03/10/2016 The One Show


03/10/2016

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Transcript


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We've got a stellar line-up tonight, as usual.

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because we have a question, don't we, from a member

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because we have a question, don't your name, where are you from? Laura

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being on the sofa? Funny you your name, where are you from? Laura

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big deal about discos, the your name, where are you from? Laura

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a big deal. your name, where are you from? Laura

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lot longer to go. I hear you. LAUGHTER

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I get LAUGHTER

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remember it was exciting being on telly. You look

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remember it was exciting being on Brothers. How did you end up in the

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studio? My Brothers. How did you end up in the

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worked at live and kicking, who represented

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worked at live and kicking, who questions and if your question was

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good questions and if your question was

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question two weeks later to Andrew questions and if your question was

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don't have to change the questions. Who

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don't have to change the questions. corpse with wind issues. Which we'll

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get corpse with wind issues. Which we'll

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how you would feel if you corpse with wind issues. Which we'll

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and not biological parents at corpse with wind issues. Which we'll

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Suzi Mann from the BBC Asian network. Good afternoon

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BBC... Three years ago I adopted my brother's son when he

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BBC... Three years ago I adopted my about him when he was ten months

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old. Prior to this about him when he was ten months

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son. Instinctively, I think way before meeting

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son. Instinctively, I think way like to do. I don't think he fully

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understands I'm like to do. I don't think he fully

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him that I didn't give birth to you, so

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him that I didn't give birth to you, that's where he was born.

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him that I didn't give birth to you, quite young. Then I moved

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him that I didn't give birth to you, simplifies everything for him.

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him that I didn't give birth to you, when she was five months old. Take

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me back when she was five months old. Take

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adopted. I was 17, it was my surrogate

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adopted. I was 17, it was my moments before the celebrations

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began. constantly being sick. I was taken

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aside by the Deputy teacher, constantly being sick. I was taken

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losing weight drastically. I said, I'm

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losing weight drastically. I said, found out you were adopted? I'd

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losing weight drastically. I said, heartache, there would be no

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imagine one day finding out that the two people I call

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imagine one day finding out that the think it would probably collapse the

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world around me. Not think it would probably collapse the

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hotel owner in the UK. I was born think it would probably collapse the

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bored because I was born My uncle and Andy adopted me. It was

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only at My uncle and Andy adopted me. It was

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away with anything. And here I was, my mum

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away with anything. And here I was, hate my Mum, I'm not allowed to do

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things. If I hate my Mum, I'm not allowed to do

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house. Because of going through the pain in

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house. Because of going through the having love from two mums and two

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dads, and highlight the difficulties of

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interfamily adoption, especially if highlight the difficulties of

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complex in the future, I'm so son. I remember it was one morning

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he was son. I remember it was one morning

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that moment. -- he son. I remember it was one morning

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and this is my son. morning exploring the topic further.

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A lot of morning exploring the topic further.

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to know how common it actually is? Indeed

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quantify it would be very difficult. So a lot of

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quantify it would be very difficult. quite common in the 70s and 80s. At

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family knowing that this child is adopted, now they are

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of those circumstances, was there a common thread

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of those circumstances, was there a why they were

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of those circumstances, was there a almost like passing

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of those circumstances, was there a achieve with the documentary going

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out tomorrow? achieve with the documentary going

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will resonate. The whole idea of Asian network

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will resonate. The whole idea of were discussing adoption and plucked

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will resonate. The whole idea of through e-mail from his brother

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will resonate. The whole idea of he's still coming to terms with it.

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Going back to the he's still coming to terms with it.

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kind of closure. We really hope. These

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kind of closure. We really hope. important. You discuss it at length

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in this documentary important. You discuss it at length

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Tomorrow morning at 11am. Daniel, we don't want to

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Tomorrow morning at 11am. Daniel, we is about Harry Potter if it's all

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right. Cast friend Hermione. Yes. Now we're

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going to friend Hermione. Yes. Now we're

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It does look like Emma Watson. friend Hermione. Yes. Now we're

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look like me necessarily. The films are

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look like me necessarily. The films vision of the world Daniel knows

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look like me necessarily. The films named Jim with an extraordinary

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talent named Jim with an extraordinary

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day a single phone call turned his life upside down. Jim Kay has been

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asked to reimagine a magical world, but not just any world, it's the

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world of Harry Potter. Thanks to the films we are all familiar with the

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look of JK Rowling's most famous creation. But for the past two years

