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Will you please welcome the man himself, | 0:00:26 | 0:00:28 | |
the one and only Mr Peter Kay. | 0:00:28 | 0:00:29 | |
Let's hear it. | 0:00:29 | 0:00:31 | |
CHEERING | 0:00:31 | 0:00:32 | |
Hello! | 0:00:43 | 0:00:45 | |
How are you? How are you? | 0:00:50 | 0:00:52 | |
I'm bringing it over here with me. | 0:01:11 | 0:01:13 | |
-Take it with you. -Yeah, yeah. | 0:01:14 | 0:01:16 | |
That might be one of your relations, Peter. | 0:01:19 | 0:01:20 | |
I know! | 0:01:20 | 0:01:22 | |
Hello, darling. How are you? Lovely to see you. | 0:01:22 | 0:01:23 | |
Nice to see you, too. | 0:01:23 | 0:01:25 | |
-I think you dropped a ball. -I've dropped me balls. | 0:01:25 | 0:01:28 | |
There you go. | 0:01:28 | 0:01:29 | |
Better cut that out. | 0:01:29 | 0:01:31 | |
Where are you? Where do I sit? | 0:01:31 | 0:01:32 | |
Sit on the couch, Peter - if you can in that. | 0:01:32 | 0:01:34 | |
Yes. | 0:01:34 | 0:01:35 | |
Happy Christmas! | 0:01:37 | 0:01:39 | |
Don't! I'll wee myself! | 0:02:01 | 0:02:03 | |
We're not drunks here, we haven't had... | 0:02:06 | 0:02:08 | |
He doesn't drink and I'm on the wagon. | 0:02:08 | 0:02:11 | |
Barbara doesn't drink, either. | 0:02:11 | 0:02:13 | |
This is just good spirits, seriously. | 0:02:13 | 0:02:15 | |
It's Christmas, it's Christmas. | 0:02:15 | 0:02:18 | |
Who have we got in tonight? | 0:02:18 | 0:02:20 | |
Let's have a look up here. | 0:02:22 | 0:02:25 | |
Come on, give us a wave. | 0:02:25 | 0:02:26 | |
That lad's hit the jackpot. | 0:02:26 | 0:02:29 | |
He's here with the wife. | 0:02:29 | 0:02:30 | |
Enjoy yourself, me old PayPal. | 0:02:30 | 0:02:33 | |
Who have we got down here? | 0:02:34 | 0:02:36 | |
She's not taking any shit tonight, this one. | 0:02:38 | 0:02:41 | |
Don't hide behind your torch, love. | 0:02:41 | 0:02:43 | |
Watch her, she'll have you, she'll pounce on you. | 0:02:43 | 0:02:46 | |
And her mate. | 0:02:46 | 0:02:47 | |
There you go, anybody nice down here tonight? | 0:02:49 | 0:02:51 | |
I see young Terry Waite's in. | 0:02:53 | 0:02:55 | |
Nice to have a night out without the blindfold. | 0:02:55 | 0:02:58 | |
Hope it's not too bright for you. | 0:02:59 | 0:03:01 | |
What about down here? | 0:03:01 | 0:03:03 | |
Oh, look, it's Gerry Adams in a trendy hoodie. | 0:03:04 | 0:03:07 | |
Oh, or is it George Lucas? | 0:03:09 | 0:03:11 | |
You never see them both together, do you? | 0:03:11 | 0:03:13 | |
Never see them both together, I think you know what I'm saying. | 0:03:13 | 0:03:16 | |
He's keen, he's keen. | 0:03:19 | 0:03:22 | |
Look at that lad! | 0:03:22 | 0:03:24 | |
Curtains?! What year is it?! | 0:03:24 | 0:03:26 | |
You're twisting me melon, man, you talk so cheap. | 0:03:28 | 0:03:31 | |
Call the cops. | 0:03:31 | 0:03:32 | |
Oh, I feel like Anneka Rice on Treasure Hunt here. | 0:03:34 | 0:03:37 | |
Let's have a look, let's have a look. | 0:03:37 | 0:03:40 | |
Hello, my friend. | 0:03:40 | 0:03:42 | |
Never mind Ross Kemp On Gangs, Ross Kemp's on his knees here. | 0:03:42 | 0:03:45 | |
Can't get a seat. | 0:03:45 | 0:03:47 | |
Hello, over there, give us a wave. | 0:03:47 | 0:03:50 | |
Whoa, what have we got here? It's a human mountain. | 0:03:50 | 0:03:53 | |
Not a lie. | 0:03:53 | 0:03:54 | |
This lad here will knock you on your arse. | 0:03:56 | 0:03:59 | |
He's what known in stewarding as a BS - | 0:04:00 | 0:04:03 | |
brick shithouse. | 0:04:03 | 0:04:04 | |
You lot are in his patch and if he sees you even smiling, | 0:04:05 | 0:04:09 | |
he'll have you. | 0:04:09 | 0:04:11 | |
I'nt that right, brother? He knows, he understands. | 0:04:11 | 0:04:14 | |
Who have we got here? Oh! | 0:04:17 | 0:04:19 | |
Ooh, OK, you've a look of Susan Boyle, love. | 0:04:21 | 0:04:25 | |
Look at her! The absolute spit of her. | 0:04:25 | 0:04:28 | |
You should think about doing a tribute act to her, love. | 0:04:28 | 0:04:31 | |
Incredible. | 0:04:31 | 0:04:33 | |
And that's my fantastic audience in Glasgow tonight. | 0:04:35 | 0:04:38 | |
Thank you. | 0:04:42 | 0:04:43 | |
It's a lookalike, calm down. | 0:04:43 | 0:04:45 | |
Su-Bo! Su... | 0:04:47 | 0:04:50 | |
Come on, now, it's a lookalike, I've told you. | 0:04:53 | 0:04:57 | |
-That's him sorted out. -Feeling the pressure more than most | 0:04:57 | 0:05:00 | |
is the club social secretary, Brian Potter. | 0:05:00 | 0:05:03 | |
We caught up with him and the committee as they were debating | 0:05:03 | 0:05:06 | |
the entertainment for the children's Christmas party. | 0:05:06 | 0:05:09 | |
What about Nobby Allcock? | 0:05:09 | 0:05:10 | |
-No way. -Hear me out - I know he's blue but he does | 0:05:10 | 0:05:13 | |
a smashing side-line in Punch and Judys for kids. | 0:05:13 | 0:05:16 | |
Yeah, what sort? We're not having him back after last Easter. | 0:05:16 | 0:05:18 | |
-He's filthy and he's -BLEEP -foul-mouthed. | 0:05:18 | 0:05:20 | |
Hey, there's no need for that language, please. | 0:05:20 | 0:05:22 | |
I've got a photograph of the wife in the wallet - | 0:05:22 | 0:05:24 | |
can you curb your language? | 0:05:24 | 0:05:25 | |
Look at me. National television looking like a right cock. | 0:05:58 | 0:06:03 | |
No, you're looking... | 0:06:03 | 0:06:05 | |
You look fabulous! | 0:06:05 | 0:06:06 | |
OK, the Windy Dick, Den Perry's recommended him. | 0:06:09 | 0:06:12 | |
The Windy Dick, he's called. | 0:06:12 | 0:06:13 | |
-The Windy Dick? -Acrobat. | 0:06:13 | 0:06:14 | |
But I Photostatted his biog for you, just chuck that out for me, please. | 0:06:14 | 0:06:18 | |
Direct from the streets of gay Paris, the Windy Dick is excitement. | 0:06:18 | 0:06:22 | |
