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COMMENTATOR: Has he got the plant?
He has! | 0:01:01 | 0:01:08 | |
Just got it away in time. There it
goes, and now where is the green | 0:01:15 | 0:01:21 | |
bowl? And look at the red bowl! | 0:01:21 | 0:01:28 | |
He has come here, the first round,
under difficult personal | 0:01:28 | 0:01:32 | |
circumstances, and he has won his
first match. What a week it has been | 0:01:32 | 0:01:38 | |
at Buchli Crow so far. Two trophies
already won. Two more up for grabs. | 0:01:38 | 0:01:51 | |
So far, the quarterfinalist that we
know of Art Darren Burnett, Mark | 0:01:51 | 0:01:54 | |
Dawes and Mark Royal. In the bottom
half, we were still waiting for our | 0:01:54 | 0:02:00 | |
first quarterfinalist, with the
likes of Stewart Anderson and Greg | 0:02:00 | 0:02:09 | |
Harlow still alive. Nicky Brett and
Mervyn King start our evening. | 0:02:09 | 0:02:19 | |
Commentary comes from John Price and
David Corkill. | 0:02:19 | 0:02:30 | |
COMMENTATOR: That is a loose one
from Nick. | 0:02:55 | 0:03:05 | |
Short of length. | 0:03:05 | 0:03:12 | |
APPLAUSE | 0:03:16 | 0:03:23 | |
14 ends played in this that so far,
hasn't had any more than a double. | 0:03:24 | 0:03:32 | |
Most players have benefited from two
of those, but all the rest of the | 0:03:32 | 0:03:36 | |
time, it has been singles. It really
reflects the standard of play. Good | 0:03:36 | 0:03:45 | |
adjustment there. | 0:03:45 | 0:03:52 | |
Shot back. | 0:04:06 | 0:04:08 | |
He hasn't played too many bowls on
that backhand. The wait was good, | 0:04:30 | 0:04:38 | |
just inside the line. I think Mervyn
has got to play this again, if he | 0:04:38 | 0:04:43 | |
gets just inside the red, author
jack. I can see why he is playing | 0:04:43 | 0:04:54 | |
it, there is danger on the other
side. A good chance on that forehand | 0:04:54 | 0:05:01 | |
to use the red to come back into the
jack. It is on the draw, John. He | 0:05:01 | 0:05:11 | |
will want to draw to the jack and
tuck it in if he can, put it in to | 0:05:11 | 0:05:17 | |
there. It will be a heavy shot
required not to waste one. I say | 0:05:17 | 0:05:25 | |
that, there is danger if he gets to
the outside red one and touches it | 0:05:25 | 0:05:30 | |
down, the other red will drop for
the shot. But I think at this stage, | 0:05:30 | 0:05:34 | |
you've got to try it, he is running
out of ends now. What a tracking | 0:05:34 | 0:05:42 | |
this is, if he has got it, he is
very close. It needs to bend now, | 0:05:42 | 0:05:46 | |
and that is unfortunate. He is, he
has pushed that Red Bull closer. -- | 0:05:46 | 0:05:55 | |
that | 0:05:55 | 0:06:02 | |
that red bowl. | 0:06:02 | 0:06:09 | |
Nick looking for the outside green
one. Touching the jack to his bowls | 0:06:20 | 0:06:25 | |
would be good, he doesn't want it
the other way, though. That has cost | 0:06:25 | 0:06:30 | |
him an extra, I think. He could be
two down our. It is small margins, | 0:06:30 | 0:06:37 | |
and if it is two, that has been a
costly bowl. | 0:06:37 | 0:06:47 | |
If Nicky doesn't tie up this set,
that could be a pivotal moment. One | 0:07:07 | 0:07:14 | |
down wasn't a big disaster, two
gives Mervyn a real chance now. He | 0:07:14 | 0:07:21 | |
was making a double, and if he had
flopped down on the jack, maybe even | 0:07:21 | 0:07:25 | |
three, that really would have killed
off the set. It was similar for both | 0:07:25 | 0:07:30 | |
players on that end, they will both
the little unlucky. Salt in the | 0:07:30 | 0:07:36 | |
wound. Right in Mervyn. | 0:07:36 | 0:07:47 | |
Looking for the trip just to move
the green bowl away, that is a | 0:07:59 | 0:08:02 | |
little better. | 0:08:02 | 0:08:09 | |
Good place, that, by Mervyn, he
needed a bowl past. | 0:08:26 | 0:08:35 | |
It gives him a chance. He needed a
bowl there to play anything on the | 0:08:50 | 0:08:54 | |
third and fourth. The back red bowl
would be absolutely perfect. | 0:08:54 | 0:09:05 | |
would be absolutely perfect. Just
inside the line. A little chance | 0:09:05 | 0:09:10 | |
from Nick if he can get onto that
jack and spring it. The drop-off for | 0:09:10 | 0:09:16 | |
that one, Mervyn with a little shake
