Browse content similar to 14/02/2018. Check below for episodes and series from the same categories and more!
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That's all from the BBC News at
Six, so it's goodbye from me - | 0:00:00 | 0:00:00 | |
and on BBC One we now join the BBC's
news teams where you are. | 0:00:00 | 0:00:04 | |
Coming up on BBC London News: | 0:00:04 | 0:00:06 | |
An airport engineer is killed
after two vehicles crash | 0:00:06 | 0:00:08 | |
on the tarmac at Heathrow. | 0:00:08 | 0:00:10 | |
Another man is in hospital. | 0:00:10 | 0:00:15 | |
An investigation has been launched
into how this could have happened. | 0:00:15 | 0:00:17 | |
Hundreds of passengers were also
evacuated and flights were delayed. | 0:00:17 | 0:00:20 | |
I'll have the latest. | 0:00:20 | 0:00:21 | |
Also ahead tonight: | 0:00:21 | 0:00:23 | |
Has the City changed
enough since the 70s? | 0:00:23 | 0:00:28 | |
Lloyds becomes the first FTSE 100
company to set ethnic diversity | 0:00:28 | 0:00:31 | |
targets for senior management. | 0:00:31 | 0:00:34 | |
How 30 tonnes of wet wipes,
a day are having to be cleared | 0:00:34 | 0:00:37 | |
from London's sewers
and it's costing millions. | 0:00:37 | 0:00:42 | |
Plus we may think of it as part
of sexualised pop culture. | 0:00:46 | 0:00:49 | |
But one Londoner wants to reclaim
twerking as cultural heritage. | 0:00:49 | 0:00:56 | |
We dance at christenings, no-one
sits there and goes, "my God, what's | 0:00:56 | 0:00:59 | |
that?" | 0:00:59 | 0:01:09 | |
A very good evening
and welcome to the programme. | 0:01:09 | 0:01:13 | |
A British Airways engineer has died
after a crash between two vehicles | 0:01:13 | 0:01:16 | |
on the tarmac at Heathrow. | 0:01:16 | 0:01:18 | |
He was taken to hospital
but couldn't be saved. | 0:01:18 | 0:01:20 | |
Another man was injured. | 0:01:20 | 0:01:23 | |
Hundreds of passengers
were evacuated from a plane | 0:01:23 | 0:01:25 | |
and dozens of flights delayed. | 0:01:25 | 0:01:29 | |
We can get the latest
from Chris Rogers who's | 0:01:29 | 0:01:31 | |
at Heathrow airport now... | 0:01:31 | 0:01:34 | |
It started like a typical busy day
for Heathrow Airport but as | 0:01:39 | 0:01:44 | |
passengers boarded the first flights
to leave, tragedy quickly struck. | 0:01:44 | 0:01:50 | |
DRS airport cars collided, leaving
one driver injured and another | 0:01:50 | 0:01:54 | |
suffering a cardiac arrest Arch two
airport cars. As paramedics battled | 0:01:54 | 0:01:58 | |
to save his life at the scene and on
the way to hospital, he sadly died | 0:01:58 | 0:02:02 | |
leaving hundreds of passengers
stranded, planes delayed, colleagues | 0:02:02 | 0:02:05 | |
in shock and a family bereaved. We
didn't hear the details for some | 0:02:05 | 0:02:12 | |
hours later, but the events did
quickly unfold on social media. | 0:02:12 | 0:02:16 | |
It's just after 6am. | 0:02:16 | 0:02:17 | |
The tragic pictures
of the aftermath of the | 0:02:17 | 0:02:19 | |
runway crash emerge. | 0:02:19 | 0:02:23 | |
An airport worker is killed
as he does his rounds. | 0:02:23 | 0:02:26 | |
The other driver suffers
a broken shoulder. | 0:02:26 | 0:02:31 | |
Police are investigating
why the white BA van | 0:02:31 | 0:02:33 | |
and yellow pick-up truck collided. | 0:02:33 | 0:02:37 | |
Often used by Heathrow's staff
to direct aircraft and inspect the | 0:02:37 | 0:02:39 | |
runways. | 0:02:39 | 0:02:41 | |
Hundreds of horrified passengers,
their planes delayed for | 0:02:41 | 0:02:44 | |
around two hours, can only look on. | 0:02:44 | 0:02:49 | |
Traveller Alistair McLeod
tweeted: "We boarded, | 0:02:49 | 0:02:52 | |
waited and then the captain gave
a series of delay announcements. | 0:02:52 | 0:02:55 | |
At around 8:55am, we all de-planed." | 0:02:55 | 0:02:58 | |
Around 25 planes were delayed. | 0:02:58 | 0:03:02 | |
London ambulance later tweeted,
confirming one of the | 0:03:02 | 0:03:03 | |
drivers suffered a cardiac arrest. | 0:03:04 | 0:03:10 | |
"Despite our extensive
efforts to resuscitate him | 0:03:10 | 0:03:12 | |
at the scene, and on
the | 0:03:12 | 0:03:14 | |
way to hospital, he was
later pronounced dead". | 0:03:14 | 0:03:16 | |
The victim's colleague,
Kevin Fitzgibbon, | 0:03:16 | 0:03:22 | |
tweeted, "sad day at work today,
lost one our engineering colleagues | 0:03:22 | 0:03:25 | |
this morning. | 0:03:25 | 0:03:26 | |
My thoughts are with his family
and friends at this | 0:03:26 | 0:03:28 | |
terrible time". | 0:03:29 | 0:03:37 | |
If you've travelled on a plane to