He has been thrilling audiences throughout the world | 0:06:22 | 0:06:25 | |
for over a decade now. Self-taught acrobatics and balloon sculpture. | 0:06:25 | 0:06:29 | |
A pure flight of fantasy with a whole host | 0:06:29 | 0:06:31 | |
of unforgettable characters. | 0:06:31 | 0:06:34 | |
Cascade, Ricardo, Giorgio, his pet snake, which erupts from the mouth. | 0:06:34 | 0:06:38 | |
That's all there is cos Marian unplugged the fax so she could hoover. | 0:06:38 | 0:06:41 | |
-What do you think of him? -I think the frog's a winner. | 0:06:41 | 0:06:43 | |
Balloons and all that, the kids will lap that up. | 0:06:43 | 0:06:45 | |
-Yeah. -Plus, if he's new, he'll be cheap. | 0:06:45 | 0:06:47 | |
OK, all those in favour of the Windy Dick, please say aye. | 0:06:47 | 0:06:50 | |
-Aye. -Aye. -Right, thanks for your attendance, gentlemen, | 0:06:50 | 0:06:53 | |
and I declare this meeting closed. Thank you. | 0:06:53 | 0:06:56 | |
Things you miss about living at home. Why do mums call you | 0:07:02 | 0:07:05 | |
by everyone else's name in family before they get to yours? | 0:07:05 | 0:07:07 | |
What's all that about? | 0:07:07 | 0:07:09 | |
"Pass me that, will you, Philip, Martin, Paul, John, James, Anne-Marie, | 0:07:09 | 0:07:12 | |
"Peter, Peter." | 0:07:12 | 0:07:14 | |
Anne-Marie? | 0:07:15 | 0:07:16 | |
"Mum, I'm going out." "What should I say if anybody rings?" | 0:07:18 | 0:07:21 | |
Well, I've gone out. | 0:07:28 | 0:07:30 | |
Things you don't miss - | 0:07:30 | 0:07:32 | |
me mum shaving her legs with me Mach 3 Turbo. | 0:07:32 | 0:07:36 | |
They don't show that on't advert, do they, mum in the bath? | 0:07:36 | 0:07:39 | |
"The new Mach 3 Turbo - smoother, too." | 0:07:39 | 0:07:41 | |
I'm just having a shave, I'll be two minutes. | 0:07:50 | 0:07:53 | |
Aargh! | 0:07:53 | 0:07:55 | |
"I haven't touched it." Haven't touched it? | 0:07:55 | 0:07:59 | |
You've been planing a door frame with it is what you've been doing. | 0:07:59 | 0:08:03 | |
Missing face off here. | 0:08:04 | 0:08:06 | |
-RADIO: -Big, big drive home. So, today's tea-time teaser... | 0:08:06 | 0:08:09 | |
So how was your appraisal? | 0:08:09 | 0:08:11 | |
It went well, actually. Talked about moving me forward for a promotion. | 0:08:11 | 0:08:14 | |
-Oh. -And they're putting me in charge of Christmas. | 0:08:14 | 0:08:16 | |
-Ooh! -Yeah. | 0:08:16 | 0:08:18 | |
That's fantastic, well done. | 0:08:18 | 0:08:21 | |
184... | 0:08:21 | 0:08:23 | |
184 what? | 0:08:23 | 0:08:25 | |
Sleeps till Christmas. | 0:08:25 | 0:08:26 | |
I love it. I've started my Christmas CD already. | 0:08:26 | 0:08:29 | |
Shall I bring it in for you tomorrow? | 0:08:29 | 0:08:30 | |
Not in this car. | 0:08:30 | 0:08:32 | |
# Step into Christmas Step into Christmas | 0:08:32 | 0:08:34 | |
# Dee ba deh da deh deh da deh deh da deh deh... # | 0:08:34 | 0:08:36 | |
What's your favourite Christmas song? | 0:08:36 | 0:08:38 | |
Not that one. | 0:08:38 | 0:08:39 | |
# Bah humbug, but that's too strong | 0:08:39 | 0:08:40 | |
# Cos that's my favourite Christmas song | 0:08:40 | 0:08:42 | |
# Merry Christmas Merry Christmas... # | 0:08:42 | 0:08:44 | |
All right, enough now. | 0:08:44 | 0:08:45 | |
# Merry Christmas Merry Christmas... # | 0:08:45 | 0:08:47 | |
All right, all right. | 0:08:47 | 0:08:48 | |
# Cos we'll be driving home for Christmas... # | 0:08:48 | 0:08:51 | |
Yeah, leave it now. | 0:08:51 | 0:08:53 | |
Seriously, don't do that, don't do that. | 0:08:53 | 0:08:56 | |
All right, all right, get off, I'm driving a vehicle, all right. | 0:08:56 | 0:08:59 | |
All right, Grinch. | 0:08:59 | 0:09:00 | |
Where's your festive cheer? | 0:09:00 | 0:09:02 | |
Next week in the club, it's the children's Christmas party. | 0:09:03 | 0:09:07 | |
Oh, look, it's Father Christmas. | 0:09:07 | 0:09:10 | |
Happy Christmas. | 0:09:11 | 0:09:13 | |
The Windy Dick is more daring | 0:09:16 | 0:09:18 | |
than Brian and the committee ever expected. | 0:09:18 | 0:09:20 | |
I go up on Sundays for me dinner. | 0:09:32 | 0:09:35 | |
I went last Sunday cos she had a big chicken. | 0:09:35 | 0:09:37 | |
But I don't go every Sunday. | 0:09:40 | 0:09:41 | |
I don't go every Sunday because when she gets extra family, | 0:09:41 | 0:09:43 | |
she's got to get the emergency chairs out. | 0:09:43 | 0:09:46 | |
Oh, every family has some emergency chairs. | 0:09:46 | 0:09:49 | |
Usually get them out at Christmas and birthdays when you get | 0:09:49 | 0:09:52 | |
extra family, they're in back bedroom upstairs. | 0:09:52 | 0:09:54 | |
I were driving to me mum's on Christmas Day, | 0:09:54 | 0:09:56 | |
I saw a bloke crossing over Bury Road in Bolton, | 0:09:56 | 0:09:58 | |
he had a fag in his mouth and two dining room chairs. | 0:09:58 | 0:10:01 | |
"Bring some chairs round, I've not got enough chairs. | 0:10:07 | 0:10:09 | |
"Bring that little poof, bring that little poof round. | 0:10:09 | 0:10:12 | |
"I don't know his name, bring him round." | 0:10:12 | 0:10:15 | |
Everyone's at different sizes round t'table, nothing matches. | 0:10:15 | 0:10:17 | |
Cheers, all the best. | 0:10:23 | 0:10:24 | |
Big tall bar stool. | 0:10:28 | 0:10:29 | |
It's a nosebleed up here. | 0:10:31 | 0:10:33 | |
What do you want? Gravy? | 0:10:33 | 0:10:34 | |
There you go. | 0:10:34 | 0:10:36 | |
That's your gravy, there you go. | 0:10:36 | 0:10:38 | |
MUSIC: All I Want For Christmas Is You by Mariah Carey | 0:10:52 | 0:10:55 | |
We can't be playing this. | 0:10:58 | 0:11:00 | |
You recognise it? | 0:11:00 | 0:11:01 | |
I know what it is. | 0:11:01 | 0:11:03 | |
I love this one. | 0:11:03 | 0:11:05 | |
Love it. | 0:11:05 | 0:11:06 | |
