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Subtitles by Red Bee Media Ltd. E-mail: [email protected]. | :00:22. | :00:37. | |
Welcome to Snooker Extra, day four. Today we have Fu versus Gould. He | :00:38. | :00:52. | |
has beaten him on two occasions, 2002 and 2011. Martin Gould has hard | :00:53. | :01:13. | |
a good round against Marco Fu. -- has had. Marco Fu has played | :01:14. | :01:30. | |
exceptional snooker of -- over the last two years. He can win almost | :01:31. | :01:44. | |
anything. That was all about safety. For a moment, I thought the | :01:45. | :01:57. | |
red was going to be over the pocket. He glanced at the long pot. Not much | :01:58. | :02:50. | |
reward with that. Touching ball. Touching ball, so he | :02:51. | :03:35. | |
should be able to get in behind the black somewhere. This is going to be | :03:36. | :03:41. | |
difficult with the two reds. It might be a re-rack. They might ask | :03:42. | :03:48. | |
right away, rather than messing around. | :03:49. | :04:00. | |
Players don't like to tiptoe around, but sometimes it happens. It is too | :04:01. | :04:26. | |
early for a re-rack. They were tiptoeing, but now with the white it | :04:27. | :04:35. | |
might be a few more shots. I think there is more chance of having a | :04:36. | :04:44. | |
re-rack than not. Playing the odds. If they continue that as they move | :04:45. | :04:57. | |
up the table, whoever has the first chance can break it right open. At | :04:58. | :05:06. | |
the moment, Marco Fu has the advantage. | :05:07. | :05:22. | |
He has left the red. Can Marco Fu get through to the red? Is not, -- | :05:23. | :05:46. | |
if not, it will be very awkward. He can definitely see it. It is the | :05:47. | :06:00. | |
first chance in this round so far. He just about touched that. The cue | :06:01. | :06:09. | |
ball has come all the way back for the brew. -- blue. That suits the | :06:10. | :06:26. | |
players. Someone has been asked to turn bad device down. -- their | :06:27. | :06:37. | |
device. They are listening to the commentary. Someone has to know what | :06:38. | :06:50. | |
they are talking about. This is an excellent chance now. | :06:51. | :07:22. | |
You can just see this red. It will be a little straight. Marco Fu is | :07:23. | :07:32. | |
one of the best position players in the world. There is no doubt about | :07:33. | :07:44. | |
that. He keeps it tight. He doesn't leave himself with anything | :07:45. | :07:45. | |
difficult. He is very calm around the table, | :07:46. | :09:00. | |
Marco Fu. If you watch him, he never rushes. He makes sure he is playing | :09:01. | :09:10. | |
the right shot everytime. He looks around them. -- him. He is a very | :09:11. | :09:25. | |
nice man. He is very well respected by his fellow professionals. | :09:26. | :09:38. | |
This is nice watching Marco Fu break. You very rarely see it. His | :09:39. | :10:02. | |
cue ball control is excellent. He has won over 300 times. He is very | :10:03. | :10:13. | |
much under the radar. You notice him when he is playing well. He is the | :10:14. | :10:19. | |
player that nobody enjoys playing in the draw. He is up and down, but he | :10:20. | :10:30. | |
has his rank inside the top eight now. He does hang on. He is hard to | :10:31. | :10:45. | |
beat and he grinds a game out. There is not a player in the last ten | :10:46. | :10:49. | |
years that is so often out of form and is still one of the top players. | :10:50. | :11:01. | |
He likes to make it exciting. He says it is boring to play well the | :11:02. | :11:15. | |
time. -- all the time. Your son is living and working with him. He has | :11:16. | :11:21. | |
been in Hong Kong the last few years. He is here in Leeds at the | :11:22. | :11:38. | |
moment, playing with the lady players from Hong Kong. It is not | :11:39. | :11:46. | |
great when your son is doing better. I will put up with it. It is still | :11:47. | :12:03. | |
very popular, snooker, in Hong Kong. He has not had one difficult shot in | :12:04. | :12:09. | |
