Browse content similar to 30/01/2018. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
bring in cloud and rain from the
West. Back to you, Jane. Thank you. | 0:00:00 | 0:00:01 | |
Good afternoon, I'm Asad Ahmad. | 0:00:13 | 0:00:17 | |
A primary school in West London
is to become the first in England | 0:00:17 | 0:00:23 | |
to move to a four-and-a-half day
week in a bid to save money. | 0:00:23 | 0:00:26 | |
St Mary's Catholic Primary
in Isleworth will stop its classes | 0:00:26 | 0:00:28 | |
every Friday at lunchtime. | 0:00:28 | 0:00:29 | |
Here's our education
reporter, Marc Ashdown. | 0:00:29 | 0:00:33 | |
Now we all know the school day
finishes at about 3.30pm, | 0:00:33 | 0:00:35 | |
but here things could be
about to change. | 0:00:35 | 0:00:38 | |
Under enormous pressure
with their budget, the governors | 0:00:38 | 0:00:43 | |
have put forward a proposal
for a four-and-a-half day week. | 0:00:43 | 0:00:47 | |
So, every Friday, classes
would finish at 12.45, | 0:00:47 | 0:00:52 | |
they would then lay on private
classes run by providers | 0:00:52 | 0:00:55 | |
which parents
would have to pay for, | 0:00:55 | 0:00:57 | |
but that would only accommodate
about 150 of the 400 pupils | 0:00:57 | 0:01:01 | |
here. | 0:01:02 | 0:01:04 | |
For the rest of the parents,
they have been told to make plans | 0:01:04 | 0:01:07 | |
for their own childcare
as of September. | 0:01:07 | 0:01:08 | |
The lack of consideration
for working parents is quite | 0:01:08 | 0:01:11 | |
striking to myself and a lot
of the other parents. | 0:01:11 | 0:01:15 | |
So at the moment, that is the main
problem, that both the cost for some | 0:01:15 | 0:01:20 | |
parents and also the logistics
of actually who is going to pick up | 0:01:20 | 0:01:23 | |
the child if both parents work? | 0:01:23 | 0:01:27 | |
In a letter to parents
the school explains that | 0:01:27 | 0:01:35 | |
over the past five
years it made a raft of savings. | 0:01:35 | 0:01:38 | |
A number of teaching
posts have been unfilled | 0:01:38 | 0:01:40 | |
and some music classes
have | 0:01:40 | 0:01:41 | |
been cancelled and a fund was set up
to parents could contribute | 0:01:41 | 0:01:44 | |
to basics like colours
pencils and glue sticks. | 0:01:44 | 0:01:46 | |
No one from the school wanted
to talk to us today. | 0:01:46 | 0:01:49 | |
The local council says
they are working with the school | 0:01:49 | 0:01:51 | |
at a difficult time. | 0:01:51 | 0:01:52 | |
The Government also told us,
the Department for Education, | 0:01:52 | 0:01:54 | |
they trust schools to organise
their own school weeks, | 0:01:54 | 0:01:56 | |
the school days to maintain the best
educational standards. | 0:01:56 | 0:01:59 | |
But this is perhaps a sign
of the times with heads | 0:01:59 | 0:02:01 | |
across London saying
they are squeezed in their budgets. | 0:02:01 | 0:02:03 | |
Will they, more of them,
consider drastic measures? | 0:02:03 | 0:02:11 | |
Police investigating the murder
of a man in Hackney have released | 0:02:11 | 0:02:14 | |
CCTV footage of two men
they want to trace. | 0:02:14 | 0:02:17 | |
It shows them walking
in the area around the time | 0:02:17 | 0:02:19 | |
Daniel Frederick was stabbed. | 0:02:19 | 0:02:20 | |
The 34-year-old was attacked
on Shakespeare Walk. | 0:02:20 | 0:02:21 | |
Two people have
already been arrested. | 0:02:21 | 0:02:31 | |
A council leader who suggested rough
sleepers in Windsor be moved-on | 0:02:31 | 0:02:34 | |
ahead of the royal
wedding has survived | 0:02:34 | 0:02:35 | |
a vote of no-confidence. | 0:02:35 | 0:02:38 | |
Conservative, Simon Dudley,
said beggars could present the town | 0:02:38 | 0:02:39 | |
in a "sadly unfavourable light"
when Prince Harry marries | 0:02:39 | 0:02:41 | |
Meghan Markle in May. | 0:02:42 | 0:02:43 | |
He drew criticism from
the Prime Minister, but last night | 0:02:43 | 0:02:47 | |
he survived a motion accusing him
of bringing the authority | 0:02:47 | 0:02:55 | |
into disrepute . | 0:02:55 | 0:03:03 | |
The first public consultation has
started into the expansion | 0:03:03 | 0:03:05 | |
of Heathrow Airport. | 0:03:05 | 0:03:06 | |
The airport's owner have put forward
a number of ideas for how | 0:03:06 | 0:03:09 | |
the project could be carried out. | 0:03:09 | 0:03:10 | |
Now to enter a world
of microscopic patterns. | 0:03:10 | 0:03:12 | |
You can't see these
with the naked eye - | 0:03:12 | 0:03:16 | |
this is only possible using powerful
tools and technologies. | 0:03:16 | 0:03:20 | |
It's also what happens
when artists and scientists | 0:03:20 | 0:03:24 | |
at the Francis Crick Institute
in King's Cross join together. | 0:03:24 | 0:03:26 | |
Wendy Hurrell has
been to have a look. | 0:03:26 | 0:03:30 | |
Trick patterns abound. I'm listening
to a poem inspired by human DNA. It | 0:03:30 | 0:03:36 | |
is part of an exhibition at the
Francis Crick Institute which is a | 0:03:36 | 0:03:42 | |
place full of laboratories that are
studying how and why diseases happen | 0:03:42 | 0:03:45 | |
in the human body. Some of the
patterns the scientists find are | 0:03:45 | 0:03:49 | |
very beautiful. Almost like works of
art themselves. I suppose it makes | 0:03:49 | 0:03:53 | |
sense to take that one step further.
