Browse content similar to Lionel Shriver. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Time for a special programme, talking books with Lionel Shriver. | :00:00. | :00:31. | |
Hello and welcome to the Hay Festival. People will cover in this | :00:32. | :00:37. | |
beautiful spot in Wales to listen to the world's finest writers and | :00:38. | :00:41. | |
thinkers. They will also get a chance to listen in on the | :00:42. | :00:43. | |
conversations of people from the world of State and screen -- stage. | :00:44. | :00:49. | |
Music and literature. Let's introduce you to Lionel Shriver. | :00:50. | :00:54. | |
APPLAUSE Lionel has probably written a look | :00:55. | :01:10. | |
about it if you name a subject. Parents, are beta T, the more | :01:11. | :01:15. | |
controversial the better. -- obesity. In this book, we have | :01:16. | :01:19. | |
dystopian vision of America, the mightiest nation of the planet | :01:20. | :01:25. | |
brought down, brought low because its people, its government have not | :01:26. | :01:28. | |
been able to live within their needs and to manage their finances. In the | :01:29. | :01:33. | |
middle of all that, there is a family, the mandibles, they have | :01:34. | :01:35. | |
expected this family will be hand-me-down well. -- wealth. That | :01:36. | :01:44. | |
just disappears. Nothing goes to plan. One of the characters in the | :01:45. | :01:50. | |
book says that when we talk about a plot in the future, what we are | :01:51. | :01:54. | |
really referring to is what we fear most in the present. I wondered | :01:55. | :02:02. | |
whether this kind of chaos in America, this collapse in America, | :02:03. | :02:05. | |
is the kind of thing you are seriously frightened off now and is | :02:06. | :02:08. | |
that what Americans are frightened off now? I think it's something that | :02:09. | :02:17. | |
everyone should be worried about that has a currency that isn't | :02:18. | :02:24. | |
raised on anything, the gold standard currency in gold. There are | :02:25. | :02:32. | |
no more gold standard, all currencies are beyond currencies. | :02:33. | :02:40. | |
They are all ideas which we have to believe and with some frequency, the | :02:41. | :02:45. | |
ID collapses and people lose faith. -- the idea. Venezuela has an | :02:46. | :02:53. | |
inflation rate of 700%. Imagine what life is like in that country. I can | :02:54. | :03:00. | |
see what happens when you get that type of hyperinflation that do you | :03:01. | :03:05. | |
genuinely fear that this might be a possibility in America? The book is | :03:06. | :03:11. | |
set in 2029, not so far away, to you think that will happen? Do you think | :03:12. | :03:14. | |
that Americans genuinely fear that right now? A collapse? Americans | :03:15. | :03:21. | |
have a lot more to be worried about right now. LAUGHTER AND APPLAUSE. I | :03:22. | :03:33. | |
am interested in sovereign debt and in debt generally. Despite what we | :03:34. | :03:44. | |
should have learned in 2008, the world is more indebted than | :03:45. | :03:49. | |
everywhere. From the individual to the sovereign. If you look at that | :03:50. | :03:54. | |
level of indebtedness, once you cross a certain line, seriously, you | :03:55. | :03:58. | |
ever going to be paying money back? My question is, if you are dealing | :03:59. | :04:05. | |
with an enormous amount of money which is never going to be paid | :04:06. | :04:10. | |
back, is that money real? I'm afraid the answer has to be no, it isn't. | :04:11. | :04:15. | |
That means our entire international economy is based on fake money. | :04:16. | :04:24. | |
That's why I don't think that the plot of the Mandibles isn't so | :04:25. | :04:33. | |
far-fetched. He has to explain to his people what is going on and how | :04:34. | :04:36. | |
is going to deal with it, how the nation is going to deal with it. | :04:37. | :04:39. | |
Either the preamble if you like, if you could just read a short passage, | :04:40. | :04:42. | |
I thought that speech from the President, it pricked the bubble of | :04:43. | :04:48. | |
