Browse content similar to 23/10/2012. Check below for episodes and series from the same categories and more!
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You are watching and BBC World News. We are bringing new special | :00:12. | :00:22. | |
:00:22. | :00:23. | ||
coverage today or George Entwistle the. He is being questioned about | :00:23. | :00:28. | |
the decision to drop Newsnight, an investigation last year, and we | :00:28. | :00:38. | |
:00:38. | :00:54. | ||
their editor if they want to. is the point of the director- | :00:54. | :00:59. | |
general being editor-in-chief if he does not have editorial control? | :01:00. | :01:04. | |
The director-general has editorial accountability and responsibility | :01:04. | :01:10. | |
but it does not have direct editorial control. The BBC is a big | :01:10. | :01:15. | |
organisation, there are many strains of journalism, and | :01:15. | :01:21. | |
responsibility for journalism is devolved down to them. But would a | :01:21. | :01:25. | |
programme bringing forward serious criminal allegations about somebody | :01:25. | :01:31. | |
who was an icon in this country, created as an icon by the BBC, for | :01:31. | :01:37. | |
very vulnerable people as a result of his BBC celebrity status, would | :01:37. | :01:40. | |
the preparations for broadcast of a programme like that not routinely | :01:40. | :01:48. | |
have gone to the editor in chief? No. I would have expected it to be | :01:48. | :01:53. | |
referred to the line manager, which I understand it was, and I might | :01:53. | :01:59. | |
have expected it to be made to the Divisional Director, which it was, | :01:59. | :02:03. | |
but not necessary to the editor in chief. David would be able to | :02:03. | :02:07. | |
provide a perspective on this, but the editor in chief becomes | :02:07. | :02:12. | |
involved in relatively few final editorial decisions. I can | :02:12. | :02:22. | |
:02:22. | :02:22. | ||
understand that but if this doesn't qualify, I wonder what the Bar is? | :02:22. | :02:31. | |
It would certainly have got to divisional director level. Had the | :02:31. | :02:34. | |
investigation proceeded to where it would be transmitted, at that point | :02:34. | :02:39. | |
it would be referred upwards. does that kick in? We know the | :02:39. | :02:44. | |
editor had asked his team to prepare for transmissions. The BBC | :02:44. | :02:49. | |
press office had been briefed. Does it go 10 minutes before | :02:50. | :02:56. | |
transmission? Had it been commissioned, and were it to | :02:56. | :03:00. | |
proceed to transmission in the way the editor had original planned, it | :03:00. | :03:05. | |
probably would have been referred to senior management. The most | :03:05. | :03:09. | |
sensitive and delicate investigations, some of the biggest | :03:09. | :03:13. | |
ones I have been involved in, eventually get up to director level | :03:13. | :03:19. | |
and sometimes even director-general level. I was in charge of the | :03:19. | :03:22. | |
investigation into Robert Maxwell when I was at Panorama, and that | :03:22. | :03:29. | |
went to the director-general at the time. Some of the most potentially | :03:29. | :03:33. | |
defamatory investigations would get to that point but only if you were | :03:33. | :03:39. | |
intending to proceed with them. A lot of investigations are not | :03:39. | :03:45. | |
proceeded with... Newsnight was preparing for broadcast within a | :03:45. | :03:48. | |
matter of weeks and so it would have been late in the day, it may | :03:48. | :03:53. | |
have been totally proper for this never to have gone to the director- | :03:53. | :03:59. | |
general before it went to air from what you say? Rather than having | :03:59. | :04:05. | |
individual slots for documentaries on Newsnight, you own a chunk on | :04:05. | :04:08. | |
BBC to see you have enormous flexibility about what to put in | :04:08. | :04:12. | |
there so it is rarely the case that an editor for Newsnight would say, | :04:12. | :04:16. | |
I am intending such and such definitely for that date. It would | :04:16. | :04:25. | |
