Browse content similar to 23/03/2016. Check below for episodes and series from the same categories and more!
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# I'm # I'm going to shout it out. # | :00:23. | :00:42. | |
Do you remember this? Reef are back and what a beard Jack has. It looks | :00:43. | :00:55. | |
brilliant. Beautiful beard. and what a beard Jack has. It looks | :00:56. | :01:00. | |
gorgeous, Jack is literally, it and what a beard Jack has. It looks | :01:01. | :01:03. | |
he is literally a silver surfer, here is the proof. Here he is | :01:04. | :01:08. | |
channelling his youth. Looking superb there. | :01:09. | :01:11. | |
Skateboarding as well. Tonight, we are joined by two women who in the | :01:12. | :01:14. | |
comedy series Boomers show because are joined by two women who in the | :01:15. | :01:17. | |
you are getting older it doesn't mean you have to grow up You are old | :01:18. | :01:24. | |
enough to be his mother. Big sister. We are just talking. It's a meeting | :01:25. | :01:29. | |
of minds. A cultural exchange isn't it. Exactly. A very cultured people. | :01:30. | :01:39. | |
We are. Forgot my bag. Just because he flashes his triceps at you women | :01:40. | :01:44. | |
of our age should have more dignity. I like your leather pants. Oh, thank | :01:45. | :01:52. | |
you. It is just something I threw on earlier. | :01:53. | :01:55. | |
What? Please welcome Alison Steadman and | :01:56. | :02:03. | |
Paula Wilcox. Are those are the trouser? He was nice. He is very | :02:04. | :02:10. | |
nice. We will talk about Boomers in due course, but what is your | :02:11. | :02:13. | |
attitude then, towards ageing gracefully? And do you do anything | :02:14. | :02:20. | |
childish as you grow up? I would say about ageing, don't bother. It is | :02:21. | :02:23. | |
not everything it is cracked up to be. Really? OK. On the childish | :02:24. | :02:31. | |
point. Live and have a bit of fun. Age disgracefully. Try not to dwell | :02:32. | :02:36. | |
on it. If I want a gin and tonic I will have one. I am not going mad | :02:37. | :02:42. | |
you know in that direction, but, life is for living, isn't it. My | :02:43. | :02:49. | |
childish thing, talking of gin and tonics would be a cup of Bovril, | :02:50. | :02:54. | |
late at night. That is what we used to have as children. It is such a | :02:55. | :03:00. | |
comfort food. We can sort that out. We will get one for you. I drink gin | :03:01. | :03:07. | |
and on the anybody now. Joining us as well is Nick Hewer, it is hard to | :03:08. | :03:11. | |
imagine you doing childish things but what is the most childish thing | :03:12. | :03:16. | |
row do these days? I can sit on the floor and watch Tom and Jerry | :03:17. | :03:19. | |
cartoons by the hour. I love them. I love it. An insight into Nick Hewer, | :03:20. | :03:25. | |
for tonight we have set him the hardest task of his career in PR. | :03:26. | :03:28. | |
Find out what that is about later on. Have you seen this today? There | :03:29. | :03:34. | |
is man called Peter Barnard, and he has decided to sell a rather unusual | :03:35. | :03:38. | |
collection of these. Rawl plugs, that is his thing, the plastic thing | :03:39. | :03:43. | |
you put in the wall? How can that be a thing? Look at this collection, it | :03:44. | :03:48. | |
goes all the way back through history, but, he has decided to sell | :03:49. | :03:53. | |
up. Yes, now as you can imagine, his wife Jane is pretty happy about his | :03:54. | :03:56. | |
decision and tonight, we would like to hear from other people like Jane. | :03:57. | :04:00. | |
Yes, so if you do have a family member, with a hobby or collection | :04:01. | :04:03. | |
you would like to see the back of, then send us a picture of them and | :04:04. | :04:07. | |
it, and explain why. And we will decide whether they should give it | :04:08. | :04:13. | |
up or not. You secretly love that collection don't you. Not secretly. | :04:14. | :04:18. | |
I'm happy. I might even make him an offer! Any way... Speaking of money | :04:19. | :04:22. | |
and good investment, imagine you have spent you whole life playing | :04:23. | :04:26. | |
off the mortgage, only to find out that in 40 years' time your home and | :04:27. | :04:29. | |
the whole village could be under water. For the residents of | :04:30. | :04:33. | |
Fairbourne in North Wales it isn't just the sea that is to blame but | :04:34. | :04:40. | |
the council too. Icy breaker, whipping wind and a | :04:41. | :04:44. | |
miniature steam railway. The classic British seaside resort. | :04:45. | :04:50. | |
Except this resort is a little different. Because this train, the | :04:51. | :04:53. | |
railway, and the village it runs through are set to be sacrificed to | :04:54. | :04:59. | |
rising sea-level and the council has decide Ied it is not worth trying to | :05:00. | :05:04. | |
stop it. 1100 people call Fairbourne home year round, but the number | :05:05. | :05:08. | |
swellsome summer, many residents holidayed here as children, in the | :05:09. | :05:14. | |
'50s and 60s. The low lying village is protected from the sea by a | :05:15. | :05:18. | |
natural shingle bank and basic flood defences. | :05:19. | :05:26. | |
Peter moved here 25 years ago. If I demonstrate by picking up this | :05:27. | :05:31. | |
stone, and throwing it out to sea, you will see in time that that stone | :05:32. | :05:37. | |
will be brought back ashore by the natural processes of the sea. The | :05:38. | :05:42. | |
problem is, that is not happening fast enough in terms of sea-level | :05:43. | :05:47. | |
rise. But a shore loin management plan accepted by the council says | :05:48. | :05:51. | |
the cost of raising the bank would be huge, with no guarantee lives | :05:52. | :05:54. | |
could be protected if water came over the top or burst through the | :05:55. | :05:58. | |
bank. The council says it will protect Fairbourne for the next 40 | :05:59. | :06:03. | |
years, after that, it will by a ban donned to the waves. | :06:04. | :06:08. | |
And the ripples from that decision are hitting Fairbourne's residents | :06:09. | :06:13. | |
hard. This house is home to 72-year-old Sylvia and her husband | :06:14. | :06:17. | |
Bob. Good afternoon. Hello civilia. How nice to meet you. As they paid | :06:18. | :06:23. | |
off their mortgage it is their main asset, or so they thought. This is | :06:24. | :06:28. | |
the house I wanted to leave to my children, the inheritance for them | :06:29. | :06:33. | |
and for the grandchildren. It is something we say can reflect our | :06:34. | :06:36. | |
lifetime work. What is the value of your house? We have had it valued | :06:37. | :06:42. | |
and the reports valued it at zero. Zero? Zero, so I am really angry | :06:43. | :06:49. | |
this is the result of what has been imposed on us from this shoreline | :06:50. | :06:53. | |
management plan. You could sell your thousands a cash buyer? I could but | :06:54. | :06:59. | |
we below the market value. From her house it's a short walk to the home | :07:00. | :07:04. | |
of Julie and Bob. How long have you lived here? We have lived here about | :07:05. | :07:08. | |