this break. This is how he plays the game. That is how you feel when you | :12:10. | :12:20. | |
are sitting in the chair. That is not quite what it is like, but it is | :12:21. | :12:30. | |
how it feels. Your opponent feels the pressure. The white has not | :12:31. | :12:42. | |
moved three or forefeet either side of the black. -- or four feet. | :12:43. | :13:02. | |
His family with him in Hong Kong are his wife Shirley and his child. He | :13:03. | :13:26. | |
would come with his dad, but then he was by himself in this country for | :13:27. | :13:31. | |
long periods. As they say, happy off the table, good on it. | :13:32. | :13:46. | |
That was a frame ball. The round of applause from the crowd tells you | :13:47. | :13:56. | |
that. He will look for another century. As we have mentioned, his | :13:57. | :14:09. | |
cue ball control has been superb. He will go for the pink Ball. -- ball. | :14:10. | :14:22. | |
If he loses concentration, it is usually because the fire alarm has | :14:23. | :14:40. | |
gone off. Even though Martin Gould has beaten Marco Fu the last few | :14:41. | :14:52. | |
times here art the Crucible, he knows he is up against a good player | :14:53. | :15:02. | |
today. -- at the Crucible. Other players have been pushed to the | :15:03. | :15:10. | |
limit. The cue ball has been incredible this frame. This is the | :15:11. | :15:20. | |
first time he has played a ball that he didn't want to play. This time it | :15:21. | :15:36. | |
was blue. A wonderful break. A classy player. | :15:37. | :16:24. | |
He was entitled to a round of applause they are. -- there. He has | :16:25. | :16:43. | |
missed one. Everything else has been absolutely to the inch. He has had | :16:44. | :16:53. | |
more than 300 centuries in his career. That was one of the best he | :16:54. | :17:06. | |
has made. Perfect control. Marco Fu takes the opening frame. | :17:07. | :17:30. | |
I think he can get past the green. He has played the safety on the | :17:31. | :17:43. | |
other one. He has left a tempter here. If he | :17:44. | :21:18. | |
can run through to the blue, he can get a pot. He can't go straight to | :21:19. | :21:26. | |
the blue, but it is worth a risk. There is a red behind. He will have | :21:27. | :21:35. | |
to be a little bit careful. Beautiful shot. | :21:36. | :21:47. | |
He struck that perfectly. A little bit too straight, if I am going to | :21:48. | :22:08. | |
be critical of it. He kept the cue ball perfectly under control. It is | :22:09. | :22:16. | |
one thing to talk about it, it is another to get the judgement with | :22:17. | :22:19. | |
the pace. Marco is in a position again where | :22:20. | :23:55. | |
he can score heavily. At this red, he can bring in a few reds, or score | :23:56. | :24:00. | |
from the black, depending on what he fancies. That is the second time in | :24:01. | :24:11. | |
a frame and a half that he has slightly lost position. | :24:12. | :24:54. | |
He might play a little cannon into the two reds. He doesn't want to | :24:55. | :25:02. | |
play the kiss, but sometimes you have to. This is absolutely flawless | :25:03. | :25:18. | |
snooker. You can get brainwashed with some of these players, but the | :25:19. | :25:33. | |
cue ball has been on a string. He is playing by inches. | :25:34. | :25:46. | |
That is OK. He would have liked to have been an inch or two back up the | :25:47. | :26:05. | |
table. He would have liked to have gone for the pink. That's part of | :26:06. | :26:16. | |
the table is crowded right now. -- that part. He would have been | :26:17. | :26:26. | |
practising like all the other players, Martin Gould. Now he has | :26:27. | :26:37. | |
had to sit out for a while. He has hired -- had 25 minutes without | :26:38. | :26:53. | |
potting a ball. He hasn't tried to. He has played safety. The middle one | :26:54. | :27:04. | |
is just about pots. Too risky. I'd be surprised if he took that one. | :27:05. | :27:13. | |
Unless he can see both sides of the pocket. He is taking the left-hand | :27:14. | :27:27. | |
one of the three to make sure he gets it. That is the third time he | :27:28. | :27:34. | |
