Browse content similar to 22/04/2016. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Hello and welcome to The One Show - with Alex Jones, | :00:20. | :00:21. | |
And from Red Dwarf via radio 6 Music, Craig Charles. | :00:22. | :00:26. | |
Joining us on the sofa tonight to talk about new film | :00:27. | :00:32. | |
"Golden Years", Nick Knowles, Una Stubbs and Phil Davis. | :00:33. | :00:36. | |
Looking forward to hearing all about the new film. With the sad news | :00:37. | :00:50. | |
about Prince yesterday, I have to ask you, as somebody who lives and | :00:51. | :00:53. | |
breathes his type of music, how would you sum his up loss? It is | :00:54. | :00:58. | |
terrible, isn't it? No other musician other than David Bowie | :00:59. | :01:03. | |
could have elicited this outpouring of grief. He danced like Michael | :01:04. | :01:10. | |
Jackson, he could play guitar like Hendrix, great all-rounder. Terrible | :01:11. | :01:15. | |
loss. If you could describe him in three words? Taste maker, | :01:16. | :01:22. | |
trendsetter, iconoclast. Good words. See if you can get one into | :01:23. | :01:26. | |
conversation tomorrow. I'll need a dictionary first. Here is how other | :01:27. | :01:32. | |
people reacted when we asked them to sum up Prince in just three words. | :01:33. | :01:47. | |
He was an amalgamation of all the greatest musicians you could imagine | :01:48. | :01:54. | |
bundled into one. Guitarists who are revered say he is a better | :01:55. | :01:59. | |
guitarist. Singers who are revered say he is a better singer than they | :02:00. | :02:03. | |
are. # Stormy night | :02:04. | :02:13. | |
# No love, no hope in sight. My life soundtrack. He led art but in pop | :02:14. | :02:24. | |
music. Sassy, strong, sexy. The most amazing live performer I've ever | :02:25. | :02:27. | |
seen. # Extra time and your kiss. | :02:28. | :02:36. | |
# Six o'clock already, I was just in the middle of a dream. If you look | :02:37. | :02:40. | |
beyond the persona, the trousers and frilly shirts, it came down to just | :02:41. | :02:44. | |
one thing: music. # Just another manic Monday. This | :02:45. | :02:50. | |
guy was upstairs playing of funk and soul, turns out it was Prince. He | :02:51. | :02:59. | |
was so real. He was never afraid to be himself. Just a complete enigma. | :03:00. | :03:08. | |
# Nothing compares two U. Prints just revelled in difference. I think | :03:09. | :03:16. | |
that is Prince's greatest gift to the world. Different is good. | :03:17. | :03:31. | |
# Sometimes it snows in April # Sometimes I feel so bad | :03:32. | :03:39. | |
# So bad # Sometimes I wish that life was | :03:40. | :03:47. | |
never-ending # But all good things, they say, | :03:48. | :03:52. | |
never last #. | :03:53. | :03:57. | |
Well, we have lost very different artists this week. | :03:58. | :04:01. | |
Victoria Wood, very familiar and comforting but with | :04:02. | :04:03. | |
a wicked streak, and Prince, completely unfamiliar, | :04:04. | :04:05. | |
People react to different deaths in different ways of course. | :04:06. | :04:13. | |
You had worked with Victoria, it must have been a shock. It was a | :04:14. | :04:21. | |
shock. She is really young for nowadays standards. But I loved | :04:22. | :04:25. | |
working with her. And she was quite shy. But she knew how she wanted her | :04:26. | :04:31. | |
work to be played and she was quite strong about that, so you've learnt | :04:32. | :04:37. | |
a lot from her. We learned you were also a Prince fan? Oh, I loved him. | :04:38. | :04:43. | |
Especially his dancing. Incredible, incredible. What a loss. It a | :04:44. | :04:50. | |
strange time. They seem to be dropping all over the place, these | :04:51. | :04:55. | |
great artists. Alan Rickman, David Bowie. He was slightly bonkers. It | :04:56. | :05:01. | |
is not a thing to say when somebody has passed away but I loved the way | :05:02. | :05:06. | |
he was bonkers. Out-of-the-box, and an electric performer. Just like all | :05:07. | :05:10. | |
