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APPLAUSE | 0:00:34 | 0:00:40 | |
hello, everyone.
And welcome to Potters. It is the | 0:00:40 | 0:00:44 | |
most important week in the sport of
indoor bar and a chance for the best | 0:00:44 | 0:00:48 | |
players in the world to get their
hands on the most coveted of | 0:00:48 | 0:00:51 | |
trophies.
Today, it is the turn of the | 0:00:51 | 0:00:53 | |
ladies...
It is ladies finals day, and what a | 0:00:53 | 0:00:59 | |
final we have in store! And East
Anglia and Derby, two-time and | 0:00:59 | 0:01:04 | |
defending champion Katherine Rednall
from the Ipswich and district indoor | 0:01:04 | 0:01:08 | |
club, and in her semifinal yesterday
afternoon, she cruised to victory | 0:01:08 | 0:01:15 | |
over Scotland's Lesley Doig.
She will face a stern test from her | 0:01:15 | 0:01:19 | |
great friend and rival, Rebecca
Field. The Norwich bowler came | 0:01:19 | 0:01:24 | |
through a tough semifinal against
Janice Gower last night, now her | 0:01:24 | 0:01:28 | |
sights firmly set on a second world
title to add to her 2013 triumph. | 0:01:28 | 0:01:36 | |
Following that, we are back to
second round open singles action is | 0:01:36 | 0:01:41 | |
another local hero, Greg Harlow,
continues his bid for a second world | 0:01:41 | 0:01:44 | |
title... Standing in his way, the
very dangerous Scott Edwards, hoping | 0:01:44 | 0:01:52 | |
to add to his ever-growing list of
notable scalps. | 0:01:52 | 0:01:57 | |
to add to his ever-growing list of
notable scalps. | 0:01:57 | 0:01:57 | |
We are starting today with news of
the open singles and at the start of | 0:01:57 | 0:02:01 | |
the day, we knew the identity of
5/4-finalists, with three matches to | 0:02:01 | 0:02:06 | |
go. Greg Harlow in action later this
afternoon, but the first Match Of | 0:02:06 | 0:02:13 | |
The Day took place this morning
between Les Gillett, the | 0:02:13 | 0:02:15 | |
semifinalist last year, against 2016
runner-up, Robert Paxton. | 0:02:15 | 0:02:21 | |
Here is what happen.
The world singles title is missing | 0:02:21 | 0:02:25 | |
from both of these player's Seabees.
Robert Paxton's best was as | 0:02:25 | 0:02:31 | |
runner-up in 2016.
The lead changed hands five times in | 0:02:31 | 0:02:37 | |
a topsy-turvy set.
Paxton went into the final end with | 0:02:37 | 0:02:40 | |
a slender advantage. It came down to
the last bowl, arguably the shot of | 0:02:40 | 0:02:45 | |
the tournament so far from Les
Gillett. Snatching a single, tying | 0:02:45 | 0:02:50 | |
the set 8-8.
In round one, Paxton was pushed all | 0:02:50 | 0:02:54 | |
the way by Daniel Salmon, overcoming
the Welshman only in a tie-break. | 0:02:54 | 0:03:00 | |
This proved as challenging. A good
drive in the fourth end helping him | 0:03:00 | 0:03:05 | |
into the lead.
Les Gillett's first-round match was | 0:03:05 | 0:03:08 | |
a more straightforward affair,
seeing off Simon Skelton in two | 0:03:08 | 0:03:13 | |
sets, but he kept the pressure on
Paxton. | 0:03:13 | 0:03:15 | |
He managed to stay within a shot.
But Paxton took two shots at the | 0:03:15 | 0:03:21 | |
next end and in the eighth, he
played a nice draw for a match lie, | 0:03:21 | 0:03:26 | |
which Les Gillett could do nothing
about. | 0:03:26 | 0:03:29 | |
The 39-year-old from Taunton is
through to the quarterfinals and a | 0:03:29 | 0:03:32 | |
match against Mervyn King.
Well done to Robert Paxton. He is | 0:03:32 | 0:03:40 | |
through. This is the top half of the
open singles draw. Jason Greenslade | 0:03:40 | 0:03:45 | |
plays Darren Burnett, in the first
quarterfinal. Mark Dawes is against | 0:03:45 | 0:03:49 | |
Mark Royal, and at the bottom we
know at least one match in the | 0:03:49 | 0:03:53 | |
quarterfinals of the bottom half of
the draw, Mervyn King and Robert | 0:03:53 | 0:03:57 | |
Paxton, still waiting on the bottom
two matches. | 0:03:57 | 0:04:00 | |
Former world champion | 0:04:00 | 0:04:01 | |
two matches.
Former world champion John prices | 0:04:01 | 0:04:02 | |
alongside me. Now we know six of the
quarterfinalists, you can tell us | 0:04:02 | 0:04:06 | |
how strong the field is this year.
It is a good field, Paul and Alex | 0:04:06 | 0:04:13 | |
has gone out, but Darren Burnett, he
is still in, there is high quality. | 0:04:13 | 0:04:17 | |
Which player has impressed you the
most? Overall, I think Mark Dawes, | 0:04:17 | 0:04:22 | |
he's a very good player. He has a
majority in his game, he plays very | 0:04:22 | 0:04:29 | |
confidently, he owns the rink. His
attitude seems to have changed more | 0:04:29 | 0:04:33 | |
recently. He has a belief? Yes,
getting into the 16, he has the | 0:04:33 | 0:04:39 | |
respect of his opponents. He looks
to be the man to beat. Are you | 0:04:39 | 0:04:43 | |
picking him for the title? I don't
want to put pressure on him but I | 0:04:43 | 0:04:47 | |
fancy him! Thank you, John.
Let's | 0:04:47 | 0:04:52 | |
fancy him! Thank you, John.
Let's concentrate on what is coming | 0:04:52 | 0:04:53 | |
up. The first match this afternoon
is the final of the ladies singles. | 0:04:53 | 0:04:59 | |
It is between Katherine Rednall and
Rebecca Field, both players know one | 0:04:59 | 0:05:02 | |
another's games and personality very
well. | 0:05:02 | 0:05:12 | |
This is my seventh year now. I've
come to treat it like, I suppose, | 0:05:17 | 0:05:23 | |
both me and Catherine, we feel very
comfortable here. We know the people | 0:05:23 | 0:05:27 | |
who watch us, you see the same faces
every year. It's a brilliant place | 0:05:27 | 0:05:31 | |
to play bowls. I think it is just
nice to get done first, then be | 0:05:31 | 0:05:39 | |
waiting for your opponent, sitting
in the player's box watching. I | 0:05:39 | 0:05:43 | |
enjoyed the semifinals, chilling out
and watching it. The draw was set | 0:05:43 | 0:05:48 | |
up, Katherine was at the top and I
was in the bottom half. I think it's | 0:05:48 | 0:05:52 | |
a final that people are hoping to
see and I hope we go out and do both | 0:05:52 | 0:05:57 | |
of ourselves justice. I think the
only bit I get nervous about is the | 0:05:57 | 0:06:01 | |
walk on. | 0:06:01 | 0:06:10 | |
walk on. I'm so clumsy, I worry I
will fall over! But I take every | 0:06:11 | 0:06:13 | |
game as it comes. You win, you win.
You lose, you lose. We have been | 0:06:13 | 0:06:16 | |
through a lot together. It is
similar how we have come up through | 0:06:16 | 0:06:19 | |
the ranks. In March, we have played
on the internationals. We need to | 0:06:19 | 0:06:21 | |
have made up by then! We are
professionals, and it will be a nice | 0:06:21 | 0:06:25 | |
and clean fight. We are
professional, we have our game faces | 0:06:25 | 0:06:29 | |
when we get on the green. Hopefully
it will be a good quality match, | 0:06:29 | 0:06:33 | |
they usually are when we play one
another. We will get on their and | 0:06:33 | 0:06:37 | |
play really good bowls and entertain
the crowd. Katherine is dangerous, | 0:06:37 | 0:06:43 | |
she really does the damage on the
second bowl. We can both play the | 0:06:43 | 0:06:48 | |
shots. We both probably have the
best two draw is that have been here | 0:06:48 | 0:06:53 | |
over the week. It could be exciting,
there could be fireworks! Her first | 0:06:53 | 0:07:01 | |
two bowls are the strongest part of
her game. She doesn't let you in. I | 0:07:01 | 0:07:07 | |
will have to be prepared for her to
nail it with the first two, and make | 0:07:07 | 0:07:11 | |
sure my first two are equally as
good, if not better, than hers. My | 0:07:11 | 0:07:16 | |
mum and grandma have been here for
every game. They sit in the same | 0:07:16 | 0:07:20 | |
seat in the stand every time. I know
exactly where they are. My boyfriend | 0:07:20 | 0:07:24 | |
was in the players box, he looked
like nervous wreck! My mum watches | 0:07:24 | 0:07:30 | |
from behind a curtain! She isn't
very good. She loves coming but then | 0:07:30 | 0:07:34 | |
she is hopeless! You always know
when she is playing because Judith | 0:07:34 | 0:07:39 | |
is sat behind the post in the player
's box! What's the point in coming | 0:07:39 | 0:07:43 | |
if you aren't going to bother to
watch it? It has been quite a year, | 0:07:43 | 0:07:47 | |
without saying too much. It has been
quite a disappointing year. There | 0:07:47 | 0:07:53 | |
have been ups and downs. I feel like
now I am coming out of it stronger. | 0:07:53 | 0:07:58 | |
I am looking forward to the match, I
hope I play well. May the best lady | 0:07:58 | 0:08:02 | |
win! | 0:08:02 | 0:08:09 | |
Very funny listening | 0:08:12 | 0:08:13 | |
Very funny listening to the two of
them chatting away before the final | 0:08:13 | 0:08:15 | |
today. The crowd listening to every
word. Two highly decorated players. | 0:08:15 | 0:08:21 | |
Katherine Rednall, just 22 years
old, going for her third title. She | 0:08:21 | 0:08:26 | |
won last year and in 2014.
Her opponent, Rebecca Field, just | 0:08:26 | 0:08:31 | |
six years older, the winner of this
title in 2013. She and Katherine | 0:08:31 | 0:08:37 | |
fought out the final in 2014.
Katherine came out on top. | 0:08:37 | 0:08:44 | |
Alongside me, let me welcome Sian, a
Commonwealth Games gold medallist, | 0:08:44 | 0:08:48 | |
it's great to have you with me
today. These are two players you | 0:08:48 | 0:08:52 | |
know well. And two players who know
one another very well. Our positive | 0:08:52 | 0:08:56 | |
or negative is that today? They do
know one another's strengths and | 0:08:56 | 0:09:02 | |
weaknesses. They are friends and
colleagues. There are not many | 0:09:02 | 0:09:07 | |
negatives. They will not be worried
that they are friends, they will | 0:09:07 | 0:09:10 | |
both want to win. That will be
forgotten. They both spoke about the | 0:09:10 | 0:09:16 | |
other starting, with the first two
bowls, they both said that it was | 0:09:16 | 0:09:20 | |
important to better that. How key is
that for a victory this afternoon? | 0:09:20 | 0:09:27 | |
They have both carved their careers
through being specialists. Their | 0:09:27 | 0:09:32 | |
first two bowls are excellent. It's
about who settles the quickest but | 0:09:32 | 0:09:36 | |
also shot selection is essential in
this match. It is which has the edge | 0:09:36 | 0:09:40 | |
at the right time. They should both
be extremely comfortable on this | 0:09:40 | 0:09:45 | |
rink in the final. They know it so
well. They are both former winners | 0:09:45 | 0:09:50 | |
and finalists, they are both at
ease. Rebecca said yesterday after | 0:09:50 | 0:09:55 | |
her game how comfortable she felt.
Katherine has an air of | 0:09:55 | 0:10:00 | |
compatibility about her anyway. They
are both excited. Who Do You Think | 0:10:00 | 0:10:06 | |
You Are come out on top? My 50p is
going to be on Katherine Rednall | 0:10:06 | 0:10:13 | |
today! Is that all we are paying
you? Let's go over and join our MC | 0:10:13 | 0:10:18 | |
for the afternoon... | 0:10:18 | 0:10:23 | |
for the afternoon... Thank you,
Rishi | 0:10:23 | 0:10:24 | |
for the afternoon... Thank you,
Rishi. Welcome to the international | 0:10:24 | 0:10:26 | |
arena at Potters Resort, the
atmosphere is absolutely electric. | 0:10:26 | 0:10:31 | |
You could say, ladies and gentlemen,
you could say that we are feeling in | 0:10:31 | 0:10:36 | |
the pink! Let's get the ladies on
the rent! Making her fourth | 0:10:36 | 0:10:41 | |
appearance in this final, a young
lady who has proven what a | 0:10:41 | 0:10:47 | |
formidable opponent she can be --
the ladies on the rink. It's the | 0:10:47 | 0:10:55 | |
former World Matchplay champion,
Rebecca Field! | 0:10:55 | 0:10:59 | |
CHEERING
APPLAUSE | 0:10:59 | 0:11:09 | |
MUSIC: "Firework" - Katy Perry it is
hard to believe that this young | 0:11:15 | 0:11:22 | |
22-year-old made her debut
appearance four years ago and then | 0:11:22 | 0:11:25 | |
went on to win this very event.
Defending her title for the second | 0:11:25 | 0:11:29 | |
time in her career, the ladies World
Matchplay champion, the pocket | 0:11:29 | 0:11:33 | |
dynamo, Katherine Rednall! | 0:11:33 | 0:11:43 | |
MUSIC: "Mr Brightside" - The Killers
COMMENTATOR: A great atmosphere in | 0:11:47 | 0:11:54 | |
the auditorium, don't forget if you
want to contact the team with any | 0:11:54 | 0:11:57 | |
questions or tell us who you think
will win today, tweet is using the | 0:11:57 | 0:12:02 | |
hashtag BBC bowls.
Sian is in the commentary box with | 0:12:02 | 0:12:05 | |
our main man, David Colquhoun.
COMMENTATOR: An easy walk, no need | 0:12:05 | 0:12:12 | |
to scramble up here. There is plenty
of time. | 0:12:12 | 0:12:21 | |
The players are always hidden away
whenever the interviews are going | 0:12:21 | 0:12:24 | |
on. | 0:12:24 | 0:12:29 | |
on. I didn't want them to hear who
my 50p was on! Not ideal! Indeed. | 0:12:29 | 0:12:35 | |
But it has to be a good call, based
on the fact of how Catherine has | 0:12:35 | 0:12:41 | |
played so far. She has been so
comfortable. So consistent. That is | 0:12:41 | 0:12:51 | |
what I based it on, really. A great
start again. | 0:12:51 | 0:13:05 | |
The single extended to 11 ends, in
the tie-break. | 0:13:07 | 0:13:14 | |
the tie-break. The shot clock is in
action. 30 seconds to deliver the | 0:13:14 | 0:13:18 | |
ball. | 0:13:18 | 0:13:22 | |
Forehand and backhand. | 0:13:33 | 0:13:39 | |
Two red. | 0:13:53 | 0:14:01 | |
Another useful bowl. I'm not
surprised to see Rebecca, I would | 0:14:12 | 0:14:19 | |
expect it to take her a couple of
ends to settle down today. I do | 0:14:19 | 0:14:23 | |
think there's more pressure on
Rebecca Field, although Katherine is | 0:14:23 | 0:14:26 | |
defending champion. She will just
have to take a little while to | 0:14:26 | 0:14:31 | |
settle into her stride. That is a
good bowl. The problem is, there is | 0:14:31 | 0:14:39 | |
no back position, meaning she cannot
attack the head, unless she is | 0:14:39 | 0:14:43 | |
prepared to take a risk to go with
it. | 0:14:43 | 0:14:52 | |
it. Whereas Katherine can drill away
at this. The back position is | 0:14:52 | 0:14:57 | |
covered... | 0:14:57 | 0:15:02 | |
It is another one. A very impressive
start. That was great from | 0:15:11 | 0:15:19 | |
Katherine, tucked away nicely. I'm
not sure if it is counting but it is | 0:15:19 | 0:15:27 | |
another bowl in the area. If Rebecca
Field, well, she just drops out, but | 0:15:27 | 0:15:35 | |
if she wants to attack this, she
will have to be careful of her own | 0:15:35 | 0:15:39 | |
bowl. She goes quickly down the
forehand. Ooh, a great bowl. Coming | 0:15:39 | 0:15:50 | |
through and making sure she is with
it. She plays beautifully. That if | 0:15:50 | 0:15:56 | |
they get out of jail sharp!
Absolutely, she plays it perfectly. | 0:15:56 | 0:16:04 | |
She has to get to the jack and pick
up one, it was a great bowl. She got | 0:16:04 | 0:16:11 | |
herself out of trouble, certainly!
Got the connection from the Red | 0:16:11 | 0:16:20 | |
Bull, she pushed it on. Getting to
the re-spot, she would have been two | 0:16:20 | 0:16:25 | |
or three down. | 0:16:25 | 0:16:31 | |
or three down. Rebecca Field, very
capable of playing and attacking | 0:16:33 | 0:16:35 | |
shot. | 0:16:35 | 0:16:45 | |
A good opening bowl from Rebecca
Field. She will want to put | 0:16:57 | 0:17:03 | |
Katherine under as much pressure as
she can come as early as she | 0:17:03 | 0:17:06 | |
possibly can. | 0:17:06 | 0:17:16 | |
Keeping this standard going, and we
are in for an absolutely cracking | 0:17:40 | 0:17:43 | |
game! | 0:17:43 | 0:17:53 | |
A change onto the forehand. | 0:18:14 | 0:18:25 | |
She forces Katherine to playing
weight, you would expect that. She | 0:18:28 | 0:18:32 | |
is close to the tow, she could get
down... What a result! My goodness | 0:18:32 | 0:18:37 | |
me. Court goes the green. -- out
goes the green. Mum and grainy, they | 0:18:37 | 0:18:49 | |
are always in the same seat. A wry
smile there from the boyfriend. | 0:18:49 | 0:18:57 | |
Rebecca, down to the draw shot to
pull the jack back. Difficult when | 0:19:12 | 0:19:18 | |
you put on the extra weight.
Slightly overplayed here. But a good | 0:19:18 | 0:19:25 | |
effort. The running ball from
Katherine, well, she just about had | 0:19:25 | 0:19:30 | |
the edge. An incredible result. No
doubt about it, she was in the area. | 0:19:30 | 0:19:36 | |
But a maximum result to be holding
one at the end of it. And a chance | 0:19:36 | 0:19:42 | |
to add another. Plenty of room, as
well. | 0:19:42 | 0:19:53 | |
She is trying hard with this.
Perfect. Her two or three shots were | 0:19:56 | 0:20:08 | |
taken away. | 0:20:08 | 0:20:13 | |
taken away. It shows what a
versatile player Katherine Rednall | 0:20:17 | 0:20:20 | |
is. She has showed her range, with
only two bowls. | 0:20:20 | 0:20:28 | |
Jack length, 28 metres. | 0:20:38 | 0:20:48 | |
This game has quality written all
over it! Both are such good players. | 0:21:06 | 0:21:13 | |
That is their real strength. | 0:21:13 | 0:21:19 | |
That is their real strength. An
international standard, it's what | 0:21:19 | 0:21:22 | |
you get when you play with them in
the international arena. | 0:21:22 | 0:21:29 | |
That is Wayne, the fiancee of
Rebecca Field. Waiting to play his | 0:21:53 | 0:21:57 | |
match. He is on the show later this
evening, when he takes on Stewart | 0:21:57 | 0:22:03 | |
Anderson. That's always the danger
of playing the running bowl, when | 0:22:03 | 0:22:09 | |
you have one and the head, the
chance of taking your own out. She | 0:22:09 | 0:22:14 | |
chose to go early. She chose quite a
lot of weight for the shot. Now she | 0:22:14 | 0:22:19 | |
is left in a position where she has
two attack again. | 0:22:19 | 0:22:28 | |
two attack again. We see Katherine
Rednall going a little deeper this | 0:22:28 | 0:22:32 | |
time... Anything behind jack is
good. | 0:22:32 | 0:22:38 | |
Close this time... Yes. The trouble
with going again, it's always going | 0:22:55 | 0:22:59 | |
to be an issue, but the back
position was really good. By taking | 0:22:59 | 0:23:03 | |
one out, she leaves the other one.