nearly eight years. Until recently they were planning to sell up and | :07:09. | :07:12. | |
move back to Yorkshire with Julie's mother. How much was your house | :07:13. | :07:17. | |
worth before the plan was adopted. We had it on the market for 260,000, | :07:18. | :07:25. | |
and now, it is probably worth less than ?100,000 thousand. And that | :07:26. | :07:29. | |
means they can't afford to move. So you are stuck? We are stuck here | :07:30. | :07:35. | |
until the day we pop our clogs. Businesses like this building | :07:36. | :07:40. | |
company are suffering too. Things are going from bad to worse. People | :07:41. | :07:46. | |
aren't repairing the properties. We were getting about ?30,000 worth of | :07:47. | :07:50. | |
trade out of Fairbourne, now it has dropped to seven. There are | :07:51. | :07:54. | |
thousands of properties facing the same threat round Britain, but | :07:55. | :07:58. | |
Fairbourne is the only village to face being wiped out in its | :07:59. | :08:01. | |
entirety. While the council points to | :08:02. | :08:04. | |
predictions that sea-levels will rise 50 centimetres in 50 years | :08:05. | :08:08. | |
villagers say it is initially accepted they will rise just 20 | :08:09. | :08:12. | |
centimetres. Leaving their homes safe. | :08:13. | :08:16. | |
So far there has been no talk of compensation, the council has said | :08:17. | :08:20. | |
it will rehouse villagers or find them privately rented accommodation | :08:21. | :08:23. | |
elsewhere, but for many people here, that is just not good enough. | :08:24. | :08:29. | |
Angry residents have dug deep to hire a barrister to challenge the | :08:30. | :08:34. | |
decision to abandon Fairbourne but the council is sticking to its guns. | :08:35. | :08:39. | |
It says the best estimate is that defending Fairbourne won't be | :08:40. | :08:43. | |
sustainable in 40 or 50 years' time. Guy, aren't you just trying the face | :08:44. | :08:47. | |
down the power of nature here? Not at all. Not at all. It is not nature | :08:48. | :08:52. | |
that is the problem, it is those people who decided to decommission | :08:53. | :08:55. | |
our village and put our lives on hold. | :08:56. | :09:03. | |
Our hearts go out to the residents. Nick is here to give us information | :09:04. | :09:09. | |
about compensation right for home uner who might be affected by it. | :09:10. | :09:14. | |
The outlook is not good. There no statutory compensation available to | :09:15. | :09:18. | |
any property owner or landowners who might be affected by coastal | :09:19. | :09:22. | |
erosion, you saw in the piece the residents have hired a barrister | :09:23. | :09:26. | |
they want to force a judicial review of the council decision, and | :09:27. | :09:31. | |
possible judicial review, they say depending on the outcome they | :09:32. | :09:34. | |
reserve the right to sue for compensation, at the moment no-one | :09:35. | :09:38. | |
has the right to. What is happening in Fairbourne is relevant to all | :09:39. | :09:42. | |
coastal area, how many houses then, are going to be affected by the | :09:43. | :09:47. | |
rising sea-levels? The National Trust, which does own round 700 | :09:48. | :09:52. | |
miles of coastline did a study in 2005 and it found that 117,000 | :09:53. | :09:56. | |
properties in England alone were at medium to high risk of coastal | :09:57. | :10:01. | |
erosion, they did the same study in 2014, two years ago and they found | :10:02. | :10:05. | |
that figure had gone up to 129,000 which is a rate of 10% in less than | :10:06. | :10:09. | |
ten year, frankly if that all goes on we are all going to be in | :10:10. | :10:15. | |
trouble. And I mean, there are some dramatic examples of coastal erosion | :10:16. | :10:19. | |
which we have seen, Birling Gap is one example. We can see a photograph | :10:20. | :10:24. | |
of two coastguard cottages here we have been left after steady being | :10:25. | :10:27. | |
eroded through the coast. There were seven when they were originally | :10:28. | :10:30. | |
built. And there is only two left. They say there is only two visible | :10:31. | :10:34. | |
in that photograph. I think possibly more than that there. But they are | :10:35. | :10:40. | |
saying that in 2014, the storms then knocked three metres off the | :10:41. | :10:44. | |
coastline in the space of four months. Normally they would be | :10:45. | :10:48. | |
losing that coastline at that rate over seven year, around we can also, | :10:49. | :10:53. | |
you may remember this, show you footage from Hemsby in Norfolk, The | :10:54. | :10:59. | |
One Show was present there, in 2013, doing a piece on coastal erosion, | :11:00. | :11:04. | |
when overnight a tidal surge swept away five bungalows into the sea. | :11:05. | :11:07. | |
And that was obviously devastating for the community then, it goes to | :11:08. | :11:12. | |
show the power of nature. Yes. That took our breath away. I remember | :11:13. | :11:14. | |
that clearly. It is worth pointing out it seems | :11:15. | :11:20. | |
like there has been heavy erosion, because it seems we have lost | :11:21. | :11:24. | |
Ireland there. And a bit of Land's End as well. Let us talk about | :11:25. | :11:30. | |
communities really that are taking action themselves, because obviously | :11:31. | :11:33. | |
there is no compensation, some communities are doing what they can | :11:34. | :11:41. | |
to save their own villages. Yes a village in Suffolk, the landowners | :11:42. | :11:47. | |
and the and they built their own flood defence, you can see them | :11:48. | :11:50. | |
under construction, they got these flood defences put in place, but | :11:51. | :11:55. | |
sadly, since then, those defences have already been breached so they | :11:56. | :11:59. | |
are looking at fundraising again, in order to try and repair those | :12:00. | :12:04. | |
defences. And also, there are some very very interesting ideas being | :12:05. | :12:09. | |
put forward now, the National Trust says you can't build a ring of | :12:10. | :12:12. | |
concrete round the British isle, so we have to think creatively about | :12:13. | :12:16. | |
how we deal with coastal erosion, and one of the main ideas they are | :12:17. | :12:20. | |
talking about is this strategy of managed retreat. We can give you an | :12:21. | :12:25. | |
example of that. We may have seen the footage earlier, but this is | :12:26. | :12:31. | |
near sells by in Sussex. This is a collaboration between the RSPB and | :12:32. | :12:34. | |
the Environment Agency, what they did was built a wetland for birds, | :12:35. | :12:39. | |
so you are losing some land but the 360 homes behind that, which is | :12:40. | :12:44. | |
absorbing the power of the sea, had their defences significantly shored | :12:45. | :12:47. | |
up. There is some whacky ideas coming through, the idea of building | :12:48. | :12:52. | |
moveable buildings so you keep your Seaview at an arm's length and | :12:53. | :12:57. | |
retreat up the garden at the same rate the coastline is eroding. That | :12:58. | :13:01. | |
sounds great. It might get to that point, who knows. Thank you Nick. In | :13:02. | :13:06. | |