the ones that have gone recently are iconic and unique, really. In the | :05:11. | :05:17. | |
case of Prince, Victoria, just so young, seems incredibly young. Yeah. | :05:18. | :05:24. | |
Victoria, interesting, she really took joy from just everyday people. | :05:25. | :05:28. | |
All her writing was about the fund. The humdrum, wasn't it? Fun to be | :05:29. | :05:34. | |
found in the humdrum. I learned a lot watching her in terms of writing | :05:35. | :05:42. | |
as well, so a great loss stop. We have two enjoy everybody we have got | :05:43. | :05:46. | |
because you just don't know. We will be hearing a rare Prince | :05:47. | :05:47. | |
performance. At the end of the show. Now tonight we launch a brand | :05:48. | :05:52. | |
new series of food films fronted Who has taken on a pretty epic | :05:53. | :05:56. | |
challenge and for this one, I am on a journey. Mile by my and | :05:57. | :06:11. | |
letter by letter I am going on an alphabetical odyssey seeking out the | :06:12. | :06:16. | |
UK's best food. And you are going to be my guide, from Birmingham's balti | :06:17. | :06:21. | |
to Cornwall's clotted cream. I'll be visiting the places you tell me are | :06:22. | :06:31. | |
home to our finest cuisine. I'm starting with the letter A and the | :06:32. | :06:39. | |
Scottish County of Angus. I've come to see farmer Geordie Sutil who has | :06:40. | :06:42. | |
been producing pure bred Aberdeen Angus piece here for 20 years. These | :06:43. | :06:48. | |
are designed to eat grass. And the meat then is a lot more succulent. | :06:49. | :06:53. | |
And not so intense as grain fed beef. The meat is a healthy, natural | :06:54. | :07:00. | |
product. With the weather so bleak I can't wait to get into the warmth of | :07:01. | :07:05. | |
the kitchen. After seeing your wonderful cattle outside, for me | :07:06. | :07:10. | |
it's all about the beef. Well, here's some very lovely brisket. | :07:11. | :07:15. | |
Let's see what you can do with that. This is the way to have top quality | :07:16. | :07:21. | |
beef on a budget. I cut like brisket, fairly inexpensive, and it | :07:22. | :07:27. | |
is wonderful. In go garlic, onions, star anise. My Scottish sauce is | :07:28. | :07:30. | |
made from whiskey and Scottish heather honey. Into the oven for | :07:31. | :07:36. | |
four hours. While we wait, Geordie shows me just how far back he can | :07:37. | :07:39. | |
trace the heritage of the cattle. This is. Both Aberdeen Angus books | :07:40. | :07:49. | |
tracing all the animals on our form. This is like the equivalent of a | :07:50. | :07:54. | |
family tree? That's exactly what it is. Volume one is 1857. Is that | :07:55. | :08:03. | |
right? Old Jock. He is number one in the book. The grand daddy of them | :08:04. | :08:07. | |
all. In the rain, Geordie explains that over the years crossbreeding | :08:08. | :08:12. | |
became common to feed our growing appetite for beef with the coveted | :08:13. | :08:17. | |
Aberdeen Angus label. Keith bearing the title today can be as little as | :08:18. | :08:22. | |
25% Aberdeen Angus. Geordie has made it his life 's work to restore the | :08:23. | :08:28. | |
original 100% pure bloodline. 20 years ago I bought the first pure | :08:29. | :08:32. | |
native animal and I just realised what a treasure they were. So I set | :08:33. | :08:39. | |
out to gather up all the existing families with no imported | :08:40. | :08:42. | |
bloodlines. We now have them all here. And in 2012 we got them off | :08:43. | :08:49. | |
the rare breeds critically endangered list. That was because | :08:50. | :08:53. | |
they were literally becoming extinct? Borderline extinct, yes. | :08:54. | :08:59. | |
They were literally down to the last handful of cattle left. The food is | :09:00. | :09:04. | |
ready. Time for Geordie and his wife Julia to try my first alphabet dish. | :09:05. | :09:09. | |
Tucked in and see if I've improved your beef or made it worse. So, what | :09:10. | :09:15. | |
