Browse content similar to 25/04/2016. Check below for episodes and series from the same categories and more!
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thunder, lightning and hail to reach the fishermen. | :00:00. | :00:07. | |
Hi, there. You join us for this breaking news report on a huge super | :00:08. | :00:13. | |
hero fight that's currently in progress. As you can see behind us, | :00:14. | :00:17. | |
all hell is breaking loose. And the only way we are gonna keep peace in | :00:18. | :00:20. | |
this city tonight is to keep these guys apart. There's only one hero | :00:21. | :00:27. | |
who can save us now! Props Man! Better get started then. Thanks, | :00:28. | :00:31. | |
Dave. The American accent's good, isn't it? ! | :00:32. | :00:42. | |
Hello and welcome to The One Show with Alex Jones and Matt Baker. | :00:43. | :00:49. | |
Tonight our guests are two movie superheroes on opposite sides of the | :00:50. | :00:54. | |
biggest comic book fight ever. Good job Dave, we have to say that. We | :00:55. | :00:59. | |
are going to try to keep these guys apart tonight. Dave's already split | :01:00. | :01:03. | |
the studio in half which is a one show first. Feels slightly bad but | :01:04. | :01:08. | |
I'm enjoying it. Making his way to the studio is a | :01:09. | :01:13. | |
member of Team Iron Man. It's Paul, The Vision Bettany. | :01:14. | :01:21. | |
Welcome back! Now shall we welcome from team Captain America, Anthony | :01:22. | :01:28. | |
the Falcon Mackie. What's up, big man? I brought you | :01:29. | :01:43. | |
guys some gifts. Oh, look at this. Thank you so much. You've made the | :01:44. | :01:47. | |
right choice, thank you. Were you aware we were scoring this? No idea. | :01:48. | :01:55. | |
We've already got one for the gifts. This is the thing, because the film | :01:56. | :01:59. | |
is called Captain America's Civil War, we thought we'd keep that theme | :02:00. | :02:03. | |
going so we are going to pit you against each other and award a point | :02:04. | :02:11. | |
for best entrance we think. We've done that. I thought that was for | :02:12. | :02:17. | |
the gift. Do you want another one? Sorry, Paul. Are you genuinely kind | :02:18. | :02:26. | |
of competitive in real life? No. Yes. Wildly. Yes. No. If just you | :02:27. | :02:33. | |
and I could reach hands across this table and just, I would I would take | :02:34. | :02:39. | |
this table with me. Let's just make friends. No. I'm showing a lot... | :02:40. | :02:52. | |
Really? ! Very good, very good. Listen, if you are having your own | :02:53. | :02:56. | |
Civil War going on at home, then we would like to try and solve it | :02:57. | :03:00. | |
tonight with the help of these guys. If you have a long-running issue or | :03:01. | :03:05. | |
argument you need settling, send in a photo of yourselves giving both | :03:06. | :03:08. | |
points of view and we'll get Paul and Anthony to try to offer their | :03:09. | :03:10. | |
solutions. Points will be awarded. Now, the Battle of Britain's biggest | :03:11. | :03:28. | |
traffic jam. It's a local's versus the council story. Can Dom | :03:29. | :03:38. | |
Littlewood keep the peace? Spring has sprung in this corner of Kent. | :03:39. | :03:43. | |
Morning. Until she retired, Dolly ran a | :03:44. | :03:59. | |
business in this quintessential village. The peace and quiet has | :04:00. | :04:05. | |
been threatened since Highways England have decided this is the | :04:06. | :04:21. | |
best place to build a park. Dolly and her neighbours are not happy. | :04:22. | :04:30. | |
The biggest thing for us is the environment issue. There is an | :04:31. | :04:41. | |
unprecedented amount of diesel fumes towards the rural community. | :04:42. | :04:46. | |
Stanford is close to Dover and Folkestone. Last year when ferry | :04:47. | :04:51. | |