of the head, there is no value to | 0:09:16 | 0:09:20 | |
that. He is playing heavy, he is
attacking this! I could see the | 0:09:20 | 0:09:26 | |
reason why. If he had got the side
of that jack, all the momentum would | 0:09:26 | 0:09:30 | |
have gone through it onto the green
bowl, and it is quite possible that | 0:09:30 | 0:09:35 | |
wouldn't have moved too far. And if
it had and been on the re-spot, he | 0:09:35 | 0:09:40 | |
would have been very happy with
that. Interesting choice of shot. | 0:09:40 | 0:09:50 | |
Mirfin, one, two shots, if he gets
two, he still has to win the last | 0:09:50 | 0:09:55 | |
end. So this shot really doesn't
matter too much. He has worked that | 0:09:55 | 0:10:02 | |
out, that is why he is running over
to try and cover. That is sensible | 0:10:02 | 0:10:07 | |
play, put a deep bowl in. A lot of
people saying, he is two down, but | 0:10:07 | 0:10:16 | |
if he gets two, it is 6-6, he still
has to win. | 0:10:16 | 0:10:23 | |
has to win. He still has to get one
shot in the last end anyway. He has | 0:10:24 | 0:10:29 | |
gone deep because he thinks Nicky
might run again. Playing with a | 0:10:29 | 0:10:34 | |
little more control this time,
Nicky. Hard to get back for those | 0:10:34 | 0:10:40 | |
shots, really difficult, even for
the best. | 0:10:40 | 0:10:48 | |
the best. Well, at one stage, 6-1,
it was very much looking like we | 0:10:48 | 0:10:52 | |
were heading towards a tie-break.
6-5. | 0:10:52 | 0:10:58 | |
Nicky Brett will have the last bowl
on this end, so you would say it was | 0:11:02 | 0:11:07 | |
slightly to his advantage, but
sometimes it is better to have it as | 0:11:07 | 0:11:10 | |
well, and Mervyn has been playing
very well in this direction, finding | 0:11:10 | 0:11:19 | |
it on his backhand. Come off that
fence and commit, what do you think? | 0:11:19 | 0:11:26 | |
I still have a feeling we are going
to end up with a tie-break. It has | 0:11:26 | 0:11:30 | |
been that sort of game. That sort of
match where you just feel that both | 0:11:30 | 0:11:38 | |
players have been playing so well.
This is the first bowl he has played | 0:11:38 | 0:11:46 | |
in this direction for awhile. Now,
seize the day, Nicky. He needs a | 0:11:46 | 0:11:50 | |
good one. | 0:11:50 | 0:11:52 | |
He hasn't really taken advantage,
still there. Whoever gets to the | 0:12:01 | 0:12:06 | |
jack first here will have the
advantage. Pressure building on both | 0:12:06 | 0:12:12 | |
players. This is a lot better. | 0:12:12 | 0:12:22 | |
players. This is a lot better. And
no mistakes. Correction made. Close, | 0:12:24 | 0:12:29 | |
but maybe not close enough. | 0:12:29 | 0:12:36 | |
He is not quite getting back, I just
wonder whether Nicky might be | 0:12:46 | 0:12:51 | |
tempted with the next bowl to chase
this, open it up. I reckon he | 0:12:51 | 0:12:55 | |
thought that was good. Mervyn think
so, he is going deep to gather the | 0:12:55 | 0:13:01 | |
spot. The trouble is, you can
overcome so easily. The advantage of | 0:13:01 | 0:13:09 | |
getting the jack out in the open is
that Nicky has the last bowl, but | 0:13:09 | 0:13:13 | |
look at that re-spot position, only
six inches away from it. That is the | 0:13:13 | 0:13:19 | |
problem now, he doesn't want to hit
it if he goes out on that side. | 0:13:19 | 0:13:29 | |
May be sticking with the draw. He is
going to play the forehand roar. He | 0:13:29 | 0:13:37 | |
just wants to skirt past the front
green one, and he is very close with | 0:13:37 | 0:13:41 | |
this. Is he getting back? Man, that
was so close! And he has locked the | 0:13:41 | 0:13:51 | |
green bowl in. That is an absolutely
horrible results. You can see this | 0:13:51 | 0:13:57 | |
length, just not quite getting the
drop, he is just overweight and not | 0:13:57 | 0:14:01 | |
getting the pool at the end. I would
have thought he would have bent, | 0:14:01 | 0:14:05 | |
even with a couple of feet of
weight. Mervyn King is using the | 0:14:05 | 0:14:14 | |
time-out. Is he prepared to use it
again for the match lie? He could | 0:14:14 | 0:14:23 | |
use the drawing line. But then he
will go back for the shot, you | 0:14:23 | 0:14:26 | |
think, why on earth did I do that?
