Episode 6 Peter Kay's Comedy Shuffle


Episode 6

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# La-la-la-la, da-da-da-da-da

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# La-la-la-la, da-da-da-da-da

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# La-la la, da-da-da-da-da-da-lah

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# La-a da

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# La-da-la-da-la-la-la

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# Da-da-da da-da-la-da-da-da. #

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This programme contains some strong language

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OK, that was Living In A Box for Brian, whose wife kicked him

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out last night.

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Moving on, oww!

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Special request now from the father of the bride, Alan.

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He says "Please play something special for my lovely

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"daughter on this, her wedding day."

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Aww.

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So it is Kid Creole with Annie, I'm Not Your Daddy.

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Check it out!

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Oo! Oo!

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I thought everybody knew.

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I went to a wedding about two weeks ago. First one's up at any wedding,

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little girls about ten - 11-year-olds dancing. Like...

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# Don't care about the rocks that I got,

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# I'm still I'm still Jenny from the block.

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# Used to have a little now I have a lot... #

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APPLAUSE

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You always get that.

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You always get little girls dancing.

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You always get little lads doing this.

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Sliding on the knees!

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Look at your trousers, get up! Look at his trousers!

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They're filthy, get up!

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Look at your pants, they're filthy, come on, sit down, cool down.

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Look you're roasting, you're wet through, sit down, have some lemonade.

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Look you're like a bull mastiff.

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HE PANTS

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I want to go and play!

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You're 22! Just calm down, will you?

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You're the best man.

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AUDIENCE CHEERS

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# See if I was in your blood

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# Then you wouldn't be so ugly... #

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Ooh! After this I've got a special song, Bat Out Of Hell,

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for the bride's mother.

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There she is coming out the toilets.

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I'd give it five minutes if I were you. Shabba!

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LAUGHTER

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You always get aunties and grandmas doing the bent over dance.

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LAUGHTER

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There's no kid, there's nobody there.

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Grandmas always go early at weddings.

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Sandra, your grandma's going now!

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It's ten to eight!

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She's going.

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Grandma's like Yoda from Star Wars.

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She's about three foot tall with her anorak on.

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Going now am I.

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Going now. Going, going.

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That disco's too loud for me.

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That's not music, it's just bloody noise.

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I'm going to get home and get settled.

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Get the curtains drawn.

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Give us a kiss.

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Here you go, Grandma. You get home, you get home and get a shave.

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LAUGHTER

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Oh, I'll tell you who I saw today. Coming out the Post Office.

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Bumped right into him, I ain't seen him in years. What a smashing fella.

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-Who's that?

-Who's what?

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In the Post Office?

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I was in there this morning.

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Yes, you said, who'd you see in there?

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'Ere I'll tell you who I saw in there.

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Young Tommy Upson.

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Who's Tommy Upson?

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-Who?

-Tommy Upson.

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I saw him in the Post Office this morning.

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Yes, used to live down Ormond Yard when we were kids.

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Oh, we have had a laugh.

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TOILET FLUSHES

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Who's that?

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I just told you who it is, Tommy fucking Upson!

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What's the matter with you?

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God forgive me for swearing, you'll make my nerves bad, you will.

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Oi oi.

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Here he is.

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That better, sweetheart?

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Oh, I'm about a stone lighter now.

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Flushed itself.

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I tell you something,

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it's good to see you got plenty of loo rolls in there.

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36 I counted.

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Yeah, well they don't eat nothing, do they?

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I can't stand it.

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You go to someone's house for a pony and you've got to ration your wipes.

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You never have to hold back up here, Tom, and I mean that sincerely.

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-Brilliant.

-There you are, go on, sweetheart, sit back down.

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-That's it.

-There's a drink there.

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There you are, Tom. There's my Diane's boy, Jamie.

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-Hello, son.

-Nice to meet you.

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He's home early, ain't he got a job?

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No, he tried everything, he ain't interested.

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I'm at university.

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Oh, that's right.

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Your nan said something about you being gay.

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My brother, he had a gay dog.

