20/06/2016 The One Show


20/06/2016

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Hello and welcome to a rare glimpse of The One Show with Matt Baker.

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referendum coverage we've found it hard to get a look in recently.

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Awkward because when Dave opened up this morning he found one

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of the world's leading a capella groups outside.

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They'd flown in specially but the schedulers wouldn't be moved.

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Then we told them someone had brought in an amazing machine that

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But when we explained who was hammering at the door

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demanding to sit on the sofa tonight they finally they gave in.

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And great line-up to. This machine that makes breakfast. Do not call it

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today Teasmade, what ever you do. -- do not call it a Teasmade, whatever

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you do. Not that there's anything wrong with

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a Teasmade. If you could invent an all in one

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machine what would it do? Maybe a robot butler. They could

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maybe get a machine that would dress you. Could they do that? We will

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ask. This morning I went to interview

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Britain's greatest ever She was the first British female

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gymnast to win European, World and Olympic medals and in 2010

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she was given an MBE. But earlier this year her life

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was turned upside down after agreeing to take part

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in a celebrity TV challenge show. It involved a ski jump. For Beth

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Tweddle it all started at the age of seven. In a career that spanned 13

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years, Beth won numerous titles. She was world champion three times and

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after winning her Olympic medal she retired as the most successful

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British gymnast in the history of the sport. Then, on the 7th of

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February this year, tragedy struck. The Olympic gymnast Beth Tweddle has

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had surgery on two fractured vertebrae in her neck. The gymnast

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to won bronze in the London 2012 Olympics crashed into a barrier. Her

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parents say early indications have been positive. She has been able to

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move her hands and feet. Five months on and I am meeting up with Beth to

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find out how her recovery is going. Beth, how you doing? Good, thanks.

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Come and have a seat over here. Let's go back to the start. What was

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it about The Jump that made you want to do it in the first place? For me,

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it was another way to try new challenges. I was learning from some

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of the best coaches in the world. Read you think about the possibility

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of getting injured? I think you always think about that. -- did you

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think. There is always a risk. What happened with that jump? The short

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is, I did a jump, and I collided with a barrier. I fractured and

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dislocated my neck. They took a small piece of bone from my hip, put

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it between the two vertebrae, and I have a bolt and four screws in there

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now and it is fusing back together. You have coped with a lot of

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physical injury in your time, but this is a very different thing for

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you all stop for me, it is still quite a hard thing to talk about. --

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different thing for you. That is why I am using a sports psychologist.

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That is why I am processing the details. Your family have always

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been by your side throughout your gymnastics career, all over the

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world, where they with you at the time? They had flown out to watch me

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that weekend. When I was given that information, you have broken your

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neck, I had them by my side. My brother walked into the room, I just

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started sobbing, I was just so happy to see him. The amount of support I

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was getting from the general public, sending the messages, saying, we

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have had the same injury as you, we know you will begin a dark place

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right now, but we are now running marathons. That put a smile on my

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face, thinking I am not the only one who has gone through this. As far as

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regret is concerned, how do you feel about it on that front? If you could

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take the accident out of it, of course I don't regret it, but it has

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been a very hard road. I have been lucky to have say mini people to

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support me on that road. -- so many people. Throughout this five months,

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have you ever doubted the fight you had in yourself? I've been upset. I

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kept saying to my parents, why am I doing this? This is so unfair. When

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I was a gymnast, I don't remember that aspect. Where do you want to go

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from here? I want to be able to go out there and do what I normally do.

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Love working with children. Inspiring them to achieve their

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dreams. I'm glad to say I pushed through it. You can tell it is still

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really raw. She is an inspiration. Even just

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hearing her talk. All of the physical injury she has had as a

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gymnast, she's never had to cope with psychological issues like this.

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She is fighting it and she will. How did she appear to you

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off-camera? Unsettled. In a way that she's

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coping with things she's never had to cope with before. But she's

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getting through it. She will beat it.

