28/04/2014 South East Today


28/04/2014

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the teacher's family and the school and all the pupils to study there.

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the teacher's family and the school Welcome to South East Today, I'm Rob

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Smith. Tonight's top stories: UKIP Borchers

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hit European election manifesto as hit European election manifdsto as

:00:17.:00:20.

Nigel Farage says his party is a victim of a witchhunt.

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One in ten schools are having to toilet train pupils, a survey

:00:27.:00:29.

reveals, with some still in nappies as they go to secondary school.

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In primary school, children as old as 11 are still having issuds being

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clean and dry during the day and clean and dry during the dax and

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night. I am in Brighton marking the

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I am in Brighton marking thd centenary of World War I with a

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special programme about the 1969 special programme about the 196

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film, Oh, What A Lovely War. Richard Attenborough's directorial

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debut had a lasting legacy on the country. We are joined by the

:00:59.:01:07.

original cast and screw `` crew for a special screening.

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The south east MEP and UKIP leader Nigel Farage says his party is the

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victim of a "witch hunt" by the media. UKIP has come under further

:01:28.:01:30.

scrutiny this weekend, for comments made by a local councillor hn London

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made by a local councillor in London who said the comedian Lenny Henry

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should emigrate to a "black country", and compared Islal to the

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Third Reich. Mr Farage launched the party's manifesto in the south east,

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party's manifesto in the sotth east, ahead of the European elections.

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ahead of the European electhons Juliette Parkin reports. A simple

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photo call but this is a man who seems to court controversy. No one

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in Britain have I come across such an attitude, I find it astonishing.

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I have been kicked out of worst places. Embarrassingly typically

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unfazed, a latest poll putting UKIP ahead of Labour and the Torhes shows

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Nigel Farage has every reason to smile.

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I want to cause an earthquake in British politics by saying to

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people, join us against the establishment who are giving away

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our borders and country. I believe we have a sporting chance. On the

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campaign trail in Portsmouth, it is the UKIP crew who is rocking the

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boat. Donna Edmunds recently said boat. Donna Edmunds recently said

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that business owners should be able to refuse anyone, including women

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and gay people. I regret my comments were taken out of context. There is

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an element of the establishment an element of the establishment

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desperate to find a witchhunt on UKIP. His party may be full of

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colourful characters but the media circus is indicative of the interest

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that has grown, it is packed with journalists. What we are seeing

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that has grown, it is packed with journalists. What we are seding is a

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continuation of the expenses scandal which infuriated people and has put

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people off elected politici`ns. which infuriated people and has put

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people off elected politicians. UKIP people off elected politici`ns. UKIP

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has played well into this. On energy, Farage is pro`fracking. And

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energy, Farage is pro`frackhng. And of course he wants out of Europe.

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Exactly where his candidates hope to be heading.

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There are currently ten MEPs who represent the south east, five

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Conservatives, two Liberal Democrats, and one MEP each from The

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Greens, the Labour Party and UKIP. But, could that all change `fter

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next months' vote? Simon Jones is in Dover now. Simon,

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we heard Nigel Farage say that our ports need to be made more secure,

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to clamp down on illegal immigration. Is his message

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resonating with voters. Illegal immigration and migration

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from Europe are certainly hot topics. UKIP is hoping to btild

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from Europe are certainly hot topics. UKIP is hoping to build on

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recent successes in areas lhke recent successes in areas like

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panicked but some voters we spoke to said beyond immigration and

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migration they are not sure what the party stands for. I believe in

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voting for the major political parties as opposed to minority

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parties, so, no, I would not vote for UKIP.

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I am a bit torn because I do agree with a lot of their policies. But

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then some of them are not so great. Some of them we don't.

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The Conservatives are doing nothing for us at all. Criticising Labour

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and other parliaments. They are doing nothing. UKIP will.

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No, I won't be voting for UKIP, I shall be sticking with the party I

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voted for before. I'm going to vote for UKIP, because

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I believe in traditional Brhtish I believe in traditional British

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values, and I have lost confidence in other parties.

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I voted Labour before, but I in other parties.

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I voted Labour before, but H will I voted Labour before, but H will

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consider voting for UKIP. There's a lot of jobs we're not

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getting, as British citizens, that are going to other kinds of people

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so I would vote the them 100%. He makes the hair stand up on the

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back of my neck, I can't stand the man.

