Browse content similar to Bridget Jones's Baby, The Clan and Hunt for the Wilderpeople. Check below for episodes and series from the same categories and more!
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him seventh fastest. Nico Rosberg sets the pace in second practice. | :00:00. | :00:00. | |
All that and much more at 6:30pm. Now it is time for the Film Review. | :00:00. | :00:19. | |
Hello and welcome to The Film Review on BBC News. | :00:20. | :00:22. | |
To take us through this week's cinema releases is Mark Kermode. | :00:23. | :00:25. | |
Well, as I'm sure you must have noticed, there is a new Bridget | :00:26. | :00:37. | |
Jones movie, Bridget Jones's baby. Very different, we have The Clan, an | :00:38. | :00:42. | |
Argentinian crime thriller. And something very unusual, Hunt For The | :00:43. | :00:49. | |
Wilderpeople from New Zealand. Bridget Jones won, I liked, Bridget | :00:50. | :00:55. | |
Jones two, no. How is Bridget Jones three? It is somewhere in the | :00:56. | :00:59. | |
middle. Bridget Jones is back older but not necessarily wiser. We start | :01:00. | :01:07. | |
with her 43rd birthday and we wonder how she gets here again? Then fate | :01:08. | :01:13. | |
throws not one but two men in her path. One is Colin Firth's Mark | :01:14. | :01:19. | |
Darcy for whom she still holds a flame but then Patrick Dempsey's | :01:20. | :01:22. | |
online dating magnate who she meets at a muddy festival and she spends | :01:23. | :01:33. | |
the night in a glamping yurt. Then, it is not a plot spoiler because it | :01:34. | :01:36. | |
is the title, she finds out she's pregnant that is not sure which of | :01:37. | :01:41. | |
the two is the father. Here is the clip. You are single, | :01:42. | :01:49. | |
right? I suppose so. How did you two meet? | :01:50. | :01:58. | |
LAUGHTER It is sort of a funny story, sort | :01:59. | :02:06. | |
of! You see, a few months ago, on the fourth of the month I met Jack | :02:07. | :02:12. | |
at a music festival. Right. And we got on very well. And sort of, had, | :02:13. | :02:18. | |
relations. And the next thing, that is to say on the 11th of the month, | :02:19. | :02:25. | |
at Jude's baby's christening, to be precise, following the consumption | :02:26. | :02:29. | |
of a lot of alcohol, Mark and I had similar relations. And this is the | :02:30. | :02:34. | |
funny part. Owing to these relations, the resulting life form | :02:35. | :02:38. | |
currently residing in my tummy could in fact be either of yours. | :02:39. | :02:47. | |
I love the Italian waiter. You laughed three times in that clip! Is | :02:48. | :02:53. | |
a comedy makes you laugh six times it counts as a comedy so that easily | :02:54. | :02:57. | |
passed. The screenplay is co-written by Emma Thomson who has given | :02:58. | :03:00. | |
herself the best lines. Every time she is on screen it is relief funny | :03:01. | :03:05. | |
and almost every line she delivers is funny. Elsewhere, it is not so | :03:06. | :03:10. | |
even. It is very broad comedy, some gags work and some don't. Some are | :03:11. | :03:16. | |
past their tell by date. There is a routine about the gangland style | :03:17. | :03:23. | |
dance and a joke about cats which look like Hitler. That goes back to | :03:24. | :03:28. | |
the birth of the Internet. There is a funny scene with a revolving door. | :03:29. | :03:32. | |
And there is a huge amount of goodwill towards this character. | :03:33. | :03:37. | |
People do want this character, they root for the character of Bridget | :03:38. | :03:42. | |
Jones. Colin Firth looks spectacularly anguished in that | :03:43. | :03:45. | |
quite British way that he does or through the film. It is not great, | :03:46. | :03:50. | |
it is uneven. Every minute Emma Thompson is on screen, it is | :03:51. | :03:54. | |
terrific and for the rest of it, it is good enough. It is quite a relief | :03:55. | :03:59. | |
that it is not two posh British Loucks fighting for her, there is a | :04:00. | :04:06. | |
token American? Yes but there are is nothing you have not seen before. -- | :04:07. | :04:12. | |
British blokes. It is a bit like meeting an old friend. Sometimes it | :04:13. | :04:18. | |
is awkward and sometimes it is different. But McDonald's has the | :04:19. | :04:23. | |
same hamburger every day. I am not sure you want to liken this to a | :04:24. | :04:29. | |
fast food chain! I just threw my pen across the table! Shall we move onto | :04:30. | :04:36. | |
The Clan? The story, which is rooted in reality is about the Puccio | :04:37. | :04:46. | |
family. This family hides this hideous kidnapping and murder. | :04:47. | :04:50. | |
Essentially, what the film does is counter pose scenes of Thomas the | :04:51. | :04:54. | |
city with scenes of really grim and grisly violence. -- domesticity. | :04:55. | :05:04. | |
This is done by the director using upbeat pop music counter exposed | :05:05. | :05:16. | |
with scenes of grim violence. There is the sense that this microcosm | :05:17. | :05:23. | |
represents something much larger and more sleeping corruption. And there | :05:24. | :05:29. | |
is an absolutely terrific performance by the lead actor who is | :05:30. | :05:42. | |
the white-haired steely eyed father, played by Guillermo Francella. He | :05:43. | :05:45. | |
keeps saying I am doing this for you. It is genuinely uncomfortable | :05:46. | :05:51. | |