And a huge amount of room for | 0:23:03 | 0:23:10 | |
Katherine to keep piling them in.
That is where the issue is. It will | 0:23:10 | 0:23:14 | |
be a draw that is required, I cannot
see her going for the single bold | 0:23:14 | 0:23:18 | |
target. -- bold target. Katherine
wants to score, but she doesn't want | 0:23:18 | 0:23:27 | |
to provide a shoulder. She wants to
make sure that her ball is online. | 0:23:27 | 0:23:38 | |
Well, that has got to be tempting.
You are so close, it must be | 0:23:44 | 0:23:49 | |
tempting to go again. Damage
limitation, the best you can do on | 0:23:49 | 0:23:53 | |
the draw is a third shot. You may as
well go again and take one out. She | 0:23:53 | 0:23:58 | |
will be looking to take one, if not
two come out. The best position she | 0:23:58 | 0:24:04 | |
could be in, one down. Going for the
draw... This would be very | 0:24:04 | 0:24:09 | |
impressive. | 0:24:09 | 0:24:17 | |
impressive. I'm not sure about that
shot selection. I don't even know if | 0:24:17 | 0:24:20 | |
she has made the third shot. Why not
just drive again? With Katherine's | 0:24:20 | 0:24:26 | |
last bowl, it would have looked
tempting to drive again. More of a | 0:24:26 | 0:24:30 | |
target than what was there
previously. | 0:24:30 | 0:24:37 | |
previously. The bowl on the jack.
She was capable of scoring. She had | 0:24:37 | 0:24:41 | |
options. | 0:24:41 | 0:24:51 | |
options. 5-1 after three ends. | 0:24:51 | 0:25:03 | |
Macro one, 28 metres. | 0:25:15 | 0:25:24 | |
Long jack Lowden. Comfortable there.
Rebecca Field will have to start | 0:25:29 | 0:25:39 | |
making the first two battle hers. It
is about winning that one. | 0:25:39 | 0:25:47 | |
She has dropped straight in. From
the first, she was bang, bang, bang. | 0:26:16 | 0:26:30 | |
Just tucking in behind the jack this
time. Making another double... | 0:26:55 | 0:27:04 | |
This doesn't look good. She has lost
her way in the centre. She needs to | 0:27:10 | 0:27:18 | |
settle down and get back to drawing.
That is what she does best. | 0:27:18 | 0:27:26 | |
That is what she does best. Looking
at a third one here. | 0:27:26 | 0:27:33 | |
Dropped out, it may have made the
fourth. One ball very close. You | 0:27:57 | 0:28:03 | |
would expect Rebecca Field to draw
this. | 0:28:03 | 0:28:09 | |
this. It would be a very loose
forward to lose. I would expect | 0:28:09 | 0:28:15 | |
Rebecca to redraw the shot. But she
does not like this one... If that is | 0:28:15 | 0:28:22 | |
the case, she may be worried about
an over correction. | 0:28:22 | 0:28:29 | |
an over correction. She has
overplayed it... She has taken the | 0:28:29 | 0:28:31 | |
front out. She may save the other.
It is still three. We favoured | 0:28:31 | 0:28:39 | |
three. I think they will probably
measure it, though. I would have | 0:28:39 | 0:28:46 | |
expected her to get in there. Yes,
she knew that it was heavy. It's a | 0:28:46 | 0:28:54 | |
good sign but when you let one go
like that and you are four feed | 0:28:54 | 0:28:58 | |
through and you thought you were
close to the jack, that is a | 0:28:58 | 0:29:03 | |
concern. Two out, a measure for the
third. Early days in this set. But | 0:29:03 | 0:29:11 | |
the gap is, well, rapidly it is
getting very big. You don't want the | 0:29:11 | 0:29:18 | |
player to get away by more than a
few shots. | 0:29:18 | 0:29:27 | |
Katherine anxious to get on with it. | 0:29:28 | 0:29:35 | |
REFEREE: Three shots, Katherine
Rednall. | 0:29:42 | 0:29:50 | |
It's not that she's playing badly
but Katherine is taking her | 0:29:50 | 0:29:54 | |
opportunities to capitalise when she
is holding. She's had a couple of | 0:29:54 | 0:30:00 | |
nice ends and when you have loose
ends at this level you will be | 0:30:00 | 0:30:04 | |
punished and if you're opponent
scores in multiples it is a problem. | 0:30:04 | 0:30:12 | |
There is plenty of evidence to go
but Katherine Rednall may feel this | 0:30:12 | 0:30:17 | |
is a bit of an uphill battle and
this next end is key. | 0:30:17 | 0:30:27 | |
Much better start from Rebecca
Field. | 0:30:48 | 0:30:54 | |
REFEREE: One green. | 0:31:14 | 0:31:23 | |
This is definitely more like it now,
first ball in, the second just | 0:31:26 | 0:31:33 | |
drifting round behind. That's always
very useful. It just gives her | 0:31:33 | 0:31:38 | |
options for later in the end if she
needs them. | 0:31:38 | 0:31:49 | |
Good from Katherine, just playing up
to it. Just as the ball comes in it | 0:31:53 | 0:32:04 | |
touches the jack, it will be sprayed
with chalk and that means it is | 0:32:04 | 0:32:08 | |
touching. Goes into the ditch and
stays live. That's what the spray | 0:32:08 | 0:32:15 | |
chalk is for. If the ball goes into
the ditch without touching them it's | 0:32:15 | 0:32:20 | |
taken away. All of the bowlers know
that but we have a large audience of | 0:32:20 | 0:32:29 | |
non-bowlers. | 0:32:29 | 0:32:34 | |
There we go, tweet using #BBC Bowls.
Questions will be received, looked | 0:32:34 | 0:32:46 | |
at and if we can answer that we will
surely drive. | 0:32:46 | 0:32:51 | |
Please don't make them too
complicated. | 0:32:51 | 0:33:01 | |
Great effort from Rebecca Field
trying to turn the Red Bull onto the | 0:33:30 | 0:33:35 | |
jack. Gets the single. -- the red
ball. | 0:33:35 | 0:33:49 | |
APPLAUSE | 0:34:25 | 0:34:29 | |
Once again, her first ball getting
in. | 0:34:29 | 0:34:43 | |
This has happened a few times during
this match already. The first two | 0:35:30 | 0:35:36 | |
balls of Rebecca Field have gone a
bit wayward. She just hasn't got | 0:35:36 | 0:35:40 | |
into any sort of rhythm yet. No,
there has been flashes of it on some | 0:35:40 | 0:35:44 | |
occasions. You're right, but nothing
consistent. The trouble is playing | 0:35:44 | 0:35:51 | |
her third bowl she will be in a heap
of trouble. Here it comes. Tempted | 0:35:51 | 0:35:59 | |
to run down on the forehand at this
and try and make a disturbance. | 0:35:59 | 0:36:09 | |
Just drawing in, a lot closer, has a
chance on the second bowl. Just | 0:36:13 | 0:36:20 | |
sliding off. I think she will be
keen to keep drawing to try and hit | 0:36:20 | 0:36:24 | |
her stride. She knows she's got to
do something in the second set. She | 0:36:24 | 0:36:30 | |
will want to just get into her
groove as quickly as she possibly | 0:36:30 | 0:36:32 | |
can. Still time to go, only on the
sixth end | 0:36:32 | 0:36:44 | |
sixth end of 11. Two sets. On the
pull of the jack Rebecca Field can | 0:36:44 | 0:36:55 | |
pick up a couple. Extra time out, of
course, | 0:36:56 | 0:37:04 | |
course, given for 11 end finals.
Katherine is a very quick player. | 0:37:04 | 0:37:09 | |
She sees danger, she is going deep,
she thinks Rebecca will be playing | 0:37:09 | 0:37:13 | |
into this. The crowd realise that
too. Good odds to play into this. | 0:37:13 | 0:37:23 | |
Yeah, she has the option of the
bowl, the jack is what she wants but | 0:37:23 | 0:37:29 | |
there is a couple of different
opportunities. | 0:37:29 | 0:37:37 | |
She doesn't like it, David. She
didn't push through it, that's the | 0:37:40 | 0:37:48 | |
problem. Oh dear. You can hear the
crowd murmuring at that. The old | 0:37:48 | 0:37:58 | |
adage is, you can't get anything if
your Mac and not up. She shouldn't | 0:37:58 | 0:38:02 | |
have been short at that, even if she
was drawing she should have made | 0:38:02 | 0:38:07 | |
sure she was positive she had the
chances there. This set is going | 0:38:07 | 0:38:11 | |
away now, third three, 12-1, a
couple more ends and there will be | 0:38:11 | 0:38:20 | |
no return. | 0:38:20 | 0:38:26 | |
There is only one thing for Rebecca
Field now, and that is to try and | 0:38:32 | 0:38:38 | |
extend this set for as long as
humanly possible, just try and get a | 0:38:38 | 0:38:44 | |
couple of shots, try and force it
down to the last two ends. The | 0:38:44 | 0:38:50 | |
longer she is out there there is
more chance of her working her way | 0:38:50 | 0:38:53 | |
into the match. But Katherine is not
letting up and to be fair she is | 0:38:53 | 0:39:00 | |
getting a bit of a free run at the
moment. She is but she is playing | 0:39:00 | 0:39:05 | |
very well. She looks very
comfortable out there. It's easy, I | 0:39:05 | 0:39:10 | |
suppose, when you are just adding
them in but she is still doing it. | 0:39:10 | 0:39:15 | |
APPLAUSE | 0:39:16 | 0:39:22 | |
Look at this, one all on the front
of the Jack and the next one a | 0:39:36 | 0:39:42 | |
couple of inches behind, 18, 20
inches. Julie Potter in pink today. | 0:39:42 | 0:39:51 | |
Always very colourful, is Judy. | 0:39:51 | 0:39:59 | |
And of course Sian in her usual
seat. No one would dare get in | 0:40:04 | 0:40:12 | |
there. Not a chance of sitting on
that one. | 0:40:12 | 0:40:23 | |
Everything in a line, it's not easy.
But again there is that drop short | 0:40:34 | 0:40:42 | |
haul. It is a bit of a struggle, to
say the least. There is one green | 0:40:42 | 0:40:49 | |
one in there but the other two are
wayward. She's just scratching | 0:40:49 | 0:40:53 | |
around and she can't find her way.
She had to attack on the first end | 0:40:53 | 0:40:58 | |
of the set, saved herself, and since
then she has not been able to string | 0:40:58 | 0:41:02 | |
a few together. That's what she
needs, she just needs a couple of | 0:41:02 | 0:41:08 | |
good ends and to settle down. And
then it comes, doesn't it? Well, it | 0:41:08 | 0:41:15 | |
does, and for Katherine she is just
blasting away there, taking every | 0:41:15 | 0:41:20 | |
single opportunity she can. She will
come off that green. That has opened | 0:41:20 | 0:41:24 | |
things in terms of a target. She
really needed to get past it. So, if | 0:41:24 | 0:41:30 | |
I was Rebecca Field here I would
play a running bowl at this just to | 0:41:30 | 0:41:35 | |
try and open things up. There is a
back green bowl that might be very | 0:41:35 | 0:41:40 | |
useful. She's got to. She might want
to release a bit of frustration as | 0:41:40 | 0:41:45 | |
well, it might do her good. Release
the tension. Get rid of it. She's | 0:41:45 | 0:41:50 | |
gone for back and draw within two
inches. I think that's surprising | 0:41:50 | 0:41:58 | |
considering how her drawing has been
so far. I would have pushed right | 0:41:58 | 0:42:02 | |
through that just to... I think I
would have got my arm going on that | 0:42:02 | 0:42:08 | |
one. Get it out of my system. She's
probably thinking to herself, I will | 0:42:08 | 0:42:13 | |
just draw this and try and find good
weight but sometimes it's just not | 0:42:13 | 0:42:17 | |
the right shot and the run continues
with. | 0:42:17 | 0:42:26 | |
the right shot and the run continues
If you are Rebecca Field supporter | 0:42:26 | 0:42:30 | |
that scoreline looks pretty
frightening. | 0:42:30 | 0:42:37 | |
That was loose from Katherine. She
missed the chance to get close to | 0:42:58 | 0:43:03 | |
the first ball so now it's time for
Rebecca to try and take advantage of | 0:43:03 | 0:43:07 | |
that. This certainly looks better.
That is an encouraging clap, I | 0:43:07 | 0:43:16 | |
think. I think the crowd want
Rebecca to pull up and this to be a | 0:43:16 | 0:43:21 | |
bit of a battle. At the moment it's
very one sided, always disappointing | 0:43:21 | 0:43:26 | |
in the final. | 0:43:26 | 0:43:34 | |
The ball dropped but it didn't make
any difference. | 0:43:52 | 0:43:58 | |
Too many opportunities. | 0:44:10 | 0:44:12 | |
APPLAUSE | 0:44:12 | 0:44:19 | |
This is better. There you go.
INAUDIBLE | 0:44:32 | 0:44:40 | |
The crowd appreciated as well. They
don't want a one-sided final. | 0:44:40 | 0:44:49 | |
Katherine is well aware of the fact
that if she scored one on this end | 0:44:49 | 0:44:56 | |
the set was over. Yeah, she switched
over. | 0:44:56 | 0:45:03 | |
She's not too far away, just on the
outside. Very good for the draw. | 0:45:09 | 0:45:14 | |
Good weight. | 0:45:14 | 0:45:20 | |
Good weight. And another rolling
into the ninth end. | 0:45:20 | 0:45:23 | |
Short bowls. | 0:45:32 | 0:45:42 | |
Well, there is no doubt about the
fact that the set's gun, without a | 0:45:43 | 0:45:49 | |
shadow of a doubt, it has gone. --
the set has gone. Katherine will not | 0:45:49 | 0:45:57 | |
allow Rebecca to score three counts
the way she's playing. Three counts | 0:45:57 | 0:46:01 | |
of four, she is not. No. | 0:46:01 | 0:46:08 | |
of four, she is not. No. It ends two
singles, and it's just not enough. | 0:46:11 | 0:46:18 | |
Splattering of the odd two or three
in there, you would say there are | 0:46:18 | 0:46:22 | |
indications that she can push
through into the second set, but at | 0:46:22 | 0:46:27 | |
the moment there is nothing to say
it will be any better. Sometimes | 0:46:27 | 0:46:36 | |
psychologically when you start the
second something shifts, especially | 0:46:36 | 0:46:39 | |
if you've been beaten quite
comfortable in the first set. It's | 0:46:39 | 0:46:42 | |
quite nice to get that set out of
the way, and it has gone and you can | 0:46:42 | 0:46:47 | |
start afresh. I hope that is what
will happen here. That is the joy of | 0:46:47 | 0:46:55 | |
the set system, you can get away
with that, go down 13-2, 14-2, | 0:46:55 | 0:47:00 | |
whatever the case may be an start
off 0-0 and if you win that set you | 0:47:00 | 0:47:05 | |
are in a tie-break, it's not
accumulated shots. You can win by a | 0:47:05 | 0:47:15 | |
high margin, or just squeak the set
and go on to win, that's the great | 0:47:15 | 0:47:19 | |
thing about sets. The wrong side of
it. It had the weight, though. | 0:47:19 | 0:47:35 | |
Just wanted to get close to the
jack. | 0:47:47 | 0:47:59 | |
First set is going to be over this
end. | 0:47:59 | 0:48:10 | |
Not good enough, too many short
bowls. | 0:48:35 | 0:48:44 | |
Time to move on. 13-3, no need for
the last two ends, and the Rednall | 0:48:44 | 0:49:01 | |
camp will be very happy at the
moment. Only halfway there. She had | 0:49:01 | 0:49:10 | |
a little look up. She did, that's
unusual for her. She's normally very | 0:49:10 | 0:49:15 | |
focused on things. There is a big
screen on the arena and it's shown | 0:49:15 | 0:49:21 | |
on the screen. | 0:49:21 | 0:49:28 | |
APPLAUSE | 0:49:48 | 0:49:50 | |
Very good end from Katherine after a
poor start from Rebecca in the | 0:49:50 | 0:49:56 | |
second set. This needs to be better. | 0:49:56 | 0:50:02 | |
Rebecca switching over here, badly
needed. Two loose bowls. She will be | 0:50:44 | 0:50:55 | |
happy to get that one in there. She
wants to get off and running in | 0:50:55 | 0:51:00 | |
this, doesn't want to be losing
counts. Katherine Rednall close with | 0:51:00 | 0:51:07 | |
this one. Very close. Very good bowl
from Katherine Rednall. Not letting | 0:51:07 | 0:51:13 | |
up on things. | 0:51:13 | 0:51:20 | |
Just on the high side. I didn't mind
the weight so much because there was | 0:51:34 | 0:51:38 | |
always a chance with that weight.
Now, Katherine could be trying to | 0:51:38 | 0:51:45 | |
draw another and if she touches the
jack she could make three, and that | 0:51:45 | 0:51:49 | |
would really hurt. It's very close
here, could break well for | 0:51:49 | 0:51:55 | |
Katherine, great bowling. Not an
easy two to make but my goodness me | 0:51:55 | 0:52:00 | |
she made it look easy. She's in
total control out there at the | 0:52:00 | 0:52:05 | |
moment. She's very comfortable, she
is playing very well. Rebecca had a | 0:52:05 | 0:52:11 | |
little sneak them, and she batted
her back away. | 0:52:11 | 0:52:21 | |
her back away. Absolutely. Wonderful
arena at the Potters Leisure Resort. | 0:52:21 | 0:52:27 | |
Always get good crowds. | 0:52:27 | 0:52:37 | |
APPLAUSE | 0:52:48 | 0:52:50 | |
Once again another good start. | 0:52:50 | 0:52:59 | |
Generally speaking, the women
players will use slightly smaller | 0:53:00 | 0:53:07 | |
bowls, not everyone does. Good reply
from Rebecca. Quite often they are | 0:53:07 | 0:53:14 | |
using a size two or a size three. We
do get some of the players using | 0:53:14 | 0:53:21 | |
84-macro, very rarely a five. I
think it is rare for to play with | 0:53:21 | 0:53:26 | |
anything above a four. -- players
using a four. The men would | 0:53:26 | 0:53:32 | |
generally use a size four. It goes
all the way down to zero for small | 0:53:32 | 0:53:38 | |
hands. The manufacturers are all the
same, the biases are the same that | 0:53:38 | 0:53:48 | |
are available for men and women and
the grips as well. | 0:53:48 | 0:53:56 | |
Of course, when they come here there
is a lot of pool bowls available, as | 0:53:56 | 0:54:03 | |
we call them, 30 or 40 sets of those
and people can choose which to use. | 0:54:03 | 0:54:08 | |
But the top players have their own.