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The results for UKIP in the south`east are said to be hugely

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south`east are said to be htgely significant. Nigel Farage has said

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significant. Nigel Farage h`s said he will stand as an MP with hot

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money being placed on Folkestone or Thanet.

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And, in the run`up to the Etropean elections which take place on the

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22nd of May, we'll be bringing you more details of the main parties in

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the south east, and their c`mpaigns, plus giving you information about

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all the other political parties asking for your vote.

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A Kent head teacher says chhldren as old as 11 are wearing nappies or

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pull`ups at her school. Annd`Marie pull`ups at her school. Anne`Marie

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Middleton, deputy head of W`rden Middleton, deputy head of Warden

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House Primary School in Deal, said she was aware of at least three

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children all aged 11 going to school in nappies, or pull`ups. The

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children all aged 11 going to school in nappies, or pull`ups. Thd news of

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in nappies, or pull`ups. The news of pupils wearing nappies comes as

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research released today revdaled research released today revealed

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almost one in ten head teachers reported a child aged betwedn

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almost one in ten head teachers reported a child aged between five

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reported a child aged betwedn five and seven wearing a nappy to school.

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Fiona Irving reports. Nappies for toddlers, but some

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children are still in these when they go to school. It is a hidden

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issue parents are too embarrassed to address. At this primary School,

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three of their 11`year`olds are still wearing pull`ups. We are

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still wearing pull`ups. We `re seeing in primary school children as

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old as 11 are still having issues with being clean and dry. This is

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continuing into secondary education. We know 15`year`olds

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having similar problems. Once we are aware, it is about being a simple

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problem to solve. Figures rdveal aware, it is about being a simple

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problem to solve. Figures reveal 9% problem to solve. Figures reveal 9%

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of senior staff have reportdd problem to solve. Figures rdveal 9%

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of senior staff have reported a child aged between five and seven

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wearing a nappy. 4% of pupils aged 7`11, despite those children having

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no developmental reason to wear one. We have taken her out of pull`ups at

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night because she is going to school. It is a little bit wrong. I

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don't see why they need to have a nappy, they can go to the toilet.

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Each to their own, I supposd. nappy, they can go to the toilet.

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Each to their own, I suppose. My Each to their own, I supposd. My

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little boy has been out of nappies for years and he is in the section.

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Each child is different. A programme tackling the problem in Dover

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Each child is different. A programme tackling the problem in Dovdr and

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tackling the problem in Dover and deal is being extended across Kent.

:07:36.:07:43.

The Government has today plddged to stamp out the number of illegal

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stamp out the number of illdgal immigrants trying to get into

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Britain via Calais. It follows a recent investigation by BBC South

:07:53.:07:55.

East Today, which exposed the risks migrants are taking getting here.

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Our special correspondent Colin Campbell has this update.

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We exposed the desperate me`sures We exposed the desperate measures

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and extremists migrants in Calais are taking. Today, the MP for Dover

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said international action w`s needed to deal with the problems. Does the

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Home Office Minister consider Home Office Minister considdr

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supporting a joint initiative by Dover and Calais for the Frdnch

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Dover and Calais for the French police to clear these camps, and

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repatriate people or process their asylum claims, as the case lay be?

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asylum claims, as the case may be? Visiting the migrant camps three

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weeks ago, we took Charlie Elphicke weeks ago, we took Charlie Dlphicke

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to Calais. We introduced him to the to Calais. We introduced hil to the

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town's deputy mayor and showed him how migrants, mainly from Sxria

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Afghanistan and Eritrea, were able to make numerous attempts to board

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UK destined trucks. It is so brazen, they do it in plain sight. This was

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the government response. He makes an important point, many have come into

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the country willingly but illegally because they felt they were coming

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for a better life and they have been exploited. We need to stamp this

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out. The Home Office said today it works

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The Home Office said today ht works very closely with French police, and

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is looking to stamp out trafficking of illegal immigrants from Calais.

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It seems there is a long wax to go It seems there is a long way to go

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before the problem is stampdd out. As part of our ongoing

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commemorations marking 100 years commemorations marking 100 xears

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since the start of the First World War, we're hosting a special event

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in Brighton this evening, a screening of the controvershal 968

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screening of the controversial 1968 film Oh, What A Lovely War. It was

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filmed in the city, and Polly is there now. Polly.

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Welcome to the historic Dukd Of York's Picture House in Brighton.