be intended for a certain week, for example. I am inferring from what I | :04:25. | :04:31. | |
saw on Panorama last night, it seems that Peter Rippon's | :04:31. | :04:34. | |
enthusiasm for the idea was higher and then became low, and therefore | :04:34. | :04:41. | |
I would not expect him... We need to know why. Absolutely but I would | :04:41. | :04:45. | |
not have expected him to be committed to a date and a | :04:45. | :04:50. | |
particular timescale. One of the things I think that some of the | :04:50. | :04:55. | |
contributions that Panorama from last night thought this was | :04:55. | :04:59. | |
strange... It sounds strange that not only was the programme not | :05:00. | :05:03. | |
considered ready for broadcast but that the investigation was dropped | :05:03. | :05:07. | |
altogether and that nothing was done as a result of the | :05:07. | :05:11. | |
investigation that had taken place. Is that not stray inch? On the | :05:11. | :05:17. | |
basis of what I now know, I am surprised nothing further happened. | :05:17. | :05:24. | |
-- is that not strange? The editor was not ready to proceed with the | :05:24. | :05:30. | |
idea, but there were clearly some good journalistic material, and | :05:30. | :05:37. | |
even if it was not a prospect for immediate transmission, a continued | :05:37. | :05:40. | |
investigation my tap been appropriate. There were eyewitness | :05:40. | :05:48. | |
statements about a criminal offence. -- might have been appropriate. Two | :05:48. | :05:54. | |
separate points. Journalistically, it is important to say one of the | :05:54. | :05:58. | |
questions that is important for the Pollard review is why the | :05:58. | :06:02. | |
investigation was stopped rather than continuing, and then the | :06:02. | :06:07. | |
question of what should have happened court replete with the | :06:07. | :06:11. | |
information the investigation had discovered -- what should have | :06:11. | :06:14. | |
happened in the corporation? I understand this will be included, | :06:14. | :06:18. | |
the management of the Newsnight investigation covers the aftermath | :06:19. | :06:26. | |
of the Newsnight investigation as well. So it will cover the whole | :06:26. | :06:31. | |
period? We have made it clear to Nick Pollard that he is allowed to | :06:31. | :06:39. | |
go wherever his investigation takes him, so, yes. I have a statement | :06:39. | :06:42. | |
issued by BBC News and current affairs, a publicist to a | :06:42. | :06:48. | |
journalist making inquiries on October 13th, which says "the | :06:48. | :06:54. | |
independent review will not revisit the Newsnight editor's decision". | :06:54. | :06:57. | |
The at is absolutely not true. We have said that Nick Pollard is | :06:57. | :07:03. | |
entitled to look at anything he wants to look at. So at the news | :07:03. | :07:09. | |
department it was wrong? I don't think that is right. OK. There may | :07:09. | :07:14. | |
not have been an escalation and awareness of the case against Jimmy | :07:14. | :07:18. | |
Savile, ween may not have been sitting in this room is... I accept | :07:18. | :07:27. | |
that. It is a matter of great regret to me. I remember reading | :07:27. | :07:32. | |
the blog about three weeks ago before I was asked to do an | :07:32. | :07:38. | |
interview on BBC Radio Kewstoke and the blog was clearly written to try | :07:38. | :07:43. | |
to shoot down some of the allegations that it was expected | :07:43. | :07:47. | |
that ITV might level against the BBC, in particular regarding an | :07:47. | :07:52. | |
alleged cover-up, but she did not have to be a member of the National | :07:52. | :07:57. | |
Union of Journalists to realise that the blog baked more questions | :07:57. | :08:02. | |
than it answered, for the very simple journalistic fact that the | :08:02. | :08:08. | |
main story about Jimmy Savile being a paedophile had not been aired. | :08:08. | :08:13. | |
Not an angle regarding whether the CPS or the police had decided to | :08:13. | :08:18. | |
