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This programme contains some strong language | 0:00:03 | 0:00:10 | |
This programme contains adult humour | 0:00:10 | 0:00:15 | |
Lonely This Christmas. | 0:00:26 | 0:00:28 | |
It's singles' night tonight here at the Phoenix Club, | 0:00:28 | 0:00:30 | |
where you could meet the love of your life. | 0:00:30 | 0:00:32 | |
Ho-ho! We're living la vida tonight! | 0:00:32 | 0:00:35 | |
There are people here to suit all tastes, | 0:00:35 | 0:00:37 | |
and, speaking of taste, the flavoured-condom machine | 0:00:37 | 0:00:40 | |
is restocked and ready for action. | 0:00:40 | 0:00:42 | |
OK, we're going to move straight along now | 0:00:42 | 0:00:43 | |
with the fantastic Mr Eric Carmen, | 0:00:43 | 0:00:45 | |
because he's all by himself. | 0:00:45 | 0:00:48 | |
# I never needed anyone... # | 0:00:48 | 0:00:49 | |
I bet you've cried yourself to sleep many a night with this one. | 0:00:49 | 0:00:52 | |
Shabba! | 0:00:52 | 0:00:54 | |
Where are all the women? | 0:00:54 | 0:00:56 | |
# Making love was just for fun... # | 0:00:56 | 0:00:57 | |
So I woke up, rolled over. | 0:01:00 | 0:01:02 | |
Guess who's lying next to me. | 0:01:02 | 0:01:03 | |
Bonnie Langford. | 0:01:03 | 0:01:05 | |
Look at that lot. | 0:01:05 | 0:01:06 | |
They're like pigs on heat. | 0:01:07 | 0:01:09 | |
Nearly broke her back. | 0:01:09 | 0:01:10 | |
Can you hear me now? | 0:01:17 | 0:01:19 | |
You can peak too soon, son, | 0:01:19 | 0:01:21 | |
like your dad. | 0:01:21 | 0:01:22 | |
Anyway... | 0:01:22 | 0:01:23 | |
Going to start now. | 0:01:26 | 0:01:28 | |
I rang a takeaway last night. I said, "Do you deliver?" | 0:01:28 | 0:01:31 | |
They said, "No, we do lamb, chicken and fish." | 0:01:31 | 0:01:33 | |
Bang. Phone down. | 0:01:33 | 0:01:34 | |
Now we've started. Now we've started. | 0:01:34 | 0:01:36 | |
I were on Preston train station. | 0:01:38 | 0:01:40 | |
This announcement come on, | 0:01:40 | 0:01:41 | |
"Ladies and gentlemen on platform four, | 0:01:41 | 0:01:43 | |
"the next train is an express to Carlisle. | 0:01:43 | 0:01:46 | |
"We advise passengers to move away from the yellow line | 0:01:46 | 0:01:49 | |
"at the edge of the platform | 0:01:49 | 0:01:51 | |
"as they may get sucked off." | 0:01:51 | 0:01:53 | |
I'm like that, "Bring the train on! I'm ready! I'm ready! | 0:01:58 | 0:02:01 | |
"Bring the train on!" | 0:02:01 | 0:02:02 | |
Bit of blue. Bit of blue for the dads. Bit of blue. | 0:02:02 | 0:02:04 | |
"He's blue, Alan. He's blue. He's going to be good. He's blue." | 0:02:04 | 0:02:07 | |
# All by myself... # | 0:02:09 | 0:02:13 | |
You know, song lyrics make good chat-up lines, don't they? | 0:02:13 | 0:02:16 | |
You know, like "Heaven must be missing an angel" | 0:02:16 | 0:02:18 | |
or "If I said you had a beautiful body, would you hold it against me?" | 0:02:18 | 0:02:21 | |
You know, stuff like that. | 0:02:21 | 0:02:23 | |
I don't know who you are but you're a real dead ringer for love. | 0:02:24 | 0:02:28 | |
Who sang that? | 0:02:28 | 0:02:30 | |
-Meat Loaf. -Meat Loaf. | 0:02:30 | 0:02:31 | |
Everywhere you go, | 0:02:33 | 0:02:35 | |
you always take the weather with you. | 0:02:35 | 0:02:37 | |
No. | 0:02:39 | 0:02:41 | |
Bloke went to the doctor's. He walks in. | 0:02:42 | 0:02:44 | |
He says, "Eh, my friend, have a look at this." Sorry. These. | 0:02:44 | 0:02:47 | |
He had five of them. | 0:02:47 | 0:02:48 | |
He said, "My God, man! How do your pants fit you?" | 0:02:48 | 0:02:51 | |
-AUDIENCE: -Like a glove! -Like a glove, yes! | 0:02:51 | 0:02:55 | |
Jokes you can join in on, that's the future of comedy! | 0:02:55 | 0:02:59 | |
Kara-jokey. Kara-jokey. | 0:02:59 | 0:03:01 | |
They'll all be doing it in 12 months, you watch. | 0:03:01 | 0:03:05 | |
What's black and white and eats like a horse? | 0:03:05 | 0:03:07 | |
-Zebra! -Zebra, thank you very much! | 0:03:07 | 0:03:09 | |
Any advance on zebra? | 0:03:09 | 0:03:10 | |