a moment, we are going to talk about the new series of Boomers where | :13:07. | :13:09. | |
Alison and Paula's characters are dealing with the challenges of life | :13:10. | :13:13. | |
after retirement. Before we see the comedy take on things Esther has hit | :13:14. | :13:19. | |
the streets to hear your stories. Afternoon. Tell you what we are | :13:20. | :13:23. | |
talking about is growing older. Yes, we know about that. Are you retired? | :13:24. | :13:30. | |
Yes, oh my God yes. Should you grow old gracefully or disgracefully? | :13:31. | :13:34. | |
Gracefully. Disgracefully. Definitely. I love getting older. | :13:35. | :13:39. | |
You don't care what other people think. We have more time. What about | :13:40. | :13:45. | |
romance? We get it where we can find it dear. And good luck Madame! | :13:46. | :13:51. | |
What exactly are you looking for? Fantastic dates. I am always looking | :13:52. | :13:57. | |
for that. Haven't found one yet You should be be able to be as gnawingty | :13:58. | :14:01. | |
as you want to be. What would you really like to do that is naughty? I | :14:02. | :14:05. | |
would like to have lots of young men. How many do you need in About | :14:06. | :14:15. | |
eight. One a day and one over? Yes. Are you a retired person Retired | :14:16. | :14:18. | |
firefighter, I do a day relaxing And your wife says? She says why don't | :14:19. | :14:28. | |
we go out for walks? What are you VIN vision Luizing? Being in the | :14:29. | :14:32. | |
shed. What was limiting your capacity to enjoy yourself when you | :14:33. | :14:37. | |
were younger? I was too sense. One gets crazier as you get older. You | :14:38. | :14:42. | |
get freer. You had all these years to perfect what you enjoy. I have | :14:43. | :14:47. | |
been perfecting that. I still like to have a drink. I can't drink as | :14:48. | :14:53. | |
much as I used to I must admit. Are you married? No. Have you ever | :14:54. | :14:59. | |
been married No Do you want to? Oh yes, but only to you. Are you a | :15:00. | :15:04. | |
married lady? No, life is hard enough, thanks. | :15:05. | :15:11. | |
Letters say that married and we must spend all of our time together? Will | :15:12. | :15:18. | |
it bring us closer? It will bring me very close! I look forward to that! | :15:19. | :15:24. | |
Thank you. You are going to grow old disgracefully! What is wrong with | :15:25. | :15:36. | |
that? That is fun! There you go! Funk not some snotty! They all | :15:37. | :15:46. | |
wanted to be quite naughty? That was the predominant thing. Boomers does | :15:47. | :15:52. | |
go after this thing, from what you have heard, what would you say | :15:53. | :15:57. | |
relates to the characters that you play? Personally, I am almost torn | :15:58. | :16:05. | |
between wanting to go for walks in the woods, bird-watching and doing | :16:06. | :16:10. | |
that and then wanting to work. And luckily, in our job, we can keep | :16:11. | :16:15. | |
working. It is not the kind of job when they say, you are 70, that is | :16:16. | :16:20. | |
it. No more work. My partner has been working with Dorian mantle, she | :16:21. | :16:27. | |
is 89 macro in a play at the national theatre. We can carry on. | :16:28. | :16:34. | |
But I think that a gin and tonic! That will sort me out. What about | :16:35. | :16:40. | |
your characters? Carol would very much identify with the lady who said | :16:41. | :16:44. | |
she would like to have nominate different men on the side. She will | :16:45. | :16:50. | |
try something new. -- to have eight men. That would be my take on what | :16:51. | :16:56. | |
Carol would do. In Boomers you're in a relationship. Shall we meet the | :16:57. | :17:02. | |
husbands? Carol, this is all good. Just lock the door. And movies over | :17:03. | :17:11. | |
here. You will lose several layers of skin if you roll off. How was | :17:12. | :17:17. | |
that? Five! Not on that one. That is Alan's. I do not want him involved. | :17:18. | :17:23. | |
Can you believe that she could some people? You don't want them thinking | :17:24. | :17:28. | |
badly of us. We paid for this! It cannot be helped. Get your own! This | :17:29. | :17:38. | |
just seems like Rooney and area for comedy because characters have spent | :17:39. | :17:44. | |
their time is working and now it is focusing on recreation and filling | :17:45. | :17:49. | |
their time. And this is where the magic comes from? But it is hard for | :17:50. | :17:55. | |
them, finding things to keep them busy and feeling important. Isn't | :17:56. | :18:03. | |
it? They just loving going off on all of these trips and when they get | :18:04. | :18:07. | |
onto the trip, it starts going wrong! And they regret doing this | :18:08. | :18:11. | |
and going camping. It is very well written because each individual is a | :18:12. | :18:17. | |
very clear character and that is what we all felt. It is very funny | :18:18. | :18:24. | |
but it also raises some issues, like the fact that people in their 60s | :18:25. | :18:31. | |
and 70s, they used to be retired for maybe ten years and they would start | :18:32. | :18:37. | |
to die off. Everybody is now living for so long, if you look across the | :18:38. | :18:42. | |
room at her husband, in our case, we have been married for 40 years and | :18:43. | :18:46. | |
you might have another 30 years ahead of you. And this is the first | :18:47. | :18:54. | |
time this has happened. Do you think this is a good reflection of the | :18:55. | :19:00. | |
baby boomers generation? It has everything in it in terms of that? | :19:01. | :19:04. | |
We are doing lots of things for the first time. They are full of energy | :19:05. | :19:09. | |
and they go out and do things. Things go wrong and they have | :19:10. | :19:13. | |
conflict but that is life. It is on a very nice level and it was such | :19:14. | :19:20. | |
fun. You play characters of a similar age to yourself, and you | :19:21. | :19:25. | |
mention baby boomers, do you feel privileged to have been part of the | :19:26. | :19:29. | |
generation that maybe went to university for the first time? I do. | :19:30. | :19:36. | |
I certainly do. I can remember when I got my place at drama school, | :19:37. | :19:39. | |
where parents did not have any money and I had no money and I was able to | :19:40. | :19:46. | |
get a grant to go to school. It was fantastic, they paid for everything | :19:47. | :19:49. | |
and I feel sorry for students today, because they take on these huge | :19:50. | :19:55. | |
debts and they sometimes get put off going to university or drama school | :19:56. | :19:58. | |
because they think they cannot take on all of that. And the price of | :19:59. | :20:03. | |
property increasing, three generation. We were lucky because | :20:04. | :20:12. | |
our parents fought in the war. And they have parents who had also | :20:13. | :20:15. | |
fought in a major war. And we escaped all of that. We escaped | :20:16. | :20:23. | |
National Service. We did get a good education. Very fortunate. The fun | :20:24. | :20:30. | |
side of that, you can see in the new series of ten three, which starts on | :20:31. | :20:36. | |
Friday at 9pm on BBC One. -- the new series of Boomers. | :20:37. | :20:37. | |