pursue a prosecution or the reasons for dropping them. That central | :08:18. | :08:26. | |
journalistic fact does not seem to have got to journalists at the BBC | :08:26. | :08:32. | |
about asking more questions. Peter Rippon, with a full understanding | :08:32. | :08:35. | |
of everything that had been available, made the decision he | :08:35. | :08:40. | |
made about the investigation not proceeding. The principal purpose | :08:40. | :08:46. | |
of the blog was to address the particularly prevalent allegation | :08:46. | :08:50. | |
at that stage, was that he had come under unreasonable managerial | :08:50. | :08:56. | |
pressure to drop the investigation, and Peter Rippon was clear in that | :08:56. | :09:01. | |
blog and stands by that that he did not come under managerial pressure, | :09:01. | :09:06. | |
in appropriate managerial pressure. But the blog raised questions that | :09:06. | :09:13. | |
did not seem to be answered. you spell out what you mean? I have | :09:13. | :09:18. | |
just... I have just... I have just given you an example. The central | :09:18. | :09:23. | |
question, what the investigation was about, which was about Jimmy | :09:23. | :09:30. | |
Savile being a paedophile. That became the substance of all our | :09:30. | :09:34. | |
efforts of the inquiry the following week. Declaring question | :09:34. | :09:39. | |
was obvious as soon as you read the blog -- and the glaring question. | :09:39. | :09:44. | |
That story had never been run. agree but it was one the following | :09:45. | :09:52. | |
day by ITV. I see from Panorama last night that you what e-mails on | :09:52. | :09:57. | |
November fifth by Meirion Jones to say that the explanation you were | :09:57. | :10:01. | |
giving was wrong and you explained what she went through to come to | :10:01. | :10:07. | |
the changes that you made yesterday. In essence, what you have done over | :10:07. | :10:11. | |
the past three weeks is do the basic journalism in fact checking | :10:11. | :10:15. | |
that you should have done before you make statements in the first | :10:15. | :10:20. | |
place. Is that correct? What we have done is try to get to the | :10:20. | :10:24. | |
bottom of why there was the significant disagreement inside | :10:24. | :10:28. | |
Newsnight on what the purpose of the investigation had been, and it | :10:28. | :10:33. | |
is not a situation I have ever encountered before, that there | :10:33. | :10:41. | |
should be a dispute inside a programme of such virulence. | :10:41. | :10:44. | |
Normally we would expect a programme team and their editors to | :10:44. | :10:49. | |
reach an understanding of what the programme was going to investigate | :10:49. | :10:53. | |
and our concern came to be to insure that rather listening to | :10:53. | :10:59. | |
individual accounts that may have been sold but apparently clearly | :10:59. | :11:03. | |
contradicted each other, was to get reliance on other documentary | :11:03. | :11:08. | |
evidence to ensure we had an accurate overall picture before | :11:08. | :11:11. | |
week published anything again. already made statements on the | :11:12. | :11:21. | |
basis of a blog that ask questions even to a one-eyed Albanians. Do | :11:21. | :11:26. | |
you not feel it is rather strange that the BBC makes public | :11:26. | :11:32. | |
statements, which are broadcast to the public and the world, without | :11:32. | :11:39. | |
going through the same processes of checking that it would do in | :11:39. | :11:43. | |
broadcasting something like Newsnight? Will you change that in | :11:43. | :11:49. | |
the future? As I have explained, I would absolutely to have expected | :11:49. | :11:53. | |
that the editor of a programme would give a definitive and | :11:53. | :11:57. | |
accurate account of what had taken place on a programme. The lesson | :11:57. | :12:06. | |
for everybody, those who opposed to write a blog in the future, that | :12:06. | :12:10. | |
they need to recognise that a publication on behalf of the BBC | :12:10. | :12:16. | |