How does Bob Marley like his doughnuts? | 0:03:11 | 0:03:13 | |
-Jam in! -With jam in! Jamming! | 0:03:13 | 0:03:17 | |
-Knock-knock. -Who's there? | 0:03:17 | 0:03:19 | |
-Biggish. -Biggish who? | 0:03:19 | 0:03:21 | |
Not today, thanks. | 0:03:21 | 0:03:23 | |
You see? That's a joke, that. | 0:03:23 | 0:03:27 | |
That's the first thing you'll tell when you get home. | 0:03:27 | 0:03:30 | |
I were on the cover of the Big Issue so I had to buy one. | 0:03:31 | 0:03:34 | |
He said, "I love you in Phoenix Nights." | 0:03:34 | 0:03:36 | |
I said, "Where have you seen it?" | 0:03:36 | 0:03:38 | |
Eh? | 0:03:38 | 0:03:40 | |
I thought, "I'll have my pound back, you devious bastard." | 0:03:40 | 0:03:44 | |
Dixons window? | 0:03:44 | 0:03:45 | |
You better watch him. | 0:03:45 | 0:03:48 | |
I said, "Knock-knock." He said, "Who's there?" | 0:03:48 | 0:03:50 | |
-I said, "I thought you were -BLEEP -homeless." Eh? | 0:03:50 | 0:03:52 | |
You've got to watch him. | 0:03:52 | 0:03:53 | |
OK, we're going to slow things right down now | 0:03:56 | 0:03:58 | |
as we enter the erection section. | 0:03:58 | 0:04:01 | |
That's right, if you've met somebody tonight, | 0:04:01 | 0:04:03 | |
get them on the dance floor. | 0:04:03 | 0:04:04 | |
If you haven't, what you still here for, you losers? | 0:04:04 | 0:04:07 | |
# The band had only one more song to play | 0:04:07 | 0:04:11 | |
# And then I saw you out the corner of my eye | 0:04:12 | 0:04:18 | |
# A little girl alone and so shy | 0:04:19 | 0:04:24 | |
# I had the last waltz with you | 0:04:24 | 0:04:30 | |
# Two lonely people together... # | 0:04:32 | 0:04:37 | |
I'm horny. | 0:04:41 | 0:04:43 | |
Horny, horny, horny. | 0:04:43 | 0:04:45 | |
Piss off. | 0:04:45 | 0:04:46 | |
Right. | 0:04:46 | 0:04:47 | |
Go on! That's it, Patrick! | 0:04:55 | 0:04:57 | |
# Through the good and bad we'd get along... # | 0:05:01 | 0:05:04 | |
All right? | 0:05:09 | 0:05:10 | |
All right, Kenny, lad. How's it hanging? | 0:05:10 | 0:05:13 | |
It's nearly hanging off. | 0:05:13 | 0:05:15 | |
Just had three of them round the back. | 0:05:15 | 0:05:17 | |
# I had the last waltz with you... # | 0:05:19 | 0:05:24 | |
What's your theme, then? What theme are you... | 0:05:29 | 0:05:31 | |
Well, I've been thinking of a lot of themes. | 0:05:31 | 0:05:34 | |
The Love Boat. Neighbours. | 0:05:34 | 0:05:37 | |
But I think the one that I always like the most | 0:05:37 | 0:05:40 | |
and I think everybody knows it | 0:05:40 | 0:05:42 | |
is Blankety Blank. | 0:05:42 | 0:05:44 | |
-Know that... Do you know Blankety Blank? -Mm-hm. Well, we can try it. | 0:05:44 | 0:05:48 | |
Just try it and see. Everyone knows it. | 0:05:48 | 0:05:50 | |
HE PLAYS BLANKETY BLANK THEME | 0:05:50 | 0:05:51 | |
That's it. That's it. | 0:05:51 | 0:05:52 | |
# Come on and Blankety Blank | 0:05:52 | 0:05:54 | |
-# Blankety Blank -Bom-bom | 0:05:54 | 0:05:57 | |
# Blankety Blank Blankety Blank | 0:05:57 | 0:05:58 | |
-# Bom-bom -Blankety Blank... # | 0:05:58 | 0:06:00 | |
-Nah. -No? -It's... Well, no. | 0:06:00 | 0:06:03 | |
-Do you not feel it? -I'm not feeling it, no. | 0:06:03 | 0:06:05 | |
I'm not feeling it. I have to be truthful with you. | 0:06:05 | 0:06:08 | |
If you were to choose a more soulful thing | 0:06:08 | 0:06:10 | |
and it's something you could shine on... Something like... | 0:06:10 | 0:06:13 | |
Z-Cars? | 0:06:13 | 0:06:15 | |
No. No. | 0:06:15 | 0:06:17 | |
Home And Away. | 0:06:17 | 0:06:18 | |
# You know we belong together... # | 0:06:20 | 0:06:23 | |
I love this. | 0:06:23 | 0:06:24 | |
# You and I for ever and ever | 0:06:24 | 0:06:29 | |
# No matter where you are | 0:06:29 | 0:06:34 | |
# You're my guiding star... # | 0:06:34 | 0:06:37 | |
It's very good. It's very good, what you're doing. | 0:06:37 | 0:06:40 | |
I'd like to see a little bit more belief, hope. | 0:06:40 | 0:06:45 | |
You're really singing. | 0:06:45 | 0:06:46 | |
You're saying, "You're my guiding star," | 0:06:46 | 0:06:48 | |