Peter and looked out of the window | 0:03:38 | 0:03:42 | |
as the plane taxis towards the
runway, you will know how much | 0:03:42 | 0:03:44 | |
traffic there is not just on runways
but around them as well. Because of | 0:03:44 | 0:03:49 | |
that, there are strict speed
restrictions in place and safety | 0:03:49 | 0:03:52 | |
guidelines that everyone has to
follow. A lot of questions need to | 0:03:52 | 0:03:56 | |
be answered about why this collision
took place. That is in the hands of | 0:03:56 | 0:04:01 | |
the serious collision unit with
Heathrow police. Heathrow Airport | 0:04:01 | 0:04:05 | |
and British Airways are cooperating
fully with that organisation. They | 0:04:05 | 0:04:11 | |
expressed their deep sympathy with
the family of the engineer who died | 0:04:11 | 0:04:14 | |
here today. Many thanks. | 0:04:14 | 0:04:15 | |
You're watching BBC London News. | 0:04:15 | 0:04:17 | |
Coming up later: | 0:04:17 | 0:04:21 | |
The World War II bomb taken to Essex
coast by the Royal Navy. | 0:04:21 | 0:04:24 | |
We'll show you the
controlled explosion. | 0:04:24 | 0:04:34 | |
Some of the most vulnerable
Londoners are being trapped | 0:04:34 | 0:04:36 | |
in a "cycle of homelessness" -
due to a change in the law. | 0:04:36 | 0:04:40 | |
That's according to
the charity Crisis. | 0:04:40 | 0:04:41 | |
It says new, tougher criteria
are being used to remove people | 0:04:41 | 0:04:44 | |
from housing waiting lists. | 0:04:44 | 0:04:48 | |
Now this programme has
learnt that across London | 0:04:48 | 0:04:54 | |
the number has
been cut by a third. | 0:04:54 | 0:04:55 | |
Raising questions as to who has
been removed and why. | 0:04:55 | 0:04:59 | |
Our political correspondent
Karl Mercer has been investigating. | 0:04:59 | 0:05:04 | |
This person needs to be on the
housing waiting list. She since | 0:05:04 | 0:05:08 | |
August she hasn't been, she couldn't
pay her rent and fell into arrears. | 0:05:08 | 0:05:11 | |
She is now homeless and unable to
get back on the waiting list for a | 0:05:11 | 0:05:14 | |
home for herself and her two
children. You are just stuck in a | 0:05:14 | 0:05:18 | |
place that has no control and that's
the worst, that is one of the worst | 0:05:18 | 0:05:21 | |
feelings. You have a problem that is
your problem but you can't solve it. | 0:05:21 | 0:05:27 | |
There's nothing you can do about it.
For six months, this has been her | 0:05:27 | 0:05:33 | |
home, living with friends of her
daughter but they are about to be on | 0:05:33 | 0:05:35 | |
the move again. Since August,
they've been permanently just in | 0:05:35 | 0:05:40 | |
bags and boxes, this is how I've
lived. If I'm here today, might be | 0:05:40 | 0:05:43 | |
there tomorrow. I might be at my
mum's for a couple of nights, just | 0:05:43 | 0:05:48 | |
to... She's not alone. Across
London, thousands being taken off a | 0:05:48 | 0:05:56 | |
list for council homes since the
local as an act since years -- six | 0:05:56 | 0:06:00 | |
years ago. It gave local councils
more power to decide who should and | 0:06:00 | 0:06:05 | |
shouldn't be on the list. If they
can't register for social housing | 0:06:05 | 0:06:09 | |
are their options are limited, they
can end up in some kind of spiral of | 0:06:09 | 0:06:12 | |
homelessness. And poverty. The
reason they couldn't register BBC | 0:06:12 | 0:06:20 | |
because they had rent arrears and
they are forced into a more | 0:06:20 | 0:06:22 | |
expensive solution and things will
only get worse from -- couldn't | 0:06:22 | 0:06:26 | |
register. Things will only get worse
across London and illustrated pretty | 0:06:26 | 0:06:29 | |
clearly here where I am standing in
north London. On my right is the | 0:06:29 | 0:06:33 | |
London Borough of Camden. Here,
waiting lists have gone down by | 0:06:33 | 0:06:36 | |
16,000 since 2012, a drop of
something like 85%. But if we switch | 0:06:36 | 0:06:42 | |
across the road, just a few feet
away, this is the London Borough of | 0:06:42 | 0:06:47 | |
Islington. The waiting lists | 0:06:47 | 0:06:48 | |
away, this is the London Borough of
Islington. The waiting lists have | 0:06:48 | 0:06:48 | |
actually gone up by more than 4300,
a rise of | 0:06:48 | 0:06:52 | |
actually gone up by more than 4300,
a rise of 36%. Some councils have | 0:06:52 | 0:06:55 | |
excluded people like Clavia in rent
arrears but others have introduced | 0:06:55 | 0:07:01 | |
rules saying only people who live
locally can get on the list. The | 0:07:01 | 0:07:03 | |
rules across London are different.