crossings were disrupted 32 times, either by industrial action migrants | :04:52. | :04:57. | |
in Calais, the M20 became a giant holding bay in Operation Stack. To | :04:58. | :05:05. | |
get an idea of how big a scale we are talking about here, this massive | :05:06. | :05:09. | |
flying machine is going to go up there and get some shots. Stand | :05:10. | :05:11. | |
back, guys. Off you go! We are Fawkesing approximately 100 | :05:12. | :05:28. | |
football pitches. The lake is going to need a drainage system the size | :05:29. | :05:35. | |
of 24 Olympic swimming pools. Guess what, we are just the other | :05:36. | :05:39. | |
side of the village. That's Stanford. You can see why the locals | :05:40. | :05:43. | |
feel someone's got it in for them. We talk of nothing else. Our minds | :05:44. | :05:48. | |
are full of it. I can't concentrate on anything else. We don't sleep. | :05:49. | :05:51. | |
It's devastating our lives at the moment. Haulage companies, Highways | :05:52. | :05:58. | |
England, the local council and truckers all say the lorry park is | :05:59. | :06:02. | |
sorely needed. And getting stuck in a stack for days at a time is no | :06:03. | :06:10. | |
picnic for drivers, like Dave Pask? The lack of facilities, toilets, | :06:11. | :06:13. | |
washing facilities, fresh drinking water. It just becomes a complete | :06:14. | :06:16. | |
nightmare. The Secretary of State is going to | :06:17. | :06:24. | |
be deciding on this. In the meantime, we are going to thrash | :06:25. | :06:28. | |
things out here and now in the pub. Speaking up for the locals in their | :06:29. | :06:35. | |
local is Matthew Webb. Up against him, Mick Kilroe from Abbey | :06:36. | :06:41. | |
logistics, lorry driver Dave's boss and Matthew Balfour of Kent County | :06:42. | :06:44. | |
Council, they both back the plan. What we are doing is trying to find | :06:45. | :06:48. | |
a solution to a particular problem. There are a whole load of other | :06:49. | :06:52. | |
problems like the parking. Which particular problem? Operation Stack | :06:53. | :06:57. | |
on the motorway. That's the problem that we are trying to save. That's | :06:58. | :07:01. | |
not the particular problem because it has many causes. Sorry. It is a | :07:02. | :07:05. | |
particular problem if the motorway is shut. Most people in Kent can | :07:06. | :07:13. | |
function during Stack anyway. No, no, no, they weren't functioning. | :07:14. | :07:18. | |
People were not going to their hospital appointments, businesses | :07:19. | :07:20. | |
were breaking down, as you know well. We have traffic jams | :07:21. | :07:23. | |
throughout the UK, that doesn't mean no-one can get to their doctors or | :07:24. | :07:28. | |
hospitals. But it did when Stack was in operation. What do you think | :07:29. | :07:34. | |
about this situation? What I do know, we definitely need this. We | :07:35. | :07:41. | |
have out-of-date things, we have a load of hidden costs involved. No | :07:42. | :07:46. | |
driver wants to be sat in his truck not turning the wheel. All the big | :07:47. | :07:51. | |
companies that still need to get supplies by lorry are still not | :07:52. | :07:54. | |
going to get them, they'll be stuck in the lorry park. As we take our | :07:55. | :08:00. | |
leave, I reckon this row has a very long road ahead. | :08:01. | :08:05. | |
Wow! That was you! I finished my move. No, no, that was you, man. | :08:06. | :08:15. | |
Sorry. I've said this before, it's never good to be you. Never good to | :08:16. | :08:17. | |
be you. He was on his move. It was when you | :08:18. | :08:27. | |
were putting it on, wasn't it? Very intense game of Jenga, you can sense | :08:28. | :08:30. | |
the tension. Basically, it was the latter half of the move that Paul | :08:31. | :08:37. | |
was laying his brick on the top of the Jenga pile and it all went | :08:38. | :08:43. | |