exceptionalism that sometimes we think have. Americans He is trying | :04:49. | :04:55. | |
to carry on as if America is still able to cope with it. This is early | :04:56. | :05:03. | |
on in the novel so I don't think it is too much of a spoiler. " Good | :05:04. | :05:08. | |
evening, fellow Americans. During the past week, our nation has once | :05:09. | :05:14. | |
again been under attack. No towering skyscrapers have tumbled. Instead, | :05:15. | :05:19. | |
what has been targeting -- targeted is the very medium with which we can | :05:20. | :05:25. | |
conduct commerce with one another. Our debts are repaid, our tables are | :05:26. | :05:29. | |
laid and our children are secured medicines for their ailments. What | :05:30. | :05:35. | |
is at risk is no less than the almighty dollar it self. World | :05:36. | :05:42. | |
leaders who resent the power, suppressed each and success of our | :05:43. | :05:45. | |
great nation have cobbled together the so-called bank or. An artificial | :05:46. | :05:53. | |
pretend currency with no history as legal tender. Make no mistake, the | :05:54. | :05:58. | |
bank or is no alternative to the dollar. It is meant to replace the | :05:59. | :06:06. | |
dollar. In a move every bit as threatening as raising a gun to our | :06:07. | :06:09. | |
heads, we have been in form that the raw materials on which we depend on | :06:10. | :06:14. | |
for our Leslie Cordes, must be traded. -- livelihood. The United | :06:15. | :06:23. | |
States Department of the Treasury has also been apprised that American | :06:24. | :06:28. | |
bonds held by foreign investors may henceforth be sold. It is a | :06:29. | :06:34. | |
challenge to our very sovereignty to our nation. It is the intention of | :06:35. | :06:40. | |
the conspiracy of foreign powers to yoke the government of this are lost | :06:41. | :06:44. | |
to a slant with an entire Law Ball and infeasible encumbrance from the | :06:45. | :06:51. | |
interest of its best. Debt. Debt was borrowed in good faith and under | :06:52. | :06:56. | |
anything but the most extraordinary circumstances, would have been | :06:57. | :07:01. | |
repaid in good faith but when it is returned with malice and betrayal, | :07:02. | :07:06. | |
continued good faith counts as only as credulity and weakness. What is | :07:07. | :07:12. | |
more, this great country will not so honour its obligations as to destroy | :07:13. | :07:16. | |
its very existence in the process. A nation conceived in liberty cannot | :07:17. | :07:21. | |
conduct its daily business on its knees. As of this evening, this | :07:22. | :07:27. | |
administration has declared a universal reset. In the interest of | :07:28. | :07:32. | |
preserving the very nation that would meet its obligations of the | :07:33. | :07:37. | |
future, we are compelled to put aside the obligations of the past. | :07:38. | :07:42. | |
All Treasury bills, notes and bonds are forthwith declared null and | :07:43. | :07:50. | |
void. Many of data has wept in gratitude for the mercy of a wiped | :07:51. | :07:54. | |
the slate. The right to a second chance. Which, for individuals and | :07:55. | :07:59. | |
corporations alike, all fair-minded judicial system is like our rain had | :08:00. | :08:05. | |
enshrined in law. Also, must government, be able to draw a line | :08:06. | :08:12. | |
and say he would begin afresh. -- here we begin. Our heights | :08:13. | :08:19. | |
gladdened, confident in the endurance of the greatest country on | :08:20. | :08:26. | |
earth, God bless you and God bless the United States of America." | :08:27. | :08:35. | |
APPLAUSE That was frighteningly credible. And it sounded like utter | :08:36. | :08:46. | |
rubbish. That is the gloss. Interestingly, by the way, he gives | :08:47. | :08:50. | |
a speech at first in Spanish and then it is translated into English. | :08:51. | :08:57. | |
Controversially, this first Hispanic and Mexican President. You think | :08:58. | :09:09. | |
that's incredible? LAUGHTER. Interesting. This event of the US | :09:10. | :09:21. | |
reneging on its debt sets off a sequence of financial dominoes | :09:22. | :09:27. | |