We have urged the mayor to bring | 0:07:03 | 0:07:10 | |
borrowers together. Particularly
local connections problem needs | 0:07:10 | 0:07:13 | |
sorting out at a London level. If
you have lived in a borough for a | 0:07:13 | 0:07:17 | |
few years and then a different
London borough, you might not | 0:07:17 | 0:07:20 | |
qualify for housing anywhere in
London. Living in London ought to be | 0:07:20 | 0:07:23 | |
the qualification. Change like that
would come too late for Clavia. | 0:07:23 | 0:07:39 | |
three people have been found guilty
of the killing of Thornton Heath | 0:07:39 | 0:07:42 | |
teenager Jermaine Goupall. | 0:07:42 | 0:07:46 | |
He was chased by a gang wearing
balaclavas and... | 0:07:46 | 0:07:54 | |
18-year-old Samuel Oliver Rowland,
21-year-old Adam Benzahi, | 0:07:54 | 0:07:56 | |
and 17-year-old Junior Simpson
were found guilty of | 0:07:56 | 0:07:58 | |
murder. | 0:07:58 | 0:08:02 | |
A British man who fought
against so-called Islamic State | 0:08:02 | 0:08:04 | |
in Syria has appeared in court
and pleaded not guilty | 0:08:04 | 0:08:07 | |
to a terror offence. | 0:08:07 | 0:08:08 | |
It's the first case
of its kind in the UK. | 0:08:08 | 0:08:10 | |
Emma Vardy was at Westminster
magistrates court. | 0:08:10 | 0:08:11 | |
James Matthews was greeted outside
court today by a crowd of supporters | 0:08:14 | 0:08:17 | |
who turned out to voice their
opposition to the charge against | 0:08:17 | 0:08:21 | |
him. Some of them themselves were
former volunteers who have fought | 0:08:21 | 0:08:25 | |
against IS in Syria was not James
Matthews, known as Jim, is 43, lives | 0:08:25 | 0:08:31 | |
in Dalston in London and he's a
former British Army soldier. We | 0:08:31 | 0:08:35 | |
heard in court today the allegation
he is facing is of attending a | 0:08:35 | 0:08:39 | |
training camp as part of a group of
people struggling to assist the | 0:08:39 | 0:08:44 | |
Kurdish forces in their fight
against so-called Islamic state. The | 0:08:44 | 0:08:49 | |
prosecution say Mr is alleged to
have attended that training camp for | 0:08:49 | 0:08:53 | |
the purposes of terrorism and he
pleaded not guilty to that charge | 0:08:53 | 0:08:57 | |
today. It is believed there are
dozens of people from Britain who | 0:08:57 | 0:09:03 | |
have been to Syria and Barack to
fight as volunteers with the Kurds | 0:09:03 | 0:09:07 | |
-- Syria and Iraq to fight. The
magistrate here today said this was | 0:09:07 | 0:09:12 | |
a very unusual case. The first time
that somebody who has fought against | 0:09:12 | 0:09:16 | |
IS is being charged in the
circumstances. James Matthews was | 0:09:16 | 0:09:20 | |
granted bail. He will next appear in
court on the 1st of March at the Old | 0:09:20 | 0:09:24 | |
Bailey. | 0:09:24 | 0:09:27 | |
The City has long been
seen as the preserve | 0:09:27 | 0:09:29 | |
of white middle class men. | 0:09:29 | 0:09:33 | |
It is changing but perhaps not fast
enough. | 0:09:33 | 0:09:36 | |
Lloyds banking group has
become the first FTSE 100 | 0:09:36 | 0:09:38 | |
company to set an ethnic diversity
target for recruiting its top | 0:09:38 | 0:09:43 | |
management. | 0:09:43 | 0:09:50 | |
The high street bank really wants to
increase the number of black, Asian | 0:09:50 | 0:09:53 | |
and ethnic minorities working in its
top 7000 roles. They really believe | 0:09:53 | 0:09:58 | |
that a diverse management group at
the very top of the company really | 0:09:58 | 0:10:01 | |
helps the bank to relate to its
customers and the whole community it | 0:10:01 | 0:10:05 | |
serves. We do believe there will be
extra pressure put on the banks over | 0:10:05 | 0:10:10 | |
the next few days when it comes to
gender and the pay equality, the | 0:10:10 | 0:10:13 | |
issue that has been spoken about all
the time. | 0:10:13 | 0:10:18 | |
Bankers in bowler
hats and sharp suits. | 0:10:18 | 0:10:20 | |
The City of London in the 1970s
was a very different place | 0:10:20 | 0:10:23 | |
to today. | 0:10:23 | 0:10:24 | |
Or is it? | 0:10:24 | 0:10:25 | |
In the corridors of power
in 2018, black, Asian and | 0:10:25 | 0:10:32 | |
minority ethnic faces
are conspicuous by their absence. | 0:10:32 | 0:10:33 | |