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Bill, you always said you will never take any part in any reality TV show

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like this, and I imagine this hasn't changed your mind. Absolutely. There

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are risks involved in everything. But that particular one was

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particularly risky. A friend of mine, Marcus Brigstocke, he was

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injured, as well. Of course. That extreme sport stuff is always risky.

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I'm not going with it. Stick with your tour.

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Stick with your stand-up. And we are going to talk about Limboland. It is

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the longest or you've ever done. You have extended the dates. What have

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you hit upon that people love so much? The jokes, they are always

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handy. It is a traditional stand-up show. Shows I have done in the

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recent past have been technical. I have had a lot of screens, films,

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animation, projection, and it all got out of hand. At one stage I was

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thinking, this is starting to look like some sort of gigantic

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multimedia spectacle, not stand-up. I made a conscious effort to make

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this might a cabaret show, the stand-up I started out doing.

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Traditional elements such as stories, music, lots of audience

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participation. It is a very family friendly show, as well, people can

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bring the kids. Three generations can come to the show. We have a clip

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of you on the Michael McIntyre shown. British happiness is

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basically knowing that things could have been a lot worse. That is

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British happiness. British happiness is, what was your weekend like? Not

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too bad. We thought it was going to be really bad, but we have dialled

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it down to not as bad as we thought. We are measuring out our lives in

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diminishing increments of diminishing expectation. Not too

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bad. LAUGHTER

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So true. You reflect on random decisions you

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have made in your life. Looking back, which ones would have had the

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most Matic effect on your life had he gone with them, because you

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delivered cakes for a while, didn't you? I did. Dream job.

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For many. Had I stuck with that things would have been very

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different. Strange job. Sometimes the recipients were no longer there.

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I would turn up, they would tell me they do not work here any more, I

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would ask, what shall I do with the cake? They would say, you keep it.

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So I lived off cake for a while. Music, maybe, I have been in music

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bands... Review nearly became a music professor at one point, didn't

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you? -- you nearly became. I did a diploma. The next step was a

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teaching diploma. That is where I was headed. You have to have a lot

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of patients to be a teacher. My attention span is too short. --

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patience. I love spoken word, as well, I love... You know... There,

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the language, the English language, it is a rich language. I would have

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been very frustrated if I was a teacher. Do you remember the first

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time you made somebody laugh? Yes... It was... When I was a kid. It was

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at a funeral, actually, for an elderly aunt who has passed away.

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There was tea and sandwiches at the house. I was copying an old Les

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Dawson routine. I grew up watching him. He was fantastic. He did this

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routine where he played Tchaikovsky's piano concerto and got

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it slightly wrong. I practised this routine. I was playing this while

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people were commiserating. My dad was talking to an elderly relative,

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jinking tea, then he just spat it out all over this tiny woman's hair.

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Then my mother swore. She never swore. She dropped a piece of cake.

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I call it a chaos bomb had gone off. That was the power of comedy. At an

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early age I just thought there was an enormous power in comedy.

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You can see Bill in "Limboland" until 10th July.

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Love it or loath it - modern art certainly divides opinion.

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I kind of like it, yeah, I do. Quite funny, some of it.

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With the new Switch building at Tate Modern opening

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last Friday in London - we sent the people behind its

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construction to give their opinion on some of the art exhibits.

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And let's just say their reactions are mixed!

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And Sarah, I'm an electrician, I worked at the new Tate modern

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extension. To be honest, I'm not sure what I think about modern art.

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I'm John, I was a project manager on the external scaffolding. My

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experience of modern Art is very little. I sometimes feel it is like

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the Emperor's new clothes. The critics call it art, and maybe

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nobody else sees it. My name is Claire. My job here at the Tate was

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an assistant construction manager. As far as art goes, some is decent,

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I like it, I keep an open mind, some of it, I'm not too fussed about.