to the people out there. | 0:06:48 | 0:06:50 | |
-Is it dead behind the eyes? -It's not dead | 0:06:50 | 0:06:53 | |
but it's not live. | 0:06:53 | 0:06:55 | |
She's got to believe in herself. | 0:06:55 | 0:06:57 | |
That's all I'm seeing at the moment, is a slight lack of belief. | 0:06:57 | 0:07:01 | |
For you to win, you've got to believe you can win. | 0:07:01 | 0:07:05 | |
I do believe me. | 0:07:05 | 0:07:06 | |
Well, it's not showing. | 0:07:06 | 0:07:09 | |
I need to see that you are believing the words. | 0:07:09 | 0:07:12 | |
-Can you not feel it in my eyes? -It's in the eyes. | 0:07:12 | 0:07:15 | |
Not the mouth. | 0:07:17 | 0:07:18 | |
-Is it not? -It's in the eyes. | 0:07:18 | 0:07:20 | |
Let me see the eyes sparkle. | 0:07:20 | 0:07:23 | |
No. | 0:07:23 | 0:07:24 | |
Yes. | 0:07:24 | 0:07:25 | |
I think, with what we've done today, | 0:07:25 | 0:07:28 | |
I think she's got it now. | 0:07:28 | 0:07:31 | |
# No matter where you are | 0:07:31 | 0:07:34 | |
# Oh, where you are | 0:07:34 | 0:07:36 | |
# You're my guiding star... # | 0:07:36 | 0:07:38 | |
That's it, that's it. | 0:07:38 | 0:07:40 | |
# And from the very first moment I saw you | 0:07:40 | 0:07:43 | |
# I saw you | 0:07:43 | 0:07:45 | |
# I never felt such emotion... # | 0:07:45 | 0:07:48 | |
-Yes. -Yeah! | 0:07:48 | 0:07:49 | |
# I'm walking on air | 0:07:49 | 0:07:52 | |
# She's walking on air | 0:07:52 | 0:07:54 | |
# To know you are there... # | 0:07:54 | 0:07:58 | |
She's a lovely girl. She's got what it takes. | 0:07:58 | 0:08:00 | |
She's got the looks, she's got the voice, | 0:08:00 | 0:08:03 | |
and, with the belief, | 0:08:03 | 0:08:05 | |
she'll go all the way. | 0:08:05 | 0:08:07 | |
# Closer each day | 0:08:07 | 0:08:10 | |
# Home and away. # | 0:08:10 | 0:08:14 | |
-I felt it then. I felt it then. -That was it. | 0:08:14 | 0:08:16 | |
I could feel it running right through me. | 0:08:16 | 0:08:18 | |
You know what I felt then? | 0:08:18 | 0:08:20 | |
I felt as if I was home | 0:08:20 | 0:08:21 | |
and I was away. | 0:08:21 | 0:08:23 | |
-At the same time. -And I came back home at the end. | 0:08:23 | 0:08:26 | |
-You did. -Did you feel that? -You did. | 0:08:26 | 0:08:28 | |
That's it. | 0:08:28 | 0:08:30 | |
That's going to win you the competition. | 0:08:30 | 0:08:32 | |
-Do you think? -Yeah. | 0:08:32 | 0:08:33 | |
I think she's got the Pop Factor. | 0:08:36 | 0:08:39 | |
Fruit machine, pinned me up against t'serving hatch. | 0:08:41 | 0:08:44 | |
I were in a coma till New Year. | 0:08:44 | 0:08:46 | |
When I woke up, I'd lost my club, I'd lost my legs. | 0:08:46 | 0:08:48 | |
I'd lost my will to live. | 0:08:48 | 0:08:50 | |
Can't go back. | 0:08:51 | 0:08:53 | |
Can't go back. | 0:08:53 | 0:08:55 | |
-Ooh. -Yeah. -Ooh. | 0:08:55 | 0:08:58 | |
-I think they want us to leave. -Think they do. | 0:08:58 | 0:09:00 | |
Means we've got to lock up. | 0:09:00 | 0:09:01 | |
I've really enjoyed tonight. | 0:09:02 | 0:09:04 | |
Yeah. Yeah. | 0:09:04 | 0:09:05 | |
You don't get chance to go out much. | 0:09:07 | 0:09:09 | |
Makes a nice change. You know, running this place. | 0:09:09 | 0:09:12 | |
We could go out sometime if you wanted. | 0:09:12 | 0:09:15 | |
Who? Us? | 0:09:15 | 0:09:16 | |
Yeah. | 0:09:17 | 0:09:18 | |
Oh. | 0:09:18 | 0:09:20 | |
-I mean... -Oh, yeah. | 0:09:20 | 0:09:21 | |
I'd like that. | 0:09:21 | 0:09:23 | |
Well, we can do that if you want. | 0:09:23 | 0:09:25 | |
I'd like that very much. | 0:09:25 | 0:09:26 | |
-Great. Lovely. -Yeah. | 0:09:26 | 0:09:28 | |
MUSIC: Wind Beneath My Wings by Bette Midler | 0:09:29 | 0:09:32 | |
Flower for the lady? | 0:10:24 | 0:10:26 | |
Fuck off. | 0:10:26 | 0:10:27 | |
# Did you ever know that you're my hero | 0:10:32 | 0:10:38 | |
# And everything I would like to be? | 0:10:41 | 0:10:48 | |
# I can fly higher than an eagle | 0:10:50 | 0:10:57 | |
# Cos you are the wind beneath my wheels. # | 0:10:59 | 0:11:05 | |
If you didn't go abroad for your holidays, | 0:11:08 | 0:11:10 | |