We're going to have a tipple in a moment with our | :20:38. | :20:42. | |
barman for the night - scientist Mark Miodownik | :20:43. | :20:44. | |
Mark thinks he's going to change the way we drink wine | :20:45. | :20:50. | |
But first, here's Marty with some inventors who've found another way | :20:51. | :20:58. | |
The humble washing machine has come a very long way from the days of top | :20:59. | :21:10. | |
loaders and mangles. But there is a new kid on the block which could | :21:11. | :21:13. | |
revolutionise the way that we wash clothes. This new washer uses up to | :21:14. | :21:20. | |
80% less water. Add half of the amount of detergent and electricity | :21:21. | :21:24. | |
than a typical machine. The secret is a rather unusual dirt buster. | :21:25. | :21:31. | |
There are about 1.5 million of these tiny plastic beads, each one of them | :21:32. | :21:38. | |
just if you millimetre is a cross, about the size of a peppercorn. They | :21:39. | :21:43. | |
might not look like much but they are keyed to slashing the laundry | :21:44. | :21:47. | |
bill. I am eating one of the brains behind this machine, Steve Jenkins. | :21:48. | :21:52. | |
-- meeting. What are they doing? Gently rubbing the surface of the | :21:53. | :21:58. | |
cloth as it goes around and tumbles so it is better than a conventional | :21:59. | :22:02. | |
machine, conventional machines just rub together or hit against the | :22:03. | :22:06. | |
surface of the drum to get the screening action and when you have | :22:07. | :22:10. | |
all of these little pairs of hands doing it, it is a better wash. There | :22:11. | :22:15. | |
is another remarkable way these beads can clean. They actually | :22:16. | :22:21. | |
attract stains. These nylon beads do this by acting a bit like a magnet. | :22:22. | :22:26. | |
It is all to do with their electrical charges. If you have a | :22:27. | :22:33. | |
stain on your clothes, that public also has an electrical charge and it | :22:34. | :22:36. | |
is attracted to the opposite charge. On this nylon. If, for example, I | :22:37. | :22:42. | |
have a piece of cloth, I have some iron filings. I will distribute that | :22:43. | :22:52. | |
liberally. And these yellow capsules are my super-sized nylon beads. As a | :22:53. | :22:59. | |
rule them over, the filings are pulled towards them. And the beads | :23:00. | :23:05. | |
have one last trick. Once the nylon balls get a hold of a stain, like | :23:06. | :23:10. | |
this coloured liquid, they will not get it -- let it go. Gentle shake. | :23:11. | :23:23. | |
If I take a piece of cloth... Give this a good press. None of the | :23:24. | :23:29. | |
colour comes out. It has been trapped by the opposing electrical | :23:30. | :23:36. | |
charge in the nylon beads. But how good will they be at attracting a | :23:37. | :23:43. | |
really tough stain? To help us out by the rugby players of Sheffield | :23:44. | :23:48. | |
Hallam University. They are getting nice and steady. -- dirty. OK, | :23:49. | :23:58. | |
that's enough. Get changed and give me your dirty kit. Back at the lab, | :23:59. | :24:06. | |
the beads get to work, using a fraction of the water, detergent and | :24:07. | :24:11. | |
electricity used by a normal washing machine. When the cycle is finished, | :24:12. | :24:16. | |
the beads are trapped in a drawer at the bottom, where they can be reused | :24:17. | :24:20. | |
for another 1000 loads before being recycled. Although there are some | :24:21. | :24:25. | |
stray ones. Overall, everything has scrubbed up well. The machines are | :24:26. | :24:31. | |
currently being used in hotels and laundries in the UK and America. The | :24:32. | :24:34. | |
inventors hope to have one for the home NFU years. -- in a few. I... | :24:35. | :24:40. | |
That! -- do not know about that. We're in our One Show bar now | :24:41. | :24:45. | |
with Mark, who's got a purely scientific approach to making | :24:46. | :24:49. | |
drinks taste better This is a fact! Food as well? You're | :24:50. | :25:00. | |
having a cook tonight against Marcus Wareing. | :25:01. | :25:02. | |
Why do you think your scientific approach is better? | :25:03. | :25:06. | |
Cooking is chemistry. We all know that. Understanding chemistry means | :25:07. | :25:13. | |
you will understand cooking better. There is also the health aspect, | :25:14. | :25:18. | |
markers uses a lot of butter and salt in his food. Can I cook as well | :25:19. | :25:24. | |
as him, better than him, but not used such amazing amounts of fat. It | :25:25. | :25:31. | |
was a big challenge. Quite intimidating. I was in the kitchen | :25:32. | :25:36. | |
with him for five days, and you are saying, what are you doing? He was | :25:37. | :25:38. | |
putting me off my game. Let's have a look at a clip | :25:39. | :25:40. | |
from tonight's programme, where Marcus is less than impressed | :25:41. | :25:44. | |
with one of Mark's dishes. Oh my God! You're kidding me? Can I | :25:45. | :26:05. | |
try? Are you serious? It is potato. Do you know what comes out first? | :26:06. | :26:14. | |
Suite. They are sweet. How can you get potatoes wrong? Honestly expect | :26:15. | :26:20. | |
try making delicious mashed potato without lots of butter? It is mostly | :26:21. | :26:22. | |
butter with potato. Luckily there aren't any | :26:23. | :26:27. | |
potatoes here tonight. We do have champagne and I've got | :26:28. | :26:29. | |
three glasses here - The key is a type of glass that you | :26:30. | :26:57. | |
drink from? Who shook that? That shows you why Champagne is so | :26:58. | :27:00. | |
celebrate. And it is not just the cost, it is the gas, we have lost | :27:01. | :27:06. | |
some bubbles but we can see them coming out, that is the theatre. | :27:07. | :27:10. | |
That is not the only thing bubbles are doing. They are collecting | :27:11. | :27:14. | |
flavour in the liquid and delivering it to the surface and popping that | :27:15. | :27:19. | |
into your nose. In a lot of flavour is the smell. Food and drink. Have a | :27:20. | :27:28. | |
little swig. Who is having the best champagne experience based on the | :27:29. | :27:35. | |
glass? I will have to have another swig. I am soaking! Very nice. Me! | :27:36. | :27:45. | |
Because of the shape? I think it might be Alison. Because of the | :27:46. | :27:52. | |
bubbles. But this is very nice. It is the tulip glass, giving the best | :27:53. | :27:58. | |
experience on average. What is happening is these bubbles are not | :27:59. | :28:00. | |
only delivering that flavour, into the air, but they are circuiting the | :28:01. | :28:06. | |
liquid and are collecting more flavour and the way the bubbles act | :28:07. | :28:11. | |
in the coupe is not so good, there are dead zones, the flute does that | :28:12. | :28:16. | |
nicely, straight into the nose but the great thing about the tulip is | :28:17. | :28:20. | |
it concentrates that. You can see that dead zone. When you compare | :28:21. | :28:27. | |
that to the flute... You can see how beautiful and wonderful everything | :28:28. | :28:30. | |
is, it is all happening. Talking of things happening. We have a blender. | :28:31. | :28:39. | |