Makes me proper happy, this. | 0:11:07 | 0:11:08 | |
This is wrong. | 0:11:08 | 0:11:10 | |
-Why? -You can't be playing this, it's the middle of summer, | 0:11:10 | 0:11:13 | |
look at the weather outside. | 0:11:13 | 0:11:14 | |
-It's cracking flags. -And? | 0:11:14 | 0:11:17 | |
You can play Christmas songs whenever you like, John. | 0:11:17 | 0:11:19 | |
No, you play them at Christmas - | 0:11:19 | 0:11:21 | |
that's why they're called Christmas songs. | 0:11:21 | 0:11:23 | |
Tell you what, she's got some pipes on her, I'll give her that. | 0:11:27 | 0:11:29 | |
-What? -Pipes, singing voice. | 0:11:29 | 0:11:32 | |
# All I want for Christmas is you... # | 0:11:34 | 0:11:38 | |
You know she says that's all she wants for Christmas but I bet you | 0:11:38 | 0:11:41 | |
any money if that's all you got her on Christmas morning, | 0:11:41 | 0:11:43 | |
she'd lose her frigging mind. | 0:11:43 | 0:11:45 | |
Yeah, what she really means is all I want for Christmas is you, | 0:11:45 | 0:11:48 | |
but carrying a sack filled with about four grand's worth of pressies. | 0:11:48 | 0:11:51 | |
Exactly. Typical woman. | 0:11:51 | 0:11:53 | |
Says one thing, means another. | 0:11:53 | 0:11:56 | |
This is from one of my favourite Christmas films ever, | 0:11:56 | 0:11:59 | |
Love Actually. | 0:11:59 | 0:12:01 | |
-Watch it every year. -Show it every year and all. | 0:12:01 | 0:12:04 | |
Every day on every bloody channel. | 0:12:04 | 0:12:07 | |
-Sick to death of it. -They play it at the end at that school show | 0:12:07 | 0:12:10 | |
when Martine McCutcheon and Hugh Grant have the kiss | 0:12:10 | 0:12:13 | |
-and fall in love. -What a load of crap! | 0:12:13 | 0:12:15 | |
-What? -As if. -What do you mean? | 0:12:15 | 0:12:17 | |
Well, as if the Prime Minister of England'd fall for a bloody maid. | 0:12:17 | 0:12:20 | |
Of course he could, John. | 0:12:20 | 0:12:21 | |
-Load of old bull. -It's not bull, it's love... | 0:12:21 | 0:12:25 | |
actually. | 0:12:25 | 0:12:27 | |
I'd fall for Hugh Grant easily. | 0:12:27 | 0:12:29 | |
He'd only have to look at me once. | 0:12:29 | 0:12:31 | |
-Hugh Grant? -Oh, yeah, definitely. | 0:12:31 | 0:12:34 | |
He's gorgeous. | 0:12:34 | 0:12:36 | |
Wouldn't climb over him for a piss, John. | 0:12:36 | 0:12:38 | |
Charming. | 0:12:40 | 0:12:42 | |
Hello, welcome to our one-hour One Show cracker with Adrian Chiles. | 0:12:47 | 0:12:50 | |
And Christine Bleakley, | 0:12:50 | 0:12:51 | |
and to welcome our very special guest tonight. | 0:12:51 | 0:12:54 | |
Peter Kay is here. | 0:12:54 | 0:12:55 | |
Even though singing's not his day job, | 0:13:03 | 0:13:06 | |
Amarillo is just one of Britain's favourite comedian's | 0:13:06 | 0:13:09 | |
three UK number ones. | 0:13:09 | 0:13:10 | |
Fresh from hosting the Royal Variety Show | 0:13:13 | 0:13:15 | |
in front of Her Majesty, he now fulfils another lifetime ambition | 0:13:15 | 0:13:17 | |
by appearing on The One Show. | 0:13:17 | 0:13:19 | |
Come on, come on, come on. | 0:13:24 | 0:13:26 | |
I accosted John Sergeant, I accosted him. | 0:13:26 | 0:13:29 | |
He was in the corridor and I kidnapped him and he's here | 0:13:29 | 0:13:33 | |
and he's staying, he's hostage, | 0:13:33 | 0:13:35 | |
he's hostage! John Sergeant is hostage. | 0:13:35 | 0:13:38 | |
Hello, you. | 0:13:38 | 0:13:40 | |
Hello, Christine. | 0:13:40 | 0:13:41 | |
-How are you, darling? -I'm good, I'm good. | 0:13:41 | 0:13:45 | |
Adrian Chiles, what it is, brother! | 0:13:45 | 0:13:47 | |
Give me some, go on, do it, Adrian. | 0:13:47 | 0:13:49 | |
-Just, please sit down. -I know you want to! You animal! | 0:13:49 | 0:13:53 | |
I am going to rock your world tonight, boy. Rock your world! | 0:13:53 | 0:13:57 | |
Oh, dear, Peter, I have waited since the day I started on The One Show | 0:13:57 | 0:14:01 | |
to have you here as a guest. Isn't that true? | 0:14:01 | 0:14:03 | |
It's absolutely... She says that to most guests, | 0:14:03 | 0:14:06 | |
but it's true in your case. | 0:14:06 | 0:14:08 | |
It's either this or Emmerdale and I'll tell you now, this wins. | 0:14:08 | 0:14:12 | |
Thank you! | 0:14:12 | 0:14:13 | |
Up to half past, then it's Corrie, but... | 0:14:17 | 0:14:19 | |
we'll deal with that at half seven. | 0:14:19 | 0:14:22 | |
-Don't go. -Are you sure I don't have to go? | 0:14:22 | 0:14:24 | |
No, because in a minute when we go to this VT about bipolar | 0:14:24 | 0:14:28 | |
or British Gas or something like that, or benefit fraud, | 0:14:28 | 0:14:31 | |
I'm going to write some ransom demands. | 0:14:31 | 0:14:34 | |
So what's first, then? | 0:14:34 | 0:14:36 | |
Bullseye, Sunday afternoons. | 0:14:36 | 0:14:39 | |
I used to love Bullseye, me. | 0:14:39 | 0:14:40 | |
It were weird, Bullseye, cos it were shit and it were good. | 0:14:40 | 0:14:44 | |
Honest to God, you knew where you stood with Bullseye. | 0:14:44 | 0:14:46 | |
And every week my sister used to say, | 0:14:46 | 0:14:48 | |
"How do they split a car between them?" | 0:14:48 | 0:14:50 | |
End of the programme, "How do they split a fitted kitchen, | 0:14:53 | 0:14:55 | |
"with a chainsaw?" | 0:14:55 | 0:14:57 | |
Cos usually on Bullseye, there were just two people, | 0:14:57 | 0:15:00 | |
they weren't related, they were usually from the pub - | 0:15:00 | 0:15:02 | |
the clever one and the darts player. | 0:15:02 | 0:15:04 | |
There were two blokes, or two women - | 0:15:04 | 0:15:06 | |
you usually couldn't tell whether the women were blokes on Bullseye. | 0:15:06 | 0:15:10 | |
Leanne, she'd be dart player, in stonewashed denim. | 0:15:10 | 0:15:13 | |
Love and Hat tattooed on her knuckles, | 0:15:14 | 0:15:17 | |