He is thinking, I will be feeling | 0:14:26 | 0:14:34 | |
exactly the same thing, if I go into
this, I could offer something easier | 0:14:34 | 0:14:38 | |
for Nick. | 0:14:38 | 0:14:44 | |
He is playing with the forehand,
which suggests he is trying to play | 0:14:44 | 0:14:48 | |
a block of. He wants to be about a
foot wide of his previous short | 0:14:48 | 0:14:52 | |
bowl. That is pretty good. That is
really on the channel that Nick | 0:14:52 | 0:14:58 | |
would have been looking to come
down. Probably still there. That is | 0:14:58 | 0:15:02 | |
the tension of the moment. It is,
because Nick Brett is a big scalp to | 0:15:02 | 0:15:10 | |
take. And he is trying it again,
trying to come around the short | 0:15:10 | 0:15:13 | |
bowls. He is trying it. I don't
think he will get back around | 0:15:13 | 0:15:19 | |
Berrer. Once he did that, it was
never going to happen. What a match, | 0:15:19 | 0:15:25 | |
what an absolutely brilliant game,
and Nick Brett, world number two, | 0:15:25 | 0:15:30 | |
eases his way out of this, and a
fantastic game, it really was. | 0:15:30 | 0:15:37 | |
Couldn't ask for anything better in
terms of the quality of play, Mervyn | 0:15:37 | 0:15:41 | |
King was in top form. We all thought
Mervyn King would come back every, | 0:15:41 | 0:15:50 | |
it didn't happen. | 0:15:50 | 0:15:55 | |
It was a great match Russell to
watch. Were you feeling good going | 0:15:55 | 0:15:59 | |
into it that you were able to
produce this high-quality | 0:15:59 | 0:16:01 | |
performance? Probably not, to be
honest. It wasn't so enjoyable to be | 0:16:01 | 0:16:07 | |
out there! I know I have to play
well when I play Nick, because he | 0:16:07 | 0:16:13 | |
plays all the shots, and he showed
today, it is all about getting the | 0:16:13 | 0:16:16 | |
draw and going on, and hopefully
that works out. So, Mervyn King, | 0:16:16 | 0:16:22 | |
winner in 2006 is through to the
quarterfinals once more. Up next, | 0:16:22 | 0:16:26 | |
the match between the defending
champion, Paul Foster, and Jason | 0:16:26 | 0:16:30 | |
Greenslade, who has failed to get
past the second round here at what | 0:16:30 | 0:16:36 | |
is in the last five years. | 0:16:36 | 0:16:38 | |
COMMENTATOR: A hard first round for
him, he got through it and I think | 0:16:43 | 0:16:47 | |
you will benefit from that. It is a
big task for Jason, but he is a very | 0:16:47 | 0:16:53 | |
talented guy himself, and we expect
a good match here. | 0:16:53 | 0:16:55 | |
APPLAUSE | 0:16:55 | 0:16:57 | |
Jason wearing the cap, most unusual,
but we have had a chat with him | 0:17:05 | 0:17:09 | |
about it, and he feels it is a
useful aid to his psychology of | 0:17:09 | 0:17:13 | |
playing the game at the moment. | 0:17:13 | 0:17:23 | |
Quite interesting, early in the game
he has gone fairly short with the | 0:17:28 | 0:17:32 | |
jack, something he didn't do in the
early stages of the last round. But | 0:17:32 | 0:17:37 | |
he knows Jason, Jason likes the long
jack links, and usually Jason will | 0:17:37 | 0:17:43 | |
go automatically to 29 metres. Paul
usually waits to see how the set is | 0:17:43 | 0:17:51 | |
developing for he moves on to the
short jacks, but there is a certain | 0:17:51 | 0:17:57 | |
predictability when it comes to
Jason, where he wants to play, | 0:17:57 | 0:17:59 | |
especially at the start. | 0:17:59 | 0:18:04 | |
That is a great start by Paul. Jason
quite often would try to drive that, | 0:18:27 | 0:18:32 | |
it is a single bowl target. Most
players just try and draw a very | 0:18:32 | 0:18:39 | |
good third bowl, or a close second. | 0:18:39 | 0:18:48 | |
Didn't go very quick at that, it was
a difficult weight to use. It would | 0:18:52 | 0:19:01 | |
have been lucky if he had got the
short one into it. People who have | 0:19:01 | 0:19:05 | |
been in the game quite a while will
remember that these two had a | 0:19:05 | 0:19:09 | |
magnificent match at Preston Guild
the first year that Paul won the | 0:19:09 | 0:19:13 | |
championship. He drew to the jack,
Jason driving the jack of the rink. | 0:19:13 | 0:19:22 | |
Yes, back in 1998, it was. I then
had the pleasure of playing Paul in | 0:19:22 | 0:19:30 | |
November of that year and once
again, January, a couple of monthly | 0:19:30 | 0:19:34 | |
to. He has slightly widened it. I
think he will go again? It is a | 0:19:34 | 0:19:42 | |
wider target and he will go stiffer
this time. | 0:19:42 | 0:19:45 | |
He has got something. Once again, we
have had a few of these jacks going | 0:20:00 | 0:20:07 | |
up the rink, but this one looks like
it has gone off the confines. It he | 0:20:07 | 0:20:14 | |
could be lying three on the re-spot.