then you had your holiday in England. | 0:11:10 | 0:11:13 | |
Glorious, big, six-week holidays at home. | 0:11:13 | 0:11:16 | |
Playing out till 11 o'clock at night. Light nights. | 0:11:16 | 0:11:19 | |
Have a water fight. Get an empty bottle of Fairy Liquid. | 0:11:19 | 0:11:21 | |
Go in t'front street. Having a water fight! | 0:11:21 | 0:11:24 | |
"Mum, wash some pots. Wash some pots. Hurry up, wash the plate! | 0:11:24 | 0:11:29 | |
"I'm having a water fight! Give it here. Right. | 0:11:29 | 0:11:32 | |
"It's full of suds, that one, isn't it, Mum? | 0:11:32 | 0:11:34 | |
"Squirting suds at other kids." | 0:11:34 | 0:11:37 | |
Playing out in your slippers. | 0:11:37 | 0:11:38 | |
How fast could you run in your slippers when you were a kid? | 0:11:38 | 0:11:41 | |
How fast could you run in your slippers! | 0:11:41 | 0:11:43 | |
Slippers are fast, slippers. | 0:11:43 | 0:11:44 | |
Three-quid slippers off t'market, they're fast. | 0:11:44 | 0:11:48 | |
Oh, they should give slippers out to athletes. I think that. | 0:11:48 | 0:11:52 | |
Nike slippers. They should give them out to... | 0:11:52 | 0:11:54 | |
We'd piss it at t'Olympics with Nike slippers. | 0:11:54 | 0:11:57 | |
Because they're fast. | 0:11:57 | 0:11:58 | |
When I used to run to the chippy on a Friday night in my slippers, | 0:11:58 | 0:12:01 | |
fast... | 0:12:01 | 0:12:02 | |
Slippers. | 0:12:03 | 0:12:05 | |
Playing out, go outside, come in really thirsty. | 0:12:07 | 0:12:11 | |
"Oh, I'm thirsty! I'm thirsty! I'm thirsty! I want a drink. | 0:12:11 | 0:12:14 | |
"Oh, I'm really thirsty! I want a drink! I want a drink! | 0:12:14 | 0:12:16 | |
"Give me a drink!" "Have a cup of tea." "What?" | 0:12:16 | 0:12:19 | |
"Have a cup of tea." | 0:12:19 | 0:12:21 | |
"What do I want a cup of tea for?" | 0:12:21 | 0:12:22 | |
IRISH ACCENT: "That's the best thing you can have if you're..." | 0:12:22 | 0:12:25 | |
"You're not even Irish, Mum, what's the matter with you?" | 0:12:25 | 0:12:27 | |
"Have a good cup of tea, | 0:12:27 | 0:12:28 | |
"that's the best thing you can have if you're thirsty. | 0:12:28 | 0:12:31 | |
"It cools you down." | 0:12:31 | 0:12:32 | |
Bollocks. | 0:12:34 | 0:12:35 | |
Can you just see them at Wimbledon, eh? | 0:12:36 | 0:12:38 | |
"Game, set and match. Can you get the kettle on for these lads here? | 0:12:38 | 0:12:41 | |
"They're gasping." | 0:12:41 | 0:12:42 | |
-RADIO: -Our world-class creative stylists | 0:12:43 | 0:12:46 | |
know all the latest haircuts, | 0:12:46 | 0:12:48 | |
including the weave, the buzzcut, the angel | 0:12:48 | 0:12:51 | |
and even the waterfall braid. | 0:12:51 | 0:12:53 | |
The what? Waterfall brake? | 0:12:53 | 0:12:56 | |
Braid. | 0:12:56 | 0:12:57 | |
What's a waterfall braid? | 0:12:57 | 0:12:59 | |
It's like that. | 0:12:59 | 0:13:00 | |
Where'd you get your hair done? | 0:13:03 | 0:13:05 | |
Friend does it. | 0:13:05 | 0:13:07 | |
Friend does mine. | 0:13:07 | 0:13:08 | |
Who does yours? | 0:13:08 | 0:13:10 | |
My mate Iqbal. | 0:13:10 | 0:13:11 | |
Does it for free. | 0:13:11 | 0:13:12 | |
SHE SNORTS | 0:13:12 | 0:13:14 | |
-What? -Nothing. | 0:13:14 | 0:13:15 | |
Is he a hairdresser or is he just...? | 0:13:16 | 0:13:18 | |
No, he's a hairdresser. He cuts hair. He's mobile. | 0:13:18 | 0:13:21 | |
But I don't think I'll go to him any more | 0:13:21 | 0:13:23 | |
because I went round to him the other week | 0:13:23 | 0:13:25 | |
and he did it in t'back kitchen and his daughter comes in | 0:13:25 | 0:13:27 | |
and stands there looking at me while I've no top on. | 0:13:27 | 0:13:29 | |
-She's only about seven. -Why haven't you got a top on? | 0:13:29 | 0:13:31 | |
Because he cuts my hair. | 0:13:31 | 0:13:32 | |
Don't have to take your top off to have your hair cut. | 0:13:32 | 0:13:35 | |
-Don't want hair on my shirt. -If you went to a hairdresser's, | 0:13:35 | 0:13:37 | |
