17:25. | |
| :17:25. | :17:43. | ||
century. This is a chance for the Do you think the record will go | :17:43. | :17:48. | |
this year? There are not many matches left, but the way these | :17:48. | :17:58. | |
| :17:58. | :18:17. | ||
remaining a players are playing, I What did you say? We could not | :18:17. | :18:22. | |
possibly get one here? That was a super pot and he deserves a century | :18:22. | :18:31. | |
after that. That is why nobody takes any notice of you tips, | :18:31. | :18:41. | |
| :18:41. | :18:43. | ||
Willie. -- your tips. That is a shower. What a shame for Ali Carter | :18:43. | :18:53. | |
| :18:53. | :19:11. | ||
but it is enough to take the frame. Once he had missed the ball, Jamie | :19:11. | :19:21. | |
| :19:21. | :19:22. | ||
would have been pleased if it had gone in-off. It concerns me that | :19:22. | :19:26. | |
Jamie gets down quick on fees. He is not really concerned about which | :19:27. | :19:33. | |
side of the yellow he plays. That is something he needs to have a | :19:33. | :19:40. | |
little bit more concentration on - his safety part of the game. He is | :19:40. | :19:50. | |
| :19:50. | :19:51. | ||
not with Inkatha in trouble at all there. -- not leaving Ali Carter. | :19:51. | :19:59. | |
Ali Carter is a much better safety player than the Jamie Jones. -- | :19:59. | :20:09. | |
| :20:09. | :20:09. | ||
Apology for the loss of subtitles for 107 seconds | :20:09. | :21:33. | |
It is tempting this time. Ali is blessed with an amazing amount of | :21:33. | :21:43. | |
| :21:43. | :21:45. | ||
cue power so he will definitely A lot of cute move bird. He has | :21:46. | :21:51. | |
played bad shot that place. He seemed to pushes right elbow out | :21:51. | :22:01. | |
| :22:01. | :22:04. | ||
here. -- a lot of cute movement. He missed the pot by a long way. -- | :22:04. | :22:14. | |
| :22:14. | :22:33. | ||
It is never easy, tight on the You would expect to have an easier | :22:33. | :22:43. | |
| :22:43. | :22:51. | ||
opening when your opponent misses He is trying to get on the blue. | :22:51. | :22:58. | |
Just a little bit short of pace. It is not a bad idea if he can drop | :22:59. | :23:04. | |
the blue in and get down on to that red just bit -- above the black. I | :23:04. | :23:07. | |
am not sure if that red Bull pot into these bottom right-hand corner | :23:07. | :23:17. | |
| :23:17. | :23:26. | ||
He is coming around to have a look at that red. If you can drop that | :23:26. | :23:32. | |
blue, the reports. It is the perfect angle on the blue. -- the | :23:32. | :23:42. | |
| :23:42. | :23:49. | ||
writ pots. He does not want to her for a run it. -- the red pots. -- | :23:49. | :23:59. | |
| :23:59. | :23:59. | ||
Apology for the loss of subtitles for 107 seconds | :23:59. | :24:45. | |
That is the lack of the safety shot from Jamie Jones. You have to cover | :24:45. | :24:55. | |
| :24:55. | :25:00. | ||
up one side off the table. He has Because off the very good safety | :25:00. | :25:10. | |
| :25:10. | :25:44. | ||
shot, it has forced an opening. -- A good pot, but as you can see, | :25:44. | :25:49. | |
just not quite the right side of the blue. The green is dangerous. | :25:49. | :25:56. | |
But when you are 3-2 behind, you do not want to risk this. He has some | :25:56. | :26:00. | |
sort of angle on the blue. He should be able to get it into open | :26:00. | :26:10. | |
| :26:10. | :26:18. | ||
This green has to go in. It will come very c come very che jaws of the | :26:18. | :26:28. | |
| :26:28. | :26:33. | ||
middle pocket so that is why he has If he screws the Blues scene - may | :26:33. | :26:43. | |
| :26:43. | :26:43. | ||
Apology for the loss of subtitles for 107 seconds | :26:43. | :27:28. | |
blue in at least the cue ball near To generate so much top-spin from | :27:28. | :27:35. | |