Lloyds banking group
are hoping to change that. | 0:10:33 | 0:10:35 | |
So at senior management
our figure is 6%. | 0:10:35 | 0:10:41 | |
And, actually, that reflects
the external labour market at senior | 0:10:41 | 0:10:43 | |
management positions
across the FTSE 100. | 0:10:43 | 0:10:44 | |
But I think our view
is that we need to do more | 0:10:44 | 0:10:47 | |
and we need to go further. | 0:10:47 | 0:10:50 | |
That's the other reason
for introducing the goal, | 0:10:50 | 0:10:53 | |
to accelerate the pace of change
and to make sure that our most | 0:10:53 | 0:10:56 | |
senior levels in the organisation
are more representative | 0:10:56 | 0:10:58 | |
of the external labour market. | 0:10:58 | 0:10:59 | |
Lloyds say they are confident
they can meet their diversity | 0:10:59 | 0:11:02 | |
targets within the tight
two-year time frame. | 0:11:02 | 0:11:03 | |
But in a place like the City,
how realistic is it? | 0:11:03 | 0:11:06 | |
And is it ambitious enough? | 0:11:06 | 0:11:12 | |
I think it's a good idea. | 0:11:12 | 0:11:13 | |
I think it's a good initiative. | 0:11:13 | 0:11:15 | |
Whether it's going to be successful
or whether it's going to have | 0:11:15 | 0:11:18 | |
any kind of traction,
you know, remains to be seen. | 0:11:18 | 0:11:20 | |
I suppose there's a perception
of an old boys network, | 0:11:20 | 0:11:22 | |
maybe, in the city. | 0:11:22 | 0:11:23 | |
maybe, in the City. | 0:11:23 | 0:11:24 | |
Maybe that's because traditionally,
you've had a lot of middle-class | 0:11:24 | 0:11:27 | |
white males who been running
operations. | 0:11:27 | 0:11:29 | |
white males who've been running
operations. | 0:11:29 | 0:11:30 | |
You look at it historically,
there are more whites | 0:11:30 | 0:11:32 | |
here than there are blacks,
but it's not a true | 0:11:32 | 0:11:35 | |
representation of the ratios. | 0:11:35 | 0:11:36 | |
So if you look in society,
there are more ethnic minorities | 0:11:36 | 0:11:38 | |
than there are represented
here in the city. | 0:11:38 | 0:11:40 | |
than there are represented
here in the City. | 0:11:40 | 0:11:44 | |
Lloyds might be the first FTSE 100
company to set these public targets, | 0:11:44 | 0:11:47 | |
but they aren't the only
organisation working to improve | 0:11:47 | 0:11:49 | |
diversity at senior levels. | 0:11:49 | 0:11:54 | |
Joanna is the managing
director of a consultancy, | 0:11:54 | 0:11:56 | |
which helps businesses recruit
ethnic minority talent. | 0:11:56 | 0:12:02 | |
There are issues around
development and opportunity, | 0:12:02 | 0:12:04 | |
so if you do not have a visible role
model in a position | 0:12:04 | 0:12:07 | |
in which you aspire to get into,
it can be quite discouraging. | 0:12:07 | 0:12:10 | |
And it can make you believe
that that's something | 0:12:10 | 0:12:12 | |
And it can make you believe that
that's not something | 0:12:12 | 0:12:15 | |
that is actually achievable
within that organisation. | 0:12:15 | 0:12:17 | |
Which is why what Lloyds
is doing is so good. | 0:12:17 | 0:12:19 | |
It will actually encourage people
within their organisation to believe | 0:12:19 | 0:12:22 | |
that the company are taking
it very seriously. | 0:12:22 | 0:12:24 | |
In one of the largest financial
centres in the world, Lloyds' move | 0:12:24 | 0:12:28 | |
won't have go unnoticed. | 0:12:28 | 0:12:28 | |
This might be a welcome step
towards greater transparency. | 0:12:28 | 0:12:36 | |
We know 162 financials and firms in
the city have signed the women in | 0:12:41 | 0:12:46 | |
Finance Charter which really hopes
to make the gender gap a lot | 0:12:46 | 0:12:49 | |
smaller. But it is thought that some
firms in the City obviously haven't | 0:12:49 | 0:12:53 | |
signed it and there are questions
now about why they haven't signed | 0:12:53 | 0:12:56 | |
it. And they may have done so to why
they haven't got this gender gap in | 0:12:56 | 0:13:01 | |
better proportion and have to answer
the Treasury Select Committee in the | 0:13:01 | 0:13:04 | |
coming months. | 0:13:04 | 0:13:08 | |
The World War II bomb which closed
City Airport earlier this week, | 0:13:09 | 0:13:12 | |
has been detonated a mile off
the Essex coast. | 0:13:12 | 0:13:15 | |