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Why historic? Well, this is the oldest cinema in the country

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Why historic? Well, this is the oldest cinema in the countrx that's

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been continuously in use. Tonight, it's the location for our special

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screening of Richard Attenborough's Oh, What A Lovely War. We're

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screening of Richard Attenborough's Oh, What A Lovely War. We'rd joined

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Oh, What A Lovely War. We're joined here, not just by stars of the film

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itself, but people who were crew, extras, or who just watched the film

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being shot just down the ro`d on extras, or who just watched the film

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being shot just down the road on the sea front. We will be talking to

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some of them in a moment. But, some of them in a moment. But,

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first, as we mark the passing of 100 years since the start of World War

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One, Robin Gibson has been uncovering the part Brighton played

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in this iconic movie. # When this lousy war is ovdr.

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No more soldiering for me. It had to be a film about World War

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One like no other that had gone before. Richard Attenborough, famous

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actor, wanted his first director's actor, wanted his first dirdctor's

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cut to be remembered. If one can find a method which has

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not been seen, then it will add a freshness, and a special impact, to

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the content. He hit on the idea of World War One

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as an end`of`the`pier show. Where better to come and film it? So we

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see Brighton station. The Stssex see Brighton station. The Sussex

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Downs. Even the waste disposal tip enlisted into service. Most

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memorable was what Brighton had in those days, two piers.

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On the pier, all the people recruited were persuaded to go to

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war going through the turnstiles, and into the war. We make the pier

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glittering and wonderful, so everybody wants to get onto the

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pier, into the war. That was my idea.

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It has its own atmosphere, Brighton. I think that came over in the film.

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Definitely. It is most unsatisfactory. Where are

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the Sherwood Foresters? This is the latest position. Whisky,

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sir? The worst pier was on its way to

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The worst pier was on its w`y to collapse. But you wouldn't have

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known. It's rather like a room with concrete disease behind the

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wallpaper, but the wallpaper was all right so you thought you were all

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right, standing on these boards. We've lost another day. But it's

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understandable, we had some bad weather.

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If the weather could be unpredictable, Brighton offered an

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unpredictable, Brighton offdred an army of willing film extras.

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Richard Attenborough contacted the university, and asked if he could

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use some of the students as film extras. I was a suffragette on the

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pier, with Vanessa Redgrave. I waved a banner over her head, sayhng, "Our

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a banner over her head, saying, "Our men are being sacrificed in vain".

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With a great big hat with ydllow sunflowers on, you can't miss me.

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Before I talk to you, I should sunflowers on, you can't miss me.

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Before I talk to you, I shotld like Before I talk to you, I shotld like

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to read a letter. Brighton looks like the perfect film

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location, but it wasn't alw`ys Brighton looks like the perfect film

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location, but it wasn't always easy. Take, for example, the moving final

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scene sweeping across the Downs We must have filmed that about 20

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times during the five months that we were there, and everyone had to get

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up at five in the morning. It had to be in the dawn as the sun w`s

:13:07.:13:08.

up at five in the morning. Ht had to be in the dawn as the sun was coming

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be in the dawn as the sun w`s coming in, with the light. We did get

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terribly wet and very cold. The price of perfection, the price

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The price of perfection, thd price of fame.

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Granny? Granny, what did Daddy do in the

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war? A number of the extras are with us

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in the auditorium. This is the original upstairs bar of the

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original upstairs bar of thd theatre. And, tonight, it's playing

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host to a VIP reception, including cast members and their families.

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Through here is the balcony where I am joined by actors Angela Thorne

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and Maurice Roeves who were in the original line`up. Angela, this was

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your first film. And here we are, original line`up. Angela, this was

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your first film. And here wd are, 45 your first film. And here we are, 45

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years later, still talking about it. Could you have possibly havd

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imagined that? Yes, I did, because I thought it was

:13:57.:14:03.

a wonderful film. It was just so special. Yes, I thought it had been

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very long life. What were your standout memories of Brighton?

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Endless. The very first shot was all of us in the theatre watching Maggie

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Smith doing her bit on Mond`y, of us in the theatre watching Maggie

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Smith doing her bit on Monday, go Smith doing her bit on Mond`y, go

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out with a sailor, you know. I was absolutely transfixed. Absolutely

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wonderful. Maurice was your co`star. Here you

:14:35.:14:35.

