Browse content similar to 24/01/2018. Check below for episodes and series from the same categories and more!
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Have a good afternoon. | 0:00:00 | 0:00:12 | |
Welcome to BBC London News. | 0:00:12 | 0:00:14 | |
I'm Alpa Patel. | 0:00:14 | 0:00:19 | |
The mother of a five-year-old girl
who was killed by play equipment | 0:00:19 | 0:00:22 | |
in Tower Hamlets has accused the CPS
of racism after it decided not | 0:00:22 | 0:00:25 | |
to bring corporate manslaughter
charges against the council. | 0:00:25 | 0:00:32 | |
Alexia Walenkaki was crushed
to death after a rotten piece | 0:00:32 | 0:00:36 | |
of timber supporting a zip wire
she was swinging from fell on her. | 0:00:36 | 0:00:40 | |
Her mother says the decision not
to prosecute means no-one | 0:00:40 | 0:00:42 | |
will learn from her loss. | 0:00:42 | 0:00:47 | |
She's been speaking
exclusively to Alex Bushill. | 0:00:47 | 0:00:50 | |
Baby. | 0:00:50 | 0:00:51 | |
Flowers of light. | 0:00:51 | 0:00:54 | |
Sleep and see brighter
dreams than we. | 0:00:54 | 0:00:58 | |
This is a poem chosen by Vida that
always reminds her of her little | 0:00:58 | 0:01:01 | |
five-year-old girl. | 0:01:01 | 0:01:02 | |
She was crushed to death
here before her mum's eyes. | 0:01:02 | 0:01:08 | |
The playground has since
been closed, remodelled | 0:01:08 | 0:01:10 | |
and re-opened, but everywhere,
there are reminders of Alexia. | 0:01:10 | 0:01:12 | |
Alexia was a charmer. | 0:01:13 | 0:01:19 | |
Whoever she came into contact with
instantly fell in love with her. | 0:01:19 | 0:01:22 | |
This photo even shows the equipment
that was to crush her, | 0:01:22 | 0:01:24 | |
the wooden timbers in the background
clear to see. | 0:01:24 | 0:01:26 | |
It was a moment Vida watched unfold. | 0:01:26 | 0:01:30 | |
I noticed the log on which they
were playing, as a swing | 0:01:30 | 0:01:32 | |
started to collapse. | 0:01:32 | 0:01:34 | |
I ran as fast as I could to where
the children were playing. | 0:01:34 | 0:01:38 | |
But when I got there,
Alexia was already on the floor | 0:01:38 | 0:01:41 | |
and there was not much I could do. | 0:01:41 | 0:01:43 | |
Well, today, we learned that the CPS
are not going to bring corporal | 0:01:43 | 0:01:50 | |
Well, today, we learned that the CPS
are not going to bring corporate | 0:01:50 | 0:01:53 | |
manslaughter charges
against Tower Hamlets Council, | 0:01:53 | 0:01:54 | |
which runs this playground. | 0:01:54 | 0:01:55 | |
And that, despite the fact
that we now know that in 2014 | 0:01:55 | 0:01:58 | |
and 2015, in the years leading up
to Alexia's death, there were not | 0:01:58 | 0:02:01 | |
annual safety inspections. | 0:02:01 | 0:02:11 | |
Alexia's family say had there been,
she would be alive today. | 0:02:11 | 0:02:13 | |
In a letter seen by the BBC,
the CPS explained its decision, | 0:02:13 | 0:02:16 | |
pointing to how regular,
operational and daily | 0:02:16 | 0:02:18 | |
checks were being carried
out by the council. | 0:02:18 | 0:02:20 | |
Even if there hadn't been an annual
inspection since 2013. | 0:02:20 | 0:02:22 | |
It's a decision that's prompted
this reaction from Vida. | 0:02:22 | 0:02:24 | |
There are different laws
for people of this country | 0:02:24 | 0:02:27 | |
and there are different laws
for people of colour. | 0:02:27 | 0:02:37 | |
You think you are a victim of
racism? | 0:02:43 | 0:02:46 | |
Yes. | 0:02:46 | 0:02:47 | |
Because I am a nobody and I am poor. | 0:02:47 | 0:02:49 | |
That is the way I see it. | 0:02:49 | 0:02:52 | |
Because, like, I'm alone,
there is nobody to back this, | 0:02:52 | 0:02:55 | |
so they do what they want. | 0:02:55 | 0:02:56 | |
The CPS has declined
to comment on Vida's | 0:02:56 | 0:02:58 | |
concerns of discrimination. | 0:02:58 | 0:02:59 | |
It is, though, going
to review its decision. | 0:02:59 | 0:03:01 | |
As for Tower Hamlets,
they won't comment either, | 0:03:01 | 0:03:03 | |
with an inquest into Alexia's death
now set for early spring. | 0:03:03 | 0:03:06 | |
Alex Bushill, BBC London News. | 0:03:06 | 0:03:07 | |
Labour's governing body