The half-tonne device was moved
there by the Royal Navy | 0:13:15 | 0:13:17 | |
from the Docklands on Monday. | 0:13:17 | 0:13:18 | |
Here's Charlotte Franks. | 0:13:18 | 0:13:28 | |
The plume of a World War II
bomb being diffused six | 0:13:33 | 0:13:36 | |
metres below sea level. | 0:13:36 | 0:13:37 | |
This is where the 500 kilograms
device discovered at | 0:13:37 | 0:13:39 | |
City Airport on Sunday,
finally met its end, | 0:13:39 | 0:13:41 | |
helped by a two kilograms explosive. | 0:13:41 | 0:13:43 | |
A team of four divers set
out to work on the bomb | 0:13:43 | 0:13:45 | |
at 8am this morning | 0:13:45 | 0:13:47 | |
after it was placed four
miles off the coast. | 0:13:47 | 0:13:49 | |
Today's tasks were to remove
the equipment used to bring the | 0:13:49 | 0:13:52 | |
bomb down. | 0:13:52 | 0:13:56 | |
The second dive was carried
out to place a charge, | 0:13:56 | 0:13:59 | |
plastic explosives, next
to the bomb, which we then used | 0:13:59 | 0:14:01 | |
to initiate and set the explosives
within the bomb itself. | 0:14:01 | 0:14:03 | |
The device was discovered
at the King George V | 0:14:03 | 0:14:06 | |
dock, which led to an exclusion
zone around the site. | 0:14:06 | 0:14:10 | |
It was then transported
by boat for ten hours | 0:14:10 | 0:14:11 | |
through the night,
to this MoD location. | 0:14:11 | 0:14:13 | |
It's taken a couple of days
for this bomb to be diffused | 0:14:13 | 0:14:16 | |
because conditions have to be right. | 0:14:16 | 0:14:19 | |
If you look out there now,
it is quite choppy. | 0:14:19 | 0:14:21 | |
But yesterday it was
extremely windy. | 0:14:21 | 0:14:26 | |
Which meant a large degree
of groundswell in the water | 0:14:26 | 0:14:29 | |
making it very dangerous
for the operation to be | 0:14:29 | 0:14:32 | |
carried out safely. | 0:14:32 | 0:14:34 | |
24,000 tonnes of bombs were dropped
in London alone during the Blitz. | 0:14:34 | 0:14:37 | |
The military is still dealing
with around 60 of them each year. | 0:14:37 | 0:14:41 | |
The three teams that
I have that work | 0:14:41 | 0:14:43 | |
for me, are called out between them
around every 18 hours. | 0:14:43 | 0:14:46 | |
So at least once a day one
of the teams is going | 0:14:46 | 0:14:49 | |
out on the road to deal with
a device, anything from a small hand | 0:14:49 | 0:14:53 | |
grenade all the way up to this kind
of thousand pound bomb. | 0:14:53 | 0:14:56 | |
Following the blast,
the team dived down again | 0:14:56 | 0:14:58 | |
to check the bomb had
been diffused properly. | 0:14:58 | 0:15:01 | |
They then returned to shore safe
in the knowledge that | 0:15:01 | 0:15:04 | |
a thousand pounds of explosives
were safely disposed of. | 0:15:04 | 0:15:06 | |
Charlotte Fairbanks,
BBC London News. | 0:15:06 | 0:15:13 | |
Still to come before 7pm: | 0:15:13 | 0:15:17 | |
The humble T-shirt -
a new exhibition charts the history | 0:15:17 | 0:15:20 | |
of a garment never intended
to be seen. | 0:15:20 | 0:15:22 | |
And... | 0:15:22 | 0:15:27 | |
Dance. It's a channel you can use to
express so much joy, pain, sadness. | 0:15:27 | 0:15:32 | |
How one Londoner is trying
to reclaim twerking as part | 0:15:32 | 0:15:34 | |
of her cultural heritage. | 0:15:34 | 0:15:37 | |
Brace yourselves. We are going to be
talking about and seeing giant lumps | 0:15:47 | 0:15:52 | |
of congealed fat and wet wipes. | 0:15:52 | 0:15:53 | |
Clearing fatbergs -
giant lumps of congealed | 0:15:53 | 0:15:55 | |
fat and wet wipes -
from London's sewers is now costing | 0:15:55 | 0:15:57 | |
a million pounds a month to clear. | 0:15:57 | 0:15:59 | |
That's according to Thames Water. | 0:15:59 | 0:16:00 | |
Last year this one got
stuck in Whitechapel. | 0:16:00 | 0:16:02 | |
It was longer than Tower Bridge
and weighed as much 11 | 0:16:02 | 0:16:05 | |
double decker buses. | 0:16:05 | 0:16:08 | |
And if you're having you tea,
be warned some of the pictures | 0:16:08 | 0:16:13 | |
in Tom Edwards' report
are unappetising. | 0:16:13 | 0:16:14 | |
Welcome to Europe's largest sewerage
plant in Beckton, East London, | 0:16:14 | 0:16:19 | |
serving four million Londoners. | 0:16:19 | 0:16:23 | |
It deals with 17,000
litres of sewage a second. | 0:16:23 | 0:16:27 | |