has been two inches away from public. -- from perfect. | :27:35. | :28:33. | |
He is trying to run around two cushions here to get to the black. | :28:34. | :29:03. | |
It is slightly off straight. Marco Fu just kind of gets on with his | :29:04. | :29:20. | |
work, he doesn't really do anything too flash. There is a calmness about | :29:21. | :29:31. | |
him as he walks around, and as you talk to him. He is always | :29:32. | :30:08. | |
immaculately dressed. Can only presume the rednecks to the pink is | :30:09. | :30:10. | |
what he will pot. -- red next. Well he threatened to miss that one | :30:11. | :30:46. | |
but he was just having a song, really. -- us on. That could cut out | :30:47. | :31:11. | |
his chances of making back-to-back centuries. And it has. He is still | :31:12. | :31:33. | |
to kneel in front however. Two -- zero. | :31:34. | :32:17. | |
Yes, this is not an easy safety shot to play. He has played the defensive | :32:18. | :32:40. | |
safety, and he has been very lucky. So if you can see it, this is the | :32:41. | :32:49. | |
first part that Martin Gould has had to take on. It is definitely on. Not | :32:50. | :33:02. | |
the easiest shot to have there, when you have been off the table for so | :33:03. | :33:06. | |
long. Taking the black on, he is a very | :33:07. | :33:18. | |
aggressive player Martin Gould. Well, he didn't threaten the | :33:19. | :33:55. | |
pockets. You can understand why. Is strange when you watch Martin | :33:56. | :35:07. | |
Gould break, he has not been blessed with a lot of power, and Marco Fu | :35:08. | :35:24. | |
has been a bit unlucky here. Very, very, very aggressive shot. The | :35:25. | :35:41. | |
bridging over the black doesn't make it any easier to pot. When you are | :35:42. | :36:19. | |
bridging over the ball those are easy to miss. | :36:20. | :36:45. | |
Now then, a chance to see a bit of Martin Gould on the table. He had a | :36:46. | :37:00. | |
very good win in the final qualifying round, winning seven to | :37:01. | :37:08. | |
six. He is going to have to hit a red | :37:09. | :37:45. | |
into the two red balls. He will be disappointed with that one. He did | :37:46. | :37:58. | |
not get quite enough spin on the cue ball. | :37:59. | :38:35. | |
Very thin cut this. Caught it slightly thick. | :38:36. | :39:10. | |
I am not sure where he is looking. He might be looking at a plant | :39:11. | :39:19. | |
there, I don't know if I would go for that plant. | :39:20. | :39:28. | |
That cuts is on. Well that is amazing. How could you ever overcome | :39:29. | :39:45. | |
that? I was just about to say that, it is probably an eight of an inch | :39:46. | :39:55. | |
off the cushion and he over cuts it. -- eighth. | :39:56. | :40:28. | |
Yes, there is a lot going on there when there are four balls involved. | :40:29. | :40:55. | |
It is not a certainty this plant. Marco Fu is widely recognised as one | :40:56. | :40:58. | |
of the better players in the game as well. If he had played it slowly, I | :40:59. | :41:08. | |
don't understand how he could have missed it. Martin Gould was kept off | :41:09. | :41:19. | |
the table for the first two frames, so he has to take these chances. | :41:20. | :41:57. | |
Yes, Martin will be very pleased to get active table, but then of course | :41:58. | :42:12. | |
the pressure comes on. -- back to the. You cannot continue to build if | :42:13. | :42:25. | |
you keep getting him of position. He just had to pot that black deck | :42:26. | :43:32. | |
there, rather than thin. -- thick. Just three more reds, three | :43:33. | :43:38. | |
Colours. You have got to give Martin Gould a | :43:39. | :45:13. | |
lot of credit he, -- here, to come back and build a lead after being | :45:14. | :45:15. | |
down two breaks. You could not match up two more | :45:16. | :46:18. | |
contrasting styles could you? He is very busy Martin, always looking to | :46:19. | :46:24. | |
have things happening. I don't think he plots anywhere | :46:25. | :46:44. | |
here, Not happy with that, but I think it | :46:45. | :48:33. | |