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CHUCKLES My name is Jason. I was a brickwork

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Foreman. For me, brickwork is art. I like the name of the new building,

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it is called the switch house after the old electricity power station

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that used to be here. But I would say that because I am a sparky. When

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I was last here, the galleries were empty. The artwork was not in place.

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I would be interested to see what the artwork looks like.

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I like it, but I don't know if I liked being this close to it. I

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don't like spiders. No, not at all. I don't mind some sculptures. My

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normal taste would be into painting, things like that, straightforward

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stuff, to be honest with you. What was the artist trying to convey?

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CHUCKLES waste management, reuse, recycle,

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put products to some sort of use. I wouldn't have it in my house, if I

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had a big enough house, no. That building is the most difficult job I

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have ever built and I will ever build. No doubt. Construction

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started in 2010. First they had to construct a huge steel skeleton.

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Concrete panels were bolted onto those pieces of steel. We were the

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last ones to clad all of it with brickwork. The main thing about

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those bricks is they all look very similar, but they are not. It is

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just like one huge jigsaw puzzle in the sky. When I stand here and look

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at it now, it makes me feel really proud I built that. I'm not too sure

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what is on the inside, but I am looking forward to having a look at

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it. It is a raw material. Once that raw

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material is used, I believe that becomes art. I'm not so sure I can

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see that as art. That, that is a stack of bricks. If I could get my

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Netherlands to do it like that I would be well happy.

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CHUCKLES -- levellers. This is fairly simple.

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Mirrors with holes in. When you look through it it is infinite. You can

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see a number of holes going on forever. A lot of people will enjoy

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this one as soon as they see it. It is more like it. Nice and big, nice

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and bold, colourful, bit of fun. Not really bothered about trying to

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understand what the artist is trying to say, it is just pleasing. I would

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have that one on my wall at home, but it would need to be a bit

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smaller. CHUCKLES

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She has brought country life into the future, I think that is what

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that one is. I think the artist is trying to show how communication has

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evolved. Very interesting. I love radios, I listen to them all the

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time. There are some fantastic pieces of art in here, but for me it

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is the building, that is the work of art, that is modern art for me.

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That little bees got a lot of people talking. She is talking! -- little

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piece. A Mannus joins us now -- MA Mannus. You saw what the constructor

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is said and it had quite a reaction. Certainly, as cultural events go,

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this is a big deal. 143,000 people have visited since it opened, so a

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lot of contemporary art lovers out there. What makes it different to

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the Boilerhouse is that there is 60% more space, going global, they

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believe that great contemporary art comes from all over the world, they

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will have more women artists, I think Devon team percent when the

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Tate first opened -- 17%. Really exciting. The first museum to have

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dedicated space for performance art and digital. If you like things like

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Matisse's Smale, there is something for you. Give yourself a day to get

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around it. Saying that, there are many people who are not huge fans of

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modern Art and trying it for the first time. Is there a section that

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they should try the first time? They have the start room which is really

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an introduction but if you want to go to a room that epitomises what

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they are about, go to the Sheila Goudie room, she has a piece called

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Behold, it is car bumpers suspended on four kilometres of human hair.

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What? Human hair! It is like being at a hairdresser. She would love

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you, Bill? It epitomises the celebration of global art and women.

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It is exciting, you will walk around thinking, what is this? In one room,

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the start room, there is a Sainsbury's shopping list behind the

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Perspex glass and I thought... But you realise what the art is. That's

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what's fun, you don't have to connect with everything. Stay with

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us because we are going to have a test for you both. If you want to

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see Brenda's programme, it is an iPlayer now. Bill, it is time for

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you to get some breakfast now. Finally I get something! If you've

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just started watching, we have a machine, that is in the corner, it

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will do toast can boil an egg, make a cup of tea, and then it will clear

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up after you, in one go. That is the star prize. Pete Browne and Murphy

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get are standing by with their invention now. --

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there are strings attached. You may have heard the story of the young

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boy who put a pair of glasses into an art medium in San Francisco and

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people started taking photos of it. We're going to test you, four

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pictures and you have two Guess which ones are real art exhibits and

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which ones are fake. We have four, let's have a closer look. This is

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the first one called Clean Sweep. OK, some of them you have mocked up?

