Browse content similar to Episode 6. Check below for episodes and series from the same categories and more!
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# La-la-la-la, da-da-da-da-da | 0:00:02 | 0:00:05 | |
# La-la-la-la, da-da-da-da-da | 0:00:05 | 0:00:08 | |
# La-la la, da-da-da-da-da-da-lah | 0:00:08 | 0:00:11 | |
# La-a da | 0:00:11 | 0:00:13 | |
# La-da-la-da-la-la-la | 0:00:13 | 0:00:14 | |
# Da-da-da da-da-la-da-da-da. # | 0:00:14 | 0:00:18 | |
This programme contains some strong language | 0:00:18 | 0:00:25 | |
OK, that was Living In A Box for Brian, whose wife kicked him | 0:00:25 | 0:00:30 | |
out last night. | 0:00:30 | 0:00:32 | |
Moving on, oww! | 0:00:32 | 0:00:33 | |
Special request now from the father of the bride, Alan. | 0:00:33 | 0:00:36 | |
He says "Please play something special for my lovely | 0:00:36 | 0:00:39 | |
"daughter on this, her wedding day." | 0:00:39 | 0:00:40 | |
Aww. | 0:00:40 | 0:00:41 | |
So it is Kid Creole with Annie, I'm Not Your Daddy. | 0:00:41 | 0:00:45 | |
Check it out! | 0:00:45 | 0:00:46 | |
Oo! Oo! | 0:00:46 | 0:00:48 | |
I thought everybody knew. | 0:00:50 | 0:00:53 | |
I went to a wedding about two weeks ago. First one's up at any wedding, | 0:00:54 | 0:00:58 | |
little girls about ten - 11-year-olds dancing. Like... | 0:00:58 | 0:01:00 | |
# Don't care about the rocks that I got, | 0:01:00 | 0:01:02 | |
# I'm still I'm still Jenny from the block. | 0:01:02 | 0:01:04 | |
# Used to have a little now I have a lot... # | 0:01:04 | 0:01:06 | |
APPLAUSE | 0:01:06 | 0:01:08 | |
You always get that. | 0:01:08 | 0:01:09 | |
You always get little girls dancing. | 0:01:11 | 0:01:13 | |
You always get little lads doing this. | 0:01:13 | 0:01:15 | |
Sliding on the knees! | 0:01:32 | 0:01:34 | |
Look at your trousers, get up! Look at his trousers! | 0:01:34 | 0:01:37 | |
They're filthy, get up! | 0:01:37 | 0:01:39 | |
Look at your pants, they're filthy, come on, sit down, cool down. | 0:01:39 | 0:01:43 | |
Look you're roasting, you're wet through, sit down, have some lemonade. | 0:01:43 | 0:01:46 | |
Look you're like a bull mastiff. | 0:01:46 | 0:01:49 | |
HE PANTS | 0:01:49 | 0:01:51 | |
I want to go and play! | 0:01:52 | 0:01:53 | |
You're 22! Just calm down, will you? | 0:01:53 | 0:01:57 | |
You're the best man. | 0:01:57 | 0:01:59 | |
AUDIENCE CHEERS | 0:02:03 | 0:02:04 | |
# See if I was in your blood | 0:02:09 | 0:02:10 | |
# Then you wouldn't be so ugly... # | 0:02:10 | 0:02:13 | |
Ooh! After this I've got a special song, Bat Out Of Hell, | 0:02:13 | 0:02:17 | |
for the bride's mother. | 0:02:17 | 0:02:18 | |
There she is coming out the toilets. | 0:02:18 | 0:02:20 | |
I'd give it five minutes if I were you. Shabba! | 0:02:20 | 0:02:24 | |
LAUGHTER | 0:02:24 | 0:02:26 | |
You always get aunties and grandmas doing the bent over dance. | 0:02:26 | 0:02:29 | |
LAUGHTER | 0:02:33 | 0:02:34 | |
There's no kid, there's nobody there. | 0:02:38 | 0:02:40 | |
Grandmas always go early at weddings. | 0:02:49 | 0:02:52 | |
Sandra, your grandma's going now! | 0:02:52 | 0:02:55 | |
It's ten to eight! | 0:02:55 | 0:02:56 | |
She's going. | 0:02:58 | 0:03:00 | |
Grandma's like Yoda from Star Wars. | 0:03:00 | 0:03:03 | |
She's about three foot tall with her anorak on. | 0:03:03 | 0:03:08 | |
Going now am I. | 0:03:08 | 0:03:10 | |
Going now. Going, going. | 0:03:11 | 0:03:15 | |
That disco's too loud for me. | 0:03:15 | 0:03:17 | |
That's not music, it's just bloody noise. | 0:03:18 | 0:03:21 | |
I'm going to get home and get settled. | 0:03:22 | 0:03:25 | |
Get the curtains drawn. | 0:03:25 | 0:03:27 | |
Give us a kiss. | 0:03:29 | 0:03:31 | |
Here you go, Grandma. You get home, you get home and get a shave. | 0:03:31 | 0:03:34 | |