which, I believe, is fully credible. When you don't pay your debts back | :09:28. | :09:32. | |
then nobody wants to loan you money. That's just normal. But the US is | :09:33. | :09:41. | |
running a big deficit because of all the expenses of Medicare and Social | :09:42. | :09:47. | |
Security and therefore, in order to cover its deficit, it starts | :09:48. | :09:52. | |
printing money and therefore, the inflation rate starts going up. What | :09:53. | :09:57. | |
struck me powerfully and it's one of the things I learned from being a | :09:58. | :10:04. | |
foreign correspondence, the thing we call civilisation, you just take one | :10:05. | :10:10. | |
little prop away and the whole thing seems to fall apart. Once you go to | :10:11. | :10:17. | |
the grocery store and there is either no food or its unaffordable, | :10:18. | :10:20. | |
life falls apart. That's really all it takes. If you look at the history | :10:21. | :10:28. | |
of most dystopic novels, there are up almost always set in cities and | :10:29. | :10:34. | |
that is because cities are horribly and terrifyingly interdependent, | :10:35. | :10:39. | |
interrelated, everything has to work in order for it to work at all. | :10:40. | :10:45. | |
Pretty much everything. Once the system is by which we get fed, we | :10:46. | :10:50. | |
get water, we dispose of our sewerage, are disrupted, then yes, | :10:51. | :10:55. | |
people get desperate and it changes are that it changes the behaviour | :10:56. | :11:09. | |
radically. You mentioned Medicare which is what passes for welfare in | :11:10. | :11:12. | |
America, there are four generations in this family, the eldest Douglas, | :11:13. | :11:18. | |
they are all having to be looked after, if you like, at some point in | :11:19. | :11:23. | |
alliance by the State. There is an intergenerational conflict. -- | :11:24. | :11:32. | |
looked after by the state. Also the third and fourth generations who are | :11:33. | :11:36. | |
also in the book. The novel is definitely looking at the tension | :11:37. | :11:40. | |
between the division of resources between generations. Both my | :11:41. | :11:44. | |
parents' generation and my generation are looking to be taking | :11:45. | :11:47. | |
many more resources than we put in. Mostly because of longevity and the | :11:48. | :11:54. | |
cost of healthcare. What that means is that the generation behind me and | :11:55. | :11:59. | |
behind them, there is a double whammy problem because not only are | :12:00. | :12:12. | |
they going to get taxed up the whazoo in order to pay for my knee | :12:13. | :12:16. | |
replacements, they are also not going to come into the same state | :12:17. | :12:22. | |
care themselves. They won't get knee replacements. They will have to | :12:23. | :12:25. | |
raise the money themselves. This is an insider allusion to my own work. | :12:26. | :12:33. | |
In the future, you have nursing home shootings, not school shootings. | :12:34. | :12:41. | |
LAUGHTER. I love that. You obviously did a huge amount of research on the | :12:42. | :12:46. | |
way the financial system works and what it would take to bring down, as | :12:47. | :12:51. | |
you suggested. Some people have said too much of that ends up on the | :12:52. | :12:56. | |
page. Either you feel strongly that it has to be there. I wanted to tell | :12:57. | :13:01. | |
two different stories simultaneously. One of them is, in | :13:02. | :13:05. | |
the foreground, what happens to this particular family. I also wanted to | :13:06. | :13:11. | |
tell a credible future history of will the economy of the United | :13:12. | :13:16. | |
States. It was important to me that that makes sense. That the sequence | :13:17. | :13:24. | |
is credible and connected. It means that there is a certain amount of | :13:25. | :13:28. | |
economics in the mouths of Mike characters and I am sympathetic with | :13:29. | :13:34. | |
readers. I tried not to overdo it. -- my characters. I think if you put | :13:35. | :13:40. | |
information in dialogue it can enliven it with passion and with | :13:41. | :13:45. | |