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Jim has been reinventing the world of Harry Potter from scratch for a

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brand-new illustrated series of books. I hadn't done many children's

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books and the ones I had done work quite dark so I did a book called

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the monster calls, which was very dark, mostly black and white. I

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hadn't really drawn children before. So it was huge pressure. The first

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six months I didn't sleep well at all. I was thinking too much about

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what other people would think. The thing children have is that when

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they draw fantasy they just do it instinctively. When you're an adult

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you are second-guessing. There is a big sign above my door that says

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it's fantasy stupid. When I was drawing Hogwarts, it's not supposed

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to look like it stands up, it's supposed to be held up by magic. You

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have to try and remember what it was like as a child to just let your

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imagination run free. To help Jim visualise the inhabitants of this

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magical world, he bases the book's characters are real people,

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including its star, Harry Potter. My character for Harry I spotted on the

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train. He was just, he had something, I thought, I'd love to

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draw that, just striking, big eyes, unusual. So Lavinia rolled clay

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Caldwell became Harry. I'm reuniting them along with his mum, Alison, and

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adding a touch of magic. Lots of cake. You don't have to read it all,

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don't worry. How does it feel knowing you are the boy who has

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inspired how Harry Potter will look up quite a big deal, isn't it? Well,

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yeah, when I found out I went a bit crazy. Eventually when I was allowed

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to tell my friends none of them believe me, even when I showed

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pictures of it. They thought it was a bit bizarre really. It must be

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surreal to have Jim, up to you. Very surreal, somebody you don't know

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begins to talk to you. Very quickly. I knew I had two stops to chat to

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his mum and say, I'm an illustrator. I couldn't say what it was, all

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secret, would you be able to help me out on the project? How did the

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relationship developed for you to get what you need it? We meet, don't

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we, at once, twice a year? Around that. I ask if your model for me.

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That is his mum being a demented, strangling Clay. This is acting,

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Alison. Clay and his mum have never been to Jim's studio, so the one

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show has arranged for an exclusive preview of the next book in the

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series. Harry Potter and the chamber of secrets. You'll be the first

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person to see it. The detail is just... Incredible. That's .be.

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I was on the chair. Chair for a broomstick. Does it make you feel

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proud? Immensely proud, they are stunning pictures, stunning. It's

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something we'll keep and treasure. It can't be easy trying to reimagine

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a subject that has been so embedded in the public mind. But in his own

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unique style Jim Kay has managed to create the world of Harry Potter in

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a way that is both fitting and incredibly distinctive. For Potter

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fans like me it means there is a whole new world to explore. Let me

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get this right... Evanesco! Bewildered Harry Potter goes on and

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on. Let's talk about this new novel you've written, Graham. A novel,

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yes. APPLAUSE Why not? We were talking about

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adoption earlier on. Can I say, I feel that applause is justified. I

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wish you'd been in my office when I was typing "At end". Was it a real

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task is to mark honestly I loved doing it, I didn't know whether I

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would. I've always said I wanted to write a novel. I got to the age I

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thought, I need to stop talking and do it. I did worry, have I given

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myself the longest, harder stonework in the world? But, in fact, I loved

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it, I loved spending time in the location, it's set in Ireland, I

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loved spending time with the characters. And also it's not

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collaborative, there's no talking to people about what we're going to do.

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No, I'll tell you what's happening. I don't think I would like that all

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the time, but it was a break from my other jobs. It was a surprise,

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though, because this was very different from what you have done

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before. I think a lot of people would not imagine Graham Norton

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writing about this plot. Give us a flavour of the story. I always

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thought I would write a kind of urban, urbane, quite cynical and

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funny novel. In fact, what I have written is a sort of bittersweet

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romance, with a tone of melancholy. Quite traditional. Very traditional.

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There are some laughs along the way, and ultimately it is quite

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optimistic. But there is an air of sadness through it. Where did that

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come from? They say you should write about what you know, but I didn't

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want to be in this book. So there are no gay characters. It is not set

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in London and it is not about the media. My life is so peculiar that

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by the time I got back to something people could relate to that I knew,

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I was back in Ireland in the late 70s. That was the last time I had a

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life like that. That was why I ended up setting it there. And rural

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Ireland, every 100 yards, you pass a house and there is an extraordinary

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story associated with the people who live there. And Irish people love

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telling ghost stories. And they are not about people we love -- people

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love telling those stories. They are not about people you know, but you

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store them away and collect them. So lots of things that happen in this

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book are versions of stories I knew growing up. Without giving it away,

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the end is left open so that you could do a sequel with the main

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character. Did you enjoy the process enough to do a sequel? I enjoyed it

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enough to write another book. For me, that was just the end of the

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book. It was only afterwards that people said, is there going to be

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another? And that had not struck me. So I don't know. But if the people

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demand it... I will step up. What would you do next time to make it

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easier for yourself, or do differently? I just loved doing it.