Just dropped out. They would often | 0:54:08 | 0:54:14 | |
have two sets, the green and the red
provided by sponsors. Of course, the | 0:54:14 | 0:54:22 | |
general rule is people should play
with the biggest bowl that they can | 0:54:22 | 0:54:25 | |
comfortably throw. That was always
the advice. It was, I think it's old | 0:54:25 | 0:54:33 | |
advice now. Look at this ball going
down now about four feet short. Used | 0:54:33 | 0:54:37 | |
to be the case the smaller bowls
would swing all over the shop but | 0:54:37 | 0:54:41 | |
that's not the case now either. | 0:54:41 | 0:54:49 | |
That question was posed by William
Jones, who I think described the | 0:54:58 | 0:55:02 | |
bowls as Woods, that's a different
story altogether, a reference back | 0:55:02 | 0:55:07 | |
to the old days. How she got it
through to her own? Yes, she has. | 0:55:07 | 0:55:16 | |
Great bowl. She got it very close to
the jack. There is a good shot | 0:55:16 | 0:55:25 | |
there. Bowl to bowl, one or two,
depending on the contact made. | 0:55:25 | 0:55:41 | |
Down on the forehand. It is hard to
pick a line out on this particular | 0:55:42 | 0:55:48 | |
shot. I was just thinking she could
get that one into it. That would | 0:55:48 | 0:55:54 | |
have been fortunate but Katherine
Rednall yet again gets in. | 0:55:54 | 0:56:05 | |
APPLAUSE | 0:57:27 | 0:57:35 | |
The gap on the last bowl? REFEREE:
The gap on the last bowl, 14 inches. | 0:57:36 | 0:57:51 | |
This is better from Rebecca. Got a
chance with it. Needs to hurry. Yes, | 0:57:53 | 0:58:01 | |
very good. It's almost painful
coming in, that one. It was. Some | 0:58:01 | 0:58:14 | |
movement there as well. It will
settle for one shot. | 0:58:14 | 0:58:29 | |
settle for one shot. On the forehand
looking for the deep red ball, drop | 0:58:29 | 0:58:33 | |
off it and make it two. | 0:58:33 | 0:58:40 | |
Good weight. Just try and stay away
from the jack a little bit, just | 0:58:44 | 0:58:51 | |
overplayed the line. | 0:58:51 | 0:58:57 | |
overplayed the line. Katherine, she
is enjoying this. If she touches the | 0:58:57 | 0:59:00 | |
jack she will make a double. People
say about scoring twos and threes, | 0:59:00 | 0:59:04 | |
we refer to them as doubles and The | 0:59:04 | 0:59:13 | |
we refer to them as doubles and The.
-- doubles and trebles. At the | 0:59:15 | 0:59:23 | |
international level that is just
what we do. | 0:59:23 | 0:59:26 | |
APPLAUSE
It is already bowls. Look at the two | 0:59:26 | 0:59:37 | |
at the bottom of your picture, that
will make life very difficult -- it | 0:59:37 | 0:59:41 | |
is all red bowls. I don't see much
on four Rebecca Field here. Just try | 0:59:41 | 0:59:47 | |
and draw up to it. | 0:59:47 | 0:59:55 | |
It is another end where Rebecca
Field doesn't have any back | 0:59:55 | 0:59:58 | |
position. Her choices are so
limited. It wasn't too bad, to be | 0:59:58 | 1:00:06 | |
honest with you. Narrowing it a
shade... Had to be the perfect draw. | 1:00:06 | 1:00:13 | |
Once again, she pops it in,
Katherine Rednall. | 1:00:13 | 1:00:23 | |
Jack length, 28 metres. | 1:00:40 | 1:00:46 | |
A short ball again, isn't it? That
has been the default with the first | 1:01:21 | 1:01:28 | |
two, from Rebecca. It makes life so
much harder for herself. That is the | 1:01:28 | 1:01:32 | |
problem. Katherine is just punishing
her, at the moment. | 1:01:32 | 1:01:47 | |
Turned her back on it again. She
really is struggling. It is hard to | 1:01:54 | 1:02:00 | |
watch, this. Because she is so much
better, we all know that. In the | 1:02:00 | 1:02:06 | |
meantime, Katherine Rednall is
getting a free run. She is doing | 1:02:06 | 1:02:10 | |
exactly what she has to do to take
advantage. You cannot give Katherine | 1:02:10 | 1:02:15 | |
Rednall a free run. As simple as
that. That was always the danger. | 1:02:15 | 1:02:20 | |
She is playing so well in all of
these matches. She is very | 1:02:20 | 1:02:25 | |
confident, very relaxed out there.
Rebecca will have known that she | 1:02:25 | 1:02:31 | |
needed to get up there for the first
two in particular. | 1:02:31 | 1:02:38 | |
Really, really good stuff from
Katherine Rednall. She finds the | 1:03:22 | 1:03:26 | |
line as well. Just acknowledging
that level of skill. | 1:03:26 | 1:03:34 | |
that level of skill. Short-term
retentive memory online and weight. | 1:03:34 | 1:03:37 | |
It is very much with the
22-year-old. | 1:03:37 | 1:03:46 | |
Really, Rebecca is left in so much
trouble, in the end. And over | 1:03:46 | 1:03:51 | |
correction... Understandable. It
isn't easy to do a shot there with | 1:03:51 | 1:03:58 | |
four down. Katherine makes it look
so easy, at the moment. | 1:03:58 | 1:04:12 | |
so easy, at the moment. Katherine
Rednall's camp, very happy at the | 1:04:12 | 1:04:15 | |
moment. Working out how many ends
they have to go. It is difficult, | 1:04:15 | 1:04:24 | |
not good to see but you have to
appreciate that it is an exhibition | 1:04:24 | 1:04:28 | |
on one side. Rebecca Field, at the
moment, has no answer. | 1:04:28 | 1:04:42 | |
Great work for Rebecca Field. | 1:05:03 | 1:05:11 | |
It gives her a good starting point
now. Can play either side. Making | 1:05:18 | 1:05:24 | |
the double. | 1:05:24 | 1:05:29 | |
Got a chance with this. A little
touch on it. That is remarkable, | 1:05:41 | 1:05:47 | |
really. That is what we expect from
Rebecca Field, two balls like that. | 1:05:47 | 1:05:57 | |
She is a very accomplished player,
she has a really strong record. We | 1:05:57 | 1:06:02 | |
know that she can bowl like this.
She has a chance here. Forcing | 1:06:02 | 1:06:09 | |
Katherine into a running ball. She
has missed. Moving to the other | 1:06:09 | 1:06:13 | |
side. Staying away from the jack.
Trying to go deep, expecting | 1:06:13 | 1:06:18 | |
Katherine to get it. A jack on the
corner would be good... | 1:06:18 | 1:06:29 | |
corner would be good... Outstanding!
Absolutely. | 1:06:29 | 1:06:39 | |
Looks under... Four shots coming up. | 1:06:39 | 1:06:56 | |
Now, Rebecca, no mistakes... Four
shots, look at those four shots. | 1:07:12 | 1:07:23 | |
CHEERING
, APPLAUSE | 1:07:23 | 1:07:30 | |
She never put her under pressure in
the entire match. | 1:07:30 | 1:07:38 | |
the entire match. She forced
Katherine into plain two weighted | 1:07:38 | 1:07:41 | |
balls, she did so quickly. Both with
each of them. See what happens | 1:07:41 | 1:07:46 | |
now... | 1:07:46 | 1:07:56 | |
A very good opener. | 1:08:22 | 1:08:28 | |
Katherine Rednall, doing just enough
to get the shot... | 1:09:22 | 1:09:29 | |
The danger of the short balls
again... | 1:09:57 | 1:10:04 | |
again... They are like a horrible
magnet, sometimes. Rebecca Field | 1:10:04 | 1:10:10 | |
really needs to draw this, after
picking up four. To get the impact | 1:10:10 | 1:10:16 | |
of the full house by picking up a
single at the next end. Need to | 1:10:16 | 1:10:22 | |
hurry with this, though. A little
lazy looking. | 1:10:22 | 1:10:29 | |
lazy looking. That is a shame. She
would be very disappointed with | 1:10:29 | 1:10:37 | |
that, after the last end and roaring
so well. -- drawing. Katherine has a | 1:10:37 | 1:10:44 | |
chance here. | 1:10:44 | 1:10:54 | |
10-4, 8-5, it is a big difference.
And it lessens the impact of the | 1:10:55 | 1:11:01 | |
four at the previous end.
That is very good. Well done, | 1:11:01 | 1:11:09 | |
Katherine Rednall. She almost looks
a little fazed for the first time, | 1:11:09 | 1:11:18 | |
in the last end, when she was forced
into playing those running goals. | 1:11:18 | 1:11:23 | |
But she has settled back down, now.
Of | 1:11:23 | 1:11:29 | |
Of course, Rebecca Field has to win
the set. Even coming down to draw | 1:11:29 | 1:11:34 | |
it, that would not be sufficient. | 1:11:34 | 1:11:45 | |
Jack length, 28 metres. | 1:11:51 | 1:12:02 | |
Normal service resumed. | 1:12:10 | 1:12:20 | |
I think she knew it was slightly
through the head. From her body | 1:12:53 | 1:12:56 | |
language. The backhand will be hard
to get the shot, that has to be a | 1:12:56 | 1:13:03 | |
perfect draw. | 1:13:03 | 1:13:12 | |
perfect draw. Closer with this one.
She has played the perfect draw. An | 1:13:12 | 1:13:19 | |
absolutely perfect draw. | 1:13:19 | 1:13:29 | |
Katherine prepared to a ripe with
this. Pushing the jack into it... | 1:13:35 | 1:13:42 | |
That was perfect for it. She could
even afford to play it with slightly | 1:13:42 | 1:13:47 | |
more. She has the position to.
Absolutely. | 1:13:47 | 1:13:57 | |
Absolutely. Rebecca Field has always
played a very good ball. That is | 1:13:57 | 1:14:01 | |
clever. I'm not sure if she meant it
to be there. She would try and draw | 1:14:01 | 1:14:06 | |
the jack. She needs shots. It is a
good receiving position. But | 1:14:06 | 1:14:13 | |
actually, Katherine Rednall has
control of the end. In terms of how | 1:14:13 | 1:14:17 | |
the head lies. Even though she is
one shot down. | 1:14:17 | 1:14:24 | |
one shot down. She looks for
something similar. So close on the | 1:14:24 | 1:14:26 | |
third. Know, something is wrong. | 1:14:26 | 1:14:40 | |
This is all about making the
scoreline look respectable, now. | 1:15:00 | 1:15:05 | |
Trying to get another two or three
shots on the card. She needs to | 1:15:05 | 1:15:10 | |
score more than one, one is OK but
it will not get her back in. | 1:15:10 | 1:15:20 | |
it will not get her back in. Her
fourth single of this match... 16 | 1:15:20 | 1:15:24 | |
ends with 14-mac. | 1:15:24 | 1:15:29 | |
ends with 14-mac. -- with one four.
I would have thought she went to do | 1:15:34 | 1:15:41 | |
something different to shake it up a
little bit. Not an awful lot | 1:15:41 | 1:15:47 | |
different to what we have been
playing. No. | 1:15:47 | 1:15:56 | |
You can see Katherine Rednall,
anything over 27 metres and she | 1:16:25 | 1:16:30 | |
scores heavily. A huge difference in
percentage. Massive, if anything, | 1:16:30 | 1:16:35 | |
Rebecca Field should be going down
to 23 or 24 metres to compete there. | 1:16:35 | 1:16:40 | |
She matched her at 23-25. You would
have thought that is where she | 1:16:40 | 1:16:45 | |
should be putting it. Better here. | 1:16:45 | 1:16:57 | |
A chance to get one right in again.
Still getting the ball away nice and | 1:17:13 | 1:17:21 | |
smooth. Tension has not affected her
delivery. Needs to hurry, though. A | 1:17:21 | 1:17:34 | |
little bit of the old yard-itis, as
we call it in the bowls world. | 1:17:34 | 1:17:41 | |
Getting stuck in that yard shot. Too
often. She isn't putting pressure on | 1:17:41 | 1:17:51 | |
Katherine in the same way that
Katherine is doing to her. A perfect | 1:17:51 | 1:17:57 | |
touch. | 1:17:57 | 1:18:03 | |
touch. You cannot leave Katherine
with that amount of room. She is not | 1:18:03 | 1:18:06 | |
going to keep missing. She is too
good, especially in this form. She | 1:18:06 | 1:18:13 | |
has hit the ground running in this
game. | 1:18:13 | 1:18:19 | |
Oh, dear. It is tension, isn't it?
Pressure and tension. That is all it | 1:18:39 | 1:18:46 | |
is. That kind of bowlers out of
character. Not flowing through the | 1:18:46 | 1:18:52 | |
bowler and releasing it properly. It
is very hard, to see a player at | 1:18:52 | 1:18:59 | |
this standard, suffering a bit like
this. | 1:18:59 | 1:19:10 | |
She put the shot ball on the
forehand. Now she has followed it | 1:19:15 | 1:19:18 | |
up. So good. Stern stuff, she will
be shaking hands very soon. | 1:19:18 | 1:19:31 | |
Potentially 12 shots there. Two
shots for Katherine Rednall. | 1:19:39 | 1:19:54 | |
Jack length, 28 metres. | 1:20:03 | 1:20:08 | |
That level of consistency has been
scary at times. But even when she is | 1:21:02 | 1:21:07 | |
not close to the jack, there are one
or two bowls within a foot or so. | 1:21:07 | 1:21:14 | |
With the opposition scratching
around, they are in deep trouble by | 1:21:14 | 1:21:16 | |
the time they get to the third ball. | 1:21:16 | 1:21:23 | |
Another one in there. Rebecca, true
to form, trying to stick to the | 1:21:44 | 1:21:54 | |
draw. I think that she has played it
with some conviction, though. A good | 1:21:54 | 1:22:06 | |
enough shot. Responding to that ball
with a cheer. | 1:22:06 | 1:22:17 | |
Katherine has four time-outs
remaining. Hasn't had to worry too | 1:22:24 | 1:22:29 | |
much about time-outs. Get to the
green ball, or turn the jack around | 1:22:29 | 1:22:36 | |
for two. | 1:22:36 | 1:22:42 | |
for two. Motoring along in this
game. Very quick so far. Very close, | 1:22:42 | 1:22:50 | |
Katherine... Well played, Katherine.
A good shot, very close. The green | 1:22:50 | 1:22:59 | |
ball did fall back. | 1:22:59 | 1:23:09 | |
If that is the shot, this will be
over... Rebecca needing two to carry | 1:23:16 | 1:23:23 | |
on the set. | 1:23:23 | 1:23:28 | |
on the set. She is looking at it but
to be truthful, there is so little | 1:23:28 | 1:23:32 | |
available. It has been a tough day.
But played well to get here. Yes. It | 1:23:32 | 1:23:41 | |
hasn't worked out but if it is one
red, just waiting, confirmation | 1:23:41 | 1:23:45 | |
hasn't come through yet. 13-5.
Rebecca has the opportunity for a | 1:23:45 | 1:23:55 | |
trail to make two. Not the easiest
shot but she does have one on. She | 1:23:55 | 1:23:59 | |
is trying... | 1:23:59 | 1:24:06 | |
is trying... I'm not sure if this
will get back in time... If it is | 1:24:06 | 1:24:13 | |
one red, she will be shaking hands. | 1:24:13 | 1:24:23 | |
The match has been played at
prolific speed. In terms of the | 1:24:28 | 1:24:35 | |
bowling, because there has been very
little time, and discussion between | 1:24:35 | 1:24:42 | |
the market and the players. It will
be up to Francis Fletcher to sort | 1:24:42 | 1:24:46 | |
this out. | 1:24:46 | 1:24:51 | |
You would feel that Rebecca would be
quite happy. This is just one red. | 1:24:58 | 1:25:03 | |
She gets off the ring, she hasn't
been here a day... It would have | 1:25:03 | 1:25:08 | |
been tough, she would be feeling a
lot of emotions right now. You | 1:25:08 | 1:25:13 | |
cannot take it away from Katherine,
though. She has played exceptionally | 1:25:13 | 1:25:18 | |
well. We still don't know. No
reaction from the players. They will | 1:25:18 | 1:25:22 | |
be watching very carefully. | 1:25:22 | 1:25:32 | |
be watching very carefully. Up to
another end... Seven shots needed. | 1:25:32 | 1:25:38 | |
12-6 after nine ends. | 1:25:38 | 1:25:44 | |
Scoring with a long jack length...
29.5 metres. Interesting to hear her | 1:25:55 | 1:26:05 | |
views on that after the game. Best
not to mention it to her... Not | 1:26:05 | 1:26:15 | |
straightaway! If it doesn't hurt...
There is no point. No point in | 1:26:15 | 1:26:19 | |
playing. | 1:26:19 | 1:26:24 | |
playing. After a few days she will
rationalise it, and say, I was in | 1:26:27 | 1:26:31 | |
the final. It just wasn't my day.
She didn't settle, she didn't come | 1:26:31 | 1:26:38 | |
out and settle. That was the
problem. She scratched around for a | 1:26:38 | 1:26:41 | |
few ends in the first set.
Unfortunately that continued in the | 1:26:41 | 1:26:45 | |
second. On the first couple she did
not score until the fifth end, did | 1:26:45 | 1:26:50 | |
she? | 1:26:50 | 1:26:58 | |
she? She managed to pick up a big
four. Look at this. Suddenly, you | 1:26:58 | 1:27:04 | |
see the true Rebecca Field! You have
seen glimpses of it. It is like, | 1:27:04 | 1:27:11 | |
where had I been all day? You know? | 1:27:11 | 1:27:23 | |
Attacking... She is in the area. It
is a very good strike, yes. Did not | 1:27:26 | 1:27:33 | |
need to, she could have packed their
head but quite comfortable with that | 1:27:33 | 1:27:37 | |
shot. Instead of letting it build
up, she goes early. It is the right | 1:27:37 | 1:27:41 | |
decision. Kills off the game. | 1:27:41 | 1:27:55 | |
You would expect Katherine Rednall
to draw this. She knows by opening | 1:27:58 | 1:28:02 | |
it she gives herself the opportunity
to do what she does best, which is | 1:28:02 | 1:28:05 | |
to draw. | 1:28:05 | 1:28:13 | |
to draw. There you go. The recovery
shot. That is going to hurt! That is | 1:28:13 | 1:28:19 | |
just Rob -- rubbing it in. Two of
the best bowls that Rebecca Field | 1:28:19 | 1:28:29 | |
has played, she has them taken away. | 1:28:29 | 1:28:37 | |
She is looking to make a
disturbance. Not the case. It is all | 1:28:46 | 1:28:53 | |
over. APPLAUSE
CHEERING | 1:28:53 | 1:29:02 | |
There was absolutely nothing Rebecca
Field could do today, to keep | 1:29:05 | 1:29:09 | |
Katherine Rednall away from the
jack. She was absolutely relentless. | 1:29:09 | 1:29:14 | |
A perfect display of singles. Doing
really, really well. Just one end | 1:29:14 | 1:29:20 | |
where she faulted by losing four.
She kept Rebecca on three in the | 1:29:20 | 1:29:28 | |
first set and two other singles in
the second. 13-3, in the first set. | 1:29:28 | 1:29:35 | |
And a very comfortable 13-6 in the
second. 2- 02 Katherine Rednall. | 1:29:35 | 1:29:44 | |
Well, we could see the pressure was
going to be very intense in this | 1:29:44 | 1:29:49 | |
match, we were not sure where it was
going to come from but Rebecca Field | 1:29:49 | 1:29:55 | |
had to play an attacking shot on the
first end and didn't score again | 1:29:55 | 1:29:58 | |
until the eighth end, in the
meantime it was all Katherine | 1:29:58 | 1:30:02 | |
Rednall, pops in another one of the
three and another one for three on | 1:30:02 | 1:30:08 | |
the sixth end and it goes to 12-1
and it was all getting very | 1:30:08 | 1:30:11 | |
difficult for Rebecca Field. And
once again there is another big four | 1:30:11 | 1:30:19 | |
for Katherine Rednall, to go 8-0 in
front on the fourth end, and Rebecca | 1:30:19 | 1:30:26 | |
got her own back by picking up a
four on the fifth end but it was all | 1:30:26 | 1:30:30 | |
getting very difficult. Look at
this, back touch close to the jack, | 1:30:30 | 1:30:37 | |
wins the match and the title and
Katherine Rednall is the world | 1:30:37 | 1:30:41 | |
indoor Bowls championship match play
singles champion. The end is won was | 1:30:41 | 1:30:46 | |
always going to be on Katherine's
side. Not Rebecca Field's day but | 1:30:46 | 1:30:55 | |
she was in the final and you
couldn't do anything about Katherine | 1:30:55 | 1:30:58 | |
Rednall. Very few people in the
world would have held her down | 1:30:58 | 1:31:01 | |
today. | 1:31:01 | 1:31:05 | |
I've got both players with me now
and will start with Rebecca. I guess | 1:31:05 | 1:31:09 | |
you've got to put it down to just
one of those days where you've run | 1:31:09 | 1:31:13 | |
into an opponent who is in fine
form. In my opinion I just lost to | 1:31:13 | 1:31:19 | |
the best lady bowler in the world.