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Who, your Billy?

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Yes, that's right. Cost him a fortune in vet's bills.

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-A gay dog?

-No, not gay.

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Um, diabetic.

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Some kind of disability.

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Being gay isn't a disability.

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Well, it ain't exactly helped you in getting a job, has it?

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-Do you want an Opal Fruit?

-Yes, please.

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Thank you.

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You got any other colours?

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Red.

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You want red?

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Thank you.

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I shouldn't really.

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But hey, why not?

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RADIO CHATTERS

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Can't get into this bastard.

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MUSIC: A Town Called Malice by The Jam

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Put that in that door, will you?

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My friend's flatmate's sister's flatmate's friend made

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cheese on toast with Paul Weller.

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And that's a claim to fame?

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Well, what's yours?

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Uh, I once tried to get Rod Hull's autograph.

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But he couldn't do it.

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I'm sure Rod Hull would just give anyone his autograph.

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Well, that's what you think, but he couldn't sign autographs,

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according to his manager,

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because his writing hand's up the bird.

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-I know but he can still...

-That's a false arm, intit?

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-That's his dummy arm, and his writing hand's up Emu.

-Oh.

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So he couldn't sign anything.

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Unless he stuck a pen in Emu's mouth,

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-and that'd kill the magic, wouldn't it?

-Ahhh.

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Did you hear about Rod Hull's funeral?

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Is this a joke?

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No, no.

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Funeral were crap but reception were good.

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Good.

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Do you get it?

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I thought you said it wasn't a joke.

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Well, if I say it's a joke then you're expecting it.

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It is a joke but I lied.

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Not get it?

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The funeral was shit but the reception was good.

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I don't get it.

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-He fell off his roof fixing his TV aerial.

-Ohhhhh!

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-Oh, is that cos he had a false arm?

-What?

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-Bit of juggling.

-Yep.

-Bit of juggling.

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Oh, no.

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What's she doing now whoa, whoa, whoa!

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-She's not wearing any...

-I know, I can see, Lesley.

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What's she doing?

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POP

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-Oh!

-Oh, my word.

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Next!

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No, next!

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NEXT!

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Ah, uggh, next!

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There's loads of bitchiness at weddings.

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Oh! Look at that dress.

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When was she measured for that?

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The bride! Have you seen her?

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Oh, you look really nice, Sandra, look at you!

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Aren't you a bloody princess.

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Have a good day, mwah, you deserve it, you're a star.

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She's packed into that, isn't she?

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Look at her arms, looks like Russell Grant, what's the matter with her?

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-Action!

-What's she doing, oh, whoa.

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She's not wearing any...

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What you laughing at?

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-Come on.

-Reset, please.

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Get off! Get up! Next!

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Next! Where they coming from?!

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She only had four!

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Next!

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ALL LAUGH

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Get off, whoa! Don't catch 'em!

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Next!

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HE GIGGLES

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Ne-ext.

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Next.

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Should've pulled out a bat.

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ALL LAUGH

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Next!

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Oh, ugh, next!

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HE LAUGHS

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I love DJs at weddings that talk all night

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and you can't understand a word they're saying.

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HE MUMBLES INCOMPREHENSIBLY

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"The buffet's ready, the buffet is ready."

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I heard that, mum, buffet's ready!

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Buffet! Charge! Buffet!

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Don't go first, we don't know them.

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Give it ten minutes, we're not pigs.

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Dad - "Go and get me some buffet, go and get me some buffet.

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"I've had no tea, I'll keep your seats, I'll keep your seats!

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"You go, you know what to do."

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Oh, she's put a good spread on. Look at that.

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Vol-a-vents, quiche, chicken legs, vol-a-vents, quiche again,

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chicken legs, fucking vol-a-vents, quiche.

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That's all it is, one table and a shitload of mirrors,

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that's all it is.

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Always reminds me of Scooby-Doo.

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When they used to run down a corridor in Scooby-Doo,

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and they used to pass the same things.

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Vol-a-vents, quiche, chicken legs, vol-a-vents, quiche, chicken...