has told the leader | 0:03:07 | 0:03:08 | |
of Haringey Council to halt plans
for a controversial | 0:03:08 | 0:03:10 | |
housing development. | 0:03:10 | 0:03:12 | |
The row has caused divisions
within the local Labour Party, | 0:03:12 | 0:03:14 | |
and many councillors supportive
of the plans have been deselected. | 0:03:14 | 0:03:16 | |
Well, our political editor,
Tim Donovan, is with us now. | 0:03:16 | 0:03:19 | |
And, Tim, how
significant is this row? | 0:03:19 | 0:03:22 | |
Certainly really unusual for the
National Executive Committee of the | 0:03:22 | 0:03:25 | |
Labour Party to focus all this
energy, a 90 minute meeting, on an | 0:03:25 | 0:03:29 | |
issue involving one council. And the
Pasoa resolution saying, we think, a | 0:03:29 | 0:03:35 | |
Labour council should stop this
development on this you can get more | 0:03:35 | 0:03:39 | |
agreement and end the divisions and
it is proving divisive because it is | 0:03:39 | 0:03:42 | |
a major development. The
public-private partnership, the | 0:03:42 | 0:03:45 | |
council going in with a private
developer, hundreds of millions of | 0:03:45 | 0:03:48 | |
pounds over 20 years. And the idea
it will lead to 6,500 new homes. | 0:03:48 | 0:03:55 | |
Locally, some people are concerned
because they worry what will happen | 0:03:55 | 0:03:58 | |
to the replacement homes. Will they
lose their social housing? Some MPs | 0:03:58 | 0:04:03 | |
have expressed concern, members of
Momentum, the activist group which | 0:04:03 | 0:04:07 | |
backs Jeremy Corbyn they hate these
plans. But the Labour council is | 0:04:07 | 0:04:11 | |
saying, how else are we are going to
provide housing for local people | 0:04:11 | 0:04:16 | |
long-term in the end? And they are
giving guarantees they will protect | 0:04:16 | 0:04:19 | |
the element of social housing, but
there is no sign at the moment of | 0:04:19 | 0:04:23 | |
the divisions ending. So what
happens next? It looks as though the | 0:04:23 | 0:04:28 | |
leader of the Council, Claire Kober,
will at some stage have to talk to | 0:04:28 | 0:04:32 | |
the Labour Party officials, the NEC.
We are told a senior Labour MP may | 0:04:32 | 0:04:35 | |
act as a mediator to bring the
councils for and against together. | 0:04:35 | 0:04:41 | |
And then there is a judicial review
we are waiting to hear, been brought | 0:04:41 | 0:04:47 | |
by a local resident, against these
proposals. Which, at the moment, is | 0:04:47 | 0:04:51 | |
preventing the council from going
ahead. Thank you very much. | 0:04:51 | 0:04:54 | |
More than half of all children
living in certain parts of London | 0:04:54 | 0:04:57 | |
are living in poverty -
that's according to | 0:04:57 | 0:04:59 | |
the Child Poverty Map,
published by a group of charities, | 0:04:59 | 0:05:01 | |
faith groups and unions. | 0:05:02 | 0:05:05 | |
Bethnal Green and Bow has
the highest rate of child | 0:05:05 | 0:05:08 | |
poverty in the country,
with 54% of children | 0:05:08 | 0:05:09 | |
living in poverty. | 0:05:09 | 0:05:11 | |
Poplar and Limehouse
are third in the country. | 0:05:11 | 0:05:14 | |
A woman from Essex says she will not
rest until she finds | 0:05:14 | 0:05:21 | |
the fly-tippers, who have repeatedly
dumped rubbish on her dead | 0:05:21 | 0:05:24 | |
brother's memorial. | 0:05:24 | 0:05:28 | |
The rubbish was left on top
of Adam Hiskey's plaque | 0:05:28 | 0:05:31 | |
and wooden cross on the A414,
near Ongar, on Friday night. | 0:05:31 | 0:05:33 | |
Adam died in a road
crash 16 years ago. | 0:05:33 | 0:05:42 | |
Now, it's been a pioneering space
for contemporary art | 0:05:42 | 0:05:44 | |
for almost 50 years. | 0:05:44 | 0:05:45 | |
But in 2015, the Hayward Gallery
was forced to close - | 0:05:45 | 0:05:47 | |
in part, due to a leaking roof. | 0:05:47 | 0:05:51 | |
Now, after a £35 million
makeover, it's due | 0:05:51 | 0:05:53 | |
to re-open tomorrow. | 0:05:53 | 0:05:56 | |
Wendy Hurrell has been
having an exclusive look | 0:05:56 | 0:05:58 | |
around behind the scenes. | 0:05:58 | 0:06:01 | |
A rare view of a gallery,
installation in progress. | 0:06:01 | 0:06:09 | |