cos she'd lost a finger. | 0:15:17 | 0:15:18 | |
Valerie, her friend, she'd be answering questions, | 0:15:23 | 0:15:26 | |
she were the clever one in a maroon shell suit. | 0:15:26 | 0:15:29 | |
Five o'clock shadow. | 0:15:31 | 0:15:32 | |
"Showbiz, Jim, showbiz." | 0:15:33 | 0:15:35 | |
"Showbiz I'd like, please, showbiz." | 0:15:37 | 0:15:39 | |
Showbiz you'd like, showbiz you'd like, OK, showbiz you'd like. | 0:15:40 | 0:15:44 | |
Showbiz, Leanne. | 0:15:45 | 0:15:46 | |
Spelling you've got, never mind. | 0:15:48 | 0:15:50 | |
Spelling you've got. | 0:15:52 | 0:15:53 | |
For £4... | 0:15:53 | 0:15:55 | |
For £4, Valerie, could you spell hermaphrodite? | 0:15:58 | 0:16:01 | |
E-R-M-A-U-T... | 0:16:03 | 0:16:04 | |
Err-ruh-mah-teh... | 0:16:06 | 0:16:09 | |
Ermafra... I'll have to rush you, Valerie. | 0:16:09 | 0:16:12 | |
I'll have to rush you, son. | 0:16:13 | 0:16:15 | |
When they run out of time on spelling, do you remember, Bully, | 0:16:18 | 0:16:21 | |
used to walk across t'bottom of t'telly with a big dictionary? | 0:16:21 | 0:16:24 | |
HE MOOS | 0:16:24 | 0:16:25 | |
What were all that about, what were that? | 0:16:30 | 0:16:34 | |
What were that? Moooo! | 0:16:34 | 0:16:35 | |
Jim, Jim could see him. "Thanks for that, Bully, thanks for that." | 0:16:42 | 0:16:47 | |
Jim's smacked off his tits, doesn't know what day it is. | 0:16:47 | 0:16:50 | |
What's our man manhandling here? | 0:16:56 | 0:16:58 | |
This has been developed by a university in Scotland, | 0:16:58 | 0:17:02 | |
and it's to be used by patients who perhaps have lost a finger or two. | 0:17:02 | 0:17:07 | |
It picks up impulses from the brain and will open and close the hand, | 0:17:09 | 0:17:12 | |
but there are sensors on the fingertips, | 0:17:12 | 0:17:14 | |
which mean any delicate objects you have, or are picking up... | 0:17:14 | 0:17:18 | |
..won't get crushed. | 0:17:20 | 0:17:21 | |
I wouldn't mind borrowing this. | 0:17:21 | 0:17:23 | |
-May I have it back, please? -Can I borrow it over Christmas? | 0:17:25 | 0:17:29 | |
-Can I just demonstrate what you mean? -It's like a claw, for Christmas, that. | 0:17:29 | 0:17:32 | |
It is quite sensitive, cos look, it will actually pick up a cup, | 0:17:32 | 0:17:37 | |
you see, cos it senses... Look. | 0:17:37 | 0:17:39 | |
Shall we give that...? | 0:17:39 | 0:17:41 | |
I won't be using it for cups, Adrian. | 0:17:43 | 0:17:47 | |
It would be a good time to press on, then, wouldn't it? | 0:17:47 | 0:17:50 | |
A question to bring us crashing back to the present. | 0:17:50 | 0:17:54 | |
A big one, this - is your gas meter imperial or metric? | 0:17:54 | 0:17:58 | |
Is your gas meter imperial or metric? | 0:17:58 | 0:18:00 | |
You see, on the face of it - | 0:18:00 | 0:18:03 | |
on the face of it, that's possibly the most boring question | 0:18:03 | 0:18:06 | |
we've ever put to you on The One Show. | 0:18:06 | 0:18:08 | |
Having said that, we did once ask you to tell us which you like best, | 0:18:08 | 0:18:10 | |
broccoli or cauliflower. Do you remember that? | 0:18:10 | 0:18:12 | |
-I watched that one, yeah. -What did you vote? Did you go online? | 0:18:12 | 0:18:15 | |
-Millions did. -It's just kept on me Sky+ planner, that. | 0:18:15 | 0:18:17 | |
That's all I know. | 0:18:17 | 0:18:18 | |
I'm still burning discs of it at t'car boot, that, Adrian. | 0:18:18 | 0:18:22 | |
Broccoli was the clear winner. | 0:18:23 | 0:18:25 | |
Clear winner. | 0:18:25 | 0:18:26 | |
It's like Pebble Mill on smack! | 0:18:26 | 0:18:29 | |
I love it! | 0:18:29 | 0:18:30 | |
I love it! | 0:18:30 | 0:18:31 | |
I don't know who you blackmailed to get this job, boy, | 0:18:31 | 0:18:34 | |
but I am loving it! | 0:18:34 | 0:18:36 | |
You... | 0:18:41 | 0:18:43 | |
-Ow, me -BLEEP -hands. | 0:18:43 | 0:18:44 | |
Jesus wept! | 0:18:49 | 0:18:51 | |
DIRECTOR: Action. | 0:18:54 | 0:18:56 | |
Oh, oh... | 0:18:56 | 0:18:57 | |
MUSIC: I Wish It Could Be Christmas Everyday by Wizzard | 0:19:05 | 0:19:07 | |
Hear that noise? That's Roy Wood, that, cashing his royalty cheques. | 0:19:07 | 0:19:11 | |
I wouldn't mind being a pound behind that fella. | 0:19:11 | 0:19:14 | |
Oh, it proper reminds me of Christmas, this! | 0:19:14 | 0:19:17 | |
-Yeah, it will do. -I always get it mixed up with Slade. | 0:19:17 | 0:19:21 | |
Well, they're both in the same year, 1973, the year I was born. | 0:19:21 | 0:19:26 | |
-I bet that's why. -Why, what year were you born? | 0:19:26 | 0:19:29 | |
1976. | 0:19:29 | 0:19:30 | |
Oh, we used to play this every year when we were decorating the tree. | 0:19:33 | 0:19:37 | |
I remember having this on a single. | 0:19:37 | 0:19:39 | |
I always used to believe in the words | 0:19:39 | 0:19:40 | |
cos I actually do wish it could be Christmas every day. | 0:19:40 | 0:19:43 | |
Well, I'd have it every four years if it were up to me, | 0:19:43 | 0:19:45 | |
like the Olympics. | 0:19:45 | 0:19:47 | |
But you can't. It's Jesus's birthday. | 0:19:47 | 0:19:50 | |
And? | 0:19:50 | 0:19:51 | |
I don't force him to celebrate mine. | 0:19:51 | 0:19:54 | |
It's just a load of stress, at the end of the day. | 0:19:54 | 0:19:56 | |
-Why stress? -Hassle. | 0:19:56 | 0:19:58 | |
You put on two stone over two weekends, | 0:19:58 | 0:20:00 | |
you don't know what day it is, | 0:20:00 | 0:20:01 | |
or when your bins are going to be emptied nor nothing, | 0:20:01 | 0:20:04 | |
there's piss-all on television, | 0:20:04 | 0:20:05 | |
and they've got the cheek to repeat that twice. | 0:20:05 | 0:20:08 | |
Sat in silence with people you can't stand for t'see rest of t'year, | 0:20:08 | 0:20:11 | |