-you wouldn't take your top off. -I'm not at a hairdresser's, | 0:13:37 | 0:13:39 | |
-I'm at Iqbal's house. -Yes, I know, but don't take your... | 0:13:39 | 0:13:42 | |
That's even worse, in front of his daughter. | 0:13:42 | 0:13:44 | |
-His daughter shouldn't be there. She should be playing. -It's her house! | 0:13:44 | 0:13:47 | |
MUSIC: Keep On Movin' by Five | 0:13:47 | 0:13:49 | |
-Oh! -Oh! | 0:13:49 | 0:13:50 | |
-This is a belter. -This is perking me up. | 0:13:51 | 0:13:55 | |
It's like a little Berocca in the radio. | 0:13:55 | 0:13:58 | |
# I woke up today with this feeling | 0:14:01 | 0:14:04 | |
-# Trying... -Better things are coming my way | 0:14:04 | 0:14:08 | |
# And if the da-da-da meaning | 0:14:08 | 0:14:11 | |
# Things da-ba-ba ba-da-ba-dee | 0:14:11 | 0:14:14 | |
# When the rainy days are dying | 0:14:15 | 0:14:17 | |
# Ba-da-ba-da crying | 0:14:17 | 0:14:19 | |
# All the bees and birds are dying... # | 0:14:19 | 0:14:21 | |
The bees and birds are dying? | 0:14:21 | 0:14:23 | |
I don't think they're singing that. | 0:14:23 | 0:14:26 | |
# Keep moving, don't stop rocking Ah | 0:14:26 | 0:14:28 | |
# Get on up | 0:14:28 | 0:14:30 | |
# When you're down... # | 0:14:30 | 0:14:32 | |
They do that thing. | 0:14:32 | 0:14:33 | |
All right, all right. Give over! I'm driving. | 0:14:33 | 0:14:35 | |
Can't do it sitting down. | 0:14:35 | 0:14:37 | |
# But it's OK | 0:14:37 | 0:14:39 | |
# I keep on moving on anyway... # | 0:14:39 | 0:14:42 | |
Then you go back to school in September and you can't write. | 0:14:54 | 0:14:58 | |
"I can't write. What's the matter with me? | 0:14:58 | 0:15:01 | |
"I can't write. | 0:15:01 | 0:15:02 | |
"I can't write." | 0:15:04 | 0:15:05 | |
Six weeks of "Why Don't You?" and your arm's frigged. | 0:15:05 | 0:15:07 | |
"Cannot write! What's the matter with me?" | 0:15:10 | 0:15:13 | |
Teachers, "Come on now." | 0:15:13 | 0:15:15 | |
In assembly, "Come on now. | 0:15:15 | 0:15:16 | |
"Quiet, everybody. Come on. Fingers on lips." | 0:15:16 | 0:15:19 | |
You do that. You can still talk. | 0:15:20 | 0:15:22 | |
"Na-na-na." | 0:15:22 | 0:15:23 | |
"Fingers on lips, come on! | 0:15:23 | 0:15:25 | |
"You're not on your holidays any more." | 0:15:25 | 0:15:27 | |
There's that one lad with a lilo and trunks and a snorkel. | 0:15:27 | 0:15:31 | |
"No-one told me! Bloody hell, I've got all my gear out here. | 0:15:31 | 0:15:34 | |
"Put that cream on, will you?" | 0:15:34 | 0:15:36 | |
-Jerry? -Yeah? | 0:15:37 | 0:15:39 | |
Who's done this? | 0:15:39 | 0:15:40 | |
Don't know. | 0:15:40 | 0:15:41 | |
Who's knocked all this off here? | 0:15:41 | 0:15:43 | |
Vandals. | 0:15:43 | 0:15:45 | |
Needs screwing in, that. | 0:15:45 | 0:15:46 | |
Christ! My eyes! They're burning! | 0:15:46 | 0:15:48 | |
Are you regular, Brian? | 0:15:48 | 0:15:50 | |
Set your watch by my arse. | 0:15:50 | 0:15:53 | |
JERRY GRUNTS | 0:15:53 | 0:15:55 | |
Big night tonight. | 0:15:55 | 0:15:56 | |
Yeah, yeah. Bucket bingo, should be good. | 0:15:56 | 0:15:59 | |
No, I'm talking about me and Beverley. | 0:15:59 | 0:16:02 | |
Oh. | 0:16:02 | 0:16:03 | |
I'm taking her back to Chez Potter. We're going to have a meal. | 0:16:03 | 0:16:05 | |
Meal? | 0:16:05 | 0:16:06 | |
I didn't know you could cook. | 0:16:06 | 0:16:08 | |
Oh, aye. | 0:16:08 | 0:16:09 | |
A lot you didn't know about me. | 0:16:09 | 0:16:11 | |
Have a meal for two and then the world's your lobster. | 0:16:11 | 0:16:14 | |
Thinking of giving her a pearl necklace. | 0:16:14 | 0:16:16 | |
TOILET FLUSHES | 0:16:16 | 0:16:18 | |
Does she know? | 0:16:18 | 0:16:19 | |
I'm going to surprise her. | 0:16:19 | 0:16:21 | |
Think you might just do that. | 0:16:21 | 0:16:22 | |
-Jerry. -Yeah. | 0:16:26 | 0:16:29 | |
What do you do, Jerry? | 0:16:29 | 0:16:31 | |
I'm a compere. | 0:16:31 | 0:16:32 | |
No, what do you do? | 0:16:32 | 0:16:33 | |
What d'you mean? | 0:16:33 | 0:16:35 | |
You know, women. | 0:16:35 | 0:16:36 | |
Tactics. | 0:16:36 | 0:16:37 | |