LAUGHTER | 0:03:36 | 0:03:38 | |
Oh, I'll tell you who I saw today. Coming out the Post Office. | 0:03:38 | 0:03:42 | |
Bumped right into him, I ain't seen him in years. What a smashing fella. | 0:03:42 | 0:03:48 | |
-Who's that? -Who's what? | 0:03:48 | 0:03:51 | |
In the Post Office? | 0:03:51 | 0:03:53 | |
I was in there this morning. | 0:03:53 | 0:03:54 | |
Yes, you said, who'd you see in there? | 0:03:54 | 0:03:57 | |
'Ere I'll tell you who I saw in there. | 0:03:57 | 0:03:59 | |
Young Tommy Upson. | 0:03:59 | 0:04:00 | |
Who's Tommy Upson? | 0:04:00 | 0:04:02 | |
-Who? -Tommy Upson. | 0:04:02 | 0:04:04 | |
I saw him in the Post Office this morning. | 0:04:04 | 0:04:07 | |
Yes, used to live down Ormond Yard when we were kids. | 0:04:08 | 0:04:11 | |
Oh, we have had a laugh. | 0:04:11 | 0:04:12 | |
TOILET FLUSHES | 0:04:14 | 0:04:16 | |
Who's that? | 0:04:16 | 0:04:17 | |
I just told you who it is, Tommy fucking Upson! | 0:04:17 | 0:04:20 | |
What's the matter with you? | 0:04:21 | 0:04:23 | |
God forgive me for swearing, you'll make my nerves bad, you will. | 0:04:23 | 0:04:26 | |
Oi oi. | 0:04:26 | 0:04:27 | |
Here he is. | 0:04:27 | 0:04:29 | |
That better, sweetheart? | 0:04:29 | 0:04:31 | |
Oh, I'm about a stone lighter now. | 0:04:31 | 0:04:33 | |
Flushed itself. | 0:04:33 | 0:04:34 | |
I tell you something, | 0:04:37 | 0:04:38 | |
it's good to see you got plenty of loo rolls in there. | 0:04:38 | 0:04:41 | |
36 I counted. | 0:04:41 | 0:04:43 | |
Yeah, well they don't eat nothing, do they? | 0:04:43 | 0:04:44 | |
I can't stand it. | 0:04:44 | 0:04:46 | |
You go to someone's house for a pony and you've got to ration your wipes. | 0:04:46 | 0:04:50 | |
You never have to hold back up here, Tom, and I mean that sincerely. | 0:04:50 | 0:04:54 | |
-Brilliant. -There you are, go on, sweetheart, sit back down. | 0:04:54 | 0:04:57 | |
-That's it. -There's a drink there. | 0:04:57 | 0:04:59 | |
There you are, Tom. There's my Diane's boy, Jamie. | 0:04:59 | 0:05:02 | |
-Hello, son. -Nice to meet you. | 0:05:02 | 0:05:04 | |
He's home early, ain't he got a job? | 0:05:04 | 0:05:06 | |
No, he tried everything, he ain't interested. | 0:05:06 | 0:05:09 | |
I'm at university. | 0:05:09 | 0:05:10 | |
Oh, that's right. | 0:05:10 | 0:05:11 | |
Your nan said something about you being gay. | 0:05:11 | 0:05:15 | |
My brother, he had a gay dog. | 0:05:18 | 0:05:19 | |
Who, your Billy? | 0:05:19 | 0:05:21 | |
Yes, that's right. Cost him a fortune in vet's bills. | 0:05:21 | 0:05:24 | |
-A gay dog? -No, not gay. | 0:05:24 | 0:05:26 | |
Um, diabetic. | 0:05:26 | 0:05:28 | |
Some kind of disability. | 0:05:32 | 0:05:33 | |
Being gay isn't a disability. | 0:05:38 | 0:05:39 | |
Well, it ain't exactly helped you in getting a job, has it? | 0:05:39 | 0:05:43 | |
-Do you want an Opal Fruit? -Yes, please. | 0:05:46 | 0:05:49 | |
Thank you. | 0:05:49 | 0:05:50 | |
You got any other colours? | 0:05:50 | 0:05:52 | |
Red. | 0:05:52 | 0:05:53 | |
You want red? | 0:05:55 | 0:05:57 | |
Thank you. | 0:05:57 | 0:05:58 | |
I shouldn't really. | 0:06:00 | 0:06:02 | |
But hey, why not? | 0:06:04 | 0:06:06 | |
RADIO CHATTERS | 0:06:08 | 0:06:10 | |
Can't get into this bastard. | 0:06:12 | 0:06:15 | |
MUSIC: A Town Called Malice by The Jam | 0:06:15 | 0:06:17 | |
Put that in that door, will you? | 0:06:26 | 0:06:28 | |
My friend's flatmate's sister's flatmate's friend made | 0:06:38 | 0:06:41 | |
cheese on toast with Paul Weller. | 0:06:41 | 0:06:43 | |
And that's a claim to fame? | 0:06:44 | 0:06:47 | |
Well, what's yours? | 0:06:47 | 0:06:48 | |
Uh, I once tried to get Rod Hull's autograph. | 0:06:50 | 0:06:53 | |
But he couldn't do it. | 0:06:54 | 0:06:55 | |