So... | 1:31:19 | 1:31:24 | |
APPLAUSE
I can understand if you don't want | 1:31:24 | 1:31:27 | |
to say anymore, it's totally
understandable. It's not good to cry | 1:31:27 | 1:31:32 | |
on national TV, is it? I will come
away and think I didn't play very | 1:31:32 | 1:31:37 | |
well but this girl puts you under
pressure and that's the reason, she | 1:31:37 | 1:31:41 | |
makes you crack, I played well all
week and she was superb today and | 1:31:41 | 1:31:45 | |
you just have to watch it and
there's not much else you can do | 1:31:45 | 1:31:49 | |
about it. Two finals is fantastic
this week and I will take away lots | 1:31:49 | 1:31:52 | |
of memories from here. Thank you.
APPLAUSE | 1:31:52 | 1:32:02 | |
Katherine, why did you do that to
one of your best mates? I feel | 1:32:02 | 1:32:07 | |
really bad!
LAUGHTER | 1:32:07 | 1:32:09 | |
I guess I just settled into a today,
the best I've ever played, I just | 1:32:09 | 1:32:14 | |
found it from the first end really.
I thoroughly enjoyed it... I didn't | 1:32:14 | 1:32:20 | |
enjoy it really, it was horrible.
LAUGHTER | 1:32:20 | 1:32:23 | |
I don't really know what to say. I
was going to as you because you must | 1:32:23 | 1:32:28 | |
have enjoyed the fact you are
playing so well but on the receiving | 1:32:28 | 1:32:31 | |
end is someone that you know and get
on so well with. There were some | 1:32:31 | 1:32:35 | |
ends when I looked so sorry and felt
so sorry for her because I wouldn't | 1:32:35 | 1:32:41 | |
have had a clue what to do. But I
settled into it and I don't think I | 1:32:41 | 1:32:47 | |
could have done any better. To sum
up your achievements, three world | 1:32:47 | 1:32:50 | |
titles in the space of five years.
You are only 22. It is a phenomenal | 1:32:50 | 1:32:57 | |
achievement. Are you able to take
that all in and comprehend it? I | 1:32:57 | 1:33:02 | |
just love it here, I absolutely love
this rink and winning three times is | 1:33:02 | 1:33:07 | |
incredible, couldn't have dreams on
it. Would you set your sights on the | 1:33:07 | 1:33:12 | |
open singles title? Becky and I
qualified for the open pairs this | 1:33:12 | 1:33:15 | |
year and we will definitely do that
again if she will have me. | 1:33:15 | 1:33:18 | |
Definitely. Rebecca, huge
commiserations, and thank you for | 1:33:18 | 1:33:25 | |
speaking so eloquently in defeat.
Ladies and gentlemen, your champion | 1:33:25 | 1:33:28 | |
of 2018 once again, Katherine
Rednall. | 1:33:28 | 1:33:32 | |
APPLAUSE | 1:33:32 | 1:33:42 | |
It is time for the presentation and
here to make the presentation is the | 1:33:46 | 1:33:51 | |
underwriting solutions manager for
Just, Jill Harvie and chief | 1:33:51 | 1:33:56 | |
executive of the World Bowls Tour Mr
Richard Matheson. | 1:33:56 | 1:34:00 | |
APPLAUSE | 1:34:01 | 1:34:06 | |
And first of course to your run-up,
receiving a cheque your appreciation | 1:34:06 | 1:34:14 | |
ladies and gentlemen for Rebecca
Field. | 1:34:14 | 1:34:19 | |
APPLAUSE | 1:34:19 | 1:34:24 | |
And what about this young lady? She
is absolutely phenomenal. Receiving | 1:34:34 | 1:34:41 | |
a Langham glass trophy, a cheque and
title of the 2018 world indoor | 1:34:41 | 1:34:49 | |
championship, Katherine Rednall. | 1:34:49 | 1:34:52 | |
APPLAUSE | 1:34:52 | 1:35:01 | |
Ladies and gentlemen, the pocket
dynamo, the 2018 ladies World Match | 1:35:10 | 1:35:15 | |
Play Championship, Katherine
Rednall! | 1:35:15 | 1:35:22 | |
STUDIO: What a performance in the
final from Katherine Rednall, she is | 1:35:23 | 1:35:27 | |
so comfortable. There is her
grandma, and her boyfriend | 1:35:27 | 1:35:34 | |
celebrating her success. Three world
titles since 2014 when she was 18 | 1:35:34 | 1:35:39 | |
years old and she won to the first
time, she won last year and | 1:35:39 | 1:35:42 | |
successfully defended it and she
said in her own words that's as good | 1:35:42 | 1:35:46 | |
as she has ever played on the blue
rink, outstanding performance from | 1:35:46 | 1:35:50 | |
Katherine Rednall. We have
highlights from the Australian Open | 1:35:50 | 1:35:53 | |
coming up on BBC Two when we come
off air at 5pm featuring Marin Cilic | 1:35:53 | 1:35:57 | |
against Kyle Edmund. And then we
have the final match in the last 16 | 1:35:57 | 1:36:04 | |
of the open singles between Stewart
Anderson and Wayne Willgress | 1:36:04 | 1:36:08 | |
of the open singles between Stewart
Anderson and Wayne Willgress from | 1:36:08 | 1:36:08 | |
7:30pm online on the BBC sport
website. And highlights of all of | 1:36:08 | 1:36:12 | |
Thursday's action on BBC Two at
12:15am. | 1:36:12 | 1:36:20 | |
Now we are going to switch our
attention to the open singles and | 1:36:20 | 1:36:23 | |
show you how the draw looks. As we
are getting ready for | 1:36:23 | 1:36:28 | |
show you how the draw looks. As we
are getting ready for the | 1:36:28 | 1:36:28 | |
penultimate match in the last 16. We
know that Jason Greenslade, Darren | 1:36:28 | 1:36:33 | |
Bennett, Mark Dawes, Mervyn King and
Robert Paxton are all through so | 1:36:33 | 1:36:38 | |
only two matches left to go and that
next it is Scott Edwards against | 1:36:38 | 1:36:41 | |
Edward Harlow, and was knocked out
Foster in the International Open | 1:36:41 | 1:36:45 | |
last year and today he's up against
not only the world number one but | 1:36:45 | 1:36:48 | |
also his legion of fans. | 1:36:48 | 1:36:55 | |
Love Greg Harlow. My favourite
player. I absolutely love Greg | 1:36:56 | 1:37:04 | |
Harlow. He makes an old lady very,
very happy. I think Greg Harlow does | 1:37:04 | 1:37:09 | |
a very good job, not just for
Potters but for the game of bowls. | 1:37:09 | 1:37:14 | |
Can he get me tickets to the
Commonwealth Games because I haven't | 1:37:14 | 1:37:16 | |
got any yet? They love him here and
he's won everything you can win in | 1:37:16 | 1:37:23 | |
this game, one of the greatest
players of all time so in a way it | 1:37:23 | 1:37:27 | |
is a privilege for me to go out and
play him. I'm here to try and win | 1:37:27 | 1:37:31 | |
the world singles like everyone else
and it's an honour to go out there | 1:37:31 | 1:37:34 | |
and play him and I will give it all
I can and see if I can get the | 1:37:34 | 1:37:38 | |
result. I am provisionally number 17
at the moment, so every win is | 1:37:38 | 1:37:45 | |
massive for me. It's all qualifiers'
dreams to get into the top 16 so it | 1:37:45 | 1:37:49 | |
would be a huge victory for me and a
huge debt forward to possibly | 1:37:49 | 1:37:52 | |
cracking the top 16. -- huge step
forward. It was fantastic to be the | 1:37:52 | 1:38:00 | |
reigning world champion, that was a
huge win for me as well, and again | 1:38:00 | 1:38:03 | |
added to my experience and I feel
that has helped me along. That game | 1:38:03 | 1:38:10 | |
made me feel like I had made a huge
leap forward with that win, beating | 1:38:10 | 1:38:15 | |
such a great player. Nothing beats
it. I mean, you come here, just see | 1:38:15 | 1:38:20 | |
the venue, see the crowds, and you
can't wait to get out there. But | 1:38:20 | 1:38:25 | |
it's a nerve-racking experience
stepping on the green. I've been | 1:38:25 | 1:38:28 | |
here twice now, it's my second time
in the singles, before I played Alex | 1:38:28 | 1:38:32 | |
so that was a huge game when I was
last here a few years ago. And, | 1:38:32 | 1:38:37 | |
yeah, it was nice to have that
experience under my belt. The first | 1:38:37 | 1:38:41 | |
bowl is huge, you've got to get your
first bowl going. So if I can beat | 1:38:41 | 1:38:48 | |
Greg to the jack on my first bowl it
gives me a chance every end. If I | 1:38:48 | 1:38:52 | |
can't get one of my first two bowls
going I will be in trouble. In that | 1:38:52 | 1:38:58 | |
case he plays a greater running bowl
as well so even if I'm on the jack | 1:38:58 | 1:39:02 | |
I'm going to need a bit of luck here
and there. I am just fully focused | 1:39:02 | 1:39:06 | |
on the game and the end and the next
bowl, but once you have come off the | 1:39:06 | 1:39:13 | |
rink you start thinking about the
final and the possibility of being | 1:39:13 | 1:39:16 | |
there and the possibility of lifting
the trophy but if you dwell on that | 1:39:16 | 1:39:20 | |
for too long you will struggle on
the green so I try not to. But that | 1:39:20 | 1:39:24 | |
would be everything. It would be if
the 44-year-old from Peacehaven can | 1:39:24 | 1:39:28 | |
get the better of the former
champion Greg Harlow who has had to | 1:39:28 | 1:39:31 | |
be close to his best just to get
this far. | 1:39:31 | 1:39:33 | |
I played Martin Birkett, my
international partner, together with | 1:39:39 | 1:39:45 | |
him 4-for years, I knew how good he
was and he delivered the game I | 1:39:45 | 1:39:52 | |
thought he would so I knew I would
have to be at my very best to win, | 1:39:52 | 1:39:55 | |
and obviously I was delighted to
win. If he'd beat me he would have | 1:39:55 | 1:40:03 | |
been a worthy winner. I'm happy with
my form, I feel I played well in the | 1:40:03 | 1:40:10 | |
two pairs events, obviously
disappointed we missed out on the | 1:40:10 | 1:40:13 | |
final of the pairs but Mark and
Jamie played really well and | 1:40:13 | 1:40:16 | |
deserved to win. I feel my form is
good, I'm quite happy with it. It's | 1:40:16 | 1:40:21 | |
my second home, I work down here,
stay down here a couple of nights | 1:40:21 | 1:40:25 | |
through all of the bowls breaks so
I'm familiar with all the | 1:40:25 | 1:40:29 | |
surroundings and it helps me get
lots of local support from local | 1:40:29 | 1:40:33 | |
people and staff. Scott on his day
can beat any player. He's a hard | 1:40:33 | 1:40:38 | |
match player plays the open Bowls
circuits, he's so used to playing | 1:40:38 | 1:40:43 | |
the sets scenario so there will be
no surprises for him. He's probably | 1:40:43 | 1:40:47 | |
been here as long as any other
player, put in as many hours on the | 1:40:47 | 1:40:51 | |
carpet as any other player so I know
it will be a hard second-round | 1:40:51 | 1:40:54 | |
match. In 2010 after World
Championship I would have loved to | 1:40:54 | 1:40:57 | |
have done it since then. I've been
very close a couple of times. Last | 1:40:57 | 1:41:01 | |
year in the final. If it doesn't
happen it doesn't happen. I'm not | 1:41:01 | 1:41:07 | |
putting too much pressure on myself
but I believe it's definitely there | 1:41:07 | 1:41:10 | |
to win again. David is behind me as
we look ahead to this match between | 1:41:10 | 1:41:16 | |
Greg Harlow and Scott Edwards. --
alongside me. Looking at the scalps | 1:41:16 | 1:41:21 | |
Scott Edwards has had so far,
looking at some of the players he | 1:41:21 | 1:41:24 | |
has defeated so far, and how will he
go about dismantling the world | 1:41:24 | 1:41:28 | |
number one today? If anything he
would have looked at the first | 1:41:28 | 1:41:32 | |
match, important regarding Greg
Harlow because Greg had to fight | 1:41:32 | 1:41:35 | |
hard in that to get over the line,
and some people thought actually he | 1:41:35 | 1:41:39 | |
was just a little bit under in terms
of his top form. Will he get better? | 1:41:39 | 1:41:44 | |
I don't know. But the reality is
great is the world number one, he is | 1:41:44 | 1:41:49 | |
a tough competitor, he's obviously
coming in as someone who is going to | 1:41:49 | 1:41:53 | |
be the favourite but this other guy
is a very cool customer and he is a | 1:41:53 | 1:41:59 | |
poker player, that's his occupation.
Yes, he keeps his cards close to his | 1:41:59 | 1:42:02 | |
chest. But what are his skills? We
saw in the final today how important | 1:42:02 | 1:42:08 | |
the early bowls are, when Katherine
Rednall hit her straps early on she | 1:42:08 | 1:42:12 | |
had Rebecca Field on the back foot
and never let her in. How important | 1:42:12 | 1:42:16 | |
will it be for Scott to make an
early impression? The same thing | 1:42:16 | 1:42:20 | |
really, the first two balls put the
pressure on, that sets the tone for | 1:42:20 | 1:42:24 | |
the end and also the tone for the
strategy through the match trying to | 1:42:24 | 1:42:28 | |
find the right length to put your
opponent under pressure. Don't worry | 1:42:28 | 1:42:32 | |
too much about your own game, if you
find the right length, the first | 1:42:32 | 1:42:36 | |
bowl, second bowl, then you have a
chance for the third and fourth | 1:42:36 | 1:42:39 | |
recovery bowls and they are chasing
the game, exactly what happened with | 1:42:39 | 1:42:42 | |
Rebecca Field. She was chasing the
whole time. I know we are looking | 1:42:42 | 1:42:46 | |
ahead at this match but what did you
make of | 1:42:46 | 1:42:53 | |
make of Katherine's performances?
She did get a clear run, to be fair. | 1:42:53 | 1:42:57 | |
Rebecca didn't really put her under
any pressure. At one end with | 1:42:57 | 1:43:00 | |
84-macro told me quite a bit, but at
the same time you have to keep the | 1:43:00 | 1:43:04 | |
pressure on -- with a four. End
after end setting of the situation, | 1:43:04 | 1:43:09 | |
which to be honest with you, there
is nobody I know who would want to | 1:43:09 | 1:43:13 | |
have faced Katherine out there in
that form. Man or woman. Probably, | 1:43:13 | 1:43:18 | |
yes. I also mentioned about the open
singles to her and she said she is | 1:43:18 | 1:43:23 | |
keen to have a go and try and lift
that title. How realistic are high | 1:43:23 | 1:43:27 | |
hopes of winning that in the future?
It's very difficult. It really is | 1:43:27 | 1:43:32 | |
very difficult. Five games in one
day minimum as a qualifier and then | 1:43:32 | 1:43:36 | |
it would be an absolutely...
Katherine plays against them men | 1:43:36 | 1:43:43 | |
quite a lot, can she qualify?
Absolutely. Can she repeat that | 1:43:43 | 1:43:47 | |
performance against one of the top
men players? Who knows? If she can | 1:43:47 | 1:43:52 | |
she can do a lot of damage. It would
be fascinating for the game if | 1:43:52 | 1:43:56 | |
Katherine Rednall made a break in
the open singles. We are | 1:43:56 | 1:43:59 | |
concentrating on the open singles
now because of next we have Scott | 1:43:59 | 1:44:03 | |
Edwards against the world number one
Greg Harlow. Korkie is heading to | 1:44:03 | 1:44:07 | |
the commentary box and we will join
Richard Bear. This poker player from | 1:44:07 | 1:44:12 | |
Oxfordshire is hoping for a full
house in this match to earn himself | 1:44:12 | 1:44:15 | |
a place in the quarterfinals.
Last year's PBA European number one | 1:44:15 | 1:44:21 | |
and former Bowls England National
singles finalist, ladies and | 1:44:21 | 1:44:25 | |
gentlemen, your appreciation please
for Scott Edwards. | 1:44:25 | 1:44:31 | |
Next to one of the game's most
naturally gifted players on the | 1:44:47 | 1:44:52 | |
circuit, three times international
and twice Scottish Open champion, | 1:44:52 | 1:44:55 | |
and former world indoor singles and
pairs champion, it's the world | 1:44:55 | 1:44:59 | |
number one Greg Harlow. | 1:44:59 | 1:45:03 | |
DAVID CORKILL: after the excellence
of Katherine Rednall's performance | 1:45:18 | 1:45:20 | |
in the ladies singles final what
next? | 1:45:20 | 1:45:34 | |
Interesting challenge for Scott
Edwards. He is a very good player. | 1:45:34 | 1:45:44 | |
Fourth place and a lot of
qualifiers, been to a national | 1:46:07 | 1:46:10 | |
singles before, runner-up, 2010. He
knows how to play in the big finals. | 1:46:10 | 1:46:18 | |
In terms of his career this is like
a big final. Yeah, playing the world | 1:46:18 | 1:46:25 | |
number one, probably the favourite
for the tournament with who is left | 1:46:25 | 1:46:29 | |
in now. He's got nothing to lose, if
he plays bowls like that this will | 1:46:29 | 1:46:34 | |
be a good tussle. No disrespect to
anyone else but he is world number | 1:46:34 | 1:46:40 | |
one so you'd expect him to be the
favourite at this stage. In fact, | 1:46:40 | 1:46:44 | |
probably right from the beginning.
Some big names already gone home. | 1:46:44 | 1:46:59 | |
Paul Foster, Alex Marshall, David
Gourlay, Andy Thomson. REFEREE: The | 1:46:59 | 1:47:05 | |
gap on the shot is nine inches. Two
feet short of the jack high. | 1:47:05 | 1:47:12 | |
Very nearly made it. | 1:47:35 | 1:47:37 | |
Left-hander. You'd expect him to
feel the pressure of this sort of | 1:47:52 | 1:47:58 | |
game, expect, except for the fact
he's playing Greg Harlow. Last bowl, | 1:47:58 | 1:48:06 | |
please? REFEREE: Two feet gap. My
last bowl. 15 inches short of jack | 1:48:06 | 1:48:19 | |
high. | 1:48:19 | 1:48:21 | |
Again, very, very close, just
dropping away. | 1:48:42 | 1:48:47 | |
dropping away. Confirmed as one red.