Red wine. Why the blender? You are cooking for people, I have not let | :28:40. | :28:45. | |
the wine breathe. Do we have 30 minutes? No. So, get out the | :28:46. | :28:51. | |
blender. I will pour out half of this into the blender. And I have a | :28:52. | :28:56. | |
way to make this breathe, which is perhaps unusual but very effective. | :28:57. | :29:00. | |
A little bit more. You do the normal one. Before and after. I will pour a | :29:01. | :29:09. | |
glass. What you are saying is putting air into this does it | :29:10. | :29:15. | |
quickly? This is very fast breathing and the oxygen is getting in there, | :29:16. | :29:22. | |
it is acting... As this settles. We are tasting before. There you go. | :29:23. | :29:31. | |
Obviously, that is just the same bottle of wine. Taste that. I'm sure | :29:32. | :29:38. | |
the dinner guests will be delighted that they are being served from a | :29:39. | :29:44. | |
blender! In my place, they are! Do you want me to? You have got that in | :29:45. | :29:50. | |
your mind. Hold that tone and flavour. And the blended version... | :29:51. | :29:57. | |
This is a perfect setting with the music. Demis Roussos! Any | :29:58. | :30:05. | |
difference? This is much richer. Better. And it holds down that | :30:06. | :30:14. | |
sharpness. You are right. You can take away a lot of the fruitiness, | :30:15. | :30:17. | |
you can lose some flavour by doing that. We are going to eat some | :30:18. | :30:21. | |
chocolate mousse. And we will eat this... In a very unusual way. | :30:22. | :30:28. | |
Chocolate mousse is delicious but by drinking water with that, | :30:29. | :30:32. | |
particularly mineral water, you can really enhance the flavour in your | :30:33. | :30:33. | |
mouth. Thank you Mark, you can see how he | :30:34. | :30:44. | |
gets on against Marcus Wareing in Chef v Science - The Ultimate | :30:45. | :30:49. | |
Kitchen Challenge. Now this weekend sees another | :30:50. | :30:54. | |
head-to-head take place, when Cambridge challenge current | :30:55. | :30:57. | |
champions Oxford in the Boat Race and former competitor Dan Snow is | :30:58. | :31:00. | |
shining some light on what makes a winning crew. | :31:01. | :31:08. | |
Long pokes sure photography crating pictures with light in the dark is a | :31:09. | :31:14. | |
it can knee we are keen on, we used it to illuminate the Peak District. | :31:15. | :31:20. | |
Last year we lit up the Brecon Beacons, having achieved it in the | :31:21. | :31:24. | |
water we thought we would try one on the water. Who better to help than | :31:25. | :31:29. | |
elite rowing team, an elite rowing team making history. | :31:30. | :31:34. | |
The Oxford-Cambridge Boat Race is one of the world's oldest sporting | :31:35. | :31:40. | |
events and one I competed in myself three times, it wasn't until 2015 | :31:41. | :31:44. | |
the women's race was contested on the same stretch as the men's. | :31:45. | :31:48. | |
History is made as the women's Boat Race is under way in 2015. Taking | :31:49. | :31:53. | |
part that day on the winning team for Oxford and helping The One Show | :31:54. | :31:57. | |
with tonight's photo challenge, were Maddie, Lauren and Anastasia. | :31:58. | :32:01. | |
They are in the middle of a gruelling winter training regime in | :32:02. | :32:05. | |
preparation for this year's race and back at the boat house the | :32:06. | :32:10. | |
photographer Andrew is rigging four of the oars with colour changing | :32:11. | :32:16. | |
LEDs, when he photographs the oars at night it should capture them as a | :32:17. | :32:19. | |
single stream of light. Revealing the hidden pattern of their strokes. | :32:20. | :32:23. | |
There is all sorts of things that could go wrong, water and | :32:24. | :32:27. | |
electricity don't really mix. We have had to convert the lights to | :32:28. | :32:32. | |
battery pack, they could fall off. Where do you take the pictures from? | :32:33. | :32:36. | |
We need to get elevation, so we are shooting from a bridge, as the boat | :32:37. | :32:40. | |
moves towards us, we start to see the patterns of the oars moving | :32:41. | :32:45. | |
forwards and backwards. That is scary for the rowers because they | :32:46. | :32:49. | |
will be caught out. Timing and staying synchronised is important. | :32:50. | :32:52. | |
From above you can see who is not quite in time with everyone else. | :32:53. | :32:59. | |
Maintaining perfect timing is one of rowing's greatest challenges so | :33:00. | :33:02. | |
tonight's photo will put them under some pressure, but it will be | :33:03. | :33:05. | |
nothing compared to what they will face on race day. It is fairly | :33:06. | :33:09. | |
brutal time of year, the weather can be awful. I tend to forget what it | :33:10. | :33:13. | |
is like to have good weather, you keep going. What about last year, | :33:14. | :33:18. | |
you made history, you were the President, the captain, that was | :33:19. | :33:21. | |
that incredible? It was incredible. At the time you were taking one day | :33:22. | :33:25. | |
at a time, rowing is awesome, looking back it is wow, we did that, | :33:26. | :33:31. | |
we made history, we won the first women's Boat Race, it was an honour. | :33:32. | :33:34. | |
This year is special because we just get to think about the row, every | :33:35. | :33:37. | |
year is a New Year and we are billing a new team. We have so | :33:38. | :33:41. | |
excited. Tonight you are sitting it out because you are not tough enough | :33:42. | :33:45. | |
to come rowing in the dark, you are going to be many in the boat. I am. | :33:46. | :33:50. | |
Is it going to be weird? I is. I haven't rowed in the dark for a | :33:51. | :33:54. | |
while, the river is quite high. Your oar is going to be covered in lights | :33:55. | :33:58. | |
so we will see if you are time with the rest of the crew. Yes that is | :33:59. | :34:02. | |
unfortunate. I am stroking so everyone else has to be in time with | :34:03. | :34:06. | |
me. As night falls Andrew takes up position on the bridge. From his | :34:07. | :34:11. | |
location, the boat will pass directly beneath him. It is down to | :34:12. | :34:15. | |
athletes who back at the boat house are warming up they will need to be | :34:16. | :34:19. | |
on perfect form because their accuracy will make or break the | :34:20. | :34:22. | |
photo. The lights are on and they set off on course. Can you give us | :34:23. | :34:29. | |
an ATA. He is exposing the photo for two minute, long enough to cap | :34:30. | :34:33. | |
Thursday the full zwrurny as a single trail of light. I can see the | :34:34. | :34:36. | |
purple lights coming down the river bank. But the first time attempts | :34:37. | :34:42. | |
using purple are unsuccessful. The crew are starting the feel the cold | :34:43. | :34:46. | |
but agree to one last attempt. Let us change colour, over. | :34:47. | :34:50. | |
And for the final shot, they go for gold. | :34:51. | :34:57. | |
But what will the image actually look like? OK, here is the moment of | :34:58. | :35:02. | |
truth. I am so excited. Let's see. There it is. For the first time. No | :35:03. | :35:08. | |