I'm sure Rod Hull would just give anyone his autograph. | 0:06:58 | 0:07:01 | |
Well, that's what you think, but he couldn't sign autographs, | 0:07:01 | 0:07:04 | |
according to his manager, | 0:07:04 | 0:07:05 | |
because his writing hand's up the bird. | 0:07:05 | 0:07:09 | |
-I know but he can still... -That's a false arm, intit? | 0:07:09 | 0:07:13 | |
-That's his dummy arm, and his writing hand's up Emu. -Oh. | 0:07:13 | 0:07:17 | |
So he couldn't sign anything. | 0:07:17 | 0:07:19 | |
Unless he stuck a pen in Emu's mouth, | 0:07:19 | 0:07:20 | |
-and that'd kill the magic, wouldn't it? -Ahhh. | 0:07:20 | 0:07:24 | |
Did you hear about Rod Hull's funeral? | 0:07:26 | 0:07:29 | |
Is this a joke? | 0:07:29 | 0:07:30 | |
No, no. | 0:07:30 | 0:07:32 | |
Funeral were crap but reception were good. | 0:07:32 | 0:07:34 | |
Good. | 0:07:39 | 0:07:41 | |
Do you get it? | 0:07:41 | 0:07:43 | |
I thought you said it wasn't a joke. | 0:07:43 | 0:07:44 | |
Well, if I say it's a joke then you're expecting it. | 0:07:44 | 0:07:47 | |
It is a joke but I lied. | 0:07:47 | 0:07:49 | |
Not get it? | 0:07:49 | 0:07:50 | |
The funeral was shit but the reception was good. | 0:07:52 | 0:07:55 | |
I don't get it. | 0:07:55 | 0:07:56 | |
-He fell off his roof fixing his TV aerial. -Ohhhhh! | 0:07:56 | 0:08:00 | |
-Oh, is that cos he had a false arm? -What? | 0:08:00 | 0:08:02 | |
-Bit of juggling. -Yep. -Bit of juggling. | 0:08:10 | 0:08:13 | |
Oh, no. | 0:08:15 | 0:08:16 | |
What's she doing now whoa, whoa, whoa! | 0:08:19 | 0:08:21 | |
-She's not wearing any... -I know, I can see, Lesley. | 0:08:21 | 0:08:23 | |
What's she doing? | 0:08:23 | 0:08:24 | |
POP | 0:08:24 | 0:08:26 | |
-Oh! -Oh, my word. | 0:08:26 | 0:08:27 | |
Next! | 0:08:27 | 0:08:29 | |
No, next! | 0:08:29 | 0:08:30 | |
NEXT! | 0:08:30 | 0:08:32 | |
Ah, uggh, next! | 0:08:33 | 0:08:35 | |
There's loads of bitchiness at weddings. | 0:08:37 | 0:08:39 | |
Oh! Look at that dress. | 0:08:39 | 0:08:40 | |
When was she measured for that? | 0:08:41 | 0:08:43 | |
The bride! Have you seen her? | 0:08:44 | 0:08:46 | |
Oh, you look really nice, Sandra, look at you! | 0:08:46 | 0:08:49 | |
Aren't you a bloody princess. | 0:08:49 | 0:08:50 | |
Have a good day, mwah, you deserve it, you're a star. | 0:08:50 | 0:08:53 | |
She's packed into that, isn't she? | 0:08:56 | 0:08:58 | |
Look at her arms, looks like Russell Grant, what's the matter with her? | 0:08:59 | 0:09:04 | |
-Action! -What's she doing, oh, whoa. | 0:09:04 | 0:09:06 | |
She's not wearing any... | 0:09:06 | 0:09:08 | |
What you laughing at? | 0:09:08 | 0:09:11 | |
-Come on. -Reset, please. | 0:09:11 | 0:09:13 | |
Get off! Get up! Next! | 0:09:14 | 0:09:16 | |
Next! Where they coming from?! | 0:09:16 | 0:09:18 | |
She only had four! | 0:09:18 | 0:09:20 | |
Next! | 0:09:20 | 0:09:22 | |
ALL LAUGH | 0:09:22 | 0:09:24 | |
Get off, whoa! Don't catch 'em! | 0:09:24 | 0:09:26 | |
Next! | 0:09:26 | 0:09:27 | |
HE GIGGLES | 0:09:27 | 0:09:29 | |
Ne-ext. | 0:09:29 | 0:09:30 | |
Next. | 0:09:30 | 0:09:32 | |
Should've pulled out a bat. | 0:09:32 | 0:09:33 | |
ALL LAUGH | 0:09:33 | 0:09:34 | |
Next! | 0:09:36 | 0:09:37 | |
Oh, ugh, next! | 0:09:38 | 0:09:40 | |
HE LAUGHS | 0:09:40 | 0:09:42 | |
I love DJs at weddings that talk all night | 0:09:43 | 0:09:46 | |
and you can't understand a word they're saying. | 0:09:46 | 0:09:48 | |
HE MUMBLES INCOMPREHENSIBLY | 0:09:48 | 0:09:52 | |
"The buffet's ready, the buffet is ready." | 0:10:01 | 0:10:03 | |
I heard that, mum, buffet's ready! | 0:10:03 | 0:10:05 | |
Buffet! Charge! Buffet! | 0:10:05 | 0:10:07 | |
Don't go first, we don't know them. | 0:10:10 | 0:10:12 | |
Give it ten minutes, we're not pigs. | 0:10:13 | 0:10:17 | |