that was remarkable. You try that on your club table and see if you | :27:35. | :27:44. | |
can do that. That is the perfect cueing personified. The pot on the | :27:44. | :27:48. | |
yellow it does not appear too difficult, but the positions side | :27:48. | :27:55. | |
is, because everything is blocked on the left-hand side. He has tried | :27:55. | :27:59. | |
to kiss the black full ball. But he has not got the keys on the black. | :27:59. | :28:09. | |
| :28:09. | :28:12. | ||
Is there anything else available? I think ferries. -- I think there is. | :28:12. | :28:17. | |
A great shot. Trying to kiss the black but he is still in good | :28:17. | :28:22. | |
position. If he gets on the one next to the black he is in really | :28:22. | :28:32. | |
| :28:32. | :28:43. | ||
good position. He would love to get slightly but he is still OK. He is | :28:43. | :28:48. | |
a little bit disappointed. If he had got closer to the red it would | :28:48. | :28:54. | |
be straightforward. He is just over on the cue ball. The Engel has gone | :28:54. | :29:01. | |
away from the black. He is looking left corner pocket. It looks pretty | :29:01. | :29:11. | |
| :29:11. | :29:39. | ||
This is a great chance for Ali Carter to take a 2-frame lead for | :29:39. | :29:49. | |
| :29:49. | :29:54. | ||
He is a much better player when he has the attacking mode on like he | :29:54. | :30:04. | |
| :30:04. | :30:29. | ||
He might play a little cannon into the pack. He has a nice angle. | :30:29. | :30:39. | |
| :30:39. | :30:53. | ||
Beaver shot. A great example of his He will have to negotiate another | :30:53. | :31:03. | |
| :31:03. | :31:10. | ||
This is one of those where you must commit. Any cannon on any rate you | :31:10. | :31:15. | |
will get the choice of friends. You did not want to play these with | :31:15. | :31:20. | |
lots of side. That makes them visible. Playing of them are | :31:20. | :31:30. | |
| :31:30. | :31:54. | ||
playing ball makes them easier. -- In some ways, 10, whatever happens | :31:54. | :31:59. | |
in this frame the opening red that Ali Carter potted you deserve what | :31:59. | :32:09. | |
| :32:09. | :32:15. | ||
you get after that. He has played beautifully. He will strike them | :32:15. | :32:24. | |
better than that the opening red. He's a little bit lucky there to | :32:24. | :32:29. | |
get this gap because he played the cannon for the red and pink | :32:29. | :32:39. | |
| :32:39. | :33:09. | ||
together, but he has found the gap. To be absolutely certain, two more | :33:09. | :33:15. | |
reds needed. The reds are split quite nicely at this end of the | :33:15. | :33:23. | |
table, any angle on the blue and he will be fine. Any sort of angle, | :33:23. | :33:29. | |
has he gone straight? If he has he will struggle to get one of these | :33:29. | :33:36. | |
Faulk reds, they are blocking each other. -- four reds. Any angle | :33:36. | :33:46. | |
would have been good on the blue. He just overran it slightly. Glue | :33:46. | :33:54. | |
will put him 58 ahead with 59 remaining. Just one more red -- | :33:54. | :34:00. | |
blue. Can he forced an angle on this blue? He tried his best and it | :34:00. | :34:06. | |
looks pretty good. The red closest to the pink will pot but is he on | :34:06. | :34:16. | |
| :34:16. | :34:16. | ||
it? It is pretty close. It does pot. I think he has just overrun it. | :34:16. | :34:26. | |
| :34:26. | :34:27. | ||
This one pots as well so just this red required to take a 4-2 lead. No | :34:27. | :34:35. | |
heroics with that one. A nice kiss on the green. Had the chance of a | :34:35. | :34:45. | |
| :34:45. | :34:56. | ||
century in the last frame. He Janie Jones says, "That's enough". | :34:56. | :35:01. | |