do you think? It's absolutely tremendous. I thought it was going | :09:16. | :09:21. | |
to be fairly tough but far from it. Have I kept the Scottish theme? You | :09:22. | :09:27. | |
have and it is subtle. Not a heavy sauce, lovely place, attractive and | :09:28. | :09:32. | |
absolutely delicious. I call that a success. Geordie, thank you very, | :09:33. | :09:37. | |
very much indeed for being the first stop on my alphabetical odyssey. | :09:38. | :09:42. | |
Thank you for a wonderful meal. Here's a little reminder of your | :09:43. | :09:47. | |
time in Angus. As I leave Angus I can tick off the letter A. So where | :09:48. | :09:53. | |
next? Will it be Bradford, Birmingham, Belfast or Bangor? Get | :09:54. | :09:57. | |
in touch with your suggestions and together we will continue to build | :09:58. | :09:59. | |
my a to Z of the UK's best food. And if you have any suggestions | :10:00. | :10:03. | |
of where to send him next please do What I found comforting was the | :10:04. | :10:15. | |
genealogy, in these days of carbon footprints and pre-packaged food, | :10:16. | :10:18. | |
you can catch the genealogy of the state. All the way back to Jock stop | :10:19. | :10:30. | |
you can catch the genealogy of the balti? I turned the can for months | :10:31. | :10:36. | |
ago, I don't eat butter any more. You've changed so much since we saw | :10:37. | :10:40. | |
you, film writer, the can. It was a subconscious thing kicking in. Phil | :10:41. | :10:49. | |
Davies, you've acted in campus films and TV shows. | :10:50. | :10:54. | |
From Quadrophenia to Vera Drake and more recently | :10:55. | :10:56. | |
What was your first reaction when you heard Nick Knowles had | :10:57. | :11:00. | |
written a film and wanted you to be in it? | :11:01. | :11:02. | |
Well, let me be honest. I saw Nick Knowles, I thought, I don't know | :11:03. | :11:09. | |
him. I agreed to do it and we were filming and there was this bloke on | :11:10. | :11:13. | |
sat, I thought, I know him from somewhere. I said, have we met | :11:14. | :11:18. | |
before? I thought, oh yes, that's the guy. I can't say it was either | :11:19. | :11:23. | |
an incentive or a disincentive to appear in the film, I had absolutely | :11:24. | :11:27. | |
no idea, I had not made the connection with Nick Knowles off the | :11:28. | :11:33. | |
TV. I did not send the script out with the full CV of who I was | :11:34. | :11:37. | |
because they don't care. We just pinged the script out to people. | :11:38. | :11:41. | |
What's really nice is people took it on the script, they read it. Just on | :11:42. | :11:47. | |
its merits. On film sets you don't usually meet the writer, they keep | :11:48. | :11:55. | |
the writer away. This is the thing, I was talking to mum and I said Nick | :11:56. | :11:59. | |
Knowles is coming on, she said what for? I said he has written a film, | :12:00. | :12:03. | |
she said, don't be silly, it can't be the same Nick knows. So where did | :12:04. | :12:09. | |
the idea come from? All kinds of things. Me growing up, my aunts and | :12:10. | :12:13. | |
uncles, lots of cousins, weddings, we would turn up and I would watch | :12:14. | :12:18. | |
my uncles and aunts. Everybody's got a favourite uncle, aunt, grandad, | :12:19. | :12:22. | |
somebody with a twinkle in their eye who acted out. The Hatton Garden | :12:23. | :12:31. | |
robberies, I am here to say I am Basil, the one that got away. It is | :12:32. | :12:35. | |
important to say it was written before that. Seven years ago, from | :12:36. | :12:39. | |
writing to get the money and cast together. We had a fantastic time. | :12:40. | :12:46. | |
What is the premise of the film? Arthur and Martin are two old | :12:47. | :12:50. | |
pensioners, getting cheesed off at the way their pensions are being | :12:51. | :12:54. | |
treated, so they decide to have a bank robbery and get their money | :12:55. | :12:57. | |
back from the bank. Then they get the hang of the whole thing and they | :12:58. | :13:01. | |