might have landed. I think he was worried here, that he may leave the | :48:34. | :48:38. | |
red on the right side of the pack. There you see his reaction, as he | :48:39. | :48:40. | |
had the ball. -- hit. It looks like he might be tempted | :48:41. | :50:52. | |
with this, but I don't see the point because I don't see how he could get | :50:53. | :50:54. | |
back into play. He could play for the blue if you | :50:55. | :51:28. | |
wanted to, and then get on a red, at the red in the centre is the ball to | :51:29. | :51:29. | |
play. -- but. Well this could go wrong. Oh wow, it | :51:30. | :51:55. | |
certainly slowed up there didn't it? I thought he had it that far too | :51:56. | :52:02. | |
hard. Is in a great spot here. He has played that well. What a | :52:03. | :52:28. | |
great position shot that was. It was not easy, he had a slight angle on | :52:29. | :52:33. | |
the black, he had to make sure he went past the red. A succession of | :52:34. | :52:50. | |
easy shots. You may have won a two recovery shots in a break, but in | :52:51. | :52:58. | |
general terms, the more you do that, the harder it is to break it | :52:59. | :53:10. | |
down. The hardest position to be in his thin cut in the middle. It is | :53:11. | :53:19. | |
all about images these days. Once you lose the image when you are | :53:20. | :53:24. | |
playing the shot, it just distracts something in the mind and you have | :53:25. | :53:35. | |
to be strong to fight against it. He had to be careful there or he might | :53:36. | :53:47. | |
have snookered himself. Some players might have been a touch firmer than | :53:48. | :53:50. | |
that but of course if he was not firm enough then he would not have | :53:51. | :53:53. | |
ended up on the red. He has played to clear this red out | :53:54. | :54:21. | |
of the way because it was a bit of an obstacle for Marco Fu. This is a | :54:22. | :54:34. | |
tougher pot. He is stretching the ball very nicely today, very smooth | :54:35. | :54:43. | |
with his cue action. We have talked about his lack of power, most | :54:44. | :54:54. | |
players would have gone for a different red, but Marco hasn't | :54:55. | :55:01. | |
developed the topspin that a lot of players have, so he leaves a | :55:02. | :55:16. | |
different angle on the black. This time though, he will play for the | :55:17. | :55:38. | |
loose red. He may use the red at the back of the pack later on. He is | :55:39. | :55:56. | |
very clever, he was just using that red to get to the other reds in the | :55:57. | :55:58. | |
pack, without using that power. Opting to get the pink into play | :55:59. | :56:37. | |
their, but it didn't quite happen. -- there. | :56:38. | :57:05. | |
It is so nice to watch different players, the way they break. When | :57:06. | :57:17. | |
Marco Fu does not have the power shot, he will think of another way | :57:18. | :57:24. | |
of opening the bunch. A prime example is the way he left them at | :57:25. | :57:27. | |
the end of the pack, and now he has them at his mercy. | :57:28. | :57:53. | |
This is a very, very high standard we are seeing here at the moment. | :57:54. | :58:33. | |
I was not going to suggest there is a possible maximum on until now. He | :58:34. | :58:54. | |
might just play for the rednecks to the pink, all depends what he | :58:55. | :59:03. | |
fancies. He knows that was a great chance. You can never guarantee what | :59:04. | :59:31. | |
you are going to get. Sometimes you get a double in the centre pocket. | :59:32. | :59:43. | |
He is playing a triple. What a shame. Martin Gould is still sitting | :59:44. | :59:57. | |
in his chair. Marco Fu leads by four frames to one. | :59:58. | :00:07. | |
Martin Gould knew he would be in for a calf match, -- tough match, but he | :00:08. | :00:18. | |
didn't expect this. Martin Gould had a look to see if | :00:19. | :01:08. | |
Marco Fu could slip past the reds, but he couldn't. Very close to the | :01:09. | :01:22. | |
pink. He has gone for the split, unintentionally. That was a very | :01:23. | :01:33. | |