purpose. In a way that if it is just a flat on the page you do not get. | :13:46. | :13:50. | |
These are people sitting around the dinner table. In my house, we talk | :13:51. | :13:58. | |
of this way all the time. It seems completely credible. I have advised | :13:59. | :14:01. | |
readers who get impatient, if that side of the book doesn't interest | :14:02. | :14:02. | |
you, skip it. We have a situation where America is | :14:03. | :14:13. | |
collapsing and people are trying to get out. There were quite like to go | :14:14. | :14:21. | |
to Mexico, I did use the Mexicans who are worried and put up a wall in | :14:22. | :14:26. | |
The Mandibles. Yes, in my book, and I did not get this from a certain | :14:27. | :14:29. | |
someone... LAUGHTER | :14:30. | :14:32. | |
You would have written this well before. Yes, there is an enormous | :14:33. | :14:40. | |
fence or wall put up between the United States and Mexico, but Mexico | :14:41. | :14:44. | |
not only pays for it but put it up. And it is to keep the Americans out. | :14:45. | :14:50. | |
LAUGHTER If we can digress a little bit from | :14:51. | :14:55. | |
the book, help us understand, and you alluded to it earlier, what is | :14:56. | :14:58. | |
going on at the moment? You have Donald Trump talking about building | :14:59. | :15:07. | |
this wall. He is now through as the Republican Party candidate and will | :15:08. | :15:09. | |
stand for president. Help us understand what is happening in | :15:10. | :15:14. | |
America that such a thing might happen? You know, I don't know. I'm | :15:15. | :15:19. | |
starting to feel I don't spend enough time there. I don't | :15:20. | :15:23. | |
understand this. If you were to write Donald Trump as a serious | :15:24. | :15:32. | |
nominee, as a character in a novel, he would not be persuasive. Nobody | :15:33. | :15:40. | |
would buy it. He is so broad that he is fictionally incredible. He would | :15:41. | :15:44. | |
never work on the page. Because of the books you have written, things | :15:45. | :15:55. | |
like We Need To Talk About Kevin, a lot of people are puzzled, what kind | :15:56. | :16:00. | |
of woman writes these books? I'm told in The Mandibles, there is a | :16:01. | :16:04. | |
character, a wonderful character, but it isn't anagram of your name. | :16:05. | :16:13. | |
-- it is. That is correct. I thought this is my 12th novel, and maybe I | :16:14. | :16:19. | |
can get away with things in my decrepitude I would not have dared | :16:20. | :16:23. | |
to do when I was young. So I did insert myself deliberately into this | :16:24. | :16:29. | |
book. Although, at an age when we are the worse for wear, and I had | :16:30. | :16:40. | |
originally brought in this character, and it is an anagram of | :16:41. | :16:43. | |
my name, and she is 73 when the book begins. She is a professional writer | :16:44. | :16:49. | |
or used to be, but she will not write from nothing. There is no | :16:50. | :16:55. | |
publishing industry any more. She is obnoxious, cantankerous, | :16:56. | :16:59. | |
opinionated, and tactless. LAUGHTER | :17:00. | :17:05. | |
Bell-mac the trouble was, I expected to use her just to take the Mickey | :17:06. | :17:12. | |
out of myself and people like me. She does constant calisthenics, | :17:13. | :17:15. | |
although her form starts to degenerate, so she does the star | :17:16. | :17:20. | |
jumps like this. Do you do exercise? Yes, I do. | :17:21. | :17:23. | |
LAUGHTER What you do? I do star jumps! | :17:24. | :17:28. | |
LAUGHTER APPLAUSE | :17:29. | :17:32. | |
I won't ask you to give us an example. | :17:33. | :17:38. | |
The funny thing is, as I wrote, I meant her to be a figure of fun | :17:39. | :17:43. | |
exclusively, but I became rather fond of her. I have to say, I don't | :17:44. | :17:51. | |
agree are giving anything away, you do become fond of her. There are two | :17:52. | :17:56. | |
characters who come out of this book, and you are very fond of them. | :17:57. | :18:01. | |
I mentioned Kevin, and I hope you don't mind that we need to talk | :18:02. | :18:09. | |