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Here you are, Dad, I've got you some food.

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What's this?

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Garlic bread, you're joking?!

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Garlic bread in my mouth?!

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You slipped that in, didn't you?

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Eh, that's beautiful that, that's beautiful that.

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That's the future, that's a taste sensation that.

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MAN IN AUDIENCE: It's the future!

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It's the future!

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What's that there? Excuse me, what?

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Cheesecake? Jesus Christ.

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Are my ears playing tricks on me? Cheese...cake.

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A cake of cheese, the dirty bastards,

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cheesecake, I'm going to be sick.

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Cheesecake. Cheesecake, no. Cheesecake, no. Dirty bastards.

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A cake of cheese.

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Excuse me, I've just lost my, eh, pack. But next tonight...

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Go on, go on, just let him go on.

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He first came to our attention more than ten years ago.

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"I've dropped my pack, I've dropped my pack", ladies and gentlemen. What's a pack?

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And since then he's tried his hand at virtually everything.

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-Like upstaging us.

-I'm blushing.

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He's taking on the role of Roger De Bris in The Producers

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And I just want to say thanks for this dress, Tony.

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It's all right, babe, it's all right.

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You don't wear it as well as I do.

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No, I don't. You in this wig, now that'd get me going. I love you.

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-Is that live? I never knew that were live!

-Of course it's live!

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I never knew, I thought it was a bluescreen or a greenscreen.

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-Of course it's live.

-There's real traffic.

-Yes, there is.

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That is happening as we speak.

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When you drive out later we'll go "There's Peter's car driving past."

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I'm going to go past in a dress and wave.

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And how different have you found it to doing what you used to?

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It's like being hit on head with a shovel.

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A bit like this interview, Peter.

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I've had to dance. I've had to dance and everything.

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Two, three, kick, turn, turn, turn, kick, turn.

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-Can I ask you very briefly about Comic Relief?

-Oh, yeah.

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-Cos you're doing a Proclaimers number, 500 Miles, aren't you?

-Yes.

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Why 500 miles, why don't you do Letter To America?

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It's a better tune!

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What, Letter To America?

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-Yeah!

-See, no, it's not!

-Oh, yes, it is!

-You deaf?

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-Yes, it is, its way better!

-Me and you could've done the Lighthouse Family.

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-Ohh, you're rubbish.

-Ocean Drive, there you go, me and you.

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# Lifted, we could be lifted... #

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Yes, we could have been, yes.

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-Peter Kay...

-Is that it?

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At where? Go on.

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Your house, if you're lucky.

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Manchester Palace. Up there. That way.

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Peter Kay, thank you very much for joining us.

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-I'll be here.

-It's been legendary.

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After the buffet, everyone's a bit pissed now, they all want to dance.

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DJ puts on the Grease megamix.

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Music Man - Black Lace, that's a winner.

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Come On Eileen. Jive Bunny, bit of rock and roll for the mums and dads.

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RECORD PULL UP

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# Come on everybody

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# doo do doo do do do doo do doo #

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Uncle Knobhead, he's there, he's up.

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He's got his brand-new cream slip-ons on.

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His wife's got a beehive and a face like a smacked arse.

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They hate each other's guts but they both love jiving.

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They take it really seriously. Come on!

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Tss-tss

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Dads get up drunk with their ties fastened round their heads.

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I've not lost it.

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I love it when dads sing and they're drunk

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and they haven't got a clue what the words are.

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# Dancing Queen,

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# Feel the meat on the tangerine

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# Dancing Queen

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# Eating Chinese with Mr Bean Oh yeah

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# You can dance in your underpants... #

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Now, here's a competition.

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Right, yes, the UK premiere of Jennifer Love Hewitt's new

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-comedy The Truth About Love...

-Aw!

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-Would you like to read this next link, Peter?

-Can I?

-Yes.

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On to sport now, and the transfer window may be over

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but Everton continue to strengthen for next season.

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Here's Chris.

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Yes, I think that's the most bizarre sport handover we've had,

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-certainly this week anyway.