On his forehand. | 1:48:47 | 1:48:58 | |
I don't know much about Scott
Edwards with regards to his style of | 1:49:18 | 1:49:21 | |
play. He's been through two
qualifiers | 1:49:21 | 1:49:31 | |
qualifiers before but not well-known
to us. I know Scott a little, I | 1:49:31 | 1:49:35 | |
played against him in some other
events, normally a good drawing | 1:49:35 | 1:49:39 | |
player, doesn't play a lot of big
drives. You don't need to if you are | 1:49:39 | 1:49:45 | |
drawing well. He is a capable player
so he will not be unsettled by the | 1:49:45 | 1:49:54 | |
occasion. | 1:49:54 | 1:50:00 | |
He is a very serious poker player. | 1:50:06 | 1:50:13 | |
He should be very cool under
pressure. | 1:50:13 | 1:50:23 | |
APPLAUSE | 1:50:46 | 1:50:49 | |
REFEREE: Two inches short of jack
high. | 1:50:54 | 1:51:01 | |
Scott Edwards's reaction to this
will be steady, steady, steady and | 1:51:26 | 1:51:31 | |
see what happens. He's got to get a
foothold in the game, he needs a | 1:51:31 | 1:51:34 | |
decent start. Grade isn't quite at
the top of his form at the start of | 1:51:34 | 1:51:41 | |
this match but I'm sure he will
improve -- Greg isn't quite. Like | 1:51:41 | 1:51:46 | |
any game, you've got to feel your
way in a bit and Scott won't want to | 1:51:46 | 1:51:50 | |
drop too many big counts in the
game, just keep it tight and stay in | 1:51:50 | 1:51:54 | |
the match. | 1:51:54 | 1:51:59 | |
Scott Edwards beat Jonathan Ross in
the first match. Jonathan Ross was | 1:52:08 | 1:52:18 | |
slipping down the rankings and he
was in trouble and really needed to | 1:52:18 | 1:52:21 | |
get through that. Quite likely to
drop out of the top 16 if he doesn't | 1:52:21 | 1:52:25 | |
perform in the next event. | 1:52:25 | 1:52:32 | |
perform in the next event. That is a
handy bowl pushing the green one | 1:52:32 | 1:52:34 | |
down. | 1:52:34 | 1:52:37 | |
APPLAUSE | 1:53:03 | 1:53:06 | |
Just made it there, Greg. Looking at
the bottom end of the ranking list | 1:53:08 | 1:53:14 | |
there are a few players who are
still in the tournament, Scott is | 1:53:14 | 1:53:17 | |
one of them, Wayne Willgress is also
one who could affect that list at | 1:53:17 | 1:53:22 | |
some point. | 1:53:22 | 1:53:29 | |
Trying very hard with this. A little
tap on the green and it might just | 1:53:39 | 1:53:42 | |
fall out. Wrong side. | 1:53:42 | 1:53:46 | |
I think this game is going to be
quite slow, quite deliberate, all | 1:53:49 | 1:53:54 | |
within the shot clock rules, of
course. We have seen the clock | 1:53:54 | 1:54:00 | |
running down to single figures quite
a bit. | 1:54:00 | 1:54:07 | |
a bit. 28 seconds on that delivery. | 1:54:07 | 1:54:13 | |
Could be. Wiggling its way in. | 1:54:21 | 1:54:34 | |
The crowd stay in their seats after
the final. There will be a bit of a | 1:54:59 | 1:55:10 | |
disturbance on occasions after
people come in after a comfort | 1:55:10 | 1:55:13 | |
break. Generally speaking, the crowd
has stayed there. They will be very | 1:55:13 | 1:55:17 | |
interested in this one because Greg
works here and he's very well-known | 1:55:17 | 1:55:22 | |
to the people who visit Potters
Leisure Resort. | 1:55:22 | 1:55:32 | |
I'm just not sure if Scott will have
the firepower to keep Greg at bay. | 1:55:38 | 1:55:54 | |
Greg's wife Kay is a big supporter
and is normally in the auditorium | 1:56:01 | 1:56:06 | |
but I'm reliably told by Greg that
she is baby-sitting the | 1:56:06 | 1:56:11 | |
granddaughter outside, either, the
one-year-old who is a bit lively. I | 1:56:11 | 1:56:15 | |
can't think that Kay will have much
time to watch the polls today. | 1:56:15 | 1:56:22 | |
One-year-olds can be, quite often
they have found their feet and they | 1:56:22 | 1:56:24 | |
explore every corner. -- time to
watch the bowls. | 1:56:24 | 1:56:36 | |
If you get tired you can always hand
them back. | 1:56:44 | 1:56:57 | |
It could bend inside the red. | 1:56:57 | 1:57:01 | |
This is good for Scott if it runs,
get inside. Yes, he's played it | 1:57:27 | 1:57:34 | |
well. And it's going to drop back.
Well protected now. | 1:57:34 | 1:57:45 | |
Is it's going to crunch it? Not
quite. Good second, though. | 1:58:09 | 1:58:16 | |
That's where Greg is very good.
Doesn't give too much away. If he | 1:58:19 | 1:58:26 | |
can't get the shot he makes sure he
gets the second, doesn't allow you | 1:58:26 | 1:58:29 | |
to score heavily against him. | 1:58:29 | 1:58:38 | |
to score heavily against him. In his
younger days he played more of a | 1:58:38 | 1:58:41 | |
maverick game, but he's tightened up
quite a bit and been very successful | 1:58:41 | 1:58:44 | |
on these televised events. Yes, he
was a flamboyant player in those | 1:58:44 | 1:58:50 | |
days and would take risks and
chances, at he's much more | 1:58:50 | 1:58:55 | |
conservative over the last decade or
so. It's made a massive difference | 1:58:55 | 1:59:00 | |
to his CV in terms of tournament
wins. Really he's not the only one, | 1:59:00 | 1:59:08 | |
a bit like Mickey Brett left, who
would come in and play aggressive | 1:59:08 | 1:59:12 | |
shots at the wrong time, and he
studied his game and all of a sudden | 1:59:12 | 1:59:18 | |
he was running away with events.
It's a learning process. The very | 1:59:18 | 1:59:28 | |
top players will be very measured
about where they play certain types | 1:59:28 | 1:59:35 | |
of shops. | 1:59:35 | 1:59:40 | |
A good correction. | 2:00:34 | 2:00:44 | |
Just watch Greg on the mat, the ball
drops down... He says, touch her. | 2:00:49 | 2:01:01 | |
Greg is very, very deliberate, now.
There is nothing hurried about it. | 2:01:01 | 2:01:08 | |
Playing the runner... | 2:01:08 | 2:01:18 | |
Well, the good thing about that is
that he has cleared the | 2:01:19 | 2:01:27 | |
that he has cleared the short ball,
still in a good position. He has | 2:01:27 | 2:01:31 | |
options, he can play either side.
One of the few left-handed players | 2:01:31 | 2:01:43 | |
in this tournament. He has played it
well, again. Two touches. Couldn't | 2:01:43 | 2:01:54 | |
have put that in a better spot, in
the centre of the rink. A tough one | 2:01:54 | 2:02:01 | |
to draw, worth popping into this
again... | 2:02:01 | 2:02:08 | |
again... A great spike. Clearing the
two reds away. On the forehand side, | 2:02:12 | 2:02:20 | |
he does not miss too many. He likes
a forehand runner, in particular. | 2:02:20 | 2:02:34 | |
a forehand runner, in particular. It
is always harder to put it back | 2:02:34 | 2:02:36 | |
again, the third time. He has good
line and length, a good feel on the | 2:02:36 | 2:02:42 | |
carpet at the moment, Scott. | 2:02:42 | 2:02:48 | |
carpet at the moment, Scott. The
track doesn't look too bad, if he | 2:02:48 | 2:02:51 | |
has the weight. | 2:02:51 | 2:02:57 | |
We think it is just in, as well.
That is a hard shot to play, for the | 2:03:06 | 2:03:13 | |
third time. | 2:03:13 | 2:03:19 | |
third time. Greg will be hurt after
the draw shot. He isn't, actually. | 2:03:19 | 2:03:25 | |
Running again. On the high side this
time... He did have the back bowl. | 2:03:25 | 2:03:32 | |
Going for the jack. A good call, if
you think about it. Three on the | 2:03:32 | 2:03:41 | |
re-spot, or in the ditch. Could have
taken it off completely. I thought | 2:03:41 | 2:03:47 | |
that Scott had another go at the
backend, he didn't have to go of the | 2:03:47 | 2:03:53 | |
rink. It was a good call by Greg... | 2:03:53 | 2:04:01 | |
That is what they are playing for.
The glass trophy. The title of world | 2:04:06 | 2:04:12 | |
professional singles champion. | 2:04:12 | 2:04:23 | |
One shot, Scott Edwards. | 2:04:29 | 2:04:38 | |
Set to score, 3-2 at four ends. | 2:04:45 | 2:04:51 | |
Jack length, 23 metres. How far is
it over, please? | 2:05:08 | 2:05:16 | |
it over, please? It is obviously
close. Nine inches. It is OK, it has | 2:05:16 | 2:05:21 | |
to be a minimum of 23 metres. This
will be interesting. A lot of people | 2:05:21 | 2:05:27 | |
think that the closer the jack, the
easier it is. It is not easy. You | 2:05:27 | 2:05:35 | |
can get in contact with us using the
hashtag BBC bowls. We've had a | 2:05:35 | 2:05:40 | |
question about the position of your
thumb on the bowl and what | 2:05:40 | 2:05:46 | |
difference it makes. Do you want to
take that? I am quite happy to take | 2:05:46 | 2:05:52 | |
that. It depends, the traditional
grip, the cradle grip or a claw | 2:05:52 | 2:05:58 | |
grip, the phone would be quite low
at the side of the bowl. With a | 2:05:58 | 2:06:03 | |
claw, your thumb would be quite high
on the ball. Have a look at one of | 2:06:03 | 2:06:08 | |
the guys right now. | 2:06:08 | 2:06:13 | |
the guys right now. That would be
more of a cradle in the hand... | 2:06:13 | 2:06:20 | |
more of a cradle in the hand... The
sum is quite high, using his grip on | 2:06:20 | 2:06:23 | |
the side. Putting his thumb into the
grip. Andy Thomson's summer is quite | 2:06:23 | 2:06:31 | |
high on the bowl is quite high when
he delivers -- here's thumb. Some | 2:06:31 | 2:06:38 | |
put their thumb in the middle of the
running surface. That is quite high | 2:06:38 | 2:06:44 | |
on the top of the ball, near the
grip. A traditional claw grip. It | 2:06:44 | 2:06:50 | |
comes down to personal comfort. They
would say to anybody listening in, | 2:06:50 | 2:06:55 | |
whatever feels good... If it works
for you, it is consistent and you | 2:06:55 | 2:06:59 | |
have no problems, do not change it.
Don't fix it if you do not need | 2:06:59 | 2:07:07 | |
mending! That takes most of the
coaches work away from him, around | 2:07:07 | 2:07:14 | |
the UK. | 2:07:14 | 2:07:24 | |
Always useful advice, especially if
you are just a beginner. A bit like | 2:07:25 | 2:07:30 | |
the delivery in many ways. If it is
comfortable, that is fine. If it is | 2:07:30 | 2:07:37 | |
effective, that is even better. | 2:07:37 | 2:07:48 | |
Dropped in on the green ball... | 2:08:33 | 2:08:40 | |
Could save could easily have fallen
in for a shot, then. He would be | 2:08:40 | 2:08:43 | |
happy with that. It is a recovery
bowl, isn't it? The best he can do | 2:08:43 | 2:08:50 | |
now is two... | 2:08:50 | 2:09:00 | |
He has made it. Two shots, Greg
Harlow. Good weight and line, he | 2:09:02 | 2:09:18 | |
knew that he would get in. | 2:09:18 | 2:09:24 | |
knew that he would get in. It all
counts at the end... Missing a | 2:09:24 | 2:09:29 | |
couple of those, and it can cost you
the set. | 2:09:29 | 2:09:36 | |
The ladies final was so fast, it
really was. Irrespective of the | 2:10:03 | 2:10:09 | |
scoreline, the game was played at a
fast pace. | 2:10:09 | 2:10:18 | |
fast pace. Just makes this game
looks very slow, when it isn't | 2:10:18 | 2:10:21 | |
really. Probably close to normal.
Both of these players, for different | 2:10:21 | 2:10:30 | |
reasons, make sure they take their
time. And there are no mistakes. | 2:10:30 | 2:10:34 | |
Then we get into the major stages of
this championship. | 2:10:34 | 2:10:42 | |
A slight correction... Very nearly
made it. | 2:10:57 | 2:11:11 | |
A good bowl... You may see the
runner coming out from Greg again. | 2:11:25 | 2:11:35 | |
He has won well hidden in there. It
is probably well worth it. The | 2:11:35 | 2:11:40 | |
forehand runner... | 2:11:40 | 2:11:46 | |
forehand runner... A bit of work to
do. Taking the back bowl away. | 2:11:48 | 2:12:02 | |
Refusing the chance to draw another
one. He plays for position, getting | 2:12:23 | 2:12:26 | |
in a spot on that side... | 2:12:26 | 2:12:37 | |
Greg was probably always going to
draw with the fourth bowl. Did not | 2:12:50 | 2:12:54 | |
have that back position. | 2:12:54 | 2:13:00 | |
have that back position. He is going
to loosen up that green one as well. | 2:13:00 | 2:13:07 | |
A purposeful march down the green
from Scott Edwards, he sees the | 2:13:11 | 2:13:16 | |
opportunity here. Yes, the chance
for a good three shots. | 2:13:16 | 2:13:29 | |
He has taken it as well! Has he
ever? | 2:13:40 | 2:13:47 | |
ever? Three shots, Scott Edwards. | 2:13:47 | 2:13:56 | |
Second-round singles match, back to
nine ends in the set. Two sets and | 2:14:04 | 2:14:09 | |
another three and tie-break. --
three and tie-break. Are they waving | 2:14:09 | 2:14:20 | |
at you, Dave? They were talking to
me outside! | 2:14:20 | 2:14:26 | |
They said they were looking for the
good-looking one! They could not | 2:14:26 | 2:14:34 | |
find Rishi! Second-best again! | 2:14:34 | 2:14:43 | |
I think they said they were down
from Gloucestershire. A nice part of | 2:14:43 | 2:14:48 | |
the world. Scott, what has happened
here? Three good bowls, the last end | 2:14:48 | 2:14:54 | |
and you play a loose one! | 2:14:54 | 2:15:05 | |
He has only just passed it. Give
Scott another chance. | 2:15:14 | 2:15:25 | |
Scott another chance. Scott plays a
lot of singles. Open events on | 2:15:27 | 2:15:30 | |
weekends. Singles play is different
to anything else. You can get in the | 2:15:30 | 2:15:36 | |
groove... The tactics of singles as
well is very important. You will be | 2:15:36 | 2:15:43 | |
very comfortable out there. You
don't want to play many loose ends. | 2:15:43 | 2:15:47 | |
He needs to capitalise on his
lead... Looking for a couple of | 2:15:47 | 2:15:52 | |
singles. Two poor opening balls. You
would not expect Greg to make a | 2:15:52 | 2:15:58 | |
mistake with the second delivery. | 2:15:58 | 2:16:05 | |
He needs to pass it... I think he
touch took him away from the other | 2:16:28 | 2:16:34 | |
green bowl. I think he would have
rested it. | 2:16:34 | 2:16:47 | |
A good line in again. A bit of room
there for Scott. He played a scrappy | 2:17:00 | 2:17:11 | |
end here. Does not want to drop a
three shot. Mark Royal. Standing and | 2:17:11 | 2:17:21 | |
watching. Players have a tendency to
go up into the green seats, as we | 2:17:21 | 2:17:28 | |
call them. | 2:17:28 | 2:17:33 | |
Got to truck through to this one...
Yes. As you said, it was a scrappy | 2:17:41 | 2:17:47 | |
end. Especially after picking up
three. | 2:17:47 | 2:17:53 | |
three. I can see why he played that
side, he had his own ball coming in. | 2:17:53 | 2:18:01 | |
A chance to take back the lead. | 2:18:01 | 2:18:12 | |
Did not want the touch. May have
taken that one out. | 2:18:15 | 2:18:27 | |
Jack length 29.5 metres. | 2:19:03 | 2:19:09 | |
He takes the first ball, this time,
for Greg. | 2:19:28 | 2:19:42 | |
A good try, if he gets back to the
green. Doesn't want to drop it down. | 2:19:51 | 2:19:57 | |
A bit unlucky with that one. Scott
Edwards, bowling with a tiny bit | 2:19:57 | 2:20:06 | |
less bias. A bit flatter than
Greg's. | 2:20:06 | 2:20:19 | |
The gap on the shop bowl is four
inches. | 2:20:23 | 2:20:35 | |
He didn't get it out there,
though... Overplayed it. Now, he is | 2:20:46 | 2:20:52 | |
in trouble. He was playing very well
up to the last end. Just got a | 2:20:52 | 2:20:59 | |
little loose. Two feed, 2.5 feet,
not good enough at this level | 2:20:59 | 2:21:04 | |
indoors. | 2:21:04 | 2:21:14 | |
That was short on the last bowl. He
has given him another go at this. | 2:21:31 | 2:21:36 | |
Inside of the line. You worry about
the overcorrection, really. There it | 2:21:36 | 2:21:42 | |
is, a couple of feet through, you
try and take that off and suddenly, | 2:21:42 | 2:21:47 | |
you drop four or five feet. Now, a
chance for Greg close it down. | 2:21:47 | 2:21:56 | |
chance for Greg close it down. He
lost his way, it could prove fatal. | 2:21:56 | 2:22:10 | |
Struggling with this... Well, at the
very least he needs a second shot. | 2:22:10 | 2:22:20 | |
Doesn't want to be looking for a
double in the last end, to try and | 2:22:20 | 2:22:24 | |
share something. | 2:22:24 | 2:22:31 | |
share something. Mark Dawes, an
interested spectator, already | 2:22:31 | 2:22:33 | |
through to the quarterfinals. A man
in form. He is playing well. A good | 2:22:33 | 2:22:40 | |
player, Mark Dawes. A really good
player. Scott, needs an improvement | 2:22:40 | 2:22:47 | |
on the last bowl. Looking heavy...
He completely lost the pace of the | 2:22:47 | 2:22:54 | |
green. Two shots, he would consider
himself lucky to pick up a single. | 2:22:54 | 2:23:12 | |
Jack length, 28 metres. The last two
ends have been a bonus for Greg | 2:23:32 | 2:23:38 | |
Harlow. He hasn't been brilliant,
two shots on both of the ends. A | 2:23:38 | 2:23:44 | |
cushion going into the last, now. | 2:23:44 | 2:23:50 | |
You'd expect it to be a good first
bowl. | 2:24:02 | 2:24:08 | |
bowl. Scott, can you get back to
that early set form, when you were | 2:24:10 | 2:24:13 | |
playing those really good bowls in
your first deliveries? | 2:24:13 | 2:24:20 | |
your first deliveries? This is
better. All positive... | 2:24:20 | 2:24:31 | |
Scott delivering the ball, where he
is looking, down the green. Quite | 2:25:03 | 2:25:07 | |
often the players use a yellow
marker on the sides of the green. | 2:25:07 | 2:25:13 | |
They use the rink to give the an
idea of where to place the bowl. A | 2:25:13 | 2:25:19 | |
centre mark-up. Some people do not
use anything. We call them | 2:25:19 | 2:25:27 | |
use anything. We call them natural
sighters. Years ago, it used to be | 2:25:27 | 2:25:30 | |
where you would put your balls back,
on the side of the green. On the | 2:25:30 | 2:25:35 | |
bank, without anyone noticing. That
was your line, for that hand. People | 2:25:35 | 2:25:40 | |
got wise to it, pretty quickly! But
some tried it. Others close their | 2:25:40 | 2:25:46 | |
eyes and hope for the best!
Black-and-white too! | 2:25:46 | 2:25:59 | |
-- that can work too! | 2:26:12 | 2:26:15 | |
Going to have two move that green
bowl, they would like to do it, with | 2:26:20 | 2:26:23 | |
this one... | 2:26:23 | 2:26:33 | |
this one... Underneath it... Yes,
missing that line and it will swing | 2:26:33 | 2:26:36 | |
like mad. Going towards the
re-sparked position. He has two | 2:26:36 | 2:26:43 | |
there. | 2:26:43 | 2:26:50 | |
there. Looking at that end, Greg may
go to the re-sparked position and | 2:26:50 | 2:26:54 | |
cover it there. If the jack was to
be driven dead. Absolutely, that is | 2:26:54 | 2:27:03 | |
what we are looking for there. That
brings in two redpolls. If Greg can | 2:27:03 | 2:27:10 | |
get something close to that, but
ideally, anything in this area would | 2:27:10 | 2:27:16 | |
also be useful, in case it springs
across. | 2:27:16 | 2:27:27 | |
across. At the moment, Scott has to
play an absolutely brilliant bowl to | 2:27:27 | 2:27:32 | |
rest the green out and get two. | 2:27:32 | 2:27:42 | |
rest the green out and get two. He
can cover both of those. I think he | 2:27:42 | 2:27:46 | |
has decided well, to get to the
spot, really well played. That is | 2:27:46 | 2:27:53 | |
good enough, he is in second
position for the re-spot. He is more | 2:27:53 | 2:27:58 | |
or less forcing Scott to play a very
difficult shot. Really, I think it | 2:27:58 | 2:28:03 | |
is a draw to the green. Turning it
away, staying for two. You cannot | 2:28:03 | 2:28:09 | |
get two on the re-spot, now. It
isn't easy by any means. Looking to | 2:28:09 | 2:28:17 | |
drift and ease the green ball, if
you can. Just through the head. Stay | 2:28:17 | 2:28:24 | |
in its place, for a double. You
could have a flash at it, and hope | 2:28:24 | 2:28:30 | |
for a fortunate result. But... It
doesn't look like it is possible at | 2:28:30 | 2:28:36 | |
the moment. Everything seems to be
covered. | 2:28:36 | 2:28:47 | |
If he has cut this down underneath,
he doesn't have a hope with it. It | 2:28:59 | 2:29:03 | |
had to be a draw shot. Toe the line
in. Give it a chance. | 2:29:03 | 2:29:16 | |
in. Give it a chance. Harlow, back
in the hall to see the old man | 2:29:19 | 2:29:22 | |
playing. I wonder where the
granddaughter is? | 2:29:22 | 2:29:33 | |
A strange set, in the end. It
fizzled out a little bit. Scott lost | 2:29:35 | 2:29:41 | |
his form, and Greg went over the
line. It was almost like he lost his | 2:29:41 | 2:29:48 | |
line and wait. A number of bowls,
especially at the start of the head. | 2:29:48 | 2:29:53 | |
The first two seemed to go wayward.