must be honest, accurate, and clearly that is not what happened | :12:16. | :12:21. | |
on this occasion, which is a matter of regret and something we have had | :12:21. | :12:25. | |
to put right. Or we will move on shortly to conversations you had | :12:25. | :12:34. | |
about the tributes. In terms of your recollection of what happened | :12:34. | :12:41. | |
in the editorial chain, have you, since the affair broke, asked | :12:41. | :12:47. | |
people such as Helen Boaden and Stephen Mitchell what they knew | :12:47. | :12:57. | |
about the Newsnight programme and who they can they get to? -- who | :12:57. | :13:02. | |
they spoke about that too? Helen Boaden's understand was conveyed to | :13:02. | :13:08. | |
her by the editor of the programme, which is consistent with what was | :13:08. | :13:13. | |
put in the blog. In terms of the central allegations that Newsnight | :13:13. | :13:18. | |
was going to make, which is about Jimmy Savile being involved in | :13:18. | :13:26. | |
sexual activity with under-aged girls. Did she know that was the | :13:26. | :13:28. | |
content of the programme? I do not know the full extent of the detail | :13:28. | :13:32. | |
of her knowledge of the investigation but I do know that | :13:32. | :13:36. | |
she had at least one conversation with Peter Rippon, where she came | :13:36. | :13:44. | |
to understand what the nature of his reluctance to go ahead was. | :13:44. | :13:48. | |
do you not know exactly? Because by that time it became clear to me | :13:48. | :13:52. | |
that I needed to know, I had already decided I needed to set up | :13:52. | :13:56. | |
an external review and I did not feel it was appropriate for me to | :13:56. | :14:01. | |
prejudice that reviewed by effectively launching my own set of | :14:01. | :14:08. | |
inquiries inside the BBC alongside batch. One of the e-mails, when | :14:08. | :14:15. | |
Peter Rippon seemed to go cold on the story, it was copied to Stephen | :14:15. | :14:21. | |
Mitchell. I don't know if that was routine. Do you know from what | :14:21. | :14:25. | |
stage Stephen Mitchell was in touch with Peter Rippon and Helen Boaden | :14:25. | :14:29. | |
and whether those conversations went further two Mark Thompson? | :14:29. | :14:36. | |
do not know whether they went further. My understanding is that | :14:36. | :14:40. | |
conversations with Stephen Mitchell took place, I would not know | :14:40. | :14:43. | |
exactly when they first took place but there were a number of | :14:43. | :14:47. | |
conversations during the production of that item, but all the detail we | :14:47. | :14:52. | |
are gathering we are making available. There are relatively few | :14:52. | :14:57. | |
individuals, just like the blog not raising any questions that seemed | :14:57. | :15:02. | |
obvious, this seems to be another example of an amazing lack of | :15:02. | :15:06. | |
curiosity on behalf of the journalist? On behalf of which | :15:06. | :15:12. | |
journalist? You as a journalist and the BBC, full of journalists. | :15:12. | :15:15. | |
approach was to recognise that if this was to have proper justice | :15:15. | :15:20. | |
done to it, it would not be appropriate for me to run an | :15:20. | :15:30. | |
:15:30. | :15:40. | ||
inquiry alongside the independent At the same time, you have set up a | :15:40. | :15:44. | |
process, you have set up inquiries, they have changed as time has gone | :15:44. | :15:49. | |
on, but then, Panorama decides to wade in - this begs the question of | :15:49. | :15:55. | |
who is in control at the BBC, doesn't it? Panorama's right to | :15:55. | :15:59. | |
decide what it investigates is its own right. It is appropriate that | :15:59. | :16:03. | |
Panorama should never take a broader, corporate picture, it has | :16:03. | :16:06. | |
to make its own mind up about what to do. That is something I am proud | :16:06. | :16:13. | |
of, not something I'm his arc -- regard as chaotic. Panorama is | :16:13. | :16:18. | |
editorially independent. It never seemed to me anything other than | :16:18. | :16:22. | |