-God love you, Chris.

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-Go on, Chris, knock them dead.

-Thank you very much, Peter.

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-Go on!

-Well anyway, and staying with football now,

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with Blackburn in European action tonight,

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could their hopes of UEFA Cup glory lie-in a pair of underpants?

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Rovers' midfielder David Bentley says he's worn his lucky

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jockey shorts for the whole campaign.

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And so far they've been making great strides in the competition.

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And with that I'll hand you back to the asylum.

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-Wheyyyy!

-Thank you.

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-Let's move on, yeah.

-THEY LAUGH

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Anyway let's move on, let's move on.

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And it continues.

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Like Basic Instinct, there.

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And it continues with the pictures you've been sending -

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-please keep it seasonal, Peter.

-Seasonal?!

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Yes, each one we show wins a Granada Reports goody bag.

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Here's some pictures.

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This one's from Leanne in Blackpool, she says "My husband made me

0:15:500:15:53

"breakfast in bed this morning, complete with I love you toast."

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Yes, and Alex Biddleaxe says he has a secret valentine.

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-Get a life!

-Here's his message to her from Saddleworth near Oldham.

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-Don't be so rude!

-Get a life.

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E-mails now. Peter?

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Will you be my valentine? Think about it a bit.

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If you will that's great, If not, who gives a...?

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-See you later, bye-bye.

-Bye-bye.

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Bye for now.

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'Ey, what about Tommy Dickfingers?

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-Dickfingers.

-Hmm.

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-Well, I think you're shitting me up, what about Tommy Dickfingers?

-Yes.

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'Ey, what about... THEY LAUGH

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Oh, don't, not on this.

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HE CLEARS HIS THROAT

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'Ey, what about Tommy Dickfingers? They found him in a wheelie bin.

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THEY LAUGH

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Be a bit more like that with them.

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-I fuckin' did, like uhh!

-Like that.

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-What about Tommy Dickfingers?

-Oh.

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They found him in a wheelie bin, two snooker balls as eyes.

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For eyes.

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-What about Tommy Dickfingers?

-Oh.

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They found him in a wheelie bin, two snooker balls as eyes.

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For eyes!

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THEY LAUGH

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As eyes. Go on.

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THEY CHUCKLE

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He's told me three times, like.

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The other type of DJs I always love at weddings are the ones that

0:17:210:17:24

have their shirts open, cos they've been to TanTastic in the afternoon.

0:17:240:17:28

They've got a back perm.

0:17:280:17:30

Blonde highlights in their hair, poor man's Paul Nicholas.

0:17:300:17:34

They love themselves.

0:17:340:17:35

And all they do is just flirt all night

0:17:350:17:38

and show off and talk to women.

0:17:380:17:40

And talk after every line of every record like this.

0:17:400:17:43

MUSIC: Just A Little by Liberty X

0:17:440:17:47

What am I?

0:17:470:17:48

-# Sexy

-Tell me again.

0:17:480:17:50

# Everything about you is so sexy

0:17:500:17:53

-What have I got?

-# You don't even know what you got

0:17:530:17:59

What have I hit?

0:17:590:18:00

# You're really hitting my spot... #

0:18:000:18:02

That's right.

0:18:020:18:03

It's party time, come on!

0:18:040:18:06

MUSIC: Feels Like I'm In Love by Kelly Marie

0:18:070:18:10

That's right, come on.

0:18:100:18:12

# Because you're near to me my head goes round and round

0:18:120:18:14

What about your knees?

0:18:140:18:16

# My knees are shaking baby, my heart it beats like a drum

0:18:160:18:19

A drum, that's right, a drum. Come on.

0:18:190:18:23

# It feels like, it feels like I'm in love. #

0:18:230:18:27

Shabba!

0:18:270:18:29

MUSIC: Celebration by Kool & The Gang

0:18:310:18:34

AUDIENCE: Woohoo!

0:18:340:18:37

I love seeing people, me,

0:18:370:18:39

at weddings when they start doing

0:18:390:18:41

the walking to the dance floor dance.

