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Championship. The World Championship Snooker a medal for Great Britain at | :00:00. | :00:00. | |
the diving event in London. Now, it's time for The Film Review. | :00:00. | :00:16. | |
Hello and welcome The Film Review on BBC News. To take us through this | :00:17. | :00:22. | |
week's cinema releases is Mark Kermode. What do we have? A mixed | :00:23. | :00:26. | |
bag, I'm sure you know. We have Transcendence, the new movie | :00:27. | :00:29. | |
starring Johnny Depp, which is done, let us say, not so well in America. | :00:30. | :00:36. | |
We have Tracks, a recreation of an epic journey across the Australian | :00:37. | :00:40. | |
outback. One woman, four camels and a dog. We have The Other Woman, a | :00:41. | :00:46. | |
story about women turning the tables on the man who wronged them. You | :00:47. | :00:52. | |
said something about Transcendence there, not doing particularly well | :00:53. | :00:55. | |
in the United States. It has been loathed, hated and dumped on as the | :00:56. | :01:01. | |
worse nonblock bust are of the year? Comparisons have been made with | :01:02. | :01:08. | |
John Carter. The film is the debut from Wally Pfister, best`known as | :01:09. | :01:12. | |
Chris Nolan's sinning to per. It was based on a script, referred to as | :01:13. | :01:19. | |
the Black List, a very fated but as yet unproduced screenplays back in | :01:20. | :01:24. | |
2012. Johnny Depp is an artificial intelligence specialist, who is | :01:25. | :01:28. | |
enthusiastic about reaching the point when computers basically over | :01:29. | :01:32. | |
take mankind and can know and understand the world in a more | :01:33. | :01:36. | |
extraordinary way than mankind can. This of course causes many people to | :01:37. | :01:40. | |
think, you know, aren't you playing God? Isn't this all about a bit | :01:41. | :01:47. | |
dangerous? Here is a clip. These are state`of`the`art processors. You | :01:48. | :01:53. | |
won't find faster power anywhere else in the world. Good even, Dr | :01:54. | :02:01. | |
Tagger. He has seen old pictures of you. Good evening, Donald Buchanan. | :02:02. | :02:08. | |
It knows me? Of course it can. Social media. Tell Agent bow can an | :02:09. | :02:18. | |
about yourself? I'm a physically independent neural network invented | :02:19. | :02:24. | |
by Dr Will Caster. Can you prove that you are self`aware? That is a | :02:25. | :02:29. | |
difficult question, doctor. Can you prove that you are What happens very | :02:30. | :02:34. | |
early on, he is attacked by terrorists. The only way of | :02:35. | :02:37. | |
surviving is he has to upload his personality to a data bank and | :02:38. | :02:42. | |
become an electronic presence. Become somewhere between man and | :02:43. | :02:45. | |
machine. However, is the uploaded presence really him, or is the | :02:46. | :02:49. | |
entity for which his wife is now in love, actually something completely | :02:50. | :02:52. | |
different, something sinister something that really isn't the man | :02:53. | :02:56. | |
she married? The interesting thing with the film is, it has gone down | :02:57. | :03:01. | |
very badly in America. The box office has been poor. Bad reviews. | :03:02. | :03:05. | |
That looks like it will be repeated over here. Someone who is a fan of | :03:06. | :03:10. | |
Wally Pfister, as a cinematographer, he is really brilliant. I went into | :03:11. | :03:15. | |
this with high expectations. Generally, I liked it. I thought it | :03:16. | :03:19. | |
was... What it is. You are the only the man of the planet who liked it, | :03:20. | :03:23. | |
as far as I can see? I found a couple of others. It's throw back | :03:24. | :03:31. | |
1970s B picture. Wally Pfister pictures like Silent Running, big | :03:32. | :03:36. | |
idea films. The problem with the film at $100 million you make movies | :03:37. | :03:42. | |
that have lots of explosions in it. Chris Nolan when he made Inception | :03:43. | :03:49. | |
which Wally Pfister shot it was clever and intelligent. It's like an | :03:50. | :03:53. | |