You really cannot afford to do that. | 2:29:53 | 2:30:06 | |
APPLAUSE | 2:30:12 | 2:30:18 | |
APPLAUSE | 2:30:33 | 2:30:38 | |
More like the Scott Waites we saw in
the early stages. -- the Scott we | 2:30:39 | 2:30:50 | |
saw. | 2:30:50 | 2:30:53 | |
REFEREE: Time-out called. | 2:31:03 | 2:31:14 | |
I'm being destructed all the time.
Greg has asked for the clock to be | 2:31:14 | 2:31:20 | |
reset, there was movement | 2:31:20 | 2:31:25 | |
reset, there was movement when he
set down on the mat. I think there | 2:31:25 | 2:31:28 | |
was a bit of front Row activity. I
think he's pushed this one away, | 2:31:28 | 2:31:33 | |
turned his back on it. Doesn't look
that far away but we will see. | 2:31:33 | 2:31:39 | |
It gives him a very good shoulder
with the next one. | 2:31:44 | 2:31:53 | |
Very good. Even one of those in the
last three ends would have been | 2:32:04 | 2:32:14 | |
good. Greg wasting no time going for
the runner. | 2:32:14 | 2:32:27 | |
the runner. On the re-spot he is
going to be one shot down but it | 2:32:28 | 2:32:32 | |
won't really matter, he has another
bowl to come. It was a good strike. | 2:32:32 | 2:32:38 | |
Nothing else he could do with that
really, start again. On the re-spot | 2:32:38 | 2:32:49 | |
position Scott will need to get
close, he knows Greg is more than | 2:32:49 | 2:32:52 | |
capable of beating that side ball. | 2:32:52 | 2:32:59 | |
That's not bad. | 2:33:10 | 2:33:17 | |
Out towards the boards, flirting
with the edge. He's good, though. | 2:33:30 | 2:33:35 | |
Very good. Good shot. There is a
chance for Scott here. If he has two | 2:33:35 | 2:33:45 | |
microseconds, drive it off. There
are Philip Francis Fletcher know | 2:33:45 | 2:33:52 | |
what the problem was at the other
end. That's all. | 2:33:52 | 2:34:02 | |
end. That's all. Scott hasn't used a
lot of weight in this game so far, | 2:34:02 | 2:34:09 | |
but he has a chance to strike the
green bowl away. If he's got two | 2:34:09 | 2:34:13 | |
microseconds he's in no danger of
taking them both away. Pluck a ball | 2:34:13 | 2:34:19 | |
out, don't try and keep your own
ball in. He's playing it. He's | 2:34:19 | 2:34:29 | |
interested. Has he got enough? It
just needs to roll another time. | 2:34:29 | 2:34:39 | |
Certainly for one. | 2:34:39 | 2:34:46 | |
REFEREE: 1-shot, Scott Edwards.
Scott has three time-outs remaining. | 2:34:46 | 2:34:57 | |
That was well played by Scott, it
just shows he can play that weighted | 2:34:58 | 2:35:04 | |
bowl, he prefers to draw but he does
have that in his locker. It was a | 2:35:04 | 2:35:08 | |
good strike, he got the edge of the
ball and it was good enough. The | 2:35:08 | 2:35:11 | |
problem for some of the players here
is that it's so quiet in the arena | 2:35:11 | 2:35:17 | |
there whenever there is a
disturbance it really puts the | 2:35:17 | 2:35:22 | |
players off. If there is a constant
background noise like there is in | 2:35:22 | 2:35:28 | |
Crown Green, for instance, you don't
even notice things when people shout | 2:35:28 | 2:35:31 | |
at you or say something. It's a
different type of game, that's all. | 2:35:31 | 2:35:37 | |
There has been a discussion, or
argument, not an argument but a | 2:35:37 | 2:35:42 | |
thorough discussion, about having
some background music on, or some | 2:35:42 | 2:35:46 | |
sort of thing like that. You would
probably get into the discussion of | 2:35:46 | 2:35:52 | |
what music to use. It's never an
easy one. | 2:35:52 | 2:36:00 | |
Just something in the background,
doesn't have to be noisy, you would | 2:36:00 | 2:36:03 | |
still get an opportunity to have
discussions with the players. | 2:36:03 | 2:36:06 | |
Nothing that would be really
disturbing. They need a bit of | 2:36:06 | 2:36:12 | |
terracing like the old days in
football. Crown green. Music piped | 2:36:12 | 2:36:19 | |
in and a pie. Then we would have
some noise. Really good effort. We | 2:36:19 | 2:36:26 | |
get a bit of noise in the evening
match. | 2:36:26 | 2:36:38 | |
I've a feeling that Wayne Willgress
will be bringing down some support. | 2:36:40 | 2:36:48 | |
There is terracing at the Waterloo,
Mark Gordon's place, a great event | 2:36:48 | 2:36:53 | |
at Crown Waterloo. There is
terracing there where they have | 2:36:53 | 2:37:00 | |
their liquid refreshment, shouting
at the players. | 2:37:00 | 2:37:10 | |
A little touch on the Red Bull might
just be enough to give him number | 2:38:02 | 2:38:05 | |
one. -- the Red Bull. | 2:38:05 | 2:38:11 | |
It is a narrow angle. | 2:38:11 | 2:38:17 | |
The hard way in. On the backhand.
It's possible. The other side was | 2:38:41 | 2:38:48 | |
wide open. | 2:38:48 | 2:38:53 | |
wide open. At the moment Scott needs
to do something different to get | 2:38:55 | 2:38:58 | |
Greg under a bit more pressure. Greg
would be quite happy to share ones | 2:38:58 | 2:39:05 | |
in the early stages. He nearly made
it two. | 2:39:05 | 2:39:15 | |
it two. Keeping in touch the first
four or five ends, that's what | 2:39:15 | 2:39:20 | |
happened in the first set, Scott
fell away. Scott needs to make Greg | 2:39:20 | 2:39:25 | |
play a few more shots and put him
under a bit more pressure. Easier | 2:39:25 | 2:39:30 | |
said than done. But he's a little
bit too comfortable at the moment. | 2:39:30 | 2:39:36 | |
He lost the last three ends of the
set 2-2 and from a 6-4 position to | 2:39:36 | 2:39:45 | |
lose it 9-6. | 2:39:45 | 2:39:50 | |
Good second ball. | 2:40:53 | 2:41:01 | |
That first bowl, you just can't
leave it where it is, drop it down | 2:41:01 | 2:41:10 | |
three feet. | 2:41:10 | 2:41:16 | |
That's now two short balls and by
the time he plays his third Greg | 2:41:17 | 2:41:21 | |
will be lying three. Greg is
switching on to the forehand, very | 2:41:21 | 2:41:29 | |
deliberately, he knows if he plays a
good bowl he will close out that | 2:41:29 | 2:41:32 | |
side to Scott. | 2:41:32 | 2:41:37 | |
side to Scott. It is a closer number
one, still open on that side for | 2:41:41 | 2:41:46 | |
Scott Edwards' backhand. | 2:41:46 | 2:41:55 | |
That is really disappointing from
Scott. At any level of bowls you | 2:42:11 | 2:42:15 | |
can't afford all three bowls to be
poor, can't afford to be down there. | 2:42:15 | 2:42:20 | |
This level in particular but at club
level that would get punished. | 2:42:20 | 2:42:23 | |
Needs to bend into it, doesn't want
to leave a catch. That's exactly | 2:42:42 | 2:42:47 | |
what it's done, left shoulder to
rest on, three good bowls. The other | 2:42:47 | 2:42:52 | |
three are quite adjacent to the
jack. It's a very soft at the moment | 2:42:52 | 2:43:01 | |
because of the three short balls. We
know he's capable of drawing this, | 2:43:01 | 2:43:05 | |
he just needs to clear his head. I'm
just looking, is he going to play | 2:43:05 | 2:43:09 | |
this on the forehand from the front
foot plant? He is, there is a plant | 2:43:09 | 2:43:15 | |
coming in. If it's through the gap
it's different. He took one away. | 2:43:15 | 2:43:20 | |
The plant was there. He was playing
one right into it. Obviously wasn't | 2:43:20 | 2:43:31 | |
confident to draw it and that sends
a message. Everything would have | 2:43:31 | 2:43:36 | |
needed to go right down,, strike to
get anything. He did reduce it. | 2:43:36 | 2:43:50 | |
Short balls focus your mind to push
through the next end. Not unusual | 2:44:37 | 2:44:44 | |
but better to have it there. | 2:44:44 | 2:44:52 | |
APPLAUSE | 2:45:06 | 2:45:12 | |
Scott has swapped sides again.
Doesn't seem totally convinced. Just | 2:45:17 | 2:45:28 | |
lost his way completely at the
moment. Greg is laying two, but | 2:45:28 | 2:45:34 | |
there is nothing very close. | 2:45:34 | 2:45:44 | |
That's the best bowl so far. If
Scott can't get back on his game | 2:45:48 | 2:45:58 | |
this will not last very long. He's
all over the park at the moment. | 2:45:58 | 2:46:04 | |
Yes, he is. He's running now. He
needs a connection. He got two away. | 2:46:04 | 2:46:17 | |
It's pretty good to take two away
but at 4-1 he really needed that | 2:46:17 | 2:46:23 | |
jack back to the red balls. We see
this so often, just a drip, drip of | 2:46:23 | 2:46:30 | |
constant pressure from Greg, and as
soon as Scott Edwards starts to | 2:46:30 | 2:46:40 | |
loosen up the shots start appearing.
It is more a case of Scott losing | 2:46:40 | 2:46:45 | |
his line and length of a little bit.
Greg has been playing OK but he has | 2:46:45 | 2:46:50 | |
been peppering it. | 2:46:50 | 2:46:52 | |
That is a loose one from Greg. After
a drive it is tempting. It is not an | 2:47:03 | 2:47:14 | |
easy draw. He could play controlled,
try and pick up the jack and push | 2:47:14 | 2:47:18 | |
the ball out. I was a good option
because at least if he plays | 2:47:18 | 2:47:24 | |
controlled weight he will get back
to the jack. He's playing the | 2:47:24 | 2:47:34 | |
to the jack. He's playing the bowl
or the jack. I don't believe it. | 2:47:34 | 2:47:38 | |
Dear oh dear. That might actually
cost him another one. That is an | 2:47:38 | 2:47:45 | |
absolute shocker. Just the one but
it's a shocking result. REFEREE: | 2:47:45 | 2:47:54 | |
1-shot, Greg Harlow. 1-5 after four
ends. | 2:47:54 | 2:48:05 | |
Whenever a game is going slightly
against you that's the sort of thing | 2:48:05 | 2:48:08 | |
that happens. Yeah, he played those
weighted balls because he wasn't | 2:48:08 | 2:48:13 | |
drawing particularly well and you
need a bit of luck than. He was on | 2:48:13 | 2:48:17 | |
target, couldn't have played them
much better. It comes down to bowls | 2:48:17 | 2:48:25 | |
in their head that when you matches
and he hasn't put enough in the head | 2:48:25 | 2:48:30 | |
in the last few ends, drifting away
quickly. | 2:48:30 | 2:48:39 | |
This game has been a lot more
comfortable for Greg Harlow on his | 2:48:46 | 2:48:50 | |
first round match was against Martin
Puckett who played so well. It was a | 2:48:50 | 2:48:59 | |
brilliant game of bowls. | 2:48:59 | 2:49:04 | |
Made sure he was arriving to the
bowl, tucked in behind it. | 2:49:33 | 2:49:44 | |
Is he going again early? Yes, he's
going for the bowls and he is very | 2:49:44 | 2:49:49 | |
close. Cleared everything. It looks
like it's going off the rink. They | 2:49:49 | 2:49:58 | |
will have to check it. It's very
close to staying on. | 2:49:58 | 2:50:07 | |
Confirmed as going out, goes on to
the re-spot. That was a good strike, | 2:50:13 | 2:50:21 | |
wasn't easy. He's decided to be
aggressive because he's struggling | 2:50:21 | 2:50:26 | |
on his drawer, particularly on the
shorter length jacks. You can't | 2:50:26 | 2:50:30 | |
blame him for that. | 2:50:30 | 2:50:37 | |
The trouble is Greg is getting the
free rein now. There is no pressure | 2:50:40 | 2:50:52 | |
on him to get that close and when
you have no pressure you tend to | 2:50:52 | 2:50:56 | |
land it. When under pressure and
things are not going well you end up | 2:50:56 | 2:51:01 | |
with two feet jack high and give
your opponent a chance. Interesting | 2:51:01 | 2:51:05 | |
to see if he goes again at this.
He's going again. Goodness me. Very | 2:51:05 | 2:51:14 | |
close again. It's gone off the other
side, it will be another re-spot. | 2:51:14 | 2:51:20 | |
This is pinball Wizard, isn't it?
Pinball Wizard, all over the rink. | 2:51:20 | 2:51:24 | |
The only way he could get the shot
was to push it over that side. He is | 2:51:24 | 2:51:28 | |
having a laugh at that anyway. I'm
not sure Greg is laughing. No, but | 2:51:28 | 2:51:35 | |
it wasn't really the right shot to
play. OK, Greg, let's see if you can | 2:51:35 | 2:51:39 | |
do it of the other side. Just
waiting for all of the debris to be | 2:51:39 | 2:51:46 | |
moved out of the way and sorted out.
He needs danger money at the moment | 2:51:46 | 2:51:53 | |
the way that jack is flying around.
As soon as he says it's one green or | 2:51:53 | 2:51:59 | |
one red that is the shot clock
starts. The player can take their | 2:51:59 | 2:52:03 | |
time. | 2:52:03 | 2:52:10 | |
time. Not quite as accurate with
that one. Little chance for Scott. | 2:52:10 | 2:52:17 | |
Still one red, that was a loose one.
This is a brilliant chance for a | 2:52:17 | 2:52:21 | |
double. | 2:52:21 | 2:52:27 | |
Well done, Scott. That's more like
it. He's done well, really, some | 2:52:40 | 2:52:50 | |
good firing shots, and he's
recovered. | 2:52:50 | 2:53:00 | |
recovered. It brings him back into
contention with four ends to go. | 2:53:00 | 2:53:06 | |
There is a bit of explanation going
on, he hit this jack and hit this | 2:53:19 | 2:53:22 | |
ball and it ping-pong or over the
place. There you go, you see. -- all | 2:53:22 | 2:53:31 | |
over the place. | 2:53:31 | 2:53:37 | |
There we are, he loosened his arm
with those running bowls. | 2:53:54 | 2:54:05 | |
APPLAUSE | 2:54:19 | 2:54:24 | |
First time he gets a decent ball
around there and Greg eases him off. | 2:54:24 | 2:54:29 | |
Greg played himself into a decent
line and length of the moment, and | 2:54:29 | 2:54:32 | |
he has the bit between his teeth and
can see the finishing line. Scott on | 2:54:32 | 2:54:39 | |
a good line again, just needs to
drop to the green. Will he get back? | 2:54:39 | 2:54:48 | |
He has backed up the first ball with
a very good second one. That is a | 2:55:13 | 2:55:21 | |
really good line and length, lots of
close balls in. Is just doing enough | 2:55:21 | 2:55:25 | |
at times to keep that distance, to
keep that gap. Greg has played well | 2:55:25 | 2:55:31 | |
during the game. Good strike again.
Right into the open. That will go on | 2:55:31 | 2:55:42 | |
the re-spot, plenty of room all
around it. | 2:55:42 | 2:55:48 | |
around it. The only problem for
Scott Edwards this end is he doesn't | 2:55:49 | 2:55:52 | |
have the last ball. I think he's
decided he needs to be aggressive in | 2:55:52 | 2:55:55 | |
this match, and he's made that
decision on the basis that his | 2:55:55 | 2:55:59 | |
drawing has gone off a little bit.
Even when he's played a good one now | 2:55:59 | 2:56:03 | |
he's being beaten by the punch by
Greg. He's decided to go aggressive | 2:56:03 | 2:56:09 | |
and probably that's the way it's
going to be now for the rest of the | 2:56:09 | 2:56:13 | |
match. If he gets close with this he
is in trouble Scott. It's not bad | 2:56:13 | 2:56:22 | |
but it's eatable. That's a decent
ball. If he takes the ball off he | 2:56:22 | 2:56:35 | |
will lie two but the problem with
that is he's leaving Greg so much | 2:56:35 | 2:56:39 | |
room. He's a poker player. I don't
think he will gamble with this one. | 2:56:39 | 2:56:44 | |
No, just a draw. | 2:56:44 | 2:56:50 | |
No, just a draw. Good line. Has it
got the weight? Just needs to hurry | 2:56:50 | 2:56:58 | |
a little bit. So near. | 2:56:58 | 2:57:10 | |
It's interesting, Greg has opted to
go on the forehand, which I assume | 2:57:21 | 2:57:24 | |
is to come outside the short balls
that are well down the rink. He's | 2:57:24 | 2:57:30 | |
playing very safe here, doesn't want
to give anything away. He's letting | 2:57:30 | 2:57:33 | |
the balls drift in on the bias.
Looking for a good length. This is | 2:57:33 | 2:57:38 | |
the tourist route in, the long way
round. | 2:57:38 | 2:57:49 | |
I'm sure there is a movie called
that, The Long Way Round. There is | 2:57:54 | 2:58:00 | |
one called The Long Way Home. If
this continues he will be setting | 2:58:00 | 2:58:10 | |
the sat nav to go home. The mat is
well up the green again and this has | 2:58:10 | 2:58:16 | |
proved fruitful for him. A different
length has really worked well. | 2:58:16 | 2:58:29 | |
He is really upping it now, Greg. | 2:58:41 | 2:58:47 | |
1-shot and the next one just behind,
that's very good stuff, good | 2:59:29 | 2:59:37 | |
receiving position right away and a
good single. | 2:59:37 | 2:59:44 | |
Still under it. | 2:59:51 | 2:59:58 | |
Another, in front as well. This
could be over very quickly, this | 3:00:17 | 3:00:21 | |
match. If he gets it out to the
right-hand side, he has got the | 3:00:21 | 3:00:28 | |
spot... Well, you know, it is a
single bar target again. He misses | 3:00:28 | 3:00:36 | |
the front and he takes the other out
but these are all precious strikes | 3:00:36 | 3:00:40 | |
he has been asked to make. | 3:00:40 | 3:00:48 | |
he has been asked to make. Played it
well again. Very unlucky in a way. | 3:00:48 | 3:00:52 | |
For the jack may have bounced. It
has gone all the way through. He | 3:00:52 | 3:00:57 | |
needed it out on a re-spot. Two
bowls waiting out there. It is in | 3:00:57 | 3:01:02 | |
the ditch. | 3:01:02 | 3:01:07 | |
The shot is a distance away, 7.5
feet. The draw is a lot closer on | 3:01:13 | 3:01:19 | |
this one. | 3:01:19 | 3:01:29 | |
It is a shot, and it is definitely
beatable. The trouble is to beat it, | 3:01:40 | 3:01:47 | |
he has two flirt with going into the
ditch. He has a couple of feet. It | 3:01:47 | 3:01:53 | |
is never going to be easy when you
are down on the board, the shot is | 3:01:53 | 3:01:57 | |
against and you have a running bowl.