Maurice was your co`star. Hdre you are in the film, a very dapper young

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man. Thank you for joining us. What's your favourite memorx of that

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What's your favourite memory of that extraordinary time?

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I remember the theatre. I had backed I remember the theatre. I had backed

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a horse in the Grand Nation`l which a horse in the Grand National which

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was running that day. Richard had paused everything so we could get

:14:54.:14:58.

the result. I was the only one that had it, 20`1. Did you make a lot of

:14:59.:15:11.

money? Not a lot. I do 25`1 bets. What do you remember about Dickie

:15:12.:15:15.

directing? A rookie director but experienced in the cinema. He was

:15:16.:15:21.

wonderful, wasn't he? And wd experienced in the cinema. He was

:15:22.:15:23.

wonderful, wasn't he? And we were wonderful, wasn't he? And wd were

:15:24.:15:28.

very patient! He was an absolute darling to work with. Being an

:15:29.:15:33.

actor, he understood us. We were all very nervous to begin with. He

:15:34.:15:35.

completely puts us at our ease come completely puts us at our e`se come

:15:36.:15:37.

he was lovely. Did you sense completely puts us at our ease come

:15:38.:15:39.

he was lovely. Did you sensd he completely puts us at our e`se come

:15:40.:15:39.

he was lovely. Did you sense he was he was lovely. Did you sense he was

:15:40.:15:45.

nervous at all? No, did you? It is a man's thing! I was going through a

:15:46.:15:51.

divorce at the time, horrendous stuff. Richard and Sheila wdre

:15:52.:15:53.

divorce at the time, horrendous stuff. Richard and Sheila were very

:15:54.:15:55.

good, they gave me a good t`lking good, they gave me a good t`lking

:15:56.:16:01.

to. They were the most lovely people to work with. We couldn't whsh for

:16:02.:16:04.

to work with. We couldn't wish for more. When you watch the film, do

:16:05.:16:10.

you find it moving? Incredibly moving. Not only because of the

:16:11.:16:15.

past, having gone through the making of the film which took nearly five

:16:16.:16:20.

months to make. And all the memories I had. The film itself, the song at

:16:21.:16:24.

the end. Thank you both verx I had. The film itself, the song at

:16:25.:16:28.

the end. Thank you both very much. Earlier, I spoke to Michael

:16:29.:16:31.

Attenborough, Lord Attenborough's Attenborough, Lord Attenborough's

:16:32.:16:35.

son, and who is an acclaimed theatre director in his own right. He was 18

:16:36.:16:39.

at the time of the shoot, and he remembers it well. He began by

:16:40.:16:42.

telling me how his father's good friend, John Mills, brought the

:16:43.:16:45.

script to Richard in the first instance.

:16:46.:16:47.

His gut instinct knowing Dad very well, was it was a subject that

:16:48.:16:52.

would appeal to him. He picked up a phone, "Dick, I've been asked to do

:16:53.:16:54.

phone, "Dick, I've been askdd to do a film version of Oh, What A

:16:55.:16:56.

phone, "Dick, I've been asked to do a film version of Oh, What @ Lovely

:16:57.:16:56.

a film version of Oh, What A Lovely War, I can't. I think you would do

:16:57.:17:00.

it brilliantly. Dad said, I've never directed a film before, are you

:17:01.:17:04.

crazy? He said, look, just read the script and if you fall in love with

:17:05.:17:08.

it, I think you would do it beautifully. John walked down

:17:09.:17:11.

Richmond Hill with the script, gave it to him. Dad said, yes, I'm going

:17:12.:17:15.

to to do it, it is thrilling. BRASS BAND PLAYS.

:17:16.:17:21.

How did he sell such an avant`garde concept to the studio, to get

:17:22.:17:22.

concept to the studio, to gdt funding?

:17:23.:17:25.

He went to distributors, single`handedly performing all the

:17:26.:17:26.

single`handedly performing `ll the songs and dances. I'd love to have

:17:27.:17:32.

been there. And tried to persuade them it would be a hugely

:17:33.:17:35.

entertaining film. He sensed they were not convinced. He thought, I

:17:36.:17:43.

know, they are waiting to find out who is going to be in it. Hd reeled

:17:44.:17:45.

who is going to be in it. He reeled off this incredibly impresshve list

:17:46.:17:47.

of actors he said would be in the of actors he said would be in the

:17:48.:17:52.

film. That clearly won them over. As it happens, he hadn't got agreement

:17:53.:17:59.

from any of them. You've got Michael Redgrave, John

:18:00.:18:03.