want to move on. Then they hear their beloved social club is being | :13:02. | :13:07. | |
taken over by a supermarket. So they are determined to stop that as well, | :13:08. | :13:11. | |
and so it goes on and on. And they recruit their friends, that's where | :13:12. | :13:18. | |
we get involved. We go round very politely, without swearing, saying | :13:19. | :13:21. | |
please, thank you, and we rob a number of banks. OK then, let's have | :13:22. | :13:25. | |
a look at the trailer. Sort out this sorry mess. Special | :13:26. | :13:42. | |
forces. It's not just a club where people come to play bowls or bingo, | :13:43. | :13:46. | |
this is more than a social club, this is a lifeline for some people. | :13:47. | :13:52. | |
We can't let it be destroyed. Let's invite the gang back. We are in. | :13:53. | :13:55. | |
I've always wanted to play Robin Hood. There is a phenomenal cast. | :13:56. | :14:06. | |
Lots of great actors in this. How did you convince them all, then? | :14:07. | :14:10. | |
Obviously the strength of the script was there but there must have been | :14:11. | :14:15. | |
more to it? And Virginia came out of retirement. She hadn't made a film | :14:16. | :14:20. | |
for 17 years. Weirdly this month is the 50th anniversary of the royal | :14:21. | :14:24. | |
premiere of born free. She was a massive star then but had gone away | :14:25. | :14:28. | |
from it. John Miller, who co-wrote it with me, developed a relationship | :14:29. | :14:33. | |
with Bernard Hill, that's how that came about. I was basically driving | :14:34. | :14:37. | |
along the road, racking my brain of thinking I could get to play in the | :14:38. | :14:42. | |
film, and I had known in Virginia for 20 years and never asked her. I | :14:43. | :14:47. | |
rang her son and said, can I ask her? He said, what are you asking me | :14:48. | :14:52. | |
for, just ring her up. I centre the script and it went from there. We | :14:53. | :14:57. | |
got this amazing cast. It was a cast of players rather than anyone | :14:58. | :15:02. | |
superstar. Like an Ealing comedy. That was the thing. I think of this | :15:03. | :15:07. | |
as the rebirth of the Ealing comedy, it's got that same sort of gentle | :15:08. | :15:10. | |
humour, with a genuine message underneath stop blue it it is funny | :15:11. | :15:19. | |
but there is a vein of melancholy going through it. It is business | :15:20. | :15:21. | |
with comedy. So how long did it take to write the | :15:22. | :15:36. | |
script? Seven years ago, it was four days in a hotel in Bristol. It went | :15:37. | :15:46. | |
for 20 or 30 rewrites afterwards, but then we spent seven years | :15:47. | :15:52. | |
raising the money. There are people putting money into this, putting | :15:53. | :15:59. | |
their own investment in, so it is a proper independent movie, about ?3 | :16:00. | :16:02. | |
million, and people seem to like it, it is going. 108 cinema as. You have | :16:03. | :16:12. | |
to ring up your Odeon and check, because there are only certain times | :16:13. | :16:20. | |
it is on, so people can see it. So, Golden Years is released next | :16:21. | :16:31. | |
Friday. And Nick made a cameo in his own film. You can see it if you are | :16:32. | :16:34. | |
quick. Did you see it? Did you see it? We | :16:35. | :16:52. | |
slowed it down, but you have to be really quick to see it. I was an | :16:53. | :17:03. | |
extra in the film Room With A View, and I was in that more than in my | :17:04. | :17:11. | |
own film! And Simon Callow is in it as well. | :17:12. | :17:24. | |
Well we've found a few unlikely celebrities popping up in cameo | :17:25. | :17:26. | |
roles so we want to see if you can spot them. | :17:27. | :17:29. | |
The first one is from the film Hook. | :17:30. | :17:31. | |
What do you think? Billy Connolly? It was in fact Glenn close with a | :17:32. | :17:57. | |
beard. It suits her! She went on to play in the Irish film, she played a | :17:58. | :18:01. | |