Dad - "Go and get me some buffet, go and get me some buffet. | 0:10:17 | 0:10:20 | |
"I've had no tea, I'll keep your seats, I'll keep your seats! | 0:10:20 | 0:10:23 | |
"You go, you know what to do." | 0:10:23 | 0:10:25 | |
Oh, she's put a good spread on. Look at that. | 0:10:28 | 0:10:31 | |
Vol-a-vents, quiche, chicken legs, vol-a-vents, quiche again, | 0:10:31 | 0:10:34 | |
chicken legs, fucking vol-a-vents, quiche. | 0:10:34 | 0:10:38 | |
That's all it is, one table and a shitload of mirrors, | 0:10:38 | 0:10:41 | |
that's all it is. | 0:10:41 | 0:10:43 | |
Always reminds me of Scooby-Doo. | 0:10:44 | 0:10:46 | |
When they used to run down a corridor in Scooby-Doo, | 0:10:46 | 0:10:48 | |
and they used to pass the same things. | 0:10:48 | 0:10:50 | |
Vol-a-vents, quiche, chicken legs, vol-a-vents, quiche, chicken... | 0:10:50 | 0:10:54 | |
Here you are, Dad, I've got you some food. | 0:10:57 | 0:11:00 | |
What's this? | 0:11:02 | 0:11:03 | |
Garlic bread, you're joking?! | 0:11:04 | 0:11:07 | |
Garlic bread in my mouth?! | 0:11:08 | 0:11:10 | |
You slipped that in, didn't you? | 0:11:14 | 0:11:16 | |
Eh, that's beautiful that, that's beautiful that. | 0:11:16 | 0:11:19 | |
That's the future, that's a taste sensation that. | 0:11:19 | 0:11:22 | |
MAN IN AUDIENCE: It's the future! | 0:11:22 | 0:11:24 | |
It's the future! | 0:11:24 | 0:11:26 | |
What's that there? Excuse me, what? | 0:11:26 | 0:11:29 | |
Cheesecake? Jesus Christ. | 0:11:29 | 0:11:31 | |
Are my ears playing tricks on me? Cheese...cake. | 0:11:31 | 0:11:34 | |
A cake of cheese, the dirty bastards, | 0:11:36 | 0:11:38 | |
cheesecake, I'm going to be sick. | 0:11:38 | 0:11:40 | |
Cheesecake. Cheesecake, no. Cheesecake, no. Dirty bastards. | 0:11:40 | 0:11:44 | |
A cake of cheese. | 0:11:44 | 0:11:46 | |
Excuse me, I've just lost my, eh, pack. But next tonight... | 0:11:47 | 0:11:51 | |
Go on, go on, just let him go on. | 0:11:51 | 0:11:52 | |
He first came to our attention more than ten years ago. | 0:11:52 | 0:11:55 | |
"I've dropped my pack, I've dropped my pack", ladies and gentlemen. What's a pack? | 0:11:55 | 0:11:59 | |
And since then he's tried his hand at virtually everything. | 0:11:59 | 0:12:03 | |
-Like upstaging us. -I'm blushing. | 0:12:03 | 0:12:04 | |
He's taking on the role of Roger De Bris in The Producers | 0:12:04 | 0:12:07 | |
And I just want to say thanks for this dress, Tony. | 0:12:07 | 0:12:10 | |
It's all right, babe, it's all right. | 0:12:10 | 0:12:12 | |
You don't wear it as well as I do. | 0:12:12 | 0:12:13 | |
No, I don't. You in this wig, now that'd get me going. I love you. | 0:12:13 | 0:12:17 | |
-Is that live? I never knew that were live! -Of course it's live! | 0:12:17 | 0:12:20 | |
I never knew, I thought it was a bluescreen or a greenscreen. | 0:12:20 | 0:12:23 | |
-Of course it's live. -There's real traffic. -Yes, there is. | 0:12:23 | 0:12:25 | |
That is happening as we speak. | 0:12:25 | 0:12:27 | |
When you drive out later we'll go "There's Peter's car driving past." | 0:12:27 | 0:12:30 | |
I'm going to go past in a dress and wave. | 0:12:30 | 0:12:31 | |
And how different have you found it to doing what you used to? | 0:12:31 | 0:12:34 | |
It's like being hit on head with a shovel. | 0:12:34 | 0:12:36 | |
A bit like this interview, Peter. | 0:12:36 | 0:12:38 | |
I've had to dance. I've had to dance and everything. | 0:12:38 | 0:12:40 | |
Two, three, kick, turn, turn, turn, kick, turn. | 0:12:40 | 0:12:43 | |
-Can I ask you very briefly about Comic Relief? -Oh, yeah. | 0:12:43 | 0:12:46 | |
-Cos you're doing a Proclaimers number, 500 Miles, aren't you? -Yes. | 0:12:46 | 0:12:50 | |
Why 500 miles, why don't you do Letter To America? | 0:12:50 | 0:12:52 | |