Trailing by 59 with 51 remaining. So Ali Carter puts another frame on | :35:01. | :35:11. | |
| :35:11. | :35:18. | ||
the board. He goes into a 4-2 lead. Ali Carter, leading 4-2, breaking | :35:18. | :35:28. | |
| :35:28. | :35:28. | ||
Apology for the loss of subtitles for 107 seconds | :35:28. | :37:54. | |
off, to start this afternoon A little bit careless there kissing | :37:54. | :37:59. | |
the brown. If he hadn't Jamie would have been able to take this on. He | :37:59. | :38:05. | |
seems full of confidence, Jamie, bouncing around the table again. He | :38:05. | :38:14. | |
seems up to the task. That one's got away. Luckily for him he has | :38:14. | :38:24. | |
| :38:24. | :38:52. | ||
He couldn't really get on the blue there. Trying to come off the | :38:53. | :38:59. | |
cushion as much as possible. Just the fact that because he wa that because he wa | :38:59. | :39:07. | |
straight on that red over the corner pocket. If he pops in the | :39:07. | :39:13. | |
near side chore of the pocket he could have got the blue -- pots. | :39:13. | :39:23. | |
| :39:23. | :39:23. | ||
Janie Jones has a massive target inside yellow and brown but that | :39:24. | :39:28. | |
red gets in the way. He has played around three cushions. That's a | :39:28. | :39:38. | |
| :39:38. | :40:00. | ||
good effort. A little bit short of The excellent save de shot from | :40:00. | :40:04. | |
Jamie Jones has once again forced an opening -- safety shot. He has | :40:05. | :40:10. | |
got to make this count, he really has. He can't risk going into | :40:10. | :40:17. | |
tomorrow's session 6-2 behind. He would like to win this and level at | :40:17. | :40:22. | |
4-4. This is a great chance to get on the board again. He played his | :40:22. | :40:32. | |
| :40:32. | :40:36. | ||
best snooker when he was behind He would love to get at black on | :40:36. | :40:44. | |
its spot as quickly as possible -- that black. He has a couple of reds | :40:44. | :40:53. | |
to go for here. There is one just left of the black. He might wait | :40:53. | :41:03. | |
| :41:03. | :41:06. | ||
There are plenty of reds here available. But I'm sure it's in his | :41:06. | :41:11. | |
mind if he gets the black on the spot it will make things easier for | :41:11. | :41:21. | |
| :41:21. | :41:42. | ||
him, particularly to win the frame That's good play. Excellent play, | :41:42. | :41:47. | |
it shows how confident he is. He played the right shot there. He | :41:47. | :41:54. | |
could have been guilty staying on the pink as long as possible. But | :41:54. | :42:04. | |
| :42:04. | :42:29. | ||
bringing the black on to its spot, He wouldn't have played at shot | :42:29. | :42:39. | |
| :42:39. | :42:40. | ||
like that if the brown and yellow had not been away from their spots. | :42:40. | :42:44. | |
It takes all the worry about kissing the baulk colours away like | :42:44. | :42:50. | |
that. He has played it reasonably well. It is a bit risky to stay on | :42:50. | :42:56. | |
the pink so he will have to go up for the blue. One of good shot and | :42:56. | :43:05. | |
he will go on to win the frame here. Just the key positional shot. Well | :43:05. | :43:15. | |
| :43:15. | :43:33. | ||
done. He should win the frame from Played at one nicely, does not have | :43:33. | :43:39. | |
to do anything with the cue ball now. -- a fat one. This is a great | :43:39. | :43:49. | |
| :43:49. | :43:49. | ||
Apology for the loss of subtitles for 107 seconds | :43:49. | :44:51. | |
The two Reds to the right of the Pink, a definitely pot into the net | :44:51. | :44:59. | |
centre, and the other one goes into the net centre -- and they | :44:59. | :45:07. | |
definitely. -- left centre. This is a good response from Janie Jones | :45:07. | :45:17. | |
| :45:17. | :45:17. | ||