man in that. She did. The next cameo is from | :18:02. | :18:04. | |
old classic Life of Brian. Who did you spot there? Handmade | :18:05. | :18:23. | |
films? George Harrison! APPLAUSE | :18:24. | :18:28. | |
Yes, aeroplanes being the clue. Richard Branson. He lent them one of | :18:29. | :18:51. | |
his aeroplanes, and got in the film. That is what we need to do next. | :18:52. | :18:54. | |
Time for one more - who has a cameo in this clip | :18:55. | :18:57. | |
That is a bit of a tough one. Was it one of the zombies? Yes, right in | :18:58. | :19:15. | |
the back of the shot. It is actually Chris Martin from Coldplay. You can | :19:16. | :19:21. | |
see him if you look closely. I think you did a song on the move a as | :19:22. | :19:24. | |
well. Very similar danced of the one at | :19:25. | :19:28. | |
the Super Bowl this year. He is good friends of Simon Pegg. | :19:29. | :19:36. | |
Now this weekend marks the start of Shakespeare 400 | :19:37. | :19:38. | |
and loads of programmes on the BBC and elsewhere will be celebrating | :19:39. | :19:41. | |
We sent Gyles to meet some people who have even more reason | :19:42. | :19:45. | |
The UK's greatest literary export wrote 37 plays, and today they are | :19:46. | :19:54. | |
more popular than ever. But what about the namesakes? To any of | :19:55. | :20:03. | |
today's Shakespeare's have any literary talents? I am William | :20:04. | :20:08. | |
Shakespeare and I failed English twice. I am William Shakespeare and | :20:09. | :20:14. | |
I have never seen any of his plays. There are over 20 William | :20:15. | :20:19. | |
Shakespeares on the electoral register, so what was it like | :20:20. | :20:23. | |
growing up with a famous name? I found I was a little different | :20:24. | :20:26. | |
school. People will smirk when I asked my name and I told them, I was | :20:27. | :20:30. | |
known to the teachers because they'll remember me. Why did your | :20:31. | :20:34. | |
parents could you William should expect? To make sure I grew up with | :20:35. | :20:38. | |
a sense of humour, I think. It has been more of a hindrance than a | :20:39. | :20:43. | |
help. Try booking a bed-and-breakfast with my name! And | :20:44. | :20:47. | |
your son, you have handed on the name? Absolutely not. We called him | :20:48. | :20:53. | |
Thomas so he wouldn't have to put up with the jibes I was used to. I | :20:54. | :20:59. | |
think we can play around, just so that I can say, to tee, or not to | :21:00. | :21:07. | |
tee. Some of today's most popular phrases | :21:08. | :21:10. | |
were made popular by the great bard. The Bodleian library in Oxford has | :21:11. | :21:17. | |
one of only 13 surviving sonnets of his. Scholar Emma Smith believes | :21:18. | :21:21. | |
people underestimate the impact Shakespeare's writing has had an | :21:22. | :21:26. | |
needless language. What he does do is put words together in these | :21:27. | :21:28. | |
phrases and sentences that we are still using. Greek to me, neither | :21:29. | :21:34. | |
borrower or a lender be, in my minds eye. Shakespeare composed 154 | :21:35. | :21:40. | |
sonnets in all, and many are as popular today as they were in the | :21:41. | :21:44. | |
17th century. What are they about? Love, but not love in a Valentines | :21:45. | :21:52. | |
sense, it includes hate, self-doubt, jealousy, all kinds of other quite | :21:53. | :21:58. | |
hard and bitter emotions. What is the number one hit? Shall I compare | :21:59. | :22:06. | |
the two summers day? Sonnet 18 is the nation's favoured, so to mark | :22:07. | :22:08. | |
the 400th anniversary of his death, the One Show has arranged a special | :22:09. | :22:13. | |
poetry performance by Williams around the UK who all share the | :22:14. | :22:15. | |
surname. Shall I can barely to a summer's | :22:16. | :22:28. | |
day? Thou art more lovely and more temperate. Rough winds do shake the | :22:29. | :22:36. | |
Darling buds of May, and summer's lease have all too short a date. | :22:37. | :22:41. | |