wrong. You know what this is, this is me loving you. Tell you what is | :08:44. | :08:49. | |
amazing, during that film, Anthony, you said you made a massive Jenga | :08:50. | :08:56. | |
game for you son out of 2x 4? Yes, cut 'em up in a 12 inch link, stack | :08:57. | :09:09. | |
'em 3 xst x3x 3. When it falls, it's a disaster. Lets's talk about the | :09:10. | :09:14. | |
film now. Captain America's Civil War. Whoever can give us the plot | :09:15. | :09:18. | |
more most concisely will score a point. Who wants to do it? Do you | :09:19. | :09:25. | |
want to go first? I'll give it a go. Go on, Paul? You find the team split | :09:26. | :09:32. | |
because the UN's decided that there shouldn't be unilateral intervention | :09:33. | :09:36. | |
from a super power without regulation and Captain America wants | :09:37. | :09:40. | |
his autonomy and Iron Man thinks that we need to be, you know, to | :09:41. | :09:46. | |
have a watch and that's it. That's very good. Wait, wait, wait, I | :09:47. | :09:52. | |
didn't give mine. OK, give Paul a point for that, go on. A point for | :09:53. | :10:01. | |
that? ! All right. We start the film in a very... Oh, dear... You see the | :10:02. | :10:11. | |
Aventioners and the Cap working as a team. He even says, do it as we | :10:12. | :10:16. | |
rehearse. They are fighting evil and this evil causes a huge explosion | :10:17. | :10:22. | |
which causes casualties. From these casualties, lives are lost, | :10:23. | :10:26. | |
heart-breaking. So, you know this is a 20-minute show or something. Oh, | :10:27. | :10:36. | |
I'm sorry. I said concise. There's another bad boy going on there. Back | :10:37. | :10:43. | |
to the point. Tell you what we'll do just to make amends, let's have a | :10:44. | :10:49. | |
look at Anthony doing what Anthony's character falcon does best. It does | :10:50. | :10:51. | |
get real. He's on the third floor. Do it like | :10:52. | :11:20. | |
we practised. What about the gas? Get it out. | :11:21. | :11:25. | |
APPLAUSE. Isn't that the scene I described to | :11:26. | :11:32. | |
a tee. You see them working as a unit and Cap says, just as we | :11:33. | :11:38. | |
practised! . That's not the whole film though. Just a bit long. Just | :11:39. | :11:44. | |
as we practised. Just as we practised. If you let me go on, it | :11:45. | :11:51. | |
could have been 4-3. 4-3, very good point. When you go and watch these | :11:52. | :11:57. | |
movies for the very first time and you, because obviously there is a | :11:58. | :12:01. | |
huge amount of CGI involved, when you see yourself doing this stuff, | :12:02. | :12:06. | |
what does it feel like? Are the premiers really noisy when | :12:07. | :12:10. | |
everyone's kind of high-fiving each other? It is a bit of a party. It's | :12:11. | :12:15. | |
a lot of fun. I feel like we are just as excited to see the movie as | :12:16. | :12:19. | |
the fans are, so we are just as noisy, especially if you have a | :12:20. | :12:22. | |
character that can't really do anything without CGI like Paul's | :12:23. | :12:26. | |
character. So when you see the movie, it's like your first time | :12:27. | :12:30. | |
seeing what you actually do, you know. But that is Team Iron Man, you | :12:31. | :12:39. | |
know. Have you seen the team stunts that has a repostto Anthony's "I do | :12:40. | :12:45. | |
my own stunts". Including flying. This is getting really messy, isn't | :12:46. | :12:49. | |
it? If you watch my stunts, you can tell it's me when they use me. Your | :12:50. | :12:54. | |
stunts are always - as a matter-of-fact, I don't remember | :12:55. | :12:56. | |
seeing you on set except like four days. Oh, dear! Shall we do some | :12:57. | :13:02. | |
quick-fire? We are going to have to do something. We need to break this | :13:03. | :13:07. | |