bloody panic buying presents for them at the last minute, | 0:20:11 | 0:20:14 | |
and then you've got Amazon leading you a merry dance, | 0:20:14 | 0:20:16 | |
not delivering the parcels on time, | 0:20:16 | 0:20:18 | |
hanging round the GPO like an idiot in the rain... | 0:20:18 | 0:20:21 | |
-Bah humbug, John. -Well. | 0:20:24 | 0:20:26 | |
I'm actually surprised you haven't been visited by three ghosts. | 0:20:26 | 0:20:29 | |
What? | 0:20:29 | 0:20:31 | |
It's Christmaaaaaaaaaaas! | 0:20:31 | 0:20:38 | |
That's Slade, I've told you! | 0:20:38 | 0:20:40 | |
Psycho. | 0:20:40 | 0:20:41 | |
And it's summeeeeeer! | 0:20:41 | 0:20:44 | |
Ya tit. | 0:20:44 | 0:20:45 | |
HE HUMS BULLSEYE THEME | 0:20:50 | 0:20:52 | |
OK, you're through to Bully's prize board. | 0:20:52 | 0:20:55 | |
Valerie, Leanne, come this way, come this way, boys. | 0:20:55 | 0:20:58 | |
OK. Now, your £40, that's safe. | 0:21:02 | 0:21:06 | |
That's going nowhere. | 0:21:06 | 0:21:07 | |
Back pocket of Farah. | 0:21:08 | 0:21:10 | |
Now you've got the time it takes for the board to revolve. | 0:21:14 | 0:21:18 | |
What do you want to do? You can ask the audience, | 0:21:18 | 0:21:20 | |
come on, ask the audience. | 0:21:20 | 0:21:22 | |
AUDIENCE: Gamble! | 0:21:22 | 0:21:24 | |
What do you reckon? Well, I've had a right good day, Jim, | 0:21:26 | 0:21:28 | |
had a right good day, you know, we've really enjoyed ourselves. | 0:21:28 | 0:21:31 | |
Just being away from the centre for a few hours is a blessing, you know, | 0:21:31 | 0:21:37 | |
cos Leanne's electronically tagged. | 0:21:37 | 0:21:40 | |
But, er... But, er... | 0:21:40 | 0:21:41 | |
What? What? | 0:21:41 | 0:21:44 | |
We're going to gamble, Jim, we're going to go for it, | 0:21:44 | 0:21:46 | |
we're going to gamble. | 0:21:46 | 0:21:47 | |
Let's have a look at the prizes, shall we? | 0:21:49 | 0:21:51 | |
I-i-i-i-n one. | 0:21:51 | 0:21:53 | |
In one, kids won't have to suffer Mum's Rola Cola any more... | 0:21:55 | 0:21:59 | |
..with this fantastic SodaStream. | 0:22:07 | 0:22:09 | |
And Bully's special prize! | 0:22:13 | 0:22:16 | |
A speedboat. Always a speedboat. | 0:22:16 | 0:22:19 | |
Where do they live? Tamworth. | 0:22:19 | 0:22:21 | |
200 miles to t'sea. | 0:22:21 | 0:22:23 | |
When they used to lose on Bullseye, what did Jim Bowen used to say? | 0:22:24 | 0:22:29 | |
Let's have a look at what you could have won! | 0:22:29 | 0:22:31 | |
Yes, my friend! | 0:22:31 | 0:22:32 | |
"Let's have a look at what you could have won." | 0:22:32 | 0:22:35 | |
Kick 'em when they're down, Jim! | 0:22:35 | 0:22:38 | |
Rub a bit of salt in the wound, my friend. | 0:22:38 | 0:22:40 | |
"Let's have a look." He's bringing the speedboat on and showing it to them. | 0:22:40 | 0:22:43 | |
Bring it on, boys. | 0:22:43 | 0:22:45 | |
MOROSE BULLSEYE THEME | 0:22:45 | 0:22:46 | |
Take it back now. Take it back. | 0:22:50 | 0:22:53 | |
You'll not see that again. You've shit-owt, take it back. | 0:22:53 | 0:22:56 | |
"Let's have a look at what you could have won." | 0:22:58 | 0:23:00 | |
I always think he'd make a really bad priest at a wedding, Jim Bowen. | 0:23:00 | 0:23:04 | |
"I now pronounce you man and wife by the power invested in me. | 0:23:04 | 0:23:08 | |
"Gary, Julie, OK. | 0:23:08 | 0:23:10 | |
"Gary, before you whisk Julie off to Tenerife - it's over there, OK. | 0:23:10 | 0:23:14 | |
APPLAUSE AND CHEERING | 0:23:14 | 0:23:17 | |
"Let's have a look at what you could have married. | 0:23:20 | 0:23:22 | |
"Oh, you slipped up there! | 0:23:22 | 0:23:24 | |
"She's 16, she's Filipino, take her back, boys!" | 0:23:24 | 0:23:27 | |
MOROSE BULLSEYE THEME | 0:23:27 | 0:23:28 | |
"Don't worry, you've still got your Bendy Bullys. | 0:23:33 | 0:23:35 | |
"And your £40. | 0:23:37 | 0:23:38 | |
"It'll take me the commercial break to count it out." | 0:23:38 | 0:23:41 | |
It's 40 quid, Jim. | 0:23:43 | 0:23:45 | |
What is it in, 2ps? | 0:23:45 | 0:23:47 | |
This is a catch-21 situation, Jerry, only you can get us out. | 0:23:52 | 0:23:57 | |
Me? How? | 0:23:57 | 0:23:58 | |
CREAKING | 0:24:00 | 0:24:01 | |
Excuse me. | 0:24:02 | 0:24:04 | |
Sorry. It's funny, that chair. | 0:24:04 | 0:24:07 | |
Me? How? | 0:24:07 | 0:24:08 | |
CREAKING | 0:24:08 | 0:24:10 | |
I'm leaving it in. | 0:24:10 | 0:24:12 | |
Me? How? | 0:24:12 | 0:24:13 | |
Shut up. | 0:24:16 | 0:24:17 | |
We're in a Catch-21 situation, Jerry. | 0:24:19 | 0:24:21 | |
Oh, I'm laughing. | 0:24:21 | 0:24:23 | |
Me? How? | 0:24:24 | 0:24:26 | |
CREAKING | 0:24:26 | 0:24:27 | |
LAUGHTER | 0:24:28 | 0:24:30 | |
-What? What? -Come here a minute, come on! -Get off me, you girl! | 0:24:32 | 0:24:35 | |
-Come on! -You've heard, then? | 0:24:35 | 0:24:38 | |
Oh, I've heard. | 0:24:38 | 0:24:39 | |
Eh? Eh? Eh? | 0:24:39 | 0:24:42 | |
Irritable bowels. | 0:24:42 | 0:24:43 | |
-Move the -BLEEP -over there. | 0:24:43 | 0:24:45 | |
MUSIC: Lonely This Christmas by Elvis Presley | 0:24:50 | 0:24:53 | |
God almighty. | 0:24:54 | 0:24:56 | |
Lonely This Christmas. | 0:24:56 | 0:24:58 | |
Have you not got any carols? | 0:24:59 | 0:25:01 | |
No. They don't do a Now That's What I Call Carol. | 0:25:01 | 0:25:04 | |
MUSIC: Stop The Cavalry by Jona Lewie | 0:25:04 | 0:25:06 | |
Oh, I like this one. It's one of my favourites. | 0:25:06 | 0:25:09 | |
They're all your favourites. | 0:25:09 | 0:25:10 | |
That's cos they're all Christmas songs. | 0:25:10 | 0:25:13 | |
This is wrong, this. | 0:25:13 | 0:25:14 | |
Look at the leaves on the trees. | 0:25:18 | 0:25:20 | |
Every time I hear this, it just makes me want to march. | 0:25:21 | 0:25:24 | |
Good luck with that in a Fiat. | 0:25:24 | 0:25:26 | |