entirely appropriate for them to decide what they wanted to | :16:22. | :16:27. | |
investigate. Would you agree that having looked at Panorama last | :16:27. | :16:33. | |
night, it might seem to the outside world as the BBC at war? You have | :16:33. | :16:37. | |
got a producer, reporter and presenter against an editor, who | :16:37. | :16:44. | |
chose not to appear, but it seemed to be moderated by Kevin Marsh, the | :16:44. | :16:48. | |
former editor of the Today Programme, it looked like the BBC | :16:48. | :16:53. | |
at war. There is no question in my mind that there was a significant | :16:54. | :16:57. | |
breakdown in communication on Newsnight, on the subject of this | :16:57. | :17:04. | |
investigation. It seems the editor and a two lead journalists were not | :17:04. | :17:06. | |
reconciled in their understanding of what had happened, and I think | :17:06. | :17:11. | |
that is what you saw in Panorama. You watched the programme last | :17:11. | :17:17. | |
night? Yes, I did. I thought it was a strong programme. Editorially, | :17:17. | :17:23. | |
did you think it had any defects? No, I thought it was a good edition | :17:23. | :17:28. | |
of Panorama. Can I run one past you? When it came to one of the | :17:28. | :17:33. | |
points on which the blog was convicted, which was the issue of | :17:34. | :17:39. | |
whether Newsnight had got evidence that would have provided fresh | :17:39. | :17:48. | |
details for the police, when that question was asked by the Panorama | :17:48. | :17:55. | |
presenter of the Newsnight producer, it rather skipped from the question | :17:55. | :17:58. | |
of evidence generally to evidence about a new person, rather than | :17:58. | :18:03. | |
Jimmy Savile. It skip to Gary Glitter, and the argument was made | :18:03. | :18:06. | |
by the producer that it would have been difficult to do anything with | :18:06. | :18:15. | |
that, because Gary Glitter was alive, and secondly, nobody could | :18:15. | :18:19. | |
identify the girl with whom he allegedly had sex in Jimmy Savile's | :18:19. | :18:25. | |
room. That was a sleight of hand, or sleight of vision, to me, as a | :18:25. | :18:29. | |
viewer, because the issue really was evidence in general, including | :18:29. | :18:34. | |
evidence about Jimmy Savile, and clearly we know now that the Karin | :18:34. | :18:38. | |
Ward interview was not known to the police. Other people have come | :18:38. | :18:42. | |
forward who were not known to the police, and yet the presenter of | :18:42. | :18:47. | |
Panorama did not give the producer of Newsnight any challenging | :18:47. | :18:52. | |
questions over why that evidence was not provided by them to the | :18:52. | :18:57. | |
police. They sort of Gloucester over it. I thought the reporter did | :18:57. | :19:04. | |
pressed to a degree. I accept your point. It has been a matter of | :19:04. | :19:08. | |
absolute importance, in my view, for the Pollard review, to look at | :19:08. | :19:11. | |
the question of what should have happened to the evidence which | :19:11. | :19:15. | |
Newsnight had after they had decided not to proceed, in respect | :19:15. | :19:19. | |
of the police. You will recognise that there was a question, not only | :19:19. | :19:22. | |
about what the presenter and producer may have done, but also | :19:22. | :19:27. | |
the editor of the programme, and indeed, a Panorama programme not | :19:27. | :19:32. | |
testing them on that. And to my mind, this casts some doubt about | :19:32. | :19:37. | |
the objectivity of the Panorama programme, and it has looked to me | :19:37. | :19:41. | |
to reinforce that it is BBC at war. I was pleased to see that the | :19:41. | :19:45. | |
programme tackled the question of what should become of the evidence | :19:45. | :19:48. | |
in respect of the police. I regard that as an important question for | :19:48. | :19:53. | |
the Pollard review to address. one final question, and the real | :19:53. | :19:58. | |
question here is, some leading groups will look at this and look | :19:58. | :20:03. | |