unusual shot from Marco Fu. Look at him. He looks as if he has just hit | :01:34. | :01:45. | |
a hundred. He never shows it on his face. He has held the cue ball well. | :01:46. | :02:02. | |
He did a lot of checks. He needs to slow it down. | :02:03. | :03:15. | |
It has been a very open game so far. The frames are not taking too | :03:16. | :03:28. | |
long. It seems as if when one player makes a mistake, the other has got a | :03:29. | :03:42. | |
chance. Oh well. Can I have that turned back again, please? Very | :03:43. | :03:50. | |
disappointing. He didn't quite make it. It is an art. He hit it too | :03:51. | :04:13. | |
thin. You would expect someone like Martin to hit it better than that. | :04:14. | :04:23. | |
The frame times have been shot. Short. About 25 minutes. | :04:24. | :04:46. | |
He is not missing much. That is perfect pace. He left himself a | :04:47. | :05:03. | |
choice. He will want to come down the right-hand side of the table. | :05:04. | :05:16. | |
There are two reds there. A lot of players would have played that | :05:17. | :05:23. | |
differently. Marco Fu realised there was not a lot on, and he has now | :05:24. | :05:34. | |
given himself another chance to score heavily. 96% pot success red. | :05:35. | :06:00. | |
That is almost unbeatable. Lee once almost lost with that statistic. It | :06:01. | :06:14. | |
was an unbelievable. Is you get above that, you are almost | :06:15. | :06:21. | |
guaranteed to win the match. -- if you. The longer the match is, the | :06:22. | :06:41. | |
more difficult it is to sustain. It is the same with darts. I really | :06:42. | :06:55. | |
like darts. He is having a look at the reds. This is top drawer | :06:56. | :07:09. | |
snooker. You don't often think of Marco Fu as one of the great | :07:10. | :07:12. | |
players, but all you have to do is look at his record. | :07:13. | :07:53. | |
He has given this plenty of thought. It is not straight forward from | :07:54. | :08:10. | |
here. There are four groups of two reds. He has played it nicely. He | :08:11. | :08:20. | |
used the backspin necessary to get it on to get it onto -- to get it on | :08:21. | :08:29. | |
to the red. A good angle. It looks straight. It | :08:30. | :08:55. | |
kissed off the red. He has left himself a nice angle. He has only | :08:56. | :09:13. | |
missed four pots. He has potted 117. It is an incredible statistic. | :09:14. | :09:25. | |
He has only missed four. You can't get them all. Martin Gould hasn't | :09:26. | :09:43. | |
made that many mistakes. He has played twice. He just can't get it | :09:44. | :09:49. | |
in. Marco Fu is taking his time. The | :09:50. | :10:11. | |
session has just about come to an end. Quiet, please. | :10:12. | :10:26. | |
Two more reds, two colours. That is an excellent positional shot. I | :10:27. | :10:42. | |
would have thought the red had potted by the look on his face. Oh, | :10:43. | :10:55. | |
it did. He was tricking me by the look on his face. He has to make | :10:56. | :11:06. | |
sure he pots that. He didn't get anything on that. 43 points in | :11:07. | :11:23. | |
front. 51 left on the table. The reds are in a perfect spot. The | :11:24. | :11:34. | |
colours are not safe. The key thing here is to get a good white. He | :11:35. | :11:44. | |
would like to put the colour safe, but the key thing here is not to | :11:45. | :11:49. | |
leave an easy pot or a pot of any sort. He was hoping to put the black | :11:50. | :12:11. | |
on the right cushion. He is putting it there. I would not play that | :12:12. | :12:22. | |
shot. Maybe he was worried about kissing one of the others. He has | :12:23. | :12:32. | |
now lost his advantage. He doesn't need the black until the very last | :12:33. | :12:39. | |
one. He can win the game with three reds and three pinks. He doesn't | :12:40. | :12:48. | |
need the blackened till the very last. -- the black until. You need | :12:49. | :13:01. | |
to know when to use the safety. You have to trap your opponent. That is | :13:02. | :13:19. | |
very good. He has got a safety shot here, but it is not easy. He will | :13:20. | :13:33. | |