Some time to hop, the eye of heaven shines, and often the old conflicts | :22:42. | :22:46. | |
and dimmed, and every fare from fair, sometime declines, our chance | :22:47. | :22:52. | |
and nature's changing course on dimmed. The eternal summer shall not | :22:53. | :22:57. | |
fade, nor lose possession of how fair thou art, nor shall death brag | :22:58. | :23:05. | |
thou art in its shade, when in eternal lines to time by growers to, | :23:06. | :23:08. | |
so long as men can breathe and eyes can see, so long as this and this | :23:09. | :23:13. | |
gives life to the. Lovely idea! Thank you so much to | :23:14. | :23:30. | |
Gyles, and of course to William, William, William, William and | :23:31. | :23:35. | |
William. And for more on the BBC's Shakespeare coverage, have a look on | :23:36. | :23:42. | |
the website. Now, the Globe Theatre have formed 3710 minute films of the | :23:43. | :23:47. | |
37 plays, and they are showing them on Saturday and Sunday, tomorrow and | :23:48. | :23:50. | |
Sunday, along the South bank and 37 screens on a loop. They are | :23:51. | :23:55. | |
absolutely free, you can walk from Westminster Bridge to Tower Bridge | :23:56. | :23:59. | |
and see them all. There is a fantastic cast, James Norton, loads | :24:00. | :24:04. | |
of people. I am in one myself, so do go down to the south bank tomorrow | :24:05. | :24:08. | |
and have a look. It's free! I will be going, definitely. William | :24:09. | :24:13. | |
Shakespeare's not the only one with a namesake. We have a fellow Phil | :24:14. | :24:19. | |
Davies in the audience. But which of these do you think he is? Which one | :24:20. | :24:30. | |
is it? I think he has already given himself away! He is excited. Do you | :24:31. | :24:37. | |
have an E in your surname? No, there is no E. He looks like a Phil Davis. | :24:38. | :24:48. | |
And we have scoured the entire UK, and found the only other Una Stubbs, | :24:49. | :24:55. | |
she is in our audience, and can you guess which of these ladies she is. | :24:56. | :25:00. | |
Is it the lady in the front in the black and white dress? It is indeed! | :25:01. | :25:10. | |
Step forward for us. Is she Australian? No, she is English. | :25:11. | :25:16. | |
Thank you so much for popping in. We did find a Nick Knowles, but sadly | :25:17. | :25:20. | |
he wasn't able to make it. That doesn't surprise me, he is probably | :25:21. | :25:25. | |
try to keep a low profile! A nightmare to have the same name as | :25:26. | :25:28. | |
someone famous. We have found an Alex Jones. Is it a boy? Where is | :25:29. | :25:36. | |
he? We will have to do it very quickly. There he is on the right! | :25:37. | :25:43. | |
They are both Alex Jones! I'll be back on Monday | :25:44. | :25:52. | |
with Matt, when we'll be joined by two of the stars | :25:53. | :25:55. | |
of Captain America: Civil War. Look out for a special film | :25:56. | :25:57. | |
narrated by Trevor Nelson celebrating Prince | :25:58. | :26:00. | |
on BBC 4 tonight at ten. tribute on my Radio 2 show | :26:01. | :26:02. | |
between ten and midnight tomorrow. Here is Prince now with Rosie Gaines | :26:03. | :26:06. | |
performing one of his # It's been seven | :26:07. | :26:08. | |
hours and fifteen days # I go out every night | :26:09. | :26:14. | |
and sleep all day # Since you been gone | :26:15. | :26:30. | |
I can do whatever I want # I can eat my dinner | :26:31. | :26:46. | |
in a fancy restaurant # But nothing, I said nothing can | :26:47. | :27:01. | |
take away these blues # It's been so lonely | :27:02. | :27:12. | |
without you here # Nothing can stop these | :27:13. | :27:37. | |
lonely tears from falling # Tell me, baby, | :27:38. | :27:48. | |
where did I go wrong # I can put my arms | :27:49. | :27:59. | |
around every boy I see # I went to the doctor | :28:00. | :28:04. | |
and guess what he told me # He said, "Rosie, you better try | :28:05. | :28:16. | |
to have fun no matter what you do." | :28:17. | :28:30. |