extended episode of the Twilight Zone. What would happen if you | :03:54. | :03:57. | |
uploaded your personality to the computer and the computer had access | :03:58. | :04:02. | |
to the internet. It's low on crowd pleasing explosions. Johnny Depp is | :04:03. | :04:05. | |
billed at the star. Early on he is sidelined. He becomes a cyber | :04:06. | :04:10. | |
presence. The heavy liftside done by Paul Bettany, a brilliant actor and | :04:11. | :04:18. | |
Rebecca Hall. As you saw from that clip. It is a film, which unlike the | :04:19. | :04:25. | |
standard trend for scientific movies doesn't have an edit every | :04:26. | :04:30. | |
milliseconds. It wants to take its time. Some of the dialogue is | :04:31. | :04:35. | |
clunky, in a sort of Star Trek way. I thought it was a film with big | :04:36. | :04:39. | |
ambitions, dealing with an interesting idea in a populous | :04:40. | :04:43. | |
manner, I thought. I enjoyed it. I enjoyed all two hours of it. I'm | :04:44. | :04:47. | |
genuinely surprised by just how hostile the reviews have been. We | :04:48. | :04:51. | |
are in favour of diversity in this programme, as you know. Here is what | :04:52. | :04:56. | |
you need to do. Go and see it and find out... I will. Make up your own | :04:57. | :05:01. | |
mind. I will. Don't let it put you off. I won't. Now, Tracks. This is a | :05:02. | :05:15. | |
true story. Robin Davidson tracked to the West Coast, armed with four | :05:16. | :05:20. | |
camels, a dog, and a sponsorship deal with nation National | :05:21. | :05:23. | |
Geographic. In order to do it she had to be met at regular inter Vales | :05:24. | :05:30. | |
by a photographer. For a lot of the journey she was alone. Certain parts | :05:31. | :05:36. | |
of it she was joined by an elder. She is on her own. It is her, the | :05:37. | :05:42. | |
animals, out in the desert facing her own demons. They do a back story | :05:43. | :05:49. | |
about why she wants to be alone, her own personal issues. It doesn't over | :05:50. | :05:54. | |
do it. It's a dangerous journey. There are moments of peril... Her | :05:55. | :06:00. | |
survival is not quaranteed. The film doesn't feel the need to crank it up | :06:01. | :06:05. | |
and do silly stuff. It's pretty much as it happens. It proceeds at a | :06:06. | :06:11. | |
walking pace. Which is right. It looks beautiful. You believe Mia | :06:12. | :06:16. | |
Wasikowska is that character. I thought it's not sentimental. It's | :06:17. | :06:22. | |
not anything that tries to make this a jolly, sugary coated story. It's a | :06:23. | :06:26. | |
very interesting story about a woman, who for reasons of her own, | :06:27. | :06:29. | |
wants to be completely alone other than the company of these animals. | :06:30. | :06:35. | |
The camels are extraordinarily exsprensive creatures. Talking about | :06:36. | :06:43. | |
strong women, The Other Woman. If only we were Cameron Diaz and a | :06:44. | :06:48. | |
revenge movie. Leslie Mann is married to a guy and she discovers | :06:49. | :06:57. | |
he is having an affair with Cameron Diaz, they bond and get on and then | :06:58. | :07:03. | |
they find out he is having an affair with another woman. I don't hate you | :07:04. | :07:08. | |
at all. I got all of that out of my system with that woman. You can be | :07:09. | :07:14. | |
friends with your husband's mistress. It's a dream come true. | :07:15. | :07:19. | |
Her. She is working through some stuff. You smell amazing. What is | :07:20. | :07:25. | |
that? I think it's just sweat. That was remarkably funny. First Wife's | :07:26. | :07:39. | |
Club meets 9 to 5? Yes. Absent of the wit and one liners. It's one of | :07:40. | :07:46. | |
those films that says, what we are doing, sisters doing it for | :07:47. | :07:49. | |
themselves. They don't appear to be doing it for themselves or each | :07:50. | :07:53. | |
other or us. It's meant to be a comedy in which the nature of what | :07:54. | :07:58. | |
is happening on screen, lots of hysteria. You are thinking ` I bet | :07:59. | :08:04. | |