It is well off, so we will see | 0:20:14 | 0:20:19 | |
whether re-spot is. This is going to
take a rope. They go, Jason is going | 0:20:19 | 0:20:26 | |
to have a look. | 0:20:26 | 0:20:30 | |
Well, if the jack had stayed in, it
was two to Paul, the jack going out | 0:20:42 | 0:20:47 | |
on the re-spot, three to Jason. | 0:20:47 | 0:20:50 | |
Nine end sets, of course, three in
tie-break if needed. And the shot | 0:21:02 | 0:21:09 | |
clock is in play, 30 seconds after
the first bowl for a player to play | 0:21:09 | 0:21:14 | |
his bowl, with a number of time-outs
available. | 0:21:14 | 0:21:18 | |
That is a nice start, using the long
jack links, as predicted. | 0:21:30 | 0:21:38 | |
jack links, as predicted. Although
Jason is not using the straight | 0:21:40 | 0:21:41 | |
bowls that he is renowned for, he is
using the swinging bowl. | 0:21:41 | 0:21:46 | |
APPLAUSE | 0:22:13 | 0:22:15 | |
REFEREE: Shot bowl is touching. | 0:22:23 | 0:22:33 | |
Dropping over the line, and that is
the seam line of the carpet. They | 0:22:43 | 0:22:50 | |
come in strips and are sewn
together. Of course, it has to be | 0:22:50 | 0:22:57 | |
horizontal. You couldn't have a
vertical line down the middle of the | 0:22:57 | 0:23:01 | |
rink, that wouldn't work. | 0:23:01 | 0:23:03 | |
He is on the wrong side, he doesn't
want to tap that too much. That is | 0:23:07 | 0:23:12 | |
OK. | 0:23:12 | 0:23:17 | |
OK. Centre of the rink again,
picking the line-out on the longer | 0:23:17 | 0:23:20 | |
length. | 0:23:20 | 0:23:22 | |
Just that extra bit of weight
holding it. Probably would have got | 0:23:31 | 0:23:38 | |
back for second. | 0:23:38 | 0:23:41 | |
No reason to change, Jason, he has
got the good line on this side of | 0:23:46 | 0:23:51 | |
the rink. | 0:23:51 | 0:23:56 | |
APPLAUSE
That is in again. So, a bit of | 0:24:04 | 0:24:11 | |
pressure on Paul Foster here. He is
going to take a look at this, see | 0:24:11 | 0:24:16 | |
where the bowl is positioned. | 0:24:16 | 0:24:23 | |
Well, the problem for Paul is, and
this is where the difficulty is, if | 0:24:23 | 0:24:27 | |
he does get into the jack and moves
it, and sticks on the green bowl, | 0:24:27 | 0:24:32 | |
even if he moves the jack into this
position, he will still be two or | 0:24:32 | 0:24:37 | |
three down. He might just have to
draw for the second shot. I don't | 0:24:37 | 0:24:42 | |
think there is any hit that is
guaranteed to make contact at the | 0:24:42 | 0:24:45 | |
front. There is a 3-way plant, but
he is playing the seam shot, only on | 0:24:45 | 0:24:51 | |
the backhand as a draw. He doesn't
want to get to the jack. He would | 0:24:51 | 0:24:56 | |
like to sit off the side bowl, get
second. He is close with this, it is | 0:24:56 | 0:25:03 | |
all on connections now. He doesn't
want the jack. That is what I was | 0:25:03 | 0:25:08 | |
saying about them doing it on the
forehand, he didn't want the jack, | 0:25:08 | 0:25:12 | |
he wanted the bowl, and as soon as
he hit it, he was going to lose | 0:25:12 | 0:25:17 | |
three, anyway. He was very
unfortunate with this, nice weight, | 0:25:17 | 0:25:25 | |
a little bit of a wet at the end,
and that was the worst result he | 0:25:25 | 0:25:29 | |
could have had.
STUDIO: So Jason Greenslade went on | 0:25:29 | 0:25:32 | |
to take the first set and the
defending champion looked in | 0:25:32 | 0:25:36 | |
trouble. Widgery join the match in
the second set, -- we rejoin the | 0:25:36 | 0:25:41 | |
match in the second set, 4-4.