try to get the pink and the red in the corner. I think he went for the | :13:34. | :13:46. | |
pot. It was a good weight. I wouldn't have fancied that. I think | :13:47. | :13:54. | |
we have to give him the benefit of the doubt. I don't think he would | :13:55. | :14:07. | |
have missed the kiss on both the red and the pink. He is looking to push | :14:08. | :14:17. | |
it to the middle. If he hits it to the right, the ball will go to the | :14:18. | :14:29. | |
middle pocket. That is his first port shot of the day. -- poor shot. | :14:30. | :14:42. | |
I think he has got away with it. Pretty fortunate. He didn't have the | :14:43. | :14:50. | |
angle to do it. He should have cut inside the blue. He should have gone | :14:51. | :15:01. | |
on the inside. Because of where the blue stopped, this is well worth a | :15:02. | :15:12. | |
go. Nicely played. There is nothing safe. Apart from the black that | :15:13. | :15:23. | |
Marco Fu made safe earlier on. It is on the cushion. He would like to get | :15:24. | :15:33. | |
the pink and cleared the red as well. -- clear the red. It is not | :15:34. | :15:43. | |
straightforward. He has gone too far. I thought he was going for the | :15:44. | :15:55. | |
one on the cushion. That was a very good shot if he meant to do that. | :15:56. | :16:12. | |
He will be better off if the red is tight on the cushion. I am not sure | :16:13. | :16:20. | |
if it is or not. We will see in a second. If it is not tight on the | :16:21. | :16:26. | |
cushion, it will make his pot more difficult. Let's have a look to see | :16:27. | :16:37. | |
how tight it is. It is slightly more difficult. With the angle, he is | :16:38. | :16:49. | |
closer to the red. Very well paid. -- played. He has a positive mind. | :16:50. | :17:00. | |
He is looking at the scoreboard. He knows he is 29 points behind. He | :17:01. | :17:11. | |
could go for the yellow, but he is going for the slightly more | :17:12. | :17:16. | |
difficult blue. He needs the points. He played that thin. With | :17:17. | :17:31. | |
the way he has played, you have to take your hat off to Martin Gould. | :17:32. | :17:40. | |
He has had great breaks. It has been brilliant. He has made a mess of | :17:41. | :17:56. | |
that. He has got a thin cut. He might be able to check the Brown. -- | :17:57. | :18:13. | |
brown. He went for a plain ball. He has left himself the green. Between | :18:14. | :18:26. | |
the cue ball and the brown. He has given himself a chance to get the | :18:27. | :18:34. | |
pink so he can get behind the black. Under the circumstances, this | :18:35. | :18:46. | |
would be an unbelievable Clarence. -- clearance. The blacks are safe. | :18:47. | :18:55. | |
He is going to play that on the last ball. Somebody coughed when he was | :18:56. | :19:07. | |
about to play the shot. He stopped and said, cheers. If you have to | :19:08. | :19:14. | |
cough, you have to cough. I don't think that's right. This could be a | :19:15. | :19:24. | |
turning point in the match. It has been an excellent effort from Martin | :19:25. | :19:40. | |
Gould. Very well done. Great clearance from Martin. But he is | :19:41. | :19:49. | |
still 4-2 behind. That is not a very good safety. The | :19:50. | :21:31. | |
tap on the table from Martin says he appreciates it was a very poor | :21:32. | :21:33. | |
safety. All of a sudden, there are a few | :21:34. | :21:54. | |
balls being missed. There has been pressure in the last round. With the | :21:55. | :22:06. | |
green where it is, it has made it more difficult. He is going to have | :22:07. | :22:15. | |
to do something with the cue ball to miss the cannon. | :22:16. | :23:22. | |
That was a bit optimistic there, I felt. You could see what he was | :23:23. | :23:36. | |
trying to do. He was trying to hit the blue. It could have opened up | :23:37. | :23:47. | |
the whole pack. It was a very aggressive shot. He can go from | :23:48. | :23:59. | |
almost anywhere. He needs to get this right. He needs to go for the | :24:00. | :24:15. | |