-Always makes me a bit sad, this one. -Yeah, I know. | 0:25:32 | 0:25:35 | |
Melancholy. | 0:25:35 | 0:25:36 | |
Happy sad. | 0:25:36 | 0:25:37 | |
It's the "wish I was at home for Christmas" bit gets me. | 0:25:39 | 0:25:42 | |
Always reminds me of me dad. | 0:25:42 | 0:25:44 | |
Aw, why? Was he a soldier? | 0:25:44 | 0:25:45 | |
No. | 0:25:47 | 0:25:48 | |
He always used to play this and he always used to lift me up | 0:25:49 | 0:25:52 | |
and dance round with me in his arms. | 0:25:52 | 0:25:54 | |
Lordy, must have been strong. | 0:25:54 | 0:25:57 | |
And what's that supposed to mean? | 0:25:57 | 0:25:58 | |
-Well, how old were you? -I don't know, six, seven. | 0:25:58 | 0:26:02 | |
Well, you can't have been. This song didn't come out till the '90s. | 0:26:02 | 0:26:05 | |
Did it balls! Christmas 1980, this, Jona Lewie. | 0:26:05 | 0:26:08 | |
No, no, it can't have been because I had this on cassette tape | 0:26:08 | 0:26:11 | |
and this song used to come on after East 17 Stay, | 0:26:11 | 0:26:14 | |
so definitely '90s. | 0:26:14 | 0:26:16 | |
What? What does that mean, a cassette tape? | 0:26:16 | 0:26:20 | |
It used to come on after East 17 and they were definitely '90s cos I had | 0:26:20 | 0:26:23 | |
-the puffer jacket. -Where did you get the cassette tape from? | 0:26:23 | 0:26:26 | |
Someone made me a mixtape. | 0:26:26 | 0:26:28 | |
What does that mean?! | 0:26:28 | 0:26:29 | |
That means frig all! | 0:26:29 | 0:26:31 | |
Why would she have mixed them all up? | 0:26:31 | 0:26:34 | |
Mark is now about to shoot the video for Christmas 2000, | 0:26:36 | 0:26:39 | |
the first single from his new album, | 0:26:39 | 0:26:42 | |
making himself eligible for the most important annual music race of all - | 0:26:42 | 0:26:46 | |
the Christmas number one. | 0:26:46 | 0:26:47 | |
Come on, let's make magic! | 0:26:47 | 0:26:49 | |
This is fantastic, it's a dream come true. | 0:26:49 | 0:26:52 | |
It's a real education, not just for me, for the Sumambis. | 0:26:52 | 0:26:56 | |
And they're from Africa. | 0:26:56 | 0:26:57 | |
They've never seen snow. | 0:26:59 | 0:27:00 | |
I know it's not real snow, but they don't know that, do they? | 0:27:03 | 0:27:07 | |
That's too small, that. | 0:27:12 | 0:27:14 | |
Who's built this?! | 0:27:14 | 0:27:15 | |
# It's Christmas time There's no need to be afraid | 0:27:20 | 0:27:25 | |
# Cos the world is now ready The plans have been made | 0:27:27 | 0:27:31 | |
# He'll be bringing salvation | 0:27:34 | 0:27:38 | |
# He'll be bringing us joy for every man and woman | 0:27:38 | 0:27:42 | |
# Every girl and boy | 0:27:44 | 0:27:46 | |
# Let's raise our glasses and sing Auld Lang Syne | 0:27:49 | 0:27:56 | |
# As we sit on the fence at the crossroads of time | 0:27:57 | 0:28:01 | |
# Our race is now over | 0:28:04 | 0:28:07 | |
# Our future's begun | 0:28:07 | 0:28:10 | |
# It's Christmas 2000 A new number one... # | 0:28:10 | 0:28:16 | |
So why Christmas 2000? | 0:28:16 | 0:28:18 | |
Well, people think I'm probably cashing in on the millennium. | 0:28:18 | 0:28:22 | |
That couldn't be further from the truth. I'm not that shallow. | 0:28:22 | 0:28:25 | |
What I am, though, is very religious and Christmas 2000 | 0:28:25 | 0:28:29 | |
is just a simple thank you to the big man upstairs. | 0:28:29 | 0:28:32 | |
It's an ambiguous celebration of the birth of Jesus Christ. | 0:28:32 | 0:28:36 | |
-That won't be... -Many happy returns. | 0:28:36 | 0:28:38 | |
That won't be till Christmas, 2000. | 0:28:38 | 0:28:40 | |
Yes. | 0:28:40 | 0:28:41 | |
This is going to be Christmas, 1999. | 0:28:41 | 0:28:44 | |
What? | 0:28:47 | 0:28:48 | |
This Christmas is Christmas, 1999, not 2000. | 0:28:48 | 0:28:51 | |
Bernie! | 0:28:56 | 0:28:57 | |
# People talk of power Of His miracles performed | 0:28:59 | 0:29:03 | |
# The healing of the sick, the disabled, the deformed | 0:29:06 | 0:29:11 | |
# He'll be changing our future | 0:29:13 | 0:29:17 | |
# He'll make everything fine | 0:29:17 | 0:29:19 | |
# He'll be coming down your chimney | 0:29:19 | 0:29:23 | |
# For the 2000th time | 0:29:23 | 0:29:24 | |
# Let's raise our glasses and sing Auld Lang Syne | 0:29:28 | 0:29:34 | |
# As we sit on the fence at the crossroads of time | 0:29:35 | 0:29:41 | |
# There are 2,000 mountains still left to climb | 0:29:43 | 0:29:49 | |
# It's Christmas 2000, let's have a good time | 0:29:49 | 0:29:55 | |
# It's Christmas 2000 | 0:29:56 | 0:30:00 | |
# It's Christmas 2000 | 0:30:00 | 0:30:03 | |
# It's Christmas 2000 | 0:30:03 | 0:30:06 | |
# A new number one. # | 0:30:06 | 0:30:13 | |
I can't get out of old habits. | 0:30:23 | 0:30:24 | |
I still say to me wife, "Do you want to go to t'video shop for a DVD?" | 0:30:24 | 0:30:29 | |
How old? | 0:30:29 | 0:30:31 | |
And we get those boxsets now, us. | 0:30:31 | 0:30:33 | |
Boxsets of series. | 0:30:33 | 0:30:34 | |
You can't just watch one. | 0:30:34 | 0:30:36 | |
You put 'em on, you're like, "Oh, God, put another one on. I want to see what happens." | 0:30:36 | 0:30:39 | |
I'm like, "I want to go to bed now." "No, put another one on, I want to see what happens." | 0:30:39 | 0:30:42 | |
It's ten to four. "No, put another one on." | 0:30:42 | 0:30:45 | |
I'm sitting here in me own piss and shit. "Put another one on, I want to see what happens. | 0:30:45 | 0:30:48 | |
"Put these two in, quick." | 0:30:48 | 0:30:50 | |
Or you can series link it now with Sky+. | 0:30:50 | 0:30:54 | |
It's incredible. Sky+ is right up there with daylight | 0:30:54 | 0:30:58 | |
and running water as a necessity in my life now. | 0:30:58 | 0:31:02 | |
You can't go back, honest to God. | 0:31:02 | 0:31:03 | |