COMMENTATOR: Short jack length, and | 0:25:41 | 0:25:49 | |
he didn't look too happy about that
one. | 0:25:49 | 0:25:54 | |
APPLAUSE
That was decent. | 0:25:54 | 0:26:01 | |
Paul Foster playing a running bowl.
Two down, he's got it. It bounced | 0:27:17 | 0:27:24 | |
out. It is going to be on the
re-spot. That means there will be | 0:27:24 | 0:27:29 | |
some room all around it. | 0:27:29 | 0:27:40 | |
Francis Fletcher will look after
that. | 0:27:42 | 0:27:48 | |
Slight advantage to Jason. He has
two bowls. Paul will only have one. | 0:28:03 | 0:28:09 | |
That will not be close enough. It
depends where Paul puts this one. | 0:28:09 | 0:28:22 | |
It dropped out. It was a shot, and
then it twisted round. Paul Foster | 0:28:34 | 0:28:44 | |
would have expected to lose one.
That was unfortunate for him. | 0:28:44 | 0:29:01 | |
Interesting match. A lot of
conversion shots being played. A lot | 0:29:11 | 0:29:14 | |
of very good draws as well. Jason is
playing the best I have seen him | 0:29:14 | 0:29:20 | |
play for some time. Probably for a
couple of years on this portable | 0:29:20 | 0:29:23 | |
rink. I would say so. Paul will be
disappointed. It wasn't a great | 0:29:23 | 0:29:33 | |
final delivery. | 0:29:33 | 0:29:43 | |
I get the impression that if Paul
Foster does manage to get over the | 0:30:39 | 0:30:42 | |
line in this match, he still has
some distance to go to get that | 0:30:42 | 0:30:48 | |
position, but he will build on it.
And there have not been too many | 0:30:48 | 0:30:55 | |
weaknesses for Jason in this game.
Jason has played some really good | 0:30:55 | 0:30:59 | |
bowls. Just needs to see it out now.
Those two bowls are so important. | 0:30:59 | 0:31:11 | |
Yes, there is a positivity about
Jason's game. | 0:31:12 | 0:31:24 | |
Jason's game. Is it going to touch
it? It nearly did. Imagine if it | 0:31:24 | 0:31:31 | |
had. That would have been a foot
away. Was he lucky or unlucky? Well, | 0:31:31 | 0:31:38 | |
he hit the target. You deserve a bit
of luck when you strike well. Needed | 0:31:38 | 0:31:43 | |
just a feather on the jack. He would
have been in a good position in the | 0:31:43 | 0:31:48 | |
ditch. Now, as it stands, it's wide
open. | 0:31:48 | 0:31:56 | |
open. You can hear the crowd murmur.
That's probably about seven feet | 0:31:58 | 0:32:06 | |
away. Paul needs to make this. No
mistakes on this occasion. | 0:32:06 | 0:32:22 | |
mistakes on this occasion. He has
got the shot. | 0:32:22 | 0:32:32 | |
got the shot. He has to be careful,
because he doesn't want to fall into | 0:32:32 | 0:32:36 | |
the ditch and give away a two. | 0:32:36 | 0:32:42 | |
Lead foot off the mat, still legal.
That is to hold the ball up as long | 0:32:48 | 0:32:54 | |
as possible before they start taking
the bend. He is there. Very good. | 0:32:54 | 0:33:11 | |
It's so close to the red bowl. He is
going to have to draw it. Green is | 0:33:11 | 0:33:20 | |
third, which is dangerous. He will
definitely have to draw this. | 0:33:20 | 0:33:35 | |
He has to give it a chance, John.