Here though, they have a growing
problem of nonperishable | 0:16:27 | 0:16:32 | |
items, mainly wet wipes. | 0:16:33 | 0:16:34 | |
It is a massive problem,
not just for us, but for London. | 0:16:34 | 0:16:37 | |
We remove 30,000 tonnes
of what we call rag a day. | 0:16:37 | 0:16:43 | |
-- 30 tonnes. | 0:16:43 | 0:16:45 | |
-- 30 tonnes. | 0:16:45 | 0:16:46 | |
That is a combination of wet wipes,
sanitary products etc. | 0:16:46 | 0:16:48 | |
This causes a lot of damage
to the infrastructure, to the | 0:16:48 | 0:16:51 | |
environment, in terms of pollution
because of blockages, and also to | 0:16:51 | 0:16:53 | |
people's homes when there
is a blockage and there is flooding. | 0:16:53 | 0:16:59 | |
Wet wipes help fat
and grease congeal in | 0:16:59 | 0:17:03 | |
sewers, to form huge fatbergs
like this one in Whitechapel. | 0:17:03 | 0:17:07 | |
It is costing Thames Water
£1 million a month | 0:17:07 | 0:17:09 | |
to unblock the sewers. | 0:17:09 | 0:17:12 | |
This demonstration
shows what happens to | 0:17:12 | 0:17:16 | |
tissue paper in water
compared to wet wipes. | 0:17:16 | 0:17:21 | |
Paper disintegrates quickly. | 0:17:21 | 0:17:23 | |
But the plastic in the wet wipes
means it is not affected. | 0:17:23 | 0:17:29 | |
I'd like Londoners to bin it,
not block it, which is the | 0:17:29 | 0:17:33 | |
message from Thames Water. | 0:17:33 | 0:17:35 | |
Stick it in your
dustbin, don't throw | 0:17:35 | 0:17:36 | |
it down the toilet. | 0:17:36 | 0:17:37 | |
I'd also like the manufacturers
to stop marking things | 0:17:37 | 0:17:40 | |
as flushable when they clearly
are not flushable items. | 0:17:40 | 0:17:43 | |
That is what we need to be doing. | 0:17:43 | 0:17:45 | |
This would save an awful lot
of money that Thames Water | 0:17:45 | 0:17:47 | |
could then be spending
on other things. | 0:17:47 | 0:17:52 | |
Other things like Thames Water's
poor record at fixing leaks. | 0:17:52 | 0:17:55 | |
So the message for Londoners -
sewers can only deal with waste | 0:17:55 | 0:17:58 | |
from people and paper. | 0:17:58 | 0:18:02 | |
Tom Edwards, BBC
London News, Becton. | 0:18:02 | 0:18:04 | |
It was designed merely
as underwear, never | 0:18:12 | 0:18:14 | |
intended to be seen -
but has ever since been | 0:18:14 | 0:18:16 | |
grabbing our attention. | 0:18:16 | 0:18:17 | |
Now a new exhibition charting
the history of the humble T-shirt | 0:18:17 | 0:18:20 | |
has opened at the Fashion
and Textile Museum in Bermondsey. | 0:18:20 | 0:18:22 | |
Ayshea Buksh reports. | 0:18:22 | 0:18:24 | |
Often, just a simple
piece of clothing, | 0:18:24 | 0:18:26 | |
a T-shirt can also be
a canvas for high art | 0:18:26 | 0:18:28 | |
or radical politics. | 0:18:29 | 0:18:36 | |
This new exhibition at the Fashion
and Textile Museum in | 0:18:36 | 0:18:39 | |
Bermondsey charts its history. | 0:18:39 | 0:18:39 | |
And as one of the world's
street fashion capitals, | 0:18:39 | 0:18:41 | |
the curator believes
London is the best place | 0:18:41 | 0:18:43 | |
to show them off. | 0:18:43 | 0:18:44 | |
London is a creative city.
And many of the T-shirts that we | 0:18:44 | 0:18:48 | |
And many of the T-shirts
that we actually have on display, | 0:18:48 | 0:18:50 | |
originated in London. | 0:18:50 | 0:18:51 | |
And I think the London scene,
in terms of graphics, music, | 0:18:51 | 0:18:54 | |
fashion, design, have
all had their impact on the T-shirt. | 0:18:54 | 0:18:57 | |
And I think that's represented here. | 0:18:57 | 0:18:59 | |
More than 200 T-shirts
are on display. | 0:18:59 | 0:19:03 | |
Some are from the personal
collections of | 0:19:03 | 0:19:08 | |
fashion designers Vivienne Westwood
and Katherine Hamnett. | 0:19:08 | 0:19:10 | |
Others were donated by collectors
from around the world. | 0:19:10 | 0:19:14 | |
American artist and photographer
Susan Barnett has spent nine years | 0:19:14 | 0:19:18 | |
documenting the T-shirt
wearing public on both | 0:19:18 | 0:19:19 | |
sides of the Atlantic. | 0:19:19 | 0:19:22 | |
She started her study shortly
after Barack Obama was elected. | 0:19:22 | 0:19:26 | |
Over the years, the
message has changed. | 0:19:26 | 0:19:29 | |
And it's become a lot darker.