up. OK. All right. You're hurting and I'm loving you. I'm hurting you. | :13:08. | :13:13. | |
An amazing cast in this. We've got some questions for you. Which cast | :13:14. | :13:18. | |
member is most likely to be late on set? Paul? Robert DJ. What team are | :13:19. | :13:31. | |
you on? Who is the least like their character? Oh, me, my character's | :13:32. | :13:38. | |
calm and focussed and I got none of that. You spout rhetoric all day. | :13:39. | :13:48. | |
Which actor is most vein? Anthony? Cap. You love your team? Team hot | :13:49. | :13:57. | |
sauce baby, we gotta look good. Who is the messiest? Sebastien's a mess. | :13:58. | :14:07. | |
He's kind of a mess, yes. Kind of a mess. All right. Brilliant. We hope | :14:08. | :14:11. | |
you got something out of that. Captain America Civil War is out on | :14:12. | :14:20. | |
Friday. 4-3! We have a very unsuper hero on the show, anti-Talbot. His | :14:21. | :14:24. | |
main power is the ability to say yes whenever we ask him to do crazy | :14:25. | :14:29. | |
things such as going deep underground to discover the hidden | :14:30. | :14:33. | |
river of Stockport. Around 300 years ago in the | :14:34. | :14:38. | |
industrial age, our towns and cities were expanding rapidly. As part of | :14:39. | :14:43. | |
that growth, many of our rivers were diverted into underground tunnels | :14:44. | :14:46. | |
known as culverts which gave industry the space it needed to grow | :14:47. | :14:50. | |
and thrive. There are hundreds of miles of | :14:51. | :14:54. | |
culverts in Britain and the north-west of England has one of the | :14:55. | :15:00. | |
highest number in the country. Like overgrown rivers, these culverts are | :15:01. | :15:04. | |
capable of flooding, causing wide scale destruction. | :15:05. | :15:09. | |
In Cheadle, Cheshire, in 2009, a blocked culvert contributed to this | :15:10. | :15:14. | |
area flooding. So, to help prevent this, a specialist team regularly | :15:15. | :15:19. | |
heads underground to server them clearing any blockages. I've come to | :15:20. | :15:23. | |
Stockport to join Carl and Steve from the Environment Agency who'll | :15:24. | :15:28. | |
be inspecting the brook, a tributary of the River Mersey that runs | :15:29. | :15:30. | |
beneath the streets. Over the years, Carl and Steve have | :15:31. | :15:38. | |
come across a whole host of things that have been washed underground. | :15:39. | :15:44. | |
Car tyres, wagon tyres, bits of cars. Shopping trolleys. If it was | :15:45. | :15:49. | |
flooding, which areas would be affected? Stockport city centre, his | :15:50. | :15:56. | |
Mrs worth millions of pounds. We entered the culvert through a | :15:57. | :15:59. | |
manhole in a busy shopping street. Today, we will you be inspecting 300 | :16:00. | :16:04. | |
metres of tunnels that run underneath the shops that end up in | :16:05. | :16:12. | |
the town's shopping centre falls the water is absolutely clear, crystal | :16:13. | :16:15. | |
clear. The tunnels are all different shapes | :16:16. | :16:19. | |
and sizes. They were built at different times by whoever owned the | :16:20. | :16:23. | |
land above, so each one has its own unique style. The sort of thing to | :16:24. | :16:28. | |
look out for bricks missing, cracks in the wall, seepage. It is not long | :16:29. | :16:38. | |
until we find something. Those are tree roots, Georgian plans. It is a | :16:39. | :16:46. | |
major issue. For now, they are OK, but left untouched, they can lead to | :16:47. | :16:50. | |
severe blockages and the removal of the tree. We then final wall that | :16:51. | :16:57. | |
needs repairing. It has been washed away. We will need to put that back. | :16:58. | :17:02. | |
Any damage is noted so they can return later to fix it. It isn't | :17:03. | :17:09. | |