at what happened with Panorama and think, this would never happen in | :20:03. | :20:08. | |
our organisation. You say is his strength, but do you not grant, it | :20:08. | :20:12. | |
begs the question of who is in control of the BBC, who is in | :20:12. | :20:17. | |
charge? Are you an editor in chief, as would be understood at a | :20:17. | :20:22. | |
newspaper, for example, or are you just a managing director, with lots | :20:22. | :20:26. | |
of editors and editor-in-chief below you, who do not bring you | :20:26. | :20:32. | |
problems? No, I am editor in chief, and in the end, I take | :20:32. | :20:35. | |
responsibility for, and accountability for, all the BBC's | :20:35. | :20:39. | |
journalism. But that is not the same as expecting every | :20:39. | :20:43. | |
journalistic decision within the BBC to be referred to me. I regard | :20:43. | :20:46. | |
the Independent right of the editor of Panorama to decide what he | :20:46. | :20:50. | |
should investigate, even when that concerns the corporate affairs of | :20:50. | :20:53. | |
the BBC, to be in a double. It is a really important thing that he is | :20:54. | :21:03. | |
:21:04. | :21:11. | ||
allowed to do. -- inalienable. Did Peter Rippon clear his blob with | :21:11. | :21:16. | |
anybody before he published it? I understand it was cleared with Mr | :21:16. | :21:21. | |
Mitchell. It was effectively a corporate production, involving our | :21:21. | :21:26. | |
legal advisers and me and the Post Office. Has Peter Rippon agreed to | :21:26. | :21:30. | |
that being published, did he challenge any of it? It was not up | :21:30. | :21:36. | |
to Mr Ripon to agree to it, but it was shown to him. Did you watch the | :21:36. | :21:44. | |
ITV documentary? Yes, I did. appreciate these things have to be | :21:44. | :21:48. | |
done thoroughly, but there was still quite an element of time | :21:48. | :21:50. | |
between the documentary and your announcement of inquiries, nine | :21:50. | :21:56. | |
days later - why do you think your director generalship took so long | :21:56. | :22:02. | |
to make that decision? The thing which was uppermost in my mind, | :22:02. | :22:05. | |
from the day before the ITV documentary, because it was the day | :22:05. | :22:15. | |
:22:15. | :22:16. | ||
before that I contacted the police, was to make sure that any think of | :22:16. | :22:20. | |
criminal significance was dealt with by the BBC, in an appropriate | :22:20. | :22:24. | |
relationship with the police. If we were not careful, we might rush to | :22:24. | :22:28. | |
set up an internal review process of some kind, which would find | :22:28. | :22:31. | |
itself dealing with criminal allegations which it was not | :22:31. | :22:35. | |
qualified to deal with, and not capable of preserving evidence | :22:35. | :22:39. | |
properly and are not able to compel witnesses. So I gave my main | :22:39. | :22:42. | |
attention to that business, of co- operating as fully as possible with | :22:42. | :22:46. | |
the police. That involved a number of conversations between me and the | :22:46. | :22:51. | |
police. I made sure the BBC investigations unit understood how | :22:51. | :22:55. | |
it would relate with the police. We worked solidly on that for the | :22:55. | :22:59. | |
first few days after the ITV documentary was said. By the | :22:59. | :23:05. | |
following Monday, it was clear to me, and I agree, I should have made | :23:05. | :23:09. | |
it more clear that I was always prepared to see an internal review, | :23:09. | :23:13. | |
which is what I announced on the Monday morning, and that week, we | :23:13. | :23:16. | |
worked to make sure the shape of those reviews was properly | :23:16. | :23:20. | |
considered. We were able to announce those by the end of the | :23:20. | :23:28. | |
week. If I take you back to your role previously, you word director | :23:28. | :23:33. | |
of... Vision. And in the run-up to Christmas, this whole tribute was | :23:33. | :23:38. | |
about to happen across not only television, but also covering his | :23:38. | :23:42. | |