about Kevin, sorry about the pan. -- pun. This is a controversial issue | :18:10. | :18:15. | |
you have taken on, about parenting, any consequences of if you get it | :18:16. | :18:20. | |
right or wrong. The narrator in Kevin, some of you will have read | :18:21. | :18:25. | |
it, is either. She says somewhere where she talks about the outrageous | :18:26. | :18:29. | |
gamble of having a child -- Eva. What does that mean? I think she | :18:30. | :18:36. | |
says it is like leaving your front door unlocked. Anybody could walk | :18:37. | :18:45. | |
in. Most people think of that, including the uncertainty, as | :18:46. | :18:51. | |
something quite attractive. Yes, I admire parents who are willing to | :18:52. | :18:57. | |
take that gamble. My parents to that gamble, and look what happened. -- | :18:58. | :19:04. | |
took. But it does take an enormous leap of faith to get pregnant, | :19:05. | :19:09. | |
because my general view of humanity is that you certainly, while parents | :19:10. | :19:16. | |
have some control, we can at least agree they don't have absolute | :19:17. | :19:20. | |
control over how their kids turn out. There is a lot about children | :19:21. | :19:24. | |
that you just accept they turn out that way. Often, it is a lovely | :19:25. | :19:32. | |
surprise, and those parents are very fortunate. But especially since | :19:33. | :19:38. | |
publishing We Need To Talk About Kevin, I have spoken to many | :19:39. | :19:49. | |
parents, and it was very painful when it goes wrong. That book asks | :19:50. | :19:55. | |
the question, when it does go wrong, how much is it your fault? That is | :19:56. | :20:00. | |
one of the burdens of parenthood, never knowing how much you do | :20:01. | :20:06. | |
control. We don't just think about parenting as desirable here, haven't | :20:07. | :20:12. | |
we got to the stage where we think of it is a right? I have advocated | :20:13. | :20:17. | |
for a long time I think in order for the NHS to survive, state-sponsored | :20:18. | :20:27. | |
healthcare systems, they have to shrink their core purpose down to | :20:28. | :20:35. | |
the curing of disease and disability, but not the curing of | :20:36. | :20:40. | |
dissatisfaction, and that means errant is not a right. It is an | :20:41. | :20:44. | |
economic issue. Not because I hate children. -- parenthood is not a | :20:45. | :20:54. | |
right. What about this idea that actually being human is about being | :20:55. | :21:02. | |
able, wanting to end being able to, have children? I do think it is a | :21:03. | :21:09. | |
powerful human drive, which I seem to have been deprived of, and | :21:10. | :21:15. | |
unsympathetic with it. As a matter of fact, after I published Kevin, I | :21:16. | :21:21. | |
wrote an essay for the Guardian weekend magazine in which I put | :21:22. | :21:26. | |
forward a point of view that is completely counter to that book, | :21:27. | :21:32. | |
which is that if anything, people like me have become too selfish and | :21:33. | :21:37. | |
two oriented towards our own personal happiness, and under | :21:38. | :21:41. | |
appreciative of the importance of lineage, of our cultural and he | :21:42. | :21:50. | |
jetted inheritance. We are not interested in pursuing duty -- | :21:51. | :22:02. | |
patriotic inheritance. We have been become focused on our own personal | :22:03. | :22:05. | |
satisfaction, which often precludes children. I was advocating the | :22:06. | :22:12. | |
pursuit of an older and more storeyed sense of human meaning, | :22:13. | :22:15. | |
which is that we see ourselves as a part of these larger projects, and | :22:16. | :22:23. | |
we know that lots is come before us, and we hope much will come after us, | :22:24. | :22:27. | |
and we will do our part to him the button on. -- hand the baton on. It | :22:28. | :22:34. | |
is a large part of what means to be human, and it is an idea I have | :22:35. | :22:37. | |
personally failed. I don't have any children. But we have books. We do. | :22:38. | :22:44. | |
Ladies and judgement, Lionel Shriver. | :22:45. | :22:49. |