viewing as it is meant to be but razor sharp stylistically. It is one | :05:52. | :05:54. | |
of those films you never relax into the Cusiter such -- you never relax | :05:55. | :06:02. | |
into because it is such a hard-hitting story. In those | :06:03. | :06:08. | |
Argentinian films the government is generally the bad guy in the | :06:09. | :06:12. | |
background. It is absolutely background noise all the way | :06:13. | :06:17. | |
through. The television and radio is on. It is rooted very clearly in its | :06:18. | :06:22. | |
time period. All the time you get the sense you are watching a small | :06:23. | :06:27. | |
version of something which is much wider. There is one section when a | :06:28. | :06:32. | |
colleague says the faces of the boss has changed but give it a while and | :06:33. | :06:36. | |
everything will go back to normal, and normal means quite terrible. | :06:37. | :06:41. | |
There are moments which are genuinely bone chilling. Now the | :06:42. | :06:54. | |
Hunt For The Wilderpeople. You said wilder people. I thought it was | :06:55. | :06:57. | |
wilder people but it is more like wildebeest. It is a hit which | :06:58. | :07:04. | |
deserves to do well in cinemas here. It is the story of a young orphan, | :07:05. | :07:11. | |
Ricky, played by Julian Denison who is sent to live on a rural farm with | :07:12. | :07:15. | |
foster parents a lap and uncle Ted. Here a clip which gives you a taste | :07:16. | :07:23. | |
of the tone of the film -- aren't a la and uncle Ted. I will need to | :07:24. | :07:27. | |
inspect your property to make sure it is up to our high standard. Fine. | :07:28. | :07:36. | |
What do you think? Yes, cool. We will come in in eight weeks or so | :07:37. | :07:43. | |
just to check on... Who is that Crocodile Dundee Guy? That is my | :07:44. | :07:51. | |
husband Hector. He is giving the pig at AD back. I see he has a rifle. | :07:52. | :07:59. | |
Just keep it away from this little guy. Who knows what he is capable | :08:00. | :08:06. | |
of? So he is all yours. No returns! Just joking! You have got my number | :08:07. | :08:12. | |
so give me a call. Goodbye, Ricky. Goodbye, Ricky. | :08:13. | :08:20. | |
I laughed six times! It is more consistently funny than Bridget | :08:21. | :08:23. | |
Jones but it is also more consistently poignant. What happens | :08:24. | :08:30. | |
is the young boy and Hec played by Sam Neill who you saw coming out of | :08:31. | :08:35. | |
the wilderness, they go into the wilderness tomorrow. The film is | :08:36. | :08:40. | |
about their relationship and the way they bicker and bond. It is really | :08:41. | :08:45. | |
poignant and really moving. It is often funny but in that strange | :08:46. | :08:51. | |
off-kilter, something is to do with the timing. It has a wonderful | :08:52. | :08:56. | |
rhythm to it. The scenery is fantastic but the film focuses in on | :08:57. | :09:00. | |
the central relationships with the characters. It does that thing you | :09:01. | :09:05. | |
want all movies to do, you end up caring about them. You end up caring | :09:06. | :09:09. | |
what happens and wanting things to work out for them. I saw this with a | :09:10. | :09:16. | |
bunch of different people and young and old alike all really enjoyed it. | :09:17. | :09:20. | |
They all got something out of it. Is it a bit like the animation Up? A | :09:21. | :09:26. | |
grumpy, overweight guy and a young kid, they should not get on but they | :09:27. | :09:33. | |
do. Until you mentioned that, that had not occurred to me but now I | :09:34. | :09:37. | |
will not be able to get it out of my head! What I will say is go and see | :09:38. | :09:40. | |
it, it is really terrific and really different. It is quite a good week. | :09:41. | :09:47. | |
Your Best of the week? Captain Fantastic. It is about a family | :09:48. | :09:53. | |
living in the forest. Is he the best father in the world or the worst | :09:54. | :09:58. | |
father in the world? They have to go into civilisation for a funeral. It | :09:59. | :10:04. | |
is terrific performances by the entire ensemble, particularly George | :10:05. | :10:08. | |
Mackay who continues to be one of our brightest rising stars and a | :10:09. | :10:12. | |
great central performance by the go Mortenson. And Green Room is your | :10:13. | :10:22. | |
recommendation? This is out on DVD. This is a story about a punk band | :10:23. | :10:28. | |
who end up playing in a rural road house which turns out to be full of | :10:29. | :10:33. | |
neo-Nazis led by Patrick Stewart. They then get trapped in the Green | :10:34. | :10:37. | |
Room after something terrifying happens. It is a really stripped | :10:38. | :10:53. | |
down siege/ stroke movie. It has really great performances. I did not | :10:54. | :10:59. | |
know which way it was going. It was a bit like Assault on Precinct 13, | :11:00. | :11:08. | |
meets River's Edge, via Deliverance. Any of those films I would go and | :11:09. | :11:15. | |
see. Probably starting with Hunter the wilder people. That really | :11:16. | :11:21. | |
deserves your patronage. Mark, thank you. -- Hunt For The Wilderpeople. | :11:22. | :11:25. | |
A quick reminder before we go that you'll find more film news | :11:26. | :11:28. | |
and reviews from across the BBC online - That's at | :11:29. | :11:31. | |
bbc.co.uk/markkermode, and you can watch our previous | :11:32. | :11:33. |