0:18:410:18:43

Oh, you know who you are!

0:18:460:18:48

When you start dancing while you're walking up to dance floor.

0:18:480:18:52

LAUGHTER

0:18:580:19:00

Then your mum gets up.

0:19:190:19:21

There's always some cousin in his thirties, pissed up,

0:19:300:19:32

still reckons he can break dance.

0:19:320:19:34

MUSIC: Celebration by Kool & The Gang

0:19:360:19:39

Thank you very much!

0:19:550:19:56

AUDIENCE CHEER

0:19:560:19:58

And then your dad, your dad's like this in the corner.

0:20:020:20:05

MUSIC: YMCA by The Village People

0:20:100:20:13

Now you're talking!

0:20:190:20:21

# Young man!

0:20:210:20:23

# There's no need to feel down

0:20:230:20:24

# I said young man,

0:20:240:20:26

# Pick yourself off the ground

0:20:260:20:28

# I said young man...

0:20:280:20:30

Get up, get up, love, it's that one!

0:20:310:20:33

It's that one, get up!

0:20:350:20:37

# It's fun to stay at the YMCA... #

0:20:380:20:43

And what about Tommy Dickfingers? They found him in...

0:20:470:20:49

THEY LAUGH

0:20:490:20:51

Calm down a bit, like. Calm down a bit.

0:20:510:20:54

PETER LAUGHS

0:21:010:21:03

Hey.

0:21:070:21:08

THEY LAUGH

0:21:100:21:12

What?

0:21:120:21:13

'Ey, and what about Tommy Dickfingers?

0:21:150:21:17

They found him in a wheelie bin...

0:21:170:21:19

THEY LAUGH

0:21:190:21:20

You nearly had it then, this is it, come on. Come on.

0:21:210:21:24

I were at that wedding that night

0:21:240:21:26

when that woman collapsed with her Zimmer frame doing YMCA.

0:21:260:21:30

LAUGHTER

0:21:300:21:31

We laughed as well.

0:21:330:21:34

They got thambulance for her.

0:21:360:21:38

Thambulance.

0:21:390:21:40

Thambulance come, they were trying to restart her heart on dance floor.

0:21:410:21:44

You know with them defibrillators?

0:21:440:21:46

Like ER, "Clear! Boof! Clear! Boof!"

0:21:460:21:49

All the lights were dimming.

0:21:490:21:51

Last orders, it's only half past nine, what's going on?

0:21:520:21:56

Is it a bank holiday?

0:21:560:21:58

You want a drink? Drink? Drink?

0:21:580:21:59

AUDIENCE CHEER

0:21:590:22:01

'Ey, what about Tommy Dickfingers? They found him in a wheelie bin.

0:22:050:22:08

THEY LAUGH

0:22:080:22:09

-Fucking hell!

-Ohhhh, God!

0:22:090:22:13

I love at end of a wedding.

0:22:150:22:16

Everyone on the dance floor, moving, keep moving.

0:22:160:22:19

On the dance floor keep dancing, for New York, New York!

0:22:190:22:22

Bum-bum-ba-da-bum, bum-bum...Everyone's up, big circle.

0:22:220:22:27

Bride and groom in the middle. Everyone kicking hell out of them.

0:22:270:22:31

# Be a part of it... #

0:22:310:22:33

Bang! I'll make that dress fit, you fat bitch.

0:22:330:22:36

Pah!

0:22:380:22:39

I got hit in the mouth once with a slip-on.

0:22:390:22:42

Uncle Knobhead's green slip-on shoe.

0:22:430:22:45

Casualty at three o' clock in the morning

0:22:510:22:53

with a slip-on hanging out me mouth.

0:22:530:22:56

I can't get it out, I can't get it out!

0:22:560:22:58

# New Yo-oooork! #

0:23:020:23:06

Bang, big light goes on.

0:23:060:23:09

Can I have your glasses please,

0:23:090:23:11

can you make your way to the door please, come on.

0:23:110:23:13

Get back, you bastard.