Manoeuvres. | 0:16:37 | 0:16:39 | |
Well, you and Jean must at some point... | 0:16:39 | 0:16:41 | |
I mean, for goodness' sake... | 0:16:41 | 0:16:42 | |
-Me and Jean? -Yeah. -Never. | 0:16:42 | 0:16:45 | |
What? Never? | 0:16:45 | 0:16:46 | |
Well, once or twice but I'm not a machine. | 0:16:46 | 0:16:49 | |
And that were years ago. Beverley's different, Jerry. | 0:16:49 | 0:16:51 | |
She's a modern woman. I can tell. | 0:16:51 | 0:16:53 | |
Well, I'll tell you this, don't rush. | 0:16:53 | 0:16:54 | |
I had a girl once I rushed. Big mistake. | 0:16:54 | 0:16:56 | |
DRYER BLOWS | 0:16:56 | 0:16:58 | |
..covered in piss. | 0:17:12 | 0:17:13 | |
What's this you've come on with? Presents and stuff? I like this. | 0:17:24 | 0:17:27 | |
-There you go. Little gift for you, Jonathan. -Can I open it now? | 0:17:27 | 0:17:30 | |
Yeah, if you want to kill some time. | 0:17:30 | 0:17:33 | |
I don't need to fill time, we've got great guests waiting to come on. | 0:17:33 | 0:17:36 | |
You'll like that. Love that. Done that myself. | 0:17:36 | 0:17:39 | |
What is it? | 0:17:39 | 0:17:40 | |
Show it to the camera. There you go. | 0:17:40 | 0:17:42 | |
-Cross stitch. -Cross stitch of what? Of you? | 0:17:45 | 0:17:48 | |
My face. | 0:17:48 | 0:17:49 | |
Put that on your desk. Don't be ungrateful. Christ almighty! | 0:17:51 | 0:17:54 | |
-What are you doing now? -I'm messing your continuity up. | 0:17:57 | 0:17:59 | |
That's what I'm doing. | 0:17:59 | 0:18:00 | |
We can't edit this out. Are you going to... | 0:18:05 | 0:18:07 | |
Because, every time I come on one of your shows, | 0:18:07 | 0:18:09 | |
it's always edited about you. | 0:18:09 | 0:18:11 | |
Don't! | 0:18:16 | 0:18:18 | |
-Where are you going? -I'm just having a look round. | 0:18:20 | 0:18:22 | |
You've seen London before! | 0:18:22 | 0:18:25 | |
-Come and sit down. -No, I'm going to have a look round. | 0:18:27 | 0:18:29 | |
-Go on. -Where are you going? | 0:18:29 | 0:18:31 | |
I'm seeing what's behind here. | 0:18:31 | 0:18:33 | |
Where's he gone now? | 0:18:36 | 0:18:38 | |
You've ruined the whole illusion. | 0:18:43 | 0:18:46 | |
Go on, talk to me here. Talk to me here. | 0:18:46 | 0:18:49 | |
It's freezing! It's freezing! | 0:18:51 | 0:18:53 | |
Go on. | 0:18:53 | 0:18:55 | |
This is nice. | 0:18:55 | 0:18:56 | |
-Go on. -You know what's nice is that we're paying for it, | 0:18:58 | 0:19:01 | |
we might as well use it all. You might as well. | 0:19:01 | 0:19:03 | |
You're more than welcome to come to my house. | 0:19:03 | 0:19:07 | |
It's windy. | 0:19:07 | 0:19:08 | |
Oh, God! | 0:19:15 | 0:19:17 | |
Oh, no! No! | 0:19:19 | 0:19:21 | |
Don't encourage him! | 0:19:21 | 0:19:22 | |
I'll get it back! I'll get it back! | 0:19:25 | 0:19:26 | |
I got it back! I got it! | 0:19:26 | 0:19:28 | |
I've got it! I've got it! I've got it! | 0:19:28 | 0:19:30 | |
It's all right! It's OK, everybody in that building! | 0:19:30 | 0:19:33 | |
Don't worry! | 0:19:33 | 0:19:36 | |
He's got you. | 0:19:36 | 0:19:37 | |
You know what this is? | 0:19:37 | 0:19:38 | |
This is... If Ken Loach directed King Kong, this is what you get. | 0:19:38 | 0:19:41 | |
Ken Loach's Die Hard. That's what this is. | 0:19:41 | 0:19:45 | |
Peter, we're going to take a break. Can you hang on? | 0:19:45 | 0:19:48 | |
I'll be here. See you in a minute. | 0:19:48 | 0:19:50 | |
Don't go away, we'll be back with more Peter Kay after this. | 0:19:50 | 0:19:52 | |
MUSIC: Let's Get It On by Marvin Gaye | 0:19:54 | 0:19:56 | |
# Baby... # | 0:19:58 | 0:20:00 | |
Oh, yes. 26p, a bit of Marvin. | 0:20:00 | 0:20:02 | |
He knew the score. | 0:20:02 | 0:20:04 | |
# For so long... # | 0:20:04 | 0:20:05 | |
Do you ever get lonely? | 0:20:05 | 0:20:07 | |
No. | 0:20:07 | 0:20:09 | |
Not with Marvin, anyway. | 0:20:09 | 0:20:10 | |
# I got you, baby | 0:20:10 | 0:20:13 | |
# Come on | 0:20:13 | 0:20:14 | |
# Oh, come on | 0:20:14 | 0:20:16 | |
# Ooh... # | 0:20:16 | 0:20:18 | |
-Have you been to America? -No. | 0:20:19 | 0:20:22 | |