They come round and say, "Mr Kay, we're turning your gas off. | 0:31:03 | 0:31:06 | |
"It's going to be off for four hours, we're digging at t'top of t'road." | 0:31:06 | 0:31:08 | |
You're joking? All right, never mind. | 0:31:08 | 0:31:10 | |
Dad, Sky's off. "Sky's off?! | 0:31:10 | 0:31:12 | |
"Sky+ is off? Jesus Christ! Ring 'em up, quick!" | 0:31:12 | 0:31:15 | |
It's like losing your left arm, you can't believe it. | 0:31:15 | 0:31:19 | |
I got it for me nana. | 0:31:19 | 0:31:21 | |
You know we went digital a couple of years ago. | 0:31:21 | 0:31:23 | |
I said, "Nana, you've got to go digital." | 0:31:23 | 0:31:26 | |
"I've just got used to pounds, shillings and pence." | 0:31:26 | 0:31:29 | |
I'm like that, "What?" | 0:31:29 | 0:31:30 | |
We're going digital. I've got you Sky+, right. | 0:31:30 | 0:31:32 | |
It's fantastic. You've got... | 0:31:32 | 0:31:34 | |
When you want to record something, | 0:31:34 | 0:31:35 | |
you just press that red button there on t'remote. | 0:31:35 | 0:31:38 | |
"Where do you put your tapes?" | 0:31:38 | 0:31:39 | |
No, there's no tapes now. | 0:31:39 | 0:31:41 | |
It's on a hard drive. | 0:31:41 | 0:31:42 | |
Just go with me, right. And you've got live pause now. | 0:31:46 | 0:31:49 | |
Live pause. So if you want to pause it and go and have a cup of tea | 0:31:49 | 0:31:53 | |
or a wee, you just pause it. | 0:31:53 | 0:31:55 | |
"What about everybody else?" | 0:31:55 | 0:31:56 | |
Come again? | 0:31:56 | 0:31:58 | |
"What about everybody else?" | 0:31:58 | 0:32:00 | |
You're not controlling Britain! It's just you, this. | 0:32:00 | 0:32:03 | |
Bloody hell, it's only £40 a month. | 0:32:03 | 0:32:04 | |
What do you want? | 0:32:04 | 0:32:07 | |
Some couple in Crawley watching Holby City - | 0:32:07 | 0:32:09 | |
"That's Edie gone for a slash. | 0:32:09 | 0:32:11 | |
"Stopped again. It's quarter to ten here. | 0:32:16 | 0:32:17 | |
"Stop start, stop start. What's happening?" | 0:32:17 | 0:32:20 | |
DIRECTOR: Action. | 0:32:22 | 0:32:23 | |
I enjoyed that. It was lovely. | 0:32:26 | 0:32:28 | |
-Just put scolding hot -BLEEP -water in that, will you, Pete, next time? | 0:32:28 | 0:32:32 | |
From the top. Still rolling. | 0:32:34 | 0:32:35 | |
I remember the Gogo Birds. | 0:32:55 | 0:32:57 | |
I wanted... | 0:32:58 | 0:32:59 | |
Cut. | 0:33:04 | 0:33:05 | |
Only thing about Sky+ I don't like is me whole life's | 0:33:16 | 0:33:18 | |
on times 30, times 30. | 0:33:18 | 0:33:20 | |
Fast forward. Everything's times 30. | 0:33:20 | 0:33:22 | |
I've not seen an advert for four years. | 0:33:22 | 0:33:24 | |
Are DFS still having a sale? | 0:33:24 | 0:33:25 | |
And it's all or nothing, fast forward, you can't control it. | 0:33:27 | 0:33:30 | |
You're like bang, bang, bang. Oh, it's back on, it's back on! | 0:33:30 | 0:33:32 | |
Go back, go back, go back! Whoa, whoa, whoa, whoa! | 0:33:32 | 0:33:34 | |
We're back to the beginning of t' programme, you've gone too far now, not back here. | 0:33:34 | 0:33:38 | |
Fast forward again, fast forward. | 0:33:38 | 0:33:39 | |
Whoa, whoa, it's back on again! What you doing? | 0:33:39 | 0:33:42 | |
Times six, times 12, do it in stages, take your time. | 0:33:42 | 0:33:45 | |
Quicker just watching t'adverts. | 0:33:47 | 0:33:49 | |
That's best when it comes up - two recordings have clashed, | 0:33:49 | 0:33:51 | |
please choose one. What do you do with that? | 0:33:51 | 0:33:54 | |
What do you do? Pick one, pick one, quick! | 0:33:54 | 0:33:56 | |
Am I selecting the one I'm deleting? Am I deleting the one I'm selecting? | 0:33:56 | 0:33:59 | |
Which one? Am I doing that one there? Pick one. I don't know! Throw it to me. | 0:33:59 | 0:34:02 | |
I haven't got a clue! Choose one now. | 0:34:02 | 0:34:04 | |
I don't know! Christ almighty, it's going to fail record, | 0:34:04 | 0:34:06 | |
it's going to fail record, people, quick! | 0:34:06 | 0:34:08 | |
Top or bottom? Top or bottom? | 0:34:08 | 0:34:09 | |
Choose, choose! | 0:34:09 | 0:34:10 | |
It's failed record now. It's too late, see. | 0:34:10 | 0:34:13 | |
MUSIC: Last Christmas by George Michael | 0:34:17 | 0:34:19 | |
Oh! | 0:34:19 | 0:34:21 | |
Let me guess, this is your favourite. | 0:34:21 | 0:34:24 | |
It is, actually, John. | 0:34:24 | 0:34:25 | |
This is my all-time favourite. | 0:34:25 | 0:34:27 | |
Yeah. | 0:34:28 | 0:34:29 | |
This is my favourite, too. | 0:34:29 | 0:34:32 | |
Is it? | 0:34:32 | 0:34:34 | |
Really? Aww. | 0:34:34 | 0:34:36 | |
I knew I'd break you, get you into the Christmas mood. | 0:34:36 | 0:34:39 | |
She says, licking a 99. | 0:34:39 | 0:34:41 | |
Christ, it's not that hot. | 0:34:46 | 0:34:49 | |
I've got those flip-flops. | 0:34:49 | 0:34:51 | |
The other thing I don't like is the panic, | 0:34:53 | 0:34:56 | |
and I mean PANIC you get when you're down to about 4% on your planner. | 0:34:56 | 0:35:00 | |
4% we're on here. | 0:35:03 | 0:35:05 | |
4%. That's you, that. | 0:35:05 | 0:35:07 | |
There's nothing on here of mine. | 0:35:09 | 0:35:11 | |
There's nothing on here of mine. | 0:35:14 | 0:35:15 | |
Look at all... I've two World's Strongest Men and a | 0:35:16 | 0:35:19 | |
Ross Kemp In Bangkok and that's me done here, love. Nothing. | 0:35:19 | 0:35:23 | |
Oh, and A Banged Up Abroad. Excuse me. Pardon me for breathing. | 0:35:24 | 0:35:28 | |
One, two, three, four... | 0:35:28 | 0:35:30 | |
27 hours of 24, how's that happened? | 0:35:30 | 0:35:33 | |
You can't do that! That's not physically possible! | 0:35:33 | 0:35:37 | |
Delete, delete. Oh, that's better, 48%. | 0:35:37 | 0:35:39 | |
Look at that, 48%. | 0:35:39 | 0:35:41 | |