This is the work of German
photographer Andreas Gursky, | 0:06:09 | 0:06:11 | |
and the first exhibition to be put
on these walls for over two years. | 0:06:11 | 0:06:15 | |
In the meantime,
a multi-million-pound | 0:06:15 | 0:06:18 | |
restoration has been happening
to update the electrics, | 0:06:18 | 0:06:28 | |
to replace the painted-over
decaying pyramid roof lights | 0:06:28 | 0:06:30 | |
that let in the water. | 0:06:30 | 0:06:31 | |
The false ceilings below
them have been removed. | 0:06:31 | 0:06:33 | |
Now the ceiling has windows
onto the sky, we'll see the works | 0:06:33 | 0:06:36 | |
beneath quite differently. | 0:06:36 | 0:06:37 | |
The light makes a huge
difference in a gallery, | 0:06:37 | 0:06:40 | |
because it's the best spectrum
of light to look at colour, | 0:06:40 | 0:06:43 | |
and also, because it changes. | 0:06:43 | 0:06:47 | |
Of course, normally we get daylight
coming in, but right now you see | 0:06:47 | 0:06:51 | |
the wonderful purple changing lights
of David Batchelor's sculpture | 0:06:51 | 0:06:53 | |
that's on the rooftop right now. | 0:06:54 | 0:06:55 | |
And this is what it looks
like from the roof. | 0:06:55 | 0:07:03 | |
66 brand-new pyramids, specially lit
up until the end of March, | 0:07:03 | 0:07:05 | |
to mark the reopening
of the Hayward Gallery | 0:07:05 | 0:07:07 | |
and celebrate its 50th year. | 0:07:07 | 0:07:08 | |
It was an era of brutalist
architecture, contrasting | 0:07:08 | 0:07:10 | |
with the baroque over the Thames. | 0:07:10 | 0:07:13 | |
Inside, using a process normally
used on classic statues, | 0:07:13 | 0:07:16 | |
the ubiquitous concrete has had
some beauty treatment. | 0:07:16 | 0:07:22 | |
So, once again, the best
in contemporary art adorns | 0:07:22 | 0:07:24 | |
the newly painted walls. | 0:07:24 | 0:07:27 | |
We are continuing to try to find
artists from across the world | 0:07:27 | 0:07:30 | |
who we think are really articulating
something new, and saying something | 0:07:30 | 0:07:33 | |
about the world we live in,
and showing it to us in a way that | 0:07:33 | 0:07:36 | |
makes you think. | 0:07:37 | 0:07:40 | |
For the Hayward Gallery,
at the heart of London's Southbank, | 0:07:40 | 0:07:42 | |
a new dawn is breaking. | 0:07:42 | 0:07:43 | |
Wendy Hurrell, BBC London News. | 0:07:43 | 0:07:52 | |
Some beautiful weather. | 0:07:52 | 0:07:54 | |
Now the weather, with Kate Kinsella. | 0:07:54 | 0:07:55 | |
Good afternoon. | 0:07:59 | 0:08:06 | |
50 mph gusts in some locations and
heavy rain as well. The whingers | 0:08:06 | 0:08:09 | |
point was before the rain hit, but
when it did, the temperature | 0:08:09 | 0:08:14 | |
dropped. Through the afternoon,
still very windy, but perhaps | 0:08:14 | 0:08:17 | |
lighter through. So all the winds
and wet for a | 0:08:17 | 0:08:21 | |
It was a very mild morning with
temperatures around 14 Celsius, but | 0:08:24 | 0:08:29 | |
once the rain hit, dramatic fall. So
quite chilly this afternoon and head | 0:08:29 | 0:08:33 | |
this morning, seven and nine
Celsius. Showers through the | 0:08:33 | 0:08:38 | |
evening, the wind still breezy, but
not as strong as it has been today. | 0:08:38 | 0:08:42 | |
And the temperature back to where it
should be at this time of year, or | 0:08:42 | 0:08:45 | |
nearer to it. Down to six Celsius in
Central London. Tomorrow, a quieter | 0:08:45 | 0:08:53 | |
day, more sunshine at first. Still
breezy, but not as windy as today as | 0:08:53 | 0:08:57 | |
the potential for one or two Micro
showers. The temperature tomorrow | 0:08:57 | 0:09:01 | |
against eels a bit fresher, a
maximum of 10 Celsius. Further | 0:09:01 | 0:09:05 | |
through the week, Friday is not a
bad day. Some bright spells and | 0:09:05 | 0:09:11 | |
sunny spells and temperatures around
eight Celsius. Into the weekend, | 0:09:11 | 0:09:15 | |
Saturday is not bad and things turn
unsettled and milder by Sunday. | 0:09:15 | 0:09:19 | |
That's about it from me. | 0:09:19 | 0:09:20 | |
Asad will be here with our
6:30 evening programme. | 0:09:20 | 0:09:23 | |
But for now, from us all,
a very good afternoon. | 0:09:23 | 0:09:24 |