this was great fun to make. Why do I think that? It's boring to watch. | :08:05. | :08:08. | |
The more fun it was to make, the less fun everyone has watching you | :08:09. | :08:13. | |
do it. Comedy is a rigorously disciplined. This misses everything. | :08:14. | :08:18. | |
It doesn't... Challenge gender sterotypes. It repeats them, then | :08:19. | :08:22. | |
says, it's OK it's a story about women on top. Which it kind of | :08:23. | :08:27. | |
isn't. It's something which trots out the old cliches. There is the | :08:28. | :08:31. | |
brainy one, the one who is the housewife. If those sterotypes | :08:32. | :08:35. | |
appeared in any other movie you wouldn't give them the time of day. | :08:36. | :08:40. | |
Underlying it all, it's not funny enough. The laughing you did to that | :08:41. | :08:44. | |
clip, that is the most laughing that happened in the whole screening. I'm | :08:45. | :08:48. | |
leaning towards going to see Transcendence. Exactly. Actually. | :08:49. | :08:54. | |
Rebel Without a Cause, which I have seen on the telly, I have not seen | :08:55. | :09:01. | |
on the big screen. A reissue. You have to seek them out. They are | :09:02. | :09:05. | |
playing around the country, Google it. It's worth seeing on the big | :09:06. | :09:09. | |
screen. Rebel Without a Cause stands the test of time. I hadn't seen it | :09:10. | :09:14. | |
it on the big screen. You have seen it on the telly. It works. It is | :09:15. | :09:18. | |
powerful. A very different movie to the movie you imagine from the | :09:19. | :09:23. | |
posttest and the iconic imagery. James Dean really was a very, very | :09:24. | :09:27. | |
talented, very promising actor. A lot of people dismiss him because | :09:28. | :09:31. | |
there were three films. It's worth seeing. It reminds people, given it | :09:32. | :09:36. | |
was in the 1950s, it reminds people that teenagers behaving badly, the | :09:37. | :09:41. | |
problem with young people is not an entirely new phenomenon. No. It's | :09:42. | :09:45. | |
about the story of a bad kid from a good home. I still think all those | :09:46. | :09:51. | |
things still chime true. The performances arer terrific and it | :09:52. | :09:58. | |
looks good. Your DVD choice That Sinking Feeling. It was . It's about | :09:59. | :10:10. | |
a group of kids in Glasgow who solve their financial problems by stealing | :10:11. | :10:18. | |
sinks. It's funny, really smart. It went into the Guinness Book of | :10:19. | :10:21. | |
Records as officially the cheapest feature film ever thee at Raically | :10:22. | :10:26. | |
released in the UK. It stands up to this day. All the things you love | :10:27. | :10:31. | |
about Bill Forsyth are there in That Sinking Feeling. That is | :10:32. | :10:33. | |
interesting. It bears out you talked about the theory about comedy. The | :10:34. | :10:37. | |
cheaper the film, the more they have to work on the script. Therefore, | :10:38. | :10:42. | |
actually the better it is. It I ma be the case that with Transcendence, | :10:43. | :10:47. | |
that $100 million is too much money for that movie. Had they had the | :10:48. | :10:54. | |
restrictions of Under the Skin it might have worked out in a more | :10:55. | :10:59. | |
popular way. Cheap and cheerful. Thank you very much, Mark. A quick | :11:00. | :11:04. | |
reminder before we go that you'll find more film news and reviews from | :11:05. | :11:13. | |
Mark on his BBC blog Kermode Uncut. , that's at bbc.co.uk/markkermode. | :11:14. | :11:19. | |
Thank you for watching. Goodbye. Good evening. A lot of cloud in the | :11:20. | :11:23. | |
forecast today. A lot of rain as well. Some of that rain still | :11:24. | :11:27. | |
continuing. The best of any brighter weather today has been across parts | :11:28. | :11:31. | |
of Northern Ireland, South West Wales and south`west England. | :11:32. | :11:34. | |
Generally speaking, it has been a grey, dismal day. Some of the rain | :11:35. | :11:38. | |
persistent as it pushed further north and west. Brief respite before | :11:39. | :11:44. | |
heavier pulses returned again across parts of Hampshire | :11:45. | :11:46. |