There's more anger. | 0:19:29 | 0:19:34 | |
There's more anger at
the government, anger at each other. | 0:19:34 | 0:19:38 | |
Messages of hate, sadly. | 0:19:38 | 0:19:40 | |
And one of the things that
interests me is to see what happens. | 0:19:40 | 0:19:44 | |
These are time capsules. | 0:19:44 | 0:19:48 | |
So whether you want to
show support for social | 0:19:48 | 0:19:51 | |
activism or your favourite band,
wear your T-shirt with pride. | 0:19:51 | 0:19:55 | |
It may well be a collector's
item in the future. | 0:19:55 | 0:19:57 | |
Ayshea Buksh, BBC London News. | 0:19:57 | 0:20:01 | |
Now if you've heard of twerking,
you will know it's a provocative | 0:20:04 | 0:20:07 | |
dance move synonmous with pop videos
and scantily clad performers. | 0:20:07 | 0:20:11 | |
It's been criticised
for being over sexualised. | 0:20:11 | 0:20:13 | |
But now a dance
instructor from Peckham is trying | 0:20:13 | 0:20:15 | |
to reclaim the move as a form
of feminist expression, by taking it | 0:20:15 | 0:20:18 | |
back to its African roots.
We caught up with her. | 0:20:18 | 0:20:24 | |
She tells us in her | 0:20:24 | 0:20:26 | |
SINGING. | 0:20:26 | 0:20:27 | |
Dance. | 0:20:27 | 0:20:28 | |
It's a channel you can use
to express so much joy, | 0:20:28 | 0:20:31 | |
pain, sadness, like,
you can express so much | 0:20:31 | 0:20:32 | |
through it. | 0:20:32 | 0:20:33 | |
So I started to use that as a way
of really communicating | 0:20:33 | 0:20:36 | |
the things that I thought
there were no words for. | 0:20:36 | 0:20:39 | |
OPERATIC SINGING. | 0:20:39 | 0:20:42 | |
My name is Kelechi Okafore. | 0:20:42 | 0:20:44 | |
I'm an actor, director,
twerk instructor and pole | 0:20:44 | 0:20:46 | |
dance studio owner. | 0:20:46 | 0:20:50 | |
A lot of people seem
to think that this is | 0:20:50 | 0:20:53 | |
where the movement starts and stops,
but actually the movement starts way | 0:20:53 | 0:20:55 | |
before that. | 0:20:56 | 0:20:57 | |
It starts from your feet,
so how you're using your feet, | 0:20:57 | 0:20:59 | |
how you're transferring
weight back and forth. | 0:20:59 | 0:21:02 | |
That will then translate to how
you're actually able | 0:21:02 | 0:21:04 | |
to rock your pelvis. | 0:21:04 | 0:21:07 | |
For me, from my understanding
of twerk, we're looking at something | 0:21:07 | 0:21:10 | |
that started in West Africa,
and it travelled with | 0:21:10 | 0:21:13 | |
the enslaved Africans
to become something else. | 0:21:13 | 0:21:20 | |
Let's get the hips going. | 0:21:20 | 0:21:23 | |
Poking out, poking backwards,
keeping the legs straight. | 0:21:23 | 0:21:26 | |
So one... | 0:21:26 | 0:21:29 | |
Show me more hip, roll that hip! | 0:21:29 | 0:21:30 | |
It isn't as hyper-sexualised in West
Africa, because it's a | 0:21:30 | 0:21:32 | |
cultural thing. | 0:21:32 | 0:21:35 | |
We dance at funerals,
we dance at weddings, we dance | 0:21:35 | 0:21:37 | |
at christenings. | 0:21:37 | 0:21:38 | |
No one sits there and goes,
"Oh my God, what's that?" | 0:21:38 | 0:21:42 | |
Up, up, roll, roll. | 0:21:42 | 0:21:45 | |
Nice. | 0:21:45 | 0:21:50 | |
Women are objectified,
whatever they do. | 0:21:50 | 0:21:51 | |
A woman can stand still
and do nothing and be objectified. | 0:21:51 | 0:21:56 | |
So, why, then, not do everything? | 0:21:56 | 0:22:00 | |
Right, right, right, right, left. | 0:22:00 | 0:22:04 | |
Right, left. | 0:22:04 | 0:22:05 | |
I think my classes
attract such a variety of | 0:22:05 | 0:22:09 | |
women, because they watch
the videos on social | 0:22:09 | 0:22:12 | |
media and they see
the variety of women. | 0:22:12 | 0:22:16 | |
And they've probably seen a woman
they can identify with. | 0:22:16 | 0:22:19 | |
"Well, If she's going,
then I can go." | 0:22:19 | 0:22:20 | |
And what I really wanted
to do was have as many | 0:22:20 | 0:22:23 | |
women come through as possible,
representing different types | 0:22:23 | 0:22:25 | |
of woman. | 0:22:25 | 0:22:28 | |
I was a bit nervous, to be honest,