Gielgud, Ralph Richardson. Huge names in English theatre and screen.

:18:04.:18:07.

Why did they do it? I think it was personal fridndship

:18:08.:18:09.

I think it was personal friendship as much as anything. Olivier,

:18:10.:18:16.

Gielgud, Richardson, John Mhlls Dirk Bogard, Susannah York, Ian

:18:17.:18:19.

Holme, they were all very good friends, they had worked with dad.

:18:20.:18:26.

# The Army and tje Navy need attention.

:18:27.:18:28.

The outlook isn't healthy you'll admit.

:18:29.:18:34.

I have a perfect dream of a new recruiting scheme which I think is

:18:35.:18:40.

absolutely it. What is the legacy of the film in

:18:41.:18:43.

What is the legacy of the fhlm in terms of the way it shaped public

:18:44.:18:46.

opinion, and the reaction it had? The phrase, shaped public opinion,

:18:47.:18:49.

is an accurate one. That's how he felt. It was telling an important

:18:50.:19:02.

story. And, although there `re astonishing acts of bravery, there

:19:03.:19:05.

was very little that was heroic about mass slaughter. That's the

:19:06.:19:09.

story he wanted to tell. To say there's very little glorious about

:19:10.:19:14.

war, hence the irony of the title. Michael Attenborough watched the

:19:15.:19:17.

film being made. He even met his first wife, Jane Seymour, on set.

:19:18.:19:20.

But his sister, Charlotte Attenborough, was actually in the

:19:21.:19:23.

film, and is here with us now! You say the famous final line, "What did

:19:24.:19:27.

Daddy do in the war?" How exciting an experience was it for a

:19:28.:19:30.

nine`year`old girl? I didn't really start in it, I was

:19:31.:19:36.

in at the end. A little girl called Kathleen played Emma throughout the

:19:37.:19:40.

film. But at the end of the film, that little girl had grown tp.

:19:41.:19:43.

film. But at the end of the film, that little girl had grown up. I

:19:44.:19:43.

that little girl had grown tp. I remember daddy asking me if I would

:19:44.:19:46.

like to play her at the end and I felt very honoured to be part. It

:19:47.:19:53.

was an epic scene when the camera draws back over the South Downs

:19:54.:19:58.

Brighton was a recurring backdrop to your father's life. He starred in

:19:59.:20:02.

Brighton Rock in the '40s. He became Chancellor of the Universitx of

:20:03.:20:03.

Chancellor of the University of Sussex.

:20:04.:20:08.

Both my brothers also went to Sussex University. I broke the pattern and

:20:09.:20:11.

went to Bristol. But I did a drama went to Bristol. But I did a drama

:20:12.:20:18.

course there. Your brother is in South Africa to

:20:19.:20:20.

accept an award for one of xour accept an award for one of xour

:20:21.:20:27.

fathers's film Majak Daw, Cry Freedom set in South Africa. ``

:20:28.:20:37.

father's films. Daddy always chose films he was

:20:38.:20:45.

passionate about. The pacifhst philosophy of Gandhi. He was

:20:46.:20:52.

passionate about trying to make his own little mark to fight ap`rtheid

:20:53.:20:55.

own little mark to fight apartheid in South Africa.

:20:56.:21:01.

We are also joined by Haylex Mills. Thank you for joining us. Your

:21:02.:21:08.

father Sir John, was a good friend of Dickie's. Your father took the

:21:09.:21:14.

script to Richard Attenborotgh. He did indeed.

:21:15.:21:15.

He had been working on it with Len He had been working on it with Len

:21:16.:21:20.

Deighton who wrote the script. He was considering at one point he

:21:21.:21:29.

might direct it. And then, he got an offer for a very lucrative

:21:30.:21:33.

television series in Hollywood. And he decided that he should do that,

:21:34.:21:40.

and that was more familiar ground. So he handed it over to Richard.

:21:41.:21:46.

Thank you for talking to us. Let's go through to the audhtorium.

:21:47.:21:48.

Let's go through to the auditorium. We have here the last artef`cts from

:21:49.:21:55.

the film. The original puppdts who feature in one special scene.

:21:56.:21:58.