Me and Jerry went, | 0:20:22 | 0:20:23 | |
when the Neptune burnt down a couple of years ago. | 0:20:23 | 0:20:26 | |
Oh, yeah. Had a marvellous two weeks. | 0:20:26 | 0:20:28 | |
Jerry got the shits. | 0:20:28 | 0:20:30 | |
Lovely time. | 0:20:30 | 0:20:32 | |
I've got a video of it somewhere. It's on the floor down there. | 0:20:32 | 0:20:35 | |
-Just whack it in. I've set it. -Oh, right. -On top of there. Yeah. | 0:20:35 | 0:20:38 | |
Jerry did it with his camcorder. There. | 0:20:38 | 0:20:40 | |
On top of Flashdance. | 0:20:40 | 0:20:42 | |
It's set. | 0:20:42 | 0:20:43 | |
# Sensitive people | 0:20:43 | 0:20:46 | |
# With so much to give | 0:20:46 | 0:20:49 | |
# I love you, sugar... # | 0:20:49 | 0:20:53 | |
Sorry. | 0:20:53 | 0:20:55 | |
This is it. Here, look. There you go. | 0:20:55 | 0:20:57 | |
Last night, this. They had a big firework display. | 0:20:58 | 0:21:01 | |
So, have you always lived on your own? | 0:21:02 | 0:21:04 | |
# There's nothing wrong... # | 0:21:04 | 0:21:08 | |
No, I were with Jean for many years. | 0:21:08 | 0:21:10 | |
Worse luck. | 0:21:11 | 0:21:13 | |
Here we are, look at this. Look at these rockets. | 0:21:13 | 0:21:16 | |
Stand well back. | 0:21:16 | 0:21:17 | |
Blow your head off, them. | 0:21:17 | 0:21:19 | |
Marvellous what they can do, look. | 0:21:22 | 0:21:24 | |
FIREWORKS EXPLODE | 0:21:24 | 0:21:26 | |
# Don't you know how sweet and wonderful life can be? | 0:21:28 | 0:21:35 | |
# I'm asking you, baby | 0:21:39 | 0:21:43 | |
# To get it on with me | 0:21:43 | 0:21:45 | |
# I ain't gonna worry | 0:21:51 | 0:21:54 | |
# I ain't gonna push... # | 0:21:54 | 0:21:56 | |
WOMAN MOANS | 0:21:59 | 0:22:01 | |
Oh. | 0:22:01 | 0:22:02 | |
Splash your cream right in her headlights. | 0:22:02 | 0:22:05 | |
Where's the remote? Where's the remote? | 0:22:05 | 0:22:06 | |
Knock it off. It's Jerry's tape, this. | 0:22:06 | 0:22:09 | |
It's Jerry's. Knock it off. | 0:22:09 | 0:22:11 | |
Sunday afternoons, then I'd get ready for school on Monday morning, | 0:22:12 | 0:22:15 | |
have a bath, get me hair dried watching Hart To Hart and Magnum. | 0:22:15 | 0:22:20 | |
My sister would be upstairs in t'back bedroom | 0:22:20 | 0:22:22 | |
taping t'top 40 off t'radio. | 0:22:22 | 0:22:23 | |
Do you ever do that on Sundays? Tape t'charts? | 0:22:26 | 0:22:28 | |
And try and stop it before he speaks? | 0:22:28 | 0:22:30 | |
That's a skill, that. | 0:22:32 | 0:22:33 | |
That's a skill. | 0:22:33 | 0:22:35 | |
"Ultravox, Vienna's a non-mover." | 0:22:37 | 0:22:38 | |
"Oh, shit!" | 0:22:38 | 0:22:40 | |
"Five Star, Rain Or Shine has gone two places..." | 0:22:41 | 0:22:43 | |
"Oh, shit. Come on." | 0:22:43 | 0:22:45 | |
Do our own dance routines in the bedroom. | 0:22:45 | 0:22:48 | |
In front of t'mirror. | 0:22:48 | 0:22:49 | |
# Tay-tay-tay-tay | 0:22:51 | 0:22:53 | |
# T-tay t-tay tay-tay-tay | 0:22:53 | 0:22:54 | |
# Take or leave us | 0:22:54 | 0:22:56 | |
# Only please b... # | 0:22:56 | 0:22:57 | |
"What's she doing up there? What's she doing? | 0:23:00 | 0:23:03 | |
"Dancing? I'll come up there and give you something to dance about, | 0:23:03 | 0:23:07 | |
"Lady Jane. | 0:23:07 | 0:23:09 | |
"I'm trying to watch Highway down here." | 0:23:09 | 0:23:11 | |
HE MAKES A BEAT | 0:23:12 | 0:23:14 | |
Go to t'school disco on a Thursday night. | 0:23:16 | 0:23:19 | |
Have a bottle of 20/20 behind a skip. | 0:23:19 | 0:23:21 | |
White Lightning. | 0:23:24 | 0:23:25 | |
"I'm pissed and I don't give a shit! Come on!" | 0:23:26 | 0:23:29 | |
# Never gonna give you up | 0:23:31 | 0:23:33 | |
# Never gonna let you down | 0:23:33 | 0:23:35 | |
# Never gonna run around | 0:23:35 | 0:23:37 | |
# Desert you... # | 0:23:37 | 0:23:39 | |
# Too many broken hearts in the world | 0:23:40 | 0:23:44 | |
# Too many dreams can... # | 0:23:44 | 0:23:47 | |
"You're doing it wrong, watch me. | 0:23:49 | 0:23:51 | |