It's a better tune! | 0:12:52 | 0:12:53 | |
What, Letter To America? | 0:12:53 | 0:12:55 | |
-Yeah! -See, no, it's not! -Oh, yes, it is! -You deaf? | 0:12:55 | 0:12:57 | |
-Yes, it is, its way better! -Me and you could've done the Lighthouse Family. | 0:12:57 | 0:13:00 | |
-Ohh, you're rubbish. -Ocean Drive, there you go, me and you. | 0:13:00 | 0:13:03 | |
# Lifted, we could be lifted... # | 0:13:03 | 0:13:05 | |
Yes, we could have been, yes. | 0:13:05 | 0:13:07 | |
-Peter Kay... -Is that it? | 0:13:07 | 0:13:08 | |
At where? Go on. | 0:13:08 | 0:13:09 | |
Your house, if you're lucky. | 0:13:09 | 0:13:11 | |
Manchester Palace. Up there. That way. | 0:13:11 | 0:13:15 | |
Peter Kay, thank you very much for joining us. | 0:13:15 | 0:13:17 | |
-I'll be here. -It's been legendary. | 0:13:17 | 0:13:19 | |
After the buffet, everyone's a bit pissed now, they all want to dance. | 0:13:21 | 0:13:24 | |
DJ puts on the Grease megamix. | 0:13:24 | 0:13:26 | |
Music Man - Black Lace, that's a winner. | 0:13:28 | 0:13:31 | |
Come On Eileen. Jive Bunny, bit of rock and roll for the mums and dads. | 0:13:31 | 0:13:34 | |
RECORD PULL UP | 0:13:34 | 0:13:35 | |
# Come on everybody | 0:13:35 | 0:13:37 | |
# doo do doo do do do doo do doo # | 0:13:37 | 0:13:39 | |
Uncle Knobhead, he's there, he's up. | 0:13:39 | 0:13:41 | |
He's got his brand-new cream slip-ons on. | 0:13:41 | 0:13:44 | |
His wife's got a beehive and a face like a smacked arse. | 0:13:47 | 0:13:50 | |
They hate each other's guts but they both love jiving. | 0:13:52 | 0:13:56 | |
They take it really seriously. Come on! | 0:13:56 | 0:13:58 | |
Tss-tss | 0:14:04 | 0:14:05 | |
Dads get up drunk with their ties fastened round their heads. | 0:14:05 | 0:14:09 | |
I've not lost it. | 0:14:19 | 0:14:20 | |
I love it when dads sing and they're drunk | 0:14:21 | 0:14:23 | |
and they haven't got a clue what the words are. | 0:14:23 | 0:14:25 | |
# Dancing Queen, | 0:14:25 | 0:14:27 | |
# Feel the meat on the tangerine | 0:14:27 | 0:14:31 | |
# Dancing Queen | 0:14:33 | 0:14:36 | |
# Eating Chinese with Mr Bean Oh yeah | 0:14:36 | 0:14:42 | |
# You can dance in your underpants... # | 0:14:42 | 0:14:46 | |
Now, here's a competition. | 0:14:49 | 0:14:50 | |
Right, yes, the UK premiere of Jennifer Love Hewitt's new | 0:14:50 | 0:14:53 | |
-comedy The Truth About Love... -Aw! | 0:14:53 | 0:14:55 | |
-Would you like to read this next link, Peter? -Can I? -Yes. | 0:14:55 | 0:14:58 | |
On to sport now, and the transfer window may be over | 0:14:58 | 0:15:01 | |
but Everton continue to strengthen for next season. | 0:15:01 | 0:15:04 | |
Here's Chris. | 0:15:04 | 0:15:05 | |
Yes, I think that's the most bizarre sport handover we've had, | 0:15:05 | 0:15:07 | |
-certainly this week anyway. -God love you, Chris. | 0:15:07 | 0:15:10 | |
-Go on, Chris, knock them dead. -Thank you very much, Peter. | 0:15:10 | 0:15:13 | |
-Go on! -Well anyway, and staying with football now, | 0:15:13 | 0:15:15 | |
with Blackburn in European action tonight, | 0:15:15 | 0:15:17 | |
could their hopes of UEFA Cup glory lie-in a pair of underpants? | 0:15:17 | 0:15:21 | |
Rovers' midfielder David Bentley says he's worn his lucky | 0:15:21 | 0:15:24 | |
jockey shorts for the whole campaign. | 0:15:24 | 0:15:26 | |
And so far they've been making great strides in the competition. | 0:15:26 | 0:15:30 | |
And with that I'll hand you back to the asylum. | 0:15:30 | 0:15:33 | |
-Wheyyyy! -Thank you. | 0:15:33 | 0:15:35 | |
-Let's move on, yeah. -THEY LAUGH | 0:15:35 | 0:15:36 | |
Anyway let's move on, let's move on. | 0:15:36 | 0:15:39 | |
And it continues. | 0:15:39 | 0:15:40 | |
Like Basic Instinct, there. | 0:15:40 | 0:15:41 | |