long before we find a load of rubbish up ahead. | :17:10. | :17:21. | |
A five metre tree has been washed in with all of the rubbish. We tried it | :17:22. | :17:32. | |
all to the next manhole, where the tree will be cut into small pieces | :17:33. | :17:35. | |
so it can be called out with the rest of the rubbish whilst we carry | :17:36. | :17:39. | |
on underground. The next few sections are very low. Just a bit of | :17:40. | :17:46. | |
a crawl along on your hands and your belly, you have got to be careful | :17:47. | :17:50. | |
not to splash yourself in them out. The section coming up is where they | :17:51. | :17:57. | |
diverted the stream deeper underground to build the shopping | :17:58. | :17:58. | |
centre overhead. You can hear the power of the water, | :17:59. | :18:22. | |
even when it is quite low. The final toll for inspection has a steel flap | :18:23. | :18:26. | |
at the end of it, the River Mersey on the other side. When it comes up | :18:27. | :18:41. | |
in floods, the flap shots. -- shots. That is it, the end of the journey. | :18:42. | :18:47. | |
After eight hours underground and the inspection complete, we return | :18:48. | :18:50. | |
to the service, knowing that this Kolbert is clear that now, helping | :18:51. | :18:54. | |
to keep the town centre flood free for the coming months -- culvert. | :18:55. | :18:59. | |
Thanks, Andy, getting very competitive with English accents. | :19:00. | :19:12. | |
Yes, myself and Anthony. Andy is our kind of action man, he goes off and | :19:13. | :19:16. | |
does all bits and pieces, so what is the most dangerous thing you have | :19:17. | :19:20. | |
done a your own lives, off of a movie set, completely away. I swam | :19:21. | :19:30. | |
with great Whites, no cage. Where? South Africa. Did you have a phobia | :19:31. | :19:37. | |
and it was something you are trying to overcome? No, I just wanted to | :19:38. | :19:42. | |
swim with some sharks. My wife was giving birth at home and I played | :19:43. | :19:57. | |
Push It by Salt N'Pepa. I turned it off and put on some Ryan Adams very | :19:58. | :20:06. | |
quickly. Let's deduct a point for the old Push It. I thought it was | :20:07. | :20:15. | |
the most dangerous thing! I suppose it was but that is another level. | :20:16. | :20:20. | |
Talking of your wife, Jennifer, it is not the first time you have | :20:21. | :20:23. | |
worked together. Is it right, Anthony, that you were playing... I | :20:24. | :20:28. | |
was playing his wife's love interest in a film he directed. Really weird. | :20:29. | :20:35. | |
Here it is again, it looks like they are in the tunnels of Stockport. Was | :20:36. | :20:41. | |
it as awkward as it sounds? The day we were shooting this, at the very | :20:42. | :20:45. | |
tip of Manhattan, it was night, it was cold, everyone was tired and we | :20:46. | :20:49. | |
had to walk into a fountain and kids. I grabbed Jennifer, I look at | :20:50. | :20:54. | |
her, and I look at Paul, and I look at her, and I look at Paul, and I | :20:55. | :21:01. | |
kiss her and so he comes over and he goes, "Is that how you case?" Kiss | :21:02. | :21:11. | |
my wife! -- is that how you kiss. I've got five minutes to get the | :21:12. | :21:19. | |
shot! Into a monster when you are a director. I have got to get the | :21:20. | :21:22. | |
shot, kiss my god dam wife! You both have really good stories about how | :21:23. | :21:26. | |
you met your wives, so we will do the point thing again. When I was in | :21:27. | :21:33. | |
elementary school, second grade, I saw this beautiful young lady and my | :21:34. | :21:36. | |
mother would give me 50 cents every day so I could buy my lunch and it | :21:37. | :21:39. | |
got to the point where she would take my lunch money every day and I | :21:40. | :21:44. | |
was like, this is like marriage, so you must be my girlfriend. So that | :21:45. | :21:48. | |