"Well, take the callipers off. | 0:23:53 | 0:23:54 | |
"What's the matter with you? Enjoy yourself!" | 0:23:54 | 0:23:58 | |
# I won't give up the fight for you... # | 0:23:58 | 0:24:01 | |
Listen, Beverley, erm... | 0:24:09 | 0:24:11 | |
-I'm not very good with words. I was wondering if... -Sh! | 0:24:12 | 0:24:15 | |
It won't be long now. | 0:24:30 | 0:24:32 | |
Just you wait. | 0:24:37 | 0:24:38 | |
Things I'm going to do to you. | 0:24:43 | 0:24:44 | |
Here we go! | 0:24:49 | 0:24:50 | |
Welcome to Manchester Arena, ladies and gentlemen! | 0:24:51 | 0:24:56 | |
Won't be long now. | 0:24:57 | 0:24:59 | |
Just you wait. Things I'm going to do to you. | 0:24:59 | 0:25:01 | |
MUSIC: Uptown Funk by Les Alanos | 0:25:03 | 0:25:05 | |
Stuck! I'm not moving, am I? | 0:25:08 | 0:25:09 | |
Argh! Get me down! | 0:25:09 | 0:25:11 | |
Can you hear me now? | 0:25:11 | 0:25:12 | |
We didn't have to have it here. | 0:25:18 | 0:25:19 | |
I said we could have this fundraiser at the Phoenix Club. | 0:25:19 | 0:25:22 | |
Have it here, they said. | 0:25:22 | 0:25:23 | |
They wanted me to have big names. | 0:25:23 | 0:25:25 | |
I thought, "We don't need big names, we can do it ourselves." | 0:25:25 | 0:25:28 | |
I've got regulars at the club that could pull this off. | 0:25:28 | 0:25:31 | |
They're all entertainers in their own minds. | 0:25:31 | 0:25:33 | |
Do we look like a pair of dickheads? | 0:25:39 | 0:25:41 | |
You're laughing in the wrong bit. | 0:25:46 | 0:25:48 | |
Y'all right? | 0:25:51 | 0:25:53 | |
# Don't forget your black bin bags | 0:25:53 | 0:25:55 | |
# They're on offer till December | 0:25:56 | 0:25:59 | |
# They're your heavy-duty black bin bags | 0:26:00 | 0:26:03 | |
# They're long and black and slender... # | 0:26:05 | 0:26:08 | |
Dreadful! Where's Ray? Ray! | 0:26:08 | 0:26:10 | |
Ray Von! Where are you? | 0:26:10 | 0:26:12 | |
# Pump up the volume Pump up the volume | 0:26:12 | 0:26:14 | |
# Pump up the volume Dance, dance... # | 0:26:14 | 0:26:16 | |
This next act has flown in all the way from Las Vegas. | 0:26:16 | 0:26:20 | |
-Has he? -Were power-washing my drive yesterday. | 0:26:20 | 0:26:23 | |
Kenny Sr! | 0:26:24 | 0:26:27 | |
# Oh, baby, baby | 0:26:27 | 0:26:29 | |
# How was I supposed to know | 0:26:29 | 0:26:33 | |
# That something wasn't right? | 0:26:35 | 0:26:38 | |
# When I'm not with you I lose my mind | 0:26:38 | 0:26:41 | |
# Give me a sign... # | 0:26:41 | 0:26:44 | |
Give him a sign? I'll flip him the bird. | 0:26:44 | 0:26:46 | |
# Hit me, baby, one more time. # | 0:26:46 | 0:26:48 | |
# The circle of life | 0:26:49 | 0:26:54 | |
# It's the wheel of fortune... # | 0:26:54 | 0:26:56 | |
Just so you know, the money raised is going to a very worthy cause. | 0:26:56 | 0:27:00 | |
Finally going to put Africa on the map. | 0:27:00 | 0:27:03 | |
We're going to open a club out there, Phoenix Club Africa branch. | 0:27:03 | 0:27:06 | |
We're going to go out there | 0:27:06 | 0:27:07 | |
and we're going to give them something they've never had. | 0:27:07 | 0:27:10 | |
Five-star adult cabaret. | 0:27:10 | 0:27:12 | |
Are you still alive? | 0:27:17 | 0:27:19 | |
Let's see you all clapping. Come on, it's Comic Relief! | 0:27:29 | 0:27:32 | |
# The circle of life | 0:28:08 | 0:28:13 | |
# It's the wheel of fortune... # | 0:28:13 | 0:28:16 | |
Thank you very much, everybody! | 0:28:16 | 0:28:18 | |
I would like to thank all the main cast of the show for doing this, | 0:28:18 | 0:28:23 | |
giving so much of their time for free. | 0:28:23 | 0:28:26 | |
It was something that I had a bit of an idea about | 0:28:26 | 0:28:30 | |
and they've all been fantastic and they all did it | 0:28:30 | 0:28:32 | |
and I really appreciate it. | 0:28:32 | 0:28:34 | |
Thank you very much. Thanks for supporting us. | 0:28:34 | 0:28:36 | |
And, for Comic Relief, you've raised a total of... | 0:28:36 | 0:28:39 | |
Yes! Goodnight! Thank you! | 0:28:44 | 0:28:47 | |
# The circle of life. # | 0:28:48 | 0:28:51 |