And it continues with the pictures you've been sending - | 0:15:41 | 0:15:44 | |
-please keep it seasonal, Peter. -Seasonal?! | 0:15:44 | 0:15:46 | |
Yes, each one we show wins a Granada Reports goody bag. | 0:15:46 | 0:15:49 | |
Here's some pictures. | 0:15:49 | 0:15:50 | |
This one's from Leanne in Blackpool, she says "My husband made me | 0:15:50 | 0:15:53 | |
"breakfast in bed this morning, complete with I love you toast." | 0:15:53 | 0:15:57 | |
Yes, and Alex Biddleaxe says he has a secret valentine. | 0:15:57 | 0:16:00 | |
-Get a life! -Here's his message to her from Saddleworth near Oldham. | 0:16:00 | 0:16:03 | |
-Don't be so rude! -Get a life. | 0:16:03 | 0:16:06 | |
E-mails now. Peter? | 0:16:06 | 0:16:08 | |
Will you be my valentine? Think about it a bit. | 0:16:08 | 0:16:11 | |
If you will that's great, If not, who gives a...? | 0:16:11 | 0:16:14 | |
-See you later, bye-bye. -Bye-bye. | 0:16:14 | 0:16:15 | |
Bye for now. | 0:16:15 | 0:16:17 | |
'Ey, what about Tommy Dickfingers? | 0:16:19 | 0:16:21 | |
-Dickfingers. -Hmm. | 0:16:24 | 0:16:26 | |
-Well, I think you're shitting me up, what about Tommy Dickfingers? -Yes. | 0:16:26 | 0:16:30 | |
'Ey, what about... THEY LAUGH | 0:16:32 | 0:16:34 | |
Oh, don't, not on this. | 0:16:34 | 0:16:36 | |
HE CLEARS HIS THROAT | 0:16:38 | 0:16:39 | |
'Ey, what about Tommy Dickfingers? They found him in a wheelie bin. | 0:16:42 | 0:16:46 | |
THEY LAUGH | 0:16:46 | 0:16:47 | |
Be a bit more like that with them. | 0:16:47 | 0:16:49 | |
-I fuckin' did, like uhh! -Like that. | 0:16:49 | 0:16:51 | |
-What about Tommy Dickfingers? -Oh. | 0:16:51 | 0:16:53 | |
They found him in a wheelie bin, two snooker balls as eyes. | 0:16:53 | 0:16:57 | |
For eyes. | 0:16:57 | 0:16:59 | |
-What about Tommy Dickfingers? -Oh. | 0:16:59 | 0:17:01 | |
They found him in a wheelie bin, two snooker balls as eyes. | 0:17:01 | 0:17:04 | |
For eyes! | 0:17:04 | 0:17:05 | |
THEY LAUGH | 0:17:05 | 0:17:07 | |
As eyes. Go on. | 0:17:07 | 0:17:10 | |
THEY CHUCKLE | 0:17:13 | 0:17:14 | |
He's told me three times, like. | 0:17:17 | 0:17:20 | |
The other type of DJs I always love at weddings are the ones that | 0:17:21 | 0:17:24 | |
have their shirts open, cos they've been to TanTastic in the afternoon. | 0:17:24 | 0:17:28 | |
They've got a back perm. | 0:17:28 | 0:17:30 | |
Blonde highlights in their hair, poor man's Paul Nicholas. | 0:17:30 | 0:17:34 | |
They love themselves. | 0:17:34 | 0:17:35 | |
And all they do is just flirt all night | 0:17:35 | 0:17:38 | |
and show off and talk to women. | 0:17:38 | 0:17:40 | |
And talk after every line of every record like this. | 0:17:40 | 0:17:43 | |
MUSIC: Just A Little by Liberty X | 0:17:44 | 0:17:47 | |
What am I? | 0:17:47 | 0:17:48 | |
-# Sexy -Tell me again. | 0:17:48 | 0:17:50 | |
# Everything about you is so sexy | 0:17:50 | 0:17:53 | |
-What have I got? -# You don't even know what you got | 0:17:53 | 0:17:59 | |
What have I hit? | 0:17:59 | 0:18:00 | |
# You're really hitting my spot... # | 0:18:00 | 0:18:02 | |
That's right. | 0:18:02 | 0:18:03 | |
It's party time, come on! | 0:18:04 | 0:18:06 | |
MUSIC: Feels Like I'm In Love by Kelly Marie | 0:18:07 | 0:18:10 | |
That's right, come on. | 0:18:10 | 0:18:12 | |
# Because you're near to me my head goes round and round | 0:18:12 | 0:18:14 | |
What about your knees? | 0:18:14 | 0:18:16 | |
# My knees are shaking baby, my heart it beats like a drum | 0:18:16 | 0:18:19 | |
A drum, that's right, a drum. Come on. | 0:18:19 | 0:18:23 | |
# It feels like, it feels like I'm in love. # | 0:18:23 | 0:18:27 | |
Shabba! | 0:18:27 | 0:18:29 | |
MUSIC: Celebration by Kool & The Gang | 0:18:31 | 0:18:34 | |
AUDIENCE: Woohoo! | 0:18:34 | 0:18:37 | |