Apology for the loss of subtitles for 107 seconds | :45:17. | :46:00. | |
He's taken these really well, OK there in open play but he has had | :46:00. | :46:10. | |
| :46:10. | :46:13. | ||
to work for them. This is Frame ball. Well-played, Jamie Jones. | :46:13. | :46:18. | |
Twice he has been two frames behind and twice he has played his best | :46:18. | :46:28. | |
| :46:28. | :46:37. | ||
snooker. He's done it again. Unlucky there, knocking that red | :46:37. | :46:42. | |
tighter to the cushion, he wanted to get in behind it. He's already | :46:42. | :46:49. | |
had five centuries in this tournament. He will do well to make | :46:49. | :46:54. | |
another century from here. But as you said Winnie, it's a great | :46:54. | :47:04. | |
| :47:04. | :47:25. | ||
Good shot, has he got a nice angle on the black? Possibly for the Open | :47:25. | :47:35. | |
| :47:35. | :47:43. | ||
Now here's a nice angle on the black, he can try to remove the red | :47:43. | :47:47. | |
on the cushion but also he can try and get in behind it. He is pushing | :47:48. | :47:53. | |
it through with his hand. If he gets red and Black here... he | :47:53. | :47:59. | |
doesn't have the angle, just a bit short. If he gets red and black it | :47:59. | :48:07. | |
will be a century. Get in there! Good shot. A very nice break of 92 | :48:07. | :48:13. | |
From Jamie Jones and once again he cut the deficit. But it is still | :48:13. | :48:23. | |
| :48:23. | :48:51. | ||
Playing an aggressive safety shot here bringing the reds below the | :48:51. | :48:57. | |
pink into play and trying to get the cue-ball tight on the ball can | :48:57. | :49:04. | |
cushion. But he has under hit this. -- baulk cushion. The line was | :49:04. | :49:14. | |
| :49:14. | :49:53. | ||
perfect but the Paice not perfect. Ali Carter has got a chance this | :49:53. | :49:58. | |
time, he has got his hand on the table to play a telling safety shot. | :49:58. | :50:06. | |
He has got to missed the kiss on the ELO and this is pretty good. -- | :50:06. | :50:16. | |
| :50:16. | :50:18. | ||
to miss -- the yellow. Good pace as well. It blocked the path way down | :50:18. | :50:28. | |
| :50:28. | :50:29. | ||
the left-hand side of the table as well. He can only hit the red on | :50:29. | :50:39. | |
| :50:39. | :50:42. | ||
the right-hand side against the the That's a very good shot. If he | :50:43. | :50:52. | |
| :50:53. | :51:02. | ||
misses the kiss on the yellow it Looking at a possible plant, I | :51:02. | :51:11. | |
think Ali Carter is going to have to risk playing my -- a really fine | :51:11. | :51:18. | |
shot. It may flick off the other reds. It went towards the pocket | :51:18. | :51:28. | |
| :51:28. | :51:52. | ||
but nowhere near and look at the You can see his disappointment at | :51:52. | :52:02. | |
| :52:02. | :52:03. | ||
the fact he hit it too thin. There is a path back to baulk here, that | :52:03. | :52:13. | |
| :52:13. | :52:17. | ||
is the one he has played. He needs the White to cull up quickly. -- | :52:17. | :52:27. | |
| :52:27. | :52:29. | ||
pull up. He has got a little bit to do with the Q4 here. -- cue-ball. | :52:29. | :52:35. | |
Right into the heart of the pocket. The pace is the problem here | :52:35. | :52:40. | |
because everything looks blocked at this end. He has got to miss the | :52:40. | :52:50. | |
| :52:50. | :52:54. | ||
kiss on the yellow and get the two cushions. Any kiss is good. Good | :52:54. | :53:04. | |
| :53:04. | :53:14. | ||
He definitely doesn't want to get on the black just yet because the | :53:14. | :53:19. | |
black spot is tied up, the Black would go on the blue spot. That | :53:19. | :53:29. | |
| :53:29. | :53:32. | ||
He overhit that cut, didn't he? His heart went in his mouth when he saw | :53:32. | :53:38. | |