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I would probably try and take more time off, rather than trying to

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squeeze it in. But of course, when you are busy, you get stuff done. I

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thought I would write this book at my holiday home in Ireland. No. I

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was just drunk leaning against a wall that. I got it written in

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London, where I am working. So I would have to be off and think,

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today is a book day. And I would look forward to doing that. Unlike

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an autobiography, you are competing with the big boys. You have had some

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good reviews, so we look forward to the next one. Thank you. It is a

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gentle crime story, but I hope people enjoy it. It is out on

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Thursday, and you can see Graham Norton in Graham Norton's show. We

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will give you a plug while you are here. On iPlayer, you can see the

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two of us together. Who are your guests? Now you're asking. Danny

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DeVito, John Bishop, Miranda Hart, Ewan McGregor and somebody else. Sam

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Neill. And Amber Riley singing. Time to get serious. If you believe the

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weather forecasters, this week could be your last chance before winter to

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get out and paint your garden fence. That is part of my weekend job list!

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Honestly. I have a shed to do and a climbing frame. An insight into

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Matt's world. Dom is on hand with some time-saving tips.

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Old fence panels. To find out if these products are better than a

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humble print, I have come to the royal botanic gardens in Edinburgh

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to meet defence expert Neil Baxter. Fences and sheds have to be

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preserved. Give me your opinion on these fence sprayers. The joy of

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them is that you get out, get the job done and you can sit down with a

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gin and tonic. I feel a One Show test coming on. We will be running

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the rule over paint sprayer is. The market leaders against two own

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brands from Wickes and B and Q. I'm not getting my mitts dirty, I have

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enlisted the help of some local professionals. Yes, a team of fake

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tan spraying beauticians from Edinburgh College. You are obviously

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used to getting deliberately giving punters a bronze once over. Before

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the team get to work, they will have to get to know how to use their new

:21:38.:21:41.

tools, which Irena seems to be struggling with. She has got the

:21:42.:21:51.

cheapest sprayer from B's Diall range. Megan is ready to go with the

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second most expensive sprayer from Cuprinol. While is getting more

:21:58.:22:04.

paint on the floor than in our most expensive gadget, the precision

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finish from Ronseal. And she has not even start this spring the fence

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yet. And Natalie are taking it all in her stride, as she will be

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keeping it simple with a paintbrush. Don't know what the big deal is. It

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has taken them 40 minutes just to load up with paint. Fake tanners,

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are you ready? US! Go! And they are off. Is this how you do your

:22:32.:22:37.

tanning? No. All four sprayers need pressure to get the paint from the

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pot to the fence, and Jenna is struggling with the settings. What

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is going on here? You are obviously on the wrong setting, because it is

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dribbling out. But not everyone is having paint problems. You are

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steaming ahead. And what about Natalie and her paintbrush? The

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least amount of preparation and the hardest amount of work. Just five

:23:01.:23:07.

minutes gone, and Emma, with the Ronseal sprayer, is finished. It was

:23:08.:23:15.

really easy to use. Megan is second with the two blaster. But it is

:23:16.:23:20.

tougher going for Jenna and the Wickes one can sprayer. It looks

:23:21.:23:25.

like melted chocolate. And I read finishes fourth with B's own

:23:26.:23:32.

brand. Look at the state of that! Looks like you have plastered it,

:23:33.:23:36.

not painted it. And as we approach the half-hour mark, lagging behind

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his Natalie with her paintbrush. But with one final stroke, she is done,

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and our five fence panels are covered. But look at these clogged

:23:45.:23:50.

nozzles. They have been bunged up by the wax and the paint. I know from

:23:51.:23:54.

experience with those sprayers that when you have finished with them,

:23:55.:23:57.

you have got to clean up the pipes, the nozzles, the tubes, basically

:23:58.:24:01.

the whole shebang. And that is another 20 minutes of work. In

:24:02.:24:05.

today's challenge, the quickest sprayer with the least splatter was

:24:06.:24:09.

the Ronseal precision finish, our most expensive gadget. But good luck

:24:10.:24:16.

cleaning that up. So with your shed and climbing frame in mind, are you

:24:17.:24:20.

going to do a paintbrush or are you going to buy a sprayer? 100%

:24:21.:24:29.

paintbrush. I am old school. And your new film is called Swiss Army

:24:30.:24:33.