I love seeing people, me, | 0:18:37 | 0:18:39 | |
at weddings when they start doing | 0:18:39 | 0:18:41 | |
the walking to the dance floor dance. | 0:18:41 | 0:18:43 | |
Oh, you know who you are! | 0:18:46 | 0:18:48 | |
When you start dancing while you're walking up to dance floor. | 0:18:48 | 0:18:52 | |
LAUGHTER | 0:18:58 | 0:19:00 | |
Then your mum gets up. | 0:19:19 | 0:19:21 | |
There's always some cousin in his thirties, pissed up, | 0:19:30 | 0:19:32 | |
still reckons he can break dance. | 0:19:32 | 0:19:34 | |
MUSIC: Celebration by Kool & The Gang | 0:19:36 | 0:19:39 | |
Thank you very much! | 0:19:55 | 0:19:56 | |
AUDIENCE CHEER | 0:19:56 | 0:19:58 | |
And then your dad, your dad's like this in the corner. | 0:20:02 | 0:20:05 | |
MUSIC: YMCA by The Village People | 0:20:10 | 0:20:13 | |
Now you're talking! | 0:20:19 | 0:20:21 | |
# Young man! | 0:20:21 | 0:20:23 | |
# There's no need to feel down | 0:20:23 | 0:20:24 | |
# I said young man, | 0:20:24 | 0:20:26 | |
# Pick yourself off the ground | 0:20:26 | 0:20:28 | |
# I said young man... | 0:20:28 | 0:20:30 | |
Get up, get up, love, it's that one! | 0:20:31 | 0:20:33 | |
It's that one, get up! | 0:20:35 | 0:20:37 | |
# It's fun to stay at the YMCA... # | 0:20:38 | 0:20:43 | |
And what about Tommy Dickfingers? They found him in... | 0:20:47 | 0:20:49 | |
THEY LAUGH | 0:20:49 | 0:20:51 | |
Calm down a bit, like. Calm down a bit. | 0:20:51 | 0:20:54 | |
PETER LAUGHS | 0:21:01 | 0:21:03 | |
Hey. | 0:21:07 | 0:21:08 | |
THEY LAUGH | 0:21:10 | 0:21:12 | |
What? | 0:21:12 | 0:21:13 | |
'Ey, and what about Tommy Dickfingers? | 0:21:15 | 0:21:17 | |
They found him in a wheelie bin... | 0:21:17 | 0:21:19 | |
THEY LAUGH | 0:21:19 | 0:21:20 | |
You nearly had it then, this is it, come on. Come on. | 0:21:21 | 0:21:24 | |
I were at that wedding that night | 0:21:24 | 0:21:26 | |
when that woman collapsed with her Zimmer frame doing YMCA. | 0:21:26 | 0:21:30 | |
LAUGHTER | 0:21:30 | 0:21:31 | |
We laughed as well. | 0:21:33 | 0:21:34 | |
They got thambulance for her. | 0:21:36 | 0:21:38 | |
Thambulance. | 0:21:39 | 0:21:40 | |
Thambulance come, they were trying to restart her heart on dance floor. | 0:21:41 | 0:21:44 | |
You know with them defibrillators? | 0:21:44 | 0:21:46 | |
Like ER, "Clear! Boof! Clear! Boof!" | 0:21:46 | 0:21:49 | |
All the lights were dimming. | 0:21:49 | 0:21:51 | |
Last orders, it's only half past nine, what's going on? | 0:21:52 | 0:21:56 | |
Is it a bank holiday? | 0:21:56 | 0:21:58 | |
You want a drink? Drink? Drink? | 0:21:58 | 0:21:59 | |
AUDIENCE CHEER | 0:21:59 | 0:22:01 | |
'Ey, what about Tommy Dickfingers? They found him in a wheelie bin. | 0:22:05 | 0:22:08 | |
THEY LAUGH | 0:22:08 | 0:22:09 | |
-Fucking hell! -Ohhhh, God! | 0:22:09 | 0:22:13 | |
I love at end of a wedding. | 0:22:15 | 0:22:16 | |
Everyone on the dance floor, moving, keep moving. | 0:22:16 | 0:22:19 | |
On the dance floor keep dancing, for New York, New York! | 0:22:19 | 0:22:22 | |
Bum-bum-ba-da-bum, bum-bum...Everyone's up, big circle. | 0:22:22 | 0:22:27 | |
Bride and groom in the middle. Everyone kicking hell out of them. | 0:22:27 | 0:22:31 | |
# Be a part of it... # | 0:22:31 | 0:22:33 | |
Bang! I'll make that dress fit, you fat bitch. | 0:22:33 | 0:22:36 | |
Pah! | 0:22:38 | 0:22:39 | |
I got hit in the mouth once with a slip-on. | 0:22:39 | 0:22:42 | |
Uncle Knobhead's green slip-on shoe. | 0:22:43 | 0:22:45 | |
Casualty at three o' clock in the morning | 0:22:51 | 0:22:53 | |
with a slip-on hanging out me mouth. | 0:22:53 | 0:22:56 | |
I can't get it out, I can't get it out! | 0:22:56 | 0:22:58 | |
# New Yo-oooork! # | 0:23:02 | 0:23:06 | |
Bang, big light goes on. | 0:23:06 | 0:23:09 | |