work that he did on Radio, I think what is still surprising, and it | :23:42. | :23:47. | |
has been reflected already, is that if Helen Boaden had said to you, we | :23:47. | :23:52. | |
are looking into Jimmy Savile... have not got on to that yet. I do | :23:52. | :23:59. | |
not want to get into that. right, I will get back to that. | :23:59. | :24:04. | |
couple of things that you have said - if I understood you correctly, | :24:04. | :24:07. | |
you have confirmed today that the decision to drop the Newsnight | :24:07. | :24:12. | |
investigation was referred up to Helen Boaden and Steve Mitchell, is | :24:12. | :24:16. | |
that correct? I do not know that the decision to drop it was | :24:16. | :24:20. | |
referred up, but there were definitely conversations about it. | :24:20. | :24:24. | |
David Jordan said a few moments ago something which puzzled me, which | :24:24. | :24:28. | |
was that this investigation, or the Newsnight programme, had not | :24:28. | :24:32. | |
actually been commissioned, but as a understand it, it have a | :24:32. | :24:36. | |
transmission date of 7th December, and was killed on 5th December, so | :24:36. | :24:40. | |
it must have been commissioned. think what I meant was that it had | :24:40. | :24:44. | |
not been given the final go-ahead to go to wear. There were obviously | :24:44. | :24:49. | |
plans in process. If it made its target, if it was eventually OK, it | :24:49. | :24:52. | |
could go to wear. So, you would like to correct your earlier | :24:52. | :24:56. | |
evidence? Clearly, you have to go through those processes before it | :24:56. | :25:02. | |
goes to wear. So, it had been commissioned? What I meant by | :25:02. | :25:05. | |
commission was, it was not a final programme, there was never a final | :25:05. | :25:11. | |
script, and therefore, it had not got the final go-ahead. Can you | :25:11. | :25:15. | |
give this committee an assurance that the BBC will not do a deal | :25:15. | :25:20. | |
with Peter Rippon, involving him going quietly and you not | :25:20. | :25:27. | |
completely trashing his version of events? I think it is up to that a | :25:27. | :25:30. | |
premature to talk about what will happen. Can you give us that | :25:30. | :25:34. | |
assurance, that no deal will be made? Can I explain what will | :25:34. | :25:38. | |
happen? Peter ripper will take part in the Pollard review. The findings | :25:38. | :25:41. | |
of that review will be made available first to the BBC | :25:41. | :25:46. | |
executive, before being passed to the trust. The task will then be to | :25:46. | :25:50. | |
make an immediate decision about whether any disciplinary | :25:50. | :25:52. | |
consequences should flow from the Pollard review. I do not think it | :25:52. | :25:56. | |
would be fair to say anything else which would prejudice that process. | :25:56. | :26:00. | |
You have preferred a lot to the Pollard review, but do you accept | :26:00. | :26:04. | |
that the BBC cannot hide behind or wait for the Pollard review - you | :26:04. | :26:08. | |
have to get a grip on the facts, establish the facts and act on | :26:08. | :26:13. | |
those quickly and decisively for the sake of your organisation? | :26:13. | :26:16. | |
agree that in the process of providing everything the Pollard | :26:16. | :26:20. | |
review needs, we will go through that process and to our best to get | :26:20. | :26:26. | |
a picture of what went on. George Entwistle, the boss of the BBC, | :26:26. | :26:31. | |
facing questions from a cross-party group of MPs. He has said, | :26:31. | :26:35. | |
significantly, that he does not believe necessarily that there was | :26:35. | :26:39. | |
a cover-up. He said that Peter Rippon, the editor of Newsnight, | :26:39. | :26:42. | |
has said that he was not put under any significant managerial pressure | :26:42. | :26:46. | |
to drop the Newsnight investigation into the Jimmy Savile claims, but | :26:46. | :26:50. | |
he has expressed a number of times disappointment in Peter Rippon's | :26:50. | :26:52. |