He has popped it out on a high line. | 3:01:57 | 3:02:10 | |
Does he have enough weight on this?
Nowhere near. Oh dear, not even | 3:02:10 | 3:02:17 | |
receiving the second. My goodness
me. | 3:02:17 | 3:02:24 | |
me. He saved a second in the end. It
was a very conservative effort. One | 3:02:24 | 3:02:36 | |
shot to Greg Harlow, and he is
through to the quarterfinals... | 3:02:36 | 3:02:43 | |
Ecuador still measure, and he is
also through. | 3:02:45 | 3:02:51 | |
-- ecru distant measure. | 3:02:57 | 3:03:04 | |
Greg, losing the first ball for a
first time in a feud ends. It is a | 3:03:33 | 3:03:40 | |
chance for Scott... That is good.
Well done, Scott. Taking advantage | 3:03:40 | 3:03:44 | |
of that when he needed it. | 3:03:44 | 3:03:49 | |
No mistakes. He has made it. | 3:04:07 | 3:04:16 | |
A good effort. Needed to be there.
The ball on the jack, he has a good | 3:04:34 | 3:04:39 | |
spot. I cannot blame him playing
that kind of weight. Trying to draw | 3:04:39 | 3:04:44 | |
it off. Get the ball clean, bring
the jack into the open. | 3:04:44 | 3:04:52 | |
Trying to split the two rates, that
one will not help him there -- reds. | 3:05:05 | 3:05:14 | |
It is a similar bowl for Scott,
really. Arriving on the jack, or the | 3:05:14 | 3:05:19 | |
bowl. He is going stronger. He is in
the area. He has his own bowl. That | 3:05:19 | 3:05:33 | |
is not a good result. He easily
could have taken the bowl and spun | 3:05:33 | 3:05:38 | |
onto the jack afterwards. With a
good hit. With that kind of weight | 3:05:38 | 3:05:43 | |
you leave so much space to draw
another into. Not sure of his line | 3:05:43 | 3:05:55 | |
at the moment. The problem here, for
Greg, it depends who shoots, to the | 3:05:55 | 3:06:00 | |
right of the jack, there is a
possibility that if Scott pulled the | 3:06:00 | 3:06:06 | |
jack he could make three or four. I
wonder whether Greg would cover that | 3:06:06 | 3:06:11 | |
instead of playing for another close
ball. You would think it is one red. | 3:06:11 | 3:06:17 | |
So it doesn't really cover something
if it is one down. If it is one down | 3:06:17 | 3:06:27 | |
he will want to draw a shot. And get
the game over. Covering something | 3:06:27 | 3:06:33 | |
that may or may not happen but he
can do it on his forehand. | 3:06:33 | 3:06:37 | |
Absolutely. He is moving in a
forehand direction. If he misses it, | 3:06:37 | 3:06:44 | |
he can get into the cover position.
Nice line in... | 3:06:44 | 3:07:00 | |
Match live. -- lie. It is a simple
one for Scott, does he draw for one | 3:07:11 | 3:07:21 | |
or does he try and play betrayal? A
couple of metres to get three or | 3:07:21 | 3:07:27 | |
four? One is not enough. It just
isn't going to happen. So I think | 3:07:27 | 3:07:38 | |
that he really should... You know,
take the risk and try and trailed | 3:07:38 | 3:07:41 | |
the jack back. If you miss, shake
hands but if you get it you are in | 3:07:41 | 3:07:45 | |
with a real chance. I had to agree
with you on that. Half an | 3:07:45 | 3:07:54 | |
opportunity, not really a half
chance but it is possible, to go | 3:07:54 | 3:07:57 | |
right the rate through. -- right the
way through. It is difficult, he has | 3:07:57 | 3:08:05 | |
two control the weight as well. Six
or seven feet... He plays it, giving | 3:08:05 | 3:08:13 | |
it a go inside of the line... On the
back-end of the green one... The Rob | 3:08:13 | 3:08:19 | |
green one! | 3:08:19 | 3:08:26 | |
It was a straightforward game for
Greg Harlow in the end. He really | 3:08:28 | 3:08:33 | |
did put some pressure on him until
the seventh end in the first set, | 3:08:33 | 3:08:38 | |
losing a double, a double on the
eighth, a single on the ninth. It | 3:08:38 | 3:08:42 | |
was Greg Harlow after that as well.
Taking control in the second set. In | 3:08:42 | 3:08:48 | |
the end, winning six ends against
two. So Greg Harlow, 9-6 and 9-3. | 3:08:48 | 3:08:59 | |
two. So Greg Harlow, 9-6 and 9-3. As
the crowd get up and leave the | 3:09:03 | 3:09:04 | |
arena, as we look at Scott Edwards,
we thought it might be a challenge | 3:09:04 | 3:09:08 | |
for Greg Harlow, but he was in good
form. In the fifth end, going 4-3 in | 3:09:08 | 3:09:15 | |
front. Scott Edwards got a treble in
the next end, but a couple later, he | 3:09:15 | 3:09:26 | |
dropped in for two here. Giving him
an 8-6 situation but then he moved | 3:09:26 | 3:09:31 | |
ahead with three. In the next end.
Unlucky in that one. In the end, | 3:09:31 | 3:09:40 | |
losing a shot. It was a shocker,
wasn't it? Just off-line with his | 3:09:40 | 3:09:48 | |
last ball, Greg Harlow makes his way
to the quarterfinal, and rightly so. | 3:09:48 | 3:09:58 | |
These are the statistics. That
pretty well reflects the game, to be | 3:09:58 | 3:10:04 | |
fair. Nothing too long on that one,
going towards a longer length than | 3:10:04 | 3:10:11 | |
Scott Edwards, but I think he was
pushed in the first round, he | 3:10:11 | 3:10:16 | |
cruised through with a bit of
opposition, certainly, but feeling | 3:10:16 | 3:10:21 | |
in good form as he moves into the
quarterfinals. | 3:10:21 | 3:10:27 | |
I have Scott and grow with me now.
Scott, how do you assess your | 3:10:27 | 3:10:31 | |
performance? I was pretty pleased
with how I started the first set, | 3:10:31 | 3:10:39 | |
but I chucked a couple of review
ends in there, and it ended up | 3:10:39 | 3:10:43 | |
costing me. Greg began to perform a
little better. In the second set | 3:10:43 | 3:10:48 | |
onwards, it put me in some trouble.
I played six running bowls and I hit | 3:10:48 | 3:10:52 | |
everyone. I've never done that in my
life! I have to be happy with that | 3:10:52 | 3:10:58 | |
but broke was the deserving winner.
Did you enjoy the experience? I've | 3:10:58 | 3:11:04 | |
loved the time I've had here the
last couple of weeks. I've learned a | 3:11:04 | 3:11:08 | |
lot, and as Greg said, I've put in a
lot of time and I've learnt a lot | 3:11:08 | 3:11:12 | |
about the rink. But you've got to
perform better than that to beat a | 3:11:12 | 3:11:16 | |
man with Greg's | 3:11:16 | 3:11:17 | |
perform better than that to beat a
man with Greg's class. But you did | 3:11:17 | 3:11:18 | |
put in a lot of effort. He works
hard, he didn't make things all that | 3:11:18 | 3:11:24 | |
easy for you today? He put me under
a lot of pressure. In the first set, | 3:11:24 | 3:11:29 | |
playing extremely well and | 3:11:29 | 3:11:38 | |
playing extremely well and even when
I drew a brilliant shot on the spot, | 3:11:38 | 3:11:40 | |
then the next minute it is another
re-spot. I know here's a poker | 3:11:40 | 3:11:43 | |
player but I don't know if he had
his long sleeves and! He played | 3:11:43 | 3:11:45 | |
extremely well. It could have been a
different story. And Martin tested | 3:11:45 | 3:11:48 | |
you out in the first round. How much
progression have you got left? You | 3:11:48 | 3:11:52 | |
won before, it is the kind of
tournament where you cannot get to | 3:11:52 | 3:11:58 | |
the bottom of the well too soon? It
is a long and strong out tournament, | 3:11:58 | 3:12:03 | |
there's a gap for all players, from
the first round to the second round | 3:12:03 | 3:12:08 | |
but now it is the business round
more less every day. Whoever will | 3:12:08 | 3:12:13 | |
win will steadily improve over the
next few days. How much improvement | 3:12:13 | 3:12:18 | |
left in the locker? Definitely some
improvement, I need to compete on | 3:12:18 | 3:12:22 | |
the first and second bowl, if your
opponent is putting you under | 3:12:22 | 3:12:28 | |
pressure, it depends on how they
play as well. I'm delighted to be in | 3:12:28 | 3:12:33 | |
the quarterfinals. And the ladies,
you keep an eye? Speaking to anyone, | 3:12:33 | 3:12:45 | |
that would be the best performance
I've ever seen from a lady on this | 3:12:45 | 3:12:51 | |
ring, she was phenomenal, I was
gradual wasn't playing the! She | 3:12:51 | 3:12:54 | |
would have wiped the floor with me!
She said she is coming to the open | 3:12:54 | 3:12:59 | |
singles. Congratulations, the world
number one is through to the | 3:12:59 | 3:13:02 | |
quarterfinals! We can take a look at
the draw and what the result means | 3:13:02 | 3:13:07 | |
for the last eight. We know that
seven players are now through, and | 3:13:07 | 3:13:12 | |
they are Jason Greenslade, defeating
Paul | 3:13:12 | 3:13:14 | |
they are Jason Greenslade, defeating
Paul Foster, the defending champion. | 3:13:14 | 3:13:16 | |
Darren Burnett, he came through
against Jamie Chestney. | 3:13:16 | 3:13:26 | |
Mervyn King overcame it Nick Brett.
Greg Harlow is through, having | 3:13:26 | 3:13:31 | |
defeated Scott Edwards. He will play
Stewart | 3:13:31 | 3:13:34 | |
defeated Scott Edwards. He will play
Stewart Anderson or Wayne Willgress. | 3:13:34 | 3:13:35 | |
Now, we have time to show you more
of what happened in the match this | 3:13:35 | 3:13:39 | |
morning between Les Gillett and
Robert Paxton, the first set was | 3:13:39 | 3:13:44 | |
tied at 8-8, we join in the second
with Les Gillett leading 2-0. | 3:13:44 | 3:13:51 | |
COMMENTATOR: The same sort of
routine every time with Les, | 3:14:50 | 3:14:54 | |
swinging his arms. Some way to go. | 3:14:54 | 3:15:00 | |
A really good adjustment... | 3:15:03 | 3:15:09 | |
A difficult man to shake off, when
he is in the zone. He bowls to any | 3:15:18 | 3:15:24 | |
length. | 3:15:24 | 3:15:29 | |
He is right on track. | 3:16:11 | 3:16:16 | |
Rob, on the backhand. He just wants
to miss the front red. Slipping | 3:16:38 | 3:16:44 | |
inside of that... I think that is a
second. | 3:16:44 | 3:16:55 | |
second. No, did not make it. Still
only one green. | 3:16:55 | 3:17:02 | |
only one green. Les may decide to
follow that commit using the green | 3:17:03 | 3:17:06 | |
to come back into the jack. Probably
a better shot, didn't want to move | 3:17:06 | 3:17:11 | |
the jack on the other side and flick
it out. A lot of danger here. Really | 3:17:11 | 3:17:17 | |
is, he has to be so careful. I think
the backhand is the better short, at | 3:17:17 | 3:17:22 | |
this stage. He really doesn't want
his jack to be bounced into that | 3:17:22 | 3:17:28 | |
sort of area. That is where the
danger is. It is his last bowl. He | 3:17:28 | 3:17:36 | |
may try to drop it down... He is
only one down at the moment. It is a | 3:17:36 | 3:17:41 | |
draw, if he is inside of the green
on the jack, outside he can cover | 3:17:41 | 3:17:47 | |
that position. | 3:17:47 | 3:17:57 | |
that position. He is going for an
inside line with some weight. He | 3:17:57 | 3:18:00 | |
needs to be careful... He is under
it. He did not play with much | 3:18:00 | 3:18:04 | |
confidence. Not a lot of conviction.
If he is one down, not very happy, | 3:18:04 | 3:18:12 | |
to be truthful with you. You can see
sometimes with how players play a | 3:18:12 | 3:18:17 | |
particular bowl, they are not
convinced it is the right shot, | 3:18:17 | 3:18:18 | |
even. | 3:18:18 | 3:18:24 | |
even. I can see why he used more
weight than he wanted. He is afraid | 3:18:24 | 3:18:28 | |
of bouncing the jack a foot, if he
hit the red into the jack he may | 3:18:28 | 3:18:34 | |
have gone all the way through. This
is a difficult one, he has got a | 3:18:34 | 3:18:38 | |
chance. Not easy to get out inside
of the red. If he gets onto the red | 3:18:38 | 3:18:52 | |
and drops it... That is a good
effort. But I do not think it is | 3:18:52 | 3:18:55 | |
enough. | 3:18:55 | 3:19:05 | |
A side touch... Just occasionally,
you get a very interesting statistic | 3:19:06 | 3:19:17 | |
going through. Five touches in this
match. Every time the person has had | 3:19:17 | 3:19:22 | |
a touch, he has scored in that end.
So... | 3:19:22 | 3:19:31 | |
So... There are good statistics and
very impressive ones. That is a very | 3:19:31 | 3:19:36 | |
impressive one. | 3:19:36 | 3:19:41 | |
The secret is to make sure that you
get a touch at every end. It is | 3:19:49 | 3:19:53 | |
easier said than done! Absolutely,
no guarantees and you do not get any | 3:19:53 | 3:19:58 | |
extra points for it. | 3:19:58 | 3:20:07 | |
extra points for it. You are an
anorak! Not me, no credit whatsoever | 3:20:07 | 3:20:10 | |
from that. There is a special double
anorak which has sorted this one out | 3:20:10 | 3:20:19 | |
for me. Thank you. Much appreciated.
Did not quite make it, the head of | 3:20:19 | 3:20:34 | |
the green bowl... I'm only saying
that because you would look through | 3:20:34 | 3:20:37 | |
again, making sure. I'm sure that
somebody would do that. | 3:20:37 | 3:20:50 | |
A good bowl there. Trying to turn
the jack. It could does -- a good | 3:20:56 | 3:21:04 | |
position. | 3:21:04 | 3:21:09 | |
position. If you have any questions,
send them into us using the hashtag | 3:21:11 | 3:21:15 | |
BBC bowls. I'm sure that John would
be delighted to answer them. Thank | 3:21:15 | 3:21:19 | |
you for that, David. I haven't got
enough to do, keeping you in | 3:21:19 | 3:21:26 | |
order...! You are in the expert
chair! That is how it works. That | 3:21:26 | 3:21:34 | |
was loose by Les, you would have
expected it to be closer. | 3:21:34 | 3:21:50 | |
expected it to be closer. A chance
for Robert to make it difficult, he | 3:21:50 | 3:21:52 | |
gets really close to the jack. He is
trying hard, he is on an outside | 3:21:52 | 3:21:59 | |
line. Creating a shoulder. Three on
the white side apposition rattlers. | 3:21:59 | 3:22:09 | |
Three green. But it is still there
for Les. Do not overthink it, just | 3:22:09 | 3:22:18 | |
go down and draw it. Could
overcomplicate things, but it looks | 3:22:18 | 3:22:25 | |
like a simple draw to me. I cannot
see anything else. He has taken a | 3:22:25 | 3:22:30 | |
time-out on this. I'm really
surprised at this. The front bowl is | 3:22:30 | 3:22:37 | |
not clever. That he has got
available to him. That is where the | 3:22:37 | 3:22:44 | |
difficulty is. This bowl is sitting
in the way. If he plays a runner he | 3:22:44 | 3:22:48 | |
will come off that. He may get into
the head but realistically it looks, | 3:22:48 | 3:22:54 | |
to you and me, like a draw. You can
get on the outside of the bowl. | 3:22:54 | 3:23:01 | |
Second bowl, changing ahead. He
flicks his own way, it could be two | 3:23:01 | 3:23:05 | |
down. Maybe even three? Keep very --
he may prove us wrong. He is | 3:23:05 | 3:23:14 | |
drawing. This is all about good
weight on the line. He has | 3:23:14 | 3:23:24 | |
overplayed it again. The right shot.
He was a yard too heavy but it was | 3:23:24 | 3:23:32 | |
the right shot to play at this
moment in time. It may be different | 3:23:32 | 3:23:37 | |
if Robert adds another. Am sure he
will want to close this down, if he | 3:23:37 | 3:23:44 | |
can get into the jack. He would make
it very difficult for Les. | 3:23:44 | 3:23:53 | |
it very difficult for Les. The first
end where Les has looked a little | 3:23:53 | 3:23:55 | |
vulnerable. | 3:23:55 | 3:24:00 | |
vulnerable. Robert, playing safe and
going deep. He reckons Les will have | 3:24:00 | 3:24:04 | |
a pop at this now. Some clubs in the
crowd, the choice is here. Now it's | 3:24:04 | 3:24:12 | |
a different situation than it was
before. Damage limitation could come | 3:24:12 | 3:24:17 | |
into it. It will be a good draw. It
isn't normally Les's game but he is | 3:24:17 | 3:24:29 | |
going to run this one. On the
backhand... Hmm. No. He has changed. | 3:24:29 | 3:24:36 | |
Beforehand for a running bowl. He
took one out. It was a damage | 3:24:36 | 3:24:48 | |
limitation shop. -- shot. | 3:24:48 | 3:25:01 | |
It is always good to see a packed
crowd in the morning game here at | 3:25:18 | 3:25:25 | |
the Potters Resort, they normally
come in for all sessions, and enjoy | 3:25:25 | 3:25:29 | |
the resort. It is good for the
players too. | 3:25:29 | 3:25:41 | |
One of those stats you mentioned
earlier, about the lead changing in | 3:25:56 | 3:26:00 | |
the first end. The first set, sorry.
Five times. It sums up the game. | 3:26:00 | 3:26:07 | |
Neither player has total control. It
has very much been that kind of | 3:26:07 | 3:26:13 | |
game. With a lot of conversion
shots. | 3:26:13 | 3:26:19 | |
It is amazing, some of the
information you get, with the four | 3:26:24 | 3:26:28 | |
or five voices I have in my ears. A
lot of it is very interesting... | 3:26:28 | 3:26:42 | |
lot of it is very interesting... Big
effort, wide on the line. That has | 3:26:42 | 3:26:46 | |
happened a few times. | 3:26:46 | 3:26:56 | |
He has passed it, very good. | 3:27:09 | 3:27:15 | |
Let's show how good he is the
perfect draw shot. -- at the perfect | 3:27:21 | 3:27:29 | |
draw shot. Robert, looking to
reduce... On the front one. Slightly | 3:27:29 | 3:27:38 | |
off target, that was always a
problem. Still, he has a back bowl, | 3:27:38 | 3:27:44 | |
now. | 3:27:44 | 3:27:50 | |
He decides to draw again rather than
go for the cover. The plant comes | 3:28:09 | 3:28:14 | |
into the jack. That is exactly what
he has done. That is not good. I'm | 3:28:14 | 3:28:21 | |
surprised at that. I thought he may
have played it through the head. You | 3:28:21 | 3:28:26 | |
almost see the reaction. The jack is
going. | 3:28:26 | 3:28:34 | |
He has taken another time-out, two
remaining now. You can see the plant | 3:28:41 | 3:28:47 | |
going straight in there. Where the
jack goes, the Rhys Barker position | 3:28:47 | 3:28:50 | |
is over here. There is another bowl
there. -- the re-spot. That is one | 3:28:50 | 3:29:01 | |
of the better results, two bowls
without a jack. | 3:29:01 | 3:29:08 | |
He is close... He has got something.