is how I got my girlfriend. She would beat me up for my lunch money. | :21:49. | :21:56. | |
What about you, Paul? I was in Tuscany and I was shopping in a | :21:57. | :22:00. | |
little square and I saw this bar and it was full of people and I thought | :22:01. | :22:04. | |
there must be a football game, but it was deadly quiet and I went in | :22:05. | :22:11. | |
there and I saw the second plane hit the tower on 9/11 and my now wife | :22:12. | :22:19. | |
lived right by there, and we weren't together at all, and I found myself | :22:20. | :22:23. | |
spending two days calling this woman up, thinking, what the hell am I | :22:24. | :22:29. | |
doing, calling this woman for two days? Oh, no, I am totally in love | :22:30. | :22:35. | |
with her. And I finally got through to her and that was it. We had never | :22:36. | :22:39. | |
dated, nothing had happened and I asked her to marry me and she said | :22:40. | :22:50. | |
yes. True story. Loads of points! So many points do go on there. That was | :22:51. | :22:58. | |
good. Now, we have a new member of the One Show team, Adebanji Alade, | :22:59. | :23:03. | |
an artist who loves to get under the skin of his subjects to create the | :23:04. | :23:09. | |
perfect portrait. As an artist, when I sketch someone | :23:10. | :23:14. | |
and they are talking, I can see resonance on their face. It | :23:15. | :23:17. | |
understands the person they are and the like they have lived. Through | :23:18. | :23:22. | |
drawing, I can uncover the person behind the image. Today I am drawing | :23:23. | :23:26. | |
Gail Porter, television personality who has battled with a very public | :23:27. | :23:30. | |
change in her appearance. Woz image so important to you | :23:31. | :23:36. | |
growing up? Not at all. I was quite a chubby kid and I never felt | :23:37. | :23:40. | |
pretty. Say you wouldn't say you were a girly girl? So I was like | :23:41. | :23:48. | |
BMX, no girly girls. It is a big contrast to what you were later on. | :23:49. | :23:55. | |
Basically, I just got naked. This is going to be one hell of an | :23:56. | :23:58. | |
interview! Gail Porter rose to fame as a | :23:59. | :24:04. | |
children's TV presenter but was inundated with offers to model in | :24:05. | :24:08. | |
men's magazines and an image of her was projected onto the Houses of | :24:09. | :24:11. | |
Parliament. So that went down really well with her parents -- my parents. | :24:12. | :24:17. | |
I did it because it was funny at the time, people were staring at you and | :24:18. | :24:20. | |
they had seen nude naked, which I quite liked, because I was young at | :24:21. | :24:25. | |
the time. I don't think my bottom was that offensive. It is quite | :24:26. | :24:31. | |
nice. You have got all of this fun stuff going on outside, does it help | :24:32. | :24:36. | |
you deal with your internal issues? I love humour, because I have got | :24:37. | :24:40. | |
bipolar. It is difficult but I don't want to make it a massive issue in | :24:41. | :24:44. | |
my life. My daughter always says count to ten and get on with it and | :24:45. | :24:49. | |
I do that every single day, because I am very fortunate to have her, she | :24:50. | :24:54. | |
is my constant. Because when you have bipolar, nothing is in | :24:55. | :24:57. | |
perspective, it is like a time bomb and it is sitting in your stomach | :24:58. | :25:02. | |
and it is in your heart. I was ashamed and that is the I ended up | :25:03. | :25:08. | |
getting section, because I didn't tell anyone. People judge you and | :25:09. | :25:11. | |
say you are a bit nuts but you are not, you need help. In 2005, during | :25:12. | :25:17. | |
filming in Las Vegas, Gale lost her hair to alopecia. I spent years | :25:18. | :25:22. | |
doing magazines and people thinking I was pretty and I didn't think I | :25:23. | :25:25. | |