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Yes, the question is whether Swan Bifocal is real? This glass on a

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shelf is called An Oak Tree. And we have this one called Memories. They

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all look real to me, is it a trick question? Would you have gone to be

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trouble to put out those brooms? No. Look at the bricks that were laid

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out. The swan, maybe. The glass looks real, that is real. We like

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that and then, what do you think, the dustpan and brush or the brooms?

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I'd go for the brooms. Real or fake? You are saying two and four. Number

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one, you are right, it is real art, A Clean Sweep by Lucien Smith,

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inspired by the changing streets of his home City of New York. The

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second one was created by our props department! The third one which you

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said it was real, you are right, it is An Oak Tree by the conceptual

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artist Michael Craig-Martin. Meaning that Memories was a prop, and here

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is the proof! You mentioned the boiled egg earlier on. Would you

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like to win it? It is all to play for, Bill. The question is this,

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which landscape photo was sold for ?2.7 million in 2011? Which one is

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it? Was it this one? OK, that's just somebody out in their car. Or this

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one Weston these are just iPhone photos! 2.7 million, surely not.

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Which one? Are we looking for the real one? I think the first one.

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Correct, it is by Andreas Gursky. Put the egg on, it's going to

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happen! Listening to Bill, quite a reminder of how important our voices

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are to our identity. There was a clip of Bill talking on the radio

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and you would recognise who he was, but our science man has been to meet

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somebody facing the reality of losing his voice. Thanks to

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technology, he will still be heard. The sound of your voice is unique.

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It is as individual as your face or fingerprints. My voice is a very

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important part of me, instantly recognisable to the people who know

:21:43.:21:46.

me. So imagine having a disease where you are not only losing the

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voice of your arms and legs, but your speech as well. Your ability to

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communicate with the people you love. This is the dire prospect for

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thousands of people with motor neurone disease. It is an Injera

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ball, degenerative disorder that causes muscle wastage and often

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leaves to -- leads to speech loss for the music teacher Malcolm Dowie

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was diagnosed four years ago. Having music is my life, I have been a

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singer, I have been on stage, a teacher, I need my voice to

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communicate with people. I need my voice to cause trouble, it is me, it

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is my identity. Can you imagine him without his voice? Not really! Is

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not really. He has always been a very vocal person. Professor Stephen

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Hawking has one of the most recognised computerised voices on

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the planet. The accent is describable and everyone can

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understand it. But in fact it is an off-the-shelf generic voice, one of

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only a handful available to motor neurone sufferer 's. Scientists at

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the Andy Raleigh clinic in Edinburgh are pioneering a way to give back

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motor neurone sufferer is with the -- their voice. This speech

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therapist is leading the study. So the voice bank project is aiming to

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create personalised voices for people to use in communication aids

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rather than the generic ones you might get pre-installed. Malcolm is

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one of 100 people taking part in the voice banking trial. Today he's

:23:35.:23:39.

going to record his voice before it is lost for ever. Here we go, when

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the writing turns Reid, will you say that for me. Physicists have found

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it is not reflection but refraction by the raindrops that causes

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rainbows. Sorry. That's OK, we will try again. It would take too long to

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record every word in the English language. To build a personalised

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synthetic voice you need about ten hours of speech which was somebody

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with a condition like motor neurone disease can be exhausting. Malcolm

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will only need to record one hour of speech, which will then be

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supplemented with recordings from a database. It will be matched and

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blended with voices of a similar accent, tone and pitch. We all have

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our egos and don't want to lose. The advantage of this system is that

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they only need to take fragments of a voice, so even those patients

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whose condition has deteriorated can be helped. In some ways, it is very