it heading towards the baulk blind. It put the brakes on just in time. | :53:38. | :53:48. | |
| :53:48. | :53:54. | ||
-- baulk line. There is a red on the blackspot but I'm not sure he | :53:54. | :54:03. | |
can get down to it. That's perfect. Well played. Now he has a chance. | :54:03. | :54:09. | |
Maybe a little streak on the red but he can still go off the blue -- | :54:09. | :54:14. | |
straight. He can try to bounce it off to get on the black but it is a | :54:14. | :54:20. | |
bit risky. He has the power, no doubt, to be able to play that shot. | :54:20. | :54:24. | |
The red just above that is more straightforward but the problem | :54:24. | :54:28. | |
with putting this and potting the black is it will tie up the black | :54:28. | :54:35. | |
on the pink spot. It is one of those, whether you will play for | :54:35. | :54:42. | |
the blue or the pink in the middle. He has decided on the pink in the | :54:42. | :54:48. | |
middle but slightly overran it. Like Caine was saying, he does not | :54:48. | :54:54. | |
really want to play the black but he might have to now -- Ken. The | :54:54. | :54:59. | |
pink does not look too difficult. He would have a better chance of | :54:59. | :55:04. | |
winning the frame at this visit if he puts the black on the pink spot. | :55:04. | :55:10. | |
It is more of a risk to take the pink on, the Black will tie up the | :55:10. | :55:16. | |
pink and the black here. We will know in the next couple of shots | :55:16. | :55:26. | |
| :55:26. | :55:26. | ||
Apology for the loss of subtitles for 107 seconds | :55:26. | :56:15. | |
Obviously now pink and black are awkward. He needs to keep getting | :56:15. | :56:19. | |
the right side of the blue if he can for the next couple of shots | :56:19. | :56:29. | |
| :56:29. | :56:35. | ||
before he can get one of those big Nice angle on the blue. He may take | :56:35. | :56:40. | |
the opportunity to go into pink or black and tried to free up that | :56:40. | :56:50. | |
| :56:50. | :57:01. | ||
area. -- Try to. He is bound to He has missed the canon but it is | :57:01. | :57:11. | |
| :57:11. | :57:12. | ||
not too bad. A little kiss on the pink there would have been perfect. | :57:12. | :57:16. | |
He has got a little bit more room to manoeuvre now he has brought | :57:16. | :57:26. | |
| :57:26. | :57:26. | ||
those reds into play. One more good positional shot needed. He needs to | :57:26. | :57:32. | |
get on to a red, those to just below the pink, if he gets one of | :57:32. | :57:42. | |
| :57:42. | :57:48. | ||
those two then everything available Obviously he would try and pot the | :57:48. | :57:54. | |
pink off this red because the pink will go back onto its own spot and | :57:54. | :57:58. | |
take the black out of play. Sometimes under pressure you can | :57:58. | :58:08. | |
| :58:08. | :58:08. | ||
play a strange shot and not remember that. He has done. | :58:08. | :58:12. | |
Hopefully he has got an angle to kiss into the black otherwise he | :58:12. | :58:20. | |
will tie up pink and black. I think he's just realised what he's done | :58:20. | :58:24. | |
and sometimes under pressure you don't think about the colours | :58:24. | :58:30. | |
sometimes. He needs to free up that pink spot. Well-played. Now he's | :58:30. | :58:37. | |
got a chance to win the frame at this visit. That was a lovely | :58:37. | :58:43. | |
little shot, wasn't it? Very well controlled, he freed up the pink | :58:43. | :58:53. | |
| :58:53. | :59:01. | ||
spot. Didn't try to force the pink He's having to work hard for this. | :59:01. | :59:06. | |
He has gone up to the baulk colours a few times. But he's still in | :59:06. | :59:12. | |
control with a 40 point lead. amazing how many players play that | :59:12. | :59:19. |