And to explain more is the curator. | 0:03:53 | 0:03:58 | |
We are looking at skin cell, I
think, here. We are. As you come | 0:03:58 | 0:04:02 | |
into the exhibition you will be
encouraged to think about the cells | 0:04:02 | 0:04:05 | |
inside your body. We are looking at
the patterns of the surface of the | 0:04:05 | 0:04:09 | |
skin and here we are looking at the
cells underneath the skin. Some | 0:04:09 | 0:04:13 | |
scientists did visit studios which
was fascinating for them. Got to see | 0:04:13 | 0:04:17 | |
the process as the artist developed
their process and the prototypes. | 0:04:17 | 0:04:22 | |
There was a lovely exchange between
the artists and the scientists in | 0:04:22 | 0:04:25 | |
this project. By using art and
creativity in this way, it will help | 0:04:25 | 0:04:29 | |
us to see things that normally are
too small. Take this little fella. | 0:04:29 | 0:04:34 | |
This is part of a worm that's one
millimetre long. And it is your | 0:04:34 | 0:04:39 | |
life's work, mate, to study such
little things! Tell me what we are | 0:04:39 | 0:04:43 | |
looking at. We are looking at the
earliest stages in the development | 0:04:43 | 0:04:48 | |
of the worm. You took it a stage
further with a workshop for local | 0:04:48 | 0:04:51 | |
people. My lab and I designed a
workshop for students to inspire | 0:04:51 | 0:04:55 | |
them with the core ideas and
development like breaking uformity, | 0:04:55 | 0:05:01 | |
acquiring identity and it was really
nice to see how many core concepts | 0:05:01 | 0:05:05 | |
showed up in the video. From worms
to fruit flies. One of our artists, | 0:05:05 | 0:05:11 | |
Helen is here. Tell us what this?
This is a fly brain, the | 0:05:11 | 0:05:17 | |
transformations of the fly and the
patterns of the visual circuit over | 0:05:17 | 0:05:20 | |
time. So the patterns that the
scientists have found and that the | 0:05:20 | 0:05:24 | |
artists have reponded to are ones
that you will find in your own body | 0:05:24 | 0:05:27 | |
as well. It is a fascinating
exhibition. It opens on Thursday and | 0:05:27 | 0:05:29 | |
it is free. | 0:05:29 | 0:05:32 | |
To mark two years since the death
of South London legend David Bowie, | 0:05:33 | 0:05:36 | |
BBC World Service Radio has
commissioned a play about his final | 0:05:36 | 0:05:40 | |
few weeks and the making
of his last album, Blackstar. | 0:05:40 | 0:05:43 | |
Comedian and impressionist Jon
Culshaw plays Bowie in the drama, | 0:05:43 | 0:05:46 | |
which was recorded in Acton. | 0:05:46 | 0:05:48 | |
I spoke to Jon earlier
and asked him about how he got | 0:05:48 | 0:05:50 | |
Bowie's London accent just right. | 0:05:50 | 0:05:56 | |
Yes, the South London
sort of reference gets | 0:05:56 | 0:06:00 | |
you to the initial zone,
but then you've really got to just | 0:06:00 | 0:06:03 | |
listen and listen and listen
and the first clip that I looked | 0:06:03 | 0:06:06 | |
at out of David Bowie's many
interviews was the one | 0:06:06 | 0:06:10 | |
where he gives this wonderful piece
of wisdom and he says if you feel | 0:06:10 | 0:06:20 | |
safe in the area you're
working in, you're probably not | 0:06:26 | 0:06:28 | |
working in the right area. | 0:06:28 | 0:06:29 | |
Always go a little further
into the water than you feel | 0:06:29 | 0:06:32 | |
you're capable of being. | 0:06:32 | 0:06:33 | |
Go a little bit out of the depth
and when you feel your feet aren't | 0:06:33 | 0:06:37 | |
quite touching the bottom then
you're just in the right place to do | 0:06:37 | 0:06:40 | |
something exciting and that was. | 0:06:40 | 0:06:41 | |
To hear that clip first,
was rather fortuitous because that's | 0:06:41 | 0:06:43 | |