Hope to get the shot or rest the | 0:33:49 | 0:33:55 | |
jack. Can't afford to be short. It
is the line Trophy they are all | 0:33:55 | 0:34:01 | |
playing for. -- in the Langham
trophy. | 0:34:01 | 0:34:14 | |
He is chasing this match. | 0:34:20 | 0:34:34 | |
He needs to win, so he has to get
four shots to defend his title in | 0:34:38 | 0:34:43 | |
the next two ends. | 0:34:43 | 0:34:54 | |
That is not bad, John, but Jason
doesn't like short bowls. The get | 0:35:31 | 0:35:36 | |
out of jail card of the running bowl
just makes it more difficult for | 0:35:36 | 0:35:39 | |
him. | 0:35:39 | 0:35:44 | |
Good first delivery by Paul. Jason
is looking for one really good bowl | 0:35:49 | 0:35:57 | |
here. | 0:35:57 | 0:36:02 | |
Major problems now. Still just about
possible for Paul to turn that away. | 0:36:21 | 0:36:32 | |
He has to play over the weight. | 0:36:32 | 0:36:44 | |
He has to play over the weight. What
does Jason do, play the backhand to | 0:36:44 | 0:36:48 | |
try and hide his own bowl with the
red bowl is? That is probably as | 0:36:48 | 0:36:52 | |
good a shot as any. Doesn't want to
leave a shoulder on the forehand. | 0:36:52 | 0:37:08 | |
I think Paul is going to have to
play a deliberate shot here. He is | 0:37:17 | 0:37:25 | |
going to have to try and shave
things on the forehand. He must make | 0:37:25 | 0:37:29 | |
a change. Even if he moves the green
bowl, the problem is that this bowl | 0:37:29 | 0:37:36 | |
is a nightmare for him. That is
blocking off the shot to get to the | 0:37:36 | 0:37:39 | |
jack to make the double that he
needs. But he is aware of the fact | 0:37:39 | 0:37:47 | |
that the match is lying against him
at the moment, so there is nothing | 0:37:47 | 0:37:50 | |
easy about this. I think he has to
take a risk and try and shave it. If | 0:37:50 | 0:37:55 | |
he gets to the edge and pushes it
out, he has got a chance. | 0:37:55 | 0:38:08 | |
On paper, that sounds good, what you
just said, Dave. But knowing the | 0:38:18 | 0:38:25 | |
hand, I feel it is more of a draw
shot to lift the green. If you can | 0:38:25 | 0:38:29 | |
get back to the jack, that is
brilliant. The problem is that if he | 0:38:29 | 0:38:37 | |
plays just a draw shot, it is only
one and you have four in the last | 0:38:37 | 0:38:42 | |
end and that is really a no go. | 0:38:42 | 0:38:53 | |
end and that is really a no go. You
might as well shake hands in a game | 0:38:53 | 0:38:54 | |
like this. That is pretty good. That
is a very good position. I still | 0:38:54 | 0:39:06 | |
think he needs to try and play for
the edge of the bowl. | 0:39:06 | 0:39:14 | |
the edge of the bowl. He is going
underneath to try and get the edge. | 0:39:14 | 0:39:18 | |
Wow, this is a hard shot. Needs a
bit of luck now. It's off. It's all | 0:39:18 | 0:39:27 | |
over. That was a tough one for Paul
Foster. Just very difficult to get | 0:39:27 | 0:39:36 | |
out of that situation. | 0:39:36 | 0:39:42 | |
out of that situation. Obviously not
vintage Paul Foster, but my goodness | 0:39:47 | 0:39:50 | |
me, Jason Greenslade played very
well. Positivity about him today, | 0:39:50 | 0:39:54 | |
good body language, really good draw
shots, the occasional hits. But he | 0:39:54 | 0:39:59 | |
played very well. Like everything
else, it's not easy to defend your | 0:39:59 | 0:40:05 | |
title. Paul, I guess that might be a
part of you that is glad it is over | 0:40:05 | 0:40:10 | |
and you can put this week behind
you? Yes and no. I was feeling | 0:40:10 | 0:40:14 | |
focused today. To be honest, I
didn't have the best of starts, but | 0:40:14 | 0:40:20 | |
I thought I was unlucky. It
ricocheted about. That gave Jason | 0:40:20 | 0:40:29 | |
the momentum. I didn't think I
played that bad, to be honest. It | 0:40:29 | 0:40:34 | |
just wasn't for me today. STUDIO: So
congratulations to Jason Greenslade, | 0:40:34 | 0:40:40 | |
who can at last look forward to a
quarterfinal at Potters. Now we | 0:40:40 | 0:40:46 | |
switch our attention to the ladies'
singles on the first of the | 0:40:46 | 0:40:52 | |
semifinals featured the defending
champion and two-time winner of this | 0:40:52 | 0:40:54 | |
title, Catherine read no and Leslie
Doig, who was part of the mixed | 0:40:54 | 0:40:58 | |
pairs winning team on Tuesday. We
doing this in the sixth end. | 0:40:58 | 0:41:06 | |
REFEREE: your last bowl was 18
inches. | 0:42:35 | 0:42:46 | |
Katherine will be looking to nail it
here. Just not close enough. Lesley | 0:42:52 | 0:42:56 | |
has not really settled into a game
plan here. I am not sure either of | 0:42:56 | 0:43:01 | |
them have. Katherine has had the
edge so far with the scoreline, but | 0:43:01 | 0:43:07 | |
it's not Katherine we know yet.
Lesley has played well in the mixed | 0:43:07 | 0:43:17 | |
pairs. She had a lot of consistency
in her play, but it has been a | 0:43:17 | 0:43:22 | |
struggle so far in the singles.