I feel cleansed. 48%. | 0:35:41 | 0:35:43 | |
You've got to have a tidy planner. | 0:35:45 | 0:35:47 | |
And then when we do finally sit down and watch something together, | 0:35:47 | 0:35:51 | |
'king sister rings her up. | 0:35:51 | 0:35:52 | |
Pause. | 0:35:52 | 0:35:54 | |
HE MOUTHS | 0:35:54 | 0:35:56 | |
HE CONTINUES MOUTHING | 0:36:05 | 0:36:07 | |
HE CONTINUES MOUTHING | 0:36:17 | 0:36:19 | |
HE CONTINUES MOUTHING | 0:36:32 | 0:36:34 | |
'king 20 minutes. "I'll see you, bye." | 0:36:49 | 0:36:51 | |
What's she want? "Nothing." | 0:36:51 | 0:36:52 | |
Nothing?! | 0:36:52 | 0:36:54 | |
Nothing. | 0:36:54 | 0:36:55 | |
Press play. Then phone rings again, it's me mum. | 0:36:59 | 0:37:02 | |
"I didn't expect that twist at the end. I didn't think she'd kill him." | 0:37:02 | 0:37:04 | |
What?! | 0:37:04 | 0:37:05 | |
We're 20 minutes behind, you don't tell us that! | 0:37:07 | 0:37:10 | |
You're booked! We'll have you! | 0:38:17 | 0:38:19 | |
Look at that! Oh, my God! | 0:38:21 | 0:38:24 | |
Woo! Woo! | 0:38:27 | 0:38:29 | |
# The mood is right | 0:38:40 | 0:38:42 | |
# The spirit's up | 0:38:42 | 0:38:44 | |
# We're here tonight | 0:38:44 | 0:38:47 | |
# And that's enough | 0:38:47 | 0:38:48 | |
# Simply having a wonderful Christmas time | 0:38:48 | 0:38:53 | |
# Simply having a wonderful Christmas time | 0:38:53 | 0:38:59 | |
# The choir of children sing their song | 0:38:59 | 0:39:04 | |
# They practised all year long | 0:39:04 | 0:39:09 | |
# The mood is right | 0:39:09 | 0:39:11 | |
# The spirit's up... # | 0:39:11 | 0:39:12 | |
We'll do a stage dive... | 0:39:12 | 0:39:14 | |
# We're here tonight | 0:39:14 | 0:39:16 | |
# And that's enough | 0:39:16 | 0:39:18 | |
# Simply having a wonderful Christmas time | 0:39:18 | 0:39:22 | |
# We're simply having a wonderful Christmas time | 0:39:22 | 0:39:28 | |
# We're simply having a wonderful Christmas time. # | 0:39:28 | 0:39:38 | |
Have you been a good little boy? | 0:39:43 | 0:39:45 | |
Have you been a good little girl? | 0:39:46 | 0:39:48 | |
Ho-ho-ho! | 0:39:49 | 0:39:51 | |
# Once upon a Christmas song | 0:40:01 | 0:40:03 | |
# Everybody sang along | 0:40:04 | 0:40:08 | |
# You'd see the joy on every face | 0:40:08 | 0:40:11 | |
# And the world seemed a happier place | 0:40:11 | 0:40:15 | |
# These songs brought us together | 0:40:15 | 0:40:19 | |
# Good time memories forever | 0:40:19 | 0:40:22 | |
# Now I know what they mean | 0:40:22 | 0:40:26 | |
# And what they've given to me | 0:40:26 | 0:40:29 | |
# I'd have never believed | 0:40:29 | 0:40:32 | |
# That we'd be me singing them | 0:40:32 | 0:40:33 | |
# Over and over, and over again | 0:40:33 | 0:40:37 | |
# Every December they get in our heads | 0:40:37 | 0:40:40 | |
# Turn 'em up, play 'em loud | 0:40:40 | 0:40:42 | |
# Every Christmas should be the same | 0:40:42 | 0:40:45 | |
# Singing them over and over and over and over again | 0:40:45 | 0:40:50 | |
-# They say they're good for the soul -Good for the soul | 0:40:52 | 0:40:56 | |
# But someone tell me I don't know | 0:40:56 | 0:40:58 | |
# Why no one seems to write them no more | 0:40:59 | 0:41:01 | |
# Write them no more | 0:41:01 | 0:41:03 | |
# So the only way to settle the score | 0:41:03 | 0:41:06 | |
# Is to all make way for a new one | 0:41:06 | 0:41:10 | |
# That keeps the heart of the old one | 0:41:10 | 0:41:13 | |
# With a little bit of festive cheer | 0:41:13 | 0:41:17 | |
# And you'll know when Christmas is near | 0:41:17 | 0:41:20 | |
# When this record appears, once a year | 0:41:20 | 0:41:24 | |
# You'll be singing this over and over, and over again | 0:41:24 | 0:41:28 | |
# Every December you'll hear it and say | 0:41:28 | 0:41:32 | |
# Turn it up, play it loud | 0:41:32 | 0:41:33 | |
# Every Christmas should be the same | 0:41:33 | 0:41:37 | |
# Singing it over and over and over and over again | 0:41:37 | 0:41:42 | |
-# It's getting in your head -It's getting in your head | 0:41:42 | 0:41:44 | |
-# It's getting in your head -It's getting in your head | 0:41:44 | 0:41:46 | |
# And if you're not singing it all night | 0:41:46 | 0:41:49 | |
# You'd be telling a lie... # | 0:41:49 | 0:41:55 | |
Today, they're lining the streets, | 0:41:55 | 0:41:57 | |
people of all ages overcome with festive joy. | 0:41:57 | 0:42:01 | |
It seems Britain has found its Xmas factor once again. | 0:42:01 | 0:42:04 | |
And the lady responsible for this Christmas magic? | 0:42:04 | 0:42:07 | |
Geraldine McQueen! | 0:42:07 | 0:42:09 | |
# You'll be singing this over and over and over and over again | 0:42:24 | 0:42:29 | |
# Every December you'll hear it and say | 0:42:29 | 0:42:32 | |
# Turn it up, play it loud | 0:42:32 | 0:42:34 | |
# Every Christmas should be the same | 0:42:34 | 0:42:37 | |
# Singing it over and over forever and ever again | 0:42:37 | 0:42:42 | |
MUSIC STOPS | 0:42:46 | 0:42:47 | |
CROWD GROANS | 0:42:47 | 0:42:49 | |
# Over and over and over again | 0:42:55 | 0:42:59 | |
# Over and over and over again | 0:42:59 | 0:43:02 | |
# Over and over and over again | 0:43:02 | 0:43:06 | |
# Over and over and over again | 0:43:06 | 0:43:10 | |
# Over and over and over again | 0:43:10 | 0:43:13 | |
# Over and over and over again | 0:43:13 | 0:43:17 | |
# Over and over and over again | 0:43:17 | 0:43:20 | |
# Over and over and over again | 0:43:20 | 0:43:24 | |
# Over and over and over again | 0:43:24 | 0:43:28 | |
# Over and over and over again | 0:43:28 | 0:43:31 | |
# Turn it up, play it loud | 0:43:31 | 0:43:33 | |
# Every Christmas should be the same | 0:43:33 | 0:43:36 | |
# Singing it over and over forever and ever again. # | 0:43:36 | 0:43:41 |