way! That is not what I was expecting. And there you have it. | :35:09. | :35:14. | |
Eight elite athletes illuminated. Not just a work of art but a | :35:15. | :35:18. | |
consistency of stroke patterns that tells me the Oxford boat this year | :35:19. | :35:25. | |
is in safe hands. Nobody saw that one coming. I just | :35:26. | :35:29. | |
thought it would be, straight lines of gold. It is fantastic. Absolutely | :35:30. | :35:36. | |
beautiful. And as far as down on the water was concern, Dan has a | :35:37. | :35:41. | |
documentary coming up. Boomers about the baby boomer generation but they | :35:42. | :35:43. | |
represent lots of other big social the baby boomer generation but they | :35:44. | :35:47. | |
change, they gave us the young professional female who Paula played | :35:48. | :35:51. | |
in Man About the House and here is a clip from the very first episode in | :35:52. | :35:55. | |
1973. You got some shaving cream? Yes it | :35:56. | :36:00. | |
is out there with my pipe and rugger boots. You haven't got any? No. How | :36:01. | :36:06. | |
about this? Would that do? Yes, that should be all right. That is fine. | :36:07. | :36:14. | |
What is it? We use it for cleaning the bath. Brilliant. Brilliant. I | :36:15. | :36:19. | |
mean at the time, when it came out it was huge. It was really quite | :36:20. | :36:25. | |
edgy for its time. Because of a man sharing a flat with two women. | :36:26. | :36:29. | |
And... Did row know, did it feel at the time when it was broadcast. It | :36:30. | :36:35. | |
was fun. It didn't feel edgy at all because in those days sit comes were | :36:36. | :36:40. | |
very safe territory, so they took care that there was never any | :36:41. | :36:45. | |
danger, you know, of anybody getting into you know, any trouble, so it | :36:46. | :36:49. | |
was just, it was just a joy, it was a real... Your character was a | :36:50. | :36:54. | |
really strong young female, feisty as we said, did you sense at the | :36:55. | :36:58. | |
time that things were changing for young women? I think we did. I think | :36:59. | :37:04. | |
we did in the 60s really more even than the 70s, because we suddenly, | :37:05. | :37:09. | |
like I was at school but we were wearing mini skirts and there was a | :37:10. | :37:13. | |
lot of kind of rebellion in the air, there was a lot of we are not going | :37:14. | :37:17. | |
to take this kind of you know, Government, we are not going to take | :37:18. | :37:21. | |
you know, any nonsense, we are young, but we know where we are | :37:22. | :37:26. | |
going, we know what we want to do next, and you know, as Alison said | :37:27. | :37:33. | |
we got grants to study, we had a lot of help, we, standards were quite | :37:34. | :37:37. | |
different. Very different from how it is now. You got to enjoy the | :37:38. | :37:44. | |
finer things in life as you got older, and keeping up with the | :37:45. | :37:46. | |
Jones' thing, we alluded to it earlier on in the wine item, this | :37:47. | :37:53. | |
was classic example was you playing Beverley in Abigail's Party. We have | :37:54. | :37:58. | |
to play it. If everybody wants to listen to | :37:59. | :38:05. | |
Demis Roussos, we will put him on. Tom, do you like Demis Roussos? He | :38:06. | :38:12. | |
is all right. He is fantastic Sue? I don't know him. He is lovely. Sue, | :38:13. | :38:19. | |
would you like to hear him? Yes. Lawrence, Angela likes Demis | :38:20. | :38:23. | |
Roussos, Tony likes Demis Roussos, I like Demis Roussos, and Sue would | :38:24. | :38:26. | |
like to hear Demis Roussos. So please, do you think we could have | :38:27. | :38:38. | |
Demis Roussos on? Yes. Thank you. APPLAUSE. Who came up with the idea | :38:39. | :38:43. | |
that Demis Roussos would be symbolic then of the argument between Bev and | :38:44. | :38:47. | |
her husband? Originally it was a stage play and we had different | :38:48. | :38:51. | |
music, in the stage play, but when we came to do it on television they | :38:52. | :38:55. | |
said we can't copyright reasons, and if it went to America, they couldn't | :38:56. | :39:01. | |
afford it and so, we had to choose, so we sat down and you know, I | :39:02. | :39:06. | |
discussed with Mike Leigh, what would she like, what would be the | :39:07. | :39:11. | |
next choice? Demis Roussos was so obvious, because she has that sort | :39:12. | :39:16. | |
of sexy thing and there was lots of nice jokes we could make about he | :39:17. | :39:21. | |
doesn't sound fat even though he is. The syllables in Demis Roussos. Yes, | :39:22. | :39:27. | |
and she could sway round the room, and you know, flirt with Tony, | :39:28. | :39:33. | |
and... He was huge at the time wasn't he. Yeah, it was good fun. | :39:34. | :39:45. | |
Right earlier on we asked for photos of people whoed you would like them | :39:46. | :39:49. | |
to give up their collections. This is Reggie's collection of nuts and | :39:50. | :39:54. | |
bolts. That looks like a supermarket. No wonder he is holding | :39:55. | :40:03. | |
his cuppic like that. This is Luizia's husband's collection of | :40:04. | :40:06. | |
football programmes and Jeanette's husband's kite collection. He has | :40:07. | :40:10. | |
over 1,000. That is a pretty one. They are lovely. Reef outside, they | :40:11. | :40:15. | |
are not just here to play, they are holding up pictures, who you got? We | :40:16. | :40:20. | |
have Kevin's beer mat collection. Wow. OK. Jack, do you reckon that | :40:21. | :40:26. | |
Kevin should give it up or keep it? As long as he has drunk every one of | :40:27. | :40:31. | |
those beers he should keep on going. We agree. I will hold that one up, | :40:32. | :40:39. | |
these three, the kites, the nuts and bolts and the football programmes, | :40:40. | :40:45. | |
which should they go up. I don't think there is any competition is | :40:46. | :40:50. | |
there? You love that you would buy that election too, wouldn't you. It | :40:51. | :40:55. | |
would fit in with the rawl plugs. In the apprentice us the Nick Hewer | :40:56. | :41:00. | |
relished in monitoring the candidate as they completed task for Lord | :41:01. | :41:04. | |
Sugar. We have sent Nick a marketing challenge like no other. | :41:05. | :41:10. | |
My career was built round launching products. I would like to think I | :41:11. | :41:15. | |
was pretty good at it. It is one thing creating a strategy to market | :41:16. | :41:19. | |
a computer, but what about changing the public perception of some of our | :41:20. | :41:25. | |
least popular wildlife? Today it is rats. Volting. Vermin. The rat a as | :41:26. | :41:32. | |
brand is in desperate need of revival. To convince myself I | :41:33. | :41:36. | |
believe in this product, I have come to a gathering of the national fancy | :41:37. | :41:42. | |
rat society. You have to involve a long way to find somebody who likes | :41:43. | :41:45. | |
vermin as much as you clearly do. What is so special about this rat? | :41:46. | :41:52. | |
They make really affectionate pet, they are clean, friendly. Oh. On the | :41:53. | :41:57. | |
shoulder. Affectionate. All the rest of it. I had a dog that was all of | :41:58. | :42:01. | |