0:23:130:23:15

I'll break your legs.

0:23:160:23:18

DJ...

0:23:190:23:20

HE MUMBLES: Thanks for coming ladies and gentlemen on this special evening,

0:23:200:23:24

goodnight, goodbye, safe then.

0:23:240:23:25

Special note, take care, look after yourselves, give me three rings.

0:23:250:23:28

OK, goodnight, god bless, I'll see you again, all the best, goodbye.

0:23:280:23:32

Ta-ra! Dad in front of the disco.

0:23:320:23:33

Whoa, no! What you mean, "Goodnight"?

0:23:330:23:38

It's only early, come on, don't pack it up!

0:23:390:23:43

Put a bit of Motown on for lads.

0:23:430:23:45

You what?

0:23:470:23:48

HE MIMICS THE DJ

0:23:480:23:52

That's his proper voice, he really talks like that,

0:23:520:23:54

that's his proper voice! Freak.

0:23:540:23:56

And what about Tommy Dickfingers?

0:23:580:23:59

You need to emphasise the dick.

0:23:590:24:01

PADDY LAUGHS

0:24:010:24:03

Oh, come on.

0:24:060:24:08

"Emphasise the dick!"

0:24:080:24:09

Ho.

0:24:120:24:13

THEY LAUGH

0:24:200:24:22

Come on.

0:24:240:24:25

Ohhh.

0:24:250:24:27

And what about Tommy DICKfingers?

0:24:300:24:32

THEY CACKLE

0:24:320:24:35

Right, go on.

0:24:390:24:40

I love it when people are drunk

0:24:480:24:49

and they think that little bit of cardboard that you get from

0:24:490:24:52

the bottom of party poppers are pound coins.

0:24:520:24:54

There's a pound coin here.

0:24:590:25:00

'Avin this.

0:25:020:25:03

There's another one!

0:25:050:25:07

LAUGHTER

0:25:130:25:14

Brian, taxi's here.

0:25:170:25:18

Oh, bollocks.

0:25:180:25:20

Go and ask him if he's been busy.

0:25:200:25:22

I'm coming now love.

0:25:280:25:30

I'm coming now.

0:25:300:25:31

Coming now.

0:25:310:25:33

Whaaaa.

0:25:330:25:34

# Oh, Danny boy,

0:25:590:26:02

# The pipes, the pipes are calling

0:26:020:26:05

Sing with me Alan, Frank. Where's Knobhead?

0:26:070:26:11

Casualty, what for?

0:26:110:26:12

Tit.

0:26:130:26:15

WHISTLE

0:26:200:26:22

AUDIENCE CHEER

0:26:330:26:35

WOMAN IN AUDIENCE: Rub it!

0:26:380:26:40

IN HELIUM VOICE: # Oh, Danny Boy,

0:26:480:26:51

# When summer's in the meadow

0:26:510:26:54

# Or when the valley's hushed

0:26:560:27:00

# And white with snow

0:27:020:27:04

# Cos I'll be here in sunshine and in shadow

0:27:080:27:16

# Oh, Danny Boy, Oh, Danny Boy

0:27:170:27:21

# I love you

0:27:220:27:25

# So-ooooo! #

0:27:280:27:31

Everybody wave your hands, come on, wave your hands, sing along!

0:27:360:27:39

# When summer's in the meadow...

0:27:390:27:43

Come on, everybody!

0:27:430:27:45

# And when the valley's hushed and white with snow

0:27:450:27:53

# Cos I'll be here in sunshine

0:27:560:28:02

# Or in shadow

0:28:020:28:05

-# Oh,

-Danny Boy

0:28:060:28:09

-# Oh,

-Danny Boy

0:28:090:28:12

-# I love

-you so.

-#

0:28:120:28:20

Thank you very much, goodnight!

0:28:200:28:22

Thanks a lot!

0:28:370:28:38

AUDIENCE CHEERS

0:28:390:28:41

Thank you.

0:28:450:28:46

Goodnight, God bless.

0:28:520:28:54

Goodnight.

0:29:040:29:06

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