but I came in, it was fine. | 0:22:28 | 0:22:31 | |
Got into the changing
room, ripped my hijab | 0:22:31 | 0:22:33 | |
and stuff off, it was
a women's only class. | 0:22:33 | 0:22:35 | |
And just within five
minutes of being there, was | 0:22:35 | 0:22:39 | |
just in the flow of it,
it was brilliant. | 0:22:39 | 0:22:48 | |
If I were to speak to the Sian
from years ago that was still | 0:22:48 | 0:22:51 | |
trapped in that toxic relationship,
and tell her that in a few years' | 0:22:51 | 0:22:54 | |
time, you would be twerking,
essentially an public, on a stage or | 0:22:54 | 0:22:57 | |
in carnival might even in a dance
studio full of strangers, I would | 0:22:57 | 0:23:00 | |
never have believed it. | 0:23:00 | 0:23:06 | |
Bend your knees, bend your
knees, bend your knees. | 0:23:09 | 0:23:17 | |
Interesting to hear
knees, bend your knees. | 0:23:17 | 0:23:17 | |
Interesting to hear the
knees, bend your knees. | 0:23:17 | 0:23:17 | |
Interesting to hear the cultural
knees, bend your knees. | 0:23:17 | 0:23:17 | |
Interesting to hear the cultural
history. But this man has got to | 0:23:17 | 0:23:20 | |
follow that. Ben! | 0:23:20 | 0:23:23 | |
history. But this man has got to
follow that. Ben! | 0:23:23 | 0:23:27 | |
You might have been twerking your
way to work today when you saw the | 0:23:27 | 0:23:31 | |
beautiful blue skies overhead. The
sort of day when you wanted to get | 0:23:31 | 0:23:35 | |
out of the house. It was a beautiful
start. This Weather Watchers | 0:23:35 | 0:23:39 | |
captured perfectly from a vantage
point at the Barbican. A beautiful | 0:23:39 | 0:23:43 | |
view over the city. That was not to
last. I had worked its way from the | 0:23:43 | 0:23:48 | |
West. We saw outbreaks of rain. That
was Essex earlier. The sort of | 0:23:48 | 0:23:54 | |
afternoon to hide behind the glass
because of this cloud, which fed | 0:23:54 | 0:23:59 | |
these outbreaks of rain in from the
south-west. The rain is taking its | 0:23:59 | 0:24:02 | |
time to clear. It will hang around
in the evening. Pretty soggy for the | 0:24:02 | 0:24:06 | |
next couple of hours. If we run the
sequence through the evening, slowly | 0:24:06 | 0:24:11 | |
but surely those outbreaks of rain
will be pushed away to the | 0:24:11 | 0:24:15 | |
south-east. Eventually after
midnight, the skies were clear. The | 0:24:15 | 0:24:19 | |
winds will slowly ease. One big
difference compared with last night | 0:24:19 | 0:24:22 | |
it -- is it will not be particularly
cold. Temperatures above freezing. | 0:24:22 | 0:24:27 | |
Tomorrow get off to a relatively
bright start. You can see some | 0:24:27 | 0:24:31 | |
patches of cloud. As we go through
the day. -- on my today we will not | 0:24:31 | 0:24:36 | |
see cloud and rain from the West.
What we might see some parting | 0:24:36 | 0:24:41 | |
showers. The vast majority will stay
dry and see sunshine. Have a look at | 0:24:41 | 0:24:45 | |
those temperatures. 1011 degrees.
That will feel fairly pleasant under | 0:24:45 | 0:24:49 | |
clear skies. This is Friday's
forecast. There will be a lot of | 0:24:49 | 0:24:56 | |
sunshine. Some patchy cloud. Friday
is a nice looking day. 910 degrees. | 0:24:56 | 0:25:01 | |
Light winds. A very pleasant feel.
As we head into the weekend, high | 0:25:01 | 0:25:06 | |
pressure takes more control. That
means more in the way of dry | 0:25:06 | 0:25:10 | |
weather. Some spells of sunshine.
Once those temperatures get into | 0:25:10 | 0:25:14 | |
double digits, they will | 0:25:14 | 0:25:15 | |
stay that way | 0:25:15 | 0:25:16 | |
stay that way through the weekend
and into next week. | 0:25:16 | 0:25:19 | |
That sounds like good news. Thank
you. | 0:25:19 | 0:25:20 | |
That's it for now,
thanks for your company. | 0:25:20 | 0:25:22 | |
And your views always welcome
of course on our Facebook page. | 0:25:22 | 0:25:25 | |
From all of us on the team -
do have a lovely evening. | 0:25:25 | 0:25:30 | |
Bye-bye. | 0:25:30 | 0:25:32 |