those thing, you have to have something that makes them stand out. | :42:02. | :42:05. | |
What do you have? You can teach them trick, they love to learn. They are | :42:06. | :42:09. | |
food orientated so they learn very quickly. OK, so rats have got a lot | :42:10. | :42:13. | |
going for them but rat fanciers would say that, the challenge is how | :42:14. | :42:19. | |
to convince the wider public. When we launched the first mass market | :42:20. | :42:23. | |
word processors all those years ago, what clinched it for us was an ad | :42:24. | :42:29. | |
campaign, only 30 secs long but it reached millions. And rapidly | :42:30. | :42:34. | |
changed people's perceptions. To make our rat advert I have enlisted | :42:35. | :42:39. | |
the help of director Rob. What have you dug up? We have gathered some | :42:40. | :42:45. | |
natural history footage together. What is it telling me? Doesn't make | :42:46. | :42:51. | |
them admirable at all. I read this extraordinary article I told you | :42:52. | :42:55. | |
about it, the hero rats in Africa, did you track anything down? We have | :42:56. | :43:00. | |
some of that footage here, it is pretty remarkable. They could clear | :43:01. | :43:06. | |
a mine field something like 200 time faster than you or I. What does it | :43:07. | :43:11. | |
tell us about them? That they are smart, and they are worthwhile. Does | :43:12. | :43:15. | |
it make them any more loveable? Maybe we could build a campaign that | :43:16. | :43:20. | |
eases us towards admiration and from there we can tip it over into | :43:21. | :43:24. | |
affection. You have to appeal to the heart as well as the head. What else | :43:25. | :43:29. | |
do you have? I have got some great footage here, that I found on the | :43:30. | :43:34. | |
internet. This is somebody who has trained their rats to do certain | :43:35. | :43:39. | |
tricks are. Muir is so good. That is where the heart kicks in. Go in on | :43:40. | :43:45. | |
this. Then come out on the more serious stuff. The idea we have come | :43:46. | :43:49. | |
up with involves the construction of a miniature set, the cooperation of | :43:50. | :43:52. | |
Oscar the rat and some hard thinking in the cutting room. | :43:53. | :43:56. | |
What we have to come up with is a title. What about just Love a Rat? | :43:57. | :44:07. | |
It is posing a question people think they know the answer to. We have | :44:08. | :44:11. | |
some music, we have to get your thoughts on this. Nice. I like that. | :44:12. | :44:21. | |
It is funny. It shows them being intelligent, appeal, and there is a | :44:22. | :44:25. | |
message all in one shot. To put our ad to the test we are | :44:26. | :44:31. | |
showing the film to some randomly selected members of the public. | :44:32. | :45:12. | |
There you have it. Hopefully we have convinced at least a few people that | :45:13. | :45:23. | |
rats are not so from this after all. -- not vermin, after all. Very good. | :45:24. | :45:30. | |
I am a convert! This is a thing. We show that advert to 19 people. How | :45:31. | :45:36. | |
many of them do you think you converted? I would pray almost all | :45:37. | :45:40. | |
of them. There are always some awkward once. We don't have the | :45:41. | :45:45. | |
results, Oscar has them. Let us have a look. He is very talented! 14! | :45:46. | :45:58. | |
Very good! It wasn't easy. We can get people to admire them and | :45:59. | :46:01. | |
eventually they like them, they are very cuddly. They are like my | :46:02. | :46:08. | |
hamster, what with tales. What about you? I love rats, I think they have | :46:09. | :46:14. | |
a bad name, they are brilliant creatures. Clean. I have heard of | :46:15. | :46:20. | |
people having pet rats. They are quite popular. In the days I lived | :46:21. | :46:26. | |
in, they had white rats and I used to take them out of the cage and | :46:27. | :46:32. | |
struck them. Very sweet. This is important, the colour is very | :46:33. | :46:36. | |
important. Caramilk coloured or white, it is the black rats, they | :46:37. | :46:43. | |
are worrying us. We have to to move on. Other PR successes. What about | :46:44. | :46:50. | |
the contents of this little box? That is extraordinary, do you know | :46:51. | :47:00. | |
what is in there? It is a little pebble, with lots of personality, | :47:01. | :47:03. | |
and it is as simple but when you put this in a box with holes and | :47:04. | :47:08. | |
instructions and some straw, it takes on a personality. It was a | :47:09. | :47:12. | |
huge success. It made the man millions. If you do not name your | :47:13. | :47:18. | |
pet rock, it will never become a good listener! It is lovely. And | :47:19. | :47:24. | |
when you get your pet rock out of the box and looks nervous, put it on | :47:25. | :47:28. | |
some newspaper, you know what happens. And then it will settle | :47:29. | :47:37. | |
down! Alison is like, what? It is good for children and parents. It | :47:38. | :47:41. | |
was very clever. What about bottled water? This was a huge success? In | :47:42. | :47:48. | |
the 1970s, 20 million litres of bottled water sold, people happy to | :47:49. | :47:54. | |
fill up from the tap. Somebody came along and said, no, and it was | :47:55. | :47:57. | |
Perrier, they said that we will sell very sophisticated French water in | :47:58. | :48:02. | |
the collared bottle with a charming Labour -- label and the advertising | :48:03. | :48:08. | |
was brilliant and the market boomed. It was astonishing. Last year, 2.61 | :48:09. | :48:14. | |
billion litres of bottled water sold. The content is pretty much all | :48:15. | :48:18. | |
the same, the genius is in the packaging. To give you what | :48:19. | :48:22. | |
personality, maybe they taste slightly different. But a brilliant | :48:23. | :48:28. | |
marketing thing. The more they charge, the better you think it is. | :48:29. | :48:33. | |
Obviously, there is a lot of bottled water, and some people say it tastes | :48:34. | :48:39. | |
better than Perrier. And there is a hotel but offers a water menu? In | :48:40. | :48:46. | |
Belfast. And there is one in Italy, and it was something like 80 euros | :48:47. | :48:52. | |
for a bottle with a fake jewels stuck on the bottle. They say this | :48:53. | :49:00. | |
is from a certain spa, how much water can still be coming out of | :49:01. | :49:05. | |
this rock that is still sparkling naturally? The mind boggles. We have | :49:06. | :49:12. | |
a little clip with a lady with a net. This is unbelievable? Pure | :49:13. | :49:25. | |
genius, this lady is air farming, capturing air and putting it into a | :49:26. | :49:30. | |
jar and putting a label on it and selling it for ?80 in China. Why? | :49:31. | :49:36. | |
Because they know, this genius, knows that in China, luxury is the | :49:37. | :49:41. | |
big thing. And they are selling them. And on that note! Marketing | :49:42. | :49:47. | |
genius! Time now for a very important | :49:48. | :49:50. | |
announcement about one Something we have never done before. | :49:51. | :50:00. | |
We don't know who we will be doing this with, or where. We have brought | :50:01. | :50:06. | |
to the One Show from some of the biggest festivals. Live at | :50:07. | :50:11. | |