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poignant, listening to him now. It is, yeah. To think that the

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wonderful boys is going to go. Unfortunately that is the reality

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for a lot of people, yes -- wonderful voice. It can take weeks

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to build a complete synthetic voice but the team are giving Alchemy

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preview of what is customised computer voice will sound like. --

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giving Malcolm a preview. Now we will see what it sounds like, do you

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want to type something in? OK. My new voice. Another wonderful way of

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causing trouble. LAUGHTER What do you reckon? It is quite

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emotional because it is part of him. It is quite reassuring and it gives

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me that confidence. I think it is fantastic that this kind of

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technology is going to mean I'm able to communicate, it gives me the

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opportunity Kameni date -- to communicate using my own voice.

:25:41.:25:46.

Outstanding. Wonderful. That's the most remarkable technology. Isn't

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it? We have a bit of a technology theme this evening. Bill is waiting

:25:51.:25:56.

for his breakfast. To bring you up to date, his tea has been brewed,

:25:57.:26:00.

poured out and the livered as well. It is a beautiful colour. -- and the

:26:01.:26:11.

livered. A beautiful colour, yes. -- and delivered. The verdict?

:26:12.:26:22.

Delicious. We have the presenter of Britain's Most Spectacular Backyard

:26:23.:26:27.

Builds, Piers Taylor with us. When you are looking for inventors, what

:26:28.:26:32.

were you looking for? We were looking for projects that married

:26:33.:26:36.

real artistry with invention but at the same time, were amateur in their

:26:37.:26:40.

nature and all of these inventions are really set the breaking the

:26:41.:26:46.

amateur. There we are! The amateur spirit that exists up and down the

:26:47.:26:49.

country. Merv and Pete, it is mind-boggling. Tell us what is

:26:50.:26:55.

happening. We didn't expect this, did we? Good save! Nobody saw that!

:26:56.:27:08.

The egg is being delivered by the crane, as you can see, carefully

:27:09.:27:14.

delivered. It will be the perfect egg delivered. There we go. It has

:27:15.:27:20.

got a face on it. I'm going to grab it, there we go. Ooh!

:27:21.:27:24.

APPLAUSE Well done. Where is it

:27:25.:27:33.

APPLAUSE The whole thing is built around this

:27:34.:27:36.

spoon, it started off in Peter's wife, Andrea's kitchen. We had the

:27:37.:27:43.

idea of doing it, we wanted to hold the egg. How do you do that, eight

:27:44.:27:48.

spoon. He took the silver one out of the draw, he bent it into that shape

:27:49.:27:53.

and from that, the whole machine was built around it. Andrei didn't get

:27:54.:27:59.

her spoon back. You are going to do the clearing away as we say goodbye?

:28:00.:28:04.

That's remarkable, it is all we've got time for. Britain's Most

:28:05.:28:10.

Spectacular Backyard Builds is on tomorrow at 8pm on BBC Two. And

:28:11.:28:15.

thanks so much to Bill Bailey. Some more dates have been added to his

:28:16.:28:18.

limb Colantuono, which goes until the 10th of July. We are off there

:28:19.:28:23.

for the next two days because of the football but we will be back on

:28:24.:28:28.

Thursday with Holly Willoughby. Not long until the EU referendum and

:28:29.:28:32.

here is our last word on the subject from Gobsmacked! Chuck it away!

:28:33.:28:39.

# And then you've got to slow it down

:28:40.:28:44.

# Cos if you believe that a love can

:28:45.:28:47.

# And soon you will find that there comes a time

:28:48.:28:52.

# Don't let others change your mind

:28:53.:29:08.

# If I stay there will be double

:29:09.:29:21.

# Should I stay or should I go?

:29:22.:29:25.

# You're happy when I'm on my knees

:29:26.:29:36.

# One day is fine and next it's black

:29:37.:29:38.

# Come on and let me know

:29:39.:29:42.

# If I stay there will be double

:29:43.:29:57.

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