angle after this and try to dislodge it. He hasn't given himself a lot of | :24:16. | :24:26. | |
room here. If you look at the cue ball, he is high up the table. It is | :24:27. | :24:37. | |
not enough of an angle to give himself a nudge. It was always going | :24:38. | :24:47. | |
to be difficult. It is about the only weakness that he has got in his | :24:48. | :24:55. | |
game. He is unable to do this then, but he more than makes up for it in | :24:56. | :25:03. | |
other departments. -- unable to do the spin. His temperament makes up | :25:04. | :25:16. | |
for it. But the cue power was not there. | :25:17. | :26:05. | |
Once again, that was unfortunate with how that red came into the | :26:06. | :26:22. | |
middle. That happened last time with the safety. He didn't want it to | :26:23. | :26:38. | |
kiss the red. He just about got past it. | :26:39. | :26:55. | |
Another example of a little bit of lack of spin. Other players would | :26:56. | :27:09. | |
have done differently. Still a good chance. He is going for the green | :27:10. | :27:25. | |
pocket. Ooh! I didn't expect him to miss that one. | :27:26. | :28:24. | |
I am sure that Martin Gould was not expecting this chance. He is able to | :28:25. | :28:43. | |
pull a frame back. Ten minutes ago, it looked like he was going to go | :28:44. | :28:48. | |
5-1 down. Now it could change. Don't think he has the same level of | :28:49. | :29:35. | |
skill is Marco Fu, but he has a different style and a different way | :29:36. | :29:45. | |
of break building. As he showed in the previous frame, he can plot the | :29:46. | :29:48. | |
difficult ones under each stream pressure as well. -- pot. It is | :29:49. | :30:24. | |
always difficult to get the pace just right, and now he will be | :30:25. | :30:28. | |
looking for an angle on the pink, or the black. He would like to get into | :30:29. | :31:23. | |
them if he can. So does he have the angle on the pink this time? There | :31:24. | :31:38. | |
is a red for pot, you cannot see those from our commentary position | :31:39. | :32:30. | |
but there is. This is his second break of over 50. He has had breaks | :32:31. | :32:48. | |
of 45 and 46. There have been a few errors creeping in in the last few | :32:49. | :32:52. | |
frames, that there has still been a high standard. | :32:53. | :33:24. | |
There are some great players in this game, but nobody can play well all | :33:25. | :33:32. | |
the time. There is too much skill involved, and too much room for | :33:33. | :33:34. | |
error. Martin Gould, that is excellent. I | :33:35. | :33:57. | |
have been very impressed with the way he has handled himself this | :33:58. | :34:01. | |
morning, he has been bombarded with excellent snooker and he is on his | :34:02. | :34:03. | |
way to getting back to 4-3. He has already made 23 centuries | :34:04. | :35:38. | |
this season. If you straight on the it will be OK, if he is not straight | :35:39. | :35:43. | |
on the green it will be tough to get on the brown. | :35:44. | :36:05. | |
Well, what a shame there was no century there, but some great | :36:06. | :36:13. | |
snooker from both players. He has got blue or pink as options. | :36:14. | :36:49. | |
Depends which taper shot he likes. Three of four inches further out and | :36:50. | :36:51. | |
I think he would be taking the pink. I think he deliberately played | :36:52. | :37:13. | |
down their to guarantee himself the red. | :37:14. | :37:28. | |
Some of the older players say you should never move a rat out with a | :37:29. | :37:32. | |
red button Marco Fu has done it twice in this break. -- red. | :37:33. | :37:52. | |
It is no good. Tough shot here. The angle there made that pot very | :37:53. | :38:34. | |
difficult. He must have thought he was getting closer to the yellow | :38:35. | :38:41. | |
than that and pocketed the brown on the wrong side. | :38:42. | :39:01. | |
As you could see, it just went into the left side of the pocket which | :39:02. | :39:07. | |
means he has cut it a little too thin. This is going to cost him, as | :39:08. | :39:21. | |