Where is the green bowl? Always | 3:29:14 | 3:29:23 | |
looking for it. That was always a
valuable one to have. I do not think | 3:29:23 | 3:29:31 | |
he would have expected it to go as
close to the green bowl. But it was | 3:29:31 | 3:29:36 | |
a good strike, and he deserves some
sort of result of that. A good one. | 3:29:36 | 3:29:43 | |
One down, the jack there. | 3:29:43 | 3:29:50 | |
One down, the jack there. No point
in trying to draw that, just run the | 3:29:51 | 3:29:54 | |
bowl off. He has a second shot. | 3:29:54 | 3:29:59 | |
Playing it. He's close. He got the
wall. So close there. Big effort. | 3:29:59 | 3:30:13 | |
REFEREE: Set score 2-4 after four
ends. | 3:30:19 | 3:30:35 | |
APPLAUSE | 3:31:20 | 3:31:22 | |
The weight was good again, just
stayed away. | 3:32:14 | 3:32:24 | |
That has come across uncovered a bit
of the jack. It is still there for | 3:33:19 | 3:33:25 | |
him. That's what he's gone for. | 3:33:25 | 3:33:32 | |
Not a great end for Les Gillett. No,
dropping through, and it's probably | 3:33:41 | 3:33:47 | |
his worst end. Not the time to do it
when you're 4-2 down. He's leaving | 3:33:47 | 3:33:55 | |
himself in a difficult situation. If
he did draw in for another shot and | 3:33:55 | 3:34:02 | |
Les decided to have a little gamble,
green ball into jack he has nothing | 3:34:02 | 3:34:07 | |
at the back. It looks like it has to
be a back cover even at two feet | 3:34:07 | 3:34:13 | |
behind the jack Hunter the Red Bull
would be good -- onto the red ball | 3:34:13 | 3:34:23 | |
would be good. He was listening. I
think he had to play that really, he | 3:34:23 | 3:34:28 | |
couldn't take the risk. | 3:34:28 | 3:34:31 | |
He doesn't want to lose twos and
threes that far away from the jack | 3:34:45 | 3:34:50 | |
but he's given this a chance for a
number one. | 3:34:50 | 3:34:55 | |
APPLAUSE | 3:34:55 | 3:35:03 | |
Little bit of daylight therefore
Robert Paxton. We have been getting | 3:35:16 | 3:35:23 | |
some tweets in. Pauline Jacobs as
King: two drum sets, how often does | 3:35:23 | 3:35:27 | |
that happen? It is rare. It has
happened on occasions, doesn't | 3:35:27 | 3:35:33 | |
happen to Aston. -- as King: two
drawn sets. We had a tie-breaker | 3:35:33 | 3:35:40 | |
when it was one end each and we had
a third tie-break end and went to a | 3:35:40 | 3:35:47 | |
shoot out. That is very rare. I
think you were involved in that. I | 3:35:47 | 3:35:52 | |
was. They don't happen often. They
are very rare but they can happen. | 3:35:52 | 3:36:05 | |
Always the concern whenever you miss
with your first bowl on a couple of | 3:36:54 | 3:36:59 | |
ends. There are so much importance
on the first delivery to put the | 3:36:59 | 3:37:06 | |
pressure on your opponent. | 3:37:06 | 3:37:13 | |
Disappointed with that last bowl. He
thought it was better. | 3:37:13 | 3:37:25 | |
thought it was better. It is a bit
inside line. Struggling as well. | 3:37:25 | 3:37:29 | |
Goodness me. Two ends in a row where
Les is three feet away from the jack | 3:37:29 | 3:37:39 | |
on the first two deliveries and
Robert gets one right on this. Les | 3:37:39 | 3:37:44 | |
is in a whole heap of trouble. | 3:37:44 | 3:37:52 | |
APPLAUSE | 3:38:08 | 3:38:15 | |
Rob knows he is laying three but
they are not close enough. You'd | 3:38:22 | 3:38:29 | |
expect Les to draw this. His last
leg form was good enough to draw | 3:38:29 | 3:38:34 | |
this. He's had a few loose
deliveries. He didn't look terribly | 3:38:34 | 3:38:38 | |
happy with that one. No, he didn't.
I think he's better. A lot better. | 3:38:38 | 3:38:45 | |
That is more of an indication he
wasn't quite sure what he was doing | 3:38:45 | 3:38:50 | |
on that end. That it will be a worry
for him. He didn't think it was | 3:38:50 | 3:38:56 | |
getting there. He couldn't have
played it any better. He certainly | 3:38:56 | 3:38:59 | |
needed it. | 3:38:59 | 3:39:03 | |
He has overplayed it. Very good
single shot for Les. He needs to be | 3:39:23 | 3:39:34 | |
a little bit careful of the jack
where it is sitting. Safer if Les | 3:39:34 | 3:39:40 | |
chose the other side really. | 3:39:40 | 3:39:47 | |
chose the other side really. He has
his hand out. He's confident now. | 3:39:47 | 3:39:55 | |
Wider lines, he's going to drop back
around the jack, will it fall in? | 3:39:55 | 3:40:02 | |
Doesn't need to, that's about right.
Robert just couldn't put that end to | 3:40:02 | 3:40:16 | |
bed really. That was the problem, he
had a chance of the first couple of | 3:40:16 | 3:40:20 | |
bowls but he couldn't close it down.
There will be one out and they will | 3:40:20 | 3:40:25 | |
look at the second. They will see
what happens on the measure. Where | 3:40:25 | 3:40:29 | |
is your money on that one? Slightly
favour the red. Les Gillett, now 47, | 3:40:29 | 3:40:38 | |
the last 20 years have been full of
international experience at the top | 3:40:38 | 3:40:42 | |
level. A family man, married to
Sadie, three kids, Millie, Eliza and | 3:40:42 | 3:40:50 | |
Jessica. No doubt they are recording
this to be watched later. Dad is | 3:40:50 | 3:40:54 | |
doing well. | 3:40:54 | 3:41:01 | |
doing well. Good sense of humour,
Les Gillett. Quite funny when | 3:41:01 | 3:41:07 | |
sitting down for a meal or something
with him. He is a very relaxed guy. | 3:41:07 | 3:41:15 | |
It is a double. It looked like it.
And he needed it as well. Yeah, it | 3:41:15 | 3:41:27 | |
gets him right back in the set. | 3:41:27 | 3:41:33 | |
Les will know he will need to get a
bit closer with that first ball, the | 3:42:25 | 3:42:29 | |
last couple of ends he was very good
early in the match but the last few | 3:42:29 | 3:42:33 | |
ends he is slipping a bit and giving
Robert a couple of chances. Robert | 3:42:33 | 3:42:37 | |
hasn't taken advantage. | 3:42:37 | 3:42:45 | |
Still a bit of room there. | 3:43:10 | 3:43:17 | |
Is it getting a little bit edgy out
there? It is getting a bit tense, | 3:43:41 | 3:43:46 | |
isn't it? It's the seventh end and
he really wants to win this one. Not | 3:43:46 | 3:43:53 | |
far off, but it's two and a half
feet, it could cost you two or three | 3:43:53 | 3:43:58 | |
if you don't get inside that. He's
not reaching. Dear oh dear, Les. A | 3:43:58 | 3:44:08 | |
little touch on that and he was
making three. Not the time to be | 3:44:08 | 3:44:12 | |
short. He needs to secure a really
good single. The shake of the head. | 3:44:12 | 3:44:17 | |
He realised that was a great chance.
Robert will expect Les to be closer | 3:44:17 | 3:44:26 | |
with his last bowl. He wants this
one really close. | 3:44:26 | 3:44:38 | |
one really close. Well, just about
made it. It's closer but you'd still | 3:44:38 | 3:44:46 | |
expect Les to draw and get the shot.
He needs a good one here. He can't | 3:44:46 | 3:44:53 | |
afford to be loose with this. He
could end up dropping a treble. | 3:44:53 | 3:44:57 | |
Three shops at this stage would not
be good. My goodness, he's gone on | 3:44:57 | 3:45:02 | |
to the back. That's interesting.
That is a hard thing to do. It's | 3:45:02 | 3:45:08 | |
quite easy to fall short on this
side. That's what he's done. You see | 3:45:08 | 3:45:15 | |
that so often. You just move on to
the other side and it just pulls up | 3:45:15 | 3:45:23 | |
three or four feet. There was no
reason to change. He had a wonderful | 3:45:23 | 3:45:33 | |
opportunity to get in on the open
side. | 3:45:33 | 3:45:40 | |
side. The man who could play that
really well, the great David Brand, | 3:45:40 | 3:45:47 | |
very adept at changing his hand.
What has been notable from this | 3:45:47 | 3:45:53 | |
direction on the commentary box when
you move onto the other side you are | 3:45:53 | 3:45:56 | |
more likely to drop short. This is
potentially a match and for Robert | 3:45:56 | 3:46:03 | |
Paxton. -- match end. This is a big
opportunity. If he clears his own | 3:46:03 | 3:46:15 | |
bowl he could bend in. He was too
heavy with that. That is a shocker. | 3:46:15 | 3:46:21 | |
He knows it. Both players. It is two
out. If it's only two command we | 3:46:21 | 3:46:31 | |
think it is only two, Les is still
in with a chance. Robert's target | 3:46:31 | 3:46:38 | |
should have been inside the green
ball to the Red Bull and drop it out | 3:46:38 | 3:46:41 | |
for four. It was a dead weight, just
needed to make it count -- the red | 3:46:41 | 3:46:53 | |
ball. Wasn't a great end by either
player. Probably the worst end of | 3:46:53 | 3:46:58 | |
the match. You can't keep the
standard up all the time, you will | 3:46:58 | 3:47:04 | |
always have the odd | 3:47:04 | 3:47:09 | |
always have the odd one like that.
It's been a high-quality game and | 3:47:10 | 3:47:13 | |
when there is a loose end you want
to lose only one and not two or | 3:47:13 | 3:47:17 | |
three. Les will know that was not
the time to play it. | 3:47:17 | 3:47:24 | |
the time to play it. I don't think
this red ball is in contention. The | 3:47:24 | 3:47:31 | |
other red ball is a different
matter. | 3:47:31 | 3:47:38 | |
He didn't even go down there. You
get the impression that the measure | 3:47:42 | 3:47:48 | |
is comfortable. Two shots, Robert
Paxton. That could be even worse for | 3:47:48 | 3:47:58 | |
Les. That's a pretty bad and isn't
it? -- pretty bad end. 7-4, Les | 3:47:58 | 3:48:11 | |
needs is single and double to force
the tie-break. | 3:48:11 | 3:48:23 | |
Once again Les and not getting that
first ball in, just struggling a | 3:49:31 | 3:49:36 | |
little bit. Just a few ends in the
latter part of the set where he just | 3:49:36 | 3:49:42 | |
hasn't been as prolific as he was in
the first set. He's fallen away at | 3:49:42 | 3:49:46 | |
the wrong time here and Robert
realises this and he needs to try | 3:49:46 | 3:49:52 | |
and pile the pressure on. | 3:49:52 | 3:49:58 | |
and pile the pressure on. Just out
of Les's reach. | 3:49:58 | 3:50:07 | |
Will he run again? | 3:50:20 | 3:50:27 | |
Never looks like getting there. | 3:50:27 | 3:50:33 | |
Robert Paxton has a big chance to
put Les in even more trouble here. | 3:50:41 | 3:50:57 | |
He just lost his way a little bit
and Robert pulled up on that one, he | 3:50:57 | 3:51:00 | |
was down to four microseconds.
REFEREE: Robert has no time-outs | 3:51:00 | 3:51:05 | |
remaining. | 3:51:05 | 3:51:11 | |
remaining. -- four seconds. | 3:51:11 | 3:51:18 | |
Nice safe white line, doesn't want
to move the Reds, it is getting in | 3:51:25 | 3:51:31 | |
there, it needs to drop over towards
the jack. | 3:51:31 | 3:51:37 | |
APPLAUSE
Les's natural game is to draw things | 3:51:37 | 3:51:40 | |
off, but it's been a bit of a
struggle. | 3:51:40 | 3:51:49 | |
struggle. It would be worth trying
to push into this one, he is going | 3:51:49 | 3:51:51 | |
on his forehand, he's going heavy.
That was a really good strike but an | 3:51:51 | 3:51:59 | |
unlucky result, he got the edge of
the jack and pushed it towards the | 3:51:59 | 3:52:04 | |
green ball. Really good hit, though.
Les has touched it into the ditch. | 3:52:04 | 3:52:19 | |
Even so Robert must try and kill the
game off and score a double on this | 3:52:19 | 3:52:24 | |
end. He must really try very hard to
get this right. | 3:52:24 | 3:52:31 | |
get this right. You can see he
doesn't want to leave the green ball | 3:52:31 | 3:52:33 | |
on its own. Neisse line, get past
the front reds. He's played this | 3:52:33 | 3:52:41 | |
world, if he can get it to turn on
the jack that would be very good. | 3:52:41 | 3:52:45 | |
Very good. I'm not sure you could
ask for more than that, he played | 3:52:45 | 3:52:51 | |
the right ball at the right time to
close the match off and get a place | 3:52:51 | 3:52:54 | |
in the final. It's been a tough
game. He played that really well. | 3:52:54 | 3:53:04 | |
So, Les will look to hit this now on
his forehand. He has a really good | 3:53:04 | 3:53:10 | |
drive. Looks under, has he got
something? No. | 3:53:10 | 3:53:15 | |
APPLAUSE | 3:53:15 | 3:53:23 | |
That was a fascinating game, no
doubt. Real quality throughout. Les | 3:53:24 | 3:53:29 | |
Gillett and Robert Paxton toe to toe
in the first set, 8-8, magnificent | 3:53:29 | 3:53:36 | |
to watch, but Les Gillett just went
off the boil in the second set. | 3:53:36 | 3:53:42 | |
Robert Paxton took over and eased
his way into a 9-4 and takes the | 3:53:42 | 3:53:48 | |
match. One a half. | 3:53:48 | 3:53:53 | |
Robert Paxton | 3:53:55 | 3:53:55 | |
Robert Paxton runner-up in 2016
through to the quarterfinals once | 3:53:55 | 3:53:58 | |
again. This is how the draw looks
now. Jason Greenslade who defeated | 3:53:58 | 3:54:03 | |
the defending champion. Paul Foster
in the previous round. Faces former | 3:54:03 | 3:54:07 | |
champion again in Darren Burnett.
Mark Dawes up | 3:54:07 | 3:54:11 | |
champion again in Darren Burnett.
Mark Dawes up against Mark Royal and | 3:54:11 | 3:54:13 | |
former champion Mervyn King up
against Robert Paxton and we still | 3:54:13 | 3:54:16 | |
await one result and the winner of
that match will play Greg Harlow. | 3:54:16 | 3:54:19 | |
That match between Stewart Anderson
and Willgress is going to be on the | 3:54:19 | 3:54:24 | |
BBC website tonight from 7:30pm. We
have also got highlights of all of | 3:54:24 | 3:54:29 | |
those they's action from 12:15am on
BBC Two. -- all of the day's action. | 3:54:29 | 3:54:38 | |
We're back at 10am on Friday for the
first of the quarterfinals between | 3:54:38 | 3:54:41 | |
Mark Dawes and Mark Royal. And then
on BBC Two at 1pm for Greenslade | 3:54:41 | 3:54:49 | |
against Darren Burnett and Willgress
against Greg Harlow. And when we are | 3:54:49 | 3:54:56 | |
finished on BBC Two there will be
highlights of the Australian Open | 3:54:56 | 3:55:00 | |
tennis featuring the match between
Marin Cilic and Kyle Edmund. | 3:55:00 | 3:55:05 | |
tennis featuring the match between
Marin Cilic and Kyle Edmund. | 3:55:05 | 3:55:05 | |
Delighted to say that in between
myself and Korkie we have the | 3:55:06 | 3:55:09 | |
three-time ladies single champion
Katherine Rednall with her | 3:55:09 | 3:55:12 | |
resplendent Trophy. Catherine,
you've had a bit more time to let | 3:55:12 | 3:55:17 | |
things sink in now. What sort of
emotions are you feeling at this | 3:55:17 | 3:55:21 | |
moment? It hasn't really sunk in
yet, it will take a couple of days | 3:55:21 | 3:55:26 | |
to feel that I've won it again. Over
the moon. Just before we started | 3:55:26 | 3:55:31 | |
chatting to you you said you are not
feeling great and feel like you have | 3:55:31 | 3:55:35 | |
the flu. I don't feel great, but a
cold coming on morning so I'm just | 3:55:35 | 3:55:42 | |
hanging on. Extraordinary,
considering how well she played. | 3:55:42 | 3:55:44 | |
Probably why she wanted it over so
quickly. And why she didn't want the | 3:55:44 | 3:55:48 | |
interview at the end. Callous about
the match because we spoke in the | 3:55:48 | 3:55:51 | |
aftermath and before the match about
the importance of getting in early | 3:55:51 | 3:55:54 | |
and you seemed to do that from
almost the moment you stepped on the | 3:55:54 | 3:55:58 | |
rink. Yes, it was always on the back
of my mind that my first two bowls | 3:55:58 | 3:56:02 | |
against Rebecca had to be good
because if they are not she would | 3:56:02 | 3:56:06 | |
get right on top of me and get in
there before me. I really nailed | 3:56:06 | 3:56:09 | |
that today. Watching from the
commentary box what was your | 3:56:09 | 3:56:14 | |
assessment at this point? It was
almost an exhibition, it really was. | 3:56:14 | 3:56:19 | |
I did say Katherine was getting a
free run but sometimes that plays | 3:56:19 | 3:56:24 | |
against you if your opponent isn't
playing well and you drop your form | 3:56:24 | 3:56:29 | |
and your game gets scrappy but
Katherine kept her standard going, | 3:56:29 | 3:56:34 | |
and it was only on one end when
Katherine missed and lost a four but | 3:56:34 | 3:56:39 | |
the rest of the game she had two or
three and even four. Lovely moment | 3:56:39 | 3:56:45 | |
at the end, you won impressively but
it was difficult for Rebecca, but | 3:56:45 | 3:56:49 | |
you were consoling her at the end.
It must have been a strange | 3:56:49 | 3:56:53 | |
dichotomy for you to have to play
brilliantly but also play | 3:56:53 | 3:56:57 | |
brilliantly against someone you care
so much about. I know, I went into | 3:56:57 | 3:57:01 | |
it thinking we are good friends of
the green but both professional when | 3:57:01 | 3:57:06 | |
we go on the green so it would have
been as if we were playing on the | 3:57:06 | 3:57:09 | |
one else really. It wasn't pleasant
to be on top of Rebecca as much as I | 3:57:09 | 3:57:16 | |
was today -- as if we were playing
anyone else. I didn't really feel I | 3:57:16 | 3:57:20 | |
let her in much at all. Greg Harlow
said afterwards that is one of the | 3:57:20 | 3:57:24 | |
finest performances ever seen from a
lady on a blue rink, that's quite a | 3:57:24 | 3:57:29 | |
statement. Yes it is and he's
absolutely right. I've been here for | 3:57:29 | 3:57:32 | |
all of them. When you go into a
final there is only one fear and | 3:57:32 | 3:57:36 | |
that is of not performing. It is not
about winning the actual | 3:57:36 | 3:57:40 | |
championship, you are not worried
about that, you are worried about | 3:57:40 | 3:57:44 | |
the fear. Unfortunately it is just
one of those things for Rebecca who | 3:57:44 | 3:57:47 | |
just had a bad day but that happens
and should be back next year. What | 3:57:47 | 3:57:50 | |
are you going to do is to celebrate
tonight? I'm going to go home and | 3:57:50 | 3:57:54 | |
have a gin and tonic when I get
home, because I've got to drive so | 3:57:54 | 3:57:58 | |
I've been on Diet Coke or afternoon
and back to university next week. | 3:57:58 | 3:58:02 | |
Many congratulations from all of us
today. It was a real privilege to | 3:58:02 | 3:58:06 | |
watch you in action, superb
performance from Katherine Rednall | 3:58:06 | 3:58:10 | |
at patas means she is the ladies
single champion for the third time | 3:58:10 | 3:58:13 | |
in her career. From all of us here,
bye bye. | 3:58:13 | 3:58:20 |