Can I have your glasses please, | 0:23:09 | 0:23:11 | |
can you make your way to the door please, come on. | 0:23:11 | 0:23:13 | |
Get back, you bastard. | 0:23:13 | 0:23:15 | |
I'll break your legs. | 0:23:16 | 0:23:18 | |
DJ... | 0:23:19 | 0:23:20 | |
HE MUMBLES: Thanks for coming ladies and gentlemen on this special evening, | 0:23:20 | 0:23:24 | |
goodnight, goodbye, safe then. | 0:23:24 | 0:23:25 | |
Special note, take care, look after yourselves, give me three rings. | 0:23:25 | 0:23:28 | |
OK, goodnight, god bless, I'll see you again, all the best, goodbye. | 0:23:28 | 0:23:32 | |
Ta-ra! Dad in front of the disco. | 0:23:32 | 0:23:33 | |
Whoa, no! What you mean, "Goodnight"? | 0:23:33 | 0:23:38 | |
It's only early, come on, don't pack it up! | 0:23:39 | 0:23:43 | |
Put a bit of Motown on for lads. | 0:23:43 | 0:23:45 | |
You what? | 0:23:47 | 0:23:48 | |
HE MIMICS THE DJ | 0:23:48 | 0:23:52 | |
That's his proper voice, he really talks like that, | 0:23:52 | 0:23:54 | |
that's his proper voice! Freak. | 0:23:54 | 0:23:56 | |
And what about Tommy Dickfingers? | 0:23:58 | 0:23:59 | |
You need to emphasise the dick. | 0:23:59 | 0:24:01 | |
PADDY LAUGHS | 0:24:01 | 0:24:03 | |
Oh, come on. | 0:24:06 | 0:24:08 | |
"Emphasise the dick!" | 0:24:08 | 0:24:09 | |
Ho. | 0:24:12 | 0:24:13 | |
THEY LAUGH | 0:24:20 | 0:24:22 | |
Come on. | 0:24:24 | 0:24:25 | |
Ohhh. | 0:24:25 | 0:24:27 | |
And what about Tommy DICKfingers? | 0:24:30 | 0:24:32 | |
THEY CACKLE | 0:24:32 | 0:24:35 | |
Right, go on. | 0:24:39 | 0:24:40 | |
I love it when people are drunk | 0:24:48 | 0:24:49 | |
and they think that little bit of cardboard that you get from | 0:24:49 | 0:24:52 | |
the bottom of party poppers are pound coins. | 0:24:52 | 0:24:54 | |
There's a pound coin here. | 0:24:59 | 0:25:00 | |
'Avin this. | 0:25:02 | 0:25:03 | |
There's another one! | 0:25:05 | 0:25:07 | |
LAUGHTER | 0:25:13 | 0:25:14 | |
Brian, taxi's here. | 0:25:17 | 0:25:18 | |
Oh, bollocks. | 0:25:18 | 0:25:20 | |
Go and ask him if he's been busy. | 0:25:20 | 0:25:22 | |
I'm coming now love. | 0:25:28 | 0:25:30 | |
I'm coming now. | 0:25:30 | 0:25:31 | |
Coming now. | 0:25:31 | 0:25:33 | |
Whaaaa. | 0:25:33 | 0:25:34 | |
# Oh, Danny boy, | 0:25:59 | 0:26:02 | |
# The pipes, the pipes are calling | 0:26:02 | 0:26:05 | |
Sing with me Alan, Frank. Where's Knobhead? | 0:26:07 | 0:26:11 | |
Casualty, what for? | 0:26:11 | 0:26:12 | |
Tit. | 0:26:13 | 0:26:15 | |
WHISTLE | 0:26:20 | 0:26:22 | |
AUDIENCE CHEER | 0:26:33 | 0:26:35 | |
WOMAN IN AUDIENCE: Rub it! | 0:26:38 | 0:26:40 | |
IN HELIUM VOICE: # Oh, Danny Boy, | 0:26:48 | 0:26:51 | |
# When summer's in the meadow | 0:26:51 | 0:26:54 | |
# Or when the valley's hushed | 0:26:56 | 0:27:00 | |
# And white with snow | 0:27:02 | 0:27:04 | |
# Cos I'll be here in sunshine and in shadow | 0:27:08 | 0:27:16 | |
# Oh, Danny Boy, Oh, Danny Boy | 0:27:17 | 0:27:21 | |
# I love you | 0:27:22 | 0:27:25 | |
# So-ooooo! # | 0:27:28 | 0:27:31 | |
Everybody wave your hands, come on, wave your hands, sing along! | 0:27:36 | 0:27:39 | |
# When summer's in the meadow... | 0:27:39 | 0:27:43 | |
Come on, everybody! | 0:27:43 | 0:27:45 | |
# And when the valley's hushed and white with snow | 0:27:45 | 0:27:53 | |
# Cos I'll be here in sunshine | 0:27:56 | 0:28:02 | |
# Or in shadow | 0:28:02 | 0:28:05 | |
-# Oh, -Danny Boy | 0:28:06 | 0:28:09 | |
-# Oh, -Danny Boy | 0:28:09 | 0:28:12 | |
-# I love -you so. -# | 0:28:12 | 0:28:20 | |
Thank you very much, goodnight! | 0:28:20 | 0:28:22 | |
Thanks a lot! | 0:28:37 | 0:28:38 | |
AUDIENCE CHEERS | 0:28:39 | 0:28:41 | |
Thank you. | 0:28:45 | 0:28:46 | |
Goodnight, God bless. | 0:28:52 | 0:28:54 | |
Goodnight. | 0:29:04 | 0:29:06 |