Watching the film tonight in the auditorium, we have lots of people

:21:59.:22:01.

who were involved in the film. The production manager, the lady who

:22:02.:22:03.

production manager, the ladx who doubled as Angela Thorne. Even a

:22:04.:22:06.

lady who served the Attenborough family in her parents' deli.

:22:07.:22:14.

Peter Vaughan, you were in the film, you were an extra. How did you come

:22:15.:22:16.

you were an extra. How did xou come to be involved? I was driving on the

:22:17.:22:24.

seafront and I saw a crowd on the Esplanade. I saw them filming the

:22:25.:22:29.

sea. I saw Richard Attenborough and I asked for a job. He said, go and

:22:30.:22:35.

see that guy over there. It happened to be the union wrap. I was sent a

:22:36.:22:39.

telegram the following day and to be the union wrap. I was sent a

:22:40.:22:41.

telegram the following day `nd the rest is history. That was bold as

:22:42.:22:47.

brass. Being a taxi driver, I was flexible with time. And you add a

:22:48.:22:50.

bit of money. What did you dnd up bit of money. What did you dnd up

:22:51.:22:59.

doing in the film? `` earned. The only uniform I could fit in, when we

:23:00.:23:06.

were assembled, they asked hf anyone had military experience and I put my

:23:07.:23:12.

hand up. He got me out front to drill the people and get them into

:23:13.:23:16.

drill the people and get thdm into order. I dismiss the parade, Richard

:23:17.:23:20.

said, this is your chance. I order. I dismiss the parade, Richard

:23:21.:23:26.

said, this is your chance. H had a speaking part, a shouting part

:23:27.:23:30.

really, to dismiss the parade at the end of the film. Where you nervous?

:23:31.:23:33.

No, by that time, it was grdat fun. No, by that time, it was grdat fun.

:23:34.:23:36.

After a couple of weeks of that, No, by that time, it was great fun.

:23:37.:23:39.

After a couple of weeks of that, it came naturally. All the nerves had

:23:40.:23:47.

gone. Thanks you for talking to us. It is nice and cosy in here. But

:23:48.:23:49.

bright and sunny outside. Time now for the weather, with

:23:50.:23:57.

Rachel. It has been glorious today with lots

:23:58.:24:08.

of sunshine. Earlier, we had one or two showers, plenty of sunshine.

:24:09.:24:13.

With the risk of showers into tonight. Temperatures should stay

:24:14.:24:17.

mild. There were showers further west. Tonight, there is the risk of

:24:18.:24:24.

a shower but mostly staying dry. a shower but mostly staying dry

:24:25.:24:27.

Plenty of cloud, temperatures down Plenty of cloud, temperaturds down

:24:28.:24:32.

to eight degrees. An overcast start to tomorrow. Very light winds from

:24:33.:24:36.

the north east. A chilly field. By the north east. A chilly fidld. By

:24:37.:24:40.

afternoon, 13 degrees. `` feel. the north east. A chilly field. By

:24:41.:24:45.

afternoon, 13 degrees. `` fdel. One or two brighter spells. Tomorrow

:24:46.:24:52.

night, similar to tonight, eight degrees, rain by Thursday.

:24:53.:25:00.

The evening is getting under way in the auditorium. We'll leave you now

:25:01.:25:06.

with the choir from Brighton's British Institute Of Modern Music.

:25:07.:25:09.

And a First World War song sung by troops at the time, and featured in

:25:10.:25:11.

the film. Goodnight. # When I get my civvy clothes on.

:25:12.:25:42.

Oh, how happy I shall be. No more church parades on Sunday.

:25:43.:25:47.

No more putting in for leavd. No more putting in for leavd.

:25:48.:25:55.

I shall kiss the sergeant major. Europe. A community of nations

:25:56.:26:23.

which can do no wrong. A perfect brotherhood

:26:24.:26:28.

in which we all share. the benefits are obvious to

:26:29.:26:31.

being in... Hampering a British recovery

:26:32.:26:36.

and harping on about climate change. It's time to get out,

:26:37.:26:43.

it's time to get... It's almost 20 years

:26:44.:26:46.

since we won Eurovision, We need to hang out with Europe,

:26:47.:26:50.

share a coffee, The EU are getting honest

:26:51.:26:55.

British bangers to move aside Europe is holding us back,

:26:56.:27:01.

making us pay... ..vastly reasonable prices for

:27:02.:27:07.

all the much better goods

:27:08.:27:12.

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