Glastonbury! From the Edinburgh Festival and other famous locations. | :50:12. | :50:15. | |
Live at Hampton Court. Buckingham Palace! We want to bring the One | :50:16. | :50:23. | |
Show to your place. We are leaving the studio and if you would like to | :50:24. | :50:28. | |
see our sofa in the middle of your village green, we would love to hear | :50:29. | :50:30. | |
from you. So please do not be shy. Send us an email with the subject | :50:31. | :50:35. | |
line One Show Village and tell us why we should be heading | :50:36. | :50:38. | |
your way this summer. We want you to be involved | :50:39. | :50:41. | |
in the planning of the show. We want to stay over. We will need | :50:42. | :50:55. | |
somebody's living room to put the lilo on! Get in touch! | :50:56. | :51:03. | |
Paula, you're about appear in a new sitcom with David Mitchell | :51:04. | :51:06. | |
It is a period comedy? David Mitchell is playing Shakespeare and | :51:07. | :51:15. | |
I play his mother and Ben Elton wrote this. Like Blackadder? It is | :51:16. | :51:23. | |
about Shakespeare and all of those days and it is very well researched | :51:24. | :51:26. | |
and terribly funny. I think! Looking forward to it. | :51:27. | :51:32. | |
Logistics for any high-profile sporting event can be complicated, | :51:33. | :51:34. | |
but you wouldn't expect the list of requirements to include extra big | :51:35. | :51:37. | |
beds, special detachable showers and weight-tested lavatories. | :51:38. | :51:40. | |
They do make sense, though, for certain type of athlete. | :51:41. | :51:50. | |
martial art at a way of life. Wrestlers live according to strict | :51:51. | :51:59. | |
rules and rituals dating back 1500 years. But in 1991, and Danish man | :52:00. | :52:06. | |
made a radical break with the agent tradition and he organised the first | :52:07. | :52:10. | |
ever five-day sumo tournament outside of Japan. It was held right | :52:11. | :52:17. | |
here at the Royal Albert Hall. What happened outside the ring was just | :52:18. | :52:21. | |
as dramatic and seriously heavy duty. Martin Campbell White was the | :52:22. | :52:30. | |
mastermind behind the whole thing. I come from an organisation that looks | :52:31. | :52:34. | |
after classical musicians and went to Japan in 1983 with orchestra and | :52:35. | :52:38. | |
it turned on the television and every night there was a sumo | :52:39. | :52:41. | |
tournament and I became hooked and thought, this would be great in | :52:42. | :52:46. | |
London. To realise his dream, Martin invited the sumo elders to London. | :52:47. | :52:54. | |
And the thing that changed the deal was a 120-year-old piece of | :52:55. | :52:58. | |
Victorian architecture. The original sumo arena in Tokyo was, in fact, a | :52:59. | :53:04. | |
round building so when I brought the sumo elders to the Albert Hall, they | :53:05. | :53:10. | |
drew breath in amazement and said, this is the place. First, the | :53:11. | :53:16. | |
Victorian concert Hall had to meet the strict requirements of sumo. We | :53:17. | :53:22. | |
had to make a ring. Insisting on a special sort of clay and sand with | :53:23. | :53:29. | |
the right consistency. And the right chemical components. How did you get | :53:30. | :53:35. | |
all of that in? Wheelbarrows! Loads and loads of labours. We only had | :53:36. | :53:40. | |
three days to get things ready so it was nail-biting by the end. London | :53:41. | :53:45. | |
had never seen anything like the giant sumo. Most of them weighing | :53:46. | :53:52. | |
between 17 and 21 stone and the hotel had to put major plans into | :53:53. | :53:59. | |
place. The meals had to be guaranteed normal portion and a | :54:00. | :54:04. | |
half, it should be but they so they can come back for second and third | :54:05. | :54:06. | |
helpings. The beds had to be lengthened by about two feet. The | :54:07. | :54:12. | |
toilets were strengthened because of that and minds -- immense amount of | :54:13. | :54:17. | |
blubber on the toilet seat could be damaging. But the rituals of sumo | :54:18. | :54:22. | |
demand some things you will never find in London. Liz Harbour is an | :54:23. | :54:27. | |
archivist at the Albert Hall. What sort of things did you manage to | :54:28. | :54:31. | |
save from the tournament? This is the ceremonial broom, the officials | :54:32. | :54:35. | |
use this to sweep the sand on the ring. Bamboo? This was buried | :54:36. | :54:44. | |
halfway into the ring to denote the outskirts and the sumo wrestler went | :54:45. | :54:47. | |
outside, they were knocked out. On the 9th of October 1991, but HBM | :54:48. | :54:55. | |
precisely, the lights went down. The ceremonial gong sounded. -- at eight | :54:56. | :55:03. | |
o'clock precisely. It was showtime. Linda was one of the stewards. | :55:04. | :55:09. | |
Walking in and seeing the ring and the people and they were mesmerised. | :55:10. | :55:14. | |
It was just amazing. Who was the big star? That was Dump Truck, he was | :55:15. | :55:22. | |
huge but gentle. Everybody applauded him. Those memories are very special | :55:23. | :55:25. | |
to me. He takes it! Hokotoumi was the winner and the | :55:26. | :55:45. | |
British infatuation with sumo was short-lived. But it faded from | :55:46. | :55:50. | |
television screens and also faded from popular consciousness and has | :55:51. | :55:53. | |
never been back to Britain since. For five nights in 1991, it really | :55:54. | :55:56. | |
was the biggest show in town. For five nights in 1991, it really | :55:57. | :56:02. | |
can't believe For five nights in 1991, it really | :56:03. | :56:06. | |
every year! Do I look like similar wrestler tonight! A little bit! We | :56:07. | :56:12. | |
were asking for hobbies you want family members to give up and this | :56:13. | :56:15. | |
is Paul's motor home magazine collection. Nick from Norwich | :56:16. | :56:23. | |
collects trainers. Quite a nice thing to collect. Nice choice. Paul | :56:24. | :56:30. | |
and Alison, thank you for coming in. Thank you to all the guests. | :56:31. | :56:32. | |
The new series of Boomers starts on Friday at 9pm on BBC One. | :56:33. | :56:35. | |
We'll be back tomorrow talking about the biopic of Eddie the Eagle | :56:36. | :56:38. | |
with the man himself - Eddie the Eagle! | :56:39. | :56:40. | |
But for now, with their new single, How I Got Over, it's Reef! | :56:41. | :56:43. | |
# You know, my soul looks back and wonders how I got over | :56:44. | :57:12. | |
# I wanna thank him because he brought me | :57:13. | :57:21. | |
# I wanna thank him because he taught me | :57:22. | :57:24. | |
# I wanna thank him because he kept me | :57:25. | :57:27. | |
# I wanna thank him cos he never left me | :57:28. | :57:30. | |
# I'm gonna shout it out, troubles over | :57:31. | :57:39. | |
# You know, my soul looks back and wonders | :57:40. | :57:41. | |
# I'm gonna shout it out, troubles over | :57:42. | :58:17. | |
# You know, my soul looks back and wonders | :58:18. | :58:32. | |
# I'm gonna shout it out, troubles over | :58:33. | :58:59. | |
# You know, my soul looks back and wonders | :59:00. | :59:08. |