was pretty, I had lots of image problems in my own head and my hair | :25:26. | :25:30. | |
fell out. I still had the same image problems but other people saw me | :25:31. | :25:35. | |
differently. As in, she used to be pretty, she used to have hair. I | :25:36. | :25:38. | |
just think, I am still the same person. When you look at images of | :25:39. | :25:45. | |
yourself before alopecia, how do you feel inside? I feel proud that I | :25:46. | :25:50. | |
have accepted what has happened and I feel strong. I feel privileged | :25:51. | :25:59. | |
that, you know, I have lost my hair just because of alopecia and I have | :26:00. | :26:05. | |
not got anything worse. But also, I feel very ugly. I kind of feel | :26:06. | :26:12. | |
guilty as well, for being sad. I am not ill, like my mum was ill. Your | :26:13. | :26:19. | |
decision not to wear a week, you could hide all this. -- a week. That | :26:20. | :26:24. | |
is not me, why would I be something I am not. I thought, if you like me, | :26:25. | :26:29. | |
you will like me whatever I look like. Also, I get a really itchy | :26:30. | :26:33. | |
head, so I would be taking it off. Like if I am at lunch with someone, | :26:34. | :26:37. | |
I would take it off and... Then pop it back on again. Sometimes the only | :26:38. | :26:42. | |
good we are going to hear about ourselves are the things we tell | :26:43. | :26:48. | |
ourselves. What do you see when you look in the mirror? I say positive | :26:49. | :26:52. | |
things because I cannot be created if I feel bad. It doesn't work with | :26:53. | :26:56. | |
me. When I look in the mirror, I see a guy who is good-looking... Well, | :26:57. | :27:03. | |
I'm going to take some of your positive affirmations away with me. | :27:04. | :27:08. | |
Each portrait would have its own life. Yours has a life of its own | :27:09. | :27:15. | |
and I couldn't paint you and it would be, like, so refined and | :27:16. | :27:21. | |
finished. That is not you. I am so not refined and finished. People are | :27:22. | :27:25. | |
not perfect. No matter whether you are big, short, you have got hair, | :27:26. | :27:29. | |
no there. Look at yourself and go, do you know what, I am great. I am | :27:30. | :27:36. | |
awesome. Using the time Gail spent sitting | :27:37. | :27:39. | |
with me, I have painted a portrait of the way I see her. | :27:40. | :27:49. | |
And a very big thank you to Gail. It was a lovely film, so honest. Now, | :27:50. | :27:54. | |
earlier on, we asked you to tell us about your own civil wars at home | :27:55. | :27:58. | |
for Paul and Anthony to solve and whoever we think it gives the best | :27:59. | :28:01. | |
solution gets a point, although I think Paul is likely in the lead. | :28:02. | :28:07. | |
Good story about the wife. So let's do a few. This girl's little sister | :28:08. | :28:15. | |
not only has a bigger room than her but she chokes toilet roll all over | :28:16. | :28:23. | |
it. -- throws toilet roll. Being the older kid, you have to be more of a | :28:24. | :28:26. | |
leader, more responsible, so the little kid should get the bigger | :28:27. | :28:29. | |
room, she has more toys, more stuff to do. She is hardly in her room. | :28:30. | :28:35. | |
Joseph cannot decide which team to be on. Very simple, my character is | :28:36. | :28:45. | |
omnipotent, he is worthy, I make the decision to be on Team Iron Man, it | :28:46. | :28:50. | |
is Team Iron Man. And today, we haven't got time view to speak. | :28:51. | :28:54. | |
Captain America's Civil War is out on Friday. Loads of big stars in the | :28:55. | :28:58. | |
premiere tomorrow at Shepherd's Bush. And we are here tomorrow with | :28:59. | :29:00. | |
Dominic West. OK, split the V...! I've been following | :29:01. | :29:15. | |
the inspirational stories | :29:16. | :29:18. |