There have been occasional glimpses, | 0:43:22 | 0:43:26 | |
but it's been sporadic. She's
shaking her head. I think the | 0:43:26 | 0:43:36 | |
problem is, you know when you think
a bowl is close and ends up a yard | 0:43:36 | 0:43:40 | |
away, that is a concern. It is
certainly disappointing when you | 0:43:40 | 0:43:43 | |
think it's a winner. This is better. | 0:43:43 | 0:43:51 | |
It's a loose three. It would be
difficult for Lesley to get back | 0:44:06 | 0:44:18 | |
from that position. | 0:44:18 | 0:44:28 | |
I don't think she is sure about
this. She grimaced when she let the | 0:44:29 | 0:44:33 | |
ball go. She knew she was heavy. | 0:44:33 | 0:44:41 | |
ball go. She knew she was heavy. You
don't want to be dropping short on | 0:44:41 | 0:44:44 | |
ends like that. Got to give it a
chance, whatever happens. | 0:44:44 | 0:44:52 | |
STUDIO: So Katherine Rednall is in
control of the second, leading as we | 0:44:52 | 0:44:55 | |
rejoin it in the seventh end. | 0:44:55 | 0:45:06 | |
It's a brilliant start again. I feel
like I am running out of adjectives. | 0:45:25 | 0:45:36 | |
Well, you think about white flags
and those sorts of things. Custer 's | 0:45:36 | 0:45:41 | |
last stand. She has just kept piling
the pressure on. The first set, she | 0:45:41 | 0:45:48 | |
played better than Lesley, but by
her standard, she was a bit scrappy, | 0:45:48 | 0:45:56 | |
Katherine. But she is like a
machine. Once she gets going, she is | 0:45:56 | 0:46:00 | |
mechanical. | 0:46:00 | 0:46:10 | |
There is not a lot Lesley can do
about this except soldier on. | 0:46:11 | 0:46:20 | |
about this except soldier on. There
is an inevitability about the | 0:46:21 | 0:46:23 | |
outcome. Lesley has played some good
bowls, but unfortunately, Katherine | 0:46:23 | 0:46:28 | |
has just been a lot more consistent
overall. | 0:46:28 | 0:46:40 | |
Needs to be just a bit wider. | 0:46:49 | 0:46:57 | |
Close. That is demoralising. It's
hard work. You sort of know that | 0:47:09 | 0:47:18 | |
even when you hit it, the chances
are that you will be shot down. She | 0:47:18 | 0:47:22 | |
has been fighting a losing battle
for the last few ends. She is better | 0:47:22 | 0:47:27 | |
than what the scoreline shows, no
doubt about that. Absolutely. But | 0:47:27 | 0:47:35 | |
the four from the first end set the
tone for this set. A portable rink | 0:47:35 | 0:47:43 | |
really does take time and you have
to be here a lot of the time to know | 0:47:43 | 0:47:46 | |
how to play it. | 0:47:46 | 0:47:52 | |
how to play it. You need to come
back year after year in reality. | 0:47:52 | 0:47:58 | |
Some people play on this almost
every year for umpteen years and | 0:47:58 | 0:48:01 | |
still haven't grasped that.
Katherine is one of the ones that | 0:48:01 | 0:48:06 | |
has. | 0:48:06 | 0:48:16 | |
Come on, Lesley, get into this. Very
close this time. | 0:48:24 | 0:48:31 | |
close this time. Sometimes if you
lose a match by one shot, you can be | 0:48:34 | 0:48:37 | |
extremely disappointed. It just
wasn't Lesley Doig's day today. And | 0:48:37 | 0:48:44 | |
Katherine played well, particularly
in the second set. Turned up the | 0:48:44 | 0:48:51 | |
gears, picked up big counts on three
ends and it was always going to be a | 0:48:51 | 0:48:56 | |
situation of, could Lesley stay with
her? And it wasn't the case. So the | 0:48:56 | 0:49:02 | |
scoreline is going to look pretty
rough. But Lesley was chasing the | 0:49:02 | 0:49:06 | |
game in the second set. You were on
the sort of form that makes you hard | 0:49:06 | 0:49:12 | |
to beat. How would you describe how
well you think you play today? My | 0:49:12 | 0:49:16 | |
first bowl was really good. So I was
comfortable with any sort of length | 0:49:16 | 0:49:20 | |
I played going that way. I knew if I
could get there first, that gave me | 0:49:20 | 0:49:24 | |
a good chance of winning the end.
But I have played Lesley so many | 0:49:24 | 0:49:27 | |
times and it's always been so close.