how it feels to take on the role
of the great David Bowie | 0:06:43 | 0:06:46 | |
in a drama like this. | 0:06:47 | 0:06:48 | |
As well as taking on the role
and getting into his voice, | 0:06:48 | 0:06:51 | |
you very much had to get his mind
and his head and how | 0:06:51 | 0:06:54 | |
he was thinking. | 0:06:54 | 0:06:55 | |
Yeah. | 0:06:55 | 0:06:56 | |
How do you even go about doing that
when sadly the man is dead? | 0:06:56 | 0:06:59 | |
There is so much wonderful material
to look at and there | 0:06:59 | 0:07:02 | |
is the incredible back catalogue
of music and many things to read. | 0:07:02 | 0:07:05 | |
You just have to absorb
it all and just get | 0:07:05 | 0:07:07 | |
into that rhythm of thought. | 0:07:07 | 0:07:09 | |
Get into that rhythm
of his amazing creativity. | 0:07:09 | 0:07:10 | |
Brilliance in the blink of an eye,
that's David Bowie. | 0:07:10 | 0:07:13 | |
Let's just say a producer watching
you today, says I know what, | 0:07:13 | 0:07:15 | |
I want to do a drama
about so and so. | 0:07:15 | 0:07:18 | |
Jon's the man. | 0:07:18 | 0:07:20 | |
Who would you like
that so and so to be? | 0:07:20 | 0:07:22 | |
Who is the one person that
you think ah this is the next | 0:07:22 | 0:07:25 | |
person I'd like to be? | 0:07:25 | 0:07:27 | |
George Michael perhaps. | 0:07:27 | 0:07:28 | |
Ah, that's a good one. | 0:07:28 | 0:07:29 | |
That's a good one. | 0:07:29 | 0:07:33 | |
I love the way that whenever
he would describe something, | 0:07:33 | 0:07:35 | |
his brows would go like,
very thoughtful and very considered, | 0:07:35 | 0:07:38 | |
a wonderful, charming,
amiable, warm chap. | 0:07:38 | 0:07:43 | |
And you can hear Jon Culshaw
in the The Final Take: | 0:07:43 | 0:07:47 | |
Bowie in the Studio,
on BBC World Service Radio | 0:07:47 | 0:07:48 | |
on the BBC iPlayer Radio. | 0:07:48 | 0:07:52 | |
Now let us check on
the weather with Kate. | 0:07:54 | 0:07:57 | |
Good afternoon. Well, we had a
beautiful, but cold start this | 0:07:58 | 0:08:02 | |
morning. Temperatures overnight in
stark contrast to the night before | 0:08:02 | 0:08:06 | |
down at zero. So we had a bit of
frost first thing, but clear skies, | 0:08:06 | 0:08:12 | |
so a beautiful sunrise. High cloud
with hazy sunshine. The spring | 0:08:12 | 0:08:18 | |
flowers really enjoying the sunshine
and they will continue to this | 0:08:18 | 0:08:20 | |
afternoon. We are hanging on to the
sunshine and it is staying dry as | 0:08:20 | 0:08:24 | |
well. We may get high cloud. The
sunshine hazy here and there, but | 0:08:24 | 0:08:28 | |
the gentle wind. Temperatures
getting up to seven or eight | 0:08:28 | 0:08:32 | |
Celsius. In the sunshine, it is not
feeling too bad. Overnight, starting | 0:08:32 | 0:08:37 | |
off cold under clear skies, but the
cloud increases from the west. With | 0:08:37 | 0:08:42 | |
it outbreaks of rain. Things turning
murky for a time. The wind | 0:08:42 | 0:08:45 | |
strengthens as well as we head
through the early hours of tomorrow | 0:08:45 | 0:08:48 | |
morning. The minimum temperature
dropping down to four or five | 0:08:48 | 0:08:53 | |
Celsius. As you head into tomorrow
morning, yes, we've got rain. A | 0:08:53 | 0:08:57 | |
little bit damp first thing, but it
will start to clear. Some really | 0:08:57 | 0:09:01 | |
nice sunny spells through the
afternoon. Quity and that's going to | 0:09:01 | 0:09:07 | |
make things feel cool. A chilly
night Wednesday and into Thursday. | 0:09:07 | 0:09:13 | |
Should stay dry. Lots of sunshine, a
north-westerly so feeling cooler. | 0:09:13 | 0:09:18 | |
That's it. We're back at 6.30pm.
Have a very good afternoon. | 0:09:18 | 0:09:24 | |
Bye-bye. | 0:09:24 | 0:09:30 |