the brown is covering the green. He went all out for the yellow. He | :39:22. | :40:01. | |
played that OK. There may be a cross double on here. Bit of a good run | :40:02. | :40:46. | |
their four Marco Fu. -- there for. COMMENTATOR: He will have to stomach | :40:47. | :41:01. | |
a little bit. -- stun it. Well, you don't really want these | :41:02. | :41:34. | |
rounds at this stage of the table to meat on the table for your | :41:35. | :41:43. | |
children. -- Browns. He needs to the black. Oh. It could | :41:44. | :42:02. | |
have been worse. Marco Fu will be delighted with | :42:03. | :42:30. | |
that. Good attempt. Now he is not going to | :42:31. | :43:36. | |
play to open the pack, he is just going to move the other two reds, | :43:37. | :43:45. | |
with a safety shot. None of these shots are easy. | :43:46. | :44:08. | |
The blue is now a bit tricky but the fact that the red is over near the | :44:09. | :44:20. | |
black might create some problems. He does have an angle on this black | :44:21. | :45:10. | |
to bring the Reds into play, if he fancies that he might take it on. | :45:11. | :45:26. | |
Well, this is a pressure pot because he knows he is going to leave things | :45:27. | :45:38. | |
on. Another example of him not wanting to go all out, ringing Reds | :45:39. | :45:48. | |
into play -- bringing reds into play. | :45:49. | :46:35. | |
This has given Marco Fu a good chance now. He is not guaranteed to | :46:36. | :46:59. | |
win the frame from here, but you feel as if he won 6-3, he might | :47:00. | :47:19. | |
consider himself a little lucky. Yes he was at 4-1, but then Martin Gould | :47:20. | :47:32. | |
knuckled down and got himself back into it. | :47:33. | :48:39. | |
Now then, he is going to have to move something after this red, in | :48:40. | :48:50. | |
order to break the pack a little bit. Not sure if he played to get | :48:51. | :49:14. | |
that into position with the red, or a better angle on the black. That is | :49:15. | :49:29. | |
just about perfect. This time he needs to | :49:30. | :50:06. | |
stun into the Reds, not screw into them. | :50:07. | :50:57. | |
He is looking to see if there is a planned there as well, but there are | :50:58. | :51:07. | |
two reds he can get here as well. -- plant. As we said earlier, he does | :51:08. | :51:17. | |
tend to coax the reds out, rather than smash them. Disk crowd here at | :51:18. | :51:37. | |
The Crucible Theatre, enthralled, as we are in commentating, there has | :51:38. | :51:44. | |
been a very high standard of snooker played today. -- this. It looks like | :51:45. | :52:04. | |
Marco Fu will will be taking a three frame lead into tomorrow. He got | :52:05. | :52:20. | |
into it too much that time, he wanted to hit the left side of that | :52:21. | :52:22. | |
red, and got the right. Will very good break of 64. He will | :52:23. | :53:26. | |
take a three frame lead into tomorrow that. -- tomorrow's | :53:27. | :53:51. | |
session. Pretty good effort from where he | :53:52. | :54:18. | |
was, reaching over the ball. Now then, how will you hit that Martin? | :54:19. | :54:40. | |
More or less dead straight. He has given himself a chance now. If he | :54:41. | :54:49. | |
had have missed that it would have been all over. | :54:50. | :56:07. | |
He played that nicely. He wants the cue ball to come over a little bit. | :56:08. | :56:31. | |
Good quality stuff. It certainly isn't straightforward here. He has | :56:32. | :56:38. | |
to be careful that he does not catch the black on the way up. There are a | :56:39. | :56:45. | |
few things to think about here. Yet another attempt for Martin | :56:46. | :57:17. | |
Gould. He may just decide to screw it into the blue, that means he can | :57:18. | :57:20. | |
cover it for the other red. This has been a very enjoyable and | :57:21. | :58:08. | |
entertaining session of snooker. On the reflection of breaks this | :58:09. | :58:14. | |
session, Marco Fu has definitely been the better of the two. Lack | :58:15. | :58:33. | |
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