I would go so far as to say she is | 0:49:27 | 0:49:31 | |
the best lead that I know. So she
outlived me in the mixed players | 0:49:31 | 0:49:35 | |
yesterday, so I knew I had to come
up with something special. Katherine | 0:49:35 | 0:49:41 | |
Rednall through to the final for a
fourth time. Here is what happened | 0:49:41 | 0:49:45 | |
in the second semifinal. | 0:49:45 | 0:49:56 | |
It is all about correction here,
doesn't want to be too heavy. Needs | 0:50:55 | 0:51:02 | |
to drop. | 0:51:02 | 0:51:11 | |
to drop. Just in. | 0:51:11 | 0:51:21 | |
Close again. | 0:51:26 | 0:51:36 | |
She knew she was close. The bowl was
bending. Want to get onto the green | 0:51:36 | 0:51:45 | |
one. Any touch would have been
enough. | 0:51:45 | 0:51:56 | |
Now, has that dropped out? And it is
on the flat. That helps. | 0:52:05 | 0:52:21 | |
It's a strong fence. A lot of people
sit on the fence. | 0:52:26 | 0:52:39 | |
Well, if you're not 100% sure, just
say it's close. | 0:52:41 | 0:52:53 | |
say it's close. She has already
played an almost perfect bowl in the | 0:52:53 | 0:52:55 | |
previous delivery. | 0:52:55 | 0:53:05 | |
It didn't drift too much. Another
couple of inches, and it would have | 0:53:15 | 0:53:19 | |
been peeling away from the jack. I
still favour green. I thought you | 0:53:19 | 0:53:27 | |
favoured red. | 0:53:27 | 0:53:33 | |
favoured red. Well, the marker
favours the green. I still favour | 0:53:33 | 0:53:35 | |
the red. The more we do this, the
more I think I'm at home. You do | 0:53:35 | 0:53:45 | |
realise that, don't you? | 0:53:45 | 0:53:56 | |
Dangerous enough, this. No matter
what way you look at it, any touch | 0:54:03 | 0:54:10 | |
of a dead end is coming to the red
bowl. Any touch on the red bowl is a | 0:54:10 | 0:54:14 | |
problem. Also, she can't afford to
measure... Oh, she has overplayed. | 0:54:14 | 0:54:26 | |
The marker's opinion is only that,
just an opinion. I think we have all | 0:54:26 | 0:54:34 | |
made that mistake, but you just have
to play it how you see it. I just | 0:54:34 | 0:54:38 | |
thought she would try and sneak up
with good weight, maybe drop a foot | 0:54:38 | 0:54:44 | |
short, even to get in the way of
something. Janice can afford to play | 0:54:44 | 0:54:52 | |
this. She has played a good weight
on this end. She could draw this. | 0:54:52 | 0:55:10 | |
Seemed to pick out a flatter line
there. | 0:55:17 | 0:55:23 | |
there. That touch is enough to make
a difference. When you get a touch | 0:55:25 | 0:55:30 | |
like that, it slides it across by a
quarter of an inch. She had a lot of | 0:55:30 | 0:55:36 | |
weight on that bowl. A lot more. | 0:55:36 | 0:55:45 | |
weight on that bowl. A lot more. She
only had to hit its solid or half, | 0:55:45 | 0:55:48 | |
and it would have been enough. | 0:55:48 | 0:55:54 | |
That green bowl has definitely
moved, no doubt about it. | 0:56:00 | 0:56:07 | |
The markers are very good at these
events. | 0:56:24 | 0:56:35 | |
You did say you fancied both, so you
have covered yourself. Well, you | 0:56:42 | 0:56:46 | |
have to cover yourself, but it is
one red. It is very deceiving. | 0:56:46 | 0:56:59 | |
Janice played as if the shot was
against her. This is massive, | 0:56:59 | 0:57:05 | |
because one player then things,
well, I have got away with it. Well, | 0:57:05 | 0:57:12 | |
there you go. Hard to tell, but
that's the way it works. Rebecca | 0:57:12 | 0:57:21 | |
Field takes it 2-0. It must have
been very close on that measure. | 0:57:21 | 0:57:28 | |
Because he did check the other green
one as well. A good game, an | 0:57:28 | 0:57:33 | |
interesting game. So it was the back
one that was the shot. It appeared | 0:57:33 | 0:57:39 | |
to be. 11-4 on the first set. It was
Rebecca Field all the way. She makes | 0:57:39 | 0:57:50 | |
her way to the final. STUDIO: So
Thursday's final will be between the | 0:57:50 | 0:57:56 | |
defending champion picture and
Rebecca Field, a repeat of the 2014 | 0:57:56 | 0:57:59 | |
final. Join us on the red button
from 10am on Thursday for Les | 0:57:59 | 0:58:04 | |
Gillett against Robert Paxton. Then
we will be on BBC Two at 1pm for the | 0:58:04 | 0:58:09 | |
ladies' final and Scott Edwards
against Greg Harlow. It's been a | 0:58:09 | 0:58:13 | |
dramatic day here at Potters. One
defending champion, Paul Foster, is | 0:58:13 | 0:58:16 | |
out at the open singles, but
another, Katherine Rednall, is | 0:58:16 | 0:58:20 | |
through to the final of the ladies'
singles. From all of us here at | 0:58:20 | 0:58:23 | |
Potters, I buy. -- bye-bye. | 0:58:23 | 0:58:33 |