Man. That's the best Segway I have heard! So this to us. It is quite a

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roll. I am intrigued to find out how they got you to do the movie.

:24:43.:24:46.

Everyone thinks I need to be convinced. I really didn't. It was

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an amazing script. Yes, a very weird script, but I have read lots of

:24:53.:24:56.

weird terrible scripts, and this was a great weird script. I basically

:24:57.:25:00.

play a magical dead body who starts, after a few minutes of the film,

:25:01.:25:04.

starts coming back to life, and he is discovered by Paul Dano's

:25:05.:25:08.

character, who is a hopeless lost soul wandering on a beach. And he

:25:09.:25:13.

finds my character and they go on a magical journey together. It sounds

:25:14.:25:18.

weird, but it is actually a beautiful story about two human

:25:19.:25:23.

beings, although one is quite dead. A small detail. Your special. -Ness,

:25:24.:25:36.

and that is why I need you to help me. Back in civilisation, there are

:25:37.:25:41.

7 billion other living people on the planet, just running around and

:25:42.:25:44.

blinking and breathing and eating, and you used to be one of them. You

:25:45.:25:49.

were probably just looking for happiness. This is what you look

:25:50.:25:53.

like when you're happy. We will look for someone to make you happy, a

:25:54.:25:58.

friend, a girlfriend or dog. Good boy. Sometimes, you might be lucky

:25:59.:26:01.

enough to bump into the one person you want to spend the rest of your

:26:02.:26:14.

life with, and that is love. You take a lot away from it afterwards,

:26:15.:26:18.

because teaching you about life and what is important. And it is a movie

:26:19.:26:24.

that is about joy. There are these two odd characters, but he is

:26:25.:26:27.

reminding this dead body of why life worth living, and in the pro-sex

:26:28.:26:31.

exploring the things that make us happy. It is a brilliant performance

:26:32.:26:36.

from both yourself and Paul Dano. To give him credit, he has to hump you

:26:37.:26:43.

around for the entire film. He said he has never been stronger than when

:26:44.:26:47.

he finished this film. I am not a particularly heavy person, but I am

:26:48.:26:52.

the weight of a human being and he was lucky me around. That was a line

:26:53.:26:56.

he improvised halfway through the film. There is a moment in the film

:26:57.:27:02.

where I am not supposed to be moving it, and you can see me slightly

:27:03.:27:06.

moved my head to avoid him seeing me laugh. It was a bit that was not in

:27:07.:27:19.

the script. Well, coaxing. Yes! A lot of things happen that are very

:27:20.:27:24.

amusing, and yet you can't even blink. No. I got very good at not

:27:25.:27:29.

blinking. There is also a fear because Paul is giving his amazing

:27:30.:27:33.

performance and I am just lying there, there is a sense of, if I

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even move a tiny bit, I have ruined his whole scene. So that fear kept

:27:38.:27:42.

you very still. In all seriousness, you do say this is the film you are

:27:43.:27:46.

most proud of, particularly one scene where you are on the bus. Yes,

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it is hard to explain, as the whole film is. But this scene, if I had to

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let go of every other scene I have ever been in, this is the most

:27:59.:28:01.

beautiful scene I have ever been part of. It is about five minutes

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long. And he is teaching me about music and singing and excitement.

:28:05.:28:11.

Paul's character is talking about life back home, and it is an

:28:12.:28:15.

extraordinary moment. And we get to sing on the soundtrack as well. Me

:28:16.:28:20.

and Paul provide a lot of the soundtrack. The soundtrack is

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amazing. It is us and Andy Hull from the band Manchester Orchestra. The

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bits that are impressive were not me. That is it for tonight. Thank

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you to our guests, Daniel Radcliffe and Graham Norton. Daniel's film

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Swiss Army Man is in cinemas now and Graham Norton's novel Holding is out

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on Thursday. Tomorrow, straight from the Starship Enterprise, we will be

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joined by Star Trek's Mr Sulu himself, George Takei. Good night,

:28:55.:28:55.

everybody.

:28:56.:28:58.

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